Latest / Deprogrammed Music Podcast / King Krule

Transcript

King Krule · Deprogrammed Music Podcast

0:34
It's deprogram the podcast where we got to get you into a band or
0:38
artist. And today we are going to be
0:40
talking about King cruel. And this one got turned around
0:44
rather quickly. Josh joining us all the way from
0:47
Australia. Josh can cruel tell me why this
0:50
was your entry point into deprogrammed a suppose.
0:55
He's always been someone of respected.
0:58
I got showed he's music about six or seven years ago from a
1:02
friend. He done a few You collaborations
1:04
of Mount can be that a for a really good didn't really get
1:08
into six feet beneath the moon, but everything afterwards I've
1:12
heard and I've really enjoyed it.
1:15
So you know it was just a let me throw this one on the board and
1:17
see see what's up? I feel like shortly after Josh
1:23
put it up on the board. Gavin you saw it up there and
1:25
you're like yep I'm in so control.
1:27
Tell me about it. Yeah, it was good timing.
1:30
So I had read about him over the years but I've never listened to
1:35
him. I'm pretty focused on, you know
1:38
old like Punk and New Wave stuff from the 80s and I don't listen
1:42
to a lot of really recent music by recent, you know some of
1:46
these songs were over 10 years old.
1:47
But um my girlfriend was playing.
1:50
Six feet beneath the moon and easy easy was playing and I was
1:54
like, what is that? And I ran in there, just sounded
1:58
Totally amazing. And I immediately responded to
2:03
that record. Kind of the opposite of what
2:05
Josh was just saying. So I really got into his first
2:07
record and when there's a new band that I like I just it's so
2:13
rare that I really dive all in and then I just saw King cruel
2:17
up on the board and jumped on it really was that fast?
2:21
I think maybe we had just done Lemonheads and you the next day
2:24
you jumped in and sign up for a bunch of stuff.
2:27
So King You obviously for me this is completely brand-new.
2:31
I've never seen this name before Josh, put it up on the board.
2:36
And I was like, okay well you know that's kind of my life
2:38
nowadays. So I had no idea what to expect
2:41
going in but I what I the biggest thing I kept taking away
2:47
was Vibes like he's yeah, he's very much a Vibe at Point.
2:53
There's times where it's where it's a beachy Vibe and other
2:57
times where it's Just a I'm going to I mean I guess similar
3:03
way to a beachy Vibe just I'm going to lay out Vibe like I'm
3:06
just gonna I'm going to melt into my couch.
3:08
I'm gonna I'm gonna lay in the backyard.
3:10
I'm going to get some sun, like, just a Vibe.
3:13
And you know, I hate when I use that word to describe something
3:16
because I feel like it's it doesn't give it enough but that
3:21
was what I was getting. I was that's what was coming to
3:24
the Forefront. So I guess You know the next
3:28
question being, you know how did you come up with your 20?
3:30
Josh and how close am I to, you know, that being correct like
3:36
control being a vibe. I think you're actually spot on.
3:41
I was like, listening back through my 20, they have a knot
3:46
and I realized that the songs I really love from King cruel ever
3:50
seem to be and I could be using the wrong way, but just sort of
3:55
depressed, really depressing, and sort of I think I used smoke
4:00
clouds as a description. Yeah.
4:02
Like and then my other favorite sort of songs are sort of that
4:07
sort of dirty grimy. As he Punky place, you know,
4:10
there's this need to be the, to sort of extremes that I really
4:14
loved if his music, but you're exactly right.
4:17
Especially, you know, a lot of ambient sounds in the back of
4:21
his songs and sort of existential shrieks sometimes
4:25
and you're like, oh, how can I describe this evidence saying it
4:28
is a good vibes is very much seems like, you know, that's how
4:33
he's feeling is just coming out, but it's not coming out as he'd
4:36
expect sometimes, which is really cool.
4:38
So, how did you go about putting your 20 together for this this
4:41
being your first time here? Well I was pretty lucky because
4:47
I made a playlist on Spotify and the password which would just
4:50
pop 10 songs and my favorite artist.
4:52
But then, you know, I realized obviously that I can't just have
4:56
slow songs every pic. So I'll just listen to all the
5:00
records again. I'm not not a great fan.
5:04
I'd actually heard the self-titled EP until we started
5:10
preparing for this and I quite liked it.
5:12
So I disposed I just listened to Every old woman, just added
5:16
every song. I like the sound of and just
5:18
sort of chiseled it down over time.
5:20
Yeah, I mean that that is the advantage of a smaller
5:23
discography. You can kind of play a little
5:26
bit more of the favorites game which with a bigger discography,
5:30
you can't. So Gavin, you're becoming the
5:32
grizzled vet at this point. How did you how did you go about
5:36
putting your 20 together? I think I think you're right.
5:40
I have vibe that you know written all over my notes here.
5:44
It is a Vibe and I think I was thinking about you Justin trying
5:49
to absorb all this at once I think it would be hard because
5:53
there's not a lot of like Stand Out bangers or something.
5:56
It's not like classic rock where there's like songs.
6:01
These are like records that you put on and play and it's a
6:04
complete Vibe and so that's the hard.
6:07
Hard part, I think is distinguishing.
6:11
Pulling songs out, that makes some unique impression on you.
6:15
But but it's there. Each song has some quiz for
6:21
prick or something. Really cool about it.
6:22
They're just more subtle and I don't know that I'm used to.
6:27
I was heavily, you know, I focused heavily on the first
6:30
record and then Little less songs off of the who's, and then
6:34
a little less songs off of man alive.
6:36
So he goes on, I have less songs, but it was pretty easy to
6:39
put it together. So that it's funny that you say
6:43
that because like I think almost exactly to your point, it was
6:48
easier to find the songs on the first record and it was.
6:53
I enjoyed the second, the, the other two records more, I think,
6:57
on the whole, but it was a lot harder to find the ones that I
7:01
was like, okay, that's the That's got to come through.
7:04
Yeah so I think I not purposefully did exactly what
7:09
you just said but yeah. Like I don't know, man.
7:12
As I'm coming through like the my first pass through I'm
7:15
sitting in line to pick up my son and again like I hate to
7:20
repeat myself but there's not a lot of music here.
7:22
It's like a little less than three hours worth of music.
7:26
So as I'm listening, I'm able to absorb it a little bit more than
7:31
I normally would. Wood.
7:32
And so I can take in more of the song and I can, I can go, okay,
7:38
yes, this one needs to go through.
7:41
I think, I think, I think I hit like 25 on my first pass, which
7:46
is roughly about half of the songs.
7:50
And I, those last five cuts were like, and that's where it always
7:55
gets me, is getting from 25 down to 20 is always like, oh, God,
8:00
which one's head. So like I think that's where the
8:03
differences between the three of us are going to be.
8:05
So I don't know. It sounds like we're all pretty
8:10
close here. So based on the conversation we
8:12
just had Josh. How many do you think we're
8:14
going to get through unanimously?
8:18
I'm just going to go completely safe here and say five.
8:21
It is the safe bet because you never know, right?
8:25
What are you thinking? Gavin, I think we're going to go
8:28
for four. Okay hmm.
8:34
So I guess it just depends on because there isn't a lot of
8:37
places to hide. I don't want to go.
8:41
I feel like anything lower than four is too low.
8:45
And I guess the other way to go is, do I think I think the
8:50
discography small enough that we can go up and over that five?
8:55
Um, I'm gonna go with seven. Wow, nice.
8:59
I hope we do that. I'm going to go with seven.
9:02
I got a good feeling that that there isn't too many places for
9:07
us to hide. So, alright, um, you know, who
9:11
knows? I make it up as I go along, man,
9:16
hold on. I need to get this over here and
9:21
it's hard to tell. I set up my studio in a
9:24
different way and it's Of course everybody listening is loving
9:28
hearing this. But uh maybe I'll remember to
9:31
edit it. Who knows?
9:32
If you heard this? I didn't end it.
9:35
If not, then whatever. We're going to take a quick
9:38
pause and when we come back, it'll be actual gameplay time.
9:42
We'll be right back with more the programmed.
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With that, the name of the game is deprogrammed.
10:32
The three of us have come through Kink rules discography
10:34
and plucked out 20 songs that we're now going to mesh together
10:37
in an attempt to create a top 10 certificate for you.
10:39
In case you have never given them given him the time of day,
10:45
I always, I'm prone to say them when it comes to an artist
10:50
because I think of a band but uh, I should get over that.
10:54
Um, I don't know that this was necessarily my favorite, but
10:57
when I was I was listening. The playlist before we went on
11:02
and this song like really really jumped out at me and it jumped
11:07
out of me because I feel like it checks all the king cruel boxes
11:12
but it also like doesn't sound necessarily like the rest of his
11:18
stuff other than like we said the vibe so I'm going to go.
11:24
Oh boy, a lizard state. Oh no, no no, no, no, no.
11:35
My number my 7 is looking really bad right off the Jump.
11:39
Oh, I'm in danger, let me bring it up so it oh My phone
11:49
disconnected had all the sounds and such that I was looking for
11:57
has like a beachy Vibe and I'm a sucker for horns.
12:05
Oh boy. Rearrange this.
12:11
Okay. That's okay.
12:15
All right. Let's keep it sent.
12:17
It sounds good. But 7uv songs just sound good.
12:21
Yeah, yeah. It's okay.
12:25
Sometimes you go with your heart.
12:27
All right. Josh.
12:31
I really thought first stop. I was trying to think of what
12:34
what's the song that would have gotten me into Kink rules
12:37
straight away. And I thought dumb Surfer of the
12:39
use was one that was a standout for me immediately.
12:43
I don't know. Just had this energy that I
12:46
thought was missing some of these other tracks and I don't
12:49
know I sort of mentioned before there's sort of like a jazzy
12:54
Punk like really dirty and grimy and I feel this song really fits
12:57
that description well I got it. I don't have them Surfer.
13:02
Oh, for the record for the record.
13:05
So it's got two, which is, you know, at this point this early
13:09
is, is a good sign that, it'll, you know, end up getting
13:12
through. But for the record when I asked
13:15
the audience, you know, King cruel, what, what can cruel
13:20
songs are essential? This was the only answer I got
13:24
was dumped Surfer. So yeah, keep that in mind.
13:28
When we come back around. All right.
13:30
Yep, Gavin Europe. Yeah.
13:33
Um I just want to talk about him really quick leading up to that
13:36
first EP and also Josh, it's the first time I've listened to that
13:41
first EP and I really loved it. He liked so is the history
13:48
before he made that but what's kind of cool about him?
13:50
I don't know if you guys have watched him, he interviewed and
13:52
stuff on YouTube, but he's like kind of this nerdy looking like
13:57
red, haired kid. London and he seems always kind
14:02
of permanently stoned and kind of like he's pretending playing
14:07
up like that, he's kind of dumb or something and he's shy.
14:12
He was like a total delinquent and got in a ton of trouble when
14:15
he was a kid and kicked out of a lot of schools.
14:17
He got put in a mental hospital when he was a teenager.
14:19
Whoa. And then his and then his family
14:23
was super the music though, and they put him in this school
14:25
called The Brit school which is like a an art school where a day
14:30
When and Amy Winehouse. And a lot of famous, a lot of
14:33
famous people came out of there and he sort of really, that's
14:36
where he kind of found himself. And the thing.
14:39
And what I like the thing that connects me I think to him is
14:43
that his Godfather was in a band called The ruts, which was like,
14:49
I'm first generation punk band from London.
14:52
They only made one record and then their singer died of an
14:55
overdose really group and he also drummed in this New Wave
14:59
band from and called Aztec camera.
15:01
And I really love their first records like I've loved them
15:04
since I was, you know, whatever 14 years old.
15:07
And so he has like this weird pedigree that connects with Me,
15:13
and he's also into a ton of different kinds of music, like,
15:16
soul and Jazz, and he's super well-versed in rap music and
15:21
Lounge music, and I think kids are more like that.
15:25
Now, when I was a kid, you sort of pick your your travel, you
15:29
fought for it, you know, and you kind of stayed in your lane
15:31
whatever. But um, so all of that's in play
15:35
on that first. You can hear all of that in the
15:37
first 12 inch that he made all of those influences.
15:42
Last song is called The Noose of Joss City.
15:44
I really love that song. You guys have that I do and I'm
15:49
sorry. All right, it sounds like
15:52
post-apocalypse Lounge music or something.
15:54
Truly incredible. All right.
15:59
It's got two. Interesting first round.
16:03
Very interesting. First round.
16:06
You know what? I'm going to go with the one.
16:07
It's already been brought up today and I feel like, I feel
16:13
like I was silly to start with a lizard.
16:16
Say, I'm gonna go with easy easy.
16:19
Mmm. Yes, of course.
16:23
I had. There we go.
16:25
There we go. it's interesting, cuz Nice.
16:40
Not like the EP was not good because that's not true.
16:43
But like the second this comes on like you mentioned when your
16:46
girlfriend was playing it like suddenly I shot up, I'm like
16:50
this, what's this? This is clearer than the next
16:54
thing. So yeah, immediately made me pay
16:58
attention in a different way. So, anyway, mentioned before
17:03
that there's doesn't say any be like, you know, like a classy
17:07
can cruel song but I feel like It was in full, this would
17:11
definitely be up there. Yeah agreed.
17:14
Yep. Yep.
17:16
All right, we got one Josh Europe.
17:21
Um, so off off man alive. That was the song that the rest
17:26
of the record, definitely be more of an album album if that
17:30
makes sense since important description.
17:34
But one of the more immediate songs in something that I fought
17:37
really benefited from the difference.
17:40
The rest of the album was alone, Arma 3.
17:44
I thought when I heard this, I just thought, you know, this is
17:47
fantastic like Is likely production on his vocals.
17:52
Whereas I love it. The rest of the time, a lot of
17:54
the time, you know, it's produced really nicely, but it's
17:58
a whole different Beast altogether, but I know, just
18:01
even like this songs really straightforward hard-hitting.
18:05
I got a loan on 13, I got it. I don't have it.
18:09
I love the title. This is this is this is where
18:13
we're going to be. Uh yeah, we're we're going to be
18:16
two on everything. All right, Gavin you're up.
18:23
So from the Jews, you guys have the first song of the record
18:30
biscuit town. I do Yeah, I'm down there.
18:35
Hey, just get tune. He does have a nice range in
18:46
like as you're going through. Like I don't know what if we
18:49
played, like, three of us songs at this point.
18:54
Not only 2002 so far, but you can already hear like this is
18:58
different than than easy easy, but it's also strangely the
19:02
same. Yeah, Say, I love that scene
19:11
line. If you describe it as that.
19:14
Yeah. There we go.
19:22
All right. Okay, okay.
19:24
That was a, that's a much better second round.
19:27
So we've got two through and three in the combo.
19:33
Okay, what do I do here? Still, just trying to figure out
19:44
where you guys are here. How about cement ality Yeah, I
19:52
have this. This was on my short list, but
19:54
it was one of the last ones are cut out.
19:56
Oh man, but it's got to okay, so it's not out yet.
20:04
All right. Josh.
20:08
I think for this song, I'm gonna go with underclass of man alive.
20:13
I just think it's beautiful. I'm in the Jazz aspects in this
20:17
song Down builds. I do not.
20:21
I cannot save you this time. Unfortunately.
20:23
I don't have it either. It's weird saying no to any of
20:27
these. It's like what we were talking
20:29
about earlier. It's like If you just pick any
20:33
one of his songs and that was the only thing that you heard
20:36
you would be like, what is this? This is amazing.
20:39
You know, all Yes. It have a bad song on any of
20:42
these three records. So it feels bad about, you know,
20:45
bad cutting songs. Imagine bailout picking your
20:50
children a little bit. Yeah, yeah.
20:54
All right man. Yeah, so after awesome 60,
21:03
beneath the moon he was 19 that came out on his 19th birthday.
21:08
You guys have out getting ribs. I do.
21:14
I do. So it's got to that's good too.
21:19
Interesting. I'm really doing us dirty on
21:21
these six taken a Korean songs. That's alright, that's alright,
21:26
you know, worst worst has happened because we already got
21:29
to like it's not like it's not like we're doing terribly here.
21:34
Alright, so we're back to me. Hmm.
21:43
I'm going to try out one of these man alive ones too.
21:46
How about to Gavins point about him being kind of permanently
21:51
stoned. I've got stoned again.
21:54
Yes, I do not have. Okay, that's got to.
22:03
So it looks like this. The conversation is going to be
22:06
the brutal part here. What's that?
22:09
That puts six through the conversation.
22:13
All right, Josh, mmm. I think I might choose one from
22:19
the EP, what I've been really loving recently, and that's
22:24
Bleak bake. I got it.
22:27
Nope. What's interesting is so this is
22:35
like the the second track and while I think the first track is
22:41
great at setting the tone it's an instrumental.
22:45
And so I feel like the vibe that I was looking for started here.
22:52
I'm bleep big. All right.
22:58
Gavin, I'm going to keep knocking out these six feet
23:02
songs. Do you guys have bathed in Gray?
23:07
oh I do not I do not I can't save you that time baby right in
23:13
Gray given up to I think that one was made it through my first
23:25
pass, but it's like one of those ones where it's just like, okay,
23:27
something's got to go when in front of all right.
23:37
Moving on to the Ooze. How about the locomotive?
23:42
Yes. No.
23:46
All right, you're in. You're in for it.
23:53
Boom. But I think maybe, yeah, we just
23:57
officially got ourselves out of ntp.
24:00
Worst case scenario. Everything that's in the
24:01
conversation. Goes to our list.
24:04
There's still plenty of gameplay left yet.
24:06
So all right, Josh. Let me know if I'm pronouncing
24:13
this wrong and I really shouldn't because of lovely song
24:16
for a few years but it's off to use its called check one.
24:21
Yeah, I've just found it really, really beautiful, but also sort
24:25
of resigned sounding Well, I can't see if you there, I don't
24:31
have it but again okay so here's another great.
24:44
This is considerably different than anything we played so far.
24:48
Like any of the missus in anything that's already gone in
24:51
significantly different and we've only played five songs and
24:56
none of them really sound the same yet.
24:58
Yeah, just saying all right Gavin.
25:06
Let's keep knocking out that record.
25:08
You guys have the crocodile with a k.
25:12
No, I do not either. Let's see.
25:14
This cannot see. Must be further down.
25:25
Second, I've seen there is, dang it.
25:38
All right, let's see. How about borderline?
25:49
No. Yes.
25:50
Okay. All right.
25:53
Not into the trash, borderline. Justin and Gavin, we officially
26:01
have a conversation. All right.
26:03
Josh. I'm going to have to go baby
26:07
blue here. Yeah, I got it was beautiful.
26:11
Yeah, totally. Hey, there we go.
26:22
So it seems like we like the pretty chord songs.
26:28
Yeah, it's like haunted, jazz guitar, like like slow-motion,
26:31
flamenco, guitar, or something. It's actually spot on.
26:37
He's a great poet too, you know? Yeah, yeah.
26:44
Here's something. We I haven't brought up yet
26:46
since we're here. His voice is an acquired taste
26:52
but like, if you let it be like, let the music wash over you and
27:00
I think that it goes right to what Gavin was just saying it,
27:04
allows his poetry to kind of hit you in the right way.
27:10
Yeah, you just gotta tell ya, let that happen.
27:14
It's like you eat. You listen to him.
27:17
You see what he looks like and you're like, there's no way that
27:19
voice. I mean, how did that kid?
27:21
You know, his voice is so deep and kind of, like, inebriated.
27:27
And it's like, wise and jaded and totally Urban like, like his
27:32
gold teeth are like, picking up all the city, where your
27:36
stations all at once from all the different kinds of genres or
27:39
something. Yeah, like a new kind of
27:41
crooner, you know, he's a crooner for for our age, you
27:46
know. Yeah.
27:48
He's Reinventing the Crooner. It's amazing that he's gone so
27:53
wise, but he's like 19 recorded this record.
27:57
Yeah, it's like an old man. That's his songs are always like
28:01
looking back on this long hard life and you're like, dude you
28:04
wrote that when you were 17, you know what I mean?
28:09
All right, one more and we hit Gavin's for so, you know, you
28:15
are up Kevin Okay, let's go to man alive.
28:22
I really love the second song super Marche.
28:26
No, no, no, actually no. Here we go again.
28:36
All right. I wish I had more to say about
28:44
the songs that Miss, yeah, I don't have reasons and that's
28:52
yeah, I mean that's that's the best thing I can say about this
28:55
guy is I don't know. Alright.
29:00
Um, let me go back all the way, all the way to the beginning, to
29:06
the EP portrait in black and blue.
29:10
Yes, yes. Oh, that's a great song.
29:17
Mmm. In Tokyo, I know you mentioned
29:21
it about those beautiful chord progressions but that's what I
29:26
wrote for this one as well and I said a real indicator of some of
29:29
his later work or fine. Yeah.
29:36
I mean, if there is any kind of Common Thread I guess that would
29:38
that would be, it is He's able to find that but like even this
29:44
like clearly it's where we found the common ground but when I say
29:50
that that's not all it is. Here it is already something
29:56
different. That's just what goat comes to
30:01
the Forefront. All right Josh I think I'm going
30:07
to go with one. This is one of my absolute
30:09
favorites and I'm not confident if it getting through but off
30:13
man alive. Perfecto miserable.
30:18
I don't know. I just always find myself really
30:20
daydreaming to this song. I just and again, have a nice
30:24
chord progression luck. All of the songs.
30:29
I can't save you me. Neither, what do I have left
30:35
here? I've got 6 left so you can still
30:41
do a couple more rounds. All right, Gavin So off of the
30:51
Jews, do you guys have a song called visual VI D?
30:56
Yes. Okay, I do not but it gets to
31:01
that song. Always gets stuck.
31:03
My head with the two random points of the day.
31:09
Gosh that song reminds me of like like you're in a Noir
31:13
detective movie. It's a Chase through like That
31:17
kitchen of a jazz club or something.
31:19
His stuff sounds like know, it's like the war music.
31:22
You know, a lot of this stuff. Sounds like some weird dream.
31:26
You're in a detective movie in a dream or something, do?
31:30
Yes, yes, yes, dreams. There's a lot of dreaming type
31:34
stuff going on here, for sure. I can't believe it took us this
31:39
long to get there but yes dreaming here's something you
31:44
might see in a dream half-man half-shark.
31:48
Oh no. I don't have it.
31:53
That's all right. I'm glad I haven't seen that in
31:58
a drink, but I think I think the best thing I can say is some of
32:07
these liked on the back records. I'm I'm exploring his sound and
32:12
that's just trying to find different stuff so All right,
32:20
Josh. So, I'm gonna have a song here.
32:25
I wonder if he'd be able to guess it, but I wrote down your
32:28
guitar sounds, horrible and attitude, but I love it.
32:31
And that's emergency blimp. Okay, I got it.
32:39
I just love the energy of this song.
32:41
It's got its own weird. Sort of swagger to it.
32:45
Yeah yes. So and that is exactly why I
32:49
brought it through because like I thought the same thing I was
32:52
like oh my God like Like, this kind of sounds terrible.
32:54
But like, at the same time, I can't like the balls to go.
32:58
You know what? It's does sound terrible.
33:00
I don't care. Let's let's just swag through
33:02
this and put it out there almost intent.
33:07
Like it feels like maybe it was almost intentional.
33:10
Like it's not like he just played bad, he was just like I'm
33:14
going to do this on purpose and and that made it stick out.
33:19
And so that's that's what brought it to the dance.
33:23
All right. Gavin, yeah, I like what you
33:26
said about water. I think there's themes that he
33:29
makes you kind of he elicits or spell cast on you or something.
33:33
And this is like water, you know, a lot of this stuff sounds
33:37
like it's underwater. Yeah.
33:39
We're like Wonder water music or like you're walking through a
33:43
big aquarium at night or yeah, this song.
33:48
So, off of a man alive, there's song called theme for the cross.
33:52
Yes. Okay, the both of y'all got it?
33:55
I do not, but it's got to. So it's like saxophones that
34:00
wander in and out of that song. All right, so where you guys are
34:08
at, but I only have one, two, three left a lot left.
34:14
Oh, okay. So we'll do one more round here
34:19
and since you have so many left will dump out next round.
34:23
I'm going to go to man alive here cellular.
34:28
No. Yes okay.
34:30
All right. What the other part of it is
34:32
their right? To all right, Josh.
34:45
I'm not sure this will pop up, but I'm going to put this in,
34:48
because I love playing guitar, a slide in new drugs.
34:51
Mmm, nope. I was looking at that one
34:59
earlier today. All right.
35:02
Gavin Oh, I should say that. Um I don't even smoke weed and I
35:11
love this music like I don't, I don't think you have to be, you
35:15
know, into that. That's not what this music, you
35:19
know, means to me or feels like to me, although I do think he's
35:22
kind of like the kid down the street and none of the parents
35:25
liked and you weren't really supposed to play with him, you
35:27
know. Um, off the first EP, do you
35:33
guys have made existence? Nope.
35:36
Nope. Nope.
35:39
All right, so I actually did have one hidden somewhere so I
35:44
have I still have three left. I'm just going to dump them out.
35:47
All three of them here. Lonely blue.
35:53
That was just on the but I don't know if it counts.
35:57
It's not like my 20 but I think it's like 23 or so I don't have
36:03
it, okay, just one. All right, Comet face.
36:10
It's a deal. Okay, so it's got to I'm happy
36:15
for it to go through though because I did have it just
36:17
underneath and last but not least, energy fleets.
36:24
No, yes, yes. You know what?
36:31
Maybe we didn't get a lot of a lot of unanimous is here, but
36:35
I'm pretty proud of how well I played.
36:37
I did not hit very many ones. All right.
36:42
Do you want to dump out? Whatever you got left.
36:44
Josh Yeah, sure. And I think it just goes to show
36:48
like however many songs he has like in the 40s we still all
36:52
have our own sort of distinctive leanings, which is really cool
36:56
thing. I'm going to throw don't let the
37:01
Dragon drag on man alive. No.
37:12
Slush puppy? Yes yes that's a great song.
37:17
Yeah that sounds so weird that he does have falsetto in it.
37:22
Yeah. And it ends in that drone.
37:25
Yeah. It's weird because like it's
37:28
sort of like it feels lighter but at the end of the song he
37:32
sort of screaming nothing's working with me.
37:34
So yeah. But the whole drifting and
37:38
falling. Yeah.
37:40
Yeah. Yeah, just going to say, I love
37:45
you descriptions. I can just picture them in my
37:46
mind as you're saying it. Oh you too.
37:49
Thank you. Yeah, thank you.
37:53
I really enjoy has this hit of 6 feet.
37:57
What's it called? I think that's pretty much made
38:07
out, who's the song called the booze?
38:13
I don't have it but that female ambient things.
38:16
Really cool. Yeah.
38:19
All right, just for fun. Gavin you want to dump whatever
38:23
you got left? Sure, sure.
38:25
Off six feet, I have foreign to and I have sealing off of the
38:31
booze. I have Bermondsey bosom left and
38:35
I have sublunar e. And that's it.
38:42
I will tell you the foreign to again I was listening to the
38:47
playlist beforehand and when that one came up I was like I'm
38:51
really questioning my list right now so like some raw or
38:55
something like space Jazz. Yeah.
38:58
All right. So let me sort this out here, we
39:01
hit for so that means Gavin you will have the finals.
39:04
Is this the first time winning the final say.
39:07
Oh yeah. Hey.
39:09
So you are going to have the final say, the 43 and an
39:11
immensely, our portrait in black and blue, easy, easy baby blue
39:15
and biscuit town and then let's see what do we got here?
39:19
Oh boy, we got 16 that we need to knock down to six.
39:25
So we've got bleep bake. The new set of Jaws City,
39:28
borderline cement ality out getting ribs.
39:31
The locomotive dumb Surfer slush puppy, emergency blimp, visual
39:37
cellular stoned again. Comet face alone, Omen three
39:42
theme for the cross in energy fleets.
39:45
So let me ask you, Justin, can you start that list from
39:49
cellular? I sure can cellular stoned
39:54
again. Comet face alone Omen 3 theme
40:01
for the cross. And energy fleets 5 6, 7 8 9,
40:09
10, 11 12, 13 14, 15, 16, yep, 16 that we need to trim down to
40:13
six. So let me ask you first.
40:16
Josh of those 16 is there, one there that you're like, man, I
40:19
can't believe that one didn't get through.
40:24
Um, let's say yes, but over time sort of got used to it.
40:31
So I'm pretty pretty easy, either way, if I had to choose
40:37
one, I probably say dumb Surfer. Yeah, any, any reluctance on
40:44
dumb Surfer, Gavin. I feel like between the fact
40:49
that it was the It was the one he led with right?
40:54
Josh. That was your first pick.
40:56
Mmm. And then the fact that it was
40:58
the only song that I got when I asked, so that that says
41:03
something about, I mean, to me, that's, that says something, you
41:07
know what I mean? It's like, okay, so that's the
41:09
one that person would give to somebody.
41:12
So, all right, same question to you.
41:15
Gavin, is there something sitting there that you're like,
41:17
I can't believe we didn't get that one through.
41:21
Well, Al getting ribs is kind of a kind of a quintessential song
41:26
for him, like people go crazy when he plays out.
41:29
It was sort of an early song that all the people that like
41:33
Tim rallied around. So I would just end such a great
41:36
title and so London, and I think we should, I would vote for
41:41
throwing that in any holdups on that Josh.
41:46
Well, think like the People's Choice as Gary said, like,
41:51
people go nuts to it live. It's not feel like if you're
41:54
making a playlist for a new listener, you definitely going
41:57
to go with with putting that in there.
41:59
I've got no objections. Alright, alright, so here we go,
42:04
go and easy here. So we need three more, three
42:07
more before Gavin's, Gavin's last pick.
42:11
Um okay. So let's let's go the other way
42:14
here. Let's see if there's ones that
42:16
that are here still, that probably don't need to be bleep
42:20
bake. The new suggest City border line
42:22
segment ality the locomotive slush puppy emergency blimp
42:26
visual cellular stoned again. Comet face alone Omen 3 theme
42:30
for the cross energy fleets, something jumping out at you
42:34
there, Josh. That's like that's cool but like
42:37
we probably don't need that. This is actually hurting myself
42:42
saying this, but this is just more in terms of similar, sort
42:45
of song. I think stoned again, is sort of
42:48
a lot like dumb Surfer as much as I love it.
42:51
No, maybe if it's in a playlist of 10 songs, it might lose its
42:56
power. X.
42:56
The other song, but all the same, like, I'm making myself
43:00
sad saying this, that welcome to deprogrammed.
43:04
Officially your first said like, it's like that's how it happens.
43:10
Same question to you Gavin, is there something kind of sitting
43:12
there that you like? I can't believe that still here.
43:15
No, I don't have any feeling like that.
43:19
I mean, I will bring up Justin, I don't think we have anything
43:23
off, man, alive yet, we've got like.
43:25
Now, now that Josh took off stoned.
43:28
Again we have five songs that have to choose.
43:32
Yeah, so we've got cellular comment face alone.
43:36
Omen 3 theme for the cross energy fleets.
43:40
Do we want to just go for one right now and then come back to
43:42
the rest of them if the me to off that record and again, all
43:47
right, so which ones are jumping out at you?
43:53
There's there's two that I picked and for that, you guys
43:56
picked, yeah. What are you asking me?
44:00
Which one is jumping out for me? Yeah.
44:02
Which two of those? Oh, I did.
44:10
I guess I would go for theme for the cross.
44:14
All right? Other two that are jumping out
44:16
at you out of those Josh. They go alone.
44:21
I've been threat three weeks or so immediately.
44:24
I think that's a good choice. All right.
44:25
So how about how about we'll do a loan on and three and theme
44:28
for the cross? I believe that.
44:31
All right. Boom, boom.
44:35
Boom, crash. The other three.
44:38
Um, I think not necessarily I think because, where are we?
44:45
We're at eight. So one more for for the group
44:48
and then the last pick is, is yours entirely Gavin.
44:52
So people, so I'll ask you this Josh.
44:56
Here's what we got. Actually, let me go through what
44:58
we have in. And then we'll come back so
45:01
portrait and black and blue. Okay, here's the first question.
45:05
Do we need anything else from the EP?
45:08
We have portrait and black and blue is through Bleak Bleak
45:12
baked in new suggest City are both still alive.
45:15
Do we think one from the EPA would be fine.
45:18
Okay. What do you think Josh Look at
45:23
this point. It's like it.
45:25
Can you children? So I'm happy to go to the
45:28
consensus because I've away I'm going to be happy and said yes,
45:33
that, that is the way. All right, so let's let's put an
45:38
out by those and then if somebody kind of decides so do
45:43
we got here? So we've got two from
45:46
everything, six feet beneath has three, you know, do we care?
45:52
In forward about or do we just take the two best?
46:03
We're pretty even. So I mean I guess if we did one
46:09
for man alive and one from the news, you'd have three something
46:12
from. Yeah, yeah.
46:16
So let me ask you that then Josh pick one.
46:20
You can pick one of these songs. The locomotive slush puppy.
46:23
Emergency blimp visual cellular comet facer Fleets.
46:30
Oh gosh, no questions asked though.
46:34
I might, I might go for the locomotive.
46:36
I feel like it's got its own sort of different sense of
46:40
dynamics that are a little bit different to the other songs,
46:42
and him just randomly yelling at the end.
46:46
Such a good voice. Yeah, there we go.
46:50
Alright, so the locomotive is our number nine song and which
46:53
brings us to number 10, Gavin, the decision is yours
46:57
completely. All right, cool.
47:00
So to bring us to that three per album.
47:04
Then I guess my choice would be comic face from man alive.
47:09
All right, let me go comment face three final set each dude
47:17
that detune piano. It just sounds so messed up and
47:22
shambolic. Really great.
47:26
All right, we have done it. Then we have R10.
47:29
Here's our 10, portrait and black and blue.
47:31
Easy easy baby blue biscuit town, dump Surfer out getting
47:35
ribs alone, Omen 3 theme for the cross the locomotive and Comet
47:40
face. So Josh, let me turn the
47:43
pressure up some more. We get one of those to give to
47:47
somebody which song is going to be the one.
47:51
Oh gosh. I feel like a can't say dumb
47:54
Surfer because I already said that 150 honestly, and will be.
48:02
It's not my favorite album of his but I think easy easy such a
48:06
fantastic introduction into his music.
48:08
Yeah. Yeah.
48:09
What do you think? I feel like that's got to be
48:14
that's got to be the way to go. It was one that we got through
48:19
unanimously it. Was it was the one that made me
48:23
stop in my tracks is the one that made Gavin stop in his
48:26
tracks. It's the one I would recommend
48:28
not song to anyone with years. Yeah.
48:32
So let's do this. Please, oh my God phone.
48:36
Why do you keep disconnecting stop doing that.
48:40
You make me sound. So unprofessional.
48:43
Alright, so here's our 10 easy, easy as our number one, portrait
48:46
and black and blue. Baby.
48:47
Blue biscuit Town, dumb soft, dumb suffer dumb, Surfer out
48:52
getting ribs alone. Omen three theme for the cross.
48:55
The locomotive, and Comet face, let's let easy.
48:58
Easy get its moment in the Sun. Easy, Come and easy go.
49:11
Yeah, I'm sure I told you so. We have done it.
49:19
We have created a top-10 circuit for you.
49:21
So you don't have to do all the work that we did.
49:24
We did all the work. You just push play.
49:26
And now you have a playlist to get you into this this artist.
49:30
So it's really that simple. If you would like to come play,
49:34
let me tell you this. That is how both Gavin and Josh
49:37
are here. They both heard the show and
49:38
said, I want to come play, all you have to do is go to Legion
49:42
stupid.com. Click on the D program page,
49:44
right there is the signup sheet you can come talk about Or band
49:47
or artist. You want to might take a minute,
49:50
but I promise you, we will get in and we will talk about
49:53
whatever band you want. Also, on the Legion of stupid
49:58
page for deprogrammed, you can see, you can separate everything
50:01
into each panelist. You can see which episodes each
50:05
panelist has been on, which is, I think a really cool feature.
50:08
So, if you want to hear Gavin episodes, you just click it on
50:11
Gavin and you can hear all the episodes that he's been on also
50:15
patreon.com/scishow Hydra. A great place to go.
50:17
If you would like to help us out financially, you know, times is
50:21
tough ladies and gentlemen and especially for those of us out
50:25
here, creating, you know, not trying to put a boohoo story on
50:28
you, but but times is tough. That's that's all.
50:30
I'll say about it, patreon.com slash.
50:32
Oh, hi, just a dollar a month, gets you in the door.
50:35
If that's something that you can afford, please consider it.
50:39
It also gets you access to our Discord.
50:42
So you can, you can join the Discord that way and it gets you
50:45
access to two different channels.
50:47
Or if you want to just come play in the Discord, again, I direct
50:49
you to Legion of Super.com right at the top.
50:51
You click Discord, you come join the Discord.
50:54
You come come, talk to us. Come have fun.
50:56
It's shameful, Good Times, Daddy.
50:58
And then, last but not least, of course, we are podcast sharing
51:03
to me, you know, they say, you know, do all the, the
51:07
commenting, the rating, and all that is supposed to help.
51:10
But to me the absolute best way you can help is by telling
51:14
somebody that you listen to you programmed and I would Love for
51:17
you to do that. So if you enjoy this program
51:19
tell somebody and with that King cruel what am I loving?
51:23
People will see you next week. Make sure I'm in the right
51:26
place.