Latest / The Breakfast Club / FULL SHOW: Jemele Hill Cohosts, Stephanie Mills Talks Diana Ross & Beyoncé, How Often Do You Wash Your Towels? and More!

Transcript

FULL SHOW: Jemele Hill Cohosts, Stephanie Mills Talks Diana Ross & Beyoncé, How Often Do You Wash Your Towels? and More! · The Breakfast Club

• 0:00
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:02
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:04
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:06
  Speaker 1: yo yo yo yo yo charlamage ni kay pasted up plane.
• 0:10
  Speaker 1: It is Friday. Your voice be cracking on Friday. Bro's
• 0:16
  Speaker 1: early in the morning voice cracking on Friday. Man, So
• 0:20
  Speaker 1: I need to drink some green tea warm up from something?
• 0:23
  Speaker 1: Yeah something, Well let me live stink on Friday. No, no,
• 0:26
  Speaker 1: that's not what we're doing. And we got our guest
• 0:27
  Speaker 1: host today, Miss Jamailo Hill joining us. Good morning, Hey,
• 0:30
  Speaker 1: good morning man. I didn't expect all that it URGI
• 0:33
  Speaker 1: thank you. We got to ya, Jamaal Hill, damnit, Detroit
• 0:37
  Speaker 1: is in the building. What Updoe? What up? Joe? You
• 0:40
  Speaker 1: know how we get down our our unofficial statement and greeting.
• 0:43
  Speaker 1: How are you? Miss Hill? I'm well, I'm living, I'm blessed,
• 0:46
  Speaker 1: I'm highly favorite, I'm all of those things black, black
• 0:48
  Speaker 1: and hotly people. Are you used to getting up this early? Um?
• 0:51
  Speaker 1: Not really? This is not usually my time of day.
• 0:53
  Speaker 1: But I can't say that. I sleep in much later,
• 0:55
  Speaker 1: but definitely not used to being up at like three am,
• 0:57
  Speaker 1: So this is different. I'm still on West Coast time,
• 0:59
  Speaker 1: so it's it's really weird. And she was here earlier
• 1:01
  Speaker 1: than than both of us. By the way, Charloman, I
• 1:03
  Speaker 1: just want to put that out there. Hill is a professional.
• 1:05
  Speaker 1: She was sitting, she was preparing when I walked in,
• 1:08
  Speaker 1: and uh she was damn they're finished when you walked in. Well,
• 1:11
  Speaker 1: she's a professional acause you haven't realized, yes, she is. Okay,
• 1:14
  Speaker 1: now when we have joining us this morning, Oh we
• 1:16
  Speaker 1: got miss Stephanie Mills. I told y'all were gonna have
• 1:18
  Speaker 1: Steffanie Mills on the day and she went to all
• 1:19
  Speaker 1: the action. It's a different level of smoke when you
• 1:24
  Speaker 1: were og. Okay, when you get to that age where
• 1:27
  Speaker 1: you really don't care about what people think about you
• 1:30
  Speaker 1: and you really don't care about what comes out of
• 1:31
  Speaker 1: your mouth, You're gonna say what you feel like needs
• 1:33
  Speaker 1: to be said. It's just a different level. But I
• 1:36
  Speaker 1: liken it to a sports conversation, you know, the conversation
• 1:38
  Speaker 1: everybody's having Jabella. But you know, Stephanie said, basically, be honestly,
• 1:42
  Speaker 1: if not Diana Roster right, Yeah, but that's her generation, Diana.
• 1:47
  Speaker 1: I never saw Diana and her prime. Yeah, I mean,
• 1:49
  Speaker 1: I obviously being from the prime don't start, don't start,
• 1:55
  Speaker 1: don't start. Well, I didn't mean, yes, I didn't. I
• 1:59
  Speaker 1: didn't see it yet. I don't know at the height
• 2:02
  Speaker 1: of her success and her started him. Okay, you know
• 2:05
  Speaker 1: with her being from betray Diana with somebody I always
• 2:08
  Speaker 1: kind of checked for and people forget. But she performed
• 2:11
  Speaker 1: at the super Bowl for half time. She came out
• 2:13
  Speaker 1: a helicopter like she she used to do it big,
• 2:17
  Speaker 1: and so now it makes sense. It's just like with basketball,
• 2:19
  Speaker 1: Like I realized that today's generation of basketball fans, they
• 2:23
  Speaker 1: all think Lebron is the greatest player ever, and that's ridiculous.
• 2:26
  Speaker 1: But people perhaps from our generation, we think it is
• 2:29
  Speaker 1: Michael Jordan. But now, Jamale, let me ask you a
• 2:31
  Speaker 1: question right now, that Carrie Champion, who was on the
• 2:34
  Speaker 1: show last week, that's your partner. Yep. Now, if somebody says, hey,
• 2:38
  Speaker 1: Carrie's classy, Jamale is hip hop? What now? Somebody said
• 2:44
  Speaker 1: that exactly that, and that's what people are saying. What
• 2:46
  Speaker 1: does that mean? Somebody did say that? Though she also
• 2:48
  Speaker 1: she said Beyonce was classy too. She didn't, she did,
• 2:51
  Speaker 1: she said beyond it was class She said. She said,
• 2:54
  Speaker 1: Diana's Classy Beyonce is classy, but it's just different. No,
• 2:57
  Speaker 1: she didn't. You got the audio play the red audio
• 2:59
  Speaker 1: rad fast, she said. She said, Diana's Classy Beyonce's hip
• 3:03
  Speaker 1: hop played order. If you got it. We don't have
• 3:05
  Speaker 1: a course, we don't have it. You don't usually start
• 3:08
  Speaker 1: with audio. I know we we've been talking about it,
• 3:09
  Speaker 1: but I figured we could pull it up. I said,
• 3:10
  Speaker 1: pull it up right fast. Usually produces dropping it in
• 3:12
  Speaker 1: right fast when we're talking. We're talking about it all morning.
• 3:14
  Speaker 1: I'm sure what Stephanie Mills will be joining us. Oh yeah,
• 3:20
  Speaker 1: Thomas Ja, my girl. You know how to hit due
• 3:25
  Speaker 1: absolutely all right. Well we'll be kicking it with her
• 3:27
  Speaker 1: in a little bit. And also we got front page news. Uh,
• 3:30
  Speaker 1: yesterday was a bad day if you had to get sentenced, man,
• 3:32
  Speaker 1: I mean between sentencing and getting arrested. Yeah, between sentencing
• 3:37
  Speaker 1: and getting arrested, you just wanted to be out and
• 3:39
  Speaker 1: just get out of dodge, Just just get out the way,
• 3:40
  Speaker 1: all right. We'll talk about who got arrested, who got
• 3:42
  Speaker 1: sentenced when we come back. It was nasty out there.
• 3:45
  Speaker 1: And this is new music. This is Little Wayne featuring
• 3:48
  Speaker 1: DMX produced by Swizzy. It's the Breakfast Club of the morning.
• 3:52
  Speaker 1: Jesus dropping gee us, that's off the car to six.
• 3:57
  Speaker 1: I don't know what that see it? Really? He said yesterday.
• 4:00
  Speaker 1: I was like, we gotta get that first thing in
• 4:01
  Speaker 1: the morning. Jesus, you gotta start looking at Wayne in
• 4:03
  Speaker 1: his proper context, like the guy has been rappings nineteen
• 4:06
  Speaker 1: ninety six. Like it's not a lot of rappers that
• 4:08
  Speaker 1: have been around since the nineties that still got it,
• 4:10
  Speaker 1: Like Wayne still got it. He does, and he's an
• 4:13
  Speaker 1: icon living Andy Youth his status to give us two
• 4:16
  Speaker 1: other icons, Draking Nikki like Wayne Wayne top five bro objectively,
• 4:22
  Speaker 1: he's not even one of my favorite rappers, but you
• 4:23
  Speaker 1: gotta you gotta put Wayne in your top five. He
• 4:25
  Speaker 1: does get busy and he still got it, like you said.
• 4:27
  Speaker 1: But let's get in some front page news now. Our
• 4:31
  Speaker 1: co host Jamil Hill is joining us this morning, and
• 4:33
  Speaker 1: let's start off for yesterday being a bad day for
• 4:35
  Speaker 1: just people out there in general right now, but a
• 4:39
  Speaker 1: great day for their victims. Yeah, you're right. Carlos Watson.
• 4:42
  Speaker 1: You know Carlos Watson. He's been on The Breakfast Club
• 4:45
  Speaker 1: numerous times. He was arrested in charge with securities fraud.
• 4:49
  Speaker 1: Now Carlos Watson, I said it has been on the
• 4:51
  Speaker 1: Breakfast Club before, and Charlotagne asked him a couple of questions.
• 4:54
  Speaker 1: One was he fearful of going to jail when all
• 4:57
  Speaker 1: this thing came, when all this stuff started coming out?
• 5:00
  Speaker 1: Do you fear Do you fear jail time because of that?
• 5:02
  Speaker 1: Because I've been hearing that all weekend, or they're gonna
• 5:04
  Speaker 1: make an example out of out of Carlos. Do you
• 5:06
  Speaker 1: fear jail time because of that? Um? I'd be really
• 5:08
  Speaker 1: disappointed if if that is the case. Um, but what
• 5:12
  Speaker 1: do you charge you with him? I don't know. But
• 5:14
  Speaker 1: what has happened over the last week, Envy, is that
• 5:18
  Speaker 1: people have thrown crazy things. I mean, here's three or
• 5:20
  Speaker 1: four of the things they said. One they said that
• 5:22
  Speaker 1: we're making up our numbers in terms of the audience
• 5:25
  Speaker 1: and instead of saying, you guys make care about website
• 5:29
  Speaker 1: traffic only, but we don't. I guess he's disappointed. Yeah,
• 5:34
  Speaker 1: yeahs two years in prison with a maximum of thirty
• 5:37
  Speaker 1: seven years in prison. Oh my goodness. And I know
• 5:39
  Speaker 1: Carlos a little bit too. And all I know is
• 5:42
  Speaker 1: the check he wrote me cash, So I did not
• 5:47
  Speaker 1: get the front it. Okay, I invested in did you really? Yeah?
• 5:51
  Speaker 1: I definitely invested in A yeah. Now, but it's it's
• 5:54
  Speaker 1: wild because the fans, at least according to the report,
• 5:57
  Speaker 1: they ran up in his hotel and got him. Yeah
• 5:59
  Speaker 1: New Years Mahattan. Yeah yeah, like I'm you know, I
• 6:02
  Speaker 1: never thought it would come to this. I know the
• 6:03
  Speaker 1: New York Times they did the big expose that kind
• 6:05
  Speaker 1: of you know, shed a light or brought some awareness
• 6:09
  Speaker 1: to things not maybe being what they seem. I don't
• 6:12
  Speaker 1: know what's true or what's not. I guess that's to
• 6:14
  Speaker 1: be determined in court. But I went to Asifest before.
• 6:17
  Speaker 1: I mean, it looked pretty real to me. So um,
• 6:20
  Speaker 1: but I thought Roland Martin the Good Brother, brought up
• 6:21
  Speaker 1: a good point and that you know, all of these
• 6:24
  Speaker 1: a lot of these companies that are you know, majority white, Um,
• 6:29
  Speaker 1: they when they want to do projects with black media,
• 6:32
  Speaker 1: they often do not do it with like established black
• 6:34
  Speaker 1: media or for this situation that happened, especially like Roland,
• 6:38
  Speaker 1: he's in a special position. He's not just black media,
• 6:40
  Speaker 1: black owned media and so and he has he struggles
• 6:43
  Speaker 1: to get you know, advertising, I mean, he's doing well,
• 6:46
  Speaker 1: but like somebody big and large on the scale of
• 6:49
  Speaker 1: what Carlos Watson got, and you look at what Roland
• 6:52
  Speaker 1: is doing and you kind of think, like m that
• 6:54
  Speaker 1: money could have gone to somebody who is maybe a
• 6:56
  Speaker 1: little bit more established. He knew the game absolutely. Yeah. Now,
• 7:03
  Speaker 1: Harvey Weinstein was sentenced in LA yesterday to sixteen years
• 7:06
  Speaker 1: in prison. Now a sentence was the second for Weinstein
• 7:09
  Speaker 1: on sexual assault. Uh, they did leave. His attorney did
• 7:12
  Speaker 1: leave a comment saying, I maintained that I'm innocent. I
• 7:15
  Speaker 1: never raped a sexually assaulted Jane Doe one. I guess
• 7:19
  Speaker 1: because they have a name under Jane Doe. He said,
• 7:21
  Speaker 1: I never knew this woman and the fact that she
• 7:23
  Speaker 1: doesn't know me. This is about money. That's sixteen years
• 7:26
  Speaker 1: on top of what you already got, right, have sixteen
• 7:28
  Speaker 1: years on top of alreadybody had. And Kelly already serving
• 7:31
  Speaker 1: thirty years for sex traffickings. He was sentenced to twenty
• 7:34
  Speaker 1: years in federal another federal child porn case yesterday, as
• 7:38
  Speaker 1: Chicago said, they go, They're gonna give him no time
• 7:40
  Speaker 1: though they did, Yeah, they I think they something that
• 7:43
  Speaker 1: happened with the case where they I don't know if
• 7:44
  Speaker 1: they dropped it, but they said they were no longer
• 7:46
  Speaker 1: for doing it. Yeah, so but good for them, I
• 7:49
  Speaker 1: mean good for the victims, as you pointed out, um,
• 7:53
  Speaker 1: because a lot of people have been waiting on this
• 7:54
  Speaker 1: since the justice and all those people want to say,
• 7:56
  Speaker 1: well what about Harvey weinste will you see they both
• 7:59
  Speaker 1: got time. Absolutely, those those two individuals earned every year
• 8:03
  Speaker 1: they got. Now a twenty year prison sentence would be
• 8:06
  Speaker 1: served concurrently, so it's gonna be at the same time
• 8:08
  Speaker 1: as the other sentence. So he's never getting out. Noah,
• 8:13
  Speaker 1: I doubt it. Yeah, Harvey now fifty sixty years old.
• 8:16
  Speaker 1: Now he's seventy years Yeah, so yes, Like as you said,
• 8:21
  Speaker 1: all of what about Harvey Weinstein people, I still wonder
• 8:24
  Speaker 1: if it's getting the media attention that it needs though,
• 8:27
  Speaker 1: Like I don't see him on the front page of
• 8:28
  Speaker 1: the papers. Well he was on the front page in
• 8:30
  Speaker 1: LA because I get the Times every morning and so
• 8:33
  Speaker 1: they sent the digital coffee Harvey win scene was right
• 8:35
  Speaker 1: there on the front page. Okay, yeah, all right, well
• 8:37
  Speaker 1: lad is your front page news. Now get it off
• 8:39
  Speaker 1: your chest. Eight hundred five eight five one oh five one.
• 8:42
  Speaker 1: If you need to vent phone lines A wide open
• 8:44
  Speaker 1: again eight hundred five eight five one on five one,
• 8:47
  Speaker 1: call us up right now. It's the Breakfast Club. Good morning,
• 8:49
  Speaker 1: the Breakfast Club, right right, yo, Charlotte, Man, what up?
• 8:58
  Speaker 1: Are we lying? This is your time to get it.
• 9:03
  Speaker 1: We want to hear from you on the Breakfast Club.
• 9:05
  Speaker 1: Get on the phone right now. We're here to tell
• 9:06
  Speaker 1: you what it is. Hello. Who's this? Hey? What's going on?
• 9:14
  Speaker 1: Get it off your chests? Bro? Hey? I would you
• 9:15
  Speaker 1: want to talk to you mail about the Lebron the
• 9:17
  Speaker 1: Jordan debate? I want to know why would it comes
• 9:19
  Speaker 1: to debating with him? Well, you're checking off who's the greatest,
• 9:23
  Speaker 1: You're checking off every stat line when it comes to Lebron,
• 9:27
  Speaker 1: he's the best that they But still he's got better
• 9:30
  Speaker 1: than Jordan. Oh well it's because I mean, I think
• 9:33
  Speaker 1: Michael Jordan, though, is like an experience that you had
• 9:36
  Speaker 1: to live through. Like nobody else was winning when Michael
• 9:38
  Speaker 1: Jordan was winning, all right? He did two three pets,
• 9:41
  Speaker 1: all right, one game after a two year layoff, undefeated
• 9:45
  Speaker 1: in the finals. And even though we're splitting here is
• 9:48
  Speaker 1: Lebron has a couple blemishes. I don't I don't blame
• 9:51
  Speaker 1: people for considering Lebron the best. But you know I
• 9:55
  Speaker 1: was there during that NBA Finals where he had six points.
• 9:59
  Speaker 1: That's a performance, Michael Jordan, but you never saw that
• 10:01
  Speaker 1: from him in the finals on those stages, so you know,
• 10:05
  Speaker 1: again were splitting hairs. But at the same time, you
• 10:07
  Speaker 1: know that's part of that factors into the conversation five players.
• 10:12
  Speaker 1: Though the Birds can't playoff five at one time, well,
• 10:15
  Speaker 1: y'all can't be slapping the goal post either, Magic Johnson,
• 10:18
  Speaker 1: did you know what I'm saying? It's like, if you
• 10:20
  Speaker 1: agree this, this is part of this is part of
• 10:22
  Speaker 1: the responsibility and the jock that comes with it. That's right. Hello,
• 10:25
  Speaker 1: who's this? You know? This is hurty man? What's going on?
• 10:28
  Speaker 1: Manund running alloud? This hell? Get it off your chance.
• 10:32
  Speaker 1: I'm just I'm just a little bit irritated and agraphy.
• 10:35
  Speaker 1: I love this country, man, I love America and Joe
• 10:39
  Speaker 1: Biden administration, his whole cabinet and stabbing a bunch of
• 10:44
  Speaker 1: degenerate uh this cope and seeking people. Man, I don't
• 10:48
  Speaker 1: disagree with you. I'm not. I'm not impressed you woke
• 10:51
  Speaker 1: up up set this morning. No, I'm irritated because I
• 10:55
  Speaker 1: looked at like the Press Secretary lady, you never to
• 10:58
  Speaker 1: answer any question. I look at Camela Harris, she's always
• 11:01
  Speaker 1: the one out words salads. I'm looking at foot charge,
• 11:04
  Speaker 1: the Transportation secretary, and he he's he need to been
• 11:09
  Speaker 1: out to East Palistine, Ohio. Yet. Yeah, man, that's that's
• 11:12
  Speaker 1: very disappointing. And I like, Secretary, I'm looking at and
• 11:16
  Speaker 1: I'm looking at like I said, I'm looking at the
• 11:18
  Speaker 1: entire administration and cabinet that Joe Biden had and it
• 11:21
  Speaker 1: was all put together based on an identity politics and
• 11:24
  Speaker 1: they're all degenerate, like uh casey KJP. The Press Secretary lady,
• 11:31
  Speaker 1: she was on he's branking about how it's the first
• 11:34
  Speaker 1: cage is and the first cage that the first black,
• 11:37
  Speaker 1: this the glass and it's like, yo, that's all degenerate stuff.
• 11:41
  Speaker 1: That's not stuff that's good. Then that's good stuff. And
• 11:44
  Speaker 1: now they're trying to force us into a dystopian the
• 11:48
  Speaker 1: Hunger's Games type community. And I got a warning for
• 11:50
  Speaker 1: all Americans. Once liberty, even freedom is lost, you know.
• 11:54
  Speaker 1: Evergetic back all right, well, thank you brother it secretary
• 11:57
  Speaker 1: for he was in East Palestinia yesterday though. Yeah, I
• 12:00
  Speaker 1: don't dress you thought. Shut up? Man? He dress boots?
• 12:05
  Speaker 1: Yeah he did, you say the secretary brunch boots up
• 12:10
  Speaker 1: and around us palace do it? Ain't trying to be stylish, man,
• 12:13
  Speaker 1: get it off your chests. Eight hundred five eighty five
• 12:15
  Speaker 1: one oh five one. If you need to vent, hit
• 12:17
  Speaker 1: us up now. It's the Breakfast Club the morning, the
• 12:19
  Speaker 1: Breakfast Club, Ray Ray Ray, Yo, Charlotte, Man, Daffy, what
• 12:27
  Speaker 1: up are we lying? This is your time to get
• 12:29
  Speaker 1: it off your chest? Pool into a pool. We want
• 12:33
  Speaker 1: to hear from you on the Breakfast Club. Get on
• 12:35
  Speaker 1: the phone right now here, tell you what it is
• 12:37
  Speaker 1: we Hello, who's this dj Y Charlotte? Oh gee, Rob,
• 12:46
  Speaker 1: what up? Brother? And we're scoring on. Listen, man, you
• 12:49
  Speaker 1: already know what before we get into it, we get
• 12:51
  Speaker 1: into right. I want to give a big shout out
• 12:53
  Speaker 1: to my wife Chris sto uh, our kids and our
• 12:57
  Speaker 1: grandst legend you. No. I just want to say I
• 12:59
  Speaker 1: love y'all, y'all have a good day. But listen, it's
• 13:01
  Speaker 1: bars a man, Okay, alright, all right, check this out.
• 13:07
  Speaker 1: Check this out. I said, listen to the way I created.
• 13:10
  Speaker 1: Can't take moves coming from the slums, wepping as stye,
• 13:13
  Speaker 1: just make wounds. Scheming on that front door. I'm looking
• 13:16
  Speaker 1: for lock picking the style limit edistrict sixteen bars are
• 13:20
  Speaker 1: burying for wrong intentions. Obviously, I'm simply the one they
• 13:24
  Speaker 1: talk about listening to son holdies, the one to choke
• 13:27
  Speaker 1: them out, stretching the verbs, bagging it up to distribute
• 13:30
  Speaker 1: on the block, rush the curage, stay on my jaw,
• 13:33
  Speaker 1: spitting like it's something to prove. I guess it's the
• 13:35
  Speaker 1: mood or the calibar. Fall into the bid for the
• 13:38
  Speaker 1: feet some towards things book up the street. One verse
• 13:41
  Speaker 1: could set a street off for proper relief. Hop out
• 13:44
  Speaker 1: the whip, it's more slighted. Mind a dressed tell of
• 13:47
  Speaker 1: me the forty fabrics with a swagger that pick its
• 13:49
  Speaker 1: toiler with lie. I'm listening with the hip hop vibe
• 13:52
  Speaker 1: your measure success or work applied likes modified paragraphs that
• 13:57
  Speaker 1: me front pins victims, paralyze your petro bot. I'm moving
• 14:00
  Speaker 1: in with the next for verbal homicide. Who looking at
• 14:05
  Speaker 1: me like, what years your og? I get some og
• 14:12
  Speaker 1: husband already, I got some bars. Here we go, yo,
• 14:16
  Speaker 1: jamil I came to party. Charlominne be looking at me.
• 14:22
  Speaker 1: He's a haggling. No, I'm not tagging him, But you
• 14:24
  Speaker 1: don't want them boys to come Overstar asking him what
• 14:27
  Speaker 1: you want to do, Charla? What you wanted to do? Charlo?
• 14:32
  Speaker 1: What you want to do, Charlotte? What you're saying to me?
• 14:34
  Speaker 1: What you want to do? Charlotte? Are you saying? Lottie Dotty?
• 14:37
  Speaker 1: We liked the party. We don't cause trouble. We don't
• 14:40
  Speaker 1: bother nobody with just some menute. We like him on
• 14:42
  Speaker 1: our mic? What what? What? Everything going on right now?
• 14:52
  Speaker 1: But thank you gi Rob have a going no doubt,
• 14:56
  Speaker 1: Thank you, Rob Any Boss. No, I do is wrap.
• 15:01
  Speaker 1: I do not. That's not my testimony. That's my spirit
• 15:06
  Speaker 1: has not left me. And that's exactly what it is
• 15:08
  Speaker 1: in this direction. Rob called a bit with a testimony.
• 15:10
  Speaker 1: Every Friday testimony, I'll drop a dollar in the collection plate,
• 15:17
  Speaker 1: all right, all right, get it off your chest eight
• 15:19
  Speaker 1: hundred five eight five one on five one. When we
• 15:22
  Speaker 1: come back, we got to talk drag. Seems like he
• 15:25
  Speaker 1: wants to retire. We'll tell you about it when we
• 15:27
  Speaker 1: come back. It's the breakfast club the morning, the breakfast
• 15:29
  Speaker 1: club A couple of times a week. You gotta stop
• 15:34
  Speaker 1: paying be on it so much. You stop paying it
• 15:36
  Speaker 1: so much. I'm the enabler. But the responses from people
• 15:41
  Speaker 1: was wild. And one of your producers came in here
• 15:44
  Speaker 1: and announced to the class that they changed their tie
• 15:46
  Speaker 1: every two weeks, every two weeks, and that's trifling. Oh
• 15:52
  Speaker 1: my goodness, come on, come on now, two weeks. Two weeks, yes,
• 15:59
  Speaker 1: And the other person said one week, yeah, one week?
• 16:01
  Speaker 1: Is I think about a week? Yeah? Like I eight
• 16:03
  Speaker 1: nine days, man, eight nine days? Nah, you got you
• 16:07
  Speaker 1: gotta do better. Use three So I use one for
• 16:11
  Speaker 1: my body for the private and then one to dry
• 16:13
  Speaker 1: off your privates. Ain't that big to get out. It's
• 16:15
  Speaker 1: its own towel, bro holder, You wash your ass with
• 16:18
  Speaker 1: the same towel you wash your body with. No, I don't.
• 16:21
  Speaker 1: I wash my body with a washcloth, yes, And I
• 16:25
  Speaker 1: washed my face with my hand. I use my hands.
• 16:27
  Speaker 1: I used to wash cloths. I guess I didn't mean
• 16:30
  Speaker 1: to stay towels to wash cloths, Okay, okay, yes, just
• 16:34
  Speaker 1: making sure yeah, yeah, no face with the same tower.
• 16:37
  Speaker 1: You however, you you have a habit as well, if
• 16:41
  Speaker 1: that you with the towels, so telling me I gotta
• 16:44
  Speaker 1: start like this. See, my wife takes long showers and baths, right,
• 16:47
  Speaker 1: she washes for like an hour when she's in the shower.
• 16:49
  Speaker 1: So when she's in the shower, she leaves her you know,
• 16:52
  Speaker 1: she she leaves her towel there, and I use her
• 16:54
  Speaker 1: towel disrespectful. And then when she never uses my towel
• 16:58
  Speaker 1: after then that's how I get a new town every
• 17:00
  Speaker 1: day because then she puts it in the hand, but
• 17:01
  Speaker 1: she gets a new town. But I'm wondering, what's that smell?
• 17:03
  Speaker 1: You shut up man, that's smelling? What's always black ink
• 17:06
  Speaker 1: all over my What is this? Yeah, let's get to
• 17:10
  Speaker 1: the room. Let's come on, poor gear thro or you
• 17:15
  Speaker 1: gossiping or you chatting the U report? I mean, I
• 17:19
  Speaker 1: guess we're on the breakfast club. This is where the
• 17:20
  Speaker 1: tea spells right right on the breakfast club. Now, Saucy saying,
• 17:25
  Speaker 1: Tana made a statement that is bothering people all over
• 17:28
  Speaker 1: the place, including myself. And the comment he talks about
• 17:33
  Speaker 1: straight men play the comment tay some them girls the
• 17:36
  Speaker 1: wrong them girls is not wrong. If you was the man,
• 17:38
  Speaker 1: you don't need to be smoking a hookah baby gown.
• 17:41
  Speaker 1: You need to be rolling you up a wood. You
• 17:43
  Speaker 1: need to be smoking yourself za okay, you need to
• 17:47
  Speaker 1: be suckered down a hooka batty. You was the man
• 17:51
  Speaker 1: unless you gay like a gay boy. That's on the business.
• 17:54
  Speaker 1: That's on the way I'm doing. If you not know,
• 17:56
  Speaker 1: gay boy, you I mean, put the hooka down, put
• 18:00
  Speaker 1: the hookahll and pick you up a grabber. Not what
• 18:03
  Speaker 1: it did dropping. Y'all might have to translate because like,
• 18:08
  Speaker 1: what's its smoke weed? Oh say smoke weed? Basically look gay?
• 18:13
  Speaker 1: If you put who can't your mouth? It's what he's saying.
• 18:15
  Speaker 1: That's not true. Sorry for man, I do because y'all
• 18:18
  Speaker 1: not allowed to have any fun like black men in
• 18:22
  Speaker 1: particular or men of color, like no fun. You can't
• 18:24
  Speaker 1: put nothing in your mouth from your man exactly straw,
• 18:27
  Speaker 1: no banana, you can't eat a banana. It's nothing like
• 18:29
  Speaker 1: that's a prison. We need to free ourselves, we really do.
• 18:35
  Speaker 1: Y'all can't smile, can't can't power like, can't I can't
• 18:39
  Speaker 1: do nothing. Agree with you. It is a lot like prison.
• 18:42
  Speaker 1: You know what I mean? When you can you put
• 18:43
  Speaker 1: it and you put it in your mouth like that. Um,
• 18:47
  Speaker 1: I don't see anything wrong with what that's like. What
• 18:50
  Speaker 1: you say, you look gay. You must really look No. No,
• 18:55
  Speaker 1: what Jamal said is right, Like, man, we just can't
• 18:57
  Speaker 1: even have fun, Like we can't even eat a glizzier
• 18:59
  Speaker 1: high do it without somebody saying, hey, you like calling
• 19:02
  Speaker 1: it a glizzie. That would help. Okay. That's the problem
• 19:05
  Speaker 1: is what you call it. Is nothing wrong with eating
• 19:07
  Speaker 1: a hot dog. It's the fact you keep calling it
• 19:08
  Speaker 1: a glizzie. A glizzie in your mouth sounds crazy, but
• 19:12
  Speaker 1: eating a hot dog don't sound crazy. I can't put
• 19:14
  Speaker 1: a banan in my mouth. No, you can need it.
• 19:16
  Speaker 1: That's good for potassium, the old bananas you want. No,
• 19:18
  Speaker 1: you can't. I put a banan in my mouth. I
• 19:21
  Speaker 1: could be like, hey, you, I wouldn't. I wouldn't do that.
• 19:24
  Speaker 1: I thought Sucy was about to tell us how the
• 19:26
  Speaker 1: hookahs aren't good for your health. Now, how dangerous different
• 19:31
  Speaker 1: with it? That's what I thought he was about to do.
• 19:33
  Speaker 1: All right. Now, Drake is talking about possibly retiring in
• 19:36
  Speaker 1: an interview he did with Little Yati. Let's listen. I
• 19:39
  Speaker 1: think I'm at the point now where I just want
• 19:41
  Speaker 1: to like, I feel like I'm kind of introducing the
• 19:44
  Speaker 1: concept in my mind of a of a graceful exit.
• 19:52
  Speaker 1: What is that music? I don't know what that music music? Yeah,
• 19:57
  Speaker 1: I don't, I don't. This is my opinion. I think
• 19:59
  Speaker 1: Drake needs that one, that one album, that one hip
• 20:01
  Speaker 1: hop rap album. That's just me. I'm a Drake fan,
• 20:04
  Speaker 1: and I want that one hip hop rap album. Like
• 20:07
  Speaker 1: when we hear all these freestyles and he's going in,
• 20:09
  Speaker 1: I need an album. You talk about it being a
• 20:11
  Speaker 1: prison for black men, and men can't have no fun.
• 20:14
  Speaker 1: Think about this when you were a rapper. Think about
• 20:17
  Speaker 1: all the music Drake has put out. People got drinking
• 20:19
  Speaker 1: their top five top tens all time. I don't, but
• 20:23
  Speaker 1: people do. Nbcay, he's still got to give him one album.
• 20:26
  Speaker 1: I just want one. He hasn't given you enough. No,
• 20:30
  Speaker 1: he hasn't. Like Drake teases us because he's spitting right.
• 20:32
  Speaker 1: I drove to the station today listening to Drake and
• 20:34
  Speaker 1: he's going in, he's going off, going crazy, and I
• 20:37
  Speaker 1: want to hear a full album like that, and I
• 20:39
  Speaker 1: think I think it will stop some of the doubts
• 20:41
  Speaker 1: all the time. I mean, I'm a whole fan. I'm
• 20:42
  Speaker 1: a lyricist fan. I like when he spits pause and
• 20:45
  Speaker 1: I want that one album. See I need you to
• 20:47
  Speaker 1: free yourself. Vy, you don't have to say pause. Nobody's
• 20:50
  Speaker 1: thinking that, what do you do? He's thinking about it?
• 20:55
  Speaker 1: What's thinking that? You're fine? No, But if you're a
• 20:58
  Speaker 1: rapper singer doesn't matter and attained it. Do you have
• 21:00
  Speaker 1: to really announce your retirement. No, because it feels like
• 21:03
  Speaker 1: you could remember when jay Z was supposedly retire. Like
• 21:05
  Speaker 1: if it feels like, as long as it's something you
• 21:07
  Speaker 1: can always do, always come back to, you can take
• 21:09
  Speaker 1: as long as you want. So I don't and I
• 21:11
  Speaker 1: don't know what a graceful retirement would look like for Drake.
• 21:14
  Speaker 1: You just stopped making music or what. And Drake is
• 21:17
  Speaker 1: giving us enough music to last a lifetime. He's fine. Like,
• 21:20
  Speaker 1: I am shocked that Drake Captain gotten into other things,
• 21:22
  Speaker 1: even though I know he executive produces television shows like
• 21:24
  Speaker 1: you know, we all love Eufaria. Top Boy was a
• 21:27
  Speaker 1: great show on Netflix. But I'm shocked that like he
• 21:28
  Speaker 1: didn't even he doesn't do that more moving to like
• 21:31
  Speaker 1: acting or something like that. I'm shocked that he still
• 21:34
  Speaker 1: just wants to do music and we don't know what
• 21:37
  Speaker 1: else he's doing behind the scenes, but he still loves it,
• 21:39
  Speaker 1: you know. And lastly, Jalen Brown from the Boston Celtics
• 21:44
  Speaker 1: spotted spotted with another legend. He spotted with Bernice Burgos
• 21:49
  Speaker 1: and seems like they're in a relationship right now. Nobody
• 21:51
  Speaker 1: has said yes or no, but spoke all of who
• 21:55
  Speaker 1: could you want on vacation? Now people are saying that,
• 22:00
  Speaker 1: you know Bernie's Burgos. Of course it's forty two years old.
• 22:02
  Speaker 1: Jaylen Brown is twenty six, so this is a sixteen
• 22:05
  Speaker 1: year age gap. One Twitter I was and said, y'all
• 22:08
  Speaker 1: say nothing about Diddy and young Miami's and don't say
• 22:10
  Speaker 1: nothing about Bernie and Jalyn Brown. Yeah you know that.
• 22:14
  Speaker 1: One Twitter user said that Jalen Brown could be a
• 22:16
  Speaker 1: step grandfather. Come on at that's I saw that comment. Yeah,
• 22:21
  Speaker 1: they didn't say that. I have to be honest, and
• 22:24
  Speaker 1: you know, I'm not the hippest person all the time.
• 22:26
  Speaker 1: I didn't know who she was what so when I
• 22:28
  Speaker 1: had no idea how you say like legend? I know
• 22:30
  Speaker 1: that's apparently. You know, I've since informed and educated myself.
• 22:34
  Speaker 1: But y'all had Lala on the show not too long ago.
• 22:37
  Speaker 1: Remember she said that it's the young dudes that's always
• 22:40
  Speaker 1: trying to spin at her. Absolutely right. And so when
• 22:43
  Speaker 1: I was, you know, on the market, it was a
• 22:45
  Speaker 1: lot of young dudes who would be trying to you know,
• 22:48
  Speaker 1: hollid and that kind of thing about young you know,
• 22:51
  Speaker 1: like I don't know, twenty eight to thirty five, right,
• 22:53
  Speaker 1: I mean, if you're somebody like Jelen Brown and you're
• 22:55
  Speaker 1: a multi millionaire, you know you want to spend your
• 22:57
  Speaker 1: money on things that actually have value. Right, So you
• 23:00
  Speaker 1: want you want aged alcohol. That's why they want to
• 23:04
  Speaker 1: drink aged alcohol. You want your most expensive aged alcohol,
• 23:11
  Speaker 1: nice cigar, that's right, Get you a nice seasoned woman. Yeah,
• 23:15
  Speaker 1: you know what I mean? Why not you listen man
• 23:18
  Speaker 1: dropping the clude Martha Jaylen Brown? He didn't want to
• 23:22
  Speaker 1: listen to drop drop a Brown for Bernice Burgo. She won,
• 23:25
  Speaker 1: She did too. Bernie's you know, look, I got I
• 23:34
  Speaker 1: gotta should say jail in one more because Bernie's this
• 23:36
  Speaker 1: is Bernie's just out here living her best life. She
• 23:38
  Speaker 1: having fun. Yeah, I'm saying she was mature, you know,
• 23:41
  Speaker 1: and everything he didn't probably a lot of drama he
• 23:43
  Speaker 1: didn't have to worry about. That's the benefit. Bernice need
• 23:45
  Speaker 1: a documentary, right, Bernie's a legend. Bernie, it's a different
• 23:48
  Speaker 1: type of legend. Come on, now, there's some legendary stories
• 23:51
  Speaker 1: you didn't heard about Bernie. Bernie's gonna have people pull
• 23:53
  Speaker 1: up Bentley's to the club. You know, she's a legend.
• 23:55
  Speaker 1: Get rat Bentley's. You know what I mean. That's different.
• 23:58
  Speaker 1: She's a legend. That's different. Okay, don't need to start
• 24:01
  Speaker 1: looking at Bernie's the same way, y'all. Look at the
• 24:03
  Speaker 1: lebron James of the world, the Lott Waynes, the jay
• 24:05
  Speaker 1: Z's de Knock, people who have longevity. But you know
• 24:08
  Speaker 1: one thing I would say about Bernie, She's never talked.
• 24:11
  Speaker 1: That's what I'm trying to tell you, man. She looks amazing.
• 24:14
  Speaker 1: She's a nice person. If you haven't met Bernie, she's
• 24:16
  Speaker 1: a nice individual. Saluting Bernice Burgos. Okay, all right now
• 24:21
  Speaker 1: that is your rumor report. When we come back, we'll
• 24:23
  Speaker 1: tell you who's gonna jump into that presidential race in
• 24:25
  Speaker 1: twenty twenty four. So don't move. It's a breakfast club.
• 24:27
  Speaker 1: God morning, the breakfast club. Your mornings will never be
• 24:31
  Speaker 1: the same. Your company at Gold this year, find the
• 24:35
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• 24:37
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• 24:42
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• 24:45
  Speaker 1: a goal fund me to build a statue for Bernice
• 24:47
  Speaker 1: Burgos in Jersey. Man, shut up, Dan, I'm serious morning.
• 24:50
  Speaker 1: Everybody is dj m V Charlomagne the guy we are
• 24:53
  Speaker 1: to breakfast club. We got our guest host, Jamil Hill
• 24:55
  Speaker 1: joining us. Yes, indeed, and let's get in some front
• 24:58
  Speaker 1: page news now. Marian Williamson confirms she will into the
• 25:02
  Speaker 1: twenty twenty four presidential race as a challenger to Biden.
• 25:09
  Speaker 1: I think that what are the due diligence that I
• 25:13
  Speaker 1: did was finding out will there be enough people this
• 25:15
  Speaker 1: time who are willing to give me a listen? And
• 25:18
  Speaker 1: I have a sense that there will be Joe Biden
• 25:20
  Speaker 1: beat Donald Trump. That's great much. You know, we're very
• 25:24
  Speaker 1: grateful that we didn't go off that cliff, but we're
• 25:26
  Speaker 1: still six inches away from the cliff. For Joe Biden
• 25:30
  Speaker 1: to go out in twenty twenty four and to say
• 25:32
  Speaker 1: to the American people that his message is that the
• 25:35
  Speaker 1: economy is doing better. When you have people suffering with
• 25:39
  Speaker 1: the economic despair and anxiety that the majority of Americans
• 25:43
  Speaker 1: are suffering to every day, people are open to the message, Now,
• 25:48
  Speaker 1: why should it be so hard to survive? Joe Biden's
• 25:50
  Speaker 1: going to help you survive. Why should it be so
• 25:52
  Speaker 1: hard to survive in the richest country of the world
• 25:57
  Speaker 1: because capitalism. I mean, Joe Biden has a lot of
• 26:00
  Speaker 1: victories he can check off, right, Like, this is a
• 26:03
  Speaker 1: historically low unemployment rate right now, you see what the
• 26:07
  Speaker 1: economy is doing. And I know people are upset about
• 26:10
  Speaker 1: inflation still, but I think that's a larger issue about
• 26:13
  Speaker 1: us being in the era of the one of the
• 26:15
  Speaker 1: greatest price gouging at times that we've ever seen. Um,
• 26:20
  Speaker 1: but listen, Mary and Williamson, I just don't really see
• 26:24
  Speaker 1: her even being a factor in this. Like, so, congratulations
• 26:27
  Speaker 1: on the two percent of the vote you're about to get. Yeah,
• 26:29
  Speaker 1: I mean, listen, I like Maryann Willamson as a person,
• 26:31
  Speaker 1: but I just like the fact that somebody is challenging
• 26:34
  Speaker 1: Joe Biden. You know, he's not. Joe Biden's not going anywhere.
• 26:39
  Speaker 1: It depends who steps up. I hope that other people
• 26:41
  Speaker 1: step up after they see somebody like Mary Anne Williamson
• 26:44
  Speaker 1: decided to challenge him. I hope other people decide to
• 26:46
  Speaker 1: step up to there should be other options, and that
• 26:48
  Speaker 1: should always be twenty four options and a ninety seven
• 26:51
  Speaker 1: year old, Yeah, like, what's he gonna be eighty? That's
• 26:53
  Speaker 1: what I'm saying. I'm just hoping that this encourages other
• 26:56
  Speaker 1: people to step up. And you know, primary President Biden,
• 26:59
  Speaker 1: that's all I'm saying. Now, nine hundred and fifty thousand
• 27:02
  Speaker 1: households nationwide or without power. That's because of the storm
• 27:05
  Speaker 1: that's been hitting areas like Michigan, Parks of New York,
• 27:07
  Speaker 1: New Jersey and all over our different areas. They said
• 27:10
  Speaker 1: the snow was falling at heavy rates of one or
• 27:12
  Speaker 1: two inches per hour in the Great Lakes, and they
• 27:14
  Speaker 1: said forty to fifty mile per hour wind. So hopefully
• 27:16
  Speaker 1: people get their power back now one or two inches
• 27:21
  Speaker 1: per hour, sir? Okay, you why see what I'm saying
• 27:32
  Speaker 1: on your brain? All right? I got something. That's the
• 27:33
  Speaker 1: question people need to start asking. Why is D constantly
• 27:36
  Speaker 1: on your on people's brains? Now? Chick fil A in
• 27:39
  Speaker 1: North Carolina is accused of writing a racial slur on
• 27:42
  Speaker 1: an order slip. Now, the lady's name was Naisha Charlemagne. Kid,
• 27:45
  Speaker 1: you guess what were they used? We have actual audio.
• 27:56
  Speaker 1: I was really really of Instead, she told him her
• 28:01
  Speaker 1: name was not Asia, and she put on her ticket.
• 28:04
  Speaker 1: He was like, you might want to look what they
• 28:06
  Speaker 1: put your name as. I was just in shocked. I
• 28:09
  Speaker 1: literally parked right there. I was just I couldn't eat
• 28:12
  Speaker 1: the food. I was just sho We asked Chick fil
• 28:16
  Speaker 1: A about it, and they sent us this statement saying,
• 28:18
  Speaker 1: in part that the restaurant has investigated and that quote
• 28:22
  Speaker 1: the operator has started additional training at this restaurant to
• 28:26
  Speaker 1: ensure this doesn't happen again. We sincerely apologize for the
• 28:30
  Speaker 1: harm caused by this incident, but for this family, that
• 28:34
  Speaker 1: training isn't enough. You shouldn't have to be trained not
• 28:38
  Speaker 1: to cause someone. I'm just being as honest as I
• 28:41
  Speaker 1: can be. I want the employe to be fired. I
• 28:45
  Speaker 1: ain't gonna train him and not fire him even I'm torn.
• 28:49
  Speaker 1: What what do I believe here? The good system now
• 28:51
  Speaker 1: us chick a. Chick fil A has provided us nothing
• 28:54
  Speaker 1: but great customer service all in USA, and it's true
• 28:56
  Speaker 1: they are known for being among the fast food chains
• 28:59
  Speaker 1: and having the best you know, customer service. Never heard
• 29:02
  Speaker 1: about them being racist homophobic. Absolutely, it was a different
• 29:09
  Speaker 1: but a racial slur. I believe it because believe black people.
• 29:15
  Speaker 1: That's why. And I also, where was this? Anybody know
• 29:18
  Speaker 1: where this Chick fil a was located? Said Charlotte, North Carolina.
• 29:21
  Speaker 1: There you go, indictment. I might believe it a little
• 29:25
  Speaker 1: bit more hard to believe. But if it was Popeyes,
• 29:28
  Speaker 1: it would be done in a different speries. It would
• 29:34
  Speaker 1: be communal. Of my goodness. All right, well that is
• 29:38
  Speaker 1: a front page news. Now when we come back. You
• 29:41
  Speaker 1: remember we had this conversation the day ago on the
• 29:43
  Speaker 1: air about Stephanie Mills talking about Beyonce, Say, disrespectful. I
• 29:47
  Speaker 1: don't think you can't compare blon to damn wass. I
• 29:52
  Speaker 1: mean just stardom. In terms of stardom, it's still different.
• 29:58
  Speaker 1: It's still I mean, Diana is is grammar and you
• 30:02
  Speaker 1: know Boyance is glam. It's just different. It's hip hop.
• 30:06
  Speaker 1: I considered Beyonce hip hop. I consider Diana R and
• 30:12
  Speaker 1: B and pop and just I consider her royalty Diana.
• 30:16
  Speaker 1: I've always wanted to be like Diana. And when I
• 30:19
  Speaker 1: saw ladies things the Blues, and I would go to
• 30:22
  Speaker 1: her shows in Vegas. They were always so wonderful and
• 30:27
  Speaker 1: classy and everything. Diana Ross is the epitome of a
• 30:31
  Speaker 1: Vaudan class to me. Dephanitie Mill just punted to be high,
• 30:34
  Speaker 1: just walked up through it and just kicked it. Just
• 30:36
  Speaker 1: no regard for human life, right there, Resolutive lad TV.
• 30:39
  Speaker 1: That audio came up from Latin TV. But you know,
• 30:41
  Speaker 1: we had this discussion yesterday. I think it's just generational,
• 30:45
  Speaker 1: you know what I mean. If you saw you know,
• 30:48
  Speaker 1: Magic Johnson played all through the eighties and nineties, Magic
• 30:51
  Speaker 1: probably your favorite players. You saw Jordan all through the nineties,
• 30:53
  Speaker 1: Jordan probably your favorite guy. You saw Kobe, Kobe probably
• 30:55
  Speaker 1: your favorite guy. So I just think it's all generational
• 30:57
  Speaker 1: when we have these conversations. Well, you reached out and
• 31:00
  Speaker 1: she stopped through. Yesterday I wasn't there, so you and
• 31:02
  Speaker 1: Jess Hilarious held it down. So when we come back,
• 31:04
  Speaker 1: we're gonna play that conversation. Now. Stephanie Mills pulled up
• 31:07
  Speaker 1: on the Breakfast Club and we're gonna see if she
• 31:09
  Speaker 1: doubled down, if she apologized. Maybe she made a mistake,
• 31:12
  Speaker 1: maybe she misspoke and we're gonna talk about it when
• 31:13
  Speaker 1: we come back under on her double and tripling down,
• 31:16
  Speaker 1: which I think, Oh, she definitely doubled. I think she
• 31:19
  Speaker 1: quadrupled down. She bringing even more hot. Ya. See. That's
• 31:23
  Speaker 1: one thing about the ogs which I realized is once
• 31:26
  Speaker 1: they get to a certain age, they don't care. They
• 31:29
  Speaker 1: don't care about their statements. They just it's like throw
• 31:31
  Speaker 1: up environment from the mouth. They just keep going. They
• 31:33
  Speaker 1: don't care. And I think she quadrupled. Well, we should
• 31:35
  Speaker 1: care for them, but we'll find out, all right, Stephanie
• 31:39
  Speaker 1: Mills when we come back, don't move. It's to breakfast Club.
• 31:41
  Speaker 1: Good morning, the Breakfast Club. But he was literally walking
• 31:47
  Speaker 1: around still just sing your songs. Before you even say yeah,
• 31:51
  Speaker 1: I'll come up there with y'all, he was still walk
• 31:53
  Speaker 1: around singing, like how does how does that feel? It's
• 31:56
  Speaker 1: a blessing. I feel really blessed because I didn't have
• 32:00
  Speaker 1: the machinery behind me. Okay, you know what I'm saying.
• 32:03
  Speaker 1: So for me to still be here doing it, and
• 32:06
  Speaker 1: I'm doing it on my own terms because I kind
• 32:08
  Speaker 1: of backed away from the industry because it became too
• 32:11
  Speaker 1: much for me to still do it and then find
• 32:13
  Speaker 1: someone like Amp who believed in me and allows me
• 32:17
  Speaker 1: to be who I am, because you know, in this
• 32:19
  Speaker 1: business they try to change you to meet a certain
• 32:22
  Speaker 1: criteria and I never fit into that Yahia and didn't
• 32:26
  Speaker 1: want to. And I love that. I love it. And
• 32:29
  Speaker 1: so for the Rolling Stones magazine, Yeah, the greatest one
• 32:34
  Speaker 1: of the things of all time. How do you feel
• 32:36
  Speaker 1: being left out of that? I don't feel anything. I
• 32:38
  Speaker 1: don't pay any attention to that. That's somebody behind a
• 32:41
  Speaker 1: desk who doesn't really know what they're talking. And that's
• 32:43
  Speaker 1: how could you leave Celine Diana? How could you? He said, Great,
• 32:49
  Speaker 1: you know, how could you? So I don't pay attention
• 32:51
  Speaker 1: to that. I don't pay attention to awards and all that,
• 32:53
  Speaker 1: even though I have awards of everything that of musically,
• 32:57
  Speaker 1: but it doesn't mean anything. What means matters to me
• 33:00
  Speaker 1: and which has kept me with my sold out shows
• 33:02
  Speaker 1: that I'm proud of is my people coming to see
• 33:05
  Speaker 1: me and paying their hard earned money. That's what keeps
• 33:09
  Speaker 1: me going. Yeah, I agree with you the Rolling Stone.
• 33:11
  Speaker 1: Clearly those people are culturally clueless, you know what I mean.
• 33:14
  Speaker 1: If they're leaving people like you lean beyond all. But see,
• 33:17
  Speaker 1: I was never played on Vhroon or MTV none of
• 33:20
  Speaker 1: my videos because they always said I was too urban
• 33:23
  Speaker 1: and I only had a pop record with Never Knew Love.
• 33:25
  Speaker 1: That's the only one they allowed to cross over. I
• 33:29
  Speaker 1: wonder you said something earlier. You said that you never
• 33:30
  Speaker 1: had the machine behind you. And it's interested because you
• 33:33
  Speaker 1: can see how that might still impact you now when
• 33:35
  Speaker 1: it comes to these lists, right exactly when you think
• 33:38
  Speaker 1: about it, like back in the day when MTV, I
• 33:40
  Speaker 1: want my MTV and they didn't want to play Michael.
• 33:43
  Speaker 1: You know, it was the president of the company that said,
• 33:45
  Speaker 1: if you don't play him, I'm going to expose that
• 33:47
  Speaker 1: you're racist. And I don't think really anything has changed.
• 33:50
  Speaker 1: I think you have to have And back then, I
• 33:52
  Speaker 1: didn't have that kind of person that would go on
• 33:55
  Speaker 1: the front line for me. But Michael did, and I'm
• 33:58
  Speaker 1: glad he did because just to man, you not hearing
• 34:01
  Speaker 1: Thriller the way it was, or being exposed to all
• 34:04
  Speaker 1: those wonderful videos that he did, and they didn't acknowledge
• 34:07
  Speaker 1: his forty at the anniversary of Thriller or anything at
• 34:09
  Speaker 1: the Grammys or American Music Awards. How did they pick
• 34:12
  Speaker 1: and choose who got the machine back then though, because
• 34:15
  Speaker 1: I feel like back then it you really needed talent
• 34:17
  Speaker 1: to get a deal. You really needed talent to get
• 34:20
  Speaker 1: a deal. That's why my audience is predominantly black, because
• 34:26
  Speaker 1: b ET and all those black outlets played my videos,
• 34:30
  Speaker 1: you know, and black radio supported me so much. So
• 34:33
  Speaker 1: that's why I'm able to survive. That's why I don't
• 34:36
  Speaker 1: understand why a lot of black artists like don't go
• 34:39
  Speaker 1: back to the black publications and things like that that
• 34:43
  Speaker 1: made them. You know, well, I always why, I know,
• 34:50
  Speaker 1: I don't understand that. I never understand why they think
• 34:53
  Speaker 1: vanilla ice cream is colder than chocolate. I think it's
• 34:55
  Speaker 1: because they want that mass. Look you know what I mean,
• 34:59
  Speaker 1: but you can have that. Let me tell you something.
• 35:01
  Speaker 1: I went to Oh what's the Good host Group? They
• 35:03
  Speaker 1: came to Charlotte and they sold out the arena. There
• 35:06
  Speaker 1: was nothing there but black people escaped. Yes, so what's
• 35:11
  Speaker 1: wrong with the black dollar? I definitely get what you're
• 35:14
  Speaker 1: saying that. My generation they also feel like because I don't,
• 35:19
  Speaker 1: although I'm a part of them, they felt that's some
• 35:22
  Speaker 1: type of advanced validation. When you get like it. Did
• 35:25
  Speaker 1: he call it the crossover? Right? It's like you know,
• 35:28
  Speaker 1: and people, I did a show for Fox, Sitcom on
• 35:30
  Speaker 1: Fox people yep, yep, shout out to the show roll
• 35:34
  Speaker 1: and I was on it with Sinbad. He played it
• 35:38
  Speaker 1: was amazing, right, I love him too, Like the show
• 35:41
  Speaker 1: people was telling me because people was only used to
• 35:43
  Speaker 1: seeing me on like Wilding Out and all that type
• 35:45
  Speaker 1: of stuff, you know, more production with black people. And
• 35:49
  Speaker 1: then they were like, oh, that's your crossover. Fox is
• 35:52
  Speaker 1: your crossover. It's like you really made it. Now, I
• 35:55
  Speaker 1: really made it because I'm on Fox, you know, working
• 35:57
  Speaker 1: around all these white people. No, I've been made it
• 36:00
  Speaker 1: and it's still I still don't make it. That's that
• 36:03
  Speaker 1: Sitcom wasn't like the cream of the crop for me yet.
• 36:05
  Speaker 1: I'm still not where I want to be in terms of,
• 36:07
  Speaker 1: you know, just where I'm going. But I didn't consider
• 36:12
  Speaker 1: that as my crossover. That's another show that I'm on
• 36:15
  Speaker 1: us another stepping stone, right, Like you know, so I
• 36:17
  Speaker 1: never so I get exactly what you're saying. And that's
• 36:21
  Speaker 1: what we think. We think when we cross over to
• 36:23
  Speaker 1: that pop we've made it. Why do we want to
• 36:26
  Speaker 1: be so accepted? And I never really want I just
• 36:29
  Speaker 1: wanted to be accepted. I wasn't good at smoothing, you know,
• 36:33
  Speaker 1: I wasn't sagne. I wasn't good at doing that, and
• 36:36
  Speaker 1: I didn't want to go to the parties and have
• 36:38
  Speaker 1: to meet this one. And I didn't like auditioning. Yeah,
• 36:41
  Speaker 1: I know that's Do you like it? No, I know
• 36:44
  Speaker 1: they look at you like you're crazy, but they make
• 36:46
  Speaker 1: it so hard for you. I won't do it, or
• 36:49
  Speaker 1: they'll act like they like you just to be like, okay,
• 36:52
  Speaker 1: we'll call you and then don't you know what I mean?
• 36:54
  Speaker 1: And they will even let black women and black people,
• 36:57
  Speaker 1: they'll let us audition for roles that they already know
• 37:00
  Speaker 1: they're not gonna give us right, stuff like that. You know,
• 37:04
  Speaker 1: you know this is for you know, little Katie you
• 37:06
  Speaker 1: had because idition for Sex in the City. They didn't
• 37:11
  Speaker 1: have a black woman on Sex and the City, one
• 37:13
  Speaker 1: of the Sex in the City. I auditioned for it,
• 37:15
  Speaker 1: the four women, Yes, not playing I did. I auditioned
• 37:19
  Speaker 1: for it. I don't know. I forget what character I
• 37:22
  Speaker 1: was auditioning for, but I did audition for it. Wow,
• 37:25
  Speaker 1: what they tell you? Well, I don't think they liked me. Yeah,
• 37:28
  Speaker 1: you know, I didn't see a black woman on there. Yeah, no,
• 37:32
  Speaker 1: they never They never had plans on doing. It was
• 37:35
  Speaker 1: just to make you feel good. Well, they have to
• 37:36
  Speaker 1: meet a certain quota, they have to look like they're
• 37:39
  Speaker 1: they're inclusive, but they're really not. And things haven't changed.
• 37:42
  Speaker 1: I don't care what people say. Things really, really, really,
• 37:45
  Speaker 1: it's not changed. Only reason I think the things have
• 37:47
  Speaker 1: changed just the tiny, tiny bit because there's more black gatekeepers.
• 37:50
  Speaker 1: I hate to use that word, but it's true. It's
• 37:52
  Speaker 1: more black people in positions of power that can say,
• 37:54
  Speaker 1: you know what, I'm putting Stephanie Mills in this movie.
• 37:56
  Speaker 1: I'm gonna put just Hilarious in this and and I
• 37:59
  Speaker 1: like the ones that are are black, because everybody that's
• 38:02
  Speaker 1: black in those positions are not black and not Kim
• 38:05
  Speaker 1: put That leads you to my next question, because I
• 38:07
  Speaker 1: was gonna say, what do you think of people who
• 38:09
  Speaker 1: get the machine? When you see these black people who
• 38:11
  Speaker 1: get the machine? Do you look at them away like, oh,
• 38:12
  Speaker 1: they sold out? No? I don't. I don't look at them.
• 38:15
  Speaker 1: It's not their fault. Okay, you know, I think I
• 38:19
  Speaker 1: applaud everyone's blessing, but I feel like I'm totally blessed
• 38:23
  Speaker 1: because I'm out out here selling shows. Don't have a
• 38:25
  Speaker 1: record nowhere, I'll be sixty six in March. Don't have
• 38:29
  Speaker 1: a record. You got a catalog? I mean, I gotta
• 38:31
  Speaker 1: That's what I'm saying. But you know, most people say, well,
• 38:33
  Speaker 1: you don't have a hit record, so you don't, you know.
• 38:35
  Speaker 1: But no. Yeah, I'm doing my thing and I love
• 38:38
  Speaker 1: it and I'm blessed. Yeah. Look, I'm on the Breakfast Club.
• 38:40
  Speaker 1: This is my third tone. Right, all right, we got
• 38:44
  Speaker 1: mold with Stephanie Mills. When we come back, don't move.
• 38:46
  Speaker 1: It's to Breakfast Club, Good morning morning. Everybody is DJ Envy,
• 38:49
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We have
• 38:52
  Speaker 1: our guests holes for today, Jamel Hill joining us. But
• 38:54
  Speaker 1: this interview happened yesterday when Jess Hilarious and Charlemagne was
• 38:58
  Speaker 1: in studio. Jamal Hill and my so we weren't there,
• 39:00
  Speaker 1: but let's get back into it. It's the Breakfast Club
• 39:02
  Speaker 1: the Morning and I love how you hold uh. You know,
• 39:05
  Speaker 1: Michael Jackson down always just acknowledge. He didn't get you know,
• 39:08
  Speaker 1: no acknowledgment for a thing that he's done. Are you
• 39:14
  Speaker 1: kidding me? Yeah, he wasn't accused of anything. But they
• 39:18
  Speaker 1: want to ridicue him. And I was accused, but he wasn't.
• 39:21
  Speaker 1: I mean, he wasn't he was, he didn't wasn't guilty. Yeah,
• 39:24
  Speaker 1: he was accused of being a child molester, which he
• 39:26
  Speaker 1: never has been, never was, And I don't know where
• 39:29
  Speaker 1: they got that from. He just liked being around children
• 39:32
  Speaker 1: because they were innocent and didn't want anything from it.
• 39:35
  Speaker 1: And he never had a childhood when you think about it,
• 39:38
  Speaker 1: so he was living vicariously through them. But I mean,
• 39:41
  Speaker 1: even with the Kobe Bryant, I just feel like, as
• 39:45
  Speaker 1: black people, we go to black journalists thinking they're gonna
• 39:49
  Speaker 1: take care of us, Yeah, and they they sell us out.
• 39:53
  Speaker 1: You know, there was no reason to bring up a
• 39:56
  Speaker 1: rape case on Kobe Bryant when he lost his life.
• 40:00
  Speaker 1: You know, there was no reason to give those two
• 40:02
  Speaker 1: guys a platform when Michael was not proven guilty. Right,
• 40:06
  Speaker 1: There's no reason for it, and the black community is
• 40:09
  Speaker 1: just not going to stand for it. And I like that.
• 40:12
  Speaker 1: And mental you know, mental health is really important. There's
• 40:16
  Speaker 1: a lot of people walking around that's sad. You know.
• 40:19
  Speaker 1: I got into therapy when I was like thirty five
• 40:22
  Speaker 1: because the business was a lot for me. It's a
• 40:25
  Speaker 1: lot you know, and I feel for Britney Spears and
• 40:30
  Speaker 1: and uh uh, what's the baby's name? The singer he's
• 40:34
  Speaker 1: a white boy. I can't read justin Bing. I feel
• 40:38
  Speaker 1: for them. You know, it's hard. Everybody's at you, coming
• 40:43
  Speaker 1: at you. Everybody has an opinion. Because even now when
• 40:46
  Speaker 1: I'm doing shows and and people come by and they say, well,
• 40:50
  Speaker 1: we took notes of your show. I don't ask you
• 40:52
  Speaker 1: to take time. I invited you to enjoy my show.
• 40:57
  Speaker 1: What you're doing taking note saying it's like I got
• 41:01
  Speaker 1: a few notes for you? All you do? You know,
• 41:04
  Speaker 1: it's like you've been doing this for ever. You're gonna
• 41:08
  Speaker 1: always get better. But come home, man, you could always
• 41:10
  Speaker 1: get better, you know, but app is gonna tell me
• 41:13
  Speaker 1: why I'm better or whatever. But you have people all
• 41:16
  Speaker 1: with Stephanie. I think you should do this. You should
• 41:18
  Speaker 1: go to this level? What level? What level? I don't
• 41:22
  Speaker 1: you know? Yeah, is there anybody you would take notes from,
• 41:25
  Speaker 1: like respectfully, like the anybody that could give you a note?
• 41:27
  Speaker 1: Like you know what I listened to that Diana Ross?
• 41:31
  Speaker 1: You just got Diana Ross. Uh, gladdys night, Pabell Baker,
• 41:39
  Speaker 1: who don't don't see that I've seen that face. I
• 41:43
  Speaker 1: didn't smoke. No, no, we don't know who wouldn't take
• 41:47
  Speaker 1: no notes? You just can't. I wouldn't take notes. I
• 41:50
  Speaker 1: love Anita, but that face didn't look like you love
• 41:53
  Speaker 1: an Just look about can't hide they feel now a
• 42:05
  Speaker 1: she was. I didn't say now, but that's all you
• 42:09
  Speaker 1: on a lad TV and know everybody getting at you
• 42:11
  Speaker 1: because you you said that you can't compare Diana Ross
• 42:15
  Speaker 1: and Beyonce because Beyonce is hip hop and Diana Ross's
• 42:18
  Speaker 1: R and B royalty. I need more context. What I
• 42:22
  Speaker 1: meant by that is with this album and the last
• 42:26
  Speaker 1: couple of years of Beyonce, I feel like she's been
• 42:29
  Speaker 1: like a rapper, like Diana Ross is glamorous and and
• 42:34
  Speaker 1: and first let me preferences by saying this. I am
• 42:37
  Speaker 1: a Diana Ross fan. I've always wanted to be Diana.
• 42:42
  Speaker 1: I would go to her shows when she placed Caesar's Palace,
• 42:45
  Speaker 1: it was always wonderful and fabulous. So to me, you
• 42:48
  Speaker 1: can't compare nobody to Diana, not Beyonce. I don't care
• 42:52
  Speaker 1: if they don't like what I say. I said it,
• 42:55
  Speaker 1: I'm not going to apologize for it. Diana is the
• 42:58
  Speaker 1: epitome of glamor and grace, and I didn't say that
• 43:03
  Speaker 1: Beyonce wasn't. So y'all don't like it, I'm sorry, huh.
• 43:07
  Speaker 1: I think people took the hip hop comparison and like
• 43:10
  Speaker 1: like you were saying hip hop was ghetto or you
• 43:11
  Speaker 1: were saying hip hop was beneath. But did I say it?
• 43:15
  Speaker 1: Did I say? Did I say hip hop was beneath? No?
• 43:19
  Speaker 1: I did not go back and look at that interview
• 43:22
  Speaker 1: and pay attention to what I actually said and not
• 43:24
  Speaker 1: what you want to think. I said, there's a difference,
• 43:28
  Speaker 1: or not what you want to think. I meant exactly.
• 43:31
  Speaker 1: I heard what you say, and Vadim veratimly tell him
• 43:35
  Speaker 1: what I said said. Beyonce is who she is in
• 43:39
  Speaker 1: her time, and Diana ross Is was will still be legendary, glamour, glitz,
• 43:46
  Speaker 1: classy in her time, in her era. She can still be,
• 43:50
  Speaker 1: thank you, the legendary, you know, the fan. The only
• 43:53
  Speaker 1: thing I respectfully disagree with that I don't. I don't think.
• 43:56
  Speaker 1: I don't look at Beyonce as hip hop, but you
• 43:57
  Speaker 1: have the right by and I say that because of
• 44:01
  Speaker 1: this album and the last couple of things. I just thought, yeah,
• 44:05
  Speaker 1: it's kind of hip hop. So you don't think I
• 44:07
  Speaker 1: took the top of the Mayback. The top of the
• 44:09
  Speaker 1: Mayback that was years ago. That's like one. But she
• 44:11
  Speaker 1: said the last no, that it was it was certain
• 44:14
  Speaker 1: that the one, the Carter's album. They were very hip hop,
• 44:17
  Speaker 1: you know. And of course she collapsed with her husband.
• 44:20
  Speaker 1: But isn't here. I want if she wasn't married to
• 44:24
  Speaker 1: jay Z, would we still look at her like when
• 44:26
  Speaker 1: we look at her as hip hop if she wasn't
• 44:27
  Speaker 1: with think she has tried, like even with this album,
• 44:31
  Speaker 1: this last album, it's more houst music. It's more like
• 44:35
  Speaker 1: she's given the girls as they say, you know shot,
• 44:38
  Speaker 1: you know they're they're something that they can do their
• 44:41
  Speaker 1: their thing too, you know what I'm saying. Like she's
• 44:43
  Speaker 1: trying to hit every type of genre of music. So
• 44:46
  Speaker 1: I think she did go hip hop. I think she
• 44:48
  Speaker 1: went pop. I think she did R and B. I
• 44:49
  Speaker 1: think she's on a house music thing. I think she's
• 44:52
  Speaker 1: doing a vogue. That's what it is, the vogue. She's
• 44:54
  Speaker 1: been trying to do everything, so she could be known
• 44:57
  Speaker 1: for everything. So Miss Mills artists in this generation, would
• 45:00
  Speaker 1: you consider I guess that R and B Royalty because
• 45:04
  Speaker 1: there's some singers out here. I love Jill Scott. I
• 45:09
  Speaker 1: mean she's old geo. I mean that's my error. Yeah,
• 45:13
  Speaker 1: I was gonna say, but that ain't her error, so
• 45:16
  Speaker 1: that's not thank you, Eric, Baby, bil Erica, dude, Jill.
• 45:24
  Speaker 1: Those are my big babies to me. Jasmine Sullivan, I
• 45:29
  Speaker 1: love I love Monica. I love Tamia, who's never really
• 45:33
  Speaker 1: gotten her. Oh no, yeah, you know what I'm saying
• 45:36
  Speaker 1: to me, can sing her ass given her that she deserves.
• 45:42
  Speaker 1: That's a singing woman. Deborah Cox, Oh my god, how
• 45:45
  Speaker 1: did you get here? Okay? That's all those are like
• 45:49
  Speaker 1: the like to meet everybody name of the legend already.
• 45:52
  Speaker 1: What about Silk Sonic do you like? Oh, Bluto Mars, Yes,
• 45:56
  Speaker 1: I'm near what you need? Thank you, baby, Silk Sonic.
• 46:00
  Speaker 1: U no Mars. I'd love to do a song with
• 46:01
  Speaker 1: Brunon Mars. I love because he's bringing back He's letting
• 46:05
  Speaker 1: them know what R and B is and where it
• 46:08
  Speaker 1: came from the soul and the soul in it. Because
• 46:11
  Speaker 1: everybody else just mimics us. Why is it that white
• 46:15
  Speaker 1: artists can mimic our soul in mimica and be pop
• 46:18
  Speaker 1: and we do the same song and can't be Why
• 46:20
  Speaker 1: don't we ask questions? I know because I know they white.
• 46:25
  Speaker 1: But it's like people don't think anything has changed, nothing
• 46:28
  Speaker 1: has changed. That's my whole thing. Has this saying that
• 46:32
  Speaker 1: he says him, say it all the time. The more
• 46:35
  Speaker 1: things change, the more they stay the same, feel it
• 46:38
  Speaker 1: every time, the more they stay saying, yeah, I didn't
• 46:41
  Speaker 1: know people were coming after me for that Beyonce thing.
• 46:44
  Speaker 1: I just I don't. I don't care nothing about people.
• 46:48
  Speaker 1: Don't need to. That's all last night. But I mean,
• 46:50
  Speaker 1: it's just an opinion. Everybody has the right to the opinion,
• 46:53
  Speaker 1: and I respect that, but I have the right to mind,
• 46:55
  Speaker 1: and I'm gonna say it, and I think because Beyonce
• 46:57
  Speaker 1: is the bar for this generation, like a lot the
• 46:59
  Speaker 1: way you look at Diana Ross, it's probably how a
• 47:01
  Speaker 1: lot of people look at it, I'm sure, And I
• 47:04
  Speaker 1: respect that. So respect that. I said, Diana is royal, right,
• 47:08
  Speaker 1: because if we can look at Beyonce like that, why
• 47:11
  Speaker 1: can you look at Diana like that? Why why does
• 47:14
  Speaker 1: everybody have to do one thing? And you acknowledge Beyonce.
• 47:17
  Speaker 1: They got our own queendom, Yes she has. She there's
• 47:21
  Speaker 1: no doubt that Beyonce is a queen, but Diana Ross
• 47:26
  Speaker 1: is everything to me. They can't be compared and they
• 47:30
  Speaker 1: can't and then you're no compared. Two different era, different styles. Yes,
• 47:35
  Speaker 1: we got more with Stephanie Mills. When we come back.
• 47:36
  Speaker 1: It's the Breakfast Club, Good Morning, Owning. Everybody is DJ
• 47:39
  Speaker 1: n V, Charlemagne the guy. We are the Breakfast Club.
• 47:42
  Speaker 1: We have our guest holes for today, Jamel Hill joining us.
• 47:44
  Speaker 1: But this interview happened yesterday when Jess Hilarious and Charlemagne
• 47:48
  Speaker 1: was in studio. Jamal Hill and myself we weren't there.
• 47:51
  Speaker 1: But let's get back into it. It's the Breakfast Club,
• 47:53
  Speaker 1: Good Morning. Can we talk about Black Broadway a proud
• 47:55
  Speaker 1: history of limits? Yes? What is that all about? Well,
• 47:59
  Speaker 1: I guess they felt like they needed to because you know,
• 48:02
  Speaker 1: there was a lot of controversy about not inclusive black
• 48:06
  Speaker 1: people on Broadway, and Broadway is truly the great White Ways.
• 48:11
  Speaker 1: And still they don't want us on there, but they
• 48:13
  Speaker 1: have to. They don't want to look like because I mean,
• 48:17
  Speaker 1: when you think about the wiz One winning seven Tonies,
• 48:20
  Speaker 1: when you think about Bubbling Brown's sugar sophisticated ladies raising
• 48:24
  Speaker 1: in the Sun, All these wonderful and see all these
• 48:27
  Speaker 1: shows were on Broadway when the Whiz was there. You
• 48:29
  Speaker 1: haven't seen that many black shows on Broadway since. No,
• 48:32
  Speaker 1: it's the first time, Like the last year is probably
• 48:35
  Speaker 1: the first time I've seen as many black shows. Ain't
• 48:37
  Speaker 1: no more strange loop. I'm going to see that next Friday.
• 48:41
  Speaker 1: Oh you haven't seen it yet. I've seen it twice.
• 48:44
  Speaker 1: Oh my god, he is the something. It is a
• 48:54
  Speaker 1: great show. You really think you'll see in Michael You
• 48:58
  Speaker 1: really do? You really? He is? And he's leaving in April,
• 49:02
  Speaker 1: so you better, Yes, you love it? All the ones
• 49:06
  Speaker 1: I named already. Saw the piano lesson, Oh I saw
• 49:08
  Speaker 1: the piano lessen to. Oh my god, so good to
• 49:12
  Speaker 1: see black people are Broadway doing their thing. I was
• 49:15
  Speaker 1: trying to explain to people, and I'm glad they're doing
• 49:17
  Speaker 1: this black Broadway especially. The future of Broadway is black.
• 49:20
  Speaker 1: The future of Broadway is black. They might just get
• 49:22
  Speaker 1: to it into it, but for whatever reason, knows that
• 49:24
  Speaker 1: old white guard is still holding onto it and they
• 49:26
  Speaker 1: don't want that crowd there. No, they don't. But I
• 49:30
  Speaker 1: don't want listen to me, My beautiful Black people do
• 49:34
  Speaker 1: not go to Broadway cutting up? Oh yeah, no, like
• 49:37
  Speaker 1: they did with the guy. Don't go cutting up. Don't
• 49:40
  Speaker 1: embarrass us yet. Oh I saw that. Yeah it was
• 49:43
  Speaker 1: Winston do great. I think it was. She was like
• 49:46
  Speaker 1: I saw you at No, no, no, no, can y'all
• 49:50
  Speaker 1: go and be respectful like we are, don't go cutting up?
• 49:54
  Speaker 1: So what do you want people to take from Black Broadway?
• 49:56
  Speaker 1: I hate that they even call it Black Broadway. I
• 49:59
  Speaker 1: hate you know, they should just say Broadway and what
• 50:01
  Speaker 1: we contributed to it. I hate that they call it
• 50:04
  Speaker 1: Black Broadway because well, I guess they can because they
• 50:06
  Speaker 1: call it the Great White Way. But I want them
• 50:09
  Speaker 1: to know just how wonderful we contributed and how much
• 50:13
  Speaker 1: money we brought to the Shuberts and the Nita Landers
• 50:17
  Speaker 1: and all the people that own those theaters. You know,
• 50:21
  Speaker 1: I tried to get Tyler Perry to buy the Apollo
• 50:23
  Speaker 1: because I think it should be owned by a black person. Yeah,
• 50:26
  Speaker 1: he didn't want to do it. He said it was
• 50:28
  Speaker 1: a lot of red tape. But I'm gonna keep pressing him. Right, Yeah,
• 50:30
  Speaker 1: I feel like, you know, Broadway needs to get blacker,
• 50:33
  Speaker 1: like I'd love to see you know, Rock Nation. You know,
• 50:35
  Speaker 1: they're trying to get the casino there, you know in
• 50:37
  Speaker 1: Times Square. I'd love to see the casino go there
• 50:39
  Speaker 1: because that's gonna bring a lot more you know, black
• 50:41
  Speaker 1: and brown traffic. Yea to the Times Square. Yes, because
• 50:44
  Speaker 1: they try to deny that we contributed. When you think that,
• 50:48
  Speaker 1: they don't mention Sammy Davis Junior, they don't mention Nadlie Cole,
• 50:52
  Speaker 1: they don't mention Luther Van Dross, and then they snubbed
• 50:55
  Speaker 1: Michael Jackson. How could you do that? How can you
• 50:59
  Speaker 1: know what I'm saying? We contributed a lot to this industry,
• 51:03
  Speaker 1: made this industry a lot of money. No, not Broadway,
• 51:08
  Speaker 1: I'm just talking about in the entertainment business period. You
• 51:12
  Speaker 1: know they should that. You can't get away from Elvis. Yeah,
• 51:15
  Speaker 1: and nobody ever brings up Elvis's indiscretions, the fact he
• 51:19
  Speaker 1: married or the third was thirteen, she was fifteen? Yeah,
• 51:22
  Speaker 1: why don't they talk about that? And that's what I mean.
• 51:25
  Speaker 1: It's like you can't ridicule our black men when when
• 51:29
  Speaker 1: when the other side has done? Yeah, our question about
• 51:33
  Speaker 1: Michael still, because I want to know I will answer. Okay, good,
• 51:37
  Speaker 1: So it's the truth that you and the date I
• 51:41
  Speaker 1: call it dating how was that? It was wonderful. Michael
• 51:44
  Speaker 1: was gentle, he was kind, very determined, knew where he
• 51:49
  Speaker 1: wanted to go, and we just had fun. Yeah. Used
• 51:52
  Speaker 1: to come to the Whiz all the time. So was
• 51:54
  Speaker 1: he smooth criminal? Was a smooth criminal? Can't wait to
• 52:02
  Speaker 1: say that. I loved him that afro and chocolate. Yeah,
• 52:07
  Speaker 1: So why do you change all that? I think that's
• 52:09
  Speaker 1: what people get Michael Miskin screwed, and you know they'll
• 52:12
  Speaker 1: they'll they'll labeled Michael toom as an uncle Tom or
• 52:15
  Speaker 1: you know, a coon because of that. I gotta be
• 52:17
  Speaker 1: strategic because that's my baby. But um, Michael wanted to
• 52:22
  Speaker 1: be the King of pop. He had a fetish with
• 52:25
  Speaker 1: Elvis Presley and he had his eyes on Lisa Presley
• 52:30
  Speaker 1: when she was very young. I think he always knew
• 52:33
  Speaker 1: he wanted to because he felt like that was the epitome. Yeah,
• 52:38
  Speaker 1: you know, and I think he really wanted to be king.
• 52:42
  Speaker 1: But then when he got over there, they showed him
• 52:45
  Speaker 1: that you still and it broke his heart. Yeah, you'll
• 52:50
  Speaker 1: have a relationship even up until his passing. No, he
• 52:52
  Speaker 1: was too different. Yeah, I couldn't relate to that, Michael.
• 52:56
  Speaker 1: It had gone too far, but I think he knew
• 52:59
  Speaker 1: that they had gone too far. But what can you do.
• 53:02
  Speaker 1: You can't go back at this point. You can't go
• 53:04
  Speaker 1: back because we went to the opening of The Atlantis
• 53:09
  Speaker 1: and he asked me to come. He asked to see me,
• 53:13
  Speaker 1: and I didn't go because I was rehearsing, and I
• 53:16
  Speaker 1: often wondered what he wanted, what he wanted to tell me.
• 53:20
  Speaker 1: He probably wanted to tell me something or you know,
• 53:22
  Speaker 1: but it had gone too far and I couldn't relate.
• 53:26
  Speaker 1: And Michael was taught the moonwalk by my ex husband
• 53:30
  Speaker 1: Jeffrey Daniel. I went to those rehearsals. Yeah, I know
• 53:33
  Speaker 1: everybody claimed that they did not. Jeffrey Daniel taught Michael
• 53:37
  Speaker 1: the moonwalk and all those things. But you know, the
• 53:40
  Speaker 1: Motown people, they don't always give people credit. You know,
• 53:43
  Speaker 1: they're taught not to give people credit. I love giving
• 53:46
  Speaker 1: people credit for what they do for me because you
• 53:49
  Speaker 1: can't do this by yourself. But you know, Michael never
• 53:52
  Speaker 1: gave him credit, and he should have. It's just interesting
• 53:56
  Speaker 1: to me, how, you know. I always wondered, like, what
• 53:58
  Speaker 1: can make a person like totally lose their blackness? And
• 54:02
  Speaker 1: have you seen somebody lose their blackness, or fall out
• 54:05
  Speaker 1: with black people and find a way to get back
• 54:08
  Speaker 1: with the communication. It feel like once you, once you
• 54:10
  Speaker 1: turn your back on us, we turn our back on
• 54:12
  Speaker 1: you forever. Yeah, but look at it. You know, I
• 54:15
  Speaker 1: can remember a time people. I'm not gonna like this either,
• 54:18
  Speaker 1: but I can remember a time when Michael would be
• 54:21
  Speaker 1: at the awards and you would have to get in
• 54:22
  Speaker 1: a line to see him. I never did that. I'm
• 54:26
  Speaker 1: not getting an a line to see nobody. Ain't nobody
• 54:28
  Speaker 1: that important? Nobody's more important than God? And I think
• 54:31
  Speaker 1: there's no one that's you know, like some people say, well,
• 54:33
  Speaker 1: how can you say something about Oprah or something about Gail?
• 54:37
  Speaker 1: Aren't you afraid? I fear God? And you know that
• 54:39
  Speaker 1: you know that, Shallamagne? I only fear fear God. I
• 54:44
  Speaker 1: don't feel a backlash. I mean, I'm sixty six years old.
• 54:49
  Speaker 1: You know what I'm saying. But I think and nobody's
• 54:54
  Speaker 1: like nobody, I don't care who you are and how
• 54:57
  Speaker 1: much money you have, because you can lose. That could
• 55:00
  Speaker 1: Harvey Weinstein. I remember a certain person calling him God.
• 55:05
  Speaker 1: I you know, Charlie Rose, who would have thought, you know,
• 55:08
  Speaker 1: Matt lower where he was kind of arrogant. He was arrogant, Yeah, yeah,
• 55:13
  Speaker 1: but I just don't think that anybody's under approach. But
• 55:16
  Speaker 1: I do think Michael knew he went too far. And
• 55:18
  Speaker 1: you got to remember towards the end of his career
• 55:20
  Speaker 1: he went to Jesse Jackson and Al Shopton and he
• 55:24
  Speaker 1: even wanted to give Pops his minister Baron his catalog
• 55:28
  Speaker 1: and Pops wouldn't take it. And he had a lot
• 55:30
  Speaker 1: of Muslims around him. Towards the end, Michael never forgot
• 55:35
  Speaker 1: he was black. I think he just got caught up
• 55:38
  Speaker 1: in that bride. That Ryan can be vicious, as we
• 55:42
  Speaker 1: see with other people that are white dealing with it,
• 55:45
  Speaker 1: Britney Spears and and and I go back to them
• 55:48
  Speaker 1: because I really see how the business has tormented them
• 55:52
  Speaker 1: and the people around them. M the movie Pride, Seven
• 55:56
  Speaker 1: Deadly Sins Story. It's gonna be a lifetime. Yes, with
• 56:00
  Speaker 1: with nephew Tommy, who did a brilliant job. He plays
• 56:04
  Speaker 1: with my son Gabe, and Ken your King who's a
• 56:06
  Speaker 1: Canadian actress, and Erica Campbell came in to play Pastor.
• 56:11
  Speaker 1: Trey is your first feature, My first feature, that's crazy,
• 56:16
  Speaker 1: My first since Broadway and everything else nobody decided seventy
• 56:19
  Speaker 1: Mills should be acted. They wouldn't give me a job,
• 56:22
  Speaker 1: damn they wouldn't you want to do more? Oh? Yes,
• 56:25
  Speaker 1: I got the bug now. But I'm not auditioning. No,
• 56:30
  Speaker 1: tell him she's not auditionist, so don't ask her. What
• 56:33
  Speaker 1: roles would you want to play? Mothers? I mean I
• 56:36
  Speaker 1: could play a mother, you know, an older sister, but mothers.
• 56:41
  Speaker 1: I want to do a Christmas yes, being a therapist.
• 56:44
  Speaker 1: Or I want to play somebody really tough and like gangster.
• 56:48
  Speaker 1: I could see that too. I can see that too.
• 56:51
  Speaker 1: Now until you see your side, I would have you
• 56:58
  Speaker 1: dobody short of you? When does the movie like the movie? Eight?
• 57:02
  Speaker 1: Real eight? And then Black to Broadway is uh? Well,
• 57:08
  Speaker 1: Stephanie Mills is always a pleasure sitting down the bill
• 57:11
  Speaker 1: with you and talk to you. And I just love
• 57:13
  Speaker 1: seeing you all the time. I love seeing you too
• 57:15
  Speaker 1: bad bis. Yes, that's right, it's Stephanie Mills. Y'alls to
• 57:19
  Speaker 1: Breakfast Club morning. Everybody is DJ Envy Charlemagne the guy.
• 57:23
  Speaker 1: We are the breakfast Club. We got our guests, host
• 57:25
  Speaker 1: Jamil Hill joining us this morning. Yes, indeed, and let's
• 57:28
  Speaker 1: get to the rum us let's talk re read name
• 57:34
  Speaker 1: or you've gossip and when you chatting is the Ruber Report.
• 57:38
  Speaker 1: I mean, I guess we're on the breakast club. This
• 57:39
  Speaker 1: were the tea spills right right on the breakfast club. Now,
• 57:43
  Speaker 1: Rihanna's super Bowl halftime performance, which got more viewershipped than
• 57:47
  Speaker 1: the actual super Bowl, generated one hundred and three FCC
• 57:51
  Speaker 1: complaints for being too sexual, dropping clues bon for Rihanna.
• 57:54
  Speaker 1: That's what I'm talking about. Make them mad, that's right. Now,
• 57:57
  Speaker 1: what was sexual about it? I didn't see anything sexual.
• 58:01
  Speaker 1: That was it? Well, I think it was, didn't She
• 58:04
  Speaker 1: sort of grab her crotch a little bit. It was
• 58:06
  Speaker 1: that butterfly. That butterfly was will and she took it
• 58:09
  Speaker 1: back to the nineteen hundreds of that butterfly in that
• 58:10
  Speaker 1: Tucci Rold. That's what That's what did it. People just
• 58:13
  Speaker 1: don't always find a reason, you know what I'm saying,
• 58:15
  Speaker 1: It always reason, you know, forgiving the performance. It's like
• 58:18
  Speaker 1: what you're angry about. Yeah, I think white Middle America
• 58:21
  Speaker 1: has a problem with seeing any black or brown person
• 58:24
  Speaker 1: on stage shaking their ass. I really feel that way
• 58:28
  Speaker 1: because I think this goes back to the Janet Jackson
• 58:30
  Speaker 1: Super Bowl when you know she showed a little of
• 58:33
  Speaker 1: her breast or whatever it was. I think that they've
• 58:34
  Speaker 1: been making complaints ever since. I think they've been looking
• 58:37
  Speaker 1: for those moments to complain that the same thing happened
• 58:39
  Speaker 1: with Jay Low and Shakira Ambiance. Now also, Rihanna's gonna
• 58:43
  Speaker 1: be performing at the twenty twenty three OSCAR She's gonna
• 58:46
  Speaker 1: be performing and Lift Me Up. Please don't Yes, but
• 58:49
  Speaker 1: you don't want her to perform, no, I know I
• 58:51
  Speaker 1: don't like that that song that I don't like the song.
• 58:52
  Speaker 1: I don't want to hear that song on TV live.
• 58:56
  Speaker 1: That song is fitting for the end of Black Panther.
• 58:57
  Speaker 1: I hate when they played on the radio that song
• 59:00
  Speaker 1: is too depressed. But asks is about movies, right, So
• 59:03
  Speaker 1: the fact that she's performing from Black Panthers, Uh, I
• 59:06
  Speaker 1: think that makes sense. And that's March twelve at eight pm.
• 59:08
  Speaker 1: You can check her out. I'll tell you where it
• 59:09
  Speaker 1: would make sense if they're doing it as part of
• 59:11
  Speaker 1: the in Memorium package. Remember how I forgot what the
• 59:14
  Speaker 1: war show it was with Quabo performed and no people
• 59:17
  Speaker 1: were performing for the in Memorium package. If she does
• 59:19
  Speaker 1: Lift Me Up for the in memorium package. It'll make sense,
• 59:22
  Speaker 1: all right, Other than that, it's like the windshield wiper
• 59:24
  Speaker 1: going and it's not even raining outside. Stupid now academics.
• 59:28
  Speaker 1: He claims that Gunna wants out of ys L Well
• 59:32
  Speaker 1: I hurt, he got an album, he got something to say,
• 59:35
  Speaker 1: but there's nobody down to stand with him. So it
• 59:37
  Speaker 1: becomes one of those situations where, yeah, how good could
• 59:40
  Speaker 1: you make your cases if everybody's leaving you on an island.
• 59:43
  Speaker 1: So I think Gonna is kind of in limbo waiting
• 59:46
  Speaker 1: to see what happens with Thug. I think he's praying
• 59:48
  Speaker 1: that Thug, you know, gets a favorable outcome, or he's
• 59:52
  Speaker 1: probably praying that, you know, despite what might happen to Thug,
• 59:55
  Speaker 1: that Thug has some type of grace for him because
• 59:58
  Speaker 1: he's not the only one who complete now label side.
• 1:00:01
  Speaker 1: A lot of people believe that Gunna is going to
• 1:00:04
  Speaker 1: be seeking to leave Wyre Cell. He's under why Cell,
• 1:00:07
  Speaker 1: that's under three hundred. His contract is probably gonna get
• 1:00:11
  Speaker 1: negotiated in a way where there is either buy out
• 1:00:14
  Speaker 1: or is gonna go to Atlantic Record. Yeah. I heard
• 1:00:18
  Speaker 1: that as well, that he possibly wants at ayre Celling
• 1:00:21
  Speaker 1: to be on his own, so we'll see what happens
• 1:00:22
  Speaker 1: with that. You couldn't even fake it. I was like, wow,
• 1:00:30
  Speaker 1: that sounds a lot like when I'm describing the last
• 1:00:33
  Speaker 1: episode of Young and the Wrestlers. And yes, I still
• 1:00:36
  Speaker 1: watch Jesus, I didn't even know what that was. Still long, Yeah,
• 1:00:39
  Speaker 1: a DVRD every day. Listen, it's my guilty pleasure. It's
• 1:00:42
  Speaker 1: high blow off steam. I watch Younger of the Wrestlers. Ye,
• 1:00:45
  Speaker 1: that's actually been around for a long time. That's that's
• 1:00:47
  Speaker 1: when you pick up your mom's habits. Like your mom
• 1:00:49
  Speaker 1: used to watch Young and Wrestlers right now. My mom
• 1:00:51
  Speaker 1: used to watch all my children on hospital. My mom
• 1:00:53
  Speaker 1: watched Another World. Well not not another World, another child,
• 1:00:56
  Speaker 1: Well it was another sing Days of our lives, my
• 1:00:57
  Speaker 1: grandma's Days of our lives. Ye, oh my god. Now
• 1:01:06
  Speaker 1: I want to tell all security guards that's out there
• 1:01:08
  Speaker 1: protecting these artists. If you come to New York City,
• 1:01:11
  Speaker 1: and I know a lot of you guys have licenses
• 1:01:12
  Speaker 1: from different states, it doesn't matter in New York. So
• 1:01:15
  Speaker 1: Glorrilla's driver was busted with guns as she was performing
• 1:01:19
  Speaker 1: with Cardi B in New York City. She was at
• 1:01:21
  Speaker 1: Irving Plaza. Now, allegedly New York City police officers observed
• 1:01:25
  Speaker 1: a man trying to get into the venue and when
• 1:01:28
  Speaker 1: he set the metal detective off and he turned around
• 1:01:30
  Speaker 1: and went back to the car, they sent him in
• 1:01:31
  Speaker 1: sitting in the car, so they checked him out and
• 1:01:33
  Speaker 1: they found two semi automatic pistols. So they don't know
• 1:01:37
  Speaker 1: if that was security, if he was just a driver,
• 1:01:39
  Speaker 1: a friend, or whatever it may be. But this happens
• 1:01:41
  Speaker 1: a lot. A lot of people get licenses from different places.
• 1:01:43
  Speaker 1: But if you cross over to New York City and
• 1:01:46
  Speaker 1: you have that license that's valid in Texas, Florida, Jersey, wherever,
• 1:01:49
  Speaker 1: wherever you get your license from Utah does not work here. Well,
• 1:01:52
  Speaker 1: thank you for the update on the legislation. Okay, can
• 1:01:54
  Speaker 1: we talk about this headline on TMZ that's DJ envy
• 1:01:58
  Speaker 1: IRV gott he owes me thousand dollars keeps blowing me off. Now.
• 1:02:04
  Speaker 1: The crazy thing is is I never said he get
• 1:02:08
  Speaker 1: forget that. IRV gott he owes you ten thousand dollars. Yeah,
• 1:02:11
  Speaker 1: I need the backstory you want to, I was explaining
• 1:02:14
  Speaker 1: when Jesse Larius was said, yeah, so, uh. One of
• 1:02:17
  Speaker 1: the first tracks that me and DJ Mono, the person
• 1:02:20
  Speaker 1: that actually taught me how to DJ produce. Ever earv
• 1:02:22
  Speaker 1: Gott he bought right and he paid ten thousand for
• 1:02:25
  Speaker 1: that beat. Right. He gave me five thousand up front
• 1:02:27
  Speaker 1: and he owed me five thousand back then, which it
• 1:02:29
  Speaker 1: is now, But it was a lot of money for
• 1:02:31
  Speaker 1: me and Mono during that time, like we needed it,
• 1:02:33
  Speaker 1: and we never got the back end. And then he
• 1:02:34
  Speaker 1: put the same track in a movie, so we're supposed
• 1:02:36
  Speaker 1: to get a sync fee. We was supposed to get
• 1:02:38
  Speaker 1: a movie fee, but we never got nothing. But you know,
• 1:02:40
  Speaker 1: I honestly never I never got nothing. I never got
• 1:02:43
  Speaker 1: a back in anything. But it was it was my
• 1:02:45
  Speaker 1: first beat, So it was just it was still feel
• 1:02:48
  Speaker 1: this trauma now, like why why why promp? Why stay this?
• 1:02:51
  Speaker 1: Why talk about this now? Now? When Jesse Hilarius was
• 1:02:53
  Speaker 1: talking about her not getting her back and I got
• 1:02:56
  Speaker 1: it was a trigger and I was traumatized and I
• 1:02:59
  Speaker 1: felt the way. So I just wanted to say that
• 1:03:00
  Speaker 1: you know, the people out there, yeah, it happens to
• 1:03:02
  Speaker 1: everybody every day. Being it happened to me, I've been
• 1:03:06
  Speaker 1: sitting here racking my brain, like who owed me some bread?
• 1:03:09
  Speaker 1: Right now? So I could get this out here and
• 1:03:11
  Speaker 1: y'all could pay me. But I've been very thankful that
• 1:03:15
  Speaker 1: nobody owes me money. But mind you, was like when
• 1:03:17
  Speaker 1: I was eighteen nineteen years so I think it was.
• 1:03:19
  Speaker 1: I was pretty young, but it was my first track,
• 1:03:21
  Speaker 1: so the opportunity was everything for me. And then I
• 1:03:23
  Speaker 1: produced for Dmax, I produced for Fabulous, and I did
• 1:03:26
  Speaker 1: a bunch of other productions. So I notice, I just
• 1:03:29
  Speaker 1: tell exactly if you're waking up to this this morning.
• 1:03:32
  Speaker 1: I'm sure he probably don't remember. Most people don't remember.
• 1:03:34
  Speaker 1: Probably probably thought the counter handled it. But yeah, they
• 1:03:36
  Speaker 1: only money. But even if you try to give it
• 1:03:38
  Speaker 1: to me right now, I would't take the money. It
• 1:03:39
  Speaker 1: was what it was. This is like I would take
• 1:03:43
  Speaker 1: that money. I would take I'll take that money. Yeah,
• 1:03:46
  Speaker 1: five grand Yeah, okay, but I gotta split it Remono.
• 1:03:52
  Speaker 1: But I gotta split it a Moano. I gotta split
• 1:03:55
  Speaker 1: it with Mono though. So yeah, but anyway, that is
• 1:03:57
  Speaker 1: your rumor report shout shout the murder anking earth. If
• 1:04:02
  Speaker 1: you want to send my money, my address is still
• 1:04:05
  Speaker 1: the Samement Queens. You could just send it right to
• 1:04:06
  Speaker 1: the peelbox there. But anyway, Charlotte man, who are giving
• 1:04:09
  Speaker 1: that down? Continue man, four after the hour. We need
• 1:04:11
  Speaker 1: to talk about f D because we're don't talk about
• 1:04:14
  Speaker 1: f D enough. What was FD fast food disappointment? Oh,
• 1:04:18
  Speaker 1: we'll discuss four after that hour. All right, we'll get
• 1:04:20
  Speaker 1: to that next. Don't move. It's to breakfast Club. Good morning,
• 1:04:22
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  Speaker 1: heat Hall. I ain't trying to be dunky today no more.
• 1:04:54
  Speaker 1: Yeah they should. They should being bassed by what they
• 1:04:55
  Speaker 1: already did. I'm not making any people do these days
• 1:04:58
  Speaker 1: down ter day and it really caught me off guard.
• 1:05:01
  Speaker 1: Damn Solomon, who got the donkey out of day to day? Okay, Tail,
• 1:05:08
  Speaker 1: let's drop on a clues box for Taylor putting together
• 1:05:10
  Speaker 1: new Donkey Today intros Okay Donkey Today for Friday, February
• 1:05:14
  Speaker 1: twenty fourth goes to Belinda H. Miller of Augusta, Georgia.
• 1:05:17
  Speaker 1: Belinda's fifty years old, grown woman, seasoned, Okay, knows what
• 1:05:21
  Speaker 1: she wants and how she wants it, and if she
• 1:05:22
  Speaker 1: doesn't get it, I'm sure she's not happy about it,
• 1:05:24
  Speaker 1: and I totally understand. Okay, what you kids don't realize
• 1:05:28
  Speaker 1: is those of us born in the nineteen hundreds grew
• 1:05:30
  Speaker 1: up on the Burger King slogan having your way. Okay, yes,
• 1:05:33
  Speaker 1: long before the me Goes and Drake were having that way,
• 1:05:35
  Speaker 1: we were having ours. And that's really a slogan that
• 1:05:37
  Speaker 1: applies to more than just Burger King. Okay, when you
• 1:05:40
  Speaker 1: go to fast food restaurants, you want what you want
• 1:05:42
  Speaker 1: and anything else is uncivilized. Okay, words at y'alls Barkley
• 1:05:45
  Speaker 1: and the Right Guard commercials from the nineteen hundreds, But
• 1:05:47
  Speaker 1: it's certain things you expect from certain fast food restaurants.
• 1:05:50
  Speaker 1: When you go to Chick fil A, you expect immaculate
• 1:05:53
  Speaker 1: service and for your order to be absolutely correct. So
• 1:05:55
  Speaker 1: imagine going to Chick fil A and ordering the four
• 1:05:58
  Speaker 1: piece chicken scripts with a large waff for in Polynesian sauce.
• 1:06:01
  Speaker 1: Heavy on the Polynesian sauce, but imagine the disappointment one
• 1:06:05
  Speaker 1: would feel if they forgot the Polynesian sauce. Okay, you
• 1:06:08
  Speaker 1: a mile up the road, gotta get back off the highway, bustle.
• 1:06:11
  Speaker 1: You turn to get back to Chick Fila to get
• 1:06:13
  Speaker 1: to the Polynesian sauce, because you can't even eat the
• 1:06:15
  Speaker 1: chicken scrips without the Polynesian sauce. That's high level FD.
• 1:06:19
  Speaker 1: Y'all know what FD is, right? Fast food disappointment. Okay,
• 1:06:24
  Speaker 1: f D is one of the worst things one can
• 1:06:25
  Speaker 1: experience because most of the time when we ordering fast food,
• 1:06:29
  Speaker 1: we're doing it on the go, and it's comfort food
• 1:06:31
  Speaker 1: and we want to be comforted. And when the things
• 1:06:33
  Speaker 1: we want for comfort aren't provided, how can we not
• 1:06:36
  Speaker 1: be disappointed McDonald's ice cream machine being broke f D
• 1:06:40
  Speaker 1: when these fries not hot after saying you want fresh
• 1:06:43
  Speaker 1: hot fries FD. Krispy Kreme hot now like not on
• 1:06:47
  Speaker 1: when you pull up to it FD. But Belinda Miller,
• 1:06:51
  Speaker 1: what Belinda Miller went through is high level FD, the
• 1:06:54
  Speaker 1: kind of FD that one might need some therapy for later.
• 1:06:57
  Speaker 1: See Jamel, I know that you have an affinity for Popeyes, right,
• 1:07:00
  Speaker 1: I love Popeyes. Let me ask you a question, what's
• 1:07:02
  Speaker 1: your go to Popeyes, order three piece spicy red beans
• 1:07:07
  Speaker 1: and rice, doctor pepper, that's to go to. Yeah, so
• 1:07:11
  Speaker 1: what could be missing from that order that would disappoint you? Okay,
• 1:07:15
  Speaker 1: So I'm not a sauce person, So when you were
• 1:07:17
  Speaker 1: laying that out, I definitely understand fast food disappointment. Like
• 1:07:20
  Speaker 1: I eat my chicken strips or chicken nuggets or you know,
• 1:07:24
  Speaker 1: chicken tenders, no sauce, Jesus Christ. So I wouldn't have
• 1:07:27
  Speaker 1: been disappointed at all. I'd have been like, oh cool,
• 1:07:31
  Speaker 1: I'm the same. No sauce my nuggets or no sauce
• 1:07:33
  Speaker 1: chicken fingers either. Y'all should never be allowed to own
• 1:07:36
  Speaker 1: a fire arm. What why don't you sauce? No? No
• 1:07:40
  Speaker 1: wow unless it's Chick fil A, Chick fil a all day.
• 1:07:43
  Speaker 1: But outside of that, man, no, no sauce, not wow.
• 1:07:45
  Speaker 1: There's a little s pepper. Yeah, that's it. Like fries,
• 1:07:48
  Speaker 1: no ketchup, I just need sau Yeah, I'm saying, like fries,
• 1:07:50
  Speaker 1: no ketchup, just sa pepper. Well, let's go to f
• 1:07:53
  Speaker 1: Let's go to ABC six for the report, please to
• 1:07:55
  Speaker 1: see what kind of kids of driving her car into
• 1:07:58
  Speaker 1: a rost rot Balenda Noah was arrested today for Lesiley
• 1:08:02
  Speaker 1: ramming her fud through the wall of Popeyes on the
• 1:08:05
  Speaker 1: walls the way. Investigators say, the fifty year old continued
• 1:08:08
  Speaker 1: driving her vehicle through the doors of the building and
• 1:08:10
  Speaker 1: did not stop until the breed blocked her from moving forever.
• 1:08:14
  Speaker 1: No woman was hurt, but a woman inside the restaurant
• 1:08:16
  Speaker 1: was almost hit. Melinda Milla. It is hard for decovating
• 1:08:19
  Speaker 1: the salt of her free from the old banage property. Now.
• 1:08:23
  Speaker 1: I know the audio wasn't the best, but Belinda ran
• 1:08:25
  Speaker 1: her car into a Popeye. You know why she ran
• 1:08:28
  Speaker 1: her car into a Popeyee because they forgot her biscuits.
• 1:08:32
  Speaker 1: That is the item that would lead to major f DC. See,
• 1:08:36
  Speaker 1: you got to hear both sides because as that story
• 1:08:38
  Speaker 1: was being played, I was thinking, I bet it's a reason,
• 1:08:42
  Speaker 1: and I bet it's a good one. I was like,
• 1:08:43
  Speaker 1: I need to hear both sides of this. They forgot
• 1:08:45
  Speaker 1: her biscuits. Get the biscuit. You listen, you can't get
• 1:08:50
  Speaker 1: the biscuits. You got one jobs. That's what I'm saying,
• 1:08:52
  Speaker 1: don't get the biscuits. I've been really doing my best
• 1:08:54
  Speaker 1: in twenty twenty three, not to say the n word anymore. Okay,
• 1:08:57
  Speaker 1: been trying not to call people of any race to
• 1:08:59
  Speaker 1: end word. I just want to eliminate the N word
• 1:09:01
  Speaker 1: from all my timelines and every multiverse that I exist in.
• 1:09:04
  Speaker 1: But when nigga's nigg on this level of nigga, you
• 1:09:08
  Speaker 1: must allow me an exception. Okay. There's a reason that
• 1:09:10
  Speaker 1: I have historically called this establishment Popeyes Chicken and Nigga cookies. Okay. See,
• 1:09:15
  Speaker 1: the Popeye's biscuit is proof that a lot of Black
• 1:09:17
  Speaker 1: people don't really want the piece they say they want.
• 1:09:19
  Speaker 1: All right. The Popeye's biscuit is proof that we might
• 1:09:21
  Speaker 1: be glutton's for punishment. Because I've gotten older, I've come
• 1:09:24
  Speaker 1: to the conclusion that the Popeye's biscuit is overrated. Fight me, oh,
• 1:09:28
  Speaker 1: I will fight you. Let's go. Let's scrap right now.
• 1:09:31
  Speaker 1: Chicken Relate biscuits with their breakfast sandwiches are better, okay,
• 1:09:34
  Speaker 1: SI biscuits are better. And bow Jangles bown Bojangles Chicken biscuits. Yes,
• 1:09:42
  Speaker 1: that's what I'm saying from heaven, that bowl berry biscuit.
• 1:09:46
  Speaker 1: Come on now, absolute washing Popeyes on every level. Okay.
• 1:09:50
  Speaker 1: The Popeye's biscuit is a weapon, all right, that's what
• 1:09:52
  Speaker 1: it is. Let's see disrespect. Let it sit for a day,
• 1:09:56
  Speaker 1: and then throw that blood object at just that's your
• 1:10:00
  Speaker 1: first problem. Well, don't even let it sit. Just take
• 1:10:01
  Speaker 1: it right off the box and throw it at somebody's head.
• 1:10:04
  Speaker 1: If you hit the person in their head, you're gonna
• 1:10:05
  Speaker 1: get arrested for murder because they're gonna die. I not
• 1:10:07
  Speaker 1: feel very vindicated over my no sauce take, because that's
• 1:10:10
  Speaker 1: one of the worst food takes I've ever heard. Listen
• 1:10:13
  Speaker 1: them biscuits are overrated, okay, And if you miss the
• 1:10:16
  Speaker 1: person that you threw the biscuit at when that hard
• 1:10:18
  Speaker 1: ass nigga cookie shout at a window, you're gonna get
• 1:10:20
  Speaker 1: arrested for a Sultan battery would intend to kill? Okay,
• 1:10:22
  Speaker 1: The Popeye's biscuit is a weapon of mass destruction. Don't
• 1:10:25
  Speaker 1: believe me. Eat it with no drink. Bet you never
• 1:10:27
  Speaker 1: eat it with no drinking, now exactly, y'all gonna do
• 1:10:32
  Speaker 1: that challenge, y'all take to try to eat as many
• 1:10:34
  Speaker 1: Popeyes biscuits as you can with no drink. I bet
• 1:10:37
  Speaker 1: you can't just even eat one. I'm ature, you can't.
• 1:10:42
  Speaker 1: Really the issue I have currently with Popeyes they did
• 1:10:45
  Speaker 1: this a while ago. I need y'all to bring back
• 1:10:47
  Speaker 1: the Cajun rice. They took it off the menu, and
• 1:10:49
  Speaker 1: I'm upset about this. So Cajun rice hive. I need
• 1:10:53
  Speaker 1: y'all to a symbol because I want it brought back,
• 1:10:55
  Speaker 1: y'allro you know McDonald's brought back that nasty ass mcgrib right,
• 1:10:59
  Speaker 1: bring back cajun at Popeyes right now? Telling band the
• 1:11:01
  Speaker 1: biscuits and bringing back caven right. And I'm gonna be
• 1:11:03
  Speaker 1: honest with you what I think happened to Belinda because
• 1:11:06
  Speaker 1: there's a manager at Popeyes. When you read the story,
• 1:11:08
  Speaker 1: she told police that before the crash, the mistake was
• 1:11:10
  Speaker 1: corrected and Belinda got her biscuits, but she was still unhappy.
• 1:11:14
  Speaker 1: I got a theory that Belinda got her biscuits, but
• 1:11:16
  Speaker 1: she forgot her drink and she was actually choking on
• 1:11:19
  Speaker 1: a nigga cookie, lost control of her SUV and that's
• 1:11:21
  Speaker 1: how she ended up crashing into the Popeyes. Either that
• 1:11:24
  Speaker 1: are you simply all what you eat? And wait, Belinda
• 1:11:28
  Speaker 1: was about to buy NBC? Is that what happened? That's
• 1:11:32
  Speaker 1: that's what we're going with NBC staying for nigga biscuit cookie.
• 1:11:35
  Speaker 1: All right, that's what I think happening. Belinda was eating
• 1:11:38
  Speaker 1: a nigga cookie. And now because of that, we have
• 1:11:41
  Speaker 1: one of the most classic nigga moments in American history.
• 1:11:43
  Speaker 1: You're about to experience a nigga moment. What your defines
• 1:11:47
  Speaker 1: the nicga moment as a moment when ignorance overwhelms the
• 1:11:51
  Speaker 1: mind of an otherwise logical negro acting allogical, self destructive.
• 1:11:56
  Speaker 1: I e. Like a nigga happy black history mouf y'all,
• 1:12:00
  Speaker 1: please get Belinda H. Miller to sweet sounds of Hamiltons.
• 1:12:03
  Speaker 1: Oh no, you are do gee. Oh the day, the
• 1:12:12
  Speaker 1: do gee, Oh the day. Ye. I learned a lot
• 1:12:20
  Speaker 1: about y'all this morning. Y'all don't like sauce with your
• 1:12:22
  Speaker 1: chicken scrimp, and y'all like Popeye's biscuits. I used to
• 1:12:26
  Speaker 1: like Popeye's biscuits when I was childish. But you know
• 1:12:29
  Speaker 1: you put away child, stay away child. I grew up,
• 1:12:31
  Speaker 1: you know what I mean, put the childish ways behind me?
• 1:12:34
  Speaker 1: All right? Well, thank you for that donkey today. Yes, now,
• 1:12:37
  Speaker 1: when we come back eight five one oh five one,
• 1:12:40
  Speaker 1: let's open up the phone lines. Now. Jamal Hill went
• 1:12:43
  Speaker 1: viral early this week. That's because she don't wash her towels.
• 1:12:50
  Speaker 1: That's how bad information gets. I'm standing up for you
• 1:12:54
  Speaker 1: this entire show, and now you just blatanly disrespecting me. Context.
• 1:12:59
  Speaker 1: Why do you go viral? Okay? The context was this
• 1:13:02
  Speaker 1: me and my publicist, Bianca Shelton, who you know, Charlemagne knows.
• 1:13:06
  Speaker 1: We were having a discussion about how often you change
• 1:13:09
  Speaker 1: your towels, and Bianca informed me that she changes her
• 1:13:12
  Speaker 1: towels every day. Terrorists behavior. I agree. I was like,
• 1:13:16
  Speaker 1: that's that's the work of communists, Like what are you doing? What?
• 1:13:19
  Speaker 1: And um, you know, I got me to thinking, and
• 1:13:22
  Speaker 1: that's why I posed the question on Twitter, like how
• 1:13:24
  Speaker 1: often you guys change your towels? And I was I
• 1:13:27
  Speaker 1: shouldn't have been stune, but I was amazed that it
• 1:13:29
  Speaker 1: was so many trifulm responses like I'm every three or
• 1:13:31
  Speaker 1: four days kind of person and he's usually my husband
• 1:13:34
  Speaker 1: that does it. Um. But a lot of people out
• 1:13:36
  Speaker 1: here living file like some of some of your people here,
• 1:13:39
  Speaker 1: they've had they have unveiled the towel behavior. Let's let's
• 1:13:42
  Speaker 1: talk about it when we come back five one or
• 1:13:45
  Speaker 1: five one? When do you watch your towels? Yeah? Producer
• 1:13:48
  Speaker 1: said he watches it every two weeks. Somebody don't know.
• 1:13:51
  Speaker 1: We got a lot worse than that. He watches it
• 1:13:54
  Speaker 1: when it smells. That's discussed. I didn't like that. I
• 1:13:57
  Speaker 1: want to know what producer that was. I will talk
• 1:13:58
  Speaker 1: about it when we come back. Breakfast Club, Good morning,
• 1:14:01
  Speaker 1: the breakfast Club change. I don't change my towel, so
• 1:14:07
  Speaker 1: my wife takes a shower and I use I used
• 1:14:09
  Speaker 1: my wife's towel. All that just for men you be
• 1:14:12
  Speaker 1: using in Beijing and all that, Like, I know, you
• 1:14:14
  Speaker 1: gotta change your towel more than once a week. I
• 1:14:17
  Speaker 1: use my wife's towel when she's done, and then every
• 1:14:19
  Speaker 1: day she gets a new towel, and I use her
• 1:14:20
  Speaker 1: towels every day. Huh, why would you use your wife
• 1:14:23
  Speaker 1: towels every day? Because usually my wife's towel is the
• 1:14:25
  Speaker 1: one that's hanging up on the shower and I just
• 1:14:27
  Speaker 1: take it in. On trial, they shared towels. She doesn't
• 1:14:30
  Speaker 1: share with me. I shared her towel and she's the
• 1:14:32
  Speaker 1: one yeah okay, yeah, as you change every three to
• 1:14:36
  Speaker 1: four days, and she used my husband that he's the
• 1:14:38
  Speaker 1: one who does it typically, and so like it's funny
• 1:14:41
  Speaker 1: He said that about sharing towles because another couple that
• 1:14:43
  Speaker 1: I know, uh, they do the same thing, and you know,
• 1:14:47
  Speaker 1: I was just like, that's so odd to share the
• 1:14:49
  Speaker 1: same tow I don't know. I was like, I thought
• 1:14:51
  Speaker 1: the comfort level was there because they're both lesbian's right,
• 1:14:54
  Speaker 1: so like they I was like, oh, it's because you're
• 1:14:56
  Speaker 1: both women. Is that what it is? And she was like,
• 1:14:57
  Speaker 1: now we've just been shared towles, is just easier. I
• 1:15:00
  Speaker 1: just don't see the point. Yeah, Like, what's the point
• 1:15:02
  Speaker 1: of sharon towels? It's two of y'all. Y'all gonna have
• 1:15:04
  Speaker 1: twohowers hanging up on the rack. We don't take two shows.
• 1:15:06
  Speaker 1: We don't take showers at the same time all the time.
• 1:15:08
  Speaker 1: So she takes a shower and then, you know, a
• 1:15:09
  Speaker 1: couple hours later, towels dry. Use her shower, I use
• 1:15:12
  Speaker 1: her towel, but you have your own towel, and so
• 1:15:14
  Speaker 1: that means the towel will never get dry. Oh yeah,
• 1:15:16
  Speaker 1: that's what I'm that's always damn. But that's why she
• 1:15:19
  Speaker 1: gets a new town because she don't like to use
• 1:15:21
  Speaker 1: my towel, but I use some town. I think this
• 1:15:23
  Speaker 1: is a way. This that's kind of like a sneaky
• 1:15:25
  Speaker 1: back doorway of you changing your towel every day pretty
• 1:15:28
  Speaker 1: much basically right, Seen how his eyes lit up when
• 1:15:31
  Speaker 1: you said sneaky backdoor. He didn't know where he was
• 1:15:33
  Speaker 1: going with free, Free, Let's go to the phone lines. Hello,
• 1:15:40
  Speaker 1: who's this from Detroit? I know you change your towel
• 1:15:43
  Speaker 1: once a month. I'm just saying, DJ hit out once
• 1:15:50
  Speaker 1: a month. No, no, no, it's not it's not about me.
• 1:15:53
  Speaker 1: I know, I got a friend. They believe that you
• 1:15:55
  Speaker 1: shouldn't you. So when you walk the towel, that's a
• 1:16:00
  Speaker 1: defeat the pervot. They just use hot water. I'm so confused.
• 1:16:05
  Speaker 1: Every week and I give a take. That's a broad definition.
• 1:16:11
  Speaker 1: That means what he remembers. Let the rugged show he's
• 1:16:13
  Speaker 1: from Detroit. You know, I don't know why east side
• 1:16:17
  Speaker 1: or a west sideer, eastide or a west sideer. He's going, Okay, Hello,
• 1:16:21
  Speaker 1: who's this? Hi? This is kid? Good morning, Calamine, d'say
• 1:16:25
  Speaker 1: envy into good morning. Hey, what's going on? How often
• 1:16:29
  Speaker 1: you change your town mama? Well, once every week is
• 1:16:33
  Speaker 1: good enough for me. So on Sundays, I watched all
• 1:16:35
  Speaker 1: my towns and all my bit sheets. That sounds about right.
• 1:16:38
  Speaker 1: That sounds about I think once the week is the accurate. Yeah,
• 1:16:41
  Speaker 1: that's the accurate number. And that's that's my mama used
• 1:16:44
  Speaker 1: to do every Sunday. She would wash towels and the
• 1:16:46
  Speaker 1: sheets every Sunday. But that's that's another important question, like
• 1:16:49
  Speaker 1: how often you do you change your sheets? You know,
• 1:16:52
  Speaker 1: those get changed a lot because because I'm a I'm
• 1:16:54
  Speaker 1: a night sweater. So my wife definitely changed. She's like,
• 1:16:57
  Speaker 1: but boy, she just got some night sweat sheets, some
• 1:16:59
  Speaker 1: type a sweat resistance sheets. I got those. They were
• 1:17:05
  Speaker 1: I'm gonna need to plug on that way. No, you
• 1:17:06
  Speaker 1: can pull water on it and it's like gone, like
• 1:17:09
  Speaker 1: it always incredible, incredible. I didn't try that, but I
• 1:17:11
  Speaker 1: don't know what the name Brandon. Let me ask Hello,
• 1:17:13
  Speaker 1: who's this? This is ol Hey, I'll take us off
• 1:17:17
  Speaker 1: bluetooth for Yeah, you're not on bluetooth, thank you, good morning. Funny.
• 1:17:26
  Speaker 1: So I think after four to five days, six days, okay,
• 1:17:31
  Speaker 1: because not everybody This might sound like an excuse, but
• 1:17:34
  Speaker 1: not everybody might have a washer and a dryer in
• 1:17:37
  Speaker 1: their apartment. As a good point, I'm during the week, Yeah,
• 1:17:41
  Speaker 1: but you shouldn't just have one towel though you should have.
• 1:17:44
  Speaker 1: You see these two towels, three towels. You don't just
• 1:17:46
  Speaker 1: have one towel. I know you ain't talking definitely, I
• 1:17:51
  Speaker 1: don't let me talk to you like that when he
• 1:17:53
  Speaker 1: using his wife's towel when he ain't got to y'all
• 1:17:56
  Speaker 1: got one down. No, you should have that, you should
• 1:18:03
  Speaker 1: but you know, but no, I agree. I like your
• 1:18:07
  Speaker 1: point about to watching dry that does that's like in college?
• 1:18:10
  Speaker 1: You know, I can't say I was every three to
• 1:18:11
  Speaker 1: four days. I was probably like once a week, you know,
• 1:18:14
  Speaker 1: maybe even a week and a half. Because your college
• 1:18:16
  Speaker 1: you broke and you don't have that many tiers. Yeah,
• 1:18:17
  Speaker 1: I ain't going from the college it matey went two weeks.
• 1:18:20
  Speaker 1: I'm gonna be honest with you. I think I do.
• 1:18:21
  Speaker 1: Two weeks now. That's disgusting. As a green man, that's disgusting.
• 1:18:26
  Speaker 1: I have to I have to wash cloths and a
• 1:18:28
  Speaker 1: towel to dry off with. That's disgusting. Two weeks goes
• 1:18:31
  Speaker 1: by fast. Do you watch that night in the morning? Absolutely?
• 1:18:33
  Speaker 1: And and yes you need more than two weeks, bro,
• 1:18:36
  Speaker 1: that's HOWE stinks. I'm a two to sometime three shower
• 1:18:39
  Speaker 1: a day type. Of person. You smell your towel, Does
• 1:18:41
  Speaker 1: your wife smell yours? No haunts as y'all use the
• 1:18:45
  Speaker 1: same one? No, she gets a fresh But and that's
• 1:18:47
  Speaker 1: how I know your towel wasn't fresh, because what makes
• 1:18:49
  Speaker 1: the towel smell is the dampness, no of it. When
• 1:18:52
  Speaker 1: them towel was dry out, they don't be that rank
• 1:18:55
  Speaker 1: two weeks they stink bro rank eight hundred five one.
• 1:19:01
  Speaker 1: How often do you watch your towels? Call us up
• 1:19:03
  Speaker 1: right now. It's the Breakfast Club. The morning call. Opinions
• 1:19:14
  Speaker 1: to the Breakfast Club topic I five five one morning.
• 1:19:20
  Speaker 1: Everybody is DJ Envy Charlemagne the guy. We are to
• 1:19:24
  Speaker 1: Breakfast Club. We have Jamal Hill our guest host today.
• 1:19:27
  Speaker 1: And you learn so much about people like Jamal Hill
• 1:19:29
  Speaker 1: that you know she sparked this topic because you know
• 1:19:31
  Speaker 1: she chose violence on Twitter telling people they don't be watching,
• 1:19:34
  Speaker 1: and you know they don't change their towels and stuff.
• 1:19:36
  Speaker 1: And now Jamal said she don't. You don't watch before
• 1:19:38
  Speaker 1: you go to bag Not all the time, now me
• 1:19:41
  Speaker 1: neither every time. Every yeah, I do for specific reasons.
• 1:19:45
  Speaker 1: Sometimes it depends on what has happened in the course
• 1:19:48
  Speaker 1: of the day what I've been doing and worked out?
• 1:19:50
  Speaker 1: Oh yeah, well yeah, work out definitely for sure. Like
• 1:19:54
  Speaker 1: I was showing some sex that was gonna be now
• 1:19:57
  Speaker 1: it's gonna be another thing. If picked up about it,
• 1:20:00
  Speaker 1: I was like, well the other thing too is that
• 1:20:02
  Speaker 1: you know, if you want to have everything fresh, you
• 1:20:05
  Speaker 1: got you sexy time. Definitely. I don't understand it you
• 1:20:08
  Speaker 1: not watching before because that beijing, like, you can't up.
• 1:20:11
  Speaker 1: You can't wash two in times a day with that
• 1:20:13
  Speaker 1: Beijing on your chin and then your headiness. Let's go
• 1:20:16
  Speaker 1: to the phone lines. Man, Hello, who's this? This is
• 1:20:19
  Speaker 1: Sharie yod morning, good morning? How often do you change
• 1:20:26
  Speaker 1: your towe? Mama? Every three days? Every three days? Every
• 1:20:31
  Speaker 1: three days? And nbtween those two days? You really should
• 1:20:34
  Speaker 1: throw your towel and the wire because if you don't
• 1:20:37
  Speaker 1: put that heat on it, it won't the VECTORI or
• 1:20:39
  Speaker 1: whatever will start the damp tows And that's nirsty. That's
• 1:20:43
  Speaker 1: what I'm doing, And that's when you get rank. It
• 1:20:49
  Speaker 1: starts to hold that smell after a while, when you
• 1:20:52
  Speaker 1: wash on the kind of smells moldy and benzy. Nobody
• 1:20:55
  Speaker 1: wants that. What would you rather be rank or stink? I?
• 1:20:58
  Speaker 1: Feel like rank it is better. I would rather be neither.
• 1:21:05
  Speaker 1: But stank is the stak steak, but r R rank
• 1:21:11
  Speaker 1: rank is a little. Rank is subtle. Yeah, you know,
• 1:21:14
  Speaker 1: it's like a quiet funk, yeah right, Whereas if you stank,
• 1:21:17
  Speaker 1: it's like loud. Like when you say you stak, you're
• 1:21:20
  Speaker 1: just like, oh god, okay, some might be in my poores.
• 1:21:23
  Speaker 1: That's doctor. Hello, who's this all right? That's the sas Hey,
• 1:21:29
  Speaker 1: good morning, mama. When you're calling him from I'm calling
• 1:21:31
  Speaker 1: from Detroit. I get through three represented. Please don't say
• 1:21:34
  Speaker 1: that trifling. Now, how often do you change your towel, mama?
• 1:21:39
  Speaker 1: I changed my child every time I shower. Oh the
• 1:21:42
  Speaker 1: every day, every boy, y'all rich, that's a lot of
• 1:21:45
  Speaker 1: laundry detergent. Well, I watched my laundry once a week.
• 1:21:49
  Speaker 1: So can I ask you what's going on with your
• 1:21:51
  Speaker 1: body that you gotta change your towel every day? If
• 1:21:53
  Speaker 1: you if you don't mind me asking, like, what's what's
• 1:21:55
  Speaker 1: the problem. But it's not a problem. I just like
• 1:21:58
  Speaker 1: pulling a fresh towel. That I don't believe that I
• 1:22:01
  Speaker 1: don't I don't believe anybody that tells me they change
• 1:22:03
  Speaker 1: the towel every day. I don't believe me unk I
• 1:22:05
  Speaker 1: said that she does it every day, but I do.
• 1:22:07
  Speaker 1: She's right about something. There's something about like a fresh
• 1:22:09
  Speaker 1: tow like especially if it's like a warm, fresh town. Yeah,
• 1:22:13
  Speaker 1: like that's that's very luxurious feeling. Why do we have
• 1:22:17
  Speaker 1: the mind state that because I do this in hotels,
• 1:22:19
  Speaker 1: I need fresh hotels. I'm I'm always calling out that
• 1:22:24
  Speaker 1: I burned through those. Why do we do that in
• 1:22:26
  Speaker 1: home coming? You're not doing the laundry, you're not doing
• 1:22:29
  Speaker 1: and and most hotel towels are white, right, and so
• 1:22:32
  Speaker 1: it's just like you know it just it's something about
• 1:22:35
  Speaker 1: a white town that just starts to look kind of
• 1:22:36
  Speaker 1: dingy or whatever. White towels are like a therapist. You
• 1:22:40
  Speaker 1: get to see yourself, Yeah, what you've been doing that day? Right?
• 1:22:45
  Speaker 1: But you know in the hotel too, I take the
• 1:22:46
  Speaker 1: sheet off the bed every day to make sure they
• 1:22:48
  Speaker 1: change the sheets, because they have this new thing now
• 1:22:49
  Speaker 1: where you like ask, right, Yeah, you gotta ask to
• 1:22:52
  Speaker 1: change the sheets. May I take the sheets of every day?
• 1:22:54
  Speaker 1: I want new sheets every day. I think you're just
• 1:22:55
  Speaker 1: being bad because you be runing the people's sheets. Man,
• 1:22:58
  Speaker 1: what's the walling story man, was it always gonna I
• 1:23:01
  Speaker 1: don't even use boiler story is just wash your damn towels.
• 1:23:04
  Speaker 1: That's really the moral of the story. Because somebody in
• 1:23:06
  Speaker 1: this room, who I'm we're not in this room, but
• 1:23:07
  Speaker 1: in this building said they don't wash their towels until
• 1:23:10
  Speaker 1: they smell something. What that's not good? That is not good,
• 1:23:13
  Speaker 1: that it's not actually disgusting. How often do they smell it?
• 1:23:17
  Speaker 1: Like how fast it take they have to if the
• 1:23:20
  Speaker 1: older probably jumps up on them. See what I'm saying.
• 1:23:23
  Speaker 1: And if that's the case, if your towle is smelling
• 1:23:25
  Speaker 1: that bad, then you know what was leading into that.
• 1:23:28
  Speaker 1: That's right, he said, He said, I thought if I
• 1:23:31
  Speaker 1: heard correctly, he said, his new girlfriend is the one
• 1:23:32
  Speaker 1: who's been who got them together on that. Well, you
• 1:23:34
  Speaker 1: wouldn't have a new girlfriend if you know who you
• 1:23:36
  Speaker 1: change your towels more often. Okay, you have one old
• 1:23:38
  Speaker 1: g girlfriend. Right, You're gonna keep having new girlfriends because
• 1:23:41
  Speaker 1: every time they smell them towels, they're gonna be out.
• 1:23:44
  Speaker 1: But most women, though, there is an expectation that we
• 1:23:47
  Speaker 1: have that a lot of you know, guys, you make
• 1:23:50
  Speaker 1: date or you wind up being your significant other, Like,
• 1:23:53
  Speaker 1: there's gonna be an expected level of nastiness, right, Oh yeah,
• 1:23:57
  Speaker 1: it's gonna be an expected level where you just like,
• 1:24:00
  Speaker 1: you know, because my husband tells you this all the time.
• 1:24:02
  Speaker 1: Is that and he's a very clean person that he
• 1:24:05
  Speaker 1: holds women to a much higher standard. He was like,
• 1:24:07
  Speaker 1: you know, like men could be a little nasty, y'all
• 1:24:10
  Speaker 1: can get away with it, but like women cannot get
• 1:24:11
  Speaker 1: away with that. That's true, Yeah, paulse pause, pause, quick question?
• 1:24:15
  Speaker 1: Do you do laundry in your crib ard? Does your husband?
• 1:24:17
  Speaker 1: We both do it. I don't know. I'm gonna tell you.
• 1:24:22
  Speaker 1: Does your husband have white underwear? You've been checking out
• 1:24:26
  Speaker 1: a ward man? You a wild boy man. I don't
• 1:24:29
  Speaker 1: understand what. I don't even know that ray J was saying.
• 1:24:32
  Speaker 1: Ray J was selling men that they shouldn't have white
• 1:24:34
  Speaker 1: underwear because it's embarrassing when their women watches the underwear.
• 1:24:37
  Speaker 1: I'm just asking, Okay, but why are you a grown
• 1:24:39
  Speaker 1: man with streaks? It's the bigger plas do y'all, y'all,
• 1:24:43
  Speaker 1: I mean, are we not at a point where we're
• 1:24:46
  Speaker 1: using wipes? Somebody called up here yesterday and literally said
• 1:24:49
  Speaker 1: they learned how to wipe. They ask properly because they
• 1:24:52
  Speaker 1: heard that conversation we had on the Breast Club. This
• 1:24:54
  Speaker 1: was two weeks ago, Jamil, and man was like thirty
• 1:24:56
  Speaker 1: something years. That is that shameful. I don't think my
• 1:25:00
  Speaker 1: husband has a lot of white underwear. Most of them
• 1:25:01
  Speaker 1: are like black, you know, different colors red, however, and
• 1:25:05
  Speaker 1: I have never seen all right streak. All right, you
• 1:25:09
  Speaker 1: should not have gave Envy that visual awarding. He is not.
• 1:25:14
  Speaker 1: That's what he wanted. I'm sure understanding who I Envy
• 1:25:20
  Speaker 1: is in this prison. Man, my goodness for every goodness?
• 1:25:26
  Speaker 1: All right? When we come back, Nihilis Simone is joining us.
• 1:25:29
  Speaker 1: Of course, DJ nw al Simone. You know she does
• 1:25:31
  Speaker 1: pass the alcs. That's what we tap into her playlist.
• 1:25:34
  Speaker 1: Say what's new, what's popping? What we should be looking
• 1:25:36
  Speaker 1: for or listening to? And we're gonna do that. Next
• 1:25:38
  Speaker 1: it's the Breakfast Club. Good morning, the Breakfast Club Morning.
• 1:25:44
  Speaker 1: Everybody is stej Envy, Charlemagne the guy. We are the
• 1:25:47
  Speaker 1: Breakfast Club. We got our guest host, Jamal Hill joining us.
• 1:25:51
  Speaker 1: How you enjoying yourself so far? Jamal? Oh, this has
• 1:25:53
  Speaker 1: been a blast. I've learned so much, so much, I
• 1:25:55
  Speaker 1: didn't know so much. I didn't need to know, But
• 1:25:58
  Speaker 1: now I feel like I'm more informed. You know, if
• 1:26:00
  Speaker 1: he thought about Penis so much so early in the morning,
• 1:26:03
  Speaker 1: the whole father with a family amber envy because y'all
• 1:26:08
  Speaker 1: got him in a y'all got him in prison. He's liberated.
• 1:26:12
  Speaker 1: You're free, your goodness, gracious. Well, it's time for past
• 1:26:14
  Speaker 1: the auks and I have my friend Nila DJ Nili
• 1:26:17
  Speaker 1: Simone come on and Nila, good morning. M v's up guys,
• 1:26:20
  Speaker 1: And why La, you're my only friend up here today
• 1:26:22
  Speaker 1: because these other guys are just talking bad about me.
• 1:26:24
  Speaker 1: She's just your friend for this segment. Happy for the opportunity.
• 1:26:28
  Speaker 1: That's all what we got today. Now this is where Nila,
• 1:26:31
  Speaker 1: you know, puts us onto what she's listening to on
• 1:26:34
  Speaker 1: her playlist for the week. Okay, yeah, so this week
• 1:26:37
  Speaker 1: Lotto dropped a new record last Friday. I took some
• 1:26:41
  Speaker 1: time and sat on it, and I really really liked it.
• 1:26:43
  Speaker 1: A lot of people were giving her flat because they
• 1:26:44
  Speaker 1: feel like she's gonna pop too soon. What's you called?
• 1:26:47
  Speaker 1: It's called lottery? First of all, um, what happened in
• 1:26:50
  Speaker 1: the Nasty song? Okay, I thought that was supposed to
• 1:26:52
  Speaker 1: be the next single that was That was nasty song.
• 1:26:54
  Speaker 1: It was it is a single went like top five.
• 1:26:56
  Speaker 1: Oh it did. Yeah, Okay, so this is a new record,
• 1:26:58
  Speaker 1: this new record, yep, and it's a little labor her
• 1:27:00
  Speaker 1: to have a song called Lottery. Don't you think like
• 1:27:01
  Speaker 1: your name is Lotto? Never too late. One of the
• 1:27:03
  Speaker 1: first two records he came out called her name is
• 1:27:07
  Speaker 1: now Lotto. She went through name Jane just it was Lotto,
• 1:27:09
  Speaker 1: you right with the Lottery, and then it was big Lotto.
• 1:27:12
  Speaker 1: It was big, big Lotto. Okay, so now I just
• 1:27:14
  Speaker 1: now now it's just little and now we got a lottery.
• 1:27:17
  Speaker 1: I liked the rebrand. The rebrand. It also has Luke
• 1:27:19
  Speaker 1: Kayla on it, who had a hit a viral hit
• 1:27:22
  Speaker 1: last year about the soft girl era. You know all
• 1:27:24
  Speaker 1: the girls are saying there in the soft girl era
• 1:27:26
  Speaker 1: right now to just shout out to her super dope moment.
• 1:27:28
  Speaker 1: My second record, I'm gonna keep it with the ladies
• 1:27:30
  Speaker 1: because the ladies is killing stuff right now. Flow Milly
• 1:27:33
  Speaker 1: dropped another record that I love called Nasty Dancer. It's tough,
• 1:27:37
  Speaker 1: it's fired, let's get into it. Wait did she say
• 1:27:39
  Speaker 1: it tastes like Coco. She said, it tastes like coc
• 1:27:41
  Speaker 1: just like a song. Really had a song called Lotto right, no, no, guys,
• 1:27:47
  Speaker 1: no doubt to Eric Ran, what was flo Milli songs?
• 1:27:49
  Speaker 1: She had a song I liked with that sample. Oh
• 1:27:51
  Speaker 1: if I was a rich girl, remember that that should
• 1:27:54
  Speaker 1: have went so MILLI got a bunch of records. I
• 1:27:56
  Speaker 1: don't know. Yeah, I like that flow Many record. Yeah,
• 1:28:01
  Speaker 1: that's a good one. It kind of reminds me of
• 1:28:02
  Speaker 1: like Florida down South. Yeah it don't, it does. I
• 1:28:07
  Speaker 1: grew up in the nineteen hundred. I remember, we'll floid
• 1:28:09
  Speaker 1: it down that Uncle Luke era was something different. You
• 1:28:13
  Speaker 1: can't play those on the radio, all right, Well, I
• 1:28:17
  Speaker 1: feel like it's in that temple. And then my last
• 1:28:19
  Speaker 1: record is by our artist named Jordan ward Um and
• 1:28:23
  Speaker 1: it's a song called white Crocs A super wavy was
• 1:28:26
  Speaker 1: he from He's from Saint Louis And songs called white
• 1:28:29
  Speaker 1: crocs White crocs because yeah, because you got a line.
• 1:28:32
  Speaker 1: It's like, you know, I like thoughts, I'm about to
• 1:28:36
  Speaker 1: pull up on them and some white crocs. That's fence
• 1:28:38
  Speaker 1: and all using footwear white crocs. White sounds like Jeremiah
• 1:28:44
  Speaker 1: a little bit. Jeremiah. Yeah, viby like that. I like
• 1:28:48
  Speaker 1: the vibe that I questioned the song title. It's like
• 1:28:51
  Speaker 1: it feels like when you when you told me what
• 1:28:54
  Speaker 1: when you told us what the name of the song was,
• 1:28:55
  Speaker 1: I was not expecting that. It feels like it should
• 1:28:59
  Speaker 1: be something else. Bad market man, know what they mean?
• 1:29:03
  Speaker 1: White crocs? Yeah, I've ever seen never seen white crocs, dirties. Yeah. Yeah.
• 1:29:08
  Speaker 1: The crocs are comfortable, the comfortable hell, especially get the
• 1:29:12
  Speaker 1: ones with the fern fern feet. Somebody told me to
• 1:29:15
  Speaker 1: start wearing crocs instead of easy because that's why we
• 1:29:18
  Speaker 1: were in wearing the too. That's why your easiest got
• 1:29:20
  Speaker 1: stolen in Africa. Like why are you wearing okay? It
• 1:29:24
  Speaker 1: still your easiest yo. I'm like, he's like, why would
• 1:29:28
  Speaker 1: the body using I'm like, why would you wear us? Like?
• 1:29:32
  Speaker 1: I get it. Next time we went to the uh
• 1:29:40
  Speaker 1: the last Black bath the river would would they would
• 1:29:44
  Speaker 1: they let you do your last bath before they put
• 1:29:46
  Speaker 1: you before they make you to put you onto slave ships? Yeah? Yes,
• 1:29:51
  Speaker 1: And so we had to be bad foot walking down
• 1:29:53
  Speaker 1: to the road and somebody damn sh your store to
• 1:29:55
  Speaker 1: easy from twenty minutes though got back. They don't play
• 1:29:59
  Speaker 1: that no on pointin right right, tell them where to
• 1:30:08
  Speaker 1: find you. But make sure you guys follow me at
• 1:30:10
  Speaker 1: nilas samone on I G N Y la y m
• 1:30:13
  Speaker 1: O and ee and tap into. The playlist is on
• 1:30:16
  Speaker 1: the Lincoln Bio past the ox playlist, all your favorite dress,
• 1:30:20
  Speaker 1: all right, thank you, miss Nila, thank you. All right.
• 1:30:23
  Speaker 1: When we come back, we got the People's Choice mixture
• 1:30:24
  Speaker 1: that we throw it back on the Friday. It's the
• 1:30:26
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Your mornings will
• 1:30:30
  Speaker 1: never be the same. Where's the best place to spark
• 1:30:33
  Speaker 1: blue ideas. It's Audible, the Home of storytelling. Listen to
• 1:30:36
  Speaker 1: best selling audiobooks, podcast and exclusive originals on wellness, motivation,
• 1:30:40
  Speaker 1: true crime, you name it. It's all there in the
• 1:30:43
  Speaker 1: Audible app. Sign up for thirty eighth free at audible
• 1:30:45
  Speaker 1: dot com. Slash the Breakfast Club. Everybody is DJ Envy
• 1:30:49
  Speaker 1: Charlomagne the Guy. We are the Breakfast Club. We have
• 1:30:51
  Speaker 1: Jamal Hill our guest hosts here today. Indeed, and what
• 1:30:54
  Speaker 1: we're doing today is Black History Month. Listen man, you
• 1:30:56
  Speaker 1: know every day during Black History Month, the Black Affect
• 1:30:58
  Speaker 1: iHeartRadio podcast Network, we put out a podcast called I
• 1:31:01
  Speaker 1: Didn't Know, Maybe You didn't either, hosted by my guy
• 1:31:04
  Speaker 1: B dot and today B. Dott is explaining how Robert
• 1:31:07
  Speaker 1: Small stole a Confederate ship and shell to freedom undetected
• 1:31:12
  Speaker 1: with his family in sixteen others. Let's listen. His name
• 1:31:21
  Speaker 1: Roberts Smalls, and in the early hours of May thirteenth,
• 1:31:25
  Speaker 1: eighteen sixty two, he did the unthinkable. He stole a
• 1:31:29
  Speaker 1: Confederate ship, the Planter. He had a wife named Hannah,
• 1:31:32
  Speaker 1: a four year old daughter named Elizabeth, and an infant
• 1:31:36
  Speaker 1: son named Robert Junior. Now this all happened in Charleston,
• 1:31:39
  Speaker 1: South Carolina. After the captain and his partners had docked
• 1:31:42
  Speaker 1: the Planner, they exit and go to land. Now where
• 1:31:45
  Speaker 1: they going to party or were they going to sleep
• 1:31:47
  Speaker 1: with their wives and family? Who knows? But they left
• 1:31:50
  Speaker 1: the Planter monitored only by Robert Smalls, and that's when
• 1:31:54
  Speaker 1: him and his partners took action. Now, this is very
• 1:31:57
  Speaker 1: difficult because they had to first start the plan to
• 1:32:00
  Speaker 1: which is allowed steamboats, and they had to do it
• 1:32:02
  Speaker 1: in a way they wouldn't draw suspicion. Secondly, they would
• 1:32:05
  Speaker 1: have to maneuver the steamboat to the boat where his
• 1:32:08
  Speaker 1: family was and pick them up. After that checkpoint, they
• 1:32:11
  Speaker 1: would have to navigate through three Confederate checkpoints, including Fort Sumter,
• 1:32:17
  Speaker 1: just to try to get to the open waters and
• 1:32:20
  Speaker 1: meet up with the Union ships. Now, remember, Confederate ships
• 1:32:24
  Speaker 1: bad guys. Unionship good guys. Even if they were successful
• 1:32:29
  Speaker 1: enough to get through all of the Confederate checkpoints, who's
• 1:32:31
  Speaker 1: to say the Union ships wouldn't shoot them down because
• 1:32:34
  Speaker 1: they were driving a Confederate steamboat. So many many ways
• 1:32:38
  Speaker 1: to die, yet it was worth the risk. Not only
• 1:32:42
  Speaker 1: did Robert Smalls undocked the Planter from the Charleston Harbor,
• 1:32:47
  Speaker 1: but he made it to pick up his wife and kids.
• 1:32:49
  Speaker 1: Because he had taken so many trips, he knew the
• 1:32:52
  Speaker 1: codes for the Confederate checkpoints. Whether it was a blow
• 1:32:55
  Speaker 1: up the whistle here, a tip of the cap there,
• 1:32:58
  Speaker 1: he successfully maneuvered in the early mornings through the Charleston
• 1:33:02
  Speaker 1: Harbor into open water. Immediately him and his partners start
• 1:33:06
  Speaker 1: taking down the Confederate flags and the South Carolina flags
• 1:33:09
  Speaker 1: and putting up white sheets to show the Union ships, Hey,
• 1:33:13
  Speaker 1: we surrender. And it worked. They said they were gonna
• 1:33:15
  Speaker 1: make a movie about it, but I ain't seen it yet.
• 1:33:17
  Speaker 1: Robert Smalls seized the Confederate ship and selled it and
• 1:33:21
  Speaker 1: sixteen other enslaved individuals to freedom. And I didn't know.
• 1:33:26
  Speaker 1: Maybe you didn't either. That's right. Salute to my guy,
• 1:33:30
  Speaker 1: beat dit Man and listen. I gotta always salute beat
• 1:33:34
  Speaker 1: Dot because you know we started doing I didn't know,
• 1:33:35
  Speaker 1: maybe you didn't either. Last year on the Black Effect,
• 1:33:38
  Speaker 1: iHeartRadio Podcast Network for Black History Month. In this year,
• 1:33:42
  Speaker 1: fifteen schools in North Carolina started implementing I didn't know,
• 1:33:46
  Speaker 1: maybe you didn't either, in the curriculum. So salute to
• 1:33:49
  Speaker 1: be Dot. In all those schools that picked up this podcast.
• 1:33:52
  Speaker 1: That's a podcast should be right, they should be educational,
• 1:33:54
  Speaker 1: I think in some way, shape or form. So salute
• 1:33:57
  Speaker 1: to beat Dot and make sure you subscribed to I
• 1:33:58
  Speaker 1: didn't know, maybe you didn't either. Podcast on the Black
• 1:34:01
  Speaker 1: Effect I Heeartradio Podcast Network. All right, now when we
• 1:34:04
  Speaker 1: come back, we got the positive note, don't move. It's
• 1:34:06
  Speaker 1: the Breakfast Club. Good morning one of everybody's DJ Envy
• 1:34:09
  Speaker 1: Charlemagne the God. We are the Breakfast Club. We got
• 1:34:12
  Speaker 1: our guest holds, Jamal Hill and Jamil thank you for
• 1:34:14
  Speaker 1: joining us today and being up here with us. Us
• 1:34:16
  Speaker 1: crazy ass mother. Ef. Yeah, I got the little sheet
• 1:34:20
  Speaker 1: about what not to say, and it's am glad. I'm
• 1:34:22
  Speaker 1: glad you edited yourself. I was like, oh my god,
• 1:34:24
  Speaker 1: that's easy for you to jamal because you know you
• 1:34:26
  Speaker 1: got so much television experience. Yeah you know, I know.
• 1:34:29
  Speaker 1: I'm actually surprised I made it this far in my
• 1:34:31
  Speaker 1: career and never cursed on TV because you got a
• 1:34:33
  Speaker 1: party mouth. Yeah I do, I do. I was like,
• 1:34:36
  Speaker 1: it's bad so but I'm able to edit myself. But
• 1:34:38
  Speaker 1: I want to thank you all for having me on here.
• 1:34:39
  Speaker 1: I've learned and been educated in so many ways. Tyle behavior.
• 1:34:44
  Speaker 1: I found out who Bernice Burgos. Bernice Burgos, Yes, I
• 1:34:49
  Speaker 1: found out who that was. Like, that was my black
• 1:34:52
  Speaker 1: history lesson for today. Man, we do need to celebrate
• 1:34:55
  Speaker 1: Bernice for black history. Mouth Man, I gotta tell b
• 1:34:58
  Speaker 1: dot to figure out what what what don't we know
• 1:35:01
  Speaker 1: about Bernice? Like and I didn't know, maybe you didn't either. Yeah,
• 1:35:04
  Speaker 1: we need to some fast facts we don't know. People
• 1:35:06
  Speaker 1: don't really know Bernice stats, and they need to know
• 1:35:08
  Speaker 1: her stats. Okay, Bernice actually needs a statue built to
• 1:35:11
  Speaker 1: her in New Jersey somewhere. She got a hall of fame.
• 1:35:14
  Speaker 1: She man Berne needs is a legend, okay, and she's Dominican.
• 1:35:21
  Speaker 1: That was in the corners hand. Bernice is Dominican. I
• 1:35:23
  Speaker 1: don't know why she's don't know why she just thought
• 1:35:25
  Speaker 1: that was important. All you're saying because she can't be
• 1:35:29
  Speaker 1: a black history mon legic because Afro Latina. Yeah she
• 1:35:33
  Speaker 1: might be that. I thought she was half and half,
• 1:35:35
  Speaker 1: half and half. What why do you make a sound
• 1:35:37
  Speaker 1: like a goddamn uptown man. We can't learn man, salute
• 1:35:43
  Speaker 1: to Bernice, shout out to Bernie's all right, what do
• 1:35:45
  Speaker 1: you got a positive note? Yes? And Jamal tell them
• 1:35:48
  Speaker 1: to listen to the Unbothered podcast. Yes, yeah, please listen
• 1:35:51
  Speaker 1: to Jamal Hills Unbothered exclusively on Spotify. Also check out
• 1:35:55
  Speaker 1: the other podcast that we have on the Unbothered network,
• 1:35:58
  Speaker 1: Sanctified The Black Girl Provider. And of course y'all see,
• 1:36:02
  Speaker 1: I've had this pretty book right here, Hill Up Hill
• 1:36:05
  Speaker 1: by the Memoir, available wherever books are sold. And in
• 1:36:08
  Speaker 1: case some of y'all don't know, Amazon, Bars and Nobles,
• 1:36:11
  Speaker 1: wherever books are sold, you you have to direct you.
• 1:36:14
  Speaker 1: That's right where you get a book from. Seriously, I've
• 1:36:20
  Speaker 1: had people ask me like, oh, where should I buy it?
• 1:36:22
  Speaker 1: I was like, wherever books are sold, They're like, okay,
• 1:36:24
  Speaker 1: where I'm like, um, five mixtapes. It's like, y'all, y'all
• 1:36:28
  Speaker 1: worry me sometimes, Yes, Hey, listen to I want to
• 1:36:32
  Speaker 1: remind y'all man. You know a movie that I executive produced,
• 1:36:35
  Speaker 1: eighty eight The movie is still in theaters now. I
• 1:36:39
  Speaker 1: think this is the last week it's going to be
• 1:36:40
  Speaker 1: in theaters. But I do know that starting today it
• 1:36:44
  Speaker 1: is available for screaming on Apple TV. So everybody who
• 1:36:47
  Speaker 1: pre ordered it on Apple TV, today is the day
• 1:36:50
  Speaker 1: that it'll be screaming on Apple TV. So if you
• 1:36:52
  Speaker 1: haven't pre ordered it, or if you want to watch
• 1:36:54
  Speaker 1: eighty eight the movie, you can watch it tonight on
• 1:36:56
  Speaker 1: Apple TV. But if you feel like going to a
• 1:36:58
  Speaker 1: movie theater, check your local list things and see where
• 1:37:01
  Speaker 1: it's showing at in a theater near you this weekend.
• 1:37:04
  Speaker 1: Eighty eighth the movie starring Brandon V. Dixon, the Torynton,
• 1:37:08
  Speaker 1: Orlando Jones, executive produced by me. A great political thriller.
• 1:37:12
  Speaker 1: I would really appreciate if you check that out this weekend.
• 1:37:14
  Speaker 1: Breakfast Club. I'm finished for y'all. Dune