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Buried Passbooks and the Quiet Man Who Stole a Life · Dark Psychology: The Control Game

0:03
Speaker 1: The smell reached Jeffrey Bailey before his eyes adjusted to
0:07
Speaker 1: the dark, A faint chemical bite, the kind that clings
0:12
Speaker 1: to the back of the throat. He was a county surveyor,
0:15
Speaker 1: not an investigator. He had no reason to expect anything unusual.
0:20
Speaker 1: Inside the detached garage at four Millbrook Circle, the door
0:24
Speaker 1: hung open four inches.
0:25
Speaker 2: He pushed it wider.
0:27
Speaker 1: Strung across the space on a line of ordinary clothes
0:30
Speaker 1: pins were eight by ten photographic prints, color images fully developed.
0:36
Speaker 1: Each one showed the same young woman standing inside what
0:39
Speaker 1: appeared to be a family home, at a kitchen table
0:42
Speaker 1: beside a Christmas tree, holding a child on her hip.
0:45
Speaker 1: The images were pristine, The woman's smile was fixed at
0:49
Speaker 1: the exact same angle in every frame, and she had
0:53
Speaker 1: never posed for any of them. On the floor, a
0:56
Speaker 1: wooden crate held the photographs. Those composite had been built
1:01
Speaker 1: to replace portraits of another woman's life, stacked in order,
1:06
Speaker 1: labeled in pencil, two realities, one room, and the woman
1:10
Speaker 1: whose face hung on that drying line was at that
1:13
Speaker 1: same moment lying in a hospital bed, one county over,
1:17
Speaker 1: with no idea this room existed. Julie Stewart was twenty
1:21
Speaker 1: four years old and had moved to Crestfall, Indiana, in
1:25
Speaker 1: the spring of twenty nineteen. She came from Terre Hate,
1:29
Speaker 1: where her older sister Diane still lived. By most accounts
1:33
Speaker 1: from people who knew her, Julie was organized, steady, and
1:38
Speaker 1: careful with routines.
1:40
Speaker 2: She had taken on.
1:40
Speaker 1: The care of a diabetic rabbit named Cleo, an animal
1:44
Speaker 1: that required insulin injections at precisely six fifteen every morning
1:49
Speaker 1: and every evening. That schedule never slipped, not once in
1:54
Speaker 1: seven months.
1:55
Speaker 2: She was not reckless. She was not impulsive.
1:58
Speaker 1: That matters because what would later be said about her,
2:02
Speaker 1: the characterization that would quietly spread through her family before
2:06
Speaker 1: she fully understood what was happening, painted a different picture entirely.
2:10
Speaker 1: Julie found her position at four Millbrook Circle through what
2:14
Speaker 1: appeared to be a straightforward referral. The household belonged to
2:18
Speaker 1: Patrick Drummond, a widower raising two children aged eight and
2:22
Speaker 1: six while commuting to work in Indianapolis. The children needed
2:27
Speaker 1: consistent care, Julie needed stable housing. The arrangement seemed clean
2:32
Speaker 1: and mutual. Patrick Drummond was not a suspicious man. He
2:36
Speaker 1: was a father managing grief and logistics simultaneously. His late
2:41
Speaker 1: wife Sandra had been the organizing presence in the house.
2:45
Speaker 1: Without her, Drummond was holding the structure together with both hands.
2:50
Speaker 1: When a contractor named Larry Price came recommended introduced through Julie,
2:56
Speaker 1: offering kitchen renovation work at cost, Drummond accepted. He was
3:00
Speaker 1: grateful for the help. Larry Price was thirty eight, He
3:04
Speaker 1: drove a work van and described himself as a residential contractor.
3:09
Speaker 1: He and Julie had met in April of twenty nineteen
3:12
Speaker 1: on State Road forty six near Greencastle. The meeting, by
3:16
Speaker 1: every account, appeared coincidental. Price pulled over. They spoke within weeks.
3:21
Speaker 1: Julie was telling Diane that he made her feel uniquely seen,
3:25
Speaker 1: that he understood her in ways that were difficult to explain.
3:29
Speaker 1: Within six weeks of that roadside meeting, Price had paid
3:33
Speaker 1: down Julie's credit card balance. He had arranged both her
3:36
Speaker 1: nanny position and her sublet at Millbrook Circle. He had
3:41
Speaker 1: made himself essential to the structure of her daily life,
3:44
Speaker 1: and he had begun very quietly to contact people in
3:49
Speaker 1: her orbit with a particular message that Julie struggled with
3:53
Speaker 1: anxiety that her perceptions were sometimes unreliable, that she had.
3:57
Speaker 2: A tendency to misread situations.
4:00
Speaker 1: Diane received those calls, she did not initially question them.
4:06
Speaker 2: Why would she.
4:08
Speaker 1: The man her sister described seemed devoted. What no one
4:12
Speaker 1: yet knew, not Drummond, not Diane, not Julie herself, was
4:17
Speaker 1: that Price had taken a community photography course in Bloomington
4:21
Speaker 1: in two thousand fourteen. He had kept the equipment a
4:25
Speaker 1: storage unit on Birchway Industrial Drive in Crestfall, held a
4:29
Speaker 1: medium format camera and the materials needed to build a
4:32
Speaker 1: fully functional analog dark room. Somewhere between April and June
4:37
Speaker 1: of two thousand nineteen, he had used drummonds detached garage
4:42
Speaker 1: to do exactly that. He had purchased a new padlock
4:45
Speaker 1: for the garage door in June, paying with his own
4:49
Speaker 1: credit card at a hardware store at Crestfall. No one
4:52
Speaker 1: asked about the padlock, not until much later. The first
4:56
Speaker 1: sign that something was wrong did not announce itself.
4:59
Speaker 2: As a warning.
5:00
Speaker 1: It arrived quietly in a living room on a weekday afternoon,
5:04
Speaker 1: when Julie happened to glance at the mantle the framed
5:07
Speaker 1: photograph that had always stood there a portrait of Sandra
5:10
Speaker 1: Drummond was gone. In its place, in the same frame,
5:14
Speaker 1: at the same angle was a photograph of Julie. She
5:18
Speaker 1: did not remember posing for it. She looked at it
5:21
Speaker 1: for a long moment, trying to locate the memory.
5:24
Speaker 2: It wasn't there, and.
5:25
Speaker 1: Because Larry Price had already spent weeks carefully establishing that
5:29
Speaker 1: her perceptions were unreliable, she did not immediately trust what
5:34
Speaker 1: she was seeing. That hesitation, that single moment of self
5:37
Speaker 1: doubt was not an accident. It had been engineered. That
5:41
Speaker 1: moment of self doubt was.
5:43
Speaker 2: Not the last one. It was a rehearsal, and.
5:46
Speaker 1: The weeks that followed, Julie found herself returning to the
5:50
Speaker 1: Mantle photograph the way you return to a word you've misread,
5:54
Speaker 1: convinced that if you look long enough, the letters will
5:57
Speaker 1: re arrange themselves into something familiar.
6:00
Speaker 2: They never did.
6:01
Speaker 1: The frame was real, the image inside it was her face,
6:05
Speaker 1: and the original portrait of Sandra Drummond was simply gone.
6:09
Speaker 1: She mentioned it to Price. He listened carefully. Then he
6:13
Speaker 1: told her gently that she must be misremembering which photograph had.
6:17
Speaker 2: Always been there.
6:19
Speaker 1: He said it with the particular patience of some one
6:22
Speaker 1: who has said a version of this before, so she
6:25
Speaker 1: let it go. But the Mantle photograph was not a
6:28
Speaker 1: single event. It was a system being tested. Over the
6:32
Speaker 1: following weeks, other photographs in the house began to change,
6:36
Speaker 1: not all at once, one at a time, at intervals
6:40
Speaker 1: long enough that each substitution arrived in fresh context without
6:44
Speaker 1: obvious connection.
6:45
Speaker 2: To the last.
6:46
Speaker 1: A hallway image, a shelf in the study. Each time
6:50
Speaker 1: Julie's face appeared where another woman's had been. Each time,
6:55
Speaker 1: the frame was the same, the angle was the same,
6:58
Speaker 1: only the face was different. What she did not know,
7:02
Speaker 1: what no one in that house knew, was that those
7:05
Speaker 1: images were being made thirty feet away the detached garage
7:09
Speaker 1: at four Millbrook Circle, at a side door that opened
7:12
Speaker 1: away from the house toward a shallow creek at the
7:15
Speaker 1: rear of the property. From the kitchen window, you could
7:18
Speaker 1: not see that door. Price had accessed the garage through
7:22
Speaker 1: it repeatedly without anyone noticing. Inside, he had built a
7:27
Speaker 1: functional analog darkroom, developer trays, a drying line, chemical baths,
7:32
Speaker 1: and an enlarger capable of producing eight.
7:35
Speaker 2: By ten prints.
7:36
Speaker 1: The prints on that drying line were composites. Crime lab
7:40
Speaker 1: analysis would later confirm the technique. Price had photographed Julie
7:44
Speaker 1: against a neutral backdrop, likely in his storage unit on
7:48
Speaker 1: Birchway Industrial Drive, and had separately photographed.
7:52
Speaker 2: The interior of the Drummond home.
7:54
Speaker 1: He had then combined those images in the dark room
7:57
Speaker 1: using analog layering, producing prints that placed Julie naturally inside
8:01
Speaker 1: domestic scenes she had never actually occupied. The same fixed
8:06
Speaker 1: expression appeared in every print, a slightly too wide smile,
8:10
Speaker 1: the kind of smile you hold when someone tells you
8:13
Speaker 1: not to move.
8:15
Speaker 2: In a wooden crate.
8:16
Speaker 1: Beneath the developing table, investigators found the originals Sandra Drummond's photographs,
8:22
Speaker 1: removed from their frames, stacked in order, each one labeled
8:27
Speaker 1: in pencil with its location in the house.
8:30
Speaker 2: He had not.
8:30
Speaker 1: Destroyed them, He had archived them. That detail stopped Deputy
8:35
Speaker 1: Sandra Kowalski when she first read the inventory. Not the
8:39
Speaker 1: composites on the drying line. Those were disturbing in an
8:42
Speaker 1: immediate legible way. It was the crate, the pencil labels,
8:47
Speaker 1: the careful organization of another family's memory, sordid and stored,
8:52
Speaker 1: like evidence of something he intended to reverse, or intended
8:56
Speaker 1: to keep. Kowalski interviewed Patrick Drummond the same day Bailey
9:01
Speaker 1: made the discovery. Drummond confirmed he had never replaced any photographs.
9:07
Speaker 1: He confirmed he had never given any one permission to
9:10
Speaker 1: enter the garage. He confirmed the padlock on the garage door.
9:14
Speaker 2: Was not the one he owned.
9:16
Speaker 1: When Kowalski showed him a photograph of the replacement lock,
9:19
Speaker 1: he recognized it as the one that had puzzled him
9:22
Speaker 1: weeks earlier, the one he had noticed and then not pursued,
9:26
Speaker 1: and then not pursued because Price was mid renovation and
9:30
Speaker 1: he had assumed there was a practical reason for it.
9:33
Speaker 2: There was a receipt for.
9:34
Speaker 1: That padlock Price's credit card a hardware store in Crestfall,
9:40
Speaker 1: June of two thousand nineteen. He had purchased the lock
9:43
Speaker 1: the same month he arranged Julie's nanny position. The same
9:48
Speaker 1: month he sublet her former apartment and began paying down
9:51
Speaker 1: her credit card balance. The padlock was not a detail,
9:55
Speaker 1: It was a calendar. There is a particular quality to
9:59
Speaker 1: the moment when sc scattered anomalies resolve into a single pattern.
10:03
Speaker 1: It is not relief. It is something closer to vertigo,
10:06
Speaker 1: the sensation of a floor dropping away beneath the fact
10:09
Speaker 1: you thought was stable. For Deputy Kowalski, that moment came
10:13
Speaker 1: on December first, twenty nineteen, inside a secondary storage unit
10:18
Speaker 1: less than a mile from Millbrook Circle. Price had held
10:21
Speaker 1: his position for nearly four hours.
10:24
Speaker 2: After being confronted.
10:25
Speaker 1: He maintained with consistent calm that the dark room belonged
10:29
Speaker 1: to Drummond, that Drummond had asked him to organize it,
10:33
Speaker 1: that the composite photographs were artistic experiments Drummond had commissioned.
10:37
Speaker 1: He produced no documentation, He cited no witness. He simply
10:42
Speaker 1: repeated the claim in different configurations, watching to see which
10:47
Speaker 1: version produced less resistance. The padlock receipt ended that Kowalski
10:52
Speaker 1: placed it in front of him, his own credit card,
10:55
Speaker 1: his own transaction, dated before he had any documented reason
10:59
Speaker 1: to acts as the garage.
11:01
Speaker 2: He looked at it.
11:01
Speaker 1: For a moment, and then, according to the record, he
11:04
Speaker 1: co operated. The secondary unit held the original Drummond family photographs,
11:09
Speaker 1: Sandra's portraits, Sandra's portraits, the children's school pictures, the hallway images,
11:15
Speaker 1: each one stored in an archival sleeve, each sleeve labeled
11:20
Speaker 1: in pencil. Climate controlled the kind of storage you use
11:24
Speaker 1: when you intend to preserve something indefinitely. He had not
11:27
Speaker 1: been erasing the Drummond family. He had been holding them
11:31
Speaker 1: in suspension while he installed something else in their place.
11:35
Speaker 1: Thomas Fitzgerald, the licensed clinical social worker assigned to Julie
11:39
Speaker 1: after her hospitalization, would later use the phrase identity installation
11:44
Speaker 1: in his February twenty twenty report. The term was his own.
11:48
Speaker 1: It described a process in which one person's documented presence
11:52
Speaker 1: in a space, their image in frames, their name on correspondence,
11:57
Speaker 1: their face in the visual record of a household is
12:00
Speaker 1: systematically substituted for another's, until the substitution becomes the ambient
12:06
Speaker 1: reality of everyone who lives there. The target of that
12:09
Speaker 1: installation was Julie Stewart. She had been in Denton County
12:12
Speaker 1: Hospital the night before Bailey found the dark room acute
12:16
Speaker 1: anxiety episode. She had been struggling for weeks with a
12:20
Speaker 1: feeling she could not fully articulate, a sense that something
12:24
Speaker 1: in the house was slightly wrong in a way she
12:26
Speaker 1: couldn't locate or name, and that her inability to name
12:31
Speaker 1: it confirmed something was wrong with her. Instead, Price had
12:35
Speaker 1: constructed that uncertainty carefully. He had given Diane the vocabulary
12:39
Speaker 1: for it months earlier, anxiety perception issues a tendency to
12:45
Speaker 1: misread situations. When the pattern finally became visible, Julie was
12:50
Speaker 1: not there to see it. She was sedated in a
12:52
Speaker 1: hospital room, and the room she had been living inside
12:55
Speaker 1: for seven months was being photographed by a county surveyor
12:59
Speaker 1: with a cell phone. That asymmetry the fact that Price's
13:03
Speaker 1: system was being dismantled at the precise moment Julie was
13:07
Speaker 1: most isolated from. It is the detail that stayed with
13:10
Speaker 1: Fitzgerald longest. In his report, he noted that the timing
13:14
Speaker 1: of her hospitalization, occurring the night before the discovery, suggested
13:19
Speaker 1: her nervous system had registered something her conscious mind had
13:23
Speaker 1: not yet been permitted to name. The rabbit's insolent schedule
13:26
Speaker 1: had continued without interruption six fifteen in the morning, six
13:31
Speaker 1: fifteen in the evening. Cleo Julie's diabetic rabbit had been
13:35
Speaker 1: dosed on time every day for seven months. That routine
13:40
Speaker 1: had been maintained. It was one of the few things
13:43
Speaker 1: in the house that had not been touched. Picture the
13:46
Speaker 1: garage at four Millbrook Circle in the weeks before Bailey
13:49
Speaker 1: found it, the side door cracked open toward the creek,
13:53
Speaker 1: the smell of developer solution in a space not designed
13:56
Speaker 1: to hold it. Prince hanging on a line in the dark,
14:00
Speaker 1: drying in.
14:00
Speaker 2: The order they were made.
14:02
Speaker 1: The question that organized the entire investigation was simple.
14:06
Speaker 2: What was this for? Not how?
14:08
Speaker 1: The how was documented in the developer trays, the archival sleeves,
14:13
Speaker 1: the padlock receipt, not who. Price's credit card and DNA
14:17
Speaker 1: had answered that. The question was the purpose, and the
14:21
Speaker 1: answer to that question is where the evidence points, in
14:23
Speaker 1: a direction most people don't expect. Walk through the most
14:27
Speaker 1: immediate reading. First, Price was living adjacent to a widower's household,
14:32
Speaker 1: with access to the interior, producing images that placed a
14:36
Speaker 1: younger woman inside the visual record of that family. A
14:39
Speaker 1: straightforward reading suggests a scheme aimed at Drummond. That Price
14:43
Speaker 1: intended to use the altered photographs to establish some false
14:47
Speaker 1: claim of cohabitation or relationship, perhaps for financial or legal purposes.
14:54
Speaker 1: But that version collapses the moment you look at what
14:57
Speaker 1: Price actually did with the composites. He did didn't show
15:00
Speaker 1: them to anyone. He didn't use them in any document.
15:04
Speaker 1: He didn't transmit them, mailed them, or reference them. He
15:08
Speaker 1: hung them on a wall and left them there, or
15:10
Speaker 1: replaced the originals in their frames where they would be
15:13
Speaker 1: seen by exactly one person in her daily movements through
15:17
Speaker 1: the house. Julie Fitzgerald's reconstruction, documented in the February twenty
15:23
Speaker 1: twenty report, moves through the evidence differently. Pryce's primary investment
15:28
Speaker 1: from the moment he met Julie on State Road forty
15:31
Speaker 1: six was in controlling her perception of herself. He paid
15:35
Speaker 1: her debts, arranged her housing, managed her family relationships, and
15:39
Speaker 1: established through careful, repeated communication with Diane and others, that
15:44
Speaker 1: Julie's own observations were not trustworthy. By the time the
15:48
Speaker 1: first photograph appeared on the mantle, he had already spent
15:52
Speaker 1: months building the architecture that would make her doubt the
15:55
Speaker 1: evidence of her own eyes. The composite photographs were not
15:59
Speaker 1: a means to an end.
16:00
Speaker 2: They were the end.
16:02
Speaker 1: What Fitzgerald's report describes is a systematic attempt to make
16:06
Speaker 1: Julie experience herself as already belonging to a life. She
16:10
Speaker 1: had not chosen to see her own face in another
16:13
Speaker 1: family's frames until that image felt more real than her
16:17
Speaker 1: actual history. The wooden crate with Sandra's archived portraits is
16:22
Speaker 1: the most clarifying object in the case. Price did not
16:25
Speaker 1: destroy the originals. He preserved them. That means at some
16:29
Speaker 1: point he intended either to restore them or to have
16:32
Speaker 1: them available as proof that the substitution had occurred.
16:36
Speaker 2: Either way, the crate is.
16:37
Speaker 1: Evidence of planning that extended past the present moment, a
16:40
Speaker 1: system designed to run indefinitely or to be reversed on
16:44
Speaker 1: his terms. The Hendricks County record adds a layer that
16:48
Speaker 1: recontextualizes everything before it. In twenty fifteen, a woman named
16:53
Speaker 1: Brenda Tuttle, thirty one years old at the time, filed
16:56
Speaker 1: a report in Hendrix's County alleging that a man had
16:59
Speaker 1: stolen herself, sub led her apartment without her knowledge, and
17:03
Speaker 1: planted false documents.
17:05
Speaker 2: In her name.
17:06
Speaker 1: She was not believed the case was closed. No suspect
17:10
Speaker 1: was named in that record. In March of twenty twenty,
17:14
Speaker 1: during the processing of evidence collected at Price's December first
17:17
Speaker 1: booking in Denton County, a DNA match flagged a latex
17:21
Speaker 1: glove recovered from behind a baseboard heater in Tuttle's former apartment.
17:26
Speaker 1: The glove had been preserved for nearly four years inside
17:30
Speaker 1: a cold wall cavity. The DNA on it matched Price.
17:33
Speaker 1: The mental photograph was not the beginning. It was not
17:36
Speaker 1: even close. The question that remains, the one Fitzgerald's report
17:41
Speaker 1: leaves deliberately open, is how many spaces Price had moved
17:45
Speaker 1: through before Millbrook's circle, how many routines he had mapped.
17:50
Speaker 1: How many people had looked at something wrong in their
17:52
Speaker 1: own home and decided the problem was with their perception
17:56
Speaker 1: rather than with what they were seeing. Julie Stewart moved
18:00
Speaker 1: moved back to Terre Hate before Christmas of twenty nineteen.
18:04
Speaker 1: She enrolled in trauma informed therapy. The original photographs of
18:08
Speaker 1: Sandra Drummond were returned to their frames in the Drummond House,
18:13
Speaker 1: restored to their labeled locations by investigators who had read
18:16
Speaker 1: the pencil notes in the wooden crate.
18:18
Speaker 2: Cleo came home with Julie.
18:20
Speaker 1: Larry Price was charged with stalking, identity fraud, and unlawful
18:25
Speaker 1: entry in Denton County. Those charges were filed after his
18:28
Speaker 1: cooperation on December first, two thousand nineteen, when the padlock
18:33
Speaker 1: receipt made his four hour denial untenable. The additional charges
18:38
Speaker 1: from Hendricks County were formally attached in March of twenty twenty,
18:42
Speaker 1: following the DNA confirmation, No conviction or sentencing outcome is
18:46
Speaker 1: part of the public record at this time. The Tuttle case,
18:50
Speaker 1: closed without a named suspect in twenty fifteen, was reopened.
18:54
Speaker 1: Brenda Tuttle had been thirty one years old when she
18:58
Speaker 1: described a man who had stole in her savings, sublet
19:01
Speaker 1: her apartment, and planted documents in her name.
19:05
Speaker 2: She had been disbelieved the.
19:07
Speaker 1: Latex glove behind the baseboard heater, preserved four years in
19:11
Speaker 1: a cold wall cavity.
19:13
Speaker 2: Is what changed that.
19:14
Speaker 1: Whether the reopened case produced a verdict is not stated
19:18
Speaker 1: in any available record. Thomas Fitzgerald filed his formal report
19:23
Speaker 1: in February of twenty twenty. The term he used, identity installation,
19:27
Speaker 1: appears in that document as a clinical descriptor for what
19:31
Speaker 1: Price had built at Milbrook Circle. It is not a
19:34
Speaker 1: recognized diagnostic term, yet it describes a method the slow,
19:39
Speaker 1: systematic replacement of one person's presence in a domestic space
19:44
Speaker 1: with another's, executed with enough patience and craft that the
19:48
Speaker 1: target has no reliable way to name what is happening
19:52
Speaker 1: to them. Fitzgerald's report also noted something that had gone
19:56
Speaker 1: unremarked in the initial investigation. Price had begun prepared Julie's
20:00
Speaker 1: family before any photograph was swapped. The messages to Diane,
20:04
Speaker 1: framing Julie as anxiety prone as someone with perception issues,
20:09
Speaker 1: were sent in the first weeks after April. The dark
20:12
Speaker 1: Room Prince came later. The groundwork for disbelief was laid
20:16
Speaker 1: before the deception required it. That sequencing is what makes
20:19
Speaker 1: this case sit differently than a straightforward fraud.
20:23
Speaker 2: Price did not.
20:24
Speaker 1: Just build a false image. He built the conditions under
20:27
Speaker 1: which the false image would be believed and under which
20:30
Speaker 1: the truth would not be Julie Stewart was twenty four
20:34
Speaker 1: years old when she moved into a house where someone
20:37
Speaker 1: had already decided who she would become inside it. She
20:41
Speaker 1: had taken a nanny position because the work was steady
20:44
Speaker 1: and the household needed her.
20:47
Speaker 2: She had brought her rabbit.
20:48
Speaker 1: She had followed the insulin schedule at six fifteen every
20:52
Speaker 1: morning and every evening without missing once, because that was
20:56
Speaker 1: the kind of person she was. She never walked into
21:00
Speaker 1: that garage. The room was built around her absence. There
21:04
Speaker 1: is something in this case that resists easy framing. Price
21:07
Speaker 1: did not use violence. He used time craft and an
21:12
Speaker 1: analog dark room. He used the gap between what a
21:15
Speaker 1: person notices and what they can prove. He used the
21:19
Speaker 1: fact that a woman already known to family as anxious
21:22
Speaker 1: would find it harder to say something in this house
21:25
Speaker 1: is not right. The question Fitzgerald's report leaves open is
21:30
Speaker 1: the one that cannot be closed by.
21:32
Speaker 2: A charge or a DNA match.
21:34
Speaker 1: It is the question of how many people, in how
21:36
Speaker 1: many spaces have looked at something wrong and decided the
21:40
Speaker 1: fault was theirs, how many have adjusted? How many never
21:44
Speaker 1: found a surveyor who followed a chemical smell to a
21:47
Speaker 1: door open four inches. This show is made by Obe Media.