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LIVE: Diddy & the Hip Hop Cabal—Sodomy, Satan & Selling Souls EXPOSED · Man in America Podcast

• 3:15
  Seth Holehouse: Ladies and gentlemen, welcome to Man in America. I'm your host, Seth Holhouse, coming to you live this Saturday evening. Thank you all so much for being here. It's always a pleasure to do these live shows and get our interact with with all of you. So tonight's show, gosh, it could have been three or four shows.
• 3:33
  I I think I just just began to to dive deep into a massive story. If you're looking at what's happening in America, the civil unrest, the crime, and not just America, the world. And if you come to the conclusion as I have that a lot of what we're seeing today is the result of the social engineering. It is the result of people that have a an immense amount of control and power over our society, and they have constructed a society around us that gives us culture and media and education, And all of this has been designed to create a certain worldview and to create certain reactions in the populace and, you know, to, you know, control elections, any number of things. And with the recent stuff that's come out with with P Diddy.
• 4:26
  Right? So Sean Combs, Puff Daddy, P Diddy, Love, he's got all kinds of different names. A Pandora's box has opened up. And so what we're gonna be looking at in tonight's show is not the specifics of, oh, this person was at a white party and they must be guilty. We're not gonna be digging into that and and trying to kinda find the Epstein connections to see who was, you know, kind of touching kids or whoever.
• 4:50
  But we're gonna be looking at the bigger picture of what this tells us about the social engineering here in America. And one of the big things I'll be looking at tonight is who's behind p Diddy? Because it's easy same way with Jeffrey Epstein. Right? So and Diddy has also been referred to in many ways as the Epstein of the entertainment industry.
• 5:12
  But to look at it and say that, well, it was Epstein and he was acting alone or whatever is naive and maybe ignorant. The reality was is that Epstein, he was living, if he's dead or, you know, who knows what what actually happened to him, he was a middleman. And so when these things happen, like with with Diddy, a lot of people look at him and say, oh, this guy is the architect and look what he's done, and the thing is that he was just a middleman. And so I think I've figured out a lot of the mechanisms behind what was controlling him and how it ties in actually even to some of the things that we're controlling Epstein. And it goes pretty dark, but then it's also gonna be getting into a lot of the more spiritual aspect of this battle.
• 5:56
  I will give you a warning for today's show. These are this is gonna be an intense show. These are very intense topics. There's gonna be some bad language. I've got some various videos and resources I found to show you.
• 6:12
  A lot of the videos that we have come out of, your rappers that were in the hip hop industry, and they said, look, this is way too much for me, and they pull out of it. It's them giving their experiences. And so if you know a lot about modern rap, they swear a lot. So these rappers drop a lot of f bombs. So I'm gonna give you that warning now that if you've got kids watching or whatever, just be mindful of that that there are gonna be some f words that, you know, there's it would've been too difficult for me to edit them before the show.
• 6:39
  So there's my warning. It's on you. Now the other thing is that there are gonna be some, some aspects of this discussion that are gonna be disturbing. You know, we're talking about a pretty massive blackmail operation, that involves sodomy, you know, rape, especially, you know, male on male. Like, it's a big part of the hip hop industry, unfortunately, which we'll be looking at.
• 7:04
  Not like looking and seeing bad pictures, but just talking about and we're also we're about some of the more spiritual and satanic and the the dark aspects of this. So just just I'm just keeping my little warning for tonight's episode. But before we jump into it, just wanna thank everyone who's watching on Rumble. Rumble, my favorite platform. They promote free speech.
• 7:24
  You know, they're fantastic. So make sure you hit that green follow button. If you're watching over on YouTube or Facebook or anything else, go to Rumble, support the free speech platform, Rumble or Twitter. Those are the, you know, our x. Right?
• 7:35
  Those are the two places. The other thing is before we jump in, I do have a question for you folks. Are your savings safe? Okay. So with every passing day, the value of the dollar erodes.
• 7:47
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• 8:20
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• 8:32
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• 8:55
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• 9:19
  So again, goldwithseth.com or (626) 654-1906. Alright. So folks, diving into the show. We're just gonna start with some of the more kind of highlights and and catching us back up, you know, to what's going on right now with, you know, Puff Daddy, Sean Combs. I'm just gonna call him call him Diddy for the simplicity of today's show because he has about 35 different nicknames.
• 9:44
  I'm gonna choose Diddy. So that's my name for him during the entire show. It's Diddy. Okay. So let's get my first, you know, show here.
• 9:52
  You know, similar to, mister Epstein, unfortunately. So, as you you're probably well aware now, Diddy has been arrested. He's in prison or he's in jail. He was just placed on suicide watch. So this is always a big red flag, okay, when someone's placed on suicide watch.
• 10:11
  Now I'm not saying that he wouldn't commit suicide because a lot of people when they're in these situations, they do. Right? But it also shows that maybe this person is a target of some sort of assassination attempt. Right? You know, like Epstein.
• 10:27
  It's like they did did Epstein kill himself? You know, I have my doubts. Okay? But the fact that he's on suicide watch, it shows you something is going on. That there's there's stuff that there's people that are worried about what he can say.
• 10:40
  There's people that are concerned about what he said. We've also had massive resignations of CEOs, like powerful CEOs, especially in the music industry that are stepping down, right after right right right around this time. So that's also a big deal as well, which we're gonna be getting into that a little bit more. So but jumping into this, I I wanna start with, this right here. So, Candace Owens covers think this was actually, today or yesterday.
• 11:09
  So so Kim Porter, a reporter, so Diddy's assistant and the mother of some of his children allegedly stumbled upon copies of these sex tapes of Diddy and these young kids that were hidden in his vault. So Porter reportedly made copies of the tapes to protect herself, claiming they contained things that she could have never imagined. Not long after discovering the tapes, Porter tragically passed away from pneumonia, though some members of her family remain convinced that Diddy was involved in her untimely death. So where are the copies of these tapes now? So I'm gonna start with playing this.
• 11:44
  It's it's a one minute and one second clip from, Candace, that just helps us kinda set the stage for our discussion today. So let me go and play this for you.
• 11:52
  Speaker 2: In the book, Porter allegedly recounts discovering and making copies of the sex tapes that Diddy made of himself having sex with young boys that he was managing, including an alleged tape involving an 18 year old pop star who went on to become a household name. Porter alleges that she when she discovered those videotapes of Sean and his sexual encounters in the bedroom in this vault, she made copies of them as protection for herself. Realized that this is a very dangerous situation. I'm gonna make copies for protection for myself and included it as a part of her plan to leave him. But the memoir says that when she watched back the tapes, she was so shocked because there were things, quote, some of the tapes had things I would have never expected.
• 12:41
  The gay parties are one thing, but the young boys, like the two hip hop stars formerly managed by Diddy and the then 18 year old pop star, I would have never known.
• 12:53
  Seth Holehouse: So there's a lot of speculation on who this this pop star is that she talks about. Right? And there's a lot of folks that believe it's Justin Bieber, which we'll be getting into. But for all of us that have been, like, shouting at the rooftops that there's massive, you know, pedophile and and and, you know, child sex trafficking and and all kinds of terrible stuff that's happening at the high levels of our society. And for the people that have always called us conspiracy theorists or whatever they wanna call us, there's some vindication in this.
• 13:24
  I mean, this here we have one of the most powerful people in the entertainment industry that has this woman coming out and saying that he allegedly she found these tapes of him sleeping with young boys, but it gets deeper and darker than that. So we're gonna move on to the the kind of continuation of this. So there's a video I'm gonna play now with some former rappers. It's it's actually two different videos talking about what happens and how they get someone into a contract. Now this is one of the videos I was kinda warning you a little bit about because it's there's a lot of f words, but it's also disturbing stuff.
• 14:00
  So because okay. Look. You have Kim Porter coming out saying, okay. Yes. She found these videos, and these are the videos of Diddy having sex with these young rappers or these young pop stars.
• 14:13
  And so you think, okay. Well, was that just because, you know, he's gay and and a pedophile perhaps, and he, you know, enjoys these young kids, but then why is he filming it? And is it blackmail to keep him in line, or is it something much deeper? Is it related to their entire music career? So I'm gonna play this next video here.
• 14:33
  It's maybe two two and a half minutes long or so. Now the the caption here, this is on Twitter. It says that it's a rapper called Smart. Look. I'm I'm not like a rap guy, so you probably would have guessed that that I'm not a big rap fan.
• 14:47
  But so I'm not sure who this rapper is, but just listen to what he says. And then there's a video that follows this one that's that, you know, they're both about a minute, minute and a half long where it continues because this helps us start to frame what's happening in this industry. Okay. Slug on place for you. Make sure the volume is sufficient.
• 15:08
  Okay. Let's go ahead and get going. Well, we got the little spinning wheel there. That's on. I had all these loaded up properly.
• 15:20
  Let me try again. Okay. Here we go.
• 15:27
  Speaker 3: So much about see, I haven't been okay. They got rich and we're gonna see. You got the right one. I don't know about rituals. I know so much about see, I haven't been okay.
• 15:35
  So I so I don't feel uncomfortable saying about it. What I told you, the devil's job is to take as many souls as possible. The music industry is satanic. When I say it's still the same gatekeepers, what I mean by that is a company called Vivendi. Period.
• 15:49
  Vivendi. Y'all can Google that. Vivendi owns Viacom. It's umbrella companies. This motherfuckers this shit don't change.
• 15:55
  Right? That's one. Two, with the music business, once they see you got potential to be influential over the masses, so when they get proposition and they see a car, they go, they don't know, don't greet after a nigga. They don't know a nigga going. They know they know
• 16:10
  Speaker 4: what happened.
• 16:10
  Speaker 3: They don't know the I'm tell you a story because I ain't really trying to put niggas out there. Right? But a nigga in the studio, we we from the hood. I used to stick niggas up, bro. Baby face, I used to book niggas.
• 16:23
  So I I'm always on point, bro. I'm all I'm on point right now, my nigga. Always on my square. But a nigga that's a square, he don't know. Yeah.
• 16:31
  So he don't know why she drink. He don't know. So now he drink behind a nigga, he get he get drugged, they rape this nigga. They they they rape this nigga, videotaping. Then when he in a meeting, they give him a shitty contract, they play the video of him getting fucked by like three niggas.
• 16:46
  He ain't never been doing shit like that, so he like, man, what? Fuck it. I'm just gonna sign. And you're give me money? So rather rather than get that story put out, he gonna sign that bad contract, which is the $3.60 deal.
• 16:59
  He gonna take that advance, which is recoupable anyway. So they gonna give him the money just to take back and own the rights to his shit. I'm sitting here with five niggas that got the same look like I
• 17:09
  Speaker 5: I'm telling y'all. They fucking niggas around out here. Y'all, they are fucking niggas around. They give a niggas some
• 17:16
  Speaker 6: shit It ain't even what you think. You fucking around wake up the mosh shit ass nigga with a footy on. You don't know what the fuck you just did did. I'm I'm in real shit. Your motherfucker meat just fucked them and your ass hurting.
• 17:33
  You don't know what the fuck you're saying. You don't know who to tell. But this what the game is going to. That's what it's going to. Then here it is, it's time for a call track to come out.
• 17:48
  They don't wanna sing for five years. You like, no, dawg. So you don't wanna sing with us? No. That's for no no.
• 17:56
  Man, pump in the tank. Show this nigga what he did last night. I'm Surge. Glad. Dude, this real shit I'm telling y'all don't.
• 18:09
  Pumping the tape. You send them motherfucker like, man, what the fuck? Yeah. Well, what the fuck? That's what happened.
• 18:17
  You got fucked. She won't do you won't sign that contract. You don't want nobody in the hood to see that shit. You don't want this shit to get out, though. I'm telling y'all, and this what I'm telling y'all like this.
• 18:31
  These niggas that you see constantly hot, they're not getting hot because they like you hot. They're getting hot because they know what they done.
• 18:38
  Speaker 3: Send the stylist at them for
• 18:40
  Seth Holehouse: Man, so I'm not I'm not sure if you heard the the second half of that video was not as easy to hear, but he said, you know, these guys you see always doing drugs and getting high. Like, they're not getting high because they enjoy it. They're getting high because they're escaping. And so if you look at both of those videos, you know, what they what they what they proclaim is that let's just say there's this young up and coming talent. You know, there's a lot of promise.
• 19:06
  You know, there's our whole culture is built on, like, oh, maybe you'll be famous one day. You can you can be a famous musician. I mean, it it's so ingrained in our culture, this idol worship. Right? Look at American Idol.
• 19:18
  Right? The idol of America is is literally, like, you know, in terms of the mainstream media, the idol of America is the young up and coming person that has this talent that makes it big, and it's everyone's dream. And so what happens is you have all these up and coming people, and what they're saying is that, you know, they take them, and then, you know, they they go to some sort of party. They get invited to some sort of party. Something happens.
• 19:43
  They they take a drink. You know, the one guy that was in the barbershop talking is like, look. He's kinda saying, I'm from the hood. I I don't take a drink. Right?
• 19:50
  He's he's smart. Right? He he's a guy that has situational awareness, and he's his head's on a swivel. He's watching. But for, you know, some other person, like a young kid that say is a YouTube sensation like Justin Bieber was, they don't know.
• 20:01
  They're they're taking a drink, and they're excited. Before you know it, the next day, they're sitting down in the you know, in a conference room with these executives, and they slide a contract in front and say, here's your $3.60 universal contract. We basically own you, own your name, own everything you do for all of your life. And the person might be like, I'm not gonna sign that. Like, this is not good.
• 20:22
  And then it's okay. Well, let's play the video. They roll the video, and that's it. They're compromised. And this is just the beginning.
• 20:30
  So now this is actually it's it's helpful for me to understand this because I I have to keep this in mind when I'm watching all these different celebrities. Like, let's take Taylor Swift as an example. Okay? I don't know anything about her background or, you know, I've done some digging, but nothing that's worth covering in this show. I don't I don't wanna focus on that.
• 20:49
  But, you know, she's someone that has really come out to represent a very liberal agenda or say a Lady Gaga, for instance. Right? These these megastars. The question I have is that, are they even acting of their own will? Because if if that's the situation and they've got that kind of blackmail on you, and and from my understanding, the blackmail gets worse and worse and worse.
• 21:11
  So the more famous you become, the more compromising situations that you're gonna end up in, and that's all by design. Because we live in a we live in a structure the the world right now. Okay. The the power structure in our world is is that of evil. Right?
• 21:26
  It's just where we are in history. Now I hope it changes. I really do. I think it will change, but it's just where we are now is that the more evil you are, there's opportunities to rise in power. Like, our our our government, our world is being run by criminal cabals.
• 21:40
  I mean, it's something we talk about pretty often. So with that in mind, they're they're not gonna let some, you know, this random person become ultra famous and not have control over them. And so this is how they do it. So when you see someone like Kamala or it's not Kamala, you know, Taylor come out and endorse Kamala. Right?
• 21:59
  And there's lot of there's been a lot of discussions about, you know, are these you know, with the p Diddy tapes, this the Diddy tapes that a lot of the people that are now coming out and endorsing Kamala publicly have been seen with Diddy. So there's questions that say, okay. Is there is there blackmail on these people that's forcing them to do this? Because, you know, they're, you know, these a list actors, they're smart people. They they they see what's going on in this country.
• 22:22
  Do you really think that they're just they're, like, they're that far into the liberal agenda that they're so excited about Kamala? And maybe some of them are, but maybe some of them are forced to because they've got so much blackmail on them that they have to just toe the line. And so when you go back and you look at what those guys have said, those those rappers talking, this is just one small slice of the pie. It's one small slice. But I wanna show you now, you know, a a video of of Justin Bieber.
• 22:54
  Right? Because I I actually to be honest, I feel so bad for this kid. Like, I feel so bad for this kid. As much as say a couple of years ago, I would look to him the same way I would look to Taylor Swift and like, okay, what's this guy doing? And, you know, he's why is he proning all this trash?
• 23:10
  And why is he doing these things he's covered in tattoos, what's the example he's setting for our children, but now I I honestly I just feel compassion for him. I feel sorry, I feel empathy, but I'm gonna play this video for you because this is, yeah, this is this is it's intense. Okay. So here's a video. I'll just play it for you.
• 23:30
  It's it's about two minutes long. This this is showing, think, one of the earlier interactions that Diddy had with Bieber. I think Bieber was 15 years old in this video. Keep that in mind. So before I play this, there's nothing bad in this video.
• 23:44
  Okay? There's no there's nothing, you know, kind of inappropriate. But put yourself in the mindset of being a 15 year old kid walking, you know, walking through this, you know, being told by some ultra rich famous person, I'm gonna give you this Lamborghini. I'm gonna give you that mansion. How would that affect you as a 15 year old kid?
• 24:03
  You're you would you would lose all sense of that kind of like, hey, something's wrong here. Like, you would just be over you're over the moon. But check this out. I'm gonna play this for you. Okay?
• 24:13
  It's a minute fifty five.
• 24:16
  Speaker 4: You know what saying? I'm a let you rock because
• 24:17
  Speaker 6: every time
• 24:18
  Speaker 7: you see
• 24:18
  Speaker 3: it, I like yeah.
• 24:19
  Speaker 4: This will be all. So Okay. My legs a little dusty, but, you know, I'm gonna put me the front shot in.
• 24:27
  Speaker 7: Man. There's a dog. Man. Whoo. Okay.
• 24:32
  Okay. Alright. So so I'm gonna be driving this next year.
• 24:35
  Speaker 4: Yeah. When you get 16, you come down and you gotta, you know, wear your seat.
• 24:39
  Speaker 7: I mean, I'm 15. You could ride in the passenger seat. I got my permit. Now that not
• 24:44
  Speaker 3: yet. No.
• 24:46
  Speaker 7: Alright. 16.
• 24:47
  Speaker 4: No. Rest. Slow down. Let's slow down, Jess. Slow down.
• 24:51
  One one
• 24:51
  Speaker 7: step at a time.
• 24:52
  Speaker 4: But yeah. Yeah. The keys is yours when you, you know, when you get 16. You're good to go.
• 24:58
  Speaker 7: I'm good to go.
• 24:58
  Speaker 3: Yeah. I'm ready. Then when
• 25:00
  Speaker 4: you get 18, you get the house. You get the mansion.
• 25:02
  Speaker 7: I'm the mansion. Yep. So where where are we off to now?
• 25:07
  Speaker 5: Where would
• 25:07
  Speaker 4: you like to go?
• 25:08
  Speaker 7: I mean, wherever you wanna go. Where are we going?
• 25:11
  Speaker 4: We just so check this out, yo. Justin, he's in you ever seen the movie forty eight hours? Right now, he's having forty eight hours with Diddy, him and his boy. They're having the times of their lives, like like like, you know, where we hanging out and what we doing.
• 25:27
  Seth Holehouse: I was gonna say something real quick. Look at the smile on this kid's face. To me, as I see this innocent, excited 15 year old boy. He's sitting next to Diddy. He's got Lamborghini in front of him.
• 25:38
  He's thinking, oh my gosh, my life is now amazing. I've made it. And look at him, you can see it. Look at that smile. You can see it.
• 25:46
  Alright? Anyway, just just just to again, put yourself in your shoes of him as a 15 year old kid. Now what Diddy says next though is really disturbing. Let's just listen to this.
• 25:56
  Speaker 4: We we can't really disclose, but, it's definitely a 15 year old's dream. You know, I I have been given custody of him. You know, he signed the Usher.
• 26:09
  Speaker 7: He signed the Usher.
• 26:09
  Speaker 4: I I had legal guardianship of Usher when when, you know, he he did his first album. I did Usher's first album. I don't really I don't have legal guardianship of him, but for the next forty eight hours, he's with me. So and and and we gonna go full, buck full crazy. Going crazy.
• 26:27
  Crazy.
• 26:28
  Seth Holehouse: So, again, I'll cut any so he basically, he's got him for forty eight hours, basically, under his legal guardianship. And he says, we're gonna go crazy.
• 26:40
  Speaker 7: I'm taking this out tonight.
• 26:42
  Speaker 4: What you wanna do? What you wanna do over the next forty
• 26:43
  Speaker 3: eight hours?
• 26:44
  Speaker 7: Forty eight hours. Let's go are we gonna let's just go get some grills. Let's go hang on some grills.
• 26:52
  Seth Holehouse: Gosh. And the fact that he, you know, he goes into there's different clips of this video where he's talking about how, you know, what they can't talk about what they're gonna be doing. Right? He implies that there's something nefarious happened. I mean, they're not even really hiding it, but this is this is how it happens.
• 27:06
  This is how they make a megastar is they go through this process. Now if you go back into, you know, Bieber's history and his family, the question is, like, where are the parents? Well, his dad there's a lot of crazy stuff happening with his dad now, but his it seems like his mom is the one that kinda put him into this, that kinda sold him into this. I'm not saying she, like, you know, sold him directly, but, you know, the the parents and this is what you realize, the parents are oftentimes behind this. Right?
• 27:31
  So when you see this kind of stuff happening, what you again, you realize, gosh, the parents were involved. Like like, why why would you let your 15 year old boy go on a forty eight hour, like, kind of no contact? It's all secret adventure with Diddy. Right? I don't know.
• 27:52
  But the but check this out. Right? So that was obviously to me, it looked like from the body language everything, was one of their earlier interactions. Okay. He was 15.
• 28:04
  Here's another video. It's only eighteen seconds long. So this is another video of when he's also 15. Maybe this was was maybe a couple months after that experience. I'm not sure what it was, but just watch this.
• 28:15
  Eighteen seconds.
• 28:16
  Speaker 8: It is good. It's out. Arenas and everything. Starting to act different.
• 28:20
  Speaker 4: You you ain't you ain't been calling
• 28:21
  Speaker 8: me and hanging out the way we used to hang out.
• 28:23
  Speaker 7: Well, I mean, you I mean, you try to get in contact with me, you know, through all my, you
• 28:27
  Speaker 9: know, business, you know, partners and whatnot. Mhmm.
• 28:30
  Speaker 7: But you you never really got got my number.
• 28:32
  Speaker 9: So Correct. Okay.
• 28:34
  Speaker 8: Yeah. Yeah. Everything's good. It's coming out of arenas.
• 28:36
  Seth Holehouse: So watch that again. So look at look at the body language of Justin Bieber here. So here you have in this video, you've got Diddy saying, hey, man, like, know, why aren't you you calling me anymore? I wanna hang out. Like, you're you're avoiding me.
• 28:47
  Look at look at Bieber's body language here. It's it's something something's really, really, really off. Something's very off.
• 28:53
  Speaker 8: Isn't everything starting to act different,
• 28:56
  Speaker 4: You you you ain't been calling
• 28:57
  Speaker 8: me and hanging out the way we used to hang out.
• 28:59
  Speaker 7: Well, I mean, you haven't I mean, you try to get in contact with me, you know, through all my, you
• 29:03
  Speaker 9: know, business, you know, partners and whatnot. Mhmm.
• 29:06
  Speaker 7: But you you never really my number.
• 29:09
  Speaker 9: Correct. Okay.
• 29:09
  Speaker 8: Number? Yeah. Yeah. Everything's good. Selling out arenas and
• 29:12
  Seth Holehouse: Man, it's just it's not good. Not good. And so here okay. So Kim Porter, right, going back to the book. So in her book so Kim Porter, as we established, right, she was the, she had children with Diddy, and she was his, I guess, former assistant.
• 29:27
  So it says in her book, Kim Porter shares a shocking revelation of discovering and copying, as we mentioned, you know, Diddy allegedly making made of himself engaging in sexual acts with men he managed, including what she said, a tape involving an eight year old eight sorry, an 18 year old pop star who later became a household name. I wonder who this young male pop star was. So check this out though. This this is much more recent. Okay?
• 29:54
  And look at I mean, one, look at look at Bieber. Like, look how look what's look what's happened to him. Okay? But watch what this interaction here you can see to me it looks like what what he's doing, what Diddy is doing is he's feeling him down for whether he's got a wire on him. So watch this again.
• 30:10
  It's twenty seconds, but it's very strange strange interaction. Yeah. Anyway, weird stuff. And, again, like, you know, when I when I think about Bieber, I look I see more recent videos of him, and I guess he actually from my understanding within the past couple of years, he found God, and that's really kinda changed his direction. I mean, good for him if he did.
• 30:52
  I mean, I don't know how you would escape. I guess the only way you can escape from this kind of a pitch of a of a pit and of a trap is through God. Like, it's the only way I can make sense of it. But so continuing, though. So this is this is just Bieber.
• 31:07
  So what we've established though is and this is it's kind of a shocking thing to understand, and I've been hearing about these things for years because I've been studying this stuff for quite some time. But what I've what I've I kept coming across was this is overall concept that a lot of the prominent rappers and producers and people running the music labels are homosexual, that they're gay men. And that it's like it's I've heard so many stories of people walking in to sign the contract, and they're said they're told to get onto the couch first before they can because they're they're sodomized. Right? It's a way of breaking them.
• 31:42
  Right? As a man, you know, when that happens to you, like, it's never happened to me. Thank goodness. Right? I hope it never does, but it breaks something in you, and that this is the point.
• 31:51
  Right? It's it's almost like if you take a wild animal, you have to break the wild animal to search for it to realize that you're its master now. But this is what a lot people don't don't really realize because the these rap stars, the projection they give off is ultra masculine, and it they're all talking about, you know, kind of the the they're they're women, and it's very hypersexualized. So you'd think that they're just like, you know, sex addicts with women, but it seems like a lot of them are actually gay, And it's a big part of the the ritual. It's a big part of, you know, how the industry works, how people are controlled, how they're blackmailed.
• 32:28
  You know, I've heard, you know, there there's been a loss of coming out now, like Will Smith. He has bodyguards coming out, you know, saying that he caught him in some pretty kind of awkward positions to say the least. But even so, let's look at Tupac. Right? So Tupac, who was, you know, hardcore gangster, and let me show you a video of Tupac.
• 32:45
  This is Tupac when I think he was maybe 18 years old. Right? So the Tupac I'm not sure if you listen to Tupac much. I didn't, but I always thought of him as this this gangster. He always had his bandana on, but look at this video.
• 32:58
  This is him. I'm not gonna play the whole thing.
• 32:59
  Speaker 10: Okay. My name is Tupac Shakur, and I attend Tanapai High School, and I'm 17 years old.
• 33:06
  Speaker 7: Okay. Do you like being 17?
• 33:09
  Speaker 10: It's like 17 is such a weird age. It's such a in the middle age. You're not 18 yet, and you're older than 16. So but I like it. It's nice.
• 33:18
  It's like a learning stage for me.
• 33:20
  Speaker 7: Do you wish you could be 18 and when you get some more rights?
• 33:24
  Speaker 10: Well, 18 will bring lots of responsibilities that I don't want, but it'll bring respect that I feel like that's the only way I can get it. You know, I try to be as mature as I can be and demand it wherever I can get it. But 18 is like you're an adult. You like, today, when I had to sign a release form, I felt so bad because I couldn't sign it myself. I had to go and get my mother's and all that.
• 33:48
  Seth Holehouse: So, you know, look, continue playing that, but you can see it's I mean, to me, he he's a very feminine looking guy. I wouldn't look at that and think, oh, yeah. He's a gangster rapper. But what's kinda crazy is that, like, literally, the past couple of days, there's been new revelations coming out that have said this is just when things can't look worse for P Diddy, Tupac's murder suspect told police that he allegedly paid $1,000,000 to have Tupac killed. So this is also kinda crazy.
• 34:18
  Right? So we know Tupac was killed. There's there's a lot of things that, you know, okay, what was behind it? There's conspiracy behind it, but, like, literally, this this this came out, you know, within the past couple of months that they're saying that he was a person behind having Tupac killed. And I I you know, if you look at and I I should've put a list together, but if you look at how many musicians, how many young musicians end up overdosing, dying, you know, Kurt Cobain, Janis Joplin, Chester Bennington, like, the the list goes on.
• 34:47
  There's so many of these young musicians that end up dying, whether they die of a suicide, they hang themselves, or, you know, Isaac Cappy with, you know, the the you know, Hollywood is, you know, found hanging off of a bridge. And so you can see that what happens, my my guess is that people hit a limit. Right? They hit a limit with this, and they can't keep going, and they they they might start showing signs of talking about it. Right?
• 35:13
  Because imagine imagine the torture of being someone like a Bieber, for instance, and and being someone that is up on stage, and everyone thinks that you've got the best life in the world, yet you're you're actually a slave. Like, the the honestly, the fact that the guy hasn't, you know, committed suicide living with this, it shows a lot of strength in character in some form, but I think there's a lot of people they can't they can't handle it, so they end up killing themselves. Look at how many of these young stars killed themselves. I mean, it's really, really screwed up. But, you know, one thing though that that you have to take a look at here is, okay, what's the bigger picture in this?
• 35:47
  Right? When you really take a step back, this is where we're into the social engineering aspect of it. What's the bigger picture? Why why is this industry as it is? Why are they pushing all of this gang violence and, you know, what's behind it?
• 36:03
  And so I've got now some very interesting is a a secret letter. So, basically, what happened, and this was I think this was in in the early nineties that this this came out. Actually, no. This this is February so the guy was talking about early nineties, but it's 02/2012 that basically, one day, all these different hip hop blogs and different people in the media received this letter. Right?
• 36:26
  This letter that's explaining what was happening with the rap industry. So I'm gonna read this letter. It's not, like, crazy long and a pretty quick reader. Pardon me. But I want you just just listen to this.
• 36:39
  Okay? Because this starts to help you make sense of the social engineering. And so I'm gonna get into this, but then we're gonna go deep into some some much bigger stuff that kind of is behind all this. Okay. So this is called let me just drink my tea before I start reading.
• 36:55
  The secret meaning that changed rap music and destroyed a generation. Says, hello. After more than twenty years, I've finally decided to tell the world what I witnessed in 1991, which I believe was one of the biggest turning points in popular music and ultimately American society. I've struggled for a long time weighing the pros and cons of making this story public because I was reluctant to implicate the individuals who were present that day. So I've simply decided to leave out names and all the details that may risk my personal well-being and that those who were like me dragged it into something they weren't ready for.
• 37:26
  So between the late eighties and early nineties, I was what you may call a decision maker with one of the more established companies in the music industry. I came from Europe in the early eighties and quickly established myself in the business. The industry was different back then since technology and media weren't accessible to people like they are today, the industry had more control over the public and had the means to influence them any way they wanted. This may explain why in early ninety one, I was invited to attend a closed door meeting with a small group of music business insiders to discuss rap music's new direction. Little did I know that we'd be asked to participate in one of the most unethical and destructive business practices I've ever seen.
• 38:04
  The meeting was held as a private residence on the outskirts Of LA. I remember about 25 to 30 people being there, most of them familiar faces. Speaking to those I knew, we joked about the theme of the meeting as many of us did not care for rap music and failed to see the purpose of being invited to a private gathering to discuss its future. Among the attendees was a small group of unfamiliar faces who stayed to themselves and made no attempt to socialize beyond their circle. Based on their behavior and formal appearances, they didn't seem to be in our industry.
• 38:33
  Our casual chatter was interrupted when we were asked to sign a confidentiality agreement preventing us from publicly discussing the information presented during the meeting. Needless to say, this intrigued and in some cases disturbed many of us. The agreement was only a page long but very clear on the matter and consequences, which stated that violating the terms would result in job termination. We asked several people what this meeting was about and the and the reason for such secrecy but couldn't find anyone who had answers for us. A few people refused to sign and walked out.
• 39:02
  No one stopped them. I was tempted to follow, but curiosity got the best of me. A man who was part of the unfamiliar group collected the agreements from us. So quickly after the meeting began, one of my industry colleagues who shall remain nameless like everyone else thanked us for attending. He then gave the floor to a man who only introduced himself by the first name and gave no further details about his personal background.
• 39:22
  I think he was what the owner of the residence, but was never confirmed. He briefly praised all of us for the success we'd achieved in our industry and congratulate us for being selected as part of the small group of decision makers. At this point, I began to feel slightly uncomfortable at the strangeness of this gathering. The subject quickly changed as the speaker went on to tell us that the respective companies we represented had invested in a very profitable industry which could become even more rewarding with our active involvement. He explained that the companies we work for had invested millions into the building of privately owned prisons and that our positions of influence in the music industry would actually impact the profitability of these investments.
• 40:04
  I remember many of us in the group immediately looking at each other in confusion. At the time, I didn't know what a private prison was, but I wasn't the only one. Sure enough, someone asked what these prisons were and what any of this had to do with us. We were told these prisons were built by privately owned companies who received funding from the government based on the number of inmates. The more inmates, the more money the government would pay these prisons.
• 40:28
  It was also made clear to us that since these prisons are privately owned, as they become publicly traded, we'd be able to buy shares. Most of us were taken back by this. Again, a couple people asked what this had to do with us. At this point, my industry colleague who had first opened the meeting took the floor again and answered the questions. He told us that since our employers have become silent investors in this prison business, it was now in their interest to make sure that these prisons remain filled.
• 40:56
  Our job would be to help make this happen by marketing music, which promotes criminal behavior, rap being the music of choice. He assured us this would be a great situation for us because rap music was becoming an increasingly profitable market for our companies. And as an employee, we'd also be able to buy personal stocks in these prisons. Immediately, silence come over the room. You could have heard a pin drop.
• 41:19
  I remember looking around to make sure I wasn't dreaming and saw half the people with dropped jaws. My daze was interrupted when someone shouted, is this an effing joke? At this point, things became chaotic. Two of the men who were part of the unfamiliar group grabbed the man who shouted out and attempted to remove him from the house. A few of us, myself included, tried to intervene.
• 41:39
  One of them pulled a gun and we all backed off. They separated us from the crowd and all four of us were escorted outside. My industry colleague who had opened the meeting earlier hurried out to meet us and reminded us that we had signed an agreement and would suffer the consequences of speaking out about this publicly or even with those who attended the meeting. I asked him why he was involved with something this corrupt, and he replied that it was bigger than the music business and nothing we'd want to challenge without risking consequences. We all protested as he walked back in the house.
• 42:06
  I remember word for word the last thing he said. It's out of my hands now. Remember you signed an agreement. Then he closed the door behind him. The men rushed us to our cars and actually watched until we drove off.
• 42:18
  A million mind things were going through my mind as I drove away, and eventually I decided to pull over and park on a street, a side Street in order to collect my thoughts. I replayed everything in my mind repeatedly, and it all seemed very surreal with myself. I was angry with myself for having not taken more of an active role in questioning what we had presented to us. I'd like to believe the shock of it all is what suspended my better nature. After what seemed like an eternity, I was able to call myself down and make it home.
• 42:43
  I didn't talk or call anyone that night. The next day back at the office, I was visibly out of it, but blamed on being under the weather. No one else in my department had been invited to the meeting, and I felt like a sense of guilt for not being able to share what I'd witnessed. I thought about contacting the other three who were kicked out of the house, but didn't remember their names, and thought that tracking them down would probably bring unwanted attention. I considered speaking up publicly at the risk of losing my job, but I'd realized I'd probably be jeopardizing my more than my job, and I wasn't willing willing to risk anything happening to my family.
• 43:12
  I thought about those men with guns and wondered who they were. I've been told this is bigger than the music business, and all I could do is let my imagine run free. There were no answers and no one to talk to. I tried to do a little bit of research on private prisons, but didn't under uncover anything about the music business's involvement. However, the information I did find confirmed how dangerous the prison business really was.
• 43:32
  Days turned into weeks and weeks into months. Eventually, it was as if the meeting had never taken place. It all seemed surreal. I became more reclusive and stopped going to any industry events unless professionally obligated to do so. On two occasions, I found myself attaining the same functions my former colleague.
• 43:47
  Both times, our eyes met, but nothing more was exchanged. Anyway, he kind of continues on a little bit, but this is so base basically, what he's saying is that the companies that own the rap labels, the music industry also are investing massively in private prisons because they realize they could they could socially engineer the listeners of rap music to become criminals, which then puts them into the private prisons, which is a huge, huge moneymaker. Now I'm gonna play a video for you because it gets even more real. So this is a video of Ice Cube, talking about this. Right?
• 44:25
  So let's go ahead and just take a quick look at this. I I just kinda full screen this one for you real quick. This is Ice Cube talking about it. This is about, four you know, it's about two minutes on his actual section here. So check this out.
• 44:37
  Speaker 11: Same people who own the labels on the prisons. Literally the same people? Literally the same people who own the labels on private prisons. The records that come out are really geared to push people towards prison industry. But they didn't make you write those lyrics.
• 44:56
  It's not about making somebody write the lyrics. It's about being there as guardrails to make sure certain songs make it through and certain songs don't. Some records are made by committee. You meaning record company guys sit around and tell the artist, this is hot. Say that.
• 45:15
  Do this. We're gonna have this guy write the lyrics. We're gonna have that. You have, you know, the record company pushing the narrative. You know, some social engineering going on here to make sure those prisons stay full.
• 45:29
  Speaker 12: John Homesten, a retired CIA agent, has admitted
• 45:33
  Seth Holehouse: So there you go. Him kind of you kinda corroborating the article, the story. And there there's other videos I found in researching this where someone went through and actually found exactly what he was talking about. So what they found was there is there is a a massive prison company around that time. This they had bought up all these different private prisons, but they had a specific in the purchase of these prisons, they had a specific clause that the prisons had to remain 90% full, which is strange because how can you buy a prison, with a clause that the prison needs to remain 90 or so 90% full of inmates?
• 46:06
  So this is and that's just that's just the tip of the iceberg. So now we're looking at okay. So we have okay. So what what we've established here? We have, you know, Diddy and the the blackmail rings.
• 46:19
  We have the up and coming stars that are being raped and sodomized and forced into contracts that are, you know, kind of like they're they're selling their soul to the devil in a lot of ways, right, for that whole process. Okay? So we now have that. So now they gain control over them. So they control.
• 46:35
  Okay. So, okay, you're gonna you're gonna write this music, right, as as Ice Cube was talking about. Right? So this is the kind of music you're gonna be producing. This is exactly what you're gonna be saying.
• 46:43
  This is the persona you're be putting forward. It doesn't matter who you are in your private life. As a rapper, as someone who's influencing culture and engineering culture, this is how you're going to act. And so we've now it looks like that the what the guy talked about with the prison system actually makes sense. Okay?
• 47:00
  That it was done it was done in a way that it basically, put people behind bars like a mass amount of people. And if you look at the statistics and you look at the crime statistics, it's actually it's the, it's a lot of the blacks that are sitting in the prisons. It's not a racist comment. It's just it is a race related comment. Right?
• 47:23
  It's a statistic. Right? So is it any coincidence that this rap music, which is promoting, you know, gang violence and shooting and killing and drug usage and drug trafficking and shooting police and all this, is any coincidence that we have this proliferation of these blacks going to prison for the same stuff these rap songs glorify. But here's what's crazy. Okay?
• 47:45
  So if you look around what's happening right now, so this plan has been in placing for a very, long time, and I don't think it's just about money. It's about social engineering. This is funny because a lot of people they say whether they're talking about big pharma or big government, they say follow the money. It's all about the money. It's like, actually, Like, the people that were up against own the world.
• 48:06
  Right? Like, I've heard estimates of, you know, some of these families of up to $500,000,000,000,000 in assets. Not even kidding. Right? If your family has been running the banking system, right, out of London for for, like, hundreds and hundreds of years, could you amass that kind of money?
• 48:21
  Absolutely, you could. Right? So it's not about money. It's not about, like, oh, the the private prisons, that's the way to get rich. Of course, they're gonna find all these money making schemes, but the bigger thing is the social engineering.
• 48:34
  And one of the largest social engineering efforts or or experiments or projects happening over the past, say, hundred years is the social engineered collapse of America. Right? Because they we know that they have to destroy America before they can bring in some sort of one world totalitarian government. So if you then look at this, is it obviously, the whole prison system thing makes sense, but I think it's a lot more of actually the social engineering is about creating race wars. It's about creating violence.
• 49:05
  So look at this. Here's a video. I'm just gonna the sound is only the sound very low. This is a video of a cycling gang, a bunch of kids. Right?
• 49:17
  Mostly black. Okay? Just just a statement. Maybe some Hispanic, you know, what whatever. And you see us all over place.
• 49:25
  Now they they all they all run into a seven eleven, and they just they destroy it. They rob it. They steal. They're all coming out with, you know, they're stealing, you know, $6 worth of chips. I mean, it's so stupid.
• 49:36
  But we're seeing this happen all over America. Now, you could say, is it the kids' fault? Well, yeah, of course. I mean, it's it's some part of it is their fault because, you know, that is personal responsibility. You're you're responsible for your actions, but the thing is is that this is social engineering that does this.
• 49:56
  Right? This look at the inside of the store. Right? The the the poor guy that, you know, sacrificed so much to to build this business, and this is what's happening. So this is the social engineering part of it.
• 50:07
  But then we're looking at okay. Actually, this is my next video to show you, is what's what's behind this. Okay? So maybe I told you before. Okay.
• 50:17
  I said, look. I I think I figured out who's controlling Because if you look at who's controlling Diddy, and you look at the power that this guy has, it starts to make a lot of things make sense. So, this is another kind of video that I'm gonna show some different parts of. This is gonna show, I'll play it for you. You'll you'll it'll make sense.
• 50:36
  Now one thing I'll say though in this video that he's talking about, there was there was an information coming out about a retired CIA agent that fled to Russia, gained citizenship there, and did an interview where he revealed that CIA was behind the social engineering of and the kind of attack and the overtaking of the hip hop movement. Now I couldn't I I wanted it so bad to be able to show that information and tell you about it, but I couldn't find anything that backed it up. I only found one website that claimed it happened, and every other website, every other tweet was referencing as one website. But the one website, I couldn't find a single video or transcript of the original interview. So, anyway, that's the referencing that in this video, but this video right here helps kinda point to perhaps what's controlling this.
• 51:19
  So check watch this.
• 51:20
  Speaker 12: Tired CIA agent who was granted a Russian residence permit in 2011 also claimed Liar Cohen, commonly known as the tall Israeli who runs hip hop, is a CIA asset when it comes to engine
• 51:34
  Seth Holehouse: So the guy named Liar or Lior, l y o r, Cohen. Right? So I'll I'll I'll show you more about him. Anyway, this is keep on listening.
• 51:42
  Speaker 12: Culture, no one touches liar Cohen, Homestead admitted. He ended up promoting rappers such as Jay Z and Kanye West, and more recently brought Migos and Young Thug to prominence. Some experts openly admit hip hop nihilism, which was expressed in the use of harder, more self destructive drugs like heroin, cocaine, and methamphetamine, pushed United States President Richard Nixon into the war on drugs, a campaign of prohibition of drugs and foreign military intervention with the stated aim being to define and reduce the illegal drug trade within America and around the world. Quote, the chaos we caused in America helped the government justify overseas wars of plunder to Middle America. The country wouldn't be where it is today without hip hop.
• 52:35
  Seth Holehouse: So supposedly, what what this CIA get, as I said, was that this Lyre Cohen, in terms of the, like, the social engineering, in terms of the control of the hip hop industry, he said no one matches Lyre Cohen. They call him the tall Israeli. Okay. So who's Lyre Cohen? So here's his, Wikipedia page.
• 52:54
  So Lyre Cohen, he's an American, music industry executive and an entrepreneur. He's been actively involved in the hip hop at various record labels for, more than thirty years. This guy, he's a big, big deal. Okay? He's a big deal.
• 53:10
  Trust me. I'll show you some more stuff about him. Anyway, what's also interesting is he's married to a Chinese woman. Strange. I mean, I know that, you know, look at Zuckerberg or, you know, Mitch McConnell.
• 53:22
  There's all these very powerful people that just happened to be married to Chinese. Now, of course, you know, there's a problem necessarily with a guy marrying a Chinese woman, but just when you see these, like, powerful figures like Rupert Murdoch, etcetera, married these Chinese, it just raises some red flags and pardon the pun there for the red flag thing. But I wanna actually go a little more into detail. So check this out. This is Lyric Cohen.
• 53:44
  There's some bad language in here, but he's talking about the power he has over the hip hop industry. This is a very I'll play a short bit here, but you can see okay. Here's the guy. Hear it from his own mouth.
• 53:55
  Speaker 13: All the the the groups and artists that Rush and Def Jam collectively that you were involved in and got to see develop, that's extraordinary in terms of Lucky motherfucker.
• 54:07
  Seth Holehouse: Go ahead. So this guy the the host is praising him, saying, look, man, like, you're you're involved in all these major artists, and so you hear liars saying, ah, lucky mother effer. Right? He's lucky. Right?
• 54:17
  Watch this.
• 54:18
  Speaker 14: Lucky motherfucker. I've touched more rappers than everybody else combined. K? Period.
• 54:26
  Seth Holehouse: Strange, you know, statement. I've touched more rappers than anyone else combined, period.
• 54:32
  Speaker 14: K. American music, let's not only send guns around the world. Right. Let's send our culture, you know, by being in Kazakhstan. You know, they Kazakhstan knows more about America through the movies and the music than they do by the guns.
• 54:50
  They don't even can't even name the gun, but they can name you.
• 54:53
  Speaker 15: They can
• 54:53
  Speaker 14: book you. I'm glad that the American government, Anthony Blinken big shout out to Anthony Blinken. Okay? Our secretary of state promoting and funding bipartisan support on funding American soft power around the world.
• 55:14
  Speaker 12: Cohen later promote
• 55:15
  Seth Holehouse: Man, so there you go. Right? He's he's even he's praising Blinken, right, saying, okay. This guy's, you know, Blinken, they're they're the American government, they're they're promoting this soft power of America. Right?
• 55:26
  The cultural power, the cultural, infiltration. Right? And this is the and this is the even okay. You look at the social engineering here in America of, okay. Hey.
• 55:35
  Let's engineer society. Let's turn the the blacks into criminals so we create civil unrest, and so then we can fill the prison systems. We can make money out of prison systems. And then when it's election year, we can make the blacks and the whites fight each other. We create more race wars, and then, you know, they're gonna be so focused on the other race that they're gonna be you know, they're gonna have to realize that it's us, the social engineers, are doing it all.
• 55:54
  So we keep them perpetually locked into a two party system where they think that their vote is free. They think they've got democracy and freedom and everything, but, actually, it's a giant controlled system. That's where things are at. Right? Now this guy happens to be from Israel.
• 56:09
  Okay? Now Israel has a lot of influence over America. Now don't go call me an anti Semite. Oh, Seth said Israel. He's an anti Semite for pulling this out.
• 56:17
  Well, yeah, I mean, look at okay. Look at Epstein. Okay? We know absolutely had Massad ties. Look at Ghislaine Maxwell.
• 56:25
  Look at her father. You know, think it
• 56:27
  Speaker 3: was Robert
• 56:27
  Seth Holehouse: Maxwell. Strong Massad ties. Right? Israeli special forces. We have the is the Mossad and the CIA are kinda hand in hand doing all kinds of things.
• 56:35
  So, again, you draw your own conclusions, but what I see here, when I see this guy, it's like this guy has a lot of power. He has a lot of power. Okay? And then remember I said earlier, okay, talk about Diddy. Everyone says, oh, look at Diddy.
• 56:51
  He must be the kingpin. No. He's a middleman. He's a middleman. Actually, you wanna you wanna know how you can that?
• 56:56
  Here's a picture right here, folks. Here's a picture of Cohen and Diddy. Now if you know how to read body language, what this what he's saying right here, I own you. Look how he's holding his shoulder. Obviously, he's he's he's tall.
• 57:13
  He's known as a tall Israeli. Right? Looking down at him, he's holding him like this. Like, this picture tells you all you need to know about who's controlling the rap industry. Now, of course, there's probably way more people than this, but the fact this guy is coming out and saying, look, he's, you know, this Cohen, he's saying, I've touched more rappers and everyone else combined.
• 57:34
  This guy is behind this. He's he's started record companies. Okay? He's done so much. Actually, if you go back to his Wikipedia page, you know, he he managed Def Jam.
• 57:44
  He took on leadership role at Warner Music. He in 02/2012, he resigned and started his own independent label, three hundred Entertainment. So on September 2016, he was named YouTube's global head of music. Right? So this guy was the global head of music for YouTube.
• 58:02
  Okay? So he was born in New York City in '59 to Israeli immigrants. He grew up in LA, blah blah blah blah blah. Okay. But we continue looking here.
• 58:12
  Okay. Yeah. He's a cofounder of three hundred Entertainment. Okay. Remember that he okay.
• 58:17
  That was a it's a major major level. So it's three here you go. Three hundred Entertainment. It'll pop up here. It's an American record label founded by Lyre Cohen, Kevin Lyles, Todd Moskowitz, and Roger Gold.
• 58:31
  The label's roster includes acts across multiple genres such as hip hop, rock, pop, electronic. Actually, I'm gonna I'm gonna see who is on here. Okay? So here's some of the people that they've got on their their record. Young Thug, Fetty Wap.
• 58:48
  Sorry. These these names. Mary J Blige, No Savage, a bunch a bunch of different rappers. Okay? And and there's all kinds of stuff.
• 58:56
  So in 2021, Warner Music Group acquired three hundred for $400,000,000. Okay? So now this guy is like, this guy is mega mega rich, and, you know, the estimates I saw, you know, $1.50 a hundred and 50,000,000 plus. Now what's crazy with this, what's crazy with this okay. Look at his cofounder.
• 59:16
  Right? The the second guy. Right? Kevin Lyles. Right?
• 59:20
  So Kevin Lyles is an American record American record executive and cofounder of and CEO of three hundred Entertainment. In 2020, he was recognized by Billboard Magazine as R and B hip hop executive of the year for both his efforts and activism and the continued success of Megan Thee Stallion. Okay. There you go. Megan Thee Stallion.
• 59:39
  Right? So Megan Thee Stallion, who's the woman that played at one of Kamala's first major, rallies, if you recall, I think it down in Georgia. It was a big deal. They packed the stadium for Megan Thee Stallion. Okay.
• 59:51
  Now what's crazy about this guy, Kevin Lyles, is imagine this. Okay. Well, hold on. Hold on. Wait.
• 59:57
  Wrong thing. He just stepped down. Okay. Literally on the September 17, like, within maybe that was the day that Diddy was arrested. I I forget the exact date he was arrested.
• 1:00:09
  Within days of Diddy being arrested, Kevin Lyles steps down as the CEO from three hundred Entertainment. Is there a coincidence there? I don't know. It's odd timing. Right?
• 1:00:23
  We've we've got we've had a bunch of major CEOs and music CEOs stepping down around the same time that Diddy is has been indicted and arrested. So the fact this guy steps down is just strange. Right? Odd timing, you know, is he tied into this somehow? I don't know.
• 1:00:41
  But going back so going back to this, you know, Cohen, so what's interesting here is that you see is oftentimes folks like this are involved in all kinds of philanthropic philanthropic, you know, ventures, you know, whether they're building schools in Haiti or, you know, delivering, you know, much needed medication and vaccines to the starving children in Africa, they they've they've got the agenda going everywhere. So what's interesting here is that this guy is the if you kinda, you know, come down here to his post stuff. Anyway k. Philanthropy. Okay.
• 1:01:17
  Philanthropy. So he's currently on the board of the Rock and Roll Hall of Fame, and he's an acting director for the New York based charitable organization Boys and Girls Harbor. Right? So whenever I see these kinds of people that are, you know, are are involved in, like, this kind of stuff, and they're overseeing, like, boys and girls clubs or, you know, it reminds me of, like, the child protection services and what the kinds of they're doing. But here's what's crazy.
• 1:01:41
  Okay? So we've now established that there's a lot of evidence that seems to point to, some underage stuff going on within the rap industry. You have this guy who's the founder of this massive, you know, 300 entertainment that was simultaneously, you know, had ties. He's got major ties to Diddy, okay, by, you know, huge connections there. His CEO just steps down, but check this out.
• 1:02:06
  This is again, this is strange. Okay? Back in 2016, the the boys and girls had a huge thing saluting Diddy. Right? So the club that Cohen oversees had a big party, the boys and girls club in Manhattan, and here he is, and here's Cohen with his Chinese wife.
• 1:02:29
  Right? Is it a coincidence? I don't know. It's it's hard to say. You know, my my job is just to kinda pull together the information.
• 1:02:39
  That's all I really wanna do. Right? Like, if I showed you the research I did just for this show, I probably have, like, a hundred different links and articles and tweets and videos, and it was actually, like, I it was really difficult. Like, I could I could have turned all this information into, a four part series. It goes so deep.
• 1:02:56
  And the more you start digging, the more you uncover. And what you look for is you look for patterns. Right? Like, when you're investigating something, you say, okay. Well, this guy was tied in here.
• 1:03:04
  It's at those classic, you movies where they have, like, the he's, like, the the the private investigator, and he has the the corkboard with the string and all the pushpins and tying. That's what you do. Right? That's how you figure this stuff out, but it this stuff just goes deep. It goes deep.
• 1:03:19
  But now we're gonna take like a big, big step back of all this. Okay? And look at what is how does this stuff play into this spiritual battle? And this is where it gets a little bit crazy. So there's a guy named John Todd, and he's a real guy.
• 1:03:38
  Right? So he this is a this is an article from Christianity Today publication. They published an article about him right here, the legends of John Todd. Okay? There's a lot of speculation about this guy's, like, concerns.
• 1:03:53
  This was published in 1979. So this guy is John Todd is a real character, and there's a lot of people who say that he is a conspiracy theorist, of course, but there's a lot of truth because he came out with some pretty, pretty crazy stuff about the music industry, and I'm gonna play some of it for you. But there's been lot of people that try to to discredit him, but he's a real person. And, anyway, I'm gonna play this video for you here. Okay?
• 1:04:22
  So actually, it's not a video. It's more just audio. So this is a two minute and sixteen second long audio recording of one of his speeches talking about what happens in the music industry. Because, okay, we've looked at, we looked at social engineering. We've looked at, k, can we corrupt the masses to make money for the prison system?
• 1:04:40
  Can we create race wars in America? Can we export degenerate culture all around the world so that we can simultaneously, create destructive and degenerative behavior all around the world because everyone thinks that's how America is because that's how the rapper Hollywood is? To me, if you look at the role of culture, music, entertainment, etcetera, it is one of the greatest tools of Satan. It is a is absolutely something has been hijacked by Satan. And so when you listen to what John Todd is talking about, what goes behind on behind the scenes, it makes perfect sense.
• 1:05:16
  So listen to this. It's two minutes sixteen seconds long.
• 1:05:19
  Speaker 16: All the concert booking agencies in The United States, and that's not even the name of the company that owns it. The name of the company owns it is Brinner Enterprises, and Brinner Enterprises is owned by Chase Manhattan. Chase Manhattan's owned by Standard Oil, and Standard Oil's owned by the Lords of London. You can track it all back. You kinda get the idea after a while.
• 1:05:38
  But I was the managing president of Zodiac Productions. It's one of my jobs as being one of these 13 people. Thus, I got to know many of the people who produce music and sing the music and play the music that you play. Now one of the closest friends that I got during that time that I obtained was a man named David Crosby. I said, David, I'd to ask you a couple questions.
• 1:05:59
  I said, I already know the answers, but I've been gone for five years. I like to know if certain things are still the way they were when I left. I said, do they still take the master to the temple room? Dave said, yeah. I said, do they still have the coven conjure demons into the master?
• 1:06:15
  He said, of course. I said, now I gotta know something. What's the main reason for rock music? He said, the same as when you were in, so that we can place spells on people that we couldn't cast spells upon. The master is a tape about as big as the top of this podium that looks like an overgrown eight track that the album is cut on and is placed in a machine that produces and presses the records and the eight tracks and cassettes that you buy.
• 1:06:40
  After it's been recorded, it's taken in. This is why a master's cut months in advance before it's released. On the full moon, it's taken into a temple room about the size of this auditorium that is in every one of the major music companies behind locked doors up in the Executive Office, and it's placed on an altar sitting in the north of the room and a pentagram engraved in the floor. And 13 hand chosen witches and witch withers and a coven come in and conjure a principality or a power up, usually regia or something like that, and order him to tell the demons under him to follow every record and every tape coming off of that master. I said, okay.
• 1:07:23
  One last thing. I've been hearing that you must be an initiated witch now to get a record contract. He said, that's right. He says, many of us that weren't total witches have to be witches now in order to produce music.
• 1:07:36
  Seth Holehouse: Man. So to summarize that, and what he's saying there, and he's given extensive extensive stuff. I I will warn you though that if you are someone that maybe you hate modern music, like like for me, I'm I'm disgusted by most modern music, But, you know, I grew up listening to the classics. I grew up with Pink Floyd and, you know, all the Led Zeppelin. But I'll warn you, if you listen to John Todd, it makes you second guess everything because when when you look at this stuff, like, you hear he's talking, think, to was it Crosby?
• 1:08:06
  I think he was talking. Think it was Crosby, Stills, and Nash about this stuff. It's like, oh, it wasn't just about, like, the Tavistock Institute and and, you know, make love not war and the social engineering. That's the thing is that everything that you see happening in our society happens at layers. Right?
• 1:08:22
  So you have, like, you at the at the bottom, you have the social engineering that, you know, oftentimes is about, you know, financial incentive, you know, incentives. Right? So you look at the rap stuff. Okay. Okay.
• 1:08:31
  Yeah. Let's let's make these guys bad. We can make some money at the prisons. And but the more you follow it up, then then you realize it's actually social engineering on a much bigger scale, which is all about destroying societies, collapsing nations, creating mass chaos. But when you follow it up even higher, you realize it's all spiritual.
• 1:08:48
  Either you could you then trace the threads up and you get the point where you arrive at where you say, you know what? This is actually about it's about satanism. It's about good and evil. It's about corrupting the souls of mankind, and that's what you see happening. And so you you I've done this so many times.
• 1:09:02
  You trace these things to the end, and you arrive at that. You arrive at the the place where you're like, you know what? I I cannot deny the fact that this is absolutely a spiritual battle of good versus evil. And so what what John Todd was saying in that specific, segment I played there for you was what they would do is that before, and again, this is all speculative. Is it true?
• 1:09:24
  I don't know. But to me, it actually makes more sense than most things I come across. Is it what they do? They have the master. Right?
• 1:09:30
  So the master was the the final physical, you know, file, right, of the of the sound of the song. Okay. That was the master. So what he said is that and he talks more about this in other instances as well, was that there's this big room, like, size of an auditorium on a specific floor in the headquarters, these music, companies, big these big music labels, music records. And is what they do though is that before that master goes out, before the song is released, before the album is released, they actually go through and they've got a satanic a satanic, ritual where they I mean, honestly, there's it wouldn't surprise me if there's sacrifice involved.
• 1:10:09
  I mean, there's whether it's human or children or animals, etcetera. But, basically, what he's saying is that they have a satanic ritual where they invite these evil entities, these demons, or maybe Satan himself into the master, and they basically set forth that you will now infect everyone that listens to this. So that young kid that's like the you know, me as a kid. Right? Like, admittedly, you know, when I was in grade school, my parents were, you know, relatively strict.
• 1:10:37
  Wasn't allowed to have things like ACDC Metallica, but I still got ahold of them. So I had a Metallica cassette tape. I remember I think it was Metallica black, and I had I had an ACDC cassette tape. And so I in my when my parents were around, I'd listen to these things. Right?
• 1:10:51
  Because it was cool, and who doesn't like Angus Young and all this stuff and James Hetfield. I a huge Metallica fan. But according to what John Todd is saying is that what they're doing is behind these albums that they're they're putting out there for the public, they're actually casting satanic spells so that anybody who listens to these albums and actually has this satanic spell come over them and change their behavior, take charge of their soul, whatever. Is it sound is it that far fetched? Look, maybe ten years ago you'd call me a whackjob, but I mean honestly is is it that far fetched?
• 1:11:25
  I mean to me it makes more sense than most things I come across these days, but it's just it's crazy that I saw someone's comment of saying, gosh, this goes deep. Yeah. It does go deep. And and I I feel like I've I'm only giving you about 30% of the research I did to just for this show. I mean, stuff is it's crazy what's going on here.
• 1:11:45
  But what you realize and it, you know, it's scary, but it's also good because it they know it's a spiritual war. Right? So that that's this is the great thing about it. If we were just up against like greedy politicians and greedy bankers and all they wanted was to make more money and they wanted to control us and enslave us, maybe we'd be screwed. But when you realize that as you trace it up to the highest point of this pyramid that to them, it's a spiritual battle.
• 1:12:13
  It's good versus evil. It's like, ah, okay. I can fight on that playing ground. I can meet you on that battlefield. Right?
• 1:12:22
  And that's that's what I come to is it's like, oh, okay. Well, it is it is about it's about faith. It's about God. It's about good versus evil. But I mean, is just I mean, I'm not sure.
• 1:12:31
  Demi, let me know in the comments what you think about this episode because this was just a wild episode. The more I started researching, was just like, oh my goodness. Where is this going? But if we wanna understand where we're at today, we have to understand these things. Like, when you look around and you see, like, you scroll through Twitter, like, sixth video is a video of some black kids beating up a white kid.
• 1:12:51
  Right? And I think it's intentional. I think it's intentionally trying to to to make the whites angry against the blacks. They're trying to start up race wars, but the fact is it's still happening. Right?
• 1:13:01
  It's still happening, but when you look at what's happening with the music, it's like, oh, it makes sense. And so we we take all this and you put it into the perspective of the overall social engineering, it's like, yeah, it all makes sense that the social engineering fundamentally is about corrupting human souls. That's their number one goal. That's Satan's number one goal. I will destroy God's greatest creation.
• 1:13:31
  I will destroy the v the the DNA through this these mRNA injections. Will destroy their morality. I will destroy their family. I will destroy their their their their even their sexual nature. I will turn men into women.
• 1:13:44
  I will turn women and women into men. I will destroy their fertility. I will remove the ability for for young women to have children because they took hormone blockers or for young men to have families because they castrate themselves in an effort to become a woman. And this is what's playing out. Like, this is what's playing out in our society.
• 1:14:04
  It's crazy. But these are the times we live in. These are the times that we live in. I mean, it's it's wild, but I I feel like there's something special about me. There's something special about you that God chose us to be here at this time.
• 1:14:20
  Right? That that's the only way I can make sense. I was chosen. Right? You know, do what I'm doing right now.
• 1:14:24
  This is my way of of fighting this battle. I was chosen for this, and it it gives me energy. So I've got you know, I I know I I try to end with some positive things, and actually, I've got a a positive message for you from Richard Nixon. As funny as that sounds. You know, the actually actually, before I before I show you that, I've got one more thing to show you.
• 1:14:45
  Okay? You know Bob Dylan. Of course, you know Bob Dylan. Check out this interview. And and, again, if if you wanna if if you still are not convinced that Satan is involved in this and there's a battle of good and evil, watch this video.
• 1:14:58
  I'm gonna I'll I'll full screen it for you so you can enjoy it in all its glory.
• 1:15:02
  Speaker 5: Why do you still do it? Why are you still out here?
• 1:15:04
  Speaker 15: Well, it goes back to the destiny thing. I mean, I made a bargain with it, you know, long time ago, and I'm holding up my hand.
• 1:15:15
  Speaker 5: What was your bargain?
• 1:15:16
  Speaker 15: To get where I am now.
• 1:15:20
  Speaker 5: Should should I ask who you made the bargain with?
• 1:15:23
  Speaker 15: With with with with, you know, with the chief chief commander.
• 1:15:28
  Speaker 5: On this earth?
• 1:15:29
  Speaker 15: On this earth and in in in a world we can't see.
• 1:15:33
  Speaker 5: You ever look at music that you've written and look back at it and say, woah. That surprised me.
• 1:15:41
  Speaker 15: I used to. I I I don't do that anymore. I don't know how I got to to write those songs.
• 1:15:51
  Speaker 5: What do you mean you don't know how?
• 1:15:53
  Speaker 15: Well, those early songs were, like, almost magically written. Darkness at the breaking noon, shadow is even the silver spoon, a handmade blade, a child's balloon.
• 1:16:03
  Speaker 17: Eclipses both the sun and moon to understand you knew too soon there is no sense in trying.
• 1:16:11
  Speaker 5: This Dylan classic, It's Alright Ma, was written in 1964.
• 1:16:16
  Speaker 17: Piece, the hollow horn plays wasted words proves to warn that he not busy being born is busy dying.
• 1:16:23
  Speaker 15: Well, try to sit down and write something like that. That there's a magic to that, and it's not, Siegfried and Roy kind of magic. You know? It's a it's a different kind of a penetrating magic.
• 1:16:38
  Seth Holehouse: So here I mean, Bob Dylan, you know, it's he's a famous story of the guy who sold his soul to the devil. Here he admits it. And you can see it that, you know, the interviewer is like, so why are you still doing this? Why are you still, you know, and and he's like, it's my agreement. I I I an I made an agreement with the commander.
• 1:16:56
  And you can see the commander, it's like, yeah. Like, he signed a contract to give his soul to Satan in exchange for fame. What's also interesting in that in the second half of videos, he's asking about, like, you know, can you still create this music? And he ref he he he's referencing how he doesn't know how crazy how how he made some of his earlier music that it was magic. Right?
• 1:17:17
  So again, I mean, who knows? Maybe he was it it was some sort of witches and covens, and I mean, who knows what actually led to the creation of this music, but I've heard all kinds of other theories. I mean, theories that you get into Donald Marshall, and there's all kinds of crazy stuff about how music is created and what comes about. But then what you realize, and here's the wild part in all of this, is that when you take a step back, what we've looked at right now, we are just looking at the hip hop industry. That's it.
• 1:17:48
  We're not talking about Hollywood. We're not talking about the education system. We're not talking about the banking industry. We're not talking about, you know, the politics. I mean, we're just talking about one sliver of our of our society, which is just hip hop, and look how deep it goes.
• 1:18:06
  I mean, honestly, I I I think that almost everything that we see around us is being engineered to control us. And and we can break out of that, of course, if we have free will. It's it's God's gift. You know, we have we can choose. But that's it just it's wild to think about, gosh, if this is going on in the hip hop industry, like, what's going on in Washington DC?
• 1:18:28
  That's one of my questions. Like, what kind of weird stuff's going on there? Are they casting spells? Are there witches and warlocks? And, I mean, like, pizza, you know, comet pizza type stuff.
• 1:18:40
  I mean, it's it it goes deep. But I promised you something from Richard Nixon. And honestly, the funny thing is is that the the more I keep diving into all this stuff, the more I realize is that almost everything we've been taught is a lie, and not just a lie, but it's the inverse of the truth. And you start realizing as you start as you research this, like, oh, wait. This guy is like he's like a villain in every history book, but he's actually was like a good guy.
• 1:19:05
  Right? And so with Nixon, it's like, was Nixon actually a good guy? I mean, he was brought down. You realize it's like, yeah, was it the CIA that brought him down? Actually, there's a good chance of anyway, I wanna show you this.
• 1:19:16
  It's a one minute video that I think was because we've focused so much on, like, the mega rich and selling your soul to achieve everything. This just felt like the perfect antidote to that. So check this out. Here's about a minute long. It's miss mister Nixon.
• 1:19:29
  Thank you, mister Nixon.
• 1:19:30
  Speaker 18: The unhappiest people of the world are those in the watering places, the international watering places like the South Coast Of France and Newport and Palm Springs and Palm Beach, going to parties golf every afternoon, then bridge, drinking too much, talking too much, thinking too little, retired, no purpose. And so while I know there are those who totally would disagree with this and say, gee, boy, if I could just be a millionaire, that would be the most wonderful thing. If I could just not have to work every day, if I could just be out fishing or hunting or playing golf or traveling. That'd be the most wonderful life in the world. They don't know life because what makes life mean something is purpose, a goal, the battle, the struggle, even if you don't win it.
• 1:20:30
  The unhappiest
• 1:20:32
  Seth Holehouse: You know, I I just I really, really appreciate that message. That's I mean, this is that's my life. It's it's a struggle. It's a battle. It's what I'm doing here.
• 1:20:40
  Right? This is this is my battle. This is my purpose, which is great. Like, having a sense of purpose in what you're doing. It's the best feeling ever.
• 1:20:47
  I want to bring attention to one, one comment actually that was made by Echo nineteen seventy who says that people can sell out to the devil, the soul belongs to God. I agree with you on that. And actually, I remember it's like, who kicked who out of heaven? It's a good point that even if somebody sells their soul to the devil. If they go to the devil and they say, you know what, I found God and they like he's I'm I'm on God's side now, and I don't care.
• 1:21:15
  Kill me if you want to, but I'm on God's side. That will break the contract. I really believe that. And this is also why as much as there's these really bad people in our world that we're discovering and we're identifying, I try to go back to that point is that maybe maybe like maybe Diddy hypothetically is all the bad things that he's done. Maybe he's sitting in this prison cell and and he has something something hits him.
• 1:21:42
  And he says and he tears up that contract with Satan and says, you know what? I don't care if I die. Like, I'm gonna give myself to God. Look at Justin Bieber. Right?
• 1:21:51
  He's, I guess, within the last couple of years has has done the same thing. Right? There's still opportunity for redemption. Right? Even on the cross, hanging on the cross next to Christ, the guy still had an opportunity for redemption.
• 1:22:03
  So it just it reminds me to not let it's not about giving you everyone a hall pass and say, okay, well, know, you're all the evil you've done doesn't matter, but it's it like, I'm not in their shoes. I don't know what they've been through. I haven't been put in the compromising positions they've been in, and so I should try to just look at things from a very magnanimous position and say, look, it's this is between them and God. Okay? So, folks, thank you for sticking around with such a long episode.
• 1:22:32
  I I feel like, this was actually one of my favorite shows to research and put together. Even though it's very dark, I I really do enjoy going deep into these subjects like this, because that to me, this is how we understand what's happening in the world. This is very, very important. I will say that if you enjoyed this show, I have a few small requests. One is give it a like.
• 1:22:52
  Alright? If you're watching Rumble, give it a like. If if you haven't followed me yet on Rumble, make sure you do. Hit that green follow button. I put out four or five shows like this every single week.
• 1:23:01
  Deep dives, good interviews, etcetera. So that's one request. But the other thing, the number one thing you can do if you wanna help me is to share this video. If you found that this was educational or helpful or eye opening, get a lot of moments, whether you watch the video or listen to the podcast, share it with a friend. It really, really helps because unfortunately, like the algorithms of the big, you know, big media companies, YouTube, the big tech, etcetera, they hate me because I speak the truth, or I speak what I believe to be the truth.
• 1:23:29
  I'm honest about what I'm trying to speak, and and they don't like it actually. So that prevents me from reaching a lot more people than I really should be. So, whenever you help out by sharing, that's a that really, really helps, move things along. The other thing you can do is just supporting my sponsors as well. So, you know, Noble Gold, I'll bring it up one more time.
• 1:23:46
  If you want to support this is this is what allows me to be an independent media. This is why I can talk about these things and not have someone say, hey, Seth. You can't say that on air. It's like, no. I'll say whatever I want to.
• 1:23:56
  If I believe this is true, I will say whatever I want to because I own man in America. I'm man in America. No one owns me, but I I do that because I have sponsors that help me do this because I've got, you know, I've got a lot of equipment. I've got staff to help me. So this it's it's a real it's a real production.
• 1:24:11
  So when you support the sponsors that help me, that's one of another great ways. So, again, if you've got some money sitting and saying IRA or four zero one k that you're thinking about it, just call Noble Gold. So (626) 654-1906 or gold with seth dot com. The other thing, though, actually, other company at this is heaven's harvest. Right?
• 1:24:30
  So here's a quick quick question. Do you think that there might be some sort of crazy chaos during the election, before the election, after the election? If you do, my number one question for you is how much food do you have set aside? I mean, it's a very serious question because there there could be a day, any day, where you can no longer go to the grocery store to buy some more food. So having a I my my recommendation is at least three months per person in your household.
• 1:24:58
  Look, maybe you'll you'll only get to a month, but anyway, storeable food, so important right now. So important. So heavensharvest.com. I've I've vetted a bunch of different companies. There's a lot of companies that sell these food buckets that are full of this cheap junk, like Kool Aid type stuff and pudding to make their calorie count high so that way it's it's cheaper per calorie.
• 1:25:18
  Heaven's harvest, these guys are great Christian patriots, high quality food. If you use promo code Seth, s e t h, you get to save 15% off your entire order. So, also, I'm gonna be doing a lot more of some prepping stuff. I've actually, I've got some really cool projects kind of in the works I'll be announcing very soon as it relates to prepping. I'll be doing a bunch of shows.
• 1:25:41
  I may be writing a book about it, which I'll be releasing somewhat soon. So anyway, we'll we'll see. Well, I'm making promises yet, but anyway, That's it. Thank you, folks. Thank you so much for sticking with me.
• 1:25:52
  What a what a great show. I hope you enjoyed it. I appreciate all the comments. I'm sorry there's a couple of trolls in there. You know, I have to do my best to get rid of those people.
• 1:26:01
  And, yeah, I look forward to it. So I'll be calling back again. You'll see, on Monday. So next week, it should be Monday through Friday. I think you'll see, shows coming out, 10PM eastern.
• 1:26:10
  That's the show is always published. It's 10PM eastern. So make sure that you're subscribed or you're following on Rumble, and I'll see you then. So, folks, thank you so much. Have a wonderful, wonderful evening, and we'll see you.
• 1:26:23
  Take care.