Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Ricardo Amerigo Matter, Parts Three and Four (EP1001)
Transcript
- 0:28Welcome to the Great Detactors of Old Time Radio from Boise, Idaho. This
- 0:33is your host, Adam Graham. If you have a comment, email it
- 0:36to me Box thirteen at Great Detectors dot net, Follow us on Twitter,
- 0:40Radio Attackers, and become one of our friends on Facebook, Facebook dot com
- 0:44slash Radio Attackers. Today's episode is brought to you by the financial support of
- 0:50our listeners, and I want to especially the ank Rebecca for her support.
- 0:54And we'll be sending along access to our premium site as we do with all
- 0:58donations of seven dollars or more, and you can support the show at support
- 1:02dot Great Detectors dot net. Well, now it's time to get into today's
- 1:07episode of yours truly, Johnny Dollar. This one is the Ricardo Amerigo matter.
- 1:12Let's go ahead and take a lesson from Hollywood. It's time now for
- 1:22Johnny Dollar. Yeah, Pete Corbyn, Donald, I found your message when
- 1:25I got in, but I don't know why I'm returning your call after that
- 1:27las thing I took from you. Well, at least you haven't a run
- 1:30out on us. Why should I? How would you like to explain what
- 1:33you were doing in Port Morris, New Jersey, yesterday afternoon at the scene
- 1:36of the so called accidental death of your client, Riccardo Amarigo. Oh yeah,
- 1:41I thought that was you. I saw that. God on there,
- 1:42it sure was. Are you in your office? Yeah, that's right.
- 1:46I thought you wanted to stay there. I do want to know that and
- 1:49a lot of other things. I'll see you in about an hour after I've
- 1:52made another call. Okay, okay, I'll be here tonight and every weekday
- 2:04Night. Bob Bailey in the transcribed Adventures of the Man with the Action Packed
- 2:07Expenser, count America's fabulous freelance insurance investigator Yaus Truley. Johnny Dollar expens account
- 2:23submitted by Special Investigator Johnny Dollar, location in Philadelphia, Pennsylvania, to the
- 2:29Philadelphia Mutual Liability and Casualty Company following his accounting of further expenses during my investigation
- 2:34of the Ricardo Amerigo matter. Expense account item six thirty three dollars seventy five
- 2:43cents dry cleaning and new shirts, socks, and so on, including one
- 2:46pair of shoes to replace the ones I lost in the South Jersey swamp while
- 2:52rescuing what I thought was a priceless Amadi violin and a muddy tide water in
- 2:55let's call Luckyhole Creek. But when I showed it to Harry Brand's in at
- 3:00Philadelphia Mutual, well, at least he promised to have an expert to look
- 3:04it over and pass final judgment. That's a reason forriteum seven eighty five cents
- 3:07taxi to Harry's office in the Security First Building. Oh, come in,
- 3:13John, Come in, Hi Harry. What have you found out? Nothing
- 3:17yet? But I should hear from the violin man? And he meant,
- 3:22John, I do hope I was wrong. It's done, Thanks Harry.
- 3:27I could have committed Mayham when you told me that fiddle I picked up on
- 3:30the swamp is in the Amadi. You think you're nearly drowned retrieving it?
- 3:34Oh, brother, that's putting it mildly. Butt. I'm sure Foresto will
- 3:37know for Reesto. Uh, Forresto's sir Negliario. However he pronounces it's the
- 3:42violin man. He really an expert. Well, he's the one who okayed
- 3:45the thirty thousand dollars policy on Amerigo's violin. Let's just hope this one's it.
- 3:51Did you learn anything in port marries? Only confirm what you'd already learned
- 3:54from Sergeant Peter's down there that someone had sawed through some steering connection on Amerigo's
- 3:59car before it crashed through the bridge. Yeah, still no sign of the
- 4:02body. No. Oh, a man named Adam Bowles call. Oh,
- 4:06he's an old friend, used to be a private detective and just can't get
- 4:10it out of his system. Oh well, he called me. You know,
- 4:13I know, and I must confess John that I'm inclined to agree with
- 4:16him that Peter Corbin, Aberrio's agent, didn't agent and beneficiary John and apparently
- 4:23the one person who knew amorgo Well, and I set it to add bulls
- 4:27until I was blue in the face area and I say it again, too
- 4:30easy? But who else? I don't know. That's what I came back
- 4:33here to find out. All the evice, circumstantial evidence. The kind of
- 4:38man would be a fool to let pile up against him if he really was
- 4:41gilly Even so, Harry, let me do it my own way. Huh.
- 4:46What if this Corbin tries to skip out, then will be the time
- 4:48to his getting Yes, mister Sharney Arrow, to see you, Sir Sharney
- 4:54Arrow, I knew that was it. Send him in a man is here
- 4:59John for Risto, Yes, sure, it's very Oh well come then,
- 5:03for rest all meet mister Dollar. How do you do, mister you brought
- 5:09the fiddle? Yeah, right here on the desk. Well, thank you,
- 5:15I'll open up the case. Well is it, mister Bronson, mister
- 5:24Dollar, I'm sure. Well, well, mister Shane raw Look, you've
- 5:30only got to look now that I have a cleaning ways. Some of the
- 5:32mud and the sword from the swamp point was a found We're lucky it did
- 5:36not do any real damage to change the appearance, but nobody could tell the
- 5:41way you gave it to me. Well, how about now that you've cleaned
- 5:44it up? Yes, ah, you see here the shape of the f
- 5:46holes, the curve to the bell. Yeah, the beautiful shape, the
- 5:50signs of age, and above all here you see the labor label through the
- 5:57f hole. You can see it there, Nicolo Amati, then it is
- 6:02Amarillo's. Gee, you're sure, mister Shaniero who the labeled, says and
- 6:08Foresto says, well, look, I talk with a fiddle player in the
- 6:11orchestra at my hotel last night. He told me there are literally thousands of
- 6:14imitations of every important violin ever made, shape, size, label and all.
- 6:17And I'll listen for Esto tell me the truth. Do you really consider
- 6:21yourself an expert? Poor Limelo? I'm gonna sell a wire Lin's into my
- 6:26storevio Lins, Harmonicus or Korna's Big Truth. How good are the violins?
- 6:30Yourself? A good one? Some as high as a sixty five of dollars?
- 6:35Harry, do you mean to tell me, with all due apologies for
- 6:39Usto, do you mean to tell me he was your authority for a thirty
- 6:42thousand dollars policy on Ricky Amerigo's violin? Well, of course, a representative
- 6:46from the will. It's a collection in Chicago, verified for Resto's opinion at
- 6:48the time. See your will. It shall know every good wire in the
- 6:53end the world. Harry, let me have it. I'll give you a
- 6:55receipt for it. I'll bring it back when I'm through with it. Whatever
- 6:57you say, John, I assume you want to check they're on the authenticity
- 7:00and you are right, John, Yeah, to put it bluntly, you've
- 7:05still not accomplished very much. And so far as Amerigo himself is concerned with
- 7:09this fiddle under my arm, I think maybe I will see you later.
- 7:18Maybe Harry had been right in the very beginning. Maybe I should have known
- 7:21a little more about music, or more specifically violins. Or maybe I should
- 7:27have left this aspect of the case to someone else and concentrated on the disappearance
- 7:30death of Riccardo Amerigo. Maybe I well expense account animate eighty cents taxi to
- 7:38booking agent Peter Corbyn's office. All right, Dolla, let's not waste either
- 7:43your time, Marina mine. You want to know what I was doing.
- 7:47That's right, Corbyn. Here, MARII I found it right where you planted
- 7:53it, and that swamped near Port Morris. You actually found a thank What
- 7:57do you mean where I planted it? What else were you doing there on
- 8:00the South Jersey swamps? Is that where you found you? Ought to know?
- 8:03But Frankly Covin, I think you overplayed it a bit when you tuk
- 8:07part of one of Amerigo's monogram shirts there with it. I don't know what
- 8:09you're talking about, actually, I mean it then what were you doing down
- 8:13there? And brother, you better make it good? The same thing you
- 8:16were trying to find out what happened to Ricky Americo. I tell you,
- 8:20Dalla, I was his best friend. It's a true fact. If his
- 8:24fiddle was down there too, I didn't see it. I wish I could
- 8:26believe you. By the way it looks from here, you were willing to
- 8:28have the Amadi island found lying out there in that salt marsh because you couldn't
- 8:31get rid of it without exposing yourself. It didn't put any money in your
- 8:35pocket. The way you figure Amerigo's death, well, the way it looks
- 8:39from here, Dala, that's where you're wrong. Yeah, yeah, actually
- 8:43wrong. If Amerigo's dead, I collected his insurance as is beneficial. That's
- 8:48what the policy says. But believe me, all right, But you think
- 8:50I wouldn't collect on the Amadi fiddle whether it was founder, if it wasn't
- 8:54found, That's where you're wrong. What are you talking about? Because I'm
- 8:58also a benefit visuary to his will. How do you know? Because I'm
- 9:03not only the soul and only air in his will, I'm also the executive,
- 9:07yeah, executive of his estate too. So if I was the heavy,
- 9:13what would I take a chance leaving the thirty thousand dollars fiddle laying around
- 9:16some swamp cover up thirty thousand dollars worth all right, what did you do
- 9:22with the hacks? Are you mean somebody saw it up the fiddle? Oh
- 9:26no, let me no, no, easy, Well you somebody saw it
- 9:30part way through a steering arm on Amerigo's car to make a crash. Bude,
- 9:35that's a pretty fair question. Oh no, oh no, Dola,
- 9:39no I oh no. Who would murder a nice, sweet guy like Ricky?
- 9:43Maybe he was a drunk, Maybe he hit the skids, but he
- 9:46had no enemies, he couldn't help. Okay. Maybe he was just a
- 9:48drunken bomb, worthless. He threw away a concert career, but he was
- 9:52still He was a gentleman, an actual gentleman, and he was a sweet
- 9:56guy. Nobody could have murdered him. Oh no, no, not rick
- 10:01Who was it? Tell me who was a lossy punk? I'll kill him?
- 10:05Okay, Pete, I believe you. I don't care whether you believe
- 10:07me or not. Would you tell me who done it? Hey? Would
- 10:11you listen to me? Look here, look here, and tell me is
- 10:18this Ricky's Amadi violin? Yeah? That's that's it, Ah, poor Ricky
- 10:28drunk? You're sure? I'm sure? All right, Pete, I'm gonna
- 10:31give it to you straight all I asked, is we don't know who killed
- 10:35Ricky Amrigo. We haven't even found his body. The Fort Morris police is
- 10:39still trying, of course, but it could have been carried by the tie
- 10:43through that inlet the Lucky Whole Creek right on out to the sea. Or
- 10:46of course it may appair somewhere along the creek. It'll take weeks to search
- 10:50that swamp thoroughly. Anyhow, if they do find him, I want to
- 10:52see he gets a decent burial. Will you promise me? Okay, I'll
- 10:56try, but listen with you. Because of the sword through steering arm,
- 10:58his death was made to look accidental, double indemnity, and you're the beneficiary.
- 11:05He not only wasn't making you any money because his drinking kept him off
- 11:07the concert stage, but he owed you money plenty. Now that's a motive.
- 11:11As for opportunity, who else had as much as you? Nobody,
- 11:15nobody, nobody, But I love the book guy. I try to keep
- 11:16him alive and get him back O me and I believe you. But the
- 11:20fact remains that the insurance company, the police, even a pretty smart private
- 11:24detective I know, all figure you for number one suspect, and I hope
- 11:28to accumulate enough evidence to moving on, and you're with them. No,
- 11:31no, yesterday right here you show you. I know I did, but
- 11:35I've had time to think it out. Depending it on you is just too
- 11:39easy, much too easy. I'll see it to your face. Pete.
- 11:43You're no metal giant. But only another fool would let circumstantial evidence like that
- 11:46pile up against him and then commit a murder like that. I may be
- 11:50wrong, Lord help you if I am and find out, but I think
- 11:56you're clean. I swear I am. I'm gonna play it that way unless
- 11:58I find solid reason to change my mind because Pete, Yeah, Johnny,
- 12:03you're the one person who can help me in this case. I'll do anything,
- 12:07actually anything. Just ask me, all right. First, tell me
- 12:11where you were last Friday evening when Amory goes car made that dive off that
- 12:15bridge Alabama. That's right, brother, and you can be sure. I'll
- 12:18check it at Willie's all right. Who's Willie? Willie? Willie Elliott.
- 12:22He's a saxophone plays one of my clients. He was a friend of Ricky's
- 12:24too. Where can I find him? What's his address? I'll write it
- 12:28down for you. We had a four handed poker game. Who else in
- 12:31the game, Jerry Goldsmith? You know Ricardo too? Oh yeah? Composer,
- 12:39conductor, violin player, fiddle player. Who is the fourth? Eric
- 12:43Snowden? Was he? It's a fiddle maker who lives at his shop.
- 12:46Write that fiddle maker? Did you say? Yeah? Yeah? Yeah?
- 12:50He was the sole and only man Ricky would ever let touches ABOUTI who repairs
- 12:54and fixing up the other stand? Who else? Were good friends of Ricardo's?
- 12:58Uh? Wiley was making it plenty lately. Nobody? You sure?
- 13:03Oh, nobuddy Johnny, I know, of course. He hung around a
- 13:05lot of bars. He was a regular. Give me a list. Well,
- 13:09let's see. There's a little place over on Pine Street called a yellow
- 13:13Lamp. Expense account item nine three seventy A quick sandwich for Pete Corobing and
- 13:20myself, and a flock of phone calls to Pete's poker pals, just to
- 13:22make sure they were in and available when I could get around to see them.
- 13:26I had to phony up an excuse for seeing each of them. Friend
- 13:30of Pete's just didn't from out of town, suggested I give you a call
- 13:33that sort of thing, and apparently it didn't arouse any suspicion. At least
- 13:35it was a start for the first time. Call it a hunt show,
- 13:41whatever you like. I felt I was going to get somewhere in this case.
- 13:45As it turns out, I was. Believe me, Johnny Dellar,
- 14:07your investigate Hello? What did you say? Who is this your investigating Ricardo?
- 14:13Yeah, that's right, I'm investigating the Ricardo Amerigo matter. Who are
- 14:16you hello? Listen? You have some information a tip on the case.
- 14:20Who are you hello? Hello? What is this a gag? Yeah?
- 14:26Or is it supposed to be some kind of a cock eye threat, a
- 14:28warning for me to get off the case? Believe me, this is no
- 14:31gag. Hello. Hello. Expense account submitted my special investigator, Johnny Dollar
- 14:46location in Philadelphia, Pennsylvania, to the Philadelphia Mutual Liability and Casualty Company following
- 14:52us an accounting of further expenses incurred during my investigation of the Ricardo Amerigo matter.
- 15:00Expense of con item ten twenty one dollars even for drinks for me alone,
- 15:05and believe it or not, I'm cold, sober, but the least
- 15:07I could do was buy one at each of the bars on the list.
- 15:09Pete Corbyn gave me a list of all the places Ricardo Amerigo used to hang
- 15:13out before his disappearance in a South Jersey swamp. In spite of all the
- 15:18circumstantial evidence pointing his way, I still wasn't convinced Corbyn had engineered an accident
- 15:22to kill Amerigo. Pete did also give me a list of Amerigo's closest personal
- 15:28friends. Three of them. I told them I'd see them later. Meanwhile,
- 15:31I hope to learn something helpful from the places where he apparently spent most
- 15:35of his time during his last few months on this earth. But the result
- 15:39can pretty much be summed up at the last bar on the list, the
- 15:43Hangover club. Yeah, quest eighty cents here keep the change. Thanks,
- 15:52Yes, just like I can tell you, mister, come in here by
- 15:58a few drinks, sit and drink them. Leave. Well, uh,
- 16:02didn't he ever talk to anybody, not even me? Just hit there and
- 16:06get plastered to one of his friends and come in and drag him away.
- 16:08Oh did you know any of them? Oh? Sure, well he got
- 16:11your saxophone player at the Crystal Room. Who else, Jerry somebody f little
- 16:18player, Jerry Goldsmith. Yeah, they're on my list. Anybody else Uh,
- 16:22oh yeah, way you're sure this agent Pete Carpet. Yeah that's true.
- 16:26Hey if you knew that, why you ask me? I've heard the
- 16:29same thing exactly twenty times so far today. Well I'll say this for him.
- 16:33They must have loved Amerigo. They might have fought argered with him when
- 16:37they caught him in here, but it was on for one thing, to
- 16:38try and straighten them on. But mister he was too far. And yeah,
- 16:44yeah, shame for a talent like him, consciented violinist to hit the
- 16:48kids the way he'd done. But nobody couldn't seem that the story had been
- 16:52exactly the same in every bar in the list. Apparently the only friends,
- 16:56the only associates that Ricardo Amerigo had had, where those Pete Corbyn had named
- 17:02expense account out of eleven won ten cav fair to the apartment of William Elliot
- 17:04over on Callowell Street. Same story, No new names of friends or even
- 17:10acquaintances. He and Corbin and Goldsmith and the old English violin maker Eric Snowden
- 17:15had known Emrigo for years, good times and bad, had all tried to
- 17:18help him straighten him out, were deeply grieved over his death. It Am
- 17:22twelve, five seventy cave to a suburb Carl Lenark to see Jerry Goldsmith,
- 17:26where I'll admit I expected to get the same story, the same names,
- 17:30no more, no less. This time I took the Amadi violin with me.
- 17:44Hi, who are you? I'm Johnny Dower. Oh, yes,
- 17:48you come in, friend of Pete Corbin's. You said, done, mister
- 17:55Goldsmith. I'll get right to the point. I'm an insurance investigator, and
- 17:59I came in violent that it looks like Ricardo's and the Amati Yes, oh
- 18:06thank god. I found it down on a South Jersey swamp where Amerigo's car
- 18:08plunged off the bridge. They had been lying there, hidden by the marshes
- 18:12for several days. Is it all right? May I see it? One
- 18:15reason I brought it along was so you could substantiate identification. I make no
- 18:18bones about it, mister Dollar. I coveted this violin like nothing else in
- 18:22the world. I've played many fine instruments, strads when you're a even this
- 18:27my statement, I see, but Ricardo's a matti. There was something between
- 18:33that violin and myself that could exist for no one else, not even Ricardo
- 18:37and Marigo when he was at his greatest and when he started his it's terrible
- 18:41downfall. You wanted it even more, Yes, more than anything else in
- 18:47the world, enough to kill for him, mister Dollar. I should kill
- 18:56you for even thinking such a thing. I love Ricardo, Okay, Sorry,
- 19:03The fact remains somebody saw it through a steering arm on his car.
- 19:07I still can't believe that no one could have killed Ricardo. No one.
- 19:11Only three others beside myself, even New Ricardo these past few years, Corbyn
- 19:17Elliott and Eric Snowden pity him, feed him, clothe him, try to
- 19:22fight him away from the liquor that had ruined his brilliant career. Yes,
- 19:26even hate him at time to what he'd done to his life. But murder,
- 19:30I'm sorry. May I sure it is the AMAI? Yes, yes,
- 19:42I know it as well as I know my own. May I play
- 19:45it? Sure? What's the matter? I don't know, mister Dollar.
- 20:22It isn't here. The tone of the brigants, the response, it isn't
- 20:26here. Something's wrong. You're sure this is the AMODI, of course,
- 20:29I'm sure. But something's wrong. Something's happened to it. It isn't the
- 20:32same. Well, you think the dampness of the swamp. But I don't
- 20:34know. You can see it's it's all right, but but it isn't well.
- 20:38I don't know anything about violin and no cracks, no marks, no
- 20:41damage even the sound post. But you're sure it's Ricardo Amorgos somebody, Yes,
- 20:48yes, I told you so. I couldn't possibly be mistaken. But
- 20:52something is. I don't you know something I don't either. I'm afraid I
- 21:07left Jerry Goldsmith rather abruptly and in a rather distressed condition. But I had
- 21:11plans, and the sooner I could carry them out, the better I had
- 21:15him. Thirteen on expense account, four to twenty taxi fair back into town
- 21:18at the shop of Eric Snowden, violin maker, the only man who'd been
- 21:22allowed to touch Riccado Emerigo's Ammadi, except of course, for the music store
- 21:25owner who'd cleaned it up after I found it in the swamp. Yeah,
- 21:27it was possible he had done something to it. It would destroy its tone,
- 21:32but for some reason or other, call it a hunter gale like I
- 21:34hope not. Snowden shop was located on a colorful little side street, really
- 21:40not much more than an alley called Eisminger Street. Right in the middle one
- 21:42of the busiest sections of the city, surrounded by skyscraper's office stores and all
- 21:47the traffic that goes with them. This one little alley, except for Snowden's
- 21:51place. The tiny buildings packed side by side are all residences left over from
- 21:56years gone by when this was a residential section, and still unspoiled the bustling
- 22:00activity around. Thank you, mister Romandy, and I'll be sure to hear
- 22:07you at the Academy of Music Saturday night. Sir, sir, mister,
- 22:12Yes, I'm Eric Snowden, but that violin case, I'm Johnny Dollar,
- 22:17I thought so. Please come in, mister Dollar. That's right, it's
- 22:25Riccardo Myrio. It's been found. Please let me, mister Snowden. I'm
- 22:29an insurance investigator. Quite of my job has been recovery of this violin.
- 22:33It's possible lost. Was the most heartbreaking thing I ever contemplated. But you
- 22:37found it, I think so. You think I don't understand Here, take
- 22:42it, examine it, Yes, but not here. Come we'll go up
- 22:47to my workroom on the second floor where I can check it entirely. I
- 22:51locked this front door so we won't be disturbed. Now, come with me,
- 22:55please. I can't believe it. It's so wonderful you found it would
- 23:00have been a terrible loss to the world. Yeah, I guess so you're
- 23:03not a violinist yourself. No, I'm afraid. The only violent music I
- 23:07know is what I hear. And now here we are quite a shot.
- 23:15Most of the finest violins in the world have been here one time or another.
- 23:18The start of Arius of Yash was quite a shot. The walls were
- 23:22aligned with fiddles in the making and with tools, some for Maduran, some
- 23:26that were EXAs. A couple of them small and delegate boy, but one
- 23:33big one dirty Eric Snowdon turned away to open the violent case. I ran
- 23:38my fingers over the blades. There was grease on one Greece now here.
- 23:49Oh well, mister Snowdon, Yes, mister Dollar, this is Ricardo Marigo's
- 24:00violin. Is certain of that? Do you think that I, of all
- 24:04people, wouldn't know mister Dollar aside from Ricardo himself, I am the only
- 24:10person who has touched this magnificent instrument for years now. I must confess I
- 24:15resent your least question of my judgment. All right, I'll be honest with
- 24:18you. I don't pretend to know much about violin. So I had somebody
- 24:21playing a while ago. Secret might be that, as it may, it
- 24:25didn't sound to him, or even to me, like a thirty thousand dollar
- 24:26violin. And whom did you permit to lay hands on this priceless instrument?
- 24:32A friend should be horsewhipped. Only an artist, a great artist, should
- 24:37be permitted to handle a thing like this. But I suppose you understand that,
- 24:42mister dollar. I don't suppose you will go on, mister dollar.
- 24:52Someone has tampered with this. Oh, of course it doesn't sound right.
- 24:56Did this friend of yours presume to be a violin maker? To what do
- 25:00you mean? The sound post, the placement of the bridge? Of course
- 25:03it doesn't sound right. Now, why does somebody have to do you want
- 25:07to answer that? No, let them wait. This is more important.
- 25:11No wonder you or your friend or anyone else questioned the validity of this instrument.
- 25:15Hey, whoever that is down there, he really wants you. Look
- 25:18here, A simple adjustment here and here, Oh, bother, go ahead,
- 25:23I wait, all right, I shall be right back. It was
- 25:27a quick suspicion when I spotted the hacks on the wall, and I couldn't
- 25:30forget the warning over the phone. Snowden waited on his customer. I poked
- 25:34around the shop some more, looking for goodness knows what, and I found
- 25:38exactly nothing. No doubt Snowden was telling the truth until I started to sit
- 25:44down to wait for him, And as I pulled over a stool, I
- 25:47knocked open the door of a cabin next to his workbench. I started to
- 25:49close it again, and then I saw it hanging there on the hooker's a
- 25:55island. I grabbed it out of the cabinet and held it under the light
- 25:57beside the one in Amerigo's case. I held them up together. It was
- 26:02unbelievable. The shape, the color of the markings Nixon, the little pigs
- 26:06you tune them up, with a spot of stain on the scroll, even
- 26:08a tiny, almost indiscernible scratch on the back, an old pencil mark on
- 26:11the inside in the label. It was impossible, but it was true.
- 26:18These two violins were absolutely identical. Now here's our star to tell you about
- 26:37tomorrow's final intriguing episode of this week story Tomorrow. Well, let's a wind
- 26:42up, but believe me, and wind up with a real twist. Join
- 26:48us won't you Yours Truly Johnny Dollar. Yours Truly Johnny Dollar, starring Bob
- 27:03Bailey, is transcribed in Hollywood. Written by Sam Dawson. It is produced
- 27:07and directed by Jack Johnstone. Be sure to join us tomorrow night, same
- 27:12time and station for the next exciting episode of Yours Truly Johnny Dollar. Roy
- 27:18Rowan speaking welcome back. Well, I'm I was curious whether anyone would seriously
- 28:26call their club the Hangover Club, and I found out there isn't indeed an
- 28:32establishment by the name by that name in London. And uh, it looks
- 28:40like Johnny's got some good instincts and sands to double his expense account, which
- 28:45is always substantial, as well as his commission on the case if he's able
- 28:51to prove someone did it other than the promoter. Well, there's something definitely
- 28:55fishy with this case, and we're going to find out what it is on
- 28:59Friday. Now we turn to listener comments and feedback, starting with Rebecca,
- 29:03who says, Adam, I've been listening on and off since you began podcasting.
- 29:06I love the app and often used it for bedtime stories. Well,
- 29:10thanks so much, appreciate your support. Have an email from a listener in
- 29:14Washington State, who mentions that he subscribes to several podcasts, including many of
- 29:19the old ones, and he says, I may load a chunk of Great
- 29:22Detectors or several Johnny dollars onto my iPhone I've had for offline listening. I
- 29:29also bought two apps for Dragging It and Great Detectors, and often listen that
- 29:32way using Wi Fi over and sell your liar data when in the car or
- 29:36walking. One thing I will mention for listeners if you do have the app,
- 29:42you can press the press the star option and you can download those on
- 29:49your app and be able to listen to them offline, so that it's not
- 29:56a cumbersome where you're not dependent on a Wi Fi connection, if that's a
- 30:00concern. But anyway, he continues, in the beginning, I listened to
- 30:06random episodes and didn't care about original order. Lately, I've been listening to
- 30:15in order of your original broadcast. As such, if you're discussing listener drive
- 30:18or some other special type today, I won't hear for years. I don't
- 30:25use Facebook or Twitter much, but do allow Great Detectors on both every few
- 30:29days, but that can be cluttered looking for your items and the mass of
- 30:33other tweets and Facebook stuff. Perhaps my confusion is how should a new follower
- 30:40proceed through the episodes and still hear new or special offense things. Maybe there's
- 30:44already an answer somewhere that I am missing. Okay, and thanks so much
- 30:49for the question, Woddie, and I think this is a good general question.
- 30:53I send him a reply, because, like you said, might not
- 30:56get it if we just talk about it on the show. But what I
- 31:02would say, if you're new to the program and you want to go back
- 31:06through the archives, I'd recommend listening to our Tuesday program, whatever that is.
- 31:11Usually they're short. We did have Jeff Reagan go about thirty three weeks,
- 31:21but that was just because I found out there were more episodes after than
- 31:27I knew about originally, after I had already decided I was going to do
- 31:33the series. Most of them, particularly recently, have been fourteen weeks or
- 31:37last. So you listen on Tuesdays and you can catch what the current stuff
- 31:41is going on and any sort of campaigns, and then just go back through
- 31:45the old ones. To be honest, this is probably a good time to
- 31:48start listening, even to other shows. We're still about a couple of weeks
- 31:52away to get from getting our new Thursday show. So I think that either
- 32:00listen on Tuesdays or just listen to all the new shows and then work your
- 32:06way back through the old shows at your leisure. That would probably be my
- 32:10favorite approach, depending on how many episodes I had to download. I know
- 32:15that I did that with one of Andrews podcasts. I was listening to his
- 32:22podcast of Tales at the Texas Rangers, and I got behind and I started
- 32:27listening to the shows that he was then currently doing. I'd listen to one
- 32:34of those and then I would listen to one or more of the previous shows
- 32:37to see if I'd get caught up, and that way keep in touch with
- 32:40what was currently going on with Tales of the Texas Rangers. So that would
- 32:45be my recommendation. And thanks so much for the email. We also received
- 32:52this from a Gainner who says, I love all your shows. You do
- 32:55a wonderful job. It reminds me when I was growing up. Dan and
- 33:00I would shut the TV off and he would play these old time shows for
- 33:05me, very fond memories. Well, we're glad to revive those memories for
- 33:07you. And help other listeners make new ones. Well, that'll do it
- 33:12for today. We will be back tomorrow with another one of Edgar Allen Poe's
- 33:17great mysteries, and then join us back here on Friday when we wrap up
- 33:22the Ricardo Amarigo matter. In the meantime, your comments are appreciated Box thirteen
- 33:25at Great Detectors dot net, follow us on Twitter at Radio Detectors, and
- 33:30become one of our friends on Facebook, Facebook dot com. Slash Radio Detectives
- 33:35from Boise, Idaho. This is your host, Adam Grahamson and off