Latest / Movie Meltdown / 160: Let the Trauma Begin

Transcript

160: Let the Trauma Begin · Movie Meltdown

• 0:01
  Speaker 1: I would recommend it.
• 0:03
  Speaker 2: Yeah, I left when Houdini Stan left.
• 0:06
  Speaker 3: Yeah, but you have problems.
• 0:09
  Speaker 4: I do.
• 0:09
  Speaker 3: There is a restraining.
• 0:10
  Speaker 5: Order at home. That's not a bad problem.
• 0:15
  Speaker 2: The following program is a proud member of the Palover
• 0:18
  Speaker 2: family of podcasts.
• 0:20
  Speaker 4: Check out all the shows over at palover.com.
• 0:22
  Speaker 1: That's P-A-L-A-V-R dot com.
• 0:26
  Speaker 6: The following feature has been rated R by the Motion
• 0:29
  Speaker 6: Picture Association of America. It is intended for mature audiences
• 0:32
  Speaker 6: and parental discretion is advised.
• 0:45
  Speaker 7: It's showtime, folks.
• 0:47
  Speaker 3: Enjoy the show.
• 0:50
  Speaker 8: Our nuclear reactor, pumping out one million kilowatts of power.
• 1:20
  Speaker 5: To provide more cooling in the containment chambers.
• 1:22
  Speaker 7: To your sentinels, we have a movie meltdown. I'm a
• 1:25
  Speaker 7: little too traumatized to have a scone.
• 1:30
  Speaker 3: Way down among Brazilians, coffee beans grow by the billions.
• 1:35
  Speaker 1: So they've got to find those.
• 1:37
  Speaker 6: Extra cups to fill.
• 1:40
  Speaker 9: They got an awful lot of coffee in Brazil.
• 1:44
  Speaker 3: What's up, and welcome to Movie Meltdown. I'm Brian.
• 1:47
  Speaker 1: I'm Greg.
• 1:48
  Speaker 4: I'm Lucy.
• 1:49
  Speaker 3: I'm Fred.
• 1:49
  Speaker 5: I'm Marlena.
• 1:51
  Speaker 3: And this week we actually have a packed house. We're
• 1:53
  Speaker 3: actually loaded, possibly with more people than we ever had
• 1:56
  Speaker 3: on the show, which should be interesting. So we would
• 1:59
  Speaker 3: like to welcome Alan.
• 2:01
  Speaker 10: Hello.
• 2:01
  Speaker 3: And Bo. Howdy. If you guys would like to bill
• 2:05
  Speaker 3: yourself as specific levels of geekdom or connections to.
• 2:08
  Speaker 5: He announced you first. I think you should go first.
• 2:12
  Speaker 3: Hello.
• 2:12
  Speaker 11: I'm Alan. I'm a freelance movie blogger currently writing for Louisville.com.
• 2:17
  Speaker 11: Just click on the Movies tab and you'll find me.
• 2:21
  Speaker 3: And he wrote that piece on Movie Meltdown, which if
• 2:23
  Speaker 3: you haven't passed on to everyone you know, you're just
• 2:25
  Speaker 3: not doing your job as a listener. That's just me. I,
• 2:28
  Speaker 3: you know, whatever. Whatever you want to do, slackers. So, Beau?
• 2:34
  Speaker 12: I've been managing up at Baxter Avenue Theaters for more
• 2:36
  Speaker 12: years than I care to admit to.
• 2:38
  Speaker 5: And my main thing there is I program the midnight movies.
• 2:42
  Speaker 4: All right.
• 2:43
  Speaker 3: It's time for another session of the Caffeinated Movie Geek.
• 2:45
  Speaker 1: Cappuccino, my butt.
• 2:46
  Speaker 5: I still drink coffee.
• 2:49
  Speaker 10: The last fucking thing you need is another cup of coffee.
• 2:52
  Speaker 13: It's time for Decaffeinated Movie Geek.
• 2:55
  Speaker 3: We are coming to you live from Nancy's Babel Grounds
• 2:57
  Speaker 3: via digital recording, where we get together, drink coffee, and
• 3:01
  Speaker 3: talk movies and yammer on for hours on end. So, Marlena,
• 3:07
  Speaker 3: I ask you, and luckily you're not getting the trio
• 3:09
  Speaker 3: of us doing it this week, so I ask you,
• 3:11
  Speaker 3: what blend of coffee are we drinking this week?
• 3:14
  Speaker 14: Fishers and Fallers.
• 3:16
  Speaker 3: All right.
• 3:17
  Speaker 14: And I'm sorry that I sound like Fran Drescher.
• 3:19
  Speaker 11: I've had a cold.
• 3:21
  Speaker 6: Um.
• 3:22
  Speaker 3: If we can convince people we got Fran Drescher. I
• 3:25
  Speaker 3: don't know that anybody would care.
• 3:26
  Speaker 5: They might actually stop it, right?
• 3:29
  Speaker 10: Yeah, that's true.
• 3:30
  Speaker 3: Never mind.
• 3:31
  Speaker 14: I mean, she was a babe in her day. I'm
• 3:33
  Speaker 14: not going to... I will fight people over denying that.
• 3:38
  Speaker 3: You just have to go back really far. Remember Spinal Tap?
• 3:43
  Speaker 3: She was getting Spinal Tap.
• 3:45
  Speaker 7: Exactly.
• 3:45
  Speaker 3: Exactly.
• 3:46
  Speaker 10: No.
• 3:49
  Speaker 15: All right.
• 3:51
  Speaker 3: We're trying to control our geek activities week to week now.
• 3:56
  Speaker 3: So unless we're just going to do an all-out episode,
• 3:58
  Speaker 3: which I don't know that we're going to do this
• 4:00
  Speaker 3: time around. So we're just going to pick and choose
• 4:03
  Speaker 3: who gets to do what this week. So we'll do two.
• 4:07
  Speaker 3: You guys can fight over it. Lucy, I know you
• 4:09
  Speaker 3: had a story. You want to claim it now? I
• 4:11
  Speaker 3: don't know.
• 4:11
  Speaker 4: I'm actually, I might be backpedaling on the story.
• 4:14
  Speaker 6: Okay.
• 4:16
  Speaker 2: It just suddenly occurred to me that the person about
• 4:18
  Speaker 2: whom the story is, we're asking for a favor. So
• 4:20
  Speaker 2: maybe we should wait and see if he denies the favor,
• 4:22
  Speaker 2: and then we'll tell the story.
• 4:23
  Speaker 14: Okay.
• 4:24
  Speaker 3: Have you watched anything else this week?
• 4:26
  Speaker 4: I have. Wait, was that what you had in mind?
• 4:30
  Speaker 3: Whatever you want to do. Okay.
• 4:33
  Speaker 4: Well, I did see, I've seen three movies this weekend.
• 4:36
  Speaker 7: Okay.
• 4:37
  Speaker 3: You have a problem, by the way. Go ahead.
• 4:38
  Speaker 5: I'm fully aware of that.
• 4:39
  Speaker 2: I'm seeking no help. I decided to do a Michael
• 4:43
  Speaker 2: Fassbender doubleheader. So I saw Haywire on Friday, Pallet Cleanse
• 4:49
  Speaker 2: on Saturday, which was the Man on a Ledge, and
• 4:52
  Speaker 2: then went today to see Dangerous Method.
• 4:55
  Speaker 4: So, which of those three would you like me to
• 4:58
  Speaker 4: tell you about?
• 4:59
  Speaker 3: Well, it doesn't take much to do a double feature
• 5:02
  Speaker 3: of Michael Fassbender. Just go see two movies.
• 5:04
  Speaker 4: Right, two random movies.
• 5:05
  Speaker 3: Anything you see at this point now has Michael Fassbender.
• 5:08
  Speaker 1: Tell us what you thought about Shame.
• 5:10
  Speaker 5: Review Shane.
• 5:11
  Speaker 4: I haven't actually seen Shane.
• 5:12
  Speaker 6: It doesn't matter.
• 5:13
  Speaker 5: Review him.
• 5:14
  Speaker 4: It was really sexy. That's all I know about it.
• 5:17
  Speaker 3: Michael Fassbender was amazing.
• 5:21
  Speaker 4: Let's see.
• 5:22
  Speaker 3: I'll start.
• 5:23
  Speaker 4: Should I just jump in there with Haywire?
• 5:25
  Speaker 3: I don't know.
• 5:26
  Speaker 4: Has anybody else seen it? Am I the only one?
• 5:28
  Speaker 3: I'm on my own. It's all you.
• 5:30
  Speaker 4: I'm a woman on a ledge. Okay. It was, I
• 5:34
  Speaker 4: was confounded by it. I think ultimately I walked away
• 5:36
  Speaker 4: liking it.
• 5:37
  Speaker 2: Tonally, I couldn't really decide what was going on at first.
• 5:42
  Speaker 2: My sort of experience with Steven Soderbergh is that obviously,
• 5:45
  Speaker 2: you know, he sort of does these small, interesting movies.
• 5:49
  Speaker 2: And then he does, you know, that maybe don't, that
• 5:51
  Speaker 2: have a low budget and maybe don't look super great
• 5:54
  Speaker 2: but have a lot to say. And then he does
• 5:56
  Speaker 2: these huge glossy movies that are kind of empty.
• 6:00
  Speaker 3: Ocean's Eleven's good.
• 6:01
  Speaker 10: Shut up.
• 6:02
  Speaker 4: So this sort of seemed like the worst of all worlds.
• 6:06
  Speaker 2: It was just like this action film that looked terrible.
• 6:08
  Speaker 3: I was going to say, I haven't seen it, but
• 6:11
  Speaker 3: I heard one review and it was kind of that
• 6:13
  Speaker 3: same thing. It was not so positive.
• 6:15
  Speaker 2: But it actually, somewhere halfway through, won me over. I mean,
• 6:19
  Speaker 2: it's intentionally schlocky it just it just looked I mean
• 6:22
  Speaker 2: the quality of it was so poor it just looked
• 6:24
  Speaker 2: like a really bad 90s independent film like just sort
• 6:27
  Speaker 2: of like a genesis of I mean I can't even
• 6:30
  Speaker 2: get into how bad it looked but it something happens
• 6:33
  Speaker 2: like there's certain cues where I was like wait is
• 6:35
  Speaker 2: this intentionally terrible and then I was like oh it
• 6:38
  Speaker 2: is because this music is so ridiculously over the top
• 6:40
  Speaker 2: like he's going for something here and she Gina Carano
• 6:44
  Speaker 2: am I saying her name right I'm just going to
• 6:46
  Speaker 2: guess fighter girl yeah the mixed martial arts lady yeah
• 6:50
  Speaker 2: She can't act, God bless her heart, but.
• 6:53
  Speaker 10: It kind of worked. Better watch it.
• 6:55
  Speaker 3: She'll kick your ass.
• 6:57
  Speaker 4: But everything about it worked. I mean, it was super fun.
• 7:00
  Speaker 4: So anyway, I guess ultimately got a thumbs up.
• 7:03
  Speaker 1: Super fun is.
• 7:04
  Speaker 3: You know, super fun. Intentionally, what was it? Intentionally... Intentionally schlocky. Schlocky.
• 7:10
  Speaker 2: Yeah, because I mean, I guess it's supposed to be
• 7:12
  Speaker 2: just kind of a gal kicking the dude's ass.
• 7:14
  Speaker 3: Kind of movie. There's a lot of those lately.
• 7:17
  Speaker 6: Yeah.
• 7:18
  Speaker 3: That's not a bad thing.
• 7:19
  Speaker 2: But this was interesting because I don't think there's a
• 7:21
  Speaker 2: waitress at the beginning, but I was trying to think
• 7:22
  Speaker 2: if there was another female with lines, and I don't
• 7:25
  Speaker 2: think that it really was.
• 7:26
  Speaker 4: It was just sort of her navigating this male world.
• 7:28
  Speaker 3: Does she have lines, or does she just kick people's ass?
• 7:31
  Speaker 10: Oh, she does.
• 7:31
  Speaker 2: And apparently, she actually has this really sort of smoky,
• 7:34
  Speaker 2: sultry voice, and I heard later that it was digitally manipulated.
• 7:38
  Speaker 10: Turn up the smoky.
• 7:40
  Speaker 3: They dubbed in Kathleen Turner. I'm going to kick your
• 7:43
  Speaker 3: ass now.
• 7:44
  Speaker 4: I was a little shocked.
• 7:45
  Speaker 2: I actually read that the budget was like $ 25 million
• 7:47
  Speaker 2: and it's making me concerned that Steven Soderbergh maybe has
• 7:50
  Speaker 2: a drug problem.
• 7:51
  Speaker 4: I just don't know.
• 7:52
  Speaker 2: There were lots of locations and I guess that's kind
• 7:54
  Speaker 2: of his deal. He likes to travel around and hang
• 7:56
  Speaker 2: out with his buddies.
• 7:57
  Speaker 10: And do drugs.
• 7:59
  Speaker 3: Maybe you're going the wrong way. Maybe he just has
• 8:02
  Speaker 3: a nice Swiss bank account somewhere. Just funnel that money
• 8:06
  Speaker 3: and buy a nice house somewhere and be in another
• 8:09
  Speaker 3: country where they can't be extradited.
• 8:10
  Speaker 4: So that's what I got.
• 8:11
  Speaker 2: But actually, I thought, is it Misty that hates Channing Tatum?
• 8:13
  Speaker 4: Do I remember her?
• 8:15
  Speaker 1: Doesn't everybody hate Channing Tatum?
• 8:17
  Speaker 3: I can't say in particular. Something I remember.
• 8:20
  Speaker 2: Reasonably speaking about how much they hate Channing Tatum, and
• 8:22
  Speaker 2: there's actually a great line at the beginning because she's
• 8:25
  Speaker 2: sort of on the run, and you're just being introduced
• 8:28
  Speaker 2: to her character, and this car pulls up, and the
• 8:31
  Speaker 2: first line of the film, Channing Tatum gets out of
• 8:34
  Speaker 2: the car, and.
• 8:34
  Speaker 5: She goes, oh shit.
• 8:36
  Speaker 4: I'm like, that was kind of my reaction. I'm like, wait,
• 8:38
  Speaker 4: he's in this?
• 8:39
  Speaker 3: Oh shit.
• 8:40
  Speaker 12: It was strange you mentioned that too because somebody was
• 8:43
  Speaker 12: telling me the other day they read somewhere that there's
• 8:45
  Speaker 12: supposed to be some Hollywood movie about his life.
• 8:48
  Speaker 5: I'm like, Really?
• 8:49
  Speaker 7: Channing Tatum?
• 8:49
  Speaker 3: Channing Tatum?
• 8:50
  Speaker 5: They're doing a biopic at this stage?
• 8:52
  Speaker 10: Channing Tatum.
• 8:54
  Speaker 11: Right.
• 8:55
  Speaker 4: I gotta say, he kind of won me over in
• 8:57
  Speaker 4: this one.
• 8:57
  Speaker 2: Oh, God.
• 8:58
  Speaker 3: Oh, wow. Wait, wait, wait.
• 8:59
  Speaker 4: Between that, and let me say something else.
• 9:01
  Speaker 2: Between that and the trailer for, I'm sure you guys
• 9:03
  Speaker 2: already know about this, but I'm behind on everything, The
• 9:06
  Speaker 2: 21 Jump Street.
• 9:07
  Speaker 14: Oh, God.
• 9:08
  Speaker 2: Yeah.
• 9:09
  Speaker 1: With Jonah Hill?
• 9:10
  Speaker 4: I thought it looked amazing.
• 9:11
  Speaker 7: Oh, no.
• 9:12
  Speaker 4: I'm alone in that?
• 9:13
  Speaker 3: Oh, you're still alone on that one. I was....
• 9:17
  Speaker 1: Which one's Johnny Depp?
• 9:18
  Speaker 3: The thing that was really weird was he looks so
• 9:21
  Speaker 3: different in that. Like, he looks like he gained, like,
• 9:23
  Speaker 3: 40 pounds. Like, what happened between the last few projects? And, like,
• 9:27
  Speaker 3: all of a sudden, he looks like he's trying to
• 9:29
  Speaker 3: catch up with Jonah Hill. I don't know what the
• 9:32
  Speaker 3: deal is. Because, yeah, Jonah dropped some, and it's like,
• 9:35
  Speaker 3: Channing picked it up. And I don't know. That was
• 9:37
  Speaker 3: very strange.
• 9:38
  Speaker 4: Well, he's winning me over.
• 9:39
  Speaker 3: I don't know. What's the new trailer that's out for
• 9:42
  Speaker 3: the sappy movie that he's in, where the girl loses
• 9:45
  Speaker 3: her memory?
• 9:46
  Speaker 4: That movie is going to ruin so many Valentine's Days.
• 9:49
  Speaker 2: I feel like that movie is going to be responsible
• 9:50
  Speaker 2: for so many breakups.
• 9:55
  Speaker 3: Did you see what I posted about it?
• 9:57
  Speaker 15: No.
• 9:57
  Speaker 3: Because it's still, it's the first thing that came to mind.
• 10:00
  Speaker 15: Mind.
• 10:00
  Speaker 3: I saw that trailer and he's trying to emote and
• 10:02
  Speaker 3: he's trying to be all nice to his memory-damaged wife
• 10:06
  Speaker 3: and I just watch him and he has that look
• 10:09
  Speaker 3: like a dog hears a funny noise, you know, and
• 10:11
  Speaker 3: he's kind of turning his head and I was just, aw,
• 10:13
  Speaker 3: look at that Channing Tatum. He thinks he's people. Sorry,
• 10:18
  Speaker 3: I just I can't watch him be serious. It's hard
• 10:21
  Speaker 3: enough to watch him in G.I. Joe, for God's sakes.
• 10:23
  Speaker 1: I can't watch him in a romance.
• 10:24
  Speaker 14: How would you watch G.I.
• 10:25
  Speaker 15: Joe?
• 10:26
  Speaker 3: Because Snake Eyes was there. Duh.
• 10:27
  Speaker 10: Cobra Commander.
• 10:28
  Speaker 3: When I saw the trailer.
• 10:29
  Speaker 5: For the second one, I was like, they made enough money.
• 10:32
  Speaker 3: Yeah. But have you seen who they keep throwing in there?
• 10:35
  Speaker 3: It looks like it's going to be a very different movie.
• 10:39
  Speaker 3: As much as I did not like the first one.
• 10:41
  Speaker 3: It's going to be more like the cartoon. It might be.
• 10:43
  Speaker 3: And you throw Bruce Willis in the middle of anything. Yeah,
• 10:46
  Speaker 3: it's like.
• 10:48
  Speaker 8: Here's $ 40 million. Just put those two in G.I. Joe
• 10:51
  Speaker 8: and I'm happy.
• 10:52
  Speaker 3: That's perfect casting, actually. I wish it wouldn't have sucked
• 10:57
  Speaker 3: the first time.
• 10:59
  Speaker 1: I'm still upset about the Marlon Wayans thing.
• 11:02
  Speaker 3: In general, like his existence.
• 11:05
  Speaker 1: Ever since I was forced to watch The Little Man.
• 11:10
  Speaker 3: You got scammed on that one.
• 11:11
  Speaker 8: I just about killed someone over that one.
• 11:14
  Speaker 11: Why did you even watch it?
• 11:16
  Speaker 7: Just run. Yeah, never mind.
• 11:18
  Speaker 3: It was one of those.
• 11:21
  Speaker 8: You're going to stay with someone because they're sick and
• 11:23
  Speaker 8: you're going to make sure they're okay.
• 11:25
  Speaker 1: And this was all that was available.
• 11:27
  Speaker 5: Well, they were sick if they were watching.
• 11:28
  Speaker 3: Yeah.
• 11:29
  Speaker 5: So, so basically they got better. You died inside. Right.
• 11:33
  Speaker 3: The Wayne's mission is accomplished.
• 11:35
  Speaker 1: You know, drinking too much. I don't even know.
• 11:38
  Speaker 8: Castor oil or whatever. And having a four minute fart
• 11:43
  Speaker 8: and shit joke that you can write better than that.
• 11:47
  Speaker 1: So it was, it was bad.
• 11:50
  Speaker 14: Wow.
• 11:51
  Speaker 7: Me bad. Sorry.
• 11:53
  Speaker 1: It's your geek week.
• 11:56
  Speaker 3: Did you round out yours, Lucy?
• 11:57
  Speaker 4: Yeah, I think so. I don't think we need to
• 11:59
  Speaker 4: talk about.
• 12:00
  Speaker 6: Hand on the Ledge.
• 12:01
  Speaker 8: If I saw three movies in a weekend, I felt
• 12:03
  Speaker 8: like I'd won an award or something.
• 12:07
  Speaker 7: Like, really?
• 12:07
  Speaker 1: No, three out in theaters. Oh, yeah. No, out in theaters.
• 12:14
  Speaker 10: No, I see plenty at home. You get so under-exerted.
• 12:19
  Speaker 5: After a while.
• 12:20
  Speaker 17: Right.
• 12:20
  Speaker 10: You get on a good movie marathon. Sometimes I have
• 12:23
  Speaker 10: to do push-ups.
• 12:25
  Speaker 18: Right.
• 12:25
  Speaker 3: You're like, oh, man, this cheek is hurting.
• 12:30
  Speaker 5: I've got to sleep.
• 12:30
  Speaker 10: It's like when VCRs first came out. Holy cow, I
• 12:34
  Speaker 10: can watch as many movies.
• 12:36
  Speaker 3: As I want. And 17 later, you're like, oh, my God.
• 12:40
  Speaker 8: I just watched Krull 25 times in a row.
• 12:43
  Speaker 3: There's only three movies.
• 12:44
  Speaker 8: What do you want? That's the only movie I had
• 12:47
  Speaker 8: was Krull, and I just kept watching it.
• 12:49
  Speaker 3: Yeah, it's all Beastmaster for me.
• 12:52
  Speaker 1: At least you had Beastmaster.
• 12:53
  Speaker 5: Man, that was awesome.
• 12:55
  Speaker 3: On that note, we should take a break, and we
• 12:57
  Speaker 3: will come back with this week's topic.
• 13:00
  Speaker 4: Thank you.
• 13:29
  Speaker 6: We're happy to have you with us this evening and
• 13:31
  Speaker 6: want you to enjoy every minute of your stay here.
• 13:33
  Speaker 6: And while you relax and stretch, visit our concession where
• 13:37
  Speaker 6: you'll find something to please you. There are ice cold drinks,
• 13:40
  Speaker 6: delicious sandwiches, ice cream, coffee and snacks, and many other
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  Speaker 6: pleasing treats. Our foods are fresh and tasty, our drinks
• 13:50
  Speaker 6: satisfying and refreshing. They're so good.
• 13:54
  Speaker 18: The Davises have had a baby, but they're not sending
• 13:57
  Speaker 18: out any announcements. Most new parents are a little scared
• 14:01
  Speaker 18: when they have a baby. The Davises are terrified. You see,
• 14:06
  Speaker 18: there's only one thing wrong with the Davis baby.
• 14:10
  Speaker 5: It's alive.
• 14:10
  Speaker 2: It's alive.
• 14:13
  Speaker 18: Don't see it alone. Please.
• 14:17
  Speaker 7: Rated PG.
• 14:19
  Speaker 13: There's a new podcast in town. Warned, alive or preferably dead.
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• 15:31
  Speaker 3: Well, I love the movies.
• 15:33
  Speaker 17: Welcome to the biggest movie event of the year.
• 15:36
  Speaker 6: We're going to have a great night, ladies and gentlemen.
• 15:39
  Speaker 9: And the Oscar goes to.
• 15:41
  Speaker 10: Nicholson. Nick Ledger.
• 15:43
  Speaker 5: Thank you so much.
• 15:44
  Speaker 7: Ladies and gentlemen, Prepare yourselves.
• 15:50
  Speaker 3: That's what I'm saying, but half the time there's only
• 15:52
  Speaker 3: three of us that show up for this. Right.
• 15:55
  Speaker 10: Mine's going to be sitting here buying this.
• 15:57
  Speaker 3: It's just me.
• 15:58
  Speaker 19: So, anyway, I'm going to have Hot Dog watch this show.
• 16:03
  Speaker 3: Hey, look at that. She's got a fancy dress on.
• 16:06
  Speaker 3: That would be fantastic. Coming to you soon. Grinding by
• 16:14
  Speaker 3: himself eating hot dogs. The 2012 Oscar party.
• 16:19
  Speaker 1: From his basement.
• 16:21
  Speaker 7: With all the glitz, glamour, pork products, and vicious commentary
• 16:25
  Speaker 7: you've come to know and love.
• 16:27
  Speaker 3: Hey guys, I like bologna.
• 16:30
  Speaker 8: So I took some bologna and I wrapped it around
• 16:33
  Speaker 8: a hot dog.
• 16:33
  Speaker 10: Rupert Popkin.
• 16:35
  Speaker 6: Mom!
• 16:35
  Speaker 10: I'm having a show down here. What the fuck?
• 16:42
  Speaker 3: Keep it down. I'm trying to tell all the people
• 16:45
  Speaker 3: about this fancy dress she's wearing.
• 16:48
  Speaker 7: Coming soon to this feed.
• 16:51
  Speaker 3: The fourth annual Oscar meltdown.
• 16:53
  Speaker 7: The Academy Awards will never be the same.
• 16:56
  Speaker 6: Show starts in one minute.
• 17:00
  Speaker 3: Meet me at the waterfront after the show's over.
• 17:02
  Speaker 15: The Academy Awards When I look into your eyes, it
• 17:10
  Speaker 15: comes as no surprise.
• 17:35
  Speaker 17: It's part of your problem, you.
• 17:47
  Speaker 18: Know.
• 17:47
  Speaker 3: You haven't seen enough movies.
• 17:49
  Speaker 6: All of life's riddles are answered in the movies. And now,
• 17:54
  Speaker 6: on with the show.
• 18:05
  Speaker 17: I could be the first to let you.
• 18:07
  Speaker 19: Know That nothing means anything Now I'm standing here outside
• 18:14
  Speaker 19: your door In the.
• 18:16
  Speaker 6: Pouring rain and I can't believe Nothing's supposed to get to.
• 18:22
  Speaker 19: Me Now I'm in this misery I can't be with.
• 18:32
  Speaker 17: Anyone since I've felt our worlds collide.
• 18:37
  Speaker 5: It's like I almost.
• 18:39
  Speaker 14: Died the way you make me feel.
• 18:42
  Speaker 7: I'm changing, getting.
• 18:44
  Speaker 19: Me and breaking down inside. Baby, can't you see you're.
• 18:56
  Speaker 4: I'm so upset that I have to see that Alfred
• 19:00
  Speaker 4: Knopf movie or whatever.
• 19:02
  Speaker 3: You have to. Gun to your head.
• 19:06
  Speaker 4: I have no choice.
• 19:08
  Speaker 5: And I don't want to.
• 19:10
  Speaker 3: If you want to get by somewhere in the middle,
• 19:13
  Speaker 3: just watch Hook. What? Glenn Close dressed as a man
• 19:18
  Speaker 3: in the middle of Hook. You can suffice. You can
• 19:21
  Speaker 3: get by on that. I'm telling you.
• 19:23
  Speaker 1: Glenn close isn't she almost always.
• 19:25
  Speaker 3: She that's arguable but no it's a very minor little
• 19:29
  Speaker 3: um sort of cameo thing that yeah when if you
• 19:33
  Speaker 3: if you want to remember hook when he's on the
• 19:35
  Speaker 3: the ship and captain hook starts like yelling at two
• 19:38
  Speaker 3: guys and one of them's robin williams pretending like he's
• 19:41
  Speaker 3: in disguise and the other one standing next to him
• 19:43
  Speaker 3: some weird-looking guy with a beard who kind of looks
• 19:45
  Speaker 3: like a woman, it's Glenn Close.
• 19:47
  Speaker 5: Why?
• 19:48
  Speaker 3: I don't know. I mean, it's never explained, I guess,
• 19:51
  Speaker 3: like she was hanging out with Spielberg for no good reason.
• 19:54
  Speaker 5: There's a man in Fatal Attraction, I credit her pun, but....
• 19:58
  Speaker 11: Did anybody see Angels in America? The very first scene
• 20:06
  Speaker 11: has Meryl Streep playing a male... Jewish rabbi.
• 20:10
  Speaker 5: Oh, yeah.
• 20:11
  Speaker 7: Oh, really?
• 20:12
  Speaker 6: Uh-huh.
• 20:14
  Speaker 3: Because she doesn't get enough work. Some poor starving actor
• 20:17
  Speaker 3: out there.
• 20:18
  Speaker 8: Somebody needs to cast Fender and Meryl Streep in a film.
• 20:21
  Speaker 1: Being starving artists, right?
• 20:23
  Speaker 3: Oh, that's true. They don't get much work these days.
• 20:26
  Speaker 12: I say you make a movie that has Meryl Streep,
• 20:29
  Speaker 12: Sondra Bullock, Julie Roberts, Richard Gere, George Clooney, Hugh Grant,
• 20:34
  Speaker 12: it'll play forever.
• 20:36
  Speaker 3: Directed by Stephen Sutter.
• 20:39
  Speaker 5: No, Clint Eastwood. All the old people love Clint Eastwood.
• 20:41
  Speaker 3: Oh, that's true.
• 20:42
  Speaker 5: That'd be the kicker.
• 20:43
  Speaker 14: That sounds like the worst movie I've ever seen.
• 20:49
  Speaker 1: Yeah, he's just thinking.
• 20:50
  Speaker 3: About Clint Eastwood. Think of the profit margin.
• 20:54
  Speaker 8: But do older people buy snacks?
• 20:58
  Speaker 7: Not really.
• 20:59
  Speaker 5: They don't know the names of movies either. I recommend
• 21:02
  Speaker 5: George Clooney movie. Or just George Clooney.
• 21:05
  Speaker 3: The Michael Fashbender movie. Well, there's six. Pick one.
• 21:09
  Speaker 12: I was actually irritated that we didn't have an overlap
• 21:11
  Speaker 12: of Ides of March and Descendants because they were men.
• 21:14
  Speaker 5: George Clooney movie? Which one?
• 21:16
  Speaker 1: Just selling two tickets.
• 21:17
  Speaker 3: Sorry.
• 21:18
  Speaker 1: Printed them out.
• 21:19
  Speaker 3: You got a paper bowl.
• 21:19
  Speaker 12: I had a couple little old ladies come in last
• 21:22
  Speaker 12: week and they came up and they asked for Iron Dragon.
• 21:24
  Speaker 5: So I sold them tickets to.
• 21:25
  Speaker 12: The Girl with the Dragon tattoo because I figured they
• 21:27
  Speaker 12: didn't want to see that Meryl Streep thing.
• 21:29
  Speaker 5: Oh, shit.
• 21:31
  Speaker 15: I used to work with a guy who would say
• 21:34
  Speaker 15: to me, Well, he always wanted to go to lunch
• 21:36
  Speaker 15: to go over, like, work stuff, and there was no
• 21:39
  Speaker 15: work stuff to go over.
• 21:40
  Speaker 5: He just wanted to talk.
• 21:41
  Speaker 10: About what Clint Eastwood movies he had watched that night,
• 21:45
  Speaker 10: or something.
• 21:46
  Speaker 15: And he would say to me, yeah, I got nearly
• 21:48
  Speaker 15: to the end of this movie last night, and I realized.
• 21:52
  Speaker 10: I'd rented it last week. Has that ever happened to you?
• 21:56
  Speaker 2: Like, no.
• 21:58
  Speaker 3: No, I have a brain.
• 22:01
  Speaker 10: I can't imagine that happening to me.
• 22:03
  Speaker 15: That's I had to quit the job because I couldn't
• 22:07
  Speaker 15: babysit this guy anymore.
• 22:09
  Speaker 1: I'll give you five minutes to figure out if you've
• 22:11
  Speaker 1: seen it before. If you started it from the beginning.
• 22:14
  Speaker 3: Alright, we're back and it's time for The Grind. In
• 22:27
  Speaker 3: this segment, we will discuss a specific topic or question
• 22:30
  Speaker 3: related to movies and as often as possible, which doesn't
• 22:33
  Speaker 3: happen often, We'd like the questions to come from you,
• 22:36
  Speaker 3: the listener. Lately, you've been slacking. In general, you've been slacking.
• 22:40
  Speaker 3: But if you have any suggestions, send them to us,
• 22:43
  Speaker 3: email them over, and we will try to work them
• 22:45
  Speaker 3: into some sort of future segment. In the meantime, this
• 22:48
  Speaker 3: one comes from Fred. And I thought it was pretty
• 22:51
  Speaker 3: damn good. He actually does listen, from what I've heard.
• 22:54
  Speaker 3: He seems to know about ones he's not on. That
• 22:57
  Speaker 3: must mean something. So Fred suggested that we discuss traumatic movies.
• 23:02
  Speaker 3: Or then as we... got into the breakdown more or
• 23:05
  Speaker 3: less movies that scarred you for life and uh you
• 23:09
  Speaker 3: were were you inspired by my horror story is that
• 23:13
  Speaker 3: what you said uh kick that one off my uh
• 23:16
  Speaker 3: my horror tale of the last.
• 23:17
  Speaker 15: American virgin oh yeah well that came to mind but
• 23:20
  Speaker 15: also at the time i was watching super with the
• 23:23
  Speaker 15: wife and kids oh yeah and uh it was like
• 23:26
  Speaker 15: finally i thought i'd got my kids to the level
• 23:29
  Speaker 15: of trauma that I'd been looking for. Like ever since
• 23:32
  Speaker 15: I tried to watch Deadwood with my daughter when she
• 23:35
  Speaker 15: was in fourth grade or something. Um, but yeah, they
• 23:40
  Speaker 15: really did not like it. Um, and I was like,
• 23:44
  Speaker 15: I was, I really enjoyed the movie. I had a
• 23:47
  Speaker 15: great time. No, I did not like.
• 23:51
  Speaker 3: That at all. It's not your standard superhero movie.
• 23:55
  Speaker 10: But they did watch it.
• 23:57
  Speaker 3: Then you successfully traumatized them.
• 23:59
  Speaker 15: It's like Dwight Schrute in Taxi Driver.
• 24:02
  Speaker 3: It is, exactly. It's exactly what it is.
• 24:06
  Speaker 10: Yeah, and it's pretty brutal in places. But if you're
• 24:11
  Speaker 10: in the right spirit.
• 24:13
  Speaker 15: To watch it, the right sense of fun, it's quite
• 24:19
  Speaker 15: a good comedic little movie.
• 24:22
  Speaker 10: It's just horrifying at the same time.
• 24:24
  Speaker 3: Yeah, there are. I was trying to come up with
• 24:26
  Speaker 3: a few different ones, and it was funny looking at
• 24:29
  Speaker 3: my list. Most of mine were traumatic sexually oriented. There
• 24:34
  Speaker 3: was only one that's like horror, and it was when
• 24:35
  Speaker 3: I was really, really little. So I can go into
• 24:38
  Speaker 3: that one. But yeah, it was funny that most of
• 24:40
  Speaker 3: them are just horrible, horrible, sex stories mixed into these things.
• 24:44
  Speaker 12: I kind of even wondered what you meant as in traumatic,
• 24:46
  Speaker 12: like it traumatized you as a child or as an
• 24:48
  Speaker 12: adult now?
• 24:50
  Speaker 15: Well, I have different categories. There are lots of different
• 24:54
  Speaker 15: kinds of trauma. I was thinking, I recently watched The
• 24:58
  Speaker 15: Naked City again, and it was traumatizing. I'd seen it
• 25:03
  Speaker 15: when I was a kid, and it was not scary
• 25:05
  Speaker 15: or frightening, but it was a movie where they.
• 25:09
  Speaker 10: They filmed on location in New York, and they really
• 25:12
  Speaker 10: tried to work in just the sense of the city
• 25:16
  Speaker 10: never sleeping. And there was something about that that just
• 25:19
  Speaker 10: kept me up at night. So there's that, but there's
• 25:22
  Speaker 10: also the traumatic movie.
• 25:24
  Speaker 15: Which is the movie you hate that everybody you know loves.
• 25:28
  Speaker 15: And so it's just alienation trauma.
• 25:32
  Speaker 10: What did I do that I've become so separated from my.
• 25:36
  Speaker 15: Fellow humans that all of them are eating this up
• 25:40
  Speaker 15: and I'm over here just cussing to myself.
• 25:43
  Speaker 3: You feel that way a lot, don't you?
• 25:44
  Speaker 6: Yes, yes.
• 25:45
  Speaker 5: I sympathize with that. I had a couple of those
• 25:47
  Speaker 5: over the summer. It's like, come watch this.
• 25:49
  Speaker 1: This is great.
• 25:50
  Speaker 5: I'm like, No, that's not.
• 25:52
  Speaker 7: Yeah.
• 25:53
  Speaker 10: So, you know, it was just a general.
• 25:56
  Speaker 3: Yeah, I simply throw it out to all of those.
• 25:58
  Speaker 10: There's, you know, going back to the Bambi trauma.
• 26:01
  Speaker 3: Yeah, yeah. That's what mine was that early on. It's
• 26:05
  Speaker 3: not Bambi, but.
• 26:07
  Speaker 10: Yeah.
• 26:09
  Speaker 3: Yeah, if we want to go with my horror one,
• 26:11
  Speaker 3: and I was trying to think, because there weren't a lot,
• 26:12
  Speaker 3: especially horror, like, again, we, you know, we had cable
• 26:15
  Speaker 3: when I was a kid, so I saw way more
• 26:17
  Speaker 3: stuff than I ever needed to, and they didn't seem
• 26:20
  Speaker 3: to care. So yeah, I, I, you know, I grew
• 26:23
  Speaker 3: pretty scarred early, I suppose, and then didn't worry about
• 26:26
  Speaker 3: any of them anymore. So horror, I couldn't really think
• 26:28
  Speaker 3: of anything after the fact. There were a lot of
• 26:30
  Speaker 3: them that I really liked later, but the only one
• 26:33
  Speaker 3: I could think of that was like really legitimately traumatizing,
• 26:37
  Speaker 3: and this wasn't even the movie, this was the TV
• 26:40
  Speaker 3: spot for a movie. And it's not even the trailer.
• 26:43
  Speaker 3: I went back and watched the trailer. The trailer's normal.
• 26:46
  Speaker 3: It's specifically the TV spot that they ran for It's Alive.
• 26:50
  Speaker 3: Does anybody know that one? Do you know? Yeah.
• 26:52
  Speaker 5: Larry Cohen film.
• 26:53
  Speaker 3: Yeah, yeah. And I went back and rewatched it today
• 26:57
  Speaker 3: because I was trying to, I had a weird image
• 26:59
  Speaker 3: of it in my head that I haven't seen it
• 27:00
  Speaker 3: since then, I don't think. And I went back to
• 27:02
  Speaker 3: double check and make sure I was thinking of the right. No, no,
• 27:04
  Speaker 3: it's that one. I was like, holy shit. Yep, that's it.
• 27:07
  Speaker 3: It starts off and it's just this shot of a bassinet.
• 27:10
  Speaker 3: And it's like, It's playing that, that like music box
• 27:15
  Speaker 3: kind of jangly rockabye baby, creepy ass music. And it, well,
• 27:19
  Speaker 3: it's rotating around it and it's giving you this, like
• 27:21
  Speaker 3: the Davis's are having a baby. And it's just like,
• 27:24
  Speaker 3: it comes off kind of creepy in tone anyway. And
• 27:27
  Speaker 3: then as it comes around, there's like this green hand
• 27:29
  Speaker 3: hanging out of the bassinet. And I remember, I don't
• 27:32
  Speaker 3: even know how young I was, but I remember like
• 27:34
  Speaker 3: that totally disturbing the hell out of me. Like to
• 27:38
  Speaker 3: the point of, like not wanting to see it when
• 27:41
  Speaker 3: it came on in the middle of cartoon and they
• 27:42
  Speaker 3: were running it. That was what became funny. And that's
• 27:45
  Speaker 3: why I remembered this one. It was so bad that
• 27:47
  Speaker 3: like my mom called the station. It was on the
• 27:52
  Speaker 3: local station and they were running it like in the
• 27:54
  Speaker 3: middle of the afternoon in the middle of cartoons. And
• 27:57
  Speaker 3: then when she called, they were like, yeah, we've got another.
• 28:00
  Speaker 10: So you're watching Muppet babies. Yeah.
• 28:03
  Speaker 3: It wasn't just me. I was just, yeah, I was
• 28:05
  Speaker 3: just like, and it's funny. Like, I think I remember
• 28:08
  Speaker 3: other stuff like that at that time. But then as
• 28:11
  Speaker 3: time went on, I was like, it's not that theme. Like,
• 28:13
  Speaker 3: I don't care about it now. It's like, I would
• 28:16
  Speaker 3: go watch the movie. In fact, I watched the trailer.
• 28:17
  Speaker 3: I was like, shit, we need to watch this. This
• 28:19
  Speaker 3: looks cheesy as hell. So I'm like, I'm kind of
• 28:22
  Speaker 3: all for watching it. And then they've done that sort
• 28:25
  Speaker 3: of evil thing, baby thing, a million times since then.
• 28:29
  Speaker 3: I mean, Grace was pretty huge a few years ago.
• 28:32
  Speaker 3: And I was thinking, I actually watched a short. We
• 28:35
  Speaker 3: talked to... Jack Daniel Stanley at Fright Night years ago,
• 28:39
  Speaker 3: who directed one called A Little Mouth to Feed. Go
• 28:42
  Speaker 3: find that. I think you can go to his website
• 28:44
  Speaker 3: and watch his short films. It's awesome. It's that same
• 28:48
  Speaker 3: creepy baby idea, and it's really well shot. So yeah,
• 28:52
  Speaker 3: go watch that if you want to see a creepy
• 28:53
  Speaker 3: baby movie. But yeah, it's weird, because it wasn't even
• 28:57
  Speaker 3: the movie itself. It was just that weird... And they
• 29:01
  Speaker 3: did a good job with it. Because the thing is,
• 29:02
  Speaker 3: the trailer, the actual trailer, is terrible. Like, it's just
• 29:05
  Speaker 3: random scenes slapped together. Like, the trailer is just a
• 29:08
  Speaker 3: bad trailer, but that TV spot is fucking creepy.
• 29:13
  Speaker 8: While we're talking about creepy babies, I think the one
• 29:15
  Speaker 8: that had probably most people that have seen it that
• 29:18
  Speaker 8: probably would freak them out, or did. I might have
• 29:21
  Speaker 8: been too young, because I think I was maybe 16
• 29:23
  Speaker 8: or 17 and thought I was cool watching it. But
• 29:26
  Speaker 8: when I first saw Eraserhead... Yeah, yeah, yeah. I think
• 29:30
  Speaker 8: that messed me up in a couple of ways.
• 29:33
  Speaker 10: I'll give you that one.
• 29:37
  Speaker 8: And I've never gone back because I was. and that's
• 29:42
  Speaker 8: what I think of when you say trauma. If you
• 29:44
  Speaker 8: see something and you're like, I'm just going to, even
• 29:47
  Speaker 8: all the good, bad, great things you hear about, or
• 29:52
  Speaker 8: even people referencing it, I'm like, maybe I missed that
• 29:55
  Speaker 8: or maybe I should re, you know, whatever, but I won't.
• 29:58
  Speaker 8: Cause I'm like, that just is unsettling to me. And
• 30:00
  Speaker 8: like I said, maybe I was too young.
• 30:03
  Speaker 3: Yeah.
• 30:03
  Speaker 2: That's me in full metal jacket because I'm kind of
• 30:06
  Speaker 2: a completionist. I would like to see all Stanley Kubrick's movies.
• 30:09
  Speaker 2: I literally cannot watch that movie because my first memory
• 30:12
  Speaker 2: of it, my, it had just come out on videotape
• 30:14
  Speaker 2: and my cousin decided that that's a movie that he
• 30:17
  Speaker 2: and his little kid cousin should watch together. And I remember, um,
• 30:21
  Speaker 2: And I can still see the pattern on my aunt's
• 30:23
  Speaker 2: couch because I just remember putting my face into the
• 30:25
  Speaker 2: couch and crying and begging him not to make me
• 30:28
  Speaker 2: wash it. And I had a pillow over my head
• 30:31
  Speaker 2: just weeping because it was just the most insane, violent.
• 30:34
  Speaker 4: Thing I'd ever seen.
• 30:35
  Speaker 2: And it scarred me so profoundly that to this day,
• 30:37
  Speaker 2: like a couple years ago, I was like, okay, this
• 30:39
  Speaker 2: is silly.
• 30:40
  Speaker 5: I'm ready.
• 30:41
  Speaker 2: And somebody put it on Blu-ray and we got through
• 30:43
  Speaker 2: the first, you know, the Vincent D'Onofrio sequence. And then
• 30:45
  Speaker 2: I was like, nope, I'm out.
• 30:46
  Speaker 3: I can't do it. The impression of the pattern is
• 30:48
  Speaker 3: still kind of on your face a little bit.
• 30:50
  Speaker 8: You can't even watch Vincent Monoprio on TV now.
• 30:53
  Speaker 15: Yeah, I can't watch that on Ardor.
• 30:59
  Speaker 4: The rest was me and the couch.
• 31:00
  Speaker 3: I don't know. It's a shame because that is the
• 31:04
  Speaker 3: best part of the movie. You get to that halfway
• 31:06
  Speaker 3: point and it's a different movie.
• 31:08
  Speaker 14: I've never seen it. It's on my list, but I've
• 31:10
  Speaker 14: just never seen it.
• 31:11
  Speaker 10: The thing I remember the most is just the funniness
• 31:14
  Speaker 10: of it.
• 31:17
  Speaker 3: Kubrick's got his weird sense of humor.
• 31:19
  Speaker 5: Early Army, it's a mix of terrifying. Oh, yeah.
• 31:21
  Speaker 3: Well, and now he's just kind of funny. Like, he's
• 31:24
  Speaker 3: played that joke version of himself. But when that first
• 31:26
  Speaker 3: came out, like, nobody knew that as a joke.
• 31:29
  Speaker 10: So it's like.
• 31:30
  Speaker 3: He legitimately was probably frightening at that point.
• 31:33
  Speaker 8: His same character as Toy Story, the money guy from
• 31:36
  Speaker 8: Toy Story. You're going to take it as serious.
• 31:39
  Speaker 3: There's a dead version of that guy in The Frighteners
• 31:41
  Speaker 3: yelling at other ghosts. He does that version over and
• 31:45
  Speaker 3: over again.
• 31:45
  Speaker 15: It's like that bit they did on Saturday Night Live
• 31:48
  Speaker 15: where I think Phil Hartman was the drill sergeant, but
• 31:51
  Speaker 15: he was just so inarticulate. He would try to dress
• 31:55
  Speaker 15: people down, but he couldn't find the right words to say.
• 31:59
  Speaker 10: He said, so what are you laughing at, son? You're Mr. Laughing,
• 32:04
  Speaker 10: Joking Man.
• 32:06
  Speaker 12: I saw this great interview with Ernie, though, to where
• 32:09
  Speaker 12: he was talking about his character in the film versus
• 32:12
  Speaker 12: the Army now. And he said, oh, you can't do
• 32:13
  Speaker 12: that now because you can't hit the cadets or anything.
• 32:16
  Speaker 12: I can teach you so much if I can just
• 32:18
  Speaker 12: touch you.
• 32:21
  Speaker 5: Jesus, that's terrifying. He was interviewing him, right?
• 32:24
  Speaker 1: Sounds like a pedophile.
• 32:25
  Speaker 5: I could teach you so much if I could touch you.
• 32:29
  Speaker 3: Well, even in general, I mean, there's so much of
• 32:30
  Speaker 3: that stuff I don't think you can say anymore. Maybe
• 32:33
  Speaker 3: if nobody's around.
• 32:34
  Speaker 14: In the Army, I actually knew someone who had joined
• 32:38
  Speaker 14: the Air Force, and they said it's comical because they're
• 32:41
  Speaker 14: not allowed to swear at you. They can insult you,
• 32:44
  Speaker 14: but they say things like, get on the ground and
• 32:46
  Speaker 14: give me 20 push-ups, you little wussy, sissy baby.
• 32:50
  Speaker 15: Yeah, it's like a thousand and one Amish insult.
• 32:56
  Speaker 14: It's like you wussy, sissy.
• 33:00
  Speaker 3: It used to be nothing but jokes about you being
• 33:03
  Speaker 3: gay or jokes about your race. And it's like, well,
• 33:06
  Speaker 3: officially you shouldn't be able to do that anymore. So
• 33:08
  Speaker 3: what do they yell at you now?
• 33:10
  Speaker 10: Our wars are so much nicer now.
• 33:11
  Speaker 5: We really don't have that type of thing.
• 33:13
  Speaker 3: That's true.
• 33:13
  Speaker 8: I am all for them throwing all of that out.
• 33:16
  Speaker 8: If they can't take it, fuck out. That should be
• 33:20
  Speaker 8: the one place where anything goes.
• 33:22
  Speaker 3: Thank you, Sergeant Greg.
• 33:24
  Speaker 1: I'm not putting myself in that situation.
• 33:26
  Speaker 5: You need to apologize to the contention artist.
• 33:29
  Speaker 3: Isn't that funny, Sarge?
• 33:31
  Speaker 15: A Kubrick movie is one of my traumatic movies, but
• 33:35
  Speaker 15: it It was when I was grown, and for different reasons,
• 33:38
  Speaker 15: it was.
• 33:39
  Speaker 10: Eyes wide shut. It's kind of traumatizing. And it was
• 33:41
  Speaker 10: just because I was so disappointed in Cooper.
• 33:43
  Speaker 3: Right, right.
• 33:44
  Speaker 15: It's just, oh, that's awful. And then for other reasons,
• 33:49
  Speaker 15: because it was the first time that it occurred to
• 33:55
  Speaker 15: me that so many naked women could be so boring.
• 33:58
  Speaker 3: That was showgirls for me. Yeah. It was just like,
• 34:01
  Speaker 3: it was.
• 34:03
  Speaker 15: And the other thing, it was sort of that alienation
• 34:06
  Speaker 15: trauma because somebody told me how much they loved the movie.
• 34:09
  Speaker 11: Yeah.
• 34:10
  Speaker 10: And that person was my mom.
• 34:14
  Speaker 3: That's traumatizing. Yeah. Yeah.
• 34:16
  Speaker 10: She was going on about, I just thought it was
• 34:18
  Speaker 10: really well. And I'm like, mom, I don't know you.
• 34:22
  Speaker 3: And I don't want to know. Yeah.
• 34:24
  Speaker 6: Yeah.
• 34:25
  Speaker 3: While we're on the Kubrick run, I hadn't thought about
• 34:28
  Speaker 3: that one until you started your story, Lucy, but I
• 34:31
  Speaker 3: kind of had that, and on a Kubrick movie, I saw,
• 34:35
  Speaker 3: and it was one of those, again, when cable was
• 34:36
  Speaker 3: just sort of on, and I came in the room,
• 34:39
  Speaker 3: or maybe I turned it, I don't know, but I
• 34:41
  Speaker 3: came in in the middle of Clockwork Orange with the
• 34:46
  Speaker 3: big sculpture scene, and I... I was not ready for that.
• 34:51
  Speaker 10: Oh, and the cartoon thing. Yeah, I remember that. It
• 34:54
  Speaker 10: just took your breath away.
• 34:56
  Speaker 3: And it was one of those, yeah, I was like,
• 34:58
  Speaker 3: something about this is not right. And it did kind
• 35:01
  Speaker 3: of mess me up at that point, and I left
• 35:03
  Speaker 3: it alone. It was one of those, it was kind
• 35:04
  Speaker 3: of your reaction, Greg. I don't want to go back,
• 35:06
  Speaker 3: and it took me years and years to go, all right, fine,
• 35:10
  Speaker 3: let's see. And then I was like, holy shit, this
• 35:12
  Speaker 3: is amazing. So it's funny how much it put me
• 35:14
  Speaker 3: off of a good movie for, A long damn time.
• 35:18
  Speaker 5: The first time I saw that was with my grandmother.
• 35:20
  Speaker 3: Oh, nice.
• 35:21
  Speaker 5: It was nice and awkward.
• 35:23
  Speaker 3: Yeah, I'd say so.
• 35:24
  Speaker 5: Well, the whole problem was it was AFI used to
• 35:27
  Speaker 5: do those lists all the time. So that was like this.
• 35:29
  Speaker 3: We need to hit all of these.
• 35:30
  Speaker 5: Yeah, growing up, that was the thing. We would go out,
• 35:33
  Speaker 5: we'd rent a couple movies and watch them.
• 35:35
  Speaker 12: And it worked well enough for the 100 greatest movies,
• 35:38
  Speaker 12: but then they did the 100 greatest thrillers or.
• 35:41
  Speaker 5: Something like that. And actually, it was the week before that.
• 35:46
  Speaker 5: we had watched Blue Velvet.
• 35:49
  Speaker 3: That's awkward enough.
• 35:50
  Speaker 5: This is on the list, and she's like, oh.
• 35:52
  Speaker 10: Dennis Hopper's great in that. I love that role.
• 35:54
  Speaker 5: And she's sitting there, and it's like, oh, this is awkward.
• 35:57
  Speaker 12: And the next we call it up with that, it's like,
• 35:58
  Speaker 12: I think I'm going to put this list to the side.
• 36:01
  Speaker 5: Until I'm watching these on my own.
• 36:02
  Speaker 3: Yeah, let me weed through some of these.
• 36:04
  Speaker 10: No, no.
• 36:04
  Speaker 3: I heard about movies with Fred's mom.
• 36:07
  Speaker 15: You know, actually, we watched Blue Velvet with the kids
• 36:10
  Speaker 15: a couple of weeks ago.
• 36:11
  Speaker 10: It was one of the ones. My son is wonderful.
• 36:15
  Speaker 15: Maybe he gets this from me, but if he has
• 36:17
  Speaker 15: friends over, he doesn't want to watch one of the movies.
• 36:20
  Speaker 10: I say you ought to watch.
• 36:21
  Speaker 3: Of course not.
• 36:23
  Speaker 10: Because his friends drive him crazy. They won't shut up
• 36:26
  Speaker 10: during the movie. And he feels like he's supposed to
• 36:29
  Speaker 10: really see the movie.
• 36:31
  Speaker 15: And so it was a little bit that way with
• 36:34
  Speaker 15: Blue Velvet.
• 36:34
  Speaker 10: There was a little too much talking going on.
• 36:37
  Speaker 3: Smack those kids around.
• 36:38
  Speaker 7: What the hell?
• 36:38
  Speaker 11: I feel like watching the movie, you would just sort of,
• 36:42
  Speaker 11: enraptured in silence. Like, I can't imagine talking through it.
• 36:46
  Speaker 1: Like, I'm going to text now.
• 36:47
  Speaker 5: Really?
• 36:48
  Speaker 3: Yeah, I would think kids sitting there watching it, you'd
• 36:51
  Speaker 3: feel the trauma wash over them.
• 36:53
  Speaker 12: It's something that kind of grows slightly humorous the more
• 36:56
  Speaker 12: you watch it.
• 36:56
  Speaker 3: Yeah, the first time. It's awkward.
• 36:58
  Speaker 15: Yeah, those first scenes with Dennis Hopper, who was just.
• 37:05
  Speaker 10: Weird enough anyway without going out of his way.
• 37:09
  Speaker 7: And amazing.
• 37:09
  Speaker 14: Yeah.
• 37:10
  Speaker 3: The perfect mix of the two.
• 37:13
  Speaker 11: I haven't seen that in years, but I've actually found
• 37:15
  Speaker 11: myself thinking about the music. So I listen to the
• 37:17
  Speaker 11: Blue Velvet theme, and I listen to the Roy Orbison song,
• 37:22
  Speaker 11: Candy Colored Cloud.
• 37:23
  Speaker 5: Yeah.
• 37:24
  Speaker 10: That scene is amazing.
• 37:26
  Speaker 13: He's a suave fuck.
• 37:30
  Speaker 10: He is.
• 37:32
  Speaker 11: On the topic of David Lynch, actually, I was going
• 37:34
  Speaker 11: to bring up Eraserhead, so it kind of comes full circle.
• 37:37
  Speaker 10: The first time I saw.
• 37:38
  Speaker 11: That was I was 18, and I had heard about it,
• 37:41
  Speaker 11: so I rented it, and I popped it in, and
• 37:44
  Speaker 11: I was five minutes in, and I just felt very,
• 37:47
  Speaker 11: very uncomfortable just with the whole mood, so I stopped
• 37:50
  Speaker 11: right there. And then I watched it later and forced
• 37:55
  Speaker 11: myself through it, and now it's like one of my
• 37:57
  Speaker 11: favorite movies. But it took me a minute.
• 38:01
  Speaker 12: Going back to what you were talking about earlier.
• 38:05
  Speaker 12: I sort of side with you in the sense I
• 38:06
  Speaker 12: watched so many horror films growing up, but not that
• 38:08
  Speaker 12: many bothered me.
• 38:08
  Speaker 5: The only one that actually sticks out is the original
• 38:12
  Speaker 5: Day of the Trippids.
• 38:13
  Speaker 3: Wow.
• 38:14
  Speaker 5: As cheesy as it is, and I think it's just
• 38:16
  Speaker 5: because it was so washed out. Because I've never seen a.
• 38:19
  Speaker 7: Clean version of that.
• 38:20
  Speaker 3: I have a VHS one at home.
• 38:24
  Speaker 12: There's something about it where even to this day, people say,
• 38:27
  Speaker 12: there's a meteor shower tonight.
• 38:28
  Speaker 5: Keeping me in the shower. I'm going inside and I'm
• 38:30
  Speaker 5: watching that.
• 38:32
  Speaker 3: I'm going to be over here poking the blob. Don't
• 38:33
  Speaker 3: worry about me.
• 38:34
  Speaker 6: Yeah, exactly.
• 38:35
  Speaker 15: Well, the one that got me as a kid was
• 38:38
  Speaker 15: Invasion of the Body Snatchers. And it's just so psychologically
• 38:43
  Speaker 15: strange to.
• 38:44
  Speaker 20: Think people not being the people you know. And, you know,
• 38:51
  Speaker 20: I had a, I think it had a big impact
• 38:53
  Speaker 20: on me because I already had like a really unhappy childhood.
• 38:56
  Speaker 6: Yeah.
• 38:57
  Speaker 10: I was just so unhappy. And then I watched that
• 38:59
  Speaker 10: movie and it's.
• 39:00
  Speaker 2: Like, oh.
• 39:04
  Speaker 15: It tapped into whatever sense of alienation or, I.
• 39:10
  Speaker 3: Don't know.
• 39:10
  Speaker 15: I think everybody maybe has some degree of unhappiness growing
• 39:16
  Speaker 15: up where just the walls of the house start to
• 39:19
  Speaker 15: be embedded with arguments and bickering and people you love
• 39:25
  Speaker 15: but you can't live with. You know, you just, everything starts.
• 39:30
  Speaker 15: to be annoying. And so that was my childhood. And,
• 39:36
  Speaker 15: you know, full scale. But that was the movie that
• 39:39
  Speaker 15: really just had a kind of resonance. And I loved
• 39:43
  Speaker 15: horror movies, but I tended to identify with the monsters.
• 39:46
  Speaker 3: Mm-hmm.
• 39:47
  Speaker 15: I didn't really find them frightening. I, I just, you know,
• 39:51
  Speaker 15: back in the day it was TV guide and you,
• 39:55
  Speaker 15: you'd scan the week for the horror movies and try
• 39:58
  Speaker 15: to be there when they were on.
• 40:00
  Speaker 10: Um, but that, that's the one that was, uh, really.
• 40:07
  Speaker 15: The traumatic, in the area of horror, which I would
• 40:11
  Speaker 15: class that rather than sci-fi.
• 40:13
  Speaker 3: It's a really smart movie, and it probably is because
• 40:15
  Speaker 3: it's so psychological. It's not a monster after you. It's
• 40:19
  Speaker 3: about everything around you collapsing, basically.
• 40:22
  Speaker 4: You guys just did a remake episode, right? Did you
• 40:25
  Speaker 4: address that one? Because that one's been.
• 40:26
  Speaker 3: Remade like four times. Yeah, at least four different versions.
• 40:30
  Speaker 3: We did the 70s one. I don't think we've covered
• 40:32
  Speaker 3: anything else.
• 40:33
  Speaker 4: Because I actually think the 70s one's more scary.
• 40:35
  Speaker 3: I really like the 70s one. I really like the
• 40:39
  Speaker 3: 70s one. But I went back and re-watched the first
• 40:42
  Speaker 3: one in addition to, just to kind of compare the two.
• 40:45
  Speaker 3: And the original's amazing, too. They're both really good. I
• 40:48
  Speaker 3: haven't seen the later two, so I'm assuming they're probably bad.
• 40:52
  Speaker 5: The 70s one is up. It's good.
• 40:57
  Speaker 15: See, everybody says that, but for me, the original one
• 41:01
  Speaker 15: is the only one.
• 41:02
  Speaker 3: Well, I mean, it's just a different theme. Like, it
• 41:05
  Speaker 3: becomes about an entirely different thing than the 50s one was.
• 41:09
  Speaker 5: What about the.
• 41:09
  Speaker 10: Dog with the human head?
• 41:13
  Speaker 3: I'm going to get one of those.
• 41:14
  Speaker 15: Apparently, I don't get this movie because, oh, and here's
• 41:18
  Speaker 15: a dog with a human head.
• 41:19
  Speaker 10: What does that have to do with anything?
• 41:21
  Speaker 3: You're going to turn into one of those now, I hope.
• 41:23
  Speaker 3: I guess. much like Channing Tatum he thinks he's people
• 41:31
  Speaker 3: nice poor Channing I hope he's listening anyway.
• 41:37
  Speaker 8: This is a little short one that was unexpectedly traumatic
• 41:42
  Speaker 8: and I've shared this with other people in the past
• 41:46
  Speaker 8: the same moment and I think it's because it's such
• 41:49
  Speaker 8: a fun almost innocent movie until this point and it's
• 41:54
  Speaker 8: just it's Two seconds of the film, but after that moment,
• 42:00
  Speaker 8: you're just kind of on edge. But in Pee Wee's
• 42:03
  Speaker 8: Big Adventure, the large mark. That is so traumatic to
• 42:09
  Speaker 8: see that face. And now, I mean, when he gets
• 42:12
  Speaker 8: into the truck, you're just building and building and building.
• 42:17
  Speaker 8: Every single time, I'm like, just don't do it. Just
• 42:19
  Speaker 8: don't do that part. It's kind of creepy. Because you
• 42:23
  Speaker 8: weren't expecting it.
• 42:24
  Speaker 3: That started, I'll give you the first time I saw that,
• 42:26
  Speaker 3: it did just totally catch me off guard. Because, again,
• 42:29
  Speaker 3: everything else is live action. And all of a sudden,
• 42:31
  Speaker 3: you get this cartoon, crazy animated thing. And you're just like, oh,
• 42:35
  Speaker 3: my God, what the hell just happened? But, again, fast
• 42:38
  Speaker 3: forward to me being a weird kid and then liking
• 42:41
  Speaker 3: all that kind of stuff. Because most of the others
• 42:43
  Speaker 3: became that. So then you fast forward, like, five minutes
• 42:46
  Speaker 3: later when I'm slow-moing it on the VCR.
• 42:48
  Speaker 2: Yeah.
• 42:49
  Speaker 3: Going, look at him. Like, watching the eyes get giant. Yeah,
• 42:53
  Speaker 3: so the first time through. After that, I still, I
• 42:56
  Speaker 3: kind of love it. It's still unnerving, but it's pretty awesome.
• 42:59
  Speaker 11: That whole movie kind of has me on edge, though.
• 43:01
  Speaker 3: Yeah.
• 43:02
  Speaker 11: I'd never seen Pee Wee Herman before watching this movie.
• 43:05
  Speaker 5: And, um.
• 43:06
  Speaker 11: I was just, I didn't know what to think. I
• 43:09
  Speaker 11: didn't know what I was supposed to be doing with myself.
• 43:13
  Speaker 3: Okay, wait, you can take that the wrong way.
• 43:17
  Speaker 1: What does the bike mean?
• 43:19
  Speaker 3: Pee-wee jokes. So, but yeah, I mean, it is, I've
• 43:25
  Speaker 3: always said that. It's like, Pee-wee's Big Adventure is different
• 43:28
  Speaker 3: than anything else Pee-wee related ever. It's definitely 90% Tim
• 43:32
  Speaker 3: Burton in my mind. It's very much His style and his,
• 43:36
  Speaker 3: you definitely get that Pee Wee character running through it
• 43:39
  Speaker 3: and his weird sense of humor, but so much of
• 43:42
  Speaker 3: the tone and what's going on is just so early
• 43:45
  Speaker 3: Tim Burton before.
• 43:46
  Speaker 5: He started to suck.
• 43:47
  Speaker 12: You know, you mentioned Tim Burton, that reminds me of
• 43:49
  Speaker 12: what you were talking about earlier, the sense of betrayal,
• 43:51
  Speaker 12: not necessarily terror from films, but over the summer, everyone
• 43:56
  Speaker 12: kept recommending Rise of the Planet of the Apes to me.
• 43:59
  Speaker 12: And so I was like, okay, I was completely betrayed
• 44:01
  Speaker 12: by Burton's.
• 44:03
  Speaker 5: You know, horrendous efforts.
• 44:05
  Speaker 10: Planet of the whatever.
• 44:06
  Speaker 3: Planet of the Marky Marks.
• 44:08
  Speaker 5: So everyone kept saying, oh, no, it's a great movie,
• 44:10
  Speaker 5: it's a great movie, and I was a fan of
• 44:11
  Speaker 5: all the originals. I thought, okay, I'll let you all
• 44:13
  Speaker 5: lure me to it.
• 44:14
  Speaker 12: So I was there with a couple friends that I
• 44:15
  Speaker 12: genuinely trust their, you know, movie insight.
• 44:18
  Speaker 5: And they'd seen it like three times. I thought, okay,
• 44:20
  Speaker 5: this has to be good. And the whole time I
• 44:21
  Speaker 5: was there, I was watching, I'm like, what is the
• 44:23
  Speaker 5: deal with this?
• 44:24
  Speaker 12: I'm like the only person in this theater who does
• 44:26
  Speaker 12: not like this. And even after the film, they were like,
• 44:30
  Speaker 12: why didn't you like it? And I gave like this
• 44:32
  Speaker 12: 20-minute discussion.
• 44:33
  Speaker 5: And they're like, You're putting too much thought into it.
• 44:38
  Speaker 15: I love it when people give you that, oh, you're
• 44:40
  Speaker 15: trying to make too big. No, it's just not working
• 44:43
  Speaker 15: for me.
• 44:44
  Speaker 8: If somebody spends $ 20, $ 30, $ 100 million on a film,
• 44:48
  Speaker 8: you're supposed to think about it. They invested a lot
• 44:51
  Speaker 8: of money into it.
• 44:52
  Speaker 10: He was like, give me one thing.
• 44:53
  Speaker 5: I said, how old is James Franco supposed to be?
• 44:56
  Speaker 5: He's like, I don't know, 30.
• 44:56
  Speaker 12: I said, well, 10 years have passed, so does that
• 44:58
  Speaker 12: mean that he was 20 when he discovered the cure
• 45:00
  Speaker 12: for Alzheimer's?
• 45:02
  Speaker 5: I didn't think about that much. That was the problem
• 45:04
  Speaker 5: when I saw the trailer.
• 45:06
  Speaker 3: See, we should come back to that because there's a
• 45:09
  Speaker 3: lot to deal with in that movie. I didn't hate it,
• 45:11
  Speaker 3: but again, I just don't put it with the other...
• 45:14
  Speaker 3: It's not in that realm.
• 45:16
  Speaker 1: It's a cool concept.
• 45:17
  Speaker 3: There's a lot.
• 45:18
  Speaker 8: Of cool stuff in it, but it felt flat for me.
• 45:21
  Speaker 2: I thought as subversive ALF propaganda as a mainstream film,
• 45:27
  Speaker 2: it was, I can't even believe this is happening right now.
• 45:29
  Speaker 4: It was just straight up Animal Liberation front.
• 45:31
  Speaker 3: I thought it was awesome. I don't know. There was
• 45:35
  Speaker 3: a lot of cool stuff in it. I still kind
• 45:39
  Speaker 3: of have issue with the cartoon monkeys, but it's funny
• 45:41
  Speaker 3: how quick everybody got over that. Everybody bad-mouthed it so
• 45:44
  Speaker 3: much on that trailer, and then suddenly they forgot about
• 45:46
  Speaker 3: that part.
• 45:47
  Speaker 4: Because he wins you over.
• 45:49
  Speaker 3: I was like, it's good. It's the best you can
• 45:51
  Speaker 3: do on CG, but it still kind of looks a
• 45:53
  Speaker 3: little weird. I don't know.
• 45:55
  Speaker 5: It looks too much like a painting still. Yeah, yeah.
• 45:58
  Speaker 3: It still kind of got bad.
• 45:58
  Speaker 5: Even that didn't bother me. I got over that. It
• 46:00
  Speaker 5: was just too many plot issues.
• 46:05
  Speaker 10: The childhood traumas, one I've heard about is a lot
• 46:10
  Speaker 10: of teachers will show Watership Downs because.
• 46:13
  Speaker 7: It's a cartoon.
• 46:14
  Speaker 5: I forgot.
• 46:14
  Speaker 10: And they don't know what they're doing. They just figure
• 46:18
  Speaker 10: it's a cartoon with rabbits. And then they pay no attention.
• 46:22
  Speaker 10: And the whole classrooms of kids are freaked out by it.
• 46:26
  Speaker 3: I think I did that to Misty. When we watched it,
• 46:29
  Speaker 3: she'd never seen it before. Yeah. What the hell are
• 46:32
  Speaker 3: we watching?
• 46:33
  Speaker 4: Oh, bunnies!
• 46:34
  Speaker 15: But, you know, it's funny about kids when they're growing up. Like,
• 46:37
  Speaker 15: sometimes when they're real little, stuff won't bother them, but
• 46:40
  Speaker 15: they're a little older. Like, you know, The Lion King.
• 46:43
  Speaker 15: My kids would watch.
• 46:44
  Speaker 10: They don't care.
• 46:44
  Speaker 3: Mufasa.
• 46:44
  Speaker 10: Okay, forget Mufasa. But then they get a little older,
• 46:48
  Speaker 10: and then it starts to bother them. Because, I don't know,
• 46:51
  Speaker 10: they're more aware of.
• 46:54
  Speaker 3: life stuff has weight then you know when you're a
• 46:56
  Speaker 3: little kid it doesn't mean anything but once you start
• 46:59
  Speaker 3: to realize oh his father's dead you know it's like
• 47:01
  Speaker 3: it does start to mean something that I don't think
• 47:04
  Speaker 3: it does when you're really.
• 47:05
  Speaker 14: Maybe because I don't have a father, like.
• 47:09
  Speaker 10: Because he was trampled by wildebeest, so.
• 47:12
  Speaker 3: That's, you know, that's... I couldn't relate. If we had
• 47:16
  Speaker 3: a nickel for having people hear Father Trampled by Wildebeest.
• 47:19
  Speaker 14: I mean, everyone loves The Lion King. I mean, people
• 47:22
  Speaker 14: in my generation love The Lion King, and they remember it,
• 47:25
  Speaker 14: and it's like one of their favorite movies from their childhood,
• 47:27
  Speaker 14: and I'm just like, I didn't really like it. I
• 47:29
  Speaker 14: didn't like it as a kid. I hated Charlotte's Web. Like,
• 47:32
  Speaker 14: my aunt kept trying to buy me that.
• 47:34
  Speaker 10: You hated Templeton?
• 47:36
  Speaker 3: Templeton's fun. Come on.
• 47:37
  Speaker 14: Like the cartoon. You know, my aunt kept trying to
• 47:40
  Speaker 14: buy me the VHS tape, and I kept, like, throwing
• 47:43
  Speaker 14: it away, and she'd find it.
• 47:45
  Speaker 10: It comes back.
• 47:48
  Speaker 14: I fucking hate this movie. Stop trying to give it
• 47:50
  Speaker 14: to me.
• 47:51
  Speaker 3: The pig came back the very next day.
• 47:52
  Speaker 14: That's true, but that was actually before I was attacked
• 47:54
  Speaker 14: by a pig and gained my pig phobia. But, I mean.
• 47:58
  Speaker 3: I'll give you Lion King. I was not on board.
• 48:00
  Speaker 3: I know people still love it.
• 48:03
  Speaker 10: It's JTT.
• 48:04
  Speaker 3: No, it was the fucking song. That Elton John score
• 48:08
  Speaker 3: is just obnoxious. He had good days, but they're well
• 48:13
  Speaker 3: before Lion King came around.
• 48:16
  Speaker 15: Oh, man, I could probably enact the Lion King word
• 48:18
  Speaker 15: for word.
• 48:19
  Speaker 3: Well, it's because it's Shakespeare, but anyway.
• 48:23
  Speaker 15: But the funny thing was, everybody went on like there
• 48:26
  Speaker 15: was something about the clouds that looked like it spelled sex.
• 48:30
  Speaker 10: I was like, forget that. Why are you looking for
• 48:33
  Speaker 10: subliminal stuff? There's a scene in it where the two
• 48:38
  Speaker 10: lions go rolling down a hill. He lands on top
• 48:40
  Speaker 10: of her.
• 48:41
  Speaker 7: She.
• 48:42
  Speaker 10: She reaches up and licks his face, and he goes, wrong?
• 48:46
  Speaker 14: Right.
• 48:46
  Speaker 10: And then he looks at her, and.
• 48:48
  Speaker 15: She does this face, and it's that face women do
• 48:51
  Speaker 15: that says, do me.
• 48:54
  Speaker 10: Right. Missionary position, though. That's the funny thing.
• 48:56
  Speaker 3: That's what's funny.
• 48:57
  Speaker 15: And it's like, how do the cartoonists even know about
• 49:00
  Speaker 15: that face?
• 49:01
  Speaker 10: They had to bring in horny lionesses.
• 49:03
  Speaker 5: To try to capture that.
• 49:05
  Speaker 10: If I saw a real actress do that in a movie,
• 49:08
  Speaker 10: I'd say it's Oscar time.
• 49:09
  Speaker 15: Because nobody can do that with command.
• 49:12
  Speaker 3: I know trained actresses.
• 49:14
  Speaker 10: And I've asked them, can you do that? I dare you.
• 49:17
  Speaker 10: Try to do that. They can't do it.
• 49:19
  Speaker 3: I like that you assume the cartoonists have never been late.
• 49:24
  Speaker 3: It's sad, but that might be true.
• 49:27
  Speaker 10: But the first time I watched it, I'm like, what
• 49:29
  Speaker 10: the fuck is going to happen here? I don't know
• 49:34
  Speaker 10: where this is going.
• 49:35
  Speaker 3: I just, yeah, I like that they, they end up missionary. Like,
• 49:38
  Speaker 3: I'm just like, they're animals. That's not how it goes.
• 49:41
  Speaker 19: I think it is.
• 49:42
  Speaker 5: A Disney policy. The cartoonists that they hired, they aren't
• 49:45
  Speaker 5: allowed to have sex.
• 49:46
  Speaker 3: That's why, that's why it manifests itself on the screen.
• 49:50
  Speaker 10: Running an evil empire.
• 49:51
  Speaker 4: Sure.
• 49:53
  Speaker 5: Um, I don't know.
• 49:55
  Speaker 3: Uh, Well, there's a lot about that. I mean, I've
• 49:57
  Speaker 3: always had issues with this. Again, we're sidetracked. But I mean,
• 50:00
  Speaker 3: that whole movie, like how many animal asses do I
• 50:03
  Speaker 3: need to see in one movie? Like it becomes like
• 50:07
  Speaker 3: the whole song. Yeah, that whole song is nothing. But
• 50:10
  Speaker 3: then you get the whole, oh, good, let's work in
• 50:12
  Speaker 3: fart jokes in this kid's movie. And you get nothing
• 50:15
  Speaker 3: but shots of his ass. And I'm just like, this
• 50:17
  Speaker 3: is dumb. It is, and it didn't used to be.
• 50:20
  Speaker 12: There was a bunch of fallout, too, about the Be
• 50:23
  Speaker 12: Prepared song. The hyenas look too much like Nazis.
• 50:25
  Speaker 3: See, that's the only scene I liked. I thought it
• 50:29
  Speaker 3: was very obvious that's what they're doing.
• 50:31
  Speaker 12: They actually had to change it for one of the
• 50:32
  Speaker 12: DVD releases or something. There's a revised version to where
• 50:35
  Speaker 12: they aren't marching.
• 50:36
  Speaker 5: That way or something like that.
• 50:38
  Speaker 3: That's the whole point.
• 50:39
  Speaker 10: Because they're going to offend Nazis?
• 50:42
  Speaker 18: Yeah.
• 50:42
  Speaker 10: The Nazis are going to be offended by this comparison.
• 50:47
  Speaker 8: The funny thing is, is they've got this whole Nazi,
• 50:49
  Speaker 8: you know, symbology and be prepared. That's, boy scout theme.
• 50:54
  Speaker 10: Yeah and you're linking.
• 50:55
  Speaker 3: That's actually kind of cool that's the only part of
• 50:58
  Speaker 3: that movie i like scar because he's a he's just
• 51:00
  Speaker 3: a backstabbing sniveling you know he's a great villain jeremy
• 51:04
  Speaker 3: irons doing lines from his jeremy irons movies in the
• 51:08
  Speaker 3: middle of a disney movie is hilarious you have no
• 51:12
  Speaker 3: idea i was just like okay the fact that they
• 51:14
  Speaker 3: work that into a disney movie is Fucking awesome.
• 51:17
  Speaker 11: I always wondered how it happened that as soon as
• 51:18
  Speaker 11: Scar took the throne, like, the grass all died and
• 51:21
  Speaker 11: the river.
• 51:23
  Speaker 3: He's that evil.
• 51:24
  Speaker 10: He angered the gods, apparently.
• 51:27
  Speaker 8: But it all turns green again the second, you know.
• 51:30
  Speaker 3: The second that cheesy-ass song kicks in.
• 51:32
  Speaker 11: Yeah, oh, God.
• 51:33
  Speaker 10: Fucking circle of life, man.
• 51:35
  Speaker 14: You know, I think as far as movies, you know,
• 51:38
  Speaker 14: you were talking about David Lynch movies earlier. And when
• 51:41
  Speaker 14: I was, like, 11 years old, for some reason I
• 51:44
  Speaker 14: rented Lost Highway.
• 51:45
  Speaker 6: Okay.
• 51:47
  Speaker 3: That's only traumatizing because your brain's trying to make sense.
• 51:49
  Speaker 15: Actually, that traumatized him. I believe it did, the process
• 51:54
  Speaker 15: of trying to do TV.
• 51:55
  Speaker 10: He said he'd never.
• 51:56
  Speaker 4: Oh, I thought you were going to say Robert Blake.
• 52:01
  Speaker 3: Well, something did.
• 52:02
  Speaker 14: I can't think of a movie that wholly traumatizes me.
• 52:05
  Speaker 14: There's scenes from movies. When I was like 11, I
• 52:08
  Speaker 14: didn't get the movie. There's no getting that movie. There's
• 52:11
  Speaker 14: nothing to be gotten.
• 52:12
  Speaker 5: No, there isn't.
• 52:13
  Speaker 12: It's one of the few Lynch movies where every time
• 52:16
  Speaker 12: I watch it, it's like, okay, I know what I
• 52:17
  Speaker 12: think happens.
• 52:18
  Speaker 3: I think I figured it out.
• 52:19
  Speaker 5: I'm like, I know less.
• 52:23
  Speaker 14: I felt so guilty and bad about myself and stupid
• 52:26
  Speaker 14: for not getting this movie. I'm just like, it's clearly
• 52:29
  Speaker 14: a movie for adults and I'm not ready.
• 52:31
  Speaker 3: But no, I watched it as an adult.
• 52:33
  Speaker 14: I'm just like, no, it's just this movie. It makes
• 52:35
  Speaker 14: no sense. But Robert Blake, or, yeah, is that what
• 52:39
  Speaker 14: his name is, Robert Blake?
• 52:40
  Speaker 17: Oh, yeah.
• 52:41
  Speaker 14: I just, I was trying to think of his name,
• 52:42
  Speaker 14: and I Googled it a couple of minutes ago on
• 52:44
  Speaker 14: my phone, and the image of him in that movie
• 52:47
  Speaker 14: made me shudder. Like, I had nightmares about Robert Blake
• 52:51
  Speaker 14: in that movie. He's a terrifying man. I mean, like,
• 52:55
  Speaker 14: when I was a kid, I was kind of afraid
• 52:56
  Speaker 14: of Tim Curry, but, like, Tim Curry is like, I
• 52:59
  Speaker 14: would bat popsicles from Tim Curry compared to Robert Blake.
• 53:04
  Speaker 14: But another movie that really, you know, I wasn't really
• 53:07
  Speaker 14: allowed to, like, watch this movie, but my mom was
• 53:09
  Speaker 14: watching it when I was really little. The Hand That
• 53:12
  Speaker 14: Rocks the Cradle.
• 53:13
  Speaker 10: Yeah.
• 53:14
  Speaker 14: I think there's a scene where, like, the woman is, like,
• 53:17
  Speaker 14: breastfeeding the other lady's baby. For some reason, that really was, like,
• 53:21
  Speaker 14: horribly disturbing for some.
• 53:23
  Speaker 15: So, and Brian saw the hand that comes out of
• 53:26
  Speaker 15: the cradle while another hand is rocking the cradle.
• 53:29
  Speaker 14: Yeah.
• 53:30
  Speaker 3: Traumatizing.
• 53:31
  Speaker 14: It's all creepy.
• 53:32
  Speaker 3: Babies are creepy is the moral of this.
• 53:36
  Speaker 12: I'm tormenting children, too, with showing them a movie they're
• 53:38
  Speaker 12: not going to understand. It's like punishment in elementary school
• 53:41
  Speaker 12: to make a kid watch a Bergman film. You won't
• 53:43
  Speaker 12: tell me what this is about.
• 53:45
  Speaker 19: No!
• 53:47
  Speaker 3: You make my brain hurt.
• 53:48
  Speaker 8: They showed us White Christmas in grade school, and I
• 53:52
  Speaker 8: just remember... Not that there was anything to understand, but
• 53:55
  Speaker 8: what third grader is going to give a shit.
• 53:57
  Speaker 1: About this movie? It was because it was free and
• 54:01
  Speaker 1: we were in private school and we had no money.
• 54:03
  Speaker 5: That kind of stuff.
• 54:06
  Speaker 1: I won't watch that one.
• 54:08
  Speaker 4: A lot of Christmas movies are just.
• 54:10
  Speaker 14: Even It's a Wonderful Life.
• 54:12
  Speaker 3: That's a bit too out there for a small child.
• 54:15
  Speaker 5: It's pretty traumatizing.
• 54:16
  Speaker 15: It traumatizes me because I can't disentangle it from Death
• 54:21
  Speaker 15: of a Salesman. There are just too many parallels between
• 54:25
  Speaker 15: those two movies for me. And that kind of happens
• 54:28
  Speaker 15: like with some other movies. They just sort of fuse together.
• 54:32
  Speaker 15: Like Disney's Beauty and the Beast gets mixed up with
• 54:37
  Speaker 15: Madame Bovary somehow because it's like this woman in... in
• 54:42
  Speaker 15: a provincial French town, and she likes to read, but
• 54:45
  Speaker 15: she has the same kind of romantic bullshit taste that
• 54:48
  Speaker 15: Madame Bovary has.
• 54:49
  Speaker 3: And there's candlesticks talking to her.
• 54:51
  Speaker 15: And so I can't help picturing her, like, coughing up
• 54:54
  Speaker 15: that black stuff, like Bovary does.
• 54:56
  Speaker 10: At the end of the novel.
• 54:58
  Speaker 15: Yeah.
• 54:59
  Speaker 3: And Beast eats it.
• 55:00
  Speaker 10: And, yeah. Yes, exactly. Exactly. Is it an air ball?
• 55:06
  Speaker 5: Yeah.
• 55:07
  Speaker 3: That's dramatic.
• 55:08
  Speaker 5: Was she in third grade until White Christmas?
• 55:10
  Speaker 18: I remember.
• 55:11
  Speaker 12: being shown in 2001 in sixth grade.
• 55:13
  Speaker 3: Wow.
• 55:14
  Speaker 12: So as this 11-year-old, I remember sitting there thinking, somebody
• 55:17
  Speaker 12: say something.
• 55:19
  Speaker 8: Right, right.
• 55:22
  Speaker 1: When the most, yeah, as a child, the most interesting
• 55:24
  Speaker 1: part is probably the intermission.
• 55:26
  Speaker 5: The only thing I remember from that when I was
• 55:28
  Speaker 5: a kid was like, cool, there's toilets in space. That
• 55:30
  Speaker 5: was like it.
• 55:32
  Speaker 3: That's pretty cool.
• 55:33
  Speaker 11: This is so boring.
• 55:35
  Speaker 14: And, Is traumatizing a word? I say it because everyone
• 55:39
  Speaker 14: else around me says it. It's one of those things
• 55:41
  Speaker 14: that I've always said, but I'm like, no, traumatic I
• 55:43
  Speaker 14: think is correct. Is traumatizing even a word?
• 55:47
  Speaker 5: I think it's a word.
• 55:47
  Speaker 14: I feel really stupid asking that question, and I meant
• 55:50
  Speaker 14: to look it up weeks ago. I say it, and
• 55:52
  Speaker 14: it just doesn't sound correct.
• 55:54
  Speaker 3: I think as a society, we make whatever the hell
• 55:55
  Speaker 3: we want words. So as long as everybody's saying it,
• 55:58
  Speaker 3: it's a word.
• 55:59
  Speaker 10: Here's a childhood trauma a friend told me. A guy
• 56:03
  Speaker 10: at work.
• 56:04
  Speaker 3: You just look like you're too excited about this. Yeah. Well,
• 56:08
  Speaker 3: I love this.
• 56:08
  Speaker 5: This is going to be great.
• 56:11
  Speaker 15: Well, he was at a little store, and they have
• 56:13
  Speaker 15: those dollar DVDs, and he saw Lassie, and he remembered
• 56:18
  Speaker 15: Lassie movies from when he was a kid. So he
• 56:21
  Speaker 15: picked one up for his daughter, who was about six.
• 56:24
  Speaker 15: He said, oh, you'll love this. Lassie is this dog,
• 56:27
  Speaker 15: and she saves people, and Timmy's down the well.
• 56:31
  Speaker 10: It'll be great. And he goes home and he watches
• 56:34
  Speaker 10: the movie with her, and Lassie kills a guy.
• 56:38
  Speaker 3: With a sawed-off shotgun.
• 56:41
  Speaker 15: Lassie's owner is a prospector, and his partner double-crosses.
• 56:48
  Speaker 10: Him and murders him. But then.
• 56:53
  Speaker 15: The bad guy winds up on the edge of a cliff,
• 56:55
  Speaker 15: and he's about to fall, and he's like, okay, Lassie's
• 56:58
  Speaker 15: going to help him and he'll see that he shouldn't be.
• 57:01
  Speaker 10: So no, she kind of nudges him off.
• 57:04
  Speaker 3: Good going Lassie.
• 57:06
  Speaker 10: There was no Timmy in the movie. And, uh, and
• 57:09
  Speaker 10: he tells me about it and I'm like, Oh God,
• 57:11
  Speaker 10: I've got to see this movie. And you bring it in. And, uh,
• 57:14
  Speaker 10: the next day he's like, Oh yeah, I forgot to
• 57:17
  Speaker 10: bring that in. I'm sorry. And I guess it's good
• 57:19
  Speaker 10: because then my daughter wanted to watch it again.
• 57:24
  Speaker 15: So we watched it again, and the second time through,
• 57:26
  Speaker 15: now I know what's happening, and.
• 57:28
  Speaker 10: You can see that it's premeditated. Lassie actually plots the thing.
• 57:34
  Speaker 15: She lures him out to the cliff and then nudges
• 57:38
  Speaker 15: him off.
• 57:40
  Speaker 10: I watched it. It's called The Painted Hills. I've got
• 57:43
  Speaker 10: a couple of copies.
• 57:44
  Speaker 3: Just in case.
• 57:45
  Speaker 15: I ran out and got the last ones there. And
• 57:48
  Speaker 15: there are just beautiful things in it. There's when the
• 57:52
  Speaker 15: guy tries to poison Lassie and he has a bottle
• 57:55
  Speaker 15: marked poison in his kitchen just sitting there.
• 57:59
  Speaker 10: Pours it in the food, but Lassie's a little too smart.
• 58:01
  Speaker 3: Lassie can read. Don't you worry about it.
• 58:05
  Speaker 10: Yeah, so that could have been traumatizing, but it wasn't.
• 58:08
  Speaker 10: Apparently the kid liked it.
• 58:10
  Speaker 3: It makes me like Lassie a little bit more.
• 58:12
  Speaker 12: Something to be said for that, too, to where it's
• 58:14
  Speaker 12: VHS box covers that just... led you astray or actually
• 58:17
  Speaker 12: confirmed what you wanted to see in a film.
• 58:20
  Speaker 7: One of the two.
• 58:22
  Speaker 3: The Painted Hills. Painted with blood.
• 58:26
  Speaker 14: I mean, you know, I was at my mom's house
• 58:29
  Speaker 14: earlier and we were talking about Night.
• 58:30
  Speaker 5: Of the Lepus, which we reviewed.
• 58:33
  Speaker 14: My grandpa, she was actually telling me about how my
• 58:35
  Speaker 14: grandpa and my aunt's ex-husband would bang on the pots
• 58:40
  Speaker 14: to make the rabbits run through the scenes. She's afraid
• 58:44
  Speaker 14: of rabbits because of that movie.
• 58:47
  Speaker 3: So are you now. You were traumatized by that movie.
• 58:51
  Speaker 12: I like that the size of the rabbits is never consistent.
• 58:53
  Speaker 12: Sometimes they're like a Great Dane. Sometimes they're three stories tall.
• 58:56
  Speaker 3: It depends on what footage they had sitting around.
• 59:00
  Speaker 5: Dee Forrest Kelly slumming it after Star Trek.
• 59:04
  Speaker 3: They were all kind of.
• 59:05
  Speaker 1: That whole cast.
• 59:05
  Speaker 3: Oh, that movie's fun. I don't know what you're talking about. about.
• 59:10
  Speaker 14: True work of art. I'm so glad that's part of
• 59:13
  Speaker 14: my family history.
• 59:16
  Speaker 3: You should be proud of that.
• 59:18
  Speaker 11: Probably one of my most traumatic... movies that I actually
• 59:21
  Speaker 11: saw just a few months ago is Inland Empire, going
• 59:24
  Speaker 11: back to David Lynch yet again.
• 59:25
  Speaker 5: Third or fourth time.
• 59:27
  Speaker 3: He's a creepy dude.
• 59:29
  Speaker 14: I think it's its goal to traumatize people.
• 59:32
  Speaker 11: Has anybody here seen this one?
• 59:33
  Speaker 3: No.
• 59:35
  Speaker 11: So it's three hours long. It's his follow-up to Mulholland Drive.
• 59:39
  Speaker 11: And it's like watching a nightmare. I felt like David
• 59:41
  Speaker 11: Lynch himself had personally raped my brain from my ear.
• 59:46
  Speaker 3: That leads me to a couple of mine, but go
• 59:47
  Speaker 3: ahead and finish yours.
• 59:50
  Speaker 11: I don't want to give anything away.
• 59:51
  Speaker 5: You're working your way up to the Lord Dern face.
• 59:53
  Speaker 3: Aren't you?
• 59:54
  Speaker 6: Oh, God, no.
• 59:56
  Speaker 3: Not the cry face.
• 59:57
  Speaker 17: No.
• 59:58
  Speaker 11: Yeah, yeah, that got me. It's like watching a nightmare,
• 1:00:02
  Speaker 11: like I said, and then suddenly the camera pulls away,
• 1:00:06
  Speaker 11: and it's hard to get into this without specifics, but
• 1:00:10
  Speaker 11: it's like the nightmare is over, and I felt like
• 1:00:13
  Speaker 11: this wave of relief, and then suddenly it's not over,
• 1:00:16
  Speaker 11: and then you get... some weird head with a hole
• 1:00:18
  Speaker 11: in it spouting blood mist in the board.
• 1:00:24
  Speaker 17: Yeah.
• 1:00:25
  Speaker 12: See, that was traumatic for me, too, in the sense
• 1:00:27
  Speaker 12: that I was watching that, it's like, how he's fallen.
• 1:00:30
  Speaker 12: To me, it was almost the equivalent of, you know,
• 1:00:32
  Speaker 12: a grandmother with Alzheimer's. The first time you get to
• 1:00:34
  Speaker 12: a family function and she looks at you and can't
• 1:00:36
  Speaker 12: remember your name.
• 1:00:37
  Speaker 5: Like, that sense of disappointment, that's the way I felt
• 1:00:39
  Speaker 5: when I watched this. I was like, oh, he's just
• 1:00:41
  Speaker 5: lost it. I feel so bad.
• 1:00:43
  Speaker 3: Really?
• 1:00:43
  Speaker 4: Yeah. I think that the problem with it, if I'm
• 1:00:47
  Speaker 4: not mistaken, this is the.
• 1:00:48
  Speaker 2: First time he went into digital video, and I think
• 1:00:51
  Speaker 2: that's sort of the problem.
• 1:00:52
  Speaker 4: He needs something to ground him.
• 1:00:54
  Speaker 2: He needs some sort of, like, no, this is what
• 1:00:56
  Speaker 2: you can do, and this is only what you can do.
• 1:00:58
  Speaker 3: Three hours. You have to make it happen within these limitations.
• 1:01:01
  Speaker 2: But when he just had a camera in his hand,
• 1:01:04
  Speaker 2: he got to run all over the place and do
• 1:01:05
  Speaker 2: whatever he wanted and have whatever budget.
• 1:01:07
  Speaker 4: That's when it was like, it's over.
• 1:01:08
  Speaker 15: He needs to have a genre that goes horribly awry.
• 1:01:14
  Speaker 15: Unless he has the structure to go awry, then he's
• 1:01:18
  Speaker 15: just awry.
• 1:01:20
  Speaker 11: Maybe it was because I had just watched Lost Highway
• 1:01:24
  Speaker 11: and I had just re-watched Mulholland Drive. So by the
• 1:01:26
  Speaker 11: time I got to Inland Empire, I went into it
• 1:01:28
  Speaker 11: knowing it's not going to make any sense. I'm just
• 1:01:30
  Speaker 11: going to sit back and let it happen to me.
• 1:01:34
  Speaker 3: Yeah, he's probably more horrifying when things are structured a
• 1:01:39
  Speaker 3: little bit. I mean, that's when thinking of some of
• 1:01:41
  Speaker 3: the favorite ones, which minorly strays out of... movies but
• 1:01:45
  Speaker 3: to me twin peaks is just a really long creepy
• 1:01:47
  Speaker 3: movie but yeah i mean some of the bob footage
• 1:01:50
  Speaker 3: is frightening and still like i yeah i kind of
• 1:01:54
  Speaker 3: see bob hiding in corners around my house sometimes and
• 1:01:58
  Speaker 3: it's frightening um but some of the stuff in the
• 1:02:00
  Speaker 3: train car and some of that crosses over into firewalk
• 1:02:03
  Speaker 3: with me but a lot of it just in that
• 1:02:05
  Speaker 3: first season of the show is like fucking traumatizing right
• 1:02:09
  Speaker 3: there midget's talking backwards that part's just kind of fun
• 1:02:13
  Speaker 3: but it is kind of.
• 1:02:13
  Speaker 12: Fun the show i really felt like basically after laura
• 1:02:16
  Speaker 12: palmer's killer was unveiled oh yeah should have kind of
• 1:02:19
  Speaker 12: stopped there was work yeah there's a miniseries then.
• 1:02:21
  Speaker 3: There was no point yeah Because, I mean, anything after that,
• 1:02:24
  Speaker 3: then you get to the weird James offshoot story. I'm like,
• 1:02:27
  Speaker 3: nobody wants that.
• 1:02:28
  Speaker 12: Earl's stuff, by the end of the second season, was
• 1:02:30
  Speaker 12: starting to pick up again, but that low point in
• 1:02:32
  Speaker 12: between the two arcs.
• 1:02:33
  Speaker 1: It's rough.
• 1:02:34
  Speaker 7: The beginning of the second season, it's rough.
• 1:02:36
  Speaker 14: My mother on the show was terrified.
• 1:02:39
  Speaker 3: Fizzgate? I thought we just started referring to her as Fizzy.
• 1:02:46
  Speaker 11: Grace Zabriskie, right?
• 1:02:48
  Speaker 10: Yeah.
• 1:02:48
  Speaker 5: She's always terrifying.
• 1:02:50
  Speaker 11: Yeah, she was in the beginning of Inland Empire as
• 1:02:52
  Speaker 11: this really creepy Polish woman, something like that.
• 1:02:55
  Speaker 5: She just came over and spoke all cryptically.
• 1:02:57
  Speaker 3: She's just creepy in general.
• 1:02:59
  Speaker 12: There's a lot of cool visuals in that Inland Empire,
• 1:03:01
  Speaker 12: but as a whole, I was like, no, this is
• 1:03:03
  Speaker 12: like the last 20 minutes of Mulholland Drive expanded to
• 1:03:06
  Speaker 12: like three hours.
• 1:03:07
  Speaker 7: Oh, God.
• 1:03:08
  Speaker 11: You know Mulholland Drive actually.
• 1:03:09
  Speaker 4: There's parking and rambling.
• 1:03:10
  Speaker 16: Yeah.
• 1:03:11
  Speaker 11: Mulholland Drive actually started life as a television pilot, which
• 1:03:16
  Speaker 11: I think would have been really interesting. I'd love to
• 1:03:18
  Speaker 11: see him go back to TV.
• 1:03:20
  Speaker 10: That's what traumatized him.
• 1:03:21
  Speaker 15: He said he'd never do TV because the whole experience
• 1:03:25
  Speaker 15: of trying to do what he wanted and work with TV,
• 1:03:29
  Speaker 15: it was just.
• 1:03:31
  Speaker 10: Really frustrated and angry about it.
• 1:03:33
  Speaker 14: I think he'd be more suited for HBO or something.
• 1:03:37
  Speaker 5: It's different now.
• 1:03:38
  Speaker 3: Yeah, at this point you probably could, and they would
• 1:03:40
  Speaker 3: give him a budget to do it.
• 1:03:41
  Speaker 12: In Small Holland Drive, I mean, it's obvious where the
• 1:03:44
  Speaker 12: two pilot episodes or the two episodes that kind of
• 1:03:48
  Speaker 12: join together are, and then where it sort of diverges
• 1:03:51
  Speaker 12: from that to where you just tack on an ending
• 1:03:53
  Speaker 12: to make it a film, because it just feels like
• 1:03:55
  Speaker 12: the last 20, 30 minutes is just going to throw
• 1:03:57
  Speaker 12: a bunch of stuff at you and hope that you'll
• 1:03:59
  Speaker 12: assume that you just couldn't get it.
• 1:04:02
  Speaker 5: No, there's nothing there.
• 1:04:03
  Speaker 7: You're not going to get it.
• 1:04:05
  Speaker 15: Well that leaves you with like a weird frustrating feeling
• 1:04:09
  Speaker 15: and it's like it's like Iago.
• 1:04:15
  Speaker 10: Is the only Shakespeare villain who just will.
• 1:04:18
  Speaker 15: Never you never get any glimpse of humanity or anything
• 1:04:23
  Speaker 15: it's almost like he knows that the audience wants some
• 1:04:26
  Speaker 15: sort of why did you do it fuck you it's
• 1:04:31
  Speaker 15: so frustrating it's like where's the.
• 1:04:33
  Speaker 12: Sense in this it's just It kind of reminds me
• 1:04:37
  Speaker 12: of what was in The Company of Men, because we
• 1:04:39
  Speaker 12: were talking about Valentine's Day movies earlier.
• 1:04:42
  Speaker 5: It's the same with Aaron Eckhart at the end of
• 1:04:44
  Speaker 5: that movie. The fellow asks him, why? He's like, because
• 1:04:48
  Speaker 5: it's good. It's that very cold-hearted lack of reason that
• 1:04:53
  Speaker 5: somebody gives you. It's just very eerie.
• 1:04:55
  Speaker 14: Because I hate Mondays. Like the girl who killed a
• 1:05:01
  Speaker 14: bunch of school children because she hated Mondays.
• 1:05:03
  Speaker 10: Yeah.
• 1:05:04
  Speaker 14: Perfectly sane and logical.
• 1:05:08
  Speaker 5: Wait, what?
• 1:05:09
  Speaker 14: In the 70s, there was this teenage girl who broke
• 1:05:12
  Speaker 14: out her, like, I don't think it was an AK-47,
• 1:05:16
  Speaker 14: but it was some type of crazy, sharp shooting gun
• 1:05:20
  Speaker 14: and fired across the street into a crowd of school
• 1:05:23
  Speaker 14: children and killed, like, a couple of teachers and wounded
• 1:05:26
  Speaker 14: a bunch of children. And a telephone reporter called her
• 1:05:29
  Speaker 14: on her phone and she answered and they're like, why
• 1:05:31
  Speaker 14: are you doing this? She says, because I hate Mondays.
• 1:05:34
  Speaker 4: That's what the Boomtown Rats song is. That song from
• 1:05:37
  Speaker 4: the 80s. I would sing it if I could sing,
• 1:05:39
  Speaker 4: but I can't.
• 1:05:40
  Speaker 3: Bust it out. Come on.
• 1:05:46
  Speaker 7: Okay, kids.
• 1:05:47
  Speaker 3: This topic is way too interesting for one episode. So,
• 1:05:50
  Speaker 3: we're going to wrap it up for now, but we'll
• 1:05:52
  Speaker 3: be back with more traumatic movies next time. Otherwise, that
• 1:05:55
  Speaker 3: about does it. We will return next week. Same geek time,
• 1:05:57
  Speaker 3: same geek feed. Thanks for listening.
• 1:06:03
  Speaker 17: The silicon chip.
• 1:06:07
  Speaker 16: Inside her head gets switched to overload And nobody's gonna
• 1:06:15
  Speaker 16: go to school today, she's gonna make them stay at
• 1:06:19
  Speaker 16: home Daddy doesn't understand it, he always said she was
• 1:06:25
  Speaker 16: good as gold And.
• 1:06:27
  Speaker 19: He can see no reasons, cause there are no reasons.
• 1:06:30
  Speaker 19: What reason do you need to be shown?
• 1:06:35
  Speaker 9: Tell me why I don't like Mondays.
• 1:06:39
  Speaker 17: Tell me why I don't like Mondays.
• 1:06:42
  Speaker 5: Tell me why I don't like Mondays.
• 1:06:46
  Speaker 7: I want to.
• 1:06:47
  Speaker 19: Shoot the whole day down.
• 1:06:57
  Speaker 9: The Tenex machine is kept so clean And it types
• 1:07:03
  Speaker 9: to a waging world A mother feels so shocked Father's
• 1:07:08
  Speaker 9: world is rocked And the dogs turn to their own
• 1:07:12
  Speaker 9: little girl Sweet sixteen make their feet.
• 1:07:15
  Speaker 19: Cheeky Now I ain't so old to admit defeat They
• 1:07:18
  Speaker 19: can see no reasons Cause there are no reasons.
• 1:07:22
  Speaker 16: What reasons do Tell me.
• 1:07:27
  Speaker 19: Why I don't like Mondays. Tell me why I don't
• 1:07:32
  Speaker 19: like Mondays.
• 1:07:33
  Speaker 17: Tell me why I don't like Mondays.
• 1:07:37
  Speaker 3: I want to shoot.
• 1:07:43
  Speaker 19: The whole day down, down, down, shoot.
• 1:07:48
  Speaker 17: It on down. And now the playing's.
• 1:08:05
  Speaker 16: Stopped in the playground now.
• 1:08:07
  Speaker 10: She wants to play with her.
• 1:08:09
  Speaker 3: Toy doll now.
• 1:08:10
  Speaker 19: And schools are early and soon we'll be learning and
• 1:08:14
  Speaker 19: the lesson today is how to die. And then the
• 1:08:18
  Speaker 19: bull home crackles and the captain tackles with the trouble
• 1:08:23
  Speaker 19: of a housewife. And he can see no reasons cause
• 1:08:27
  Speaker 19: there are no reasons. What reason do you need to die?
• 1:08:32
  Speaker 17: Die.
• 1:08:34
  Speaker 7: Oh.
• 1:08:35
  Speaker 10: Tell me why I don't like money.
• 1:08:38
  Speaker 4: Tell me why I don't.
• 1:08:40
  Speaker 19: Tell me why I don't like, I don't like, I
• 1:08:46
  Speaker 19: don't like money.
• 1:08:47
  Speaker 17: Tell me why I don't like, I don't like, I
• 1:08:52
  Speaker 17: don't like Mondays.
• 1:08:54
  Speaker 19: Tell me why I don't like Mondays.
• 1:08:58
  Speaker 7: I want to.
• 1:08:59
  Speaker 17: Shoot the whole day down.
• 1:09:22
  Speaker 5: Somebody say something.
• 1:09:24
  Speaker 10: Talk hard!