Latest / The Art of Costume Podcast / Award-Winning Scarlet Witch Cosplay with Ana Crimmel - The Costume House with Spencer Williams

Transcript

Award-Winning Scarlet Witch Cosplay with Ana Crimmel - The Costume House with Spencer Williams · The Art of Costume Podcast

• 0:14
  Today's guest is costumer Anna Krimmel, winner of 2026
• 0:17
  Wondercon Masquerade Oksana Shore Award for Excellence in
• 0:21
  Craftsmanship. As part of the prize package,
• 0:25
  Anna was invited onto the podcast to speak about their
• 0:27
  experience creating their award-winning Scarlet Witch
• 0:30
  cosplay and advice for up and coming cosplayers who might be
• 0:34
  wanting to show out at their first convention or Masquerade
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  stage. Wondercom Masquerade is an on
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  stage costume competition or cosplay competition for those
• 0:43
  that favor that term that begins with individual backstage
• 0:46
  judging followed by on stage presentations and performances.
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  I was honored to return this year as one of the judges.
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  It's always such a joy to be around such creative and
• 0:55
  inspiring talent. And with that being said, I am
• 0:58
  so excited to introduce to you all Anna Criminal.
• 1:02
  I am so excited to introduce to the Art of Costume podcast.
• 1:06
  I met this creator at Wondercon just a few months ago and they
• 1:11
  went on to win the Aksana Shore Award for Excellence and
• 1:15
  Craftsmanship. I am so excited to introduce
• 1:18
  costumer Anna Krimmel. Hi Anna, it's so excited to
• 1:21
  finally talk to you. I know it's been a minute.
• 1:26
  How are you how things been since Wondercon?
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  Not too bad, pretty chill, finished up college, school year
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  and yeah, kind of just chilling. Oh, nice.
• 1:34
  OK, cool. So lots, of, lots of things
• 1:36
  coming up in your future then. Yes, definitely a lot.
• 1:42
  Well, there's so much I want to talk to you today about,
• 1:45
  obviously about winning the big award, your cosplay, what
• 1:50
  inspired you? But before we get into all that,
• 1:52
  I would love to hear just a little bit about yourself and
• 1:54
  how you first got into cosplay. I grew up in kind of middle of
• 1:59
  nowhere Colorado and didn't do cosming.
• 2:02
  I actually used to play competitive tennis, and that's
• 2:05
  How I Met my physical trainer, who was actually backstage with
• 2:08
  me at the masquerade. And she was like, yeah, you can
• 2:11
  make costumes, why don't you give it a try?
• 2:15
  So I kind of just started making them.
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  The first thing I made was a mask made out of like Monster
• 2:21
  Energy cans. I think that's what everyone was
• 2:23
  doing during COVID. So.
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  And then, yeah, I just kind of started going to conventions.
• 2:28
  My athletic trainer, she's amazing.
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  She was like, yeah, Wundercon, it's wonderful.
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  It's amazing. It's in the name.
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  You need to come. And I was like, OK, so this past
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  March was my third time there. And then the year prior, I went
• 2:43
  to masquerade with her for the first time.
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  And I was like, I haven't done theater since I was 10.
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  I want to do masquerade. I could do that I.
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  Can I can figure this out I I got it.
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  So this year was your first masquerade then?
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  First ever. Wow, OK, wow, look at you.
• 3:01
  OK, so how would you describe your style or approach to
• 3:04
  costume making then? I'd say it's very impromptu.
• 3:08
  I'm terrible at patterning, I'm terrible at making plans.
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  I kind of just throw everything into a box and hope it works is
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  kind of how I would go about it. This is probably the first
• 3:19
  costume I planned relatively anything with.
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  I like to do kind of like I like to take bass stuff and then
• 3:29
  change it to the Scarlet Witch. Her initial costume for Hellfire
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  Gala is very plain. It is from the X-Men run of
• 3:37
  comics and I only had like 2 reference photos and I was like
• 3:41
  oh this is kind of plain. What if I threw 20,000
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  rhinestones and beads on it and just call it good?
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  So I like having a little bit of a bass, but I also like to
• 3:50
  change a lot of stuff as well, if that makes sense.
• 3:54
  Well, I mean, I saw your costume up close though, so it
• 3:56
  definitely didn't look like you threw everything into a box.
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  It just made it work. It felt very planned out.
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  So you definitely could have fooled me.
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  So you told me one of your first costumes, which is worth working
• 4:07
  with Monster Energy cans. What were some of like your
• 4:10
  other first costumes you did when you went to like some of
• 4:12
  your first cons then? Oh.
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  Gosh, the first one, the first convention I ever went to was
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  the Comic Con special edition. That happened like the November
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  right after COVID. Oh yeah, and I just was, I think
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  I was 1314 maybe. And I just put together a Star
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  Wars Jedi costume. Nice.
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  I'd of like closets. It was it was a closet cosplay.
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  Absolutely. My my trainer, she took me.
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  She was like, this is going to be so fun.
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  You're going to love it. It was a lot.
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  But that's definitely one of the first ones I also made when I
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  was very young, a Zelda costume that I actually still have.
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  So also very fun. OK, yeah, you're gonna have some
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  pics of that. It is ancient.
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  It is very. Old, right?
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  OK, well let's talk about the big day then let's talk about
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  Masquerade 2026. I was very excited to be one of
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  the trophy judges along with some good friends and we were
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  blown away by your performance. We also got to see up close
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  behind the scenes, seen the the incredible book you put together
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  all these props and the performance.
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  It was the whole performance was outstanding.
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  Oh, you brought it. OK, perfect, beautiful.
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  So let's start from the beginning.
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  What drew you to recreate the Scarlet Witch of the Hellfire
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  Gala? I've loved Marvel ever since I
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  was little. My parents, I like a joke.
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  My parents skipped over a lot of the Disney Princess movies and
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  they're like, hey, here's The Avengers movie.
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  You're 6, go watch that. So ever since then, I've really
• 5:47
  liked Marvel. But then when Age of Ultron came
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  out, I really liked the character of the Scarlet Witch
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  because in Age of Ultron, the country they're from is
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  perceived to be from the former Yugoslavia.
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  And that's where my mom is from, from Croatia.
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  And so seeing a character, one that had a very like, heavy
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  Slavic accent was kind of fun because when I was little, I
• 6:10
  used to have one and a lot of people weren't kind to me about
• 6:13
  that. And then it was also really fun.
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  I loved the concept of like witches and magic.
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  So as like an 8 year, I think I was 8 when Age of Ultron came
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  out, it was super fun to see a character that has this
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  incredible magical ability that she doesn't totally know how to
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  use, but she's learning. She's getting there.
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  Yeah. So and then after that, I
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  started reading comics, all this stuff.
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  And again, my flag Turner's like, hey, here's this really
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  fun concept of the Hellfire Gala.
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  Do you want to make costumes from there?
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  And I was like, let's do it. So I found the Scarlet Witches.
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  I thought it was beautiful, the crown and everything.
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  I absolutely loved it. And that's kind of kind of how I
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  decided I was like, this is the one I'm going to do.
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  This is how we're going to do it.
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  Yeah, it's funny. It's almost like she kind of
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  mirrors like your own journey to.
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  It's like she has this really cool magic, but still trying to
• 7:00
  figure out how to harness it. You were trying to harness some
• 7:03
  new skills and techniques when building out this costume.
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  Like what were some of those new skills you feel like you honed
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  in on when you created this cosplay 'cause that is kind of
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  one of the main principles of this Ox on Shore award is
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  honoring someone who really, you know, learned some new
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  techniques and skills and it really showed in their costume
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  that you really, you really took on the challenge to create this.
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  Yeah, definitely. One of the big ones was 3D
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  printing. I have done another 3D printed
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  costume that I wore for Wondercon 2 years ago, but I
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  never really did like 3D CAD. Like software designing, sanding
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  was not my favorite thing to do but I learned how to do it.
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  Bondo, the whole 9 yards and a lot of that came together with
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  the book. The all the covers are 3D
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  printed because I needed durability.
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  So I actually got a new 3D printer to do it which was super
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  fun. I want to say the other two
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  other ones I learned. I went to school in Croatia when
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  I was very young, and part of the curriculum there is learning
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  calligraphy and kind of quill and ink stuff.
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  So I learned how to do it when I was younger, lost the ability,
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  skill, however you want to put it.
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  When I came back to America throughout middle school and
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  high school, and then when I did some research into the Darkhold,
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  the book I had, I was like, oh, a lot of this looks like it's
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  quill and ink. I'm going to go to Michael's and
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  I'm going to teach myself how to do it again.
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  So that was definitely fun. When all the pages are hand
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  drawn. It was me in my tiny little
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  college dorm room for probably 3 weeks, hand binding and hand
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  drawing the book. And I, I thought my roommate,
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  she, she thought I was going insane.
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  She's like, what are you doing? I'm like is this?
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  Are we in the craft right now? She's like, what is?
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  Going, I have my 30 prison running sewing machines, enough
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  E6000 glued I think to kill an elephant in that dorm.
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  She was like, what's happening? And then definitely the last one
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  was beadwork. I did a little bit of beadwork,
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  but I also brought the crown. The crown is all beadwork.
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  So I did get to learn a lot of new skills for this crown, which
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  was also really fun to learn as well.
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  Yeah, it was gorgeous, and it sparkled so perfectly on stage.
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  So how did it feel stepping onto the Wandercom Masquerade stage
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  as a Scarlet Witch? Tell me about your performance
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  presentation. Just what did it feel when you
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  finally hit the stage? I'm not going to lie, I got to
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  give a lot of credit to the backstage crew because I almost
• 9:40
  passed out twice. I was so nervous.
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  I was like, this is going to go terribly.
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  I don't know what I'm doing. And it was, I think it was a
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  stage manager backstage. She was so sweet.
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  She's like, no, you got this, you can do it.
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  I believe in you. And I'm like, OK.
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  I don't think people realize how big that room actually is.
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  I mean, it's massive and it's full.
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  It's I mean, it's, I don't know, I don't want to give a number,
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  but it, it feels like thousands of people.
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  It's a lot. It's.
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  Pretty insane to like get up there and be like Oh my gosh
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  this is actually happening. But the funny part is I wear
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  glasses. I can wear my glasses with that
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  costume and I scratched my cornea like 3 days prior so I
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  can wear contacts. So I was actually blind as a
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  bat. Yeah, the blind Scarlet Witch.
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  I can see like you guys at the table and then like one row
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  behind you guys and that was it. I was like, OK, so that helped
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  with the stage fright. I also have to be.
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  I didn't see anyone. I was like, well, there's no one
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  here, it's just me. I was also, I think I was the
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  first in the adult category to go after the junior category,
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  and that scared the daylights out of me.
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  They gave me the number and they're like, oh, you're like #4
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  and I'm like, oh, like there's four people had me that are
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  adults. Like no, this is the point of
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  menu. And I'm like, OK, that was
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  shocking, but I'm glad I got it done first because then I just
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  kind of got to watch everyone else do their performances,
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  which was super fun. Right.
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  The other hard part was I had to change my performance 20 minutes
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  before I went on 'cause I had a massive prop.
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  It was a big summoning circle of candles that had electric wiring
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  into one of my shoes so when I stepped it would turn on.
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  But the stage managing crew was like, hey, this thing's a little
• 11:29
  too big, we can't get it on stage.
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  Oh no. I was like, OK, theater kid,
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  improvisation, let's do this, we'll figure it out.
• 11:39
  No. Oh my gosh, that's so rough.
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  I had no idea. Yeah.
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  So I kind of they're like, like you can do the book and you have
• 11:46
  a little mat that the book sits on and I'm like, we'll figure it
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  out. We got this.
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  Well, you put it together, you totally, I mean, I was
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  convinced. I felt like everything went
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  according to plan. So tell us a little bit about
• 11:58
  your performance, what what went into it?
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  I started making the costume I usually start at my Wondercon
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  costumes in July ish so I've already started mine for this
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  coming year. But I had no idea what I was
• 12:10
  going to perform. I was like, I don't know, we're
• 12:13
  going to like, look at some music, see what we can do.
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  And I asked a lot of my friends who are still in theater, I'm
• 12:18
  like, how would you guys do this?
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  And they had absolutely no idea how to help me on that front.
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  But again, going back to Marvel, Agatha all along was one of my
• 12:28
  favorite TV shows. And I was like, oh, right, I
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  could. There's so much music.
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  I mean, you have an absolute sacked cast of singers and
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  actors coming into that show. It has good music.
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  And so I did a little research and then it was kind of like one
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  of those like it dawns on you moment and like the magical
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  sunshine hitting the bookshelf kind of thing.
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  Because I saw on my bookshelf in my dorm room the comic book for
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  the Witch's Road, which is actually has a Scarlet Witch in
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  it. And I was like, oh, the ballad
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  is in the show. Yeah, perfect.
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  Well. I was like, this is perfect.
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  And then Q another two months of practicing and my roommate
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  thinking I'm going insane. But yeah, I was like, we're just
• 13:15
  going to figure out choreo and see how it goes.
• 13:18
  And I was like, I have a book. What if I make the book float?
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  Like what if I may levitate? So then fishing line, one very
• 13:27
  fun phone call with my friend who does puppet work and I was
• 13:31
  like, how would I do this? We figured out how to make it
• 13:33
  work. And I was like, I think it'd be
• 13:35
  really cool if I was like summoning spells and see how it
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  goes. So this I was initially just
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  going to stay in that big summoning circle.
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  And then when they told me it wouldn't work, one of the stage
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  manager came up and she's like, just run around stage, just go
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  for it. Go every corner of stage.
• 13:52
  You're athletic, you can make it.
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  And I'm like, OK. And that I just thought the
• 13:56
  performance came to be what it ended up being.
• 13:59
  You're stronger than me. I would have shut down at that
• 14:01
  point. I was about to.
• 14:03
  I was like, I can't, this is not happening.
• 14:05
  I was like, Nope, you gotta get it together.
• 14:09
  My mom didn't raise a quarter, but she raised a complainer.
• 14:11
  I complained. Even so.
• 14:17
  OK, so you got through performance.
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  It looked great and everyone was convinced.
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  I went incredibly according to plan.
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  So how did it feel when you heard your name announced as a
• 14:27
  winner of the Aksana Shore Award?
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  I almost passed out again because I I was under the full
• 14:35
  expectation. I was like, I'm coming into
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  this. I really want to perform.
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  I miss doing theater. I stopped doing theater once I
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  got into like end of middle school, about high school ish
• 14:45
  and I was playing tennis and I went to college and I actually
• 14:49
  fly airplanes in college. So I was like I came into doing
• 14:54
  this to masquerade being like I just want to perform.
• 14:57
  I want to be on stage again. I miss being on stage and I did
• 15:00
  not expect to win anything. So after my performance, we were
• 15:04
  sitting backstage in a little backstage room.
• 15:07
  I met a lot of friends back there.
• 15:08
  I think all of us were asleep on the floor.
• 15:12
  Well, they started calling the names to come over for awards.
• 15:18
  And I'm kind of sitting there and my athletic trainer who's
• 15:20
  helping me backstage, she's helping me put everything back
• 15:23
  on, like the wig, that big gold back corset, everything.
• 15:26
  We're just throwing it back on. She's like, you don't know, but
• 15:28
  let's put everything on. And they called the first round
• 15:31
  up and there's a ton of us still back there.
• 15:32
  And I'm like, I don't think I'm really getting anything.
• 15:34
  They called the second round up and I still don't get called.
• 15:37
  And I was like, OK, we had fun. We did our dues and then the
• 15:40
  lady came back for the last time and she read out like 3 names
• 15:44
  and she's like, and then this is it.
• 15:46
  And my names was one of them. And I was like I OK.
• 15:50
  And I was like I'm going to get like honorable mention
• 15:54
  something, whatever. And I went up to the stairs on
• 15:57
  the side and I'm standing there and the really sweet team from
• 16:02
  costuming College was like, hey, you got the costuming college
• 16:05
  award. And I was like, Oh my gosh, this
• 16:06
  is amazing. I'm so happy and went up,
• 16:09
  accepted that and I got off the stage and I'm going to walk back
• 16:12
  to the backroom to go change and go back to the hotel when a
• 16:16
  group of like 6 people came up to me and they're like no, no,
• 16:18
  no, no, no, turn back around. You got another award.
• 16:22
  And I was like oh OK, so I'm kind of I'm sitting there
• 16:26
  waiting and I'm like, I wonder what award this could be?
• 16:30
  I have no idea. And that's when the entire group
• 16:35
  came on. They're explaining everything.
• 16:36
  And the word I caught was Bernina's sewing machine.
• 16:40
  And I was like, wait a minute, hold on.
• 16:44
  So I look all the way across to the other wing and again, this
• 16:48
  mage, the mainstage manager is back there giving me a thumbs
• 16:51
  up. She's like, you got it?
• 16:52
  And I'm like, what is happening? You guys called my name.
• 16:58
  And once again, I was blind as a bat.
• 17:00
  I couldn't see anything because the lights were like, right
• 17:02
  there. So I got on stage and I was
• 17:04
  like, are we still here? What is happening?
• 17:08
  Yeah. Do I have to perform again?
• 17:09
  What's going on? I was.
• 17:10
  Like, what do I do? I was overjoyed when I saw that
• 17:16
  I got it. Like I was looking over at my
• 17:17
  athletic trainer again. It's just been so amazing.
• 17:20
  She's looking at me, giving me like thumbs up.
• 17:21
  She's like, good. And I had my aunt and my little
• 17:26
  cousin out in the audience and they were screaming back and I
• 17:29
  was like, Oh my gosh. So I have to say that was the
• 17:33
  most exciting thing I think I've almost ever had happen to me.
• 17:37
  Oh well, it was such a great moment.
• 17:39
  I, I was the one who I was able to give you your word.
• 17:42
  You probably couldn't see now that now that I know that, but I
• 17:45
  was the one that handed it to you.
• 17:47
  And it was just such a everyone in that room was so, so stoked
• 17:50
  for you. Such a great moment.
• 17:52
  And the Oxana Shore Award for Excellence in Craftsmanship
• 17:56
  carries a special significance cause Oxana was such a talented
• 17:59
  and inspiring customer who was so passionate about sharing
• 18:02
  knowledge and uplifting others. So what did that particular
• 18:06
  honor mean to you? I was very, very honored to
• 18:11
  receive it because I kind of learned about costuming and a
• 18:15
  lot of the skills I learned from other people giving it to me
• 18:20
  kind of thing. And I think in our community,
• 18:22
  like the costuming community, especially cosplayers, kind of
• 18:26
  anyone who works with textiles, fabrics, there's so many
• 18:29
  techniques, traditions, things like that that can only be
• 18:33
  passed down and shared through people, right?
• 18:38
  I had a ton of help learning how to make my costume again for my
• 18:41
  aunt. She's a professional seamstress.
• 18:42
  She does amazing work. And I would only learn some
• 18:45
  certain techniques because one, she was willing to share them
• 18:49
  with me, but two, she was also willing to show me how these
• 18:51
  things work. Yeah.
• 18:53
  So, and another thing was I may have mentioned it on the wig,
• 18:57
  there was a second crown on the back of my head.
• 19:00
  My grandmother actually showed me how traditionally those were
• 19:03
  made many, many years ago because there's a version of
• 19:06
  those made more out of lace that is traditional Croatian attire.
• 19:11
  And again, it's one of those things, there's these
• 19:13
  traditions, these techniques, and everything can only be
• 19:16
  passed down from people. They can't be passed down
• 19:18
  through textbooks and things like that.
• 19:20
  So getting this award that was dedicated to someone who was so
• 19:23
  willing to share her knowledge with people and share her
• 19:26
  experience and everything she knew was really like, truly an
• 19:30
  honor. Yeah, well that's beautiful and
• 19:33
  you clearly understand the spirit of the award with that.
• 19:36
  Now that you are one of the the few winners of this award now
• 19:40
  you are someone that's going to be inspiring people going
• 19:42
  forward in the future. So how do you hope your work
• 19:45
  might inspire other creators or future Masquerade contestants?
• 19:49
  All those are listening to you right now who are thinking about
• 19:51
  putting together their first Masquerade costume cosplay.
• 19:56
  I really hope a lot of the stuff I do is not costume related.
• 20:01
  I never really did that. And I really want people to know
• 20:03
  that it's OK to be like, like I'm a person in step.
• 20:07
  I fly airplanes, I do aerospace sciences.
• 20:10
  I played sports. I never did like until high
• 20:14
  school, traditional arts. And it 'cause I was nervous too.
• 20:18
  I was like, you can't be an athlete and an artist.
• 20:20
  That doesn't make sense. You can't be someone who decides
• 20:23
  to be an artist that doesn't make sense.
• 20:26
  But then as I started to get into high school, I was like,
• 20:27
  wait. I can do both of those things,
• 20:29
  so those can both be part of me, and I really want people to
• 20:33
  start to learn that you can be both things, and that's OK.
• 20:38
  You can have your hobbies and interests be in cosplay, in
• 20:41
  costuming, learning these different skills such as
• 20:44
  leatherworking, sewing, 3D printing, all that stuff, and it
• 20:48
  can still apply to what you do outside of costuming, vice
• 20:51
  versa. So I think it's really important
• 20:54
  for people to realize you can be multifaceted and honestly, in
• 20:59
  the long run, that pays off more than just sticking to one thing
• 21:03
  and what you know, be not, don't be afraid to go out, experiment,
• 21:07
  be like, I'm just going to go to the convention in a closet,
• 21:10
  cosplay and just see what happens.
• 21:12
  I've never been to one in my life.
• 21:14
  I I didn't like talking to people.
• 21:16
  I was like, I don't know what I'm doing.
• 21:17
  And now here we are. You're right.
• 21:20
  And so many people that I talked to at these conventions is like,
• 21:25
  you know, a lot of people will be like the first time or second
• 21:28
  time, like, yeah, I put this together.
• 21:29
  I had no idea I had this in me. Or they'll go to the Wonder
• 21:33
  Combi. Like, I wish I could do that.
• 21:34
  And I'll be like, you probably can, like, just give it a try.
• 21:37
  Like, if you want it, you could get it done.
• 21:39
  So what advice would you give it?
• 21:41
  A cosplayers just starting out who might be intimidated by
• 21:44
  these what look like big, intricate bills.
• 21:46
  But they're just like people like you and I who are at home
• 21:49
  going to Michaels. They're talking to our
• 21:51
  grandparents being like, how do we put this together?
• 21:53
  Like it's, it's, it's not that serious, you know, it's about
• 21:56
  fun and creativity at the end of the day.
• 21:59
  I think my biggest advice would be don't afraid to try it.
• 22:03
  You're gonna mess up. That's how it works.
• 22:05
  I'm not lying. The dress that I performed was
• 22:07
  the 4th iteration mock ups. The rhinestones killed me like 3
• 22:13
  times. Ordering more fabric, buying
• 22:16
  more rhinestones, more beads. But in the end, I was like, I'm
• 22:20
  just gonna keep going. So don't be afraid to try.
• 22:23
  You're gonna mess up. That's how this goes.
• 22:25
  It's a learning experience for everyone.
• 22:27
  That's how we learn. We mess up and they're like, oh,
• 22:29
  that didn't work. Let's try something different.
• 22:31
  And eventually you're gonna get to where you wanna be.
• 22:34
  So if you're not afraid, if you're willing to take those
• 22:36
  leaps and see how it goes, I think in the long run that's
• 22:40
  going to be a very important step for a lot of people who are
• 22:42
  just getting into costuming. And looking toward the future,
• 22:46
  are there any dream characters or builds you're hoping to
• 22:49
  tackle in the future? You don't have to get spoilers
• 22:51
  if you're already working on one, but like, where are some
• 22:53
  like aspirational characters you want to do someday?
• 22:57
  Oh gosh, I would love. Hilariously enough, I would love
• 23:00
  to make a Pacific Rim Jaeger build.
• 23:05
  Because I've seen. A few.
• 23:06
  I love the Pacific Rim movies, some video game characters.
• 23:10
  Right now I'm working on Mercy from Overwatch.
• 23:13
  One of her skins from that. So I have the staff is actually
• 23:16
  printing on my 3D printer right now, all parts of it and that
• 23:20
  one may or may not be coming to Wondercon, but I I love doing
• 23:26
  big builds. I think I would also really like
• 23:30
  to redo that Zelda cosplay from when I was really little.
• 23:34
  Oh that would be fun. I would love to a full circle
• 23:36
  moment. Yeah, full circle make the
• 23:38
  beautiful skirt because it's her Twilight Princess version, which
• 23:41
  is like the whole 9 yards of embroidery and fancy fabric.
• 23:47
  So it's definitely like of my top tier of ones I really want
• 23:50
  to do really recreating that Zelda to like the full capacity
• 23:54
  she could be is definitely probably on the top for me I'm.
• 23:59
  Looking forward to seeing that. And with all that, where can
• 24:02
  people find you online or follow your works?
• 24:04
  We could see all these fun builds where we could see the
• 24:07
  Zelda and your possibly Overwatch costume at the next
• 24:11
  con. I usually post on my Instagram
• 24:15
  for obviously a lot of times there's story posts I'm getting
• 24:17
  better at posting like permanent posts.
• 24:19
  I'm on Instagram at hippo love under score 13.
• 24:23
  OK, so. That's where you.
• 24:24
  Can find me. I have a few stuff posted from
• 24:27
  previous years, but I'm definitely going to be just now
• 24:30
  pulling out a lot of the Scarlet Witch photos to definitely put
• 24:32
  on my Instagram. Awesome, great and.
• 24:34
  We will be posting that in the show notes as well so everyone
• 24:37
  could go follow Anna down below. If you're listening or watching
• 24:41
  on YouTube, we follow that. Anna, it's been so nice to talk
• 24:46
  to you. So glad we finally got to catch
• 24:47
  up. You're so inspiring.
• 24:49
  I loved I got to meet you backstage and on stage.
• 24:53
  It was so cool to see you win and I hope I get to see you at
• 24:57
  one of these next conventions. I really want to keep up with
• 24:59
  what you're doing. So it's really been a pleasure.
• 25:02
  Congratulations. Thank you so much for.
• 25:03
  Having me the costume. House with Spencer Williams is a
• 25:07
  production of The Art of Costume.
• 25:09
  This episode was hosted, produced and edited by Spencer
• 25:11
  Williams to discover more conversations with the designer
• 25:14
  shaping film, television and theatre.
• 25:17
  Visit The Art of. Costume.com or follow us on
• 25:20
  social media at The Art of Costume.
• 25:22
  And don't forget to connect with me on Instagram at host Spencer.
• 25:25
  If you enjoyed this conversation, be sure to follow
• 25:27
  and subscribe wherever you listen to podcasts or watch on
• 25:30
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• 25:33
  designers shaping today's most captivating films, television
• 25:36
  series, and stage plays.