Latest / Vanity Farah with Chris Farah / 90 Day Fiancé: Before the 90 Days Season 8 Episode “Use Caution When Opening Overhead Bins”

Transcript

90 Day Fiancé: Before the 90 Days Season 8 Episode “Use Caution When Opening Overhead Bins” · Vanity Farah with Chris Farah

0:04
Speaker 1: Hi, everyone, Welcome to Vanity Fair. My name is Chris
0:06
Speaker 1: Ferrah and yay you get to talk about ninety day fiance.
0:10
Speaker 1: It's before the ninety Days and season eight episode eleven.
0:14
Speaker 1: Use caution when opening overhead bins Hi transitional episode, but important. Nonetheless,
0:21
Speaker 1: we finally got our girl Elise in the house, which
0:24
Speaker 1: I'm I mean, wildly ecstatic about as well as you know,
0:29
Speaker 1: when some things begin, something's end end. It feels like
0:34
Speaker 1: the end of Emma Anxiet. So we are going to
0:38
Speaker 1: get in. However, how are you? I hope all is
0:40
Speaker 1: well If you haven't yet subscribed wherever you can on
0:44
Speaker 1: YouTube and follow Vanity Fair of the podcast on all
0:47
Speaker 1: of your platforms like Apple and Spotify. If you haven't yet,
0:50
Speaker 1: give me five stars and like a cool review something
0:53
Speaker 1: with words in it say something about I don't know
0:56
Speaker 1: how hot my voice sounds, or how intelligent and gorgeous
0:59
Speaker 1: my mind mind is, or I don't know just how
1:01
Speaker 1: sexy the word choice I use is, or how much
1:04
Speaker 1: you think it's hot that I say the word like
1:06
Speaker 1: every other word. I don't know you do you? However,
1:09
Speaker 1: I would appreciate it, and we're going to get in.
1:11
Speaker 1: You guys. Yes, transitional episode, like I said, and that's
1:15
Speaker 1: how I feel about it. But no, there were some
1:18
Speaker 1: choice moments that we're going to get into it. Let's
1:20
Speaker 1: start with Lisa and Daniel. Now, it's almost as if
1:27
Speaker 1: this storyline is so heavily edited. It's interesting that Lisa
1:34
Speaker 1: and Daniel aren't doing anything romantic as a couple together,
1:39
Speaker 1: Like none of their excursions or adventures or dates are
1:43
Speaker 1: reminiscent of two people getting to know each other. Where
1:46
Speaker 1: she's seeing how he is, and he's showing her the
1:49
Speaker 1: things that he loves, his favorite fruits, well kind of sports,
1:52
Speaker 1: his friend like I mean, yes, his friends she met,
1:54
Speaker 1: But it doesn't seem like, you know, a typical you're
1:59
Speaker 1: in my area, my hometown, I can't wait to show
2:02
Speaker 1: you the things. It's more so like you're here and
2:06
Speaker 1: so bada being bada boom. You meet my friends, you
2:08
Speaker 1: meet my uncle, you get the blessing, and now we're
2:10
Speaker 1: gonna meet the king, and it's it's crazy also because
2:18
Speaker 1: Lisa has no knowledge of where she's at. She doesn't
2:25
Speaker 1: know the culture of Nigeria or Igoo or where she is.
2:31
Speaker 1: I can't imagine just boarding a plane and going to
2:36
Speaker 1: a place like Africa, and then not just even kind
2:39
Speaker 1: of doing some due diligence. I just she scares me, truly,
2:43
Speaker 1: and I think that she scares most people on the
2:47
Speaker 1: in the audience, and that's why we're watching her. It's
2:49
Speaker 1: wild how she throws herself into decisions and also doesn't
2:56
Speaker 1: seem to get out of hot water. Lisa is the
3:00
Speaker 1: definition of someone who you can boil alive by putting
3:06
Speaker 1: them in lukewarm or even cold water and then just
3:10
Speaker 1: raising the temp. She won't jump, ju'lt get out, It'll
3:14
Speaker 1: get hot, and then she'll stay until she's soup. That's Lisa. Okay.
3:21
Speaker 1: So at this point, somehow Lisa has now told herself,
3:26
Speaker 1: even though she's the one that brought this thing up,
3:28
Speaker 1: that the woman from ig that Daniel talks to before
3:31
Speaker 1: her is now just a jealous girl who really wanted Daniel,
3:38
Speaker 1: and so she tried to get in between Lisa and
3:40
Speaker 1: Daniel with this. Like now Lisa has done a complete
3:43
Speaker 1: one to eighty. Having accused Daniel of lying to her
3:48
Speaker 1: and then wanting to scam Americans. Now she's like, it's
3:51
Speaker 1: really this woman who really wanted to scam me out
3:54
Speaker 1: of my Daniel and also Daniel out of me, like
3:57
Speaker 1: you're just like, oh my god, then like doesn't one
4:01
Speaker 1: eighties like, yeah, it's really you. It's really you for
4:04
Speaker 1: like showing me someone I don't know and and you
4:06
Speaker 1: know you showed me the wrong profile picture. Yeah she does.
4:09
Speaker 1: I only know one profile picture was this picture of her, uh,
4:13
Speaker 1: you know, holding her grand baby. The grand baby had
4:18
Speaker 1: a bow on the head. And unless I see a
4:20
Speaker 1: white baby with a pink bow on the head and
4:22
Speaker 1: some lady looking happy about it, like, that's the only
4:24
Speaker 1: profile picture I know of that woman. You can't just
4:26
Speaker 1: show me suddenly some yassified picture of her on Cabo
4:30
Speaker 1: with life that's not her nose, you know. Like he
4:33
Speaker 1: was confused and yeah, he's like it's your fault, and
4:35
Speaker 1: she's like, you're right, well, it's actually her fault. We're like,
4:39
Speaker 1: oh my god. Rabami's like, you know, there's all this
4:45
Speaker 1: talk of like the James Vanderbeek gofund me and all
4:48
Speaker 1: that stuff. I had no opinion either here nor there.
4:52
Speaker 1: I don't really give this celebrity gofund me is like
4:54
Speaker 1: not ever. But I do feel like faith deserve warm.
4:57
Speaker 1: I feel like faith Lisa's daughter does deserves a GoFundMe
5:00
Speaker 1: to watch this season with us, And I feel like,
5:04
Speaker 1: you know, the ninety Day Fiance audiences can be on
5:11
Speaker 1: the spectrum of being vulgally aggressive and then just being
5:15
Speaker 1: like whatever kind of chill and weird it out. And
5:18
Speaker 1: I do think that at time to time it might
5:21
Speaker 1: be good to get back as a reality show audience
5:24
Speaker 1: to the subjects because I'm gonna jump again. I watched
5:29
Speaker 1: the America's Next Top Model documentary three part and it
5:33
Speaker 1: really reminds you of what a wild, wild West the
5:38
Speaker 1: two thousands were, the early two thousands, especially when it
5:40
Speaker 1: came to reality shows and especially just the moral dignity
5:45
Speaker 1: that we gave people on TV and how we viewed
5:48
Speaker 1: them in reality shows. In the two thousands, it was
5:52
Speaker 1: like if you said yes to a reality show, it
5:55
Speaker 1: was like you saying yes to submitting your body to science,
6:01
Speaker 1: where it was like, whatever the fuck happens Now you've
6:04
Speaker 1: said yes. Now you're a test subject. Like if you're
6:10
Speaker 1: in the two thousands in reality shows and you sign
6:13
Speaker 1: a contract to be on a reality show, all bets
6:15
Speaker 1: were off. They'll make you look however, they'll kill you.
6:17
Speaker 1: I mean, I'm gonna kill you, but like they'll do
6:19
Speaker 1: whatever the fuck it is. They don't give a shit
6:20
Speaker 1: about your family, your legacy, they don't care about they
6:24
Speaker 1: don't care about your Google searches. Whatever it is. How
6:27
Speaker 1: you'll be viewed for the rest of time not important.
6:30
Speaker 1: It's about what you can offer this show. In the
6:33
Speaker 1: scene you're in for two seconds, that'll make a big
6:35
Speaker 1: o shit moment, and then whatever happens after that you
6:38
Speaker 1: signed up for it. I mean, that's what it is,
6:39
Speaker 1: right And so with American's textop model, that's how they
6:43
Speaker 1: viewed a lot of those contestants. And then you know,
6:45
Speaker 1: if you watch the docu series spoiler Alert, didn't work
6:47
Speaker 1: out a lot from them. At the same time, with
6:50
Speaker 1: reality shows like Ninety's a Fiance, there are people that
6:54
Speaker 1: were chocking advantage of and Lisa is I'm not saying
7:00
Speaker 1: we're taking advantage of Lisa though, I'm not saying we're not,
7:03
Speaker 1: but it does feel like we're taking advantage of Faith's situation.
7:06
Speaker 1: And Faith has no recourse because Lisa was the one
7:09
Speaker 1: that signed up for her and it and Lisa's her mom,
7:11
Speaker 1: and it does feel like Faith has been somewhat traumatized
7:15
Speaker 1: by this woman. Her entire life. So what I'm saying
7:17
Speaker 1: is we need to go find me for faith. Okay.
7:20
Speaker 1: So Lisa, I don't know if she like got good
7:22
Speaker 1: of that head dress, honey. But Daniel's like, we're gonna
7:24
Speaker 1: go meet this king. You got to go meet the king.
7:26
Speaker 1: Gotta look good, honey. I mean, like, you know, straighten
7:29
Speaker 1: up and fly right, you know, put that thing on
7:31
Speaker 1: your head and do it well, and put the wig on.
7:35
Speaker 1: Let's go meet the king. And she this is where
7:38
Speaker 1: Lisa is so daft and so ignorant. She's like, oh good,
7:42
Speaker 1: I'm gonna meet a king in a European palace with
7:45
Speaker 1: a mode around it. And You're like no, and she's like,
7:48
Speaker 1: there's gonna be guards in silver like tin. You know,
7:51
Speaker 1: there's gonna be you know, a princess. There's gonna be crowns.
7:54
Speaker 1: You're like, oh my god, there are gonna be crowns.
7:56
Speaker 1: So she, you know, is a four year old, and
8:00
Speaker 1: then decides in her mind what it is. And it's
8:02
Speaker 1: not that Daniel has have to get has to get
8:06
Speaker 1: many different blessings, you know, it's a very stringent culture
8:11
Speaker 1: of blessings of plenty. Uh. And then they all consult
8:14
Speaker 1: the ancestors. Uh still his dad not around. I still
8:17
Speaker 1: want to know, like what's happening with that. It's the
8:18
Speaker 1: younger brother, heard the uncle, his uncle, his dad's younger brother.
8:23
Speaker 1: That's around plus the king obviously, so Daniel is wearing
8:30
Speaker 1: and also when he gets to the King, Daniel's younger
8:34
Speaker 1: uncle and him are wearing stocking caps that are striped
8:39
Speaker 1: red and they're reminiscent of a little bit like Dickens.
8:44
Speaker 1: They're a little like Scrooge kind of like they look
8:46
Speaker 1: like the kind of caps that he would sleep in,
8:49
Speaker 1: like the long ones. I like lay down, you know,
8:51
Speaker 1: like a all the way down. Anyway, when they get
8:54
Speaker 1: to the palace, it's not how Lisa thinks it's going
8:56
Speaker 1: to look right, and it's kind of like a It
9:01
Speaker 1: looks kind of like meeting room, like a convention meeting room.
9:08
Speaker 1: There are definitely people in traditional garb. And when you
9:12
Speaker 1: meet the king, he's very handsome and he's wearing a
9:18
Speaker 1: fabric Feldt lion head onto his sweater. That's not at
9:25
Speaker 1: all we are looking. It very much looks like if
9:31
Speaker 1: you got a lion like squish mellow or squash mellow.
9:35
Speaker 1: What do you call those pillow things and then made
9:37
Speaker 1: a sweater of it. It has like the full felt
9:41
Speaker 1: hair and like kind of like a beady plastic blue
9:45
Speaker 1: eye of the lion. And this is made for us
9:53
Speaker 1: to talk about like and at the same time where
9:55
Speaker 1: like we shouldn't be talking about other cultures like the
9:57
Speaker 1: way they do things. And so there's two things about this.
10:00
Speaker 1: It's interesting that the lion head looks so manufactured. That's
10:06
Speaker 1: the one thing I'll say, Like there was a choice
10:10
Speaker 1: for the lion head, and it's because you want to
10:15
Speaker 1: showcase a king, king a certain like alpha male, a
10:21
Speaker 1: certain you know, like royalty. But unfortunately the lion's head
10:29
Speaker 1: distracted from the king's own majesty number. When Kylie jennerd
10:35
Speaker 1: went to that Chappelle thing or whatever and it was
10:37
Speaker 1: like fashion New York, I'm sorry, it was Passion Paris
10:40
Speaker 1: fashion Week like three years ago, and she had that
10:43
Speaker 1: huge lionhead and it was like so wild looking and
10:45
Speaker 1: it was just like you couldn't really look at her
10:49
Speaker 1: or anything or was like staring at that red lion's head.
10:50
Speaker 1: It's kind of like that he kind of gave that
10:53
Speaker 1: Kylie Jenner moment. Now in this thing, Lisa like knows
10:58
Speaker 1: one thing about this culture. Honey. When you get in
11:00
Speaker 1: front of someone, you kneel. She's like, do I kneel?
11:03
Speaker 1: Can I kneel now? He's like, yes, neil. She kneels,
11:05
Speaker 1: and then he's like, come up to me, sister, and
11:07
Speaker 1: talk to me. And she goes up, and then she
11:09
Speaker 1: starts having a nervous laugh and he gets mad. He's like,
11:11
Speaker 1: why are you laughing at me? And then she like
11:13
Speaker 1: goes back and then she has to be like, I'm
11:15
Speaker 1: nervous or whatever, and then he comes back. He's like, Okay,
11:18
Speaker 1: you don't laugh unless I laugh. He's like aha. He's
11:20
Speaker 1: like ha, and she's like so afraid. He's like, no,
11:26
Speaker 1: I'm laughing now, ha ha ha, you laugh now, and
11:29
Speaker 1: she's like ha ha ha. This whole time she's married,
11:41
Speaker 1: this whole time, he has no idea. This whole time,
11:44
Speaker 1: he thinks that he is just scamming her and getting
11:47
Speaker 1: her to say yes. And then also at the same
11:49
Speaker 1: time having a very easy, dumb white woman to like,
11:52
Speaker 1: you know, be obsessed with him, and also but sometimes
11:55
Speaker 1: makes hard times for him by not doing everything he
11:58
Speaker 1: wants right because there are always where he'll be like,
12:01
Speaker 1: do this walk that way. She's like, I'm doing it
12:03
Speaker 1: my own way, because he does tell her what to
12:05
Speaker 1: do at all times, because she doesn't know what she's
12:07
Speaker 1: doing in his culture, and he has an agenda. She
12:11
Speaker 1: hasn't signed up for his agenda. She signed up for
12:14
Speaker 1: the let's be in love agenda, and he's signed up
12:16
Speaker 1: for let's get married as soon as possible, get the
12:18
Speaker 1: blessings so I can get to America agenda. And he's
12:21
Speaker 1: so obvious with it, and she feels it, and she
12:24
Speaker 1: keeps asking about how obvious this feeling is, and yet she,
12:27
Speaker 1: you know, stays in it. And that's why she's a
12:29
Speaker 1: frog that gets boiled alive. That's fine, it has That's
12:37
Speaker 1: how That's what I'm saying. Okay, So King Don Sylvester,
12:42
Speaker 1: you know, that's the king's name. I'm happy for him,
12:50
Speaker 1: and he's happy that he's a king also oracle also prophet.
12:56
Speaker 1: He you know, he kind of does the same thing
12:58
Speaker 1: that the other guy did. I'm like, half of me
13:00
Speaker 1: is like, well, Daniel, then why'd you go to the
13:02
Speaker 1: other guy? Like, remember, he's going to Daniel's now gone
13:04
Speaker 1: to three guys. Daniel's gone to the to the oracle
13:08
Speaker 1: guy before Lisa came, then Daniel went to his uncle,
13:11
Speaker 1: and now Daniel's at the king. So the king does
13:16
Speaker 1: the thing with the necklace, and the necklace kind of
13:17
Speaker 1: like moves back and forth, and he's like, will you
13:19
Speaker 1: be able to take care of Daniel to Lisa, and
13:21
Speaker 1: Lisa's like yes, and we're all like no. And then
13:24
Speaker 1: he has to basically be like Daniel, tell Lisa like,
13:26
Speaker 1: you know what's up, and keep her from laughing all
13:28
Speaker 1: the time in my face, and Lisa's like okay, and
13:31
Speaker 1: then he get they get the blessing. I mean, you know,
13:33
Speaker 1: they get the blessing, so I don't have to tell
13:35
Speaker 1: you she's still married. Daniel's like, she's trying her best.
13:43
Speaker 1: That's what I keep telling myself. And it's like she's
13:47
Speaker 1: trying her best, but she's not. Okay, she's not trying
13:52
Speaker 1: to get you to America by getting her blessings from
13:57
Speaker 1: all of your people you need blessed things from, Like
14:00
Speaker 1: she's trying to just see if this works and be
14:05
Speaker 1: in a relationship with you. It's so funny. Let's move on, honey,
14:08
Speaker 1: to the end of an era, the iconic end of
14:11
Speaker 1: Emma n Zayad. So obviously we were in the hot
14:15
Speaker 1: on the heels of her being like, hey, babe, so
14:18
Speaker 1: guess what, babe, wave. It's not my first time here,
14:21
Speaker 1: it's not my first time being engaged to a Moroccan man.
14:24
Speaker 1: I love Moroccan. I love chicken Tajean. I've been having
14:29
Speaker 1: chicken Tanjean. Honey, you think you're the first person to
14:32
Speaker 1: fancy poor tea for me and Morocco. Nope, I've been
14:35
Speaker 1: having fancy ste poured into gorgeous glasses my whole time.
14:39
Speaker 1: I was here, before I met this man, we were engaged.
14:42
Speaker 1: Ayad's pissed, he's upset, and she's like, I didn't want
14:46
Speaker 1: you to be mad, so I didn't say anything. Yeah, yeah,
14:56
Speaker 1: that's what it is. Yeah, you know, I'm obviously girl,
14:59
Speaker 1: come on, he's obviously. As I said, he is. Like,
15:03
Speaker 1: she's lying. She's always been lying. I've known that she's
15:05
Speaker 1: been a liar. She always you know, she doesn't tell
15:07
Speaker 1: me the truth. She tells me half troops. She tells
15:10
Speaker 1: me a story, it changes. It's always and not only
15:12
Speaker 1: changes that like expound expound, sorry, expounds expands expound. It's
15:18
Speaker 1: like he's like every story she tells me is a sponge.
15:22
Speaker 1: It starts off being like this is it, and then
15:25
Speaker 1: when she retells a story, she adds more water and
15:27
Speaker 1: it grows and it's like, no, this is it, and
15:28
Speaker 1: then it gets worse and worse, and now I'm to
15:30
Speaker 1: the point where I'm like, the next story is that
15:33
Speaker 1: she's been living her the whole time. She has seven kids.
15:35
Speaker 1: She has three husbands. You know, I'm gonna meet them
15:37
Speaker 1: all her all named Mohammed, you know. So Zayad is
15:41
Speaker 1: upset and he was like, nope, I'm done. I'm cool.
15:43
Speaker 1: I'm done. That's it. Put of work in me. I
15:45
Speaker 1: don't want to marry you. I was already at seven percent.
15:48
Speaker 1: Now it's negative. I don't want to deal my friend.
15:50
Speaker 1: One friend thinks, you know, you're a whore. The other
15:52
Speaker 1: friend is like, hitting it for your number, you can
15:54
Speaker 1: be with him. So she's like she's obviously stopping around
15:58
Speaker 1: and she's like, you're being a literal asshole. You're being
16:05
Speaker 1: a literal asshole. And then she tries to stop him
16:10
Speaker 1: from leaving. She he's walking away and she like grabs him.
16:13
Speaker 1: He's like, don't touch me. She's like, I'm not touching you,
16:15
Speaker 1: and she did, and I mean, I'm not no zied Fann.
16:19
Speaker 1: But Zaia does the best possible way of being like,
16:22
Speaker 1: oh I'm done, No, I'm done. I'm not gonna argue
16:26
Speaker 1: with you. I know I'm on camera, here's the microphone.
16:29
Speaker 1: I don't care what you say. And she it's almost
16:31
Speaker 1: as if the producers were like, don't let him leave.
16:34
Speaker 1: Throw everything at him, Emma, don't let him leave, and
16:37
Speaker 1: so she's like grabbing him. He's like, don't touch me.
16:39
Speaker 1: She's like, are you really gonna leave? Oh my god,
16:41
Speaker 1: you think you're so great, you just want to be perfect. Well,
16:45
Speaker 1: you had sex with me, So you're gonna tell everyone
16:48
Speaker 1: that you had sex with me. We had sex last night.
16:50
Speaker 1: And then know when he says, she says that here's
16:53
Speaker 1: the thing, the sexuality thing when it comes to Arabic culture.
17:03
Speaker 1: It's like it's weird. It's like she says that in
17:06
Speaker 1: a way to kind of like guilt or shame him,
17:09
Speaker 1: being like, you're not perfect you as a man. You
17:13
Speaker 1: pretend that you're you know, God fearing and we're not
17:16
Speaker 1: sleeping in the same bed, but we did. And so
17:18
Speaker 1: you think you're so perfect that you're above the lie.
17:22
Speaker 1: I said. But there's no way. He hears that, Emma
17:28
Speaker 1: and is like, you know what, Emma's right, I already did.
17:30
Speaker 1: Fuck Emma, I am wrong in my head and I
17:33
Speaker 1: should just you know, be like, yeah, he's not gonna
17:37
Speaker 1: acquiesce to that. You saying that all that to him
17:40
Speaker 1: is only going to further cement in his mind that
17:42
Speaker 1: he is packing his bags and going and getting you know,
17:45
Speaker 1: away from you, that you are not it. It's like, yeah,
17:50
Speaker 1: she definitely has an aggressive desperation that for for how
17:58
Speaker 1: pretty she is, and truly, of course I would love
18:02
Speaker 1: like a make under obviously, she's a pretty girl that
18:05
Speaker 1: could use, you know, like a little more of a
18:08
Speaker 1: match I think, aesthetic overhaul. But at the same time,
18:15
Speaker 1: she shouldn't be so desperate. I think that there is
18:18
Speaker 1: a lot of love available in the world, and you know,
18:21
Speaker 1: there's a lot of men I don't want to be
18:22
Speaker 1: with her. But it's hard, Yeah, it's hard. She wants
18:27
Speaker 1: a certain kind of attention, a certain kind of like devotion,
18:33
Speaker 1: and like to feel a certain kind of like unwielding
18:40
Speaker 1: love that wouldn't be able to happen in the timeframe
18:44
Speaker 1: that she expects it to. Like, remember how Emma was
18:46
Speaker 1: like you told me like day two that you want
18:49
Speaker 1: to be my husband, like da da da da, And
18:50
Speaker 1: it's like, well, yeah, that wasn't real though. So just
18:54
Speaker 1: because he said that doesn't mean that you can go
18:56
Speaker 1: back and hang your hat on that and or try
18:58
Speaker 1: and find the next guy that's going to do that.
18:59
Speaker 1: Like love Bombo, you can't just like build you know,
19:03
Speaker 1: a mansion of concrete in a I don't know, just
19:09
Speaker 1: with a bunch of like fake love bombs in the
19:11
Speaker 1: first three days. You can't just like that's the house
19:13
Speaker 1: you're gonna live in. So she's crying. He's so happy.
19:22
Speaker 1: He's like calls his friends like yo, love, get me come,
19:25
Speaker 1: I'm in the ash ash fig. She's like, are you
19:29
Speaker 1: gonna leave? He's like yeah. She's like tonight, you're not
19:31
Speaker 1: gonna spend the night. He's like right right, he has
19:35
Speaker 1: you know his like LV bags or Gucci bags. Honey.
19:38
Speaker 1: You know, like he's gonna get a friend or an
19:41
Speaker 1: uber block to get him honey home. I mean he's
19:43
Speaker 1: gonna pay the whatever it is. He's not spending the night.
19:45
Speaker 1: He can't wait. He's gonna go back and tell his
19:47
Speaker 1: friends that one smiley friend and the other friend that
19:49
Speaker 1: knew that Emma was, you know, not at all the business.
19:53
Speaker 1: I want to know, Like this is where I do
19:55
Speaker 1: feel like I want to do this. She obviously wanted
19:58
Speaker 1: to shame him with the sex, so she feels like
20:01
Speaker 1: him and her family or his friends will feel some
20:03
Speaker 1: type of way if they find out that Zaiad had
20:06
Speaker 1: said so I do kind of wish that in the
20:09
Speaker 1: tell all or there'd be an update where I don't
20:11
Speaker 1: Sean Robbinson be like, Hey, what do your parents think?
20:13
Speaker 1: Did they watch the show? Like sometimes I doesn't want
20:16
Speaker 1: anyone to ask any of the peeps of like from
20:19
Speaker 1: other countries, like do your parents watch this show? Zaiaed
20:25
Speaker 1: like do you have uncles and aunts that are watching
20:29
Speaker 1: the show? Like, zi, did you see Zayada naneadae fiance
20:31
Speaker 1: he was with the girl with the wig? Like I
20:33
Speaker 1: want to know that. But they never actually like show that,
20:36
Speaker 1: Like it's because they don't want to talk about the
20:39
Speaker 1: show being a show, even though we know it's a show.
20:41
Speaker 1: But it's important because if Emma's going to be like
20:45
Speaker 1: shame him, I guess for having sex with her on TV,
20:48
Speaker 1: I want to know if that works, you know what
20:50
Speaker 1: I'm saying, Like, was he in trouble by his aunts
20:54
Speaker 1: and uncles and dads and moms like was he like, Yola,
20:56
Speaker 1: you had sex? No la hada, you know, okay? Aviva
21:01
Speaker 1: and Stig, oh my god, honey, spring has come and
21:06
Speaker 1: spring has brought winter and spring has like this is you,
21:10
Speaker 1: isn't it? And I mean, here's the thing. She shows
21:17
Speaker 1: Stig a picture of Stig and a lady and they're
21:20
Speaker 1: hugging it away. That isn't very romantic. It kind of
21:25
Speaker 1: almost looks like cousins. She just happens to me bikini,
21:28
Speaker 1: except the bikini or the bathing suit is like censored
21:31
Speaker 1: so you can't even really see the picture. And then
21:34
Speaker 1: he's like, yeah, I guess. And then she has a
21:38
Speaker 1: foreided text which just says from him, and it doesn't
21:43
Speaker 1: say his number or anything, and it's like, yeah, I'm
21:45
Speaker 1: gonna love you forever. Was like a bunch of emojis,
21:48
Speaker 1: and even me, Chris, what she watches this is like, oh,
21:51
Speaker 1: he's not I don't think that's it. That's not the
21:54
Speaker 1: smoking gun. I think you think it is, like at all,
21:59
Speaker 1: I'm not famous at all, like one bit, but I've
22:04
Speaker 1: done comedy shows like in characters and yeah, like there's
22:08
Speaker 1: a bunch of pictures of me hugging people, and there
22:13
Speaker 1: are so many comments over the years like either for
22:16
Speaker 1: me from this character fancy or whatever. It's be like
22:18
Speaker 1: Letty's so much y'all darlings or whatever, you know, like
22:21
Speaker 1: that's what it is. There was nothing about him that
22:24
Speaker 1: made it seem like he was in he was in
22:27
Speaker 1: a relationship with that lady, and none of the text
22:29
Speaker 1: must just seem so and for Spring to come so
22:32
Speaker 1: hard with like basic bullshit, I was like, no, so
22:35
Speaker 1: that's why I feel like basically way so obviously Spring
22:39
Speaker 1: does this. And then she brings Karina corinth I'm not
22:42
Speaker 1: quite sure how to say her name. It's like I
22:44
Speaker 1: think it's Karina, but it's spelled corinth over and then
22:46
Speaker 1: that's in Corintha is like that's my friend, and even
22:48
Speaker 1: sucking for my friend. But none of them bring Aviva over.
22:51
Speaker 1: Aviva is just sitting by herself. They treat Aviva as
22:54
Speaker 1: if Aviva is like a fourteen year old and like
22:56
Speaker 1: Bridgington time, you know what I'm saying, Or Aviva's like
22:59
Speaker 1: she's too young to make her decisions. No, a Viva,
23:01
Speaker 1: you say out in the drawing room, let mother make
23:04
Speaker 1: these decisions now. But if you want to meet, you're
23:06
Speaker 1: just like, what is happening? Because then after that he's
23:10
Speaker 1: like yeah, no, you know, he's just like, uh, that's
23:13
Speaker 1: not what's happening. And she's just a fan. And they
23:18
Speaker 1: try and go over dates like corinth, because like, where
23:20
Speaker 1: were you the night of November seventh? Sorry? Where were
23:23
Speaker 1: you the night of February seventh? He's like, I don't know.
23:26
Speaker 1: He's like, you were at a wedding. She's like no,
23:27
Speaker 1: you're a plus sent dear with this woman. So he's like,
23:30
Speaker 1: oh okay. Then they let him leave with a Viva.
23:34
Speaker 1: So it's like, they don't tell this was that bad?
23:36
Speaker 1: Why would you not tell your niece? Okay, but they go.
23:38
Speaker 1: She goes home with a Viva and Stick and then
23:40
Speaker 1: Stig's like, yeah, she tells him. Sorry, Stick tells Aviva
23:44
Speaker 1: everything that happened. Aviva's like that's weird again, greasy hair,
23:48
Speaker 1: no dry shampoo in the entire island of Aruba. And
23:51
Speaker 1: then he's like yeah, it was obviously a fan. And
23:54
Speaker 1: then he's like, so what about tonight and she's like,
23:57
Speaker 1: now I'm tired. He's like, you're gonna let it ruin
23:58
Speaker 1: her night. And this is where Aviva's like, oh no, no,
24:02
Speaker 1: I mean sure, yes, it's not just this though. It's
24:05
Speaker 1: like you coming in with like you're gonna have sex
24:08
Speaker 1: with me, raw dog energy and shoot at the club
24:09
Speaker 1: and let's make a baby asap, and then you being like,
24:12
Speaker 1: you know what, I let's take a backseat to that.
24:13
Speaker 1: I don't know if I thought of that, about that through.
24:15
Speaker 1: And here's the thing, he hasn't thought about it through
24:17
Speaker 1: that through. Aviva though, has made a decision, and Aviva's
24:21
Speaker 1: decision is that she wants to Viva stick and you
24:24
Speaker 1: can't take you know, backsies on like claiming me. In
24:30
Speaker 1: Aviva's mind, Stick claimed her. If you're like, I want
24:34
Speaker 1: to have sex with you and breed with you and
24:35
Speaker 1: you're my girl, then that means we're together. We're making
24:38
Speaker 1: a family together. You and I are one because we're
24:41
Speaker 1: making this one baby together probably turns out, you know,
24:43
Speaker 1: that's how babies work. And so to then be like,
24:46
Speaker 1: you know what, I don't know if I thought about that,
24:48
Speaker 1: right is a step back. But then to be like,
24:51
Speaker 1: but I'll still have sex with you, it's just hard.
24:53
Speaker 1: It's hard to hear and it's hard for her to hear,
24:54
Speaker 1: and she's not into it because, yeah, for some reason,
24:57
Speaker 1: Aviva came to Ruba to make it baby. I don't know.
25:03
Speaker 1: I don't feel like that was as strong When it
25:06
Speaker 1: first started their storyline, they weren't like, what we really
25:09
Speaker 1: want is baby time, Like they were just about to
25:12
Speaker 1: get together. But then at some point he just kept
25:16
Speaker 1: saying the word breed, and then she was like, oh,
25:19
Speaker 1: that is the goal. It became very Handmaid's Tale. So yeah,
25:27
Speaker 1: I don't think the text is real, and I do
25:30
Speaker 1: think we're going to have to have this girl come on,
25:32
Speaker 1: you know, and like talk about it or whatever. And
25:35
Speaker 1: I think that they could have done a better job
25:36
Speaker 1: to just at least take a picture where he and
25:39
Speaker 1: her are like, not standing at a pool where she
25:44
Speaker 1: obviously was like, we take a picture with me. They're
25:47
Speaker 1: not even sitting at a table where it looks like
25:49
Speaker 1: they're enjoying a meal together or anything. They're not even
25:51
Speaker 1: touching hardly. Okay, Sheen and Forrest, Honey, I'll tell you
25:56
Speaker 1: one thing about the Philippines. Yummy ass fruit, ripe fruit,
26:00
Speaker 1: juicy fruit, different kinds of fruit, jackfruit. Sure, I think
26:04
Speaker 1: they probably have chermoia. They have mangoes, yummyms. They have
26:08
Speaker 1: cotton fruit. I've never eaten cotton fruit. It's sour. Mollie's
26:11
Speaker 1: been enjoying the fruit. Mollie is like, look, if my
26:14
Speaker 1: son is going to make me come here to basically
26:16
Speaker 1: try and talk about it, whatever the fuck He's going
26:18
Speaker 1: to do. Two things you don't know about Molly A.
26:20
Speaker 1: She's going to go to see the sites. She's gonna
26:23
Speaker 1: eat fruit. She loves it. I love fruit too. So
26:28
Speaker 1: Forrest is going to go to the mall with sheinat
26:32
Speaker 1: Now this is interesting because obviously my producer Casina told
26:35
Speaker 1: us that there's like this huge AS mall in the Philippines,
26:37
Speaker 1: and she also brought this up specifically when Forrest was
26:39
Speaker 1: trying to find like XXL clothing, because it was like, well,
26:42
Speaker 1: you're probably going to find it, and the's like, you know,
26:43
Speaker 1: this bizarre. You probably can go into the huge ass mall.
26:46
Speaker 1: There's like a huge AS mall. So when this mall happens,
26:49
Speaker 1: I'm like, I don't know if this is the mall
26:51
Speaker 1: though it's big, this is the Italian mall. This is okay,
26:57
Speaker 1: this is the Venetian Vegas. If the Venetian's budget was
27:07
Speaker 1: like not as big. It's still as big as the Venetian,
27:11
Speaker 1: just with not as much money. Forrest has never been
27:17
Speaker 1: out of the country except for this. And he's like,
27:19
Speaker 1: this is Italy. This is exactly what Italy's like. No,
27:21
Speaker 1: I know Italy, honey. I'll tell you what Italy's like.
27:23
Speaker 1: There's little dancing renaissance people, there's gondolas, there's there's these
27:29
Speaker 1: like old fashioned dresses. Yep. And I'll tell you one
27:35
Speaker 1: thing about Italy. I know El poyo locos everywhere. Oh No,
27:41
Speaker 1: El poyolfo is Italian for yummy Italian chicken. I don't
27:49
Speaker 1: know what this meant. I don't, okay, I don't know
27:51
Speaker 1: what to pay. The amount of L poyo loco signage
27:55
Speaker 1: in this fake Italian mall is wild to me. I
27:58
Speaker 1: mean a lot I love. Oh, by the way, I
28:00
Speaker 1: look okay, I take it back. I do like elpoil logo.
28:03
Speaker 1: I think it's good. Here's the thing. Do why you
28:06
Speaker 1: eat a lot of elp poilo loco? No? I don't
28:08
Speaker 1: why because at some point someone scared me about the
28:11
Speaker 1: chicken use. What kind of chickens they're using? An Alpoyo
28:14
Speaker 1: loco and like KFC, so like I just don't need
28:16
Speaker 1: those kinds shit and whatever. I mean, I'm now saying
28:18
Speaker 1: I push pumps a shove because the burritos are great,
28:21
Speaker 1: and I do think the paceedar salad dressing is good.
28:23
Speaker 1: Alo logo, but oh my god, it do the same.
28:26
Speaker 1: I mean, there's so much I poloko at this Italian mall.
28:29
Speaker 1: Why why is it that saborro? Why not just make
28:32
Speaker 1: if you want an apoil loco mall, why not make
28:34
Speaker 1: a Mexican mall then just you know, make another mall
28:36
Speaker 1: down the street all Mexican themed. Okay, so God bless.
28:40
Speaker 1: So they you know, are walking around, they got the gondola.
28:42
Speaker 1: They then do you know, a photo shoot? And then
28:44
Speaker 1: for some reason, he like gets Shena in a red dress.
28:47
Speaker 1: She gets a parasol. The minut they're about take a picture.
28:49
Speaker 1: Forces like she and I got talked about something. You know,
28:52
Speaker 1: Why do you lie? Why do you lie? She is like,
28:57
Speaker 1: Sina says, O crazy HM answer, which is like I
29:04
Speaker 1: got to tell you something I've been keeping from you.
29:06
Speaker 1: And we're all like, oh my god, Sina tell them.
29:08
Speaker 1: We think she anda. I think it's gonna be like Forrest,
29:11
Speaker 1: I lie to you because I really need you to
29:14
Speaker 1: step up the game when it comes to like financial
29:17
Speaker 1: security and like providing for us as a couple. I like,
29:21
Speaker 1: because I have to support my family and I'm already
29:24
Speaker 1: making money and I can't support me, you, my family, everyone.
29:28
Speaker 1: I need you to like support us so I can
29:31
Speaker 1: support my family. Do you hear me? That's what it is.
29:34
Speaker 1: I need you to support us so I can support
29:38
Speaker 1: my family, and any money I have looked over I
29:40
Speaker 1: can also use. That's what I have to tell you. Also,
29:47
Speaker 1: make your mom shut up also step Okay, that's what
29:52
Speaker 1: I gotta speak. Okay, but that's not what she said,
29:54
Speaker 1: you know. So she says this whole thing where she's
29:57
Speaker 1: like my babe, my sugar sugar bear. You know. He
30:00
Speaker 1: calls her machine, and she calls him bear, my baby bear,
30:08
Speaker 1: baby bear, machine, baby bear, Machine, machine, baby Bear. She's like,
30:12
Speaker 1: babie Bear, I was in a relationship and he cheated
30:16
Speaker 1: on me. I had a whole other girlfriend. And he's like, no,
30:17
Speaker 1: I'm so sorry, I'll never do that. And we're like, wait,
30:25
Speaker 1: she and we're supposed to believe that in the seven
30:28
Speaker 1: years that you are with Forrest doing nothing in real
30:34
Speaker 1: life that you had never told him that you were
30:38
Speaker 1: in a relationship prior to him where he cheated on you. Girl.
30:41
Speaker 1: Of course you did. Of course you've told him that
30:43
Speaker 1: your seven years there's watching about ring Cans. Of course
30:46
Speaker 1: you've told him that. And then Forrest coral. Okay, So
30:49
Speaker 1: then this is where it gets a little fake and
30:52
Speaker 1: I'm not happy about it. So then he so after
30:54
Speaker 1: that like photoshoot and she is in a red dress.
30:57
Speaker 1: They walk and they kind of go underneath pick with
31:00
Speaker 1: and there's not enough whysteria where it feels like they
31:03
Speaker 1: should add more to where it is because you know,
31:05
Speaker 1: there's this whole thing where they add fake plastic hysteria
31:07
Speaker 1: all over the place that happened in New York with
31:09
Speaker 1: all the scaffolding. If you go to New York City
31:11
Speaker 1: City on a white saty sitting New York City, because
31:14
Speaker 1: of the scaffolding, they would just like line it with
31:16
Speaker 1: fake plastic whysteria to be like nothing's happening over here,
31:19
Speaker 1: you don't see anything, Okay. So she sees it, she
31:22
Speaker 1: comments on it, and he's like, yeah, this is the
31:23
Speaker 1: place I've been waiting for. The gondola mall that I
31:26
Speaker 1: looked up on the Internet as an activation site for
31:28
Speaker 1: this proposal, and he gets down one knee and he proposes,
31:34
Speaker 1: and we're like, oh, okay, yeah, okay. Then he cries
31:38
Speaker 1: and says, I'm so sorry that it took me so
31:41
Speaker 1: long to come here, and we're like, but the streets
31:45
Speaker 1: of redditon that you were here before. Now, I don't
31:47
Speaker 1: know if that's true. She just said no, no, no,
31:49
Speaker 1: So maybe that is the same People on the internet
31:52
Speaker 1: sites have been trying to like match Forest's haircut with
31:56
Speaker 1: how he is. Forests haircuts in the Confessionals or Wild
32:00
Speaker 1: he goes from like Caesar looking sometimes to honey just
32:04
Speaker 1: like to something where he finally got his haircut. I
32:07
Speaker 1: don't know if like deb did his hair at one point,
32:09
Speaker 1: but yeah, Forrest and Sheina are in love, and that's
32:13
Speaker 1: the best part of their story that they truly feel
32:15
Speaker 1: like they're in love, right, Like this is a real couple.
32:17
Speaker 1: They're in love. They're not not in love. They're not
32:19
Speaker 1: Dyling and Petia or something where you're like, why are
32:21
Speaker 1: you guys together? Surely you're like, these are two souls
32:23
Speaker 1: meant to be together, and by that you just want
32:26
Speaker 1: like react like, we want everything to be super genuine
32:28
Speaker 1: because it's already you know, a story. You don't have
32:30
Speaker 1: to add things on to Forrest and Sheena. They are
32:32
Speaker 1: wild characters, so basically yeah, after the gondola they flirt,
32:38
Speaker 1: you know, And then he has to like go home
32:42
Speaker 1: to Molly and Devi and be like, mom, I did it.
32:44
Speaker 1: How do you feel about the fact but I and
32:47
Speaker 1: Sheina are engaged, And Molly's like, I'm happy, just kidding.
32:52
Speaker 1: I fucking hate it. You're so dumb. I told you
32:54
Speaker 1: to do it. I don't know why. It's hard because
32:56
Speaker 1: Molly to Sheena in front of Sheena's face, like you
32:58
Speaker 1: can't trust her, Oh, you have to do it. Why
33:01
Speaker 1: you're not listening to me? What even come? You know?
33:03
Speaker 1: And then he has to be like will I think
33:06
Speaker 1: you're being really disrespectful and out of pocket, and it's like, well,
33:09
Speaker 1: then don't tell her. Here's the thing you have. There
33:14
Speaker 1: are two choices in this world. You either want someone's
33:18
Speaker 1: opinion or reaction or you don't. If you don't want
33:21
Speaker 1: their opinion or reaction, you don't have to have it.
33:25
Speaker 1: You just don't bring them in. You can shut them down,
33:34
Speaker 1: you can, you know, Forrest could be like, Mom, Sheena
33:38
Speaker 1: and I are engaged, and then Molly be like, what Forrest,
33:42
Speaker 1: that's not wanting to be like, Mom, I actually don't
33:43
Speaker 1: care what you say. Thank you so much for giving
33:46
Speaker 1: me your opinion over these years, and at this point
33:49
Speaker 1: on the road, I'm just gonna not ask for it.
33:51
Speaker 1: I'm good mom, I'm chill. So we'll see what happens.
33:54
Speaker 1: But you know, finally, honey, we get minute. Okay, we
33:58
Speaker 1: move on to Laura and Burken. Then I'll end with
34:00
Speaker 1: the least Laura and Burke. And it's a small scene.
34:03
Speaker 1: So he found, you know, like a heater. She wants
34:09
Speaker 1: thirty minutes of alone time to FaceTime people. Now he
34:12
Speaker 1: at that point should know that she means Michael, and
34:14
Speaker 1: he's just like, great, shesha, shesha time, shesha. She's like, great,
34:17
Speaker 1: go smoke your shisha. I don't know how you have money.
34:19
Speaker 1: So then he goes to smoke sheisha, you know, and
34:21
Speaker 1: gamble more God bless, and then she calls Michael and
34:24
Speaker 1: the whole time I've been like where's Michael, and Michael,
34:26
Speaker 1: you know, gets on the phone and then he's like,
34:29
Speaker 1: how are you doing? And she's like wellish and he's like, well,
34:33
Speaker 1: can't be doing that well without me. She's like kind
34:37
Speaker 1: of He's like, uh yeah, how's it going? And do
34:42
Speaker 1: you want to come home? I would look you to
34:44
Speaker 1: come home. She's like, there are some great moments and
34:46
Speaker 1: there are some weird moments. You know, some weird moments
34:48
Speaker 1: and great moments. And I'll tell you what is one
34:49
Speaker 1: small weird moment is the weird moment where he was
34:52
Speaker 1: in like a lot, He's in a lot of debt
34:54
Speaker 1: and she tells it's fifty thousand and he's like holy shit.
34:57
Speaker 1: And she's like yeah. Another just like small, just like oohs.
34:59
Speaker 1: What's that? Is the moment where ber Khan was like, oh,
35:02
Speaker 1: I'm I gamble every day. I gamble every day. Album
35:05
Speaker 1: money I can get in the mint, I have money,
35:07
Speaker 1: I gamble it. I don't know. If I brought up
35:09
Speaker 1: a little something for madybe like a bit of pause.
35:12
Speaker 1: Michael's like, you've been emotionally compromised, eject. Michael starts to
35:16
Speaker 1: pretend that he's like some scientist. He's like, get yourself
35:19
Speaker 1: away from Mars. She's like, no, I really want to
35:24
Speaker 1: stay here. You don't understand the other thing about bir
35:26
Speaker 1: Khan is back. He is the most mindful, intentional person
35:31
Speaker 1: that does things that make me feel truly seen. Because
35:34
Speaker 1: he took me on a boat ride. Michael's like, uh,
35:39
Speaker 1: there's other high quality men that can do boat boat rides.
35:43
Speaker 1: He's like, I would feel much more comfortable if you
35:47
Speaker 1: would get on the nearest plane and get home. And
35:49
Speaker 1: she's like I don't. He's like, okay, then fine, please
35:54
Speaker 1: please please allow me to come to Turkey and talk
36:00
Speaker 1: to him. You have been, as I said, emotionally compromised.
36:04
Speaker 1: You cannot be trusted. She's like, I am. I mean,
36:09
Speaker 1: I'll tell you, yes. Yes, the fangirl romance nerd in
36:14
Speaker 1: me of course wants you and beer Kan to fight
36:16
Speaker 1: over me. Like I almost feel like Laura saying like,
36:20
Speaker 1: here's the thing, Michael, no man has ever done anything
36:26
Speaker 1: to truly make me feel cared for seeing valued claimed
36:30
Speaker 1: as a woman. And that's why I'm in Turkey because
36:34
Speaker 1: beer Khan plans things for me in a romantic way,
36:39
Speaker 1: and he's not afraid of telling me how great I
36:41
Speaker 1: am and that he wants me. So that's why I'm here.
36:46
Speaker 1: You'd be surprised how hard it is to find men
36:50
Speaker 1: to have the due diligence, to have the maturity, to
36:53
Speaker 1: have the strength to just fucking do that. Michael want's
37:00
Speaker 1: all over the air. Well, Michael, you think I'm emotionally compromised.
37:04
Speaker 1: I think that you're emotionally stunted. Michael. This is what
37:08
Speaker 1: I feel like she's I'm not saying Chris paris saying this,
37:11
Speaker 1: but what I am saying is that I think that
37:12
Speaker 1: that's why she says this, Like she kind of, I
37:15
Speaker 1: feel like, is using this to get Michael to understand
37:23
Speaker 1: that he didn't do what he could have done if
37:26
Speaker 1: he wanted to. Like, if Michael wanted to lay his
37:33
Speaker 1: cards on the table for Laura to put his hat
37:35
Speaker 1: in the ring as a suitor, he could have, but
37:37
Speaker 1: he hasn't yet, right, He kind of keeps hinting at it, Laura,
37:43
Speaker 1: there are high quality men that could do such things
37:45
Speaker 1: for you, But he won't be like, Laura, fucking just
37:49
Speaker 1: come home. I'll set up a pickleball tournament in your honor.
37:53
Speaker 1: I mean, you know, I don't know what do you want, Laura. Okay, Now,
37:57
Speaker 1: obviously we know that he's going to come because the
37:59
Speaker 1: producer can not let him happen because they want beer
38:02
Speaker 1: con and him to have you know, the showdown well
38:06
Speaker 1: well West style. She shud one hand pickleball racket in
38:11
Speaker 1: the other. Okay, honey, Elise and Joshua, thank god. She's meditating.
38:18
Speaker 1: She's in a car. She has a silk milk, silk
38:22
Speaker 1: mask on her eyes. She's really just like sensorily going
38:26
Speaker 1: in and she has a Cartier bracelets and Van Cleef.
38:28
Speaker 1: She's like Chloe, both of them. They can travel together.
38:31
Speaker 1: They look cute together. They have fancy expensive bracelets and
38:36
Speaker 1: jewelry together. And the meditation saying things like I'm doing
38:42
Speaker 1: the best I can and that is plenty. I'm doing
38:48
Speaker 1: the best I can and that is plenty. I am enough. Sure,
38:56
Speaker 1: sometimes I'm a little too much, but in that way
39:00
Speaker 1: I'm also you know, you know what I'm saying. Ah
39:05
Speaker 1: Alise describes herself as outgoing, loving and wants to show
39:08
Speaker 1: you her boob. She does. It's not just her boob though,
39:10
Speaker 1: it's her butt. Yeah. Alise is like a little loving
39:14
Speaker 1: puppy that also has like the hottest body in the
39:16
Speaker 1: whole world and knows it and gets attention that way.
39:19
Speaker 1: And so she's like, look, I want to be loved.
39:21
Speaker 1: Also look at the body yadda yaddie. And I love
39:27
Speaker 1: having like more backstory about Lise. You know, like in
39:30
Speaker 1: a way she kind of gives like chorteney vibes. You know.
39:32
Speaker 1: She has like parents that are married for a long time,
39:35
Speaker 1: you know, like chill, financially stable, like Boomer era parents.
39:39
Speaker 1: You know what I'm saying that like sort of look
39:42
Speaker 1: at her, and this is maybe a whole generational thing.
39:44
Speaker 1: So it's not just coordinating and it's not just Elise,
39:46
Speaker 1: but like look at their single daughter and being like
39:49
Speaker 1: what happened? Like what what? Why are they doing this?
39:56
Speaker 1: You know? And that's how so Le's low key how
39:58
Speaker 1: I feel she She has a lot of nervous energy, Elise.
40:03
Speaker 1: And we've been knowing that because we like saw her
40:05
Speaker 1: act out I feel like in Hunt for Loves and
40:06
Speaker 1: now we see like she is like sitting on a
40:08
Speaker 1: lot of anxiety and energy. Can kind of like feel it.
40:11
Speaker 1: She has fidget spinners, she's you know, like you know,
40:16
Speaker 1: she's like anxious, she's you know, and I think that
40:20
Speaker 1: like this anxious energy of like you know, feeds into
40:25
Speaker 1: her wanting validation and love, you know. Anyway, it's so interesting.
40:32
Speaker 1: She says that she's an odd sheep. Her parents been
40:35
Speaker 1: on a blind date, honey, and it worked out. She's
40:37
Speaker 1: thirty two. She has a brother. The brother has a
40:39
Speaker 1: long term wife. Elisa's like, I've been proposed to five times.
40:42
Speaker 1: I've said yes three times. I'm like yeah, Like who
40:46
Speaker 1: are those people? I want to see all those people?
40:48
Speaker 1: And woman like how old were you afore them? All
40:52
Speaker 1: of these shocks are like in full fall foliage heaven.
40:57
Speaker 1: It's like all of the leaves are golden, orange and red.
41:02
Speaker 1: I mean, it's gorgeous. Where she lives. Her parents wanted
41:06
Speaker 1: her to date a Jewish guy, but she didn't. Her
41:08
Speaker 1: dad's adventure catalyst and has knee problems. Woody and Beth listen.
41:13
Speaker 1: Woody and Beth had bailed out their daughter a couple
41:16
Speaker 1: of times, you know, and like because they love each
41:18
Speaker 1: other and they're all close at the same time, it's
41:21
Speaker 1: I think they feel like hindered her from I think
41:26
Speaker 1: getting out there and sort of like getting her knees
41:30
Speaker 1: dirty and learning some lessons. She describes an ex situation
41:34
Speaker 1: where she was in love with someone and they fucking
41:37
Speaker 1: stole her identity and then racked up five hundred thousand
41:42
Speaker 1: dollars in debt and that's wild. And then she said
41:44
Speaker 1: her parents had to bail her out, which we're like, well,
41:46
Speaker 1: did you sue that person? Is that person in jail?
41:50
Speaker 1: Is that person in jail? Now? Is this like the
41:52
Speaker 1: tender swindler? Anyway, she is now back in Miami after
42:00
Speaker 1: visiting her parents, and she has a beautiful apartment. Elise
42:04
Speaker 1: leaves like, you know, this is her living quarter. It's
42:06
Speaker 1: it's gorgeous. She has a gorgeous like mother of pearl
42:11
Speaker 1: backsplash of her kitchen with like gold hardware and an
42:14
Speaker 1: orange cat. The orange cat's name is Stella. Stella is
42:18
Speaker 1: technically usually a feminine name. Stella's a boy. She was like,
42:24
Speaker 1: we liked the name Stella maybe street come and desire.
42:26
Speaker 1: We found out it's a boy. Uh, that's what happened.
42:30
Speaker 1: She says a bunch of like problematic things when it
42:32
Speaker 1: comes to transgenderism, Like it's this confused you know, things
42:36
Speaker 1: where you're like, oh, girl, no, you know, don't you're
42:40
Speaker 1: also putting something on this cat and you know, I
42:42
Speaker 1: don't know, but that's on herself. Yeah, Alise, Elise's I
42:57
Speaker 1: wonder what it's like when Elise really is grounded, Like
43:00
Speaker 1: I wonder when it's like when Elise either like has
43:04
Speaker 1: her feet in soil or like feels really connected or
43:07
Speaker 1: like has deep talks or gets super stoned or like,
43:12
Speaker 1: I wonder what she's like when you strip away a
43:16
Speaker 1: lot of like the anxiousness that she has and like
43:20
Speaker 1: that kind of like high energy of like insecurity. Elise
43:25
Speaker 1: is so beautiful and she comes I mean, she's a
43:28
Speaker 1: beautiful girl, crazy asque body. I mean she comes from
43:31
Speaker 1: you know, a loving family and no shade. I do feel,
43:35
Speaker 1: you know, like I am insecure too. I do feel
43:38
Speaker 1: and yeah, a wild insecurity from her that I can't
43:43
Speaker 1: quite understand why you would have that. You know, I'm
43:45
Speaker 1: not quite sure why, but she is, you know, like
43:49
Speaker 1: she knows it too. I think it's like this desperate
43:52
Speaker 1: need to be loved. Is this? But she met Josh
43:55
Speaker 1: on the internet, you know, as one does. She on
43:58
Speaker 1: her Instagram, you know, is walking billboard for like you know,
44:02
Speaker 1: selling body ADDI Audie really so you know, I'm sure
44:05
Speaker 1: just men are just like, oh my god, I can't
44:06
Speaker 1: believe this. You're so hot. She's like, I know, they
44:09
Speaker 1: start talking and he has a kid, and he lives,
44:13
Speaker 1: you know, in Australia. She goes and meets with her
44:15
Speaker 1: friends and you know, they're like, well, what's happening with
44:18
Speaker 1: you and this guy? And she starts talking and she's like, yeah,
44:20
Speaker 1: you know, he has big cans. I love the cans,
44:23
Speaker 1: and it's anything weird happening. You know, obviously I'm going
44:27
Speaker 1: to like see him. I kept being like, can you
44:30
Speaker 1: send me a video of your place, babe, and he's
44:32
Speaker 1: like yeah, yeah, yeah, and then video never came, and
44:33
Speaker 1: then it is because I realized he's living with his parents.
44:37
Speaker 1: And they're like, no, he's a kid. He's thirty nine.
44:40
Speaker 1: And then they're like no, girl, no, And then she's like, yeah,
44:43
Speaker 1: he's uh, he's living with his parents. So while I'm there,
44:46
Speaker 1: he's going to rent a place and they're like oh okay,
44:49
Speaker 1: and she's like but with a roommate. He can't afford it,
44:50
Speaker 1: and they're like, no, girl with a roommate. Josh is hot, truly,
44:59
Speaker 1: but I mean, at least you can't be like in
45:02
Speaker 1: a different country and he has like no stability and
45:06
Speaker 1: he has like you know, obviously a life and a
45:08
Speaker 1: child in Australia, like you know, there's things happening, like
45:12
Speaker 1: what is it? You know her parents are like, no
45:16
Speaker 1: more gold diggers because I think that, you know, they
45:18
Speaker 1: financially support her. I'm sure now that I see her apartment,
45:20
Speaker 1: I'm like, oh my god, yeah, yeah, her parents are
45:23
Speaker 1: just so rich, Like we can't have you be a Courtney.
45:27
Speaker 1: We can't have you just like bring some guy home
45:30
Speaker 1: that's gonna like live with us here and contribute nothing.
45:34
Speaker 1: At least, It's like, okay, I'll move there, all right,
45:38
Speaker 1: my loves. That was the episode again transitional, but I'm
45:42
Speaker 1: so happy we've got at least and now we have
45:44
Speaker 1: no Emma, Emma and Zayet, but we do know that
45:46
Speaker 1: Emma gets to go and try and meet up with
45:49
Speaker 1: her old boo, and I'm actually wildly happy about that.
45:53
Speaker 1: I want to see him. I can't wait. There was
45:54
Speaker 1: no Rick and Trish, which also was great, so either
45:58
Speaker 1: going to come back. Oh goodness gracious. However, let's get on.
46:03
Speaker 1: Have you watched the America's Next Top Model docu series? Yet?
46:07
Speaker 1: Have you watched Love Is Blind? Even though I'm a
46:09
Speaker 1: little behind, all those things are coming. Traders is coming
46:11
Speaker 1: to don't even worry about it. However, at the same time.
46:14
Speaker 1: This was ninety day Fiance before the ninety days. Also,
46:19
Speaker 1: I'm doing ninety day the single life, so a lot
46:21
Speaker 1: of things are happening. Please make sure that you are following, subscribing,
46:24
Speaker 1: and living me a lovely review. You can also follow
46:28
Speaker 1: me on social media. I'm at Chris Elfair wherever you
46:30
Speaker 1: are on that social honey, Instagram, Honey TikTok. You can
46:34
Speaker 1: pay extra five dollars and get all my visuals real
46:37
Speaker 1: fast before I put them anywhere else. On Patreon. I'm
46:40
Speaker 1: also on substack, like my page on Facebook Chris Farah.
46:43
Speaker 1: Also the private group Vanity Farah. All of that exists.
46:46
Speaker 1: Can you believe it? We're gonna do two breaths. I'm
46:48
Speaker 1: gonna let you go. I love you guys so much.
46:50
Speaker 1: I really appreciate you listening to me and like enjoying
46:54
Speaker 1: whatever I'm saying. At the same time, I want to
46:55
Speaker 1: hear your thoughts. I need to hear them, so give
46:57
Speaker 1: them to me. Two breaths. Why we're all here right now,
47:00
Speaker 1: there's like a mindful moment we're having in our day.
47:03
Speaker 1: You can either use my voice or your own sound
47:05
Speaker 1: of your own breath, just to like I'm speaking here outward.
47:12
Speaker 1: I mean, I'm in a space where I'm trying to
47:13
Speaker 1: have a mindles moment, except that I'm in a loud space.
47:15
Speaker 1: So two breaths, rehearsal breath and then real breaths. Just
47:19
Speaker 1: get yourself to this present moment, just for yourself, not
47:23
Speaker 1: even me. But I'm doing it for myself and so
47:25
Speaker 1: a little gift for you if this is it for
47:27
Speaker 1: your day, God bless feel the ground, feel yourself. This
47:30
Speaker 1: is how we are in our bodies. This is how
47:32
Speaker 1: we can connect to our nervous system so that we
47:35
Speaker 1: can make choices that are not highly reactive, that are
47:38
Speaker 1: centered around what is healthy and good for us. It's
47:40
Speaker 1: maintaining a connection to ourselves and how we feel. Okay,
47:44
Speaker 1: that's what it is.
47:45
Speaker 2: Blow it out, alright, my.
48:04
Speaker 1: Love, Take care of yourselves and one another. Send every
48:07
Speaker 1: way you believe in, make art, and I'll talk to
48:08
Speaker 1: you later. Alright. Bye he he he he he he
48:13
Speaker 1: he he bye