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The Cast of "Den of Thieves" Interview and more · The Breakfast Club

• 0:00
  Speaker 1: This is your week up, Call Up Breakfast Club to
• 0:05
  Speaker 1: show you love to hate from the East to the
• 0:07
  Speaker 1: West Coast. D J m vi ageli Ye Charlomagne, the
• 0:11
  Speaker 1: Ruler show on the planet. This is where I respect
• 0:13
  Speaker 1: this show because this is a voice of society. Chames
• 0:16
  Speaker 1: in the game. Guys are the coveted morning show. But
• 0:19
  Speaker 1: y'all earn impacting the culture week up in the morning,
• 0:22
  Speaker 1: and at want to hear that. Breakfast the World's most
• 0:25
  Speaker 1: Dangerous morning show. And good Morning Usa joji yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:47
  Speaker 1: yo yo yo yo yo yo yo yo yo yo.
• 0:49
  Speaker 1: Good morning angela Ye Charlomagne, the guy. Peace of the
• 0:53
  Speaker 1: planet is Tuesday. Yes, it's Tuesday. Yes. I messed up
• 0:59
  Speaker 1: with then like or this morning because I was riding
• 1:02
  Speaker 1: in the work listening the Oprah Super Soul podcast like
• 1:04
  Speaker 1: I like to do, and then I stopped because I
• 1:06
  Speaker 1: remember I wanted to listen to the close Septic Re mix. Okay,
• 1:10
  Speaker 1: how was that? It's dopey? It's really got busy. Eminem
• 1:13
  Speaker 1: got busy, pressure got busy. It seems like Eminem's responding
• 1:17
  Speaker 1: to a lot of the criticism that his album was
• 1:19
  Speaker 1: trash and Walk on Water was trash. Oh, he did
• 1:21
  Speaker 1: a new verse and everything did a new verse. Absolutely, yes, absolutely,
• 1:25
  Speaker 1: the new Worse. But he absolutely smoked that record. He did.
• 1:27
  Speaker 1: But I'm not going to let it describe me from
• 1:29
  Speaker 1: the fact that Revival was trash though, and Walk on
• 1:31
  Speaker 1: Water was trash in your opinion. In my opinion, you're
• 1:34
  Speaker 1: the whole Revival. I didn't hear it. Absolutely, he does
• 1:36
  Speaker 1: have one record on that that's real dope with Alicia Keys,
• 1:38
  Speaker 1: because I feel like everything he's been trying to say
• 1:42
  Speaker 1: about Trump and politics and being woke he said in
• 1:45
  Speaker 1: that record, Okay, but other than that, I'm not here
• 1:48
  Speaker 1: for third goood Marshal Matters. No, I'm not here for
• 1:52
  Speaker 1: that wombbage. Well, I think it's great when people have
• 1:55
  Speaker 1: some beliefs that they want to express, and I love
• 1:58
  Speaker 1: when white people used their privilege to combat prejudice. But
• 2:01
  Speaker 1: you can still be dope when you do it. But
• 2:03
  Speaker 1: I'll get the remix on. In a mix remixes dope though,
• 2:05
  Speaker 1: he smoked that. I'll definitely get that on. And we
• 2:07
  Speaker 1: got some special guests joining us. We as the cast
• 2:09
  Speaker 1: of Den of thieves joining us. That's how fifty cent?
• 2:13
  Speaker 1: That's uh oh, Shay Jackson Junior. That's Gerard Butler and
• 2:17
  Speaker 1: and pards Dash from Orange is the new black Listen,
• 2:20
  Speaker 1: I didn't know Jerard Butler was such a sex symbody.
• 2:24
  Speaker 1: When said Butler, what's coming up here? I I was excited.
• 2:29
  Speaker 1: I'm not talking about his status, I said, I didn't
• 2:31
  Speaker 1: know he was such a sex symbol. Lady ladies loved
• 2:33
  Speaker 1: draw You see three hundred, that's part of the reason
• 2:36
  Speaker 1: why he shows penis. No, he's like half naked on
• 2:40
  Speaker 1: the whole thing. You ever seen three hundred? No, I
• 2:41
  Speaker 1: have it that. Really, there's nothing about a bunch of
• 2:44
  Speaker 1: white guys going crazy killing people that incites me. Sorry,
• 2:47
  Speaker 1: I said, great movie. I was wonderful. I'm sure it is.
• 2:49
  Speaker 1: B didn't watch it. Okay, all right, well let's get
• 2:53
  Speaker 1: the show cracking front page news. What we're talking about, Yes,
• 2:55
  Speaker 1: let's talk about investors and Apple. They want Apple to
• 2:59
  Speaker 1: fight iPhone addiction among kids, and we'll give you some
• 3:02
  Speaker 1: of those numbers. And guess what if you take this
• 3:04
  Speaker 1: as a man that is linked to infertility, we'll tell
• 3:07
  Speaker 1: you what you need to be aware of. Okay, and
• 3:09
  Speaker 1: also from the Source magazine. Yeah, I could try now,
• 3:12
  Speaker 1: I don't think anything to work. But from the Source magazine.
• 3:15
  Speaker 1: Lindell McMillan will be joining us too. We'll kick it
• 3:17
  Speaker 1: with him as well. Lot It's the Breakfast Club. Good
• 3:18
  Speaker 1: morning morning. Everybody is DJ Envy Angela Ye, Charlemagne the guy.
• 3:23
  Speaker 1: We are the Breakfast Club. Let's getting some front page
• 3:25
  Speaker 1: news now. We gotta sleut Alabama. Last night they beat
• 3:28
  Speaker 1: Georgia for the national championship. They came back there with
• 3:31
  Speaker 1: down I think seven nothing was the seven nothing or
• 3:35
  Speaker 1: six nothing? They came back in one last night, So
• 3:38
  Speaker 1: congratulations to him. Their quarterback is actually a freshman from Hawaii.
• 3:41
  Speaker 1: I can't pronounce his name, but it's like what he
• 3:44
  Speaker 1: is from Hawaii? Yeah, sleut Alabama. I started to watch
• 3:46
  Speaker 1: that game, but then I saw Donald Trump Wall got
• 3:48
  Speaker 1: on the field. When I saw Dope forty five come
• 3:49
  Speaker 1: out there, I was like, you know what, I'm gonna
• 3:51
  Speaker 1: drink this tea and go to sleep. I'm drink the
• 3:52
  Speaker 1: South Stop team and relax. All right, Now, where you
• 3:55
  Speaker 1: want to start? You want to start with your president year?
• 3:57
  Speaker 1: Where you wanta go, Well, let's start talking about Apple now,
• 3:59
  Speaker 1: and investors in the Apple They have about two billion
• 4:02
  Speaker 1: dollars in funds that they own about two billion dollars
• 4:06
  Speaker 1: in Apple stock between them. They want Apple to actually
• 4:10
  Speaker 1: work on fighting iPhone addiction among kids. Now, what they
• 4:14
  Speaker 1: have found is that there's a lot of detrimental effects
• 4:17
  Speaker 1: of smartphone addiction that includes being less attentive in class,
• 4:20
  Speaker 1: insufficient sleep, and a higher risk of depression and suicide.
• 4:24
  Speaker 1: They did an open letter that was posted online over
• 4:26
  Speaker 1: the weekend, and they want Apple to set an example
• 4:29
  Speaker 1: about the obligations of technology companies to their youngest customers.
• 4:32
  Speaker 1: So basically, add some parental controls to their devices, limited
• 4:36
  Speaker 1: time kids can spend on them, and what content they
• 4:38
  Speaker 1: can access. I'm gonna be totally honest with you. That's
• 4:41
  Speaker 1: not Apples Apple's fault. Yeah, that's like saying that, you know,
• 4:45
  Speaker 1: alcohol companies have to do that, cigarette companies have to
• 4:48
  Speaker 1: do that. Like, no, people need to regulate their kids iPhones.
• 4:52
  Speaker 1: It's not that they have to. But what they're saying
• 4:53
  Speaker 1: is that they could really set an example to the
• 4:55
  Speaker 1: whole industry. Apple respond and you know, they said, we
• 5:02
  Speaker 1: are committed to meeting and exceeding our customers expectations, especially
• 5:05
  Speaker 1: when it comes to protecting kids. Yeah, they're gonna try
• 5:07
  Speaker 1: to please anybody, but that's the parents. That is absolutely
• 5:10
  Speaker 1: not Apple's responsibility to monitor your kid's iPhone. Even with
• 5:14
  Speaker 1: my daughter, My daughter is only allowed to play on
• 5:16
  Speaker 1: the iPhone maybe an hour a day, and it's usually
• 5:20
  Speaker 1: some type of learning app or something like that. But yeah,
• 5:22
  Speaker 1: I limit that Apple. You treat the iPhone the same
• 5:25
  Speaker 1: way our parents used to treat TV. You've been in
• 5:27
  Speaker 1: front of that TV too long? Now, boy, what I'm saying,
• 5:30
  Speaker 1: go read a book or something. Are you doing? Now?
• 5:31
  Speaker 1: Do it? Now? With my kids? My kids get like
• 5:33
  Speaker 1: an hour TV a week. All right? And let's talk
• 5:36
  Speaker 1: about ibprofen. Ibprofen is paining carelers is pain relievers like
• 5:40
  Speaker 1: advil and motrin, and what they are saying that it
• 5:43
  Speaker 1: has been linked to maile fertility. So if you take
• 5:45
  Speaker 1: that in doses, and a lot of athletes use that,
• 5:48
  Speaker 1: some of them use it every day. Some young men
• 5:51
  Speaker 1: developed a hormonal condition that is linked to reduce fertility.
• 5:55
  Speaker 1: But they did say if you take a small amount
• 5:57
  Speaker 1: that it can be reversible, So just be careful if
• 6:00
  Speaker 1: you're taking that. So I BROF makes you less front
• 6:02
  Speaker 1: of Yeah, I'll take it frequently, Antonio Crimardian to take
• 6:06
  Speaker 1: a lot that has never taken and levered his life.
• 6:10
  Speaker 1: All right, anything else we're talking about in front page news,
• 6:12
  Speaker 1: I know that's it. Okay, all right, now get it
• 6:15
  Speaker 1: off your chest? Is next eight hundred five eight five
• 6:17
  Speaker 1: one oh five one. If you're upset you need to vent,
• 6:19
  Speaker 1: hit us up right now. Maybe you had a bad
• 6:21
  Speaker 1: night or bad morning and you want to vent a
• 6:22
  Speaker 1: little bit, or maybe you feel blessed. You want to
• 6:25
  Speaker 1: spread some positivity. Call us right now. Phone line to
• 6:27
  Speaker 1: wide open. Eight hundred five eight five one o five one,
• 6:30
  Speaker 1: Hit us up right now. It's the breakfast Club. Good morning,
• 6:32
  Speaker 1: the breakfast Club. The kiddings, pick up the mother mother
• 6:38
  Speaker 1: phone and die. This is your time to get it
• 6:40
  Speaker 1: off your chest. Whether you're mad or we want to
• 6:44
  Speaker 1: hear from you on the Breakfast Club. But you better
• 6:46
  Speaker 1: have the same energy. How about who's this Hey, ma'mna
• 6:50
  Speaker 1: get it off your chests. I feel it. I'm blessed
• 6:53
  Speaker 1: because I'm a hard working woman, I'm a white man.
• 6:57
  Speaker 1: I just cliblate it and some something with my master,
• 7:00
  Speaker 1: and then months later I received a great job on
• 7:03
  Speaker 1: the base. So I feel that at the beending the
• 7:05
  Speaker 1: United States vettering for so long, I was like, that's
• 7:07
  Speaker 1: a blessing to me, because yesterday it was the worst.
• 7:10
  Speaker 1: I get almost to work and I had to blow out.
• 7:13
  Speaker 1: Blow out? What you mean, like on my car? My yes,
• 7:19
  Speaker 1: the car that I drive. They don't even get your
• 7:21
  Speaker 1: spare tire. So I was like, I had to get
• 7:22
  Speaker 1: my car toned. And I was like, oh my god,
• 7:25
  Speaker 1: I'm going to lat the word. And this is my
• 7:27
  Speaker 1: first month later. Oh damn, well, congratulations baby, sound like
• 7:30
  Speaker 1: I don't know what the hell was she talking about.
• 7:32
  Speaker 1: I don't know. She says, you got to work out
• 7:33
  Speaker 1: to blow out. I thought the Dominican did her head? Hello?
• 7:35
  Speaker 1: Who's this? Hey? This is the Annapolis Hey, what's up?
• 7:39
  Speaker 1: Get gone chests? Hey? Before I get it off my chest?
• 7:42
  Speaker 1: Is Angela there? Nope? Hey Angela? You don't remember me,
• 7:48
  Speaker 1: but I was the guy that I was blowing you
• 7:50
  Speaker 1: walk on Twitter for um, put your crabs Instagram? Okay?
• 7:55
  Speaker 1: Is it? What is your Twitter? It's a black guy
• 7:58
  Speaker 1: or something. It's a black man. Hire yourself a black man,
• 8:02
  Speaker 1: Travis taking. I'm sorry. Yeah, as a boyfriend, Yeah, I
• 8:06
  Speaker 1: understand that boy. He's seem like a cool guy, just
• 8:08
  Speaker 1: want to be his friend, but that that don't gotta
• 8:10
  Speaker 1: no more. Basically, if he getting next to trap, you
• 8:13
  Speaker 1: can convince trapped and cheat. That's what you're trying to say. No,
• 8:15
  Speaker 1: I'm so he got a great personality. It turn out
• 8:18
  Speaker 1: to cool. First, I just wanted my circle to be
• 8:20
  Speaker 1: you know, with people that's cool like that. But let
• 8:22
  Speaker 1: me get off your circle. Y'all. Y'all, y'all been next.
• 8:30
  Speaker 1: Y'alln't got time for it, So it's important, okay. Um.
• 8:34
  Speaker 1: I was on social media yesterday and I saw that
• 8:38
  Speaker 1: nifty uh, what's his name, nifty Hustle Hustle, yeah him that, Yeah,
• 8:44
  Speaker 1: he gonna get up on social media and say that
• 8:47
  Speaker 1: if you're um a homosexual man, that you're not a
• 8:50
  Speaker 1: real black man. And I just thought that was that
• 8:53
  Speaker 1: soul suit, like even if you don't agree with the lifestyle,
• 8:57
  Speaker 1: you don't gotta you know, social media and bad mouth
• 8:59
  Speaker 1: of game really say that, we gotta. We're gonna get
• 9:03
  Speaker 1: into that. We'll tell you exactly what he said and
• 9:05
  Speaker 1: we'll talk about that just for you this morning. I
• 9:07
  Speaker 1: didn't see it really, I don't sound like that. I
• 9:10
  Speaker 1: just want to say, I see that you're also uncircumcised.
• 9:13
  Speaker 1: Why is that? How did you see that? He tweeted it?
• 9:15
  Speaker 1: Why did you hang up on him? So getting his
• 9:18
  Speaker 1: gracious get it off your chests eight hundred five eight
• 9:20
  Speaker 1: five one oh five one. If you're upset and you
• 9:22
  Speaker 1: need to vent, it's the breakfast club the morning, the
• 9:25
  Speaker 1: breakfast club. Wake up, wake up, wake y'all. This is
• 9:32
  Speaker 1: your time to get it off your chest, you madam blast.
• 9:36
  Speaker 1: We want to hear from you on the breakfast block. Hello,
• 9:39
  Speaker 1: who's this hi? Y'all? Hey, get off your chests. Yeah,
• 9:45
  Speaker 1: y'all do that to me all the time. We want
• 9:47
  Speaker 1: to get me a hole and a bunch of those commercially. Okay,
• 9:49
  Speaker 1: we're back, we're back. We're back. There, you go, get
• 9:51
  Speaker 1: it off your chests. Mama, where was Star? First of all,
• 9:55
  Speaker 1: happy knew you're so happy to talk to y'all so
• 9:58
  Speaker 1: long happy, So it was happy belated birthday. I'm into
• 10:02
  Speaker 1: the league anyway. I'm mad because I called yaw and
• 10:07
  Speaker 1: I was on the hall, just like how y'all got
• 10:08
  Speaker 1: that commercial? I got that commercial the whole time. So
• 10:11
  Speaker 1: I heard y'all talking the other people asking them why
• 10:12
  Speaker 1: I ain't mad, But I couldn't even get on the
• 10:14
  Speaker 1: phone and tell y'all why I'm mad. I'm listening to y'all.
• 10:16
  Speaker 1: Then I have to started listening. So I was on
• 10:17
  Speaker 1: holl I was on that. I was on y'all B
• 10:19
  Speaker 1: line for like twenty minutes. I'm super for hanging. But
• 10:21
  Speaker 1: you know a lot of Pika club anyways, I love
• 10:25
  Speaker 1: the big club. What is the back? You know? What
• 10:31
  Speaker 1: did you shouting? I don't start this the new year
• 10:33
  Speaker 1: to act right today? You need to get to this.
• 10:39
  Speaker 1: I don't even make sense. You know when you don't
• 10:42
  Speaker 1: make sense, you don't make sense. To take a lot
• 10:44
  Speaker 1: of let my week for vacation. How about to ask
• 10:48
  Speaker 1: damn every every year, every every day, every morning, short
• 10:53
  Speaker 1: America shouting out now what you shouldn't do it? Everybody
• 10:56
  Speaker 1: else came back on time. You come back on time.
• 10:58
  Speaker 1: I'm gonna my day just like the white man use
• 11:01
  Speaker 1: his Well you're white, you always gonna be like. I'll
• 11:04
  Speaker 1: be like like, yo, all us chill out at black
• 11:12
  Speaker 1: gets black? Right, come on eat the forus this morning?
• 11:15
  Speaker 1: Where you mad? I don't know how you call because
• 11:17
  Speaker 1: the shadow that shame for me, I call it a
• 11:20
  Speaker 1: good moan. It wasn't a good all I ask you
• 11:22
  Speaker 1: to do all I ask you to do because you
• 11:24
  Speaker 1: turned and white on us. That's the problem. You act
• 11:26
  Speaker 1: like what that word you we seeing all the time
• 11:28
  Speaker 1: about those those white black people or whatever. You don't
• 11:31
  Speaker 1: know what you say, anyway to say. But all I
• 11:33
  Speaker 1: ask you to do is call us the breakfast Club
• 11:35
  Speaker 1: bc bk is Brooklyn B feels like mer face? How
• 11:40
  Speaker 1: about that? My g all right, mama, go shave your arms. Okay,
• 11:46
  Speaker 1: go shave Hello. You gotta know you're gonna take a
• 11:48
  Speaker 1: black teel. How about that whack peel? Wax over your
• 11:51
  Speaker 1: little Okay, this is guys, go right, wax over your
• 11:55
  Speaker 1: little thing. Okay. I know you want to have a
• 11:57
  Speaker 1: little extra fur because it's cold out, but shaved. Hello,
• 12:00
  Speaker 1: This for something, everybody, Chad. People are asking about you
• 12:06
  Speaker 1: all morning. I told him you're taking trial, but they
• 12:08
  Speaker 1: don't care. We're Charlemagne. I'm I'm pissed right now, and
• 12:16
  Speaker 1: I got to talk about He probably a friend of
• 12:18
  Speaker 1: your show, and I'm gonna be careing Nipsey Hustle. Okay,
• 12:20
  Speaker 1: what happened now? To tell us he called to talk
• 12:22
  Speaker 1: about Nipsey Hustle too. Okay, yes, I did so this year.
• 12:25
  Speaker 1: I'm sorry, y'all know. Nipsey Hustle put this picture and
• 12:28
  Speaker 1: he posted on his Instagram. There's three things they pinpointed
• 12:32
  Speaker 1: in his little caption that he didn't see within the picture.
• 12:35
  Speaker 1: And he said that he didn't see a black violet man,
• 12:37
  Speaker 1: he didn't see a black man that was an abandoner,
• 12:40
  Speaker 1: and he didn't see a black homosexual man. Now, the
• 12:43
  Speaker 1: problem that I had with that is that he thinks
• 12:45
  Speaker 1: putting that picture up there, with all of those young
• 12:47
  Speaker 1: men within that picture, it just reminds me of growing
• 12:51
  Speaker 1: up where I didn't have anybody there to represent me,
• 12:54
  Speaker 1: and he thinks it's a good thing that. I don't
• 12:56
  Speaker 1: know if he thinks that because you're homosexual, you can't
• 12:58
  Speaker 1: shape and inform the young mind of a black man.
• 13:01
  Speaker 1: But there are a lot of successful black gay men
• 13:05
  Speaker 1: out there in this world that can definitely talk to
• 13:07
  Speaker 1: young black men like I don't know if he think
• 13:09
  Speaker 1: they were sitting there talking about sets to them, but
• 13:11
  Speaker 1: they are a lot of successful black gay men who
• 13:12
  Speaker 1: can shape, you know, the mind of young black men
• 13:15
  Speaker 1: out there in this world. All right, I think he
• 13:17
  Speaker 1: was trying to explain himself. So yeah, I saw his explanation.
• 13:21
  Speaker 1: I mean, I don't even know what the Nipcy Hustle
• 13:23
  Speaker 1: situation is, but I mean, yeah, you're absolutely right when
• 13:25
  Speaker 1: you say that black gay men can shape the minds
• 13:28
  Speaker 1: of other black gay in I mean, last time I check,
• 13:30
  Speaker 1: wasn't James Baldwin gay? And not only that, you don't
• 13:32
  Speaker 1: even have to feel like I'm about black gay men
• 13:34
  Speaker 1: shaping in the minds of other black gay men. Yeah,
• 13:38
  Speaker 1: just shaping the minds of young black men period. Oh
• 13:44
  Speaker 1: I meant other black men period. You know what the
• 13:45
  Speaker 1: hell I meant, traff. But but yeah, I mean, last
• 13:49
  Speaker 1: last time I checked James Baldwin was was gay. I mean,
• 13:51
  Speaker 1: I can't think of a more brilliant mind than him.
• 13:53
  Speaker 1: Not only that, you can have a you can have
• 13:55
  Speaker 1: a down lemon talk to the young minds, you James Baldwin,
• 13:59
  Speaker 1: the down women. Okay, but I understand what you're saying,
• 14:01
  Speaker 1: all right, Like stop, you'll get into it this morning
• 14:04
  Speaker 1: because a lot of people were very passionate about this topic.
• 14:06
  Speaker 1: Thank you, traft and and and then let Nipsey know,
• 14:09
  Speaker 1: like he's also the same person that a couple of
• 14:11
  Speaker 1: years ago he agreed with somebody on Instagram that black
• 14:14
  Speaker 1: women are disgrace to our culture, like Nipty the lands
• 14:18
  Speaker 1: person that they had me talking about who and you're crip,
• 14:20
  Speaker 1: like boy stop, I don't even know if having this
• 14:22
  Speaker 1: trump and stuff is true. I haven't heard these things
• 14:24
  Speaker 1: about it was on his Instagram. He he did so
• 14:27
  Speaker 1: he didn't say that about women. I don't know about
• 14:29
  Speaker 1: the woman's thing. But all right, we'll get into that later.
• 14:31
  Speaker 1: I get it off at chus eight drew five eight
• 14:32
  Speaker 1: five one oh five one, and we got rumors on
• 14:34
  Speaker 1: the way. All right, what's since everybody's talking about Nipsey hustling,
• 14:37
  Speaker 1: what he had to say on social media. Let's get
• 14:39
  Speaker 1: into that, all right, all and we'll keep a lock.
• 14:41
  Speaker 1: This to Breakfast Club the morning, the Breakfast Club. It
• 14:47
  Speaker 1: ain't safe, it ain't safe, it ain't safe the morning.
• 14:49
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy we
• 14:52
  Speaker 1: are the Breakfast Club. Let's get to the rumors. Let's
• 14:54
  Speaker 1: talk the weekend. She's filling the team. This is the
• 15:01
  Speaker 1: rumor report with Angela Yee on the Breakfast Club. Well,
• 15:07
  Speaker 1: the weekend had been working with H and M. He
• 15:09
  Speaker 1: did some collections with them in the past, and he
• 15:12
  Speaker 1: did the host selected by the Weekend, and he was
• 15:15
  Speaker 1: very upset over the ad controversy with H and M
• 15:18
  Speaker 1: where the young black man had on young black boy
• 15:21
  Speaker 1: had on a coolest monkey in the jungle hoodie. Now,
• 15:25
  Speaker 1: he tweeted out, woke up this morning shocked and embarrassed
• 15:28
  Speaker 1: by this photo. I'm deeply offended and will not be
• 15:31
  Speaker 1: working with H and M anymore. So that's it, hey,
• 15:34
  Speaker 1: once again, H and M, you have all these culturally
• 15:36
  Speaker 1: coolest people working for you, clearly because somebody could have
• 15:38
  Speaker 1: spotted that and told you that was gonna be a problem.
• 15:40
  Speaker 1: But more importantly, Weekend, don't give the money back, all right?
• 15:43
  Speaker 1: Drop H ANDM, but please keep the check out, right
• 15:46
  Speaker 1: did he say he was giving the money back. I'm
• 15:49
  Speaker 1: just throwing it out there just in case. Don't give
• 15:51
  Speaker 1: the money back they ask for the money back, like nope.
• 15:54
  Speaker 1: All right. Now, Joey Badass has joint title. He's going
• 15:57
  Speaker 1: to be doing a new podcast. He said, I have
• 15:59
  Speaker 1: a podcast called forty seven Minutes coming to title real soon.
• 16:02
  Speaker 1: If retweet, if you'll tune in to hear me talk
• 16:04
  Speaker 1: about is from hip hop, politics, spirituality, and whatever the
• 16:07
  Speaker 1: f else I want. So I'm gonna be mad at
• 16:10
  Speaker 1: that at all. Smooth the Joy Badass. I like that guy. Man,
• 16:13
  Speaker 1: you put out a real dope album last year. Yes,
• 16:15
  Speaker 1: And speaking about putting out dope music and other products,
• 16:19
  Speaker 1: Kat Williams is doing a stand up and it's called
• 16:23
  Speaker 1: Great America and that's going to be on Netflix on
• 16:25
  Speaker 1: January sixteenth. That's from his tour that he did last year.
• 16:28
  Speaker 1: Here is a little snippet right, used to be some
• 16:31
  Speaker 1: black white people. Let me just say, y'all hard terrible
• 16:36
  Speaker 1: at all out the shaky La science Hard Coup said.
• 16:44
  Speaker 1: The leagues are real, but the news is fake. That's
• 16:48
  Speaker 1: why the police bull you over when you tell him
• 16:50
  Speaker 1: the blood ain't real. But the smoke kid. Netflix has
• 16:54
  Speaker 1: really cornered the market on comedy specials. They've been doing
• 16:56
  Speaker 1: that thing with comedy specials. I don't want to see that.
• 16:58
  Speaker 1: I'm here for the Cat Williams comedy special absolutely, even
• 17:01
  Speaker 1: though he called me Charlomagne the Dog, but I'm still here. Still.
• 17:03
  Speaker 1: I haven't heard him doing it in a while, but
• 17:04
  Speaker 1: I'm here for it. Wellet's January sixteenth, all right, Now,
• 17:07
  Speaker 1: let's get into what a lot of people were calling
• 17:10
  Speaker 1: up about this morning. It's a black man on Twitter
• 17:12
  Speaker 1: called and Trav called in and they were mad about
• 17:15
  Speaker 1: these comments by Nipsey Hustle. Now Nipsey Hustle posted a
• 17:18
  Speaker 1: picture and it's a you know, a whole group of
• 17:21
  Speaker 1: young black men in the room, and he said, demonstration
• 17:23
  Speaker 1: speaks louder than conversation. They're gonna feed us every image
• 17:26
  Speaker 1: of our men and boys, but this one no hyper violent,
• 17:29
  Speaker 1: no homosexual, no abandoners, just strong black men and young men.
• 17:33
  Speaker 1: Respect to my big homie for leading with love and intelligence.
• 17:36
  Speaker 1: God is with us. Who can go against us? All right? Well,
• 17:41
  Speaker 1: this caused a firestorm, and he was going back and
• 17:43
  Speaker 1: forth with Deray. He said, I ain't got to be
• 17:45
  Speaker 1: politically correct because I ain't standing on nobody else's platform.
• 17:48
  Speaker 1: I believe in love and acceptance. But you ain't going
• 17:51
  Speaker 1: to piss on my head and tell me it's raining none.
• 17:53
  Speaker 1: I see what's going on, y'all. Shoot two Victory Lap
• 17:56
  Speaker 1: February sixteen, twenty eighteen. Ray McKesson, the activist, Yeah, dificions.
• 18:00
  Speaker 1: Now that's who he was going back and forth with
• 18:02
  Speaker 1: because basically Dray said, you listed three qualities as equally negative, violent, gay,
• 18:07
  Speaker 1: an abandoner, and as the opposite of strong. What made
• 18:11
  Speaker 1: you assume everyone in the picture was straight? Are you
• 18:13
  Speaker 1: saying that to be against homophobia is to succumb to
• 18:16
  Speaker 1: the mainstream media now, Nipsey responded, I listed three qualities
• 18:20
  Speaker 1: overrepresented in the mainstream media's narrative of what a black
• 18:23
  Speaker 1: man is. Point out the first lie, I never assumed
• 18:26
  Speaker 1: they were all straight. I noted that they weren't being
• 18:28
  Speaker 1: framed by the media as gay, and I have no
• 18:31
  Speaker 1: opinion about what a person's sexual preferences. That's the guy
• 18:34
  Speaker 1: given right and I'm not God. Now, if we can't
• 18:36
  Speaker 1: agree that life imitates art and the balance representation of
• 18:39
  Speaker 1: our people is important, then we will agree to disagree
• 18:41
  Speaker 1: and wish each other the best. Well both sides, the
• 18:45
  Speaker 1: LGBT community and Nipsey are essentially saying the same thing,
• 18:48
  Speaker 1: don't stereotype us. Nipsey is saying the media often overrepresents
• 18:52
  Speaker 1: these stereotypical images of black men, super thug, super gay,
• 18:55
  Speaker 1: super debut, and the gay men are telling Nipsy, don't
• 18:58
  Speaker 1: stereotype bus because a lot of us look like the
• 19:00
  Speaker 1: guys posted in that picture. So They're both essentially saying
• 19:03
  Speaker 1: the same thing. No stereotype. Now, Derey responded, I've never
• 19:06
  Speaker 1: thought that gay black men were overrepresented in the media.
• 19:09
  Speaker 1: But the original point is that gay is not a
• 19:11
  Speaker 1: bad thing, not synonymous with a violent abandoner, and not
• 19:13
  Speaker 1: the opposite of strong. So you know, Nipsey was just
• 19:17
  Speaker 1: trying to point out that he does not look down
• 19:18
  Speaker 1: on gay people at all. He loves all God's children,
• 19:21
  Speaker 1: all right, So that is just the synopsis of what happened.
• 19:24
  Speaker 1: In case you missed it. I'm Angela Yee and that
• 19:26
  Speaker 1: is your rumor report. A right now, when we come back,
• 19:28
  Speaker 1: we have the cast of Den of Thieves in the building,
• 19:31
  Speaker 1: fifty cent O'shay Jackson, Junior, Gerard Butler and Pablo Shronner,
• 19:37
  Speaker 1: and we need d And speaking of stereotyping gay, we
• 19:40
  Speaker 1: need to find out why fifty is always trying to
• 19:41
  Speaker 1: stereotype Puffy as a gay man. All right, we need
• 19:44
  Speaker 1: to get to the bottom of this. God damn my goodness.
• 19:46
  Speaker 1: All right, when we come back, keep a locked as
• 19:48
  Speaker 1: to Breakfast Club co Morning. More than everybody is DJ Envy,
• 19:53
  Speaker 1: Angela Yee, Charlomagne, the guy. We are the breakfast club.
• 19:55
  Speaker 1: We got some special guests in the building. You know,
• 19:57
  Speaker 1: fifty always up to something. I'm here, baby, cast of
• 20:00
  Speaker 1: Dead of Thieves, Jackson Butler and go on stairs. You
• 20:15
  Speaker 1: get that a lot. I get it. Sometimes you don't
• 20:19
  Speaker 1: wear it in real life. I don't bring it. I
• 20:20
  Speaker 1: don't travel with it. Tell us about this flick Den
• 20:25
  Speaker 1: of Thieves. Oh man, it's action pack is You're gonna
• 20:28
  Speaker 1: see a different version the Butler. You've never seen this version.
• 20:31
  Speaker 1: It's a whole new character, whole new energy. It's a
• 20:33
  Speaker 1: bad man bad man. Yeah. So you're a corrupt police officer. Yeah,
• 20:41
  Speaker 1: you're saying. I wouldn't call myself a corrupt police officer.
• 20:44
  Speaker 1: You know, I'm just doing doing my job. But I
• 20:46
  Speaker 1: like this bad man. Yeah, I think that's Listen. That's
• 20:49
  Speaker 1: the cool thing about it. As you you know, there's
• 20:52
  Speaker 1: no real good or badness. You know, you kind of
• 20:54
  Speaker 1: follow the bad guys as much as you do the
• 20:56
  Speaker 1: good guys. You know, you're kind of get both sides
• 20:57
  Speaker 1: of the stories. So, yeah, you see the impact living
• 21:00
  Speaker 1: the lights that we do takes on. And I definitely
• 21:04
  Speaker 1: I'm living a pretty dark dark life. You do on
• 21:09
  Speaker 1: cops in America, do that because the cops can be
• 21:12
  Speaker 1: real crooked here. Well, we just hung out with a
• 21:14
  Speaker 1: lot of cops. We hung out with Sheriff's department cop,
• 21:17
  Speaker 1: some detectives start with them, went through the stories, went
• 21:20
  Speaker 1: on the road with them, and you know, just kind
• 21:23
  Speaker 1: of heard where they were coming from. See some of
• 21:26
  Speaker 1: the cases they've had to deal with, you know, they
• 21:27
  Speaker 1: kind of impact that has on their lives. Yeah, exactly
• 21:29
  Speaker 1: where you know, where they have to go talking about
• 21:31
  Speaker 1: when they're dealing with some dodging characters. Um, you know,
• 21:35
  Speaker 1: when when you're dealing with the worst kind of people,
• 21:37
  Speaker 1: then sometimes you've got to be as bad as them,
• 21:38
  Speaker 1: you know, if you want to win. And that's what
• 21:40
  Speaker 1: this movie is about. It is about It's about two
• 21:42
  Speaker 1: different tribes that want to win and they're both willing
• 21:45
  Speaker 1: to go, you know, do what it takes to get there.
• 21:47
  Speaker 1: Now with the iconic movie three hundred right, iconic movie?
• 21:51
  Speaker 1: What made you want to work with Hip Hop Royalty
• 21:53
  Speaker 1: and Hip Hop Legends over there? Did you listen to
• 21:55
  Speaker 1: fifty cents mus before? Of course he did, of course.
• 22:00
  Speaker 1: Side I get money, I love fifty I do, Yeah,
• 22:06
  Speaker 1: I do. I mean, and I've actually you know I've
• 22:08
  Speaker 1: worked with Ludigris, I've worked with Jamie Foxx, you know
• 22:12
  Speaker 1: hip hop. But I'm always on the rise. And finally
• 22:16
  Speaker 1: I've got to work with fifty. I have made no
• 22:21
  Speaker 1: it's um listen to be honest. To get these guys
• 22:24
  Speaker 1: in the movie, it's been awesome. I think people are
• 22:27
  Speaker 1: way more excited about him being in the movie than me,
• 22:29
  Speaker 1: so I'll take it all all the way to the bike.
• 22:31
  Speaker 1: But not true. It was not quite true. They are
• 22:37
  Speaker 1: really excited about you being in the movie. I'm excited
• 22:40
  Speaker 1: to be there, you know. But nobody at the Source
• 22:43
  Speaker 1: hosted screening tonight is coming for but name. But when
• 22:52
  Speaker 1: they see like, oh that's what's your name? Oh yeah,
• 22:56
  Speaker 1: you're that dude. It was certified. It certifies things. It
• 23:03
  Speaker 1: looking okay. See it was asking questions earlier on like
• 23:07
  Speaker 1: when you gonna get draw on on power. I was like,
• 23:08
  Speaker 1: chill get the money for they start jump ahead of it.
• 23:13
  Speaker 1: They had the money to make it, make it makes sense.
• 23:15
  Speaker 1: But he was like, you know what are you talking about.
• 23:18
  Speaker 1: Let me see what it is first to do it.
• 23:20
  Speaker 1: But I'm like, you know how like if I ain't
• 23:23
  Speaker 1: got the bag, I don't really start the conversation, especially
• 23:25
  Speaker 1: if you respect the man, because to feed that family,
• 23:29
  Speaker 1: to feed everything else. So you come when the bank
• 23:32
  Speaker 1: is so, I just gave you the bag that was
• 23:37
  Speaker 1: just for me. I'm gonna cover you know, watch the
• 23:44
  Speaker 1: bound back now you was down back, I was down.
• 23:48
  Speaker 1: I said, get back, like what was going on here?
• 23:50
  Speaker 1: I don't feel like me right now? You know, do
• 23:54
  Speaker 1: you feel like you could potentially rob a bank after
• 23:56
  Speaker 1: filming a movie like this and learning how incriminates yourself? Yeah?
• 24:02
  Speaker 1: I have all the plots out the Federal Reserve, but
• 24:06
  Speaker 1: their security gives me in fifty and Ocean are coming
• 24:09
  Speaker 1: after them, you know they didn't. Usually the people who
• 24:13
  Speaker 1: do rob banks rob them several times. Right, They were
• 24:15
  Speaker 1: very nice to give away a few times. Just a
• 24:19
  Speaker 1: little research because I always think that's interesting as had
• 24:24
  Speaker 1: to rob a bank, because you have to make it
• 24:25
  Speaker 1: as realistic as possible. Yeah, yeah, we tried to be
• 24:28
  Speaker 1: very realistic. Obviously they're you know, Christian Goody gas Are,
• 24:31
  Speaker 1: director did a lot of research and the scenes that
• 24:34
  Speaker 1: take place inside the Federal Reserve are thoroughly researched um
• 24:38
  Speaker 1: and it looks amazing. It looks like just like the
• 24:41
  Speaker 1: real location so um. But you know, you got a
• 24:45
  Speaker 1: hope that places like the Federal Reserve gets some secrets
• 24:48
  Speaker 1: to themselves. But I went to the Federal Reserve and
• 24:52
  Speaker 1: I gotta say, there's no rob but not bank thirty
• 25:01
  Speaker 1: million cash away a day? Is that true? Truly? Yeah?
• 25:05
  Speaker 1: I don't know how much they do a day, but
• 25:07
  Speaker 1: that particular one in LA has literally trillions of dollars
• 25:11
  Speaker 1: at any one time. They shredded all the old bills.
• 25:14
  Speaker 1: Thirty million. Oh yeah, yeah, at least thirty million a day. Yeah,
• 25:19
  Speaker 1: it's very frustrating to be there when that happens. Just
• 25:26
  Speaker 1: passes a few. This is your first role since Great
• 25:30
  Speaker 1: out of Content. No, no, no, this is my third one. Yeah,
• 25:34
  Speaker 1: goes West, Indy. But this one, this, there's another Blockbusters
• 25:38
  Speaker 1: picked up, because you always make that seem like a
• 25:39
  Speaker 1: small oh yeah, you know Ingrid Goes West. I ended
• 25:44
  Speaker 1: up getting top ten performances at Sundance for that, and
• 25:47
  Speaker 1: you know that's a big deal with my family Sun Dance.
• 25:49
  Speaker 1: Don't really you know, be knocking on the Cube family
• 25:52
  Speaker 1: all the time. Oh no, please, he brought me life
• 26:01
  Speaker 1: to get that one up. Whose look at the look
• 26:04
  Speaker 1: at the names on the list. You know, I know
• 26:06
  Speaker 1: I need it. I needed when you go Indie after
• 26:09
  Speaker 1: something like Straight out of Compton. You know, I needed
• 26:11
  Speaker 1: another good upper cut to this combo. And you know
• 26:14
  Speaker 1: this is a you know, this is an action pack movie.
• 26:17
  Speaker 1: It lets me show my range as an actor, you know,
• 26:20
  Speaker 1: besides rapping and you know, dancing on stage and all that.
• 26:23
  Speaker 1: So it allowed me to show a different level of
• 26:26
  Speaker 1: my skills. And you know I got you see the
• 26:28
  Speaker 1: group I'm with. It just seemed like a home run,
• 26:31
  Speaker 1: so why not take it? The part two? The later.
• 26:36
  Speaker 1: It's gonna be bigger. Come on, now, that's a lot
• 26:40
  Speaker 1: of pressing. It's gonna be bigger. So up to a
• 26:45
  Speaker 1: great start. This is a rocket. Daddy had the music too, though.
• 26:49
  Speaker 1: I remember when you was on MG. Now I got
• 26:53
  Speaker 1: something coming for you. But don't worry, my uncle. Halftime
• 26:57
  Speaker 1: got me all right. We got more of the cast
• 27:01
  Speaker 1: and then the Thieves when we come back, don't move.
• 27:02
  Speaker 1: It's the Breakfast Club. Good Morning, the Breakfast Club, The Morning.
• 27:08
  Speaker 1: Everybody is dj Enzy, Angela Yee, Charlomagne the Guy. We
• 27:12
  Speaker 1: are the Breakfast Club. We have the cast of thenner Thieves,
• 27:15
  Speaker 1: a new movie in the building. Fifty cent Oh, Shay
• 27:18
  Speaker 1: Jackson Junior, Gerard Butler, and Pablo Schreiber. Yee, so fifty.
• 27:22
  Speaker 1: Would you be against playing the cop roll in this
• 27:25
  Speaker 1: movie or you feel like you got to be the
• 27:26
  Speaker 1: bad guy? I like the bad guys. Look I read
• 27:29
  Speaker 1: the script. I left the six six years ago. I
• 27:32
  Speaker 1: don't mind being typecasts. I'm a rapper mind the same
• 27:39
  Speaker 1: drugge is a little bigger. But this is That's how
• 27:43
  Speaker 1: I went. Okay, the whole energy like no getting it together.
• 27:50
  Speaker 1: Pablo guys show into it while we was training. Then
• 27:53
  Speaker 1: he was like Evan. He was like Evan Jones ched
• 27:56
  Speaker 1: the ball man. He's like, what the because he was
• 28:00
  Speaker 1: happening like chat the bab moments while we was like
• 28:03
  Speaker 1: doing the training and it was like it was it was.
• 28:06
  Speaker 1: He had us doing a lot of drills and a
• 28:07
  Speaker 1: lot of stuff that became like first nature for us.
• 28:12
  Speaker 1: Like by the time we got done in the first
• 28:13
  Speaker 1: two weeks, we was doing it and in a different setting.
• 28:16
  Speaker 1: We wasn't in the trees, it wasn't it was an
• 28:19
  Speaker 1: urban setting. But to get it right, we worked in
• 28:22
  Speaker 1: the process. Do you know who Chabob is? Okay, So
• 28:29
  Speaker 1: I it was what it was what I that's he
• 28:34
  Speaker 1: wasn't like a lot of scenes with was there any
• 28:36
  Speaker 1: pressure with him though, because since he's such an established actor, like,
• 28:39
  Speaker 1: you know, I gotta make sure I don't look bad
• 28:41
  Speaker 1: at all. I come like that all the time every day,
• 28:44
  Speaker 1: but especially when like because I did with righteous skill,
• 28:47
  Speaker 1: you know Denaro, since then, like I got de Naro
• 28:51
  Speaker 1: to do with freelances with me and I was like
• 28:53
  Speaker 1: a passion project. So because it was my I started
• 28:56
  Speaker 1: it and he was support him and force with following that, Jake,
• 29:00
  Speaker 1: I really didn't really feel pressure like that until like
• 29:04
  Speaker 1: when you just have to look back at all the
• 29:06
  Speaker 1: performances because got a lot of scenes I'm away from
• 29:09
  Speaker 1: me and I watch it and I'm like, and I
• 29:11
  Speaker 1: don't hear the accent, and I don't hear any of
• 29:14
  Speaker 1: this stuff that you see right now. You're not gonna
• 29:16
  Speaker 1: see this in the movie because it's a whole other
• 29:18
  Speaker 1: thing that he built, and it's what makes it exciting,
• 29:22
  Speaker 1: you know. I mean, I know when people see it's
• 29:24
  Speaker 1: gonna blow them away. And a lot of the in
• 29:26
  Speaker 1: the movie, I have a lot of one on one
• 29:28
  Speaker 1: where Gerard, so you know, me being the new dude,
• 29:32
  Speaker 1: and it was you know, of course that pressure is there,
• 29:34
  Speaker 1: but it's more like butterflies. Oh no, no, no't think
• 29:40
  Speaker 1: I get beat up enough. Conference. There's there's a scene
• 29:46
  Speaker 1: where you know, the police, uh have me and they're
• 29:50
  Speaker 1: choking me out, and you know, Gerard, being a professional
• 29:53
  Speaker 1: that he is, you know, he's not really trying to
• 29:55
  Speaker 1: put it on me, but I had to let him know.
• 29:56
  Speaker 1: You know, I've been a little brother before you can
• 29:58
  Speaker 1: choke me out, It's fine. So you know, we really
• 30:02
  Speaker 1: got down in that scene. And it's one of my
• 30:04
  Speaker 1: favorite scenes in the movie. And uh, you know, I
• 30:06
  Speaker 1: definitely felt the pressure, but did I not had them
• 30:09
  Speaker 1: my own? I gotta say I've made a lot of
• 30:11
  Speaker 1: movies where I've had to beat the people. I have
• 30:14
  Speaker 1: never had to beat the shout out of anybody as
• 30:17
  Speaker 1: much as he took it like a tripper, like I mean,
• 30:23
  Speaker 1: I was very very impressed, and talking about earlier his performance,
• 30:27
  Speaker 1: he I would sit at times watching him doing his thing,
• 30:31
  Speaker 1: and it would blow me away. Really, how seriously, how
• 30:35
  Speaker 1: every time you get something different, every time it would
• 30:38
  Speaker 1: be totally believable, and every time it would take me
• 30:41
  Speaker 1: by surprise, and and and pretty much every scene I
• 30:44
  Speaker 1: had with him. I was smacking him, punching him, choking. Yeah,
• 30:48
  Speaker 1: um never never not even never am never complained. He
• 30:53
  Speaker 1: just got on with it and termed, but you I
• 30:55
  Speaker 1: cube stunt. I'm sure you get hands put on you
• 30:57
  Speaker 1: growing up by a choked out he not Homer Simpson.
• 31:00
  Speaker 1: But you know it's it's for the art, you know.
• 31:05
  Speaker 1: I went to I went to college for for cinema.
• 31:08
  Speaker 1: You know, USC fight on so like, you know, I'm
• 31:12
  Speaker 1: a film student at heart, and I don't know that. Yeah,
• 31:15
  Speaker 1: a lot of the times when when you know you're
• 31:17
  Speaker 1: making your short films for for class or whatever, you
• 31:19
  Speaker 1: ain't got necessarily the budget or whatever. You got to
• 31:22
  Speaker 1: cheat some stuff. And I know a lot of the
• 31:24
  Speaker 1: times you gotta go for the scene if we want
• 31:26
  Speaker 1: to get out of here. And so you know, it's cool.
• 31:28
  Speaker 1: So everybody thinks it's neplatives and they think you just
• 31:31
  Speaker 1: popped up in the spirit out of content que suf,
• 31:33
  Speaker 1: but you actually put in at work. But yeah, I was.
• 31:34
  Speaker 1: I was at USC for two years before SHARRETA. Compton
• 31:37
  Speaker 1: was even being uh like talked about as a as
• 31:40
  Speaker 1: a serious film and during my second year, he you know,
• 31:43
  Speaker 1: he was like, yo, you know you want to do this,
• 31:45
  Speaker 1: and uh, from there it's blown up into something like
• 31:49
  Speaker 1: Dinner Thieves, where I feel passionate about it and I
• 31:53
  Speaker 1: love the story. And now you know they might start
• 31:56
  Speaker 1: taking your boys. People have a question if you could
• 31:58
  Speaker 1: really act simply because in the role of in the
• 32:01
  Speaker 1: movie you played your father. Of course, but that's that's
• 32:03
  Speaker 1: just them making it easy for me because your expectations
• 32:06
  Speaker 1: is so low. Your dad that role, he didn't even
• 32:09
  Speaker 1: want to give that to you. I haven't worn't for
• 32:11
  Speaker 1: two years for that, and then the Thieves for show
• 32:13
  Speaker 1: made me work as Donnie Wilson. I had. I definitely
• 32:16
  Speaker 1: have my hard days, and though I didn't complain in
• 32:18
  Speaker 1: front of you when I got in the car and
• 32:20
  Speaker 1: let your his problem is he doesn't shut up in
• 32:24
  Speaker 1: between the scenes. Now he goes on and he has
• 32:28
  Speaker 1: an amazing mind. He just goes on in these streams
• 32:31
  Speaker 1: of consciousness, and we look around, going is he talking
• 32:33
  Speaker 1: to You're actually talking to people when we're trying to
• 32:38
  Speaker 1: keep him intimidated everyone, and again whenever we just walk
• 32:40
  Speaker 1: over and slap him in the face, which he took
• 32:44
  Speaker 1: very well, and you'd finish and like literally he was
• 32:55
  Speaker 1: about to drop down to go anyway, y'all. I'm hungry man.
• 33:02
  Speaker 1: Really isn't as much an impact on him. I'm a
• 33:05
  Speaker 1: monster man. Now, let's talk about this scene that that
• 33:07
  Speaker 1: I've seen that they released that now, I'm a father
• 33:10
  Speaker 1: five Charlemagne's a father of two girls, and this scene
• 33:12
  Speaker 1: was real close to my heart. This seems now the
• 33:16
  Speaker 1: reason I laugh about this scene because I tell everybody
• 33:18
  Speaker 1: all the time when my daughter goes on home first date,
• 33:20
  Speaker 1: I'm really gonna call fifty by the house. And I
• 33:23
  Speaker 1: talked about this scene a little film. I'm gonna gi
• 33:25
  Speaker 1: him that. Look, they understand that I don't understand, right,
• 33:30
  Speaker 1: I will, look, I will do it, my man, don't
• 33:32
  Speaker 1: do this to yourself, you know. Like that. But the
• 33:34
  Speaker 1: scene was interesting because I had, like I got five
• 33:37
  Speaker 1: kids in the actual film, Like I feel like I'm
• 33:40
  Speaker 1: hiding myself from plain sight, you know what I mean.
• 33:43
  Speaker 1: While my partner have been away for some time, locked up.
• 33:47
  Speaker 1: We robbed things in the past, but his attitude got
• 33:51
  Speaker 1: him incarcerated. It's not the kind of guy that leaves
• 33:54
  Speaker 1: the people he came with. Okay, somebody else's mistake, you know,
• 33:58
  Speaker 1: leads him to the joint and then My daughter is
• 34:01
  Speaker 1: sixteen years old, so sweet sixteen seen, like, yo, my
• 34:07
  Speaker 1: baby right there, I know what this movie is about.
• 34:11
  Speaker 1: He's like, but that this the sweet sixteen and and
• 34:14
  Speaker 1: the her date is like a little football star. And
• 34:19
  Speaker 1: because he comes from you know, the Los Angeles, he
• 34:23
  Speaker 1: got that power roof thing going on. I see it
• 34:26
  Speaker 1: in this Uh yeah, And I'm looking like because I
• 34:33
  Speaker 1: know exactly what it is. It's come in and talk
• 34:36
  Speaker 1: to you for a minute, you know, explained to you,
• 34:38
  Speaker 1: and then it's it's I just trying to say at
• 34:41
  Speaker 1: the point that you see, I see that like at sixteen,
• 34:44
  Speaker 1: you know, the difference when you when you start to
• 34:46
  Speaker 1: not be so cool because your daddy, and then like
• 34:49
  Speaker 1: because her social circles growing and she started to you know,
• 34:52
  Speaker 1: have her friends and following the trend of things that
• 34:54
  Speaker 1: they are deciding to light. And at that point, I'm
• 34:58
  Speaker 1: identifying with how having to have that conversation with him
• 35:02
  Speaker 1: instead of speaking to her, you know what I mean,
• 35:04
  Speaker 1: Because there's a point that you that you gotta do that,
• 35:07
  Speaker 1: you know, like and then this is me and you
• 35:09
  Speaker 1: talking with him instead of her, because she's going I
• 35:13
  Speaker 1: hate you and everything that we know that she would
• 35:15
  Speaker 1: be feeling that she can't express to you at that
• 35:19
  Speaker 1: point because she still sees you like when she was
• 35:22
  Speaker 1: like eight. You know what I'm saying, Like like all
• 35:27
  Speaker 1: of that, you're just working past that. The same was good.
• 35:29
  Speaker 1: It was so much to work, so many layers to it.
• 35:33
  Speaker 1: You know, it came off for you. Good. We need
• 35:35
  Speaker 1: a room full of big Hawaiians to walk that's the
• 35:39
  Speaker 1: end of the store. If you have a room full
• 35:42
  Speaker 1: of big Hawaiians to walk your your girlfriend's sixteen year
• 35:45
  Speaker 1: old dat into, then at them all end happening. All right,
• 35:48
  Speaker 1: we got more with the cast of Dinner Thieves. When
• 35:50
  Speaker 1: we come back, don't move. It's the breakfast club the
• 35:52
  Speaker 1: morning morning. Everybody is DJ Nzy Angela Yee. Charlemagne the guy.
• 35:56
  Speaker 1: We all the breakfast club. We have the cast of
• 35:59
  Speaker 1: Dinner Thieves in the building. Charlemagne. That fifth, when you
• 36:02
  Speaker 1: continuously called Puff gay that in Hollywood, I don't call no,
• 36:06
  Speaker 1: I don't call I don't call him gay. I said,
• 36:08
  Speaker 1: let me read, let me read everything. Sorry, I can
• 36:12
  Speaker 1: no longer help you guys. Soon you will all be
• 36:14
  Speaker 1: gay and happy. You are all now left under leadership
• 36:17
  Speaker 1: of Puffy Daddy. Report to the Nearest Rainbow, then the
• 36:20
  Speaker 1: Thieves and petis jail No No, I part a reason. Listen, listen,
• 36:36
  Speaker 1: I'm on saying that because of what's his name? Interview
• 36:39
  Speaker 1: the Champion and he go when they do what are
• 36:42
  Speaker 1: you doing? He says things he doesn't even know what
• 36:44
  Speaker 1: he's saying, is like fruity, you know what I'm saying.
• 36:48
  Speaker 1: He says something fabulous and he gonna Yo, no, no,
• 36:51
  Speaker 1: but me and you win? Party like we need to party.
• 36:55
  Speaker 1: What are you talking about? What are you talking about?
• 37:00
  Speaker 1: Did say that to me? I get a little uncomfortable.
• 37:03
  Speaker 1: I get uncomfortable, like he said. He says something to
• 37:05
  Speaker 1: me one time a long time ago at Chris Nidy's wedding,
• 37:08
  Speaker 1: he told me to take me shopping. I looked at him, like,
• 37:11
  Speaker 1: what what you just saying? Let me move, man, before
• 37:15
  Speaker 1: I do something. You're gonna make me invest up the wooden.
• 37:17
  Speaker 1: Oh that's a nice gesture. Let me get out of
• 37:19
  Speaker 1: no dude to take test with a contest through did
• 37:24
  Speaker 1: not go decade. I remember when you say I've been
• 37:30
  Speaker 1: saying this, I've been saying that you've been when you
• 37:35
  Speaker 1: see when you see you see Jay kids put his
• 37:37
  Speaker 1: head down like while we stuck here right now and
• 37:42
  Speaker 1: the cameras roll everybody see. Don't to make like it's
• 37:45
  Speaker 1: just me man, let me do some a little fluffy stuff. Now,
• 37:49
  Speaker 1: you guys are hip hop beef. Okay, I hain't got
• 37:52
  Speaker 1: nothing to do with this about what do you want
• 37:57
  Speaker 1: to do with fabulous? That's nothing to do with draw
• 38:10
  Speaker 1: belt fabulous, dwelt fabulous. So well, it depends if you,
• 38:19
  Speaker 1: but doesn't never affect your relationship from Hollywood and like
• 38:22
  Speaker 1: fifth Stop, you know, gay bash, it doesn't constino that.
• 38:26
  Speaker 1: I'm just I'm poking at what he's saying. And plus
• 38:29
  Speaker 1: I'm a rapper. Don't give me mogul because when you
• 38:32
  Speaker 1: get mogul, you get in trouble. I'm not even like
• 38:36
  Speaker 1: I kind of people know what comes with fifty like
• 38:38
  Speaker 1: they kind of know what comes with you. It's been
• 38:41
  Speaker 1: very consistent, so you can't come to me and say,
• 38:43
  Speaker 1: why did you say this when I've been saying this
• 38:45
  Speaker 1: the entire time. Yeah times, I said. Now, let me
• 38:51
  Speaker 1: ask you guys this, when you finished filming for the day,
• 38:53
  Speaker 1: how long does it take to come down out of
• 38:55
  Speaker 1: your character? Because I'm sure sometimes you get into character
• 38:58
  Speaker 1: and you're probably feeling really angry and you know, so
• 39:14
  Speaker 1: you know, but a lot of the times, it's, uh,
• 39:16
  Speaker 1: it definitely, for sure, it is a difficult process, you
• 39:19
  Speaker 1: know because even when you go back to the to
• 39:22
  Speaker 1: the hotel and you're reading the scenes for the next day,
• 39:25
  Speaker 1: you know, you still got to stay in that mindset. So,
• 39:27
  Speaker 1: you know, a lot of the times when I'm home
• 39:30
  Speaker 1: from a film, I mean like a week or two
• 39:33
  Speaker 1: to get it off me, to get to the waking
• 39:36
  Speaker 1: up early, to be a set and and all those
• 39:39
  Speaker 1: things like that to get that offer. So it's probably
• 39:41
  Speaker 1: until the next film, until I got rid of Donnie,
• 39:44
  Speaker 1: you know, until I got that that that off me.
• 39:46
  Speaker 1: So it's it's it's definitely a process. It can be exhausted.
• 39:49
  Speaker 1: But everybody up here is a professional whip. When you
• 39:52
  Speaker 1: go back to the hotel, you go by yourself, because
• 39:53
  Speaker 1: I heard you smashing every chick in Hollywood heard this,
• 39:59
  Speaker 1: all right, Look, you mean, Bronte, A lot of times,
• 40:04
  Speaker 1: if I gotta get up early, you know, I gotta
• 40:06
  Speaker 1: get up early. I can't be going I gotta go
• 40:08
  Speaker 1: by myself and smashing the company. Butler said that when
• 40:15
  Speaker 1: the movie comes out January nineteenth, and we appreciate you
• 40:18
  Speaker 1: guys for joining us. Thing we got. I want to
• 40:20
  Speaker 1: I want to know about Optimom dropping Stars man. Yeah,
• 40:24
  Speaker 1: for the past week, they're just renegotiating and trying to
• 40:27
  Speaker 1: get you know, get it together before I start telling
• 40:29
  Speaker 1: people to just switch. Okay, I was on the phone.
• 40:38
  Speaker 1: I was on the phone. I called optim because I
• 40:40
  Speaker 1: couldn't believe it. I actually have a cable box ot.
• 40:43
  Speaker 1: I call them and I'm like, I don't want this
• 40:46
  Speaker 1: no more. Take this in the box back wherever you
• 40:49
  Speaker 1: want to put it, because it don't show me something,
• 40:51
  Speaker 1: don't my TV show? Yeah, And then I'm like, well,
• 40:55
  Speaker 1: I'm on the phone for like thirty minutes almost to
• 40:57
  Speaker 1: get this. It's like a pre tape thing that comes
• 40:59
  Speaker 1: on the expecting it and then it just just waiting.
• 41:02
  Speaker 1: You're sitting it waiting. You're waiting. You're waiting, man, I
• 41:05
  Speaker 1: don't want to change. I'm telling everybody move to Direct
• 41:07
  Speaker 1: TV if they don't have fixed the deal. Put me
• 41:10
  Speaker 1: on power Man, Put me on Power Man. We need
• 41:20
  Speaker 1: what's good. That's what I needed to hear. Give me
• 41:23
  Speaker 1: an American gods on Stars. Got me read the book
• 41:28
  Speaker 1: by Neil Gaming back the cast and then the thieves
• 41:35
  Speaker 1: that still come out of questions. You got to come
• 41:36
  Speaker 1: up with a boy yourself, O shake one day. I'm waiting, man,
• 41:39
  Speaker 1: as long as I get to kill Tom and all right,
• 41:49
  Speaker 1: it's the Breakfast Club. It's the cast and then the thieves.
• 41:51
  Speaker 1: Thank you, guys, Thank you guys, Thank you the Breakfast
• 41:55
  Speaker 1: Club wanting everybody is DJ N v Angela Ye Charlomagne,
• 42:01
  Speaker 1: the God We all the Breakfast Club. Shout to the Cast,
• 42:03
  Speaker 1: I dinner Thieves for joining us. Yes, fifty cent dried
• 42:07
  Speaker 1: butler point stash from Argins, The New Black, Pablo Shriver,
• 42:10
  Speaker 1: come Sha Jackson Junior. Now let see looks dope though. Yeah,
• 42:13
  Speaker 1: I'm gonna go check it out. I actually gonna go
• 42:15
  Speaker 1: see it tonight. I think they have like a little
• 42:16
  Speaker 1: screening today. I'm gonna check it out. When you got
• 42:18
  Speaker 1: a loaded cast like that, the movie better deliver better
• 42:21
  Speaker 1: what delivered. I wasn't committed to that set. I wasn't
• 42:27
  Speaker 1: committed to it. I guy gave up before I said delivered. Well,
• 42:30
  Speaker 1: let's get to the rumors. Let's talk chloroseptic. Listen, it's
• 42:34
  Speaker 1: just oh gosh, reports, it's the rum report. Breakfast Club. Well, well, well,
• 42:44
  Speaker 1: Eminem put out the Chlorosceptic Remix yesterday, and this is
• 42:49
  Speaker 1: the version that does have two chains on it. If
• 42:51
  Speaker 1: you remember, two chains got left off of the original
• 42:53
  Speaker 1: version that's on the revival album. Here is two chains
• 42:57
  Speaker 1: part take them to church. I'm talking to I'm a knack.
• 43:00
  Speaker 1: It's the return of the body snatch walking the spot man,
• 43:03
  Speaker 1: my woman smack who in a fruit fighting? I aim
• 43:06
  Speaker 1: with your Adam Sappram pull up, be in the candy
• 43:08
  Speaker 1: car eating the candy. Bart McGirt in the candy ever, Yo,
• 43:12
  Speaker 1: a lot of the ass all I aim with their goose.
• 43:14
  Speaker 1: All of these stones on my neck. They must have
• 43:17
  Speaker 1: lifted Medusa pocket with Pus. Of course, I just rammed
• 43:20
  Speaker 1: the part I'm supplin with Paul. I had been before.
• 43:23
  Speaker 1: This is the same for Paul. This is the murder
• 43:25
  Speaker 1: Murder Patter Burner and your mother's shoulder done the afternoon,
• 43:28
  Speaker 1: Big Buddy win them back and then a lot of
• 43:30
  Speaker 1: duddy got a bunch of budding to get back and
• 43:32
  Speaker 1: they're getting the human track again, all right. Also fresher,
• 43:35
  Speaker 1: of course, because he's on the original is also on
• 43:37
  Speaker 1: the remix. And here's the freshest part. You mean your family,
• 43:41
  Speaker 1: don't do me no, just got there. They don't want this.
• 43:43
  Speaker 1: Didn't you do it a little? They shot out the wood,
• 43:47
  Speaker 1: they pay in the say hard in my head, Bobby,
• 43:51
  Speaker 1: my neighbor, that's a girl. The potatoes you m If
• 43:55
  Speaker 1: you don't think you're tell say okay, rip the wind?
• 43:59
  Speaker 1: I just you ever free tracks fresher, Okay, fresher not mad.
• 44:11
  Speaker 1: Now let's get into Eminem's versus. It looks like he's
• 44:14
  Speaker 1: been paying attention to what certain people have to say.
• 44:17
  Speaker 1: Why can't you be like mad Glamore? Why you always
• 44:20
  Speaker 1: gotta smack a horn? It's likely the psychiatric boards a
• 44:23
  Speaker 1: last restort. Something's gotta give dance for sure, Yet you
• 44:26
  Speaker 1: keep coming back for more. Not as raw as I was,
• 44:28
  Speaker 1: walk on water, sucks pit, suckingbody, getting cops on the
• 44:31
  Speaker 1: track listings. Had it fit before you heard it? So
• 44:33
  Speaker 1: you formed your verdict what you said with your arms cross,
• 44:35
  Speaker 1: did your little reaction videos and talked over the song
• 44:38
  Speaker 1: shown talk saying I lost it, amrvel but no days
• 44:42
  Speaker 1: to be glow ify catn sound the same? How to
• 44:45
  Speaker 1: cake hydrawn inspiration? How to cake well? Eminem absolutely smoked
• 44:49
  Speaker 1: to chloric sceptergree mix, but walk on Water was whacked
• 44:52
  Speaker 1: and the revival album is me Greg, I like walk
• 44:55
  Speaker 1: on Whatever? Are you done? Yes? I do, I'm kind
• 44:57
  Speaker 1: I definitely like like walk on Water. I don't really
• 45:00
  Speaker 1: let it. I mean, that wasn't for me. I thought
• 45:03
  Speaker 1: I thought that was just a radio record. But I
• 45:04
  Speaker 1: did like the Chloroceptic he killed the Clarion killed that.
• 45:06
  Speaker 1: But artists subjective though, like everything's not gonna like every
• 45:09
  Speaker 1: you do. Everybody's not gonna like everything and everything. But
• 45:12
  Speaker 1: I thought walk on the Water was wack. I thought
• 45:13
  Speaker 1: the revival album was weak. I do like the song
• 45:15
  Speaker 1: with Alicia Keys, but Eminem absolutely smoked that Chloroceptic reema.
• 45:18
  Speaker 1: Now it looks like he's talking about Joe Button on
• 45:21
  Speaker 1: the song in particular. Here's another Eminem part of Chloroseptic remix.
• 45:26
  Speaker 1: How many rats did our coo just spelled out, but
• 45:28
  Speaker 1: you're gonna admit out smokes and you was spelled dound
• 45:30
  Speaker 1: helpdound in my smoke suit. But in my slops to
• 45:32
  Speaker 1: it sound like everything else out because I don't keep
• 45:34
  Speaker 1: comparing to it only myself now when I can see
• 45:36
  Speaker 1: the fan with the fans and fell down but the
• 45:37
  Speaker 1: only way I care is if I let myself down.
• 45:39
  Speaker 1: But what have I vokes? Time to eat the vocals
• 45:41
  Speaker 1: in the shout pross. I know you still want me
• 45:43
  Speaker 1: to kill out thoats you hope, and the old slam
• 45:44
  Speaker 1: is gonna still out open fire on your whole camp
• 45:46
  Speaker 1: with the spit out roast too, So chill out. Note
• 45:48
  Speaker 1: your host putting roast meat with this shit out, wrote you.
• 45:50
  Speaker 1: Then I took a stand when the tan face and
• 45:51
  Speaker 1: practically come on some other fan base in half and
• 45:54
  Speaker 1: still I'm sold you. You just called not just trash,
• 45:56
  Speaker 1: thank God, a rap better when the odds of Stack
• 45:58
  Speaker 1: Revival whack. I don't like the Fombi track when he's
• 46:00
  Speaker 1: talking that garbage psycholocrat, what's the continent? What's what all
• 46:02
  Speaker 1: the conscious? Now? I was gonna say, well, we talked
• 46:08
  Speaker 1: about critiquing his album with his arms crossed like he
• 46:10
  Speaker 1: was talking about him on every Day Struggle. But Bizarre
• 46:13
  Speaker 1: and Joe Button had a back and forth on social media,
• 46:16
  Speaker 1: and Bizarre said, make sure you keep that same energy
• 46:18
  Speaker 1: at Joe Button. Don't get quiet now, eff and clown.
• 46:21
  Speaker 1: And this was why somebody got to be a clown,
• 46:23
  Speaker 1: because they critique in music though, and then Bizarre said,
• 46:26
  Speaker 1: it's a problem because you don't like the content. Where
• 46:28
  Speaker 1: the jokes and what Now you shouldn't have dismbed now
• 46:30
  Speaker 1: you should apologize now. Joe Button said, biz, I love you.
• 46:33
  Speaker 1: I will also beat the dog ish out of you
• 46:35
  Speaker 1: in Detroit. Joe didn't say that, and then yes he
• 46:39
  Speaker 1: did he did, and uh yeah, and Bizarre said this
• 46:43
  Speaker 1: this this disloyal bitch ass and where Joe Button talking
• 46:47
  Speaker 1: is we should never let you come around the squad.
• 46:49
  Speaker 1: We should have let swift punch y'all ask when he
• 46:51
  Speaker 1: had the chance. Why is he disloyal though? Because he's
• 46:53
  Speaker 1: critiquing music. Isn't that's what you want? He said? Never
• 46:56
  Speaker 1: bite the hand that feed you. I never like you anyway, chump,
• 46:58
  Speaker 1: Come on, man and crazy, how could I be down?
• 47:01
  Speaker 1: I remember that y'all want a bunch of yes men
• 47:03
  Speaker 1: around y'all? Shouldn't you if you if you had people
• 47:05
  Speaker 1: in the studio with you that actually told you that
• 47:07
  Speaker 1: the music sucked while you was doing it them and
• 47:09
  Speaker 1: you wouldn't have put out in music that sucked. See.
• 47:11
  Speaker 1: But this's the thing though, since and I kind of
• 47:13
  Speaker 1: get it right, and I agree with you if if
• 47:15
  Speaker 1: if Joe wanted to say he didn't like the album
• 47:17
  Speaker 1: or there was a problem with him, you should have
• 47:18
  Speaker 1: called him directly. Why, that's his job. That's God, that's
• 47:23
  Speaker 1: his man. That's just people. If you like, if I
• 47:25
  Speaker 1: like something that you do, right, I'm gonna call you
• 47:27
  Speaker 1: blake on the radio with it. Yeah, I'm so am
• 47:33
  Speaker 1: I And guess what, whether y'all like it or not.
• 47:35
  Speaker 1: Joe Budden is a media guy now, so when you're
• 47:37
  Speaker 1: a media guy, you have to speak about things that
• 47:40
  Speaker 1: are going on in the media, talking to call them first. No,
• 47:43
  Speaker 1: that's his God, have a conversations. No, that's not That's
• 47:49
  Speaker 1: why so much garbage comes out, and that's why your
• 47:52
  Speaker 1: people got all These people have real relationships with people,
• 47:55
  Speaker 1: and sometimes ratings matter more to people than real relationships.
• 47:58
  Speaker 1: I don't care about the relationships. I don't have any.
• 48:00
  Speaker 1: And that's why. And you know why, because you have
• 48:02
  Speaker 1: to be of the people or of the industry. And
• 48:04
  Speaker 1: when you're of the people, you are going to always
• 48:05
  Speaker 1: speak the way that regular people speak. Certain people don't
• 48:09
  Speaker 1: want I don't want to that you won't say bad
• 48:11
  Speaker 1: things about just because tell me they gave you an
• 48:14
  Speaker 1: opportunity that you won't go in on and tell all
• 48:17
  Speaker 1: the truth. Tell me who I already know for a fact,
• 48:21
  Speaker 1: who these people I would like to know when you
• 48:24
  Speaker 1: talk about when you talk about negative about winning, Yes
• 48:27
  Speaker 1: I have not like you would if it was somebody else. Oh,
• 48:31
  Speaker 1: I need to know anyway, Angela. And that's your everyone report.
• 48:36
  Speaker 1: You got to be of the industry of the people,
• 48:37
  Speaker 1: because when you're of the industry, you're gonna be like this,
• 48:39
  Speaker 1: compromising yourself and your opinions for what it's just music.
• 48:43
  Speaker 1: It is, it's just music. But if that's your guy,
• 48:45
  Speaker 1: give me a call stop it. I mean, maybe you did.
• 48:47
  Speaker 1: I don't know anyway, who are giving a down Everyone
• 48:53
  Speaker 1: who is attempting to label genuine is transphobic. They need
• 48:56
  Speaker 1: to come to the front of the carrugation. We like
• 48:57
  Speaker 1: to have a word with them police. All right, we'll
• 48:59
  Speaker 1: tell about this when we come back. Donkey. Today's up next.
• 49:02
  Speaker 1: It's the Breakfast Club. Good morning, Donkey. At times you
• 49:08
  Speaker 1: get dunky, you are adject I'm gonna fatten all that around.
• 49:19
  Speaker 1: Your want this man to Stoton blowers. Man they're waiting for.
• 49:22
  Speaker 1: Charlemagne had to make a judgment. Who was gonna be
• 49:26
  Speaker 1: on the Donkey of the day. They chose you because
• 49:29
  Speaker 1: the breakfast club bitches us donkey of the day to day. Yes,
• 49:34
  Speaker 1: donkey today for Tuesday January. Knife goes to everyone who
• 49:37
  Speaker 1: was attempting the label Genuine is transphobic because he rejected
• 49:41
  Speaker 1: the advances of celebrity Big Brother star India Willoby Now,
• 49:45
  Speaker 1: I was reading an article on pink News. The headline
• 49:48
  Speaker 1: is cbb's India, will it be branded a victim after
• 49:51
  Speaker 1: being rejected by Genuine Now. Pink News is based out
• 49:54
  Speaker 1: of the UK, and one line in the article says,
• 49:57
  Speaker 1: speaking to the rapper, will it be asked, would you
• 50:01
  Speaker 1: go out with a transsexual woman? First of all, Pink News,
• 50:03
  Speaker 1: every black musician in America is not a rapper, okay. Genuine,
• 50:07
  Speaker 1: along with Timberland, is the architect of the fat white
• 50:09
  Speaker 1: woman's national anthem, pony trop on a clude bombs for
• 50:12
  Speaker 1: genuine and dammit. Okay, he is an R and B
• 50:14
  Speaker 1: singer and he will be respected as such. Knock it off.
• 50:17
  Speaker 1: Now back to the matter at hand, India Willoughby asked Genuine,
• 50:20
  Speaker 1: would you go out with a transsexual woman? Honest question
• 50:23
  Speaker 1: led to a nice, healthy conversation. In fact, let's listen
• 50:26
  Speaker 1: to some of the conversation and listen to where it
• 50:28
  Speaker 1: went left. Let's throw the celebrity big brother to hear
• 50:30
  Speaker 1: what happened it. Would you go out with a transsexual woman?
• 50:33
  Speaker 1: I know? Personality? For me? Is this? I mean say
• 50:36
  Speaker 1: for me this is this is the problem because I
• 50:38
  Speaker 1: think I feel that a lot of guys would not
• 50:41
  Speaker 1: go out with somebody like me, normal woman because the
• 50:44
  Speaker 1: same I think that we live in such a binary
• 50:46
  Speaker 1: world where people think there's two options of gay and straight.
• 50:54
  Speaker 1: I'm gay, and I think that's why these conversations are important.
• 50:58
  Speaker 1: And then I believe it's your choice too, Like I
• 51:00
  Speaker 1: would choose not to like that. Don't make me like
• 51:03
  Speaker 1: you would he would go out with another woman? Would
• 51:07
  Speaker 1: a woman? You would go out with a woman, Yes,
• 51:08
  Speaker 1: of course, But you would go with a transction woman? No,
• 51:11
  Speaker 1: I'm a woman, right to get about any teas or
• 51:14
  Speaker 1: anything in front of it. I'm just a woman, Okay,
• 51:17
  Speaker 1: So on that score, you would date me, wouldn't you not?
• 51:19
  Speaker 1: If you're telling me he was No, No, I'm not
• 51:21
  Speaker 1: telling you I'm trans a woman. Yeah, I think all
• 51:30
  Speaker 1: the unspoken things that you can read into both those
• 51:33
  Speaker 1: responses that come illustrate my case one hundred percent. Now
• 51:38
  Speaker 1: here's the thing. Genuine is getting all kinds of backlash,
• 51:41
  Speaker 1: people calling him transphobic. I don't think he was being
• 51:43
  Speaker 1: transphobic at all. If a black woman says I don't
• 51:46
  Speaker 1: date white men, does it make her prejudice? No, it
• 51:49
  Speaker 1: means you have the preference. Hell me, Charlemagne the God.
• 51:52
  Speaker 1: I've been hit on by gay men and rejected their advances.
• 51:54
  Speaker 1: Does that make me homophobic? No? It makes me married. Now.
• 51:58
  Speaker 1: I know what you're thinking, Well, if you weren't married, man,
• 52:01
  Speaker 1: would you give a gay guy a shot? Probably not, Okay,
• 52:03
  Speaker 1: we probably would still reject the advance. I just don't
• 52:06
  Speaker 1: see what a man could say to me to get
• 52:07
  Speaker 1: me up out of my box of brief brief, Okay,
• 52:10
  Speaker 1: all right, I just haven't heard the right words. All right,
• 52:12
  Speaker 1: all right, A little slick talking player hasn't pulled up
• 52:14
  Speaker 1: on me with the right game yet to get me
• 52:16
  Speaker 1: out of these sides. Thirty four fruited a little, so
• 52:18
  Speaker 1: you're not counting out now. I'm married. Now. The problem
• 52:21
  Speaker 1: I have with this whole situation has nothing to do
• 52:24
  Speaker 1: with India. Will it be being transsexual. In fact, I
• 52:26
  Speaker 1: thought it was a healthy dialogue, and I think you
• 52:28
  Speaker 1: should have those type of conversations with people who are
• 52:30
  Speaker 1: different from you. That's actually what I live for. But
• 52:33
  Speaker 1: the problem I have is at the end of this clip,
• 52:35
  Speaker 1: when India will it Be tries to put her arms
• 52:38
  Speaker 1: around Genuine and ask Genuine to give her a kiss.
• 52:40
  Speaker 1: Let me hear just that part you would date man,
• 52:43
  Speaker 1: not if you're telling me no, no, I'm not telling you.
• 52:45
  Speaker 1: I'm trying to woman. Now, we are in the midst
• 52:55
  Speaker 1: of a cultural revolution with times Up, Me Too. Women
• 52:58
  Speaker 1: are rebelling against sexual sexual harassment, unwanted sexual advances in
• 53:02
  Speaker 1: the workplace. Now, what I saw in this video was
• 53:05
  Speaker 1: a man and a woman at work having a conversation,
• 53:07
  Speaker 1: and then the conversation took in an inappropriate turn. Because
• 53:10
  Speaker 1: India will be made an unwanted sexual advance towards Genuine,
• 53:13
  Speaker 1: Let's switch the roles. What would the conversation be if
• 53:17
  Speaker 1: Genuine mid conversation, tried to put his arms around a woman,
• 53:20
  Speaker 1: tried to kiss her, and then when he was rejected,
• 53:23
  Speaker 1: tried to shame said woman and make the woman feel
• 53:25
  Speaker 1: bad for rejecting her. What if what if the optics
• 53:28
  Speaker 1: were different. Okay, I thought that's what we were trying
• 53:30
  Speaker 1: to eliminate all across the board. Is that not the
• 53:32
  Speaker 1: reason people are wearing black as a show of solidarity
• 53:35
  Speaker 1: against that kind of behavior. I don't care what gender
• 53:38
  Speaker 1: a person is. Right is right, wrong is wrong. You
• 53:40
  Speaker 1: can't go around trying to kiss on whoever you want,
• 53:42
  Speaker 1: whenever you want, regardless of what your gender is. Period.
• 53:46
  Speaker 1: Was genuine not being sexually harassed on TV? Was genuine
• 53:50
  Speaker 1: not being sexually assaulted on TV? Yes? He was. And
• 53:52
  Speaker 1: if someone tries to hug you and kiss you and
• 53:55
  Speaker 1: you don't want them to hug you and kiss you,
• 53:56
  Speaker 1: you can reject their advances and making someone believe they
• 54:00
  Speaker 1: can't reject your advantage because they will receive backlash, then
• 54:03
  Speaker 1: that is exactly why there is a times up movement
• 54:06
  Speaker 1: in a me too movement going on right now. Please
• 54:09
  Speaker 1: give everyone mad at Genuine for rejecting India Willibe's advance
• 54:12
  Speaker 1: is the biggest he hall plice. I'm just saying, right,
• 54:17
  Speaker 1: it's right, wrong, it's wrong. Right. You can't just try
• 54:19
  Speaker 1: to kiss somebody or think somebody is forced to kiss
• 54:22
  Speaker 1: you just because they want to prove a point I
• 54:24
  Speaker 1: don't want to kiss you, don't kiss you. Don't touch me.
• 54:27
  Speaker 1: If if I don't want you to touch me, don't
• 54:28
  Speaker 1: touch me, keep your hands to yourself, keep your mouth
• 54:30
  Speaker 1: to yourself. Simple. I thought that's what this was all about.
• 54:33
  Speaker 1: I thought what this times up me too movement was
• 54:35
  Speaker 1: all about? Period? All right? All right, well, thank you
• 54:38
  Speaker 1: for that. Don kid today now just questions so never mind.
• 54:43
  Speaker 1: Well no, because he said, nobody has slick talk him
• 54:45
  Speaker 1: out of those boxes yet. I was looking. I like
• 54:48
  Speaker 1: to look at things from all angles. Okay, all right,
• 54:53
  Speaker 1: all right, all right, so you like the top angle
• 54:56
  Speaker 1: about maybe back angle? I don't know, all right, all right,
• 54:59
  Speaker 1: all right, he knock it off, all right, got me
• 55:01
  Speaker 1: signing like par front drink chaps. Okay, all right, knock
• 55:05
  Speaker 1: it right right, Nope, when we come back, you got it?
• 55:10
  Speaker 1: What is it? Is it? Mc nattie right? Anyway, when
• 55:13
  Speaker 1: we come back, we're gonna party any party with me, Yeah,
• 55:17
  Speaker 1: any party with me? Yea. Lindell McMillan, the owner of
• 55:23
  Speaker 1: the Source magazine, will be joining us. The Breakfast Club
• 55:26
  Speaker 1: is on the cover of the Source. We're gonna talk
• 55:27
  Speaker 1: to him, so don't move. It's the Breakfast Club God Morning,
• 55:30
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee,
• 55:38
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got
• 55:40
  Speaker 1: some special guests in the building, special guests in the building. Yes, sir, Hey,
• 55:45
  Speaker 1: Happy new Year, Happy New Year. Londella's the Jack of
• 55:48
  Speaker 1: ball Trades is an entertainment attorney. But he is editing. No,
• 55:51
  Speaker 1: you have to editing cheer. So yeah, oh yeah, that's
• 55:53
  Speaker 1: a difference. Yes, that means that means I take out
• 55:56
  Speaker 1: the trash. That means you pay the bills, you know,
• 56:00
  Speaker 1: trying to make sure'all oversee editorial, try to build out
• 56:02
  Speaker 1: digital everything. But he's a friend of ours. As you
• 56:05
  Speaker 1: can see, we are on the cover of the Source
• 56:07
  Speaker 1: Power thirty issue one that I don't care what nobody says,
• 56:14
  Speaker 1: like you know, if you grew up in a certain era,
• 56:16
  Speaker 1: the Source still means something to be on the cover.
• 56:18
  Speaker 1: The Source still means something to me. We appreciate it.
• 56:20
  Speaker 1: It's not only huge for the culture. You know, DJ's
• 56:24
  Speaker 1: and radio personalities are very very important and have always
• 56:27
  Speaker 1: been very very important, and I don't think they've ever
• 56:29
  Speaker 1: really got their fair share of looks right, and so
• 56:34
  Speaker 1: for us, putting us on you guys. On the cover
• 56:36
  Speaker 1: was a statement that not only are y'all just been
• 56:39
  Speaker 1: amazing for five consecutive years, number one four million listeners
• 56:45
  Speaker 1: each and every day over eighty markets and one hundred
• 56:48
  Speaker 1: and fifty countries. It's not only really a credit to
• 56:52
  Speaker 1: you all. It's not about friendship, you know, it's about
• 56:55
  Speaker 1: you guys just having amazing success, and we congratulate you
• 56:58
  Speaker 1: so so much. That means a lot to all of
• 57:01
  Speaker 1: us because I would have never imagined, like I said
• 57:03
  Speaker 1: on Twitter, that I would ever be on the cover
• 57:06
  Speaker 1: of the Source. Yes, so it's not something I ever
• 57:08
  Speaker 1: envisioned in my life. Well, I do have to ask
• 57:10
  Speaker 1: the question, yes, yes, this quality is not the usual
• 57:14
  Speaker 1: Source quality on the cover of this from right here?
• 57:15
  Speaker 1: Who said that? Though? When you get that the logo
• 57:18
  Speaker 1: is the same logo we always have on the logo
• 57:20
  Speaker 1: picture is not to say look at this look at
• 57:22
  Speaker 1: this quality picture, and look at this quality picture. Let's
• 57:26
  Speaker 1: look at the quality. You can see the difference. So
• 57:29
  Speaker 1: we tried to put a filter, We tried to put
• 57:31
  Speaker 1: it like a cool filter on it, and it kind
• 57:33
  Speaker 1: of just brought you a little into the orange land.
• 57:36
  Speaker 1: So we wanted to do something cool, But we also
• 57:38
  Speaker 1: wanted to make it look like nineteen ninety so in
• 57:41
  Speaker 1: nineteen ninety seven, yes, that's we made it closer to
• 57:45
  Speaker 1: what it looks like in ninety seven. So I saw
• 57:47
  Speaker 1: a little comments out there about wow, this looks like Yesterdare.
• 57:50
  Speaker 1: That was the intent, all you idiots, No said, let's
• 57:53
  Speaker 1: talk about that for us. But there was so many
• 57:55
  Speaker 1: people on social media saying this looks like a nineteen
• 57:58
  Speaker 1: ninety throwback at the top special edition throwback cover. We
• 58:03
  Speaker 1: we we redid the firm source cover from n eighteen
• 58:06
  Speaker 1: ninety seven. Yes, not for a part in my hand.
• 58:09
  Speaker 1: For a reason. That's why there's a part of my party.
• 58:14
  Speaker 1: Just normally, let me be as stupid as a people.
• 58:16
  Speaker 1: Let me tell you something as a people, and and
• 58:18
  Speaker 1: and and otherwise. Success brings critique. That's a fact. You know.
• 58:22
  Speaker 1: It's a beautiful thing. It comes from low levels, it
• 58:25
  Speaker 1: comes from even the most high levels. Success brings critique.
• 58:28
  Speaker 1: It's all part of the game. Malcolm Ix said, if
• 58:29
  Speaker 1: you don't have no critics, you likely have no success.
• 58:32
  Speaker 1: There you go, Now, what's the significance of the covers? Man?
• 58:34
  Speaker 1: Because this is doctor Dre and Jimmy yaven billionaires and
• 58:38
  Speaker 1: you got these guys billionaire scrapping pennies together. Like why
• 58:46
  Speaker 1: these two on the cover, Well, one made a billion dollars,
• 58:49
  Speaker 1: the other made billions of views. Billions follows. But the
• 58:55
  Speaker 1: significance is power in all respects, right, um, against starting
• 59:00
  Speaker 1: and starting with you guys, I mean you know this
• 59:02
  Speaker 1: again the fifth consecutive year. I take a lot of
• 59:05
  Speaker 1: I take a lot of flack for acknowledging your work,
• 59:08
  Speaker 1: but you know, the men lie women line numbers don't lie. Um,
• 59:12
  Speaker 1: And the influence of what you all have done is amazing.
• 59:16
  Speaker 1: And it's not just it's not just you guys, but
• 59:18
  Speaker 1: you guys represent the the best of it as a
• 59:21
  Speaker 1: collective team. I always come up here and talk about
• 59:23
  Speaker 1: the importance of a team. You guys put y'all team
• 59:26
  Speaker 1: together so they can have group and individual success. But
• 59:28
  Speaker 1: there are other people, whether it's Greg Street in Atlanta, BUSHMANNY, Detroit, Baybay,
• 59:32
  Speaker 1: and Dallas. All of these people work and they get
• 59:35
  Speaker 1: up every day. You know, you've got people here in
• 59:36
  Speaker 1: this market obviously who also you know, put in their work.
• 59:40
  Speaker 1: But you all have represent the best of it. And
• 59:42
  Speaker 1: I wanted to acknowledge the Radio DJ's respect to dre
• 59:45
  Speaker 1: and and um, Jimmy ivey, what can you say? Right?
• 59:49
  Speaker 1: What can you say about these these guys? These guys
• 59:52
  Speaker 1: have done it and reinvented themselves in multiple ways. And
• 59:55
  Speaker 1: the defiant ones became the giant ones. And interesting the
• 59:59
  Speaker 1: n Jimmy IV and announced it, well he didn't announce
• 1:00:01
  Speaker 1: it yet, but they did announce in Billboard that he's
• 1:00:04
  Speaker 1: going to be stepping away, stepping down from Apple, yes
• 1:00:07
  Speaker 1: later on this year. Now, what the hell does that mean?
• 1:00:09
  Speaker 1: They said, he because he shares a fully invested so
• 1:00:11
  Speaker 1: you can finally cash out. Basically, well, yeah, basically. You know,
• 1:00:13
  Speaker 1: when you do a major acquisition, such as the one
• 1:00:16
  Speaker 1: that Apple made of Beats, typically you add in a
• 1:00:23
  Speaker 1: clause and a covenant for the key executives to remain
• 1:00:26
  Speaker 1: a part of a company for a period of time
• 1:00:28
  Speaker 1: so that they can continue to success of the company.
• 1:00:30
  Speaker 1: If you buy a major company and you cut off
• 1:00:32
  Speaker 1: to the executive team, you lose a lot of institutional
• 1:00:36
  Speaker 1: business knowledge, right, and so their agreements that they had
• 1:00:39
  Speaker 1: to have in place to allow them to stay. But
• 1:00:41
  Speaker 1: Jimmy kind of alludes to what his future may be,
• 1:00:45
  Speaker 1: and one inspires him as well as Dre and I
• 1:00:48
  Speaker 1: think it's a very power powerful conversation between he and
• 1:00:52
  Speaker 1: I in terms of what power is. My first question
• 1:00:55
  Speaker 1: was what is power to you? He says, well, I
• 1:00:57
  Speaker 1: think it's not about power. It's more about just being great.
• 1:01:02
  Speaker 1: And if you're great, you have power no matter where
• 1:01:04
  Speaker 1: you work, what you do. If you go into a
• 1:01:07
  Speaker 1: situation with someone with more power but you're great at
• 1:01:10
  Speaker 1: what you do, then you have to be respected. They're
• 1:01:13
  Speaker 1: gonna respect you because if they don't, someone else will.
• 1:01:15
  Speaker 1: All right, we have more with Londell McMillan when we
• 1:01:17
  Speaker 1: come back, don't move. It's the breakfast club. Go Morning Morning.
• 1:01:20
  Speaker 1: Everybody is dj N v Angela Yee. Chalomagne the guy.
• 1:01:24
  Speaker 1: We all the breakfast club. We have the owner of
• 1:01:26
  Speaker 1: the source, Londell McMillan in the building. Chalomagne. Now, what
• 1:01:29
  Speaker 1: did hold meet on four four four when he said
• 1:01:31
  Speaker 1: Lindelle McMillan must be color blood. You have to ask
• 1:01:34
  Speaker 1: whole for about what he meant. I would only be
• 1:01:37
  Speaker 1: speculating on what would make a wise man who's an
• 1:01:40
  Speaker 1: incredible artist, who's known me probably thirty five forty years.
• 1:01:45
  Speaker 1: We grew up in a similar neighborhood. What he would
• 1:01:47
  Speaker 1: make something about being color blind would mean when I've
• 1:01:50
  Speaker 1: been like an activist in a community organizer and the
• 1:01:55
  Speaker 1: civil rights, human rights leader and advocate and champion for
• 1:01:59
  Speaker 1: our in this culture longer than anybody I know, when
• 1:02:03
  Speaker 1: you handle Princess of State. Yeah, I think Hold was
• 1:02:06
  Speaker 1: upset over I guess the handling of Princess of State
• 1:02:09
  Speaker 1: because the line after that was the guy had slave
• 1:02:12
  Speaker 1: written on his face. Do you think he wanted his
• 1:02:13
  Speaker 1: masters with his masters? Well, again, you have to ask Hole,
• 1:02:17
  Speaker 1: because I was the guy who got slave off his face.
• 1:02:20
  Speaker 1: Prince hired me. Prince hired me to get him out
• 1:02:22
  Speaker 1: of the contract with Warner Brothers, and he called me
• 1:02:26
  Speaker 1: the Emancipator. And I asked Prince when I first met him,
• 1:02:30
  Speaker 1: how do we get that slave off your face? Prince said,
• 1:02:33
  Speaker 1: you get me free, I'll take slave off my face.
• 1:02:36
  Speaker 1: By the way, he never used to look at people
• 1:02:38
  Speaker 1: directly in the eye. He didn't know well. And then
• 1:02:42
  Speaker 1: he looked me in the eye and said, you get
• 1:02:44
  Speaker 1: me free, I'll take slave off my face. So then
• 1:02:48
  Speaker 1: I said to my brother, I said, because I'm twenty
• 1:02:50
  Speaker 1: six years old, I'm nothing to lose. From the street.
• 1:02:54
  Speaker 1: I said, freedom is not free. You think Harriet Tubman
• 1:02:57
  Speaker 1: and join the truth. Fredie Talley's woke up one day
• 1:03:00
  Speaker 1: says they weren't free. We're gonna have to fight for freedom.
• 1:03:03
  Speaker 1: He says, I'm ready to fight. We went and we
• 1:03:05
  Speaker 1: were successful. I went from his lawyer to his manager
• 1:03:10
  Speaker 1: to his partner. You know, the facts are clear. We
• 1:03:13
  Speaker 1: had a historic relationship. The legacy is just unprecedented. The
• 1:03:18
  Speaker 1: things we achieve, everyone who knows the business acknowledges. So
• 1:03:23
  Speaker 1: you have to ask him about that. You know, again,
• 1:03:24
  Speaker 1: he's making an album's clever lyrics, but factually it didn't
• 1:03:31
  Speaker 1: have the merit. But you know again, I knew that
• 1:03:34
  Speaker 1: brother for a long time, and I've refrained from being
• 1:03:37
  Speaker 1: critical of him for a long time. Well he Marcy,
• 1:03:43
  Speaker 1: He's Marcy. I'm Tompkins next door, summed us right behind.
• 1:03:46
  Speaker 1: It were all back to back, Saint Junior High School,
• 1:03:49
  Speaker 1: Saint Junior High School, and you know, I'm I'm so
• 1:03:52
  Speaker 1: happy for his success. So you know, they got this
• 1:03:55
  Speaker 1: thing called family feu. When the family fused, all nobody went.
• 1:04:00
  Speaker 1: In many respects, we have to see ourselves as a family,
• 1:04:04
  Speaker 1: particularly when you know each other you know he's got children.
• 1:04:07
  Speaker 1: I mean he even came to my daughter's baby shower
• 1:04:10
  Speaker 1: back in the day. We all, we know each other,
• 1:04:12
  Speaker 1: We're not best of friends by any stretch, but when
• 1:04:16
  Speaker 1: the family fused, nobody wins. When you're taking shots at
• 1:04:19
  Speaker 1: Jay back would have been something that would have just
• 1:04:22
  Speaker 1: continued to rumble. And I think we got to show
• 1:04:25
  Speaker 1: conflict resolution better than that. You know, have y'all, folks,
• 1:04:30
  Speaker 1: did y'all speak at all, because I mean he even
• 1:04:33
  Speaker 1: said that, you know that he was upset because y'a
• 1:04:34
  Speaker 1: also tickets to walk from Prince's house. Did you have
• 1:04:36
  Speaker 1: anything to do with that? Well, yeah, I actually advised.
• 1:04:40
  Speaker 1: First of all, I wasn't the lawyer. I was the
• 1:04:42
  Speaker 1: business manager of the estate at that time. Okay, I
• 1:04:45
  Speaker 1: now manage half of the heirs of the estate. But
• 1:04:49
  Speaker 1: anyone that knew Prince really knew that. Prince left instructions
• 1:04:53
  Speaker 1: to leave Paisley Park as a museum. He left instructions
• 1:04:57
  Speaker 1: to at least twenty thirty people, so that was a fact.
• 1:05:00
  Speaker 1: I mean, in fact, he started writing out the plans
• 1:05:02
  Speaker 1: for that. So everything was what he explicitly said he
• 1:05:05
  Speaker 1: wanted done with respect to Paisley Park. Regrettably, he didn't
• 1:05:08
  Speaker 1: leave a will because that way it would have ended
• 1:05:10
  Speaker 1: a lot of conversations. You know. Again, you got to
• 1:05:12
  Speaker 1: ask Jay what he meant, and asked the people who
• 1:05:15
  Speaker 1: probably advised Jack. You know, I believe, I believe, I
• 1:05:18
  Speaker 1: believe Jay probably was getting misinformation and information because you know,
• 1:05:23
  Speaker 1: Jay usually doesn't get pressed by things like that from
• 1:05:26
  Speaker 1: what I what I've seen in my dealings with him,
• 1:05:28
  Speaker 1: he's usually a very cool, cool guy. You know again,
• 1:05:31
  Speaker 1: I wanted to keep keep any beasts directly, but if
• 1:05:36
  Speaker 1: he wants to talk about it privately or publicly, you
• 1:05:39
  Speaker 1: want to come up here and talk about it, we
• 1:05:40
  Speaker 1: can have that conversation. Was it state soon title at
• 1:05:43
  Speaker 1: one time? Yeah? Now why was that? Because we all
• 1:05:46
  Speaker 1: seen Prince witold and I thought he wanted his music
• 1:05:49
  Speaker 1: to title and then when he passed, it was suing him.
• 1:05:52
  Speaker 1: It's my understanding, um, and I haven't seen all the agreements.
• 1:05:55
  Speaker 1: My understanding that Prince made a deal with him, a
• 1:05:57
  Speaker 1: deal for a couple of albums, but not for his
• 1:06:00
  Speaker 1: own entire catalogue, but not for the entire Collague to
• 1:06:02
  Speaker 1: my knowledge. But that was the estate. You got to
• 1:06:04
  Speaker 1: ask the state lawyers and his lawyers. I think perhaps
• 1:06:07
  Speaker 1: what happened is some suggested that because there was a lawsuit,
• 1:06:11
  Speaker 1: that my hands and fingerprints were all all on that.
• 1:06:14
  Speaker 1: But again you have to ask him. But I could
• 1:06:17
  Speaker 1: just tell you this, if anybody leaves their family in
• 1:06:22
  Speaker 1: the state, you should want somebody like me making sure
• 1:06:26
  Speaker 1: that we are protecting it and monetizing it so your
• 1:06:29
  Speaker 1: family doesn't lose it. Right if you don't. We created
• 1:06:32
  Speaker 1: almost one hundred million dollars. The same kid who went
• 1:06:35
  Speaker 1: to junior high school with him created almost one hundred
• 1:06:37
  Speaker 1: million dollars in less than nine months, so that the
• 1:06:40
  Speaker 1: irs don't back up a big yellow truck to the
• 1:06:43
  Speaker 1: purple building and take his assets. You know who does that?
• 1:06:47
  Speaker 1: You know? So when people talk about seeing green in
• 1:06:51
  Speaker 1: the purple eyes me being able to generate revenue, make money.
• 1:06:54
  Speaker 1: That's a great thing because typically when I came into
• 1:06:57
  Speaker 1: the business, they said you had to go to the
• 1:06:59
  Speaker 1: white lawyers in order to make money and get deals.
• 1:07:02
  Speaker 1: So when I make money for my clients, that should
• 1:07:05
  Speaker 1: be celebrated. That shouldn't be you know, ridicule. What are
• 1:07:09
  Speaker 1: your thoughts about Russell Simmons, Because I'm sure you know him.
• 1:07:12
  Speaker 1: I love Russell Simmons and you know, everything that's happening
• 1:07:15
  Speaker 1: with him step having to step away from his businesses, well,
• 1:07:17
  Speaker 1: I think that when when things come up from many,
• 1:07:21
  Speaker 1: many years ago, I think that you know, you've got
• 1:07:26
  Speaker 1: to look at first of all what happened, and people
• 1:07:29
  Speaker 1: have to take responsibility. So for him stepping down and
• 1:07:32
  Speaker 1: taking responsibility, I think it was the right thing for
• 1:07:34
  Speaker 1: him to do. It's interesting that, you know, one of
• 1:07:36
  Speaker 1: the people who claim that he did something that did
• 1:07:39
  Speaker 1: something wrong is a very was a client and very
• 1:07:42
  Speaker 1: close friend of mine as well. But at the same time,
• 1:07:45
  Speaker 1: people make mistakes, they have to learn from it. The
• 1:07:47
  Speaker 1: time is up for those mistakes and people have to
• 1:07:50
  Speaker 1: be responsible. I think Russell maybe one of many, many
• 1:07:54
  Speaker 1: people in power, and that goes back to the power
• 1:07:57
  Speaker 1: of thirty issue. We got a big story on that,
• 1:07:59
  Speaker 1: on what's a reasonable standard, legal standard and just social standard,
• 1:08:04
  Speaker 1: on how you deal with each other. It's a big
• 1:08:05
  Speaker 1: story and that a big, big story. How do you
• 1:08:08
  Speaker 1: deal with it though, because I mean legally, there's nothing
• 1:08:10
  Speaker 1: Russell can do to prove he didn't do it. He
• 1:08:13
  Speaker 1: says he didn't do anything, and the court of public opinion,
• 1:08:16
  Speaker 1: there's nothing you can do to prove he didn't do
• 1:08:17
  Speaker 1: it either. Well, the way lawsuits work is that the
• 1:08:20
  Speaker 1: plaintiff has to bring the first set of set of complaints.
• 1:08:26
  Speaker 1: They have to start, and then you have to rebut
• 1:08:28
  Speaker 1: that with an answer. So depending on what these people
• 1:08:31
  Speaker 1: may bring will determine how he responds. But I'm not
• 1:08:34
  Speaker 1: in his case, and I'm not a sexual harassment lawyer,
• 1:08:38
  Speaker 1: but I think that these things are going to work
• 1:08:40
  Speaker 1: themselves out, and I think that this is a very
• 1:08:42
  Speaker 1: powerful and important cultural moment. I'm very glad that is here.
• 1:08:46
  Speaker 1: You know, I have a daughter, and even if I didn't,
• 1:08:50
  Speaker 1: right is right, and you know, putting anybody in a
• 1:08:52
  Speaker 1: situation where they feel trapped and beat down is inappropriate.
• 1:08:59
  Speaker 1: And I think this is a this is an amazing time.
• 1:09:02
  Speaker 1: But I do want to say that, um, there were
• 1:09:05
  Speaker 1: so many others that actually abuse the power. Um, and
• 1:09:10
  Speaker 1: we need to did you see what older said, let's
• 1:09:12
  Speaker 1: give a shout out to let's give a handle over.
• 1:09:14
  Speaker 1: What she did was amazing, Uh? And UM, I just
• 1:09:18
  Speaker 1: think not only is she right, but I think what
• 1:09:21
  Speaker 1: the sisters did with the Women's March right after Trump
• 1:09:25
  Speaker 1: was elected, you know, Uh, and we give a shout
• 1:09:29
  Speaker 1: out to uh Tamick Mallory, Lenda saw Sore, Carmen Perez,
• 1:09:34
  Speaker 1: Janee Ingram and all of the women who put in
• 1:09:36
  Speaker 1: that work. Um, it's just it's just the right time
• 1:09:39
  Speaker 1: to say enough is enough and it's been time or
• 1:09:42
  Speaker 1: enough is enough. All right, thank you, Thank you everybody
• 1:09:45
  Speaker 1: to thank you for everybody to come on us. We
• 1:09:48
  Speaker 1: definitely appreciate that. The source right now, it's on your
• 1:09:51
  Speaker 1: news stands, and thank you again for joining us. Thank
• 1:09:53
  Speaker 1: you so always a pleasure. All right, it's the Breakfast Club.
• 1:09:56
  Speaker 1: De Vic Billy God Bless the Breakfast Club one and
• 1:10:02
  Speaker 1: everybody is DJ Envy, angela Ye, Charlemagne the guy. We
• 1:10:06
  Speaker 1: are the Breakfast Club. Let's get to the rumors. Let's
• 1:10:08
  Speaker 1: talk Joe Button. This is the rumor report with angela year. Well,
• 1:10:20
  Speaker 1: we talked this morning about Joe Button versus Bizarre. They
• 1:10:23
  Speaker 1: had it back and forth and that's Bizarre from D
• 1:10:25
  Speaker 1: twelve and this is all over Joe Button trashing Eminem's
• 1:10:28
  Speaker 1: album revival. Well now fifty sent has posted a picture
• 1:10:31
  Speaker 1: of Joe Button and said that was a bad idea.
• 1:10:33
  Speaker 1: Look you got a little ass wepon coming. It's not
• 1:10:35
  Speaker 1: a big deal. You will get over it, hashtagged in
• 1:10:38
  Speaker 1: a Thieves January. I know Eminem is your guy, but
• 1:10:41
  Speaker 1: if anyone should understand, critique of other people's art is
• 1:10:44
  Speaker 1: fifty cent. Okay, come on, who doesn't fifty cent get
• 1:10:48
  Speaker 1: that when he needs to get at somebody about their
• 1:10:50
  Speaker 1: music or their clothes or whatever. Why are you acting
• 1:10:52
  Speaker 1: like Joe Button said something personal personal about Eminem Melty
• 1:10:55
  Speaker 1: and what he does. Everybody's manifift. Okay, I'm just saying
• 1:10:58
  Speaker 1: that the music is whack. Is whack? All right? M
• 1:11:00
  Speaker 1: album was mid grade. Walk on Water was whacked to
• 1:11:02
  Speaker 1: some people. I don't see the problem. And this is
• 1:11:04
  Speaker 1: exactly why you have to be up the people and
• 1:11:06
  Speaker 1: not of the industry, because when you up the industry,
• 1:11:08
  Speaker 1: they feel like you can't critique their art. All right, Well,
• 1:11:12
  Speaker 1: we'll talk more about that later. Now let's talk about
• 1:11:14
  Speaker 1: Doctor Dre and Jimmy I veen. They could make seven
• 1:11:17
  Speaker 1: hundred million dollars when that Apple stock vest. They've really
• 1:11:20
  Speaker 1: got quite a bit of money. They got four hundred
• 1:11:22
  Speaker 1: million dollars in stock back in twenty fourteen, but now
• 1:11:25
  Speaker 1: they could be worth even more. That's all because of
• 1:11:27
  Speaker 1: a nineteen percent average rise over three and a quarter. Yesh, Yeah,
• 1:11:32
  Speaker 1: it's no joke, right. The dpin includes bombs for Doctor
• 1:11:35
  Speaker 1: Dre and Jimmy IV. Absolutely never forget fifty cent once
• 1:11:38
  Speaker 1: said f Jimmy IRV. Yeah, he was upset about the
• 1:11:41
  Speaker 1: headphones deal situation. I'm just saying, if I remember properly,
• 1:11:45
  Speaker 1: all right, Yo. Gotti has previewed a snippet of Cardi
• 1:11:49
  Speaker 1: b a collaboration that he has with her now. He
• 1:11:53
  Speaker 1: went on his Instagram Live to preview that single. We
• 1:11:55
  Speaker 1: don't know what the name of the song is, but
• 1:11:58
  Speaker 1: we put together just so you can hear some highlights
• 1:12:00
  Speaker 1: of what he put on his life around that. I'm
• 1:12:06
  Speaker 1: what I'm doing. Only she's looking promote, all right. That's
• 1:12:20
  Speaker 1: just it's on Instagram lives, so it's not too clear.
• 1:12:23
  Speaker 1: Cardi got a lot of music out now. She's working
• 1:12:26
  Speaker 1: that Bruno Mars song. Though, Man, I don't want to
• 1:12:28
  Speaker 1: be petty. What do you think Nicki Minaj is mad?
• 1:12:29
  Speaker 1: Your gott He didn't call her for that feature. Somebody
• 1:12:31
  Speaker 1: did raking up saying the first one they got a
• 1:12:34
  Speaker 1: nice little track record features. I'm just saying, no, no,
• 1:12:38
  Speaker 1: you're sor yeah, you're gonna be is he gonna be
• 1:12:44
  Speaker 1: mad at her if she does a collaboration with somebody
• 1:12:46
  Speaker 1: else besides him? I mean, it is what it is.
• 1:12:48
  Speaker 1: They do those kind of records together though, that kind
• 1:12:50
  Speaker 1: I sound like the kind of record that traditionally your
• 1:12:52
  Speaker 1: Gotti and Nicki. They got one on this album. They
• 1:12:55
  Speaker 1: got raking up on this album. Right, Just listen some
• 1:12:57
  Speaker 1: things out there. The only thing is against the petty
• 1:13:00
  Speaker 1: all seeing with sticks. No, no, because everybody does collaborations,
• 1:13:03
  Speaker 1: but the artists. You're not only obligated to work with
• 1:13:05
  Speaker 1: one person. All right. Now, Kanye did something great, used
• 1:13:10
  Speaker 1: it by the name of Debbie Rebel. What Kanye did,
• 1:13:13
  Speaker 1: he did a good deed. She said, this girl in
• 1:13:14
  Speaker 1: my town had cancer, and Kanye called her a couple
• 1:13:16
  Speaker 1: of days ago to wrap for her. I think Kim
• 1:13:18
  Speaker 1: was there too. Wasn't even blasted on social media or anything.
• 1:13:21
  Speaker 1: She passed yesterday. I have so much respect for him though,
• 1:13:24
  Speaker 1: making her happy in the last moments. Isn't that a
• 1:13:27
  Speaker 1: beautiful for Kanye West. I think I'm ready for Kanye
• 1:13:31
  Speaker 1: this year. I think I'm ready for a two dollars
• 1:13:33
  Speaker 1: and eighteen yeasy season right now. According to Debbie, she
• 1:13:37
  Speaker 1: said that it was Kanye's fan site team Kanye Daily
• 1:13:40
  Speaker 1: that helped make that phone call possible. All right, LaVar
• 1:13:44
  Speaker 1: Ball's Big Baller brand got an F rating from the
• 1:13:47
  Speaker 1: Better Business Bureau. Now they're saying that they received thirty
• 1:13:50
  Speaker 1: two formal complaints in forty four negative customer reviews with
• 1:13:53
  Speaker 1: zero positive reviews, and they're saying that it's just the
• 1:13:57
  Speaker 1: company doesn't offer refunds. One person said, I purchased two
• 1:14:00
  Speaker 1: items and was told there will be a one to
• 1:14:01
  Speaker 1: two week delay. I've been waiting six weeks now, and
• 1:14:03
  Speaker 1: when I asked why it was taking so long, I
• 1:14:05
  Speaker 1: was called a small baller. Did you ever get your
• 1:14:10
  Speaker 1: stuff that you order? Charlomagne, No, I still haven't gotten
• 1:14:12
  Speaker 1: my slide. I definitely ordered to pay Big Baller slides.
• 1:14:16
  Speaker 1: I haven't received him. It'll it'll come in soon. It's
• 1:14:18
  Speaker 1: a small company they're starting, so they gotta respond to
• 1:14:21
  Speaker 1: people though. That's one of the main things. At least,
• 1:14:24
  Speaker 1: like responding and be like, listen, you know your shipment
• 1:14:27
  Speaker 1: will be there in six weeks. Sorry for the delay.
• 1:14:29
  Speaker 1: You can't not respond. They told me that want to
• 1:14:31
  Speaker 1: be in a couple of weeks, so I ain't trip
• 1:14:33
  Speaker 1: I wanted you know, all right, Well, some people haven't
• 1:14:35
  Speaker 1: a summer leaf. I guess getting any all right, Well
• 1:14:39
  Speaker 1: I'm Anjela Yee and that is your rumor report. All right,
• 1:14:42
  Speaker 1: thank you, miss ye now shout to revote. We'll see
• 1:14:45
  Speaker 1: you guys tomorrow. Everybody else, let's start to mix off
• 1:14:48
  Speaker 1: with that Chloroseptic remix featuring Fresher and two Chains. Right,
• 1:14:52
  Speaker 1: we'll get that on now it's the Breakfast Club. Good morning,