Latest / Reality with The King / RHOA Premiere: Huntsville in the House!

Transcript

RHOA Premiere: Huntsville in the House! · Reality with The King

• 0:00
  Speaker 1: Why would you not talk about something that's a part
• 0:02
  Speaker 1: of your legacy, Like you were a huge part of
• 0:04
  Speaker 1: that show. You were on that show in the most
• 0:07
  Speaker 1: iconic years of the show, you were leading the ship
• 0:10
  Speaker 1: during the golden years. Why would you not talk about
• 0:13
  Speaker 1: something like that? And you have so much insight into it,
• 0:16
  Speaker 1: So I think people really need to They just they
• 0:19
  Speaker 1: just try to use it as a dig towards you,
• 0:21
  Speaker 1: and it's getting kind of old, actually not kind of us,
• 0:24
  Speaker 1: very old is stale.
• 0:25
  Speaker 2: We need to let it go. Girls, Like he's going
• 0:28
  Speaker 2: to talk about it, and now he's going to talk
• 0:30
  Speaker 2: about it even.
• 0:30
  Speaker 1: More because one of his cast members has now infiltrated
• 0:34
  Speaker 1: the show. And it's all in the premiere of The
• 0:37
  Speaker 1: Royal Housewives of Atlanta, Like, let's keep talking about it
• 0:39
  Speaker 1: because Martel literally start to finish. It was about Martel
• 0:44
  Speaker 1: and Sharet.
• 0:45
  Speaker 3: That was it and the reason why I enjoyed this premiere.
• 0:48
  Speaker 3: And I'm going to say it and listen, I'm gonna
• 0:50
  Speaker 3: keep it real. Martel saved the premiere. Stay tuned, we'll
• 0:57
  Speaker 3: be right.
• 0:57
  Speaker 4: Back after these quick ads.
• 1:08
  Speaker 3: Welcome to Reality with the King. It's me Carlos King,
• 1:11
  Speaker 3: the King of Reality TV.
• 1:13
  Speaker 5: And one of the most sought.
• 1:14
  Speaker 3: After executive producers in reality television with over ten years
• 1:19
  Speaker 3: a production experience. Once a week from Reality with the King,
• 1:23
  Speaker 3: we'll sit down with my friends across the entertainment industry,
• 1:27
  Speaker 3: recap our favorite reality shows and revisit unforgettable moments that
• 1:32
  Speaker 3: we are still talking and tweeting about. Hey, rain Drops
• 1:38
  Speaker 3: on today's episode of Reality with the King. Yes, we
• 1:42
  Speaker 3: are talking about Season fifteen Real Housewives of Atlanta premiere.
• 1:49
  Speaker 3: I have so many thoughts. However, dot Org, I could
• 1:53
  Speaker 3: not do this alone. Yes, I got fan favorite ah show,
• 2:00
  Speaker 3: rain Drop, come on, sis. Of course, I'm talking about
• 2:03
  Speaker 3: the gorgeous, the beautiful, and the very opinionated Jasmin Henley Brown.
• 2:11
  Speaker 1: Hello, I'm so excited to be back with esteemed journalists
• 2:16
  Speaker 1: Carlos R.
• 2:17
  Speaker 5: King.
• 2:17
  Speaker 1: Okay, it's really a pleasure and an honor.
• 2:21
  Speaker 5: All right, don't do.
• 2:24
  Speaker 3: It because the R stands forward now, honey, Yeah, Jazz,
• 2:32
  Speaker 3: we have so much to catch up on when it
• 2:35
  Speaker 3: comes to the premiere episode. Now, look, before I get
• 2:39
  Speaker 3: to the grade that I'm going to give it, so
• 2:41
  Speaker 3: me and Jazz am I going to grade it at
• 2:42
  Speaker 3: the end. Okay, last season premiere, I gave a B
• 2:47
  Speaker 3: I think Jazzman give it a D child.
• 2:49
  Speaker 5: Who knows.
• 2:49
  Speaker 3: But we got to talk about this premiere, Jasmine. I'm
• 2:54
  Speaker 3: curious if you and I are going to agree.
• 2:57
  Speaker 1: But I enjoyed it, ok I'm very happy for you. Yes,
• 3:03
  Speaker 1: I'm so like Honestly, I love when people get enjoyment
• 3:07
  Speaker 1: out of things, and so I'm happy for you.
• 3:10
  Speaker 3: Not you're happy for me and my future endeavors.
• 3:13
  Speaker 1: Exactly, because I don't know that I enjoyed it. Listen, Carlos,
• 3:20
  Speaker 1: Like I said on Twitter, I'm gonna stick beside these
• 3:22
  Speaker 1: ladies because I've been watching them for so long. I've
• 3:25
  Speaker 1: been rocking with them for so long. But I was
• 3:27
  Speaker 1: watching the Real Housewives of Huntsville, Honey, the Real Housewives
• 3:31
  Speaker 1: of Martel.
• 3:33
  Speaker 2: Love and Marriage Atlanta. That's what I was watching.
• 3:36
  Speaker 5: I guess why.
• 3:38
  Speaker 3: That's probably why I enjoyed.
• 3:39
  Speaker 2: It, exactly.
• 3:42
  Speaker 1: Listen, your guy was all up and through there. What
• 3:46
  Speaker 1: did that lady say about her Macari cheese? All through
• 3:48
  Speaker 1: the bitch, Martel? All through the bitch? Okay, the opening
• 3:51
  Speaker 1: sequence was around Martel. I'm like this, this is not
• 3:57
  Speaker 1: the real housewive. Carlos, can you put in a good
• 3:59
  Speaker 1: word for me. I want to be like a story editor.
• 4:02
  Speaker 1: I want to go they need help. Why are we
• 4:05
  Speaker 1: opening with that? Why was that the crux of this
• 4:08
  Speaker 1: entire first episode? Go ahead, because you are the expert.
• 4:11
  Speaker 1: I'm just a spectator.
• 4:13
  Speaker 2: I have many thoughts. I have many thoughts.
• 4:15
  Speaker 3: This is so interesting. This is going to be a
• 4:17
  Speaker 3: very fun episode because one thing about me and Jazz,
• 4:20
  Speaker 3: I did.
• 4:21
  Speaker 5: Not call her to hear what she had to say.
• 4:23
  Speaker 5: She did not call me.
• 4:24
  Speaker 3: You all raindrops are hearing this in real time. So
• 4:28
  Speaker 3: this is so interesting. I enjoyed it, and now I'm
• 4:32
  Speaker 3: thinking that I enjoy so much because Martel Holt For
• 4:35
  Speaker 3: those who don't know, Martel Holpe is from the show
• 4:38
  Speaker 3: I created for the Upprah Winfrey Network called Love and
• 4:41
  Speaker 3: Marriage Huntsville.
• 4:43
  Speaker 5: The show was, at one point in.
• 4:45
  Speaker 3: Time, about these three couples attempting to revitalize Huntsville. Martell
• 4:54
  Speaker 3: was married to a woman named Melody Hope. On Love
• 4:57
  Speaker 3: and Marriage Huntsville, Martelle Elle cheated on his wife with
• 5:03
  Speaker 3: a woman who lives in the city, and he had
• 5:08
  Speaker 3: a three year affair.
• 5:11
  Speaker 5: Okay, gas, I can hear it already.
• 5:14
  Speaker 3: So not only did he have an affair, his now
• 5:19
  Speaker 3: ex wife Melody to come back.
• 5:21
  Speaker 5: She tried to make it work.
• 5:23
  Speaker 3: They had a baby during this period of Martel stepping out. Unfortunately,
• 5:30
  Speaker 3: Martel got the other woman pregnant and she decided to
• 5:35
  Speaker 3: keep this baby. And when she decided to keep the baby,
• 5:42
  Speaker 3: she was going to have it.
• 5:43
  Speaker 5: All those things happen.
• 5:44
  Speaker 3: Obviously, a lot has happened with Martell and Melody, and
• 5:48
  Speaker 3: his wife left him, filed for divorce, threatened now divorce,
• 5:52
  Speaker 3: so Martel is now dating Charae. The episode opens up
• 5:57
  Speaker 3: with Martel hopping out of the suv production paid for
• 6:02
  Speaker 3: and he wore.
• 6:05
  Speaker 2: In his Sunday's Best.
• 6:07
  Speaker 3: Martel was getting a good old Kreplo dollar tease.
• 6:12
  Speaker 2: And not prosperity pastor.
• 6:21
  Speaker 5: Not past the collection plate.
• 6:23
  Speaker 3: Martel, as jazz Ben said, was say his Sunday's Best
• 6:27
  Speaker 3: looking like Kreflo Dollar. He walks up to the chateau
• 6:31
  Speaker 3: and he and Sharay had this very pleasant exchange. Now
• 6:36
  Speaker 3: in the description, Charae said they were set up by
• 6:40
  Speaker 3: mutual friend Jasmine. Do you think I was the mutual
• 6:43
  Speaker 3: friend who set up Martel and Charae?
• 6:45
  Speaker 1: I did think that, but I remember when I found
• 6:49
  Speaker 1: out about them, and I text you, and I said, hey,
• 6:51
  Speaker 1: this is what I heard. You said, Oh such X
• 6:54
  Speaker 1: Y and Z they quick, but you didn't say you
• 6:57
  Speaker 1: didn't allude to you being the one who connected them.
• 6:59
  Speaker 1: So when she said it, I was like, oh was it?
• 7:02
  Speaker 1: But then I remember that conversation that we did have.
• 7:04
  Speaker 1: I'm like, oh, no, it wasn't.
• 7:05
  Speaker 2: That's not the mutual friend that she's referring to. But
• 7:07
  Speaker 2: was it. Inquiring minds would like to know.
• 7:10
  Speaker 3: Okay, reality of the King exclusive. I am not the
• 7:13
  Speaker 3: mutual friend, so Jasmine, this is the gag. I found
• 7:16
  Speaker 3: out they were dating through a mutual friend that we
• 7:21
  Speaker 3: all know right that me Charae Martell.
• 7:25
  Speaker 5: No, I will never forget this.
• 7:27
  Speaker 3: I was driving in my car, honey, down the highway,
• 7:31
  Speaker 3: honey bumping Blueprint. Hey say Skeletons jay Z No the
• 7:37
  Speaker 3: group Blueprint from the aute Skeletons.
• 7:44
  Speaker 1: Oh my god, Oh my gosh. Listen, girlies, I'm so sorry. Yes,
• 7:48
  Speaker 1: amazing group, amazing group.
• 7:50
  Speaker 5: I'm all good.
• 7:52
  Speaker 3: Listen Blueprint you think of jay Z the iconic album?
• 7:55
  Speaker 5: Yes, exactly part one?
• 7:58
  Speaker 3: Not too okay anyway, Shade not shade, So Jazz. I
• 8:03
  Speaker 3: was driving down the highway and this friend called me
• 8:07
  Speaker 3: and said, long story short, Martell and Sharing are dating.
• 8:10
  Speaker 3: True t I gagged so hard I literally pulled over
• 8:15
  Speaker 3: because I needed to remain focused. And then I just
• 8:19
  Speaker 3: kept asking, like, is it serious? What's going on? He
• 8:22
  Speaker 3: said to me. It's a guy. He said to me, like, yo,
• 8:25
  Speaker 3: it's serious. You know me, Jazz, if you tell me
• 8:29
  Speaker 3: a secret, I'm not gonna tell nobody.
• 8:30
  Speaker 5: I'm good at keeping secrets. Two weeks later, I.
• 8:35
  Speaker 3: Called Martel about something related to Huntsville the show.
• 8:40
  Speaker 5: He answered the phone and.
• 8:41
  Speaker 3: Says, somebody wants to say hi to you, and I
• 8:45
  Speaker 3: heard hello, and bitch it was Schari wit Phil, and
• 8:49
  Speaker 3: I said, excuse me, And that's how I got to
• 8:53
  Speaker 3: confirm that these two were seeing each other.
• 8:56
  Speaker 1: Now listen, I personally am not that curious, but if
• 9:02
  Speaker 1: I know anything about Carlos King's audience, they are Who
• 9:05
  Speaker 1: was the mutual friend? Was it Marceau? Was it somebody
• 9:08
  Speaker 1: else from Huntsville? Who was the mutual friend?
• 9:12
  Speaker 3: It was not a cast member, but it is somebody
• 9:14
  Speaker 3: in the industry.
• 9:15
  Speaker 2: Okay, fair enough.
• 9:18
  Speaker 5: Go ahead, the journalist, Jazz.
• 9:21
  Speaker 2: You're made to a stem journalist.
• 9:23
  Speaker 5: Okay, yes, I'm gonna call you Jazz. The journalist. Okay,
• 9:26
  Speaker 5: so Jazz the journalist ask the right question.
• 9:29
  Speaker 3: Sorry Porsche, Hey, Tmar, But Jazz the journalist is asking
• 9:32
  Speaker 3: the right questions. It was somebody in the industry, but
• 9:37
  Speaker 3: no cast member, and that's that's just what it is.
• 9:40
  Speaker 5: So that's how I found out. Now going back.
• 9:43
  Speaker 3: To the episode to see Scharay giddy, I've known Chave
• 9:49
  Speaker 3: for fifteen years. I've never seen Charae so giddy, and
• 9:55
  Speaker 3: I was pleasantly surprised to see the chemistry. So I
• 10:03
  Speaker 3: am a believer that. Look, do I think they're going
• 10:07
  Speaker 3: to get married? My opinion, no, But I think they're
• 10:12
  Speaker 3: both having good sex.
• 10:14
  Speaker 5: I think Martel is laying.
• 10:16
  Speaker 3: The pipe and I think Charae is spreading in love
• 10:19
  Speaker 3: and laying it wide.
• 10:20
  Speaker 1: And listen, let me tell you, because one thing I
• 10:23
  Speaker 1: did very much enjoy about this episode was that body
• 10:27
  Speaker 1: on Charay when she walked up to that door to open,
• 10:29
  Speaker 1: I said, where is my handkerchief? I'm sweating like and
• 10:33
  Speaker 1: I don't you know what I'm saying. I'm not that way,
• 10:37
  Speaker 1: but I looked at that body and I said, oh,
• 10:38
  Speaker 1: oh my god, I'm attracted to this. I'm gonna tract
• 10:42
  Speaker 1: Charae looks so good. She looked so good, and then
• 10:44
  Speaker 1: Martel came in. You already know. I think Martel is
• 10:47
  Speaker 1: just so fine. So the two of them together, that
• 10:50
  Speaker 1: makes sense to.
• 10:50
  Speaker 2: Me in my mind.
• 10:52
  Speaker 1: Like you said, maybe not marriage, but even if they do,
• 10:55
  Speaker 1: there are people of a certain age that they did
• 10:57
  Speaker 1: decide to get married, you know whatever, But I do
• 11:01
  Speaker 1: think they should have fun. I did see an interesting
• 11:04
  Speaker 1: tweet that said, or was it an Instagram post?
• 11:06
  Speaker 2: Forgive me whoever posted this.
• 11:08
  Speaker 1: They said that Charae is not used to dating anybody
• 11:11
  Speaker 1: that's attractive, that's why she's so happy about I saw
• 11:15
  Speaker 1: that too, and they show pictures of her ex husband
• 11:19
  Speaker 1: and that man that had her looking crazy down to Philadelphia,
• 11:23
  Speaker 1: and I said, they're right, They're right, They're right. She
• 11:28
  Speaker 1: did he is an attractive MAYG. So good on you,
• 11:31
  Speaker 1: miss Charae.
• 11:36
  Speaker 5: Charae, I love you.
• 11:37
  Speaker 3: But the girls are saying that you are getting because
• 11:39
  Speaker 3: but the first time in your life you have dated
• 11:42
  Speaker 3: somebody who looks as good as Martell. That's what the
• 11:45
  Speaker 3: girls are saying, Charay. So it's clear that they have chemistry,
• 11:50
  Speaker 3: but a lot of people are assuming this relationship is fake.
• 11:54
  Speaker 5: So Jazz the journalist.
• 11:57
  Speaker 3: This is the first time you got to see them
• 12:00
  Speaker 3: in action interacting. Do you think Charae and Martell's relationship
• 12:06
  Speaker 3: is real.
• 12:07
  Speaker 1: I think that it's real in the sense if they
• 12:09
  Speaker 1: are two people that want to have fun.
• 12:11
  Speaker 2: Like he just got out of.
• 12:13
  Speaker 1: A very serious like a marriage, like a lot of
• 12:16
  Speaker 1: controversy surrounding how that marriage dissolved with, you know, a mistress,
• 12:20
  Speaker 1: another baby. I don't think he's looking for another wife
• 12:24
  Speaker 1: right away. Charae. You know, we've seen her over the
• 12:27
  Speaker 1: years kind of struggling in this department, So I don't
• 12:29
  Speaker 1: know that she's looking for somebody to marry tomorrow either.
• 12:32
  Speaker 1: So what it does look like to me is just
• 12:34
  Speaker 1: two grown people who are having grown people fun, and
• 12:38
  Speaker 1: I'm here for it.
• 12:39
  Speaker 2: It seems real to me.
• 12:40
  Speaker 3: Yeah, so, Charrey, this is a courtesy of you finding
• 12:43
  Speaker 3: you a hot man for the first time her grad relationship.
• 12:47
  Speaker 6: Yeah, schara got a mayor.
• 12:51
  Speaker 1: Charree's got a fine man at home. Well he's not
• 12:54
  Speaker 1: at home, he's down in Huntsville. But she's got a
• 12:56
  Speaker 1: fine man that's willing to travel in the production of vehicles.
• 13:02
  Speaker 2: Oh, Atlanta, So good on you, my girl. Cheers clank clank.
• 13:07
  Speaker 5: Cheers Charie.
• 13:11
  Speaker 3: We are happy for you. And look, this really goes
• 13:14
  Speaker 3: to show you Jazz, which goes back to.
• 13:17
  Speaker 5: Your earlier statements.
• 13:18
  Speaker 3: I want to get into that before we talk about
• 13:20
  Speaker 3: the rest of the episode. Look your boy, who you love?
• 13:25
  Speaker 5: You know I love you.
• 13:27
  Speaker 3: I think it's so interesting that at the end of
• 13:30
  Speaker 3: the day, jazz Man, I really am the key to
• 13:33
  Speaker 3: reality TV because anytime you have a Carlos King cast
• 13:37
  Speaker 3: member on a show called Love and Masge Huntsville. Open
• 13:43
  Speaker 3: up the premiere episode of the Real Housewives of Atlanta,
• 13:47
  Speaker 3: a show I produce for eight years. I am that girl, Beyonce,
• 13:52
  Speaker 3: I Love you Track one on Renaissance.
• 13:55
  Speaker 5: But bitch, we got to share that title. I'm that girl.
• 13:58
  Speaker 2: It's okay, I had that title first. Bill let you in.
• 14:02
  Speaker 1: No, let me not say that because I'm look, I'm
• 14:04
  Speaker 1: not trying to activate the bee Hive. I'm just playing,
• 14:06
  Speaker 1: even though there is a post on my Instagram from
• 14:09
  Speaker 1: twenty sixteen where that was my captain. But anyway, neither
• 14:11
  Speaker 1: here nor there. Yeah, she's she's always ahead of the curve.
• 14:14
  Speaker 2: Anyway.
• 14:15
  Speaker 1: I almost text you after I almost teked you, like, oh, bitch,
• 14:20
  Speaker 1: you're taking it.
• 14:21
  Speaker 2: But I was like, you know what, I knew I
• 14:23
  Speaker 2: was coming.
• 14:23
  Speaker 1: To talk to you, So I was like, we're we're
• 14:25
  Speaker 1: going to talk about it because I know you. You're
• 14:28
  Speaker 1: not gonna not mention it. Let's mention it all. Okay,
• 14:34
  Speaker 1: let's mention it all. I was watching it. I said, Oh,
• 14:37
  Speaker 1: Carlos is taking it. He's taking it, and I'm so
• 14:40
  Speaker 1: glad that you are, like so live in it, sitting it,
• 14:44
  Speaker 1: basking it.
• 14:47
  Speaker 3: If that had a word, I.
• 14:49
  Speaker 5: Don't know what is, Zaby. I love you so much. Yes, look, yes, this.
• 14:52
  Speaker 3: Is all fun, but I gotta be honest with you
• 14:56
  Speaker 3: like I always am.
• 14:58
  Speaker 5: Look.
• 14:59
  Speaker 3: I think it's because you know how some people who
• 15:02
  Speaker 3: share main nameless love to say, Carlos is so obsessed
• 15:06
  Speaker 3: with Housewise, he can't let that show go. He cast
• 15:11
  Speaker 3: Monique Samuels from Housewives to launch DC Love and Marriage.
• 15:15
  Speaker 3: Carlos is so obsessed with Bravo Carlos, Carlos, Carlos, And
• 15:21
  Speaker 3: what this premiere show to me is I want that
• 15:25
  Speaker 3: same energy for them. If you're going to I want that,
• 15:29
  Speaker 3: I want that exact same energy. Jasmin just pointed out
• 15:33
  Speaker 3: she thought she was watching the Real Housewives of Huntsville.
• 15:37
  Speaker 1: Yes, and I do want to say, you know, I
• 15:40
  Speaker 1: don't know if I've said this on the podcast before,
• 15:44
  Speaker 1: as your friend, right, I see when people say that,
• 15:47
  Speaker 1: like I see comments, they love to jump in your
• 15:49
  Speaker 1: comments and he needs to talk about something other than
• 15:51
  Speaker 1: Bravo and you do, which I find quite interesting that
• 15:54
  Speaker 1: they conveniently forget that.
• 15:56
  Speaker 2: But even even even if you didn't.
• 15:58
  Speaker 1: Right, why would you not talk about something that's a
• 16:01
  Speaker 1: part of your legacy, Like you were a huge part.
• 16:03
  Speaker 2: Of that show.
• 16:03
  Speaker 1: You were on that show in the most iconic years
• 16:06
  Speaker 1: of the show, you were leading the ship during the
• 16:09
  Speaker 1: golden years. Why would you not talk about something like that?
• 16:12
  Speaker 1: And you have so much insight into it, So I
• 16:14
  Speaker 1: think people really need to They just try, They just
• 16:18
  Speaker 1: try to use it as a dig towards you, And
• 16:20
  Speaker 1: it's getting kind of old, actually not kind of us,
• 16:22
  Speaker 1: very old is stale. We need to let it go. Girls,
• 16:25
  Speaker 1: Like he's gonna talk about it, and now he's going
• 16:28
  Speaker 1: to talk about it even more because one of his
• 16:31
  Speaker 1: cast members has now infiltrated the show and it's all
• 16:34
  Speaker 1: in the premiere of The Royal Housewives of Atlanta, Like,
• 16:37
  Speaker 1: let's keep talking about it because Martel literally start to finish.
• 16:42
  Speaker 1: It was about Martel and Sharek.
• 16:43
  Speaker 3: That was it and the reason why I enjoyed this premiere.
• 16:46
  Speaker 3: And I'm going to say it and listen, I'm gonna
• 16:48
  Speaker 3: keep it real. Martel saved the premiere And this is
• 16:52
  Speaker 3: this is where my producer had come in because you
• 16:54
  Speaker 3: said earlier like you're the expert.
• 16:55
  Speaker 5: What do you think when you have a premiere episode?
• 16:58
  Speaker 3: You put so much real estate and making sure that
• 17:02
  Speaker 3: premiere episode scenes because it sets the tone for the season.
• 17:07
  Speaker 3: You want people to come back, right, That's just what
• 17:10
  Speaker 3: it is. This ghost to show you that, and this
• 17:13
  Speaker 3: is no shade. It is what it is, and we
• 17:15
  Speaker 3: have what maybe fifty more episodes to go. It goes
• 17:18
  Speaker 3: to show you that Martel was the only thing they
• 17:21
  Speaker 3: had going on that if it wasn't for Martel, nothing
• 17:25
  Speaker 3: would be happening.
• 17:26
  Speaker 5: This is no shade, and I'm gonna be all the
• 17:28
  Speaker 5: way real.
• 17:29
  Speaker 3: Y'all could shade me, y'all do it anyway, just make
• 17:32
  Speaker 3: sure you sput my name right so no one cares
• 17:35
  Speaker 3: about what Candy and Todd going through because we've seen
• 17:37
  Speaker 3: it and that's no shade.
• 17:38
  Speaker 5: We've seen it. It's nothing new. So you're not gonna
• 17:40
  Speaker 5: build too much.
• 17:41
  Speaker 3: Real estate in Todd feeling like Candy isn't at home.
• 17:46
  Speaker 3: I told that story when I was producing the show.
• 17:49
  Speaker 3: It's nothing new, so you can't build the A story
• 17:53
  Speaker 3: to be that Sanya is a new beat. You can't
• 17:55
  Speaker 3: build an a story on what she has going on
• 17:58
  Speaker 3: because no one's going to care that much. Juea Door
• 18:01
  Speaker 3: was not in this episode Tea for You Jazz, main
• 18:05
  Speaker 3: because she did not film for the first couple of
• 18:08
  Speaker 3: weeks because she was trying to negotiate her contract.
• 18:11
  Speaker 1: Oh you know I have that, So I have notes
• 18:13
  Speaker 1: right here. You can't see them at their off camera.
• 18:15
  Speaker 2: I have notes. One of them is where is Drew?
• 18:17
  Speaker 1: Even though historically I haven't cared, but I was like,
• 18:21
  Speaker 1: where is she?
• 18:22
  Speaker 2: Because her husband shut up, and I was like, that's odd.
• 18:26
  Speaker 3: She was in a meeting with her lawyer trying to
• 18:28
  Speaker 3: add more zero to her contracts says after the comma
• 18:31
  Speaker 3: and the decimal point, they.
• 18:33
  Speaker 1: Better not have given it to her. Let's be let's
• 18:38
  Speaker 1: be be ff fr right. And I always say this.
• 18:41
  Speaker 1: I don't say it as like I think Drew is
• 18:43
  Speaker 1: a horrible person and I'm sure she's a lovely gal
• 18:46
  Speaker 1: is it's just you?
• 18:48
  Speaker 2: What more do you think you're word?
• 18:49
  Speaker 1: Unless they were actually paying you in Trident Layers for
• 18:53
  Speaker 1: the previous seasons, there should have been no negotiation, especially
• 18:57
  Speaker 1: not enough for you to not be in episode one,
• 18:59
  Speaker 1: because if I wouldn't have showed up, I wouldn't have
• 19:01
  Speaker 1: noticed that you weren't there.
• 19:03
  Speaker 5: That is no shade.
• 19:05
  Speaker 3: I only remember Drew because Rap showed up.
• 19:08
  Speaker 1: He showed up, and then I remember, you know they're
• 19:11
  Speaker 1: going through a divorce, and I was like, oh, is
• 19:12
  Speaker 1: this around that time that that started?
• 19:14
  Speaker 3: Right?
• 19:15
  Speaker 1: I didn't know the timeline, so that's the only reason
• 19:18
  Speaker 1: I was kind of like, oh, yeah, Drew isn't here,
• 19:20
  Speaker 1: Like is this storyline about to play out already? But
• 19:24
  Speaker 1: like to your point, and I think something that I
• 19:26
  Speaker 1: was like, well, I was watching it, Which is which
• 19:29
  Speaker 1: contributed to me not really enjoying it, is because I
• 19:32
  Speaker 1: feel like they tried to hit us over the head
• 19:34
  Speaker 1: too hard with the drama of Martel and Chara and
• 19:37
  Speaker 1: him possibly cheating on her and messing with people in Atlanta,
• 19:41
  Speaker 1: and it's like, in episode one, these are my girls,
• 19:44
  Speaker 1: I'm coming back. I want to see what each of
• 19:46
  Speaker 1: them have, like really been up to, you know what
• 19:49
  Speaker 1: I'm saying, Like I want to get like extended scenes
• 19:51
  Speaker 1: with kind of them and the other people in their lives.
• 19:53
  Speaker 1: Like I don't want it out the gate the opening
• 19:57
  Speaker 1: teaser to be like a fight at a party over
• 20:00
  Speaker 1: somebody who's not even you know, over Martel and Charred,
• 20:03
  Speaker 1: like it just it felt too heavy handed in that
• 20:08
  Speaker 1: and that's a part of the reason why I didn't
• 20:10
  Speaker 1: really enjoy it. And even while I don't see it
• 20:13
  Speaker 1: for Siya, you know, in that way, I think she's okay.
• 20:17
  Speaker 1: Her scenes, her reintroduction like kind of shown the dynamic
• 20:21
  Speaker 1: between her family, her planning Ross's birthday, that felt the
• 20:24
  Speaker 1: most natural to me, and like that's I feel like
• 20:26
  Speaker 1: I wish we would have seen that for all of
• 20:28
  Speaker 1: the other.
• 20:28
  Speaker 3: Girls who I hate you interrupt, but stay tuned for more.
• 20:34
  Speaker 4: We'll be right back after these quick ads.
• 20:43
  Speaker 3: This is reality with the King, and I'm Carlos King.
• 20:47
  Speaker 3: Let's get back into the show.
• 20:51
  Speaker 1: When Candy's Sun was like calling her to help, that
• 20:55
  Speaker 1: broke my heart. Candy, look, you are a boss ass
• 20:59
  Speaker 1: bitch you world why okay, we know we get it.
• 21:03
  Speaker 1: Spend time with your family, girl, Because what I would
• 21:05
  Speaker 1: hate to see is the dissolution of another black family
• 21:08
  Speaker 1: because you're too busy to be at home with your
• 21:10
  Speaker 1: men or support your man, be at home with your
• 21:13
  Speaker 1: children and are crying out. Like you know, children remember
• 21:16
  Speaker 1: that as they grow up and not just we're thinking
• 21:19
  Speaker 1: way too far into the future. But Candy, you have
• 21:21
  Speaker 1: so much success, like so much money. I think she
• 21:24
  Speaker 1: can like take it down a couple of notches. And
• 21:27
  Speaker 1: I really just hope that for her, really just as
• 21:29
  Speaker 1: a woman like I don't want to see her family
• 21:32
  Speaker 1: torn apart because she's so ambitious. So you know, those
• 21:37
  Speaker 1: are my two major notes.
• 21:39
  Speaker 3: No, and I'm glad you brought that up because I
• 21:40
  Speaker 3: wanted to do a deep dive into the working wantman
• 21:45
  Speaker 3: being the bread winner having to supplement this lifestyle that
• 21:50
  Speaker 3: her family is accustomed to.
• 21:53
  Speaker 5: Right to your point, listen, I don't know how much
• 21:56
  Speaker 5: money she has in the bank's.
• 21:58
  Speaker 3: A lot is Drew said, I want Candy's money because
• 22:02
  Speaker 3: clearly you'a got money to spend. And Drew said, I
• 22:05
  Speaker 3: ain't showing up unless I get some zeros after the comment.
• 22:08
  Speaker 5: That's my point.
• 22:09
  Speaker 3: But the thing about that storyline is number one, it
• 22:16
  Speaker 3: was told before number two to your point. That phone
• 22:20
  Speaker 3: call was heartbreaking, and I'm curious after she watched it
• 22:28
  Speaker 3: if it made her realize that all that glitters is
• 22:34
  Speaker 3: in gold because when he said, yeah, so and so.
• 22:39
  Speaker 5: Can help me, but I like when you do it.
• 22:42
  Speaker 3: And that was the part that touched me being a
• 22:45
  Speaker 3: mama's boy, right, being a mama's boy, knowing that, yeah,
• 22:49
  Speaker 3: my father's hear my big sisters here, whatever, But it's
• 22:52
  Speaker 3: something about your mother, and I'm pretty sure it.
• 22:54
  Speaker 5: Wasn't anything specific.
• 22:56
  Speaker 3: That she does that he wanted that to me, Colle
• 23:00
  Speaker 3: for I just want my mom around me like I
• 23:05
  Speaker 3: want that, And that's why to me, it's one of
• 23:09
  Speaker 3: those things where I'm just curious about career women who
• 23:13
  Speaker 3: are the bread women who have children, what advice would
• 23:18
  Speaker 3: they give that situation. Because one thing about Oprah that
• 23:22
  Speaker 3: she has said countless of times, and she said this,
• 23:26
  Speaker 3: she said.
• 23:26
  Speaker 5: I would not be who I am today if I
• 23:29
  Speaker 5: was a mom.
• 23:31
  Speaker 3: She said, I could not imagine having a child doing
• 23:37
  Speaker 3: this whirlwind of my global domination. And she said that's
• 23:44
  Speaker 3: why when she got pregnant as a teenager by her uncle,
• 23:48
  Speaker 3: which is sick because he molested her.
• 23:53
  Speaker 5: She said, when she had a miscarriage.
• 23:56
  Speaker 3: She took that as a sign that I'm not meant
• 23:58
  Speaker 3: to be a mom. So it's one of those things
• 24:01
  Speaker 3: where it's very challenging. But I that moment honestly touch
• 24:08
  Speaker 3: my spirit.
• 24:09
  Speaker 1: It touched mine too. It is that question of like
• 24:13
  Speaker 1: can women have it all? That's a good you know,
• 24:17
  Speaker 1: that's a conversation for somebody to have. And I think
• 24:19
  Speaker 1: you're right someone other women who are in the same
• 24:23
  Speaker 1: position as Candy. They're the bread winner, they have children,
• 24:25
  Speaker 1: they want to maintain their family life in their professional life.
• 24:29
  Speaker 1: How challenging is that And do you have to give
• 24:32
  Speaker 1: up certain things in order for one to kind of
• 24:36
  Speaker 1: take become the priority. I don't know, but yeah, that scene,
• 24:40
  Speaker 1: I was just like, oh, and then when she was saying,
• 24:42
  Speaker 1: like Todd, she was talking to Mayeda and Kenya and
• 24:46
  Speaker 1: she was like, Todd was trying to make her the problem.
• 24:48
  Speaker 1: And I was like, you know, maybe Todd is resentful now,
• 24:53
  Speaker 1: you know, like maybe that is what it is, like
• 24:55
  Speaker 1: people become resentful. And I don't have any insight into
• 24:58
  Speaker 1: their relationship. And this is pure just speculation based on
• 25:02
  Speaker 1: what we've seen on the show, but we've seen for
• 25:04
  Speaker 1: years now him be very supportive of everything she wants
• 25:07
  Speaker 1: to do and like, you know, get in where he
• 25:09
  Speaker 1: fits in and all of that, and this like if
• 25:11
  Speaker 1: this is one thing that he's just like, I.
• 25:13
  Speaker 2: Really need you to help me here.
• 25:15
  Speaker 1: It does beg the question of why can't you make
• 25:18
  Speaker 1: yourself more available to help him?
• 25:20
  Speaker 3: It's really deepense emotional. So going into Marlow now, I
• 25:27
  Speaker 3: wonder if you called this because I caught it they
• 25:30
  Speaker 3: have toned down Marlow and said last year's premiere, marlow
• 25:38
  Speaker 3: was in thirty minutes of the forty two minute episode
• 25:42
  Speaker 3: and child in this episode. I was wears wall though
• 25:48
  Speaker 3: with my magnifying glass because I was like, where's marlow?
• 25:52
  Speaker 3: Marlow was reduced to five minutes in a forty two
• 25:57
  Speaker 3: minute episode.
• 25:58
  Speaker 5: And I think think that was on purpose. I think
• 26:02
  Speaker 5: it was a strong message.
• 26:04
  Speaker 3: That they're trying to rebottalize this season and limit Marlowe.
• 26:11
  Speaker 3: What did you think about Marlowe being in this episode
• 26:14
  Speaker 3: for the five minutes and what was going on with her?
• 26:17
  Speaker 1: So it goes back to my point of what I
• 26:19
  Speaker 1: said of I like seeing this side of them in
• 26:23
  Speaker 1: the first episode. We should see what they've been up
• 26:25
  Speaker 1: to since the last time we saw them last season.
• 26:28
  Speaker 1: It was a big point of contention with her kicking
• 26:30
  Speaker 1: her nephews out. So then we come back here and
• 26:32
  Speaker 1: we see them with the life coach and like she's
• 26:34
  Speaker 1: really working through this relationship with her nephews, and we
• 26:38
  Speaker 1: get an update that she hasn't heard from her sister,
• 26:40
  Speaker 1: and so now this is a forever thing. These are
• 26:43
  Speaker 1: her children now, and we are gonna, you know, based
• 26:46
  Speaker 1: on what we saw, be able to see her navigate
• 26:49
  Speaker 1: that very new normal for her. That's what I wanted
• 26:51
  Speaker 1: to see. It was very short. I also said, I
• 26:53
  Speaker 1: would have liked to see extended scenes of like them
• 26:55
  Speaker 1: doing their kind of their family life thing. But it
• 26:58
  Speaker 1: was good to see because I do what you said,
• 27:01
  Speaker 1: like last season, Marlowe was very She was a controversial figure, right,
• 27:05
  Speaker 1: and a lot of people were torn on if she
• 27:07
  Speaker 1: should even have been a housewife in the first place.
• 27:10
  Speaker 1: And she's very brash and just like goes for the
• 27:12
  Speaker 1: jugular and so I thought I didn't I didn't think
• 27:16
  Speaker 1: they were toning her down for the same reason that
• 27:19
  Speaker 1: you said. I thought it was like they're trying to
• 27:22
  Speaker 1: save her image, like they're trying to like rehab her
• 27:25
  Speaker 1: image and It's like, this is who she was last season,
• 27:29
  Speaker 1: but now she has these these nephews and she's just
• 27:33
  Speaker 1: turning over a new leaf. So I think we both are,
• 27:36
  Speaker 1: you know, in the same boat, like they're trying to
• 27:39
  Speaker 1: change the perception. But I thought it was because they
• 27:41
  Speaker 1: wanted to rehab her image, not save the show or
• 27:43
  Speaker 1: revitalize the show.
• 27:44
  Speaker 3: I think it was a little bit of both. And
• 27:46
  Speaker 3: like you said, we're saying the same thing. The thing
• 27:48
  Speaker 3: with Marlowe is Marlowe, who I love was came on
• 27:53
  Speaker 3: very strong last season.
• 27:56
  Speaker 5: Marlowe was in the protege section getting the peace.
• 28:00
  Speaker 3: She ate it, she drank it, she put in her
• 28:03
  Speaker 3: some rock, she had it in her smoothie.
• 28:07
  Speaker 5: I mean, Marlow's peach meant the world to her.
• 28:11
  Speaker 3: It was like forget a Grammy, a Tony, an Oscar,
• 28:15
  Speaker 3: and an Emmy. Marla had a peach and for her
• 28:19
  Speaker 3: that was the golden nugget in terms of what she
• 28:22
  Speaker 3: always desired. And unfortunately everybody goes through this once in
• 28:27
  Speaker 3: their lives. She overdosed on the kool aid of the peach.
• 28:33
  Speaker 3: And I think this season, based on the first episode,
• 28:37
  Speaker 3: I agree with you they tried to soften her even.
• 28:40
  Speaker 5: Towards the end.
• 28:41
  Speaker 3: We'll get to that in a second, where Candy and
• 28:44
  Speaker 3: Courtney got into an argument and she's just like, give
• 28:46
  Speaker 3: you a little side eye, trying to be nuicty.
• 28:48
  Speaker 2: Funniest part. That was the funniest part.
• 28:50
  Speaker 5: Love love that, Love that.
• 28:52
  Speaker 3: So going into the fact that the biggest story is Candy,
• 28:58
  Speaker 3: Kenya and Monya had had conversations about Martel having other
• 29:04
  Speaker 3: women in Atlanta. Kenya also said that Martel DMed her
• 29:12
  Speaker 3: and when they looked for the DM, it was nowhere
• 29:14
  Speaker 3: to be found, like like Drew.
• 29:20
  Speaker 2: Because he unscented. Now Here's here's the thing.
• 29:23
  Speaker 1: I wholeheartedly believe he did slid into her DMS and
• 29:26
  Speaker 1: he uncens it after he ended up like talking to
• 29:29
  Speaker 1: Chara or whatever.
• 29:30
  Speaker 2: That part I believe Carlos. I don't know.
• 29:32
  Speaker 1: I know Martosia boy, but but who would blame him?
• 29:36
  Speaker 1: Kenya Battie, charae Battie if you did sight into Kenya's DMS, No,
• 29:41
  Speaker 1: there's nothing wrong with that.
• 29:43
  Speaker 3: So I got tea for you, Okay, I can exclusively
• 29:47
  Speaker 3: confirm to Jazz the journalist that he did DM Kenya
• 29:54
  Speaker 3: about I love you, I said, Hoodey, I'm not gonna
• 30:01
  Speaker 3: fall for but how to tell pipe, I'm gonna need
• 30:04
  Speaker 3: more information.
• 30:05
  Speaker 5: I love her.
• 30:06
  Speaker 3: She had no dubby, she said, and hoodie, I'm not
• 30:11
  Speaker 3: the Twitter folks who just takes something small and create
• 30:14
  Speaker 3: a story for engagement.
• 30:16
  Speaker 5: Okay, so this is so shady.
• 30:21
  Speaker 3: Okay, long story, Shirt Jazz. Maybe maybe three years ago,
• 30:27
  Speaker 3: it could be four. Let's just say three. Three years ago,
• 30:31
  Speaker 3: I was promoting the new season of Love and Marriage
• 30:35
  Speaker 3: Huntsville and I did an IG live with Kenya, and
• 30:39
  Speaker 3: Kenya spoke about Martel and Melody, and Kenya had very
• 30:45
  Speaker 3: nice things.
• 30:46
  Speaker 5: To say about Martel.
• 30:48
  Speaker 3: She said how he was a great father, how she
• 30:51
  Speaker 3: can see he wants to do right. He's trying, but
• 30:56
  Speaker 3: she's team Black Love and she really wants them to win. Now,
• 31:01
  Speaker 3: Martel has said to me, and this will be coming
• 31:05
  Speaker 3: up in the next episode, Martel has said to me
• 31:09
  Speaker 3: he did DMN Kenya after our IG Live to say
• 31:15
  Speaker 3: thank you for the compliments. Now he has receipts of
• 31:23
  Speaker 3: what he DMed her, and he said she never responded
• 31:29
  Speaker 3: to him.
• 31:30
  Speaker 5: So that's the gag.
• 31:33
  Speaker 3: So Kenya never said verbatim what he said. And you know,
• 31:38
  Speaker 3: I love Kenya and so do you. But that's why
• 31:42
  Speaker 3: Jazz the journalist was like, no, what else, Carlos, I'm
• 31:45
  Speaker 3: not going to take this and run with it. I
• 31:47
  Speaker 3: love you, Kenya, but you never once.
• 31:50
  Speaker 5: Said exactly what he said to you.
• 31:53
  Speaker 3: Because when people here you're in my DMS, they immediately
• 31:58
  Speaker 3: go to something sexual exactly.
• 32:01
  Speaker 1: And she could have very easily if she saw it.
• 32:04
  Speaker 1: Because the other thing is it doesn't look like she
• 32:06
  Speaker 1: ever saw well. She had to have seen it in
• 32:10
  Speaker 1: order to know that he DMed her.
• 32:12
  Speaker 5: Yeah she saw it.
• 32:12
  Speaker 2: Yeah, hmm, she saw it. That's interesting, Keny. I can't
• 32:16
  Speaker 2: really defend you on that one, my girl. I was
• 32:18
  Speaker 2: about to try to reach.
• 32:19
  Speaker 1: I was doing my stretches because I was fin a reach, okay,
• 32:24
  Speaker 1: to try to find you an out, miss girl. But
• 32:28
  Speaker 1: you knew that man did not slide into your DMS
• 32:31
  Speaker 1: on nothing romantic. He was just saying thank you for
• 32:35
  Speaker 1: the kind words, and you flipped it.
• 32:38
  Speaker 2: Why would you do that?
• 32:39
  Speaker 3: Because King is trying to save the show.
• 32:43
  Speaker 1: Listen in my mind, look, Kenya, Kenya, you know I
• 32:47
  Speaker 1: really like you, girl. But when Carlos was just explaining it,
• 32:51
  Speaker 1: I said, oh, she on her Giselle Bryant Street, She's
• 32:53
  Speaker 1: on her I'm pad of the executive producer shit and listen,
• 32:59
  Speaker 1: a lot of the viewers are probab not going to
• 33:00
  Speaker 1: be mad at that.
• 33:01
  Speaker 2: I myself, it's getting tired for me. But do you
• 33:04
  Speaker 2: do you?
• 33:05
  Speaker 1: Yeah?
• 33:05
  Speaker 5: And I think that's the reason why.
• 33:07
  Speaker 3: Look, I think that's the reason why I do agree
• 33:11
  Speaker 3: with you in terms of but I said this last time.
• 33:14
  Speaker 3: I said, the golden days of Atlanta Housewife is gone
• 33:16
  Speaker 3: and we need to just accept it. It's never going to.
• 33:19
  Speaker 5: Be as in my meany leads voice organtic. It's not
• 33:24
  Speaker 5: going to be I love you, DDI.
• 33:27
  Speaker 3: It's not going to be as organic as it was before.
• 33:31
  Speaker 3: So I'm trying to find I'm being honest with y'all.
• 33:35
  Speaker 3: I'm trying to find the good in what this new
• 33:39
  Speaker 3: era of Atlanta is. And I think Kenya knew that
• 33:44
  Speaker 3: she had to have something happen. She was definitely on
• 33:48
  Speaker 3: her Gazelle Bryant. She produced the scene, she produced the moment,
• 33:53
  Speaker 3: and she tried to make sure that something happened. I
• 33:56
  Speaker 3: love Kenya. I'm going to get Kenya in the podcast
• 33:58
  Speaker 3: to address this with me. But I'm like you, I
• 34:03
  Speaker 3: listen to people, she never once said what he said
• 34:07
  Speaker 3: and that's because it was never anything that was worth sharing.
• 34:13
  Speaker 1: Yeah that can you? You wrong, girl, You are wrong
• 34:18
  Speaker 1: for that.
• 34:19
  Speaker 5: So let me ask you this. Who's wrong or right
• 34:21
  Speaker 5: in this Candy.
• 34:24
  Speaker 3: And Courtney oh ah beef that came out of left field,
• 34:30
  Speaker 3: and I'm gonna say it, guys, y'all can read me.
• 34:33
  Speaker 5: It's fine. The thirst is real.
• 34:37
  Speaker 2: Baby Noel or what is that child's name from Orange County? Noela?
• 34:43
  Speaker 1: No Noela, that's Noella point two right there?
• 34:49
  Speaker 5: Like why are you?
• 34:49
  Speaker 2: Why are you doing the most? Like that?
• 34:51
  Speaker 1: That's my issue. Listen, I'm about to stand on a
• 34:55
  Speaker 1: slowbox real quick.
• 34:56
  Speaker 2: Okay.
• 34:56
  Speaker 1: That's my issue with all these new girls that come
• 34:59
  Speaker 1: on these established shows like Real Housewives of Atlanta, just
• 35:02
  Speaker 1: the Real Housewives period. They think they have to be
• 35:06
  Speaker 1: like other personalities that we've seen in the past, so
• 35:08
  Speaker 1: they just do too much and it's just like it's
• 35:11
  Speaker 1: so off putting and like unwatchable and unlikable. Like as
• 35:15
  Speaker 1: soon as she walked in the doors, like beautiful gowns,
• 35:18
  Speaker 1: very pretty girl, but it was the second that you
• 35:20
  Speaker 1: just started like you're doing the most, Courtney, You're doing
• 35:24
  Speaker 1: the most, and I'm not here for it. I'm going
• 35:25
  Speaker 1: to jump off the soapbox. Now I thought it was
• 35:27
  Speaker 1: going to be a longer RAM, but this is not
• 35:28
  Speaker 1: my show, it's your show.
• 35:29
  Speaker 2: Oh no, what are your thoughts?
• 35:32
  Speaker 5: I have the reason.
• 35:32
  Speaker 3: I mean, you're the reason why I have it, So
• 35:34
  Speaker 3: don't continue, please go ahead.
• 35:36
  Speaker 1: No, it's just that, it's just that, like she was
• 35:39
  Speaker 1: doing the liast Charae's house like she was, and you
• 35:41
  Speaker 1: can see she was coming in kind of trying to
• 35:43
  Speaker 1: produce something, so she was setting it up like we
• 35:46
  Speaker 1: did all these.
• 35:47
  Speaker 2: Calls, all this, this and that.
• 35:48
  Speaker 1: Then she got to the party and she was just
• 35:50
  Speaker 1: very aggressive with Candy, and I didn't like that at
• 35:54
  Speaker 1: all because it's just like, it doesn't matter how you
• 35:56
  Speaker 1: two got acquainted. When Candy was like, look, we don't
• 35:59
  Speaker 1: run in the same circles, like I wouldn't have known you,
• 36:02
  Speaker 1: I wouldn't have remembered you. If it seems like she
• 36:04
  Speaker 1: got more offended because Candy is like, essentially you're forgettable.
• 36:09
  Speaker 1: We might have been around each other, but I wouldn't.
• 36:12
  Speaker 1: You're not a person that I would have remembered. Like
• 36:14
  Speaker 1: I seen this other girl in the picture that I
• 36:16
  Speaker 1: knew I didne you like it's done. But she was
• 36:19
  Speaker 1: just so aggressive and like just doing too much.
• 36:23
  Speaker 2: I didn't like it. It's a chop for me, not.
• 36:30
  Speaker 7: Roach boys, exactly, It's a chop for me.
• 36:49
  Speaker 3: Okay, I'm going to address this because damn Jazz, Okay,
• 36:54
  Speaker 3: forget it.
• 36:55
  Speaker 5: Let's go. Let's go, let's go, let's go, let's go.
• 36:57
  Speaker 2: Do it please, you know, don't hold back.
• 36:59
  Speaker 5: Oh no, oh.
• 37:00
  Speaker 3: I can't even about Water too. I just can't. It's
• 37:04
  Speaker 3: going to be very hard, and I'll let me just
• 37:07
  Speaker 3: start with Atlanta. It's going to be very hard for
• 37:11
  Speaker 3: a new peach holder to come across authentic because the
• 37:18
  Speaker 3: rules are different. And when I say that, I mean unfortunately.
• 37:23
  Speaker 3: Nobody wants to be a one season wonder and there's
• 37:28
  Speaker 3: so much pressure in getting that tithe of housewives because
• 37:32
  Speaker 3: it does change lives, and I think it's a part
• 37:35
  Speaker 3: of the production. I think it's also part of the
• 37:39
  Speaker 3: Lady herself. They feel like you have to come across
• 37:44
  Speaker 3: so strong and prove that you deserve this peach.
• 37:48
  Speaker 5: You got to prove it.
• 37:50
  Speaker 3: And one of my issues, well I'll say both of ours,
• 37:54
  Speaker 3: because we both said this last season about Drew. I
• 37:56
  Speaker 3: felt that Drew tried too hard to make fetch happen?
• 38:00
  Speaker 3: I mean she threw a doggy bone in a person's
• 38:02
  Speaker 3: face that she carried on a trip in her Duffel
• 38:06
  Speaker 3: bag with Ralphs condoms that he got from Florida and
• 38:11
  Speaker 3: wanted to make a moment happen.
• 38:13
  Speaker 1: Carlos, why would you remind I had that scrub from
• 38:15
  Speaker 1: my memory that late as hired as attempted moment. Why
• 38:19
  Speaker 1: would you remind me of that? Now I'm gonna have nightmares?
• 38:21
  Speaker 5: You said, not.
• 38:22
  Speaker 3: Nightmare on p Street Street up because you said, and
• 38:26
  Speaker 3: I quote one of the most iconic lines is podcast
• 38:29
  Speaker 3: has ever heard. Drew Sidora is eleven fifty nine PM.
• 38:35
  Speaker 5: She's late, late.
• 38:38
  Speaker 2: Late, Okay, mine still ain't changed.
• 38:41
  Speaker 3: Well, she look she was real late because she didn
• 38:44
  Speaker 3: show up tonight, so she was definitely late as episod
• 38:47
  Speaker 3: to show up. She sent her mad honey and say
• 38:49
  Speaker 3: can you be a part of this for me?
• 38:52
  Speaker 5: Thanks?
• 38:53
  Speaker 3: So Courtney was definitely coming across too strong. But my
• 38:59
  Speaker 3: question to you is this is there a balance? Because
• 39:02
  Speaker 3: Monyeta Shaw is somebody I know well, her name is
• 39:05
  Speaker 3: Monyeta Carter because she got married.
• 39:07
  Speaker 5: I know Monyeta personally. I love her.
• 39:09
  Speaker 3: She's a sweetheart in real life, she's friends with Candy.
• 39:13
  Speaker 3: In real life she's princes with Kenya. People thought Monyetta
• 39:17
  Speaker 3: was boring, but she's back now. So are you damned
• 39:21
  Speaker 3: if you do? Damn if you don't. If I don't
• 39:23
  Speaker 3: give y'all a moment, y'all say I'm boring. If I
• 39:25
  Speaker 3: be myself and don't make a moment, y'all say I'm boring.
• 39:29
  Speaker 5: So who to.
• 39:30
  Speaker 3: You a new housewife in the past three years where
• 39:34
  Speaker 3: their first season they came across authentic and that's why
• 39:38
  Speaker 3: they're still around A.
• 39:40
  Speaker 1: New housewife in the last three years out of all
• 39:42
  Speaker 1: of the I don't remember. I can't remember because I
• 39:47
  Speaker 1: don't know. I'm like, at this point five years ago,
• 39:50
  Speaker 1: was what.
• 39:51
  Speaker 5: Twenty twenty eighteen?
• 39:54
  Speaker 1: And that takes us to seasons of what or actually,
• 39:57
  Speaker 1: can we do this? How about you tell me some
• 39:59
  Speaker 1: new housewives that we've been introduced to in the last
• 40:02
  Speaker 1: couple of years, and then I'll let you know, because honestly,
• 40:04
  Speaker 1: I can't remember.
• 40:06
  Speaker 3: Doctor Wendy for me, her first season she came across
• 40:09
  Speaker 3: super authentic.
• 40:11
  Speaker 2: I doctor Wendy from Potomac.
• 40:13
  Speaker 3: Her first season authentic. Her first season, yes, I read
• 40:18
  Speaker 3: her her second season to her face and she I.
• 40:21
  Speaker 1: Thought her first season was I have four Degrees, I'm
• 40:25
  Speaker 1: I'm doctor.
• 40:25
  Speaker 2: That's her first.
• 40:26
  Speaker 3: Season though, that is her first season before her for
• 40:29
  Speaker 3: the plastic surgery.
• 40:31
  Speaker 2: Yeah, that was a chop season. She did too much.
• 40:35
  Speaker 1: But in her defense though, right, she redeemed herself for me,
• 40:39
  Speaker 1: because I think we talked about her the last time
• 40:42
  Speaker 1: we talked about Potomac. I don't watch Potomac. I don't
• 40:44
  Speaker 1: think I'm gonna start watching it again. But I have
• 40:48
  Speaker 1: gone away from Potomac liking Wendy.
• 40:51
  Speaker 2: Yes, and I didn't.
• 40:52
  Speaker 1: I didn't really see it for her first season. So
• 40:54
  Speaker 1: I think she redeemed herself. But did she come off
• 40:57
  Speaker 1: and authentic. No, She's another person I think tried to
• 41:00
  Speaker 1: do too much in her first season.
• 41:02
  Speaker 3: I think she did towards the end with the four degrees.
• 41:04
  Speaker 3: I thought her in the beginning she was great. I
• 41:07
  Speaker 3: thought Candace first season, she was herself.
• 41:10
  Speaker 2: I yes, yeah, Oh no, I'm sorry. I don't mean
• 41:12
  Speaker 2: to cut you off.
• 41:13
  Speaker 3: Oh no, no, no, I say, I'm saying Candace to
• 41:15
  Speaker 3: me can Yeah, these are the girls to me, who.
• 41:18
  Speaker 5: Did it right?
• 41:18
  Speaker 3: Candace Wendy Garcel. I'm talking about first season coming across
• 41:25
  Speaker 3: authentic Garcel, Windy, Candace, and that's it for me.
• 41:31
  Speaker 1: Candace for sure, Candace for sure, Garcel. Come, did she
• 41:37
  Speaker 1: come off authentic?
• 41:38
  Speaker 2: Sure?
• 41:38
  Speaker 1: I don't see it for her though, but maybe that
• 41:40
  Speaker 1: is authentically.
• 41:42
  Speaker 2: Who she is. Such a beautiful woman though.
• 41:47
  Speaker 1: But in my eyes, I'm just like I can take
• 41:49
  Speaker 1: it or leave it with her, but sure authentic.
• 41:52
  Speaker 2: Yes, I agree with you and y'all think.
• 41:55
  Speaker 7: Op top baby, and it's great.
• 42:00
  Speaker 1: Look, all I am is a spectator, right, So it's like,
• 42:03
  Speaker 1: I'm only here for entertainment. Either I like you or
• 42:07
  Speaker 1: I don't. And I you know, we have a whole
• 42:10
  Speaker 1: other conversation about how they try to make her and
• 42:13
  Speaker 1: that other woman on there, but do you know what
• 42:15
  Speaker 1: I mean?
• 42:16
  Speaker 3: And we'll talk about that when Beverly Hill's premiere. Honey,
• 42:18
  Speaker 3: I'm gonnavite you back?
• 42:19
  Speaker 5: So yes, Based on the.
• 42:22
  Speaker 3: Head bussa, I'm like you about to be a hit bussa, Honey,
• 42:28
  Speaker 3: come on Scrappy featuring Little John and Crime Mob. I
• 42:36
  Speaker 3: thought Courtney and Candy's conversation when it's so left, so fast,
• 42:42
  Speaker 3: and I just felt like nothing, nothing to me was
• 42:46
  Speaker 3: authentic about that exchange. And I felt like it was
• 42:50
  Speaker 3: just it was just people trying to get a moment
• 42:53
  Speaker 3: and trying to make something happen because the pressures were
• 42:56
  Speaker 3: this event is our premiere episode, so something must happen.
• 43:01
  Speaker 3: And I felt like everybody walked into that party with
• 43:05
  Speaker 3: that in mind, and I think that's why some things
• 43:07
  Speaker 3: just did not feel as authentic ass you know, Old Atlanta.
• 43:13
  Speaker 5: When Cynthia had a white party and.
• 43:16
  Speaker 3: Kenya chased down Nini because Kenya was med that Nina
• 43:19
  Speaker 3: invited Walter, her ex, to the wedding, and Nini said
• 43:23
  Speaker 3: to Kenya, no bitch is gonna say to me who
• 43:27
  Speaker 3: I can it cannot invite. It wasn't no hit bussa.
• 43:29
  Speaker 3: It wasn't no I'm gonna check you booth. It was
• 43:33
  Speaker 3: a real conversation that to me, and.
• 43:36
  Speaker 5: I think you agree. It was funny.
• 43:39
  Speaker 3: It wasn't like violent or like it was hilarious, and
• 43:43
  Speaker 3: I think to me, season six premiere, in my opinion,
• 43:49
  Speaker 3: will always be the standard in terms of how our
• 43:52
  Speaker 3: premiere should be for that show.
• 43:55
  Speaker 1: Yeah, I think Candy's energy is it was familiar and
• 44:00
  Speaker 1: Candy get like that. I think it was wasted on
• 44:02
  Speaker 1: someone that we don't care about though. That's what made
• 44:04
  Speaker 1: it feel inauthentic to me because I'm like, in what world, Candy,
• 44:07
  Speaker 1: were you even gonna spend more than like three minutes
• 44:09
  Speaker 1: talking to this lady anyway? You don't know her, it's established, Okay,
• 44:14
  Speaker 1: she's given you some really weird energy. Just walk the
• 44:17
  Speaker 1: fuck away. I wouldn't know you. You wasted I'm about
• 44:21
  Speaker 1: to have but this bitch that would have landed later
• 44:24
  Speaker 1: in this season, had you had have been talking about
• 44:26
  Speaker 1: one of the other girls on the cast that we
• 44:27
  Speaker 1: care about. But you're giving this up to this woman
• 44:30
  Speaker 1: that like if I never see her again, amazing, you
• 44:33
  Speaker 1: know what I'm saying, Like, you wasted it.
• 44:35
  Speaker 2: You wasted it. Candy wasted her moment.
• 44:38
  Speaker 1: It could it really could have been a moment, but
• 44:40
  Speaker 1: she wasted it on somebody that we don't care about.
• 44:43
  Speaker 3: Yeah, and I think she says that tomorrow later in
• 44:45
  Speaker 3: the season too.
• 44:46
  Speaker 5: Some think something like that. But to your point, because
• 44:49
  Speaker 5: when she gave.
• 44:50
  Speaker 6: Meaning I'm gonna stop talking to you right now, BEF
• 44:52
  Speaker 6: probably blowing up on your hands, so that to me,
• 44:56
  Speaker 6: to your point, it took weeks and months of filmmak
• 45:02
  Speaker 6: for these two tight ends to collide, and when she
• 45:07
  Speaker 6: said it.
• 45:07
  Speaker 3: We all girl, even Needy gag because Eddi.
• 45:09
  Speaker 5: Called me happy to see and said, what did.
• 45:11
  Speaker 3: She say to me?
• 45:12
  Speaker 5: I said, bitch.
• 45:13
  Speaker 3: She said, if you don't stop talking to me right now,
• 45:16
  Speaker 3: I'm gonna go blow a lot for your hands.
• 45:17
  Speaker 5: And Nini said she said that.
• 45:19
  Speaker 3: I said, yeah, bitch, she said it to you. So
• 45:23
  Speaker 3: that's why you're the best person to talk to, because
• 45:25
  Speaker 3: you remind me of moments to where Yes, it needs
• 45:29
  Speaker 3: to be a build up to say something like that,
• 45:31
  Speaker 3: because nobody can take me out of character that I
• 45:36
  Speaker 3: met for two point five seconds.
• 45:39
  Speaker 1: You very much should have been on your Mariah Carey,
• 45:43
  Speaker 1: I don't know her.
• 45:44
  Speaker 2: And walked away.
• 45:46
  Speaker 1: Okay, I don't believe in any any stretch of the
• 45:50
  Speaker 1: imagination that Candy Worldwide Birds is gonna have but in
• 45:55
  Speaker 1: risk any type of legal action being taken against her
• 45:59
  Speaker 1: by so one that she doesn't even know, it wouldn't
• 46:03
  Speaker 1: even be worth it at that point, Like I said
• 46:05
  Speaker 1: about all of these people on here, they are probably
• 46:07
  Speaker 1: lovely people in real life. This isn't personal. This is
• 46:11
  Speaker 1: TV and the words of Martin Lawrence.
• 46:12
  Speaker 2: Okay, this is TV, but.
• 46:21
  Speaker 3: Everything you're saying is so true. So as we wrap
• 46:24
  Speaker 3: things up. What grade the jazz? The journalist give the
• 46:31
  Speaker 3: season fifteenth premiere of the Real Housewives of Atlanta A D.
• 46:36
  Speaker 8: What about you, Carlos Carlos, Carlos, Carlos, Carlos.
• 46:47
  Speaker 5: Listen d as a donkey.
• 46:51
  Speaker 1: Yeah, as in donkey Boddy, A D as in donkey booty.
• 46:57
  Speaker 1: Because the story wasn't set up for me, I don't think.
• 47:01
  Speaker 1: I don't think my gray has anything to do really
• 47:04
  Speaker 1: with the cast. It's just a lot to do with
• 47:07
  Speaker 1: the way that the story was set up for me.
• 47:09
  Speaker 1: It doesn't make me want to I don't look forward
• 47:12
  Speaker 1: to this season because I feel like, based on this
• 47:14
  Speaker 1: first episode, I feel like, based on the first episode,
• 47:17
  Speaker 1: we're about to get a season where we're gonna watch
• 47:20
  Speaker 1: Candy's marriage like in a really bad place, and then
• 47:24
  Speaker 1: we're gonna watch a bunch of them try to like
• 47:26
  Speaker 1: accuse Martel of being deceitful to Charae and trying to
• 47:31
  Speaker 1: take that down when it's not even really by both
• 47:33
  Speaker 1: of their course a super serious flowship anyway, because I
• 47:36
  Speaker 1: love how just to take it back, I love how
• 47:38
  Speaker 1: Charay kept paying it like they're like, oh, I heard
• 47:40
  Speaker 1: mar tolders, and She's like Okay, show me. I would
• 47:43
  Speaker 1: like to see it like my nique. Okay, show me
• 47:46
  Speaker 1: like I'm not about to get up at arms. Both
• 47:48
  Speaker 1: of them have said this is not serious. They haven't
• 47:50
  Speaker 1: put a label on the girl get on. If he
• 47:53
  Speaker 1: does have other women in Atlanta, that's okay. Charay doesn't
• 47:57
  Speaker 1: seem to mind when he listened. He's her weekend and man.
• 48:00
  Speaker 1: When he comes and the production approved vehicle to the chateau,
• 48:05
  Speaker 1: she is happy.
• 48:06
  Speaker 2: And when he leaves, she's okay with it. The d
• 48:11
  Speaker 2: for me, what about you?
• 48:13
  Speaker 3: Okay, I love you all.
• 48:16
  Speaker 2: I love you all. I love I love you, I
• 48:19
  Speaker 2: love good.
• 48:20
  Speaker 5: This is good, not Doy Houston. I always love you.
• 48:23
  Speaker 5: I really would.
• 48:23
  Speaker 9: Okay, No, so me being all the way real right
• 48:33
  Speaker 9: based on my lens.
• 48:35
  Speaker 5: Like I said to y'all last season.
• 48:36
  Speaker 3: My lens now is I have to look at the
• 48:39
  Speaker 3: show differently and say it's a new era and look
• 48:42
  Speaker 3: at it that way. Now, I could be biased because
• 48:45
  Speaker 3: Martinell was all up in that thing and it gave
• 48:47
  Speaker 3: me hospital tease.
• 48:48
  Speaker 5: I'm gonna give it a minus.
• 48:51
  Speaker 1: An a minus sweetie, sweetie, So look, I will say,
• 49:01
  Speaker 1: I'm gonna tell you why.
• 49:02
  Speaker 5: Okay, and hear me out.
• 49:04
  Speaker 3: Hear me out, But I'm curious about if you agree
• 49:07
  Speaker 3: with me before I let you go. I enjoyed that
• 49:10
  Speaker 3: premiere more than the past four seasons of their premiers.
• 49:17
  Speaker 3: And that's why I'm like, look, if I need, if
• 49:20
  Speaker 3: I have to look at this show now, as Carlos,
• 49:23
  Speaker 3: everything you've known and worked and built and helped build
• 49:27
  Speaker 3: without this, of course, not just me to make this,
• 49:30
  Speaker 3: to make that show be number one at one point
• 49:32
  Speaker 3: in time, now look at it differently. If I had
• 49:36
  Speaker 3: to grade it based on last season, I gave a B.
• 49:39
  Speaker 3: I thought it was better than last season's premiere. I
• 49:41
  Speaker 3: thought it was better than Child thirteen twelve. I thought,
• 49:46
  Speaker 3: like this, this premiere at least was better than the
• 49:50
  Speaker 3: past four to me, maybe five. I just can't think
• 49:54
  Speaker 3: that far back, no shade. So that's why I give
• 49:58
  Speaker 3: it an a minus.
• 49:58
  Speaker 1: Forer effort is such a generous grade that I don't
• 50:02
  Speaker 1: believe you. I'm so sorry. I'm not trying to.
• 50:07
  Speaker 2: Call out the King.
• 50:08
  Speaker 5: You know the truth.
• 50:09
  Speaker 3: Jab after hearing my explanation.
• 50:16
  Speaker 1: Look after hearing your explanation, I definitely think you ian.
• 50:21
  Speaker 5: Better than that one in the past, was better than
• 50:27
  Speaker 5: that in the past five years.
• 50:29
  Speaker 1: If if my memory serves me correctly, I feel like
• 50:32
  Speaker 1: I enjoyed a few moments from last season's premiere because
• 50:36
  Speaker 1: last season we had Sharay coming back ken You was
• 50:39
  Speaker 1: doing Dancing with the Stars, so we saw her. I
• 50:42
  Speaker 1: feel like I would rank that one higher than this one.
• 50:46
  Speaker 2: For me, it was it was too heavy handed. It
• 50:50
  Speaker 2: was just too heavy handed.
• 50:51
  Speaker 1: It just feels like they are like beating us over
• 50:54
  Speaker 1: the head with like this is the storyline, Like Martella
• 50:57
  Speaker 1: is a cheater, Like it's all this tea out there
• 50:59
  Speaker 1: about him, Like we're gonna take him down, Like Charae,
• 51:02
  Speaker 1: this is just another man in your life that's not
• 51:05
  Speaker 1: a good man, and like we're gonna sprinkle a little
• 51:07
  Speaker 1: bit of saying it with her family drama in there,
• 51:10
  Speaker 1: just a little bit. And then you know, Marlowe, we
• 51:13
  Speaker 1: were getting a new Marlowe, so we got nineteen fifties
• 51:17
  Speaker 1: housewife asked Marlowe about to show up right almost Candy
• 51:24
  Speaker 1: and her husband, Like you know, I feel like we're
• 51:26
  Speaker 1: gonna beat this in the head now, Like Candy and
• 51:27
  Speaker 1: her her marriage is struggling because she wants to do
• 51:31
  Speaker 1: too much of her husband. Like it just felt so
• 51:33
  Speaker 1: heavy handed, and I'm like, I like to be eased
• 51:35
  Speaker 1: into the drama. I know it's coming, I know, and
• 51:38
  Speaker 1: that's why we watch it, but I like.
• 51:39
  Speaker 2: To be eased into it.
• 51:41
  Speaker 1: Give me a couple of episodes before you're like having
• 51:44
  Speaker 1: Martel and Kenya arguing at a function.
• 51:48
  Speaker 2: Give me a couple of episodes.
• 51:50
  Speaker 1: Because if they don't watch Love and Marriag Huntsville, they
• 51:53
  Speaker 1: don't care about Martel either, right, Like, I'm watching from
• 51:56
  Speaker 1: a different vantage point. I've watched his show, so I
• 51:58
  Speaker 1: know him, so I'm invested. But if you've never watched
• 52:01
  Speaker 1: the show and you're just watching this, you're like, why
• 52:03
  Speaker 1: is there so much energy given towards this man that
• 52:06
  Speaker 1: we don't really know much about.
• 52:08
  Speaker 2: It's too heavy handed?
• 52:09
  Speaker 3: Ooh, okay, great job on the witness said you just listen,
• 52:16
  Speaker 3: not Jazz the journalist, honey, Jazz the attorney, honey, Come on, squire,
• 52:20
  Speaker 3: that was that was okay? So rain Drops, I need
• 52:25
  Speaker 3: to know whose signe are you on?
• 52:31
  Speaker 1: And look, guys, it's okay if you're not on my side.
• 52:33
  Speaker 1: I totally get it. You totally understand it, child as you.
• 52:37
  Speaker 5: Know how I feel too.
• 52:38
  Speaker 3: But let us know what Gray you all give the
• 52:42
  Speaker 3: season fifteenth premiere of the Real Housewives of Atlanta.
• 52:45
  Speaker 5: Do you agree with Jazz the journalist Slash.
• 52:47
  Speaker 3: Esquire or do you believe and agree with the King?
• 52:55
  Speaker 3: Thank you for listening to Reality with the King. New
• 52:58
  Speaker 3: episodes drop Evere Tuesday, Share, comment, follow and subscribe to
• 53:05
  Speaker 3: Reality with the King. Wherever you get your podcast, visit
• 53:09
  Speaker 3: Reality withthe King dot com and be sure to follow
• 53:13
  Speaker 3: me at the Carlos King Underscore on Instagram, Twitter, TikTok
• 53:18
  Speaker 3: and Yes Baby, my YouTube channel where you can get
• 53:21
  Speaker 3: all of my visuals, baby, my expressions, Yes, and don't
• 53:25
  Speaker 3: forget Tweet me your thoughts and hot takes about this
• 53:28
  Speaker 3: episode using the hashtag Reality with the King. Reality with
• 53:34
  Speaker 3: the King is a production of Kingdom Rain Entertainment. It
• 53:39
  Speaker 3: is produced by Sierra Spragley Rix An executive produced by
• 53:43
  Speaker 3: Me Carlos King, Kingdom Rain Entertainment, Baby,