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Dealing With Hurt, A Musical Connection With ENVY MARSHALL · HEAVY Music Interviews

• 0:16
  Speaker 1: No, it's wrong.
• 0:19
  Speaker 2: I like Hemmy Marshall here for Heavy mag.
• 0:23
  Speaker 3: Fantastic EDMI, how are you today, Thanks for.
• 0:25
  Speaker 2: Joining us, thanks for having me.
• 0:26
  Speaker 4: So you released your latest single, Hurt, late last month,
• 0:30
  Speaker 4: so how's the ely reception being for it?
• 0:32
  Speaker 3: Yeah?
• 0:32
  Speaker 2: I think people are pretty sick of hearing positive music,
• 0:35
  Speaker 2: and I think this songs really touched a lot of people.
• 0:37
  Speaker 2: Like we've had some great success with it in Australia,
• 0:40
  Speaker 2: but it's been number one in a couple of countries
• 0:42
  Speaker 2: over in Europe, which has been amazing, so really excited
• 0:45
  Speaker 2: about that. I think people are just really hurting out there,
• 0:50
  Speaker 2: you know. So this track called Hurt, it's moving through
• 0:52
  Speaker 2: people and I'm really I was a bit worried about
• 0:55
  Speaker 2: putting out a ballad because you never know how it's
• 0:57
  Speaker 2: going to land. But it's landed really well and we've
• 1:00
  Speaker 2: been number one in I think Germany, Ukraine, Lithuania and Luxembourg,
• 1:06
  Speaker 2: so that's been huge. Really excited about that, and I
• 1:09
  Speaker 2: think people are hurting. So I think it's a you know,
• 1:11
  Speaker 2: people are just sick of that candy pop and they
• 1:13
  Speaker 2: want to actually list into something that means something to them.
• 1:15
  Speaker 2: So it's been really well received.
• 1:16
  Speaker 3: Yeah, so it is.
• 1:18
  Speaker 4: It's a beautiful than sultry track. But what is it
• 1:21
  Speaker 4: actually about. Is it about being hurt or about inflicting her.
• 1:25
  Speaker 2: I think when we get hurt, we like to hurt.
• 1:28
  Speaker 2: It's it's a reaction, right, So I think this song
• 1:31
  Speaker 2: is about taking power back after being really badly hurt.
• 1:34
  Speaker 2: And I think we've all been really hurt. I think
• 1:36
  Speaker 2: we live in a lot of hurt, especially these days.
• 1:38
  Speaker 2: The world is crazy. I don't think we need lots
• 1:40
  Speaker 2: of lipstick positive songs. I think it's a it's a
• 1:43
  Speaker 2: real thing that a lot of us are in a
• 1:45
  Speaker 2: lot of pain. So what this song for me was
• 1:47
  Speaker 2: about being hurt, being let down, and finding a way
• 1:51
  Speaker 2: to move that through my body. Not to revenge, because
• 1:54
  Speaker 2: that's where you start. So first when you get hurt,
• 1:56
  Speaker 2: first you get angry, Then you get sad, and you
• 1:58
  Speaker 2: get angry again. Then you get jeerless, and you get
• 2:00
  Speaker 2: some envy. Then you go through all those emotions and
• 2:02
  Speaker 2: then finally you get to revenge, which is a better feeling,
• 2:06
  Speaker 2: and that sort of gets you out of that feeling
• 2:07
  Speaker 2: of hurts. So it's really about moving through those emotions
• 2:09
  Speaker 2: and coming out the other end of it the hero
• 2:11
  Speaker 2: of your own story.
• 2:13
  Speaker 4: Cool, and it starts off with a haunting piece of
• 2:16
  Speaker 4: piano before going almost bluesy and soulful.
• 2:19
  Speaker 3: So where did the idea come from? From that piano intro?
• 2:22
  Speaker 4: And how many tries to say to get it right
• 2:24
  Speaker 4: because it pitched him so perfectly.
• 2:26
  Speaker 2: Had a fight with my producer. He didn't want to
• 2:28
  Speaker 2: do it. He wanted to have guitars. Yeah, we actually
• 2:30
  Speaker 2: had it by he was like, no shit. So basically
• 2:33
  Speaker 2: Mike Young from a band called Mother Mother was playing
• 2:35
  Speaker 2: it in the We're at the Armory Studios in Vancouver
• 2:39
  Speaker 2: actually where they made a lot of the ACDC stuff.
• 2:42
  Speaker 2: You know, we were lucky enough while we were there
• 2:43
  Speaker 2: to use the Young brother's guitars. We use Marcolm's rhythm guitar,
• 2:47
  Speaker 2: We use Angus's SG on the record. It was really cool.
• 2:51
  Speaker 2: But Mike was sitting in the me and Michael sort
• 2:54
  Speaker 2: of working on the vocals for it, and we were
• 2:56
  Speaker 2: in the Armory and the Army was such a beautiful
• 2:58
  Speaker 2: sounding space. I think these everyone's making music in that bedroom.
• 3:02
  Speaker 2: Not everyone, but the studio sound. It was so big
• 3:05
  Speaker 2: and it's known for its amphitheater type sound and he
• 3:09
  Speaker 2: was just sort of playing the chords while he was
• 3:10
  Speaker 2: sort of warming himself up on it, and I heard
• 3:12
  Speaker 2: it through the in the back and I like just went,
• 3:15
  Speaker 2: what is that? And I bolted down to the back
• 3:17
  Speaker 2: of the studio and he was just sort of just
• 3:19
  Speaker 2: just playing around, and I went, that's the start. That
• 3:21
  Speaker 2: is the freaking start. And my producer was like, no,
• 3:25
  Speaker 2: pianos are gay, no way, and I'm like, he's like,
• 3:27
  Speaker 2: we're playing guitar because he's a guitar player. Yeah, that
• 3:30
  Speaker 2: sounds amazing and I want to try it. So he
• 3:33
  Speaker 2: was like like this fine, and then he was like
• 3:37
  Speaker 2: I'm really glad I came up with that.
• 3:40
  Speaker 3: I took the credit straight up.
• 3:44
  Speaker 2: It works really Ryan, and you definitely came up with that.
• 3:46
  Speaker 4: Yeah, it works well because I'm like you, like, I
• 3:49
  Speaker 4: don't I'm not a big fan of the ballad its
• 3:51
  Speaker 4: full stop, but the piano in that one, and then
• 3:54
  Speaker 4: the guitar.
• 3:54
  Speaker 3: And then then the way you do it like.
• 3:56
  Speaker 4: It he combines to make it. It's a rock ballad,
• 3:59
  Speaker 4: you know, like without being rockets. It's hard to describe it.
• 4:02
  Speaker 3: It's really well done, Thank you so much.
• 4:04
  Speaker 2: It has a great guitar solo in it, because you
• 4:06
  Speaker 2: know I love my guitar solos. I don't think there's
• 4:08
  Speaker 2: enough in anything. I've always said this sometimes too much
• 4:11
  Speaker 2: Like at the beginning of that song, it didn't lend
• 4:13
  Speaker 2: itself to a guitar. It lended itself to something a
• 4:15
  Speaker 2: bit more haunting, because it's a haunting feeling being her.
• 4:18
  Speaker 2: It's a lonely, weird feeling when you feel like you're
• 4:21
  Speaker 2: on your own. So yeah, I think it's it's a
• 4:23
  Speaker 2: beautiful piece. And I have Mike Young from mother mother
• 4:25
  Speaker 2: to thinks that to thank for that.
• 4:27
  Speaker 4: Yeah, go if you managed to tap into real emotion
• 4:30
  Speaker 4: and vulnerability in her too, Like the closest psycho related
• 4:34
  Speaker 4: to is Mary and faithful.
• 4:35
  Speaker 3: And that's a compliment because I fucking love her voice.
• 4:37
  Speaker 3: But you sounded a lot like that.
• 4:38
  Speaker 4: But did did your inspiration from anyone in particular to
• 4:41
  Speaker 4: get in that zone or did it all.
• 4:43
  Speaker 3: Sort of come from within?
• 4:45
  Speaker 2: What a good question. I've got two things I want
• 4:48
  Speaker 2: to say to that without breaking k fate, which in
• 4:50
  Speaker 2: wrestling is when you actually tell people your real name,
• 4:52
  Speaker 2: and anyone that knows me, anyone that knows me will
• 4:57
  Speaker 2: know that that very unfaithful comment is actually very interesting.
• 5:00
  Speaker 2: So yeah, I was actually named after very unfaithful. When
• 5:04
  Speaker 2: I was born, my mum named me after her, So
• 5:05
  Speaker 2: there you go. But for this song, but for this song,
• 5:09
  Speaker 2: for me, I really liked if you think back to
• 5:12
  Speaker 2: those like really sexy songs from you know, the I
• 5:16
  Speaker 2: want to say nineties, obviously when I was one or
• 5:18
  Speaker 2: two years old. So I've wrote this song that the
• 5:22
  Speaker 2: one of the big motivations for it, and the sound
• 5:25
  Speaker 2: that I really liked was a band called Glory Box.
• 5:28
  Speaker 2: They had They had a band called Porter's Head back
• 5:30
  Speaker 2: in the day. They had a really sexy but really
• 5:32
  Speaker 2: rocky type song, and they also had another band they
• 5:35
  Speaker 2: have They have a song called I Can Be Your Whore.
• 5:38
  Speaker 2: I'm trying to find who they are. I think it's
• 5:40
  Speaker 2: in this moment. They're really really heavy, but they but
• 5:43
  Speaker 2: they have this this sexiness and sultriness about it that's
• 5:47
  Speaker 2: still you know, you could make love to it and
• 5:50
  Speaker 2: fight to it at the same time. And they're like
• 5:51
  Speaker 2: my two favorite things to do in that order, no
• 5:55
  Speaker 2: particular order.
• 6:00
  Speaker 4: Herd follows on from your previous single like a Man,
• 6:02
  Speaker 4: and it showcases a completely different side to your musical psyche,
• 6:05
  Speaker 4: So with.
• 6:06
  Speaker 3: Those songs chosen for that reason or did it just
• 6:08
  Speaker 3: work out that way.
• 6:10
  Speaker 2: Everyone calls me a genius, but I don't think I am.
• 6:14
  Speaker 2: I just like a man.
• 6:15
  Speaker 3: For me was really important, like I spoke to you
• 6:17
  Speaker 3: last time.
• 6:17
  Speaker 2: For me, I just I wrote a song that everybody
• 6:19
  Speaker 2: was like, you can't write that song, so that I'm like, well,
• 6:22
  Speaker 2: that's the first song I'm putting out because I'm going
• 6:24
  Speaker 2: to do whatever I want, whenever I want, as much
• 6:25
  Speaker 2: as i want, for as long as i want, unapologetically.
• 6:28
  Speaker 2: And the second someone says you can't do that, that's
• 6:30
  Speaker 2: the antithesis to rock and roll, Like rock and roll
• 6:32
  Speaker 2: supposed to be unapologetic. So I'm like, well, if you're
• 6:36
  Speaker 2: all afraid of me putting your song out, I'm putting
• 6:37
  Speaker 2: it out. And with Hurt, it was a little bit different.
• 6:40
  Speaker 2: It was like, this is a great song, but don't
• 6:42
  Speaker 2: put a ballot out like keep keep it light, keep
• 6:45
  Speaker 2: it fluffy, keep it girly, keep it pop starry, and
• 6:49
  Speaker 2: have that as part of your record. And when people
• 6:50
  Speaker 2: say that to me, I mean not that I'm unmanageable,
• 6:52
  Speaker 2: but I was just like, guys, this everyone's hurting in
• 6:55
  Speaker 2: the world right now. It's a beautiful song. I have
• 6:56
  Speaker 2: a great music video for it. I do tend to
• 6:59
  Speaker 2: have a lot of people having a lot of opinions
• 7:01
  Speaker 2: about what I should do as an artist, and I
• 7:03
  Speaker 2: think an artist's job is when they finish a song,
• 7:05
  Speaker 2: to get it out. Someone asked me the other day
• 7:08
  Speaker 2: when is a song finished, and I said, when it's out,
• 7:11
  Speaker 2: because we consider on it for so freaking long and
• 7:14
  Speaker 2: trying to think what could be better, what could we improve,
• 7:17
  Speaker 2: what melody should be, that we should take that bit
• 7:18
  Speaker 2: of guitar out. So I believe an artist's job, our
• 7:22
  Speaker 2: service to the world, is to get the art out.
• 7:25
  Speaker 2: So I had I was sitting on it and it
• 7:27
  Speaker 2: was like, wait another year, and I'm like, oh, look different.
• 7:30
  Speaker 2: I won't have the same body or I don't have
• 7:32
  Speaker 2: the same teeth I had, but I made that a
• 7:34
  Speaker 2: different teeth. So I just got it out and yeah,
• 7:42
  Speaker 2: and it's been really well received. We've had some great
• 7:46
  Speaker 2: feedback from it, so I'm super excited. I just wanted
• 7:48
  Speaker 2: to touch people and more over, like I don't I'm
• 7:51
  Speaker 2: not writing it for somebody else. I'm writing it for me.
• 7:53
  Speaker 2: And then you know, industry gets involved. Producers get involved,
• 7:55
  Speaker 2: managers get involved, everybody gets involved, and they tell you
• 8:00
  Speaker 2: what your art should do, and we forget what we're doing.
• 8:03
  Speaker 2: At the end of the day. All of the songwriters,
• 8:05
  Speaker 2: all the people I know that started writing music, was
• 8:07
  Speaker 2: because they wanted to get they wanted to say something,
• 8:09
  Speaker 2: They wanted to play with their friends, and they want
• 8:11
  Speaker 2: to have fun. And all of a sudden, we have
• 8:14
  Speaker 2: all these rules around music and all these rules around
• 8:16
  Speaker 2: art and how when we're supposed to put things out,
• 8:18
  Speaker 2: and how many numbers we're supposed to have and how
• 8:19
  Speaker 2: many listeners makes you successful, and it just rips all
• 8:23
  Speaker 2: the freak and joy out of the act of creation,
• 8:25
  Speaker 2: which is why we do it in the first place.
• 8:27
  Speaker 2: So that's why I didn't listen and I just put
• 8:28
  Speaker 2: it out.
• 8:29
  Speaker 4: Well said well sad Indeed, Now both of the songs
• 8:33
  Speaker 4: are taken from your forthcoming album. So are they a
• 8:35
  Speaker 4: good slightly representation, what do you expect or they just
• 8:38
  Speaker 4: scratch a surface?
• 8:39
  Speaker 2: Well, they scratch the surface that if we're looking at
• 8:42
  Speaker 2: what my fundamental music is, it's you know, I have
• 8:45
  Speaker 2: that really gritty rock sound and a lot of my
• 8:47
  Speaker 2: songs are very positive. They are very good gritty rock.
• 8:50
  Speaker 2: It's very that ACDC sound. It's got a lot of
• 8:52
  Speaker 2: that feel to it. But I also pulled from places
• 8:55
  Speaker 2: like Lincoln Park. I also play pull from places. Like
• 8:58
  Speaker 2: I mentioned before, Porter said, pull from a lot of
• 9:00
  Speaker 2: different places. So there's a lot you've got to expect
• 9:02
  Speaker 2: from this record. But at the end of the day,
• 9:04
  Speaker 2: it's it's it's rock and roll at its heart. But
• 9:07
  Speaker 2: I want to be fun and playful, but a motive
• 9:09
  Speaker 2: and move you, and I want it to be away
• 9:11
  Speaker 2: when when the album fully drops, it's going to be
• 9:13
  Speaker 2: a story over time, and it's going to be the
• 9:16
  Speaker 2: way I want it to be done, not the way
• 9:18
  Speaker 2: everybody else has it should be done.
• 9:20
  Speaker 3: Can you tell us more about it? Like will it
• 9:21
  Speaker 3: be out this year? If you've got to work in
• 9:23
  Speaker 3: title for it.
• 9:23
  Speaker 2: Yet, I'm not telling you the title. I know you
• 9:25
  Speaker 2: don't care. You don't care anyway, I have like i've
• 9:34
  Speaker 2: i've as I developed as an artist. My idea is
• 9:37
  Speaker 2: develop what that looks like. So I've got a new
• 9:38
  Speaker 2: single coming out. It'll be out in September. We're just
• 9:41
  Speaker 2: filming a music video for it and we're going to
• 9:43
  Speaker 2: do some gigs around that. So I've got a new band,
• 9:45
  Speaker 2: new single coming out, and that's called Looking Good and
• 9:48
  Speaker 2: Feeling Famous. So it's moving back into that. Let's go yere.
• 9:53
  Speaker 3: Nice, nice nice. The album is in vodka. I'll not
• 9:59
  Speaker 3: judging it all. We touched on this a little bit
• 10:02
  Speaker 3: book before.
• 10:03
  Speaker 4: But the album was recorded at Armory Studios in Vancouver.
• 10:06
  Speaker 4: Like that's a fuck load of a long way to
• 10:08
  Speaker 4: go just to record an album.
• 10:11
  Speaker 3: Yeah.
• 10:12
  Speaker 2: Yeah, when I was setting out to make it, you know,
• 10:14
  Speaker 2: my first record was with a brilliant producer here in
• 10:16
  Speaker 2: Australia called Steve James. I worked with him at Red
• 10:19
  Speaker 2: Engine in Queensland. He was incredible for my career and
• 10:22
  Speaker 2: helped me develop my ideas as an artist. But during COVID,
• 10:26
  Speaker 2: I wanted something different, so I reached out to and
• 10:29
  Speaker 2: obviously we became a global We became global as well.
• 10:32
  Speaker 2: It wasn't like you had to work with someone in
• 10:34
  Speaker 2: Melbourne or Sydney if you lived there. You could go
• 10:36
  Speaker 2: wherever and you could work online. So I just reached
• 10:38
  Speaker 2: out to. I looked up all my favorite records. I
• 10:40
  Speaker 2: think I told you this before, my favorite records. I
• 10:42
  Speaker 2: got all the producers for them, and I found Brian
• 10:44
  Speaker 2: who was who was in Canada. We had a zoom call.
• 10:47
  Speaker 2: I just loved his vibe and then he said, look,
• 10:49
  Speaker 2: if you want to do this, you're gonna have to
• 10:50
  Speaker 2: come to Canada. So I was like okay. Everyone was like,
• 10:54
  Speaker 2: you go to Canada. I'm like, yeah, I'm just gonna
• 10:55
  Speaker 2: go to Canada for six months. So it's just where
• 10:58
  Speaker 2: my heart was taking me. And I think that's that's
• 10:59
  Speaker 2: the heart of an artist, like nothing can get in
• 11:01
  Speaker 2: your way once you make up your mind.
• 11:03
  Speaker 3: Yeah.
• 11:04
  Speaker 4: I was touched on this bit before too, but ac
• 11:06
  Speaker 4: DC and Kids are among the bands who have cut albums.
• 11:08
  Speaker 3: There, Like is is it real?
• 11:10
  Speaker 4: Like can you sense that history when you're in there?
• 11:12
  Speaker 4: Or is that just something that you use those make
• 11:14
  Speaker 4: up to keep us normal, fake excited? Like can you
• 11:17
  Speaker 4: feel the vibe.
• 11:18
  Speaker 2: In the absolutely? Like I work with Mike Fraser, who
• 11:21
  Speaker 2: did the was the engineer for lots of the ACDC work, right,
• 11:26
  Speaker 2: see his presence in that studio from working with those guys,
• 11:29
  Speaker 2: you you feel it when you walk in. And you
• 11:31
  Speaker 2: know a great story when I met Mike because they
• 11:35
  Speaker 2: didn't get to find I didn't get to meet him,
• 11:36
  Speaker 2: but I got We sort of missed each other so
• 11:39
  Speaker 2: I left a pair of underwear on the sound studio
• 11:41
  Speaker 2: and just said love, envy you. So then he was like,
• 11:44
  Speaker 2: oh and he apparently warm on his head for a
• 11:46
  Speaker 2: few days. So that's how that's how I got to
• 11:48
  Speaker 2: meet me. But you know, when you go in, you
• 11:51
  Speaker 2: know in the control room, they have like all the
• 11:54
  Speaker 2: day sheets. So they've got like the Kiss Stay sheet
• 11:56
  Speaker 2: from the record and what that means is all the
• 11:58
  Speaker 2: songs and all the vision board for how these records
• 12:00
  Speaker 2: are going to come together. And they're still up on
• 12:02
  Speaker 2: the wall. So puddle of mud, Hindu so Kiss, so
• 12:05
  Speaker 2: Easy DC. Their handwriting is.
• 12:08
  Speaker 3: On the wall.
• 12:08
  Speaker 2: They're a part of that building, so you do feel
• 12:11
  Speaker 2: it when you're in there. And I think nickel Back
• 12:13
  Speaker 2: love more hate them or hate them. They you know,
• 12:16
  Speaker 2: they did a lot of work there too, and they've
• 12:18
  Speaker 2: got all their handwriting is on the wall. Pictures of
• 12:21
  Speaker 2: them are there. They've left stuff behind, They've left guitars behind.
• 12:23
  Speaker 2: Mentioned before that we used our anger Shung's sg on
• 12:27
  Speaker 2: this next song and it sounds like it. We use
• 12:29
  Speaker 2: markam Young's guitar on this song and it sounds like it.
• 12:32
  Speaker 2: You know, I mean, because we're we're encapsulating history, and
• 12:35
  Speaker 2: we're putting it into the records. We're not just playing
• 12:38
  Speaker 2: at home. We're doing something that's that's that has history
• 12:43
  Speaker 2: in it, which I love.
• 12:44
  Speaker 3: That's cool.
• 12:45
  Speaker 4: You spoke about your new band before, like if you've
• 12:47
  Speaker 4: got a separate band, the session band that did the
• 12:49
  Speaker 4: album and another band.
• 12:51
  Speaker 2: Absolutely, because you know, ask anyone that works in the
• 12:54
  Speaker 2: music industry, and you know, drums can take a long
• 12:56
  Speaker 2: time if you're recording them. So we've a guy that
• 12:58
  Speaker 2: can bash it out in two days. And Robin Diaz
• 13:01
  Speaker 2: is an absolute monster and I recently played. He was
• 13:04
  Speaker 2: in Live and Doubt, Try and work with Britney Spears
• 13:06
  Speaker 2: and so forth. Inn Avri Lavine he got fired from
• 13:09
  Speaker 2: her record, but I won't tell you why and he
• 13:11
  Speaker 2: won't go into details. So you know, I did a
• 13:14
  Speaker 2: you know, I share with him in La at the
• 13:16
  Speaker 2: start of the year. And this guy's just a monster like.
• 13:18
  Speaker 2: He hits hard, he's a vampire like. But I can't
• 13:23
  Speaker 2: take guys like that with me to play at the
• 13:25
  Speaker 2: Corner Hotel. I'd love to, but so I had Fede.
• 13:29
  Speaker 2: He's with Sebastian Bark at the moment. He's touring with them.
• 13:32
  Speaker 2: He came out and played with me. But you know,
• 13:34
  Speaker 2: I can't get the guys from Uruguay and La to
• 13:37
  Speaker 2: come play at the Corner Hotel with me as much
• 13:39
  Speaker 2: as I'd like to. So I think that I live
• 13:41
  Speaker 2: in Melbourne and I'm a very lucky girl. I still
• 13:43
  Speaker 2: believe that Melbourne is the home of rock and roll
• 13:44
  Speaker 2: in Australia. I still believe that Saint Kilda is still
• 13:47
  Speaker 2: one of the homes of rocks in Australia. Whatever anyone says,
• 13:49
  Speaker 2: that we have amazing musicians here in Melbourne and Australia,
• 13:52
  Speaker 2: we're very lucky to have them. So, yeah, I'm going
• 13:55
  Speaker 2: to partner with some of the world's best here, and
• 13:56
  Speaker 2: yeah we're going to rock the stage.
• 13:58
  Speaker 3: Nice said, when will you be rocking in that particular stage?
• 14:01
  Speaker 3: You got any shows coming up?
• 14:02
  Speaker 2: Yeah? Well, I was going to hold it off and
• 14:04
  Speaker 2: not do anything this year until the rest of the
• 14:06
  Speaker 2: record was out, but we're I want to do this show.
• 14:09
  Speaker 2: I think it's going to be a great show we're
• 14:10
  Speaker 2: going to do. I want to see the Tina Turn musical.
• 14:13
  Speaker 2: I don't know if anyone's seen it, but it's freaking amazing.
• 14:16
  Speaker 2: It's just incredible. We had a Majescy's Theater here and
• 14:18
  Speaker 2: it was just brilliant. And the singer from that roover
• 14:21
  Speaker 2: who played Tina, she's going to be doing joining some
• 14:24
  Speaker 2: Melbourne musicians, some of the incredible guys here, a guy
• 14:26
  Speaker 2: from Kingswood, a guy from Dead City Ruins, and a
• 14:29
  Speaker 2: couple other guys here, and they're going to put together
• 14:32
  Speaker 2: this big show and they're going to play the whole
• 14:34
  Speaker 2: Back on Black album from start to finish, I think
• 14:37
  Speaker 2: the anniversary. So I'm going to open for them, so
• 14:39
  Speaker 2: I couldn't say no to that. I think it's a
• 14:41
  Speaker 2: wonderful opportunity and I love a CDC and I think
• 14:43
  Speaker 2: think what they're doing is awesome. The crowd's got to
• 14:45
  Speaker 2: be great. So we're going to bring our flavor to
• 14:48
  Speaker 2: the Corner Hotel on November the second, and I think
• 14:51
  Speaker 2: tickets are going on sale in August at the end
• 14:53
  Speaker 2: of August, so keep an eye out for that.
• 14:55
  Speaker 3: You're going to jump up and do any acadaka songs
• 14:57
  Speaker 3: for that.
• 14:57
  Speaker 2: I'm going to My band's going to open, so we're
• 14:59
  Speaker 2: going to see our songs. But I probably look at
• 15:02
  Speaker 2: my arm twisted. It's pretty ubbery when it comes back at.
• 15:05
  Speaker 3: Yeah, which one you reckin? You'd seeing? Is the attitude
• 15:07
  Speaker 3: is one of them.
• 15:07
  Speaker 2: I like hold it a rosy I just like screaming
• 15:10
  Speaker 2: and I love I love Bond like Brian's a bit
• 15:12
  Speaker 2: high for me. And if you can tell my voice,
• 15:13
  Speaker 2: but I'm I'm a bluesy voice and Brian's not. It's
• 15:19
  Speaker 2: not my natural stage.
• 15:20
  Speaker 4: You're not Scottish, so the message that up straight away heritage.
• 15:25
  Speaker 4: I didn't say you didn't have heritage. I said you're
• 15:27
  Speaker 4: not Scottish because you haven't got a hat on.
• 15:28
  Speaker 3: I'm not Scottish.
• 15:32
  Speaker 4: Now before I let you go this time, mate, I
• 15:33
  Speaker 4: don't think I did this with you last time. But
• 15:35
  Speaker 4: I've got a new segment called photo Bomb, so excellently
• 15:38
  Speaker 4: imtrolled through your social media.
• 15:39
  Speaker 3: I'm got a couple of photos that I want to
• 15:41
  Speaker 3: know a little bit more about. So hah, there's nothing
• 15:45
  Speaker 3: too bad.
• 15:46
  Speaker 2: I thought I put it on private.
• 15:48
  Speaker 3: I know I've got you girl. It's done.
• 15:50
  Speaker 4: Caught my eye because I think it's the only photo
• 15:53
  Speaker 4: I've ever seen of Chris Marrick when he's not doing
• 15:55
  Speaker 4: the battle.
• 16:01
  Speaker 2: Oh look at him, and he's not talking either.
• 16:03
  Speaker 3: It's incredible that two things that he always does, and.
• 16:07
  Speaker 2: His mouth's closed. It's crazy. I didn't even I didn't
• 16:10
  Speaker 2: recognize him.
• 16:11
  Speaker 3: That must be the perfect shot because everybody close for
• 16:14
  Speaker 3: two seconds.
• 16:15
  Speaker 2: What is my mouth doing? And I have I forgotten
• 16:17
  Speaker 2: how to chew gum. I don't know what's happening there.
• 16:19
  Speaker 4: I think you try to you try to be it
• 16:21
  Speaker 4: either the week you look and you're not pulling it off.
• 16:24
  Speaker 3: Very well, thank you so much.
• 16:25
  Speaker 2: I appreciate I appreciate the roast.
• 16:28
  Speaker 3: So what's the story with that? But what were you doing? Ah?
• 16:31
  Speaker 2: That was first got signed to Dinner for Wolves before
• 16:34
  Speaker 2: COVID and I had a record out as Steve James
• 16:37
  Speaker 2: and Rick and Chris took me on and helped me
• 16:40
  Speaker 2: promote my first record and as a label. So that
• 16:43
  Speaker 2: was freaking awesome. Actually, I was very excited.
• 16:46
  Speaker 3: Champion Blake Chee christ Any.
• 16:48
  Speaker 4: The Australian music scene would be nowhere near where it
• 16:50
  Speaker 4: is without without him.
• 16:51
  Speaker 2: Yes, like he he's definitely a wizard. Like if he
• 16:55
  Speaker 2: has advice, we take it, you know. And I think, yeah,
• 16:59
  Speaker 2: he's definitely is the old vet now. But we need them, we.
• 17:03
  Speaker 4: Need them all right. This one. I had to dig
• 17:06
  Speaker 4: this one out because it looks mister Gleason has had
• 17:13
  Speaker 4: a future many sherbets in this one.
• 17:15
  Speaker 2: I can't even I don't even know what you' oh
• 17:17
  Speaker 2: my god, my face.
• 17:21
  Speaker 3: How many drinks as Dave had?
• 17:24
  Speaker 2: When was that? Don't tell me the day. I'm trying
• 17:27
  Speaker 2: to think. I'm pretty sure this is probably either this
• 17:29
  Speaker 2: was in Adelaide. Actually, I think they was Baby Animals,
• 17:33
  Speaker 2: and I think this is just before I moved to
• 17:36
  Speaker 2: Melbourne and they played at the Gove, and I remember
• 17:40
  Speaker 2: that was the night that I met Susy Marti for
• 17:42
  Speaker 2: the first time and she told me to move to Melbourne.
• 17:48
  Speaker 3: Gause, what are you doing here?
• 17:49
  Speaker 2: If you're in a rock band moved to get to Sitney?
• 17:51
  Speaker 2: You Melbourne or something? I'm like, yes, Queen, packed your
• 17:55
  Speaker 2: bags and left. Yeah, And I'm just trying to think,
• 17:57
  Speaker 2: what what what, just trying to think what night. I
• 18:00
  Speaker 2: think I'm definitely sure it was the Guve because I
• 18:01
  Speaker 2: can see the red wall, so I'm thinking it's the
• 18:03
  Speaker 2: Gove after the show, and potentially this is when I
• 18:06
  Speaker 2: left my phone inside and everybody had already gone back
• 18:09
  Speaker 2: to the hotel's back to run back, and all the
• 18:11
  Speaker 2: doors were locked, so I kicked the security door down,
• 18:14
  Speaker 2: and I went back in and got my phone, set
• 18:15
  Speaker 2: the alarm off, and then I ran back to the hotel.
• 18:19
  Speaker 4: I reckon he's either had a shot at green shit
• 18:21
  Speaker 4: Trees just before that was taken, or or Dave's been prying,
• 18:24
  Speaker 4: because you're very, very glassy eyest.
• 18:27
  Speaker 2: I think that's probably just meditation. And Jesus Christ, yeah,
• 18:30
  Speaker 2: I don't think there's any involved at all. Like I
• 18:32
  Speaker 2: think they're both god fearing people, so.
• 18:35
  Speaker 4: I'm going to I'm not going to crest of that
• 18:37
  Speaker 4: at all because two people in this Lord, I don't
• 18:39
  Speaker 4: want to fight at.
• 18:40
  Speaker 3: You and Dave. Yeah, look at us, we look so tough.
• 18:44
  Speaker 3: It's great. I love doing the fighting. There's so much
• 18:48
  Speaker 3: good stuff from that. Actually, got that's it.
• 18:50
  Speaker 4: Only do to itwise, But I will be speaking to
• 18:54
  Speaker 4: you again, so there'll be more. But in the meantime,
• 18:56
  Speaker 4: the song Hurt is out now, and it's a really
• 18:59
  Speaker 4: good song.
• 18:59
  Speaker 3: Man, I'm not from your pocket. I really enjoyed it.
• 19:01
  Speaker 2: Thank you so much, Chris. It's awesome to be here
• 19:03
  Speaker 2: and thanks again. You're so much fun.
• 19:05
  Speaker 3: I love it.
• 19:22
  Speaker 5: I know it's wrong, but I like the way you hurt. No,
• 19:29
  Speaker 5: it's bad that I wanted to be worse. You tried
• 19:35
  Speaker 5: a million times, but you just.
• 19:38
  Speaker 1: Can't stay away.
• 19:41
  Speaker 6: Because I can't get without the pay.
• 19:48
  Speaker 1: You so obsess, you do it anything I say so, Sad,
• 19:55
  Speaker 1: I'll make you hey, you know the wicked stay? Oh
• 20:00
  Speaker 1: no you want me play?
• 20:02
  Speaker 6: Oh no, you did me?
• 20:04
  Speaker 7: I give you just a little taste. How you think
• 20:08
  Speaker 7: you can't get worse? I don't make you hurt? Who
• 20:15
  Speaker 7: who I'll make you hurt?
• 20:25
  Speaker 1: I want to play him? So come to me tonight when.
• 20:32
  Speaker 5: I get my way here, you'll do everything I like.
• 20:38
  Speaker 1: I'm the best you ever had, and I'm always in.
• 20:42
  Speaker 7: Your head because I'm on your soul and it's bad cool.
• 20:51
  Speaker 1: Like yours said, I said, you'll do it everything I say,
• 20:58
  Speaker 1: So said, I'll make you don't know wicked ways, Sam.
• 21:03
  Speaker 6: I know you won me, babe, I know you need me.
• 21:07
  Speaker 6: I give it just a little taste.
• 21:11
  Speaker 1: You think you can't get worse.
• 21:14
  Speaker 6: I can't make you, can't make you.
• 21:42
  Speaker 1: Yours said, said you don't say so, so said, I
• 21:49
  Speaker 1: make you su weet with Sam.
• 21:54
  Speaker 6: I know you wom me, babe, I know you need me.
• 21:57
  Speaker 6: I give it just a little take what you think
• 22:02
  Speaker 6: you can get.
• 22:02
  Speaker 1: Let out, make it round, hurt