Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: Sonata for a Slayer (EP1419)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:34is your host, Adam Graham. If you have a comment, send it
- 0:37to me Box thirteen at Great Detectives dot net, follow us on Twitter at
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- 0:48slash Radio Detectives. Before we get started, I do want to let you
- 0:52know that I've gone ahead and set up a portal at Great Detectives dot net
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- 1:06know I learned from Colombo and subscribe to articles through the app. Have everything
- 1:10conveniently listed now at store dot Great Detectives dot net. Be sure and check
- 1:15out store dot Great Detectives dot net. Well, now it's time for today's
- 1:19episode of The Saint. The original air date on this one is June the
- 1:26eighteenth of nineteen fifty and the title is a sonata for a slayer, The
- 1:53Adventures of the Saint, starring Vincent Price. The same based on character is
- 2:12created by Leslie Chatterers and non to millions from books, magazines, and motion
- 2:16pictures. A Robin Hood of Modern Prime now comes to radio starring Hollywood's brilliant
- 2:22and talented actor Vincent Price as The Saints, a proof that the language of
- 2:40music is the truly universal one. Mister Temple, isn't the people garvet here?
- 2:46Do you run the gamwood from sin to sing? Would you not agree?
- 2:51I would? Indeed, mister abdo, won't you join me? Accept
- 2:54with pleasure? Then you know me, mister Temper. And if you promise
- 2:59the key the deep dark secret out, confess that I have bought tickets to
- 3:02Karneggie Hall from Time to Tell piano concert mostly and those performed by Lauret Popdor
- 3:09primarily. Oh, that is a pleasing compliment, mister templar. It's understandable
- 3:14how I'd recognize the famous concert pianist like Laura Top had you, but the
- 3:20reverse is rather puzzling. And then, if you will keep the jeep duck
- 3:23Christmas, I shall confess you were pointed out to me by a newspaper reporter
- 3:29seated at my table. Explained half the compliment. But why did you come
- 3:34to my table? Why did you come here to this nightclub called the bird
- 3:38Kid? Mister well, I could say, because it reminds one of the
- 3:43black hole of Calcutta. But the real reason was to hear the piano music
- 3:47of Johnny Cross. Yes fastly, as did I Dixie Land hepcat receiving recognition
- 3:54from a Karnegie Hall myself. Johnny Crawford was one my pupil, mister Templar.
- 4:00He had a magnificent technical grasp of classical music, but no artistic soul.
- 4:05He was a great disappointment to me. Nevertheless, I do not wish
- 4:10to see Johnny Crawford's this. That is why I have come to you.
- 4:14So now that's a rather macarb attached to an otherwise lighthearted evening. Murder is
- 4:17always macab and mister Temple, so it's be death by violence it is,
- 4:23and I shall tell you a great deal more about it at my home tomorrow
- 4:26morning. Mister Templar, six thirty seven receder drums. I'm certain that you
- 4:30will be kind enough to be there. That's the kind of certainty that causes
- 4:33horse players to go broke. Mister Afton, And let us say, I'm
- 4:36playing a long shot, and I'm betting that among the saints and singers present
- 4:41years, you are numbered among the form one question, Yeah, could you
- 4:46give me any idea to why someone should desire to remove, therefore, said
- 4:50Johnny Crawfords, from the ranks of the living. Oh, I can do
- 4:53better than that's, mister Templar. I can give you the name of the
- 4:56person who will be responsible. And that person a musical composer who has been
- 5:01dead for over one hundred years. Lutherig Van BEETHO, Yes, well,
- 5:26should I say thank you or slap your face? What do you think the
- 5:30slaps have it? What could I do for you? You must be kidding.
- 5:33And if you're here to see mister Astall, you must be signing Templar
- 5:36guilty and you Nicki Clark, mister Opdall secretary Nicky Clark, Well will you
- 5:44lope in, mister Templar? Oh? Thanks, I could hardly refuse such
- 5:47an enthusiastic incertain Well, well, Rockmann and as prey ludon t shop,
- 5:57is that the mister play? It's not Jenny Durranty the music rooms at the
- 6:00far end of the foyer. This optor is expecting you. Thanks, I'll
- 6:04take a banty unification acknowledged. Come on, let's go. What just to
- 6:14stay behind me and let me find out hurt? Yeah, that was no
- 6:21prelude in these sharp being played in here, Nicky, it was the prelude
- 6:26to murder, to murder? Where do those French doors lead to to the
- 6:30terrace? Why see if it isn't too late to help miss dropt her while
- 6:33I well, it's nasty weather out anyway. Aren't you going after him?
- 6:44My halo wouldn't look too well on top of a shroud. Where's the nearest
- 6:46telephone? Telephone? I know this comes with a great surprise, Nicky,
- 6:50but the police are rather fussy about these things. Oh yes, of course
- 6:56the telephones. Right up. He's not dead. He's trying to play something.
- 7:01He's trying to aptor. It's Simon Templar? Who shot you? Do
- 7:09you know who shot you? Talk? But he's trying to play actor?
- 7:15Can you hear me? It's Temper? Who shot you? Man? Who's
- 7:23a temper? He is nicky this time, it's for sure. What was
- 7:30he trying to say? Is he did? One thing I've learned in this
- 7:34drab, weary life, my dear, is never the second guess a dead
- 7:38man. Hey, what's this cat under the music rack? It looks like
- 7:44a couple of tins. You thereby when you're ready for a cub and nicky
- 7:47Well, I recognize at top of miss templar personal notepaper used by mister Uptall,
- 7:54who is the Paul Paul, the Gage Outdoor's concert manager. Why the
- 8:01name Paul is the only written word left on the page. We might have
- 8:05a slightly better lead on his second bit of part. Well, it's part
- 8:09of a music manuscript yere, and an old one too, judging by the
- 8:13condition of the paper and the signature attached there too. Ludvig van Beethoven Beto
- 8:18mm hm, the popular tunesmith who left this mortal close one hundred years ago?
- 8:22Do you think it's possible that the old boy came back? Oh?
- 8:37You sure you want to come along with me on this little joint Mickey Laura's
- 8:41Updahl was a swell boss and a wonderful guy. There is anything I can
- 8:45do to help you get the man who killed him. I'm going to do
- 8:46it. All the time. I thought it was my personality that intrigues you.
- 8:50Well, let's hope I am not as disappointed by a mister Opto's concert
- 8:54manager Paul to Gauge. I still can't believe it, Mister Templar, lot
- 9:09it's Aptoor dead, murdered. Why would anyone want to murder? No,
- 9:15I thought that that was going to be my question, mister Gage. You
- 9:18don't suppose it was because he was going to tell me who wanted to murder
- 9:22Johnny Crawford, do you? Johnny Crawford? Yeah? Who is he?
- 9:26Now? You obviously don't suppose any other suggestions. I'm started. It's the
- 9:33templar. But I'm so stunned by this news that Lordyx was going to play
- 9:35for me this very evening. And I'm not aware that mister Adah had a
- 9:39concert date to this evening. Mister it wasn't a concert engagement, Miss Clark.
- 9:43If I stroke of good fortune, I come into possession of an original
- 9:46musical manuscript of Beethoven's Pianosanopa and Lodi, would you say Beethoven? Yes,
- 9:54it's it's an original that's never been published. It was known to exist,
- 9:58but with loss of lu they published in eighteen twenty four and it never turned
- 10:01up again until just recently. It must be worth a fortune to the gauge.
- 10:05Well, it is quite valuable, guests. I'm going to offer it
- 10:09for sale to a small group of collectors and call an out of the evening.
- 10:11A lot of agreed to play it for me. But you wouldn't happen
- 10:16to have this manuscript here, would you? But yes, yes, it's
- 10:20in my stage. Do you mind if we take a look at it?
- 10:22Well, of course I'll have it for you in dosinalday. The remarkable document
- 10:28seems to know question as to its authenticity, and that always helped. How
- 10:31did you happen to get hold of it? A refugee from Vienna got it
- 10:35for this country some years ago, discovered it among some more family pizations he
- 10:39brought along with him. I don't know how it got there. I'm selling
- 10:43it for him. There, you please handle it carefully. Mister Chandlers,
- 10:48quite old and fadulous, would probably care quite easily. That wouldn't be an
- 10:52apology for the fact that it's torn right now? With torn, why,
- 10:56I'm not certainly I understand the missing signature should supply the miss meaning missing signature?
- 11:01You mean it? Heaven? Well? You really had me worried for
- 11:07a moment, mister Templar. But as you can see, this manuscript is
- 11:11in perfect condition. There's the original signature, Lord Big Beethoven's right, What
- 11:18about that? Exactly? What I was going to say, Nikki, thanks
- 11:22for your trouble, mister the Gage. Sorry I bothered you. Not a
- 11:24question of bothering me, mister Templar, I'm I'm merely puzzled. I don't
- 11:30understand what a Bethos the manuscript might have to do with the murder of Lord
- 11:33it's up to, and that's the reason I'm sorry I bothered you, mister
- 11:37the Gauge. Now neither have I. Oh, thanks Heaven, the police
- 11:52are gone. I don't think I could have returned here. He dropped all
- 11:56this. I'm not too happy about homicidal surrounding myself. Making well, then,
- 11:58why I'm back at all. I find myself with an ungovernable impulse to
- 12:03indulge in musical composition, and I more of that later, Nikki, it
- 12:07would appear we haven't unexpected eavesdropper him expect Oh oh, don't stop, na
- 12:15if you don't mind. I just assume the farther away I am from lethal
- 12:18weapons, the better I like it. That is a gun in his hand,
- 12:22genius automatic pistol species caliber forty five. That's very scientific, chump,
- 12:26So you better hand over that paper. Don't play coy chum. The paper
- 12:31you took himp dolls music. Oh that I'm sorry, but I'm saving autographs.
- 12:35Never had one of Beethoven's before, but you never had. You tell
- 12:39me blasted by a forty five slug before? An I better take that on
- 12:46to um. You killed him? Shut up? He said, you killed
- 12:54him? You kim set his shut up? Did I stamp back? Well
- 12:56over that paper? It will be somewhorders Yeah, inside parking. Thanks Shirn
- 13:07Butt. He braved with a gun, aren't you. Yeah? They retired
- 13:11in the music business system. From where I sit, it don't look too
- 13:13healthy. Hello baby, please Ansony? Are you all right? Hana?
- 13:30As you please? I must speak to my barber about this. Somehow the
- 13:35patting and massage I get after a shave doesn't give me anything like the sensation
- 13:39i'm getting now. You're all right? Well, I will be when the
- 13:43boy's operating the trip hammers on my skull. Knock off at five o'clock.
- 13:48Why didn't you let me know? Why did you lie there playing cossam like
- 13:52that? I doubted a posthum would appreciate the lovely picture you made as you
- 13:56bent over me. But as for me, well, I was in no
- 13:58hurry to wake up. What happened to chum? He departed with your prize
- 14:05autographs after creasing your skull with a bullet and threatening me with the same lovable
- 14:09soul, isn't he? My only consolation is that his aim is far worse
- 14:13than even his intentions. Simon, for pizza, come across so far,
- 14:18I don't understand a thing which puts this boat in the same boat. And
- 14:20speaking of boats, come along, Nikki. We've got an appointment for him.
- 14:24How nice? Any particular kind? Oh yeah, very particular kind of
- 14:28fairy boat's going to take us across the Beta Coronada. Simon, This the
- 14:50fairry boat is like a ghost ship. Oh now, don't tell me that
- 14:52a little fog is getting you down, Nicky, yeh little fog. It's
- 14:56so thick we can't even see the rail from here. Why are you he
- 15:00was so insistent on getting over to Coronada to night called the gauge is selling
- 15:03a Beethoven manuscript to a bunch of collectors. They remember one of my more
- 15:07famous hunches tells me that among those peasants should be a guy for whom capital
- 15:11punishment was invented. I hope it's better than the two hunches you had on
- 15:15that torn manuscript. What is it to the lounge you here? Eh?
- 15:22Yes, rather it should be the pianist is a former pupil of Laura Talkdog
- 15:28now holding forward for the dingy dive called the bird Cage. Simon, you
- 15:35mean Johnny Crawford. And if it isn't, he should sue for plagiarism.
- 15:39That's his personal theme song. Johnny Crawford A board. This very bold?
- 15:45Now, why would he be going to Coronado? That's a good question,
- 15:48Nikki. Suppose we asked Johnny for the answer the order the lounge should be
- 15:54somewhere over here. Maybe it is, and it looks like you have to
- 15:56navigate by radar find it. Somebody is coming out on deck now I would
- 16:03have to do it. I'm done. Everything's going to be, old kid.
- 16:06I hope you're right, Jensen. I've got the creeps for fair never
- 16:08mind, I know you don't get excited. We've got the signature. I'm
- 16:14gonna know the difference now I know it, Jensen. Maybe someone else does
- 16:17too. Oh forget it, Johnny? What is I'll lead you the bird
- 16:19case? What's all a bird cage? Johnny Crawford at the bird cage.
- 16:25What are you kicking about? It's a living in it, for sure,
- 16:27but you so will all be in a heavy sugar. I'll just you're waiting,
- 16:33gone, sim hidden in the fog. Who were they? Didn't you
- 16:37recognize one of the voices? Hot It was the friendly one who tried to
- 16:41part my hair with a forty five? What was it all about? That's
- 16:47the second question I have to ask, crossor you wait here, Mickey Hobby
- 16:49right back, Simon, you can't go. Oh, don't worry about that.
- 16:55I'll keep my fingers crossing there. Simon. I can't stay here alone.
- 16:59I'm allergic to dog. Oh you crazy for I can't even see you,
- 17:04Simon? What was that? What happens? Simon? No, I
- 17:30haven't anything, Frankly, No, I'm my headaches. I've swallowed liberal quantities
- 17:42of sea water, which I found much too salty. And I have a
- 17:47terrific yend to play the piano, to play the Oh no, not care,
- 17:52Mickey, my dear, Any psychiatrist will warn you of the dangers of
- 17:55inhibiting a creative verde. I think I'd better get into that lounge and get
- 18:00this one out of my system children make a grave mistake, Nicky, by
- 18:22not paying attention to music lessons. Now, if i'd only listened to Professor
- 18:26Heinrich, wortsoor but you'd only listen to me, Jensen or Crawford, whoever
- 18:30it was, wouldn't have hit you on the head, and you'd be rational
- 18:34now rather than Noncompassmentagy Or you shouldn't speak so harshly of whoever it was,
- 18:38Nicky. When he talked me into the briny, for some reason, I
- 18:41thought of music, piano music, and I think I've got something I could
- 18:45only find the right I think you should try to find that psychiatrist you mentioned
- 18:53earlier. More attention to your noodle and less to noodley my results, Mickey,
- 18:59you jump to a big, fat and incorrect conclusion. Listen to this
- 19:07hardly what i'd call a musical. Two to four, Nicky, you're not
- 19:11listening. I'll give you one more chance. There sounds to you not from
- 19:18the least. But then I didn't take lessons with Professor Heinrich, which might
- 19:22account for that. Wait a minute, that phrase she isn't definitely lotasought to
- 19:30all played justify dime. You see, you should have studied under professor works,
- 19:33he would have given you a hundred in musical identifications. No, you're
- 19:37not trying to tell me that that little musical phrase means something, Simon.
- 19:41I've seen it being coronat at six. Yeah, man should give me about
- 19:45two hours to prove its meaning to you. Sounds like a rather complicated procedure.
- 19:49Or the procedure itself will be simple, but first I have to clutter
- 19:52it up with a call to Lieutenant's flannagain and a little visit to the public
- 19:56library. I can only say, Simon, that I trust the past hour
- 20:14and a half in that library was more entertaining to you than it was to
- 20:17me. Oh it was, NICKI it was. You'd be surprised at the
- 20:18amount of interesting information one can garner in a library. Maybe I wouldn't be
- 20:22so surprised if you'd share some of it with me. Well, I learned
- 20:26a very interesting tidbit that Ludwig van Beethoven lives from seventeen seventy to eighteen twenty
- 20:32seven, that he wrote nine symphonies amazing, that he had a sketch book
- 20:37containing a mass in C sharp, a piano sonata, a few gun bach
- 20:41and oh if that's all you can tell me about an hour and a half
- 20:45of wasted time? Will you not? Quite? I could mention the fact
- 20:48that one of the more incorrect books on Beethoven was written by a John Masefield
- 20:52Crawford. What difference is it make who wrote them? Oh, John mayfiel
- 20:57Cross? Could that see? Our Johnny Crawford, by any check, could
- 21:03be an authority, a poor one, but an authority. So what We're
- 21:10going to make a bid on a data an manuscript and don't be too surprised
- 21:14if we win it, and a murderer as well. To begin, you
- 21:30couldn't answer better. Timing from a metronome. Quietly, quiet, This was
- 21:37to be a very happy occasion, gentleman, as you all know. But
- 21:41we were to present here tonight in the original, authentic and hisitive unknown manuscript
- 21:45of a piano Snopa by faiths. In honor of the occasion, I prevailed
- 21:51it by my dear friend Laura up to to be the first to play the
- 21:55Unfortunately, as most of you now know, he has met with the tragic
- 21:59end. In deference to Law's memory, I have not sawt another pianist the
- 22:03substitute for him. I am certain you all share my feelings, and so
- 22:08I'd be very happy to play the sonata for you. Mister the Gauge,
- 22:11Are you crazy? I'm not certain I quite understand the meaning of this interruption
- 22:15with Temple. I wouldn't let that bottomy, mistery the Gauge. Now,
- 22:19as soon as I reached that piano. M well, really, mister templers
- 22:29White Temple, Mister de Gauge, I'm going to substitute for Laura to opdor
- 22:33you. Well, I didn't know that you were a pianist. Temper,
- 22:36sure one of the best. Listen to this, mister Temple. There can
- 22:44only be two explanations for this, this outrageous accent on your part. You're
- 22:48raither drunk or med. I shuld have to ask you to leave this all
- 22:51at once. Now, surely, mister the Gage, you wouldn't want me
- 22:52to leave so soon, not before I've told these gentlemen that Beethoven never wrote
- 22:56the music on that manuscript you have for sale. Beethoven never wrought. Manuscript
- 23:00is a fake. No such piano sonata was ever written by Beethoven or lost
- 23:04on its way to the publisher. This is the record of that snother is
- 23:08in Beethoven's own skitch. I'll admit that a piano sonatas noted in the sketchbook.
- 23:12Yes, but if the person who forged this manuscript had looked far enough,
- 23:15he'd have learned that the original was written for four hands as a duet,
- 23:18not for two. I can't believe this. This manuscript is a forgery
- 23:23written by a former so called expert named Johnny Crawford. What if this is
- 23:29so? Is it? Do you have any proof, mister temper Laurenzoptov's death
- 23:33is proof enough. He discovered the forgery, but then he made a grave
- 23:37mistake. He thought Crawford's life would be in danger to prevent the knowledge from
- 23:41coming out, But it was his own life that was taken. Then then
- 23:45it was Crawford killed him. Optu told me who killed him, mister d
- 23:48Gage Ottu. He couldn't talk, but he could play, and he played
- 23:52six notes. These notes. Those notes tell the name of the murderer,
- 24:02a name that will be verified by his accomplices when they're picked up by the
- 24:04police. For the edification of those who never studied under Professor Heinrich Wood.
- 24:10So the note you ever hanging it on the REPI Now what was that you
- 24:26were saying to the Gage to think of it? So he is, And
- 24:33look at the time, just eight o'clock. I told you you'd have your
- 24:36answer for two hours, but night. Then the whole idea was the gaugees
- 24:52from the start, and Johnny Crawford and Jensen who are working for him.
- 24:56Nikki, why don't you stop your intellect from taking over for your emotions,
- 25:02Simon. Then Crawford must forwards the manuscript. He was a good enough pianist
- 25:07and a semi authority on Beethoven to do it. But how did mister Opdolf
- 25:11come into it? You know they say that boat rides are wonderful therapy in
- 25:15cases of inhibited romance. Of course Crawford was his pupil. How Betty got
- 25:23gold seat and showed mister Opdall a copy of the manuscript, and mister de
- 25:27Gage got wind of it, killed mister Opdall and made off of the copy.
- 25:32The only part of it was torn off of a music rack. Oh,
- 25:34this blessed fog, it makes everything so warm and cold. It must
- 25:41have been the idea of a second manuscript that tipped you off, h particularly
- 25:45when Jensen was so anxious to get the darn signature. I wonder if you'd
- 25:51still feel like slapping my face. And of course I finally got what you
- 25:57meant about those six notes, mister played. They were the gauge selling the
- 26:04gauge. Nikki, when are you going to stand being logical? Oh?
- 26:14Right now, you have been listening to another adventure of the Saints, the
- 26:34robin Hood of modern crime, and now here is our star Vincent Price,
- 26:40Ladies and gentlemen. One of the four Horsemen is still riding across Europe,
- 26:45scarring the bodies and spirits of millions with brutal who's his name is Hunger,
- 26:51and his victims are legiant. Their cries for help are sounding right outside out
- 26:56door. Despite increased supply to certain foods and improved crop conditions, Europe's need
- 27:03for more food is urgent and immediate. Americans can help now by sending food
- 27:10packages to Europe's hungry ones through the auspices of CARE, a non profit humanitarian
- 27:15organization. CARE spelled CRE stands for Cooperative for American Remittances to Europe. It
- 27:26is composed of the country's twenty six top welfare agencies, all operating to drive
- 27:30the specta of Hunger from Europe. You can aid in this work by sending
- 27:34a ten dollars remittance to Care, New York. A twenty one and a
- 27:38half pound food package will then be sent to any designated person in fifteen countries,
- 27:45or if you wish, Care will select a recipient. Smaller food packages
- 27:49are available for lesser amounts. The address again is Care, New York.
- 27:56Remember they still need Care. The Vincent Price inviting you to join us again
- 28:02next week at this same time for another titing adventure of the Saint. Good
- 28:07Night Tonight's script of The Saint was written by Sidney Marshall. Our cast included
- 28:30Alice Frost, Fritz Feld, Ted Osborne, Tony Barrett, and George Neis.
- 28:36The music was composed and conducted by Von Dexter. The Saint based on
- 28:40character is created by Leslie Chatteris as a James L. Safier production and is
- 28:45directed by Helen mac Vincent Price is soon to be seen in the Universal International
- 28:49Picture Curtain Call at Cactus Creek. All you Saint fans will be glad to
- 28:55know that the Saint comic books are on sale at All News Fans. You're
- 28:59an author. Doug Gourlay. Monday Night brings you two great adventure mystery programs
- 29:04side by side on most NBC stations. You will hear Night Be and then
- 29:08Top Secret. Lovely Alona Massy stars in Top Secret, the Story of espionas
- 29:14during the Last War. They showed a tune here Tomorrow Night per Night Bee
- 29:18and Top Secret next Sam Spade, then Summer Symphony on MVC. Welcome back.
- 29:40A great way, working in some musical trivia to the course of the
- 29:44episode and enjoyable. Little too thick, I think on the floor to the
- 29:49end, but and a little more than usual on the Saint's part. But
- 29:55at any rate, we'll get to some listener comments and feedback. Lisa says
- 30:03regarding episode fourteen o seven. I listened to the shows while I work and
- 30:07drive, so I might have missed something here. If the diamonds weren't in
- 30:10the cake because the other guy at double cross can't Peggy, why was he
- 30:15asking about the cake again? Was it just to have an excuse to get
- 30:18killed Peggy? Well, I think one thing that gets confusing in the and
- 30:25that's regarding the episode the Cake that killed, is that the cake was being
- 30:30used to double cross the two thugs. So the two thugs were going to
- 30:36want to get the cake, but Peggy really thought the diamonds were there and
- 30:41gave the cake to Diamond Templar. I I meant that the episode wasn't perhaps
- 30:48the most clear, but that's how I understood it, that the cake was
- 30:51going to be used as a decoy as the Big Boss knocked off a couple
- 30:56of his henchmen so he could keep all the money to himself. Well,
- 30:59that will do it for today. We'll be back tomorrow with Crime and Peter
- 31:03Chambers, and then join us next Monday for another episode of The Saint.
- 31:07In the meantime, send your comments to Box thirteen at Great Detectives dot net,
- 31:11follow us on Twitter, Radio Detactives, and become one of our friends
- 31:15on Facebook, Facebook dot com. Slash Radio Detectives from Boise, Idaho.
- 31:19This is your host, Adam Grahamson and Off