Latest / 2000 Plus / 2000 Plus - The Green Thing
Transcript
- 0:02I am a voice that no man on earth has ever heard before. I
- 0:12am not of this world, but no man hearing my voice knows whether I
- 0:22truly live, or whether I am a thing of the imagination, a thing
- 0:29of dreams. You will hear my story in a moment on you thows and
- 0:40plus listen thousand us Adventures in the World of Tomorrow. Framatic stories of science
- 1:11fiction from the years beyond two thousand AD. Today, the story of a
- 1:27horrible nightmail It wouldn't stop even when the dreamer woke up. A story called
- 1:34a green Thing. It is the year two thousand plus one seventy five.
- 1:55It is late evenings, and all is peaceful and quiet in doctor Harvey Clendon's
- 1:59Sentarian Outside, on the vast estate that stretches away from the main buildings,
- 2:06there are only the soft country noises, the wind sighing in the trees,
- 2:10the shrill trippings of innumerable crickets. In the world furnished rooms, the patients
- 2:16sleep stretched out on comfortable mephaces and clean white sheets. The country brings us
- 2:23springing over their forms. In room thirty two feet, Missus Summers sleeps peacefully
- 2:30with his head on a fluffy pillow, he sleeps, and he dreams comping
- 2:38company. Way. So, in the light of the growing psychological problems facing
- 2:50our nation, the government has sent me to you, doctor Glendon, to
- 2:53unless your age, since you're the country's outstanding psychiatrists. While I'm on it,
- 2:58Indeed, mister Carling, that as much I can tell you about the
- 3:00advancement of psychiatric research, it isn't being published in the medical journalism. Well,
- 3:06doctor Glendon, isn't there anything that you're working on now? Something definite?
- 3:12I know you're a cautious scholar, but at mister Colie, it isn't
- 3:15possible to announce sweeping new generalizations in our kind of science. I worked as
- 3:21painstaking, complex, highly subjective. It's like the case of one of the
- 3:24patients here in the sanitarium. Oh, buddy, did you bring our records
- 3:29to mister Summers. Summons is about forty forty one. He was admitted five
- 3:34months ago suffering from a melancholia here. Oh, thanks very How as you
- 3:38can see from these notations, he's been feeling much better the past few weeks.
- 3:45Yes, let me see, until last night when he suddenly woke up
- 3:49screaming in his bed. He was being attacked, he shouted by some sort
- 3:52of green devil. We had this jeb getting him under control. Now,
- 3:57in the past, Somers had spoken quite often of a green hat that he
- 4:00lost as a child. His father, he remembered that punished him severely for
- 4:03losing it, and later on Glendon, this is all very interesting, but
- 4:09you can hardly call this dream analysis anything new. Yes, it has been
- 4:13known for centuries. Well, and I don't understand, mister Colling. I
- 4:17know why you came to see me. Apparently I haven't been able to keep
- 4:21my achievement as secret as I hope. That's rights it. We've heard rumors
- 4:28all, mister Colling. I've said that mister Summer's dream is very unusual.
- 4:32How would you like to see it? I mean, see his dream exactly.
- 4:39I'm going to show you a motion picture of mister Sommer's dreams, photograph
- 4:44from the subconscious mind, exactly as he dreamed. I've had special note electrodes.
- 5:00In these electrodes pick up the current impulses of the brains. Then these
- 5:04impulses are transmuted back into pictures on the film of the machine. Really very
- 5:10similar to the method of wireless photography. Mister Summer's dream deal dot too.
- 5:14Oh fine, thank you, Reddy. The projector tube is ready, so
- 5:17I just placed the dream reel with it, and hold only your hat.
- 5:25Mister Darling, you're going to see an actual dream. Yes, yes,
- 5:33very well, mister Klapper. Three slices of lemon drops will do. He
- 5:39thinks. I don't see him putting the pennies in his pocket when he knows
- 5:43they belong to me. Three slices of lemon drops. It is little point.
- 5:47I'm not a little boy, Klapper, and you know it. I'm
- 5:49all grown up and I don't come to your store anymore. I don't even
- 5:54live here anymore. And you steal pennies, all right, No, I
- 5:58get out knocking the boy take your lemondre can get out belt music. I
- 6:04didn't know Clover had music in his store. I don't like his music.
- 6:08I'll slam his door. I'll go out in the street. Now there won't
- 6:15be any more penny stealing music. But what's that? It won't go away?
- 6:23It won't go away, Summers. I am calling you. What's that,
- 6:30Clover? It's it's greety. It's a monster with great pink eyes on
- 6:36long stalks. It's standing in front of me. It has claws. You're
- 6:43not the little boy anymore, Summers. Oh no no, don't touch me
- 6:46with your clothes. Come with me now, Summers your mine. You belong
- 6:54to me. Oh no, no, you're touching me. Don't nor help
- 7:00me, help me please. But you got to him at that moment,
- 7:08the dream machine shut off. Shoot some dream. What effect will the discovery
- 7:13of this dream machine have on psychiatric research, doctor Glenton? Well, I've
- 7:16only just perfected it about four or five months ago. Dot reaps forty or
- 7:20fifty photographed dreams in that files. Forty or fifty. Yeah, However,
- 7:26as far as developing new techniques and treatment, maybe years before I can get
- 7:30them analyzed and correlated so that overall theories can be drawn from them. As
- 7:32long as that So all you understand, mister Carling, why it's a little
- 7:36difficult for me to answer your questions. That dream was fascinating. I've never
- 7:42seen anything like it, a doctor. I know I'm presuming on your time,
- 7:46but I like to see just one more I'll have to report on the
- 7:49at the government bureau. Well, only one more, though, I'm sorry,
- 7:53but I'm quite busy. What about this one? Here? The purple
- 7:56tag. What's that for? I seen that one myself. Yet purple tag
- 8:03means it's from the violent word. Mister m sick man. I will try
- 8:09it. Oh, set, Why how do you do? Missus? Camp
- 8:24For I'm climbing the wall and it's only to us? How warm me?
- 8:31I don't know much, gibberd. Rob's a difficult case. Homicidal tendencies comes
- 8:45from a good family. For a very successful businessman, can you do anything
- 8:52for him? Oh? I think so at times when he can be reached
- 8:56lucid moments and some of his dreams for very clue for that. You're not
- 9:09frightening me. You can't scare me. Don't touch me your claws, doctor,
- 9:20Look on the screen. Look there it is again, that cream thing.
- 9:24No, it's impossible. Two people can't possibly have the same dream.
- 9:43I don't understand it, Betty, I can't understand it. I've been through
- 9:46all the records above them, Summers and Rob. There's nothing in the back,
- 9:48brother, but cause them to have the same dream. Are you sure
- 9:52they haven't been together? But some time? I'm positive, jos if they
- 9:54haven't even met. Mister Ralph came here only a month ago, and he
- 9:58was pasting the violent water me. He's never been out of it. It's
- 10:01possible for people to have similar dreams, yes, but never the dream of
- 10:05the same, unusual, horrible, specific subject is that that green thing.
- 10:09Every detail was the same, the pink eyes, the claws makes me shudder
- 10:15myself. Betty. I want our dream reels, all those I haven't seen.
- 10:18Oh no, you're not going to view them all if it take you.
- 10:20I don't care how long it takes. I want to see them all.
- 10:24I've got a funny feeling inside, and I won't be at ease until
- 10:28I know, until I'm sure, sure, sure, that none of the
- 10:33other patients have had that dream, that same horrible dream of that green thing.
- 10:43Really nine, missus Jarvin Sill, I put the sound on. Oh
- 10:46no, not necessary. We can see them. It appears. No nothing
- 10:52here. Same ten, that's Fonnham. No nothing. I don't think we'll
- 11:01find anything. Doctor, must have been a freak, a coincidence. Keep
- 11:05going, Keep going. Dream eleven, mister Cray. Dream twenty one,
- 11:16nothing there either. Dream twenty two. Huh, Maybe you'll right, Betty.
- 11:24I'm beginning to thank myself to Glendon, Doctor Glenham. Not there it
- 11:28is a greaen thing dream forty two. Mister Bradley, head up the let
- 11:39it up. That's it again, a green thing, poor album, karling
- 11:50horror dreams of that monstrous green thing, each one for a different patient,
- 11:54and each one during the past week. Telling there's something there, something to
- 11:58make even a psychiatrist people fighting. Tell the patients weren't having a dream.
- 12:15They couldn't be. They had nothing in common. But the fact that they're
- 12:18in this sanitarium. Why even the nature of their illnesses are different right there?
- 12:24Aren't you getting a little mixed up yourself? Uh? You saw those
- 12:28dreams. I saw them, They saw them. I know. It's incredible.
- 12:33Listen, to have a dream means that you create that dream, you
- 12:35and nobody else. You mean you think the patients didn't create those dreams.
- 12:41They're not their dreams. There is such a thing as God's projection, mental
- 12:48telepathy. Yeah, why should anyone want? One may have found out about
- 12:52the dream she maybe jealousy or grudge, or a hatred of psychiatry in general.
- 12:58There many reasons. What we've got to do is to find out where
- 13:01it's coming from. The patients must be protected. How First, we've got
- 13:07to find out whether this telepathy is coming from inside or outside the sanitarium,
- 13:11and we've got to track it down. I tell you, darling, whoever's
- 13:16trying this terror by mental telepathy isn't going to get away with it. I'm
- 13:20not going to stand by while a lifetime's work is destroyed by a campaign of
- 13:24terror against my patients. Going to institute protective measures at once, anything yet
- 13:39got to I still have a Garden's dream beamed on the area directly around the
- 13:45main building. I don't expect to find any in so close, but I
- 13:50want to search every into the grounds. I still feel whoever it is is
- 13:54on the grounds can't be sure of anything except that I'm convinced that the staff
- 13:58is loyal, and I have a hunch that whoever is transmitting these park waves
- 14:03or want to be close enough to judge the results. IM take it down
- 14:07now, doctor, Oh yes, Betty, go get them when you please.
- 14:11That's possible that they may be able to help us. They may have
- 14:13felt current seminating from a certain direction. M I think the Dardis screen has
- 14:20reached its range. Lemmit, doctor, it's repeating itself, all right,
- 14:24I'll give it wider focus going into the grounds. Now, wait, here's
- 14:33something I figure on the screen. Yeah, I see him a club stick
- 14:39or something. Who is this actor? Can you tell? I don't want
- 14:43to align him. I'll signal the patrol cars. But me that red button
- 14:46on the wall, isn't it? Oh? No, calling have a line.
- 14:52That is one of the patrol corps. I can see his arm.
- 14:54Bad, bad, I'll switch the machine to the north tran. There's another
- 15:03figure. Let me well, he seemed to be all guarded. Another member
- 15:09of the patroal corps. Well, that's hope. The patients will be able
- 15:13to hear Betty. Doctors so well, very well? The patient gone,
- 15:20doctor? What did he appear? And the six patients has just begun screaming
- 15:24in his room, the green thing, the green thing. Fifty four all
- 15:35accounted for doctors before that. A missing would make sixty eight. That's how
- 15:39many patients we had. I checked the nurses eight besides Betty. They're all
- 15:43here and the patrol corp have checked the rest of the staff and no one
- 15:46has left the grounds except the four patients, unless somebody got in and carried
- 15:50them off. Now, no, no jetmobiles and no jet ships have been
- 15:54in the vicinity between the time the patients were last reported and now the patrol
- 15:58core about for that is the village Wnnfield. Oh, it's the only village
- 16:03for one hundred miles, but it's a backwoods country village at quaint place,
- 16:07never kept up the times. I doubt that they have any jetmobiles in Linfield,
- 16:11much love jetship as you can't arrange for transportation there, can't you the
- 16:17right that's where they go. Why didn't I think of that before? It's
- 16:21the center of the village, the gossip spot, if the patient centered town
- 16:23at all, news of them, which frederallyan. But you take charge here
- 16:26calling and I are going to Winfield. How long will you be gone,
- 16:29doctor, until we find them they're no longer alive. Sure, I can't
- 16:48help you, know, I'm doctor. You ain't seen no strangers, spoke
- 16:52to no strangers. You're learning those strangers. Allow about transportation, jetmobiles,
- 16:56the jet ships, including any calls for you bluebill service going younger. Two
- 17:02months not since Miss Jennings busted her leg and we had descended to the hospital
- 17:07in the city jet ships last time one of them flaming marsters landed here.
- 17:15We nearly had a hide and then filled durn fools off? What was in
- 17:19bas you from Mars run a wild goose chase? That's so insane? Well
- 17:25thanks, Hony, How mister Barker you've been very hard parts, he says,
- 17:30I flasted it. You believes in the hall? I do right too.
- 17:36Everyone knows this coats everywhere. Yet you know such thing that's called a
- 17:41comte still up coats in every village in time, Quiet down, you bush,
- 17:47you'll be getting my in the bad reputation of Hey. Hey, there's
- 17:51that doctor, doctor Glendon talking to mister Barker. I put it up to
- 17:56him. Now, okay, what do you say, Doc? There's no
- 17:59sid thing is arts gold cyber now and you'll tell my ignorant friend. I
- 18:07wasn't listening very carefully. But if it's ghost you're talking about, there's never
- 18:11been any scientific evidence that they exist. Arts don't exist. That's what you're
- 18:15time to say it, don that's right. Oh, come on, Colin,
- 18:18let's get out of here. Hey, hey, no ghost. This
- 18:22this starts an educated man. He knows out And oh you tell me what
- 18:29that green thing was froating around down here in the cave and we ain't.
- 18:33Don'tly one who's seen it? Right, paul a green thing? Where?
- 18:38Why are these kids right down the river? Why? Doc, you ain't
- 18:44going there? Nighttime? Now? Colling, Well, you'll risk it.
- 18:48I've got my right kind of dock. You crazy, I'm telling you there's
- 18:52a haunt. Why it ain't a man in his whole village? Go with
- 18:56you tonight. It's only a course. Don't even worries. But if forre
- 19:00not out of those caves by dawn, you better come for us. It
- 19:04won't be a ghost that's holding us. This must be the right cave.
- 19:18Carling's the only one with a brush tremble down in front of it. Here
- 19:22he is that? Two men here dot here? Anything? Probably, Just
- 19:30don't want to be taken by surprise. I have to be as quiet as
- 19:33possible, all right, Come on? What's that got it? What are
- 19:45you? You want it? Coming? The great thanks? The green thing?
- 19:55No, no, no, there's nothing there. You're on the floor
- 19:57of the cave, but there's no one near you, nothing where. He
- 20:03is asleep. He's having the dream. That's same dream. Come on,
- 20:11snap out of it. Coming there's only a dream, only a dream,
- 20:17I mean dream. He'll dizzy. What's the matter with me? I am
- 20:29fooling his sn I won't I won't let my shot, doctor Glendon. Doctor
- 20:37Glendon, I am calling you. You must come with me now. Oh
- 20:45I won a fresher, A fresher, come with me, doctor Glendon.
- 20:53I control you now. Of course, it's not the tum tum going to
- 21:03wake up. I'm going awake up. I'm going to wake up. I
- 21:12did I'm awake. I conquered the greensing? Did you did you conquer me?
- 21:23Doctor Glendon? I can't be standing over me. The pink eyes are
- 21:32long stops, the close the creaing A ride in here, doctor Glendon,
- 21:56into this rough chamber, and you, mister Carling, don't worry. You
- 22:03won't fall. My will is controlling you, my patience over I had a
- 22:12corner. Well, Bradley, Summer's gone. I wouldn't you come to them
- 22:18Summer? Say all right, Bradley, this is doctor glennar your doctor.
- 22:26What's the matter, god man, Bradley. Nothing is the matter with them.
- 22:33They just don't understand you anymore. They are attuned only to Venuesian thought
- 22:42wave allusions. Yours come the sign of move Venus. That is right,
- 22:56for a long time. We have been observing your earth, your resources,
- 23:03and your remarkable technology, but we did not know how to conquer you.
- 23:11For we of Venus have no strength or physical dexterity, only mental power.
- 23:19I shouldn't tell me that think that horrible body of yours to a puppy great
- 23:25mash you hit only air? Didn't you think? I'm growing tired of this
- 23:34game? Stop? I will that your arms obey me and not you.
- 23:42I can't love them. How are your body? Do not be foolish again,
- 23:48and I will return the motion. So hypnotize my patience the same way,
- 23:59didn't you? And always dreams a little more complicated than what you Earthlings
- 24:06call hypnosis, but it is mind control. I have come to Earth to
- 24:14prove to my planet that this is the way to conquer your Earth. We
- 24:21will control the minds of its inhabitants and thereby control their strength their physical dexterity.
- 24:33I began on your patients first, because their minds are more easily controlled.
- 24:41What do you want to their bodies? They can perform physical acts that
- 24:48I cannot with their bodies. Weave innusions can continue our investigation of your planet
- 24:59at close ray Inge and we can also study the structure of the earthling when
- 25:06I bring them back with me, bring them back the Venus. Do not
- 25:12worry, my dear doctor. I shall not separate them from you. I
- 25:18will also take you and your companion with me to Venus as rare prizes hurtling
- 25:29buying these two men, don't you and your friend with your duckt no,
- 25:34let me go. You shock you shock them up? Maybe didn't know the
- 25:44earth makes that weapons too, got why don't before he is still spending?
- 25:48Did you really think you could hurt me with that? Your death phrase have
- 25:56no effect on my body. Drop your weapon find the men. You cannot,
- 26:11but if you could, I would not care. There are millions more
- 26:15to choose from. You can kill your souls too. You are replaceable except
- 26:23to your souls. You are trapped. Your only escape is the crumbling explosion
- 26:38of your rank on calling losing the rocks. It's the case, and we'll
- 26:41be buried. Alion climb not the patience before the queens begin. They can
- 26:48if only ten uh yeah, let's come out the kidney dock here utch,
- 27:07watch the pollen here too. There's one thing when justice the mouth you move
- 27:11that when I think we can make it, alright, help me doctor,
- 27:14I've got the patients too, all right, come on here, why I'm
- 27:26squeeze, So now you go plast pull the patience after you. All right,
- 27:33right, white, I'm out, I'm off. Come on, that's
- 27:37all right, bading you next. Come on man, wait alight you Summers
- 27:44all right? Way all right? God not quick you all right? That's
- 27:49all right there? All right? Oh here got it, I can magas.
- 27:53Oh good, help me earthlings put a cut out of stairs. He
- 28:02can't squeeze through. He has no physical straw flags earth flames come over.
- 28:11According to him, he still has powerful Come I call it quick for the
- 28:17release, and help me shove this lock over the opening. Kay, Thank
- 28:29goodness it was that. But as it collapsed, the entire cave fell in
- 28:52just in time, yes, cutting in time to save Earth from the horror
- 28:57of green things. Next week, an incredible story about a man of science
- 29:21who dared tamper with the secret of human life. Be sure to listen to
- 29:26That Which Lived in a Head of Steel two thousand plus is produced by Dryer
- 29:33and When also productions incorporated in today's cast Lon Caught by C. London Joseph
- 29:37Julian was calling. Alissander Guard was ms Connor's, Gilbert Mick was Ralph,
- 29:42John Griggs was Summers and Henry Morrel was the Green Thing. The script was
- 29:47written by Edgar Norman. The music was composed by Elliott ter Kirby. The
- 29:59orchest are producted by Emerson Buckley, sound Wealth Shaver and Adrian Tenner. Engineer
- 30:04Bob bar Bricks. This is Cambri