Latest / 70 80 / SETTANTAxOTTANTA: Anni 70. C’era una volta il bigliettaio, bestia nera dei furbetti che tentavano di viaggiare senza titolo di viaggio

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SETTANTAxOTTANTA: Anni 70. C’era una volta il bigliettaio, bestia nera dei furbetti che tentavano di viaggiare senza titolo di viaggio · 70 80

• 0:53
  Welcome to 70 per 80, the 7080 .it section that
• 0:58
  deepens the topics discussed on the portal. I
• 1:01
  am with journalist Enzo Mauri, who introduces
• 1:03
  the current topic. Good morning, today I talk
• 1:06
  to you about a memorable figure, an even dear
• 1:09
  figure in the memories of those who took buses
• 1:12
  and trams to go to school or work. The ticket
• 1:15
  office was proposed to respect the order within
• 1:17
  the public media even more than the driver, whose
• 1:20
  only task was precisely to drive, avoiding the
• 1:22
  most every kind of argument. A nice difference
• 1:25
  compared to today, the driver is in charge of
• 1:28
  responsibility, of which he would probably gladly
• 1:30
  do less, that they isolate a bit from his main
• 1:33
  activity. L 'azione dei controllori ha solo in
• 1:45
  parte ridotto il numero di trasgressori. Il film
• 1:47
  del 1942 Avanti C 'è Posto, diretto da Mario
• 1:51
  Bonnard, contribuì a rendere famoso Aldo Fabrizzi
• 1:54
  che interpretava proprio il ruolo di bigliettaio
• 1:57
  nell 'azienda di trasporti romana in piena seconda
• 1:59
  guerra mondiale. The title of the film was the
• 2:13
  classic exhortation that the ticket holders were
• 2:16
  used to communicate aloud to passengers in moments
• 2:19
  of greater crowd. The ticket holder was seated
• 2:22
  in the back of the public vehicle near the entrance.
• 2:25
  The passengers as soon as they climbed found
• 2:27
  him immediately in front of them, so it was a
• 2:29
  good idea to already have in hand the amount
• 2:31
  necessary to pay for the ticket, a few coins,
• 2:33
  or to prevent a crowd of people from forming
• 2:36
  waiting to correspond to the due or to their
• 2:39
  turn. M .C .L. To put it all in words, the rush
• 3:01
  hour contributed to create that amount of confusion
• 3:05
  that allowed the tricksters of the ticket office
• 3:07
  to make it frank and pass without paying. The
• 3:10
  ticket office therefore had to have a vigilante
• 3:12
  eye able to identify the Portuguese. With this
• 3:15
  idiomatic expression, it was defined until some
• 3:17
  time ago that he enjoyed a service without paying
• 3:20
  it. Many were like today's students. Spending
• 3:23
  the ticket office money for a few days, delivered
• 3:26
  every morning by the mothers, allowed to put
• 3:28
  aside a discreet gruzz, to spend on the purchase
• 3:31
  of chewing gums, candy bars and figurines. Not
• 3:34
  always was it good if the ticket office caught
• 3:36
  you, where you had to shut up, blush and pay.
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  The ticket office wore the uniform of the municipal
• 3:41
  company of its city and the indispensable hat
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  with visor, which immediately made it recognizable.
• 3:46
  He sat in a location equipped with a floor plan
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  divided into parts, where to place the stamps
• 3:51
  and banknotes based on the value, to speed up
• 3:54
  the purchase procedure and the delivery of the
• 3:56
  rest. Attention! What attention? I have to get
• 3:59
  off. Come on, give me a hand. Give me a hand.
• 4:02
  Give me a hand. You! Tessera! Favorites! I said
• 4:06
  Tessera! I said Favorites! If I said Tessera,
• 4:08
  it means I have it. Who do you think you're talking
• 4:10
  to? I'll give it to Tessera. To you! The official
• 4:13
  kept in addition to the small piles of tickets
• 4:15
  and the puncher with which to punch them to make
• 4:18
  them unusable in the following trips. In some
• 4:21
  regions the billiards used an emitter of travel
• 4:25
  titles. At the end of service, the cash register
• 4:27
  was closed thanks to a lever that made the wooden
• 4:30
  hinge burst. In the mid -70s, the municipal transport
• 4:35
  companies decided to square the balances to remove
• 4:37
  the figure of the billiards. In Rome, in the
• 4:39
  early 80s, only some lines of trams Tala Reddick
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