Latest / The Breakfast Club / Wah Gwaan ( Spice and Shaggy)

Transcript

Wah Gwaan ( Spice and Shaggy) · The Breakfast Club

• 0:00
  Speaker 1: This is your week up Hallome Breakfast Club to show
• 0:04
  Speaker 1: you love to hate from the East to the West,
• 0:07
  Speaker 1: Coat d J D Angela Ye, Cholomagne, the ruler show
• 0:11
  Speaker 1: on the planet. This is why I respect this show
• 0:13
  Speaker 1: because this is a voice of society. James in the game.
• 0:15
  Speaker 1: Guys are the coveted morning show. But y'all earned it,
• 0:19
  Speaker 1: exacting the coach. Sure wake up in the morning and
• 0:21
  Speaker 1: as day want to hear that breakfast the world's most
• 0:24
  Speaker 1: dangerous morning show. Good morning Usa yo yo yo yo
• 0:34
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:36
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:37
  Speaker 1: yo yo yo yo. Good morning, Angela Ye, good money.
• 0:42
  Speaker 1: Damn Cholomagne, the guy Peace of the Plane. It is Tuesday, Yes,
• 0:48
  Speaker 1: it's Tuesday. Election Day in New York City. Good morning.
• 0:51
  Speaker 1: That's right, I gotta vote today. World is an election day.
• 0:54
  Speaker 1: Election day can't just be in New York, right, I
• 0:57
  Speaker 1: don't know. I don't know, but it definitely is in
• 1:00
  Speaker 1: in New York City. Have you guys had to get
• 1:02
  Speaker 1: a passport recently? During the pandemic? Money chance, I told you,
• 1:05
  Speaker 1: I told you mine expire and yes I have to
• 1:08
  Speaker 1: get a passport. I have to get it from my
• 1:11
  Speaker 1: too youngest I believe there are about to expire. Yeah,
• 1:15
  Speaker 1: it's a process. I was there all day for about
• 1:17
  Speaker 1: six seven hours get a new passport. Um, it is
• 1:20
  Speaker 1: a long ass process. If you know that your passport
• 1:24
  Speaker 1: is about to expire or you just had a baby,
• 1:27
  Speaker 1: do it through the post office. It takes to how
• 1:30
  Speaker 1: long does it take, Um, it's gonna if you expedite it,
• 1:34
  Speaker 1: it could probably take about four weeks. But if you
• 1:37
  Speaker 1: do it regular take, it'll take like six to eight weeks.
• 1:39
  Speaker 1: But I did mine through the post office and it's
• 1:42
  Speaker 1: very simple. Yeah. I don't know the process with having
• 1:45
  Speaker 1: kids because with the UH I actually had to go
• 1:47
  Speaker 1: Me and my wife had to go to the passport
• 1:49
  Speaker 1: office yesterday. There's a long ass line out there. They're
• 1:52
  Speaker 1: only taking appointments. People are just online praying that they
• 1:56
  Speaker 1: will be seen. There's a lot of people that have
• 1:57
  Speaker 1: family members that passed away overseas and they want to
• 2:00
  Speaker 1: go bury their family members. And it is a process.
• 2:04
  Speaker 1: I was there yesterday one to six six thirty yesterday
• 2:08
  Speaker 1: getting there's a death in the family, they do expediting, Yeah,
• 2:11
  Speaker 1: the death in the family. But if you're like going
• 2:13
  Speaker 1: on vacation. You have to have some type of paperwork
• 2:16
  Speaker 1: to show that you have my coming up. Ye. Yeah,
• 2:18
  Speaker 1: and itinerary which is easy to get, you know. But
• 2:21
  Speaker 1: when are you at the bathroom? Me? No, I'm in
• 2:25
  Speaker 1: my home to show very echo wish this morning. I
• 2:29
  Speaker 1: don't know why, but yeah, I just want to tell
• 2:31
  Speaker 1: you guys, if you gotta, if you have to get
• 2:33
  Speaker 1: a passport, go early, because it's six hours and yesterday
• 2:36
  Speaker 1: was hot. It was it was nasty, but we finally
• 2:38
  Speaker 1: got the passport for my my son, my youngest son.
• 2:41
  Speaker 1: I don't know why they all expire at different times
• 2:44
  Speaker 1: because I got them pretty much all at the same time,
• 2:46
  Speaker 1: but they do so maybe it's age limit. But yeah,
• 2:49
  Speaker 1: it's a process, so definitely do that if you can
• 2:51
  Speaker 1: give yourself a little extra time. Don't don't wait last
• 2:53
  Speaker 1: minute like my dumbass did. Yeah, it's ten years when
• 2:55
  Speaker 1: you get it. It It is when it expires for adults,
• 2:58
  Speaker 1: not for kids, because my son is Oh kids are different.
• 3:01
  Speaker 1: It expired all right, right. Well, I just want to
• 3:04
  Speaker 1: encourage people too. If it's not like an expedited rush
• 3:07
  Speaker 1: that you need to get it, just mail away for it.
• 3:09
  Speaker 1: It was a very simple process. Right, what else we
• 3:11
  Speaker 1: got playing this morning? What else you got this morning?
• 3:13
  Speaker 1: We have Spice and Shaggy joined us this morning. Yes,
• 3:17
  Speaker 1: it's Caribbean heritage a month everybody, Spice and Shaggy. They
• 3:20
  Speaker 1: have this song go down there and it's her with
• 3:23
  Speaker 1: Shaggy and Shampaul on a song together. That's iconica. Guan
• 3:27
  Speaker 1: Bredren all our Caribbean moss about there stop, good mornin.
• 3:31
  Speaker 1: They don't like when you do that. They don't like
• 3:32
  Speaker 1: when we do that. They don't care when Safari does it.
• 3:34
  Speaker 1: The Drake, so why can't I Well, so far as
• 3:37
  Speaker 1: you're making that's true, Drake is Prince patois Champagne, patois, Hey,
• 3:43
  Speaker 1: when you do that, man, Champagne patois, let's get the
• 3:45
  Speaker 1: show cracking front. Pagne's what we're talking about. Yes, and
• 3:48
  Speaker 1: let's talk about your guy. Ronnie O'Neill's he found guilty,
• 3:52
  Speaker 1: all right, Guan he gone, Hegan Bredren, goodness gracious, alright,
• 3:59
  Speaker 1: we'll get to it. Is the Breakfast Club, Go morning,
• 4:02
  Speaker 1: Hey morning, everybody is DJ Envy Angela Ye, Charlomagne the guy.
• 4:06
  Speaker 1: We are the Breakfast Club. Good morning, good morning, what's happening?
• 4:09
  Speaker 1: Happy Tuesday, let's get in some front page news. Now playoffs.
• 4:13
  Speaker 1: There was no game last night, but tonight the Clippers
• 4:15
  Speaker 1: take on the Suns at nine pm. Now his sons
• 4:18
  Speaker 1: lead the series one. Oh yeah, I was confused last
• 4:21
  Speaker 1: night because I turned the tt NBA playoff but it
• 4:24
  Speaker 1: was a final. But it was a cartoon on last night.
• 4:27
  Speaker 1: She'sam Sheasam was on. I turned. Yeah, it was a cartoon.
• 4:30
  Speaker 1: I thought so too. Now also, yeah, you're back, damn it. Man.
• 4:34
  Speaker 1: All right, let's do the front page without us. So um.
• 4:38
  Speaker 1: Ronnie O'Neill. Now, if you don't remember Ronnie O'Neill, he
• 4:41
  Speaker 1: was charged of killing his girlfriend daughter and trying to
• 4:44
  Speaker 1: kill his son. He was his own attorney. He's definitely
• 4:48
  Speaker 1: a character from The Bone. Doctor Aaron McGruder created this character.
• 4:52
  Speaker 1: I don't care what nobody says. Yes, and he had
• 4:54
  Speaker 1: to actually, uh cross examined his son. We have audio
• 4:56
  Speaker 1: some of the stuff that he was saying on him
• 4:59
  Speaker 1: cross examining. How are you doing? Run? That's what I say.
• 5:02
  Speaker 1: It's good to see you, man. Did you see me
• 5:07
  Speaker 1: shoot your mom? Did I hurt you that night of
• 5:13
  Speaker 1: this incident? Yes? I did? And how did I hurt you.
• 5:20
  Speaker 1: Damn it, I really hit the traumatizing that little boy.
• 5:23
  Speaker 1: I mean, number one, he got to relive the experience
• 5:25
  Speaker 1: of that night, but number two, he got to sit
• 5:26
  Speaker 1: there and talk to his dumbass daddy and caught about
• 5:29
  Speaker 1: the experience. Well, after all that, he confessed, they committed
• 5:34
  Speaker 1: criminal act against me with the nine one one call
• 5:39
  Speaker 1: and that problem of video that it just showed y'all
• 5:42
  Speaker 1: you heard Kalil Brown, He said that he was actually
• 5:46
  Speaker 1: sure that I only hit y'all baron three times. They
• 5:51
  Speaker 1: didn't call Kalil Brown to tell you that I did.
• 5:56
  Speaker 1: You have to ask yourself why that is, because I
• 5:59
  Speaker 1: want you to know that. But I want you to
• 6:05
  Speaker 1: tell I really want to know what Ronnie O'Neill was
• 6:10
  Speaker 1: trying to accomplish, Like why did he waste everybody's time
• 6:13
  Speaker 1: playing like he literally went up there playing knowing damn well,
• 6:16
  Speaker 1: he committed the murders and didn't even give a compelling
• 6:18
  Speaker 1: case as to why he's not guilty. Yeah, he basically said,
• 6:22
  Speaker 1: I did it, but I didn't do it like that. Yeah,
• 6:24
  Speaker 1: But why I put your son through that? If you're
• 6:26
  Speaker 1: gonna confess it sounds like a sociopath like, no, No,
• 6:29
  Speaker 1: it's more than a sociopath. That's a great cycle, my goodness.
• 6:32
  Speaker 1: All right, and lastly, I'll call Nassa. He becomes the
• 6:37
  Speaker 1: first NFL player to come out as gay to be
• 6:39
  Speaker 1: actively playing. Do we have audio? What's all people, I'm
• 6:42
  Speaker 1: Carl Nassa. I'm at my house here in Westchester, Pennsylvania.
• 6:45
  Speaker 1: I just want to take a quick moment to say
• 6:46
  Speaker 1: that I'm gay. I've been meaning to do this for
• 6:48
  Speaker 1: a while now, but I finally feel comfortable enough to
• 6:50
  Speaker 1: get it off my chest. I really have the best life.
• 6:52
  Speaker 1: I got the best family, friends and job a guy
• 6:55
  Speaker 1: could ask for. I'm a pretty private person, so I
• 6:59
  Speaker 1: hope you guys know that I'm really not doing this
• 7:00
  Speaker 1: for attention. I just think that representation and visibility are
• 7:04
  Speaker 1: so important. And drop on a clues BOMs from my
• 7:07
  Speaker 1: guy call man. Call is a good human man. Call
• 7:12
  Speaker 1: is a great friend of someone I consider family. Man,
• 7:16
  Speaker 1: kick through it, call a couple of times, calls a
• 7:18
  Speaker 1: good brother man. All right, Well, that is your front
• 7:20
  Speaker 1: page news. Now get it off your chest. Eight hundred
• 7:24
  Speaker 1: five eight five one oh five one. If you need
• 7:26
  Speaker 1: to vent, hit us up right now. Maybe at a
• 7:28
  Speaker 1: bad night bad morning. Maybe you want to spread some positivity.
• 7:30
  Speaker 1: Whatever it is full line to wide open. Eight hundred
• 7:33
  Speaker 1: five eight five one oh five one is the breakfast
• 7:35
  Speaker 1: Club on the morning, the breakfast Club. Wake up, wake up,
• 7:41
  Speaker 1: wake y'all your time to get it off your chest
• 7:46
  Speaker 1: with your man of black. We want to hear from
• 7:48
  Speaker 1: you on a breakfast club. Hello. Who's this hey, breakfast club?
• 7:52
  Speaker 1: It is Chris out of Toledo. Chris, Chris. What's happening king?
• 7:55
  Speaker 1: Get it off your chest, bro, breakfast Club. I called
• 7:58
  Speaker 1: y'all about two weeks ago telling y'all about a house
• 8:00
  Speaker 1: that I bought with a new program for no money
• 8:04
  Speaker 1: down on the house. Look, when I called y'all, I
• 8:07
  Speaker 1: did not shout out my baby mama. So I want
• 8:10
  Speaker 1: to take some time and shout her out. Her name
• 8:13
  Speaker 1: is Jamie's fantastic mother and her Father's Day. She got
• 8:16
  Speaker 1: me tickets to go to an NFL game. It was beautiful.
• 8:19
  Speaker 1: That's dope. Clearly she don't have you on child's sport
• 8:21
  Speaker 1: does Ain't nobody calling a bit shot now? They baby Mama?
• 8:23
  Speaker 1: I got him on child's board. Oh we lived together, man, She's,
• 8:27
  Speaker 1: like I said, great mother. Everything else. I love about
• 8:30
  Speaker 1: her congratulation. Want to give her donkey of the day.
• 8:33
  Speaker 1: Oh both, okay? Go? Why yo? Sorry? Baby? I love you.
• 8:38
  Speaker 1: But she got upset because I didn't shout her out
• 8:41
  Speaker 1: and she has problems with trusting me. I've given her
• 8:44
  Speaker 1: literally no reason not to trust me. You're a liar,
• 8:47
  Speaker 1: goes through my phone. I swear to God, no reason
• 8:50
  Speaker 1: that something. No, I didn't do a damn thing. That's
• 8:54
  Speaker 1: why I'm confused. That's why I'm giving her donkey of
• 8:57
  Speaker 1: the day. Okay, don't trust me, she don't believe me.
• 9:00
  Speaker 1: Love it now. I love you, baby. We don't get
• 9:02
  Speaker 1: married one day. Let me tell you something. I hate
• 9:04
  Speaker 1: to be the guy to say this to you, but
• 9:06
  Speaker 1: if she's having trusted you, she might be cheating on you, bro,
• 9:09
  Speaker 1: and that guilt might be her up. I'm just saying
• 9:11
  Speaker 1: that guilt might be eating her up. Bro. Have you
• 9:14
  Speaker 1: thought about that already? Yeah? You know? All right? We
• 9:17
  Speaker 1: got conversation to have. Thanks peace King. Hello, who's this? Hey?
• 9:22
  Speaker 1: What's up? Real? Hey? Dal what's up? Brother? Get it
• 9:26
  Speaker 1: off your chest? Hey man, I gotta I got two
• 9:28
  Speaker 1: parts to get it off much go. My one part
• 9:30
  Speaker 1: is I have a daughter who found exactly like you.
• 9:34
  Speaker 1: And guess what her next is? Mine? Angela? Her government
• 9:37
  Speaker 1: name am I slash eight light? What do that mean? Nothing? Okay, right,
• 9:47
  Speaker 1: all right, what's the other thing? Heyby turn your creddy guy.
• 9:51
  Speaker 1: I have a I have a couple of things on
• 9:53
  Speaker 1: my plate. I paid it off four or five years
• 9:55
  Speaker 1: or so, and it doesn't have about three years three
• 9:58
  Speaker 1: four years ago. We're still there, right. My credit for
• 10:00
  Speaker 1: was like seven forty seven. Fix. It's not hurting my credit,
• 10:03
  Speaker 1: but it hurts you big business. Still, I'm trying to
• 10:06
  Speaker 1: I'm trying to do it. The banks they always come
• 10:07
  Speaker 1: back and say, yeah, well you know exactly things, and uh,
• 10:12
  Speaker 1: I can't get him off. I tried everything to get
• 10:14
  Speaker 1: him off. Okay, well you hit him up? Is is
• 10:17
  Speaker 1: Instagram is at the credit dude. He does an amazing job.
• 10:21
  Speaker 1: The reason I like him, and I tell everybody the
• 10:22
  Speaker 1: reason I like him is he charges for what he
• 10:24
  Speaker 1: takes off your credit. So if you can't get nothing
• 10:26
  Speaker 1: off your credit and he worked five years on your credit,
• 10:28
  Speaker 1: he charges you nothing. That's why I like him. But yeah,
• 10:31
  Speaker 1: definitely check him out. He's helped my credit. I think
• 10:33
  Speaker 1: drop him here. He did your credit to no, he
• 10:34
  Speaker 1: needn to do your credit. But yeah, he helped helped
• 10:36
  Speaker 1: a lot of people with their credit make sure that
• 10:38
  Speaker 1: their credit shoots up. So definitely hit him up. Is
• 10:40
  Speaker 1: at the credit due? All right? The last thing, hey, Envy,
• 10:44
  Speaker 1: so check out my want to come. I want you
• 10:45
  Speaker 1: to come down with St. Louis. I got a construction
• 10:47
  Speaker 1: company down here, man, Go on my Facebook. Is they
• 10:50
  Speaker 1: all beat on our l Willie and come down the
• 10:53
  Speaker 1: let some property down here. You bor on my Facebook
• 10:55
  Speaker 1: and see what I do. All right, some deals out there?
• 10:57
  Speaker 1: All right? Hit me on the um dam and send
• 10:59
  Speaker 1: me some. But if we can link up, if youve
• 11:01
  Speaker 1: got a construction company that that that's good. Yeah we
• 11:03
  Speaker 1: could talk. I would love to. Brother, look on my Facebook,
• 11:07
  Speaker 1: and I've been trying to hit you up here. You
• 11:09
  Speaker 1: got your time to get ahold of man. I'm working, man,
• 11:12
  Speaker 1: I'm trying to stay bus They've got five kids and
• 11:13
  Speaker 1: one on the way. Brother, I'm just trying to stay.
• 11:15
  Speaker 1: I'm trying to create legacy for my kids. Man. That's
• 11:17
  Speaker 1: why when you catch them you gotta kiss them. Stop
• 11:19
  Speaker 1: it man, Why no, no, goodbye? Man? No, I don't
• 11:21
  Speaker 1: even know. Why does it always kiss him huh. Why
• 11:25
  Speaker 1: can't you say? Why can't brother show love? Why can't
• 11:28
  Speaker 1: brothers show love? Did you kiss me this morning? No?
• 11:30
  Speaker 1: But I catch you every morning. I don't need to
• 11:32
  Speaker 1: kiss you. Get it off your chest? Five ain't five
• 11:35
  Speaker 1: one on five one. If you need to vent, hit
• 11:37
  Speaker 1: us up now. It's the breakfast Club. Good morning. The
• 11:39
  Speaker 1: Breakfast Club is your time to get it off your chests,
• 11:46
  Speaker 1: whether you're man or blast, so you better have the
• 11:49
  Speaker 1: same and we want to hear from you on the
• 11:51
  Speaker 1: breakfast Club. Hello. Who's this? Yeah? Hello? Hello? Yes, guys,
• 11:56
  Speaker 1: what's going on? Man the short Stone? What's up? Brother? Hey,
• 12:01
  Speaker 1: I'm blessing man. Man, I already trying to start jam. Mind.
• 12:04
  Speaker 1: You need that liquor, you need that lical health. Man,
• 12:06
  Speaker 1: I need a local help. I need a local help
• 12:09
  Speaker 1: while you starting liquor, liquor letot lecal health and just
• 12:13
  Speaker 1: and I just big of shocking, you know what I mean?
• 12:15
  Speaker 1: Shot and spice. You don't know. Maybe on later, brad Rain,
• 12:20
  Speaker 1: what are you listening? Maybe a later Bradwin. Oh, they're
• 12:24
  Speaker 1: beyond later. Yeah, she'd be back in a local while
• 12:32
  Speaker 1: our broadcast. Bradren, Oh, listen, listen. I just want to
• 12:36
  Speaker 1: shout out one of my co workers, because I just
• 12:38
  Speaker 1: twitched my job to Waste Management, and I want to
• 12:40
  Speaker 1: shout out cliff you know what I mean for helping
• 12:43
  Speaker 1: me out on my route. Man, You're a good dude. Yeah,
• 12:45
  Speaker 1: Cliffords are good to him. Man. He listened to The
• 12:47
  Speaker 1: Breakfast Club all the time. Man, he was shot that
• 12:49
  Speaker 1: I was working at Waste Management. He was like, Yo,
• 12:51
  Speaker 1: you show starting that called the Breakfast Club. You know
• 12:53
  Speaker 1: you're famous, right, I'm like, no, I'm not a brother,
• 12:56
  Speaker 1: I'm just a regular dude. Lute the cliff Man. Yeah,
• 13:00
  Speaker 1: one more thing, just Jayard. Jayard in Atlanta says that
• 13:05
  Speaker 1: he wanted to challenge Nicky from Michigan to a rap battle.
• 13:08
  Speaker 1: But let we need to make that happen. They can
• 13:10
  Speaker 1: do that. Good luck to that man, let us know
• 13:12
  Speaker 1: who wins. Ever, going, Hello, who's this Chris? What's your name? Chris? Chris?
• 13:17
  Speaker 1: All right, Chris, get it off at chess broy and
• 13:20
  Speaker 1: I got a bone to pick with you, man. The
• 13:22
  Speaker 1: other day, wrong and fashion and Airbnb saying that hotels
• 13:27
  Speaker 1: are safely but that's really not true. You were saying
• 13:31
  Speaker 1: that airbnbs use a lot of hard keys, and you
• 13:35
  Speaker 1: know people can make copies. Well, we actually use digital
• 13:38
  Speaker 1: locks and we changed the cold every time a new
• 13:41
  Speaker 1: guests would come. As I was he was reporting the story.
• 13:46
  Speaker 1: He was reporting the story about a couple who I
• 13:49
  Speaker 1: believe we got a lady that got raped in the
• 13:51
  Speaker 1: city that they were using hard keys. I said, I
• 13:53
  Speaker 1: don't use airbnbs for myself because I like different forms
• 13:56
  Speaker 1: of protection. The first form of protection is the lobby,
• 13:58
  Speaker 1: second form of protection is the elevated key to get
• 14:00
  Speaker 1: un elevated, and the third one is my dough. That's
• 14:02
  Speaker 1: just me personally. I don't do Airbnb's. There's a lot
• 14:04
  Speaker 1: of people that do that's cool. I just don't do it. Yeah,
• 14:07
  Speaker 1: but every hotel doesn't have that. I mean I could
• 14:09
  Speaker 1: walk into a hotel right now, get on the elevator
• 14:11
  Speaker 1: and walk up to a rum and knocks on the door.
• 14:13
  Speaker 1: Every right, every hotel, but the hotels that I stay at,
• 14:16
  Speaker 1: I make sure that there is a guy the lot
• 14:19
  Speaker 1: of you got to use the key to getting elevated
• 14:21
  Speaker 1: in the key. That's that's the one that I said.
• 14:22
  Speaker 1: But that's for my safety. Though I try, I got you,
• 14:24
  Speaker 1: but you was fashion. I was saying, you know that
• 14:26
  Speaker 1: we wasn't safe and all that, But I just want
• 14:29
  Speaker 1: people to know that airbnbds are safe. It's no hard keys,
• 14:33
  Speaker 1: you know, because you was pushing that kind of hall.
• 14:36
  Speaker 1: But they're all hard keys at some airbnbs. Absolutely, they
• 14:39
  Speaker 1: are are smart keys, not ones and not the laws
• 14:41
  Speaker 1: that I don't know. I've never came across the airbnb
• 14:44
  Speaker 1: were hard keys at all. And I'm a toop for holes. Man,
• 14:46
  Speaker 1: I've been doing this for four years now. There's some
• 14:48
  Speaker 1: hard keys around. I know a lot of people like that.
• 14:50
  Speaker 1: They got to get the actual key to get in.
• 14:52
  Speaker 1: But that's just me. I don't stand them. It might change,
• 14:55
  Speaker 1: but for me right now, I just I'm all with protection.
• 14:58
  Speaker 1: But I got five kids and I'm the same man.
• 15:00
  Speaker 1: I mean, the same thing happened at a hotel I
• 15:02
  Speaker 1: worked in. Man, what are y'all arguing about? Man? Anybody
• 15:06
  Speaker 1: anybody can get got anywhere. The only thing you should
• 15:08
  Speaker 1: be able to do is, uh, you know, create the
• 15:10
  Speaker 1: proper precautious for yourself. Charlotte. Man, I'm just waking to
• 15:13
  Speaker 1: show that he don't mess up AIRBNC business, especially mine,
• 15:17
  Speaker 1: you know, true, true, We'll say that, say that, bro.
• 15:21
  Speaker 1: There you go. Well, let's I understand that. Just say
• 15:24
  Speaker 1: one more thing, too, one more thing. Tell us the
• 15:26
  Speaker 1: terrified of Airbnb, they terrified, crop they are they should
• 15:31
  Speaker 1: be have a good day, King, say see your thing.
• 15:34
  Speaker 1: Just call Don't let your wounds talk, bro, don't let
• 15:36
  Speaker 1: your paint talk. Just call a pan Say what you
• 15:38
  Speaker 1: really upset about? Get it off your chest? Ain't undred
• 15:42
  Speaker 1: five a five one on five one got ye's back.
• 15:44
  Speaker 1: We got rumors on the way. Yes, he painted talking
• 15:47
  Speaker 1: about a jog period in his life. Find out why
• 15:49
  Speaker 1: he suffered from depression and who was the person that
• 15:52
  Speaker 1: actually kickstarted that depression. All right, we'll get into that next.
• 15:55
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Listen,
• 16:03
  Speaker 1: Oh gosh, it's club. Well. T Payne was talking on
• 16:14
  Speaker 1: the Netflix series This Is Popping. He talked about falling
• 16:16
  Speaker 1: into a deep depression after being told that his album
• 16:20
  Speaker 1: messed up music forever. Here's what t Payne had to say.
• 16:24
  Speaker 1: He was like, man, I want to say something. Man,
• 16:25
  Speaker 1: he's not real concerned. He was like, man, you kind
• 16:28
  Speaker 1: of kind of up music. I didn't understand. Usher was
• 16:33
  Speaker 1: my friend. It was like, Noah, man, you really like
• 16:37
  Speaker 1: you really up music for real? Singers. Literally at that point,
• 16:40
  Speaker 1: I couldn't listen is he right? Music? And I don't
• 16:46
  Speaker 1: even think I realized this for a long time. That's
• 16:48
  Speaker 1: the very moment that started like a four year depression
• 16:52
  Speaker 1: for me. This is a great topic of conversation because
• 16:56
  Speaker 1: I will always respect honesty, but I think we have
• 16:58
  Speaker 1: to remember that honesty without compassion is cruelty. You know,
• 17:03
  Speaker 1: honesty without empathy is brutality. And that's a harsh lesson
• 17:06
  Speaker 1: that you know, I've had to learn in my life
• 17:07
  Speaker 1: because you say things and in your mind you just
• 17:09
  Speaker 1: being honest with them. Later on you find out you
• 17:10
  Speaker 1: have traumatized an individual. And I know that wasn't us
• 17:13
  Speaker 1: she's intention, but I would just encourage everyone that when
• 17:15
  Speaker 1: you're being honest, have compassion, When you're being honest, have empathy. Yeah.
• 17:20
  Speaker 1: That's tough man for him to even be able to
• 17:22
  Speaker 1: admit that, and he didn't even realize it his damn self, Like,
• 17:24
  Speaker 1: am I depressed right now? And I guess looking back,
• 17:27
  Speaker 1: he's like, you know what I really was? And also
• 17:30
  Speaker 1: that's just Usher's perspective, which I would like to hear
• 17:32
  Speaker 1: more of because I don't know how you know, auto
• 17:35
  Speaker 1: tune would mess the game of the real singers, because
• 17:38
  Speaker 1: to me, it's about the song. You got real singers
• 17:41
  Speaker 1: who make trash songs, you got folks with auto tune
• 17:43
  Speaker 1: who make dope songs. You got real singers who make
• 17:45
  Speaker 1: dope songs, people with autotune who make trash songs. Saying
• 17:48
  Speaker 1: te paying ft up music for real singers. I'd like
• 17:50
  Speaker 1: to know how Remember during that time, auto tune was everything,
• 17:52
  Speaker 1: and people that couldn't sing were making smashes and couldn't
• 17:55
  Speaker 1: sing with using autotune to fix their voice. So you
• 17:56
  Speaker 1: didn't have to sing to be a singer at that time. Yeah,
• 18:00
  Speaker 1: but how did that stop real singers? If you're doping,
• 18:02
  Speaker 1: you got a dope songs and reals. I'm sure that
• 18:03
  Speaker 1: if we go back to that era, there was plenty
• 18:05
  Speaker 1: of real singers who had songs all on the top
• 18:07
  Speaker 1: of the charts, and there's people that couldn't Right after that.
• 18:11
  Speaker 1: Right after that, jay Z went in also with the
• 18:13
  Speaker 1: death of auto tune and all of that, so I'm
• 18:15
  Speaker 1: sure everybody was piling on at once too. You didn't
• 18:17
  Speaker 1: have to be able to sing at that time to
• 18:19
  Speaker 1: make a hit. It was just you could just But
• 18:21
  Speaker 1: I agree, but how does that mess the game up
• 18:23
  Speaker 1: for real singers? If a real singer still has a
• 18:26
  Speaker 1: dope song, he would still he or she would still
• 18:28
  Speaker 1: cut through, Because if you're a real singing you feel
• 18:30
  Speaker 1: like that's their way of cheating to get to where
• 18:32
  Speaker 1: you at. What people? Can you care? What everybody else doing?
• 18:35
  Speaker 1: The talent a voice, they've been training their voice for
• 18:37
  Speaker 1: years and then all of a sudden that shouldn't stop
• 18:40
  Speaker 1: you stop cares. I bet you, I bet you. If
• 18:44
  Speaker 1: y'all go back and looked at that time, there was
• 18:46
  Speaker 1: real singers at the top of the charts. Okay, yeah,
• 18:48
  Speaker 1: but there was a lot of people that couldn't sing.
• 18:51
  Speaker 1: My point is, if you're a real singer, what does
• 18:52
  Speaker 1: it matter with everybody? If you're a real singer, you
• 18:54
  Speaker 1: can't because you really can't sing, and you're doing exactly
• 18:57
  Speaker 1: what I am by you're getting help. I don't see
• 18:58
  Speaker 1: how that would kill any real singers. Even real singers
• 19:00
  Speaker 1: started using autotune. That was like Chris Brown started using
• 19:03
  Speaker 1: autotune and things like that, and Chris Brown is sings
• 19:05
  Speaker 1: as That's what he's saying is that that became like
• 19:08
  Speaker 1: the popular sound of the moment, So everybody started trying
• 19:11
  Speaker 1: to hop on it. Even those who can see that
• 19:14
  Speaker 1: makes sense. All right. Now, let's talk about Pastor Carl
• 19:17
  Speaker 1: Lanzon Hillsong Churts. It was reported yesterday that Discovery Plus
• 19:22
  Speaker 1: is moving forward with the three episode docuseries focusing on
• 19:25
  Speaker 1: the mega church and Pastor Carl Lentz, the former pastor
• 19:28
  Speaker 1: Carl Lentz. It's called Breaking Hillsong. It's going to take
• 19:31
  Speaker 1: a closer look at the controversy surrounding that church that's
• 19:33
  Speaker 1: known for its celebrity attendees. Should be interesting to watch.
• 19:38
  Speaker 1: I would think Hillsong Churts, Pastor Carl Lentz and all
• 19:40
  Speaker 1: the drama that happened with that, all right, And congratulations
• 19:45
  Speaker 1: to Naturi not and she got her own day in
• 19:48
  Speaker 1: New York. She posted on Instagram that she is still
• 19:51
  Speaker 1: in awe to be recognized by Mayor Bill de Blasio
• 19:54
  Speaker 1: and First Lady Charlene McCrae with this proclamation. Here's what
• 19:57
  Speaker 1: you had to say. And I think about my vow,
• 20:01
  Speaker 1: my vowe as an actress, as an entertainer, I am
• 20:04
  Speaker 1: more than that. I am a living example of my
• 20:07
  Speaker 1: ancestors wildest dreams. I am the example of hope, endurance, inspiration,
• 20:15
  Speaker 1: a girl who rarely takes no foreign answer, and those
• 20:18
  Speaker 1: who know me, I know how I get there. Engagelations
• 20:24
  Speaker 1: June eighteenth is officially Nitary not in day Dope great
• 20:29
  Speaker 1: All right now, Ben Diesel has confirmed that Cardi B
• 20:31
  Speaker 1: will be back for Fast and Fury is ten. Here's
• 20:35
  Speaker 1: what he tells Entertainment tonight. Please tell me that we're
• 20:37
  Speaker 1: going to get to continue a little bit of her storyline.
• 20:40
  Speaker 1: We are. We are very much excited to evolve her
• 20:44
  Speaker 1: character and to expand it to the finale. She made
• 20:47
  Speaker 1: it just in time. Yeah, Justin said, she's been there
• 20:49
  Speaker 1: the whole time. This is just the first time we're
• 20:51
  Speaker 1: seeing her. She's been around. That's very, very true. I
• 20:55
  Speaker 1: love that. Man sounds to me like somebody about to
• 20:56
  Speaker 1: get their own spinoff movie. They developing the character like
• 21:00
  Speaker 1: dope boy. If body get a spin off movie from
• 21:02
  Speaker 1: Fast and Furious before Tyrese Tyres gonna have a fit. Listen,
• 21:06
  Speaker 1: it only makes sense. I would love to see her
• 21:07
  Speaker 1: get her own spinoff. Absolutely, she working on her own movie. Now,
• 21:12
  Speaker 1: I forgot what what was that movie she was doing
• 21:14
  Speaker 1: with Paramount? I forgot what it is? Well, that is
• 21:17
  Speaker 1: your rumor reports? Are they gonna cap fast and furious?
• 21:19
  Speaker 1: Are they just gonna keep going with it? The last
• 21:21
  Speaker 1: one I thought there was two more. Finally this one,
• 21:25
  Speaker 1: I think it's nine and then ten. Right, I can't
• 21:27
  Speaker 1: see them stopping it though, Like you said, spinoffs, but
• 21:30
  Speaker 1: it's bringing in too much damn money. All right, Well,
• 21:33
  Speaker 1: we got front pages was next? What we're talking about? Yes?
• 21:36
  Speaker 1: And how is everybody getting COVID nowhere? They've done some
• 21:39
  Speaker 1: studies to see how these spikes and cases are happening.
• 21:43
  Speaker 1: Who are these spreaders? Right now? All right, we'll get
• 21:45
  Speaker 1: into that. Next. It's the Breakfast Club. Good morning, Breakfast
• 21:51
  Speaker 1: Club Angela yet here? And did you know that the
• 21:57
  Speaker 1: General Insurance has been saving people money for nearly sixty years.
• 22:01
  Speaker 1: That's a long time. So if you want the quality
• 22:03
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• 22:06
  Speaker 1: the General eight hundred General or visit the General dot com.
• 22:09
  Speaker 1: Some restrictions apply. Morning. Everybody is DJ Envy Angela yee,
• 22:15
  Speaker 1: Charlomagne the guy we are to Breakfast Club. Good morning.
• 22:17
  Speaker 1: Let's get in some front page news. Start with NBA
• 22:21
  Speaker 1: with no games last night and no TNT did say
• 22:23
  Speaker 1: that was Kames last night because I went to check
• 22:25
  Speaker 1: on my new playing cham was on now for me
• 22:27
  Speaker 1: it was some type a minion cartoon. But tonight the
• 22:31
  Speaker 1: club was Take on the Suns nine pm. The Suns
• 22:33
  Speaker 1: lead that series. I'm not sure. I still might be
• 22:37
  Speaker 1: cold protocol. I'm not sure yet. All right, what else
• 22:39
  Speaker 1: we got you? All right? Well, they're saying that kid's
• 22:42
  Speaker 1: birthday parties may be partly to blame for increased coronavirus transmissions,
• 22:46
  Speaker 1: according to a new study. They gathered private health insurance
• 22:50
  Speaker 1: data from two point nine million US households and in
• 22:53
  Speaker 1: counties with high rates of transmissions, they said that most
• 22:55
  Speaker 1: households were thirty one percent more likely to test positive
• 22:58
  Speaker 1: for the virus within two weeks after someone had a birthday.
• 23:01
  Speaker 1: So if it was a child's birthday, there were fifteen
• 23:03
  Speaker 1: point eight more positive coronavirus tests per ten thousand people
• 23:07
  Speaker 1: than in households that didn't. Chris Paul is out by
• 23:12
  Speaker 1: the way, But all right. They're also saying there maybe
• 23:15
  Speaker 1: trouble ahead. There's a dangerous COVID nineteen variant that it
• 23:18
  Speaker 1: is causing hospitalization spikes in a Missouri city. So health
• 23:21
  Speaker 1: officials are trying to convince people who are still hesitant
• 23:25
  Speaker 1: to get vaccinated. But they're saying it's been really tough
• 23:28
  Speaker 1: for people to go and get vaccinated. Now, they said
• 23:30
  Speaker 1: the country is close to that seventy percent, where at
• 23:33
  Speaker 1: sixty five point four of adults having received at least
• 23:35
  Speaker 1: one dose, but demands and vaccination rates have declined, so
• 23:39
  Speaker 1: experts are worried if enough of the population will be
• 23:41
  Speaker 1: vaccinated in time to curb fall and winter surges. So
• 23:44
  Speaker 1: does the vaccination fight against the variant? Yes, okay, yes,
• 23:51
  Speaker 1: it does, all right. Now, Facebook has a new clubhouse
• 23:53
  Speaker 1: competitor that is starting to roll out in the US,
• 23:56
  Speaker 1: and that's available now. It's live audio rooms, and they
• 24:00
  Speaker 1: did announce here'll be some US based public figures as
• 24:02
  Speaker 1: well as certain groups who can start hosting rooms through this.
• 24:05
  Speaker 1: Anybody can be invited up as a speaker, with up
• 24:08
  Speaker 1: to fifty people able to speak at once. There is
• 24:10
  Speaker 1: no calf on the number of listeners allowed in which
• 24:13
  Speaker 1: you know there is a cap at clubhouse. They do
• 24:15
  Speaker 1: impost room sized limitations. They also have notifications when your
• 24:19
  Speaker 1: friends are followers join the room. They have live captions.
• 24:21
  Speaker 1: They'll be a raise a hand button if you want
• 24:23
  Speaker 1: to join the conversation and reactions will be available to
• 24:26
  Speaker 1: interact throughout the chat. Imagine your old last family members
• 24:29
  Speaker 1: on Facebook arguing like they do on Clubhouse. Imagine your
• 24:33
  Speaker 1: daddy and your uncles and your aunts and your Grandma's
• 24:35
  Speaker 1: on Facebook just going at it on Facebook. It seemed
• 24:40
  Speaker 1: like it started a big, huge sparking and I don't
• 24:43
  Speaker 1: hear nobody really talking about I have no idea. I've
• 24:45
  Speaker 1: never been on Treehouse ever in my life. All Right, well,
• 24:49
  Speaker 1: I will say there's a lot of people on Facebook.
• 24:51
  Speaker 1: Let's be clear, there's a lot of shows that are
• 24:52
  Speaker 1: thriving on Facebook. So Facebook is also making podcasts available
• 24:56
  Speaker 1: on the platform, and people will be able to listen
• 24:59
  Speaker 1: to podcasts through either a mini player or a full
• 25:01
  Speaker 1: screen player with various playback controls and the ability to
• 25:04
  Speaker 1: listen while the screen is off. You'll also be able
• 25:06
  Speaker 1: to find shows on specific podcast creators pages as well
• 25:09
  Speaker 1: as in the news feed, and you can react, comment, bookmark,
• 25:12
  Speaker 1: and share your favorites as well. So they probably feel
• 25:14
  Speaker 1: like there's so many people on Facebook. Why not? It
• 25:17
  Speaker 1: makes perfect sense. I mean, we live in an era
• 25:18
  Speaker 1: where you have to go where the people are you
• 25:21
  Speaker 1: just do. Yeah. So I'll be hosting some live audio
• 25:26
  Speaker 1: rooms as well, so make sure you'll stay tuned for that.
• 25:29
  Speaker 1: All right, and that is your front page news. All right,
• 25:31
  Speaker 1: thank you, Miss Wagwan bredren All, Mike cal Ribbian math.
• 25:35
  Speaker 1: What's the mouth? Ye? It is Caribbean heritage, Caribbean heritage. Goodness. Okay,
• 25:41
  Speaker 1: who we got? Who we got coming up? Spice, we'll
• 25:44
  Speaker 1: be joining us. We got my girl Spice coming up.
• 25:49
  Speaker 1: We got Shaggy coming up, you know, Saggie. It's executive
• 25:52
  Speaker 1: producing Spice's album. I'm really excited for I can't believe
• 25:55
  Speaker 1: that this is Spice's first album. She's living around for
• 25:59
  Speaker 1: so long. She's been around for a little minute, ten years,
• 26:03
  Speaker 1: she's been around, so it's exciting to me and she
• 26:06
  Speaker 1: deserves it. Super talented. She's also on Love and hip Hop,
• 26:09
  Speaker 1: but I like how she represents herself on that show,
• 26:11
  Speaker 1: and I'm really excited for her album. Both my wife,
• 26:15
  Speaker 1: who's you're making have part jamaking it, and my manager,
• 26:18
  Speaker 1: who's full jaremaking, says, why does that yankee still do
• 26:21
  Speaker 1: that all the time? That yankee your yankee yankee him
• 26:25
  Speaker 1: call me Champagne patois that's my knee. Taken that from
• 26:29
  Speaker 1: Drake Champagne. Patois my good. Spice and Shaggy when we
• 26:33
  Speaker 1: come back, don't move. It's the Breakfast Club. Good morning,
• 26:35
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee,
• 26:42
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got
• 26:45
  Speaker 1: a special guest in the buildings, a special guests. Yes,
• 26:47
  Speaker 1: we have Spice and Shaggy right morning, Spice be on Instagram,
• 26:54
  Speaker 1: wilding on Wilding, making limb burn bed. I'll be one
• 27:02
  Speaker 1: of them, that one guy that'd be. You got like
• 27:05
  Speaker 1: a stable of dudes. You just be whiling off. No,
• 27:08
  Speaker 1: I just specked them from the audience when I performed
• 27:10
  Speaker 1: Oh got You, got You in the audience for the
• 27:12
  Speaker 1: weakest link identify, I can identify them. Okay, okay, why
• 27:21
  Speaker 1: do you identify a weak man? Because up on the stage,
• 27:24
  Speaker 1: I want to be I like to be in charge.
• 27:26
  Speaker 1: Got you, got you? Got you? Like if I was
• 27:29
  Speaker 1: and I saw you in the audience, I don't speak you.
• 27:31
  Speaker 1: Oh lord, spit my boom, go on, huh told you
• 27:45
  Speaker 1: that's not true. That's not true. It is man, So
• 27:49
  Speaker 1: I really want getting this. Why you don't like It's
• 27:52
  Speaker 1: not true. I don't dislike it. It's just that like
• 27:54
  Speaker 1: growing up, I used to hear reggae and I just
• 27:56
  Speaker 1: I didn't get it. It's certain things I would understand,
• 27:58
  Speaker 1: like Bob Marley. I love Molly music, but there's just
• 28:01
  Speaker 1: certain records I would hear and be like, because people
• 28:03
  Speaker 1: love dance hall, like go crazy, and I just was like,
• 28:06
  Speaker 1: I don't. I don't get why. It's really my favorite
• 28:09
  Speaker 1: jamera of music to listen to. So be up myself, Angel,
• 28:12
  Speaker 1: I'm gonna say yea have since we spoke about get
• 28:14
  Speaker 1: them in at the Nittegrity, I'm gonna understand. What do
• 28:17
  Speaker 1: you mean? You don't understand it because at the end
• 28:19
  Speaker 1: of the day, I've been to Europe they don't even
• 28:21
  Speaker 1: speak English nothing, and you're singing the song's word. No
• 28:24
  Speaker 1: people love it, I mean, but you know what, I
• 28:25
  Speaker 1: love it when it's a vibe like when I see
• 28:27
  Speaker 1: you know, certain movies or you go to certain Jamaican parties,
• 28:30
  Speaker 1: you get it. Then you know what I mean. But
• 28:32
  Speaker 1: just with you and a club and it's a crunk set,
• 28:34
  Speaker 1: the don't understand the lingua too much. Like that you
• 28:38
  Speaker 1: don't understand because it's not. I don't even get the word.
• 28:41
  Speaker 1: It's just that like when you growing up down South,
• 28:43
  Speaker 1: when you hear a crunk set, then somebody do a
• 28:46
  Speaker 1: reggae set, and you know, everybody go crazy over the reggae.
• 28:48
  Speaker 1: You like, man, put the crunk back on. Maybe it's
• 28:51
  Speaker 1: just like the rhythms. No, I love the rhythms. It's
• 28:54
  Speaker 1: dope ass rhythms. Man, like here comes the boom, Come on,
• 29:08
  Speaker 1: that's not dance all. Yeah. I don't know South Carolina,
• 29:14
  Speaker 1: so I don't think reggae was a big like being
• 29:16
  Speaker 1: in New York. You have my dude, Ricky Lee. Ricky
• 29:19
  Speaker 1: Lee used to bring shaggy down there all the time.
• 29:20
  Speaker 1: I remember Ricky leg But I used to and I
• 29:24
  Speaker 1: used to be stationed in North Carolina too. Oh yeah Carolina,
• 29:26
  Speaker 1: but used at Campbella June, So I used to go
• 29:29
  Speaker 1: to South Carolina. Yeah, so yeah, No, definitely, definitely reggae
• 29:32
  Speaker 1: was big in Soaklina had the music farm done in
• 29:34
  Speaker 1: music Farm used to have like a reggae night. You
• 29:36
  Speaker 1: love hip hop, don't love hip hop? But hip hop
• 29:39
  Speaker 1: came from dansall. You know that right, No, that's not
• 29:44
  Speaker 1: about I'm going with whatever fight says man, right now,
• 29:49
  Speaker 1: every right now, when you watch, when you watch Versus,
• 29:51
  Speaker 1: that is all coming from Sansa. Now that was great.
• 29:55
  Speaker 1: You know she means the battles came from dance, not
• 29:58
  Speaker 1: oh yeah, yeah. The whole Versus thing is. And he
• 30:03
  Speaker 1: who started hip hop was a Jamaican who came to
• 30:05
  Speaker 1: New York and that's how hip hop started. So you know,
• 30:11
  Speaker 1: work for respect and pay respect to the real drama.
• 30:13
  Speaker 1: I definitely respect it, but I want you to like it.
• 30:16
  Speaker 1: I want you to listen more, dancel and get a
• 30:18
  Speaker 1: feel of it. That's promise you, That's what it is.
• 30:20
  Speaker 1: I need to listen to me. You know what my
• 30:21
  Speaker 1: song called saw Me Like It, Saw Me Like It.
• 30:25
  Speaker 1: I want you to listen to it when you you know,
• 30:28
  Speaker 1: we're gonna play it this morning. We got when we
• 30:39
  Speaker 1: when we first started on the Breakfast Cloud, the song
• 30:42
  Speaker 1: Rappid Shop, I think was in the heaviest rotation. I know,
• 30:46
  Speaker 1: I'm t know our time it is. We have to
• 30:48
  Speaker 1: get the guy. We have forget him up to part
• 30:51
  Speaker 1: remember the streets, make him to the gal, climb the
• 30:54
  Speaker 1: tree and not do the things them you know they're looking.
• 31:02
  Speaker 1: We're gonna climb the tree, Spike, I'm gonna climb the tree, Spike.
• 31:05
  Speaker 1: I'm with you. I'm gonna climb the tree. Your song,
• 31:11
  Speaker 1: your song that you have right now, go down there
• 31:13
  Speaker 1: with Shaggy. It's my favorite song right now. It's so dope.
• 31:17
  Speaker 1: I love that the three of y'all came together. It
• 31:19
  Speaker 1: is really like Leary and it's a true dancehall song,
• 31:22
  Speaker 1: so I love to hear it was real hardcore. I thought,
• 31:24
  Speaker 1: you're making me no eat poom poom. Now that's not
• 31:26
  Speaker 1: gonna go down there is no it's done nasty. I
• 31:34
  Speaker 1: didn't know. I thought that, Oh my gosh, she's basically
• 31:43
  Speaker 1: telling the girls the wine go down low to the
• 31:45
  Speaker 1: Oh got you got? I know you smarty and you
• 31:48
  Speaker 1: go down there. That's not what we mean. Next, we
• 31:54
  Speaker 1: had some PLA the other day. Yeah, and he was said,
• 31:56
  Speaker 1: you was scared to battle him in the verse of
• 31:58
  Speaker 1: Shaggy whoa that was I was scared. No, it's not.
• 32:05
  Speaker 1: But we talked about verses and he said at first
• 32:07
  Speaker 1: he didn't get it, but he said, you know now
• 32:08
  Speaker 1: that he understands it's not a battle per se, because
• 32:11
  Speaker 1: he can't battle his friends. He said, it's a celebration.
• 32:13
  Speaker 1: He said he might think about it, would you do
• 32:14
  Speaker 1: it with him? Um, you know, a celebration not a
• 32:17
  Speaker 1: bad funny enough for the first verses that happened, big
• 32:19
  Speaker 1: up to Sharon Burke, who actually Sharon Burke kind of
• 32:22
  Speaker 1: kind of made the whole thing happen between Being and
• 32:24
  Speaker 1: Bound boun Tequila. She had approached me about it first,
• 32:28
  Speaker 1: and I spoken to Sean about it, and we had
• 32:31
  Speaker 1: actually had was thinking about how we would do it
• 32:33
  Speaker 1: and incorporate spice at the time because we we already
• 32:35
  Speaker 1: had this record that was lined up. Um, but it
• 32:39
  Speaker 1: was heavy COVID at the time, and you know, you
• 32:41
  Speaker 1: know Sean, Sean also has like, you know, he's asthmatic
• 32:44
  Speaker 1: and stuff like that, you know, so you know, he
• 32:46
  Speaker 1: was a little you know, on defense about the whole thing,
• 32:49
  Speaker 1: you know, and uh so that that would happen. Then
• 32:52
  Speaker 1: of course Sharon went with Boundequila and Being a Man,
• 32:54
  Speaker 1: which was one of the biggest verses ever and they
• 32:56
  Speaker 1: represented the culture. And so when I looked at that one,
• 32:59
  Speaker 1: I was like, yo, and just how they did it,
• 33:02
  Speaker 1: and yeah, being in Bounty, how they did it, I
• 33:04
  Speaker 1: was just like, yo, it's done. So for me, the
• 33:07
  Speaker 1: interest to do it, uh after that is just to me,
• 33:10
  Speaker 1: I can't follow that what I'm saying, Bounty and being too.
• 33:15
  Speaker 1: How they did that was just it was just the
• 33:18
  Speaker 1: that that just kind of when you saw the type
• 33:21
  Speaker 1: of people that locked on that night, you know what
• 33:23
  Speaker 1: I mean, how the whole vibe was. I don't think
• 33:25
  Speaker 1: me and Sean could talk about how that is. I
• 33:27
  Speaker 1: mean we we got yeah, but you know, just just
• 33:30
  Speaker 1: they represented really really people would love to see you
• 33:33
  Speaker 1: and Sean. I'm sure they would, but just for me,
• 33:35
  Speaker 1: just for me, many legendary hip hop artists, legendary R
• 33:40
  Speaker 1: and B artists need more I think legend artists to
• 33:44
  Speaker 1: do that as well. Definitely shout out to Swiss and
• 33:48
  Speaker 1: and and and Tim also because I love the whole
• 33:51
  Speaker 1: vibe of it and what it was doing on you
• 33:53
  Speaker 1: know what I mean. It does come from clash business
• 33:56
  Speaker 1: in Jamaica, so Sean was right on that that it
• 33:58
  Speaker 1: comes from that, but how they're doing it is really
• 34:01
  Speaker 1: on a friendship and a harmony base, and you know,
• 34:04
  Speaker 1: there's no beef and all that. It's just really entertainment
• 34:06
  Speaker 1: for everybody else. So you know what I mean, I'm
• 34:08
  Speaker 1: sure Sean would consider if he feels, you know, like
• 34:11
  Speaker 1: he's open to it or whatnot. But UM, just me
• 34:14
  Speaker 1: on the person I'm telling from me, what they did
• 34:17
  Speaker 1: was just so amazing. I would watch I would what
• 34:19
  Speaker 1: they should is rerun that. That was my favorite one.
• 34:24
  Speaker 1: I think that it was a lot of people favorite
• 34:27
  Speaker 1: most minds as well. All Right, we got more with
• 34:30
  Speaker 1: Spice and Shaggy when we come back, don't move. It's
• 34:32
  Speaker 1: to Breakfast Club. Good morning morning. Everybody is DJ Envy,
• 34:35
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 34:38
  Speaker 1: We're still kicking it with Shaggy and Spice with Spice
• 34:42
  Speaker 1: because I mean, you are on a bunch of stuff
• 34:44
  Speaker 1: with Spice and you've really been receptive to a lot
• 34:46
  Speaker 1: of the younger artists. So how did you and Spice
• 34:48
  Speaker 1: get together? I never done a record with Spice. Spice. Actually,
• 34:58
  Speaker 1: it was just like, listen, you know, I need to
• 34:59
  Speaker 1: do song with Shaggy, so I sent him my DM.
• 35:02
  Speaker 1: I never had this nor by the time you check this,
• 35:05
  Speaker 1: because I wanted you. I wanted to do a song
• 35:08
  Speaker 1: with you, so um that's where it started from. Yeah,
• 35:11
  Speaker 1: and um, funny enough, even though he was instagram summing
• 35:14
  Speaker 1: in the om SIMI DM. I don't know how he
• 35:16
  Speaker 1: saw that M because hYP I don't answer a lot
• 35:19
  Speaker 1: of it. But I'll go through stuff because there's promotional
• 35:21
  Speaker 1: stuff that we still do, right yeah, yeah yeah. And
• 35:25
  Speaker 1: then so I saw it, and then I hit her up,
• 35:29
  Speaker 1: and um I started. I said, yeah, I'll do a
• 35:32
  Speaker 1: record with you. But then I started to research what
• 35:34
  Speaker 1: type of record I would do for her, how I
• 35:35
  Speaker 1: write it or whatnot. And then I realized that she
• 35:38
  Speaker 1: didn't have a body of work. Never done an album.
• 35:40
  Speaker 1: It's never done an album. So I called her. I
• 35:42
  Speaker 1: was like, have you ever done an album? Because you
• 35:44
  Speaker 1: got a great fan base, you're the queen of this thing.
• 35:47
  Speaker 1: I don't understand. And she's like, yeah, she's been having
• 35:49
  Speaker 1: problems with the record. Problem here it is exactly what
• 35:57
  Speaker 1: she's saying. She said she took all her problems and
• 35:59
  Speaker 1: put him on Shaggy yea yeah. So so at that
• 36:08
  Speaker 1: point I just got in touch with UH with the
• 36:11
  Speaker 1: record I said, you know, I could have help. So
• 36:12
  Speaker 1: I went ahead and got in touch with the record
• 36:15
  Speaker 1: company and talked to Randy and and UH and Chris
• 36:17
  Speaker 1: and just say, hey, let's get to the table and
• 36:19
  Speaker 1: see how we could sort of deal out because she's
• 36:21
  Speaker 1: been there for like ten years and it was really
• 36:23
  Speaker 1: ain't toxic between both of them. And the name of
• 36:25
  Speaker 1: my album is ten because of that ten years and
• 36:28
  Speaker 1: it drops on July thirtieth. That's the name of the album. Yeah,
• 36:31
  Speaker 1: So I just I just try to sort it out
• 36:33
  Speaker 1: and just say how we could create a win win
• 36:34
  Speaker 1: situation for everybody. And they were receptive to it, and
• 36:37
  Speaker 1: you know, we got everything. And you know, I said,
• 36:39
  Speaker 1: I would you know, executive produce the album and produce yes, well, spice, spice.
• 36:43
  Speaker 1: What was the problems with the label? Then let's flash
• 36:46
  Speaker 1: back to that for a second, because I know at
• 36:48
  Speaker 1: one point were you trying to sue and as hard
• 36:50
  Speaker 1: as you do work, what were the issues? Um, let
• 36:53
  Speaker 1: me take a drink, I'll go after the same thing.
• 36:56
  Speaker 1: Ten years is a long time. What did the label
• 36:59
  Speaker 1: even tell you right now? The water? You know, I
• 37:09
  Speaker 1: think the issue that we were having, I don't even
• 37:13
  Speaker 1: know how to explain it. I think we need to
• 37:14
  Speaker 1: have someone from where's Neil Diamond to someone from VP
• 37:18
  Speaker 1: to explain it because the problem was I couldn't even
• 37:22
  Speaker 1: understand it. So when they explained to me that, oh
• 37:24
  Speaker 1: we did a body of work and we need to
• 37:26
  Speaker 1: get clearance and certain paperwork is difficult, and Dad, I
• 37:29
  Speaker 1: don't want to hear. I just went blank. I can't
• 37:32
  Speaker 1: understand why it's taking so long. Ten years is a
• 37:35
  Speaker 1: long time. As I said, that's a decade. So it's like,
• 37:37
  Speaker 1: as an emotional woman, I just stopped corresponding. I'm like,
• 37:40
  Speaker 1: all right, and I just started putting out my own projects.
• 37:43
  Speaker 1: I started becoming my own producer, start doing everything by myself.
• 37:46
  Speaker 1: I just shot down because I'm just at a point
• 37:48
  Speaker 1: where I'm like, I don't understand even when they explain it.
• 37:52
  Speaker 1: Ten years is long. So we just never saw eye
• 37:55
  Speaker 1: to eye. And I just started doing my own productions,
• 37:57
  Speaker 1: putting out my own music, promoting myself on Instagram, and um,
• 38:02
  Speaker 1: I think the relationship just well, I think it's her.
• 38:05
  Speaker 1: I think it's a communication problem that was going and
• 38:07
  Speaker 1: she was representing herself and it's hard. Then I got
• 38:12
  Speaker 1: some attorneys, but I guess in her initial initial in
• 38:22
  Speaker 1: the initial in the initial stage of her deal, all right,
• 38:25
  Speaker 1: I don't think she had proper representation. Yeah. I first
• 38:28
  Speaker 1: let me say she was young when I signed a deal,
• 38:32
  Speaker 1: so it was it wasn't a very good deal. And
• 38:35
  Speaker 1: and so we went in there and just kind of restructed.
• 38:38
  Speaker 1: But in fairness the VP, they were willing to come
• 38:41
  Speaker 1: to the table because they realized her value at the
• 38:43
  Speaker 1: same time. And what happened with all the records that
• 38:46
  Speaker 1: she was doing, she was just she just took her
• 38:48
  Speaker 1: own career in her hand, so corudus to her to
• 38:50
  Speaker 1: get herself to this level. She did that on her own,
• 38:54
  Speaker 1: with no manager, no nothing, just did everything. But all
• 38:57
  Speaker 1: those records under the contract, you know, they had rights
• 39:00
  Speaker 1: to because she was under that contract. So you know,
• 39:03
  Speaker 1: in speaking to them, it was like, Okay, you guys
• 39:05
  Speaker 1: already have these body of work, you know, why don't
• 39:07
  Speaker 1: you come in and do a record with her and
• 39:11
  Speaker 1: get the best out of her and just restructure the deal,
• 39:14
  Speaker 1: you know, I mean, make it right. And they were
• 39:15
  Speaker 1: willing to come in and do all that, and we
• 39:17
  Speaker 1: just went in and just you know, work the deal
• 39:19
  Speaker 1: points out and get it and put her in a
• 39:21
  Speaker 1: better position right now. And the truth is, I think
• 39:23
  Speaker 1: Shaggy has a secret of what he told them, because
• 39:26
  Speaker 1: I don't know what difference in that way, I haven't
• 39:28
  Speaker 1: said for ten years, Shaggy, Yeah, you know what I mean,
• 39:34
  Speaker 1: it means, it means a lot coming from from Shaggy. Yeah,
• 39:37
  Speaker 1: you know what it is. We explained there's there's an
• 39:41
  Speaker 1: old saying if it's not a win win is a
• 39:42
  Speaker 1: bad idea. So you really have to come up with
• 39:44
  Speaker 1: a win win situation that everybody, every all parties are
• 39:47
  Speaker 1: okay with. And she had a win win situation in it.
• 39:50
  Speaker 1: They had a win situation in it and all of
• 39:53
  Speaker 1: us could actually go out and I was happy to
• 39:55
  Speaker 1: be involved in it that I could make it move forward.
• 39:58
  Speaker 1: And they were open to the whole thing since religious
• 40:00
  Speaker 1: communication and sitting down there and having these deals, you know,
• 40:03
  Speaker 1: these conversations, So beak up to Christian the initial deal
• 40:07
  Speaker 1: Randy and Neil Diamond Richard who was in the in
• 40:13
  Speaker 1: the initial meeting with us to get everything to question,
• 40:17
  Speaker 1: is VP the end all be all for dancehall artists?
• 40:20
  Speaker 1: Is there nowhere else? Dance the biggest um record company
• 40:24
  Speaker 1: for dancehall. I think they're important and this this is
• 40:27
  Speaker 1: why this project is so important, and this is why
• 40:29
  Speaker 1: we had to do it like that. It is you
• 40:32
  Speaker 1: look at you look at God there For instance, if
• 40:35
  Speaker 1: we had done say, for instance, the song with bojo
• 40:38
  Speaker 1: and Kalid and everybody that that is out. If that
• 40:41
  Speaker 1: record had happened and become a massive, massive number one hit,
• 40:43
  Speaker 1: you hear or it's the Kalid factor. If the Skilly
• 40:46
  Speaker 1: Band record had blown up, you'd hear it's a Nikki factor.
• 40:49
  Speaker 1: You know what I'm saying. And this has been going
• 40:51
  Speaker 1: on over and over and over again. For Dancehall, we
• 40:53
  Speaker 1: needed a record that the factor was dance. So yeah,
• 40:58
  Speaker 1: Shaggy Sean Spice, three Jamaican three Dance All artists. The
• 41:03
  Speaker 1: video director of the video is doing incredibly well is
• 41:05
  Speaker 1: Jay Will, a Jamaican VideA director. And the record company
• 41:08
  Speaker 1: is a Jamaican record company. For us to have, you know,
• 41:13
  Speaker 1: a better part of the market share and have some
• 41:14
  Speaker 1: cloud in this game, we had to do this on
• 41:17
  Speaker 1: our own. So this was important for us to do
• 41:20
  Speaker 1: our own. That's why we're going for everywhere. That's why
• 41:22
  Speaker 1: we're on the Breakfast Club. We're written all the top
• 41:25
  Speaker 1: platform because we have to send a message because there's
• 41:27
  Speaker 1: so many things that take from this genre. You're looking
• 41:29
  Speaker 1: at hip hop, you're looking at um reggaeton, you're looking
• 41:33
  Speaker 1: at afrobeat that all comes from this, but yet still
• 41:35
  Speaker 1: dance all is six percent of the market share. And
• 41:37
  Speaker 1: know what I'm saying, So we're to me, I look
• 41:39
  Speaker 1: at this as a crisis that we literally have to come. Culturally,
• 41:43
  Speaker 1: We're strong. Everybody comes from everything that you see Katie
• 41:46
  Speaker 1: Perry is doing and Lady Gaga or or Doja Cat
• 41:50
  Speaker 1: that comes from Grace Jones, right, and it's and is
• 41:54
  Speaker 1: magnified through dance. Right. Look at this. This is this
• 41:57
  Speaker 1: has been going on, and it's offended. When I come
• 42:00
  Speaker 1: to America and people used to say, oh, I'm following,
• 42:03
  Speaker 1: like you know the girls here that does hip hop.
• 42:07
  Speaker 1: I didn't want to call no name, but I'm like, no,
• 42:09
  Speaker 1: this is my culture, follow the wigs and all of that.
• 42:12
  Speaker 1: This is danceall. I'm dancall. But when I started doing
• 42:15
  Speaker 1: love and hip hop and I have my blue here,
• 42:17
  Speaker 1: they're like, oh, she's trying to be you know, and
• 42:20
  Speaker 1: they call names and I'm like, no, when a school
• 42:23
  Speaker 1: or no, this is danceall. And I think the younger
• 42:26
  Speaker 1: generation especially don't really understand danceall and Jamaican and the
• 42:31
  Speaker 1: culture and where music on a whole is coming from,
• 42:34
  Speaker 1: where it's birth it. Yeah, but a lot of the
• 42:36
  Speaker 1: people that you said have Caribbean roots, whether it's uh yes,
• 42:40
  Speaker 1: oh definitely, Nicki Minaj, Oh definitely Rihanna. All of them
• 42:45
  Speaker 1: have Caribbean roots. So that's true. But the thing with
• 42:49
  Speaker 1: me now as a dance all Jamaican artist, when I
• 42:52
  Speaker 1: come out like example, on the forefront in America, because
• 42:55
  Speaker 1: most people may not know me like Arianna or a
• 42:58
  Speaker 1: Nicki Minaj, then they say I'm following when I am
• 43:02
  Speaker 1: really from the original, from the from the room. Yes,
• 43:05
  Speaker 1: so we have we have to get those numbers up,
• 43:07
  Speaker 1: you know what I mean. And to me, the best
• 43:09
  Speaker 1: person to actually lead this Spice, I haven't move. We
• 43:12
  Speaker 1: got more with Shaggy and Spice. When we come back,
• 43:14
  Speaker 1: it's the breakfast Club. Good morning. Everybody is stej Envy,
• 43:18
  Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast Club.
• 43:20
  Speaker 1: We're still kicking it with Shaggy and Spice. Now, Shaggy,
• 43:24
  Speaker 1: it wasn't me. That song doesn't go away, huh, just
• 43:28
  Speaker 1: just a ballpark. I mean, I'm just curious because every
• 43:32
  Speaker 1: year I'm like, Okay, I've seen a commercial. It wasn't me. Cool.
• 43:34
  Speaker 1: Then it's another commercial. Yeah, it's another commercial. What you
• 43:38
  Speaker 1: gonna ask, how much is worse yet easy, easy, few millions.
• 43:49
  Speaker 1: You know what. Um people go to a whole career
• 43:52
  Speaker 1: and not even have one of those bro correct Yea.
• 43:54
  Speaker 1: You know, I've been lucky to have um a record
• 43:58
  Speaker 1: that is that massive, but I but I've also had
• 44:02
  Speaker 1: a couple more that were really really really really massive also,
• 44:06
  Speaker 1: you know what I mean, Um, it's just one of
• 44:09
  Speaker 1: those songs that's just it's funny that when when hot
• 44:12
  Speaker 1: Shot was out, the biggest record for me was Angel.
• 44:16
  Speaker 1: Angel was the biggest selling record, the biggest played record.
• 44:20
  Speaker 1: At one point it was in the Guinness Book of
• 44:23
  Speaker 1: World Record for the most pop played record, you know,
• 44:26
  Speaker 1: but over time, and that's before streaming, So we were
• 44:32
  Speaker 1: selling I mean the thing, you know, we were moving
• 44:33
  Speaker 1: numbers like in Sync and Britney Spears and all of
• 44:36
  Speaker 1: these numbers when we was dance all. So you have
• 44:40
  Speaker 1: to me, we broke we broke that barrier because there's
• 44:43
  Speaker 1: no there's no record company that I was gonna sit
• 44:45
  Speaker 1: down at the table on Tuesday and be like, Okay,
• 44:48
  Speaker 1: what are we going to spend on the dance all? Guy?
• 44:50
  Speaker 1: I mean, there's the numbers weren't there to match it.
• 44:53
  Speaker 1: But with that record and that album, it became that,
• 44:56
  Speaker 1: so it wasn't me. It's one of those records I
• 45:00
  Speaker 1: think because it's so relatable. That's why I said, when
• 45:02
  Speaker 1: we were writing records, you got to write songs that
• 45:04
  Speaker 1: are that is very relatable, you know, and then people
• 45:07
  Speaker 1: it's it's people think that's the cheating song. It's really
• 45:09
  Speaker 1: an anti cheating song. Angela. It really wasn't him. It
• 45:15
  Speaker 1: really was right, and at the end it stands that
• 45:16
  Speaker 1: I'm going to tell her. But the problem is the
• 45:18
  Speaker 1: things that I've caused. You might think that you're a player,
• 45:20
  Speaker 1: but you're completely lost. So it's not really condoning cheating really,
• 45:26
  Speaker 1: but everybody looked at me. It's like, oh sh he's
• 45:28
  Speaker 1: the old them cheater. Oh my god. I mean because
• 45:34
  Speaker 1: guys do that, right, Because as let's talk about absolutely
• 45:39
  Speaker 1: it wasn't me, it wasn't I feel still that's my
• 45:52
  Speaker 1: story and I'm sticking to it. How do y'all feel
• 45:55
  Speaker 1: about the evolution to dance song? Okay? Um? I think
• 46:01
  Speaker 1: that we're dance all the beat the beat of it,
• 46:04
  Speaker 1: and you're a DJ the beat of dance all. There's
• 46:07
  Speaker 1: certain things that because I live it every day and
• 46:08
  Speaker 1: I'm if you ask the average DJ that's on a
• 46:13
  Speaker 1: global scale, what kind of dance all will move a party.
• 46:17
  Speaker 1: They're going to tell you it's nineties dance all day. Okay. So,
• 46:21
  Speaker 1: and the difference between current danceall and nineties dance all
• 46:25
  Speaker 1: is the beat. So we've actually tried to fix something
• 46:30
  Speaker 1: that wasn't broken. Do you get what I'm saying. So
• 46:34
  Speaker 1: reggaeton which comes from dance. So if you listen to reggaeton,
• 46:37
  Speaker 1: which is a billion dollar industry, all right, our genre,
• 46:41
  Speaker 1: I should say, they're still on that dance all beat
• 46:44
  Speaker 1: right right. The beat itself, the reggaeton beat is called
• 46:48
  Speaker 1: dembo that comes from Chabaran's den boo. You know what
• 46:54
  Speaker 1: I'm saying. And they're still on that and it's a
• 46:56
  Speaker 1: billion dollars. Afro beat is kind of a spinoff in Africa.
• 47:02
  Speaker 1: I used to go to African play the stadiums every year.
• 47:05
  Speaker 1: It was just like a clockwork, you know, Uganda, Kenya, Tanzania,
• 47:09
  Speaker 1: you know the Congos stadiums out the backs most of
• 47:13
  Speaker 1: African what was played in Africa at the time as
• 47:17
  Speaker 1: their main music was dance all. So Afri beat is
• 47:21
  Speaker 1: kind of from dance all absolutely and inspired by it,
• 47:25
  Speaker 1: hip hop, whatever it is, the beat itself. They've taken
• 47:29
  Speaker 1: the dance out of dance all. If you listen to
• 47:31
  Speaker 1: the new dance all, now you know what I'm saying.
• 47:33
  Speaker 1: And I think the dance of dance all is what
• 47:36
  Speaker 1: was really appealing to people. And if you look at
• 47:39
  Speaker 1: the streaming numbers, the nineties dance all is still streaming
• 47:42
  Speaker 1: better than the current dance all. So it's not mean
• 47:44
  Speaker 1: knocking the new generation of it because I collaborate with
• 47:48
  Speaker 1: a lot of these new guys and I like a
• 47:51
  Speaker 1: lot of them, and I think what they're doing, they are,
• 47:53
  Speaker 1: they are the future. But I need to let them
• 47:55
  Speaker 1: understand what the marketplace is. You know what I wanted
• 47:58
  Speaker 1: to ask you guys about the music though, because one
• 48:00
  Speaker 1: thing I do love about dancer is that it is
• 48:02
  Speaker 1: real nasty, Like some of the songs could be real
• 48:05
  Speaker 1: nasty and gritty. You know. I have a podcast lift service,
• 48:07
  Speaker 1: so it's fun for me. But with this whole climate today,
• 48:11
  Speaker 1: do you feel like the lyrics can't be the same
• 48:13
  Speaker 1: as they used to be where it was just like
• 48:15
  Speaker 1: you're singing it and then you're like, wait a minute,
• 48:16
  Speaker 1: what are we talking about here? Or do you think
• 48:18
  Speaker 1: that we still could do that in dancall that's your question.
• 48:23
  Speaker 1: I feel like we still can do it in dancehall
• 48:26
  Speaker 1: with or without lude lyrics. I mean, I personally used
• 48:29
  Speaker 1: to do a lot of lude lyrics because that's what
• 48:31
  Speaker 1: worked for me, and I used to just stick with
• 48:34
  Speaker 1: what's working for me. But I think I got open
• 48:37
  Speaker 1: to like when even I did Friends and how it
• 48:39
  Speaker 1: was well received. So for me, I feel like, whether
• 48:43
  Speaker 1: you do lude lyrics or not, it still has a place,
• 48:46
  Speaker 1: and I think the diversity have shown us that. So
• 48:50
  Speaker 1: you can step outside at the box sometimes because Jamaican
• 48:52
  Speaker 1: feel like we have to do oddcore aggressive music sometimes
• 48:56
  Speaker 1: for it to be a banger, but that's not it.
• 48:59
  Speaker 1: It's a double stacked And I've encountered this since deal
• 49:02
  Speaker 1: with Spice. Okay, Spice, people will judge her because she
• 49:07
  Speaker 1: might do these raw lyrics and I'll have corporate entities
• 49:11
  Speaker 1: even in Jamaica who don't want to touch her. Wow.
• 49:14
  Speaker 1: So she went ahead and did like a sponsorship with
• 49:17
  Speaker 1: Magnum because they're about that kind of life, right right.
• 49:21
  Speaker 1: But it was not even with I says, you know,
• 49:23
  Speaker 1: because it wasn't the greatest of deal. But you know whatever,
• 49:26
  Speaker 1: but she is like she at that time, you know,
• 49:29
  Speaker 1: but she she is like, Okay, I did this because
• 49:32
  Speaker 1: I wanted to show corporate and since she went with them,
• 49:35
  Speaker 1: their numbers were tripled. Magnum, right, yes, mam, all these
• 49:42
  Speaker 1: Magnums out there. Yeah, so she and right now we
• 49:45
  Speaker 1: have a Magnum going the challenge and everybody's just winding
• 49:50
  Speaker 1: the thing. Yeah. But the point I was trying to
• 49:52
  Speaker 1: make with this is that based on her doing that,
• 49:55
  Speaker 1: she showed the corporate entity and especially in Jamaica, that
• 49:59
  Speaker 1: she was bankable, that she could that she could move that.
• 50:03
  Speaker 1: Let's get into this record. We wait, one more question,
• 50:05
  Speaker 1: one more questions. That's one more question. Is Vibes Cartel
• 50:09
  Speaker 1: on the album a little bit? A little bit? I no, No,
• 50:16
  Speaker 1: he's not on the He's not on the album because
• 50:19
  Speaker 1: I mean, if you if I should let the bigger
• 50:23
  Speaker 1: because what let me add, but let me let me
• 50:38
  Speaker 1: add it's not It's not because we didn't want to
• 50:41
  Speaker 1: wear anything. It's just that the vibe that we were going,
• 50:43
  Speaker 1: Like we said we had thirty songs, and we just
• 50:46
  Speaker 1: made thirty songs, you know, and then we put this
• 50:48
  Speaker 1: record out. We knew we had a really strong single
• 50:50
  Speaker 1: and this, but I wanted him on the album. But
• 50:52
  Speaker 1: she did think I was open incarcerated as well, so
• 50:56
  Speaker 1: you know, it kind of makes it difficult. So you
• 50:58
  Speaker 1: know how my guys are shan. Yeah, so let's jump
• 51:01
  Speaker 1: into the rec Let's go now. I'm coming out July
• 51:03
  Speaker 1: THIRTI okay, you gotta come back before then. Definitely, thank
• 51:07
  Speaker 1: you so much. She had an invitation. That's an invitation.
• 51:12
  Speaker 1: You just invited to dance, So artist, big thank you.
• 51:16
  Speaker 1: Let a fan baby going to come back. You'll tell me, Spice,
• 51:26
  Speaker 1: I listen to your album. Stop saying everybody that walks
• 51:29
  Speaker 1: in away I didn't know. Let's go let do so,
• 51:40
  Speaker 1: all right, go down there the big top record number
• 51:43
  Speaker 1: one reggae dancer song right now of course from me
• 51:45
  Speaker 1: your girl Spice, the Queen of dancall I with the
• 51:48
  Speaker 1: two legends Shaggy and Sean Paul. Ladies, get your knee
• 51:51
  Speaker 1: ready for wine and good down there, all right, yes,
• 51:54
  Speaker 1: so she said, ladies, get your knees ready the wine
• 52:00
  Speaker 1: on now place Shaggy is the breakfast club. Good morning,
• 52:08
  Speaker 1: Hey morning, everybody is tej Endry Angela Yee Charlomagne the
• 52:12
  Speaker 1: guy we are the Breakfast Club. That was Spice, Shaggy
• 52:14
  Speaker 1: and Shana Paul Abby and I hope that's right. That's right,
• 52:21
  Speaker 1: that's what you got. That's down there. All right, let's
• 52:27
  Speaker 1: get to the rules. Let's talk to Nick the Mouth.
• 52:30
  Speaker 1: This is the rumor report with Angela yet who. Well,
• 52:40
  Speaker 1: there was a conversation that Trick Daddy was having on
• 52:43
  Speaker 1: a panel and one of the things that he was
• 52:45
  Speaker 1: talking about was Beyonce and jay Z. Now, for some reason,
• 52:49
  Speaker 1: Trick Daddy feels like Beyonce can't really sing and jay
• 52:53
  Speaker 1: Z is not as great as people say he is.
• 52:56
  Speaker 1: Here is Rick Daddy talking about Beyonce. We are because
• 53:00
  Speaker 1: she seen money. Beyonce ain't trying to give back the music,
• 53:03
  Speaker 1: and none that Beyonce don't write music. And Betty could
• 53:05
  Speaker 1: say her mother Beyonce. Same. Beyonce is to R and
• 53:10
  Speaker 1: B what jay Z is to New York. That's why
• 53:14
  Speaker 1: they together. Huh, Oh, you cannot tell me Beyonce can't sing.
• 53:20
  Speaker 1: Beyonce take it sick. Yeah, Beyonce can sing and she
• 53:23
  Speaker 1: does right, and I mean and she collaborates with other
• 53:27
  Speaker 1: writers and other people write songs for her. From Super Hard,
• 53:30
  Speaker 1: I think we've seen a lot of stuff behind the
• 53:32
  Speaker 1: scenes of Beyonce at this point to see how much
• 53:34
  Speaker 1: she goes through to be a perfectionist. Now Here is
• 53:37
  Speaker 1: what else Daddy had to say about jay Z. Jay
• 53:40
  Speaker 1: Z ain't never one the greatest rapper live. New York
• 53:44
  Speaker 1: laws bigger. They needed a hero. They wanted to be
• 53:46
  Speaker 1: the Mega of hippop and they just handed it over
• 53:49
  Speaker 1: to jay Z. Remember changed his name three full times.
• 53:54
  Speaker 1: First time y'all ever heard of jay Z He got
• 53:55
  Speaker 1: on the record with some from down song called Big Pip.
• 53:58
  Speaker 1: You'll go Google and he will say, yeah, jay Z so,
• 54:00
  Speaker 1: but they ain't gonna call you. Jay Z bought the
• 54:03
  Speaker 1: mother so after the business got big and at that
• 54:06
  Speaker 1: time what east Kot came, but got enough for the
• 54:09
  Speaker 1: South to do a wrecord with him. Man, I love tricks.
• 54:13
  Speaker 1: Not the first time we heard of jay Z. Yeah,
• 54:15
  Speaker 1: I love trick. But he's absolutely positively jay Z is
• 54:19
  Speaker 1: objectively the best rapper alive. You know, my favorite rapper
• 54:23
  Speaker 1: of all time is ghost Face. Jay Z would be
• 54:25
  Speaker 1: number two, but objectively, yeah, you gotta put him at
• 54:28
  Speaker 1: number one. And who hasn't put him at number one?
• 54:31
  Speaker 1: He's number one on so many people's list forever and
• 54:34
  Speaker 1: the only name I know of jay Z is jay Z.
• 54:36
  Speaker 1: I didn't know he didn't change his name, did y'all
• 54:39
  Speaker 1: know him? I think he means like the alias is
• 54:41
  Speaker 1: like jiggahle um. He never changed his name changes. He
• 54:47
  Speaker 1: was always jay Z. I mean, everybody didn't tied it
• 54:49
  Speaker 1: to their opinion. But yeah, Trick in my opinion is
• 54:52
  Speaker 1: absolutely wrong on that one. Yeah, your opinion on his
• 54:55
  Speaker 1: opinion is that his opinion is wrong. Yes, all right.
• 54:58
  Speaker 1: And Chloe Kardashian interest in time to have broken up again,
• 55:01
  Speaker 1: According to friends of the former couple. They told Page
• 55:03
  Speaker 1: six they're getting along. There's no drama, everything is amicable,
• 55:07
  Speaker 1: and they are on the same page with co parenting now. Allegedly,
• 55:10
  Speaker 1: he was spotted entering a room with three women at
• 55:12
  Speaker 1: a bell Air birthday party on Friday. He emerged thirty
• 55:15
  Speaker 1: minutes later looking disheveled, just one day after dining with
• 55:19
  Speaker 1: Chloe and True, his daughter. So they said, he went
• 55:22
  Speaker 1: into one of the party rooms where everybody goes to
• 55:24
  Speaker 1: hook up, and he was with three women and another guy.
• 55:28
  Speaker 1: One of the girls he was with his irregular PARTI er,
• 55:30
  Speaker 1: she's always out and about at parties. According to a source,
• 55:33
  Speaker 1: they said, the other girls have just started going out
• 55:35
  Speaker 1: with this group. He did this in front of about
• 55:36
  Speaker 1: thirty people, so you could hear people talking. They said
• 55:39
  Speaker 1: he was in the room with the door closed for
• 55:40
  Speaker 1: at least thirty minutes before he re emerged. That's when
• 55:42
  Speaker 1: his shirt looked oppressed, and when he went in and
• 55:45
  Speaker 1: his shirt was a mess and disheveled when he came out.
• 55:51
  Speaker 1: Everybody quiet. Now, all right, Well, the black men don't cheat.
• 55:53
  Speaker 1: And I don't understand why there just throwing this lie
• 55:56
  Speaker 1: out there. Well, he's from Canada, so his dad's doing anything.
• 56:00
  Speaker 1: I don't know, but you know, if they are, if
• 56:02
  Speaker 1: they are broken up, it is what it is, right
• 56:04
  Speaker 1: if and it's just a rumor report, that's what that was. Rumor.
• 56:12
  Speaker 1: And he did respond. He put on Twitter, he put
• 56:15
  Speaker 1: all caps. I believe I believe him to Okay, would
• 56:21
  Speaker 1: you put your life hold it for no? All right?
• 56:26
  Speaker 1: Thank you for that rumor pull you give. Speaking of niggas,
• 56:28
  Speaker 1: we can't believe. We need Ronnie O'Neil to come to
• 56:30
  Speaker 1: the front of the congregation. We would like to have
• 56:32
  Speaker 1: a word with him. Okay, goodness gracious, all right, we'll
• 56:36
  Speaker 1: get into that next. It's the Breakfast Club. Good morning,
• 56:38
  Speaker 1: So Breakfast Club, your morning's will never be the same. Hey,
• 56:43
  Speaker 1: it's Angela yee. Don't let weak care hold you back.
• 56:46
  Speaker 1: Carol's Daughter's got his strength collection supports here as it
• 56:49
  Speaker 1: gets longer. For here that's fifteen times stronger after one use.
• 56:53
  Speaker 1: Available at Carol's Daughter dot com. And you're a local retailer,
• 56:57
  Speaker 1: make sure you're telling them to watch out for Florida
• 56:59
  Speaker 1: nor the Lord. The craziest people in America come from
• 57:03
  Speaker 1: the Bronx and all of Florida. Yes, you are a donkey.
• 57:09
  Speaker 1: The Florida man a tap and at n for a
• 57:11
  Speaker 1: very strange reason. It gave him too much money. Florida
• 57:14
  Speaker 1: man is arrested if to definitely say he's rigged the
• 57:16
  Speaker 1: door to his home and an attempt to electricate his
• 57:18
  Speaker 1: pregnant life. Police arrested in Orlando man for talking of
• 57:21
  Speaker 1: Flaminia to Breakfast Club. Bitchy Donkey of the Day with
• 57:24
  Speaker 1: shallam haining the guard I don't know why y'all keep
• 57:26
  Speaker 1: it here, Get y'all elect Wow, Oh donkey Today for Tuesday,
• 57:30
  Speaker 1: June twenty second goes to Ronnie O'Neil, and honestly just
• 57:33
  Speaker 1: dawned on me this morning that Ronnie O'Neil is from Florida.
• 57:36
  Speaker 1: I should have known. I should have known. I should
• 57:38
  Speaker 1: have known. What did your uncle Shalla always say about
• 57:41
  Speaker 1: the great state of Florida? The craziest people in America
• 57:44
  Speaker 1: come from the Bronx and all the Florida, but Florida.
• 57:47
  Speaker 1: I can't blame this one on, y'all. This is a
• 57:50
  Speaker 1: lot deeper than being from Florida. Okay, to be honest
• 57:52
  Speaker 1: with you, I really believe Ronnie O'Neil is a villain
• 57:55
  Speaker 1: in the New Bondocks cartoon. Okay, Aaron McGrew that had
• 57:58
  Speaker 1: to write this, like if there was a multi verse
• 57:59
  Speaker 1: for the Boone Doots, Ronnie O'Neil might be an evil
• 58:02
  Speaker 1: variant version of Riley Freeman. Wait a minute, uncle, so
• 58:06
  Speaker 1: I'll know who the hell is Ronnie O'Neil. Okay, you're right.
• 58:07
  Speaker 1: Let me not assume everyone knows Ronnie O'Neill is the
• 58:10
  Speaker 1: human who acted as his own attorney and his double
• 58:13
  Speaker 1: murder trial. He was accused of killing his thirty three
• 58:16
  Speaker 1: year old girlfriend ken YadA Baron and their disabled nine
• 58:19
  Speaker 1: year old daughter, ron Navilla O'Neill r. I p to
• 58:23
  Speaker 1: both for them, and I'm sending condolences and healing energy
• 58:25
  Speaker 1: to their families. If you need a refresher on this situation,
• 58:28
  Speaker 1: let's go to WTSP ten Tampa Bay for the report.
• 58:31
  Speaker 1: Police opening statements are underway in the murder case against
• 58:34
  Speaker 1: Ronnie O'Neil the third. He's the Reverview man accused of
• 58:37
  Speaker 1: killing his girlfriend and their nine year old daughter three
• 58:39
  Speaker 1: years ago. O'Neil is taking an unusual stance of representing
• 58:42
  Speaker 1: himself in courts whom. Here's some of what he had
• 58:44
  Speaker 1: to say to the jury. I'm please give a prema murder.
• 58:51
  Speaker 1: You know the truth. We're gonna see who the liars
• 58:55
  Speaker 1: all before it's all said. There is a public defender
• 59:01
  Speaker 1: understand by. If he does change his mind, he faces
• 59:03
  Speaker 1: the death penalty. If convicted, he's gonna die. Ronnie O'Neill
• 59:08
  Speaker 1: was accusing prosecutors of fabricating evidence. Fabricating evidence. Ronnie O'Neill
• 59:15
  Speaker 1: was charged with two counts of first degree murder, account
• 59:18
  Speaker 1: of attempted first degree murder, two counts of aggravated child abuse,
• 59:21
  Speaker 1: an account of resisting a law enforcement officer. Without violence. Now,
• 59:24
  Speaker 1: if someone kills two people and stabs another because Ronnie
• 59:28
  Speaker 1: also stabbed his h old son, who think god survived?
• 59:30
  Speaker 1: If police come over and see all his chaos, how
• 59:34
  Speaker 1: could they possibly fabricate evidence? Now? I know Ronnie O'Neil
• 59:38
  Speaker 1: is claiming his girlfriend killed his daughter and tried to
• 59:40
  Speaker 1: kill his son. That's why he killed her. But we
• 59:42
  Speaker 1: always have to remember in life, a lie ain't nothing
• 59:44
  Speaker 1: to tell. If a bull faced lie was a person,
• 59:46
  Speaker 1: it would be Ronnie O'Neil the third. And see, the
• 59:48
  Speaker 1: thing about a lie is when you tell one lie,
• 59:50
  Speaker 1: it leads to another. So you tell two lies to
• 59:52
  Speaker 1: cover each other. Then you tell three lies. An old brother,
• 59:55
  Speaker 1: first lie he told was that his girlfriend killed his
• 59:58
  Speaker 1: daughter and stabbed his son. Well, his son took the
• 1:00:01
  Speaker 1: stand and had to relive that trauma. Listen, how are
• 1:00:04
  Speaker 1: you doing good? It's good to see you. Mail. Did
• 1:00:10
  Speaker 1: you see me shoot your mom? Ye? Did I hurt
• 1:00:15
  Speaker 1: you that night? I love this incident? Yes I did?
• 1:00:21
  Speaker 1: And how did I hurt you? Lord? Damn it man?
• 1:00:26
  Speaker 1: So you tell four lies to try to protect you.
• 1:00:28
  Speaker 1: Then you tell five lives so folks won't suspect you.
• 1:00:30
  Speaker 1: Then you tell six lives, and you'll collect a life
• 1:00:32
  Speaker 1: filled with worries and fears because you can't remember how
• 1:00:35
  Speaker 1: many lives you've told, and half the things you say
• 1:00:37
  Speaker 1: aren't true. And sometimes you'll slip up, you'll trip up,
• 1:00:40
  Speaker 1: and then whatever will become of you, well, what will
• 1:00:43
  Speaker 1: become of Ronnie O'Neill the third Let's go to w
• 1:00:46
  Speaker 1: FLA NBC eight for the report police. It took just
• 1:00:48
  Speaker 1: more than four hours for a Tampa jury to decide
• 1:00:51
  Speaker 1: Ronnie O'Neill is guilty of killing his girlfriend and his
• 1:00:54
  Speaker 1: own daughter, as well as stabbing and setting fire to
• 1:00:58
  Speaker 1: his son. O'Neill represent it himself throughout the guilt phase
• 1:01:02
  Speaker 1: of the trial, and may do so during the penalty
• 1:01:04
  Speaker 1: phase as well his guilty the first free murder, murder
• 1:01:08
  Speaker 1: and Philoni murder. During his closing argument, O'Neill admitted guilt
• 1:01:12
  Speaker 1: in one of the killings. But I want you to
• 1:01:17
  Speaker 1: tell O'Neill told jurors he did kill his girlfriend, but
• 1:01:23
  Speaker 1: only because she murdered their daughter and tried to kill
• 1:01:26
  Speaker 1: their son. What happened? I know what happened to my day.
• 1:01:35
  Speaker 1: The judge complimented O'Neill on his performance, and I have
• 1:01:39
  Speaker 1: to tell you. I think in another lifetime you would
• 1:01:41
  Speaker 1: have been an excellent lawyer, for I was. It only
• 1:01:45
  Speaker 1: took joys four hours. The only reason I think it
• 1:01:47
  Speaker 1: took that long because they were in there discussing the audacity,
• 1:01:50
  Speaker 1: the unmitigated gaw of Ronnie O'Neill to third to get
• 1:01:53
  Speaker 1: up there and represent himself. So you lie and lie
• 1:01:55
  Speaker 1: without even trying, and each lie you tell will keep
• 1:01:58
  Speaker 1: multiplying to the whole wild world will know you're lying.
• 1:02:01
  Speaker 1: Then you'll be suspected, detected, rejected, neglected, disliked, and you should.
• 1:02:06
  Speaker 1: When you lie, you're closing the door on everything good. Ronnie,
• 1:02:11
  Speaker 1: on the the third, what the hell were you doing?
• 1:02:13
  Speaker 1: Why were you up there playing? What was the point?
• 1:02:15
  Speaker 1: What was you trying to prove? There was absolutely no
• 1:02:18
  Speaker 1: reason for you to be up there representing yourself other
• 1:02:20
  Speaker 1: than for your own sick personal entertainment. I've been trying
• 1:02:25
  Speaker 1: to make sense of this, and I keep stopping myself
• 1:02:27
  Speaker 1: to remind myself stop attempting to make sense of this senseless.
• 1:02:31
  Speaker 1: There is no logic in the illogical. I can't blame
• 1:02:35
  Speaker 1: this on Florida. I keep trying to wrap my mind
• 1:02:37
  Speaker 1: around what this is and all I hear in my
• 1:02:40
  Speaker 1: head is my love Stephanie Mills saying, nigga, that's it,
• 1:02:47
  Speaker 1: that's it. Please let me Mark give Ronnie on you
• 1:02:50
  Speaker 1: the third the biggest he ha he ha he ha,
• 1:02:53
  Speaker 1: You stupid mother, are you dumb? His poor son, man,
• 1:02:57
  Speaker 1: his poor son, His poor son is gonna need a lifetime,
• 1:03:02
  Speaker 1: a lifetime of therapy. Okay, you how much work it's
• 1:03:06
  Speaker 1: going to take to get the trauma out of that
• 1:03:08
  Speaker 1: young man's body. Come on, man, he's going to give
• 1:03:11
  Speaker 1: him a hug. I felt so bad having to listen
• 1:03:13
  Speaker 1: to him, have to testify, answer questions because Ronio Nil
• 1:03:18
  Speaker 1: want to play, Ronio Nil the Third want to play?
• 1:03:21
  Speaker 1: All right, all right, well, thank you for that donkey
• 1:03:24
  Speaker 1: other day. Now let's open up the phone. Lines eight
• 1:03:27
  Speaker 1: on eight five one five one now. T Paine talks
• 1:03:30
  Speaker 1: about a time when he got very sad because Ushia
• 1:03:33
  Speaker 1: said this. He was like, man, I want to tell
• 1:03:35
  Speaker 1: you something. Man, he's not real concerned. He was like, man,
• 1:03:38
  Speaker 1: you kinda kind of up music. I didn't understand. Ushira
• 1:03:43
  Speaker 1: was my friend. It was like, Noah, man, you really
• 1:03:47
  Speaker 1: like you really up music for real singers. Literally at
• 1:03:50
  Speaker 1: that point, I couldn't listen is he right? Music? And
• 1:03:56
  Speaker 1: I don't even think I realized this for a long time.
• 1:03:59
  Speaker 1: That's the very moment that started like a four year
• 1:04:02
  Speaker 1: depression for me. You know, I said this earlier. I
• 1:04:04
  Speaker 1: will always respect honesty, but I think we have to
• 1:04:06
  Speaker 1: remember that honesty without compassion is cruelty. Honesty without empathy
• 1:04:11
  Speaker 1: is brutality, and it's a harsh lesson that we've all
• 1:04:13
  Speaker 1: had to learn in our life. So I know that
• 1:04:15
  Speaker 1: there's a lot of people out there who, like myself,
• 1:04:18
  Speaker 1: have you know, been being honest but didn't weren't honest
• 1:04:21
  Speaker 1: with compassion. And we've called somebody that kind of trauma
• 1:04:24
  Speaker 1: that Tea Pain went through. So what is the question?
• 1:04:27
  Speaker 1: When have you been honest but you were honest without compassion?
• 1:04:31
  Speaker 1: All right? Well, let's open up the phone lines. Let's
• 1:04:33
  Speaker 1: talk about it. Eight hundred five eight five one oh
• 1:04:36
  Speaker 1: five one. When have you been honest but honest without
• 1:04:40
  Speaker 1: compassion and traumatize somebody like us? You did tea Pain?
• 1:04:43
  Speaker 1: All right? Let's talk about it as a breakfast local morning,
• 1:04:46
  Speaker 1: the breakfast club. It's topic time called eight hundred five
• 1:04:58
  Speaker 1: eight five one oh five one to join it to
• 1:04:59
  Speaker 1: the he got you with the Breakfast Club. Talk about
• 1:05:02
  Speaker 1: it morning. Everybody is stech Envy, Angela Yee, Charlomagne the guy.
• 1:05:07
  Speaker 1: We are the Breakfast Club now if you just joined us.
• 1:05:09
  Speaker 1: We're talking about a conversation that Usher and t Pain
• 1:05:12
  Speaker 1: had here the Goals. He was like, Man, I want
• 1:05:15
  Speaker 1: to tell you something. Man, he's not real concerned. He
• 1:05:18
  Speaker 1: was like, man, you kinda kind of stop music. I
• 1:05:22
  Speaker 1: didn't understand. Usher was my friend. It was like, Noah, Man,
• 1:05:26
  Speaker 1: you really like you really poked up music for real singers.
• 1:05:29
  Speaker 1: Literally at that point, I couldn't listen is he right music?
• 1:05:36
  Speaker 1: And I don't even think I realized this for a
• 1:05:38
  Speaker 1: long time. That's the very moment that started like a
• 1:05:41
  Speaker 1: four year depression for me. So we're asking eight hundred
• 1:05:44
  Speaker 1: five a five one on five one. We're talking about
• 1:05:47
  Speaker 1: being honest, we're being compassionate. M I'm pretty good at that.
• 1:05:52
  Speaker 1: I'm not. I think with my friends. The one thing
• 1:05:55
  Speaker 1: they like about coming to me when they asked me
• 1:05:57
  Speaker 1: things is that I am going to be compassionate, but
• 1:06:00
  Speaker 1: tell them how I really feel. But I'll say it
• 1:06:01
  Speaker 1: in a way where I'm not judging them or making
• 1:06:03
  Speaker 1: them feel terrible about themselves. Yeah, I have a small
• 1:06:07
  Speaker 1: group of friends that I trust that when they come
• 1:06:10
  Speaker 1: to me, they're not compassionate at all. They don't. It's
• 1:06:13
  Speaker 1: pretty much f your feelings. But I appreciate that because
• 1:06:16
  Speaker 1: I know that when they're coming to me, they're coming
• 1:06:18
  Speaker 1: to me out of compassion. It's not gonna be the nicest.
• 1:06:21
  Speaker 1: Theyin't gonna say it. Hey, no, no, They're gonna be real,
• 1:06:23
  Speaker 1: and I respect that. I'd rather than be real with
• 1:06:26
  Speaker 1: me because if not, this world is gonna be real
• 1:06:28
  Speaker 1: with me. So I'd rather my friends do it and
• 1:06:30
  Speaker 1: tell me beforehand if they see something, if I'm slipping,
• 1:06:32
  Speaker 1: if I'm acting up, if I'm not doing something right,
• 1:06:34
  Speaker 1: if I'm moving in the wrong direction. And the main
• 1:06:37
  Speaker 1: part of that, the main personal that is my wife.
• 1:06:39
  Speaker 1: My wife. You can't be real and compassionate at the
• 1:06:41
  Speaker 1: same time. Sometimes you can't. But sometimes when you, sometimes
• 1:06:44
  Speaker 1: even for myself, you need to be blatantly real for
• 1:06:48
  Speaker 1: me to understand because sometimes when you too compassionate, I
• 1:06:50
  Speaker 1: might not listen. But when you straight up and down
• 1:06:53
  Speaker 1: nig I think I think this is this is Lenard
• 1:06:57
  Speaker 1: McKelvie talking. I think I think you can be straight
• 1:06:59
  Speaker 1: up in down, you know, with compassion, you know, because
• 1:07:01
  Speaker 1: like I said earlier, honesty without compassion is cruelty. I mean,
• 1:07:05
  Speaker 1: that's why they call it being brutally honest. It's exactly that.
• 1:07:07
  Speaker 1: It's brutality. You know, when you're honest without compassion. You know,
• 1:07:11
  Speaker 1: when you're honest without empathy, it is cruelty. It's brutality.
• 1:07:14
  Speaker 1: And my whole life, my mother would tell me and
• 1:07:16
  Speaker 1: my dad we didn't know how to talk to people.
• 1:07:18
  Speaker 1: But I got that brutally honest stuff from my father.
• 1:07:21
  Speaker 1: But over the years, I've had friends, like actual friends
• 1:07:25
  Speaker 1: who I consider my family, my sisters, my brothers, who've
• 1:07:28
  Speaker 1: told me I hurt their feelings with something I said,
• 1:07:32
  Speaker 1: And in my mind, I was just being brutally honest.
• 1:07:35
  Speaker 1: But the moment that really changed me was some years
• 1:07:38
  Speaker 1: ago when my oldest daughter was at track practice and
• 1:07:41
  Speaker 1: she was doing the long jump. She'd never done the
• 1:07:43
  Speaker 1: long jump before, it was practice. It was her first
• 1:07:44
  Speaker 1: time ever doing it, and she did it and I
• 1:07:47
  Speaker 1: just blurted out, that was horrible, and she burst into tears,
• 1:07:51
  Speaker 1: and that cut me so deep. Even just thinking about
• 1:07:54
  Speaker 1: it now woul hurt. So that's when I realized, you
• 1:07:56
  Speaker 1: have to. You know, you can be honest, but you
• 1:07:58
  Speaker 1: have to be honest with ash him. So I think
• 1:08:00
  Speaker 1: that life experience with my daughter, but also doing the
• 1:08:03
  Speaker 1: work on myself, you know, going to therapy, you know,
• 1:08:05
  Speaker 1: getting to my own place of healings. So where I
• 1:08:07
  Speaker 1: don't speak with my wounds, I don't speak with my hurt,
• 1:08:10
  Speaker 1: I don't speak with my pain, but I speak with
• 1:08:12
  Speaker 1: real love. I think that's what, Uh, that's what got
• 1:08:15
  Speaker 1: me to a better place. The fact that you did
• 1:08:16
  Speaker 1: that to your daughter's crazy that you that was horrible. Goodness,
• 1:08:21
  Speaker 1: you never talk to your kids like that. It was horrible.
• 1:08:24
  Speaker 1: Me and my son got into it one time. He
• 1:08:25
  Speaker 1: was upset with me because when he was playing football,
• 1:08:28
  Speaker 1: I told him all the bad things that he did
• 1:08:30
  Speaker 1: and not the good things. But I did that because
• 1:08:32
  Speaker 1: I was saying, I want you to fix the bad
• 1:08:34
  Speaker 1: things that you're doing. I didn't know that I needed
• 1:08:36
  Speaker 1: to have compassion, be like, no, you're doing your thing,
• 1:08:38
  Speaker 1: like you're doing this, but you need to cut this way.
• 1:08:41
  Speaker 1: I don't think that's compassion though. I don't. I think
• 1:08:43
  Speaker 1: what you're doing, I don't. I don't know what you
• 1:08:45
  Speaker 1: call that. When you give somebody a compliment and then
• 1:08:47
  Speaker 1: you tell them what they did. What they call it compliment.
• 1:08:49
  Speaker 1: Sound Yeah, that's not what I'm talking about. I'm just
• 1:08:51
  Speaker 1: talking about I can be honest with a person, but
• 1:08:53
  Speaker 1: you just gotta have some compassion with it. Because if
• 1:08:55
  Speaker 1: I just when I when I jump out, and I'd
• 1:08:57
  Speaker 1: be like any you gotta hump back, right, that's just brewtality,
• 1:09:00
  Speaker 1: you know what I'm saying. But if I say, if
• 1:09:03
  Speaker 1: I say, if I say, envy, y know, I think
• 1:09:05
  Speaker 1: you should fix your posture. Brother. You know what I'm saying,
• 1:09:07
  Speaker 1: It looks like you have a hump back the way
• 1:09:08
  Speaker 1: you sit. That's that's compassion and some and sometimes you're
• 1:09:11
  Speaker 1: saying things and it's and you can say things that
• 1:09:14
  Speaker 1: are true, but it's how you say it. And listen,
• 1:09:18
  Speaker 1: I'm I know I've been the worst that that throughout
• 1:09:20
  Speaker 1: my life, especially you know, on this goddamn radio. But
• 1:09:23
  Speaker 1: that's just because you're I was being honest with no compassion.
• 1:09:27
  Speaker 1: I was being honest with no empathy. So that is brutality.
• 1:09:31
  Speaker 1: That is cruelty. I'm not I'm not brutal. You're brutal.
• 1:09:33
  Speaker 1: I'm not brutal. That's not true. You just said two
• 1:09:36
  Speaker 1: things you say you're is horrible jumping. Yeah, but Envy, Envy,
• 1:09:41
  Speaker 1: I'm not gonna go back in time because I don't
• 1:09:43
  Speaker 1: want any of us to be pulling up old stuff.
• 1:09:45
  Speaker 1: But you brutal bro, you've got on this goddamn r Angela.
• 1:09:48
  Speaker 1: You remember that one time there was a million times
• 1:09:50
  Speaker 1: no no, But remember that one time with Au the
• 1:09:53
  Speaker 1: woman got mad at Envy when you got her fire
• 1:09:58
  Speaker 1: one that was calling him an f boy. And you
• 1:10:00
  Speaker 1: remember what vycame on this radio and said, yeah, actually
• 1:10:03
  Speaker 1: Eva gets very spicy when people kind of test him
• 1:10:06
  Speaker 1: a little bit. Like but that what you had honesty
• 1:10:11
  Speaker 1: with I mean with Gero. I mean when I say
• 1:10:13
  Speaker 1: zero compassion, yeah, you had zero compassion. Whole thing. You
• 1:10:16
  Speaker 1: can't you can't go at me. And then when I
• 1:10:18
  Speaker 1: go at you, but like you went too far? Oh
• 1:10:20
  Speaker 1: she said, well you didn't temple you rich bathted. Okay,
• 1:10:24
  Speaker 1: that's exactly what it was. But my whole thing, Okay,
• 1:10:27
  Speaker 1: let's like, let's like I'm the most compassionate one here.
• 1:10:29
  Speaker 1: If you don't believe that either me, I'm att tack
• 1:10:31
  Speaker 1: you back harder. That's so don't come at me with
• 1:10:33
  Speaker 1: with with with a knife and then when I come
• 1:10:35
  Speaker 1: with a gun, it's like, oh, you went too far. No,
• 1:10:36
  Speaker 1: I didn't, you started, I was mon. All I'm saying
• 1:10:39
  Speaker 1: is honesty without compassion is cruelty, Honesty without empathy and brutality.
• 1:10:44
  Speaker 1: Because even in that situation with Tea Paine and lush Us,
• 1:10:46
  Speaker 1: you didn't tell Tea Paine, why you just stop music? What? Hello?
• 1:10:52
  Speaker 1: Who's this? Right? Yes, even though you're on the radio
• 1:10:57
  Speaker 1: and nobody can see you, you can just tell us
• 1:10:59
  Speaker 1: any name. You could have made up any name, but right,
• 1:11:01
  Speaker 1: all right, my name Peter Peter. So I've always been
• 1:11:07
  Speaker 1: told my whole life that it's not what I say,
• 1:11:10
  Speaker 1: it's the way I say it. So my mom, she
• 1:11:13
  Speaker 1: actually has she's been very sick. She has cancer and
• 1:11:16
  Speaker 1: everything like that. So she's been shying to make herself,
• 1:11:19
  Speaker 1: you know, look pretty. She had gotten a wig, you know,
• 1:11:23
  Speaker 1: some contact lenses, some great contact lenses, you know, left
• 1:11:27
  Speaker 1: a sperit. I'm the kind of guy that likes women
• 1:11:30
  Speaker 1: like all natural. I like natural beauty. Has cancer, I know,
• 1:11:36
  Speaker 1: I know. And um I sat here and I told her,
• 1:11:40
  Speaker 1: I said, I'm sorry to tell you my eyes. I
• 1:11:43
  Speaker 1: think that looks stupid. Bro, Bro, bro, come home manner.
• 1:11:55
  Speaker 1: You're naturally beautiful. You don't need those things. But I understand.
• 1:12:02
  Speaker 1: Do you really think she cared about her looks at
• 1:12:05
  Speaker 1: a time like that, Sir, No, not at all, So
• 1:12:07
  Speaker 1: why would you even bring that up? Exactly, I'm gonna
• 1:12:10
  Speaker 1: be brutley. I'm gonna be brutley mean to you. Honesty
• 1:12:13
  Speaker 1: without compassion is brutality, goodness gracious eight hundred five eight
• 1:12:18
  Speaker 1: five one on five one. Let's talk about it as
• 1:12:20
  Speaker 1: the breakfast cloak of morning. Call me and your opinions
• 1:12:31
  Speaker 1: to the breakfast club topic. I'll get five five one
• 1:12:35
  Speaker 1: five one morning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 1:12:40
  Speaker 1: the guy. We are the breakfast club. Now if you
• 1:12:42
  Speaker 1: just joined us, We're talking about a conversation with Usher
• 1:12:45
  Speaker 1: and t Pain. This is what Usha said to t Pain.
• 1:12:48
  Speaker 1: It was like, man, I want to tell you something. Man,
• 1:12:49
  Speaker 1: he's not real concerned. He was like, man, you kinda
• 1:12:53
  Speaker 1: kind of stop music. I didn't understand Usher was my friend.
• 1:12:59
  Speaker 1: It was like, I mean you really like you really
• 1:13:01
  Speaker 1: up music for real singers. Literally at that point I
• 1:13:04
  Speaker 1: couldn't listen is he right music? And I don't even
• 1:13:10
  Speaker 1: think I realized this for a long time. That's the
• 1:13:12
  Speaker 1: very moment that started like a four year depression for me.
• 1:13:17
  Speaker 1: So we're asking eight hundred five eighty five one oh
• 1:13:19
  Speaker 1: five one, are you honest without compassion? Or do you
• 1:13:23
  Speaker 1: have compassion when you're being honest? Also shout out to Nantina.
• 1:13:27
  Speaker 1: Nantina is somebody we talk about. She works for Deaf jam.
• 1:13:30
  Speaker 1: She didn't check. She's a friend of mine. We speak
• 1:13:32
  Speaker 1: about her a lot on the program. She's brutally honest
• 1:13:35
  Speaker 1: when it comes to me. She will tell me stuff
• 1:13:37
  Speaker 1: that I'd be like, God, damn, Nantina, do you ether
• 1:13:38
  Speaker 1: told me like that? But Nantinas somebody who I've heard
• 1:13:41
  Speaker 1: her feelings? Have you yes? By accident? What did you say?
• 1:13:45
  Speaker 1: What did you say? Let's not let's not take this
• 1:13:51
  Speaker 1: trip down memory. But I wasn't being brutal, but it
• 1:13:56
  Speaker 1: was brutal. No, it was honesty without compassion. My name's
• 1:14:07
  Speaker 1: Brooklyn Fromagetown. All right, now, when you when you're honest
• 1:14:13
  Speaker 1: with somebody, are you compassionate or no compassion at all?
• 1:14:15
  Speaker 1: Let's talk about it, man, My name is Brooklyn. What
• 1:14:18
  Speaker 1: you think? Oh lord? What not? What Brooklyn? Because gentrified
• 1:14:22
  Speaker 1: Brooklyn is a little more compassionate Okay, I'm forty years old,
• 1:14:26
  Speaker 1: so and that's just my name. I'm not from there,
• 1:14:29
  Speaker 1: so it's maybe it's just I don't know, so tell
• 1:14:33
  Speaker 1: us a story. Yeah, it's just kind of like with
• 1:14:36
  Speaker 1: being my mom. She was in and out, incarcerated a lot,
• 1:14:39
  Speaker 1: in and out of my life, so I have a
• 1:14:41
  Speaker 1: lot of abandonment issues and trust issues, you know what
• 1:14:44
  Speaker 1: I mean. And as I have gotten older, it's been
• 1:14:48
  Speaker 1: harder for me to approach her in a compassionate way
• 1:14:53
  Speaker 1: because I still inger inside. I feel that I feel
• 1:14:58
  Speaker 1: that childhood's inside that I don't want to come out,
• 1:15:02
  Speaker 1: but it seems like it does come out when I
• 1:15:04
  Speaker 1: approach her on certain things, because you know, trauma is
• 1:15:09
  Speaker 1: trauma and you can't can't change what has happened, you
• 1:15:13
  Speaker 1: know what I mean? All Right, So I try. I
• 1:15:15
  Speaker 1: try to be a very compassionate person on the way
• 1:15:19
  Speaker 1: I approach things because I am very aggressive, and I can,
• 1:15:24
  Speaker 1: you know, basically be rude. You know what I'm saying, absolutely,
• 1:15:28
  Speaker 1: but the truth hurts, you know what I'm saying. The
• 1:15:30
  Speaker 1: true definitely hurts, and I'm definitely the one to give
• 1:15:33
  Speaker 1: out truth sometimes. So it's something that I have to
• 1:15:36
  Speaker 1: work on. As I have gotten older and am getting older,
• 1:15:40
  Speaker 1: and I have worked is in my own So it's
• 1:15:43
  Speaker 1: just something that I work on with myself. And I
• 1:15:46
  Speaker 1: appreciate y'all listening to y'all a lot, because y'all show compassion,
• 1:15:50
  Speaker 1: y'all show realness, and y'all truth hurts. You know what
• 1:15:53
  Speaker 1: I mean? Well, this is this is this is a
• 1:15:57
  Speaker 1: new and improved breakfast club. Okay, you know me, No,
• 1:16:02
  Speaker 1: I can only speak for me. With old age therapy
• 1:16:05
  Speaker 1: and life experience, I have learned that honesty without compassion
• 1:16:08
  Speaker 1: is cruelty. Honesty without empathy is brutality. Because you know,
• 1:16:12
  Speaker 1: it's to her point. I didn't know I was being rude.
• 1:16:15
  Speaker 1: She did. No, I didn't. I really didn't. Hello, who's
• 1:16:20
  Speaker 1: this from Houston, Texas? What's up? Bro? We're talking about
• 1:16:24
  Speaker 1: being honesty and not show a compassion? Brother? Yeah, I
• 1:16:27
  Speaker 1: did it on an excident. Um. I accidentally assumed this
• 1:16:30
  Speaker 1: lady was pregnant and I congratulated her. That's me, that's
• 1:16:34
  Speaker 1: me all day I did. I definitely did that one
• 1:16:37
  Speaker 1: time and learned my lesson to never do that again.
• 1:16:40
  Speaker 1: No more this personality. I said, your congratulations, she said
• 1:16:44
  Speaker 1: what I said to pregnancy. She's like, I ain't pregnant, man,
• 1:16:47
  Speaker 1: and he did it before. Hey. Social media really too
• 1:16:51
  Speaker 1: is the home of, like, you know, honesty without compassion,
• 1:16:54
  Speaker 1: because you know, we'd be sitting around watching award shows
• 1:16:56
  Speaker 1: and stuff and people will walk out and you'd be like,
• 1:16:59
  Speaker 1: damn that person got bigger. Hell, damn that person need
• 1:17:01
  Speaker 1: away train. This isn't that. And then you come to
• 1:17:03
  Speaker 1: find out like number one, you don't hurt the person's feelings,
• 1:17:06
  Speaker 1: but also like, yo, this person might have been through something,
• 1:17:08
  Speaker 1: you know what I mean, like, and you're like, god, damn,
• 1:17:10
  Speaker 1: I didn't mean that. Man. At the end of the day,
• 1:17:12
  Speaker 1: it all comes to, you know, by caring for people
• 1:17:14
  Speaker 1: of other people feelings, all right, yeah, and and tending
• 1:17:18
  Speaker 1: to your own wounds. A lot of times when you
• 1:17:20
  Speaker 1: start getting to a place of your own healing, you know,
• 1:17:22
  Speaker 1: you don't speak through the lens of your pain. You
• 1:17:24
  Speaker 1: don't speak through the lens of your wounds. A lot
• 1:17:26
  Speaker 1: of times to be all wounds talking. Bro, All right, Well,
• 1:17:29
  Speaker 1: what's the moral of the story? More than the stories?
• 1:17:31
  Speaker 1: What I've been saying the whole all morning, Honesty without
• 1:17:33
  Speaker 1: compassion is cruelty. Honesty without empathy is brutality, and that's
• 1:17:37
  Speaker 1: just a horse lesson that I've had to learn in
• 1:17:39
  Speaker 1: my life. What's the name is Stefaniemeils new song? Just
• 1:17:42
  Speaker 1: do the right thing? There you go? All right? Well
• 1:17:45
  Speaker 1: we got rooms all the way? All right? Well, yes,
• 1:17:48
  Speaker 1: since since we're talking about being nice, Shaquille O'Neill had
• 1:17:50
  Speaker 1: some things to say about Ben Simmons. Coodn't it's curcious.
• 1:17:53
  Speaker 1: That was nothing nice, But we'll talk about it when
• 1:17:54
  Speaker 1: we come back. It's the Breakfast Club. Good morning, the
• 1:17:57
  Speaker 1: Breakfast Club. Hey morning, everybody's damage the guy. We all
• 1:18:08
  Speaker 1: the Breakfast Club. Let's get to the room is Let's
• 1:18:10
  Speaker 1: talk Soldier Boy and bow Wow. It's about this is
• 1:18:18
  Speaker 1: the rumor report. Angela Yee on the Breakfast Club. Well,
• 1:18:25
  Speaker 1: Soldier Boy and bow Wow have been having some back
• 1:18:27
  Speaker 1: and forth now. Babo posted this video of Soldier Boy.
• 1:18:31
  Speaker 1: I don't know what a verse is gonna be here.
• 1:18:33
  Speaker 1: I don't know how many songs were doing. I ain't
• 1:18:36
  Speaker 1: got no information that you're supposed to be and what
• 1:18:38
  Speaker 1: six days? I think trying to cheat, y'all. I'm d y'all,
• 1:18:42
  Speaker 1: no raining if I go to the verses and my
• 1:18:44
  Speaker 1: it ain't on point. Just know Lo ba wou cheating
• 1:18:47
  Speaker 1: it's six days posted that and captioned it Soldier Boy
• 1:18:51
  Speaker 1: thinks I'm cheating, Bro. I'd never cheat you. Bro. We
• 1:18:53
  Speaker 1: in this together, don't you trust me? You know it's
• 1:18:55
  Speaker 1: twenty songs. Don't act like you don't watch the verses,
• 1:18:58
  Speaker 1: and he said, you know it's gonna be happening this
• 1:19:01
  Speaker 1: Saturday Live and they're saying, help Drake go out. Well,
• 1:19:04
  Speaker 1: the two of them have been having a lot of
• 1:19:05
  Speaker 1: back and forth on social media. This feels like something
• 1:19:07
  Speaker 1: that they're saying it joking around, but hopefully this doesn't
• 1:19:10
  Speaker 1: get too ugly. Soldier Boy did upload an old photo
• 1:19:14
  Speaker 1: that shows bow Wow lying about writing on the private jet.
• 1:19:16
  Speaker 1: Y'all remember when that happened bow Wow challenge, Yes, and
• 1:19:19
  Speaker 1: then the two of them had a whole back and
• 1:19:21
  Speaker 1: forth on social media. So I don't know if y'all
• 1:19:23
  Speaker 1: were paying attention, but that did seem to set bow
• 1:19:26
  Speaker 1: Wow off, and he said, Soldier just stop, like literally stop.
• 1:19:29
  Speaker 1: The difference with me and you is you have to
• 1:19:30
  Speaker 1: put out music. I don't. I'll be in the box
• 1:19:32
  Speaker 1: office this weekend while you sit at home in your
• 1:19:34
  Speaker 1: living room yelling on Live but no one, and then
• 1:19:37
  Speaker 1: they had a lot more back and forth after that.
• 1:19:40
  Speaker 1: Look on Twitter you can see that. But he basically
• 1:19:43
  Speaker 1: said that he knows what Soldier Boy is getting paid
• 1:19:46
  Speaker 1: on this millennium tour. He said that his assistants. His
• 1:19:48
  Speaker 1: assistant gets paid more. Well, listen, can nobody sell a
• 1:19:52
  Speaker 1: fight like bow Wow and Soldier Boy dropping a clue's
• 1:19:54
  Speaker 1: boons for Shad Moss and Soldier Boy? Okay, that's gonna
• 1:19:58
  Speaker 1: be a good boy said couldn't Babo, couldn't make a
• 1:20:02
  Speaker 1: hit in twenty twenty one if his life depended on it.
• 1:20:04
  Speaker 1: And then he said that bat Bao, I don't even
• 1:20:06
  Speaker 1: own a bitcoin. Okay, I'm done and posted I'm number
• 1:20:10
  Speaker 1: twenty seven at Urban Radio today. Babo, I don't see
• 1:20:13
  Speaker 1: your name. I like that kind of flexing it. That's
• 1:20:16
  Speaker 1: a nice little flex. You don't even know bitcoin, not
• 1:20:21
  Speaker 1: even a bitcoin, not even a bitcoin, you don't own
• 1:20:24
  Speaker 1: a point wants to put out this Drake joint album,
• 1:20:28
  Speaker 1: but he's concerned about the timing. He was talking to
• 1:20:30
  Speaker 1: Complex and here's what he's said. Are we gonna get
• 1:20:32
  Speaker 1: a Drake Rick Ross album? What I'm gonna tell you
• 1:20:35
  Speaker 1: was after our latest released his incredible project he released
• 1:20:40
  Speaker 1: lit pepper Fish. We had that conversation and this most
• 1:20:44
  Speaker 1: definitely on the serious desideration, real talk. Okay, I think
• 1:20:50
  Speaker 1: that would be dope. You would like that, right, that'd
• 1:20:51
  Speaker 1: been good. The two of them always have good songs together.
• 1:20:54
  Speaker 1: All right. Now, let's flash back to Shaquille O'Neill talking
• 1:20:58
  Speaker 1: about Ben Simmons. Now, Ben Simmons had said this after
• 1:21:02
  Speaker 1: their loss against the Hawks, what is it in your
• 1:21:04
  Speaker 1: game that you think you need to improve? First, I
• 1:21:07
  Speaker 1: think all of it. You hit on all of them.
• 1:21:09
  Speaker 1: I ain't shoot up from the line this series offensively.
• 1:21:12
  Speaker 1: I wasn't there. I ain't doing enough for my teammates.
• 1:21:15
  Speaker 1: There's a lot of things I need to work on them. Well,
• 1:21:17
  Speaker 1: here's how Shack responded to what Ben Simmons had to say.
• 1:21:20
  Speaker 1: And Ben Simmons, whole series. If I play game one
• 1:21:24
  Speaker 1: and two and I know I'm not helping my team
• 1:21:25
  Speaker 1: out what you think I'm gonna do in game three,
• 1:21:27
  Speaker 1: don't take your seven games to realize that. I don't
• 1:21:29
  Speaker 1: want to hear that. Man. I like what you said,
• 1:21:31
  Speaker 1: but don't take seven games for you to know you're
• 1:21:33
  Speaker 1: not playing right. Get right, You're not getting double team,
• 1:21:36
  Speaker 1: get right, be aggressive. That's all I want. Just be aggressive.
• 1:21:38
  Speaker 1: I don't want to hear all that stop that the
• 1:21:41
  Speaker 1: Atlanta Hawks knocking off the Philadelphia seventy six ers one
• 1:21:44
  Speaker 1: lock around and knocked his as yeahn honest, honesty, compassion
• 1:21:52
  Speaker 1: is brutality. But I think that's the point Shack was
• 1:21:54
  Speaker 1: trying to make. He wanted to be brutal. But you
• 1:21:56
  Speaker 1: don't see basketball players like this anymore, right where where
• 1:21:59
  Speaker 1: if there was a problem, you take it to their
• 1:22:01
  Speaker 1: face and you pushing courage him to do better. You
• 1:22:04
  Speaker 1: you hear that conversation with Michael Jordan. You hear that
• 1:22:06
  Speaker 1: conversation with Kobe Bryant. Do you hear that now? Yeah?
• 1:22:08
  Speaker 1: But I think Shack needs understand that Ben Simmons is
• 1:22:10
  Speaker 1: not from that era. He's not cut from that cloth.
• 1:22:12
  Speaker 1: So him punching Ben Simmons and knocking Ben Simmons out
• 1:22:15
  Speaker 1: was not going to improve Ben simmons game. It was
• 1:22:16
  Speaker 1: not gonna make Ben Simmons be better. It would actually
• 1:22:19
  Speaker 1: probably took all Ben Simmons motivation away even more. All right, now,
• 1:22:23
  Speaker 1: Will Smith has announced as a new memoir coming out
• 1:22:25
  Speaker 1: November ninth. It's called Will This it's my book. It's
• 1:22:31
  Speaker 1: been a labor of love. I've been working on it
• 1:22:34
  Speaker 1: for the past two years and it is finally ready. Okay,
• 1:22:38
  Speaker 1: I'm here for this. Can't wait to read that. It's
• 1:22:41
  Speaker 1: already Amazon's number one bestseller. So once he put it out,
• 1:22:45
  Speaker 1: you know, the pre orders were pouring in, so you
• 1:22:47
  Speaker 1: can imagine how that book is gonna do all right.
• 1:22:50
  Speaker 1: And Christy Teagan is allegedly and talked with Oprah to
• 1:22:52
  Speaker 1: do a Megan Marco type of sit down because of
• 1:22:55
  Speaker 1: all this cyber bullying controversy that she has been going through.
• 1:22:59
  Speaker 1: And Courton Start and the woman that she also bullied
• 1:23:02
  Speaker 1: that was kind of the first person to talk about
• 1:23:04
  Speaker 1: it on social media also wants to participate. That could
• 1:23:08
  Speaker 1: be interesting to hear both sides of the story. Christ
• 1:23:13
  Speaker 1: doing the cyber bullying and Courtney started talking about that
• 1:23:15
  Speaker 1: time period when she was only sixteen years old and
• 1:23:18
  Speaker 1: Chrissy Tiguin told her to go kill yourself. I mean,
• 1:23:24
  Speaker 1: it has to be some type of redemption culture, right, like,
• 1:23:26
  Speaker 1: you know, you have to you hold somebody accountable. You know,
• 1:23:29
  Speaker 1: they have to sit down and have a conversation about
• 1:23:31
  Speaker 1: it so other people can learn from it. It's not
• 1:23:33
  Speaker 1: it's not right. But during that time, there were so
• 1:23:36
  Speaker 1: many people I was like almost like the phrase go
• 1:23:38
  Speaker 1: kill yourself, go kill you. That was the phrase that
• 1:23:39
  Speaker 1: a lot of people use back there wasn't right, but
• 1:23:41
  Speaker 1: that was if you're not compassionate. I want to shout out.
• 1:23:45
  Speaker 1: I mean, yeah, honesty without compassion is brutality. And I
• 1:23:49
  Speaker 1: want to shout out to the Jordan brand. They did
• 1:23:51
  Speaker 1: announce yesterday a partnership with eleven emerging w NBA players.
• 1:23:55
  Speaker 1: It's the largest group of Jumpman endorsees in the women's game.
• 1:23:59
  Speaker 1: I think that's a huge U representation matters so much.
• 1:24:02
  Speaker 1: And you know, eleven black women part of the Jordan brand.
• 1:24:06
  Speaker 1: That is dope. Jordan brand, y'all do a lot of
• 1:24:11
  Speaker 1: great things. My boy Adrian what he's been working at
• 1:24:18
  Speaker 1: Jordan he's talking about. That's where you get used to
• 1:24:22
  Speaker 1: get all your Jordans from who used to do all
• 1:24:23
  Speaker 1: these events for Jordan because Adrian I thought it was nice.
• 1:24:26
  Speaker 1: I thought it was just nice. That's so crazy of you.
• 1:24:30
  Speaker 1: Gosh up, I did right. Why do you have a
• 1:24:38
  Speaker 1: baby Jordan in front of you? Shout out to Marcus
• 1:24:42
  Speaker 1: Jordan toil you know, up Marcus Not. What they do
• 1:24:45
  Speaker 1: is they put USBs inside of it so you can
• 1:24:48
  Speaker 1: charge your phone. And it's something cool. Somebody gave it
• 1:24:50
  Speaker 1: to me when it's pretty dope. It's a baby Jordan.
• 1:24:53
  Speaker 1: But they put a charge of inside so you can
• 1:24:54
  Speaker 1: charge your phone. Looks dope. All right, Well I'm Angela
• 1:24:58
  Speaker 1: Ye and that's your Rember points. All right, thank you,
• 1:25:00
  Speaker 1: miss Ye up next to People's Choice Mixed Revote, We'll
• 1:25:02
  Speaker 1: see tomorrows to Breakfast Club. Good morning. Hey, it's Angela Yee.
• 1:25:13
  Speaker 1: By using brands like Dove and Helmets, you're supporting Unilever
• 1:25:17
  Speaker 1: and the everyday good they do, like donating more than
• 1:25:20
  Speaker 1: twenty five million dollars worth of everyday products and services
• 1:25:23
  Speaker 1: to groups like Feeding America this year. Visit Unilever does
• 1:25:26
  Speaker 1: Good dot com to support communities impacted by the pandemic.
• 1:25:31
  Speaker 1: Morning everybody you cj Envy, Angela Yee, Charlomagne the guy
• 1:25:35
  Speaker 1: we are the Breakfast Club. I was gonna let you
• 1:25:37
  Speaker 1: guys do this. Ten days left to my car show
• 1:25:40
  Speaker 1: in Atlanta. I'm super duper excited. We got a bunch
• 1:25:43
  Speaker 1: of celebrities that call this said they want to put
• 1:25:45
  Speaker 1: their cars in it. It's just gonna be a crazy day.
• 1:25:48
  Speaker 1: So if you haven't got your tickets, get your tickets.
• 1:25:50
  Speaker 1: You lot th Atlanta Carchella, celebrity cars, exotic cars, just
• 1:25:55
  Speaker 1: dope cars, amusement rides and all that, So get your
• 1:25:58
  Speaker 1: tickets if you haven't got it already. In more days
• 1:26:00
  Speaker 1: into the car show, and today's election day here in
• 1:26:04
  Speaker 1: New York City, so you know I'm about to go
• 1:26:05
  Speaker 1: vote as soon as I leave, y'all absolutely all right,
• 1:26:09
  Speaker 1: And when we come back, positive notice to Breakfast Club
• 1:26:10
  Speaker 1: go more wanting everybody in DJ Envy, Angela Yee, Charlo Mignea. God,
• 1:26:15
  Speaker 1: we are the Breakfast Club Now. Shout to Spice and
• 1:26:18
  Speaker 1: Shaggy for joining us, Waguan Bredrens for pulling up on
• 1:26:21
  Speaker 1: Breakfast Club, Todd pull out y'all, Oh my god, ears,
• 1:26:27
  Speaker 1: but I do want to shout them out, man. I
• 1:26:29
  Speaker 1: do really think Spice is an amazing artist and human beings.
• 1:26:31
  Speaker 1: So I'm happy to see her flourishing and putting out
• 1:26:34
  Speaker 1: her first album finally after a lot of drama with
• 1:26:37
  Speaker 1: the label. And I love to see that Shaggy connected
• 1:26:39
  Speaker 1: with her and is executive producing. So I'm excited to
• 1:26:42
  Speaker 1: hear the finished product. Yes, all prisons do to jah
• 1:26:46
  Speaker 1: Jah Ryan jahs and see, Oh my goodness, that's what
• 1:26:56
  Speaker 1: we say. I hate you. Listen all I want to
• 1:27:00
  Speaker 1: tell people too, Man, make sure you go grab state
• 1:27:02
  Speaker 1: of Emergency, how to win in the country we built.
• 1:27:04
  Speaker 1: That's Tamika Mallory's first book that's available now. Also, salute
• 1:27:08
  Speaker 1: the Audible. I got an audio book called We've Got
• 1:27:10
  Speaker 1: Answers on Audible right now. You can go check that
• 1:27:12
  Speaker 1: out too, Okay, okay. And the positive note is simply this.
• 1:27:17
  Speaker 1: This is from Paul called Elo and I'm not trying
• 1:27:20
  Speaker 1: to do Jamaican Patswis. I just can't pronounce his last name.
• 1:27:22
  Speaker 1: But Paul is a great author and I posted this
• 1:27:26
  Speaker 1: this morning. Don't allow your wounds to transform you into
• 1:27:31
  Speaker 1: someone you are not Breakfast clubites, y'all finish for y'all
• 1:27:34
  Speaker 1: dumb