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Malcolm Mays Interview · The Breakfast Club

• 0:00
  Speaker 1: This is your wake up Home, woke up Breakfast Club
• 0:04
  Speaker 1: to show you love to hate from the East to
• 0:06
  Speaker 1: the West, Coat d J M, Angela Yee, Charlomagne, the
• 0:10
  Speaker 1: Rulers show on the planet. This is why I respect
• 0:12
  Speaker 1: this show because this is a voice of society. James
• 0:15
  Speaker 1: in the game, guys are the coveted morning show. What
• 0:18
  Speaker 1: y'all earn it? Exacting the coach shore week up in
• 0:21
  Speaker 1: the morning in hday want to hit us, but the
• 0:24
  Speaker 1: world's most dangerous morning show, Good morning you s a listen, guys,
• 0:36
  Speaker 1: it's Angela yee, It's the Breakfast Club. I am actually
• 0:40
  Speaker 1: doing my show from home this morning because they did
• 0:42
  Speaker 1: stay to stay up the roads unless it was an emergency.
• 0:44
  Speaker 1: I know Charlomagne and Nvy are driving in, but it's
• 0:47
  Speaker 1: a little bit rough out there. We actually had flash
• 0:50
  Speaker 1: floods here in the New York City and the New
• 0:53
  Speaker 1: Jersey area was a state of emergency that was effective immediately,
• 0:57
  Speaker 1: all in response to Tropical Storm Ida. So personally on
• 1:01
  Speaker 1: my block, it was completely flooded. The basement's flooded, roof.
• 1:06
  Speaker 1: There's a couple of weeks, but I want to say
• 1:08
  Speaker 1: we're very fortunate that it's not worse than than that,
• 1:12
  Speaker 1: but we're not used to this. This is the first
• 1:14
  Speaker 1: time they've ever had to issue a flash flood morning
• 1:16
  Speaker 1: here in New York City, so this has never happened.
• 1:20
  Speaker 1: The subways were closed from last night, but we'll give
• 1:22
  Speaker 1: you all that information this morning. There is all kinds
• 1:26
  Speaker 1: of damage. People have died. They said about eighty thousand
• 1:29
  Speaker 1: customers in New Jersey have lost power. Fifty three hundred
• 1:32
  Speaker 1: people in New York have lost power. So everybody, if
• 1:35
  Speaker 1: you're out, if you're getting up, you're getting ready to
• 1:37
  Speaker 1: go somewhere, please reconsider. I know there's a lot of
• 1:40
  Speaker 1: cars that are abandoned on the streets. I know New
• 1:43
  Speaker 1: Orleans is still having issues. I know Louisiana in general
• 1:46
  Speaker 1: is still having issues. I know people who've had to drive,
• 1:49
  Speaker 1: you know, over an hour to get gas and drive
• 1:51
  Speaker 1: to another city. So right now it feels like global
• 1:56
  Speaker 1: warming issues. Guys, all right, but we have let me
• 1:59
  Speaker 1: see was coming on the show this morning. Who're doing
• 2:02
  Speaker 1: because y'all know just usually Envy's part. Oh, Malcolm Mays. Yes,
• 2:07
  Speaker 1: Malcolm Mays is gonna be on this show this morning.
• 2:09
  Speaker 1: He's extraordinary as far as being a writer. He also
• 2:14
  Speaker 1: is an actor. You know him from being on Snowfall,
• 2:17
  Speaker 1: you know him from right now, he's on Raising Canaan.
• 2:22
  Speaker 1: On Stars he plays Lulu, and then he's also has
• 2:25
  Speaker 1: several movies that he's working on and that he's writing.
• 2:27
  Speaker 1: So we're gonna discuss all that this morning. But he
• 2:29
  Speaker 1: has a fascinating life. He is from la and his
• 2:33
  Speaker 1: uncle is actually two ky So we'll talk about all
• 2:37
  Speaker 1: of that when he comes through this morning. But next
• 2:39
  Speaker 1: up we do have Front Page News, and after that
• 2:42
  Speaker 1: we have a you know, get it off your chest.
• 2:44
  Speaker 1: So I know a lot of people are gonna want
• 2:45
  Speaker 1: to call him this morning talking about their own experience.
• 2:47
  Speaker 1: Is about what's going on again. Look, I know I
• 2:50
  Speaker 1: posted like what my block was looking like, and I
• 2:53
  Speaker 1: saw some people being like, all right, y'all, we used
• 2:55
  Speaker 1: to it here, but you know, we're not used to
• 2:58
  Speaker 1: this in New York. But I do always feel like
• 3:00
  Speaker 1: we have empathy when this happens in other places. Right
• 3:03
  Speaker 1: now is really bad and other states and in other cities.
• 3:06
  Speaker 1: So let's all just make sure we support each other
• 3:09
  Speaker 1: right in this time. All right, So next up Front
• 3:12
  Speaker 1: Page News, we'll be telling you more about what's been
• 3:14
  Speaker 1: happening with these heavy floods, with this tropical storm. And
• 3:17
  Speaker 1: it's the Breakfast Club. It's the breakfast Club. It's the Thursday.
• 3:22
  Speaker 1: I'm precedented things happening. I'm Angela Yee. Charlomagne and V
• 3:25
  Speaker 1: are on their way into work. They did say to
• 3:28
  Speaker 1: stay up the road. I got up this morning and
• 3:29
  Speaker 1: thought about going into work, and then I was watching
• 3:32
  Speaker 1: the news and seeing all these cars that have been
• 3:34
  Speaker 1: stuck places and all this flooding going on, and I said,
• 3:37
  Speaker 1: you know what, let's set up this equipment. So in
• 3:39
  Speaker 1: New York and New Jersey, they have declared emergencies. At
• 3:42
  Speaker 1: least nine people have been reported dead and the record rains.
• 3:45
  Speaker 1: According to New York Governor Kathy Hokl, she said, I'm
• 3:47
  Speaker 1: declaring a state of emergency to help New York is
• 3:49
  Speaker 1: affected by tonight's storm. The New York City Mayor Build
• 3:53
  Speaker 1: de Blajio described the flooding and weather as a historic
• 3:55
  Speaker 1: weather event. The National Weather Service issued a flash flood
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  Speaker 1: of emergency in New York City. This is the first
• 4:01
  Speaker 1: time in history that this has happened. At least one
• 4:04
  Speaker 1: person was killed as a flooding was in New Jersey
• 4:06
  Speaker 1: in Passaic. NBC New York reported one more person died
• 4:10
  Speaker 1: in New Jersey and seven died in New York City,
• 4:12
  Speaker 1: which included a two year old boy, according to local media,
• 4:16
  Speaker 1: They reported that people had been trapped in their basements
• 4:18
  Speaker 1: as the storm sent waters surging throughout the city. So
• 4:22
  Speaker 1: they had told people you had to stay off the streets,
• 4:24
  Speaker 1: they said until five am. All non emergency vehicles were
• 4:27
  Speaker 1: banned from New York City streets because of the weather.
• 4:29
  Speaker 1: They said, please let these emergency vehicles get through and
• 4:32
  Speaker 1: be able to do their job and help people. Nearly
• 4:35
  Speaker 1: all New York City subway lines were suspended late yesterday
• 4:38
  Speaker 1: as the remnants of Ida brought to rental rain and
• 4:41
  Speaker 1: the thread of flash fledged and tornadoes. Even so, everybody, please,
• 4:46
  Speaker 1: if you're out there, be safe. Flights were suspended. I
• 4:49
  Speaker 1: know some people who were on flights. I saw my girl,
• 4:52
  Speaker 1: Summer Walker, was on a flight and she was waiting
• 4:54
  Speaker 1: to take off, and then they ended up just canceling
• 4:59
  Speaker 1: the flight and a RISCA mesuling it for this morning. Now.
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  Speaker 1: Four people that were killed in New York City were
• 5:03
  Speaker 1: trapped in their basement as the storm sent water rushing
• 5:07
  Speaker 1: throughout the city and really unfortunate situation. A sixty six
• 5:11
  Speaker 1: year old man in Brooklyn was discovered dead in the
• 5:13
  Speaker 1: basement of his apartment this morning around twelve thirty five am.
• 5:16
  Speaker 1: A woman in her forties was found dead in her
• 5:18
  Speaker 1: apartment on Grandsonshi Parkway as well. So Trenton police officers
• 5:23
  Speaker 1: also have issue. But they were going door to door
• 5:26
  Speaker 1: last night checking on residents, encouraging people to leave their homes.
• 5:29
  Speaker 1: But it's a mandatory evacuation in Trenton, New Jersey, So
• 5:33
  Speaker 1: everybody please, like I said, let's be safe, you guys.
• 5:38
  Speaker 1: And also let's talk about unvaccinated players. For the Nets,
• 5:42
  Speaker 1: the Knicks, and the Warriors, they will not be allowed
• 5:45
  Speaker 1: in their home arenas if they haven't received that vaccine.
• 5:48
  Speaker 1: That's also due to local regulations. In New York and
• 5:52
  Speaker 1: San Francisco, unvaccinated players have been banned from entering their
• 5:56
  Speaker 1: respective arenas, and visiting players who aren't vaccinated, however, will
• 6:00
  Speaker 1: be allowed to play. So for those visiting players, they
• 6:03
  Speaker 1: don't face the same standards as home players. That doesn't
• 6:06
  Speaker 1: make any sense to me, because if the regulations are
• 6:08
  Speaker 1: you can't come into these events without being vaccinated. I
• 6:11
  Speaker 1: don't think other players should be allowed to do it
• 6:12
  Speaker 1: if they're forcing the home staff to do it, but
• 6:14
  Speaker 1: coaches and teams and arena staff will interact with players
• 6:17
  Speaker 1: and reps are also required to be vaccinated as well.
• 6:20
  Speaker 1: As we've told you guys previously. I hear someone coming
• 6:24
  Speaker 1: in that be all right, yeah, you hear me. He's
• 6:32
  Speaker 1: he's on his way into How is it? How is
• 6:36
  Speaker 1: it driving into work? I mean, I know, I know,
• 6:39
  Speaker 1: we naturally syndicated. What I was fine leaving Jersey is
• 6:42
  Speaker 1: when I got to New York on the West Side Highway,
• 6:44
  Speaker 1: I guess a tree or something that fell, and I
• 6:47
  Speaker 1: think it just fell because there was no like police
• 6:50
  Speaker 1: or anything on the scene. And I just saw all
• 6:51
  Speaker 1: the cards that were involved in the wreck because of
• 6:54
  Speaker 1: the tree falling. So I mean, yeah, but other than
• 6:57
  Speaker 1: the West Side, it was cool. Yeah. Well, this is
• 7:00
  Speaker 1: never happened before in New York City. A flash flood
• 7:02
  Speaker 1: emergency warning, so this is unprecedented. Are actually actually the
• 7:07
  Speaker 1: juice bar that we own is completely flooded in the basement? Wow,
• 7:12
  Speaker 1: Like yeah, it's bad. The subways are flooded. They shut
• 7:15
  Speaker 1: down the subway systems. This has never happened here before.
• 7:18
  Speaker 1: I was outside, like, I don't recall it ever being
• 7:21
  Speaker 1: as bad, and my whole block was flooded. It's dangerous
• 7:24
  Speaker 1: for people whose cars are underneath the water. So we'll
• 7:26
  Speaker 1: see what the remnants of all this will be, even
• 7:28
  Speaker 1: though it's not raining anymore right now. But that is
• 7:30
  Speaker 1: your front page news, so right now you can get
• 7:33
  Speaker 1: it off your chest. Call us up eight hundred and
• 7:34
  Speaker 1: five A five one oh five one. It is the
• 7:36
  Speaker 1: Breakfast Club. The Breakfast Club is your time to get
• 7:44
  Speaker 1: it off your chests, whether you're mad or blast. So
• 7:46
  Speaker 1: people have the same industry. We want to hear from
• 7:49
  Speaker 1: you on the Breakfast Club. Hello, who's this yo? DJD
• 7:57
  Speaker 1: Something I want to say, Shout out to y'all. Flu
• 8:00
  Speaker 1: to dj Andy because your birthdays tomorrow My birthday, do
• 8:06
  Speaker 1: you know it's that's right. Also, shout out to my wife.
• 8:10
  Speaker 1: She just started a cake business on the Graham. Her
• 8:14
  Speaker 1: page is called Golden Afternoon Bakery and she's in Florida
• 8:19
  Speaker 1: and she's amazing. I'll go check that out Cake Afternoon.
• 8:23
  Speaker 1: Bas Yeah, you got you gotta clarify that when you
• 8:25
  Speaker 1: said your girl is on the Graham selling cakes, you
• 8:28
  Speaker 1: know what I mean? The strange world, No no, no, no,
• 8:31
  Speaker 1: no no, not kind of got you got you, not cupcakes,
• 8:34
  Speaker 1: sweet treats and stuff like that, not those kind of king, true, true, true.
• 8:38
  Speaker 1: I appreciate thank you man, all right, king, Hello, who's this?
• 8:43
  Speaker 1: All right? Good morning? This royal from Brooklyn? How you
• 8:45
  Speaker 1: got you? Loyal from Brooklyn Royal? I'm sorry, what's anybody
• 8:52
  Speaker 1: loyal in Brooklyn? My back, but I'm having mixed emotions
• 8:58
  Speaker 1: this morning. Last night is almost everything I love and
• 9:02
  Speaker 1: a ho and go underwater. And it's crazy because I
• 9:07
  Speaker 1: read a room in the basement and I'm just literally
• 9:10
  Speaker 1: sitting on my bed and I couldn't move. I really
• 9:13
  Speaker 1: really couldn't move my cutting it off my bad. I
• 9:14
  Speaker 1: didn't want to set my foot in the water. Lance
• 9:17
  Speaker 1: and dirt and stuff just rolling in my room and
• 9:21
  Speaker 1: I literally so helpus. I did not know what to do.
• 9:24
  Speaker 1: So the landlord lives in Colarda, so I have to
• 9:27
  Speaker 1: call her, but she can't right, but she just said
• 9:30
  Speaker 1: some people to come and help, and me and the
• 9:32
  Speaker 1: girl next sold. We didn't have to sweep up water,
• 9:36
  Speaker 1: mopped it up and they had like the suction thing
• 9:38
  Speaker 1: to pick up all the water. So eventually we got
• 9:40
  Speaker 1: everything like done, and stil some certain pots I'm in
• 9:44
  Speaker 1: the basement that you be like cleaned out. Of course,
• 9:46
  Speaker 1: the water gonna get certain stuff moldy and murky, so
• 9:49
  Speaker 1: you definite have cally know things out. But it was
• 9:52
  Speaker 1: just crazy. I didn't know how. I just thought it
• 9:56
  Speaker 1: was just gonna rain out. I did not know all
• 9:57
  Speaker 1: the physicals gonna happen. I didn't know it's gonna be
• 9:59
  Speaker 1: that bad either. How Black is flooded right now in Brooklyn,
• 10:05
  Speaker 1: the Juice Spire, where the Juice Spire is is completely flooded.
• 10:08
  Speaker 1: You sell what the train stations we're looking like. So
• 10:10
  Speaker 1: and you know if you have a dehumidifier that will
• 10:12
  Speaker 1: help you too to get rid of all that moisture,
• 10:14
  Speaker 1: because you're right, it will get moldy. Yeah, I definitely
• 10:17
  Speaker 1: definitely thought about invested in one, regardless because I am
• 10:20
  Speaker 1: in the basement. But um, on the bright side, I
• 10:23
  Speaker 1: am throwing my first event to speaking, so I'm excited.
• 10:26
  Speaker 1: There you go. I love the Pivot. I love the Pivotal.
• 10:30
  Speaker 1: Literally last night I'm like, oh my god, it's like
• 10:32
  Speaker 1: this just like the worst thing that can happen. But
• 10:34
  Speaker 1: on Saturday I did saw my own smoovie line, and
• 10:38
  Speaker 1: I'm throwing my own supertainctes Saturday, so we're right without
• 10:42
  Speaker 1: the information. Yes, I'm throwing it. It's gonna be in clean.
• 10:47
  Speaker 1: It is a um this section also a certain amount
• 10:51
  Speaker 1: of people, so it's not just a walking and type
• 10:53
  Speaker 1: of thing because I just want a certain amount of
• 10:54
  Speaker 1: peoplecause it's my first event, so it's gonna be kind
• 10:56
  Speaker 1: of small. But my smoothe line is called red Juice
• 11:00
  Speaker 1: is underscore Red underscore juice. And I still help you
• 11:04
  Speaker 1: fool these I do talk drinks sosulys sakes and in
• 11:08
  Speaker 1: hope of having my own far hopefully by next summer. God,
• 11:13
  Speaker 1: and where's the event at? Tell them where it's at
• 11:14
  Speaker 1: in Queens. It's in Queens. It's um twenty two hundred
• 11:19
  Speaker 1: two twenty or one avenue law until okay and um
• 11:24
  Speaker 1: and yeah if people want to pop up and just
• 11:27
  Speaker 1: you know, google something this twenty five dollars tickets though
• 11:30
  Speaker 1: what time? What time? What time? It starts at five?
• 11:33
  Speaker 1: All right? Good luck? So thank you so much. You
• 11:37
  Speaker 1: guys are great. I love you so much. Love they
• 11:41
  Speaker 1: love her positive energy this morning. I love that pivot.
• 11:43
  Speaker 1: You know what I mean because I walked in here
• 11:44
  Speaker 1: and I saw i'd say, apocalyptic scenes in New York City.
• 11:47
  Speaker 1: And you know, I heard her talking about the flood
• 11:49
  Speaker 1: in her basement, but then she pivoted to something positive
• 11:52
  Speaker 1: because you know what she said was true. It's just like,
• 11:54
  Speaker 1: that's not the worst that could happen. There's people in
• 11:57
  Speaker 1: Louisiana right now that are really experiencing the worst that
• 12:00
  Speaker 1: could happen, you know what I mean. So I always know,
• 12:02
  Speaker 1: regards what you're going through right now, there's always somebody
• 12:05
  Speaker 1: out there, you know, that's going through worse. Yeah, I'm
• 12:07
  Speaker 1: fair sure everybody out there, but there are people who
• 12:10
  Speaker 1: have died here too, Nine people have died, so you know,
• 12:12
  Speaker 1: it's not a comparison I think of what's worse. It's
• 12:15
  Speaker 1: just unfortunate for everybody. Catastrophic situations. Eight on drink five
• 12:20
  Speaker 1: eight five one oh five one. Get it off your
• 12:22
  Speaker 1: Chests is to Breakfast Club. Good morning, the Breakfast Club.
• 12:29
  Speaker 1: I'm telling, I'm telling what's doing calling you if this
• 12:34
  Speaker 1: is your time to get it off your chest, whether
• 12:36
  Speaker 1: you're mad or blessed eight hundred five eight five one
• 12:38
  Speaker 1: oh five one, we want to hear from you on
• 12:40
  Speaker 1: the Breakfast Club. Hello, who's this George. Hey George, what's up?
• 12:45
  Speaker 1: Get it off your chess? Bro Hey this ZMBI yes, sir,
• 12:49
  Speaker 1: hey man Virgo season. Happy birthday, firstday man, So I
• 12:53
  Speaker 1: know your birthday is small. I'm September thirteenth, so just
• 12:56
  Speaker 1: wanted to say that. You also wanted to give us
• 12:59
  Speaker 1: you'll up to my queen Christina, who've been larried in
• 13:02
  Speaker 1: like forty something days October fifteen, So got that coming up.
• 13:06
  Speaker 1: And uh, you know, thank y'all for being on the
• 13:10
  Speaker 1: radio every day. I listened to y'all. I'm out here
• 13:12
  Speaker 1: in Kelly, and I just wanted to give you all
• 13:15
  Speaker 1: y'all flowers, you know what I mean. Thank you brother,
• 13:17
  Speaker 1: A happy birthday, brother, Hey, thank you? Man. What's up?
• 13:20
  Speaker 1: Uncle CHARLOA yes, sir, he love y'all. Oh, I got
• 13:25
  Speaker 1: one last thing, Envy. How are you the car guy?
• 13:27
  Speaker 1: You can't change your tire? Man? I know how to
• 13:29
  Speaker 1: change the time. I just Lincoln Tech actually taught me
• 13:32
  Speaker 1: about a couple of months ago not to change the time. Now. Okay,
• 13:35
  Speaker 1: all right, that's good stuff man. Love y'all have a
• 13:38
  Speaker 1: BLUs morning, righty tiddy, lefty Lucy. I figured that out
• 13:41
  Speaker 1: last a couple of months ago. Hey, you got it, bro,
• 13:43
  Speaker 1: all right, man, have a good one. Man, all right, Hello,
• 13:46
  Speaker 1: who's this Hello? My name is dominic Um and I
• 13:50
  Speaker 1: just really wanted to talk about to treat me a
• 13:53
  Speaker 1: black people in eastern North Carolina. I'm moved he a
• 13:57
  Speaker 1: couple of months ago from Charlotte, and it's been terrible,
• 14:00
  Speaker 1: like I've been discriminating again, like I've been almost bit on,
• 14:04
  Speaker 1: like it's crazy, like, um, I don't know what to do,
• 14:07
  Speaker 1: like and I know that you guys are big business
• 14:11
  Speaker 1: on like entrepreneurs and like mental health, and I just
• 14:14
  Speaker 1: really need some advice. Okay, you see, you need some
• 14:17
  Speaker 1: advice on what exactly he's saying that they treat him
• 14:20
  Speaker 1: a little crazy. They're very racist, and he's coming, he's
• 14:23
  Speaker 1: coming from up top and he just needs some advice
• 14:24
  Speaker 1: because he's going through it. Well, I can recommend you
• 14:27
  Speaker 1: a good, a great book. You know, there's a book
• 14:29
  Speaker 1: called My Grandmother's Hands by Resimementic him and you know,
• 14:33
  Speaker 1: he talks about exactly that. He talks about the trauma
• 14:36
  Speaker 1: that you know, black people have experienced because of racism
• 14:39
  Speaker 1: in America. I mean that's a start, and it's a
• 14:41
  Speaker 1: lot of practices in the book that you can do
• 14:43
  Speaker 1: with the end of the chapter, like breathing exercises and
• 14:45
  Speaker 1: things like that to get you back to center. Awesome,
• 14:48
  Speaker 1: Thank you so much. And I and I also want
• 14:50
  Speaker 1: to thank you um for your just like your honesty
• 14:53
  Speaker 1: and your transparency with mental health, because I suffer from
• 14:57
  Speaker 1: uh mental illnesses myself, so I greatly appreciate that. And
• 15:02
  Speaker 1: thank you for looking out for our young black men
• 15:05
  Speaker 1: and just our black men in general and our black
• 15:07
  Speaker 1: people in general as well. Thank you King. Do you
• 15:10
  Speaker 1: want my thing? Can I shout out to my cleaning company?
• 15:12
  Speaker 1: Can you guys, please, please please please give me a
• 15:15
  Speaker 1: big follow on Instagram. My cleaning company is a r
• 15:19
  Speaker 1: r OW Cleaning Arrow Cleaning on Instagram. Please check me out.
• 15:23
  Speaker 1: I'm in eastern North Carolina. Anything you guys do, he
• 15:27
  Speaker 1: will be a great help. Thank you so much, you guys,
• 15:29
  Speaker 1: Thank you brother. You love you, love you too. Get
• 15:33
  Speaker 1: it off your chest. Eight hundred five A five one
• 15:35
  Speaker 1: O five one. If you need to vet, you can
• 15:36
  Speaker 1: hit us up now. We got rooms on the way, yes,
• 15:38
  Speaker 1: and we do have to send our condolences to Ninny
• 15:41
  Speaker 1: Leaks into her family and her husband Greg Leeks, and
• 15:45
  Speaker 1: his family. He has unfortunately passed away and we'll discuss
• 15:49
  Speaker 1: all right, we'll get into that next. It's the Breakfast Club.
• 15:51
  Speaker 1: Good morning, the Breakfast Club. Listen, Oh my GOSHU report
• 16:03
  Speaker 1: it's a rumal report for Breakfast Club. Well, Ninie Leaks
• 16:08
  Speaker 1: has her husband, Greg Leaks has passed away. He was
• 16:11
  Speaker 1: sixty six years old. They've been married since nineteen ninety seven.
• 16:15
  Speaker 1: He died of colon cancer and she had previously explained
• 16:19
  Speaker 1: that he was transitioning to the other side. Her publicist
• 16:22
  Speaker 1: and family friend, Ernest Dukes, made the announcement today. The
• 16:25
  Speaker 1: Leakes family is in deep pain with a broken heart
• 16:27
  Speaker 1: after a long badway cancer. Greg Leaks has passed away
• 16:30
  Speaker 1: peacefully in his home, surrounded by all of his children,
• 16:33
  Speaker 1: very close loved ones, and the wife Ninie Leaks. We
• 16:35
  Speaker 1: asked that you pray for peace and strength over their
• 16:37
  Speaker 1: family and allow them to mourn in private during this
• 16:40
  Speaker 1: very difficult time. Man sending Ninie Leaks and her whole
• 16:43
  Speaker 1: family healing energy, resting piece to the brother Greg. I
• 16:46
  Speaker 1: was just talking to a doctor about when to get
• 16:48
  Speaker 1: a colonoscopy, and she told me of forty five used
• 16:50
  Speaker 1: to be fifty, but now it's forty five. And if
• 16:52
  Speaker 1: you have history in your family, they said even as
• 16:54
  Speaker 1: early as thirty five. Yeah, condolens is definitely to the family.
• 16:58
  Speaker 1: They shared that he had been diagnosed calling cancer back
• 17:00
  Speaker 1: in twenty eighteen and then he was in remission the
• 17:02
  Speaker 1: following year, but unfortunately that did not last long and
• 17:06
  Speaker 1: she revealed in June that the cancer had returned and
• 17:10
  Speaker 1: that he had undergone surgery. She said on the Jasmine
• 17:13
  Speaker 1: Brand that it was he had gotten super small and
• 17:16
  Speaker 1: that things have just been different. It's definitely sending a
• 17:19
  Speaker 1: healing energy. Man, go go go get checked. If you
• 17:21
  Speaker 1: if you're around that age where you need to go
• 17:23
  Speaker 1: get a colonoscopy, go get one. All r right now.
• 17:28
  Speaker 1: Dog the Bounty Hunter has done an interview and he
• 17:31
  Speaker 1: talked to Entertainment Tonight's Kevin Frasier. Some of the things
• 17:34
  Speaker 1: that he discussed was, if you guys recall there was video.
• 17:38
  Speaker 1: There was audiotaped phone call with his son where he
• 17:41
  Speaker 1: was using the N where to use it over six
• 17:43
  Speaker 1: times during that call. It was made public and the
• 17:45
  Speaker 1: National Inquirer back in two thousand and seven. And here's
• 17:48
  Speaker 1: what he said about using the N word. I have
• 17:51
  Speaker 1: never been a racist. I'm thirty three and a half
• 17:54
  Speaker 1: percent of patchy, but because of over fifteen years ago,
• 17:57
  Speaker 1: I have an achilles heel because I used the wrong word.
• 18:00
  Speaker 1: Why were you using that word so freely? Well, I
• 18:03
  Speaker 1: thought I had a pass in the black tribe to
• 18:05
  Speaker 1: use it, kind of like Eminem. He asked the brothers.
• 18:09
  Speaker 1: Who were the brothers I had just gotten out of
• 18:12
  Speaker 1: prison in nineteen seventy nine after spending time in eighteen
• 18:16
  Speaker 1: months in Texas, and it was probably three quarters from
• 18:19
  Speaker 1: the black tribe. So that was a word that we
• 18:22
  Speaker 1: used back and forth as maybe a compliment. He makes
• 18:26
  Speaker 1: it seem like the Brothers are like an administration, Like
• 18:28
  Speaker 1: it's an administration of black people who make all the
• 18:31
  Speaker 1: rules and codes of conduct for black people. Well, here's
• 18:35
  Speaker 1: why he really thought he was able to use that word.
• 18:38
  Speaker 1: My past expired for using it. But no one told
• 18:40
  Speaker 1: me that to say a racist name doesn't qualify to
• 18:44
  Speaker 1: make you a racist. If you use that word, you
• 18:46
  Speaker 1: use it in your regular, everyday life, it makes you
• 18:49
  Speaker 1: a racist. I have more black friends than Eminem that
• 18:54
  Speaker 1: I have lots of black friends, so that should make
• 18:56
  Speaker 1: me okay with black people. Why keep doing Eminem? Under
• 18:58
  Speaker 1: the bush. Yeah, and does not have a path to
• 19:00
  Speaker 1: use the N word. There's no white person who has
• 19:02
  Speaker 1: a path to use the N word in any context.
• 19:05
  Speaker 1: But this is absolutely why we might have We got
• 19:07
  Speaker 1: to stop using this word. I'd be trying not to
• 19:09
  Speaker 1: use it, you know what I mean. But I never
• 19:11
  Speaker 1: use it as a term of endemic. It's a low
• 19:12
  Speaker 1: vibration of the word, and when I use it, it's
• 19:14
  Speaker 1: in a negative context. All right now. He also had
• 19:18
  Speaker 1: had accusations of being homophobic, and here's how he responds
• 19:22
  Speaker 1: to those accusations. She's been fed what to say. I
• 19:26
  Speaker 1: have three people that are on my staff that are
• 19:28
  Speaker 1: gay man, my daughter's gay baby, Lisa. I don't understand
• 19:33
  Speaker 1: why anybody would ever say that. I hear what you're saying. Remember,
• 19:38
  Speaker 1: proximity does not mean that you're not racist and homophobic.
• 19:43
  Speaker 1: Would I die for a gay man or a black man?
• 19:45
  Speaker 1: I'd laid down my life. I will lay down on
• 19:49
  Speaker 1: my stomach for a gay black man. Yeah, I mean,
• 19:55
  Speaker 1: he doesn't even know. Sounds to me like Dog the
• 19:58
  Speaker 1: bounty hunter might need to go back to rehab. He
• 20:00
  Speaker 1: sounds like he's still on drugs. Okay, But I'm sending
• 20:02
  Speaker 1: him healing energy lord having merchant. That was very jamad.
• 20:04
  Speaker 1: I would blade down my lay on my stomach for
• 20:07
  Speaker 1: a gay black man. Listen when when when he used
• 20:10
  Speaker 1: the N word originally? What context was it in? I
• 20:12
  Speaker 1: don't I remember this, but I never listened to it.
• 20:15
  Speaker 1: He was on the phone with his son and they
• 20:17
  Speaker 1: were having an argument and the sudden recorded it. You know,
• 20:21
  Speaker 1: I guess. I mean, I can't see who else could
• 20:23
  Speaker 1: have put it out these people kids, because he said
• 20:25
  Speaker 1: he was speaking out of anger, and so I don't
• 20:28
  Speaker 1: know it was it wasn't a good thing. These people
• 20:30
  Speaker 1: kids are crazy because he makes it sound like he's uh,
• 20:33
  Speaker 1: he was saying it at a term of endearment, you
• 20:35
  Speaker 1: know what I mean. But that's what I'm saying. So
• 20:37
  Speaker 1: it sounds to me like you were seeing it as
• 20:38
  Speaker 1: a slur. And I do disagree with one of the brothers.
• 20:42
  Speaker 1: Who was that, Kevin? That was Kevin Frasier, right, Yeah,
• 20:45
  Speaker 1: I disagree when he said that if you, you know,
• 20:47
  Speaker 1: are white, and you use that word, you know, on
• 20:50
  Speaker 1: a daily basis, you're racist because you could just be
• 20:53
  Speaker 1: a white person who thinks they're down and be using it,
• 20:56
  Speaker 1: you know, as as as in the context that we
• 20:58
  Speaker 1: at that a lot of brothers. You know, who's your brother?
• 21:02
  Speaker 1: I don't know who the brother the given out these passes.
• 21:06
  Speaker 1: He didn't know his pass it expired. This is hilarious, right,
• 21:11
  Speaker 1: you gotta get that read. It's like your passport. Oh
• 21:16
  Speaker 1: my goodness. All right. And Joy Bayar has said that
• 21:19
  Speaker 1: what is the key to her being on the long
• 21:22
  Speaker 1: running chat show The View for twenty three seasons. She's
• 21:25
  Speaker 1: seventy eight years old, she's only she's the only original
• 21:27
  Speaker 1: member to have stayed on the talk show since it
• 21:29
  Speaker 1: started back in nineteen ninety seven, and she talked to
• 21:31
  Speaker 1: people about the show's legacy and how she kept her
• 21:34
  Speaker 1: job all these years, and she said it's by apologizing
• 21:37
  Speaker 1: even when she doesn't mean it. She said, I've had
• 21:40
  Speaker 1: to apologize, which I'm happy to do in order to
• 21:41
  Speaker 1: save fun and everybody else's job. I don't care keep
• 21:44
  Speaker 1: it abody don't mean it. I'll do it even if
• 21:47
  Speaker 1: I look like I'm in a hostage takeover. I'll still
• 21:49
  Speaker 1: do it because if you don't do it, you need
• 21:51
  Speaker 1: your job and everybody else respected. Man, I respect that
• 21:57
  Speaker 1: level because because whenever somebody he's under fire, like the
• 22:01
  Speaker 1: you know, the apology. You know, more times than not
• 22:03
  Speaker 1: have probably not to use it. But even if it is,
• 22:06
  Speaker 1: even if it is like halfway sincere, just do it
• 22:10
  Speaker 1: if that's going to make the situation better, George, Because
• 22:16
  Speaker 1: sometimes sometimes people will offend folks and they may feel
• 22:19
  Speaker 1: like I didn't. I didn't mean to offend it. It It
• 22:21
  Speaker 1: wasn't my intention to offend. Therefore I don't have to apologize.
• 22:24
  Speaker 1: But yo, you're still offended, so apologize. That's what I
• 22:28
  Speaker 1: think that that is your front page news, all right,
• 22:33
  Speaker 1: I mean your room report, Sorry, all over the place.
• 22:36
  Speaker 1: I should apologize, to apologize. I'm sorry. My mom just
• 22:39
  Speaker 1: sent me a text. She said they have three feet
• 22:41
  Speaker 1: of water in a basement and the washing machine started floating. Wow,
• 22:44
  Speaker 1: and everything is a ruin. Well you got money, daughter
• 22:51
  Speaker 1: got it? God, daughter got okay. She just still doesn't
• 22:58
  Speaker 1: feel good about it. I feel bad, she said, she
• 23:00
  Speaker 1: is at bailing out. What a till two am. Damn.
• 23:03
  Speaker 1: I heard some balls talk to other They heard about
• 23:05
  Speaker 1: you doing something else. You best spending that money on
• 23:07
  Speaker 1: cleaning your mama's basement. I always get my parents money.
• 23:11
  Speaker 1: That's never an issue. There you go. Ever, they were
• 23:14
  Speaker 1: actually at my house yesterday. Period. All right, we got frontage.
• 23:17
  Speaker 1: Who's coming up? What we're talking about? Man could have
• 23:20
  Speaker 1: keen us off and throw it out of a car.
• 23:22
  Speaker 1: Having you get into the next it's the breakfast cloud.
• 23:27
  Speaker 1: Good morning, so breakfast club, your morning's will never be
• 23:31
  Speaker 1: the same. You're one up, y'allas dj MB Now you
• 23:34
  Speaker 1: like attention because you'll be getting all the looks with
• 23:37
  Speaker 1: the new Simsung Galaxy Z Fold three five G or
• 23:40
  Speaker 1: z Flip three five G. One literally unfolds into a
• 23:43
  Speaker 1: tablet and the other fits into your palm shop now
• 23:45
  Speaker 1: at Timson Nott Com five G. Connection and availability may vary.
• 23:49
  Speaker 1: Check with carrier. It's DJ Envy Angela Yee, Charlemagne the guy.
• 23:54
  Speaker 1: We are to breakfast clubless getting some front page news.
• 23:57
  Speaker 1: I just saw a rat getting his life on Instagram.
• 24:00
  Speaker 1: His rat was swimming like he was backstroking and all
• 24:03
  Speaker 1: types of creating stuff. If you see how the subways
• 24:05
  Speaker 1: are flooded in New York, I can imagine a lot
• 24:07
  Speaker 1: of those rats of I don't know rest of swim
• 24:10
  Speaker 1: that good. I had no idea. All right, Amby, I said,
• 24:19
  Speaker 1: let's get into some front page. I didn't hear you
• 24:23
  Speaker 1: all right now, a thirty nine year old man from Tennessee,
• 24:25
  Speaker 1: Tyson Gilbert, has been apprehended by authorities. He cut off
• 24:28
  Speaker 1: and tossed his penis during a police pursuit. They said
• 24:32
  Speaker 1: he threw it out the window of his Honda Accord.
• 24:34
  Speaker 1: He was trying to escape law enforcement. He was parked
• 24:36
  Speaker 1: in the way of traffic on a highway and then
• 24:38
  Speaker 1: he sped off after authorities flagged him down. Now, according
• 24:42
  Speaker 1: to an offer he said an officer, he said, when
• 24:43
  Speaker 1: I pulled it behind him and turned my lights on,
• 24:45
  Speaker 1: he took off and refused to stop. He was all
• 24:47
  Speaker 1: over the road the whole time. He opened the door.
• 24:50
  Speaker 1: He was naked and covering and bloody. Then shut his
• 24:51
  Speaker 1: door and kept driving. They said they went through two
• 24:53
  Speaker 1: counties and at some point that's when he cut his
• 24:56
  Speaker 1: penis off and threw it out the window. Was the
• 24:59
  Speaker 1: penis gonna? He used his evidence where they chasing him
• 25:01
  Speaker 1: for a potential sexual assault or something like that, Like what,
• 25:05
  Speaker 1: what's the reasoning? He said he heard voices from his
• 25:07
  Speaker 1: car radio that told him he had to do it
• 25:09
  Speaker 1: in order to save the world. Oh, so he's clearly
• 25:12
  Speaker 1: suffering from some type of mental illness clearly. Yah, Yeah,
• 25:18
  Speaker 1: that's that for the penis. So what did they do
• 25:19
  Speaker 1: with a guy like that? You don't take a brother
• 25:21
  Speaker 1: like that to jail, right, Well, I don't know if
• 25:22
  Speaker 1: he was a brother, but you don't take a guy
• 25:23
  Speaker 1: like that to jail, right. She clearly should be in
• 25:25
  Speaker 1: some time. Right. They did confirm he's getting treatment for
• 25:28
  Speaker 1: his wound and the investigation is ongoing. But he does
• 25:31
  Speaker 1: also have some active warrants for some unspecified offenses. So
• 25:35
  Speaker 1: they took him into custody and he's at the hospital.
• 25:38
  Speaker 1: That's a screen one, right, Like. I feel like he
• 25:39
  Speaker 1: should be in some type of psychiatric unit, right, like
• 25:41
  Speaker 1: he should be getting Yeah, he's in the hospital. He's
• 25:43
  Speaker 1: not in no jail. They can't put him in the jail,
• 25:44
  Speaker 1: So he's in a mental hospital right now probably, I
• 25:47
  Speaker 1: think right now, first they're probably treating him. Yeah, for
• 25:51
  Speaker 1: that first feeling has to start somewhere, and it does,
• 25:54
  Speaker 1: It should start there, yeah, all right. An Amazon is
• 25:58
  Speaker 1: looking to hire fifty five thousand people. The company said
• 26:01
  Speaker 1: yesterday they're planning to do that around the world. About
• 26:03
  Speaker 1: forty thousand of those roles will be in the US
• 26:06
  Speaker 1: and all the open roles are for tech and corporate positions,
• 26:10
  Speaker 1: and then separately, they're also hiring people to work in
• 26:14
  Speaker 1: warehouses to pack and ship online orders. So some other
• 26:17
  Speaker 1: companies laid people love during a pandemic, Amazon's workforce has
• 26:20
  Speaker 1: actually hired more people. Last year alone, they hired five
• 26:24
  Speaker 1: hundred thousand people. By the way, and just another update
• 26:29
  Speaker 1: on what's going on in the New York City, New
• 26:32
  Speaker 1: Jersey area. You know, they had everything closed off until
• 26:36
  Speaker 1: five am. They were asking people if you were not
• 26:37
  Speaker 1: an emergency vehicle, to not be on the roads. Right now,
• 26:40
  Speaker 1: everything is the rain has stopped, but there's still a
• 26:44
  Speaker 1: lot of emergencies that are happening. At least so far,
• 26:46
  Speaker 1: nine people have been reported dead and record rains. According
• 26:50
  Speaker 1: to the Mayor of New York City, this is a
• 26:52
  Speaker 1: historic weather event. The National Weather Service did issue a
• 26:55
  Speaker 1: flash flood emergency in New York City and this was
• 26:58
  Speaker 1: the first time this has ever happened. So there's been
• 27:01
  Speaker 1: a lot of video that people have been posting showing
• 27:03
  Speaker 1: flooding situations. Four people died after getting stuck in a
• 27:07
  Speaker 1: basement during the flooding, and this was in New York
• 27:09
  Speaker 1: City and Queens and so we are just sending out
• 27:13
  Speaker 1: our prayers to everybody who is dealing with this right now.
• 27:15
  Speaker 1: I know in Louisiana and Mississippi a lot of people
• 27:18
  Speaker 1: are still dealing with the effects of Hurricane Ida right now.
• 27:23
  Speaker 1: This is just a severe thunderstorm in New York City
• 27:27
  Speaker 1: and New Jersey area. Yeah, it's the first, but it
• 27:29
  Speaker 1: won't be the last because humans been knocking in the
• 27:32
  Speaker 1: earth is bucking, Okay, trust me, you'll see. All right,
• 27:37
  Speaker 1: Well that is your front page news, all right. Now.
• 27:40
  Speaker 1: When we come back, actor and write, Malcolm Mays will
• 27:43
  Speaker 1: be joining us. You're probably fascinating from Yeah, you probably
• 27:47
  Speaker 1: know him from Raising Canean. He's been in Snow Plays, Lulu, Yeah,
• 27:51
  Speaker 1: and a host of others. So we're gonna talk to
• 27:53
  Speaker 1: him when we come back. He's also the nephew of Tuki, Yeah, Tuki,
• 27:58
  Speaker 1: who was the founder of the Crips. So we're gonna
• 28:00
  Speaker 1: talk to him when we come back to Don't Move.
• 28:02
  Speaker 1: It's to Breakfast Club, God Morning, the Breakfast Club Morning.
• 28:08
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 28:12
  Speaker 1: are to Breakfast Club. We got some special well, we
• 28:13
  Speaker 1: got a special guests in the building. He's a writer,
• 28:16
  Speaker 1: an actor. We have Malcolm May's in the building morning
• 28:19
  Speaker 1: the morning. How's it going? Blessing now for both people
• 28:22
  Speaker 1: that that don't know who you are right now you're
• 28:24
  Speaker 1: currently in raising Canaan and hey, could I ask you
• 28:27
  Speaker 1: a special you can sure? I lost my gudfather today.
• 28:30
  Speaker 1: I'm supposed to be at his funeral. I came here
• 28:32
  Speaker 1: to be with y'all to stay because I think that's
• 28:33
  Speaker 1: what he would have wanted it. Name was te Rogers,
• 28:35
  Speaker 1: and he started a gang in Los Angeles called Black
• 28:37
  Speaker 1: Peas Stones. Took a little lot of Yeah, he started
• 28:40
  Speaker 1: ganging Los Angeles called Black peas Stones, and then he
• 28:42
  Speaker 1: became a gang activist later on in life. And without him,
• 28:45
  Speaker 1: I probably wouldn't be here because he protected me and
• 28:46
  Speaker 1: my family when we moved to that neighborhood. And I
• 28:48
  Speaker 1: just wanted to take five seconds to honor if that's
• 28:50
  Speaker 1: all right with y'all. Absolutely absolutely. I can't believe that
• 28:53
  Speaker 1: you're missing the funeral. I didn't want to. They told
• 28:55
  Speaker 1: me I couldn't go, and they had to go to work.
• 28:56
  Speaker 1: We're still shooting right now. So yeah, well, I'm so
• 28:59
  Speaker 1: sorry to hear that your family Honestly, it's a tough time,
• 29:02
  Speaker 1: oh man, but he would have loved me being here.
• 29:04
  Speaker 1: So he loved y'all show. You know, this is what
• 29:06
  Speaker 1: it is. So let's well, of course you' raising came
• 29:09
  Speaker 1: in right now. So let's let's start from the beginning.
• 29:11
  Speaker 1: Who was Malcolm Mayes? Where did Malcolm Mayes come from?
• 29:13
  Speaker 1: How did you get into this industry? How did you
• 29:15
  Speaker 1: become an actor and a writer? You have a very
• 29:18
  Speaker 1: unique story, man, that's dense. Uh, this is what time
• 29:21
  Speaker 1: is it? Um? I'm from Los Angeles, California. I was
• 29:25
  Speaker 1: raised all over LA. South Central's home and uh yeah, man,
• 29:29
  Speaker 1: I guess how did I get into this? My mother
• 29:31
  Speaker 1: trying to keep me out of trouble, and her her
• 29:34
  Speaker 1: ideal situation for me was to like be busy so
• 29:36
  Speaker 1: I wouldn't notice what was happening, And so she just
• 29:39
  Speaker 1: put me in a bunch of and I gravitated towards art.
• 29:42
  Speaker 1: I played sports and all that too. So people in
• 29:44
  Speaker 1: the neighborhood were very supportive of you in this career.
• 29:46
  Speaker 1: Oh yeah, that's like man ball in village. Like even
• 29:49
  Speaker 1: when I was like torns everywhere I moved in LA. Honestly,
• 29:51
  Speaker 1: everybody kind of looked out for me, like Tea especially Um.
• 29:55
  Speaker 1: They saw me and you know, we'd be running around
• 29:57
  Speaker 1: the hood or what we're doing, and they were my
• 29:59
  Speaker 1: big homies. Was healthy, like they weren't toxic big companies.
• 30:01
  Speaker 1: They was like, you won't run the fade if you're
• 30:03
  Speaker 1: not a class Like, yeah, so you still out here.
• 30:06
  Speaker 1: But they there was a code and there was a
• 30:08
  Speaker 1: structure in my hood. It's really different than any Tell
• 30:10
  Speaker 1: the story of you in class and you get a
• 30:13
  Speaker 1: phone call, Oh from John rest in face, damn um,
• 30:16
  Speaker 1: John Singleton, What grade were you? I was in tenth
• 30:19
  Speaker 1: grade a high school with a a hole moon class. Your
• 30:21
  Speaker 1: phone ring GDP for like my phone after your teacher,
• 30:24
  Speaker 1: you put up the phone that had a story. Yeah.
• 30:27
  Speaker 1: So I was in class at Dorsey High School was
• 30:29
  Speaker 1: one of most notorious high schools in Los Angeles at
• 30:30
  Speaker 1: the time, and so we ran the classroom like we
• 30:33
  Speaker 1: didn't teachers didn't do um. So at some point I
• 30:36
  Speaker 1: got a phone call. So I picked up the phone.
• 30:38
  Speaker 1: Call teacher teaching their class, like teacher, old lord, hold
• 30:41
  Speaker 1: on this just my cold lord, it's public school. Are
• 30:44
  Speaker 1: they teaching? I'm just kidding, No, I'm just kidding. They
• 30:46
  Speaker 1: were actually I love my school. But um, I picked
• 30:49
  Speaker 1: up because you know, I was larger than life at
• 30:51
  Speaker 1: that point. Teacher, hold on when you pick Yeah, well
• 30:53
  Speaker 1: I told him hold on when he tried because our
• 30:55
  Speaker 1: teachers were hood too, so they was like, he was like,
• 30:57
  Speaker 1: get off the phone. I was like, hold on, this
• 30:59
  Speaker 1: is this is it might be really important. Is At
• 31:01
  Speaker 1: the time, I was working at Sony Pictures and doing
• 31:03
  Speaker 1: a bunch of while living in the hood. So I
• 31:05
  Speaker 1: picked up the phone and it was like, hey, man,
• 31:07
  Speaker 1: this is John. I'm like, I'm in class, Stop playing
• 31:09
  Speaker 1: with me. I thought it was my cousin, um because
• 31:11
  Speaker 1: because he would call and quit me and so I
• 31:14
  Speaker 1: was like, man, get off my phone. Peace. So I
• 31:15
  Speaker 1: hung up. You hung up John Singleton or John Singleton
• 31:18
  Speaker 1: at sixteen years old in the middle of the home room.
• 31:20
  Speaker 1: And then he called back again and he's like, this
• 31:23
  Speaker 1: is John Singleton and I'll fight you too. He's like
• 31:26
  Speaker 1: he's like he stay on the phone, stop playing with me.
• 31:27
  Speaker 1: And I was like, I'm sorry, mister, I didn't realize
• 31:31
  Speaker 1: it was you, my cousin. He's like like, look, I
• 31:33
  Speaker 1: want you to come meet me at Scarball Museum. And
• 31:35
  Speaker 1: watch a film, bring your family whatever, because I you know,
• 31:37
  Speaker 1: I'm interested in me. How did he get introduced to you?
• 31:39
  Speaker 1: How did he know who you are? And how did
• 31:41
  Speaker 1: he make that phone called? What? What? What? What impression
• 31:43
  Speaker 1: did you leave out there that made him want to call?
• 31:46
  Speaker 1: Actually it was this old white dude named Gary Martin.
• 31:48
  Speaker 1: And so he's kind of like the secret third bass
• 31:50
  Speaker 1: or the whole Sony Pictures. And I was working at
• 31:52
  Speaker 1: Sony Pictures at the time. But we're doing at Sony Pictures,
• 31:54
  Speaker 1: working under the head of physical production in turn in
• 31:57
  Speaker 1: or was they paying or no, they was paying. I
• 32:00
  Speaker 1: had a full check like food check, started off and
• 32:02
  Speaker 1: turning for someone else. And then he ended up catching
• 32:05
  Speaker 1: me at tenth grade. Before tenth grade, that happened to
• 32:08
  Speaker 1: night grade. But yeah, that's crazy, but yeah it was wild. Um,
• 32:10
  Speaker 1: So y'all take the bus from the hood all the
• 32:12
  Speaker 1: way back to Kobd City on down, Jeff down, Jeff
• 32:14
  Speaker 1: shout out that, and so he put John on like
• 32:18
  Speaker 1: he put like I remember when John first had his
• 32:20
  Speaker 1: first movie, he gave John his first offices at Sony
• 32:22
  Speaker 1: Pictures in Columbia try to start building. So he was like,
• 32:25
  Speaker 1: you remind me of somebody, and I was like who.
• 32:27
  Speaker 1: He's like, I'm gonna introduce you to him one day,
• 32:28
  Speaker 1: don't trip. And he didn't tell me that it was
• 32:31
  Speaker 1: John Singleton. So one day he kept he kept bugging John.
• 32:35
  Speaker 1: John would be like nahn Off, the kid nobody's meet,
• 32:37
  Speaker 1: because John's ego was massive and as it should have been.
• 32:40
  Speaker 1: And one day I got into the New York Times.
• 32:42
  Speaker 1: I was from New York Times. He's like, oh, I
• 32:43
  Speaker 1: better talk to this kid. Blow up and they hate
• 32:45
  Speaker 1: on me. So he called and that's how we connected.
• 32:48
  Speaker 1: It was because of Gary Martin shout out to him.
• 32:50
  Speaker 1: Isn't it amazing how when you're young you can be
• 32:52
  Speaker 1: so fearless about things. Oh yes, because people will tell
• 32:54
  Speaker 1: you there's like a certain method in a way that
• 32:57
  Speaker 1: you have to get to a position. But for you,
• 33:00
  Speaker 1: you are young, just thinking like I'm gonna write this movie,
• 33:02
  Speaker 1: and it's the luxury of ignorance, right like you you
• 33:05
  Speaker 1: you you're superhuman, like especially where I was from, like
• 33:07
  Speaker 1: the Dioces I was thirteen, So like that's death once once,
• 33:10
  Speaker 1: the once, the on's the most extreme thing that can
• 33:12
  Speaker 1: happen to you is your friend dying in your arms
• 33:14
  Speaker 1: at eleven years old. Then everything else becomes like Hollywood movies,
• 33:19
  Speaker 1: don't give a about Reese Withers. Phone is talented that
• 33:21
  Speaker 1: she is, she's a human being. I just like your movies, like.
• 33:23
  Speaker 1: I just put your like, and I think people kind
• 33:26
  Speaker 1: of attract to that. I mean, that's probably why people
• 33:28
  Speaker 1: put 'all's probably why it's an institution, because it's just
• 33:30
  Speaker 1: regular you feel me, and it's an extraordinary circumstance with
• 33:33
  Speaker 1: ordinary people. You feel me, Like you said at age eleven,
• 33:35
  Speaker 1: a friend died in your arms. Yeah yeah, boy, get
• 33:38
  Speaker 1: shot right in front of what happened. And the reason
• 33:41
  Speaker 1: I ask is because it's it's like for most people
• 33:43
  Speaker 1: when they hear La, all they think of is boys
• 33:45
  Speaker 1: in the hood, poetic justice, and there's so much gang violence.
• 33:49
  Speaker 1: How were you able to stay out of that gang
• 33:51
  Speaker 1: mentality and that gang on my family? Dog, I come
• 33:54
  Speaker 1: from a traditionalist Southern family. My family, interestingly enough, is
• 33:59
  Speaker 1: it's a strange situation because my uncle Stanley took you
• 34:01
  Speaker 1: wim so we the origination the Autoba gorge of modern
• 34:05
  Speaker 1: day gang banger came from from him and a man
• 34:08
  Speaker 1: named Raymond Washington. So people think that my family's just
• 34:11
  Speaker 1: ghetto hood ass family, but in real life, like my
• 34:13
  Speaker 1: grandmother's a Southern Baptist, she's a Bible dumper. My mama
• 34:16
  Speaker 1: is an educated woman, like she was the first to
• 34:18
  Speaker 1: get her masters and all that other. We just happened
• 34:21
  Speaker 1: to grow up in a situation where they were dire straights.
• 34:24
  Speaker 1: At some point, I think up to eight we was
• 34:26
  Speaker 1: like heading towards like middle classes. It was cool. My
• 34:29
  Speaker 1: popstles around and then she took a left. My mother
• 34:31
  Speaker 1: and my grandmother are everything brough. They the reason because
• 34:34
  Speaker 1: they never let my circumstance and our externals dictate our
• 34:37
  Speaker 1: internal I didn't even know why I was broken until
• 34:39
  Speaker 1: I went to school white kids like I had no idea,
• 34:42
  Speaker 1: Like my mama tricked me in the thinking Barnes and
• 34:44
  Speaker 1: Noble was the spot that was getting a new book, Yo,
• 34:47
  Speaker 1: you popping like she tricked me. Like we were always
• 34:50
  Speaker 1: in like a black neighborhood like West Adams District. And
• 34:53
  Speaker 1: then things changed and so I wasn't going to an
• 34:56
  Speaker 1: integrated school anymore. I was going to the hood school
• 34:58
  Speaker 1: that all my homies had already been going to since
• 35:00
  Speaker 1: they was kids. But I had the foundation of like
• 35:03
  Speaker 1: an education from a higher tax bracket, so I was
• 35:05
  Speaker 1: still a hood but like how to learn, I had
• 35:07
  Speaker 1: learned and from a very expensive place. So I had
• 35:11
  Speaker 1: that with me, and it showed me very early on
• 35:13
  Speaker 1: that like, oh I was privileged. You know, my mother
• 35:15
  Speaker 1: sacrificed a lot, Like she could have been corporate. I
• 35:17
  Speaker 1: could have probably we probably could have had a better
• 35:19
  Speaker 1: financial situation because she chose to have jobs that were
• 35:22
  Speaker 1: closer to me, because she realized the influenced in my
• 35:24
  Speaker 1: neighborhood was having on me. So she was like, now
• 35:26
  Speaker 1: I'm gonna give him my personal life. You feel me? Like,
• 35:29
  Speaker 1: was your father still active even after they separated? You
• 35:31
  Speaker 1: know that dog? Yeah, Like, well, I don't even know
• 35:33
  Speaker 1: if they they are weird. You know, I'm putting their
• 35:35
  Speaker 1: business out there, but yeah, they kind of they still
• 35:37
  Speaker 1: date to this day. That's what I say. No more right,
• 35:42
  Speaker 1: but he was there was a moment my parents had divorced.
• 35:45
  Speaker 1: But the yird thing I'm paying for the look, I
• 35:50
  Speaker 1: don't know if it does again because you'd be like
• 35:52
  Speaker 1: my daddy h good. But like as a as a relationship,
• 35:56
  Speaker 1: I'm like, Mama, what the is you doing? Different? A
• 35:58
  Speaker 1: little bit of you know, but he he's but one
• 36:00
  Speaker 1: thing I will say about my pops, you know, you know,
• 36:02
  Speaker 1: because I know our dog don a lot because of
• 36:04
  Speaker 1: certain things that happened between us. But like when you're
• 36:06
  Speaker 1: a child, that ain't your business. Your parents situation ain't
• 36:08
  Speaker 1: your business. Like I'm a big, a big advocate of
• 36:12
  Speaker 1: mind jos And even when he kind of like he
• 36:15
  Speaker 1: had his little moment where he had to go what
• 36:16
  Speaker 1: I'll call it is he had a sabbatical, had to
• 36:19
  Speaker 1: sit down. Yeah, and um, you know, I was kind
• 36:23
  Speaker 1: of out here by myself for a little bit. It
• 36:25
  Speaker 1: was a necessary thing because it made me. It's all
• 36:28
  Speaker 1: those things that may have been toxic to some people
• 36:31
  Speaker 1: in this modern day because you know, masculinity's going through
• 36:33
  Speaker 1: a transformation, those are the very things that kept me safe.
• 36:36
  Speaker 1: Now I'm learning that those tools maybe don't work now
• 36:38
  Speaker 1: when you're in a relationship with a woman. Now you're
• 36:39
  Speaker 1: trying to be communicative and you don't protect yourself, yeah,
• 36:42
  Speaker 1: protect yourself, protect her, and maybe you don't need to
• 36:45
  Speaker 1: be out here like pressing every line you feel me,
• 36:47
  Speaker 1: which is an everyday process for me. But those are
• 36:50
  Speaker 1: still very valuable tools, and I appreciate him for that,
• 36:52
  Speaker 1: and I bet you could really tap into that when
• 36:53
  Speaker 1: it comes to the roles you've been playing too. Oh man,
• 36:56
  Speaker 1: let me tell you. It's definitely snow Fall, and it's
• 37:00
  Speaker 1: so funny. I feel like I keep playing bitch ass,
• 37:05
  Speaker 1: I really do. I'll be feeling like, Damn, I'm not
• 37:07
  Speaker 1: gonna play somebody who really like I like them. I
• 37:09
  Speaker 1: like them as people. They're not solid like that, they're
• 37:12
  Speaker 1: too emotional. All right. We got more with Malcolm Hays
• 37:14
  Speaker 1: when we come back Don't Move. It's to Breakfast Club,
• 37:16
  Speaker 1: Good Morning Morning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 37:22
  Speaker 1: the guy we are the Breakfast Club was still kicking
• 37:24
  Speaker 1: it with Malcolm May's writer and actor. Now, how did
• 37:28
  Speaker 1: you get into raising Canaan before that was Snowfalls. Snowfall
• 37:34
  Speaker 1: was Oh. Me and Johnny got into it when I
• 37:36
  Speaker 1: was like eighteen, so we didn't speak for like two
• 37:37
  Speaker 1: or three you know, into it because at the time,
• 37:41
  Speaker 1: you know, I have daddy issues, he had sun issues,
• 37:44
  Speaker 1: and we connected like I was the son he kind
• 37:47
  Speaker 1: of like he wanted like he looked at me like
• 37:49
  Speaker 1: a son figure. And at the time I think he
• 37:51
  Speaker 1: was getting into it with his son, which by the way,
• 37:52
  Speaker 1: he sounds an awesome person. Um and my pops we
• 37:56
  Speaker 1: had our issues, so we kind of liked he was
• 37:58
  Speaker 1: like a father figure to here. He was period and
• 38:00
  Speaker 1: I never told him that, which really sucks, but it
• 38:02
  Speaker 1: was what it was. And he thought he could tell
• 38:05
  Speaker 1: me what to do. But I was already a fully
• 38:06
  Speaker 1: developed human being by sixteen. We had already been through war.
• 38:10
  Speaker 1: So I was like, I want to study economics. I'm
• 38:12
  Speaker 1: already at like my film school that he had petitioned
• 38:15
  Speaker 1: for me to go to USC Film School, and which
• 38:17
  Speaker 1: is a big deal, like John Singleton takes you up
• 38:19
  Speaker 1: to meet Elizabeth Dean daily like and I was kind
• 38:22
  Speaker 1: of like, I don't to take no film courses. The
• 38:24
  Speaker 1: screenwriter in one on one I've already been to tell you, Rod,
• 38:26
  Speaker 1: I've already liked written, like I've cut the checks of
• 38:29
  Speaker 1: some of my screenwriting teachers. I'm the one arbitrating the chat.
• 38:33
  Speaker 1: Like I've already seen Lenote, I've already seen you know,
• 38:36
  Speaker 1: I've already I know Felini, I know all this. And
• 38:38
  Speaker 1: these kids just getting here because they Steven Spielberg cousin,
• 38:41
  Speaker 1: Like I don't want to be here. I don't like these.
• 38:42
  Speaker 1: I don't kick it with these. Don't what am I
• 38:44
  Speaker 1: doing here? I want to study something I don't know.
• 38:46
  Speaker 1: I go over to the Marshall School of Business and Survey,
• 38:49
  Speaker 1: like the economics classes, and I was like, oh, business,
• 38:52
  Speaker 1: like this makes more sense for me because I know
• 38:54
  Speaker 1: it's others. I don't know this. I don't know why
• 38:56
  Speaker 1: we don't have access to resources. Why are we not
• 38:58
  Speaker 1: behind the camera? Why you feel me? And but John
• 39:01
  Speaker 1: is like, I didn't raise all this money for you
• 39:03
  Speaker 1: to go to business school. I did this for you
• 39:06
  Speaker 1: to go to film school, because that's how he did it.
• 39:08
  Speaker 1: And so we used to butt heads, but he was
• 39:10
  Speaker 1: really hooding. So like we got physical about it, like
• 39:13
  Speaker 1: because like, ain't right. We moved some first. Yeah, he
• 39:19
  Speaker 1: loved me. He loved me. We ain't gonna come on
• 39:22
  Speaker 1: envy that man's not here, John, Yeah, why not? Yeah? John?
• 39:30
  Speaker 1: But yeah, at the end of the day we got
• 39:31
  Speaker 1: into it. So there was a two year gap. So
• 39:33
  Speaker 1: I'll just out here still building doing and Kim Harden,
• 39:37
  Speaker 1: who's his like long term cast and director, got wind
• 39:39
  Speaker 1: of me. She didn't know that I knew John, and
• 39:41
  Speaker 1: she was like, you know this, this this show. Um,
• 39:44
  Speaker 1: you know what I mean. When she did, She's like,
• 39:46
  Speaker 1: I think you'd be perfect for the lead of the show.
• 39:47
  Speaker 1: I'm like what she's like, it's about that leg snow who.
• 39:49
  Speaker 1: I was like, oh for show, And I was fresh
• 39:51
  Speaker 1: out of doing a little bit or whatever you're like,
• 39:53
  Speaker 1: So because you fresh out of doing a bit I
• 39:55
  Speaker 1: got I went to jil for a little bit. So
• 39:56
  Speaker 1: it doesn't matter. It doesn't matter. The point is I
• 39:58
  Speaker 1: got out. I should not have how much time. I'm
• 40:00
  Speaker 1: just curious. No, no, no, I didn't get charged like
• 40:03
  Speaker 1: well technique, because you know I did. You gotta get
• 40:05
  Speaker 1: in dit it. But like in la if you ain't
• 40:06
  Speaker 1: got no bail money, like you sitting down right, So
• 40:09
  Speaker 1: I sat down and I can't. I ended up coming
• 40:11
  Speaker 1: home and I did end up be my That is
• 40:12
  Speaker 1: not what we're talking about. So so I came home.
• 40:15
  Speaker 1: I was kind of like looking a little you know,
• 40:16
  Speaker 1: you need to write a movie on your on your
• 40:18
  Speaker 1: life too, man, somebody else got to do that. The
• 40:21
  Speaker 1: focus is I was I was really really still kind
• 40:24
  Speaker 1: of there, and she was like, oh my god, like
• 40:26
  Speaker 1: you're really talented and you lived it. I think this,
• 40:29
  Speaker 1: this show would be perfect for you then, and it
• 40:30
  Speaker 1: was never your intent to act. No, I always wanted
• 40:33
  Speaker 1: to be an art always like I always wanted to
• 40:35
  Speaker 1: do art. I didn't know I always gonna do it,
• 40:37
  Speaker 1: but I knew. I was like, like, I just like
• 40:39
  Speaker 1: doing it. But yeah, acting was always on on the table.
• 40:42
  Speaker 1: Um so I was doing I actually been in Southball
• 40:44
  Speaker 1: before Snowfall, so I was with with Force Whitaker and
• 40:47
  Speaker 1: like all these big actors. Um. So she had seen
• 40:50
  Speaker 1: me in that. She was like, okay, I'll meet with
• 40:51
  Speaker 1: him at what her She's like, this is perfect for
• 40:52
  Speaker 1: you the show. It's John Singleton. I was like, oh,
• 40:55
  Speaker 1: but I didn't want to tell her that like me
• 40:57
  Speaker 1: and him and get into it because we had spoken
• 40:58
  Speaker 1: and she started to really quit me. So I was like,
• 41:01
  Speaker 1: I'm gonna just go to audition and do what I do.
• 41:03
  Speaker 1: But like I told you, I had been in for
• 41:05
  Speaker 1: a second, so I was looking like different. You know.
• 41:07
  Speaker 1: He had known me as a little boy. So when
• 41:09
  Speaker 1: we were in the elevator and people don't notice, but
• 41:12
  Speaker 1: John like had a little eyesight issue sometimes, So we
• 41:15
  Speaker 1: were sitting in the elevator going down to the audition
• 41:17
  Speaker 1: and he didn't even recognize it was me. He's like,
• 41:19
  Speaker 1: are you going to the audition? I was like yeah,
• 41:21
  Speaker 1: He's like, good luck, man, and he walked out the
• 41:23
  Speaker 1: elevator like this. He did not realize it was me.
• 41:25
  Speaker 1: I get in the audition. I do the audition. It's
• 41:27
  Speaker 1: like six people in there, and I was originally reading
• 41:30
  Speaker 1: for Franklin and just crying in the audition on type
• 41:33
  Speaker 1: and midway through my audition through the tape, he takes
• 41:35
  Speaker 1: his glass off and he goes, holcome my son, you're
• 41:40
  Speaker 1: so fucking good. I didn't know you was this good.
• 41:43
  Speaker 1: Like he'd go he's such a real person. He literally
• 41:45
  Speaker 1: in the middle of the audition goes up and Kim
• 41:47
  Speaker 1: Martin's like, what the fuck is going on? And so
• 41:50
  Speaker 1: immediately something because between him, Eddie Griffin and Nick Cannon.
• 41:58
  Speaker 1: Um No. But like really he was like really like
• 42:02
  Speaker 1: excited because it was a great audition, and so he
• 42:04
  Speaker 1: really got excited. So that's how you know, I ended up,
• 42:07
  Speaker 1: you know, kind of continuing that process. Now, what about
• 42:09
  Speaker 1: raising Kane and how'd you get there? Nobody? Actually I
• 42:14
  Speaker 1: just like, honestly, I didn't want to do this, but
• 42:16
  Speaker 1: the power at first, really yeah, fifty's really annoying sometimes
• 42:21
  Speaker 1: like blood is a good Like he really good, but
• 42:23
  Speaker 1: like he just kind of like annoying. So when we
• 42:24
  Speaker 1: were shooting South Ball, it was his first Power was
• 42:27
  Speaker 1: just about to premiere, so he was like treating it
• 42:29
  Speaker 1: like he treats Branson Kanyac right now, like he like,
• 42:32
  Speaker 1: you see you see Power? Yet it comes up tonight.
• 42:34
  Speaker 1: It's coming up tonight. So everybody you're watching in the hotels.
• 42:36
  Speaker 1: If you won't get the hotel, I get you the subscription.
• 42:38
  Speaker 1: He's pressing you, and I remember setting up an hotel.
• 42:40
  Speaker 1: First five minutes. I was like, these kids don't look
• 42:43
  Speaker 1: like these parents. It's like killing somebody in the back
• 42:45
  Speaker 1: of the club. Like this don't make no sense to me.
• 42:46
  Speaker 1: I'm a real street I'm like, this doesn't add up.
• 42:48
  Speaker 1: I'm good. Right, So the next morning he presses me.
• 42:51
  Speaker 1: We're on set. He's like, you watch Power. I'm like, yeah,
• 42:55
  Speaker 1: I've seen it. He's like, do you think I didn't
• 42:56
  Speaker 1: get to the first five minutes? Man? How you know
• 42:59
  Speaker 1: he talking like fifty right now? I don't know. He's
• 43:01
  Speaker 1: likely come in. I was like, come in. He travels
• 43:05
  Speaker 1: with a whole bus, so not just the trailer. He
• 43:08
  Speaker 1: has a whole bus. That has a whole studio. He
• 43:10
  Speaker 1: forced me to watch the first episode of Power and
• 43:13
  Speaker 1: next to him, and I was just sitting there, like
• 43:15
  Speaker 1: I do I like this? It is soa p operate,
• 43:17
  Speaker 1: but I know it's gonna like it because my grandma
• 43:19
  Speaker 1: used to love stories and it's basically with stories with
• 43:22
  Speaker 1: drugs and sex, which is brilliant on behalf of of Courtney,
• 43:25
  Speaker 1: Like this is a nighttime so with violence. So I
• 43:30
  Speaker 1: knew it was gonna work. But he's like, what do
• 43:31
  Speaker 1: you think. I said, this ain't my personal He's like,
• 43:33
  Speaker 1: it's gonna work. And he was adamant about it. He's like,
• 43:35
  Speaker 1: it's gonna work. It was correct. That't and um so
• 43:39
  Speaker 1: I never really look like kept up with it. I
• 43:41
  Speaker 1: didn't stay on it. It It wasn't my vide And they
• 43:44
  Speaker 1: told me that they were doing this this third one,
• 43:45
  Speaker 1: you know, and I was like, I don't know, Like
• 43:48
  Speaker 1: I kind of want to do like weird. You know,
• 43:50
  Speaker 1: I'm gonna I want to be with Denise dell Neuve.
• 43:52
  Speaker 1: Whe do doom. That's what I want to do. And
• 43:54
  Speaker 1: they're like, you just got with your agency. Man just
• 43:57
  Speaker 1: kind of like, you know, give him a bone, go there.
• 43:59
  Speaker 1: So I'm not audition. If fire, I'll do one and
• 44:01
  Speaker 1: affect when they do. If they don't, they don't. I
• 44:03
  Speaker 1: went did one audition, and everybody else there was was
• 44:05
  Speaker 1: on a like second, third, fourth, fifth audition. I did
• 44:08
  Speaker 1: one in a room full of like five six people,
• 44:10
  Speaker 1: and before I even got off the lot, it was
• 44:12
  Speaker 1: calling like is he available? Can he do this? And
• 44:14
  Speaker 1: I'm like, I don't know, man, like, I gotta see
• 44:16
  Speaker 1: the script? Who in it? And the show runner saw
• 44:19
  Speaker 1: Chapin to his credit, called to me. He didn't have to.
• 44:22
  Speaker 1: He called me and said this is not gonna be
• 44:24
  Speaker 1: like the other powers. This is gonna be a little different.
• 44:26
  Speaker 1: I said, what you mean different? Said we are your
• 44:29
  Speaker 1: favorite filmmakers. I said, oh, like Friends is for Coppola,
• 44:31
  Speaker 1: Tarkas fit like that. And he's like, well, this is
• 44:33
  Speaker 1: gonna be the black GUYFI and I said, okay, Well
• 44:36
  Speaker 1: who in it? He like Patina Miller. I was like, oh,
• 44:39
  Speaker 1: I'm in. I'm in Patina whole. She does great, Patina
• 44:42
  Speaker 1: who Because I you know, I used to come to
• 44:43
  Speaker 1: New York with my homeboy Tristan and he would take
• 44:46
  Speaker 1: me to like Broadway. So I saw Patina Miller on Broadway,
• 44:50
  Speaker 1: and I was like, this woman is amazing, and now
• 44:52
  Speaker 1: she's gonna tell I'm like, oh, this is gonna this
• 44:54
  Speaker 1: gotta be different if she doing it. And then I said,
• 44:56
  Speaker 1: but I need I have one thing though, one request,
• 44:58
  Speaker 1: which no power don't give. I was like, I'm not
• 45:00
  Speaker 1: doing it unless I can read the script. It's in
• 45:02
  Speaker 1: New York. My mother, my grandmother are like, la, I'm
• 45:04
  Speaker 1: the only patriarch. I'm the patriarch of my family currently,
• 45:07
  Speaker 1: so I can't be away from them like that, Like
• 45:09
  Speaker 1: there's only me and my family's mostly matriarch, so I'll
• 45:12
  Speaker 1: take care everybody. I don't want to be away from them.
• 45:14
  Speaker 1: So if I'm going to New York, I need to
• 45:15
  Speaker 1: make sure I can be able to get them out there.
• 45:17
  Speaker 1: I need some tickets for them to be able to
• 45:18
  Speaker 1: come or me to come back. And I need to
• 45:19
  Speaker 1: be able to read the first pilot. I thought they
• 45:21
  Speaker 1: was gonna be like, let me read They let me
• 45:25
  Speaker 1: read it. I'm just trying to make reasons not to
• 45:26
  Speaker 1: go right. I'm like, and I want I want Pelagreeno
• 45:29
  Speaker 1: every day on set. I want Champanya. You know what
• 45:32
  Speaker 1: from me? You know you don't ask you don't get
• 45:34
  Speaker 1: did you um read for the character Lulu? Was that
• 45:37
  Speaker 1: the character? That's yeah, that's the only thing I did
• 45:39
  Speaker 1: one audition. It's the first time in my life usually
• 45:41
  Speaker 1: like I audition sixteen times the snow fall. So what's
• 45:44
  Speaker 1: your relationship with let me call me bugging me yesterday
• 45:47
  Speaker 1: like not yesterday like last week. I've up and done
• 45:50
  Speaker 1: some Chano business. I can't speak on it on here,
• 45:52
  Speaker 1: but I didn't believe it. He called me and talked
• 45:54
  Speaker 1: to me for five hours, telling me y'alls. But then
• 45:56
  Speaker 1: he'll he'll he'll beerrate you. But then he'll go into
• 45:59
  Speaker 1: like inspiration cho like he like an old man sometimes,
• 46:02
  Speaker 1: like he'll talk about a whole swath of he'd be
• 46:06
  Speaker 1: like god damn. But it goes everywhere with Fifth. But yeah,
• 46:09
  Speaker 1: and you learned that's that's interesting. But I gotta use
• 46:12
  Speaker 1: the restroom hungry. Yeah, but he yeah, he's Fifth is
• 46:17
  Speaker 1: cool man. He Fifth pulls up when he pulls up,
• 46:19
  Speaker 1: when he shows up, he's all the way there when
• 46:20
  Speaker 1: he not here goes no pun attended morning. Everybody in
• 46:24
  Speaker 1: DJ Envy Angela Yee, Charlomagne and the guy. We all
• 46:28
  Speaker 1: the breakfast club. We're still kicking him with writer and
• 46:30
  Speaker 1: actor Malcolm Mayze. Ye. Now you've also been writing even
• 46:34
  Speaker 1: more and you're so you're doing a New Jack City sequel. Yeah, man,
• 46:37
  Speaker 1: I wish your boy Charlomagne was here. I was gonna
• 46:39
  Speaker 1: press his lawn. Why because I got beef with that
• 46:42
  Speaker 1: by we all do. But why I got beef with
• 46:46
  Speaker 1: bro Um. I think he donkey of the day. The
• 46:49
  Speaker 1: remake announcement for New Jack City too. I got the
• 46:52
  Speaker 1: New Jack City Too thing. I was like in my
• 46:54
  Speaker 1: early twenties, one of my biggest screen screenwriting, you know,
• 46:56
  Speaker 1: announcements like I'm a young frond of City and they
• 46:58
  Speaker 1: gave me New Jack City. You know what I'm saying.
• 47:00
  Speaker 1: But he kept more on purporting that it was a remake,
• 47:03
  Speaker 1: and he was giving it the blues, and I was like, well,
• 47:05
  Speaker 1: stop saying that it's a sequel. Right, So I'm here
• 47:08
  Speaker 1: today to tell everybody who gave me a hard time
• 47:11
  Speaker 1: it's not a remake. It is a secret. I do
• 47:13
  Speaker 1: vaguely remember him talk. So it's set today in modern day, Yes,
• 47:18
  Speaker 1: a modern day, like I wrote the lead Partners and
• 47:20
  Speaker 1: Day and like it was, it's lit. What's the premise
• 47:22
  Speaker 1: of it if you good, if you you good, if
• 47:26
  Speaker 1: he gonna give you fire a little already wrote it,
• 47:29
  Speaker 1: so it doesn't matter, right, but if one has called
• 47:32
  Speaker 1: me whatever, what they're gonna do. So the way I
• 47:35
  Speaker 1: said it is that it's it's the appropriate amount of
• 47:38
  Speaker 1: time after it's now, it's now, and after you see
• 47:41
  Speaker 1: where everybody has what's kind of happened to everybody through
• 47:45
  Speaker 1: the lens of a new set of characters, and you
• 47:47
  Speaker 1: will it starts with with um, I'll put it like this, Oh,
• 47:51
  Speaker 1: this is the tagline that I used to use. He's
• 47:53
  Speaker 1: like he says, Nino was trying to New jack a
• 47:57
  Speaker 1: city I'm trying to trap the world, and takes place
• 48:00
  Speaker 1: with like international, like Russia south of France. I put
• 48:04
  Speaker 1: people of coloring internationally trading. So drug dealing more than
• 48:09
  Speaker 1: just drug dealing. It's like drug dealing. How I'm not
• 48:16
  Speaker 1: based in New York anymore. It is so it is
• 48:18
  Speaker 1: because there's a lot of Chicago on the right. I
• 48:21
  Speaker 1: mean in these health industries are are funded, and why
• 48:24
  Speaker 1: do we play to those other characters that were there before?
• 48:27
  Speaker 1: Everybody back? No helod gone, but he in there something,
• 48:31
  Speaker 1: he's in there. In a way I'll put everybody back,
• 48:34
  Speaker 1: about everybody back, that's because I wanted to meet everybody. Now,
• 48:36
  Speaker 1: what about Christopher Williams. I'll be doing my lightskin brother's
• 48:38
  Speaker 1: dirty man. I'll be doing it. But Chris, because Chris
• 48:41
  Speaker 1: was Chris was a banker, he's a snitcher. Can do
• 48:45
  Speaker 1: it in there that that's good g money somebody somebody, Well,
• 48:49
  Speaker 1: the lead the leader is light skin is this is
• 48:51
  Speaker 1: what I give you and the leaders light skin? The
• 48:54
  Speaker 1: leaders a light skint. I wrote it wasn't die in mine,
• 49:00
  Speaker 1: So it's iced Tea's daughter is the league dope? Okay?
• 49:02
  Speaker 1: Oh wow? Really so I did? I wanted it? If
• 49:08
  Speaker 1: you hear this, Zy, you're talented younger lady, and we
• 49:12
  Speaker 1: want you to be that Jack City fan. Did you like, like,
• 49:17
  Speaker 1: here's the thing about New Jack City. When you grow up,
• 49:19
  Speaker 1: it's the greatest thing on the planet. You're watching it,
• 49:20
  Speaker 1: you're like, this is crazy like last week and you
• 49:24
  Speaker 1: and you like, I want to kill you so bad.
• 49:26
  Speaker 1: It's hard. What the it's like when you really listen
• 49:29
  Speaker 1: to Biggie talking about like you so fine, it's like
• 49:32
  Speaker 1: your daddy, You're like, what is going on? Before you
• 49:35
  Speaker 1: think about like what's different when you look at it
• 49:37
  Speaker 1: now because not even because you know, if that's what
• 49:40
  Speaker 1: you wanna do, that R vibe, I ain't tripping, you know.
• 49:41
  Speaker 1: I support everybody, My homies is all that. But the
• 49:44
  Speaker 1: the toxic, like the level of homo phobia that was
• 49:47
  Speaker 1: in hip hop culture was wild. So to have so
• 49:50
  Speaker 1: many homo erotic comments in hip hop staples, it's so
• 49:55
  Speaker 1: like backwards to me because I'm like, why are you
• 49:57
  Speaker 1: why you wanted to kill this? It's a gun. It's
• 49:59
  Speaker 1: b already looked like like what's going on? You know,
• 50:02
  Speaker 1: but it was when you look back at the movie
• 50:04
  Speaker 1: yet certain things do not hold. But overall as an experience, yeah,
• 50:09
  Speaker 1: he did something that was revolutionary. Shout out to Mario.
• 50:12
  Speaker 1: He directed an episode of Power that is actually like
• 50:16
  Speaker 1: my favorite episode right now. Two, eight and ten are
• 50:19
  Speaker 1: like the best episodes to me. And he directed episode
• 50:21
  Speaker 1: two Mario Peeples and we brought him back so and
• 50:24
  Speaker 1: there was a New Jack City reference and I had
• 50:26
  Speaker 1: to tell him I was I was writing New Jack
• 50:28
  Speaker 1: City too, And he was so like loving and supportive.
• 50:30
  Speaker 1: And he's such a good director. He's such a good
• 50:32
  Speaker 1: like giving dude, wait to see you know, the only
• 50:34
  Speaker 1: thing with those sequels is like and no disrespect to
• 50:37
  Speaker 1: anybody to America fan, right, that's weak, bro on my mama.
• 50:44
  Speaker 1: Eddie's Eddie's a legend. Eddie, Eddie's a legend. Eddie's a legend. Look,
• 50:47
  Speaker 1: I love Kenya, so no disrespect, which I love Eddie.
• 50:50
  Speaker 1: I love everybody in there is black as black Wesley
• 50:52
  Speaker 1: was in there. It's dope. But my thing is, it's
• 50:55
  Speaker 1: like there was such a high bar and if we're
• 50:57
  Speaker 1: gonna pretend like we hit it, like, no, bro, I'm
• 50:59
  Speaker 1: not doing that. Didn't hit what it did. I watched
• 51:01
  Speaker 1: it five times because I support everything black. Yeah, I'm
• 51:04
  Speaker 1: gonna still go. I'm gonna still go pay to get
• 51:06
  Speaker 1: better like about a fifth time. For you all I'm
• 51:09
  Speaker 1: gonna say is I like working money and I ain't
• 51:11
  Speaker 1: that yet. So like a lot of things I can't
• 51:13
  Speaker 1: say because I want to. It's not about me, like
• 51:16
  Speaker 1: I'll take care of other people if it was just me.
• 51:17
  Speaker 1: I want to give a Honestly, I probably will still
• 51:19
  Speaker 1: say this anyway. But that's but as much people talk
• 51:22
  Speaker 1: about sequels, it's like y'all watch, y'all consume it. If
• 51:26
  Speaker 1: y'all would go consume if the public would choose something else.
• 51:29
  Speaker 1: And if they were promoted something else, of course it's
• 51:31
  Speaker 1: not fully their fault, then they would the industry. Now
• 51:34
  Speaker 1: it's not about racism, it's classism. It's the dollar. So
• 51:37
  Speaker 1: if y'all go investing something else, they're gonna go do that.
• 51:40
  Speaker 1: If y'all don't want to see sequels, no more, don't go.
• 51:42
  Speaker 1: We don't even get to talk about raising Canan enough
• 51:44
  Speaker 1: because you know I watch First of all, I'm mad
• 51:46
  Speaker 1: that you didn't like Power at first, because you know
• 51:47
  Speaker 1: I watched all of them, all of that. But but
• 51:50
  Speaker 1: I appreciate that you, you know, have joined the cast.
• 51:53
  Speaker 1: I don't know how much. I haven't seen the past
• 51:54
  Speaker 1: two episodes yet. What are you doing you trip? I've
• 51:58
  Speaker 1: been working the last time three. Yeah, I gotta get
• 52:01
  Speaker 1: back this weekend. I'm back on That's why I want
• 52:03
  Speaker 1: to ask you. I'm like, are you still gonna be
• 52:05
  Speaker 1: doing what you're doing? Still? You need to watch five?
• 52:09
  Speaker 1: Watch five? Y'all have to watch five and then keep
• 52:12
  Speaker 1: watching until eight, and then you're gonna wanna ten. It's
• 52:14
  Speaker 1: gonna it's just it's crazy. You know. I hope you
• 52:16
  Speaker 1: last longer than you did on Snow falling man. I
• 52:18
  Speaker 1: hope so too. And by the way, let me also
• 52:19
  Speaker 1: say this about Power and this is real. When I
• 52:21
  Speaker 1: had to go revisit Power because I was on the show,
• 52:24
  Speaker 1: I like, I was like, oh damn. I said to
• 52:26
  Speaker 1: all these who's your daddy types, like oh, somebody said dad.
• 52:29
  Speaker 1: Somebody's like like you know, and I said, by by
• 52:32
  Speaker 1: second season, no, actually by third season, I found myself
• 52:35
  Speaker 1: getting emotional watching it with between Angela, uh it goes.
• 52:40
  Speaker 1: I found myself getting emotion and I was like, what
• 52:42
  Speaker 1: it's going on? Like why is this affecting me? And
• 52:45
  Speaker 1: that's when I noticed the brilliance. I realized and I
• 52:47
  Speaker 1: have to acknowledge the brilliance of Corney Kip because the
• 52:49
  Speaker 1: plotting is so well done, even the first like the
• 52:52
  Speaker 1: plotting is excellent. You feel me And I was like, oh,
• 52:55
  Speaker 1: she know how to keep you on the hook, like
• 52:57
  Speaker 1: you keep going and then you by the time you realize, oh,
• 52:59
  Speaker 1: I'm involved. Yeah. But the two things, it's a world
• 53:03
  Speaker 1: where you don't know who you can trust, yeah, trust
• 53:05
  Speaker 1: your own child, almost your own parents. Explain that to me,
• 53:09
  Speaker 1: like like how did we end up with? Like like
• 53:12
  Speaker 1: this is this is the thing to me? Up because
• 53:13
  Speaker 1: I wasn't in it when everybody was in it. I
• 53:15
  Speaker 1: wasn't a part of everybody loving it. So now on
• 53:17
  Speaker 1: the back end, I'm looking at it like Ghost just
• 53:20
  Speaker 1: didn't want to sell drugs, Like that's it, right, this
• 53:23
  Speaker 1: whole show was about because that's the goal. I think
• 53:26
  Speaker 1: when you are drug dealer, you want to eventually take
• 53:28
  Speaker 1: that money and go legit and not have to sell
• 53:30
  Speaker 1: drugs anymore. Well, how much money did they make? They had?
• 53:33
  Speaker 1: It was in what was it? What was like a
• 53:34
  Speaker 1: big asscause, But there was just too many reasons why
• 53:38
  Speaker 1: he couldn't get out. They would not let him. I was,
• 53:40
  Speaker 1: but it was so much until he could have I
• 53:42
  Speaker 1: never knew how much money they make. And then he
• 53:44
  Speaker 1: wanted to become a politician. I'm like, let this man
• 53:46
  Speaker 1: like he literally told her, and everybody be on his
• 53:48
  Speaker 1: head like oh, and it looked bro was weak, like
• 53:50
  Speaker 1: he like Ghost be doing such, let's just call it
• 53:53
  Speaker 1: be doing such. But there was a moment where he
• 53:55
  Speaker 1: was just like I remember before he started Angela, before
• 53:58
  Speaker 1: he came to his wife like love, like I don't
• 54:00
  Speaker 1: want to do this no more, like and she was like, right,
• 54:04
  Speaker 1: shut up, go get them drugs, and he's like, let's
• 54:05
  Speaker 1: changed the shoot, Like that's what happened. Like he was
• 54:07
  Speaker 1: like that. He was like, he shouldn't have killed the
• 54:10
  Speaker 1: driver then, because then his wife would have been occupied.
• 54:13
  Speaker 1: That's so toxic. Look, look, look, and I'm not bashing nobody,
• 54:19
  Speaker 1: but the reality is before he even started, old girl,
• 54:22
  Speaker 1: she was already getting off in the car to the driver.
• 54:24
  Speaker 1: She was already masturbating, and she saw him talking to
• 54:28
  Speaker 1: someone and she was like, I'm busting it open. And
• 54:31
  Speaker 1: I was like, this show is toxic, toxic, but as
• 54:35
  Speaker 1: we know, real life is toxic. Oh my god, this
• 54:37
  Speaker 1: show huh. I'm just saying, Malcolm up here, man, Malcolm,
• 54:48
  Speaker 1: and I do have to say we do appreciate you.
• 54:50
  Speaker 1: I know it's a difficult time, but the fact that
• 54:52
  Speaker 1: you still came up here and you know this has
• 54:55
  Speaker 1: an amazing interview and that we are going to have
• 54:57
  Speaker 1: you back and for everything that you have going on,
• 55:00
  Speaker 1: but we appreciate that. Man. I appreciate y'all. Man, you know,
• 55:02
  Speaker 1: shout out to t Rogers, shout to the family, y'all, man,
• 55:05
  Speaker 1: appreciate you. Now. The reason I want you back because
• 55:07
  Speaker 1: I really want to see you and Charlotte. Man moves
• 55:09
  Speaker 1: in furniture over there. No, it was now he cooled
• 55:15
  Speaker 1: over man. You know it's Malcolm Hay's. Is the breakfast
• 55:18
  Speaker 1: Club goomrning? This is the Woman Report with Angela Yet
• 55:29
  Speaker 1: well it's just a day and Tip Well tonight, I
• 55:32
  Speaker 1: guess Certify lover Boy is coming out and Drake has
• 55:35
  Speaker 1: been using nationwide billboards to reveal some of the people
• 55:38
  Speaker 1: who are on his album. Now I saw some of
• 55:41
  Speaker 1: these billboards and people posting them on social media. Hey,
• 55:44
  Speaker 1: New York, the Goat is on CLB, Certifi lover Boy, Hey, Chicago,
• 55:48
  Speaker 1: Smirk is on CLB Hey, California, give Me on? And
• 55:52
  Speaker 1: Ty Dollar on CLB Hey, Memphis, Yeah, and Project Patter
• 55:55
  Speaker 1: on CLB. Hey, he's in the hometown. Hero is on
• 55:58
  Speaker 1: CLB yea in Project pat that's the one. That's the one.
• 56:02
  Speaker 1: I can't wait to hear drop on the clues Bomb
• 56:04
  Speaker 1: for that class. I don't know if that's the same
• 56:06
  Speaker 1: song or what, but he's just in different where people
• 56:10
  Speaker 1: are from. He's putting up billboards from there. I don't
• 56:13
  Speaker 1: know that they're on the same song, but if they are, man,
• 56:16
  Speaker 1: even if they, oh my god, you have been in
• 56:17
  Speaker 1: Project Pat with Drake. Oh my god, Hey Atlantis line, Pluto,
• 56:22
  Speaker 1: Savage and Baby are on certified lover Boy. So looks
• 56:26
  Speaker 1: like there's a lot, a lot, a lot a lot
• 56:28
  Speaker 1: of guest appearances. But it should be exciting, and I
• 56:31
  Speaker 1: know we're all excited to hear what that sounds like.
• 56:33
  Speaker 1: So I love what I want to This is gonna
• 56:36
  Speaker 1: go down. Yeah, I love what Drake and Kanye are
• 56:38
  Speaker 1: doing as far as their rollouts, you know what I mean,
• 56:40
  Speaker 1: Rollouts still matter. Corporations just have to stop being cheap
• 56:42
  Speaker 1: and spend those budgets on the marketing. But I love
• 56:45
  Speaker 1: seeing it. I thought Ja Cole had a great rollout
• 56:46
  Speaker 1: earlier this year, But what Yea and Drake are doing
• 56:48
  Speaker 1: right now should make these labels understand that you need
• 56:51
  Speaker 1: budgets and marketing outside of throwing a couple of dollars
• 56:53
  Speaker 1: to the internet. Also, I gotta say Drake is one
• 56:56
  Speaker 1: up Kanye too with those billboards as well, because Kanye
• 56:58
  Speaker 1: had he had a very feature heavy album too, he
• 57:02
  Speaker 1: didn't put billboards in those all the cities Kanye just started.
• 57:06
  Speaker 1: Kanye just started to flood Toronto with Donda billboards as well. Yeah,
• 57:11
  Speaker 1: I love it. I think it's great. Oh my gosh. Yeah,
• 57:16
  Speaker 1: but I will say this. You know, Kanye did do
• 57:19
  Speaker 1: those three big events and broke all kinds of streaming
• 57:22
  Speaker 1: services before putting the actual album out. He stopped, Dak
• 57:26
  Speaker 1: Drake is gonna break every single screaming record possible. That
• 57:30
  Speaker 1: whatever we're just talking about rollout. That was a good
• 57:32
  Speaker 1: rollout strategy. I just gave him props for it. That's
• 57:35
  Speaker 1: why I said I like drinking Kanye's rollouts now. Little
• 57:39
  Speaker 1: Wayne recently did a Q and A on Twitter. He
• 57:43
  Speaker 1: said that he was only going to be answering questions
• 57:45
  Speaker 1: about his new album, Carter four, and he put hashtag
• 57:50
  Speaker 1: asked Wayne, and one person actually asked him about having
• 57:55
  Speaker 1: to go back and change his verses. Do you ever
• 57:58
  Speaker 1: get a verse from someone that's so hot you go
• 58:00
  Speaker 1: back in the jest yours? If so, can you name
• 58:02
  Speaker 1: a few people everything breaks him back? I always have
• 58:06
  Speaker 1: to go back and read. It's never because it's I mean,
• 58:09
  Speaker 1: obviously it's always too hot, but it's always because he
• 58:12
  Speaker 1: says something in that that makes it be like, that
• 58:15
  Speaker 1: makes me be like, oh, I could make more of
• 58:17
  Speaker 1: the song and capitalize more of the song off of
• 58:20
  Speaker 1: something that he just said, and that I didn't say.
• 58:23
  Speaker 1: And so Drake has always told you. Yes, I have
• 58:25
  Speaker 1: changed my verse a billion times because of Drake, and
• 58:27
  Speaker 1: that's always a person, all right. So that was an answer,
• 58:34
  Speaker 1: a great part of the rollout. Even though that's the
• 58:36
  Speaker 1: organic part of it, you know what I mean, that's
• 58:37
  Speaker 1: still another great part. There's nothing when when people say
• 58:40
  Speaker 1: he had to change his verse. I don't think there's
• 58:41
  Speaker 1: ever anything wrong with it't You're gonna make the song better.
• 58:44
  Speaker 1: That's the whole point. Yeah, still iron sharp, resign, still sharp,
• 58:47
  Speaker 1: and still whatever the quote is, all right, A little bit,
• 58:51
  Speaker 1: Little Baby and Jack Boy are teaming up to help
• 58:53
  Speaker 1: build a hospital in Haiti. Now. In the recent Instagram study,
• 58:56
  Speaker 1: jack Boy described what he was seeing when he visited
• 58:58
  Speaker 1: Haiti after the earthquake. He said there were several patients
• 59:00
  Speaker 1: at a hospital that were forced to sleep outside because
• 59:03
  Speaker 1: of lack of space, and so he wanted to help,
• 59:06
  Speaker 1: and he donated a hundred thousand dollars and he said,
• 59:10
  Speaker 1: he posted, I just walked through a hospital in Haiti
• 59:12
  Speaker 1: and all the patients sleeping outside, I personally handed every
• 59:14
  Speaker 1: single last one of them an envelope full of money.
• 59:16
  Speaker 1: But for real, I feel like that ain't enough. Who
• 59:18
  Speaker 1: want to go half with me and get a hospital built?
• 59:20
  Speaker 1: It's not really that much, especially if we're using dollars.
• 59:23
  Speaker 1: And him and little Baby had a conversation, and I
• 59:27
  Speaker 1: guess that's the plan. That little Baby responded to that
• 59:30
  Speaker 1: plan of action. He dm Jack Boy about building something special,
• 59:33
  Speaker 1: and now that's going to happen. So that's dope. And
• 59:36
  Speaker 1: Future is also doing that concert with Free Wishes Foundation,
• 59:39
  Speaker 1: the Free Wishes Foundation and partnership with Direct Relief, which
• 59:42
  Speaker 1: is also going to aid a benefit content to raise
• 59:45
  Speaker 1: money for the relief effort in Haiti as well. Dope.
• 59:49
  Speaker 1: I love to see people doing positive things and being inspired,
• 59:52
  Speaker 1: all right, And that is your rumor reports, all right, Charlomage,
• 59:55
  Speaker 1: who you giving that down? I think we need Dog
• 59:57
  Speaker 1: the bounty hunter to come to the front of the
• 59:58
  Speaker 1: congregation who like to have world with him. I think
• 1:00:00
  Speaker 1: this could be a teachable moment, right, even though we
• 1:00:03
  Speaker 1: keep teaching the same lesson over and over. But hey,
• 1:00:06
  Speaker 1: well he his brother. We'll get into it next. I'm
• 1:00:09
  Speaker 1: not one of the brothers. One of the brother's side,
• 1:00:14
  Speaker 1: all right, we so we'll get to that. Next. Is
• 1:00:15
  Speaker 1: the Breakfast Club. Good morning, So Breakfast Club, your mornings
• 1:00:18
  Speaker 1: will never be the same. Angela year here, And did
• 1:00:22
  Speaker 1: you know that the General Insurance has been saving people
• 1:00:25
  Speaker 1: money for nearly sixty years. Take a closer look at
• 1:00:28
  Speaker 1: the General and see how they can help you save too.
• 1:00:31
  Speaker 1: Call eight hundred General or go to the General dot com.
• 1:00:34
  Speaker 1: And some restrictions apply crossing the line of state. Don't
• 1:00:39
  Speaker 1: be out here acting like a donkey. It's time for
• 1:00:43
  Speaker 1: Donkey of the Day. I'm a big boy. I could
• 1:00:46
  Speaker 1: take it if you feel I deserve it. Ain't no
• 1:00:47
  Speaker 1: big deal. I know. Charlotte Magny got grow out funny.
• 1:00:50
  Speaker 1: You gotta say something you may not agree with. Doesn't
• 1:00:52
  Speaker 1: mean I'm needing. We'll getting that donkey that don't key,
• 1:00:55
  Speaker 1: that don't don't don't, don't don't don't the other day
• 1:00:57
  Speaker 1: right there. You can call me the Donkey of the day.
• 1:01:02
  Speaker 1: But like I mean, nor, we're back in class teaching
• 1:01:06
  Speaker 1: the same old lessons. Donkey of the Day for Thursday,
• 1:01:09
  Speaker 1: September two goes the Dog the Bounty Hunter. Now Dog
• 1:01:13
  Speaker 1: the Bounty Hunter sat down with one of the brothers
• 1:01:16
  Speaker 1: Okay Entertainment Tonight's Kevin Fraser to address allegations that he
• 1:01:20
  Speaker 1: is racist and homophobic because back in two thousand and seven,
• 1:01:23
  Speaker 1: he used the n word during a tape phone call
• 1:01:25
  Speaker 1: with his son. Now, I never listened to this phone call,
• 1:01:28
  Speaker 1: so I didn't know what the context of him using
• 1:01:30
  Speaker 1: the word was. But listen, this is the call that
• 1:01:33
  Speaker 1: was made public to the National Inquiry in two thousand
• 1:01:35
  Speaker 1: and seven. And I have to say warning, this could
• 1:01:38
  Speaker 1: be a trigger if you're a Niggers because she's black.
• 1:01:42
  Speaker 1: It's because we use the word nigger some type yer.
• 1:01:45
  Speaker 1: I'm not gonna take a chance ever in life or
• 1:01:48
  Speaker 1: losing everything I've worked for for the thirty years because
• 1:01:52
  Speaker 1: some nigger heard nigger and Turky sent thing in car magazine.
• 1:01:56
  Speaker 1: If Leech was dating nigger, we would all safe to you.
• 1:02:00
  Speaker 1: There's not that they're black, it's none of that. It's
• 1:02:03
  Speaker 1: that we use the word nigger. We don't mean it's scum,
• 1:02:06
  Speaker 1: nigger without a soul. We don't mean that, but America
• 1:02:09
  Speaker 1: would think we mean that. And we're not taking a
• 1:02:12
  Speaker 1: chance on losing everything we got over a racial slur
• 1:02:17
  Speaker 1: because our son goes with the girl like that. I
• 1:02:20
  Speaker 1: can't do that, Ducker. So I hope you get at
• 1:02:22
  Speaker 1: another job, but he cannot work here unless you break
• 1:02:25
  Speaker 1: up with her. Wow, So he wanted to son to
• 1:02:27
  Speaker 1: break up with his black girlfriend. Well, we'll discuss. I
• 1:02:31
  Speaker 1: just I just want to know why is this a
• 1:02:32
  Speaker 1: thing now? Because this was back in two thousand and seven. Okay,
• 1:02:36
  Speaker 1: why don't we just let sleeping dogs that are bounty
• 1:02:38
  Speaker 1: hunters lie? Like? Why is this story coming up now?
• 1:02:41
  Speaker 1: Also in that call Yes and V, he wanted his
• 1:02:44
  Speaker 1: son to break up with his black girlfriend because they
• 1:02:47
  Speaker 1: use the N word. He uses the N word, you know,
• 1:02:50
  Speaker 1: like you know again. I guess he uses it the
• 1:02:52
  Speaker 1: way some black people use the N word for in
• 1:02:54
  Speaker 1: group usage, has a term of endearment, whatever. But dog
• 1:02:58
  Speaker 1: wanted his son to break up up with his girlfriend
• 1:03:00
  Speaker 1: because she may hear them use it and it could
• 1:03:03
  Speaker 1: bring their empire down. Here's the thing, what you're doing,
• 1:03:06
  Speaker 1: the dog will always come to the light. And if
• 1:03:09
  Speaker 1: what you're doing the dark, okay, cause you to lose
• 1:03:12
  Speaker 1: something when the lights come on, that means you probably
• 1:03:14
  Speaker 1: just need to stop whatever it is you're doing when
• 1:03:16
  Speaker 1: the lights are off. Okay. Simple. I don't know why
• 1:03:19
  Speaker 1: we complicate things. If something is wrong, it's wrong, whether
• 1:03:22
  Speaker 1: it's in the dark or in the light. And that's
• 1:03:24
  Speaker 1: why the N word is so complicated in such a
• 1:03:26
  Speaker 1: source of contention. You know, is it an offensive word?
• 1:03:30
  Speaker 1: Is it only offensive when it comes from someone who's
• 1:03:32
  Speaker 1: not black? Should be in rap songs? And it should
• 1:03:34
  Speaker 1: it be so entrenched in our culture? Is it lack
• 1:03:36
  Speaker 1: of etiquette to speak it out loud and mixed company.
• 1:03:39
  Speaker 1: I don't know. It's an age old discussion that will
• 1:03:41
  Speaker 1: probably outlive us. All I do know that there's not
• 1:03:45
  Speaker 1: a white man alive who has the pass to use
• 1:03:47
  Speaker 1: the word. Okay, that I know. I do know there's
• 1:03:49
  Speaker 1: not a white man alive who should be using the
• 1:03:51
  Speaker 1: word regardless of context. But according the dog, the bounty hunter,
• 1:03:55
  Speaker 1: there are N word passes being handed out the white
• 1:03:57
  Speaker 1: folks in these screets, and he got one back today
• 1:04:00
  Speaker 1: in prison. Okay, but according to him, he was just
• 1:04:03
  Speaker 1: busted for driving with a suspended N word license. Okay.
• 1:04:07
  Speaker 1: Listen to his explanation on why he chose to use
• 1:04:10
  Speaker 1: the N word. Listen, I have never been a racist.
• 1:04:12
  Speaker 1: I'm thirty three and a half percent of patchy, But
• 1:04:16
  Speaker 1: because of over fifteen years ago, I have an achilles
• 1:04:19
  Speaker 1: heel because I used the wrong word. Why were you
• 1:04:21
  Speaker 1: using that word so freely? Well, I thought I had
• 1:04:24
  Speaker 1: a pass in the black tribe to use it, kind
• 1:04:26
  Speaker 1: of like Eminem, who gave you the pass the brothers
• 1:04:30
  Speaker 1: who were brothers. I had just gotten out of prison
• 1:04:33
  Speaker 1: in nineteen seventy nine after spending eighteen months in Texas,
• 1:04:36
  Speaker 1: and it was probably three quarters from the black tribe.
• 1:04:40
  Speaker 1: So that was a word that we used back and
• 1:04:42
  Speaker 1: forth as maybe a compliment. My past expired for using it.
• 1:04:48
  Speaker 1: But no one told me that to say a racist
• 1:04:50
  Speaker 1: name doesn't qualify to make you a racist. I have
• 1:04:53
  Speaker 1: more black friends than Eminem. Who's the black tribe? And
• 1:04:56
  Speaker 1: who's the brothers? You got to tell me that I have? Now,
• 1:04:58
  Speaker 1: why is Eminem the bar of black friends? Well, yes,
• 1:05:02
  Speaker 1: very true. I mean there's so much unpack here. I mean,
• 1:05:05
  Speaker 1: once again, there's another white man alive who has a
• 1:05:06
  Speaker 1: path to use the N word in any context. You
• 1:05:08
  Speaker 1: can choose to use it however which way you want.
• 1:05:11
  Speaker 1: But with all speech, there is a price. Stop with
• 1:05:13
  Speaker 1: the freedom of speech nonsense, there's no such thing. Nobody
• 1:05:17
  Speaker 1: is stopping you from saying what you want to say.
• 1:05:19
  Speaker 1: But also nobody is going to be able to stop
• 1:05:22
  Speaker 1: those consequences for the words that come out of your mouth. Either.
• 1:05:25
  Speaker 1: That's what folks are really trying to avoid, consequences for
• 1:05:29
  Speaker 1: what they say, because nobody is stopping you from saying anything.
• 1:05:32
  Speaker 1: We just encourage folks like Dog the Bounty Hunter not
• 1:05:35
  Speaker 1: to use the N word because there will be consequences
• 1:05:38
  Speaker 1: and repercussions. Respect your job, mister white man, because you
• 1:05:42
  Speaker 1: might get bucks in your mouth. Okay. See the problem
• 1:05:44
  Speaker 1: with white men like Dog the Bounty Hunter. They didn't
• 1:05:47
  Speaker 1: grow up around black women. Okay, especially black women from
• 1:05:50
  Speaker 1: the South. I'm from South Carolina. You ain't getting too
• 1:05:52
  Speaker 1: many wanters. Okay, You're gonna get one minum out now,
• 1:05:56
  Speaker 1: and then there's gonna be consequences and repercussions. And because
• 1:05:58
  Speaker 1: of those consequences and cousins, you learn what you can
• 1:06:01
  Speaker 1: and cannot say. Dog the Bounty Hunter did not learn that. Okay,
• 1:06:06
  Speaker 1: he may be learning that now, but it's probably too
• 1:06:08
  Speaker 1: late now. To Angela's point, I need to know why
• 1:06:11
  Speaker 1: Eminem is his bar. Okay, Eminem helped to revitalize Doctor
• 1:06:15
  Speaker 1: Dred's music career, no doubt. Eminem. You know signed fifty
• 1:06:18
  Speaker 1: cent in g Unit. That's what made fifty A superstar,
• 1:06:21
  Speaker 1: international superstar. No doubt, Shady signed members of Griselda early,
• 1:06:25
  Speaker 1: didn't really promote them, but signed them nonetheless. Now they
• 1:06:27
  Speaker 1: got Atlanta's own grip. I'm saying all that to say,
• 1:06:30
  Speaker 1: with everything Eminem has done for hip hop culture, he
• 1:06:33
  Speaker 1: don't got no damn pass to say the N word? Okay,
• 1:06:36
  Speaker 1: why do white people feel like they can play with
• 1:06:37
  Speaker 1: us like that? I got Jewish friends, I got Jewish
• 1:06:40
  Speaker 1: business partners, I got Jewish agents. I don't feel like
• 1:06:42
  Speaker 1: I can use any slurs towards them because of my
• 1:06:44
  Speaker 1: proximity to them. Why does Dog the bounty hunter think
• 1:06:47
  Speaker 1: because he has black friends, he has a right to
• 1:06:49
  Speaker 1: say that word? And why would you want to how
• 1:06:53
  Speaker 1: we call each other kings and queens and gods and goddesses.
• 1:06:57
  Speaker 1: I don't see you in the rush to use that
• 1:06:58
  Speaker 1: kind of language in reference to black people. So why
• 1:07:00
  Speaker 1: the N word? Marl of the story is there is
• 1:07:03
  Speaker 1: no proximity argument when it comes to the N word.
• 1:07:05
  Speaker 1: I'm not even going back and forth with any white
• 1:07:07
  Speaker 1: person about this. Just stop, Okay, this is an old
• 1:07:10
  Speaker 1: lesson plan all right. Now? Dog was also accused of
• 1:07:13
  Speaker 1: being homophobic. Would you like to hear what he had
• 1:07:15
  Speaker 1: to say to Kevin Frasier about that this is good too.
• 1:07:18
  Speaker 1: Would you like to listen? Listen? She's been fed to
• 1:07:22
  Speaker 1: what to say. I have three people that are on
• 1:07:24
  Speaker 1: my staff that are gay man, my daughter's gay baby, Lisa.
• 1:07:28
  Speaker 1: I don't understand why anybody would ever say that. I
• 1:07:32
  Speaker 1: hear what you're saying. I remember, proximity does not mean
• 1:07:37
  Speaker 1: that you're not racist and homophobic. Would I die for
• 1:07:41
  Speaker 1: a gay man or a black man? I laid down
• 1:07:43
  Speaker 1: my life, will die. I need to see it. You
• 1:07:47
  Speaker 1: gotta prove it. When you say things like that, you
• 1:07:49
  Speaker 1: gotta prove it. Okay, Dog, I know he was addicted
• 1:07:51
  Speaker 1: to hard drugs back in the day. I think I
• 1:07:54
  Speaker 1: read them where it was cracking. Okay, But are we
• 1:07:57
  Speaker 1: show he's not using again? Because this is not ass talk? Okay?
• 1:08:01
  Speaker 1: And you know, Dog, I think it's honorable that you
• 1:08:03
  Speaker 1: would lay your life down for a black man. Are
• 1:08:05
  Speaker 1: gay man our gay person? I really do? But that
• 1:08:08
  Speaker 1: just may not be enough. Okay. We don't want you
• 1:08:11
  Speaker 1: to die, all right? Based off these offenses and your
• 1:08:13
  Speaker 1: response and reasoning for your actions. The only way to
• 1:08:16
  Speaker 1: fix this is not to lay down your life for
• 1:08:18
  Speaker 1: a black person or a gay person. We need you
• 1:08:21
  Speaker 1: to lay on your stomach for a black gay man. Okay,
• 1:08:24
  Speaker 1: that's the only way to fix this. Where is Fleece
• 1:08:26
  Speaker 1: Johnson the booty hunter when you need them? Okay, White people,
• 1:08:29
  Speaker 1: I hate to repeat this, but the N word is
• 1:08:32
  Speaker 1: not for you, all right. There is no context or
• 1:08:34
  Speaker 1: a reason for you to use it. And when you
• 1:08:36
  Speaker 1: know better and don't do better, you end up getting
• 1:08:40
  Speaker 1: Donkey of the Day. I send Dog the bounty hunter
• 1:08:43
  Speaker 1: healing energy, but I also got to give him the
• 1:08:45
  Speaker 1: biggest he hall. Did the brothers approved this message? I
• 1:08:52
  Speaker 1: have no idea. You let me know when you get
• 1:08:55
  Speaker 1: them on the line. And if that brothers with an
• 1:08:57
  Speaker 1: sr Z because that determines a lot. Okay, you can
• 1:09:01
  Speaker 1: always tell kind of brothers they are based off how
• 1:09:03
  Speaker 1: they spell brothers. He at the NRS m oh no,
• 1:09:08
  Speaker 1: all right, but what about the Black tribe? Did they
• 1:09:10
  Speaker 1: improve it? Have? No? I have my tribe. I have
• 1:09:13
  Speaker 1: a soul tribe. But I don't think they I don't
• 1:09:16
  Speaker 1: think they're the Black tribe. Okay, whatever that means stified
• 1:09:20
  Speaker 1: out all right? All right, Well, thank you for that
• 1:09:22
  Speaker 1: Donkey of the Day. Up next, ask a yea eight
• 1:09:25
  Speaker 1: hundred five A five one oh five one. Uni relationship
• 1:09:28
  Speaker 1: advice at any type of advice, Call ye right now.
• 1:09:30
  Speaker 1: It's the breakfast Club. Come on, what what what? What
• 1:09:34
  Speaker 1: you gonna know? Baby mama issues snee some words of wisdom?
• 1:09:37
  Speaker 1: Call up now for asking eight hundred five A five
• 1:09:40
  Speaker 1: one oh five one the Breakfast Club. These relationship advice
• 1:09:48
  Speaker 1: need personal advice, just the real advice. Hall up now
• 1:09:51
  Speaker 1: for asking. Morning everybody. It's DJ Envy Angela yee, Charlomagne
• 1:09:58
  Speaker 1: the guy. We are the breakfast Club. Time for asking?
• 1:10:01
  Speaker 1: He Hello, who's this? What I'm doing is Jacob? What
• 1:10:04
  Speaker 1: I'm done? Getting off your chests? Broke? I said, get
• 1:10:06
  Speaker 1: off your chests? What's your question for you? Oh? Ye man?
• 1:10:09
  Speaker 1: I met my father when I was night saying, right,
• 1:10:12
  Speaker 1: we didn't really add the best relationship, and uh as
• 1:10:16
  Speaker 1: a recently he said he wouldn't he wasn't gonna come
• 1:10:19
  Speaker 1: and visit me and my family because we won't take
• 1:10:23
  Speaker 1: the vaccine because he had cold. He had COVID last year.
• 1:10:27
  Speaker 1: And I told him that, you know, I don't believe
• 1:10:29
  Speaker 1: in taking a vaccine right now. Just my choice, you
• 1:10:32
  Speaker 1: know what I'm saying, but he said he won't come
• 1:10:34
  Speaker 1: visit this light. So basically you're like, it's done, a
• 1:10:37
  Speaker 1: relationship done, and I'm just well, how would you take that.
• 1:10:41
  Speaker 1: I marry a couple of things here. It feels like
• 1:10:43
  Speaker 1: there's underlying issues. It's not just this vaccine and him
• 1:10:47
  Speaker 1: not coming to see you right now. It seems like
• 1:10:49
  Speaker 1: this situation is bringing that to light. Because I will
• 1:10:53
  Speaker 1: say this, if he had COVID last year, he had
• 1:10:55
  Speaker 1: it really bad. If he has any underlying conditions. In general,
• 1:10:59
  Speaker 1: people are scared to get COVID, especially because you don't
• 1:11:02
  Speaker 1: know how it could affect you. Some people are dying
• 1:11:04
  Speaker 1: from it, some people are having long lasting effects, and
• 1:11:07
  Speaker 1: they don't know what's going to happen. And so I
• 1:11:09
  Speaker 1: can understand why he's saying he wants to protect himself
• 1:11:13
  Speaker 1: and his family. He could spread it to other people
• 1:11:15
  Speaker 1: as well. So that, to me, isn't a reason to
• 1:11:18
  Speaker 1: say that I'm done with you now. It feels like
• 1:11:22
  Speaker 1: this is just something that has brought to light the
• 1:11:25
  Speaker 1: other issues that you've already had. Yeah, I mean, you know,
• 1:11:28
  Speaker 1: we never really had the best relationship. It was always
• 1:11:31
  Speaker 1: back and forth, and I kind of felt like I
• 1:11:34
  Speaker 1: always told him. It's crazy because I just kind of
• 1:11:36
  Speaker 1: like realized, like we was a kid, I never looked
• 1:11:39
  Speaker 1: at it like that. I just looked at it like
• 1:11:41
  Speaker 1: my father just wasn't in my life. But the reason
• 1:11:43
  Speaker 1: being it is because he was married. You know, he
• 1:11:46
  Speaker 1: had us out of wed Locke with right. You know,
• 1:11:48
  Speaker 1: that's that's something I did. You know, I can't control that.
• 1:11:51
  Speaker 1: I didn't ask me here but not here it is. Listen,
• 1:11:54
  Speaker 1: I'm forty years I'll be forty next year. I'm a
• 1:11:56
  Speaker 1: father year kie. I got the way I my kids
• 1:12:01
  Speaker 1: because of the lack of anything that I had. You
• 1:12:03
  Speaker 1: understand what I'm man. So I feel like I always
• 1:12:06
  Speaker 1: expected a lot out of him and he's always just
• 1:12:08
  Speaker 1: been a disappointment too. And I turned up forel Like
• 1:12:11
  Speaker 1: if I would have never met him, I wouldn't be
• 1:12:13
  Speaker 1: disappointed in him, as I'm always him, you know what
• 1:12:16
  Speaker 1: I'm saying, Like it's like he always disappointed and even
• 1:12:20
  Speaker 1: as a man, I'm and there's no reason why I
• 1:12:24
  Speaker 1: shouldn't hurt. You know, for nineteen years of your life,
• 1:12:26
  Speaker 1: you didn't notice person, and then he shows up and
• 1:12:28
  Speaker 1: he still doesn't show up, and he has a lot
• 1:12:31
  Speaker 1: of faults and he hasn't been a father to you,
• 1:12:35
  Speaker 1: and so I can understand why your feelings are hurt. Now.
• 1:12:38
  Speaker 1: As far as this as being about the vaccine, I
• 1:12:41
  Speaker 1: think that is not what the real issue is. Like
• 1:12:43
  Speaker 1: I said, and you know, you have met your father
• 1:12:46
  Speaker 1: and sometimes you know, knowing a person and not having
• 1:12:49
  Speaker 1: to deal with the what if your whole life is
• 1:12:52
  Speaker 1: something that gives you some closure too as well. But
• 1:12:55
  Speaker 1: all you can do is make sure that you're the
• 1:12:56
  Speaker 1: opposite of the type of father that he was to you.
• 1:13:00
  Speaker 1: I definitely am right, and so you and if you
• 1:13:03
  Speaker 1: think about it, him being the way that he was
• 1:13:06
  Speaker 1: is actually what helped make you the amazing dad that
• 1:13:08
  Speaker 1: you are here. It's a crazy part, like I like,
• 1:13:11
  Speaker 1: I don't I don't want to bansk my father because
• 1:13:14
  Speaker 1: I love him, you know what I'm saying. No matter what,
• 1:13:15
  Speaker 1: he still gave me, Like he the reason I'm here.
• 1:13:18
  Speaker 1: But it's just you know me and got to be
• 1:13:20
  Speaker 1: held accountable. Man. You know his actions thirty nine years ago,
• 1:13:25
  Speaker 1: he Steven hasn't been held accountable for it. And when
• 1:13:28
  Speaker 1: when I when I put him or I hold him
• 1:13:30
  Speaker 1: to the fire about it, he don't like to talk
• 1:13:32
  Speaker 1: about it. You know what I'm saying, Yeah, and in
• 1:13:34
  Speaker 1: the conversation. But at the same time, he can he
• 1:13:37
  Speaker 1: can call on and try to give the advice, and
• 1:13:39
  Speaker 1: it's hard for me to accept the advice from him
• 1:13:42
  Speaker 1: when it's just a phone call. You know. That's what
• 1:13:44
  Speaker 1: I've been telling years. I've said, I need more from
• 1:13:47
  Speaker 1: you than just phone calls. You know, lot of is
• 1:13:49
  Speaker 1: not a word, it's an accent. I live my kids,
• 1:13:52
  Speaker 1: I love my wife, and I showed him that every
• 1:13:54
  Speaker 1: day body keeping up improvements. I'll take care of him.
• 1:13:58
  Speaker 1: I gotta get up, make something excuse me. But you know, yeah,
• 1:14:03
  Speaker 1: and he should be. And I'm sure that he is
• 1:14:04
  Speaker 1: ashamed of the way that he was as a dad
• 1:14:07
  Speaker 1: and can't even admit that to you. You know, when
• 1:14:09
  Speaker 1: my son turned eighteen this year, or when he was
• 1:14:11
  Speaker 1: a problem the shooter, he told me up because I
• 1:14:14
  Speaker 1: thought about I was so fired of my son being
• 1:14:18
  Speaker 1: there and marking and being in this new space in life.
• 1:14:22
  Speaker 1: But then he told me up because I thought about, damn,
• 1:14:24
  Speaker 1: my father wasn't there for me. And then I also
• 1:14:26
  Speaker 1: got to thinking about, you know, my sons are eighteen,
• 1:14:30
  Speaker 1: I'm raising them to be being I'm raising them to
• 1:14:32
  Speaker 1: be great men and the fear that I have of
• 1:14:35
  Speaker 1: them being out here in the world. I can't ask
• 1:14:38
  Speaker 1: my father about how did that field when I turned
• 1:14:41
  Speaker 1: eighteen and I was out in the world, how did
• 1:14:42
  Speaker 1: you feel about you know, who was your tears? Who
• 1:14:45
  Speaker 1: was your worries about me being out here? You know
• 1:14:47
  Speaker 1: what I'm saying. So it kind of be like, that's
• 1:14:49
  Speaker 1: that's what I deal with, you know what I mean?
• 1:14:51
  Speaker 1: But every day I get up and make it happen. Man,
• 1:14:54
  Speaker 1: and your relationship, but your father is a work in progress,
• 1:14:56
  Speaker 1: and there's gonna be times when you are done with
• 1:14:58
  Speaker 1: him and write him off, and there's gonna be when
• 1:15:00
  Speaker 1: you're like, I do love him. That is my father,
• 1:15:02
  Speaker 1: and he is part of the reason with it. I
• 1:15:04
  Speaker 1: think I'm doing with it right now because I don't
• 1:15:06
  Speaker 1: want to keep going through the emotions. I'm a very
• 1:15:10
  Speaker 1: to be honest, I definitely need therapy. Like as I
• 1:15:13
  Speaker 1: was young, young, when I hear Charlemagne talk about therapy,
• 1:15:16
  Speaker 1: I always thought, like, man, that's not for black people.
• 1:15:18
  Speaker 1: But the older I get now, I definitely know I
• 1:15:21
  Speaker 1: need therapy because just what I'll be going through, you
• 1:15:24
  Speaker 1: know what I mean, Like mentally and now is the
• 1:15:26
  Speaker 1: time to seek that out. And you should see you
• 1:15:28
  Speaker 1: should you should get some therapy for yourself and see
• 1:15:30
  Speaker 1: if your father would actually be open to come into
• 1:15:33
  Speaker 1: some sessions as well. Oh no, we don't even we
• 1:15:36
  Speaker 1: don't even stay in the same we. I mean, you
• 1:15:39
  Speaker 1: can do it virtue, You can do it virtually. No,
• 1:15:42
  Speaker 1: I'm not even open for that. I would more sold
• 1:15:45
  Speaker 1: you go for myself. Yeah, but do that, do that
• 1:15:48
  Speaker 1: and right now I put your and right now, put
• 1:15:51
  Speaker 1: yourself first. You don't have to worry about anything else.
• 1:15:53
  Speaker 1: Put yourself and your family first and handle your business. Okay.
• 1:15:57
  Speaker 1: Just because that man is your blood doesn't mean he's
• 1:15:59
  Speaker 1: your father because he never was. No, he's just my dad.
• 1:16:02
  Speaker 1: That's a difference. The FOS a person that is there
• 1:16:05
  Speaker 1: take care of you. But I just wanted to get
• 1:16:07
  Speaker 1: to my chest. I really appreciate y'all. Land here, y'all
• 1:16:09
  Speaker 1: let me get on there in thing and y'all gave
• 1:16:12
  Speaker 1: me an interview this Jay Cotton. I don't know if
• 1:16:14
  Speaker 1: you remember me. Oh yeah, we sure do. Don't you
• 1:16:17
  Speaker 1: cut two? Yea? But yeah, I put two then hestagram
• 1:16:20
  Speaker 1: clip my page. Man. So they've been on that, you know,
• 1:16:22
  Speaker 1: they've been clipping a lot of influential Black places. I'm
• 1:16:25
  Speaker 1: not saying that I'm very influential, but I am. In
• 1:16:27
  Speaker 1: my city. I know a lot of people, a lot
• 1:16:28
  Speaker 1: of people know me. And when y'all gave me that
• 1:16:30
  Speaker 1: platform Land, y'all actually boosting my my my followers. It
• 1:16:35
  Speaker 1: was just a great time for me, you know what
• 1:16:37
  Speaker 1: I mean? And I just wanted to talk for everything. Well,
• 1:16:40
  Speaker 1: thank you, Jay Cotton, and we appreciate you for being
• 1:16:44
  Speaker 1: a great dad at you and I hope that people
• 1:16:45
  Speaker 1: who are fathers who are listening and aren't active in
• 1:16:48
  Speaker 1: their children's lives can actually understand how much this can
• 1:16:50
  Speaker 1: affect uh their own kids as they get older. All right,
• 1:16:54
  Speaker 1: ask you call us up eight hundred five, eight five
• 1:16:57
  Speaker 1: one or five one. Thank you Jay. All right, asky
• 1:17:00
  Speaker 1: we got more coming up as a breakfast club. Good morning.
• 1:17:04
  Speaker 1: I'm gonna keep read some real advice with Angela ye
• 1:17:08
  Speaker 1: gets ask ye morning. Everybody is DJ Envy Angela Yee,
• 1:17:13
  Speaker 1: Charlomagne the guy. We are the breakfast club. We're in
• 1:17:16
  Speaker 1: the middle of ask ye what line you want to
• 1:17:18
  Speaker 1: go to? Ye? I left the line too. Hello? Who's this? Hello? Hello? Someone?
• 1:17:24
  Speaker 1: And I'm sorry he had told me a bard, I
• 1:17:25
  Speaker 1: was waiting, Okay, what's your question to your mama? What's
• 1:17:28
  Speaker 1: your name? I'm a question. So I was doing with
• 1:17:30
  Speaker 1: somebody for two years and every time something like it's
• 1:17:34
  Speaker 1: really simious. They get up in their oneing. They're like
• 1:17:36
  Speaker 1: seven five years old. So I don't know if decision
• 1:17:39
  Speaker 1: words a fight anymore, Like what am I doing? I
• 1:17:41
  Speaker 1: just let it go. So you're dealing with someone, but
• 1:17:44
  Speaker 1: this person was not your your man, I know. But
• 1:17:47
  Speaker 1: we was like together every day and all day, and
• 1:17:50
  Speaker 1: we stayed together and stuff like that, and and it
• 1:17:54
  Speaker 1: was just like, oh my ask to speak louds and words.
• 1:17:56
  Speaker 1: I don't want no tiders going nothing. I just want
• 1:17:58
  Speaker 1: to if I'm here, I'm here that type of thing. Okay.
• 1:18:01
  Speaker 1: So basically y'all were acting like you were in a relationship,
• 1:18:04
  Speaker 1: but he wasn't officially in one because he wanted to
• 1:18:07
  Speaker 1: be able to have the freedom to do what he
• 1:18:08
  Speaker 1: wants to do because y'all don't have no title yet,
• 1:18:12
  Speaker 1: and it seemed like it seemed like he wanted to
• 1:18:15
  Speaker 1: make the title at some point. But I was just like,
• 1:18:17
  Speaker 1: it's horrible. We argue all the time, and it is
• 1:18:20
  Speaker 1: this this time to let it go, like I don't.
• 1:18:23
  Speaker 1: If you're not getting what you want out of a relationship,
• 1:18:25
  Speaker 1: then it is time to let it go. Sometimes you
• 1:18:28
  Speaker 1: end up in the cycle because guys would think that
• 1:18:31
  Speaker 1: she's not gonna leave me. She never has. It's been
• 1:18:33
  Speaker 1: two years. I've been doing what I want to do.
• 1:18:36
  Speaker 1: She might get mad and we might argue, but she
• 1:18:37
  Speaker 1: ain't going nowhere, and sometimes you have to go. He's
• 1:18:42
  Speaker 1: the one that's always leaving, Like it's not me. It's
• 1:18:44
  Speaker 1: not me saying you know, I'm out of here or whatever,
• 1:18:46
  Speaker 1: it's him, Like I don't. I don't give the woman part.
• 1:18:49
  Speaker 1: What what is that? Well, action speak, action speak louder
• 1:18:52
  Speaker 1: than words, like he said, yeah, you're right, thank you so,
• 1:18:57
  Speaker 1: and I want more for it, and I want more
• 1:18:59
  Speaker 1: for you. And you gotta went better for yourself too.
• 1:19:01
  Speaker 1: You gotta want somebody that wants to be there, somebody
• 1:19:04
  Speaker 1: that's proud to be like, that's my girl, that's my woman.
• 1:19:07
  Speaker 1: We're working towards something in the future. That's what you deserve.
• 1:19:09
  Speaker 1: Thank you so much. Yeah about you know, it's about
• 1:19:12
  Speaker 1: time where everything that's going on in the world and
• 1:19:14
  Speaker 1: stuff like that. So yeah, don't get used to. Just
• 1:19:17
  Speaker 1: don't get used to dysfunction. It's not normal. Yes, thank you,
• 1:19:21
  Speaker 1: you're welcome. Ask Ye eight drew five A five one
• 1:19:25
  Speaker 1: oh five one. If you need relationship advice to any
• 1:19:27
  Speaker 1: type of advice, you can call Ye. Now you got
• 1:19:28
  Speaker 1: rumors on the way, we'll be talking about Polo Ge.
• 1:19:31
  Speaker 1: He has had to hire around the clock arm security
• 1:19:34
  Speaker 1: for his mother. Will tell you what happened, all right,
• 1:19:36
  Speaker 1: we'll get into that next. It's the Breakfast Club. Good morning,
• 1:19:38
  Speaker 1: the Breakfast Club. It's about Angela Yee on the Breakfast Club.
• 1:19:54
  Speaker 1: Well yesterday, As our Kelly child continues in Brooklyn, the
• 1:19:57
  Speaker 1: minister who married Our Kelly and Eliyah described secret wedding
• 1:20:00
  Speaker 1: for the first time. So Nathan Edmond, who's now seventy three,
• 1:20:04
  Speaker 1: said that he had never met R. Kelly or Aliyah
• 1:20:06
  Speaker 1: prior to the ceremony. He didn't know who they were.
• 1:20:09
  Speaker 1: He said he did not think it was anybody special.
• 1:20:11
  Speaker 1: I didn't understand it at all. And he acknowledged also
• 1:20:15
  Speaker 1: that he did not want to be taken the stand
• 1:20:17
  Speaker 1: right now. So, according to the federal indictment, R Kelly Medalia,
• 1:20:21
  Speaker 1: when she was twelve years old, he started a sexual
• 1:20:23
  Speaker 1: relationship with her when she was still a young teen.
• 1:20:26
  Speaker 1: They alleged that he married her because he believed she
• 1:20:29
  Speaker 1: was pregnant and it could keep her from testifying against him. Now,
• 1:20:32
  Speaker 1: a friend of R. Kelly's, who was also an associate
• 1:20:34
  Speaker 1: of the minister, asked for a favor. According to that minister,
• 1:20:37
  Speaker 1: he said, it was a quick ceremony, about ten minutes
• 1:20:40
  Speaker 1: or less in a hotel in the Chicago suburbs. The
• 1:20:42
  Speaker 1: only attendees were himself, R. Kelly, Aliyah, and about three
• 1:20:47
  Speaker 1: other gentlemen who Edmond did not know now, he said.
• 1:20:50
  Speaker 1: Before conducting the ceremony, he was asked to sign a
• 1:20:52
  Speaker 1: confidentiality agreement, but he refused. He said it didn't look
• 1:20:55
  Speaker 1: legally sound. Instead, he gave his word that he would
• 1:20:58
  Speaker 1: never speak about the ceremony, and he agreed, and they
• 1:21:00
  Speaker 1: offered him somewhere between twenty five and fifty dollars to officiate,
• 1:21:04
  Speaker 1: but he declined the money. He said that R. Kelly
• 1:21:07
  Speaker 1: and Aliyah were matching jogging suits for the wedding ceremony
• 1:21:11
  Speaker 1: eat with one pant leg rolled up to the knee,
• 1:21:14
  Speaker 1: and so that's the first time he's ever publicly spoken
• 1:21:17
  Speaker 1: about their wedding. Ceremony, So question, nobody else would be
• 1:21:21
  Speaker 1: charged with like conspiracy in a situation like that, because
• 1:21:24
  Speaker 1: it had to be people who knew, you know, she
• 1:21:26
  Speaker 1: was under agents and still let that go down, right Yeah.
• 1:21:29
  Speaker 1: Well yeah, and the minister on his behalf, you know,
• 1:21:33
  Speaker 1: they had gotten the forged paperwork, so he didn't know. Yeah,
• 1:21:36
  Speaker 1: I'm not talking about him. I'm talking about like this
• 1:21:38
  Speaker 1: people and their team. Yeah, like they crew person who
• 1:21:42
  Speaker 1: got the fake ID for her. It seemed like more
• 1:21:46
  Speaker 1: people would be you know, bought into that situation and
• 1:21:49
  Speaker 1: just just right now. Another woman who goes by the
• 1:21:52
  Speaker 1: name Faith, also testified yesterday. She said she had a
• 1:21:55
  Speaker 1: sexual relationship with r Kelly as recently as February of
• 1:21:58
  Speaker 1: twenty eighteen, and she said that he threatened her with
• 1:22:01
  Speaker 1: the nude photographs after she sued him for exposing her
• 1:22:04
  Speaker 1: to her bees. She said her mouth broke out in
• 1:22:07
  Speaker 1: disgusting bumps about five days after her last sexual encounter
• 1:22:10
  Speaker 1: with him. She was diagnosed at urgent care and then
• 1:22:13
  Speaker 1: by her ob gym with her bees. She said she
• 1:22:15
  Speaker 1: tried to reach our Kelly multiple times to have a
• 1:22:17
  Speaker 1: discussion about it. He wouldn't respond. She said he did
• 1:22:20
  Speaker 1: it I knew it was him. And then when she
• 1:22:23
  Speaker 1: actually went to follow a criminal complaint and followed a lawsuit,
• 1:22:27
  Speaker 1: one of her attorneys received signed letters from Rkeley that
• 1:22:29
  Speaker 1: threatened to expose her past life or sexual partners and
• 1:22:32
  Speaker 1: subject her to a public opinion if she continued to
• 1:22:35
  Speaker 1: pursue legal action. And then somehow her nudes did still
• 1:22:38
  Speaker 1: end up all over the internet after that. Yeah, a
• 1:22:43
  Speaker 1: lot going on with this R. Kelly trial, Like I said,
• 1:22:45
  Speaker 1: but every day we are going to keep you updated.
• 1:22:48
  Speaker 1: All right. Now, let's talk about Polo g. He has
• 1:22:51
  Speaker 1: hired twenty four hour armed guard to protect his mother's
• 1:22:54
  Speaker 1: Stasia mac After there was video surveillance which she shared
• 1:22:58
  Speaker 1: showing footage of several people kicking down various doors in
• 1:23:01
  Speaker 1: her home. They are now offering a reward now. She
• 1:23:04
  Speaker 1: posted that and she said, I recently had an attempted
• 1:23:07
  Speaker 1: break in at my home. At least three men attempted
• 1:23:09
  Speaker 1: to break in your hair. They're sailing on camera, say
• 1:23:11
  Speaker 1: y'a all ready in real time on a camera I
• 1:23:14
  Speaker 1: witnessed as an intruder kicked in my basement door while
• 1:23:16
  Speaker 1: multiple intruders flocked to other entry points at my home.
• 1:23:19
  Speaker 1: I began to fire upon them. The gunfire was enough
• 1:23:22
  Speaker 1: to cause them to run out of the host, out
• 1:23:24
  Speaker 1: of the house, fortunately, but she said she did struggle
• 1:23:27
  Speaker 1: with whether whether or not she should post that. Yeah,
• 1:23:30
  Speaker 1: that video look crazy and it's I mean, they didn't
• 1:23:33
  Speaker 1: care who was in that house, and they had guns
• 1:23:34
  Speaker 1: with long clips like they were coming in for wall.
• 1:23:36
  Speaker 1: So thank god she had her license was able to
• 1:23:38
  Speaker 1: fire back. Salute the station, Mac. And this is why
• 1:23:41
  Speaker 1: I feel like owning a legal firearm in America, you know,
• 1:23:44
  Speaker 1: as a black person, as a form of self kid,
• 1:23:46
  Speaker 1: teach everybody in your family who's old enough to be
• 1:23:49
  Speaker 1: able to shoot, how to shoot. Yeah. Absolutely, my daughter
• 1:23:53
  Speaker 1: knows how to shoot. Your son knows how to shoot.
• 1:23:55
  Speaker 1: And we have a dog as the first defense at
• 1:23:57
  Speaker 1: the crib. All right. Tyler Perry is tired of y'all
• 1:24:01
  Speaker 1: tweeting about his BT drama sisters. Now. The problem is
• 1:24:06
  Speaker 1: this people people keep talking about the wigs on the show,
• 1:24:11
  Speaker 1: and so he said, I want all of yo to
• 1:24:13
  Speaker 1: stop talking about hair to me, please, He said, I
• 1:24:16
  Speaker 1: swear to you, these are the things I can do.
• 1:24:17
  Speaker 1: I can run a company, I can build a house,
• 1:24:19
  Speaker 1: I can go on stage, I can do all this stuff.
• 1:24:21
  Speaker 1: I know what I do. I don't know how to
• 1:24:23
  Speaker 1: do here. I don't know nothing about it. And he
• 1:24:24
  Speaker 1: says he does employ professional hair dresses to worry about
• 1:24:27
  Speaker 1: the wigs and styling. He said, I hire people to
• 1:24:30
  Speaker 1: do here. Pay them sixty five dollars an hour. You
• 1:24:32
  Speaker 1: heard that right, sixty five dollars an hour. They work
• 1:24:34
  Speaker 1: ten to twelve hours a day to make sure the
• 1:24:36
  Speaker 1: hair is right. That's their job. So I'm paying them
• 1:24:38
  Speaker 1: to do their job, and they're doing that. They're doing
• 1:24:40
  Speaker 1: a great job. Sometimes things slip because I move a
• 1:24:43
  Speaker 1: little fast, but they get it done. And then he
• 1:24:46
  Speaker 1: wants people on Twitter stop asking me about some damn here.
• 1:24:49
  Speaker 1: Go talk to somebody that's got a hot curler, Like
• 1:24:51
  Speaker 1: I'm walking around with a damn hot curler. Which one
• 1:24:54
  Speaker 1: the sisters. The Sisters man fighting and the guy did
• 1:24:57
  Speaker 1: the three sixty four Yes Sisters is one of the
• 1:24:59
  Speaker 1: best comedies on TV. And the wigs add to the
• 1:25:02
  Speaker 1: laughter drop on a clues bomb for sisters. I don't
• 1:25:04
  Speaker 1: know about them brothers dog Brownie Hunter was talking about,
• 1:25:06
  Speaker 1: but I know about them sisters. Okay, Yeah, it's about
• 1:25:08
  Speaker 1: It's like five different women there in Atlanta, they're very successful. Hilarious.
• 1:25:13
  Speaker 1: I know that one fight looked to hilarious. The brother
• 1:25:15
  Speaker 1: got hit and he spun around and said, and then
• 1:25:18
  Speaker 1: fell on the floor. I loved it, all right. Well
• 1:25:21
  Speaker 1: that little booty stimulation, he said, I got the exact
• 1:25:25
  Speaker 1: term for it. What the exact phrasing was? What he like?
• 1:25:28
  Speaker 1: What do you say? He like? He's something played with what? Yeah,
• 1:25:32
  Speaker 1: don't worry. If you watch the comedy, you'll get it.
• 1:25:35
  Speaker 1: But Sisters is an amazing, amazing comedy. One of the
• 1:25:37
  Speaker 1: best comedies on TV easily hands. All right, Well that
• 1:25:41
  Speaker 1: is your rumor reports. All right, thank you, miss yee.
• 1:25:44
  Speaker 1: All right now, um, shout to revolt. We all revolt today.
• 1:25:47
  Speaker 1: I don't know. Yeah, I'm looking at the camera. I'm
• 1:25:50
  Speaker 1: looking at it. Anthony's there and he's working from home.
• 1:25:54
  Speaker 1: I heard Anthony got like like four or five feet
• 1:25:57
  Speaker 1: of water in this basement, so shot. Yeah, shout to
• 1:26:00
  Speaker 1: everybody out there that swim trunks. Yeah, okay, that's the
• 1:26:03
  Speaker 1: reason why. All right, Yeah, so shout to revote. We'll
• 1:26:05
  Speaker 1: see tomorrow everybody else to People's Choice mixes up next,
• 1:26:08
  Speaker 1: get your requested now it's the Breakfast Club. Good morning.
• 1:26:10
  Speaker 1: So Breakfast Club. Your mornings will never be the same. Hey,
• 1:26:14
  Speaker 1: what up, y'alla's DJ Envy here? Listen, mediocre phones are out.
• 1:26:19
  Speaker 1: The new Samsung Galaxy z Flip three five G is in.
• 1:26:23
  Speaker 1: It folds clothes and fits in your palm and even
• 1:26:25
  Speaker 1: better to stand up on its own for hands free selfies,
• 1:26:29
  Speaker 1: group shots and videos. So cool shot now at Samson
• 1:26:32
  Speaker 1: dot com. Five G connection availability may vary. Check with
• 1:26:35
  Speaker 1: Carrier morning. Everybody is cj Envy Angela yee, Charlomagne the guy.
• 1:26:40
  Speaker 1: We are the Breakfast Club. Now, we got to shout
• 1:26:43
  Speaker 1: out to Malcolm Mays for joining us this morning. Now,
• 1:26:45
  Speaker 1: if you don't know, he's in Snowfall, he's also in
• 1:26:48
  Speaker 1: Raising Cannon. He's a writer, Raising Cannon. Raising Canon is
• 1:26:52
  Speaker 1: an actor and writer. So shouting him great. Hey, now, Charlomaune,
• 1:26:57
  Speaker 1: he did have those worries for you about because you
• 1:26:59
  Speaker 1: know he's doing the New Jack City, the sequel. But
• 1:27:02
  Speaker 1: he said it's not a remake, it's a sequel. Well
• 1:27:04
  Speaker 1: that's not what they announced before then before they announced
• 1:27:07
  Speaker 1: the reboot. Now he said it's a sequel, just we
• 1:27:09
  Speaker 1: made a New Jack City sequel. Well, you when you
• 1:27:11
  Speaker 1: hear the interview. You're here, what he had to say,
• 1:27:13
  Speaker 1: what you had to say about it? When he had
• 1:27:15
  Speaker 1: when you got in there, you guys in there playing
• 1:27:17
  Speaker 1: a role. I mean, you know, listen, I got to
• 1:27:18
  Speaker 1: see the creative, you know what I mean. But I
• 1:27:20
  Speaker 1: just I don't know. I think great things should be
• 1:27:22
  Speaker 1: left alone. And he was saying he did like Bad
• 1:27:24
  Speaker 1: Boys though when they did that sequel, I did Black
• 1:27:26
  Speaker 1: Bad Boys sequel. WHI I didn't like Coming to America sequel. Yeah,
• 1:27:29
  Speaker 1: but Bad Boys was a sequel, you know what I mean.
• 1:27:31
  Speaker 1: And it was a sequel that made since because it's
• 1:27:33
  Speaker 1: two police officers. You can continue to tell stories like
• 1:27:35
  Speaker 1: that over and over and over and over again. Like
• 1:27:38
  Speaker 1: New Jack City captured a moment in time, you know
• 1:27:40
  Speaker 1: what I mean. It was that the eight late eighties,
• 1:27:43
  Speaker 1: early nineties, the whole New Jack swing era crack was
• 1:27:47
  Speaker 1: new to the neighborhoods. Like it was a moment in time.
• 1:27:49
  Speaker 1: Like it's hard to recapture the moment in time, That's
• 1:27:52
  Speaker 1: all I'm saying. He's saying, it's a different moment in time.
• 1:27:54
  Speaker 1: It's well, we gotta see here, you gotta see you
• 1:27:56
  Speaker 1: got a new plot and everything. But I love to
• 1:27:58
  Speaker 1: day like black BM like if you're gonna tell those
• 1:28:01
  Speaker 1: kinds of stories like there's there's actually real stories that
• 1:28:05
  Speaker 1: you could tell that are that are new. But we'll see,
• 1:28:07
  Speaker 1: we'll see. I'm excited to see luck to that blue
• 1:28:09
  Speaker 1: to that brother man that my man glasses him alone
• 1:28:11
  Speaker 1: hit me about him yesterday. He's from the He's from
• 1:28:13
  Speaker 1: the Jungles, right, yeah, yeah, all right, Well when we
• 1:28:16
  Speaker 1: come back, positive notice to Breakfast Club, Good morning morning,
• 1:28:19
  Speaker 1: everybody is tej Now this looks crazy. I'm looking on
• 1:28:22
  Speaker 1: TV now there's a boat on the roadway because it's
• 1:28:25
  Speaker 1: the mad Water that no said rescues underway. So the
• 1:28:28
  Speaker 1: guys in the boat going to help help, going to
• 1:28:30
  Speaker 1: rescue people. But that's crazy, that's Jersey. Yes it is. Listen.
• 1:28:34
  Speaker 1: I keep telling y'all the earth is sick of y'all.
• 1:28:36
  Speaker 1: The earth is sick of y'all humans. Y'all humans has
• 1:28:38
  Speaker 1: been nucking and not the earth is bucking. Okay, y'all
• 1:28:41
  Speaker 1: keep back in like climate change is not real. Okay, Yes,
• 1:28:44
  Speaker 1: the weather gonna continue to get worse and worse, and
• 1:28:46
  Speaker 1: you're gonna start seeing things in places that you have
• 1:28:48
  Speaker 1: never seen before. You gonna see snow in places you've
• 1:28:50
  Speaker 1: never seen before. You're gonna see earthquakes and places you've
• 1:28:53
  Speaker 1: never seen before. It's it's not gonna get any better. People,
• 1:28:55
  Speaker 1: Earth is sick of our Okay, one thing about these
• 1:28:59
  Speaker 1: planets they go, I will still be here. We will
• 1:29:01
  Speaker 1: not all right, believe that? All right? Well, you got
• 1:29:04
  Speaker 1: a positive note, something positive other than nuck if you
• 1:29:07
  Speaker 1: buck listen, Yes, positive note. It's simple. A mistake that
• 1:29:10
  Speaker 1: makes you humble is better than an achievement that makes
• 1:29:12
  Speaker 1: you arrogant. Breakfast club. You'll finish it, y'all dumb,