Latest / Honey Badger Radio / Love is blind, women most affected. | Maintaining Frame 184

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Love is blind, women most affected. | Maintaining Frame 184 · Honey Badger Radio

• 0:00
  Speaker 1: Okay, and we're live. Hello everybody, and welcome to Honey
• 0:04
  Speaker 1: Badger Radio. My name is Brian here with Elise and
• 0:06
  Speaker 1: then this is maintaining frame Wait, what's going on here?
• 0:09
  Speaker 1: Maintaining frame number? What number is this? One is twenty four?
• 0:15
  Speaker 1: Love is Blind Women Most Affected?
• 0:19
  Speaker 2: Yeah, and yeah, Well, essentially it's about the Love is
• 0:24
  Speaker 2: Blind reality TV show where I guess couples compete to
• 0:28
  Speaker 2: get married, to be the first to get married, or
• 0:31
  Speaker 2: the first for a proposal or something. Unless you can
• 0:35
  Speaker 2: explain the premise of it, it seems very something I
• 0:39
  Speaker 2: would never watch honestly outside of the general cultural commentary
• 0:46
  Speaker 2: that we make. But yeah, so today we're responding to
• 0:50
  Speaker 2: Byrony Claire. She has thoughts on this phenomenon, the blind Spot,
• 0:57
  Speaker 2: and she reflects a lot of the same thoughts of
• 1:00
  Speaker 2: a sick well an increasingly large number of women, shall
• 1:04
  Speaker 2: we put it that way, uh, in regards to the
• 1:07
  Speaker 2: relationship between men and women. So it's good to get
• 1:10
  Speaker 2: it out. Well. She I think she reflects what a
• 1:14
  Speaker 2: lot of women think about the relationship between men and women. Yeah,
• 1:19
  Speaker 2: Irony Claire, She's not an insignificant voice. I mean, I'm
• 1:23
  Speaker 2: an insignificant voice. Irony Claire is a very popular voice,
• 1:26
  Speaker 2: and others like her, like she Ra, manifest del et cetera.
• 1:31
  Speaker 2: So it's good to look into and see what the
• 1:34
  Speaker 2: more normy female opinion is and quail and abject horror
• 1:40
  Speaker 2: at it. So let's uh, should we just start? Let's
• 1:44
  Speaker 2: just let her, let her do her things?
• 1:46
  Speaker 1: Should like yeah or uh? Sure? So let me see
• 1:52
  Speaker 1: here in just a second.
• 1:53
  Speaker 2: While you're doing that, Feed the Badger dot com slash
• 1:55
  Speaker 2: just the tip to send any messages if you like
• 1:58
  Speaker 2: the stuff we're talking about, you don't like the stuff
• 2:00
  Speaker 2: if you're talking about you want to tell me that
• 2:01
  Speaker 2: I'm wrong on some very important point of detail. You
• 2:05
  Speaker 2: want to correct my pronunciation that seems to be a
• 2:07
  Speaker 2: common one lately. Feed the Badger dot com slash just
• 2:10
  Speaker 2: the tip. We get the benefit of whatever funds you send,
• 2:12
  Speaker 2: and you get the benefit of not sending your comments
• 2:15
  Speaker 2: through YouTube's comment thresher system. Take that for whatever way
• 2:20
  Speaker 2: you want. All right, Brian, shall we watch the first Yeah?
• 2:24
  Speaker 2: Let us let us see what hers.
• 2:28
  Speaker 1: All right? Sure, let me see here. We're looking at
• 2:38
  Speaker 1: the I'm just scrolling down to find the timecodes in
• 2:42
  Speaker 1: this massive document you sent me Oh, do you want
• 2:47
  Speaker 1: me to navigate it if you could tell me the timecode? Yeah,
• 2:51
  Speaker 1: I can believe the intro just to lay out the.
• 2:53
  Speaker 2: All right, just just pleasantly. Everything starts with the intro, right,
• 2:57
  Speaker 2: because she just sort of lays out her thesis there,
• 2:59
  Speaker 2: So start there.
• 3:01
  Speaker 1: Yeah.
• 3:01
  Speaker 3: Johnny Bravo always said, Hey, they're pretty vill mama. No tattoos.
• 3:05
  Speaker 4: Okay, you don't put bumper stickers in this car. I'm
• 3:08
  Speaker 4: just all them nice guys. O.
• 3:14
  Speaker 1: God, what well, this is like a singer, like a
• 3:22
  Speaker 1: stinger type thing for the show. So okay, wait full
• 3:26
  Speaker 1: context because I guess some of you guys are probably like,
• 3:28
  Speaker 1: what the hell is this about. There is a reality
• 3:33
  Speaker 1: TV show called Love Is Blind and it was basically
• 3:41
  Speaker 1: Brier Declaire got a request from her listeners to give
• 3:46
  Speaker 1: a reaction to this reality TV show, which is essentially
• 3:51
  Speaker 1: to say, you know, look at this through your intersectional
• 3:55
  Speaker 1: lens and give us your thoughts. So you have an
• 3:58
  Speaker 1: audience people who are obviously into the show. They're like
• 4:02
  Speaker 1: watching it and they're asking this woman, Brian Declaire to
• 4:06
  Speaker 1: give her thoughts on the show, like it's almost you
• 4:10
  Speaker 1: know what I think it is is they're they're asking
• 4:11
  Speaker 1: permission to like it, like it is it dad, that
• 4:14
  Speaker 1: we enjoy this because it is this is reality TV,
• 4:18
  Speaker 1: Like this is written for these kinds of well they're written.
• 4:22
  Speaker 1: It's written with women in mind. Generally, they like to
• 4:25
  Speaker 1: watch the relationship dynamics, the social dynamics, you know, the
• 4:29
  Speaker 1: hot mess of people that they have on. It's like
• 4:33
  Speaker 1: pro wrestling, it's and it's just as real.
• 4:39
  Speaker 2: But the thing is that I don't think many men
• 4:42
  Speaker 2: watch pro wrestling and try to divine secrets about anything
• 4:46
  Speaker 2: from No, that's really uncommon. And this is really bizarre.
• 4:53
  Speaker 2: We only have one person watching the the live stream. Wow,
• 4:58
  Speaker 2: that's crazy.
• 5:01
  Speaker 1: Yeah, that's weird.
• 5:03
  Speaker 2: Yeah, that's that.
• 5:04
  Speaker 1: Well, maybe they didn't see it. I don't know.
• 5:08
  Speaker 2: That's me, Like, I'm the only one watching. Interesting. Let
• 5:12
  Speaker 2: me just see if this is yeah, let me just
• 5:14
  Speaker 2: see that this is actually? Oh we back now. Oh,
• 5:18
  Speaker 2: I think they're they're confused, like something happened to the stream.
• 5:23
  Speaker 2: Let me just double check what's going on with the car.
• 5:26
  Speaker 1: The horizonal on YouTube is broken, but there is a
• 5:28
  Speaker 1: horizontal plane.
• 5:30
  Speaker 2: Yeah yeah, it's just nobody on it. Interesting. Okay, well,
• 5:35
  Speaker 2: well look on the channel.
• 5:37
  Speaker 1: See if you see it. Oh wait, I will, I
• 5:42
  Speaker 1: will send the link the new link through. It looks
• 5:44
  Speaker 1: like it made a new link.
• 5:46
  Speaker 2: Yeah, so maybe we should just stick with the horizon
• 5:51
  Speaker 2: or the vertical. What okay? Oh no, I just said
• 5:55
  Speaker 2: maybe we should just do verticals. But then again, I
• 5:57
  Speaker 2: guess people.
• 5:58
  Speaker 1: Would a link to in the in the discord.
• 6:02
  Speaker 2: So all right, all right, well.
• 6:08
  Speaker 1: Okay, so this is like a stinger reel that they
• 6:13
  Speaker 1: use to promote the show. So it usually has like
• 6:16
  Speaker 1: the most emotional, the most dramatic. Yeah, yeah, the most
• 6:20
  Speaker 1: dramatic moments of the show.
• 6:22
  Speaker 2: So this is this is girl crap. Huh I said,
• 6:26
  Speaker 2: this is girl crack.
• 6:28
  Speaker 1: This is yeah, girl crap, girl craft.
• 6:31
  Speaker 2: Girl crack, girl craft, girl craft.
• 6:34
  Speaker 4: I mean, what's scarier than this?
• 6:36
  Speaker 5: I mean, other than staying informed of all of the
• 6:38
  Speaker 5: horror is happening in the world and like just looking
• 6:40
  Speaker 5: outside your window, especially if you live in the US,
• 6:43
  Speaker 5: what's better than a dumpster fire to make you feel
• 6:45
  Speaker 5: better about the fact that you're single or super grateful
• 6:48
  Speaker 5: that you're in an actual healthy relationship because spoiler alert,
• 6:52
  Speaker 5: we're not really going to see any of that, but.
• 6:58
  Speaker 2: Just her affectation. I guess this really appeals to women.
• 7:02
  Speaker 1: Oh well, let's let's unpack that a little bit. So
• 7:08
  Speaker 1: she said that this is a good thing because there's
• 7:13
  Speaker 1: a whole lot of chaos in the world, and of
• 7:16
  Speaker 1: course especially in the US, even though she doesn't know
• 7:18
  Speaker 1: that because she lives in Australia, and I would argue
• 7:20
  Speaker 1: Australia is in worse shape. But whatever, and also something
• 7:25
  Speaker 1: something you'll be happy or single or you know, even better,
• 7:29
  Speaker 1: you're not in a terrible relationship. Uh so we're basically
• 7:33
  Speaker 1: gonna watch other people's pain and enjoy ourselves. I guess, yes, So.
• 7:42
  Speaker 2: Yep, okay, that's what she's setting up. But also this
• 7:45
  Speaker 2: is cherry picked from a season that's cherry picked. Like
• 7:49
  Speaker 2: that I in for full comprehensive understanding of this phenomenon,
• 7:57
  Speaker 2: I actually analyzed another YouTuber who was a therapist not
• 8:02
  Speaker 2: Byrony Claire, who looked at this show, and she points
• 8:06
  Speaker 2: out that the people are selected for being hot messes.
• 8:10
  Speaker 2: So the men are selected, and specifically, most likely the
• 8:12
  Speaker 2: men are selected to trigger outrage in the women who
• 8:17
  Speaker 2: are watching this, because the outrage goes viral. Right, So
• 8:21
  Speaker 2: these are a select group of men who are not
• 8:24
  Speaker 2: selected for emotional maturity or stability or anything, right, they aren't.
• 8:31
  Speaker 2: And even even those that one man in the show
• 8:34
  Speaker 2: that probably the showrunners put in because they were like, Okay,
• 8:37
  Speaker 2: this is the this is the guy that all the
• 8:39
  Speaker 2: women will root for because he's so nice and responsible, right,
• 8:44
  Speaker 2: this is his name is Jordan. Even that guy gets
• 8:48
  Speaker 2: a send up from Brianny Byrony Claire. She doesn't even,
• 8:51
  Speaker 2: she doesn't even want she even tears that guy down.
• 8:56
  Speaker 2: Sorry did I just bury the lead? Because it is
• 9:01
  Speaker 2: completely uncharitable. It's uncharitable on so many levels. The therapist
• 9:04
  Speaker 2: points out that not only are these people chosen to
• 9:07
  Speaker 2: be hot messes like Brian is talking about, and this
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  Speaker 2: season in particular is particularly bad for that these people
• 9:15
  Speaker 2: are edited. These men have been edited down, taken out
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  Speaker 2: of context, and edited down to create the maximum amount
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  Speaker 2: of drama and outrage porn. Okay, so we're we're not
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  Speaker 2: We're looking at cherry picked men who are basically actors,
• 9:31
  Speaker 2: because this is all fake cherry picked men, cherry picked
• 9:35
  Speaker 2: moments from those men that are recontextualized to create the
• 9:39
  Speaker 2: greatest amount of outrage. And then we are responding to
• 9:42
  Speaker 2: this and saying, see, this is what men are like,
• 9:45
  Speaker 2: aren't you grateful to be single? Ladies? What?
• 9:50
  Speaker 1: That's right? That is the point.
• 9:54
  Speaker 2: Okay, well let's get in. I guess we don't need
• 9:58
  Speaker 2: to do the rest of this.
• 10:01
  Speaker 1: Well, I mean, that's the thing. Like Briann Eclair, her
• 10:04
  Speaker 1: whole vibe is usually to use stuff happening in pop
• 10:10
  Speaker 1: culture to make an argument about reality, and pop culture
• 10:16
  Speaker 1: is almost never about reality, but she's so convinced. It's
• 10:21
  Speaker 1: like the you know, it's like a confirmation bias that
• 10:26
  Speaker 1: you know, these things must reflect something real because I
• 10:28
  Speaker 1: feel like they do. And so that's what she goes with.
• 10:31
  Speaker 1: And so reality TV is not real. I mean, like
• 10:36
  Speaker 1: I'm not saying it's completely scripted, but from what I understand,
• 10:39
  Speaker 1: reality TV is, Yes, they find there are interviews involved.
• 10:43
  Speaker 1: Specific people get selected to be in reality television and
• 10:48
  Speaker 1: it usually has something to do with how much emotional
• 10:53
  Speaker 1: content is gonna come out of them, either be based
• 10:55
  Speaker 1: on their behavior or their habits or their personality or
• 11:00
  Speaker 1: whatever their beliefs, and they use them to get the
• 11:04
  Speaker 1: audience to react a certain way because it drives the
• 11:07
  Speaker 1: ratings up, but also because it does like they can
• 11:09
  Speaker 1: like create craft a narrative and then they do all
• 11:13
  Speaker 1: of their filming and then they have a bunch of
• 11:19
  Speaker 1: they have a bunch of editing that happens, so you
• 11:24
  Speaker 1: get all of these highly edited videos. I mean like
• 11:28
  Speaker 1: even like we've already talked about how and you know,
• 11:31
  Speaker 1: these sort of shows like Jubilee will have like a
• 11:35
  Speaker 1: big you know, confrontation and maybe the full encounter, the
• 11:41
  Speaker 1: full meeting was like two hours long, but they trim
• 11:44
  Speaker 1: it down to like a half an hour and they
• 11:47
  Speaker 1: and they just put the juiciest bits in there, and
• 11:50
  Speaker 1: they have a bunch of cut to reactions and music
• 11:53
  Speaker 1: and whatever it takes. Right, So the really is that
• 11:57
  Speaker 1: And so Brian Declaire is getting uh, just like I
• 12:02
  Speaker 1: don't know, several orders of removal from reality and then
• 12:07
  Speaker 1: teaks it as though it is reality, and your audience
• 12:11
  Speaker 1: eats it up because that's what you want to hear.
• 12:13
  Speaker 2: Yeah, and and we and they sink further into the
• 12:17
  Speaker 2: tar pit.
• 12:18
  Speaker 1: Honestly, well then they do. I mean, I don't know.
• 12:25
  Speaker 1: I think the most of most regular people are just
• 12:27
  Speaker 1: moving on. But mm hmm.
• 12:31
  Speaker 2: It's a good shack of women now. Yeah, like it's
• 12:35
  Speaker 2: and it's going to become the majority in like five
• 12:37
  Speaker 2: years at least the majority signal. Maybe not all the
• 12:41
  Speaker 2: single ladies are in this tar pit, but it's a
• 12:45
  Speaker 2: it's a huge shack of them, Brian. It's it is
• 12:48
  Speaker 2: an issue, I think, and honestly, it's all based on
• 12:52
  Speaker 2: a complete and utter lie about reality. So they're sinking
• 12:57
  Speaker 2: into this lie more and more and more, and how
• 13:00
  Speaker 2: do you get them out of it? The only way
• 13:01
  Speaker 2: to get him out of it is to challenge the line,
• 13:03
  Speaker 2: and nobody wants to do it because these women have
• 13:07
  Speaker 2: incredibly small scale control over people's lives. What do you do?
• 13:13
  Speaker 2: Can you tell the HR lady No, Actually, patriarchy conjecture
• 13:17
  Speaker 2: is just cope for your own failures. How quickly you're
• 13:22
  Speaker 2: going to get end up with a sexual harassment suit
• 13:24
  Speaker 2: on your ass, right, because it is a sexual harassment
• 13:28
  Speaker 2: suit even though it's not sexual. If women feel bullied
• 13:32
  Speaker 2: in the workplace, that's a harassment suit, right. There no
• 13:38
  Speaker 2: passo directly to harassment, right, So I mean it's in again.
• 13:42
  Speaker 2: They're just sinking and they're slowly dragging everyone else with them,
• 13:48
  Speaker 2: And yeah, I know that's really freaking depressing. But the
• 13:50
  Speaker 2: first thing to start to solve a problem is to
• 13:53
  Speaker 2: recognize it and I get that, you what you're talking
• 13:57
  Speaker 2: about normal women just doing their lives for the most part.
• 14:00
  Speaker 2: But again, there's still this huge mass, ever expanding mass.
• 14:06
  Speaker 2: We have to somehow figure out how to penetrate, you know.
• 14:12
  Speaker 1: Well, what I'm hoping for is that the women who
• 14:16
  Speaker 1: get swept up in this will suffer enough that they
• 14:21
  Speaker 1: will realize that they have been lied to by women
• 14:24
  Speaker 1: like Briar Declaire and they will get really angry with her.
• 14:27
  Speaker 1: And I think that, yeah, I think that that we
• 14:32
  Speaker 1: may see some of that that might be let's say,
• 14:37
  Speaker 1: blowback or backlash against women who have convinced other women
• 14:43
  Speaker 1: to self destruct and blow up their lives for you know,
• 14:48
  Speaker 1: to basically for clicks or money or just control or
• 14:52
  Speaker 1: just the delight in the chaos.
• 14:54
  Speaker 2: Mm hmm. So okay, well, I apologize. I'm under siege
• 14:59
  Speaker 2: by avoid cat, that's right, who does look a little
• 15:04
  Speaker 2: bit like a tar pit. But if she she wants
• 15:07
  Speaker 2: he treats and I have none, I guess I could
• 15:10
  Speaker 2: get her a shot. Callar, no, let's not go to
• 15:14
  Speaker 2: your place. No, No, I I'm the one who has
• 15:19
  Speaker 2: to suffer, not the cat. I'm just kidding. I would
• 15:23
  Speaker 2: not do that, especially not to a cat like I
• 15:27
  Speaker 2: don't even know. I think that would result in the
• 15:29
  Speaker 2: cat plotting your demise and succeeding in removing you from
• 15:35
  Speaker 2: this earth.
• 15:36
  Speaker 6: All right, okay, let's all right, let's play some more.
• 15:40
  Speaker 5: I haven't made a video on this show before, and
• 15:42
  Speaker 5: this was the first time watching the US version, and
• 15:45
  Speaker 5: this scene in particular inspired me to make this video.
• 15:48
  Speaker 3: How would you react if at some point your child
• 15:50
  Speaker 3: told you they were LGBTQ plus.
• 15:52
  Speaker 1: No matter what, I'm always gonna love my kids, But like,
• 15:55
  Speaker 1: I can't tell you, I would be the first person
• 15:57
  Speaker 1: to be like yay.
• 16:00
  Speaker 5: And the conversation is actually far worst than just this
• 16:03
  Speaker 5: saying this with your full chest in the year of
• 16:05
  Speaker 5: twenty twenty five.
• 16:06
  Speaker 4: Oh my goodness.
• 16:09
  Speaker 1: Well, you know, America, I guess people have preferences for
• 16:13
  Speaker 1: their kids.
• 16:14
  Speaker 2: Yeah, I'm pretty sure rural Australians probably do as well.
• 16:19
  Speaker 1: Those aren't humans though, yes, Oh yeah.
• 16:21
  Speaker 2: That's right, I forgot. Yeah we're not human. Well, I mean, honestly,
• 16:26
  Speaker 2: if we're not human, why don't they just go make
• 16:28
  Speaker 2: their own society where they can be with other humans
• 16:31
  Speaker 2: and leave the rest of us alone?
• 16:33
  Speaker 1: Because they need they need the normal people to produce
• 16:36
  Speaker 1: for them, so they can continue to go online and
• 16:38
  Speaker 1: complain about normal people because they won't do it themselves.
• 16:43
  Speaker 1: They need the energy of the normal, but they can
• 16:46
  Speaker 1: like siphon off of.
• 16:48
  Speaker 2: It, so they need to parasitize use it.
• 16:50
  Speaker 1: Yeah, they can to off of normal people who produce
• 16:54
  Speaker 1: things like children.
• 16:57
  Speaker 2: When you're talking about.
• 16:58
  Speaker 1: The way, I don't know if you know, but you
• 17:01
  Speaker 1: don't not talking.
• 17:02
  Speaker 2: About average people anymore. I don't think you're talking about
• 17:05
  Speaker 2: average people anymore. But normal people, I don't not sure.
• 17:07
  Speaker 2: I mean, there's especially normal women are not average anymore.
• 17:11
  Speaker 2: I don't think. Okay, let's all right.
• 17:15
  Speaker 1: So we have the So that was basically the the
• 17:19
  Speaker 1: the clip that said to her, I have to cover
• 17:22
  Speaker 1: this now. This isn't only going to be about that.
• 17:25
  Speaker 1: But yeah, so do you have any Do you have
• 17:29
  Speaker 1: any time codes? You guys?
• 17:31
  Speaker 7: I do.
• 17:31
  Speaker 2: I do have time codes. Let me let me get them. Now,
• 17:35
  Speaker 2: let me because I got a gigantic document I found them.
• 17:39
  Speaker 1: I got all right, So let's see one.
• 17:44
  Speaker 2: I have two sets of time codes. Two sets, so
• 17:46
  Speaker 2: you got to decide. I got the ones that will
• 17:49
  Speaker 2: generate the most interest and the ones that are most
• 17:52
  Speaker 2: relevant to men's issues.
• 17:56
  Speaker 1: Oh okay, well, what what do you want to start with?
• 17:59
  Speaker 2: Just okay, negative portrayal. I'm interested in negative portrayal of men.
• 18:05
  Speaker 4: All right.
• 18:05
  Speaker 2: So the time codes are, yeah, like the whole video,
• 18:13
  Speaker 2: toxic masculinity and fragile male egos. Time five minutes to
• 18:19
  Speaker 2: six thirty. There we got just take a look at that.
• 18:24
  Speaker 2: What she has to say about that?
• 18:27
  Speaker 1: Here, here we go.
• 18:28
  Speaker 4: Spackles his real age.
• 18:29
  Speaker 5: He's in real estate. It's very financed, bro coded. This
• 18:32
  Speaker 5: is Mike, very arrogant.
• 18:35
  Speaker 1: I like, what, why does you have noticed that these
• 18:37
  Speaker 1: people say stuff like that very such and such bro coded?
• 18:42
  Speaker 1: Did you notice that this is the new way feminist
• 18:44
  Speaker 1: attack men is they attach bro to the end of
• 18:47
  Speaker 1: something that men do and that automatically makes it bad.
• 18:52
  Speaker 1: Like like, say you're a man and you're into i
• 18:56
  Speaker 1: don't know, like a low carb palaeo diet. Call you
• 19:00
  Speaker 1: a paleo bro, and then that's that's the insult. That's
• 19:04
  Speaker 1: that you've been insulted. Take it if you're like a
• 19:07
  Speaker 1: dude that's into cars, you know, or go or going
• 19:11
  Speaker 1: to the gym. What do they call them? They call
• 19:12
  Speaker 1: them jim bros. You like going to the gym, you're
• 19:15
  Speaker 1: like being fit. You're Jim Bro now, and that's like,
• 19:18
  Speaker 1: that's that's the slander you have been slandered. You should
• 19:21
  Speaker 1: feel shame because I attached bro. It's almost like the
• 19:26
  Speaker 1: suffex bro itself is an insult, which is.
• 19:31
  Speaker 2: Short for brother.
• 19:33
  Speaker 1: Yeah yeah, o yeah. So she said finance bro coded,
• 19:38
  Speaker 1: which basically means I suspect that he is a bro
• 19:43
  Speaker 1: that works with money and that makes him bad.
• 19:47
  Speaker 5: Solly brings up by a hacking un ironically thinking about it,
• 19:51
  Speaker 5: he probably looks up to Brian Johnson. You know that
• 19:53
  Speaker 5: guy that injected his son's plasma to try and stay
• 19:56
  Speaker 5: young forever.
• 19:56
  Speaker 4: He asked if she'd.
• 19:57
  Speaker 1: Be Brian Johnson as weird as shit it and uh,
• 20:01
  Speaker 1: he's one of these guys that wants to live forever.
• 20:03
  Speaker 2: That is that the guy who compared his nighttime timulescence
• 20:09
  Speaker 2: or timUL nighttime erections with his sons.
• 20:14
  Speaker 1: I think so he's got a he's he's a weird guy,
• 20:19
  Speaker 1: like he's trying to live forever. He basically like gets
• 20:23
  Speaker 1: his son to like donate plasma to him, so he's
• 20:27
  Speaker 1: like literally draining his son's life force and giving it
• 20:31
  Speaker 1: to himself. This guy's like a litch, like they're like
• 20:34
  Speaker 1: that that's but or a vampire or something, but not
• 20:39
  Speaker 1: at all a normal dude Like this is like the
• 20:43
  Speaker 1: this guy's super rich and just weird. Like there are
• 20:46
  Speaker 1: rich people who are trying to live forever. You ever
• 20:50
  Speaker 1: notice that some of the most evil rich people live
• 20:52
  Speaker 1: to be one hundred Pretty sure it's the adrena chrome
• 20:56
  Speaker 1: and the baby like the stem cells or something, but yeah,
• 21:00
  Speaker 1: or the.
• 21:01
  Speaker 2: Blood of virgins. It's like almost like mister Burns was
• 21:05
  Speaker 2: a cautionary tale. Yeah, considering all the things that he
• 21:10
  Speaker 2: did that now rich people want to do to the
• 21:13
  Speaker 2: rest of us. Are well, not all rich people. I'm
• 21:15
  Speaker 2: sure there's quite a few rich people who just want
• 21:17
  Speaker 2: to live their lives.
• 21:18
  Speaker 1: But you know, yeah, I imagine the majority of them do.
• 21:21
  Speaker 1: But I think the people who think that they can
• 21:25
  Speaker 1: transcend mortality, there are few of them. They I mean,
• 21:29
  Speaker 1: you know that they're rare because they make the news,
• 21:31
  Speaker 1: so Brian Brian Johnson, Yeah, yeah, basic ever Yeah, anyway,
• 21:39
  Speaker 1: John Johnson.
• 21:40
  Speaker 2: John John Johnson, John Joe Johnson.
• 21:45
  Speaker 1: John Joe Johnson. That sounds like like one of the
• 21:49
  Speaker 1: agents from the Matrix, mister Johnson. I think there is
• 21:52
  Speaker 1: actually a guy named Agent Johnson.
• 21:55
  Speaker 2: Agent Johnson, all I remember is Agent Smith. Okay, okay, right,
• 22:00
  Speaker 2: Byrony has an issue with this individual. Oh Okay, this
• 22:04
  Speaker 2: doesn't This doesn't reflect on all men. Maybe this one dude. Yes,
• 22:10
  Speaker 2: But again, she's going to call it toxic masculinity if
• 22:14
  Speaker 2: she hasn't already. And once again we have to remind
• 22:16
  Speaker 2: everyone to the people that use the term toxic masculinity
• 22:20
  Speaker 2: recognize no other form of masculinity but toxic.
• 22:25
  Speaker 1: Well, she's already. So I think this is an interesting
• 22:27
  Speaker 1: point because she's she has this guy and he's talking
• 22:31
  Speaker 1: about biohacking. Okay, again, this is like health stuff. Basically,
• 22:36
  Speaker 1: she immediately tries to make it sound like eugenics. So
• 22:41
  Speaker 1: it's all like whatever men try to do to better
• 22:44
  Speaker 1: themselves or protect their families or provide or whatever, or
• 22:48
  Speaker 1: just compete in the marketplace of like you know, marriage
• 22:53
  Speaker 1: and commitment and family, she has to attribute something negative
• 22:58
  Speaker 1: to it. So she immediately jumps from this guy's into
• 23:01
  Speaker 1: biohacking too. He is into eugenics too. He's just like
• 23:05
  Speaker 1: Brian Johnson, the guy who wants to live forever. There's
• 23:08
  Speaker 1: no evidence of that, but that's all she has to
• 23:10
  Speaker 1: do is make a couple of correlations, and the women
• 23:12
  Speaker 1: in her audience will be like, Yep, that's exactly what
• 23:14
  Speaker 1: kind of man he is. It's literally the so you're saying,
• 23:22
  Speaker 1: that's basically what she's doing.
• 23:24
  Speaker 2: Yeah, I would like to make a proposition, completely apropos
• 23:28
  Speaker 2: of nothing and with no evidence. I believe that Byrony
• 23:34
  Speaker 2: is actually the countess that used to kill virgin girls
• 23:40
  Speaker 2: and bathe in their blood.
• 23:43
  Speaker 1: Why am I forgetting her name? But I know here I.
• 23:46
  Speaker 2: Am also I am also forgetting her name. I have
• 23:48
  Speaker 2: no idea why just blanking on her name? But yes,
• 23:51
  Speaker 2: I have absolutely no evidence of this, but I just
• 23:54
  Speaker 2: choose to believe it because it's convenient to the narrative
• 23:57
  Speaker 2: that I am pretending I have right now.
• 23:59
  Speaker 1: Yeah, she was in the Vampire Hunter Deep blood Lust,
• 24:02
  Speaker 1: I know that. But she's a real historical figure. Yeah,
• 24:07
  Speaker 1: I'm forgetting her name anyways. Yeah, that's exactly what Bryany is. No,
• 24:12
  Speaker 1: not Morgan Fay, no legend. It was like uh Mary,
• 24:20
  Speaker 1: oh no, no, she she.
• 24:22
  Speaker 2: Did it religiously that it wasn't about y Bathory. Yeah
• 24:27
  Speaker 2: something not Mary Bathory, but uh Elizabeth Bathrie something like that.
• 24:32
  Speaker 1: Elizabeth Bathree. No, no, not Mary.
• 24:36
  Speaker 2: But that was a Catholic thing. It was religious. She
• 24:39
  Speaker 2: didn't bathe in the blood for for vampiic reasons. Yeah, no, yeah, Okay,
• 24:46
  Speaker 2: you're getting your you're getting your mass female murderers mixed up.
• 24:51
  Speaker 1: Yeah. Yeah. Is it murdering Elizabeth?
• 24:54
  Speaker 2: I think it was Elizabeth Bathory. It might be Elizabeth
• 24:59
  Speaker 2: who was as a woman, the countess who bathed.
• 25:04
  Speaker 1: The countess for sure.
• 25:07
  Speaker 2: Okay, yeah, because it's it's countesses who are always the
• 25:11
  Speaker 2: evil ones, right, Yeah, it's not Duchess's duchess. Duchess is
• 25:18
  Speaker 2: you know, duchess is either a society lady or some
• 25:24
  Speaker 2: British woman who rides horses a lot.
• 25:26
  Speaker 3: Mm hmm.
• 25:27
  Speaker 2: The people chase Okay, my grog is being slow. I
• 25:33
  Speaker 2: let's just go with Elizabeth Bathory.
• 25:35
  Speaker 1: Okay, let's move on. We just made this assumption about
• 25:39
  Speaker 1: but about made probably right because we said it. I
• 25:43
  Speaker 1: mean we said it to you guys in public, So
• 25:45
  Speaker 1: there you go.
• 25:45
  Speaker 2: Yeah, exactly. So what more do we need to prove
• 25:47
  Speaker 2: that she's actually Elizabeth Bathory and bathing in the blood
• 25:50
  Speaker 2: of virgins? Okay, let's go on.
• 25:53
  Speaker 5: Let's keep going to Brian Johnson, you know that guy
• 25:56
  Speaker 5: that injected his son's plans meant to try and stay
• 25:58
  Speaker 5: young forever.
• 25:59
  Speaker 4: He asked if she be angry if he left.
• 26:01
  Speaker 5: Dirty dishes around the place, and Sparkles was saying that
• 26:03
  Speaker 5: she's into traditional gender roles. She really likes san idia
• 26:06
  Speaker 5: of a provider in that sense of security.
• 26:08
  Speaker 1: Quote unquote the provider, but like the security and the safety.
• 26:12
  Speaker 2: He's wrong, Yeah, okay, what's wrong with that? Like that
• 26:19
  Speaker 2: would they're happy with the arrangement of the way that
• 26:21
  Speaker 2: they want to arrange their lives. I want to take
• 26:24
  Speaker 2: care of my woman. And she's like, yeah, oh my god,
• 26:28
  Speaker 2: that's so horrible.
• 26:30
  Speaker 1: That's funny, Like there's an opportunity here because you know, feminists,
• 26:33
  Speaker 1: they want to dismantle the gender roles right, And we've
• 26:39
  Speaker 1: been saying since the very beginning that it's interesting that
• 26:42
  Speaker 1: they never stay explicitly to women that they have to
• 26:47
  Speaker 1: alter their preferences in order to make this work. Right.
• 26:50
  Speaker 1: They only push this on men to say that men
• 26:53
  Speaker 1: should be giving a power to women, and men should
• 26:55
  Speaker 1: be willing to be stay at home dads, and that
• 26:58
  Speaker 1: they should be willing to, you know, be like in
• 27:01
  Speaker 1: the submissive role or whatever. They're always saying that, and
• 27:05
  Speaker 1: they don't say anything to women. And what often happens
• 27:07
  Speaker 1: is is that the few men that are foolish enough
• 27:10
  Speaker 1: to follow those instructions often end up either never finding
• 27:15
  Speaker 1: a woman or the woman resents him over time because
• 27:18
  Speaker 1: the woman still expects the traditional roles from the men.
• 27:22
  Speaker 1: And so what we have now is, uh, it's it's well,
• 27:26
  Speaker 1: I mean, in the in the in the traditional it.
• 27:30
  Speaker 2: Is only traditional in regards to the man's.
• 27:32
  Speaker 1: Role, right, Really, traditional women expect traditional from men and
• 27:39
  Speaker 1: chivalry from men, but also they want liberation and authority
• 27:42
  Speaker 1: for themselves. So you don't have an egalitarian setup or
• 27:48
  Speaker 1: a patriarchal setup. You have only a setup that benefits
• 27:52
  Speaker 1: women in whatever context is desired. And Brianny here has
• 27:57
  Speaker 1: an opportunity to say, you know, ladies, you should be
• 28:02
  Speaker 1: willing to take on the role of provider or you know,
• 28:06
  Speaker 1: do the things that have more often been considered masculine,
• 28:09
  Speaker 1: because you know, in a real egalitarian society like the
• 28:14
  Speaker 1: there would be no difference in the roles. But she
• 28:16
  Speaker 1: doesn't say that. She doesn't say that because that would
• 28:19
  Speaker 1: upset her audience, because they do want that, and she
• 28:23
  Speaker 1: wants that even you know.
• 28:25
  Speaker 2: Well remember Morning Glory milking farm, the woman who was
• 28:28
  Speaker 2: getting the vapors when the bull man was like, I
• 28:32
  Speaker 2: put your wallet away, darling. I got this. I'm a
• 28:35
  Speaker 2: bull who wants to treat his cow, you know, like
• 28:40
  Speaker 2: and that all the women were like, oh, I wish,
• 28:42
  Speaker 2: I wish. It was like, yes, he says, I want
• 28:45
  Speaker 2: to take care of my woman, and she's and Byrony
• 28:49
  Speaker 2: is turning that into some horrible thing. And yet if
• 28:53
  Speaker 2: you really look at this whole the history of this, right,
• 28:58
  Speaker 2: this is new. The the idea of a homemaker versus
• 29:02
  Speaker 2: a homesteader, a woman who is productive in the context
• 29:07
  Speaker 2: of you know, like a small plot of land or
• 29:09
  Speaker 2: or a small farm or whatever. That's completely new. That is,
• 29:13
  Speaker 2: that is something constructed by Hollywood in the fifties. It
• 29:17
  Speaker 2: took women's role from one of productivity to consumption in
• 29:21
  Speaker 2: the fifties. That's the first stage of all of this
• 29:24
  Speaker 2: product from production to consumption. And it's recently I watched
• 29:28
  Speaker 2: this this little compilation of all of the types of
• 29:35
  Speaker 2: fruit and berries that used to be used in baking
• 29:40
  Speaker 2: in the US, all across the US. So you know,
• 29:43
  Speaker 2: the US is really big lots of different biomes, lots
• 29:46
  Speaker 2: of different very local fruits and berries, and there it
• 29:50
  Speaker 2: went through twenty of them that no longer exists on
• 29:53
  Speaker 2: the table for the US, like gooseberries for simmons and
• 29:57
  Speaker 2: other and other things that that Americans would use locally
• 30:02
  Speaker 2: to create sweets and bake goods. And each one of
• 30:06
  Speaker 2: those those items, each one of those types of fruit,
• 30:10
  Speaker 2: and the reason why they were no longer used is
• 30:12
  Speaker 2: because they were seasonal. They had very specific preparation methods
• 30:16
  Speaker 2: that were complex and couldn't be industrialized. And what happened
• 30:19
  Speaker 2: is they took all of the women with all of
• 30:22
  Speaker 2: that specialized knowledge to create productivity from their local environment,
• 30:29
  Speaker 2: and they replaced them all with consumptive homemakers who just
• 30:34
  Speaker 2: bought sugary problem for their families. So you went from
• 30:39
  Speaker 2: women who would know what to harvest, when to harvest it,
• 30:44
  Speaker 2: how to prepare it, because a lot of the stuff
• 30:46
  Speaker 2: is astringent or bitter or toxic if you don't prepare
• 30:49
  Speaker 2: it right. And they could take all of that and
• 30:52
  Speaker 2: produce sweet things in a time when sugar was very
• 30:55
  Speaker 2: expensive or completely non existent. Right. So this was very
• 30:59
  Speaker 2: special knowledge that women had about their environment and how
• 31:03
  Speaker 2: to produce using things from their environment. And it disappeared
• 31:07
  Speaker 2: and was replaced by the homemaker who takes it out
• 31:09
  Speaker 2: of a box and puts it like slops it into
• 31:13
  Speaker 2: a tray and puts it in an oven. And that's it.
• 31:15
  Speaker 2: So we go from that, like a woman who you know,
• 31:19
  Speaker 2: knows what's in season, knows how to prepare it, knows
• 31:23
  Speaker 2: how to harvest it, knows how to make sure that
• 31:25
  Speaker 2: it can last throughout the winter. We went from that
• 31:28
  Speaker 2: to someone who does three hours a day if that,
• 31:33
  Speaker 2: and buys everything and has everything automated for her. And
• 31:37
  Speaker 2: that's why this is completely artificial. This is this is
• 31:42
  Speaker 2: not traditional. The woman with that kind of local knowledge,
• 31:46
  Speaker 2: that was traditional. The woman who was productive in the
• 31:49
  Speaker 2: context of home and hearth, that was traditional, right even
• 31:52
  Speaker 2: in Proverbs thirty one. A woman who bought and sold
• 31:55
  Speaker 2: and invested wisely so that she increased the fortunes of
• 31:58
  Speaker 2: her family, that was tradition. This is a Hollywood construction
• 32:02
  Speaker 2: from the fifties, and it's only traditional because now we've
• 32:07
  Speaker 2: got this new thing. At that time, they were changing
• 32:11
  Speaker 2: women from being local producers right to consumers. And they
• 32:18
  Speaker 2: were they were changing the mentality of women from I
• 32:21
  Speaker 2: need to produce these things for my family to I
• 32:25
  Speaker 2: consume these things, and it's about me and what I
• 32:30
  Speaker 2: my leisure, what I enjoy, what I look like, that
• 32:34
  Speaker 2: kind of thing. So they were changing that mentality through
• 32:37
  Speaker 2: all of this advertising. And then when they had basically
• 32:42
  Speaker 2: run out of ways to change our women into consumers,
• 32:46
  Speaker 2: they did. They invented this new form of consumption which
• 32:50
  Speaker 2: was rights, rights as consumable goods. Right, not rights and
• 32:56
  Speaker 2: responsibilities to put in service to society, but right as
• 33:00
  Speaker 2: consumable goods that you are being excluded from because of
• 33:05
  Speaker 2: men's mendacity. So they went from the consuming housewife to
• 33:10
  Speaker 2: the consuming boss babe, and yeah, none of that is traditional,
• 33:17
  Speaker 2: none of it. And he's like, he's this is like again,
• 33:21
  Speaker 2: this isn't a traditional arrangement of a family. Right. If
• 33:24
  Speaker 2: it was traditional, she would be saying, well, I'm bringing
• 33:26
  Speaker 2: in these skills and these resources to our family to
• 33:29
  Speaker 2: help support the production of a household and children. This
• 33:34
  Speaker 2: is just a modern woman defined by consumption saying I
• 33:38
  Speaker 2: want you to underwrite my consumptive lifestyle, and him saying, yeah,
• 33:42
  Speaker 2: I take an identity from that. I take a positive
• 33:46
  Speaker 2: identity as a man from that, and neither Byron, You're right,
• 33:50
  Speaker 2: myrone Claire is not saying to women, step up, get
• 33:53
  Speaker 2: out of that role, become better or different or more,
• 33:57
  Speaker 2: or go back and really think about what the true
• 34:00
  Speaker 2: aditional role for women really was and really go back
• 34:03
  Speaker 2: to that. She's not saying any of that. She's just
• 34:06
  Speaker 2: simply continuing with this narrative that women are victims of
• 34:10
  Speaker 2: all of these iterations of centering the world on their consumption,
• 34:15
  Speaker 2: on their needs, on what they want. Okay, that was
• 34:22
  Speaker 2: That was a little long digression. It was a lot
• 34:24
  Speaker 2: of thoughts I put out there. I apologize. Hopefully you
• 34:29
  Speaker 2: find them edifying on some level or you get something
• 34:31
  Speaker 2: out of them.
• 34:33
  Speaker 1: So, yeah, it is Elizabeth Bathory, blood Countess or Carmilla
• 34:42
  Speaker 1: Elizabeth Bathory. I was think it was Carnilla or something.
• 34:46
  Speaker 1: Was Carmela Elizabeth Bathory, the blood Countess. Okay, so that's who.
• 34:51
  Speaker 1: That's who made this video. I'm just going to go
• 34:53
  Speaker 1: with that. Yeah all right. So yeah, so this man says,
• 34:57
  Speaker 1: the woman says, or I'm sorry that says, I want
• 35:00
  Speaker 1: to take care of my woman. The woman's like, yes,
• 35:02
  Speaker 1: I do. So you have a meme where you have
• 35:04
  Speaker 1: the guy shaking hands, and the man's like, I will
• 35:06
  Speaker 1: take care of you, and the woman's like, I would
• 35:08
  Speaker 1: like that, and Briny artistically spreeching in the background, because
• 35:12
  Speaker 1: that that breaks the gender roles thing that she had,
• 35:16
  Speaker 1: like her whole concept of breaking generals is shattered. But
• 35:19
  Speaker 1: she won't actually to do that because.
• 35:24
  Speaker 2: It is a traditional gender role in that there is
• 35:26
  Speaker 2: a role for men in a role for women.
• 35:29
  Speaker 1: Yes, well, the idea is that she would be like,
• 35:33
  Speaker 1: go ahead.
• 35:34
  Speaker 2: You could say that, like if women and slave men,
• 35:36
  Speaker 2: you could still call that a traditional gender role and
• 35:39
  Speaker 2: call it men pressing women because it's because it's because
• 35:42
  Speaker 2: it's a role for men and it's a role for women.
• 35:45
  Speaker 2: And then Byrony Claire would say that is traditional, therefore
• 35:48
  Speaker 2: that's patriarchal. Therefore men are being are oppressing women by
• 35:52
  Speaker 2: being their slaves.
• 35:53
  Speaker 6: Yeah, this logic is.
• 35:58
  Speaker 2: Okay, it's okay, all right, okay, it's interesting.
• 36:01
  Speaker 1: Let's keep going. I love that you said that.
• 36:04
  Speaker 5: Honestly, I thought that she said that she was rich
• 36:06
  Speaker 5: and guys were intimidated by her, so you want someone
• 36:08
  Speaker 5: even richer than you. And then it gets revealed that
• 36:10
  Speaker 5: Mike is part of a try.
• 36:12
  Speaker 2: But wait, wait, whats what? Okay, just a second, who
• 36:19
  Speaker 2: who was it was? That? Was that Megan or Sparkles
• 36:24
  Speaker 2: Megan or whatever the name her name is. Who is
• 36:27
  Speaker 2: the woman that he thought he sparkles? Okay, So this
• 36:31
  Speaker 2: is really interesting because we're going to get into an
• 36:33
  Speaker 2: analysis of how Byrony Claire views Jordan, who is not
• 36:39
  Speaker 2: rich like Mike, or at least not willing to pretend
• 36:42
  Speaker 2: he's rich like Mike.
• 36:43
  Speaker 1: But for whatever reason, the amount of money they're bringing
• 36:47
  Speaker 1: to a reality TV show about relationships, uh, seems to
• 36:54
  Speaker 1: matter a lot to Byrony, like especially what the women
• 36:58
  Speaker 1: are bringing like not like like the the let's put
• 37:01
  Speaker 1: it like this. She's very concerned with the disparities in
• 37:04
  Speaker 1: wealth between the men and the women. If the men
• 37:07
  Speaker 1: have less than the women when they're coming together, even
• 37:11
  Speaker 1: if the parties don't care about that, even if the
• 37:15
  Speaker 1: woman who has more is like, no, this is okay.
• 37:18
  Speaker 1: Bryanny has an issue with this and immediately assumes that
• 37:22
  Speaker 1: this guy is taking advantage of her in some way.
• 37:24
  Speaker 2: You know which Okay, which which guy?
• 37:28
  Speaker 1: Yeah?
• 37:29
  Speaker 2: Which guy is this?
• 37:30
  Speaker 1: I don't know? I don't know their names.
• 37:33
  Speaker 2: Oh goodness, let me let me, let me go in
• 37:35
  Speaker 2: and uh, yeah, I have all my notes on this
• 37:38
  Speaker 2: other computer, so I'm gonna have to set it up.
• 37:40
  Speaker 2: So excuse my excuse my craziness.
• 37:43
  Speaker 1: But I think this is my problem.
• 37:46
  Speaker 2: But it might be Jordan. These guys look all alike,
• 37:50
  Speaker 2: even when they're different races, they look all alike. Just
• 37:55
  Speaker 2: a second, here we go, Here we go, new one.
• 38:01
  Speaker 2: All right, let me let me open up. I need
• 38:04
  Speaker 2: like opening things. Oh that I don't have. I was
• 38:07
  Speaker 2: trying to use that mouse but it wasn't the right mouse. Okay,
• 38:11
  Speaker 2: all right, Coral I did. I did like analysis through
• 38:15
  Speaker 2: three different ais. No, I need Coral. Right, Okay, So
• 38:21
  Speaker 2: this is who is this? This is? This is Mike.
• 38:26
  Speaker 2: I'm pretty sure what what? Uh? What time code are
• 38:30
  Speaker 2: we at? Uh?
• 38:31
  Speaker 1: This is five minutes and thirty.
• 38:33
  Speaker 2: Six seconds, So I think this is still Mike.
• 38:36
  Speaker 1: Yeah, it's the same. Yeah, oxic masculinity and insecurity thing.
• 38:41
  Speaker 2: Yeah exactly, So it's it's still Mike. Let's let's continue,
• 38:46
  Speaker 2: all right.
• 38:48
  Speaker 5: With six pillars and being the trash panda that I am.
• 38:50
  Speaker 5: I went and scurried around on the internet and found
• 38:52
  Speaker 5: out that he's part of go Abundance. That is our
• 38:55
  Speaker 5: real name. To quote the website. It's for a high
• 38:57
  Speaker 5: performance man who refused the coast. But the thing that
• 39:00
  Speaker 5: Mike needs a wife because he needs someone to go
• 39:02
  Speaker 5: grocery shopping for him because he gets so confused.
• 39:08
  Speaker 2: This is Sparkles Megan. Okay, this is really interesting, and
• 39:11
  Speaker 2: you know what, I think, probably we can abandon this
• 39:14
  Speaker 2: particular set of time codes at this point in time
• 39:18
  Speaker 2: because we should really look at what Byrony Claire subsequently
• 39:23
  Speaker 2: says about Jordan. So let me just lay down the
• 39:26
  Speaker 2: conflict here, and I know this is a lot of drama,
• 39:28
  Speaker 2: just bear with us. Mike is supposedly a rich dude.
• 39:33
  Speaker 2: Now there's some question because he has debts to his
• 39:36
  Speaker 2: suppliers and other stuff, but he presents himself as a
• 39:40
  Speaker 2: rich dude. Now Byrony is concerned about that because he
• 39:45
  Speaker 2: talks about wanting to take care of his woman, and
• 39:47
  Speaker 2: of course that's patriarchal conditioning and other Sparkles Megan, I know,
• 39:52
  Speaker 2: the name just ridiculous. But whatever Sparkles Megan apparently wanted.
• 39:59
  Speaker 2: He Barroney here notes that Sparkles Megan wants somebody who's
• 40:03
  Speaker 2: richer than her, which is interesting because Sparkles Megan is
• 40:06
  Speaker 2: a very successful business woman of an in and of herself,
• 40:10
  Speaker 2: which is going to become important when we talk about
• 40:13
  Speaker 2: Byrony Claire's attitude towards Jordan. Now we can go through
• 40:17
  Speaker 2: all of binary Claire, binary Byrony Claire's video, Elizabeth Bathory's claim. Yeah,
• 40:29
  Speaker 2: we could go through the blood Countess's claims, all of them.
• 40:34
  Speaker 2: But I think that it's I think it's I think
• 40:36
  Speaker 2: it's going to be more beneficial if we zero in
• 40:40
  Speaker 2: on Mike Sparkles, Meghan and Jordan and her opinions on
• 40:45
  Speaker 2: these three people. And again she's saying she's she's casting
• 40:49
  Speaker 2: shade on Megan wanting a man who makes more than her,
• 40:53
  Speaker 2: right so, and she's also casting shade on Mike presenting
• 40:57
  Speaker 2: himself as that kind of man. And now we all
• 41:01
  Speaker 2: know and are willing to emit on this channel that
• 41:03
  Speaker 2: women generally want men who earn more than them throughout
• 41:08
  Speaker 2: the world. And this is a universal I actually asked Groc.
• 41:12
  Speaker 2: I know if people are like, oh, Groca, no, no,
• 41:15
  Speaker 2: you shouldn't do that. But if there's any culture in
• 41:18
  Speaker 2: the world where men are not expected to protect and
• 41:20
  Speaker 2: provide and get this, even matrilinear or what feminist term
• 41:24
  Speaker 2: matriarchal cultures still expect men to protect and provide. It
• 41:30
  Speaker 2: is universal, and Mike is presenting himself as that kind
• 41:34
  Speaker 2: of man. What a shock in a scenario in which
• 41:39
  Speaker 2: his ability to attract a woman is how he wins,
• 41:44
  Speaker 2: and he's presenting himself as the thing that women find attractive.
• 41:49
  Speaker 2: So anyway, this is just just setting the stage. Mike
• 41:53
  Speaker 2: is presenting himself as an attractive man, as a protector
• 41:55
  Speaker 2: and provider. Sparkles Megan is saying, I like that, but also, uh,
• 42:00
  Speaker 2: Byrony or Bathory Elizabeth Bathory Bathory is saying that she's
• 42:05
  Speaker 2: calling calling Sparkles out for liking that and wanting a
• 42:08
  Speaker 2: man that earns more. But let's hear what Byrony has
• 42:12
  Speaker 2: to say. Is it Byrony.
• 42:16
  Speaker 1: The blood Countess, the blood Countess of the blood the
• 42:21
  Speaker 1: blood count is from now on, it makes it more
• 42:24
  Speaker 1: fun for me to refer to her instead of Branny,
• 42:27
  Speaker 1: because Byronnie sounds ridiculous and made up, and that's probably
• 42:31
  Speaker 1: her real name, and I blame her parents, but I'll
• 42:35
  Speaker 1: just say blood countess. So yeah, okay, she probably appreciate
• 42:40
  Speaker 1: that too, to be honest.
• 42:42
  Speaker 2: Yeah, probably, okay, So I can't show you this because
• 42:49
  Speaker 2: it's on my other computer. But I'm asking her. I'm
• 42:54
  Speaker 2: asking Perplexity to explain to me how to summarize how
• 42:59
  Speaker 2: how byron Any responds to Jordan, who is his man?
• 43:06
  Speaker 2: Give you an idea of Jordan's background. He is a
• 43:09
  Speaker 2: single father. He has a small apartment. He sleeps on
• 43:13
  Speaker 2: the couch, a small one room apartment. He sleeps on
• 43:16
  Speaker 2: the couch so his son can have the bedroom. He's
• 43:19
  Speaker 2: very frugal, although apparently quite hard working and responsible and mature. Right,
• 43:25
  Speaker 2: if we want, we can actually see where he's introduced. Sorry, guys,
• 43:29
  Speaker 2: I probably should have. I don't even think he is,
• 43:35
  Speaker 2: because he's not. I asked them to. I asked. I
• 43:37
  Speaker 2: asked Perplexity to our coral to give us all the
• 43:40
  Speaker 2: times in this video where she's talking about men negatively,
• 43:45
  Speaker 2: and she doesn't really talk about Jordan negatively except to
• 43:50
  Speaker 2: cast shade on the potential of between sparkles Megan and
• 43:56
  Speaker 2: Jordan's relationship. I know, do you have a do you
• 43:58
  Speaker 2: have a time code that.
• 43:59
  Speaker 1: Has questioning with regards to Jordan?
• 44:06
  Speaker 6: Yes, it looks like you know, go ahead, it looks.
• 44:15
  Speaker 1: Like there are from what I'm seeing, I don't see
• 44:19
  Speaker 1: negative things with Jordan. But let's go let's go to
• 44:22
  Speaker 1: that section, because I'm pretty sure not nobody, none of
• 44:26
  Speaker 1: the men on the show, and a lot of the
• 44:27
  Speaker 1: women didn't get out of this thing unharmed. I'll say
• 44:33
  Speaker 1: so six six fourteen, thirty seventeen, So let's do six fourteen.
• 44:42
  Speaker 1: So maybe, like right here.
• 44:44
  Speaker 5: More scandals have been coming out about Mike that he
• 44:46
  Speaker 5: hasn't been paying for services, especially from small businesses that
• 44:49
  Speaker 5: he's used for his own booming business. He runs zen
• 44:52
  Speaker 5: house homes. Yes, he's one of those dude for us.
• 44:55
  Speaker 1: Wait a minute, I thought that was the time coade
• 44:58
  Speaker 1: you sent me. Now I got to look again.
• 45:00
  Speaker 2: Okay, all right, well you know what.
• 45:02
  Speaker 1: I'm sorry, fifty four I was in the wrong. It
• 45:06
  Speaker 1: was it's later. Let's go right here.
• 45:13
  Speaker 5: Single dad, like he co parents with his ex, so
• 45:15
  Speaker 5: they've got like fifty to fifty arrangement going on.
• 45:18
  Speaker 7: I'm a single dad, so that wow, quite a bit
• 45:21
  Speaker 7: of time, and that's my number one priority and.
• 45:23
  Speaker 5: It could possibly also beat due to his immaturity issues.
• 45:26
  Speaker 5: He's really open saying it.
• 45:27
  Speaker 1: Yeah, that's okay. So she calls him immature. Apparently she
• 45:31
  Speaker 1: assumes he has immaturity issues, So that might be why
• 45:35
  Speaker 1: he's a single dad, I guess, even though I think
• 45:39
  Speaker 1: there was also like a bit because you know how
• 45:43
  Speaker 1: feminists they they u sort of like they chip away
• 45:50
  Speaker 1: at single fatherhood. They had their way of attacking it by,
• 45:54
  Speaker 1: you know, because they claim that, you know, the motherless
• 45:58
  Speaker 1: the fatherlessness isis is men's fault because they're not sticking
• 46:03
  Speaker 1: around and taking care of the kids, right, they're not
• 46:06
  Speaker 1: sticking around. But when there are single fathers, when you
• 46:10
  Speaker 1: have the reverse of that, that's also a problem because
• 46:14
  Speaker 1: single fathers get a lot of credit and kudos just
• 46:17
  Speaker 1: for being fathers, like it like undeserved, Like society overly
• 46:23
  Speaker 1: rewards single fatherhood and overly condemn single motherhood like that
• 46:27
  Speaker 1: kind of thing.
• 46:29
  Speaker 2: So yeah, well, okay, So one of the reasons why
• 46:32
  Speaker 2: I wanted to actually and I sent you, I think
• 46:34
  Speaker 2: the time the time codes of when she discusses Jordan's
• 46:38
  Speaker 2: relationships is and one of the reasons why I want
• 46:40
  Speaker 2: to discuss this is because I looked throughout all of
• 46:42
  Speaker 2: this and I looked at the criticism of this show,
• 46:46
  Speaker 2: including the criticism of that therapist that I mentioned earlier.
• 46:49
  Speaker 2: This is all cherry picked so we can go through
• 46:52
  Speaker 2: and we can look at Byrony cherry picking, the cherry
• 46:55
  Speaker 2: picking and all of the behavior of these men. But
• 47:00
  Speaker 2: once again, the real problem is not is not the
• 47:04
  Speaker 2: specific bad behavior of these men, because these men were
• 47:07
  Speaker 2: chosen to create offense, and then they were they were
• 47:12
  Speaker 2: selectively edited to refine that offense to be offensive to
• 47:17
  Speaker 2: the target audience, which is which is single women. Right,
• 47:21
  Speaker 2: So this was all manufactured. So we can go through
• 47:24
  Speaker 2: and look at all of the instances where Byrony Claire
• 47:26
  Speaker 2: calls out male behavior and do what all we can
• 47:29
  Speaker 2: do is say, this is cherry picked. This doesn't apply
• 47:33
  Speaker 2: to all men in this case. I don't even think
• 47:35
  Speaker 2: it's really particularly negative because he's just saying, I want
• 47:39
  Speaker 2: to take care of a woman. How is that negative? Really,
• 47:43
  Speaker 2: It's like we went through the sexism text and thinking
• 47:47
  Speaker 2: of a woman is in every way better than a
• 47:49
  Speaker 2: man is a benevolent sexism against women. You know, It's like,
• 47:55
  Speaker 2: this is not this is not negative to women, Byrony.
• 47:59
  Speaker 2: Just because this man wants to take care of his
• 48:01
  Speaker 2: woman doesn't make it. But anyway, she's going to select
• 48:04
  Speaker 2: all of the bits that create the most outrage from
• 48:07
  Speaker 2: a a selection that's already selected to create the most
• 48:12
  Speaker 2: outrage and have the most outrageous male behavior to present
• 48:15
  Speaker 2: to a female audience so they can cluck over it.
• 48:17
  Speaker 1: So the a lot of it is also kind of
• 48:20
  Speaker 1: twisted to look more outrageous than it actually is. But
• 48:25
  Speaker 1: it's also distorted, you know, beyond apprehension, Like it's unrecognizable
• 48:30
  Speaker 1: likely from the original context.
• 48:32
  Speaker 2: So yes, it's yeah, so we're like you were saying before.
• 48:36
  Speaker 2: This is multiple layers of redirection of this issue. But
• 48:39
  Speaker 2: the main issue is that this is being constructed in
• 48:42
  Speaker 2: the first place, right, It is being cherry picked to
• 48:46
  Speaker 2: appeal to this audience of women in the tar pit
• 48:50
  Speaker 2: who want to justify staying in the tar pit because
• 48:54
  Speaker 2: men are so terrible. It's it's cherry pick to create outrage,
• 48:58
  Speaker 2: because outrage creates viral clips. Right. So that's that's And
• 49:03
  Speaker 2: if we look at each of her examples, what do
• 49:07
  Speaker 2: we do with them? They're all tainted, They're all irrelevant,
• 49:12
  Speaker 2: you know, and we'd all be repeating this. Well, I
• 49:15
  Speaker 2: wanted to get into one specific example, which is how
• 49:18
  Speaker 2: she treats this character Jordan. All right, did you get
• 49:22
  Speaker 2: the time codes?
• 49:23
  Speaker 1: Yeah? I have it right here.
• 49:25
  Speaker 2: So okay, let's go look at how she talks about Jordan.
• 49:31
  Speaker 1: Okay, wealth Club.
• 49:32
  Speaker 2: If you have so much money, sir, why are you
• 49:34
  Speaker 2: not playing your employees and service providers?
• 49:37
  Speaker 5: I am just saying so many red flags all over
• 49:39
  Speaker 5: the place.
• 49:39
  Speaker 2: That's Mike, not Jordan's what that the the why aren't
• 49:44
  Speaker 2: you paying your service providers is in reference to Mike,
• 49:48
  Speaker 2: which is she had words for him because he was
• 49:51
  Speaker 2: talking about how he's wealthy and he's going to take
• 49:55
  Speaker 2: care of her and sparkles. Megan was like, oh, I
• 49:58
  Speaker 2: like that. I like a man who does. And then
• 50:00
  Speaker 2: Byron was like, well, you you're rich, but you want
• 50:02
  Speaker 2: an even richer person. So but now we're going to
• 50:05
  Speaker 2: see what Byron he does when a man doesn't earn
• 50:08
  Speaker 2: as much as the woman. So let's go for it.
• 50:11
  Speaker 4: Okay, Ti, who's a dad guy.
• 50:14
  Speaker 5: He's got a five year old son called Luke and
• 50:16
  Speaker 5: says that women don't want to date him when they
• 50:18
  Speaker 5: find out that he's got a son, and part of
• 50:20
  Speaker 5: me is wondering if thinking that they might have to
• 50:22
  Speaker 5: like do all of the child rearing. When he's introducing
• 50:25
  Speaker 5: himself as a single dad, like he co parents with
• 50:28
  Speaker 5: his ex so they've got like fifty to fifty arrangement going.
• 50:31
  Speaker 1: So yeah, okay, So now there's a suggestion like this
• 50:35
  Speaker 1: is the thing, like her interpretations are all about as
• 50:39
  Speaker 1: uncharitable to the men as she can possibly make them.
• 50:44
  Speaker 1: So a single dad is trying to in a relationship. Oh,
• 50:47
  Speaker 1: he's trying to get you to raise his kids. Man
• 50:52
  Speaker 1: who doesn't have any kids enters a relationship. Oh, he's
• 50:56
  Speaker 1: just trying to get to your money. Oh, he's just
• 50:58
  Speaker 1: after one thing. I know that. At one point in
• 51:01
  Speaker 1: this uh, in this video, because they didn't watch the
• 51:03
  Speaker 1: whole video, she suggests that the there's a man who
• 51:09
  Speaker 1: is uh, it's like towards like Slater. In the video,
• 51:11
  Speaker 1: there's a man who is saying that he thinks another
• 51:15
  Speaker 1: woman is beautiful, which is obviously he's flattering a girl
• 51:18
  Speaker 1: on the show. Because that's the point, and that that
• 51:24
  Speaker 1: Bryanty thinks that the women are all out of the
• 51:26
  Speaker 1: league of these men, Like these men are not like
• 51:29
  Speaker 1: they're they're in over their heads. Like these girls are
• 51:32
  Speaker 1: way out of these men's league. And I'm like, bitch,
• 51:36
  Speaker 1: all of these people are chosen because they're all pretty
• 51:38
  Speaker 1: good looking. That's why that's One of the main reasons
• 51:41
  Speaker 1: why they're on the show is that they're all decent looking, right,
• 51:45
  Speaker 1: they all fit a kind of within a range of
• 51:49
  Speaker 1: you know, generally attractive people, young fit, you know, whatever.
• 51:54
  Speaker 1: And they and they fit a certain like I don't
• 51:57
  Speaker 1: say archetype, but there is a maybe there's like a
• 51:59
  Speaker 1: stereo type. Like there's a guy covered in tattoos. There's
• 52:01
  Speaker 1: a guy who you know, is very straight, straight laced,
• 52:04
  Speaker 1: and there's a guy who's Christian, and there's a guy
• 52:07
  Speaker 1: you know who's emotional, and and they have like the range,
• 52:10
  Speaker 1: and that's literally what the show is. Like the black
• 52:12
  Speaker 1: guy is really emotional and he cries at one point,
• 52:15
  Speaker 1: and of course that's a problem for her too, so
• 52:19
  Speaker 1: you know, and but yeah, like it's just she's extremely
• 52:23
  Speaker 1: uncharitable and it's on purpose, it's by design, and it's
• 52:26
  Speaker 1: it's too I think, to blackpill her audience to men.
• 52:31
  Speaker 1: She's got a man, she's in a relationship, if not married,
• 52:34
  Speaker 1: I think she's married, at least I think she claimed
• 52:36
  Speaker 1: to be. She's got a ring, so she's obviously like fine,
• 52:43
  Speaker 1: but she's black pilling the women in her audience. Because
• 52:45
  Speaker 1: we're talking about a show where everyone is good looking
• 52:49
  Speaker 1: and they all are getting into relationships and it's you know,
• 52:53
  Speaker 1: yes there's drama and it's got train wreck stuff in it.
• 52:56
  Speaker 1: But if you're like a normal, like a five or
• 52:59
  Speaker 1: a four, watching this, how much hope does that give you?
• 53:04
  Speaker 2: What?
• 53:05
  Speaker 1: And that's the same woman who's going to read, you know,
• 53:08
  Speaker 1: the Minotaur book. Yeah, because like, real men suck. They're
• 53:13
  Speaker 1: all bastards, they're all garbage. So just something to think about.
• 53:18
  Speaker 1: I think that she's I think that women like this.
• 53:21
  Speaker 1: They sabotage other women's chances in the dating market by
• 53:25
  Speaker 1: telling them constantly that men are crash everywhere all the time.
• 53:30
  Speaker 1: And I think that a lot of women buy into it.
• 53:34
  Speaker 2: Well yeah, well because uh if you don't. If you
• 53:37
  Speaker 2: do that, then you can actually really up your You
• 53:40
  Speaker 2: can punch way above your weight as a woman. If
• 53:43
  Speaker 2: you completely sabotage all the other women, then if you're
• 53:46
  Speaker 2: a woman who is at least the least a bit
• 53:49
  Speaker 2: interested in commitment, suddenly you can pull your you're a five,
• 53:53
  Speaker 2: you can pull yourself at eight. You know, you have
• 53:57
  Speaker 2: huge amounts of debt. You can get a man who's
• 53:59
  Speaker 2: rich and it'll pay it off.
• 54:01
  Speaker 1: Like yeah, and if she can women to stay virgins
• 54:05
  Speaker 1: her whole life. Then she can lure them to her place,
• 54:07
  Speaker 1: murder them, and bathe them their blood so that she
• 54:09
  Speaker 1: can live forever. It's also according to plan.
• 54:19
  Speaker 2: Okay, let's let's hear what she has to say about Jordan.
• 54:23
  Speaker 7: All Right, I'm a single dad, so that quite a
• 54:27
  Speaker 7: bit of time, and that's my number one priority.
• 54:29
  Speaker 5: And it could possibly also be due to his immaturity.
• 54:31
  Speaker 5: Is he's really open saying that he got snipped and
• 54:34
  Speaker 5: good on him, Like, honestly, that's very progressive.
• 54:36
  Speaker 4: That's great, we love that.
• 54:37
  Speaker 1: But he's oh, okay, so he got a vasectomy, and
• 54:40
  Speaker 1: she's all about that. Again, what does this suggest, like
• 54:46
  Speaker 1: that men should not want children? She thinks that's very progressive,
• 54:51
  Speaker 1: and that we like that a man who is essentially
• 54:54
  Speaker 1: like an uh, I don't know, like his his pistol
• 54:57
  Speaker 1: has no ammo. We're good, We're happy about that. We
• 55:00
  Speaker 1: were happy about that. That's what she's saying. I don't know, man,
• 55:03
  Speaker 1: that's as dark to me, that's just dark as shit.
• 55:06
  Speaker 1: But anyway, it.
• 55:08
  Speaker 5: Is easily reversible. However, the longer that the snippers in place,
• 55:12
  Speaker 5: the harder it is to do the reversal. I just
• 55:14
  Speaker 5: like to make sure that people are well informed. Okay,
• 55:16
  Speaker 5: it turns out that Luca, his son has type one diabetes,
• 55:19
  Speaker 5: and Sparkle's dad actually recently passed away in twenty twenty
• 55:22
  Speaker 5: from type one diabetes as well, and this forms a
• 55:25
  Speaker 5: big part of their bond.
• 55:27
  Speaker 1: Ellie, who's all right, I'm pausing it there, just because
• 55:32
  Speaker 1: we don't want these to be too long. So so
• 55:35
  Speaker 1: Briary knows that vasectomies are less reversible as time goes on.
• 55:42
  Speaker 1: She points it out to her audience. But I don't
• 55:45
  Speaker 1: know if anyone's going to tell this guy about that.
• 55:48
  Speaker 1: I mean, he may at some point be like, I
• 55:51
  Speaker 1: think I want to have kids again, and then he's
• 55:53
  Speaker 1: going to go into the doctor's office and they're gonna
• 55:55
  Speaker 1: be like, sorry, it's too late, you're done. And is
• 55:58
  Speaker 1: Brianni going to be sad for him? No, No, she
• 56:02
  Speaker 1: doesn't care. So I mean, I think it's it's you know,
• 56:07
  Speaker 1: it's pretty freaking messed up to just be like, yeah,
• 56:12
  Speaker 1: I support that without knowing what it means for people.
• 56:18
  Speaker 1: And I know these are realities TV people. Maybe this
• 56:20
  Speaker 1: is all fake, I don't know, but it's just you know,
• 56:24
  Speaker 1: kind of fucked. Okay, so he's going to go into alley. Now,
• 56:26
  Speaker 1: should I jump ahead to a different time code?
• 56:27
  Speaker 2: Yeah, twenty five minutes, go to twenty five minutes.
• 56:30
  Speaker 1: All right, twenty five minutes.
• 56:32
  Speaker 5: There we go, because you know, it's revealed that there's
• 56:36
  Speaker 5: still this guy on the outside. And this is where
• 56:38
  Speaker 5: it gets weirdly sexual and talking about a landing strip. Oh,
• 56:42
  Speaker 5: you have a landing strip, and now that's been the
• 56:45
  Speaker 5: whole time. Sure, she's trying to use her sexuality to
• 56:48
  Speaker 5: be able to snare him, right, and.
• 56:50
  Speaker 4: She says something very telling, if you look like a
• 56:52
  Speaker 4: baby's seal, you want me to look like one. I
• 56:54
  Speaker 4: want to give you what you need.
• 56:57
  Speaker 5: Like she's trying to mold herself to be whatever man
• 57:00
  Speaker 5: wants her to be, both of them, the good community
• 57:03
  Speaker 5: around them.
• 57:04
  Speaker 2: Oh god, it's okay, But I don't understand how people
• 57:09
  Speaker 2: make manipulators if they're women out to be the victim,
• 57:14
  Speaker 2: Like this is what this is. She's making a female
• 57:17
  Speaker 2: manipulator out to be the victim because she has to
• 57:19
  Speaker 2: mold herself into what a woman wants. Okay, but what
• 57:23
  Speaker 2: if a man is molding himself into what a woman wants?
• 57:26
  Speaker 2: So he can get one over on her. Do you
• 57:28
  Speaker 2: do you think she he's the victim because he has to.
• 57:31
  Speaker 1: Mold himself the manipulator and.
• 57:33
  Speaker 2: Both he's a manipulat and yeah, like it's.
• 57:36
  Speaker 1: Just the thing is too. I mean, I wouldn't even
• 57:40
  Speaker 1: go so far as to say it's manipulation because I
• 57:42
  Speaker 1: think that they're both They both just are horny and
• 57:45
  Speaker 1: they're in the room with each other and they're just
• 57:47
  Speaker 1: talking about what they want. And I don't think there's
• 57:50
  Speaker 1: anything untoward happening. I don't think it's sinister. I just
• 57:55
  Speaker 1: think they're horny and they need to get bonked unless
• 57:58
  Speaker 1: they're going to follow through and then and that's fine.
• 58:00
  Speaker 1: But Bryerny has to make it sound a lot more,
• 58:06
  Speaker 1: I don't know, scary than it is, like even has
• 58:09
  Speaker 1: like playful music playing, you know.
• 58:12
  Speaker 2: Yeah, okay, And.
• 58:15
  Speaker 1: If anything, the girl is the one that's kind of
• 58:17
  Speaker 1: I wouldn't say objectifying, but she's the one talking about
• 58:20
  Speaker 1: the man's like body parts, like his pubic hair, right, yeah,
• 58:25
  Speaker 1: you have a landing strip.
• 58:27
  Speaker 2: Yeah, so like whatever, Yeah, okay, let's keep going, all right.
• 58:35
  Speaker 5: And therapy rather than a relationship. Mike comes in again,
• 58:38
  Speaker 5: trying to throw Jordan under the bus and so seeds
• 58:41
  Speaker 5: of doubt into Sparkle's mind. However, Sparkles feels really good
• 58:44
  Speaker 5: and happy anytime that she's around Jordan, and that's very good,
• 58:47
  Speaker 5: Like that's very healthy, rather than feeling like all of
• 58:50
  Speaker 5: this doubt and fear and like hmm, like I feel
• 58:53
  Speaker 5: like there's something wrong here, you know, like she was
• 58:55
  Speaker 5: getting with Mike, and she takes a fact that he
• 58:57
  Speaker 5: has Luca very seriously as well, like considering him in
• 59:01
  Speaker 5: the life that they're planning out together, which is very
• 59:03
  Speaker 5: good obviously, like any step parent should be, like accommodating
• 59:07
  Speaker 5: and stuff. However, he's also saying that it comes down
• 59:10
  Speaker 5: to like Luca's mom Skuyler about you know, contact and
• 59:14
  Speaker 5: all that sort of stuff, because yes, absolutely she also
• 59:17
  Speaker 5: brings up his physsectomy.
• 59:19
  Speaker 6: Okay, just pausing there for I want you to know
• 59:23
  Speaker 6: that it's still about the woman for Byron, Yes, not
• 59:27
  Speaker 6: the relationship and certainly not the man.
• 59:30
  Speaker 2: Like it's still just about the woman. So we've seen
• 59:33
  Speaker 2: from Meghan Sparkle, Meghan's behavior with Patrick. She can be
• 59:39
  Speaker 2: very manipulative to get what she wants without really feeling
• 59:43
  Speaker 2: anything for him, right because I guess she thought she
• 59:47
  Speaker 2: could get a proposal from him and then they win. However,
• 59:50
  Speaker 2: this works, but now she's looking at this situation and
• 59:54
  Speaker 2: she's putting Meghan's interests first, despite what Meghan has portrayed
• 59:59
  Speaker 2: about herself this previous interaction. Wouldn't you put Jordan first
• 1:00:04
  Speaker 2: or son? But no, it's it's still about Megan. And
• 1:00:09
  Speaker 2: Megan was also a victim of her manipulation because she
• 1:00:12
  Speaker 2: had to add in order to manipulate Patrick, she had
• 1:00:15
  Speaker 2: to pretend to be interested in him and to be
• 1:00:18
  Speaker 2: what he wanted. Is that it's a really good It's
• 1:00:21
  Speaker 2: a really fantastic tool for never taking accountability as a woman.
• 1:00:25
  Speaker 2: Mm hmm. Okay, let's listen to some.
• 1:00:28
  Speaker 5: More, and says, most females don't want to be pumping
• 1:00:32
  Speaker 5: themselves with hormones, myself included. Oh did we have some
• 1:00:35
  Speaker 5: right wing propaganda sneaking in? And oh, my goodness, everybody's
• 1:00:38
  Speaker 5: going off birth control.
• 1:00:39
  Speaker 2: Huh.
• 1:00:39
  Speaker 5: I've already talked about that whole phenomenon too, maybe.
• 1:00:43
  Speaker 1: Yeah, so he okay, So there they have a conversation
• 1:00:48
  Speaker 1: about birth control and Brien, he thinks that the idea
• 1:00:52
  Speaker 1: that female hormonal birth control affects your hormones is just
• 1:00:58
  Speaker 1: poppy cock, even though it's literally in the name of
• 1:01:02
  Speaker 1: the type of birth control. And the people who I
• 1:01:07
  Speaker 1: know that are the most against hormonal birth control are women. Like,
• 1:01:12
  Speaker 1: it's not men saying the science says that I control
• 1:01:15
  Speaker 1: your bodies by telling you that birth control is bad
• 1:01:18
  Speaker 1: for your hormones. No, it's women who say, I refuse
• 1:01:22
  Speaker 1: to take this because I know it's gonna fuck with
• 1:01:25
  Speaker 1: my hormones's gonna fuck with my brain, it's gonna make
• 1:01:28
  Speaker 1: me different, It's not gonna it's gonna change who I am.
• 1:01:31
  Speaker 1: And I know I've known a lot of women that
• 1:01:33
  Speaker 1: wouldn't take birth control because they knew that there were
• 1:01:36
  Speaker 1: side effects to their hormones. And Karen has talked about it,
• 1:01:40
  Speaker 1: and Aidan Paladin did the whole thing about it, and
• 1:01:43
  Speaker 1: you know, Lindsey's talking about when I first started dating her,
• 1:01:47
  Speaker 1: She's like, I'm not fucking with my hormones. This was like,
• 1:01:50
  Speaker 1: you know when we first met, I mean not when
• 1:01:52
  Speaker 1: we first met, we were talking about birth control at
• 1:01:55
  Speaker 1: the time, but you know, shortly after we started dating,
• 1:01:58
  Speaker 1: and so yeah, it's like, but Briarny has to frame
• 1:02:02
  Speaker 1: it like it's something men do to women, and women
• 1:02:05
  Speaker 1: don't make these choices. They don't even think about these things.
• 1:02:08
  Speaker 1: But I think that a woman who takes her fertility
• 1:02:13
  Speaker 1: seriously is going to think about those things and at
• 1:02:16
  Speaker 1: least consider them.
• 1:02:17
  Speaker 7: So okay, all right, we discovered that we're each other's
• 1:02:23
  Speaker 7: purpose too.
• 1:02:23
  Speaker 2: You know.
• 1:02:24
  Speaker 4: Oh, Nick meets up with the woman he loves most.
• 1:02:28
  Speaker 5: Kate saying that there's actually people that is torn between now.
• 1:02:31
  Speaker 7: The fact that I can also see that with somebody else,
• 1:02:33
  Speaker 7: I'm being pulled in two separate directions.
• 1:02:35
  Speaker 5: I love watching her face because same, what the hell
• 1:02:38
  Speaker 5: is going on?
• 1:02:39
  Speaker 4: You told me you loved me two days ago?
• 1:02:41
  Speaker 3: You shame?
• 1:02:42
  Speaker 4: You are exactly right, Kate. The fact I'm having hesitation.
• 1:02:46
  Speaker 2: Okay, this is not I need more precise time codes.
• 1:02:50
  Speaker 2: But let's move to the next one.
• 1:02:53
  Speaker 1: Okay, you're on a raality TV show. There's gonna be
• 1:02:56
  Speaker 1: some dudes that are trying to like spread their seed.
• 1:02:59
  Speaker 1: What are you going to do? Gonna be some women too,
• 1:03:01
  Speaker 1: trying to get laid.
• 1:03:02
  Speaker 2: So okay, so, uh, thirty three, go to thirty three.
• 1:03:08
  Speaker 1: Thirty three minutes.
• 1:03:14
  Speaker 2: So I mean essentially that what we just watched was
• 1:03:17
  Speaker 2: Byrony comparing Mike and Jordan and saying that Mike was
• 1:03:21
  Speaker 2: creating drama and but this is going to be more
• 1:03:23
  Speaker 2: of that. So okay, So once again, the the love
• 1:03:27
  Speaker 2: triangle is Mike, Jordan and Sparkles Megan.
• 1:03:31
  Speaker 5: Let's go say that patriarchy is bad for everybody. The
• 1:03:34
  Speaker 5: thing is that he didn't want to show weakness and vulnerability.
• 1:03:37
  Speaker 1: I go back a little bit. I want to hear
• 1:03:38
  Speaker 1: that patriarchy is bad for everybody, because that's it crucial.
• 1:03:42
  Speaker 4: I think that she's made the wrong choice. Cry, and
• 1:03:45
  Speaker 4: so she's like cry.
• 1:03:49
  Speaker 5: This is to get another example of why we say
• 1:03:51
  Speaker 5: that patriarchy is bad for everybody.
• 1:03:52
  Speaker 4: The thing is that he didn't want.
• 1:03:54
  Speaker 2: To patriarchy is bad for everybody. No. Actually, statistically, men
• 1:04:04
  Speaker 2: are losing a lot more life in order to maintain
• 1:04:06
  Speaker 2: these roles that and sparing women a lot of loss
• 1:04:10
  Speaker 2: of life. So I mean, if we come down to
• 1:04:13
  Speaker 2: the basic metric of human existence, which is life lost.
• 1:04:18
  Speaker 2: I actually I actually had a conversation, extended conversation with
• 1:04:21
  Speaker 2: Groc about this and I got them. I got Groc
• 1:04:23
  Speaker 2: to estimate men lose probably about five years of life
• 1:04:28
  Speaker 2: in their role, and that's across everything, the stress, the
• 1:04:31
  Speaker 2: dangerous jobs, death in war, death dealing with crime, and
• 1:04:39
  Speaker 2: in first responder roles, so everything five years and if
• 1:04:44
  Speaker 2: the burden of men's role was shifted over onto women,
• 1:04:48
  Speaker 2: they would probably lose something like five to eight years.
• 1:04:51
  Speaker 2: And the reason why they'd lose more is because it
• 1:04:54
  Speaker 2: would take more dead women to do the jobs that
• 1:04:57
  Speaker 2: men do. Like there would it would be there would
• 1:05:00
  Speaker 2: be more. So the jobs that men do probably result
• 1:05:03
  Speaker 2: in like I don't know, let's say nine deaths. If
• 1:05:08
  Speaker 2: women had to take it over, it'd be thirteen instead,
• 1:05:11
  Speaker 2: there would be more dead women. So this is what
• 1:05:14
  Speaker 2: men are sparing women. So when these individuals say that
• 1:05:18
  Speaker 2: patriarchy hurts men or hurts women more or men too,
• 1:05:23
  Speaker 2: it's absolutely it preferentially hurts them. It hurts them more.
• 1:05:31
  Speaker 1: Yak that patriarchy though, well no it is not, Yeah,
• 1:05:35
  Speaker 1: because I already said that we're not living under patriarchy
• 1:05:39
  Speaker 1: and we're not living under egalitarianism. We're living under a
• 1:05:43
  Speaker 1: distorted view of well, basically like the the hybrid model
• 1:05:51
  Speaker 1: that only benefits women.
• 1:05:55
  Speaker 2: If if you think that women can be benefited in
• 1:06:00
  Speaker 2: this way, which I don't, No.
• 1:06:03
  Speaker 1: I don't think it does, but I think that's the intention.
• 1:06:06
  Speaker 2: Yeah, well, I don't even think it's the intention. I
• 1:06:08
  Speaker 2: think it benefits a particular ideology overall. Like the more
• 1:06:11
  Speaker 2: I look at this, these single women, when I say
• 1:06:14
  Speaker 2: they're in a tar pit, I mean it. They are
• 1:06:16
  Speaker 2: the most miserable and they lose They're losing one to
• 1:06:19
  Speaker 2: five years of life by pursuing this, this this lifestyle. Right,
• 1:06:26
  Speaker 2: They're losing life, they're losing happiness, and it's they're stuck
• 1:06:32
  Speaker 2: in a tar pit, a self REFERENTI reinforcing tar pit
• 1:06:37
  Speaker 2: with other women who they can't even really have any
• 1:06:40
  Speaker 2: camaraderie with because they can't trust them, and they're constantly undermining.
• 1:06:45
  Speaker 2: When when women undermine each other, they cannot have true
• 1:06:51
  Speaker 2: bonds with each other. How can they if if if
• 1:06:55
  Speaker 2: Sally is busy undermining all of the women around her,
• 1:07:00
  Speaker 2: she knows that they're likely doing the same thing to her,
• 1:07:04
  Speaker 2: how can you construct any any true fraternity or any
• 1:07:08
  Speaker 2: true sorority based on that? You can't. So these women
• 1:07:12
  Speaker 2: are living in this perpetually self isolating tar pit, and
• 1:07:17
  Speaker 2: they're locked into this hell, and they've locked each other
• 1:07:21
  Speaker 2: into this hell because they can't handle their own envy.
• 1:07:26
  Speaker 2: It's disturb and the only thing that feminism is doing
• 1:07:31
  Speaker 2: is just pouring more tar into the tar pit. It's like, yeah,
• 1:07:36
  Speaker 2: you could say, well, this is about women's benefit, I
• 1:07:38
  Speaker 2: don't think it is. It's about benefiting women's self destruction,
• 1:07:47
  Speaker 2: right and and honestly, it's like an addict thinking getting
• 1:07:51
  Speaker 2: more booze benefits them. These women are in a place
• 1:07:55
  Speaker 2: where they think that more self destruction is benefit. Is
• 1:07:59
  Speaker 2: in powerman, and it's it's really fucked up. And I
• 1:08:06
  Speaker 2: don't think anybody's benefiting from this at this point.
• 1:08:10
  Speaker 1: Well I will te All I'm saying is it's not patriarchy.
• 1:08:14
  Speaker 2: And no, it's not egalitarianism. It's not patriarchy. It is miserarchy.
• 1:08:24
  Speaker 2: It is miserable people making each other miserable. Okay.
• 1:08:27
  Speaker 1: The other thing too, is that I think this guy
• 1:08:30
  Speaker 1: and I don't think he's wrong, but I think this
• 1:08:32
  Speaker 1: guy is like I can't cry around this woman, even
• 1:08:35
  Speaker 1: if she's telling me it's okay, because she'll probably become disgusted.
• 1:08:38
  Speaker 1: So that there. This is another thing that Briar Declaire
• 1:08:41
  Speaker 1: won't even entertain, because like the the idea that patriot
• 1:08:50
  Speaker 1: hurts men too does not ask women if they would
• 1:08:54
  Speaker 1: be okay with that, and if it did, women would
• 1:08:57
  Speaker 1: likely lie anyway and say, oh yeah, I'm fine. He
• 1:08:59
  Speaker 1: can cry around me, that's cool. And then he does
• 1:09:01
  Speaker 1: and they get it's added to the ick list.
• 1:09:05
  Speaker 2: Why does he have to cry around someone who rejected him?
• 1:09:07
  Speaker 2: I think that's what's happening here.
• 1:09:09
  Speaker 1: Well, yeah, I don't know. And another thing too, is
• 1:09:12
  Speaker 1: that this is reality TV. We don't know if any
• 1:09:16
  Speaker 1: of this is like editing to look a certain way,
• 1:09:19
  Speaker 1: to like be spun a certain way that they added
• 1:09:22
  Speaker 1: the music, they cut in certain things. He may not
• 1:09:26
  Speaker 1: cry at all because if he did, show but he
• 1:09:30
  Speaker 1: probably just said, you know something like, I feel terrible.
• 1:09:35
  Speaker 1: I feel like I could because I'm losing something like
• 1:09:39
  Speaker 1: I guess he's getting dumbed.
• 1:09:40
  Speaker 2: Right, So yeah, yeah, let's this is Mike. Let's go
• 1:09:44
  Speaker 2: to Jordan.
• 1:09:45
  Speaker 1: All right, what's the next time?
• 1:09:46
  Speaker 7: Code?
• 1:09:47
  Speaker 2: No? Keep going?
• 1:09:48
  Speaker 1: Oh okay, this was your set up.
• 1:09:49
  Speaker 5: Bility, which is the thing that cut him off to
• 1:09:51
  Speaker 5: true love. Jordan proposed as a spackle.
• 1:09:53
  Speaker 3: Let's go this is great.
• 1:09:56
  Speaker 5: Nick and animate they're both very happy. Well, and I
• 1:10:01
  Speaker 5: just wanted to share with you this clip of how
• 1:10:03
  Speaker 5: he goes back to the pod.
• 1:10:05
  Speaker 3: You already, I know, wait for me.
• 1:10:10
  Speaker 4: You're welcome.
• 1:10:10
  Speaker 5: Jordan and Sparkles meat so nervous. I don't know, and
• 1:10:15
  Speaker 5: he's instantly showing her pictures of Luca. Megan was so
• 1:10:18
  Speaker 5: anxious and nervous because of all of the things that
• 1:10:21
  Speaker 5: Mike had been saying as well, like he's just not
• 1:10:23
  Speaker 5: a good guy. These two do seem really cute though,
• 1:10:26
  Speaker 5: And we've got her plastic surgery reveal, because she'd recently
• 1:10:29
  Speaker 5: had her implants taken out, but she's still got her
• 1:10:32
  Speaker 5: BBL so that's why like her.
• 1:10:34
  Speaker 4: That looks as good as it does.
• 1:10:37
  Speaker 2: Okay, all right, let's go to forty four.
• 1:10:44
  Speaker 6: All right, forty four, it's gonna last.
• 1:10:51
  Speaker 5: Then then go at Kim and start living together normally. Well,
• 1:10:54
  Speaker 5: Edmond does put himself.
• 1:10:55
  Speaker 4: In a closet.
• 1:10:57
  Speaker 1: Oh that's me in a closet.
• 1:11:01
  Speaker 5: Then Sparkle starts to get all worried about meeting Luca's
• 1:11:03
  Speaker 5: mom obviously, like this is a really big responsibility, and
• 1:11:06
  Speaker 5: she is.
• 1:11:07
  Speaker 2: Sparkle's got nervous. I just want you to note this,
• 1:11:11
  Speaker 2: so Sparkle Sparkles gets Sparkles gets nervous meeting Luca's mom.
• 1:11:18
  Speaker 2: So that meeting the relative, one of the relatives or
• 1:11:22
  Speaker 2: the ex wife of Jordan, So she's nervous meeting I
• 1:11:26
  Speaker 2: guess you could call it a relative since it's the
• 1:11:28
  Speaker 2: mother of his child. Let's keep going, baby, want you
• 1:11:31
  Speaker 2: to know this baby mama.
• 1:11:33
  Speaker 1: Well that's gonna be Yeah, that's always tough.
• 1:11:36
  Speaker 5: But anyway, ability on episode, Joe and Madison and disconnecting
• 1:11:41
  Speaker 5: a bit like they're not really seeing eyed eye on
• 1:11:43
  Speaker 5: things because he's still struggling to get that connection between
• 1:11:47
  Speaker 5: the pod and real life. Still, like I said, I
• 1:11:51
  Speaker 5: do believe this is an attraction issue.
• 1:11:54
  Speaker 4: Sorry, I'm like too interested in you, excited about you,
• 1:11:57
  Speaker 4: That's what I'm.
• 1:11:57
  Speaker 2: Going right now.
• 1:11:58
  Speaker 4: She can tell like we can that.
• 1:12:00
  Speaker 2: Oh that's awful. Wow, sorry, I'm so interesting. Well, well
• 1:12:08
  Speaker 2: that's your problem. I mean, honestly, isn't that what we
• 1:12:11
  Speaker 2: say to men who are more interested in a woman
• 1:12:14
  Speaker 2: than a woman is in them. Anyway, she doesn't note that,
• 1:12:19
  Speaker 2: because of course why would you, and nobody does really
• 1:12:23
  Speaker 2: Like I had Grock do a gender swap criticism of
• 1:12:26
  Speaker 2: the people on this show, and of course the men
• 1:12:31
  Speaker 2: get more of it. And if you gender swap, it
• 1:12:35
  Speaker 2: just completely reverses because this is this is about presenting
• 1:12:40
  Speaker 2: these examples of outrage in order to support the notion
• 1:12:43
  Speaker 2: of toxic masculinity and systemic patriarch It isn't. Okay, Let's
• 1:12:48
  Speaker 2: keep going, all right.
• 1:12:51
  Speaker 5: And then he's into her and he says that he's
• 1:12:53
  Speaker 5: struggling because it's a law, and it's like, yes, and
• 1:12:57
  Speaker 5: that doesn't mean that he should be pushing away this
• 1:12:59
  Speaker 5: past you know what?
• 1:13:05
  Speaker 2: What? Okay, sorry, I know that we're about to go
• 1:13:08
  Speaker 2: into Jordan again, which is what I threatened you all with.
• 1:13:10
  Speaker 1: But oh he's got like au and like a little
• 1:13:14
  Speaker 1: tiny place. Men men will what is that is there?
• 1:13:18
  Speaker 1: Like a big TV in a PlayStation? Men will live
• 1:13:21
  Speaker 1: like this and call it normal? How can men live
• 1:13:25
  Speaker 1: like this easily? But no, I'm sorry, go ahead.
• 1:13:28
  Speaker 2: Yeah, Well, she's basically saying that he shouldn't push her away.
• 1:13:35
  Speaker 2: Why does her desire for him obligate him to reciprocate brianny?
• 1:13:40
  Speaker 2: Would you say the same if it was a.
• 1:13:42
  Speaker 1: Man ride a prise on the on the reality show
• 1:13:49
  Speaker 1: where people are are? You know, they only meet for
• 1:13:51
  Speaker 1: like a short period of time. Sometimes they don't work out.
• 1:13:55
  Speaker 2: Mm, yeah, okay, let's keep going all right.
• 1:14:00
  Speaker 5: Foot on in the lounge that he sleeps on. It
• 1:14:02
  Speaker 5: was actually really sweet that he had given up the
• 1:14:04
  Speaker 5: only room to his son Luca. But Sparkles already has
• 1:14:07
  Speaker 5: a real to set up, like she is locked in.
• 1:14:09
  Speaker 5: She wants to make this work. It turns out Allie
• 1:14:11
  Speaker 5: and Anton both work night shifts, and they've both been
• 1:14:14
  Speaker 5: awake for twenty four hours to be able to get
• 1:14:16
  Speaker 5: through this last bit right. Then they start talking about
• 1:14:18
  Speaker 5: home responsibilities because he cooked breakfast and so she's like, oh,
• 1:14:21
  Speaker 5: I should wash up. Then it turns out that when
• 1:14:23
  Speaker 5: she was studying full time, she lived at home and
• 1:14:25
  Speaker 5: her mom did everything. She didn't do anything, and as
• 1:14:28
  Speaker 5: she says.
• 1:14:29
  Speaker 4: Cleaning is not going to be like a priority for me.
• 1:14:35
  Speaker 1: Oh no, what she's going to say?
• 1:14:40
  Speaker 2: I wonder what Byrony's going to say?
• 1:14:41
  Speaker 1: Yeah, I want to know.
• 1:14:43
  Speaker 5: I think that when he was on about a traditional relationship,
• 1:14:46
  Speaker 5: he was picturing her doing a majority of that stuff.
• 1:14:49
  Speaker 5: Let's be honest, And once again the topic of money
• 1:14:51
  Speaker 5: comes up.
• 1:14:51
  Speaker 2: Considering what it's then, Oh, yeah, of course it's his fault.
• 1:14:57
  Speaker 2: It's his fault. She doesn't have basic life skills. I
• 1:15:00
  Speaker 2: mean she can't. He can't even expect her to do
• 1:15:02
  Speaker 2: peate to pull her own freaking weight. All right, let's
• 1:15:06
  Speaker 2: uh what what what time code? Are we at?
• 1:15:11
  Speaker 1: Forty five thirty four?
• 1:15:13
  Speaker 2: Forty five thirty four? Uh? Okay, I think we we
• 1:15:19
  Speaker 2: only have a little bit more to this time code.
• 1:15:21
  Speaker 6: So let's let's uh all right, finish it.
• 1:15:24
  Speaker 5: Yep, Pete, it costs a lot of money to be
• 1:15:27
  Speaker 5: able to look as good as she does the concept
• 1:15:29
  Speaker 5: of a joint account and sept for accounts come up, now, finances,
• 1:15:32
  Speaker 5: this is a relationship.
• 1:15:34
  Speaker 1: Oh again, No, she she says, it costs a lot
• 1:15:36
  Speaker 1: of money for her to look as good as she does.
• 1:15:38
  Speaker 1: So this is again suggesting that like no one else
• 1:15:43
  Speaker 1: I don't know, Like doesn't it doesn't it cost money
• 1:15:46
  Speaker 1: for anybody to work on themselves? And is he was
• 1:15:50
  Speaker 1: he not enough for her anyway? Like didn't she choose him?
• 1:15:55
  Speaker 1: Like I don't, I don't understand, Like because she's pretty
• 1:15:57
  Speaker 1: what that means that she just cost more money to
• 1:16:02
  Speaker 1: help keep that? And you know he won a traditional
• 1:16:06
  Speaker 1: relationship or marriage. She agreed, she's there, so what's the
• 1:16:13
  Speaker 1: problem anyway?
• 1:16:17
  Speaker 5: Having this discussion? But he's like, well, why can't we
• 1:16:20
  Speaker 5: just rely on a joint account? And she's like, well,
• 1:16:22
  Speaker 5: I don't want you to know how much I spend
• 1:16:24
  Speaker 5: on botox and stuff. Joint account for joint expenses and
• 1:16:27
  Speaker 5: also having your own individual money makes perfect sense that
• 1:16:30
  Speaker 5: that's how we function, and we've done that for many years,
• 1:16:33
  Speaker 5: like we've been together for like it'll be thirteen years
• 1:16:36
  Speaker 5: next year.
• 1:16:36
  Speaker 4: Maybe I don't want to tell you how much I
• 1:16:37
  Speaker 4: spent on got Chucks.
• 1:16:40
  Speaker 2: So Byrony doesn't combine her finances with her partner.
• 1:16:46
  Speaker 6: Yeah, that's not a good.
• 1:16:48
  Speaker 2: Sign for a relationship, by the way, guys, all right,
• 1:16:51
  Speaker 2: let's keep going.
• 1:16:53
  Speaker 4: They're talking about it.
• 1:16:54
  Speaker 5: However, I don't think that he can afford her, and
• 1:16:57
  Speaker 5: I think that this is going to be him judging
• 1:17:00
  Speaker 5: her as.
• 1:17:01
  Speaker 2: He can't afford her. Okay, so this is the woman
• 1:17:04
  Speaker 2: who's like, oh, I don't like traditional gender roles, which
• 1:17:08
  Speaker 2: they aren't traditional, but regardless, we'll go, I don't like
• 1:17:10
  Speaker 2: the fifties housewife. He can't afford her. This woman is
• 1:17:18
  Speaker 2: an abject hypocrite. He can't afford her. That shouldn't come
• 1:17:25
  Speaker 2: out of your mouth. You were talking about Hey, maybe
• 1:17:27
  Speaker 2: Byrony brirony could encourage women to change how they estimate
• 1:17:33
  Speaker 2: a man's worth. Are you flipping kidding. No, she still
• 1:17:36
  Speaker 2: buys into it. She's still saturated in it. I wonder
• 1:17:40
  Speaker 2: who paid for the house she lives in. And then
• 1:17:44
  Speaker 2: she has a go at this guy saying, I want
• 1:17:46
  Speaker 2: to I want to treat my woman. I want to
• 1:17:49
  Speaker 2: take care of my woman. What do you think that?
• 1:17:51
  Speaker 2: What do you think the flip side of he can't
• 1:17:54
  Speaker 2: afford her is But the problem there is that men
• 1:17:59
  Speaker 2: take a pause of identity from supporting a woman. Is
• 1:18:02
  Speaker 2: that it? Byronny?
• 1:18:05
  Speaker 1: That's right?
• 1:18:06
  Speaker 2: Okay, yeah, this is going to infuriate me. I know what,
• 1:18:09
  Speaker 2: Let's keep going.
• 1:18:11
  Speaker 5: This person frustrated with him over the fact that he's
• 1:18:13
  Speaker 5: not very ambitious.
• 1:18:17
  Speaker 4: What coping that fell off the trees.
• 1:18:20
  Speaker 5: Calabria meets Edmund's mum and she's very sweet. She's gonna
• 1:18:23
  Speaker 5: give me his dines. It's very nice, and she gives up.
• 1:18:27
  Speaker 6: Well, I think this is done.
• 1:18:28
  Speaker 2: Go to I think this might be done, so we
• 1:18:31
  Speaker 2: might go back, but or it might just be like
• 1:18:35
  Speaker 2: a montage. So let's go to fifty fifty thirty fifty
• 1:18:42
  Speaker 2: minutes in thirty seconds, got it?
• 1:18:45
  Speaker 5: A couple of beers every single day, and this is
• 1:18:48
  Speaker 5: like a little bit worrying like it may not count
• 1:18:51
  Speaker 5: as an alcoholic, but it's like, what are your reasons
• 1:18:53
  Speaker 5: for doing that?
• 1:18:54
  Speaker 7: Is it?
• 1:18:54
  Speaker 4: Like I need a beer to be able to relax,
• 1:18:56
  Speaker 4: because yeah, I'd be worried a couple of beers a day,
• 1:19:00
  Speaker 4: you know, Like she's what.
• 1:19:02
  Speaker 1: Is what did you don't know what? Yeah?
• 1:19:05
  Speaker 2: I know, I don't think you did. It's just probably
• 1:19:07
  Speaker 2: a little bit of overlap with something else. These these
• 1:19:10
  Speaker 2: these timecodes aren't precise.
• 1:19:12
  Speaker 6: Okay, keep going sorts.
• 1:19:14
  Speaker 5: Patrick arrives and fills all the boys in on Casey.
• 1:19:18
  Speaker 3: I was like, oh, well, what do you doing tomorrow?
• 1:19:20
  Speaker 5: You know, he hasn't seen her at all. She texted
• 1:19:22
  Speaker 5: him that she doesn't want to do the show anymore,
• 1:19:24
  Speaker 5: and he's like, it's okay, we can just call, like
• 1:19:26
  Speaker 5: we can meet up, Like that's fine, and she's like, no,
• 1:19:28
  Speaker 5: I don't want.
• 1:19:28
  Speaker 1: To, Like, well, you tell her when we were broken
• 1:19:30
  Speaker 1: up or now.
• 1:19:30
  Speaker 4: She won't even have a phone call with him.
• 1:19:32
  Speaker 2: Bro.
• 1:19:32
  Speaker 1: I asked for the ring back and she basically stopped
• 1:19:34
  Speaker 1: talking to me.
• 1:19:34
  Speaker 3: She said she was like the ring back and she
• 1:19:37
  Speaker 3: was like no.
• 1:19:37
  Speaker 5: But the thing is that, once again, the rings are
• 1:19:39
  Speaker 5: provided by the show. They're not paid for by the guy,
• 1:19:42
  Speaker 5: so you don't have to return them at all. And actually,
• 1:19:45
  Speaker 5: even if you don't go through the wedding, you still
• 1:19:47
  Speaker 5: get to keep the ring like that is part of it.
• 1:19:50
  Speaker 1: You act like you're the only one that's her in this.
• 1:19:52
  Speaker 2: Why are you so obsessed with keeping this ring?
• 1:19:56
  Speaker 1: I don't know. She's trying to imply that this guy
• 1:20:00
  Speaker 1: is like the bad guy for wanting something that isn't his. Again,
• 1:20:04
  Speaker 1: I have to remind you, guys, this is reality TV.
• 1:20:08
  Speaker 1: Probably a lie like some of this stuff, or at
• 1:20:11
  Speaker 1: least blown overblown or something. You know, maybe he wanted
• 1:20:16
  Speaker 1: her to return the ring to the people who from
• 1:20:18
  Speaker 1: the show. I don't know. I don't know, but this
• 1:20:20
  Speaker 1: is a good opportunity for Brian. Need to use this
• 1:20:23
  Speaker 1: to impugne all men everywhere, because that's all this even
• 1:20:27
  Speaker 1: though we're looking at, uh, you know, a subset of
• 1:20:31
  Speaker 1: a subset of a subset, this is all men when
• 1:20:36
  Speaker 1: when it's framed by you know, the blood countess, so.
• 1:20:43
  Speaker 3: Oh my gosh, she's the worst.
• 1:20:51
  Speaker 5: Maybe that scummy guy that was telling her to go
• 1:20:54
  Speaker 5: on the show, maybe he'll just be like, okay, well
• 1:20:55
  Speaker 5: that can counts our engagement ring.
• 1:20:57
  Speaker 2: Now.
• 1:20:57
  Speaker 5: I don't know, I just I just want her to go,
• 1:21:00
  Speaker 5: like do some inner healing. Really, Kate is back? Remember
• 1:21:03
  Speaker 5: the love of Next Life?
• 1:21:05
  Speaker 2: I think I think we might be just wandering into
• 1:21:09
  Speaker 2: the weeds. Let's go to wait wait, wait, no, there
• 1:21:13
  Speaker 2: there should it should be Sparkle meets Luca's mom. I
• 1:21:15
  Speaker 2: think this is a recap of the So let's just keep.
• 1:21:18
  Speaker 1: Going what what? Just keep playing here?
• 1:21:22
  Speaker 2: I just keep playing out to see her.
• 1:21:24
  Speaker 1: Now.
• 1:21:24
  Speaker 5: I would be medicine in this situation, because I absolutely
• 1:21:27
  Speaker 5: would be bringing the person over to be like, hey,
• 1:21:29
  Speaker 5: have you met my friend Kate? Like other Wooden Spoon.
• 1:21:32
  Speaker 5: What can I say? Brandon really loved Annie, but it's
• 1:21:35
  Speaker 5: like she doesn't care at all.
• 1:21:37
  Speaker 4: Very clearly everything you thought it was me would be.
• 1:21:40
  Speaker 5: Mike actually apologizes to Sparkles for making her cry, and
• 1:21:44
  Speaker 5: I appreciate this. At least he's done some self reflection.
• 1:21:47
  Speaker 5: That's good.
• 1:21:47
  Speaker 3: I do want to apologize for like making you cry
• 1:21:51
  Speaker 3: that one night.
• 1:21:53
  Speaker 5: He says that he had picked a ring out for
• 1:21:54
  Speaker 5: her and it would have been an emerald cut like
• 1:21:56
  Speaker 5: she wanted, and blah blah blah, you.
• 1:22:00
  Speaker 3: Oh god, this is perfect.
• 1:22:03
  Speaker 2: It's perfect.
• 1:22:04
  Speaker 5: Yeah, I'm so glad. He decided not decide into her damns,
• 1:22:07
  Speaker 5: because that would have also been like really scummy. Like
• 1:22:10
  Speaker 5: even the things that he's bringing up now, it's like
• 1:22:12
  Speaker 5: this is really appropriate.
• 1:22:14
  Speaker 3: Do you think you made a mistake?
• 1:22:15
  Speaker 1: No, look dude, yeah, I mean, but like this is
• 1:22:23
  Speaker 1: for TV, like you know, just take it with a
• 1:22:27
  Speaker 1: grain of salt. Guys. Yeah, I'm talking to my friends
• 1:22:31
  Speaker 1: like he's meeting my family, are like, this is the
• 1:22:33
  Speaker 1: guy you've married.
• 1:22:35
  Speaker 4: I'm so glad that she's been this honest with him because.
• 1:22:37
  Speaker 2: I think, Okay, so what she's referring to. What she's
• 1:22:41
  Speaker 2: referring to is she he had Jordan meet her family,
• 1:22:45
  Speaker 2: which I'm guessing is somewhere in these time goes. But
• 1:22:48
  Speaker 2: for whatever reason, I couldn't, I couldn't be identified precisely,
• 1:22:53
  Speaker 2: So she took him to meet her family. And now
• 1:22:56
  Speaker 2: they're saying that he's the one that you marry. Jordan
• 1:22:59
  Speaker 2: is the one you marry, not Mike. And Jordan again
• 1:23:02
  Speaker 2: is the guy without money. Mike is the one who
• 1:23:04
  Speaker 2: apparently has at least some money. Yeah, so let's uh,
• 1:23:07
  Speaker 2: let's just uh, you're good luck, good luck finding it.
• 1:23:11
  Speaker 2: Let's just keep going.
• 1:23:12
  Speaker 5: Maybe there so pay those people you allegedly haven't paid.
• 1:23:16
  Speaker 5: We finally get to see Anna and Patrick. The way
• 1:23:19
  Speaker 5: that he comes up to Anna is very aggressive.
• 1:23:22
  Speaker 2: To share her.
• 1:23:23
  Speaker 3: She was my numb want to tell she left me.
• 1:23:25
  Speaker 3: God damn it, he left me.
• 1:23:27
  Speaker 6: I don't know why you do that.
• 1:23:28
  Speaker 4: And she's like, let's go and chat. The far better
• 1:23:31
  Speaker 4: way to come up against like this on topic. I
• 1:23:33
  Speaker 4: do feel really bad for not saying anything before I left.
• 1:23:36
  Speaker 2: That was aggressive. Huh that was aggressive on his part.
• 1:23:43
  Speaker 1: Yeah apparently, yeah, well you know again, She she this
• 1:23:49
  Speaker 1: is the thing. This is the great thing about getting
• 1:23:53
  Speaker 1: takes from the Blood Countess is that she gets to
• 1:23:56
  Speaker 1: frame the She basically sets the emotional tone by giving
• 1:24:00
  Speaker 1: what she thinks. It's like, she says, this is shocking,
• 1:24:04
  Speaker 1: this is inappropriate, and she does so with you know,
• 1:24:08
  Speaker 1: like her body language and her tone and her the
• 1:24:12
  Speaker 1: way that she you know, the words that she uses,
• 1:24:14
  Speaker 1: and her audience sees it and they're like, oh, it
• 1:24:16
  Speaker 1: is inappropriate, like like they just they just glom onto
• 1:24:20
  Speaker 1: it emotionally and they just go along with it. So
• 1:24:23
  Speaker 1: she sets the tone, makes a claim, acts the klemped.
• 1:24:27
  Speaker 1: Then the people who watch her videos they see her
• 1:24:30
  Speaker 1: reacting and they're like, oh this, I must react this
• 1:24:33
  Speaker 1: way because she's reacting this way. I think that's what
• 1:24:36
  Speaker 1: it is, you know what I mean. It's like a
• 1:24:37
  Speaker 1: kind of parasocial thing. I mean that's how TV works,
• 1:24:45
  Speaker 1: you know, Like if you want people to feel like
• 1:24:48
  Speaker 1: a certain way, then you just show someone feeling that way,
• 1:24:51
  Speaker 1: like you know, cranked up to eleven, and then you
• 1:24:54
  Speaker 1: hope the hope is that people who watch it will
• 1:24:56
  Speaker 1: get it cranked up to six they just by like
• 1:24:58
  Speaker 1: watching it, so it just has the same effect.
• 1:25:03
  Speaker 2: Yeah, anyway, okay, so forty six forty four, let's go
• 1:25:06
  Speaker 2: to forty six, forty forty four. Yeah, forty six forty four. Okay, yeah,
• 1:25:12
  Speaker 2: hopefully that's right here. Okay, Okay, So this is Jordan
• 1:25:16
  Speaker 2: meeting Sparkle's parents, all.
• 1:25:18
  Speaker 5: Right, moments Jordan and Sparkles meet her family, and it's
• 1:25:22
  Speaker 5: a fourth anniversary of her father's passing, so it's like
• 1:25:24
  Speaker 5: a very big day.
• 1:25:25
  Speaker 4: Jordan is very.
• 1:25:26
  Speaker 5: Much a simpler kind of guy, and I think that
• 1:25:28
  Speaker 5: we can all pick up that Sparkles has got fancier tape.
• 1:25:31
  Speaker 3: But I do love.
• 1:25:32
  Speaker 5: Megan, you know, to the moon and back pass, and
• 1:25:35
  Speaker 5: I think that this relationship will last because she will
• 1:25:38
  Speaker 5: be the main breadwinner and he will feel emasculated by this,
• 1:25:41
  Speaker 5: and she will probably struggle with his immaturity about this,
• 1:25:44
  Speaker 5: and that's the thing that's going.
• 1:25:44
  Speaker 2: To Okay, oh wa wait wait wait wait wait, wait.
• 1:25:46
  Speaker 4: What I'm thinking?
• 1:25:48
  Speaker 2: Okay, So she's throwing shade on Jordan and Megan, even
• 1:25:51
  Speaker 2: though she says they He's more mature than Mike. And
• 1:25:54
  Speaker 2: why because Jordan makes lesson She's She's suggesting, because he's
• 1:25:59
  Speaker 2: nervous about meeting her family on the fourth anniversary of
• 1:26:04
  Speaker 2: her dead father, that he's going to be emasculated by
• 1:26:09
  Speaker 2: the fact that she earns more. So it's on him, shees.
• 1:26:14
  Speaker 2: Of course, Megan sparkles, of course would never emasculate Jordan
• 1:26:18
  Speaker 2: from learning less. So this is what's infuriating about this woman.
• 1:26:24
  Speaker 2: She is one hundred percent stuck in the idea that
• 1:26:28
  Speaker 2: men exist to provide and protect for women. But she
• 1:26:32
  Speaker 2: absolutely will not acknowledge that the people who have stuck
• 1:26:38
  Speaker 2: men there are women. Yep, that women have these expectations. No,
• 1:26:46
  Speaker 2: it's on him, He's going to feel emasculated. But also
• 1:26:51
  Speaker 2: the fact that Mike feels good about himself for being
• 1:26:55
  Speaker 2: rich supposedly, or is cocky because he's rich. Supposedly that's
• 1:26:59
  Speaker 2: also bad. So men need to what is it, earn
• 1:27:05
  Speaker 2: their women? What did she say? She said Jordan won't
• 1:27:07
  Speaker 2: be able to earn sparkles, right, she won't be he
• 1:27:11
  Speaker 2: won't be able to afford sparkles. Right, he won't be
• 1:27:13
  Speaker 2: able to earn Sparkles, and he's going to.
• 1:27:15
  Speaker 1: Feel emasculated and he's gonna feel masculin immature. But like,
• 1:27:20
  Speaker 1: what does that mean though, because it couldn't her finding
• 1:27:22
  Speaker 1: him immature just mean he's not making enough money.
• 1:27:26
  Speaker 2: Yeah, that's that's basically what it means. He's not ambitious,
• 1:27:30
  Speaker 2: he doesn't make nyos, Okay. But my point is that
• 1:27:36
  Speaker 2: she says that Jordan won't be able to afford sparkles. Yeah,
• 1:27:43
  Speaker 2: and at the same time, and Jordan is going to
• 1:27:45
  Speaker 2: feel masculated. Well, you're just emasculated him, myrony, You're just
• 1:27:52
  Speaker 2: emasculated him by saying you're just saying that he's not
• 1:27:55
  Speaker 2: What is emasculation, It's saying to a man you have
• 1:27:58
  Speaker 2: no worth. What do you mean? What do you think
• 1:28:01
  Speaker 2: it meant when you said Jordan can't afford sparkles? It
• 1:28:10
  Speaker 2: means that you think he has less worth byrony. Byrony,
• 1:28:15
  Speaker 2: it means that you are emasculating him. You are judging
• 1:28:20
  Speaker 2: him on the scale. This is the scale. Top is
• 1:28:23
  Speaker 2: man is good provider, bottom is man is not a
• 1:28:26
  Speaker 2: good provider, right, and this is this is masculated, and
• 1:28:30
  Speaker 2: this is emasculated and you are judging him on that scale. Byrony,
• 1:28:35
  Speaker 2: where do you think? Do you think men are complete?
• 1:28:38
  Speaker 2: They just they just don't notice this. You think your
• 1:28:41
  Speaker 2: husband or your boyfriend doesn't notice this byrony, byrony, he
• 1:28:48
  Speaker 2: doesn't notice that you judge him based on his finances. Well,
• 1:28:52
  Speaker 2: you certainly don't trust him based on your finances. But anyway,
• 1:28:56
  Speaker 2: let's uh, let's finish this off. And actually, before we
• 1:28:59
  Speaker 2: finish it off, just one last thought, sorry, Brian. She
• 1:29:03
  Speaker 2: is reading a lot into him, into Jordan being nervous
• 1:29:08
  Speaker 2: about meeting Sparkle's family. She is reading a lot. And
• 1:29:13
  Speaker 2: what's interesting, she didn't read that whole hell of a
• 1:29:17
  Speaker 2: bunch into Sparkles meeting Jordan's family, at least his baby
• 1:29:25
  Speaker 2: mama and his son. She didn't read all that into that.
• 1:29:29
  Speaker 2: Maybe he's just nervous because he wants to give a
• 1:29:32
  Speaker 2: good impression on the fourth anniversary of Sparkle's father's death. Like,
• 1:29:39
  Speaker 2: maybe he's a little nervous about the impression he's giving this.
• 1:29:43
  Speaker 2: This woman is so uncharitable. I mean, a man breathes
• 1:29:51
  Speaker 2: in front of her and she's like, why did you
• 1:29:53
  Speaker 2: steal my oxygen? Why are you stealing women's oxygen? Do
• 1:29:58
  Speaker 2: you think you're tired to oxygen? Like, oh, okay, sorry,
• 1:30:03
  Speaker 2: go ahead, Brian.
• 1:30:04
  Speaker 1: When women feel a negative emotion, it's because of something
• 1:30:09
  Speaker 1: men did to them. When men feel a negative emotion,
• 1:30:12
  Speaker 1: it's because of some insecurity that men have.
• 1:30:16
  Speaker 2: Mm hmm.
• 1:30:18
  Speaker 1: So it's men's fault both ways.
• 1:30:21
  Speaker 5: I mean yeah, not like a nice couple, it's just
• 1:30:23
  Speaker 5: the reality of that. And like all of that messaging
• 1:30:26
  Speaker 5: from the patriarchy, and it will eat away at his
• 1:30:29
  Speaker 5: male ego.
• 1:30:30
  Speaker 4: That's why I think then we see Nick.
• 1:30:34
  Speaker 1: The radio waves from the patriarchy, patriarchy radio Tower Central
• 1:30:39
  Speaker 1: send out the patriarchal waves of insecure masculinity target this man.
• 1:30:47
  Speaker 2: Yeah, it's not going to come from his wh is
• 1:30:49
  Speaker 2: uh Sparkles, It's not going to come from people like
• 1:30:53
  Speaker 2: buyering Byrony, which it just did. You just saw that, right,
• 1:30:56
  Speaker 2: you saw what she did it's not going to come
• 1:30:59
  Speaker 2: from her. It's gonna come from this mysterious patriarchy. Except
• 1:31:03
  Speaker 2: the patriarchy seems to have a voice like, ah, I
• 1:31:06
  Speaker 2: just can't believe you don't. Ah, you can't earn her,
• 1:31:08
  Speaker 2: you haven't earned her. She's the table. What are you
• 1:31:11
  Speaker 2: you have? And it has a suspiciously falsetto voice, this patriarchy,
• 1:31:19
  Speaker 2: a suspiciously feminine voice. Oh wait, actually you know what.
• 1:31:26
  Speaker 2: It's the women around him that are receiving the patriarchal
• 1:31:29
  Speaker 2: vibes and then shaming him. You see, Byrony just briefly
• 1:31:32
  Speaker 2: just tuned into a patriarchal radio wave when she said
• 1:31:36
  Speaker 2: that he can't afford her.
• 1:31:43
  Speaker 1: Okay, yeah, I keep going, Or is there another time? Wait?
• 1:31:48
  Speaker 2: Wait fifty eight, let's go to fifty eight. It's a
• 1:31:52
  Speaker 2: final fiping time. Gode fifty eight to fifty.
• 1:31:57
  Speaker 5: Fifty eight fifty Yes, Sparkles and Jordan may get married,
• 1:32:05
  Speaker 5: but then I think that they would actually break up
• 1:32:07
  Speaker 5: because of the financial issues and him feeling emasculated by
• 1:32:10
  Speaker 5: her being in that position of power over him, because
• 1:32:13
  Speaker 5: it is recognized that having more money does put you
• 1:32:15
  Speaker 5: in a position of power.
• 1:32:17
  Speaker 4: I think that what.
• 1:32:20
  Speaker 1: Inherently materialistic view, by the way, So basically he admits
• 1:32:26
  Speaker 1: that when men have more money than women in relationships,
• 1:32:31
  Speaker 1: despite the fact that men like who has more money
• 1:32:34
  Speaker 1: doesn't mean anything as much as who money is spent on,
• 1:32:40
  Speaker 1: that means that those men have power over women. But
• 1:32:42
  Speaker 1: when women make more money, the men like that, Like
• 1:32:45
  Speaker 1: relationships can't work because men feel emasculated and secure, not
• 1:32:49
  Speaker 1: because women are like thinking of themselves I can do better,
• 1:32:52
  Speaker 1: which is like more likely the case, but whatever, I mean,
• 1:32:56
  Speaker 1: I'm not saying that there can be a relationship where
• 1:33:00
  Speaker 1: makes more and she's with a man because she loves
• 1:33:03
  Speaker 1: him and it doesn't really matter. But most of the
• 1:33:06
  Speaker 1: time that's not how it goes. It's just the truth
• 1:33:10
  Speaker 1: is women want security, they expect it from men, and
• 1:33:12
  Speaker 1: if a man makes less, they feel less secure, even
• 1:33:15
  Speaker 1: if the woman has more.
• 1:33:17
  Speaker 2: Yeah, and also Byrony totally buys into judging men on
• 1:33:23
  Speaker 2: this metric. Otherwise she would never framed it as he
• 1:33:27
  Speaker 2: can't afford her, all right, He never never framed it
• 1:33:34
  Speaker 2: like that.
• 1:33:38
  Speaker 1: Yep, Okay, it's a job.
• 1:33:41
  Speaker 2: Yeah, it is a job.
• 1:33:43
  Speaker 1: I mean, he's obviously able to sustain himself and his son,
• 1:33:49
  Speaker 1: so anyway, So they keep.
• 1:33:51
  Speaker 2: Going, yeah, sure, let's finish off, all right.
• 1:33:54
  Speaker 5: That position of power over him, because it is recognized
• 1:33:58
  Speaker 5: that having more money does put you in a position pala.
• 1:34:00
  Speaker 5: I think that anim will figure out that Nick.
• 1:34:02
  Speaker 2: Not if not if the government takes the money from
• 1:34:05
  Speaker 2: you and gives it to someone else. Okay, So that's
• 1:34:10
  Speaker 2: basically her her her, her overall statement. Okay, I'll just
• 1:34:17
  Speaker 2: read this out. Byrony predicts that Sparkle and Jordan may
• 1:34:19
  Speaker 2: get married but could break up due to financial issues.
• 1:34:22
  Speaker 2: In Jordan's insecurities, which incidentally he never mentions, and her
• 1:34:27
  Speaker 2: entire source of is maybe some some things the ways
• 1:34:33
  Speaker 2: he's looked during the thing, and.
• 1:34:36
  Speaker 1: His awkward at times.
• 1:34:38
  Speaker 2: He has been awkward at times, I think specifically when
• 1:34:42
  Speaker 2: she was talking about how much it costs to look
• 1:34:44
  Speaker 2: like her, and he also was nervous meeting her family.
• 1:34:50
  Speaker 2: That's what Byrony is basing this entire analysis on his insecurities.
• 1:34:58
  Speaker 1: They're just simply implied.
• 1:35:00
  Speaker 2: There's something implied. This is part of her overall show recap. Okay.
• 1:35:05
  Speaker 2: Barroney presents Jordan and Sparkle as one of the healthier
• 1:35:07
  Speaker 2: and more empathetic couples on the show, highlighting Jordan's maturity empathy,
• 1:35:11
  Speaker 2: especially regarding his son Luca. She contrasts Jordan's behavior positively
• 1:35:16
  Speaker 2: against more manipulative male contestants like Mike. However, she also
• 1:35:19
  Speaker 2: expresses concern about their relationship's long term viability, particularly due
• 1:35:23
  Speaker 2: to financial disparities in Jordan's potential feelings of emasculation as
• 1:35:28
  Speaker 2: conjectured by Byrony. But let's face it, she'd say that
• 1:35:31
  Speaker 2: about any man with this scenario, that it would be
• 1:35:35
  Speaker 2: his feelings of emasculation that would undermine the relationship, not
• 1:35:40
  Speaker 2: her leaving because she thinks he should bring something more
• 1:35:43
  Speaker 2: to the table. Throughout these discussions, Byrony uses various Okay,
• 1:35:48
  Speaker 2: that's irrelevant. Okay, So that's her conclusion. And I just
• 1:35:51
  Speaker 2: wanted to compare that with Mike, because Mike is apparently
• 1:35:55
  Speaker 2: more wealthy. But he's no good because he's immature or something,
• 1:35:59
  Speaker 2: or he'snipulative, or he was he was cocky about his
• 1:36:04
  Speaker 2: wealth or whatever else. I mean, he's a fine. But again,
• 1:36:10
  Speaker 2: all of this reflects on all men, not just Cherry.
• 1:36:16
  Speaker 1: None of the men on the show were good enough
• 1:36:19
  Speaker 1: for the blood count, none of them. They all like
• 1:36:23
  Speaker 1: even the one that she found the most sympathetic. She
• 1:36:25
  Speaker 1: criticized for being immature and like unable to handle a
• 1:36:28
  Speaker 1: woman that has more and his girl bossing harder or whatever.
• 1:36:32
  Speaker 1: I don't even think Annie is a girl boss. I
• 1:36:33
  Speaker 1: think that she's just like you. Inherited a lot of
• 1:36:37
  Speaker 1: money from family. She literally.
• 1:36:42
  Speaker 2: Jordan was with Sparkles. Nick.
• 1:36:44
  Speaker 1: I'm sorry, Yeah, Sparkles is what I was talking about.
• 1:36:46
  Speaker 2: Not sorry, it's entrepreneur is Megan. She just calls herself
• 1:36:55
  Speaker 2: Sparkles is a nickname.
• 1:36:57
  Speaker 1: Yea, she is released nickname.
• 1:37:00
  Speaker 2: She really punching above her her weight with him in
• 1:37:03
  Speaker 2: terms of his looks.
• 1:37:07
  Speaker 1: Well, I don't know if you can say that. That
• 1:37:08
  Speaker 1: sounds like.
• 1:37:10
  Speaker 2: No, seriously, you have to subtract the makeup. Yeah, she's
• 1:37:17
  Speaker 2: she's definitely mid and he's probably a good two points
• 1:37:22
  Speaker 2: higher than her in reality, because you know, yeah, not
• 1:37:26
  Speaker 2: just look at what she looks like. Here you gotta
• 1:37:27
  Speaker 2: subtrap the makeup and even here she's she looks like
• 1:37:34
  Speaker 2: there's about at least a one point disparity on the
• 1:37:37
  Speaker 2: looks match scale. And uh yeah, so she's punching well
• 1:37:42
  Speaker 2: above her weight in terms of her looks. There. Well,
• 1:37:46
  Speaker 2: you know you gotta you gotta compromise somewhere Byrony. He's
• 1:37:53
  Speaker 2: obviously bringing something to the table. It may not be money,
• 1:37:58
  Speaker 2: but anyway, So I mean, it's just like this is
• 1:38:00
  Speaker 2: so infuriatingly shallow. Again, it's all constructed Byrony of course
• 1:38:05
  Speaker 2: looks at this and says, this is reflection of reality,
• 1:38:09
  Speaker 2: which is really the big problem. And none of the
• 1:38:12
  Speaker 2: men are good enough. And this guy, there's nothing freaking
• 1:38:16
  Speaker 2: wrong with him. She had to invent something wrong with him.
• 1:38:21
  Speaker 2: I can only imagine what she must be like in
• 1:38:23
  Speaker 2: a relationship, right, do you have an insecurity? You looked
• 1:38:30
  Speaker 2: at me strange. I thought I chained you down to
• 1:38:34
  Speaker 2: the floor so you couldn't look at me, but you did.
• 1:38:39
  Speaker 2: I got to tighten the chains, put some spikes in
• 1:38:43
  Speaker 2: through your feet, like, oh, could you like just imagine
• 1:38:46
  Speaker 2: what it must be like with you with this. The
• 1:38:48
  Speaker 2: thing is that she has the audacity to lecture people
• 1:38:53
  Speaker 2: about their relationship when she is an entire Chinese parade
• 1:38:59
  Speaker 2: of red flag.
• 1:39:04
  Speaker 1: Like the.
• 1:39:05
  Speaker 2: Complete lack of all the sorry, the continuous reading bad
• 1:39:10
  Speaker 2: faith into everything. Yeah, so what if Mike was manipulative?
• 1:39:15
  Speaker 2: He's on a manipulative show. I'm trying to win in
• 1:39:21
  Speaker 2: this manipulative circumstance where they commodified the process of human
• 1:39:27
  Speaker 2: courtship and performing families a sacred thing and that's been commodified.
• 1:39:34
  Speaker 2: It's all grotesque and she's like picking, she's like picking
• 1:39:40
  Speaker 2: through the shit patty for the particularly disgusting nuggets. Well,
• 1:39:47
  Speaker 2: it's all grotesque because you are taking something that is
• 1:39:52
  Speaker 2: sacred and you're shoving it into the public eye as entertainment. Yep, okay,
• 1:40:04
  Speaker 2: all right, so Porto Jordan Polo is weird and yes,
• 1:40:10
  Speaker 2: two points higher. Yeah, okay, I don't know what else
• 1:40:15
  Speaker 2: to say about this. Like I again, we could have
• 1:40:18
  Speaker 2: gone through the most of it or a good portion
• 1:40:21
  Speaker 2: of it, but I felt like zeroing in on the money.
• 1:40:24
  Speaker 1: I think that makes I think this is like an
• 1:40:27
  Speaker 1: hour long video about a reality TV show.
• 1:40:34
  Speaker 2: Yeah there already there are people who do.
• 1:40:36
  Speaker 1: Much better jobs of this than Priority because they don't
• 1:40:38
  Speaker 1: apply the intersectional lens to it and just ship on
• 1:40:43
  Speaker 1: the men. Usually it's like making fun of the absolute
• 1:40:47
  Speaker 1: train wreck. People like just their behavior and it has
• 1:40:50
  Speaker 1: nothing to do with their sex or their beliefs or whatever.
• 1:40:54
  Speaker 2: So but this, this show has actually I did an
• 1:40:58
  Speaker 2: analysis and this show has changed over the years and
• 1:41:02
  Speaker 2: the criticism of the people on it has changed. So
• 1:41:04
  Speaker 2: initially it was more balanced, then it became in the
• 1:41:09
  Speaker 2: mid seasons it started to move towards like mean girl
• 1:41:12
  Speaker 2: behavior because there was a lot of clique and gossiping
• 1:41:16
  Speaker 2: and bullying and stuff like that going on on the
• 1:41:18
  Speaker 2: woman's side. And then in the later seasons, which might
• 1:41:23
  Speaker 2: correspond with me too, they started to bring in this
• 1:41:26
  Speaker 2: analysis of the toxic male behavior and connect it with
• 1:41:29
  Speaker 2: like systems of systeming, system naticness.
• 1:41:33
  Speaker 3: Right.
• 1:41:33
  Speaker 2: I don't think women understand the word system to be honest,
• 1:41:37
  Speaker 2: but regardless, this is what they did. So they brought
• 1:41:40
  Speaker 2: in more of that, and so this byrony is sort
• 1:41:44
  Speaker 2: of feeding on that. It's on the general cultural consensus
• 1:41:47
  Speaker 2: that men are the problem. In this show that specifically
• 1:41:51
  Speaker 2: finds problematic men, edits them to make them even more
• 1:41:55
  Speaker 2: problematic and dramatic in their problems and presents them out
• 1:42:01
  Speaker 2: of context to create outrage. So women have gone to
• 1:42:09
  Speaker 2: the dessert tray, like the dessert cart, and they have
• 1:42:15
  Speaker 2: found dessert women most affected. They have gone to the
• 1:42:21
  Speaker 2: thing that specifically manufactures bad male behavior, that packages manufactures
• 1:42:32
  Speaker 2: it and presents it to women and they have found
• 1:42:35
  Speaker 2: this thing. Aren't men ashamed? You should be ashamed, guys.
• 1:42:41
  Speaker 2: Women have found mad male behavior at the factory that
• 1:42:46
  Speaker 2: produces and packages it for their consumption. Don't you feel ashamed?
• 1:42:55
  Speaker 1: Yeah? Do you feel ashamed, Brian all the time.
• 1:43:00
  Speaker 2: But do you feel sufficient amounts of it? Do do
• 1:43:06
  Speaker 2: you feel ashamed that women have found bad male behavior
• 1:43:11
  Speaker 2: in this piece of media specifically designed to find it,
• 1:43:15
  Speaker 2: showcase it, and deliver it up to them?
• 1:43:20
  Speaker 1: Is that a rhetorical question? I mean, I don't know
• 1:43:23
  Speaker 1: they're looking, they're looking for it, So yeah, I'm not
• 1:43:26
  Speaker 1: I'm not ashamed, but I'm also not surprised.
• 1:43:30
  Speaker 2: Yeah, I'm just like yeah, and this is just gonna
• 1:43:35
  Speaker 2: keep going. They're just going to keep doing this. Like
• 1:43:37
  Speaker 2: all this proves is that Byrony is addicted to demonizing men.
• 1:43:46
  Speaker 1: Yep.
• 1:43:46
  Speaker 2: You know. And again we could go look at the
• 1:43:48
  Speaker 2: examples that these specifically created, packaged and delivered examples of
• 1:43:54
  Speaker 2: bad male behavior that she is pointing to in a
• 1:43:58
  Speaker 2: medium that is specific doing this to a doing this
• 1:44:01
  Speaker 2: for a female audience, to specifically create outrage. And she's
• 1:44:05
  Speaker 2: looking at this product that she is consuming and saying,
• 1:44:10
  Speaker 2: look at how this proves that men are bad. Right,
• 1:44:14
  Speaker 2: She's she's gone to the men or bad factory and
• 1:44:17
  Speaker 2: found that men are bad, and she's and and this
• 1:44:22
  Speaker 2: is just gonna like. There's a market for this. There
• 1:44:26
  Speaker 2: is media constructing this, and there is a tarpet of
• 1:44:30
  Speaker 2: women consuming it. And that's the takeaway. M all right, okay,
• 1:44:40
  Speaker 2: so okay, So I will if you want to, if
• 1:44:48
  Speaker 2: you want to, at least be a voice to help
• 1:44:53
  Speaker 2: allow us to continue to be a voice pushing back
• 1:44:55
  Speaker 2: against this. Please help us out feed the Badger dot
• 1:44:59
  Speaker 2: com slash subscribe. I still don't have the monthly fundraiser up.
• 1:45:02
  Speaker 2: That'll be up at feed the Badger dot com slash support.
• 1:45:05
  Speaker 2: But subscriptions are great too. It's good to have reoccurring income.
• 1:45:10
  Speaker 2: And the only thing I will ever try to sell
• 1:45:13
  Speaker 2: you on is caring about this because somebody has to
• 1:45:16
  Speaker 2: push back against this. Somebody has to say this is insanity. Right,
• 1:45:21
  Speaker 2: going to the man bad factory and finding men bad
• 1:45:26
  Speaker 2: men and then saying look how bad men are is insanity.
• 1:45:32
  Speaker 2: This is insanity. Must just like set aside the fact
• 1:45:36
  Speaker 2: that it's misinery. This is insane. This is eating your
• 1:45:41
  Speaker 2: own poop level of insane and if you want to
• 1:45:44
  Speaker 2: make sure that there's somebody out there, somebody's out there
• 1:45:47
  Speaker 2: pushing back against that, please help us out with a subscription.
• 1:45:51
  Speaker 2: Feed the Badger dot com slash subscribe. I don't want
• 1:45:55
  Speaker 2: hers to be the only voice. Let me put it
• 1:45:57
  Speaker 2: that way, all right, And if you want to send
• 1:46:00
  Speaker 2: us a message at anytime when the show is over,
• 1:46:03
  Speaker 2: feed the Badger dot com slash support ship. I used
• 1:46:06
  Speaker 2: the O word and h yeah, do we get any
• 1:46:11
  Speaker 2: super cells? It's been quiet. I think everybody got screwed
• 1:46:13
  Speaker 2: around with the multiple published public published.
• 1:46:18
  Speaker 1: Yeah, they migrated to the right place though we did. Yeah,
• 1:46:21
  Speaker 1: we do have people here, although not the usual. Just
• 1:46:26
  Speaker 1: like there's no great indoors, there's no ritual great indoors.
• 1:46:30
  Speaker 2: Might be might be going to bed at this hour.
• 1:46:33
  Speaker 1: Yeah, I guess it's late for him. But yeah, I
• 1:46:36
  Speaker 1: mean I see people on there, and like our vertical
• 1:46:39
  Speaker 1: got two hundred and sixty nine views. Okay, that's that's
• 1:46:42
  Speaker 1: pretty I mean the people didn't really stick around, but
• 1:46:44
  Speaker 1: they popped in said a few things. Hello Martin whatever
• 1:46:50
  Speaker 1: your name is from Czechoslovakia. Martin, Yeah, it says I check,
• 1:46:57
  Speaker 1: So I don't know. I mean, hello, looks. Yeah, so hello,
• 1:47:02
  Speaker 1: it's probably really late where you are too, all right,
• 1:47:04
  Speaker 1: but anyway, so what what are we doing now we've done?
• 1:47:06
  Speaker 2: Or I I can't, I can't even not anymore. Let's
• 1:47:10
  Speaker 2: just let's call it a day. Byrony does that to.
• 1:47:15
  Speaker 1: Me, she's draining. She drains the soul like a blood countess.
• 1:47:23
  Speaker 1: I'm gonna call her that from now on, and we're
• 1:47:24
  Speaker 1: gonna be responding to Briarty Claire. I'm gonna make it
• 1:47:26
  Speaker 1: fun for myself, so officially, now Briarny Claire is actually
• 1:47:33
  Speaker 1: Carmela the blood Countess, so anyway.
• 1:47:39
  Speaker 2: Or Elizabeth Bathory thing Carmela Elizabeth Bathory, the blood Countess Bathory, Brianny.
• 1:47:48
  Speaker 1: They basically sound the same. I'm guessing that's what it is.
• 1:47:51
  Speaker 1: So anyway, uh yeah, so we're gonna wrap it up
• 1:47:55
  Speaker 1: a what.
• 1:47:58
  Speaker 2: Oh Richard's here? Okay, actually this was a request.
• 1:48:01
  Speaker 1: By Richard, so lurking. Oh it was shock.
• 1:48:06
  Speaker 2: Shock, she's been on a Byerny. Click. Actually, you know what, Richard,
• 1:48:10
  Speaker 2: if you want to do another request, find another crazy dumbass.
• 1:48:21
  Speaker 1: It's all cancer to me.
• 1:48:22
  Speaker 2: So yeah, well, I mean one's worst is Sheira manifestel
• 1:48:27
  Speaker 2: Byrony Quick.
• 1:48:28
  Speaker 1: I think Brianny tries to Like, I think Brianny tries
• 1:48:32
  Speaker 1: the hardest, like in terms of like formatting, because like
• 1:48:36
  Speaker 1: Shira barely speaks and manifestell like that she's just like
• 1:48:45
  Speaker 1: some She's like a horror monster from like it's like
• 1:48:49
  Speaker 1: one of those stalkers you know that you can't kill
• 1:48:51
  Speaker 1: and you're just at to avoid it leaves. It's like
• 1:48:55
  Speaker 1: something out of amnesia that yeah, like a jah one
• 1:49:01
  Speaker 1: of the like a Japanese ghost. Instead of instead of croaking,
• 1:49:05
  Speaker 1: she's like going on and on with vocal fry, which
• 1:49:10
  Speaker 1: is like its own kind of croak.
• 1:49:11
  Speaker 2: You know. But oh man, god anyway, Yeah, so like.
• 1:49:18
  Speaker 1: Whatever, man, I mean, you know, it's it's a it's
• 1:49:21
  Speaker 1: a living. But with that said, thank you guys for
• 1:49:26
  Speaker 1: coming on the show today. If you guys like this video,
• 1:49:28
  Speaker 1: please hit like subscribe. If you're not already subscribed, hit
• 1:49:31
  Speaker 1: the bell from NotI Vacations, leave as a comment. Let
• 1:49:32
  Speaker 1: us know what you guys think about what we discussed
• 1:49:35
  Speaker 1: on the show today. In this video, you find a
• 1:49:37
  Speaker 1: link to it in the description. I don't know why
• 1:49:39
  Speaker 1: you'd want to watch it, but you could if you
• 1:49:41
  Speaker 1: want to put yourself through that, and please, please please
• 1:49:44
  Speaker 1: share this video because sharing is caring. Thank you guys
• 1:49:47
  Speaker 1: so much for coming on today's episode of Maintaining Frame,
• 1:49:50
  Speaker 1: and we'll talk to you guys in the next one.