Latest / DISGRACELAND / Bonus Episode: Jake's Disco Gym Playlist, Your Paul Simon Recs, and Jeff Buckley's Influences

Transcript

Bonus Episode: Jake's Disco Gym Playlist, Your Paul Simon Recs, and Jeff Buckley's Influences · DISGRACELAND

• 0:01
  Speaker 1: Hey, discos, need a little more Disgraceland in your life,
• 0:05
  Speaker 1: just to touch to get you through. Yeah, me too.
• 0:08
  Speaker 1: This is the podcast that comes after the podcast. Welcome
• 0:11
  Speaker 1: to Disgraceland after Bertie. Welcome to the Disgraceland bonus episode,
• 0:31
  Speaker 1: A little thing we like to call the after Party.
• 0:34
  Speaker 1: This is the show after the show, the party after
• 0:36
  Speaker 1: the party, the bridge to get you for one full
• 0:38
  Speaker 1: episode of Disgraceland to the other the backyard to dig
• 0:42
  Speaker 1: into the dirt. On this episode we are talking about
• 0:46
  Speaker 1: Jeff Buckley, Paul Simon, Jennifer, Jason Lee's Georgia, a final
• 0:50
  Speaker 1: Celtics thought, and of course your voicemails, text, dms and
• 0:54
  Speaker 1: more and is always a whole lot of rosy. All right, Discos,
• 0:58
  Speaker 1: Let's get into it. Yes, yes, yes, Welcome to the
• 1:14
  Speaker 1: Disgrace LAMD bonus episode after Party Swimming Lesson especial. Let's
• 1:18
  Speaker 1: talk about Jeff Buckley. Jeff Buckley, what an incredible artist,
• 1:24
  Speaker 1: a very special singer, one of a kind, my wife's fave,
• 1:28
  Speaker 1: my buddy stinks fave, A man too pretty and too
• 1:31
  Speaker 1: talented and too real to be hated on because of
• 1:34
  Speaker 1: his talent ors good looks, because Jeff Buckley was all
• 1:37
  Speaker 1: of it. Man, He was the whole package. He was authentic.
• 1:40
  Speaker 1: And there are so many angles to dive into here
• 1:45
  Speaker 1: relative to the full Disgraceland episode that we just released
• 1:48
  Speaker 1: on Jeff Buckley, but I just want to dive into
• 1:51
  Speaker 1: this fact here. Okay, Jeff Buckley released one full album, Grace,
• 1:56
  Speaker 1: and then he disappeared and then he was found dead. Now,
• 2:00
  Speaker 1: a lot of stuff happened in between those things, and
• 2:02
  Speaker 1: we get into a lot of it in the episode.
• 2:04
  Speaker 1: But two hundred years from now, they're going to end
• 2:07
  Speaker 1: the Illustrated Jeff Buckley timeline with a couple of bullet
• 2:11
  Speaker 1: points that read just like that, he released one great album,
• 2:14
  Speaker 1: he disappeared for a couple of days, then they found
• 2:16
  Speaker 1: his drown body. Okay, do you notice something different there
• 2:19
  Speaker 1: in those descriptors than the previous ones? Very similar, except
• 2:23
  Speaker 1: in those last timeline descriptors. I added the word great
• 2:27
  Speaker 1: when describing Jeff Buckley's album Grace, because that is undoubtedly
• 2:31
  Speaker 1: what that record is great. Okay, nobody could sing like
• 2:36
  Speaker 1: Jeff Buckley, but impressive singers are a dime a dozen.
• 2:41
  Speaker 1: It's the artistry Jeff Buckley had, how he pulled together
• 2:45
  Speaker 1: all of these crazy influences, at least crazy for kids
• 2:49
  Speaker 1: of my generation. Led Zeppelin, Nina Simone, Agnostic, front Edith Paf,
• 2:56
  Speaker 1: He created this thing that was totally unique. It was
• 2:59
  Speaker 1: him elf himself as an artist, and of course that
• 3:03
  Speaker 1: great record Grace. We get into Jeff's influences pretty heavily
• 3:08
  Speaker 1: in the Disgracend episode. I'm not sure exactly why we
• 3:12
  Speaker 1: don't always do that. We always sort of hint at
• 3:15
  Speaker 1: more than hint, will list influences as they're pertinent to
• 3:18
  Speaker 1: the story. But it just felt right here, It feels
• 3:21
  Speaker 1: right now here in the Bonus episode two to talk
• 3:23
  Speaker 1: about it, because Jeff Buckley's influences were all over the place,
• 3:26
  Speaker 1: and I find it fascinating. Even if you didn't know
• 3:29
  Speaker 1: these influences, when you first heard Jeff Buckley, you sensed that,
• 3:33
  Speaker 1: like all the greats, there was a deep, deep, deep
• 3:37
  Speaker 1: reservoir of music understanding and relativity. That's how I felt, anyway,
• 3:42
  Speaker 1: when I first heard Jeff Buckley, I had Grace the album.
• 3:46
  Speaker 1: I had an advanced copy before it was released when
• 3:49
  Speaker 1: I was going to Northeastern. There was this older, way cooler,
• 3:53
  Speaker 1: and if I'm being totally honest, smoking hot Sony Rep
• 3:55
  Speaker 1: who also went to Northeastern. She interned at so while
• 4:00
  Speaker 1: she was going to end you, and she was into
• 4:02
  Speaker 1: Grace because it was about to come out on Columbia
• 4:05
  Speaker 1: and Sony owned Columbia. So we knew of Jeff because
• 4:08
  Speaker 1: of her, and we never heard anything like him before. Nothing.
• 4:13
  Speaker 1: This is the mid beginning of the mid nineties, early
• 4:17
  Speaker 1: to the mid nineties, when Jeff Buckley first came to Boston.
• 4:22
  Speaker 1: He played Johnny Dees in Davis Square Summerville, which, for
• 4:25
  Speaker 1: those of you who don't know, it's like a two
• 4:26
  Speaker 1: hundred and fifty capacity room. It's no longer there, closed
• 4:28
  Speaker 1: a couple years ago. It's like two hundred fifty capacity room,
• 4:31
  Speaker 1: like a blues room with like a kitchen they serve food.
• 4:34
  Speaker 1: Like a weird place for Jeff Buckley to play first
• 4:37
  Speaker 1: of all. So, like I said, though, like a two
• 4:40
  Speaker 1: to fifty cap might have been twenty people there, maybe less,
• 4:45
  Speaker 1: and we were there, of course, and holy shit, did
• 4:49
  Speaker 1: Jeff Buckley and his band bring it. And if I'm
• 4:53
  Speaker 1: not mistaken, it was the same band that was on
• 4:55
  Speaker 1: Grace And this is I checked. This is a month
• 4:58
  Speaker 1: or two before that album was even out, and my friends,
• 5:01
  Speaker 1: my friends and I we knew in the moment, we
• 5:03
  Speaker 1: knew we were seeing something great. I've seen a lot
• 5:06
  Speaker 1: of bands that went on to be huge later that
• 5:11
  Speaker 1: I didn't know, we're going to be huge. And then
• 5:13
  Speaker 1: I look back on now and I'm fond of like
• 5:16
  Speaker 1: I saw, you know, Rage against the Machine and the
• 5:17
  Speaker 1: first time they came to Boston, and I could go
• 5:19
  Speaker 1: on this is a list. I'm not going to do
• 5:20
  Speaker 1: that now. But the point is, with Jeff Buckley, it
• 5:24
  Speaker 1: was more than just these guys are gonna be this
• 5:25
  Speaker 1: guy's gonna be big. It was like, this is fucking special,
• 5:28
  Speaker 1: this guy is there's something extra happening here. And again,
• 5:33
  Speaker 1: this is a month or two before Grace was even out.
• 5:36
  Speaker 1: It was obvious to us. And I think it has
• 5:39
  Speaker 1: something to do with those influences. You know, even you
• 5:42
  Speaker 1: know singers and songwriters and musicians and bands, they don't
• 5:45
  Speaker 1: get up on stage and just proclaim what they're into.
• 5:47
  Speaker 1: You know, that'd be pretty silly, but you can kind
• 5:51
  Speaker 1: of sense it as a kid. You can sense it
• 5:53
  Speaker 1: from them from the stage, emanating from you can see
• 5:56
  Speaker 1: it in the way they carry their gear, what kind
• 5:59
  Speaker 1: of equipment they use, what type of instruments they use,
• 6:02
  Speaker 1: how they set their gear up on stage, you know,
• 6:04
  Speaker 1: how they engage with the crowd, what they talk about,
• 6:07
  Speaker 1: what riffs they fiddle with between between songs. And one
• 6:13
  Speaker 1: of the coolest things that we found out about Jeff.
• 6:15
  Speaker 1: And I know this is messed up, but I can't remember.
• 6:17
  Speaker 1: I can't actually remember if I met him that night.
• 6:19
  Speaker 1: I might have. It seems more likely than not that
• 6:22
  Speaker 1: I did, but I can't say for sure. I don't know.
• 6:25
  Speaker 1: But what I do remember is that again our friend
• 6:27
  Speaker 1: who I mentioned earlier, our friend from Sony, she was
• 6:31
  Speaker 1: with Jeff all day that day, and she told us
• 6:34
  Speaker 1: that all he wanted to do was driving around Boston
• 6:36
  Speaker 1: with her and her shitty little volkswagon and smoke grass
• 6:39
  Speaker 1: and listen to a CDC. And when I heard that,
• 6:42
  Speaker 1: I was like, this dude is one of us. It's
• 6:45
  Speaker 1: just it was like the telltale thing. Yeah, it's because Jeff,
• 6:49
  Speaker 1: Jeff Buckley's music. It sounded nothing like ac DC or
• 6:52
  Speaker 1: Leonard Cohen or Nina Simone or Agnostic Front. And of
• 6:55
  Speaker 1: course none of those artists sound like each other, but
• 6:58
  Speaker 1: they all share that same thing, that realness, so real, right,
• 7:02
  Speaker 1: that authenticity, that commitment to their craft, to their art,
• 7:05
  Speaker 1: to their standing in the music history canon. The Lower
• 7:08
  Speaker 1: East Side's Agnostic Front is the hardcore band, and who
• 7:12
  Speaker 1: was more hardcore than blues and soul singer Nina Simone?
• 7:15
  Speaker 1: And Nina Simone is so intense, But who was more
• 7:17
  Speaker 1: intense than Agnostic Front? See what I'm saying. Jeff Buckley
• 7:21
  Speaker 1: was part of that. His hero Jimmy Page recognized that
• 7:25
  Speaker 1: I read somewhere recently that the two of those guys
• 7:28
  Speaker 1: wept when they met each other, Not just Jeff Buckley,
• 7:31
  Speaker 1: but Jimmy Page of led Zeppelin, Satan Spawned himself, the
• 7:34
  Speaker 1: master of the Black Dog Alistair Crowley's mortal vessel. That
• 7:38
  Speaker 1: dude cried when he met Jeff Buckley, or so the
• 7:41
  Speaker 1: story goes. Fuck, I can come on, but only one record,
• 7:48
  Speaker 1: just Grace. The question is so obvious, I don't even
• 7:51
  Speaker 1: want to ask you, guys, but I'm going to anyways.
• 7:53
  Speaker 1: Is Jeff Buckley's Grace the greatest one and done album
• 7:57
  Speaker 1: by any artist of all time? Which other artist or
• 8:00
  Speaker 1: band released only one great record and then pieced out
• 8:05
  Speaker 1: the sex pistols? Never mind the Bullocks, Here's the sex
• 8:08
  Speaker 1: Pistols that record Lauren Hill. The miseducation of Lauren Hill
• 8:12
  Speaker 1: is that the whole list is that all of it
• 8:14
  Speaker 1: is Jeff Buckley's Grace better than those two records. Probably
• 8:20
  Speaker 1: maybe I don't know. I like it more than the
• 8:22
  Speaker 1: Lauren Hill record. I'll tell you that the sex Pistols,
• 8:25
  Speaker 1: though I don't know, it could be. And if not
• 8:28
  Speaker 1: one of those three who in which album? Six one
• 8:31
  Speaker 1: seven nine zero six six six three eight to leave
• 8:34
  Speaker 1: me a message or send me a text to let
• 8:36
  Speaker 1: me know or at disgrace lampod on Instagram, Twitter, Facebook, TikTok.
• 8:39
  Speaker 1: You can let me know there too. I'll be back
• 8:42
  Speaker 1: right after this. All right, you guys know the drill
• 8:57
  Speaker 1: six one seven nine zero six six six three eight
• 9:00
  Speaker 1: to send a text or leave a voicemail just like
• 9:03
  Speaker 1: Jason here from the seven to three.
• 9:05
  Speaker 2: One Hey, Jake, this is Jason from the seven to
• 9:08
  Speaker 2: three to one area code. I'm talking about Paul Simon
• 9:11
  Speaker 2: and an album that you might want to listen to
• 9:14
  Speaker 2: that is not Simon and Garfunkle at Night, not Graceland.
• 9:17
  Speaker 2: I'm a big Simon and Garfunkle fan. I'm a big
• 9:20
  Speaker 2: Paul Simon fan. But the best album single album you
• 9:24
  Speaker 2: should listen to by Paul Simon is probably There Goes
• 9:28
  Speaker 2: Ryman Simon from nineteen seventy three. That's got Coda chrome,
• 9:32
  Speaker 2: It's got loves Me like a Rock. It's also got
• 9:35
  Speaker 2: the great American tune on it that Simon and Garfunkle
• 9:39
  Speaker 2: did in their nineteen eighty one concert in Central Park.
• 9:43
  Speaker 2: But after that, if you wanted the second one in
• 9:47
  Speaker 2: nineteen seventy five, he did Still Crazy After all These Years,
• 9:51
  Speaker 2: which had the song still Crazy after all these years
• 9:54
  Speaker 2: and fifty Ways to Leave Your Lover. But it also
• 9:57
  Speaker 2: had a song that he and Garfunkle did again, the
• 10:00
  Speaker 2: first song they recorded that they had done together since
• 10:03
  Speaker 2: nineteen seventy that was called My Little Town and actually
• 10:06
  Speaker 2: appeared on a Paul Simon solo record and on an
• 10:10
  Speaker 2: Art Garfunkle solo record at the same time, so you
• 10:13
  Speaker 2: have the same song on two different records. It was
• 10:16
  Speaker 2: kind of interesting anyway. I hope you check those out
• 10:20
  Speaker 2: and I hope you like them. I love the Show,
• 10:22
  Speaker 2: I love bad Land, I love Disgraced Lands. I love
• 10:25
  Speaker 2: everything you do. Thank you Keith on doing what you're doing.
• 10:29
  Speaker 1: Rock on all right. Thanks Jason, there goes Rym and Simon.
• 10:33
  Speaker 1: Great recommendation, Thank you, Coda Chrome. I know that tune.
• 10:37
  Speaker 1: I know a couple of the other ones you mentioned
• 10:38
  Speaker 1: as well. Great songs. Again, these Paul Simon songs, they
• 10:41
  Speaker 1: come on. I'm here for them. I hardly ever skip them.
• 10:45
  Speaker 1: I'm down. I've just never I've never interacted with this
• 10:48
  Speaker 1: guy as an album artist, and I need to, still
• 10:51
  Speaker 1: crazy after all these years. I'll go to that one too.
• 10:55
  Speaker 1: Maybe there's a Paul Simon episode here, let me know,
• 10:57
  Speaker 1: let me know there's any fucked up, weird adjacent I
• 11:01
  Speaker 1: know Paul Simon never committed any real crimes or anything
• 11:03
  Speaker 1: like that or was arrested, I don't think, or anything
• 11:06
  Speaker 1: like that. But maybe there's some adjacent crime stuff from
• 11:10
  Speaker 1: the world that Paul Simon was in at the time
• 11:12
  Speaker 1: that would allow us to do a look into his
• 11:16
  Speaker 1: career or a particular moment in time in his career.
• 11:20
  Speaker 1: And then maybe I just had this idea paging mister
• 11:22
  Speaker 1: Zeh Lundy. Maybe it's a you know, maybe it's something
• 11:26
  Speaker 1: we do sort of in posts. We can't do it
• 11:29
  Speaker 1: like we did Sharon Tate and Mama Cass, but maybe
• 11:32
  Speaker 1: we can do some mirroring episode effect with the Carrie
• 11:35
  Speaker 1: Fisher episode with Paul Simon Disgraceland episode. Just a thought here,
• 11:41
  Speaker 1: I am. I'm just fucking iterating in public, making shit
• 11:45
  Speaker 1: in real time. I guess. I don't know who knows,
• 11:47
  Speaker 1: but I like the idea of a Paul Simon Disgraceland episode.
• 11:50
  Speaker 1: All right, let's check out Hal. Here at Hal had
• 11:53
  Speaker 1: to say from the four oh seven.
• 11:55
  Speaker 3: Hey, Jake, this is Hal calling from Orlando, Florida. The
• 12:00
  Speaker 3: way you have the best fucking true crime rock and
• 12:04
  Speaker 3: roll podcast. Oh wait a minute, the only true crime
• 12:07
  Speaker 3: rock and roll podcast. What I want to say is
• 12:13
  Speaker 3: that in the early days season one of Disgraceland, when
• 12:19
  Speaker 3: you had a mere couple hundred followers on Facebook, I
• 12:23
  Speaker 3: messaged you and said that I think you should cover
• 12:26
  Speaker 3: the Almend brothers, and you responded me back politely and said, well,
• 12:31
  Speaker 3: what was the crime? So the crime that I said was, well,
• 12:35
  Speaker 3: you know, Red Dog got charged with murder and let
• 12:40
  Speaker 3: off on and sanity plead by a lenient judge in Georgia,
• 12:44
  Speaker 3: I believe. But anyway, so much has come to about
• 12:48
  Speaker 3: the Almond brothers.
• 12:49
  Speaker 4: Just wondering if you're ever going to do an Almond
• 12:55
  Speaker 4: Brothers Disgraceland, probably a two part or maybe a three parter.
• 13:02
  Speaker 4: I'm not sure how you and your writers get this
• 13:04
  Speaker 4: shit done, but I think it needs to be done,
• 13:07
  Speaker 4: and the only one that can do it, Jake is
• 13:10
  Speaker 4: you Almond Brothers. Give a dog a bone? Man.
• 13:15
  Speaker 3: I love you Hal from Orlando, Who love you brother?
• 13:19
  Speaker 1: Love you back? Hal? That's right, man, the only rock
• 13:21
  Speaker 1: and roll true crime podcast. Thanks for the long time listening,
• 13:25
  Speaker 1: Thanks for the Alman Brothers take, and for reminding me
• 13:28
  Speaker 1: about this. Yes, yes, yes, yes, yes, we will do
• 13:31
  Speaker 1: an Almond Brothers episode. You probably know this how but
• 13:34
  Speaker 1: we get into Dwayne with the Derek and the Dominoes episode. Yes,
• 13:38
  Speaker 1: the band, the Almond Brothers deserves a full episode, perhaps two,
• 13:42
  Speaker 1: definitely not three. I don't think we've ever done a
• 13:44
  Speaker 1: three part Well yeah, I guess we did those like
• 13:47
  Speaker 1: six part Stones and eight part Stones eight part Beatles episodes.
• 13:53
  Speaker 1: Never a three parter, but we're gonna look into it.
• 13:55
  Speaker 1: Can't say when, but we're on it. Hell tie on
• 13:58
  Speaker 1: the list. All right, let's check with the five oh three.
• 14:01
  Speaker 2: Hey, Jake, this is Luisi from the five oh Tree
• 14:04
  Speaker 2: and I recently found your podcast. I love it very much.
• 14:07
  Speaker 3: I can't get enough.
• 14:09
  Speaker 2: And I was wondering if you've actually covered Elvis Presley,
• 14:13
  Speaker 2: and if so, what season an episode. I can't find
• 14:17
  Speaker 2: it anywhere if you have, and.
• 14:21
  Speaker 1: Including on Apple or Amazon Music, so anyway, let me know.
• 14:28
  Speaker 2: And yeah, thanks for telling the stories the way you do.
• 14:31
  Speaker 2: They're really awesome. I'm trying to watch the Elvis Presley
• 14:34
  Speaker 2: movie right now. I keep going to sleep every night,
• 14:36
  Speaker 2: but I love it and that it'd be cool to
• 14:38
  Speaker 2: hear your you tell the story because you do it
• 14:43
  Speaker 2: so well. Thank you so much, peace out.
• 14:46
  Speaker 1: All right, thanks for reaching out, Alicia. I've always said
• 14:49
  Speaker 1: that the last episode of Disgraceland will be on Elvis.
• 14:52
  Speaker 1: So if you see that Elvis Presley Disgraceland episode pop
• 14:56
  Speaker 1: up in your podcast feed, then you know I've left
• 14:58
  Speaker 1: the proverbial building. But but but, but fear not. I cover
• 15:03
  Speaker 1: Elvis extensively in my book Disgraceland Musicians Getting Away with
• 15:07
  Speaker 1: Murder and Behaving Very Badly. The first and second chapters
• 15:11
  Speaker 1: are dedicated to the King, and as it pertains to
• 15:13
  Speaker 1: your mention of the Elvis movie, I deal specifically with
• 15:18
  Speaker 1: Elvis's relationship with Colonel Tom Parker and I give my
• 15:21
  Speaker 1: take and my vision of what was and what could
• 15:24
  Speaker 1: have been. So check out the Disgrace Land book, Alicia.
• 15:27
  Speaker 1: You can get that on Amazon or wherever. All right,
• 15:31
  Speaker 1: let's do one more, This one from Providence from the
• 15:36
  Speaker 1: four oh one.
• 15:38
  Speaker 5: This is mackin Providence, a Celtic super fan. I went
• 15:42
  Speaker 5: to see. I was in the Boss Boston Garden every week.
• 15:51
  Speaker 5: The starting five were Larry Bird, McHale, Parish, DJ and Ange.
• 16:02
  Speaker 5: I caught up on all your podcasts last night because
• 16:04
  Speaker 5: there was no basketball to watch. Let's sucks think and
• 16:08
  Speaker 5: I listened to everything. I just finished up all your podcasts.
• 16:12
  Speaker 5: I'm looking I'm getting ready to listen to your bonus podcast.
• 16:15
  Speaker 5: That's your post that I think last night. You're the best.
• 16:19
  Speaker 5: I've been with you a long time. I never call
• 16:20
  Speaker 5: an ever write. I'm not on Twitter. I'm seventy one
• 16:23
  Speaker 5: years old rock and roller.
• 16:27
  Speaker 1: Okay, Mark, I'm not on Twitter either, man, not really.
• 16:31
  Speaker 1: I mean I am, but not really. But Mark, I
• 16:34
  Speaker 1: appreciate you sticking with me even though I bailed on
• 16:36
  Speaker 1: the Celtics. Sounds like you saw some amazing games back
• 16:39
  Speaker 1: in the day. I went to the Bird era games
• 16:41
  Speaker 1: once or twice as a very young boy. But I'm
• 16:45
  Speaker 1: as connected to the pure Scarnet Allen team. But that's
• 16:48
  Speaker 1: all gone for me now.
• 16:49
  Speaker 2: Man.
• 16:49
  Speaker 1: You know this, the Celtics are fucking dead to me
• 16:51
  Speaker 1: after that last series, and especially after coming out the
• 16:54
  Speaker 1: day after the Game seven loss committing to Missoulo. I
• 16:58
  Speaker 1: hate to celebrate anyone lose their job, or to wish
• 17:01
  Speaker 1: for anyone losing their job. It's on my place. I'm
• 17:04
  Speaker 1: not a Celtics fan anymore. If the Celtics want to
• 17:06
  Speaker 1: stick with this guy, go for it. But the commitment
• 17:09
  Speaker 1: to the Tatum Brown loser tandem as well, No, then
• 17:14
  Speaker 1: I don't even know what to say. Good luck, Mark,
• 17:15
  Speaker 1: I'm a Heat fan. What can I What can I say?
• 17:17
  Speaker 1: And they're fully in this somehow despite Jokovic's awesomeness. Jimmy
• 17:22
  Speaker 1: Bucket's Jimmy Buckets, Jimmy Buckets, appreciate you, Mark. All right,
• 17:26
  Speaker 1: let's do some texts, all right, New listener from the
• 17:29
  Speaker 1: five to three zero. Hey, this is Hector from Orland,
• 17:34
  Speaker 1: California's not how you say it, Orland Orland? Why would
• 17:37
  Speaker 1: it be Orland? It's r L A N D. It'd
• 17:40
  Speaker 1: be Orland, right, is it Orlando and you just forget
• 17:44
  Speaker 1: the Oh? Is there an Orlando, California that I don't
• 17:46
  Speaker 1: know about? Anyways, this guy Hector texting, I just recently
• 17:50
  Speaker 1: found your podcast and love your work and ho tell stories.
• 17:54
  Speaker 1: I've binged all your episodes for about two weeks straight
• 17:57
  Speaker 1: at work and home. Keep doing what you're doing. And
• 17:59
  Speaker 1: if i'm make one request, can we possibly do an
• 18:02
  Speaker 1: episode on Earl Salmon's aka dark Man aka DMX. Great,
• 18:08
  Speaker 1: great suggestion, Hector. Yes, we can do an episode on DMX,
• 18:12
  Speaker 1: and we will. Hector. Have you seen the documentary that
• 18:14
  Speaker 1: Bill Simmons made. It's fucking really good, really good. It
• 18:17
  Speaker 1: was on HBO for a bit. I'm sure it's on
• 18:19
  Speaker 1: HBO Max. Check that out, Hector. All right from the
• 18:22
  Speaker 1: four six, Hey, Jake, I absorbed your Nebraska episode with
• 18:26
  Speaker 1: Warren Zan's a couple of days after I finished his book,
• 18:28
  Speaker 1: Delivered Me from Nowhere. I'm one of those people who
• 18:31
  Speaker 1: thinks Nebraska is the best album ever recorded. Wow, that's
• 18:35
  Speaker 1: a statement. That's me saying that's a statement. Texter goes
• 18:38
  Speaker 1: on to say, it's the one that made me a
• 18:40
  Speaker 1: Springsteen fan. Me as well, man forty years I've been
• 18:43
  Speaker 1: listening to that record learning to play every song, and
• 18:45
  Speaker 1: at the end of your episode when you went into
• 18:47
  Speaker 1: that story that wove all the songs into a single narrative,
• 18:50
  Speaker 1: I lost my shit. I'd never heard that suggested before.
• 18:53
  Speaker 1: Did you come up with that idea or had you
• 18:55
  Speaker 1: heard it? Serious? Man? Seriously, man, it's like studying the
• 18:58
  Speaker 1: Zuppruter film and spotting us in JFK's hand that says
• 19:01
  Speaker 1: Lee Harvey did it. It was my favorite episode ever
• 19:04
  Speaker 1: in You're consistently great podcast. Thanks Bob from Missoula, Montana. Well,
• 19:10
  Speaker 1: thank you, Bob. Let's see here. What was the question
• 19:13
  Speaker 1: you asked? Did you come up with that idea? I
• 19:15
  Speaker 1: did come up with that idea, And I think you're
• 19:17
  Speaker 1: talking about the scripted full episode that we did where
• 19:21
  Speaker 1: we run everything through one narrative, right. I mentioned that
• 19:24
  Speaker 1: in the Warren Zanes episode, but we actually went and
• 19:27
  Speaker 1: did it, and I'm guessing you heard that and that's
• 19:29
  Speaker 1: what you're talking about again. The Springsteen episode. It's more
• 19:34
  Speaker 1: for those who haven't heard, there's a Springsteen Disgraceline episode
• 19:37
  Speaker 1: and it's about the characters mainly of Nebraska true crime,
• 19:41
  Speaker 1: both fictional and nonfictional. So check that out, all right?
• 19:46
  Speaker 1: What else we get? The six to ozho one writes,
• 19:49
  Speaker 1: when I was fifteen, I visited my Mormon cousin in
• 19:52
  Speaker 1: Texas and she played a bootleg cassette of Master P
• 19:55
  Speaker 1: Ghetto d In my world changed. I didn't jump in,
• 19:59
  Speaker 1: but I was open to more. That tape led me
• 20:01
  Speaker 1: to outcast Do or Die Twista, the late great Pimpse.
• 20:04
  Speaker 1: May he rest in peace and bunbe of Ugk. I
• 20:08
  Speaker 1: love me some og Southern rap, and my forty year
• 20:10
  Speaker 1: old heart still lives for those dirty, lyrical poems and
• 20:13
  Speaker 1: beautiful beats. That's fucking great, man. That's from the six
• 20:16
  Speaker 1: to oh one. Thank you for that text. It's gonna
• 20:19
  Speaker 1: make me go dig into some master P.
• 20:21
  Speaker 2: All right?
• 20:21
  Speaker 1: What else we got?
• 20:23
  Speaker 2: All right?
• 20:23
  Speaker 1: From the aight oh five? Hey Jake, thanks for your
• 20:25
  Speaker 1: recent disgrace That episode on George Harrison. He was always
• 20:28
  Speaker 1: my favorite beatle. I think you handled his demeanor with
• 20:31
  Speaker 1: the class that he deserves. Keep the stories coming, you
• 20:34
  Speaker 1: got it. Aight oh five. Just a quick programming note.
• 20:36
  Speaker 1: That wasn't actually a new episode. We released that back
• 20:40
  Speaker 1: in the end of twenty twenty one, if memory serves,
• 20:45
  Speaker 1: and it was when we were with Amazon exclusively, so
• 20:48
  Speaker 1: it was behind uh, it was behind the old Amazon
• 20:51
  Speaker 1: gate there, and we just put it back out into
• 20:53
  Speaker 1: the world, all right. From the five six to two.
• 20:55
  Speaker 1: This is Jose first and foremost. I think you have
• 20:58
  Speaker 1: an informative and entertaining podcast. When I was fifteen, that
• 21:01
  Speaker 1: was the time I discovered five great artists, Big l Atmosphere,
• 21:05
  Speaker 1: Reagan Youth, The Germs, Blackstar, and Immortal Technique. It was
• 21:08
  Speaker 1: a fusion of punk rock and underground hip hop. Plenty
• 21:11
  Speaker 1: of other artists came around, but those were a few. Lastly,
• 21:13
  Speaker 1: I sent you a message a few years ago, and
• 21:15
  Speaker 1: I have to say I'm in a much better place.
• 21:17
  Speaker 1: That's great, Hose. I'm fucking happy to hear that, man,
• 21:20
  Speaker 1: You're in a better place. And your note about the Germs.
• 21:23
  Speaker 1: I saw the Food Fighters a couple weeks ago, and
• 21:26
  Speaker 1: you know, mister Pat Smeer was up there kicking it
• 21:29
  Speaker 1: from the six one seven. Hey, Jake, it's Steph in
• 21:31
  Speaker 1: the six one seven. Well actually five, oh wait, but
• 21:34
  Speaker 1: I'll never give up my exchange. Where's the Arrowsmith episode?
• 21:37
  Speaker 1: The Toxic Twins, the bad Boys from Boston. We have
• 21:41
  Speaker 1: a running family joke that Stephen Tyler is really my
• 21:43
  Speaker 1: dad because he was so close with my mom, but
• 21:46
  Speaker 1: she was one of his dealers. Oh my goodness, the
• 21:49
  Speaker 1: band is blown apart and come together time and time again.
• 21:51
  Speaker 1: Come on, man, where's the big ten inch episode on this? Well,
• 21:54
  Speaker 1: you'll be happy. This episode's coming soon this season. In
• 21:58
  Speaker 1: a couple weeks, you will have this miss five oh
• 22:01
  Speaker 1: eight You're Aerosmith episode. It is a coming all right?
• 22:06
  Speaker 1: All right? How's that for some text? Did we do it?
• 22:09
  Speaker 1: Did we do all the things we needed to do?
• 22:11
  Speaker 1: Let me read some dms? All right, let's see. How
• 22:16
  Speaker 1: do I say this? Sd S tech seven sixty rights?
• 22:21
  Speaker 1: Are you planning on making an episode on Christopher Lee
• 22:24
  Speaker 1: at some point? Well, I can't say I am, because
• 22:29
  Speaker 1: I don't know who Christopher Lee is. He goes on
• 22:32
  Speaker 1: to say, my girlfriend tells me the story she's heard
• 22:33
  Speaker 1: about Christopher Lee are so crazy that you need several
• 22:36
  Speaker 1: episodes to scratch into the surface in his life. The
• 22:39
  Speaker 1: fact that I don't know who Christopher Lee is is
• 22:41
  Speaker 1: leading to me believe that maybe this is in reference
• 22:43
  Speaker 1: to bad Lands. If so, I apologize for crossing bonus episodes.
• 22:47
  Speaker 1: Someone tell me who Christopher Lee is? All right at
• 22:50
  Speaker 1: Chuck Destruction Rights. Also on Instagram, Hey running a few
• 22:54
  Speaker 1: episodes late. Started a new job on top of my
• 22:56
  Speaker 1: work for bands and tattooing. Wife wants to buy a house?
• 23:00
  Speaker 1: Cowboy Junkies did, Sweet Jane, Concrete Blonde did? Joey Ceb
• 23:04
  Speaker 1: also covered Cohen's Everybody Knows I'm the Pump Up the
• 23:07
  Speaker 1: Volume soundtrack by far one of the most cynical and
• 23:09
  Speaker 1: depressing songs by that epic man. Otherwise, keep it all up.
• 23:12
  Speaker 1: The new episodes are great. Also check out the Sweet
• 23:15
  Speaker 1: Things Great Band, especially for grooving through the afternoons. That's
• 23:18
  Speaker 1: a hell of it. Let's see that's how you do it.
• 23:20
  Speaker 1: I'm into that. That's good, you know. Comes in, tells
• 23:23
  Speaker 1: me what he's up to. He's got a new job.
• 23:25
  Speaker 1: I love that. Tells me he's got a little little,
• 23:28
  Speaker 1: you know, soft bitch about his wife. There, wife wants
• 23:31
  Speaker 1: to buy a house. Uh, goes into Cowboy Junkies, corrects me.
• 23:35
  Speaker 1: I think I asked if Cowboy Junkies do Joey No,
• 23:38
  Speaker 1: he tells me Concrete Blonde did.
• 23:39
  Speaker 2: I like that?
• 23:39
  Speaker 1: Why am I breaking down this direct message? I don't know.
• 23:41
  Speaker 1: It was a good one. I like this guy, Chuck
• 23:43
  Speaker 1: destruction right back, Chuck. What else we got here? All right?
• 23:47
  Speaker 1: From at Luke, I'm not going to read his last name.
• 23:50
  Speaker 1: Well done, Jake, Awesome show has always been listening to
• 23:53
  Speaker 1: Disgrace Sin since he started. I live in Australia and
• 23:55
  Speaker 1: traveled to Melbourne from Walligong to rehearse with my band Rockefeller.
• 24:00
  Speaker 1: It's a nine to ten hour drive. Whoa, that's a
• 24:02
  Speaker 1: fucking long way to drive to fucking practice. They have
• 24:06
  Speaker 1: this thing called Zoom. Just letting you know, just letting
• 24:09
  Speaker 1: you know, Luke, guys might want to try practicing on Zoom.
• 24:12
  Speaker 1: I've seen people do it. It looks fucking horrible, but
• 24:15
  Speaker 1: a nine to ten hour drive sounds horrible. We listen
• 24:18
  Speaker 1: to disgrace And all the time. Okay, the drive just
• 24:20
  Speaker 1: got better. It's a nine to ten hour drive and
• 24:22
  Speaker 1: we listen to disgrace And all the time to pass
• 24:24
  Speaker 1: the hours on the road. Anyway, keep it the good work.
• 24:26
  Speaker 1: I thought you might like to hear two songs we
• 24:28
  Speaker 1: have just finished recording. We're gonna release them as a
• 24:30
  Speaker 1: seven inch single. Thanks mate. I'm reading this in real time.
• 24:35
  Speaker 1: For the first time, I have not listened to these songs.
• 24:38
  Speaker 1: It's from Rockefella. Looks like these are unreleased songs, so
• 24:44
  Speaker 1: I will check them out, man, I'll check them out.
• 24:46
  Speaker 1: A report back, or if anyone else knows Rockefeller and
• 24:48
  Speaker 1: wants to write in, you can do that. All right,
• 24:50
  Speaker 1: let me know what you think of Rockefeller. All right,
• 24:52
  Speaker 1: let's do a couple more here. I'm going to head
• 24:54
  Speaker 1: over to the Facebook box and it's gonna fucking send
• 24:57
  Speaker 1: me on this wild goose chase into this other fucking
• 25:00
  Speaker 1: app to read my messages, which I've complained about in
• 25:03
  Speaker 1: the past. Yes, I'm going to continue. No, I don't
• 25:05
  Speaker 1: want to continue as this person. I want to be
• 25:08
  Speaker 1: this person. Here we go, Yeah, all right, all right,
• 25:14
  Speaker 1: all right, David Maletski writes, Jake, your podcast is all
• 25:18
  Speaker 1: time great, amazing topics and experts storytelling. Thank you, David, David,
• 25:22
  Speaker 1: you look like you have a really good looking family. Congratulations.
• 25:26
  Speaker 2: All right?
• 25:27
  Speaker 1: What else we got here?
• 25:28
  Speaker 4: All right?
• 25:28
  Speaker 1: Lawrence Carlson writes in on Facebook what kind of glasses
• 25:31
  Speaker 1: are those? And then there's an emoji with this guy
• 25:33
  Speaker 1: laughing hysterically. Are you making fun of my glasses? Lawrence?
• 25:38
  Speaker 1: It's not fucking cool, man, I'm not making fun of
• 25:41
  Speaker 1: your glasses. I wouldn't make fun of anyone's glasses. Come on, dude,
• 25:47
  Speaker 1: all right, Nicholas at Nicholas Heineke writes, just discovered this
• 25:51
  Speaker 1: podcast earlier this week. Been listening non stop since Benjamming.
• 25:55
  Speaker 1: Easy does it by easy all week? So good from
• 25:58
  Speaker 1: the six oh five. By the way, all right, Nicholas,
• 26:00
  Speaker 1: thanks for writing in. Man, appreciate that, all right, Sean
• 26:03
  Speaker 1: Hill writes, in reference to the favorite Disgraceland episode, Bruce Springsteen,
• 26:08
  Speaker 1: hands down. I loves how the episode was put together.
• 26:10
  Speaker 1: All right, Sean Hill, thanks, man, appreciate that. That does it.
• 26:14
  Speaker 1: You're not to get in touch with me at disgrace
• 26:15
  Speaker 1: Lamp pod on Instagram, Twitter, Facebook, and TikTok six one
• 26:19
  Speaker 1: seven nine zero six six six three eight voicemail text.
• 26:25
  Speaker 1: I'm gonna take a quick break right back with some recommendations,
• 26:42
  Speaker 1: all right, the recommendations part. This is the recommendation's part,
• 26:45
  Speaker 1: the part where we recommend the things that need recommending,
• 26:48
  Speaker 1: The recommendations part, guys, all right, what I'm watching? Yes, yes,
• 26:52
  Speaker 1: I say it every week. The movie recommendations part is
• 26:54
  Speaker 1: now in the bad Lands Bonus rap Party episode. However,
• 26:57
  Speaker 1: I watched an incredible music movie over the weekend, so
• 27:00
  Speaker 1: it seems pertinent for the after party because this is Disgraceland.
• 27:05
  Speaker 1: It's a movie from the nineties, and I can't believe
• 27:08
  Speaker 1: that I've never heard of this movie before, and I'm
• 27:11
  Speaker 1: guessing a lot of you haven't either, And it's really
• 27:13
  Speaker 1: fucking good and I'm excited to tell you guys about
• 27:15
  Speaker 1: It's called Georgia. It stars Jennifer Jason Lee Mayor Winningham,
• 27:21
  Speaker 1: who you might not know her name, but you will
• 27:23
  Speaker 1: definitely recognize her when you see her. She was nominated
• 27:26
  Speaker 1: for an Oscar for this I'm not sure for what,
• 27:28
  Speaker 1: I'm guessing Best Supporting Actor Actress. Excuse me, I think
• 27:31
  Speaker 1: that's the category. And Jennifer Jason Lee's mom wrote this movie,
• 27:39
  Speaker 1: and it's about these two sisters, one played by Mayor Winningham,
• 27:42
  Speaker 1: who is a she's kind of like a First of all,
• 27:46
  Speaker 1: this is a heavy nineties movie, right, like heavy nineties
• 27:49
  Speaker 1: music scene both from the sort of like uh, I
• 27:54
  Speaker 1: don't want, I want, I don't want to say adult
• 27:55
  Speaker 1: contemporary or Americana or Lilith Fair. But there was this
• 28:00
  Speaker 1: weird I know everyone's fucking tuning out right now, Just
• 28:02
  Speaker 1: trust me. There was this weird music thing going on
• 28:07
  Speaker 1: that was actually very good in the nineties with female
• 28:10
  Speaker 1: artists that were adult. It wasn't rock, and it wasn't Americana,
• 28:15
  Speaker 1: and it wasn't folk, but it sat somewhere between all
• 28:18
  Speaker 1: of that, and a lot of them got got grouped
• 28:22
  Speaker 1: into that whole Lilith Fair thing that happened, which was unfortunate.
• 28:25
  Speaker 1: I'm talking about artists like Mary Chape and Carpenter, the
• 28:28
  Speaker 1: Indigo Girls. Of course, Alison Krause came later, a little
• 28:32
  Speaker 1: bit later. So Mary Winningham plays that singer, and she's
• 28:38
  Speaker 1: got this incredible career. She's playing like theaters, you know,
• 28:41
  Speaker 1: like five thousand seed venues something like that. And she's
• 28:44
  Speaker 1: not a huge star, which she's big enough. She's got
• 28:46
  Speaker 1: a family, she got a shit together and she got
• 28:48
  Speaker 1: some kids. She got a husband he used to manager.
• 28:51
  Speaker 1: Not a perfect marriage, but they're making it work. Right.
• 28:54
  Speaker 1: Then she has a sister played by Jennifer Jason Lee,
• 28:57
  Speaker 1: who is like she's a full time out alcoholic and
• 29:01
  Speaker 1: she's younger, and she's a fucking mess. She's an addict,
• 29:05
  Speaker 1: but she's and she's a singer and she's like a
• 29:07
  Speaker 1: backup singer and a rock band and like a nineties
• 29:10
  Speaker 1: bar band in Seattle that is fronted by John Doe
• 29:14
  Speaker 1: of X not as John Doe. He's just playing this
• 29:18
  Speaker 1: other dude and John c Riley on drums and some
• 29:21
  Speaker 1: other dudes. And I can't fucking believe I never saw
• 29:25
  Speaker 1: this or never even knew about this. It's on the
• 29:28
  Speaker 1: Criterion app. You can probably get it anywhere, like on
• 29:32
  Speaker 1: Apple or something like that Amazon, but it's on Criterion
• 29:35
  Speaker 1: this month or this couple months.
• 29:37
  Speaker 2: I don't know.
• 29:38
  Speaker 1: I don't know how they do it anyways. And John Doe,
• 29:41
  Speaker 1: you know, I know, I know, I think I know
• 29:43
  Speaker 1: all the movies the guy's been in. And for those
• 29:45
  Speaker 1: of you who don't know, my friends know this. I
• 29:46
  Speaker 1: toured with John Doe. We were on the same record
• 29:48
  Speaker 1: label for a while. We became friends for a minute,
• 29:50
  Speaker 1: and he was a big musical hero of mine. He
• 29:54
  Speaker 1: actually recorded a vocal track for a record of mine
• 29:57
  Speaker 1: that never came out. But just point is, I know
• 30:00
  Speaker 1: the dude, and I'm a big fan, and he's phenomenal
• 30:05
  Speaker 1: in this movie. He's got a real role. He's a
• 30:08
  Speaker 1: big part of it. And this I can't for the
• 30:12
  Speaker 1: life of me understand why this film is not mentioned
• 30:15
  Speaker 1: with some of the great music movies, if not the nineties,
• 30:18
  Speaker 1: Like just in general, it's that good. It's really raw.
• 30:22
  Speaker 1: It's about, like I said, these two sisters. One's an addict.
• 30:24
  Speaker 1: It's about their relationship. It's also about Max Perlick in
• 30:27
  Speaker 1: it that you know, you guys don't know Max Purlock,
• 30:29
  Speaker 1: drugstore cowboy, he hung out with the Beastie boys. Just
• 30:33
  Speaker 1: a really cool film. It's called Georgia. I highly recommend it.
• 30:37
  Speaker 1: Check it out. Let me know what you think. All right,
• 30:38
  Speaker 1: that's what I'm watching. What I'm reading. This is a
• 30:41
  Speaker 1: weird one. I read this book when I was probably
• 30:44
  Speaker 1: twelve years old, and yeah, I think I was exactly
• 30:47
  Speaker 1: twelve years old, sixth grade. Obsessed with baseball most of
• 30:50
  Speaker 1: my life. The book's called The Science of Hitting by
• 30:53
  Speaker 1: Ted Williams. You know, obviously Red Sox great or actual
• 30:56
  Speaker 1: baseball great, one of the greatest, if not the greatest
• 30:59
  Speaker 1: hitter of all time. I mentioned this book right because
• 31:03
  Speaker 1: not because I think all of you are into baseball
• 31:05
  Speaker 1: or sports. In fact, I know a huge portion of
• 31:07
  Speaker 1: you are not into sports at all, but you are obsessives.
• 31:11
  Speaker 1: I know you're obsessives because you're obsessed with music, which
• 31:14
  Speaker 1: is why you listen to Disgraceland. It's why you listen
• 31:17
  Speaker 1: to bad Lands, because you're obsessed with with Hollywood lore
• 31:21
  Speaker 1: and true crime. I can tell by talking to you
• 31:24
  Speaker 1: guys for the last five years that you're obsessed. So
• 31:27
  Speaker 1: if any of you are interested in either how to
• 31:31
  Speaker 1: hit a baseball at ninety miles an hour consistently and
• 31:34
  Speaker 1: do it well, or are just obsessed with people who
• 31:38
  Speaker 1: are obsessed with being great, then this book is for you.
• 31:41
  Speaker 1: It's a clinical book on how to actually hit a baseball.
• 31:45
  Speaker 1: And that might sound boring to you, and I get it.
• 31:47
  Speaker 1: It's boring to me. It was boring to me when
• 31:49
  Speaker 1: I was twelve years old. I basically started reading it
• 31:51
  Speaker 1: again now because my five year old is fucking raking
• 31:54
  Speaker 1: out there in the backyard. He's hitting live pitching with hardballs,
• 31:57
  Speaker 1: not t balls, not off a tee. So I don't
• 32:01
  Speaker 1: know what I'm doing beyond like eye on the ball.
• 32:03
  Speaker 1: I have no idea what to tell the kids. So
• 32:04
  Speaker 1: I'm trying to read this book to figure some shit out.
• 32:07
  Speaker 1: And what I found in reading it is that it
• 32:09
  Speaker 1: is so refreshing to read in this age of all
• 32:14
  Speaker 1: these sort of self help expert books. There's every fifth
• 32:20
  Speaker 1: meme on Instagram is somebody telling you how to live
• 32:23
  Speaker 1: your butt life better, or how your career would be
• 32:26
  Speaker 1: so much better if you'd just followed these three steps.
• 32:29
  Speaker 1: Everybody's got a hustle on how you can hustle to
• 32:33
  Speaker 1: better live your life or to better do whatever. Everything everything, sex, politics, religion, business,
• 32:41
  Speaker 1: doesn't fucking matter, parenting, all of it. We're in the
• 32:44
  Speaker 1: age of information. We're inundated with information, and I get
• 32:47
  Speaker 1: it all the time and I don't think twice about it.
• 32:48
  Speaker 1: And what I've realized from reading this book is that
• 32:51
  Speaker 1: it's very rare when we get information on how to
• 32:54
  Speaker 1: do something by someone who is the absolute fucking best
• 32:57
  Speaker 1: at it. No one hit a baseball better than Ted Williams,
• 33:00
  Speaker 1: no one. He had it broken down to a science,
• 33:03
  Speaker 1: thus the science of hitting. And he explains that, and
• 33:06
  Speaker 1: you can feel his obsession in his telling of the story,
• 33:10
  Speaker 1: and it's told in that great way. The dudes of
• 33:12
  Speaker 1: that generation told stories where they don't really care if
• 33:15
  Speaker 1: you like them or not, and they don't really care
• 33:17
  Speaker 1: of who they're talking about, if those people like them
• 33:19
  Speaker 1: or not. It's completely devoid of false niceties. It's just
• 33:24
  Speaker 1: this dude being like, this is how you do this
• 33:26
  Speaker 1: fucking thing. I know because I do it better than anyone,
• 33:29
  Speaker 1: and it's really great. It's truly refreshing. I can't put
• 33:33
  Speaker 1: it down. I'm reading it during the commercials of the
• 33:36
  Speaker 1: heat in Nuggets games. It's just awesome. So look, if
• 33:39
  Speaker 1: you're interested in obsessives, if you're obsessed, or if you're
• 33:43
  Speaker 1: interested in baseball the Science of Hitting by Ted Williams,
• 33:46
  Speaker 1: especially if you got kids who are interested in baseball.
• 33:48
  Speaker 1: All right, what I'm listening to listening to you today,
• 33:50
  Speaker 1: had a big workout today? Is that the Why went
• 33:53
  Speaker 1: to the Why to get into the pool. There was
• 33:54
  Speaker 1: like forty five thousand people in the pool today. I
• 33:57
  Speaker 1: don't know what the fuck was going on. So I'm like, God,
• 33:58
  Speaker 1: I gotta go you on the elliptical to do cardio,
• 34:01
  Speaker 1: which I don't want to do. So I get on
• 34:02
  Speaker 1: the cardio machine. I'm like, what am I gonna listen
• 34:05
  Speaker 1: to you? For some reason, Last Days of Disco soundtrack
• 34:08
  Speaker 1: pops into my head, so I put that baby on.
• 34:10
  Speaker 1: Fucking awesome, awesome soundtrack to a great movie. I don't know.
• 34:14
  Speaker 1: If you've seen this movie or not, go see it.
• 34:16
  Speaker 1: If you have it, watch it again. If you have not,
• 34:18
  Speaker 1: go to Spotify to get the soundtrack. It's awesome and
• 34:22
  Speaker 1: it just really underscores this thing about seventies disco chic
• 34:27
  Speaker 1: now Rogers, everybody dance. Everyone talks about lift Freak, but
• 34:31
  Speaker 1: it's everybody dance. That's the song. That's my favorite disco
• 34:34
  Speaker 1: song I think of all time. What's yours? Six one
• 34:37
  Speaker 1: seven nine zer was six six six three eight favorite
• 34:40
  Speaker 1: disco song of all time? Tell me why you hate disco?
• 34:42
  Speaker 1: By the way.
• 34:43
  Speaker 2: I love that.
• 34:43
  Speaker 1: I love when fucking dudes tell me they don't like
• 34:46
  Speaker 1: disco and how disco sucks because you sound dumb when
• 34:49
  Speaker 1: you do. It does not suck. It's fucking great. It's
• 34:51
  Speaker 1: great music, some of it. Of course, there's cheeseball disco,
• 34:55
  Speaker 1: duck whatever, YMCA, don't care. But everybody dances by now
• 34:59
  Speaker 1: Rodgers by she great, great, great great? All right, take
• 35:03
  Speaker 1: a quick break back in the flash. All right, let's recap,
• 35:27
  Speaker 1: shall we? Number one Jeff Buckley is the latest episode
• 35:30
  Speaker 1: of Disgrace Slam in your feeds Now number two. We
• 35:32
  Speaker 1: are about to re release the previously exclusive episode on
• 35:35
  Speaker 1: the Eagles, so keep an eye on your feed for that.
• 35:39
  Speaker 1: Number three. We also recently released my twenty twenty graduation speech,
• 35:43
  Speaker 1: a graduation speech heavily influenced by the Food Fighters tour
• 35:46
  Speaker 1: writer and in honor of the release of the new
• 35:49
  Speaker 1: Foods album Too I Guess. Also next after party, more
• 35:53
  Speaker 1: food Fighters content. I got an interview with Food Fighters
• 35:56
  Speaker 1: guitarist Chris Shifflett. That's coming your way. Number four, Jimmy,
• 36:00
  Speaker 1: is the next new full episode of Just Gray Sam.
• 36:02
  Speaker 1: That's coming next week. Number five Will Smith. This week
• 36:05
  Speaker 1: in bad Lads, look out number six. My number is
• 36:08
  Speaker 1: six one seven nine oh six six six three eight.
• 36:10
  Speaker 1: Call me on the telephone or text me all right
• 36:13
  Speaker 1: in honor Ted Williams, me reading you the phone book
• 36:16
  Speaker 1: from the early nineteen fifties from somewhere in Greater Boston.
• 36:19
  Speaker 1: Pretty sure Ted was still a Red Sox at that time.
• 36:22
  Speaker 1: A Red Sox. You know what it is. This is
• 36:25
  Speaker 1: a pet peeve of me when people say a Red Sox,
• 36:27
  Speaker 1: it's not a Red Sox. If you're on the Red Sox.
• 36:28
  Speaker 1: If you're on the Red Sox, you're a member of
• 36:30
  Speaker 1: the Red Sox. That's what you are. All right, So
• 36:33
  Speaker 1: I'm not sure I think Ted was still playing for
• 36:35
  Speaker 1: the Red Sox in the early fifties, or maybe I'm wrong,
• 36:39
  Speaker 1: But I couldn't find a phone book that went further
• 36:41
  Speaker 1: past that from Boston or Greater Boston. So here we go.
• 36:48
  Speaker 1: Arthur Murray's Studio three three two, gram Me Mass two
• 36:52
  Speaker 1: dash seven zero seven nine, Fred Astaire Dance Studios seven
• 36:56
  Speaker 1: five one zero ju seven Dash seven two two eight,
• 37:01
  Speaker 1: Peggy Baird School of Dancing, Private and Class Lessons for
• 37:04
  Speaker 1: Children and Adults Mass five dash six two six five.
• 37:09
  Speaker 1: Lawrence Blick Ballet Studios, Director Ballet Master, Hampton Boulevard Mass
• 37:15
  Speaker 1: two dash zero five two four Capertain Preston School of
• 37:19
  Speaker 1: Dancing five zero one, Columbus Mass two Dash four five
• 37:24
  Speaker 1: nine eight, Caapiro Wilson Dance Studio three eight one b
• 37:28
  Speaker 1: Newbury Mass five Dash six eight four seven, Dean in
• 37:33
  Speaker 1: Peace School of Dancing seven one two three nine nine
• 37:37
  Speaker 1: Dash eight nine seven one, Dolly Doninson School of Dance
• 37:40
  Speaker 1: four one zero nine, Hampton Boulevard Mass seven Dosh eight
• 37:44
  Speaker 1: five nine, George Keys three one zero, Boosch six two
• 37:47
  Speaker 1: two Nash seven nine eight two. Fredstaire and Dance quit
• 37:51
  Speaker 1: talking and start mixing, could