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Transcript

The Screaming Skull · Movie Meltdown

• 0:09
  Speaker 1: Hello, creeps.
• 0:11
  Speaker 2: It's me, the Crypt Keeper.
• 0:13
  Speaker 3: And you're listening to Movie Meltdown, the greatest movie geek
• 0:17
  Speaker 3: show on Earth.
• 0:19
  Speaker 3: .
• 0:34
  Speaker 4: Good evening. The following feature has been rated R by
• 0:38
  Speaker 4: the Motion Picture Association of America. It is intended for
• 0:42
  Speaker 4: mature audiences and parental discretion is advised. Our nuclear reactor
• 0:48
  Speaker 4: pumping out one million.
• 0:50
  Speaker 5: Kilowatts of power.
• 1:16
  Speaker 2: Provide more cooling in the containment chamber.
• 1:20
  Speaker 6: The popcorn you're eating has been pissed in. Film at 11.
• 1:38
  Speaker 7: Boys and girls of every age, wouldn't you like to
• 1:42
  Speaker 7: see something strange? Come with us and you will see,
• 1:47
  Speaker 7: it's our town of Halloween.
• 1:50
  Speaker 8: This is Halloween, this is Halloween. Don't you scream, you're
• 1:54
  Speaker 8: dead all night. This is Halloween, everybody be safe. Don't
• 1:57
  Speaker 8: you cheat, don't you hate, it's gonna die right. It's
• 2:00
  Speaker 8: our town of Halloween.
• 2:01
  Speaker 1: This is Halloween, this is Halloween.
• 2:06
  Speaker 3: What's up and welcome to Movie Meltdown. I'm Brian.
• 2:09
  Speaker 6: And I'm Carl.
• 2:10
  Speaker 3: We're coming to you live via digital recording from.
• 2:12
  Speaker 6: Gallery K in beautiful, beautiful downtown Butchertown.
• 2:17
  Speaker 3: I'd say sunny, but the sun's going down because we're
• 2:19
  Speaker 3: getting ready for the first inaugural Meltdown Night at the Movies.
• 2:26
  Speaker 9: Yes.
• 2:26
  Speaker 3: I want that cheesy theme to kick in right now.
• 2:31
  Speaker 1: Oh, yeah.
• 2:32
  Speaker 3: Lights going off, spotlights. It's way up in the sky.
• 2:35
  Speaker 3: Cheesy graphics. That's how I'm picturing it in my head.
• 2:37
  Speaker 3: I hope you guys are while you're listening at home.
• 2:41
  Speaker 3: But especially, you know, we've been planning this kind of
• 2:44
  Speaker 3: for a while. It's been in the talking stage for
• 2:46
  Speaker 3: technically years. And then I've been talking with you about
• 2:48
  Speaker 3: doing it for months and months on end. So it's
• 2:51
  Speaker 3: kind of good that it kicked in now because... We've
• 2:53
  Speaker 3: actually crossed over into October, which usually we do a
• 2:56
  Speaker 3: month-long extravaganza of horror and cheesy Halloween-related stuff, so it
• 3:02
  Speaker 3: seemed like a good time to bust out some cheesy
• 3:04
  Speaker 3: horror movies and some Halloween-type fun.
• 3:12
  Speaker 6: Yeah, I'm trying to finish up this month of Murray,
• 3:16
  Speaker 6: Bill Murray movies I've done all month, and the closer
• 3:20
  Speaker 6: we get to October, the more I'm like, oh. You
• 3:22
  Speaker 6: were good to me, Bill, but I'm ready for four movies.
• 3:25
  Speaker 3: You end it with Ghostbusters. You ease your way into
• 3:27
  Speaker 3: the Halloween season.
• 3:29
  Speaker 6: Well, we got one more left. We're going to do Meatballs,
• 3:31
  Speaker 6: which I guess can be kind of scary.
• 3:33
  Speaker 3: It's scary, but it's definitely more summer-esque. You need to
• 3:37
  Speaker 3: lead with that. Next year, when you do The Month
• 3:39
  Speaker 3: of Murray.
• 3:39
  Speaker 6: If you are shocked and terrified by Bill Murray, then
• 3:43
  Speaker 6: Meatballs will definitely be scary.
• 3:45
  Speaker 3: Who can be shocked and terrified?
• 3:48
  Speaker 6: Like, I wonder if he's ever done somebody wrong. You know, like,
• 3:52
  Speaker 6: he's always, like, such a positive or, but he also
• 3:54
  Speaker 6: seems very aloof.
• 3:55
  Speaker 3: He's weird and crazy, but.
• 3:56
  Speaker 6: And I'm wondering if there's not one person out there
• 3:59
  Speaker 6: who he just put all of his intelligence into.
• 4:00
  Speaker 3: Probably, like, his neighbor from when he first started, like,
• 4:03
  Speaker 3: making it.
• 4:04
  Speaker 6: That sounds more like a Bill Murray plot than a
• 4:06
  Speaker 6: Bill Murray real life.
• 4:07
  Speaker 3: But I could just see almost in, like, sitcom form.
• 4:11
  Speaker 9: Murray!
• 4:12
  Speaker 3: Like, he's just, he's always, like, stole my newspaper again?
• 4:15
  Speaker 3: Damn it! And I'm like, you know, it's just always
• 4:17
  Speaker 3: some sort of, like, minor thing, but just Pushing this
• 4:19
  Speaker 3: guy over to the edge.
• 4:20
  Speaker 6: That's a screenplay idea altogether.
• 4:23
  Speaker 3: This could be a horror movie.
• 4:23
  Speaker 6: Bill Murray pissing someone off to a point where every
• 4:27
  Speaker 6: time he sees something about Bill Murray, he's terrified.
• 4:29
  Speaker 3: Or maybe like a.
• 4:30
  Speaker 6: Someone go ahead and steal that and put my name
• 4:31
  Speaker 6: on it.
• 4:32
  Speaker 3: Maybe like a single white female with Bill Murray. Like,
• 4:35
  Speaker 3: he pretends to be his friend, he moves in with him,
• 4:38
  Speaker 3: and then slowly, ever so slowly, starts taking over the
• 4:42
  Speaker 3: life of Bill Murray. Frightening. See, I was going to
• 4:49
  Speaker 3: lead into this, because this is a big thing for tonight, too.
• 4:52
  Speaker 3: Once again, in my planning of this for eons now,
• 4:57
  Speaker 3: I've always, you know, in my head, it's always been Meltdown,
• 5:00
  Speaker 3: Night at the Movies, and there's always been popcorn. And now,
• 5:06
  Speaker 3: it's fabulous guest star, Anthony! Look who's joining us for Meltdown,
• 5:12
  Speaker 3: Night at the Movies!
• 5:13
  Speaker 10: I just came in here for coffee. I didn't realize
• 5:15
  Speaker 10: something was going on here what are we doing we might.
• 5:18
  Speaker 3: Give you some coffee and popcorn popcorn is a thing
• 5:21
  Speaker 3: popcorn is more than a thing it's a requirement it's
• 5:25
  Speaker 3: meltdown night at the movies.
• 5:26
  Speaker 10: Hold the phone popcorn things just got serious.
• 5:30
  Speaker 3: Literally turn off your phones people we can't have you
• 5:33
  Speaker 3: texting or turn off your pagers if you live in
• 5:36
  Speaker 3: the 90s somewhere but yeah just that's our public service
• 5:40
  Speaker 3: announcement turn off your phones the 90s.
• 5:41
  Speaker 10: Never 90s never ended people still fax.
• 5:45
  Speaker 3: That explains your wardrobe. Wait a minute.
• 5:48
  Speaker 1: Uh-oh.
• 5:49
  Speaker 10: They can't see what I'm wearing. We won't describe it
• 5:51
  Speaker 10: to them.
• 5:51
  Speaker 3: It's the best, really. So how have you been, Anthony?
• 5:57
  Speaker 10: Oh, I've been good, Brian. You know, hanging loose, still
• 6:01
  Speaker 10: out there pounding pavement, looking for the jobs in Louisville.
• 6:04
  Speaker 3: Things have changed quite a bit in this here town.
• 6:06
  Speaker 10: Oh, yeah.
• 6:08
  Speaker 3: It's a strange, wonderful world we live in.
• 6:10
  Speaker 10: Beyond that, you know, just staying on a, Keeping up
• 6:13
  Speaker 10: with watching some movies. Watched Tusk the other night for
• 6:15
  Speaker 10: the first time. All right.
• 6:17
  Speaker 3: What is your response?
• 6:19
  Speaker 10: On Tusk, you know, I thought that the first half
• 6:21
  Speaker 10: was incredible. Tension was built up perfectly. Justin Long really
• 6:26
  Speaker 10: convinced me that he was just a douchey reporter. And
• 6:29
  Speaker 10: then the second half just falls off completely. I lost
• 6:32
  Speaker 10: total interest. And, you know, the makeup was good. I
• 6:36
  Speaker 10: can get on the makeup.
• 6:37
  Speaker 3: Actually, Robert Kurtzman, who was just on the show, did
• 6:39
  Speaker 3: that entire Tusk makeup and That part he did a
• 6:43
  Speaker 3: great job on.
• 6:44
  Speaker 10: He nailed it. Justin Long looked like a human walrus,
• 6:48
  Speaker 10: a humanoid.
• 6:49
  Speaker 3: Well, and it's meant to be. Yeah, it's not supposed
• 6:51
  Speaker 3: to look like a walrus. It really is based on
• 6:54
  Speaker 3: this ridiculous story, which is a guy trapping someone inside
• 6:58
  Speaker 3: of a walrus suit. So it does look like it's
• 7:01
  Speaker 3: pieced together, and it is a Frankenstein version of it.
• 7:03
  Speaker 3: So again, the idea of the.
• 7:08
  Speaker 10: Smith's writing, I'm always on and off about it. You know,
• 7:11
  Speaker 10: he does some clever little quips in there, like the
• 7:14
  Speaker 10: main character, Justin Long's character's name is Wallace, and I
• 7:17
  Speaker 10: thought that was kind of a funny play on Walrus.
• 7:20
  Speaker 10: And then you have, there's a doctor named Mousseau, which
• 7:24
  Speaker 10: obviously was a play for Dr. Moreau, in which, you know,
• 7:29
  Speaker 10: I'm on and off with Kevin Smith, but this one
• 7:32
  Speaker 10: I just couldn't really get behind because of the second
• 7:35
  Speaker 10: half of the movie.
• 7:35
  Speaker 1: I agree.
• 7:37
  Speaker 3: I may have gone into it. It seems like we
• 7:39
  Speaker 3: talked about it a little bit with Adam Burke. But
• 7:41
  Speaker 3: I was angry. Like, physically, notably angry at this movie.
• 7:49
  Speaker 3: I don't even know how to explain. And that's the thing.
• 7:51
  Speaker 3: I've been a Kevin Smith fan for so long. But
• 7:54
  Speaker 3: I was just like, I don't know what he's doing here. Like,
• 7:57
  Speaker 3: I really, like, I don't know. Like, he's throwing some
• 8:01
  Speaker 3: weird notes out there along the way. But I'm like,
• 8:03
  Speaker 3: this one, like, the whole thing misses for me. Like,
• 8:05
  Speaker 3: in its entirety. don't know exactly what he was going
• 8:09
  Speaker 3: for and I don't feel like it landed anyway.
• 8:13
  Speaker 10: It's like, it's like, A joke that he made that
• 8:16
  Speaker 10: only he can laugh at.
• 8:17
  Speaker 1: Yeah.
• 8:18
  Speaker 3: I mean, it's way more entertaining to listen to the
• 8:20
  Speaker 3: setup of the movie because you get to hear it.
• 8:22
  Speaker 3: That was way more interesting.
• 8:24
  Speaker 10: Yeah, I listened to that too.
• 8:25
  Speaker 3: I was listening to that when it happened. And I'm like,
• 8:26
  Speaker 3: we're listening to the birth of this idea in the
• 8:29
  Speaker 3: movie that's going to take place. And really, by the
• 8:31
  Speaker 3: end of that episode, that's kind of all you need. Like,
• 8:33
  Speaker 3: it didn't have to happen. All they had to do
• 8:36
  Speaker 3: was talk about doing it. And they'd already gotten the
• 8:39
  Speaker 3: idea out there, gotten it out there to people. At
• 8:41
  Speaker 3: least thousands of people. I don't know how huge his
• 8:43
  Speaker 3: audience is, but a lot of people already got the message.
• 8:46
  Speaker 3: So it felt almost redundant to do it because they
• 8:49
  Speaker 3: really did follow almost beat for beat what they originally
• 8:52
  Speaker 3: laid out. So it's like, even the end, it's almost
• 8:54
  Speaker 3: exactly the same. So I'm like, I knew where it
• 8:57
  Speaker 3: was going and it was still pissing me off.
• 8:59
  Speaker 10: The idea of Tusk has much more resonance than the
• 9:02
  Speaker 10: actual implementation of the idea. And then Haley Jo Osmond.
• 9:08
  Speaker 3: I like Haley. I like Haley. He's coming back.
• 9:13
  Speaker 10: Oh, the hunter dude? Oh, that guy. Yeah, he was
• 9:25
  Speaker 10: actually really funny in that.
• 9:28
  Speaker 3: The big beard.
• 9:32
  Speaker 6: Sorry.
• 9:33
  Speaker 3: There's not much else to work with.
• 9:35
  Speaker 10: And that was in the first half.
• 9:37
  Speaker 3: So we've crossed over. We're discussing we're heading into our
• 9:41
  Speaker 3: big Halloween extravaganza here. So are you looking forward to
• 9:44
  Speaker 3: any horror themed events or bringing out some of your
• 9:48
  Speaker 3: favorite horror movies?
• 9:50
  Speaker 10: Oh, let's see. I unfortunately missed the playing of Nightmare
• 9:55
  Speaker 10: on Elm Street at the drive-in, and that's one of
• 9:57
  Speaker 10: my all-time favorite things to do is go to the
• 9:59
  Speaker 10: drive-in and watch those old horror films up there.
• 10:02
  Speaker 3: We went last year and did one at the drive-in,
• 10:05
  Speaker 3: and it was kind of fun. And I was trying
• 10:06
  Speaker 3: to piece it together this year, but schedules didn't really happen.
• 10:09
  Speaker 3: So instead, I decided we're kind of doing our own
• 10:11
  Speaker 3: mini drive-in here.
• 10:13
  Speaker 10: They kind of cut it off earlier this year than
• 10:15
  Speaker 10: they normally do.
• 10:15
  Speaker 3: It seems like it's moving back. Every year, because even
• 10:18
  Speaker 3: last year I was like, why is it so early? But, like,
• 10:21
  Speaker 3: I don't know. It seems like every year they're going
• 10:22
  Speaker 3: back a week or two just to mess with us.
• 10:25
  Speaker 10: And, see, a couple friends of mine, they own the
• 10:28
  Speaker 10: Cure Lounge over there, Floyd and Allison Friel's, and they
• 10:30
  Speaker 10: always set up, like, a haunted house every year, and
• 10:32
  Speaker 10: I help them build that. So that's something I look
• 10:35
  Speaker 10: forward to, hanging out, drinking a couple good beers, setting
• 10:40
  Speaker 10: up spooky Halloween decorations for people. Oh, as far as
• 10:44
  Speaker 10: movies go, let's see. We've got some good stuff, Crimson Peak.
• 10:48
  Speaker 3: Looking forward to that with our dear friend, Doug Jones.
• 10:52
  Speaker 10: Oh, bless.
• 10:54
  Speaker 3: Man that you rolled around on the floor with, Doug Jones.
• 10:57
  Speaker 10: Oh, me and Doug just hanging out on the carpet.
• 10:59
  Speaker 10: All of us. That was a great time.
• 11:01
  Speaker 3: It was an interesting day, I have to say.
• 11:04
  Speaker 10: And then there's a couple good things that I've seen
• 11:08
  Speaker 10: trailers for. What's it called? Witch? I don't know if
• 11:11
  Speaker 10: you've seen the trailer for this.
• 11:13
  Speaker 11: I don't know if I have.
• 11:14
  Speaker 10: It's like a period piece, and I'm pretty sure it's
• 11:17
  Speaker 10: a foreign language, foreign film, but it's about just these
• 11:22
  Speaker 10: young girls getting accused of being witches, and the trailer's terrifying.
• 11:26
  Speaker 10: It had me hooked. Which trailer?
• 11:32
  Speaker 9: Which?
• 11:32
  Speaker 10: Which trailer? Which trailer?
• 11:34
  Speaker 11: My heart is not to do that.
• 11:36
  Speaker 1: Which?
• 11:36
  Speaker 3: Which movie?
• 11:37
  Speaker 10: Just a trailer full of witches.
• 11:39
  Speaker 3: So sad.
• 11:42
  Speaker 10: What about you?
• 11:43
  Speaker 3: What do you got?
• 11:44
  Speaker 10: On your plate this fall.
• 11:47
  Speaker 6: The dentist from the makers of the reanimator starring the
• 11:51
  Speaker 6: dude from LA Law. Corbin Bernson. 50 cents. The thing
• 11:58
  Speaker 6: from another world, 50th anniversary edition, digitally remastered. That's a
• 12:02
  Speaker 6: good thing.
• 12:04
  Speaker 10: RKO picture.
• 12:05
  Speaker 6: Never heard of it. And saboteur as opposed to sabotage.
• 12:12
  Speaker 6: By Alfred Hitchcock.
• 12:13
  Speaker 10: Slowly collecting.
• 12:15
  Speaker 3: That's when you know Alfred Hitchcock made so many movies.
• 12:19
  Speaker 3: When he made not only Saboteur, but also Sabotage.
• 12:23
  Speaker 6: I haven't seen this before.
• 12:24
  Speaker 4: No, no, no.
• 12:24
  Speaker 6: You're probably talking about Sabotage.
• 12:26
  Speaker 10: This is Saboteur.
• 12:27
  Speaker 3: And one of the few men who's remade his own movie.
• 12:31
  Speaker 3: He did it for so long that he came back
• 12:33
  Speaker 3: around and went, you know, I think I'm going to
• 12:35
  Speaker 3: take another stab.
• 12:35
  Speaker 4: At that one.
• 12:36
  Speaker 6: Like that Funny Games guy did that too, right?
• 12:38
  Speaker 3: Yeah, exactly the same. Same guy, same movie. Is that
• 12:42
  Speaker 3: Michael Mann? No, the French dude. Oh, wait.
• 12:45
  Speaker 10: What's his name?
• 12:46
  Speaker 6: Michael Mann did Miami Vice twice.
• 12:48
  Speaker 4: Okay.
• 12:49
  Speaker 3: Which is weird also. Yeah.
• 12:51
  Speaker 10: He did Colin Farrell and was that Jamie Foxx? Yeah,
• 12:55
  Speaker 10: that's not right.
• 12:56
  Speaker 1: Miami Vice?
• 12:56
  Speaker 3: Yeah.
• 12:57
  Speaker 10: That one was pretty fun actually.
• 12:58
  Speaker 5: Was it?
• 12:59
  Speaker 10: I haven't seen that one.
• 13:00
  Speaker 3: Worse than I came up with Philip Michael Thomas faster? No,
• 13:04
  Speaker 3: not at all.
• 13:05
  Speaker 10: I'll tell you, I just bought the editor on Blu-ray
• 13:08
  Speaker 10: the other day. I haven't watched it yet, but I've
• 13:09
  Speaker 10: been hearing all kinds of good stuff about it. And
• 13:12
  Speaker 10: the tagline is really what got me. The tagline is,
• 13:15
  Speaker 10: he'll leave you on the cutting room floor.
• 13:18
  Speaker 5: Nice.
• 13:19
  Speaker 3: And to not leave people hanging, it's... It's Michael Henneke?
• 13:21
  Speaker 6: I think Henneke.
• 13:22
  Speaker 3: And I can only remember that, which, again, long-time listeners
• 13:25
  Speaker 3: will remember our epic episode with Jess Weixler, who continually,
• 13:30
  Speaker 3: to the point that we made a drinking game out
• 13:32
  Speaker 3: of it, Referred to.
• 13:33
  Speaker 9: Well, Henneke said this about the movie and Henneke said
• 13:36
  Speaker 9: that about the movie.
• 13:37
  Speaker 3: So she constantly referenced the weird ideas that the director
• 13:41
  Speaker 3: approaches funny games with. Did you drink Hennessy every time
• 13:43
  Speaker 3: it comes up? Actually, no. I made it. We were
• 13:47
  Speaker 3: doing it at a coffee shop. I know it's crazy.
• 13:49
  Speaker 3: It's rare that any of us ever go to a coffee. Oh, wait.
• 13:51
  Speaker 3: Where are we now? Anyway, yeah. So it was a
• 13:54
  Speaker 3: coffee drinking game. We're pretty popular here. It's another special
• 13:58
  Speaker 3: guest star. Jacqueline, jump in on the mic.
• 14:04
  Speaker 4: What's up, everybody?
• 14:06
  Speaker 3: Previous star of Movie Meltdown.
• 14:10
  Speaker 2: Two times, I believe.
• 14:12
  Speaker 3: Several episodes, actually. You may remember her from the, let's see,
• 14:17
  Speaker 3: we were at the Meltdown Macabre last Halloween to bring
• 14:20
  Speaker 3: it back to our Halloween theme. And you joined us
• 14:23
  Speaker 3: for the first installment of the Purple Rain anniversary recap.
• 14:28
  Speaker 4: Yeah, when there were only three of us. And the
• 14:31
  Speaker 4: other one, weren't there like a whole bunch more people?
• 14:33
  Speaker 3: Oh, there was, yeah. Well, that one I'd been collecting
• 14:35
  Speaker 3: people talking about it for like an entire year.
• 14:38
  Speaker 11: So, yeah.
• 14:39
  Speaker 3: The fact that we still yammered on equally as long
• 14:41
  Speaker 3: with just the three of us tells you a lot.
• 14:43
  Speaker 4: Yeah, I pack a punch.
• 14:43
  Speaker 3: Yeah, yeah. We like to talk, so.
• 14:46
  Speaker 2: I would like, if I may, to take you on
• 14:52
  Speaker 2: a strange journey.
• 14:54
  Speaker 3: Have you any horror movie favorites that you're looking forward
• 14:57
  Speaker 3: to revisiting this Halloween season? Oh, boy.
• 15:01
  Speaker 1: Um.
• 15:01
  Speaker 4: Well, I just recently watched Oculus at your recommendation.
• 15:05
  Speaker 1: And?
• 15:06
  Speaker 4: And that was really cool.
• 15:07
  Speaker 3: I thought it was cool. Like, I went in with
• 15:09
  Speaker 3: low to no expectations. Like, I kind of don't even
• 15:12
  Speaker 3: know if I knew for sure what the plot was.
• 15:14
  Speaker 3: I just kind of had a few people go, oh, yeah,
• 15:15
  Speaker 3: that's cool. And then I went in not knowing hardly anything,
• 15:18
  Speaker 3: didn't know who the stars were going to be, and, like,
• 15:20
  Speaker 3: was really kind of impressed because I didn't see any
• 15:23
  Speaker 3: of it coming except the big.
• 15:25
  Speaker 4: Never mind.
• 15:25
  Speaker 3: Yeah, yeah.
• 15:26
  Speaker 4: Spoiler alert. Well, I guess I went in with... the
• 15:28
  Speaker 4: opposite because you were like, it's so cool. You should
• 15:30
  Speaker 4: watch that movie. So I went in with, I went
• 15:33
  Speaker 4: in with pretty high expectations. And then I was sort
• 15:36
  Speaker 4: of like, this is really weird.
• 15:37
  Speaker 3: It's weird.
• 15:38
  Speaker 4: This is very odd. I don't know if I really
• 15:40
  Speaker 4: love all the performances in it, but it was a
• 15:43
  Speaker 4: cool movie.
• 15:44
  Speaker 3: I was okay with most of the two main leads.
• 15:48
  Speaker 4: Oh, I'm going, speaking of old horror favorites, I'm going
• 15:52
  Speaker 4: to DC later this month. And guess where I'm going
• 15:54
  Speaker 4: to go in Georgetown? The staircase.
• 15:57
  Speaker 3: Yes.
• 15:58
  Speaker 4: Of The Exorcist.
• 15:59
  Speaker 3: Yeah. Are you going to roll down it?
• 16:01
  Speaker 4: Yes. Nick's going to push me down.
• 16:03
  Speaker 3: Please take photos the whole way down as you flip
• 16:07
  Speaker 3: over and over and over.
• 16:08
  Speaker 4: I'll take a video. Yes.
• 16:10
  Speaker 3: You can post it. We'll retweet it from our wonderful
• 16:14
  Speaker 3: Meltdown page.
• 16:16
  Speaker 4: All right.
• 16:16
  Speaker 3: We're about to fire up the popcorn maker. Oh, cool.
• 16:19
  Speaker 3: Get this party started.
• 16:21
  Speaker 4: There's even a big bowl.
• 16:23
  Speaker 1: Oh, yeah. All right.
• 16:25
  Speaker 3: Let's fire up the popcorn.
• 16:32
  Speaker 2: Popcorn freshly popped and buttered look good sure it looks
• 16:37
  Speaker 2: good and it tastes even better get some now.
• 16:40
  Speaker 12: This episode is brought to you by crossley turntables starting
• 16:43
  Speaker 12: back in 1920 the crossley company produced the first low
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  Speaker 3: Bluetooth and mp3 capabilities So to find out more about
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  Speaker 3: their turntables, just go to CrosleyRadio.com. There you'll find everything
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  Speaker 3: that's CrosleyRadio.com, so head over there now and pick out
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  Speaker 3: which turntable you need. Here it goes. Real pop popcorn, people.
• 17:24
  Speaker 3: We spare no expense here at Moving Outdown. And look
• 17:29
  Speaker 3: who's joined us, it's Marlena! So, Marlena, you've been gone
• 17:34
  Speaker 3: for a long time. Don't you have, since this is
• 17:36
  Speaker 3: our Halloween episode, don't you have spooky Romanian stories to
• 17:40
  Speaker 3: share with people? Damn it, make something up.
• 17:46
  Speaker 5: Yes.
• 17:48
  Speaker 9: So, I was staying in this small town in the
• 17:51
  Speaker 9: Transylvanian region called Oderhe, and we decided to take a
• 17:54
  Speaker 9: walk because it's this really country, bucolic sort of place,
• 17:59
  Speaker 9: pretty safe.
• 18:00
  Speaker 1: And....
• 18:02
  Speaker 9: We're like walking down the street next to our inn and.
• 18:08
  Speaker 13: A bat flew over our head.
• 18:10
  Speaker 9: And we got really scared and ran inside.
• 18:13
  Speaker 1: It was a bat.
• 18:13
  Speaker 3: Was it a bat?
• 18:14
  Speaker 6: It was a bat.
• 18:16
  Speaker 3: Or was he just in the form.
• 18:18
  Speaker 1: Of a bat?
• 18:19
  Speaker 13: It was a bat.
• 18:20
  Speaker 3: You're ruining this story.
• 18:22
  Speaker 9: That was literally the scariest thing that happened. There's nothing scary.
• 18:28
  Speaker 9: I didn't even see any people who like dressed.
• 18:31
  Speaker 13: In all black.
• 18:32
  Speaker 3: We have that here. What are you talking about?
• 18:34
  Speaker 13: Yeah, there's nothing scary. No.
• 18:37
  Speaker 3: No.
• 18:38
  Speaker 13: It was like the most non-scary place I've ever been.
• 18:40
  Speaker 3: This is the worst Romanian story ever.
• 18:42
  Speaker 13: Disneyland is scarier.
• 18:43
  Speaker 3: Well, they have the Haunted Mansion, obviously.
• 18:45
  Speaker 13: In Pennsylvania, yeah.
• 18:47
  Speaker 9: Even Braun Castle, it's like a white, light-filled castle. And
• 18:53
  Speaker 9: the Punari Fortress is like on a beautiful mountain. There's
• 18:59
  Speaker 9: some fake heads on poles, but that's pretty much it.
• 19:04
  Speaker 3: I do like fake heads on poles. That's why I
• 19:07
  Speaker 3: put them in my front yard. It does keep people away.
• 19:11
  Speaker 9: I mean, I have some great stories, but none of
• 19:13
  Speaker 9: them are scary. Nothing scary happened there.
• 19:16
  Speaker 7: Boring.
• 19:17
  Speaker 9: Yeah.
• 19:18
  Speaker 3: You can tell your fun stories later.
• 19:19
  Speaker 9: I mean, I literally spent a solid month. Digging up
• 19:24
  Speaker 9: human remains in a Transylvanian graveyard.
• 19:27
  Speaker 3: And that's not creepy?
• 19:28
  Speaker 13: Nothing scary. No, it wasn't creepy.
• 19:30
  Speaker 9: Like, I thought it would be creepy, but then it's
• 19:33
  Speaker 9: just like, I've been touching 700-year-old bones for the last
• 19:38
  Speaker 9: six hours, and then it's time to, like, take a
• 19:40
  Speaker 9: break and eat lunch. And nobody even bothers to wash
• 19:43
  Speaker 9: our hands. Like, we have dead people bones on our hands,
• 19:46
  Speaker 9: and we didn't. It's just, eat your sandwich, about your business.
• 19:50
  Speaker 3: Well now you're just creepy.
• 19:52
  Speaker 13: No, it wasn't.
• 19:52
  Speaker 9: It wasn't creepy at all. Like there was nothing scary
• 19:55
  Speaker 9: that happened. Like I thought there'd be like steaks and
• 20:00
  Speaker 9: people and stuff like that.
• 20:01
  Speaker 3: And like, did you at least put some in people?
• 20:04
  Speaker 2: No.
• 20:06
  Speaker 13: I mean, they were so old.
• 20:07
  Speaker 9: Like, the coffins had rotted away. So if they were wooden,
• 20:10
  Speaker 9: it wouldn't have.
• 20:11
  Speaker 3: I know. Then they would have fallen apart. It would
• 20:12
  Speaker 3: have been cool.
• 20:12
  Speaker 13: They actually did find a few.
• 20:16
  Speaker 9: Like, werewolf lore is way more prevalent in Romania than, like, vampires.
• 20:22
  Speaker 13: That's purely made up.
• 20:24
  Speaker 9: In certain towns, kind of like, have turned that into
• 20:28
  Speaker 9: a tourist kind of thing. But this wasn't at our site, which.
• 20:33
  Speaker 13: Was Project Falva.
• 20:34
  Speaker 1: Yeah.
• 20:36
  Speaker 9: They found like a metal scythe around where someone's neck
• 20:43
  Speaker 9: would be because to stop people from coming back, they
• 20:45
  Speaker 9: would like put a scythe there. Or just chop off
• 20:49
  Speaker 9: their head with it. Well, they wouldn't chop off their
• 20:51
  Speaker 9: head because that's like not part of a Christian burial.
• 20:53
  Speaker 9: But if they were to come back to life, the
• 20:57
  Speaker 9: scythe would chop their head off and they would die.
• 21:00
  Speaker 6: So that was what that was about.
• 21:01
  Speaker 3: That's exactly true.
• 21:02
  Speaker 9: We got really excited because we did find a fang.
• 21:05
  Speaker 9: And we're like, a fang, a fang, we found a fang.
• 21:07
  Speaker 13: It was a pig tooth.
• 21:09
  Speaker 3: Were they plastic teeth?
• 21:11
  Speaker 9: There was one random girl outside of our inn. Like,
• 21:14
  Speaker 9: we went to climb a mountain that was, like, next
• 21:18
  Speaker 9: to the bed and breakfast that we stayed in. And
• 21:21
  Speaker 9: she was, like, she had plastic fangs in. And she was, like, blah, ha, ha.
• 21:29
  Speaker 9: It was, like, the most hilarious thing. She obviously wasn't
• 21:31
  Speaker 9: from there because you can't even mention her. You can't
• 21:35
  Speaker 9: even say the word vampire without.
• 21:36
  Speaker 3: People hating you. The Romanian outfit of Hot Topic.
• 21:44
  Speaker 6: Exactly.
• 21:46
  Speaker 3: The other tie-in for you, you're the only one who
• 21:48
  Speaker 3: will remember this. If you go back many millions of
• 21:52
  Speaker 3: years ago when we started Movie Meltdown, speaking of ancient
• 21:55
  Speaker 3: artifacts and old decrepit bones, actually this is closer to
• 22:00
  Speaker 3: the way they used to go. And I thought as
• 22:03
  Speaker 3: we got back into this, I would bring back a
• 22:05
  Speaker 3: classic part of what used to be every episode, every
• 22:09
  Speaker 3: time before we watched whatever cheesy movie we were watching,
• 22:12
  Speaker 3: we would also watch a cheesy trailer to go with it. Marlena,
• 22:16
  Speaker 3: you remember these lovely trailers?
• 22:18
  Speaker 13: Yeah, the, what were they called? Something Weird?
• 22:23
  Speaker 3: This one is from the Something Weird video collection. Do
• 22:28
  Speaker 3: we want to start from the beginning again? Have you
• 22:30
  Speaker 3: forgotten them all by now?
• 22:31
  Speaker 13: No, there's some of those I can never forget.
• 22:34
  Speaker 3: We can start from the bottom up.
• 22:35
  Speaker 13: Okay, that works.
• 22:36
  Speaker 3: That'll mix it up a little bit.
• 22:37
  Speaker 1: Yep.
• 22:39
  Speaker 3: All right, let's head into this week's creepy trailer.
• 22:45
  Speaker 2: In the annals of corruption, there is no more cogent
• 22:48
  Speaker 2: tone than the incredible chronicle of Jekyll and Hyde. Although
• 22:54
  Speaker 2: this terrifying tale has been told on film many times,
• 22:57
  Speaker 2: it has never before been filmed in a version... strictly
• 23:02
  Speaker 2: and solely for adult eyes and ears. Now, you will
• 23:07
  Speaker 2: witness the adult version of Jekyll and Hyde. You will
• 23:14
  Speaker 2: see plenty of Hyde.
• 23:17
  Speaker 4: Oh, you're so good, Doctor.
• 23:19
  Speaker 2: You're such a good patient.
• 23:21
  Speaker 1: That's right.
• 23:23
  Speaker 2: A probing, dedicated scientist with an unquenchable thirst for knowledge,
• 23:28
  Speaker 2: even forbidden knowledge, tastes that which was never meant to
• 23:32
  Speaker 2: be tasted. The transformation that follows could only occur in
• 23:37
  Speaker 2: your wildest, weirdest... Pretty tough place, you know. Seems to be.
• 23:43
  Speaker 11: Nice girl wouldn't even hang around this joint.
• 23:47
  Speaker 4: I'm nice, all right.
• 23:49
  Speaker 13: Depending on how you look at it.
• 23:51
  Speaker 2: Her appetite for carnage and carnality was insatiable. One by one,
• 23:56
  Speaker 2: she devoured all who crossed her path. It all began
• 24:00
  Speaker 2: in the dark corridors of this man's soul. It ends
• 24:05
  Speaker 2: in a mind-shattering climax that will suck you into a
• 24:08
  Speaker 2: whirlpool of explicit sex and explosive violence. It's a regular
• 24:14
  Speaker 2: cockwork orange. The adult version of Jekyll and Hyde. A
• 24:22
  Speaker 2: tale of hex and sex. Rated X.
• 24:28
  Speaker 3: Alright, so we've survived the trailer. Are we ready for
• 24:30
  Speaker 3: this week's feature? This week's Meltdown Night of the Movies
• 24:35
  Speaker 3: feature is The Screaming Skull, which does feature possibly the
• 24:41
  Speaker 3: best opening of any movie ever. So let's get going
• 24:44
  Speaker 3: on this.
• 24:44
  Speaker 13: Have we watched this before?
• 24:46
  Speaker 3: I don't think so. It did seem kind of familiar,
• 24:48
  Speaker 3: but we haven't done it for the show, I know.
• 24:49
  Speaker 13: Are you positive?
• 24:50
  Speaker 7: Are you positive?
• 24:54
  Speaker 14: This is.
• 24:57
  Speaker 3: The best opening ever, though.
• 24:58
  Speaker 1: It really is.
• 25:00
  Speaker 3: Every horror movie should start like this.
• 25:03
  Speaker 14: The Screaming Skull is a motion picture that reaches its
• 25:06
  Speaker 14: climax in shocking horror. Its impact is so terrifying that
• 25:11
  Speaker 14: it may have an unforeseen effect. It may kill you. Therefore,
• 25:19
  Speaker 14: its producers feel they must assure free burial services to
• 25:22
  Speaker 14: anyone who dies of fright while seeing The Screaming Skull.
• 25:29
  Speaker 1: See the other.
• 25:37
  Speaker 8: Side Looking for the truth Cause I don't.
• 25:45
  Speaker 1: Need no more self control All.
• 25:47
  Speaker 3: I want is your screaming.
• 25:49
  Speaker 5: Skull I'll give you my heart and my soul All
• 25:52
  Speaker 5: I want is your screaming.
• 25:55
  Speaker 11: Skull Want some music for your ears? Doo-Wop Shop makes
• 26:06
  Speaker 11: it easy to rent for any event, business meeting, or
• 26:08
  Speaker 11: special occasion. From PA systems to karaoke machines to just
• 26:12
  Speaker 11: about anything that makes noise, you can rent it from
• 26:14
  Speaker 11: the Doo-Wop Shop. In Louisville, find them either at their
• 26:17
  Speaker 11: Highland store at 1587 Bardstown Road, or in the East
• 26:21
  Speaker 11: End at 2915 South Hurstburn Parkway. And look for them
• 26:24
  Speaker 11: online at doo-wop-shop.com. Doo-Wop Shop. We're serious about music.
• 26:37
  Speaker 9: Hi, this is Dick Miller, and you're listening to Movie Meltdown.
• 26:45
  Speaker 11: It's part of your problem, you know.
• 26:47
  Speaker 6: You haven't seen enough movies.
• 26:49
  Speaker 14: All of life's riddles are.
• 26:50
  Speaker 4: Answered in the movies.
• 26:52
  Speaker 5: And now, on with the show.
• 26:54
  Speaker 1: I'm getting better at it myself. All I.
• 27:01
  Speaker 13: Want is to scream.
• 27:12
  Speaker 3: All right, so we've finished up the movie. To get
• 27:15
  Speaker 3: into the details here on this week's Meltdown Night of
• 27:19
  Speaker 3: the Movies feature, the movie is The Screaming Skull. The
• 27:22
  Speaker 3: year is 1958. The director is Alex Nicole. I don't know, N-I-C-O-L?
• 27:29
  Speaker 3: Is that where we're going to go with? If not, apologies, Alex.
• 27:33
  Speaker 3: And the plot, according to IMDb, is a newly married
• 27:37
  Speaker 3: couple arrives at the home of the husband's late wife,
• 27:40
  Speaker 3: where the gardens have been maintained by a gardener faithful
• 27:43
  Speaker 3: to the dead woman's memory. Soon, eerie events lead the
• 27:46
  Speaker 3: new wife to think she's losing her mind.
• 27:50
  Speaker 10: Spoiler alert.
• 27:51
  Speaker 3: I'm assuming we're going to ruin this with leaf talk
• 27:55
  Speaker 3: or whatever it is we're going to get into. So,
• 27:58
  Speaker 3: where would you like to begin with The Screaming Skull?
• 28:01
  Speaker 10: Let's start at the beginning, that opening. That's the best opening.
• 28:05
  Speaker 10: The candle burning.
• 28:07
  Speaker 4: Oh, my God. It's like a still life painting.
• 28:09
  Speaker 3: It is.
• 28:09
  Speaker 10: It was pretty. And then just that booming tenor voice
• 28:13
  Speaker 10: comes on. The producers would like to let you know
• 28:18
  Speaker 10: that they will pay for your funeral because the screaming
• 28:22
  Speaker 10: skull is so terrifying.
• 28:24
  Speaker 3: I can't explain how much I love that kind of
• 28:28
  Speaker 3: nonsense that went into selling movies. It's probably a good
• 28:32
  Speaker 3: portion of the reason I am the movie geek I
• 28:34
  Speaker 3: am is that kind of crazy nonsense like that level
• 28:39
  Speaker 3: of just sheer.
• 28:42
  Speaker 4: An opening coffin with a sign that says reserved for
• 28:45
  Speaker 4: you in beautiful calligraphy They.
• 28:49
  Speaker 10: Should have shown a package of underwear and said, this
• 28:52
  Speaker 10: movie is so scary you will soil yourself and the
• 28:54
  Speaker 10: producers will buy you new underwear.
• 28:56
  Speaker 3: It's a little more 70s-esque. This is like 50s. They
• 28:59
  Speaker 3: couldn't handle that yet. That does kind of seem like
• 29:03
  Speaker 3: a John Waters thing, doesn't it?
• 29:04
  Speaker 10: They still do the same thing today. It's like, oh
• 29:07
  Speaker 10: my goodness, some little old lady for some reason went
• 29:11
  Speaker 10: in to go see this horror movie and had a
• 29:12
  Speaker 10: heart attack.
• 29:13
  Speaker 9: Someone actually fainted while watching The Green Inferno.
• 29:18
  Speaker 10: I saw that.
• 29:19
  Speaker 3: They've been planting that story for months and years.
• 29:22
  Speaker 13: No, it actually happened.
• 29:23
  Speaker 10: Did they interview the person?
• 29:26
  Speaker 9: It was just an older lady at a French film festival.
• 29:29
  Speaker 13: That's what she gets. She didn't know what she was watching.
• 29:32
  Speaker 9: The reason I've been talking about the Green Inferno, there
• 29:34
  Speaker 9: was like this Eli Roth interview on.
• 29:37
  Speaker 13: Satellite radio.
• 29:38
  Speaker 9: I want to- hate the guy, but I kind of
• 29:41
  Speaker 9: like the stuff he does usually.
• 29:44
  Speaker 3: I just don't like his acting. He's steer clear of acting.
• 29:51
  Speaker 3: So yeah, that level of just sheer salesmanship. It's the P.T.
• 29:57
  Speaker 3: Barnum of the movie screen, like that kind of stuff.
• 30:01
  Speaker 1: It's so awesome.
• 30:03
  Speaker 3: So, I mean, from there, like I said, when we started,
• 30:05
  Speaker 3: I'm like, it's all downhill after that. Like, you can't
• 30:08
  Speaker 3: come near as awesome as that was.
• 30:11
  Speaker 10: They start off on a strong foot, pardon the pun,
• 30:14
  Speaker 10: with the story that the wife had slipped on a
• 30:18
  Speaker 10: leaf on a rainy day. For some reason, she's just
• 30:21
  Speaker 10: hanging out gardening and was like, okay, I'm going to
• 30:23
  Speaker 10: go back up to the house. Slips on a leaf
• 30:26
  Speaker 10: and cracks her skull, and everybody, the priest is like...
• 30:30
  Speaker 10: It's just what happens here. People slip off leaves all
• 30:34
  Speaker 10: the time.
• 30:34
  Speaker 3: Darnedest thing. Freak leaf incidents. You know how that goes.
• 30:39
  Speaker 13: I think they did a really good.
• 30:40
  Speaker 9: I mean, I expected to really not enjoy this movie,
• 30:42
  Speaker 9: but I actually kind of enjoyed it.
• 30:44
  Speaker 3: I did too, actually.
• 30:46
  Speaker 9: I think they did a really great job at doing
• 30:48
  Speaker 9: the standard red herring movie because they didn't give too
• 30:52
  Speaker 9: much away that the husband... Should I reveal that part?
• 30:55
  Speaker 3: Spoilers! We already threw out the spoiler alert. It's your
• 30:57
  Speaker 3: own fault.
• 30:58
  Speaker 13: It was the culprit's.
• 30:59
  Speaker 10: Pulling the trigger on checkoff's gun huh yeah i mean
• 31:02
  Speaker 10: you would.
• 31:02
  Speaker 9: Have known i mean you knew what was coming from
• 31:04
  Speaker 9: the minute the movie opened it was very hitchcock-esque so
• 31:09
  Speaker 9: you know it's coming but um i think they did
• 31:12
  Speaker 9: a really good job at like the whole red herring
• 31:14
  Speaker 9: and loving but guilty.
• 31:16
  Speaker 15: Husband exactly hitchcock-esque because that's what as you said that
• 31:21
  Speaker 15: to our reference to him earlier but like as As
• 31:25
  Speaker 15: we started, you were like, haven't we watched this before?
• 31:27
  Speaker 15: And I'm like, no, I think it's just because the
• 31:28
  Speaker 15: whole thing feels like it's ripped off from Rebecca. Because
• 31:32
  Speaker 15: so much of it, really, and maybe it's just because
• 31:35
  Speaker 15: I love Rebecca, but that whole setup, at least.
• 31:38
  Speaker 3: I mean, later it veers pretty far away, but the whole,
• 31:42
  Speaker 3: they're not quite as rich. It's not quite the huge
• 31:45
  Speaker 3: staff in Rebecca, but you still have the husband returning
• 31:48
  Speaker 3: home with the new wife, what staff he has, which
• 31:52
  Speaker 3: is that one guy. still had a thing for the
• 31:54
  Speaker 3: old wife, and there's still the spirit of her that
• 31:58
  Speaker 3: literally hangs on a freaking portrait in the house.
• 32:02
  Speaker 13: A poorly done self-portrait.
• 32:04
  Speaker 3: I like that even they acknowledge.
• 32:05
  Speaker 4: Yeah, that was my favorite thing. He was like, it
• 32:07
  Speaker 4: was a poorly done self-portrait. I was like, dang, knocking
• 32:10
  Speaker 4: on your old boo.
• 32:12
  Speaker 3: Okay, before we even get to that, first of all,
• 32:15
  Speaker 3: is it not kind of... in bad taste to bring
• 32:18
  Speaker 3: the wife back to that house anyway but like okay
• 32:21
  Speaker 3: it's your house whatever it's it's real estate it's an
• 32:23
  Speaker 3: investment i understand a little bit of that but like
• 32:26
  Speaker 3: they haven't even come in the door yet and he's
• 32:28
  Speaker 3: already talking about the way the other wife liked things
• 32:31
  Speaker 3: i'm like isn't that kind of gonna start things off
• 32:34
  Speaker 3: badly just relationship wise wouldn't you be like uh really
• 32:37
  Speaker 3: you're bringing her up now like we just got here
• 32:38
  Speaker 3: it's pretty skeezy Yeah, that's what I was saying. It's
• 32:41
  Speaker 3: so like Rebecca. But even more than that, to leave
• 32:45
  Speaker 3: the portrait of her hanging there, again, just kind of
• 32:49
  Speaker 3: douchey as a relationship move. Is that just me?
• 32:53
  Speaker 9: I don't think the portrait was hanging. I think Mickey
• 32:55
  Speaker 9: broke in the house and put it somewhere.
• 32:57
  Speaker 3: Mickey.
• 32:59
  Speaker 10: Mickey the savant. Well, first of all, I think the husband,
• 33:04
  Speaker 10: I don't know, Eric, right? That was his name? I
• 33:08
  Speaker 10: think Eric knew he was going to try to drive
• 33:10
  Speaker 10: this woman Ginny crazy from the beginning. And he was like, well,
• 33:13
  Speaker 10: better way to do it than getting inside her head
• 33:15
  Speaker 10: by taking her to the house that I may or
• 33:18
  Speaker 10: may not have murdered my ex-wife at.
• 33:20
  Speaker 3: I mean, later it comes to make sense when you
• 33:23
  Speaker 3: realize it's all sort of a plot. But regardless, still
• 33:25
  Speaker 3: kind of a dick move.
• 33:27
  Speaker 10: He's like, well, I got the priest. He's got my
• 33:29
  Speaker 10: back in this town. If he's got my back, everyone
• 33:32
  Speaker 10: will believe me. We only had, what, five or six
• 33:35
  Speaker 10: characters in the movie, and they did a lot with.
• 33:39
  Speaker 6: Those five or six.
• 33:39
  Speaker 9: I like that this movie doesn't over-explain itself. They kind
• 33:43
  Speaker 9: of mention things, but it's not hammered into your head.
• 33:47
  Speaker 9: He met her, and then she immediately went into some
• 33:51
  Speaker 9: type of mental institution for attempting suicide.
• 33:55
  Speaker 13: She lost her parents in a tragic water accident. She's
• 33:59
  Speaker 13: very wealthy. They mention all those things without feeding it
• 34:02
  Speaker 13: to you. It's just kind of like backstory.
• 34:05
  Speaker 9: I think they actually did a pretty good job at
• 34:10
  Speaker 9: setting that up without being like, he must have done
• 34:13
  Speaker 9: it for the insurance money because blah, blah, blah.
• 34:16
  Speaker 13: Or for inheritance money or whatever.
• 34:18
  Speaker 9: In one sentence of dialogue, you realize she's wealthy. She
• 34:25
  Speaker 9: has no family.
• 34:26
  Speaker 13: She's mentally unstable.
• 34:28
  Speaker 3: Do you feel like that's a difference just in the
• 34:31
  Speaker 3: time period? Were they better at doing that subtly back
• 34:34
  Speaker 3: in the day versus now they have to over-explain everything?
• 34:37
  Speaker 4: I think they over-explained a whole lot back in the day.
• 34:40
  Speaker 4: They just held the audience's hand like, all right, I
• 34:42
  Speaker 4: know you're not going to get any of this, so
• 34:43
  Speaker 4: I'm going to spell it out for you.
• 34:45
  Speaker 3: I don't know. I feel like a lot of modern
• 34:47
  Speaker 3: movies are just like, well, we know people are dumb.
• 34:49
  Speaker 3: We have to make sure we cross our T's and
• 34:52
  Speaker 3: dot the I's and make sure everybody knows by the end, oh,
• 34:55
  Speaker 3: this is exactly what we were doing.
• 34:56
  Speaker 1: I don't know.
• 34:56
  Speaker 3: I kind of feel the other way. I feel like sometimes...
• 34:59
  Speaker 3: they gave the audience a little more credit back in
• 35:01
  Speaker 3: the day. And now I think they have to spell
• 35:03
  Speaker 3: everything out because people are, I didn't understand.
• 35:06
  Speaker 9: I think in this movie they did. They were just so,
• 35:08
  Speaker 9: I was just really, the reason that I didn't dislike
• 35:11
  Speaker 9: this movie, it was hard to watch because it.
• 35:12
  Speaker 13: Was hard to see.
• 35:13
  Speaker 3: Again, it was very bad quality, which I feel like
• 35:17
  Speaker 3: adds to our cheesy thing we got going on here.
• 35:19
  Speaker 9: But they don't like go back and explain her death.
• 35:23
  Speaker 9: And he's just like, well, we'll never know if it
• 35:25
  Speaker 9: was an accident. If they were to remake this movie,
• 35:27
  Speaker 9: they would like, show a cutaway scene where she's like.
• 35:31
  Speaker 3: Falling and he pushed her and he killed her too.
• 35:34
  Speaker 9: And you know they would do that but they just
• 35:38
  Speaker 9: like left it well maybe probably but we'll.
• 35:41
  Speaker 3: Never know I think now we have to over explain
• 35:43
  Speaker 3: everything and go into backstory and go into flashbacks and
• 35:47
  Speaker 3: explain every detail where I feel like.
• 35:54
  Speaker 4: But apparently their budget was good enough to actually have
• 35:57
  Speaker 4: a female skull I could tell. I was like, that
• 36:00
  Speaker 4: is actually a lady skull. They got that part right.
• 36:03
  Speaker 3: They went out of their way.
• 36:04
  Speaker 4: They didn't get the part right where she, at one point,
• 36:07
  Speaker 4: throws the skull out of a window, two-story drop. And
• 36:12
  Speaker 4: then they were like, no, no, no. It would have
• 36:14
  Speaker 4: split into a million pieces. I'm like, no, that's a bone.
• 36:17
  Speaker 4: It's durable. It's not going to crack into a million pieces.
• 36:20
  Speaker 4: Especially on its own weight.
• 36:22
  Speaker 13: The mandible would have probably detached.
• 36:24
  Speaker 3: Yeah, detached, but... They're not even attached, really, anyway, usually,
• 36:27
  Speaker 3: unless we're doing it for, you know, science class purposes. Yeah.
• 36:31
  Speaker 2: But.
• 36:33
  Speaker 10: So we did have a ghost. This was a ghost story.
• 36:36
  Speaker 1: Mm-hmm.
• 36:37
  Speaker 3: With a screaming skull.
• 36:39
  Speaker 10: That skull scream. Well, it could have been the peacocks.
• 36:42
  Speaker 3: Uh-huh, yeah. I was thinking that earlier. I was like,
• 36:45
  Speaker 3: this is probably the only horror movie that ever used
• 36:48
  Speaker 3: the line, no, it was only the peacocks. I mean...
• 36:51
  Speaker 3: Seems like that's a very specific circumstance that you're going
• 36:54
  Speaker 3: to come into.
• 36:57
  Speaker 10: She has the same question as I do when he
• 36:59
  Speaker 10: uses that explanation. She says, what does that sound like?
• 37:03
  Speaker 10: And then he goes to the window and throws a bowl.
• 37:06
  Speaker 3: Like you don't know. We all have peacocks. Come on.
• 37:09
  Speaker 10: I bet they.
• 37:09
  Speaker 4: Cherry picked out peacocks. Like, crap, what kind of sounds
• 37:13
  Speaker 4: like a human scream? Like, peacocks. They'll have peacocks everywhere.
• 37:17
  Speaker 3: And then he whipped an ashtray at him or whatever.
• 37:19
  Speaker 3: You were trying to figure out what he threw. I
• 37:20
  Speaker 3: could not figure out what that thing was. He seems
• 37:22
  Speaker 3: like a smoker. He probably just whipped a big heavy
• 37:24
  Speaker 3: ashtray at a peacock. He's kind of a jerk.
• 37:28
  Speaker 9: I like that every time she looks out the window,
• 37:29
  Speaker 9: the peacocks who roam free are in the exact same spot.
• 37:32
  Speaker 9: And when she looked out there and they're not there,
• 37:34
  Speaker 9: she's like.
• 37:35
  Speaker 13: It must be true. So, you know.
• 37:38
  Speaker 4: Like, of course, they're... Maybe there's a tiny pin just
• 37:42
  Speaker 4: off screen. We can't see.
• 37:43
  Speaker 1: Yeah.
• 37:44
  Speaker 3: Well, in them, like, pretending that they are rich, which
• 37:47
  Speaker 3: they do a decent job because, again, and I double
• 37:50
  Speaker 3: check because I like what they mentioned.
• 37:51
  Speaker 10: Yeah, that's a.
• 37:53
  Speaker 3: Mid-50s Mercedes-Benz 190 SL Gullwing. I'm assuming even at the
• 37:58
  Speaker 3: time that wasn't cheap. Sure as hell would be expensive now.
• 38:01
  Speaker 12: Yeah.
• 38:01
  Speaker 3: It is a pretty awesome car.
• 38:02
  Speaker 13: I mean, just the way the doors open, you know, like.
• 38:06
  Speaker 9: Before I even saw the house, I was like, oh.
• 38:08
  Speaker 13: These people are rich.
• 38:09
  Speaker 9: Yeah.
• 38:10
  Speaker 13: They did a good job at, like.
• 38:12
  Speaker 3: For not showing you a huge mansion, like, yeah, peacocks
• 38:16
  Speaker 3: and a freaking Mercedes.
• 38:18
  Speaker 10: Great set and set pieces. Like, you really knew where
• 38:21
  Speaker 10: you were at at all times, no matter where the
• 38:23
  Speaker 10: cameras or the characters were running. You were like, oh,
• 38:26
  Speaker 10: I'm able to follow this. I know the layout of
• 38:29
  Speaker 10: what's going on here. And I think that that's... really
• 38:32
  Speaker 10: hard to do a lot of the times with horror movies.
• 38:35
  Speaker 9: The only thing I was super confused about is it's like,
• 38:37
  Speaker 9: so they're standing on the, the, the balcony and they
• 38:41
  Speaker 9: can look down and see the doors knocking and then
• 38:43
  Speaker 9: they have to go down the stairs and like go
• 38:45
  Speaker 9: through seven rooms to open the door. Like did the
• 38:48
  Speaker 9: staircase just twist around into another room?
• 38:50
  Speaker 3: And then on that weird space thing, was it just me?
• 38:54
  Speaker 3: Like at the end with the priest and he's just like,
• 38:56
  Speaker 3: and we're going back to that house. I'm like, aren't
• 38:59
  Speaker 3: you in the backyard of the house? Like, weren't they
• 39:04
  Speaker 3: behind them? Wasn't that the house? Like, I don't know.
• 39:08
  Speaker 3: Maybe Mickey ran down the street.
• 39:09
  Speaker 4: I don't know.
• 39:10
  Speaker 3: But it seemed like they were still in that same
• 39:11
  Speaker 3: spot where they shot all those other things that seemed
• 39:13
  Speaker 3: like it was on their ground.
• 39:14
  Speaker 13: I'm pretty sure they were, like, neighbors.
• 39:16
  Speaker 10: I guess.
• 39:16
  Speaker 3: That still seemed, yeah. Like, that house. I'm like, just
• 39:19
  Speaker 3: point to it. It's that one over there, right?
• 39:21
  Speaker 4: It took them a really long time to get there.
• 39:23
  Speaker 4: They were driving, too.
• 39:25
  Speaker 10: Mickey made it pretty quickly with his limp and all.
• 39:28
  Speaker 10: I wonder why they did that. Why did he need
• 39:30
  Speaker 10: the limp?
• 39:30
  Speaker 3: Yeah, why did he walk like Igor? To make him
• 39:32
  Speaker 3: extra creepy.
• 39:33
  Speaker 13: That's just your... That's just like a.
• 39:35
  Speaker 3: It's a trope.
• 39:35
  Speaker 6: Yeah.
• 39:36
  Speaker 4: He's just.
• 39:37
  Speaker 6: Because he looked like somebody's like dorm mate. It was
• 39:40
  Speaker 6: just like, let's just put this dude in, you know?
• 39:42
  Speaker 6: And then they're like, yeah, but that's just my dorm mate.
• 39:45
  Speaker 6: They're like, I don't know. We'll give him a limp
• 39:46
  Speaker 6: or something. We'll make him limpy.
• 39:48
  Speaker 3: He did just.
• 39:49
  Speaker 6: And not cut his hair. Yeah, totally.
• 39:52
  Speaker 3: Yeah.
• 39:53
  Speaker 6: I think he's wearing PF flyers or something.
• 39:55
  Speaker 3: He's just kind of scruffy looking. He didn't really look like, yeah,
• 39:58
  Speaker 3: I mean, you'd think they'd really red herring him up
• 40:01
  Speaker 3: and like make him even more creepy and like, oh,
• 40:03
  Speaker 3: it's obviously got to be that guy.
• 40:05
  Speaker 6: Yeah, maybe he couldn't act very well. They're just like,
• 40:07
  Speaker 6: I don't know, just like limp or something.
• 40:09
  Speaker 10: He limped like a champ then.
• 40:13
  Speaker 3: He's scruffy looking, I'm telling you.
• 40:16
  Speaker 6: He's got long hair.
• 40:25
  Speaker 3: Well the thing I wanted to give him credit for
• 40:27
  Speaker 3: I think I think the most effective thing especially like
• 40:31
  Speaker 3: you get to that big scene in the house that's
• 40:33
  Speaker 3: pretty extended there of her like by herself that night
• 40:36
  Speaker 3: and like there's a noise what was that like it's
• 40:38
  Speaker 3: a lot of her like freaking out I think the
• 40:41
  Speaker 3: only thing that carries that like 20 minute span is
• 40:43
  Speaker 3: that score the score is really effective like it's it's
• 40:48
  Speaker 3: super well done for this type of movie it's cheesy
• 40:51
  Speaker 3: and melodramatic but like that's what you want in this
• 40:53
  Speaker 3: kind of movie. And I think it does that really well.
• 40:55
  Speaker 3: And then looking at it, it's, uh, Ernest gold. And
• 40:58
  Speaker 3: this is like one of the early things that he did. Uh,
• 41:01
  Speaker 3: he later goes on to win an Academy award for
• 41:03
  Speaker 3: the soundtrack to Exodus.
• 41:05
  Speaker 11: So nice.
• 41:06
  Speaker 4: I actually was going to compliment the score. I was like,
• 41:08
  Speaker 4: this is actually really interesting and good music. And then
• 41:10
  Speaker 4: it would like cut and like, she would start moving
• 41:12
  Speaker 4: and then it would do the like the stupid horn parts.
• 41:15
  Speaker 4: I was like, wait, what happened to that? Really cool.
• 41:17
  Speaker 1: Yeah.
• 41:20
  Speaker 6: There was one shot, I think during that same sequence
• 41:22
  Speaker 6: that I've, that I've really, really thought was awesome because
• 41:24
  Speaker 6: it was so simple. It was a shot of the skulls,
• 41:27
  Speaker 6: skull like on the ground, but it was kind of cockeyed. Yeah.
• 41:31
  Speaker 6: And then there was a shot that was clearly from
• 41:33
  Speaker 6: the point of view of the skull because it was
• 41:34
  Speaker 6: so low and it was so far away toward the house.
• 41:37
  Speaker 6: And then it just, but it was crooked. The shot
• 41:39
  Speaker 6: was crooked and then it leveled out and your brain
• 41:41
  Speaker 6: just puts it all together. And I was like, man,
• 41:42
  Speaker 6: that was a fucking perfect shot.
• 41:44
  Speaker 3: That's the other thing in that same little sequence in the,
• 41:46
  Speaker 3: in the middle there with the music, like, The shots
• 41:49
  Speaker 3: of the camera that you're almost getting POV of we're
• 41:52
  Speaker 3: assuming the evil spirit or the ghost or the skull
• 41:55
  Speaker 3: or whatever. Yeah, it's like we're kind of, again, you
• 41:59
  Speaker 3: didn't really see a lot of weird POV at that point.
• 42:02
  Speaker 6: This one was, I mean, it was clearly the skull
• 42:04
  Speaker 6: because it was as simple as the camera being off kilter.
• 42:07
  Speaker 3: It's just tilting.
• 42:08
  Speaker 6: They didn't show the skull's head moving. They just showed
• 42:10
  Speaker 6: the scene level out, or the shot, and it was great.
• 42:13
  Speaker 3: So there is a little creative camera work in here.
• 42:15
  Speaker 3: There's a lot of it that's pretty.
• 42:16
  Speaker 6: I mean, that was the most creative it got, I think.
• 42:18
  Speaker 3: Yeah, there was a lot of it that's pretty standard shot.
• 42:21
  Speaker 3: It could be made for TV kind of stuff, but
• 42:24
  Speaker 3: every once in a while, it got kind of creative.
• 42:26
  Speaker 10: I was legitimately spooked out at the point when she
• 42:30
  Speaker 10: opens the greenhouse, and then there's just... the figure with
• 42:34
  Speaker 10: the white dress is just like blurry enough to still
• 42:37
  Speaker 10: be like oh my god and then it just comes
• 42:39
  Speaker 10: running after with arms flailing.
• 42:41
  Speaker 3: Again i feel like this is when like the bad
• 42:43
  Speaker 3: quality prints kind of help like i think it it
• 42:46
  Speaker 3: makes it a little creepier sometimes i think yeah if
• 42:49
  Speaker 3: if they like hd'd this thing and i don't know
• 42:51
  Speaker 3: i'd probably be like oh that looks terrible but it
• 42:53
  Speaker 3: makes it a little creepier i feel like with just
• 42:55
  Speaker 3: like the weird creepy images I.
• 42:57
  Speaker 9: Can imagine if you were watching this in 1958 in
• 42:59
  Speaker 9: a theater, it would probably genuinely terrify.
• 43:02
  Speaker 3: You might die. You might die.
• 43:05
  Speaker 9: I can see how it would be very scary for you.
• 43:06
  Speaker 9: I mean, we've built up a tolerance of like scary,
• 43:09
  Speaker 9: horrible things.
• 43:10
  Speaker 3: We watch horrible things all day long on YouTube. We
• 43:14
  Speaker 3: don't even like go to the theater now. We watch
• 43:16
  Speaker 3: real world people do horrible things all day long.
• 43:18
  Speaker 9: I actually like to watch like, this is dumb. I
• 43:21
  Speaker 9: don't know what got me on this, but I was
• 43:22
  Speaker 9: watching like, real ghost footage on YouTube.
• 43:26
  Speaker 4: There's so much of it.
• 43:27
  Speaker 3: I can't say I haven't done that before.
• 43:28
  Speaker 13: There's so much of it.
• 43:29
  Speaker 3: Yeah, there really is.
• 43:30
  Speaker 13: It's really fun.
• 43:31
  Speaker 3: The one in the hotel room where you see like
• 43:33
  Speaker 3: a weird little spirit come out of the room. Have
• 43:35
  Speaker 3: you seen that one?
• 43:36
  Speaker 13: No, I'll have to look that up.
• 43:37
  Speaker 3: It's kind of creepy.
• 43:37
  Speaker 4: I've seen all kinds of them.
• 43:38
  Speaker 3: Do I know that it's real? But is it a
• 43:41
  Speaker 3: creepy second when you're like, oh, it's a thing. Did
• 43:43
  Speaker 3: you see that?
• 43:45
  Speaker 4: I used to watch ghost adventures on the travel channel
• 43:48
  Speaker 4: all the time.
• 43:49
  Speaker 3: Do you want to take a ghost adventure?
• 43:54
  Speaker 4: Yes. Okay. I really liked that they didn't have the
• 43:58
  Speaker 4: skull floating everywhere. They literally just had a guy back
• 44:01
  Speaker 4: on camera like a bowling ball to chase the person
• 44:04
  Speaker 4: instead of having it fly through the air on a string.
• 44:07
  Speaker 9: I actually have a bowling ball with a skull inside it.
• 44:11
  Speaker 3: That does not surprise me.
• 44:12
  Speaker 10: That's pretty rad.
• 44:14
  Speaker 3: I feel like that's the part that probably most people
• 44:18
  Speaker 3: audiences today will have problems with. It's the big finale
• 44:21
  Speaker 3: there with the skull, like people just flipping skulls down
• 44:24
  Speaker 3: the stairs and wrestling in the water with the skull
• 44:27
  Speaker 3: that's one shade away from the octopus in your Ed
• 44:31
  Speaker 3: Wood movies. Go on, wrestle with him more. Throw the
• 44:34
  Speaker 3: tentacles up on you. It was him with a skull.
• 44:37
  Speaker 6: What I thought was kind of endearing about that part
• 44:38
  Speaker 6: was that a little part of me in my head,
• 44:41
  Speaker 6: because I know what I'm watching, I pictured the skull
• 44:47
  Speaker 6: just saying.
• 44:48
  Speaker 3: I just want to play, guys.
• 44:49
  Speaker 6: It just seemed like it was rolling around. Come back. Yeah,
• 44:53
  Speaker 6: it was kind of fun to just be like.
• 44:55
  Speaker 3: I'm not really that bad.
• 44:56
  Speaker 9: I'm just a skull.
• 44:58
  Speaker 4: You're afraid of me.
• 45:00
  Speaker 3: Doing those kind of voices as you're watching it reminds
• 45:02
  Speaker 3: me of the other. As you said there, you're like,
• 45:04
  Speaker 3: have we watched this before? And it did seem kind
• 45:07
  Speaker 3: of familiar. I'm pretty sure it is a Mystery Science
• 45:09
  Speaker 3: Theater feature. And I'm like, that's why. Because I got
• 45:13
  Speaker 3: into it and I'm like, Parts of this feel really familiar,
• 45:16
  Speaker 3: and I'm pretty sure I've watched it on Mystery Science
• 45:18
  Speaker 3: Theater years and years ago.
• 45:20
  Speaker 1: Yeah.
• 45:21
  Speaker 3: So I'm sure they were like, hey, guys, I just
• 45:22
  Speaker 3: want to play.
• 45:23
  Speaker 6: Come back. Yeah.
• 45:24
  Speaker 3: Somewhere a crow is saying that.
• 45:25
  Speaker 6: What's crazy about old ones like that, though, is just, like,
• 45:28
  Speaker 6: if you could find the camera in the film, like,
• 45:32
  Speaker 6: you don't have to have, like, any kind of acting
• 45:35
  Speaker 6: at all. If you could just give it that vintage look,
• 45:37
  Speaker 6: there's going to be a handful of people sitting in
• 45:39
  Speaker 6: some coffee shop somewhere watching it going, like, just making
• 45:42
  Speaker 6: something out of it. You know what I mean?
• 45:44
  Speaker 3: Well again like they it's how you use it like
• 45:47
  Speaker 3: obviously as we said but they don't have tons of
• 45:49
  Speaker 3: money like all they had to get was a big
• 45:52
  Speaker 3: empty house but like you really don't even see much
• 45:54
  Speaker 3: of the house you get that one room and they
• 45:55
  Speaker 3: just keep cutting to people running down hallways and whatever
• 45:58
  Speaker 3: so it's like that one opening shot when they go
• 46:01
  Speaker 3: into the house and then like the grounds from the
• 46:04
  Speaker 3: backyard which they could have shot it like you know
• 46:06
  Speaker 3: a state park somewhere with a building and like So
• 46:09
  Speaker 3: there's so much of it that you don't really see
• 46:11
  Speaker 3: tons of money on the screen, but they make it work.
• 46:14
  Speaker 3: All you needed was to borrow your friend's Mercedes and
• 46:17
  Speaker 3: get some peacocks that you rented. They convey all this
• 46:20
  Speaker 3: money in this big set, but at the same time,
• 46:23
  Speaker 3: you don't see any of that. You only paid six
• 46:25
  Speaker 3: people to show up. It's a shoestring budget, and they
• 46:28
  Speaker 3: kind of make all that stuff.
• 46:29
  Speaker 10: Work pretty well.
• 46:30
  Speaker 6: Well, and now it's vintage. That's what I'm trying to say.
• 46:32
  Speaker 6: Back in the day, it was a total POS, but
• 46:34
  Speaker 6: now it's just some kind of cool.
• 46:37
  Speaker 3: And we like it. Yeah.
• 46:39
  Speaker 1: Yeah.
• 46:40
  Speaker 4: And since so much of it took place at night, like,
• 46:42
  Speaker 4: it's very dimly lit. Like, I don't think there was, like,
• 46:44
  Speaker 4: any furniture in that house, like, besides that bed. Like,
• 46:47
  Speaker 4: they were like, we're not paying for that.
• 46:48
  Speaker 3: It did.
• 46:49
  Speaker 10: You don't need it.
• 46:49
  Speaker 4: It was movie set crap.
• 46:51
  Speaker 10: Yeah, they had it caught.
• 46:52
  Speaker 13: I like they explained it.
• 46:53
  Speaker 9: They're like, I don't remember what they said, but there
• 46:56
  Speaker 9: was a reason.
• 46:56
  Speaker 13: There was no furniture.
• 46:57
  Speaker 3: She liked it that way, my crazy dead wife.
• 47:01
  Speaker 9: I think they said she got rid of it or something, like,
• 47:04
  Speaker 9: right before she died.
• 47:04
  Speaker 4: I don't know.
• 47:05
  Speaker 10: Yeah, a lot of the dialogue I couldn't catch.
• 47:08
  Speaker 3: Again, part of the high quality we're dealing with on
• 47:10
  Speaker 3: this DVD transfer.
• 47:11
  Speaker 13: I thought the.
• 47:12
  Speaker 9: Scenes where she'd heard a noise, and she went and
• 47:15
  Speaker 9: investigated and found the skull and went back to her room,
• 47:18
  Speaker 9: and it's just a shot of her face reacting to
• 47:21
  Speaker 9: that for a long time. That was a really bold move,
• 47:24
  Speaker 9: and I think it actually worked. I mean, they weren't
• 47:27
  Speaker 9: the greatest actors ever, but they also weren't the worst.
• 47:30
  Speaker 9: But that actually... was really awesome. You could see her
• 47:35
  Speaker 9: wrestling like, am I crazy?
• 47:36
  Speaker 13: Is this really happening? What do I do? Do I
• 47:38
  Speaker 13: just stay here and ignore it because I'm a crazed maniac?
• 47:41
  Speaker 13: Or do I run? You could really see that. I
• 47:44
  Speaker 13: think she actually did a really good job emoting that.
• 47:46
  Speaker 13: I don't know.
• 47:49
  Speaker 4: I enjoyed it.
• 47:50
  Speaker 6: Do you guys think she looks like Mary Steenburgen a
• 47:54
  Speaker 6: little bit? Is that that actress's name?
• 47:56
  Speaker 3: That is that actress's name. I didn't get that, but again,
• 48:01
  Speaker 3: I think Mary's a little more attractive.
• 48:04
  Speaker 9: There's an actress on some soap opera that was on
• 48:07
  Speaker 9: a random television show at the Laundromat, or a random
• 48:11
  Speaker 9: channel at the Laundromat, and she looks like her.
• 48:13
  Speaker 13: I don't know what soap opera it is.
• 48:16
  Speaker 3: Is it Mexican?
• 48:16
  Speaker 10: Days of Our Lives?
• 48:17
  Speaker 3: I can only hope it's Mexican. No.
• 48:19
  Speaker 4: Damn it.
• 48:19
  Speaker 13: It's like Days of Our Lives, or what's the other one?
• 48:21
  Speaker 3: If I'm going to a laundromat, I want them to
• 48:24
  Speaker 3: be playing nothing but Mexican soap operas.
• 48:25
  Speaker 9: Yeah.
• 48:26
  Speaker 6: That's what you go to a laundromat for.
• 48:27
  Speaker 10: Yeah, really.
• 48:28
  Speaker 3: I mean.
• 48:30
  Speaker 6: For Telemundo.
• 48:31
  Speaker 13: The Young and the Restless, maybe?
• 48:32
  Speaker 1: Maybe.
• 48:33
  Speaker 3: They canceled most of those shows. There's not a whole
• 48:35
  Speaker 3: lot of options anymore.
• 48:36
  Speaker 6: What, um, what other, uh, like old, like vintage horror
• 48:42
  Speaker 6: movies have you guys seen? Like, I feel like I've
• 48:44
  Speaker 6: seen some that were supposed to be the best ever
• 48:46
  Speaker 6: made and some that were, you know, clearly terrible.
• 48:49
  Speaker 3: And again, I, I've gotten so much more, again, why
• 48:53
  Speaker 3: I guess we keep doing this show. I've gotten so
• 48:55
  Speaker 3: much out of the ones that are supposed to be
• 48:57
  Speaker 3: super cheesy. And then we get into them and I
• 48:59
  Speaker 3: have so much fun with them. Like, sometimes just cause
• 49:02
  Speaker 3: they're kind of entertaining, but like sometimes I legitimately like
• 49:07
  Speaker 3: the one that we watched, um, blood mania, which we're
• 49:10
  Speaker 3: supposed to be making fun of. I'm assuming it seems
• 49:13
  Speaker 3: like something most people would goof on. Like, I think
• 49:15
  Speaker 3: that movie is awesome. Like I legitimately love that movie for, like,
• 49:20
  Speaker 3: its own, I don't know, its own merit. Like, it's
• 49:24
  Speaker 3: done in a really cool way. And it's one of those,
• 49:27
  Speaker 3: I want to go back and watch it now. And
• 49:29
  Speaker 3: it's supposed to be, you know, a shoestring budget and
• 49:31
  Speaker 3: just slapped together to sell as a double bill somewhere. But, like,
• 49:35
  Speaker 3: I legitimately like it.
• 49:36
  Speaker 6: You love shoestring really well. You like to make the
• 49:37
  Speaker 6: shoestring part of it work for you.
• 49:39
  Speaker 1: Yeah.
• 49:40
  Speaker 3: So it's that kind of stuff. And this one also
• 49:42
  Speaker 3: kind of reminded me of the dementia 13. Yeah. That
• 49:45
  Speaker 3: was another one that was like family kind of trying
• 49:48
  Speaker 3: to screech over for money.
• 49:51
  Speaker 9: Yeah.
• 49:51
  Speaker 3: It was early. It was a couple of doing, um,
• 49:54
  Speaker 3: stuff for Gorman.
• 49:56
  Speaker 9: It kind of reminded me of that a little bit.
• 49:58
  Speaker 9: Just the, the shots, like the wide pan out shots.
• 50:02
  Speaker 3: Just like, yeah.
• 50:04
  Speaker 6: That one was kind of hard for me to follow.
• 50:06
  Speaker 3: Uh, Yeah, well, that one had more people and got
• 50:09
  Speaker 3: a little more convoluted because then they go into town
• 50:11
  Speaker 3: and all that other weird stuff. So it's, yeah, this
• 50:14
  Speaker 3: one was definitely a more stripped down, stick it with
• 50:16
  Speaker 3: these six people version. But yeah, it's that kind of
• 50:20
  Speaker 3: stuff that I've, you know, we just stumble across. That's
• 50:23
  Speaker 3: kind of why I like doing this, like just picking
• 50:26
  Speaker 3: one at random. Right, the glad bag. Let's see what
• 50:28
  Speaker 3: we get. And like, we may watch some terrible stuff.
• 50:31
  Speaker 13: Blood Feast.
• 50:32
  Speaker 11: Mama Dracula.
• 50:34
  Speaker 3: But like, that's one that again, like now, like I,
• 50:37
  Speaker 3: I had no idea what I was getting into when
• 50:38
  Speaker 3: we did that for the Halloween episode two years back.
• 50:41
  Speaker 3: And I'm just like, I will reference that like probably
• 50:44
  Speaker 3: once a week now. I'm just like, oh my God,
• 50:46
  Speaker 3: have you seen Mama Dracula? Like it's just, you stumble
• 50:49
  Speaker 3: across these old movies and it's like.
• 50:51
  Speaker 6: What's it called? Mama Dracula?
• 50:52
  Speaker 3: Mama Dracula starring Oscar winner Louise Fletcher in the titular role.
• 50:58
  Speaker 3: And it's ridiculous. Like it is, but it takes itself
• 51:02
  Speaker 3: so seriously sometimes that, And then other times it doesn't,
• 51:05
  Speaker 3: and it's slapstick, and it makes no sense. And it's
• 51:08
  Speaker 3: these kind of things that we just pick a random
• 51:11
  Speaker 3: old movie and just put it on and see what happens.
• 51:14
  Speaker 3: And I kind of love that. And that's, I guess,
• 51:17
  Speaker 3: why we keep coming back to these.
• 51:18
  Speaker 6: There's a movie, a Corman film called Buckets of Blood.
• 51:21
  Speaker 3: Oh, yeah. I think that's classic.
• 51:24
  Speaker 6: It stars Dick.
• 51:26
  Speaker 3: Dick Miller.
• 51:27
  Speaker 6: Miller, yes. And I read the back of it, and
• 51:30
  Speaker 6: it was something like, a young man who works in
• 51:33
  Speaker 6: a like hip little Soho coffee shop or a little bar,
• 51:36
  Speaker 6: downtown bar, like ends up like, uh, his patrons become
• 51:43
  Speaker 6: his victims or something.
• 51:44
  Speaker 3: I've seen it.
• 51:45
  Speaker 10: It's really cool. Yeah.
• 51:47
  Speaker 3: And again, at the time it.
• 51:49
  Speaker 6: Was nothing to be awesome. It had all these great
• 51:51
  Speaker 6: keywords on the back. And when I watched it, like
• 51:54
  Speaker 6: I thought it was terrible.
• 51:55
  Speaker 3: Well, I, again, I think I liked it because it's,
• 51:58
  Speaker 3: at the time, I guess it was just what was
• 52:00
  Speaker 3: going on. It was all beatniks, but like you look
• 52:02
  Speaker 3: at it now and I'm like, I feel like it's
• 52:04
  Speaker 3: so ahead of its time for the weird little coffee
• 52:06
  Speaker 3: shop scene. And which I guess was all going on,
• 52:09
  Speaker 3: especially in New York at that point. But seeing how
• 52:12
  Speaker 3: much of that has like become just mass accepted at
• 52:16
  Speaker 3: this point. And you have people doing weird performance art
• 52:18
  Speaker 3: in a coffee shop across the country now. And like,
• 52:20
  Speaker 3: I feel like this was capturing it like at the
• 52:24
  Speaker 3: very beginning of that. And you get to see, like, again,
• 52:26
  Speaker 3: I think I like it.
• 52:27
  Speaker 1: Blueprint.
• 52:28
  Speaker 3: Maybe more for the snapshot of society than I do for,
• 52:32
  Speaker 3: you know, the plot as it goes on.
• 52:33
  Speaker 6: It's like a time capsule.
• 52:34
  Speaker 3: I think it's, yeah, it makes a great time capsule
• 52:36
  Speaker 3: of like, look at this weird little beatnik world that
• 52:38
  Speaker 3: was going on at this point in time and like
• 52:40
  Speaker 3: how the rest of society since then has started to,
• 52:43
  Speaker 3: you know, we shunned it for a while and now
• 52:45
  Speaker 3: we've just turned into it in our own weird way.
• 52:47
  Speaker 3: So I kind of like it for those aspects as well.
• 52:51
  Speaker 4: And, like, Fall of the House of Usher last year, like,
• 52:54
  Speaker 4: that's not a scary movie, but it's creepy, desolate, and, like,
• 53:00
  Speaker 4: artistically beautiful. And that might just be because I wrote
• 53:03
  Speaker 4: music for it. And so that's why I think it's
• 53:05
  Speaker 4: so artistic. But it was, like, the imagery and just the,
• 53:10
  Speaker 4: I don't know, it was really beautiful.
• 53:13
  Speaker 3: I think there's so much to get from old cheesy
• 53:15
  Speaker 3: movies that then you realize, maybe they're not so cheesy.
• 53:18
  Speaker 1: Yeah.
• 53:18
  Speaker 10: So I don't know.
• 53:19
  Speaker 3: I like doing these. So everybody was on board with
• 53:22
  Speaker 3: this little experiment of ours.
• 53:25
  Speaker 10: I liked it. I'm a fan. Screaming skull will go
• 53:27
  Speaker 10: down in the books.
• 53:28
  Speaker 4: Truly, don't all screams come from a skull?
• 53:32
  Speaker 3: In theory.
• 53:34
  Speaker 4: Usually.
• 53:35
  Speaker 10: What came first, the scream or the skull?
• 53:37
  Speaker 3: When there's still peoples attached to them, but you know.
• 53:41
  Speaker 10: Yeah, this skull needed no vocal cords, and it shrieked.
• 53:45
  Speaker 3: It shrieked like a peacock.
• 53:48
  Speaker 13: Yeah, how would that even be accomplished? It's mystical.
• 53:54
  Speaker 4: I think the peacocks were behind it all along.
• 53:55
  Speaker 10: Yeah, I think her ghost was embodied in the peacocks.
• 53:59
  Speaker 10: It's half her soul and one half me.
• 54:01
  Speaker 3: It's only the peacocks.
• 54:03
  Speaker 6: Do you guys think that maybe it was originally called
• 54:04
  Speaker 6: the flaming skull and then they were like, They were like,
• 54:07
  Speaker 6: we're going to have to call the fire marshal and
• 54:11
  Speaker 6: hire some pyrotechnics dudes. And someone was like, let's just
• 54:14
  Speaker 6: make it the scream.
• 54:16
  Speaker 9: Probably because they didn't find it in the fire at
• 54:18
  Speaker 9: one point.
• 54:19
  Speaker 13: It's going to.
• 54:22
  Speaker 3: Be way cheaper.
• 54:25
  Speaker 10: Just have it scream at people.
• 54:28
  Speaker 9: I'm going to look up what peacocks actually sound like
• 54:30
  Speaker 9: because I don't believe that.
• 54:32
  Speaker 2: I don't know.
• 54:32
  Speaker 3: I've seen a house that they had so much money
• 54:35
  Speaker 3: they had their own peacocks. It was weird.
• 54:37
  Speaker 13: Did the peacocks scream?
• 54:39
  Speaker 3: I did not hear them scream. That I remember I
• 54:41
  Speaker 3: don't hear them scream, but it was annoying that they
• 54:43
  Speaker 3: had so much money they had peacocks.
• 54:48
  Speaker 5: Jenny.
• 54:49
  Speaker 3: Jenny. Jenny.
• 54:51
  Speaker 9: Honey.
• 54:52
  Speaker 10: Honey.
• 54:53
  Speaker 3: It's all right, darling. It's all right.
• 54:55
  Speaker 2: I'm right here.
• 54:56
  Speaker 3: I'm right here.
• 54:57
  Speaker 6: Just lie back.
• 54:59
  Speaker 5: That's right.
• 54:59
  Speaker 9: Just lie back.
• 55:01
  Speaker 5: It's all.
• 55:03
  Speaker 1: Right.
• 55:03
  Speaker 3: Eric, when you found me, What else was there?
• 55:09
  Speaker 16: What do you mean, what else?
• 55:12
  Speaker 1: A skull.
• 55:14
  Speaker 2: Jenny.
• 55:15
  Speaker 5: I know there was no skull. Of course not.
• 55:24
  Speaker 9: Mickey says Marion cries at night.
• 55:26
  Speaker 5: Why, that child is stupid.
• 55:29
  Speaker 13: Don't blame him. We both hear the peacocks.
• 55:33
  Speaker 5: He out of his love for Marion wishes the cry
• 55:35
  Speaker 5: to be from her. I, out of my sickness.
• 55:39
  Speaker 1: Now, darling, we've been all through that nonsense last night.
• 55:44
  Speaker 6: I don't think that was a peacock screaming. I mean,
• 55:47
  Speaker 6: I think it was, you know.
• 55:48
  Speaker 4: A human being, and they just show peacocks on screen.
• 55:52
  Speaker 6: Yeah, for sure. The excuse is the peacocks, because they
• 55:54
  Speaker 6: cut to a shot of the peacocks, but it doesn't
• 55:56
  Speaker 6: sound like a peacock to me. It's probably that same
• 56:00
  Speaker 6: dorm mate, like, who plays, what's his name?
• 56:02
  Speaker 4: They should have gotten that screaming goat.
• 56:07
  Speaker 1: Oh yeah.
• 56:09
  Speaker 13: Oh God.
• 56:09
  Speaker 9: I watched, I watched like five minutes of footage of
• 56:12
  Speaker 9: screaming goats or goats that sound like people's.
• 56:15
  Speaker 3: Yeah. I mean, a lot of animals are weird, like cheap.
• 56:20
  Speaker 3: That noise sheep make is freaking creepy. Like just, yeah,
• 56:24
  Speaker 3: go watch them being sheared and screaming for their lives.
• 56:27
  Speaker 3: And it's, it's unnerving.
• 56:30
  Speaker 1: Yeah.
• 56:30
  Speaker 9: Um, I have a friend, Sarah, who, works with sheep, like,
• 56:35
  Speaker 9: in the Wyoming or Alaskan countryside somewhere. I don't know.
• 56:38
  Speaker 13: But she, like, births them. She personally births them?
• 56:41
  Speaker 9: No, she, like, helps them.
• 56:42
  Speaker 3: That's how I'm picturing it.
• 56:43
  Speaker 1: Hold on.
• 56:44
  Speaker 13: They need help.
• 56:44
  Speaker 3: Oh, yeah.
• 56:45
  Speaker 4: Yeah, yes.
• 56:47
  Speaker 9: And she said, like, the screaming is horrible. It will, like,
• 56:50
  Speaker 9: haunt your dreams. Especially when they're giving birth. Like, it's
• 56:54
  Speaker 9: just a horrible, terrible, terrible sound.
• 56:57
  Speaker 10: Isn't that ironic, then, that people count sheep to go
• 56:59
  Speaker 10: to sleep? They're just all screaming as they jump over
• 57:04
  Speaker 10: the moon.
• 57:07
  Speaker 4: And apparently foxes can sound like crying babies.
• 57:10
  Speaker 13: I've heard that.
• 57:10
  Speaker 4: Yeah.
• 57:13
  Speaker 3: And they do it on purpose.
• 57:15
  Speaker 10: Yeah, they just try to lure us in.
• 57:17
  Speaker 3: So you can be like, oh, there's a baby, and
• 57:18
  Speaker 3: then they jump on your face.
• 57:20
  Speaker 4: I think that's like a thing, like in the southwestern
• 57:22
  Speaker 4: United States. I think there's like a myth around.
• 57:23
  Speaker 3: I think that's folklore kind of stuff, yeah. Because don't
• 57:26
  Speaker 3: they say like some of the, actually that's, going back
• 57:30
  Speaker 3: to our Previous cryptid episodes, that's also what they say
• 57:33
  Speaker 3: Bigfoot does. He mimics a crying baby. That's one of
• 57:36
  Speaker 3: the weird noises they say he makes is it sounds
• 57:38
  Speaker 3: like a crying baby.
• 57:39
  Speaker 4: If there's a crying baby at night, don't check it out.
• 57:43
  Speaker 4: Just let him.
• 57:43
  Speaker 3: Could be a fox or a Bigfoot.
• 57:45
  Speaker 10: Or a peacock. Bigfoot is scary. That's what Bigfoot scares
• 57:49
  Speaker 10: me more than ghosts.
• 57:51
  Speaker 3: We definitely need to bring you back for more cryptid episodes.
• 57:53
  Speaker 13: You know the dingo story?
• 57:55
  Speaker 9: Apparently they reopened that because they thought the woman had
• 57:58
  Speaker 9: lied and then it turns out she didn't.
• 58:00
  Speaker 13: A dingo really ate her baby.
• 58:01
  Speaker 5: Damn.
• 58:01
  Speaker 3: Whoa.
• 58:02
  Speaker 10: I didn't know that, though.
• 58:03
  Speaker 1: Yeah.
• 58:04
  Speaker 3: I'm trying not to do the voice right.
• 58:06
  Speaker 4: Reopening those wounds, man. They're like, no, we don't believe you.
• 58:09
  Speaker 9: I just thought that was a thing that, like, Elaine
• 58:11
  Speaker 9: said on 5-Sell, but, like, my new best friend.
• 58:16
  Speaker 13: Rebecca, Rebeka.
• 58:18
  Speaker 10: Releka.
• 58:20
  Speaker 3: Dent of a kind of fancy control.
• 58:21
  Speaker 9: She said that it happened, like, really close to her house,
• 58:24
  Speaker 9: and it was, like, a big news story, and then
• 58:27
  Speaker 9: when they reopened the case, it was, like.
• 58:28
  Speaker 1: Horrible, and.
• 58:31
  Speaker 3: Be careful. Dingoes will steal your babies. Or peacocks.
• 58:35
  Speaker 9: That was non-relevant. We were talking about animals and the
• 58:40
  Speaker 9: babies and the wild.
• 58:42
  Speaker 6: When I was a kid, cats in heat at night.
• 58:43
  Speaker 6: I used to always have to ask my mom.
• 58:45
  Speaker 10: Like, Mom, someone's getting hurt.
• 58:47
  Speaker 6: That's the cats in heat. It's alley cats. That's a
• 58:51
  Speaker 6: pretty terrifying sound. I don't know if you guys know
• 58:53
  Speaker 6: that one.
• 58:54
  Speaker 10: I've heard it.
• 58:55
  Speaker 4: In Germany, there's always somebody screaming at night.
• 58:58
  Speaker 3: It's just people dying.
• 58:59
  Speaker 6: It's just people dying.
• 59:01
  Speaker 3: That's what happens when you live in the rough neighborhoods.
• 59:05
  Speaker 6: Just leave it alone. Crying baby in pain, just forget
• 59:09
  Speaker 6: about it.
• 59:10
  Speaker 3: Neighbor being stabbed?
• 59:11
  Speaker 10: Eh, don't worry about it.
• 59:12
  Speaker 3: Just leave it alone.
• 59:14
  Speaker 6: Like that case study of that woman who was killed
• 59:15
  Speaker 6: and all those New Yorkers watched and no one even
• 59:18
  Speaker 6: made a phone call or anything.
• 59:20
  Speaker 3: I'd have to get my cell phone out.
• 59:22
  Speaker 6: Don't worry about it.
• 59:23
  Speaker 10: It's a lot of trouble.
• 59:24
  Speaker 6: The psychology majors out there will know exactly.
• 59:26
  Speaker 3: What I'm talking about.
• 59:27
  Speaker 4: The bystander effect.
• 59:28
  Speaker 3: I would think in this society now people wouldn't get
• 59:32
  Speaker 3: their phone out to make a call but they would
• 59:34
  Speaker 3: get it out to take video of the event all
• 59:37
  Speaker 3: right because that's usually how things go down.
• 59:39
  Speaker 10: Oh yeah that's a premise for vhs3.
• 59:44
  Speaker 9: In in new york is it more like an ingrained
• 59:46
  Speaker 9: fear of like the mafia or something like that like
• 59:50
  Speaker 9: like i don't want to i don't want to call
• 59:52
  Speaker 9: the police what if Bugsy Malone is behind this.
• 59:56
  Speaker 13: I don't want to be on his hit list.
• 59:57
  Speaker 3: The only thing scarier than ghosts is the mafia.
• 1:00:01
  Speaker 13: That's what I would think, but, you know, I don't know.
• 1:00:04
  Speaker 3: I don't know.
• 1:00:05
  Speaker 10: Bigfoot's scarier than the mafia still.
• 1:00:08
  Speaker 9: That's a bold statement. I, you know, I saw a
• 1:00:12
  Speaker 9: Bigfoot once and it was quite scary.
• 1:00:14
  Speaker 3: I think we've covered that.
• 1:00:17
  Speaker 10: Yeah, let's hear it.
• 1:00:19
  Speaker 9: Um, I was actually telling someone about this earlier today
• 1:00:21
  Speaker 9: because I was, um, We were at the place where
• 1:00:25
  Speaker 9: I saw it. It was like four years ago or so.
• 1:00:28
  Speaker 9: A friend and I were riding our bike along the
• 1:00:30
  Speaker 9: flood wall near the falls of the Ohio. And there
• 1:00:33
  Speaker 9: was like this big black shape kind of sitting near
• 1:00:37
  Speaker 9: the trail. But it was like pitch black. There's no
• 1:00:39
  Speaker 9: like street lamps or anything because we're just like basically
• 1:00:42
  Speaker 9: next to a forest. And I was like, what is that?
• 1:00:46
  Speaker 13: He's like, I don't know.
• 1:00:47
  Speaker 9: And there's these weird little pipes that come out of
• 1:00:49
  Speaker 9: the ground. And, you know, from a distance they look
• 1:00:53
  Speaker 9: like an animal or something like that. But then.
• 1:00:56
  Speaker 7: It's not.
• 1:00:57
  Speaker 13: So we just ignored it.
• 1:00:58
  Speaker 9: And on the way back it had moved closer to
• 1:01:01
  Speaker 9: where we were. And I was like, no, that has
• 1:01:02
  Speaker 9: to be an animal.
• 1:01:03
  Speaker 13: Go see what it is.
• 1:01:04
  Speaker 9: And there was, like, a deer ran out of the
• 1:01:07
  Speaker 9: forest and, like, stopped. And, you know, like, the deer
• 1:01:12
  Speaker 9: was behind and was, like, probably the same height. And
• 1:01:16
  Speaker 9: this is the only way I know, like, how big
• 1:01:18
  Speaker 9: this thing was. The deer was about the same height
• 1:01:19
  Speaker 9: but much thinner. underneath so i knew it was like
• 1:01:22
  Speaker 9: bigger than a dog or something like that and then
• 1:01:25
  Speaker 9: it just kind of like slowly got up as my
• 1:01:27
  Speaker 9: friend like went to go investigate and as soon as
• 1:01:29
  Speaker 9: as as the thing got up and i was like
• 1:01:31
  Speaker 9: no come back and it just like walked into the
• 1:01:33
  Speaker 9: forest honestly i think it was probably a bear but
• 1:01:36
  Speaker 9: i mean it was bigfoot could have been a bigfoot
• 1:01:41
  Speaker 9: could have been i don't.
• 1:01:42
  Speaker 10: Know do you think that a bigfoot would venture this
• 1:01:44
  Speaker 10: far near the city or for that matter near indiana.
• 1:01:50
  Speaker 9: There are Bigfoot legends in the Charlestown State Forest. I've
• 1:01:55
  Speaker 9: heard those from multiple unconnected people. It's along the river,
• 1:02:02
  Speaker 9: so I figure a bear or a Bigfoot would be
• 1:02:05
  Speaker 9: following the path.
• 1:02:06
  Speaker 3: Of the river. Or canoeing down the river.
• 1:02:10
  Speaker 13: It was really weird.
• 1:02:13
  Speaker 9: We never actually found out what it was.
• 1:02:15
  Speaker 4: So.
• 1:02:19
  Speaker 13: I said Bigfoot, bear, a giant sloth was another hypothesis.
• 1:02:23
  Speaker 10: A giant sloth. Those aren't too scary. Those are cute.
• 1:02:27
  Speaker 13: Have you seen sloth claws?
• 1:02:29
  Speaker 6: Yeah, those are.
• 1:02:30
  Speaker 10: Creepy looking, but have you seen little baby sloths just
• 1:02:33
  Speaker 10: chewing on sticks?
• 1:02:35
  Speaker 13: Sloth in pajamas?
• 1:02:41
  Speaker 10: Almost as cute as rolling skulls that just want to play.
• 1:02:44
  Speaker 9: Hey, baby skulls are actually super cute.
• 1:02:47
  Speaker 4: What is?
• 1:02:47
  Speaker 9: Baby skulls.
• 1:02:49
  Speaker 4: The only cute thing about babies.
• 1:02:52
  Speaker 3: They're adorable little skulls.
• 1:02:55
  Speaker 10: No, no.
• 1:02:56
  Speaker 13: In Transylvania, when we'd, like, find a baby, we'd be like, oh,
• 1:03:00
  Speaker 13: it's a baby!
• 1:03:01
  Speaker 9: And we'd be like, oh, but.
• 1:03:02
  Speaker 13: It's sad that it died.
• 1:03:05
  Speaker 9: But, I mean, they've been dead for a really long time,
• 1:03:08
  Speaker 9: so nobody cares.
• 1:03:09
  Speaker 3: It makes it okay. Nobody loves this baby.
• 1:03:12
  Speaker 4: It's fine.
• 1:03:13
  Speaker 9: Or, like, the worst part is when it's, like, in
• 1:03:15
  Speaker 9: the back dirt. You're, like, digging and you're pulling out
• 1:03:17
  Speaker 9: random pieces of, like, baby.
• 1:03:19
  Speaker 16: Don't you hate when that happens it's just like filled
• 1:03:25
  Speaker 16: dirt they've just dug in the graveyard for so many
• 1:03:27
  Speaker 16: years that people have been buried and they know they're
• 1:03:29
  Speaker 16: buried there but nobody knows those people anymore let's just
• 1:03:32
  Speaker 16: turn them into a big dirt.
• 1:03:33
  Speaker 9: Pile and then it gets put on other graves so
• 1:03:38
  Speaker 9: lovely but not scary not creepy like we thought things
• 1:03:42
  Speaker 9: like that were not scary so again I failed with
• 1:03:46
  Speaker 9: the horror stories from our journey but sorry.
• 1:03:50
  Speaker 3: All right, to wrap up, any final thoughts on The
• 1:03:53
  Speaker 3: Screaming Skull? It's awesome. It's awesome.
• 1:03:57
  Speaker 10: I liked it. Peacocks, slipping on leaves, fake slaps.
• 1:04:03
  Speaker 2: What?
• 1:04:03
  Speaker 3: Those sound effects weren't real?
• 1:04:06
  Speaker 10: No, they might have been. He just was giving them
• 1:04:08
  Speaker 10: little taps, and it was the loudest slapping.
• 1:04:10
  Speaker 3: Noise that you could hear. And it was like a
• 1:04:11
  Speaker 3: solid skin-on-skin slap, and the dude's got a big beard.
• 1:04:15
  Speaker 3: I mean, like, it would be different. I mean, granted,
• 1:04:18
  Speaker 3: he'd still, it'd be a nice thudding slap.
• 1:04:21
  Speaker 6: Yeah, I think they're called a slapstick. That's why they
• 1:04:24
  Speaker 6: call that comedy slapstick comedy, because it's like a sound
• 1:04:26
  Speaker 6: effect paddle where two planks clock together. I will say
• 1:04:31
  Speaker 6: that the movie made me want to make a horror movie.
• 1:04:34
  Speaker 6: It looked pretty fun and easy, you know?
• 1:04:38
  Speaker 3: There is a shortage of weird people out there making
• 1:04:40
  Speaker 3: horror movies.
• 1:04:41
  Speaker 6: Yeah, that's a good point. Not to overdo it, just
• 1:04:44
  Speaker 6: come up with not even really that solid of a story.
• 1:04:47
  Speaker 10: That's the thing.
• 1:04:47
  Speaker 3: There's not a shortage of people making them, but people
• 1:04:49
  Speaker 3: making good ones? That's the key.
• 1:04:52
  Speaker 6: That VHS movie, I'm sure that was cooked up in
• 1:04:56
  Speaker 6: some coffee shop or dorm room. They took it to
• 1:05:01
  Speaker 6: a point where they're like, no, we've got to make
• 1:05:02
  Speaker 6: this sellable. We've got to cut a short and pitch it.
• 1:05:09
  Speaker 6: Back to right after high school days, me and my
• 1:05:11
  Speaker 6: buddies used to always make really shitty horror movies. It
• 1:05:15
  Speaker 6: was a blast.
• 1:05:17
  Speaker 3: Well, I'm on board when we start putting this together.
• 1:05:20
  Speaker 3: We can show it next Halloween.
• 1:05:22
  Speaker 6: You'll have to grow your hair out so that we
• 1:05:24
  Speaker 6: can have a line where it's like, we're going to
• 1:05:26
  Speaker 6: take you to the barbershop.
• 1:05:28
  Speaker 3: Oh, yeah.
• 1:05:28
  Speaker 6: So I can point out there, you're a freaky long hair.
• 1:05:31
  Speaker 3: You just want to remake the screen.
• 1:05:32
  Speaker 6: You might have to fake a lamp.
• 1:05:34
  Speaker 4: You're going to threaten to commit me in a mental
• 1:05:36
  Speaker 4: institution for being depressed.
• 1:05:37
  Speaker 3: We were going to do that anyway, though.
• 1:05:38
  Speaker 13: It's a matter of time.
• 1:05:39
  Speaker 9: I think the ironic thing is that the husband, his
• 1:05:44
  Speaker 9: hair wasn't any shorter. It's just like slicked back different. So, like,
• 1:05:48
  Speaker 9: really all Mickey needed was hair gel.
• 1:05:50
  Speaker 3: Product. That's what he needed.
• 1:05:53
  Speaker 1: All right.
• 1:05:53
  Speaker 3: Well, I think the inaugural Meltdown Night at the Movies
• 1:05:57
  Speaker 3: has gone well. So I'm glad that it was the
• 1:05:59
  Speaker 3: way we kicked off our Halloween episodes this year. And
• 1:06:03
  Speaker 3: I think maybe we'll have to put some more together.
• 1:06:06
  Speaker 10: Let's do it.
• 1:06:07
  Speaker 11: All right.
• 1:06:08
  Speaker 4: Go team.
• 1:06:09
  Speaker 3: Go team.
• 1:06:10
  Speaker 1: One, two, three.
• 1:06:12
  Speaker 10: Go team. Team Meltdown.
• 1:06:14
  Speaker 13: Oh, I said it too fast.
• 1:06:15
  Speaker 1: I'm sorry.
• 1:06:17
  Speaker 3: I only assumed that's how that would go.
• 1:06:21
  Speaker 1: All right.
• 1:06:21
  Speaker 3: Thank you for joining us for this spooky episode. Otherwise,
• 1:06:24
  Speaker 3: that about does it. We will return next time. Same
• 1:06:26
  Speaker 3: geek feed.
• 1:06:26
  Speaker 10: Thanks for listening.
• 1:06:50
  Speaker 1: We'll be right back.
• 1:07:17
  Speaker 5: We'll be right back. It's going again. It's going again.
• 1:07:48
  Speaker 5: It's going again. It's going again. We'll be right back.
• 1:08:49
  Speaker 1: We'll be right back. I have to have physical therapy
• 1:09:05
  Speaker 1: for my last haunted.
• 1:09:08
  Speaker 13: House visit.
• 1:09:09
  Speaker 10: That's a problem.
• 1:09:11
  Speaker 13: Maybe we.
• 1:09:15
  Speaker 3: Don't want to hang out.
• 1:09:18
  Speaker 6: Well, as long as we don't go with my friend,
• 1:09:20
  Speaker 6: I think we'll be okay.
• 1:09:22
  Speaker 4: Did she get really scared and push you?
• 1:09:24
  Speaker 9: She got really scared and was running from the chainsaw guy.
• 1:09:27
  Speaker 15: Yeah.
• 1:09:27
  Speaker 9: And tripped and also had me by my hand, so pulled,
• 1:09:31
  Speaker 9: tripped me and pulled me on top of her and
• 1:09:33
  Speaker 9: was off the way. And I landed on my shoulder.
• 1:09:36
  Speaker 1: Cool.
• 1:09:37
  Speaker 9: I don't know what I did to it, but I
• 1:09:39
  Speaker 9: can't put my bra on myself anymore.
• 1:09:42
  Speaker 3: It's terrible.
• 1:09:43
  Speaker 13: I hate it when that happens. I don't have full
• 1:09:45
  Speaker 13: range of motion.
• 1:09:46
  Speaker 9: For my arms.
• 1:09:48
  Speaker 13: It's been like a week.
• 1:09:49
  Speaker 1: And a half.
• 1:09:50
  Speaker 3: Well, you're going to have to beat the hell out
• 1:09:51
  Speaker 3: of it.
• 1:09:53
  Speaker 13: I've thought about it.
• 1:10:03
  Speaker 11: This episode is a production of Movie Meltdown, produced and
• 1:10:06
  Speaker 11: edited by the Audity Studios, with opening music performed by
• 1:10:09
  Speaker 11: the Empires. For more on how to sponsor or support
• 1:10:12
  Speaker 11: the show, email producer at moviemeltdown.com.