Latest / DISGRACELAND / Bonus Episode: POV in Storytelling, 1970s Actors, and Sarah Vaughan vs. Ella Fitzgerald
Transcript
- 0:02Speaker 1: Hey, discos, need a little more Disgraceland in your life,
- 0:05Speaker 1: just to touch to get you through.
- 0:07Speaker 2: Yeah, me too. This is the podcast that comes after
- 0:10Speaker 2: the podcast.
- 0:11Speaker 1: Welcome to Disgraceland, the after Party. Welcome to the Disgraceland
- 0:30Speaker 1: bonus episode, a.
- 0:31Speaker 2: Little thing we like to call the after party.
- 0:34Speaker 1: This is the show after the show, the party after
- 0:37Speaker 1: the party, the bridge to get you from one full
- 0:39Speaker 1: episode of Disgraceland to the other, the backyard to dig
- 0:42Speaker 1: into the dirt. On this bonus episode, we are talking
- 0:46Speaker 1: about incredible jazz artists. We're also talking about dumb questions
- 0:50Speaker 1: from smart people and al Pacino, and the greatest actors
- 0:54Speaker 1: from the greatest decade in filmmaking, the nineteen seventies, and
- 0:57Speaker 1: of course your voicemails, your texts and more, and as always,
- 1:01Speaker 1: a whole lot of rosy. All right, this goes, Let's
- 1:04Speaker 1: get into it, all right, guys, Welcome into the show
- 1:18Speaker 1: this week. I'm pumped to be here talking to you.
- 1:20Speaker 1: I'm on vacation, I'm recording in an undisclosed location on
- 1:23Speaker 1: a spooky lake up in the wilds of New England,
- 1:26Speaker 1: and I am in a basement right now, an empty
- 1:28Speaker 1: dark room looks like somewhere you would stow away a kidnapper.
- 1:32Speaker 1: If the recording sounds a little boomy, that is because
- 1:37Speaker 1: I'm recording in this non studio environment. But I wanted
- 1:41Speaker 1: to get you guys this after party episode this week,
- 1:43Speaker 1: So here you go.
- 1:43Speaker 2: I hope you can bear with me.
- 1:45Speaker 3: Listen.
- 1:46Speaker 1: When I was in my second year of college at
- 1:48Speaker 1: Northeastern University, I took a class called a Survey of
- 1:51Speaker 1: African American Music. It was a great class, covered everything
- 1:55Speaker 1: from field houllers and slave chants from the seventeen hundreds.
- 1:58Speaker 2: All the way up to modern day hip hop.
- 2:00Speaker 1: Our professor, he was a jazz guy, though I think
- 2:03Speaker 1: he played with Alice Coltrane at some point. I'm not sure.
- 2:07Speaker 1: Even so, I didn't understand at the time how cool
- 2:10Speaker 1: that was. Then I now do, of course. I also
- 2:13Speaker 1: remember our professor was friends with Max Roach, the great
- 2:16Speaker 1: jazz drummer, and he even had Max come speak to
- 2:19Speaker 1: the class. And that type of coolness I understood immediately.
- 2:23Speaker 1: Professor Brown, that was our teacher. He was reasonable, he
- 2:28Speaker 1: was thoughtful, he was measured, if not a bit dramatic.
- 2:31Speaker 1: The first day of class, I remember he grabbed the
- 2:34Speaker 1: best looking, most athletic looking white boy in the class
- 2:38Speaker 1: in the classroom and made him stand up on his desk,
- 2:40Speaker 1: and then the professor proceeded to reenact in eighteenth century
- 2:44Speaker 1: slave auction, using the kid as the student as a prop.
- 2:49Speaker 1: It was heavy, and the white boy handled it well,
- 2:52Speaker 1: and I remember being impressed with both professor and the kid.
- 2:58Speaker 2: Professor Brown was.
- 2:59Speaker 1: A weird cat, but he had great tastes, especially in
- 3:03Speaker 1: jazz music, from Dixieland to standards, to bebop to harbop
- 3:07Speaker 1: to Afro Cuban diffusion, whatever the style. Professor Brown had
- 3:11Speaker 1: a great way of explaining the evolution of jazz from
- 3:14Speaker 1: genre to genre in human terms objectively. Now my tastes,
- 3:20Speaker 1: along of course with some of my classmates, expanded rapidly
- 3:24Speaker 1: because of this class, and so did my understanding of
- 3:27Speaker 1: America's first artistic contribution to the world, jazz music. I
- 3:32Speaker 1: still love jazz music, of course, and I'm still trying
- 3:34Speaker 1: to understand it. Not in technical terms, I've never cared
- 3:37Speaker 1: much for that. That's not my thing, but in human terms,
- 3:40Speaker 1: and that's what our Miles Davis and Billie Holliday and
- 3:44Speaker 1: Chet Baker and Sonny Rollins episodes are about. They're about
- 3:48Speaker 1: me trying to understand the men and the women who
- 3:50Speaker 1: made this incredibly unique and incredibly inspiring music. They quite
- 3:54Speaker 1: literally dedicated their lives to and for most died in
- 3:57Speaker 1: the pursuit of their creations. Was Miles Davis. The best
- 4:02Speaker 1: trumpet player to ever work in the genre. Was Billie Holiday,
- 4:05Speaker 1: the best vocalist, the best female jazz vocalist. I can
- 4:08Speaker 1: certainly make a case for both. I can't for Chet Paker,
- 4:11Speaker 1: by the way, as a trumpet player, but as a singer.
- 4:13Speaker 1: Perhaps I'm still learning about Sunny Rollins even after releasing
- 4:17Speaker 1: our episode on him. These questions of who is the best? Uh,
- 4:22Speaker 1: they're silly, but they're useful. There is, of course, no
- 4:26Speaker 1: right answer, no wrong answer, but these questions prompt discovery,
- 4:31Speaker 1: and that's what me doing this podcast is all about,
- 4:35Speaker 1: for all of us, for you and for me.
- 4:37Speaker 2: You know, be it the U.
- 4:38Speaker 1: The Johnny Cash Real we released this week on Instagram
- 4:41Speaker 1: about Johnny Cash being literally the first American to learn
- 4:44Speaker 1: of Joseph Stalin's death. That's a big revelation for a
- 4:48Speaker 1: lot of people. They didn't know that. My wife even
- 4:50Speaker 1: was like, are you sure this is true? I'm like,
- 4:52Speaker 1: I'm sure it's true, look it up. It's it's a fact.
- 4:57Speaker 1: And that's you know, discovering these these facts, these these
- 5:00Speaker 1: uote unquote holy shit moments that happened in music history
- 5:03Speaker 1: or in the history of entertainment. It's just as much
- 5:07Speaker 1: discovery for me as it is for you guys. And
- 5:09Speaker 1: these questions that we ask in the after party, they're
- 5:12Speaker 1: also about discovery.
- 5:13Speaker 2: They're meant to prompt discovery.
- 5:15Speaker 1: I asked this question to you guys last week here
- 5:17Speaker 1: in the after party and on social media, of who
- 5:20Speaker 1: the greatest singer of the twenty first century is, not
- 5:23Speaker 1: because I'm interested in proving my take to be right.
- 5:26Speaker 2: I could give a shit about that Amy Winehouse.
- 5:29Speaker 1: You may recall, is my answer to that question, by
- 5:32Speaker 1: the way, and again, twenty first century, not the twentieth century.
- 5:35Speaker 1: A lot of people got that mixed up. I was
- 5:37Speaker 1: specifically talking about the last twenty four years. But I
- 5:40Speaker 1: asked these questions in part because I want to learn
- 5:42Speaker 1: more about these other artists who would not be my choice.
- 5:46Speaker 1: I'm soliciting education in a way. I want to get
- 5:49Speaker 1: you guys to teach me about the artists and the
- 5:52Speaker 1: entertainers that you love and I want to know why
- 5:55Speaker 1: you love them, because that's going to provide me with
- 5:58Speaker 1: an on ramp to get me into other.
- 6:01Speaker 2: Music, other films, etc.
- 6:04Speaker 1: So because of you, guys, I will be listening to
- 6:07Speaker 1: Pink in a Dell with fresh ears, something that wouldn't
- 6:10Speaker 1: have happened had this question not come up, and had
- 6:12Speaker 1: you guys not so passionately responded.
- 6:15Speaker 2: Now.
- 6:16Speaker 1: Back in that survey of African American music at Northeastern University,
- 6:20Speaker 1: I remember we had a big exam. It was a
- 6:22Speaker 1: midterm or a final, I can't remember which, and our
- 6:24Speaker 1: professor told us that there would be only three questions
- 6:28Speaker 1: on the exam, and I don't remember necessarily what the
- 6:32Speaker 1: first two questions were exactly, but the answers were somewhat
- 6:36Speaker 1: subjective answers where we had to demonstrate in an essay
- 6:41Speaker 1: or an essays broad understanding of the music that we
- 6:44Speaker 1: learned in the course, along with some indication of how
- 6:47Speaker 1: our tastes had evolved. The answer to the last question, however,
- 6:50Speaker 1: was also subjective, but only from the professor's point of view.
- 6:54Speaker 1: He told us that the final question on the exam
- 6:57Speaker 1: would be who is the greatest singer in the history
- 7:00Speaker 1: of music, and that there could only be one answer
- 7:03Speaker 1: to the question of who the greatest singer in the
- 7:06Speaker 1: history of music was, and that that answer was Sarah
- 7:12Speaker 1: vaugh Now. He also said that if we got cute
- 7:15Speaker 1: and we try to answer anything else, try to argue
- 7:17Speaker 1: anything else, try to argue that maybe it was another
- 7:20Speaker 1: singer like Holiday check Baker, perhaps even arguing for other
- 7:24Speaker 1: artists that we had learned about in his class, that
- 7:27Speaker 1: if we did not answer Sarah Vaughan, that if we
- 7:30Speaker 1: did not claim that Sarah Vaughn was the greatest singer
- 7:34Speaker 1: in the history of music, we would get the question
- 7:36Speaker 1: wrong and lose a third of our exams grade and
- 7:39Speaker 1: would be well on our way to failing. I remember
- 7:42Speaker 1: thinking that the question and the stubbornness around the quote
- 7:44Speaker 1: unquote answer was bold. I liked it, and I'm pretty
- 7:48Speaker 1: sure I aced that exam. But the professor was, of
- 7:52Speaker 1: course wrong. The answer is, of course Ella Fitzgerald, not
- 7:54Speaker 1: Sara Vaughn. You can fight me, Professor Brown. Just listen
- 7:57Speaker 1: to side one of Ella singing the Coleporter Songbook and
- 8:00Speaker 1: then come talk to me about Saravonn. All right, I'll
- 8:02Speaker 1: due respect, but the bummer of that class and that exam,
- 8:06Speaker 1: and that weird question is that for as much as
- 8:10Speaker 1: we covered in that class, I don't really remember covering
- 8:14Speaker 1: Sara Vaughn. I don't really recall being taught any examples
- 8:18Speaker 1: of Sara Vaughn's greatness of what songs I should listen
- 8:22Speaker 1: to to consider her greatness of what albums I should
- 8:25Speaker 1: listen to. The question, as bold as it was and
- 8:29Speaker 1: the silly forest answer, didn't prompt any evolution in taste,
- 8:34Speaker 1: and that is what I'm hoping to accomplish with the
- 8:36Speaker 1: questions that we ask and discuss in and around these
- 8:40Speaker 1: bonus episodes. So to the question of who the greatest
- 8:44Speaker 1: singer of the twenty first century is, like I said,
- 8:47Speaker 1: my answer was Amy Winehouise. And if you want my reasoning,
- 8:50Speaker 1: if you want to start somewhere to discover Amy's greatness,
- 8:53Speaker 1: then look no further than her second LP, Back to Black.
- 8:55Speaker 1: There literally isn't a bad song on it. And in
- 8:59Speaker 1: the meantime, checking out some of the recommendations from you
- 9:01Speaker 1: guys on who you believe the greatest singer of the
- 9:04Speaker 1: twenty first century is. Also later in this episode, I'm
- 9:07Speaker 1: going to have some specific follow ups to your answers,
- 9:10Speaker 1: but for now I have another question. Next week's full
- 9:14Speaker 1: episode of dis Graceland is on al Pacino, and the
- 9:17Speaker 1: story is about how al nearly derailed his incredible, one
- 9:22Speaker 1: of a kind acting career before it even really got started.
- 9:25Speaker 1: So coming into this episode, as I was organizing my thoughts,
- 9:29Speaker 1: I was thinking that I could ask something cheeky about
- 9:32Speaker 1: like what al Pacino movie could you absolutely not live without?
- 9:36Speaker 1: But I don't like that questions. It's hard to even
- 9:40Speaker 1: form the question, so that's probably an indication that it's
- 9:42Speaker 1: not a good question. I want to get more basic here,
- 9:44Speaker 1: because basically, you can argue that al Pacino is the
- 9:47Speaker 1: greatest actor from the greatest decade in filmmaking, the nineteen seventies.
- 9:53Speaker 1: Now least, if you were to survey my movie watching
- 9:56Speaker 1: history over the course of my life, I think that
- 9:58Speaker 1: al Pacino movies from the nineteen seventies, The Godfather, one
- 10:03Speaker 1: and two, Serproco, Dog Day Afternoon, these films are among
- 10:08Speaker 1: my most watched, most loved movies. But I want to
- 10:12Speaker 1: look at seventies movies through your eyes, so I want
- 10:15Speaker 1: to know who do you think is the greatest actor
- 10:19Speaker 1: or actress from that decade? From the nineteen seventies and
- 10:22Speaker 1: very important. Please tell me which films of theirs that
- 10:26Speaker 1: I need to watch, even if it's super obvious and
- 10:30Speaker 1: you're going to be like, oh, well, he's definitely seen
- 10:32Speaker 1: The Sting, you know, with Robert Redford and Paul Newman,
- 10:36Speaker 1: which I have. But if you write me this impassioned
- 10:39Speaker 1: answer or leave me a voicemail about why The Sting
- 10:44Speaker 1: puts Paul Newman over the top when considering the best
- 10:47Speaker 1: actors of the nineteen seventies, I'm not going to watch
- 10:50Speaker 1: The Sting with a little bit of your point of view,
- 10:53Speaker 1: and that's what I'm looking for, Okay. Which films make
- 10:57Speaker 1: you believe that your actor or actress is better than
- 11:00Speaker 1: al Pacino in the nineteen seventies, or at least which
- 11:03Speaker 1: seventies films your favorite seventies actors keep driving you back
- 11:07Speaker 1: to watch over and over again. Who are those actors
- 11:10Speaker 1: who are the best? Who is the best? Who is
- 11:12Speaker 1: the single best representation of the greatest acting, the most
- 11:16Speaker 1: compelling acting in the decade of the nineteen seventies. Is
- 11:19Speaker 1: it Robert de Niro? Is it Meryl Streep? Is it
- 11:21Speaker 1: Shelley Devall? Is it Robert Redford, Dustin Hoffman, Fade Dunaway,
- 11:25Speaker 1: Paul Newman. Which actor or actress owned the seventies for
- 11:29Speaker 1: you let me know six one seven nine oh six
- 11:31Speaker 1: six six three eight. You can leave me a voicemail
- 11:33Speaker 1: with your answer, or you can send me a text
- 11:35Speaker 1: with your answer. You can hit me up at the
- 11:37Speaker 1: scracelam pod on Instagram, x, Facebook and TikTok.
- 11:41Speaker 2: I'm going to take a quick break and.
- 11:42Speaker 4: I'll be back in a flash.
- 12:06Speaker 1: All right, we are back. I want to dive right
- 12:08Speaker 1: into your voicemails here. This is Lauren from the two
- 12:10Speaker 1: o eight on the subject of the greatest female singers
- 12:14Speaker 1: of the twenty first century.
- 12:16Speaker 5: Hey, Jake, this is Lauren from the two eight. I
- 12:18Speaker 5: think we're missing Laurence Welch and the greatest female singers
- 12:22Speaker 5: from the twenty first century. Listening to her is an
- 12:26Speaker 5: absolute spiritual experience, something I really didn't feel since my
- 12:32Speaker 5: teen years listening to Tori Amos. She's just incredible, so
- 12:35Speaker 5: I think she definitely needs to be added to that list.
- 12:37Speaker 3: Love what you do.
- 12:38Speaker 5: Keep up the good work.
- 12:39Speaker 2: Thanks bye, Lauren, Thanks for the call.
- 12:42Speaker 1: Florence Welch is admittedly someone that I don't know that
- 12:45Speaker 1: much about, but someone that I am excited to get into.
- 12:49Speaker 1: I don't know much about about Florence, but everything I've
- 12:52Speaker 1: heard from her just in passing has kind of stopped
- 12:55Speaker 1: me and been like, oh, I gotta know more about
- 12:58Speaker 1: this artist.
- 13:00Speaker 2: Thanks for the prompt. I appreciate it.
- 13:02Speaker 1: Uh the five o five on the Jackson's let's hear,
- 13:07Speaker 1: Let's hear from the five oh five?
- 13:08Speaker 3: Hey, Jake, Nile Style and Santa Fe. You know when
- 13:14Speaker 3: one time, a long time ago, you mentioned that you
- 13:16Speaker 3: had something that was going to take a whole lot
- 13:19Speaker 3: more than one episode, it was going to take a
- 13:21Speaker 3: whole series, and I thought, Okay, he's finally gonna do
- 13:25Speaker 3: the Jackson family, including the father, I think, but I
- 13:31Speaker 3: think it ended up being Wu tang. If you don't
- 13:35Speaker 3: talk about Michael much, mar Janet or their dad or
- 13:39Speaker 3: any of the other kids. But there's stuff there. We
- 13:43Speaker 3: know there's stuff there. Anyway, loving what you do, you
- 13:48Speaker 3: have a good, beautiful, beautiful day.
- 13:53Speaker 1: Okay, here's the thing. There's there's not a reason really
- 13:57Speaker 1: that I have not covered Michael Jackson except actually that's
- 14:00Speaker 1: not true. There is a reason I do so much there,
- 14:04Speaker 1: and I honestly cannot pick a lane A lane, excuse me,
- 14:07Speaker 1: A pointed, A pointed. I have a point of view,
- 14:10Speaker 1: but it's changed dramatically from time to time.
- 14:14Speaker 2: And I and maybe.
- 14:15Speaker 1: Perhaps if I'm being totally honest, if I'm speaking honestly,
- 14:18Speaker 1: I'm a little bit intimidated on the subject of Michael Jackson.
- 14:23Speaker 1: I think that, uh, I have many conflicting thoughts on
- 14:28Speaker 1: Michael in the in the supposed transgressions that surround him.
- 14:34Speaker 1: And I've read a lot, I've watched a lot, and
- 14:36Speaker 1: I've heard a lot even secondhand. I was excuse me,
- 14:39Speaker 1: firsthand from folks, and it's I It's.
- 14:43Speaker 2: Just it's just a lot.
- 14:44Speaker 1: And I feel like it's the type of subject that
- 14:46Speaker 1: could swallow me up for an entire you know, three
- 14:50Speaker 1: months trying to figure out the research for. And that's
- 14:54Speaker 1: happened to me before. And it's not fun. That happened
- 14:57Speaker 1: to be two summers ago. It's Serge Gainsburg. I researched
- 15:00Speaker 1: and outlined an entire season on Surge Gainsbury that we
- 15:03Speaker 1: were going to produce in voice, and a French actor
- 15:07Speaker 1: was going to voice. We're going to release it in France.
- 15:09Speaker 1: And I spent all this time on this one artist,
- 15:11Speaker 1: and it ate me up. Needless to say that this
- 15:14Speaker 1: series never came out. We ended up doing a single
- 15:16Speaker 1: episode on Surge, and my point of view on him
- 15:19Speaker 1: was completely screwed up from the just the weight of
- 15:22Speaker 1: that subject matter.
- 15:25Speaker 2: Five oh five.
- 15:26Speaker 1: You know you're talking specifically about doing a longer series
- 15:30Speaker 1: on the whole family, and yeah, that could be interesting,
- 15:35Speaker 1: but I just feel like there's there's so much to
- 15:37Speaker 1: bite off with Michael alone that it would be weird
- 15:41Speaker 1: for weird to dedicate time to to his brothers and
- 15:45Speaker 1: sisters and even his dad.
- 15:46Speaker 2: And I know what his dad. I know, I know
- 15:48Speaker 2: the stories about his dad.
- 15:49Speaker 1: But with Janet, I'm curious what you're talking about other
- 15:51Speaker 1: than the nip slip from the super Bowl. I don't
- 15:54Speaker 1: really know what, if any transgressions are there regarding Janet Jackson.
- 15:58Speaker 2: Of course, now people are going to bombard.
- 16:00Speaker 1: Me because uh and uh just fill my inbox with
- 16:04Speaker 1: uh shit that Janet Jackson has pulled off in her
- 16:07Speaker 1: career and I'm here for it. So let me know
- 16:09Speaker 1: and anyone else if you have any interesting takes on
- 16:13Speaker 1: how to cover the Jackson Excuse me, how to cover
- 16:15Speaker 1: Michael Jackson I'm here for that as well.
- 16:16Speaker 2: Five six to two. Let's hear from five six to
- 16:19Speaker 2: two and some suggestions.
- 16:22Speaker 6: Hey, Jake, then way again stories. Dude, would love to
- 16:27Speaker 6: hear something on Jenny Rivera. You know, she has an
- 16:33Speaker 6: interesting life. A lot of people don't know.
- 16:35Speaker 7: That she even did journalism as well as a singer
- 16:39Speaker 7: and all the other stuff. So if you could cover that,
- 16:42Speaker 7: that would be really great. Also, Teddy pandographs definitely think
- 16:48Speaker 7: would that be an interesting story. We'd love to hear
- 16:51Speaker 7: something about Teddy. If you've veray done something, you know,
- 16:55Speaker 7: I'll listen if you say that, and I'll look forward. Otherwise, Hey,
- 17:00Speaker 7: you have a great day and look forward to Morma.
- 17:04Speaker 1: I've literally never heard of Jenny Rivera, so listen five
- 17:08Speaker 1: to six to two. I want you to get back
- 17:11Speaker 1: in touch, and I want you to give me one
- 17:13Speaker 1: song to listen to.
- 17:15Speaker 2: Teddy Pedagrass.
- 17:17Speaker 1: For sure, there is an episode there, and I'm interested
- 17:21Speaker 1: in learning more about Teddy. From the little that I
- 17:23Speaker 1: do know, I know that we can get an episode
- 17:25Speaker 1: out of that subject, and I'm excited to perhaps try
- 17:28Speaker 1: to figure that out. All right, guys, six one seven
- 17:31Speaker 1: nine oh six six six three eight, be like the
- 17:33Speaker 1: two O eight, the five oh five and the five
- 17:35Speaker 1: six two, and hit me up with your voicemails. Can
- 17:38Speaker 1: hit me up on anything, can hit me up on
- 17:40Speaker 1: the question of the week. We're talking about who the
- 17:42Speaker 1: greatest actor is of the nineteen seventies. We want to
- 17:45Speaker 1: narrow this down to one. Okay, all right, let's let's
- 17:49Speaker 1: do some dms. Okay, JQ dms us on Instagram. That's
- 17:54Speaker 1: at disgrace lampod. He says, I agree that Amy Winehouse
- 17:57Speaker 1: is the best female artist of the twenty first century.
- 17:59Speaker 2: So I would like to give an.
- 18:01Speaker 1: Honorable mention to Amelda May from her amazing psyclebilly sound
- 18:05Speaker 1: to the soul breaking black tears, she deserves some of
- 18:08Speaker 1: your audience's love and appreciation. Ammel de May, you say, JQ,
- 18:14Speaker 1: thanks for the DM. Never heard of her, and I'm
- 18:18Speaker 1: gonna use I picked your message because the psycle billy
- 18:22Speaker 1: genre is one that I am woefully ignorant of, and
- 18:26Speaker 1: I don't I can't even I mean, I'm up on
- 18:28Speaker 1: garage music. It's just psycobility. There's a you know, rockabilly.
- 18:32Speaker 1: I'm up on rockabilly. I just psyclability. It's kind of
- 18:34Speaker 1: a void. So hit me up with some recommendations. You
- 18:38Speaker 1: can start with hitting me up with some Amelda May
- 18:41Speaker 1: When you say soul breaking black tears, is that a
- 18:43Speaker 1: song I want to know? JQ, get back at us
- 18:46Speaker 1: and let me know. Quincy R Tuggle dms us on
- 18:50Speaker 1: Instagram just sends a video of a female singer named
- 18:54Speaker 1: Jasmine Sullivan singing her ass off and I've never heard
- 18:58Speaker 1: this artist before. Guys, I need more. This is the
- 19:02Speaker 1: point I was making in the earlier block. Quincy, get
- 19:04Speaker 1: back to me. Let me know where to start. What
- 19:06Speaker 1: album do I start with of Jasmine's or what other
- 19:09Speaker 1: song besides this live.
- 19:11Speaker 2: Clip that you sent me. Jesse rock Mott.
- 19:14Speaker 1: I think I'm saying that correctly. Are a C h
- 19:17Speaker 1: M A T dms is on Instagram. Adele Adele is
- 19:21Speaker 1: just on a different level. I've never been as emotional
- 19:23Speaker 1: as I have been with her songs. They are gut wrenching,
- 19:27Speaker 1: all right, Jesse, give me the songs. Give me the
- 19:29Speaker 1: one Adele song that you cannot live without. If you're
- 19:32Speaker 1: going to play one Adele song for one person, that
- 19:35Speaker 1: person being me, which Adele song isn't even if it
- 19:39Speaker 1: is the most obvious her biggest single, whatever it is,
- 19:44Speaker 1: Rolling in the Deep whatever, I want to listen to
- 19:47Speaker 1: it through your ears now, Okay, hit me up, Mark
- 19:49Speaker 1: our yazigear. I believe I'm saying that, pronouncing that correctly.
- 19:54Speaker 1: Mark tags us on X and says, today I learned
- 19:59Speaker 1: that Johnny ca, as an Air Force wireless operator, may
- 20:02Speaker 1: have been the first American to learn of Joseph Stalin's
- 20:05Speaker 1: death via Disgrace slam pod.
- 20:08Speaker 2: You are a correct Mark. That is something that I've learned.
- 20:11Speaker 1: I learned a couple years ago when I was researching
- 20:13Speaker 1: the Johnny Cash episode of Disgraceland, which lives on in
- 20:16Speaker 1: our archive, which I encourage you Mark to check out.
- 20:19Speaker 1: Keeley Diggelman on Facebook rights Hey Jake, I usually don't respond,
- 20:23Speaker 1: as I always think, with Facebook being the least used
- 20:26Speaker 1: social it'll probably get to you too late. Anyway, just
- 20:29Speaker 1: wanted to weigh in on best female singers. I love
- 20:32Speaker 1: music because it makes me feel things, and these women
- 20:34Speaker 1: really hit me in the soul and give me shivers. Obviously,
- 20:37Speaker 1: Amy Winehouse lovedsince the moment I heard her.
- 20:39Speaker 2: But here's the others.
- 20:40Speaker 1: Florence Welch from Florence and the machine, any album, any song.
- 20:44Speaker 1: I can listen to her all day. Favorite song is
- 20:46Speaker 1: dog Days Are Over. Number two Amy Lee from emin Essence,
- 20:50Speaker 1: Beautiful Talented Artists. Three and four Sia and Kate Miller
- 20:55Speaker 1: Heikey both amazing artists. Number five Billie Eilish. The amount
- 20:59Speaker 1: she has grown since starting is wonderful. She is highly talented,
- 21:03Speaker 1: from the way she puts her songs together to how
- 21:05Speaker 1: she wants her music videos produced. The documentary on her
- 21:07Speaker 1: is great. A few of her songs bring so much
- 21:09Speaker 1: emotion out in me that I find tears welling up.
- 21:12Speaker 1: This is fantastic. This is a great message. I appreciate Achille.
- 21:16Speaker 1: I'm gonna dig into these recommendations. Guys, hit me up
- 21:20Speaker 1: at Disgrace lampod. You can hit me up on the
- 21:23Speaker 1: questions of the week that we're asking, even if they're old.
- 21:26Speaker 1: You're still giving me fodder to reevaluate my listening taste
- 21:30Speaker 1: with and I appreciate that. But also, we got this
- 21:32Speaker 1: question of the week that we're going to be discussing
- 21:33Speaker 1: in next week's after party, and that question, of course,
- 21:37Speaker 1: is who is the greatest actor from the greatest decade
- 21:39Speaker 1: in filmmaking, the nineteen seventies. Let us know now, we
- 21:43Speaker 1: dropped some new merch couple about a month ago. We
- 21:46Speaker 1: did the Disgraceland just straight up white logo on a
- 21:51Speaker 1: black T shirt, and we did the Rock and Roller
- 21:53Speaker 1: T shirts. We're gonna just I'm gonna do my best
- 21:56Speaker 1: to just keep these stocked. These are like basic merch
- 21:59Speaker 1: items there there, they're in the merch store for you.
- 22:01Speaker 1: We got some pins as well. Grab those. One of
- 22:04Speaker 1: the things we're going to start doing asap right now.
- 22:07Speaker 1: As a matter of fact, we're in it. We're doing it,
- 22:09Speaker 1: We're making it happen. I can't believe we haven't figured
- 22:12Speaker 1: this out before. And all props to Disgrace Lands executive
- 22:17Speaker 1: producer extraordinaire Matt Boden for being like, Yo, motherfucker, why
- 22:21Speaker 1: aren't we doing this?
- 22:23Speaker 2: We have all this.
- 22:24Speaker 1: Incredible episode art for every episode of Disgrace Lam over
- 22:28Speaker 1: one hundred and seventy episodes, there's one hundred and seventy
- 22:30Speaker 1: pieces of art or something like that, and from Avispibick,
- 22:34Speaker 1: who's fantastic. So we've been laboring for the last couple
- 22:37Speaker 1: of months to just use this art to create different
- 22:42Speaker 1: merch specific to the episode. So if you love the
- 22:45Speaker 1: I don't know, Amy Winehouse episode of Disgrace, Sandy, you
- 22:48Speaker 1: can get that art specifically on a T shirt. If
- 22:50Speaker 1: you love the Johnny Cash episode of Disgrace, and you
- 22:53Speaker 1: can get that episode art, that great Johnny Cash illustration
- 22:56Speaker 1: that AVI created on a T shirt. We're going to
- 22:59Speaker 1: be rolling out in the next few seconds, Okay, keep
- 23:04Speaker 1: keep an eye on our socials for that. That'll be
- 23:06Speaker 1: out shortly, and I'm gonna start doing my best to
- 23:11Speaker 1: be engaged with the merch side of things, just like
- 23:13Speaker 1: I wasn't the beginning of Disgrace Sland, and we did
- 23:15Speaker 1: this thing way back in the day where we would
- 23:17Speaker 1: it was it was a cool way for me to
- 23:19Speaker 1: engage directly with you guys.
- 23:21Speaker 2: You guys would leave reviews on.
- 23:23Speaker 1: Apple podcasts, and I'd pick a reviewer every every month
- 23:27Speaker 1: or sorry, every week. You also leave, you know, shout
- 23:30Speaker 1: us out on social media and tag us at Disgrace
- 23:32Speaker 1: lampod about an episode that we were into, and then
- 23:35Speaker 1: I'd send you some free merch as a thank you.
- 23:38Speaker 1: I now, listen, this isn't for everybody. This is just
- 23:40Speaker 1: you know, I pick pick a couple listeners every week
- 23:44Speaker 1: and pick you out of a hat, and it's like, yo, hey,
- 23:48Speaker 1: just a little thank you, I'm gonna send you something cool.
- 23:51Speaker 1: So that's what we're gonna keep doing here. We're gonna
- 23:53Speaker 1: continue doing that. We're gonna do it with more regularity.
- 23:56Speaker 1: And when I come back after the break, I'm going
- 23:59Speaker 1: to talk about a couple of you listeners who have
- 24:02Speaker 1: recently reviewed the show. And if you hear your name,
- 24:06Speaker 1: you're gonna get in touch and I'm gonna send you
- 24:08Speaker 1: some merch.
- 24:08Speaker 8: All right, back in a flash.
- 24:24Speaker 1: Okay, we are back, and as promised, some reviews here.
- 24:27Speaker 1: On Apple, podcast listener Andy Girl That's three L's writes,
- 24:30Speaker 1: I love, love love this podcast. Familiar, fascinating stories told
- 24:35Speaker 1: with insight and details I've not heard anywhere else.
- 24:38Speaker 2: I'm addicted.
- 24:39Speaker 1: So listen, Andy Girl, thank you first and foremost, get
- 24:44Speaker 1: in touch, and we've got some merch that we want
- 24:47Speaker 1: to send you.
- 24:48Speaker 2: Okay.
- 24:49Speaker 1: Sunbury also writes on Apple madly entertaining Jake is a
- 24:52Speaker 1: wonderful storyteller.
- 24:53Speaker 2: Thank you.
- 24:54Speaker 1: Sunburry goes on to say, I've learned so much about
- 24:57Speaker 1: artists and actors that I thought I knew. This is
- 24:59Speaker 1: my go to podcasts to work out to or to
- 25:02Speaker 1: go walking to buy far Sunbury. If you hear your name,
- 25:06Speaker 1: and I hope you do. I hope you're on your
- 25:07Speaker 1: walk right now. You're hearing your name and you're getting pumped.
- 25:10Speaker 1: Get in touch. Hit us up at Disgrace lamp Pod,
- 25:13Speaker 1: Disgrace lamppod at gmail dot com. Same for you, Andy girl,
- 25:18Speaker 1: Get in touch and we've got some merche for you.
- 25:20Speaker 2: Okay, I'm not gonna sit here.
- 25:21Speaker 1: And read a bunch of reviews to you guys about
- 25:23Speaker 1: the show more than what I've just done, trying to,
- 25:26Speaker 1: you know, be a little humble here. But one of
- 25:29Speaker 1: the things that I've come across in these reviews over
- 25:31Speaker 1: and over again, and it really warms my heart is
- 25:34Speaker 1: the mention of point.
- 25:36Speaker 2: Of view and how we have our own point of
- 25:40Speaker 2: view and listen. Sometimes it's good, sometimes it's bad.
- 25:42Speaker 1: Sometimes you're gonna agree with my point of view into storytelling,
- 25:44Speaker 1: and sometimes you're not going to agree with it. But
- 25:46Speaker 1: it is compelling one way or another. And I have
- 25:49Speaker 1: found this thing to this recent phenomenon in content creation
- 25:57Speaker 1: that is happening, and it is widespread, and it is
- 26:03Speaker 1: this There is a style of storytelling that is everywhere
- 26:08Speaker 1: on Instagram, on TikTok, on especially on YouTube, that is
- 26:14Speaker 1: completely devoid of point of view. It is the opposite
- 26:19Speaker 1: of what we do, and it is massive. And I
- 26:25Speaker 1: actually saw a content creator I won't name them, have
- 26:30Speaker 1: pretty much have a the equivalent of it was nearly
- 26:34Speaker 1: a nervous breakdown in public over the comments and reviews
- 26:39Speaker 1: that he was receiving based on his opinions in his
- 26:43Speaker 1: point of view. And I'm not making fun of this person.
- 26:47Speaker 1: In fact, I have a lot of empathy for this person.
- 26:49Speaker 1: I felt really bad for this person. The person has
- 26:50Speaker 1: a ton of followers too, and this is their livelihood
- 26:55Speaker 1: like it is mine.
- 26:57Speaker 2: And basically their solution was to a b and in point.
- 27:00Speaker 1: Of view and to just present facts as they are,
- 27:04Speaker 1: just present the story as it is. And that's certainly
- 27:07Speaker 1: a choice, and that is a choice that I'm not
- 27:09Speaker 1: going to knock anyone for taking. It's not the choice
- 27:13Speaker 1: I would make because it's not interesting to me. It's
- 27:15Speaker 1: not interesting for me to create, it's not interesting for
- 27:18Speaker 1: me to consume. All great storytelling, in my opinion, comes
- 27:24Speaker 1: from incredible point of view, and that goes from anything
- 27:28Speaker 1: from a sixty second reel on Instagram from a content
- 27:31Speaker 1: creator that you've never heard of. To Martin Scorsese's Last
- 27:35Speaker 1: Temptation of Christ. Okay, it's just point of view is
- 27:38Speaker 1: what is going to make the storytelling. But we live
- 27:41Speaker 1: in a world now where algorithms drive distribution, they drive discovery,
- 27:48Speaker 1: they drive people hearing and learning about the content that
- 27:53Speaker 1: you are creating. So if you are, let's say, sitting
- 27:57Speaker 1: on a fence as a content creator, if you are,
- 28:00Speaker 1: if you're just like, here are the facts, this is
- 28:02Speaker 1: the thing that happened. These are the facts that we know,
- 28:05Speaker 1: and you walk away from it, leave everything on the table.
- 28:09Speaker 1: There is a massive audience that is going to gravitate
- 28:12Speaker 1: towards you. There is a massive audience that is going
- 28:15Speaker 1: to accept what you're giving them, take it, digest it,
- 28:20Speaker 1: and move on. And that's fine. But again that is
- 28:23Speaker 1: not interesting to me. Okay, And like I said, the
- 28:28Speaker 1: algorithms reward that type of content creation because it is
- 28:33Speaker 1: safe and because it is.
- 28:35Speaker 2: Going to appeal to more people. Therefore they will promote
- 28:38Speaker 2: it more.
- 28:39Speaker 1: Now, the only way that point of view storytelling survives
- 28:43Speaker 1: on these algorithms is because of you guys, Because you
- 28:48Speaker 1: guys share it, because you guys go Yo, this might
- 28:52Speaker 1: not be for everybody, but I fucking love it. And
- 28:55Speaker 1: I'm going to screenshot this podcast and I'm going to
- 28:58Speaker 1: put it in my story on Instagram. Or Yo, I'm
- 29:00Speaker 1: going to sit at the bar on Saturday night next
- 29:04Speaker 1: to my drunk uncle who thinks he knows everything about
- 29:07Speaker 1: fucking music, and I'm going to school him on some
- 29:09Speaker 1: shit because he has no idea what I just learned.
- 29:11Speaker 2: About in Disgraceland. Or hey, I just I'm going for
- 29:15Speaker 2: a walk with my wife.
- 29:16Speaker 1: I want to talk about something interesting that I just
- 29:18Speaker 1: found out about, and you talk about what we're creating
- 29:21Speaker 1: here because the point of view compels you.
- 29:23Speaker 2: It's not just here's the facts, ma'am. You know what
- 29:26Speaker 2: I'm saying.
- 29:27Speaker 1: Anyways, all I'm saying, I guess is I'm going to
- 29:30Speaker 1: keep doing what I'm doing, but I need you guys
- 29:34Speaker 1: to keep doing it. And I appreciate all of the love,
- 29:38Speaker 1: all of the organic promotion that you guys do for
- 29:40Speaker 1: this show. It means everything to us. Okay, thank you,
- 29:44Speaker 1: thank you, thank you. So on point of view and storytelling.
- 29:49Speaker 1: I'm going to take a quick break and then when
- 29:52Speaker 1: I come back and we get into the all access portion,
- 29:54Speaker 1: of the show. I'm going to talk about the book
- 29:57Speaker 1: that I'm reading right now, which is The Exorcist. Reading
- 30:00Speaker 1: that because, like I said, I'm staying on a spooky lake,
- 30:02Speaker 1: but we have an Exorcist episode that's coming out in October.
- 30:05Speaker 1: I'm going to talk about that storytelling because it's fucking great.
- 30:09Speaker 1: If you guys want in on the all access version
- 30:12Speaker 1: of this episode, you want to hear the extended version
- 30:15Speaker 1: of the after Party, where we get into more We
- 30:17Speaker 1: also get into more of your text and voicemails, and again,
- 30:19Speaker 1: like I said, dive deeper into these stories. Just you know,
- 30:23Speaker 1: all access membership it's not only going to get you that,
- 30:25Speaker 1: but it's also going to add free listening and an
- 30:28Speaker 1: extra full episode per month. It's easy to sign up,
- 30:31Speaker 1: it's not expensive. It's five dollars a month. We greatly
- 30:33Speaker 1: appreciate it. You can sign up at disgrace lampod dot
- 30:37Speaker 1: com slash membership.
- 30:56Speaker 2: All right, welcome back. I'm about to get out of here.
- 30:58Speaker 1: But before I do, before next week's Al Pacino episode,
- 31:01Speaker 1: get pumped. Okay, go watch The Godfather one and two. Okay,
- 31:05Speaker 1: watch Cirproco, Watch Dog Day Afternoon, watch.
- 31:07Speaker 2: Heat How good is Heat.
- 31:09Speaker 1: By the way, we don't talk about Heat enough as
- 31:11Speaker 1: a society, and we do, you and I, but I
- 31:15Speaker 1: just feel like it doesn't get mentioned as the great movie.
- 31:18Speaker 1: It's not up there on the Mount Rushmore.
- 31:19Speaker 2: It should be.
- 31:21Speaker 1: Who's read the new Heat book? I heard it's amazing.
- 31:23Speaker 1: I have not read it. I'll probably move on to
- 31:25Speaker 1: that after I finished this Exorcist. Okay, so yeah, if
- 31:29Speaker 1: you've read it, let me know, get in touch. In
- 31:31Speaker 1: the meantime, let's recap Shallow number one. There's more after
- 31:34Speaker 1: party to listen to right now. All you got to
- 31:36Speaker 1: do is go to the show notes and click the
- 31:37Speaker 1: link to become a member. Number two right now in
- 31:40Speaker 1: your feed. Last week's brand new episode on Donnie Hathaway
- 31:43Speaker 1: number three coming tomorrow, a special rewind episode from our archive.
- 31:46Speaker 1: We're talking to al Pacino, like I said, next week,
- 31:49Speaker 1: and I'm already in a heavy, heavy seventies state of
- 31:51Speaker 1: mind over And if you want more of that seventies vibe,
- 31:54Speaker 1: more of that seventies New York vibe, we got you
- 31:56Speaker 1: covered in the archive and the disgrace Land archive with
- 31:58Speaker 1: the episodes on Blondie Mones, New York Dolls. Recent episode
- 32:01Speaker 1: on Talking Heads, of course, which we were just talking about.
- 32:04Speaker 2: Get into him this weekend.
- 32:05Speaker 1: Get hyped for the prints of the seventies al Pacino.
- 32:09Speaker 2: Number four.
- 32:10Speaker 1: I want to know is al Pacino the greatest actor
- 32:13Speaker 1: of the nineteen seventies. Let me know who you think
- 32:15Speaker 1: is six one seven nine oh six six six three eight,
- 32:18Speaker 1: Call me on the telephone, leave mea voicemail, or text me.
- 32:20Speaker 2: Hit me up at Disgrace Lampod on the Socials. Number five.
- 32:23Speaker 2: Remember no one cares about great storytelling more than you do.
- 32:25Speaker 2: And well that's just a disgrace, all right.
- 32:27Speaker 1: In honor of al Pacino's first Oscar win for Best
- 32:30Speaker 1: Supporting Actor in The Godfather. Going back to March twenty seventh,
- 32:33Speaker 1: nineteen seventy three, I give to you the Billboard charts.
- 32:37Speaker 2: From that week.
- 32:39Speaker 1: Number one, Love Train the OJS last week three, peak
- 32:45Speaker 1: position one weeks on chart ten. Number two Killing Me
- 32:51Speaker 1: Softly with his song ROBERTA. Flack last week one, peak
- 32:56Speaker 1: position one weeks.
- 32:58Speaker 2: On chart number three.
- 33:02Speaker 1: Also sprat Zarathustra two thousand and one, Theodado last week four,
- 33:09Speaker 1: peak position three weeks on Charine last number three, number four.
- 33:15Speaker 1: Neither one of us Gladys Knight and The Pins.
- 33:18Speaker 2: Theode last last.
- 33:19Speaker 1: Week killing Me Speak position with his four weeks on chart,
- 33:23Speaker 1: weeks on the last ten number five peak position song
- 33:27Speaker 1: one at either mad on chart, last week's Night five
- 33:30Speaker 1: number three position, three weeks on shows number
- 33:35Speaker 2: Six, Quit talking and start mixing could