Latest / Old Time Mystery Radio | Old Time Radio / The Adventures of Philip Marlowe - "The Eager Witness" (1949)
Transcript
- 0:00Speaker 1: On August 27th, 1949, CBS Radio presented episode 47 of
- 0:06Speaker 1: The Adventures of Philip Marlowe, The Eager Witness. Gerald Moore
- 0:11Speaker 1: stars as Raymond Chandler's Los Angeles private detective, called to
- 0:16Speaker 1: the witness stand for the prosecution in the murder trial
- 0:19Speaker 1: of Bookie Earl Jernigan. When an alibi throws the case
- 0:23Speaker 1: into doubt, Marlowe has one evening to follow the loose ends,
- 0:27Speaker 1: beginning with a witness notably eager to testify. Gene Levitt
- 0:32Speaker 1: and Robert Mitchell wrote the script with Norman MacDonald producing
- 0:36Speaker 1: and directing, and now our story begins.
- 0:41Speaker 2: Get this and get it straight. Crime is a sucker's road,
- 0:44Speaker 2: and those who travel it wind up in the gutter
- 0:46Speaker 2: of the prison of the grave. This started with a
- 0:48Speaker 2: man on trial for his life, and an A1 citizen
- 0:51Speaker 2: eager to testify. But there it was interrupted, and it
- 0:54Speaker 2: wasn't until I found a corpse in a bubbling bath,
- 0:56Speaker 2: gunplay in the woods, and lots of blackmail that the
- 0:59Speaker 2: real eager witness had a chance to talk.
- 1:04Speaker 3: From the pen of Raymond Chandler, outstanding author of mystery,
- 1:06Speaker 3: comes his most famous character and crime's most deadly enemy,
- 1:10Speaker 3: as we present The Adventures of Philip Marlowe. Now, with
- 1:24Speaker 3: Gerald Moore, starred as Philip Marlowe, we bring you tonight's
- 1:27Speaker 3: exciting story, The Eager Witness.
- 1:31Speaker 2: The Eager Witness.
- 1:42Speaker 3: Division 88 of the Superior Court of the State of
- 1:45Speaker 3: California for the County of Los Angeles is now in session.
- 1:47Speaker 4: The Honorable Albert Winston, judge presiding. Everybody rise.
- 1:56Speaker 2: It was the case of the people versus the oft-arrested,
- 1:59Speaker 2: never convicted, smooth Earl Jernigan, sometimes bookie, charged in the
- 2:04Speaker 2: first degree with a month-old killing of a kindly gray-haired
- 2:06Speaker 2: horse trainer named Kurt Hopper, who had once almost been
- 2:10Speaker 2: my client. It was the afternoon of the fourth day
- 2:13Speaker 2: of the trial, and the prosecutor for the state had
- 2:15Speaker 2: already built an almost airtight case against the alleged gambler
- 2:19Speaker 2: when my turn finally came.
- 2:21Speaker 5: To further substantiate the state's claim that Earl Jernigan did
- 2:25Speaker 5: willfully and with malice of forethought take the life of
- 2:29Speaker 5: the deceased Curt Harper, will Mr. Philip Marlowe take the stand?
- 2:38Speaker 4: Raise your right hand.
- 2:41Speaker 6: Promise to tell the truth, the whole truth, nothing but
- 2:42Speaker 6: the truth, Salvy Guard.
- 2:44Speaker 2: I do.
- 2:44Speaker 6: State your name and occupation.
- 2:45Speaker 2: Philip Marlowe, private detective.
- 2:46Speaker 6: Next stand.
- 2:53Speaker 2: Mr.
- 2:53Speaker 5: Marlowe, on the morning of the 30th day of July last,
- 2:58Speaker 5: the day on which the late Kurt Hopper was murdered,
- 3:01Speaker 5: were you hired as a private detective by the said Mr.
- 3:05Speaker 7: Hopper?
- 3:06Speaker 2: I was.
- 3:07Speaker 4: And at that time, Mr. Marlowe, did Mr. Hopper state
- 3:09Speaker 4: his reason for hiring?
- 3:11Speaker 2: He did. He wanted me to act as his personal
- 3:13Speaker 2: bodyguard on the following day when he planned to drive
- 3:16Speaker 2: to San Francisco.
- 3:16Speaker 4: Did he say why he needed a personal bodyguard?
- 3:20Speaker 2: He did. He told me he was afraid for his life,
- 3:24Speaker 2: that he refused the gambler's demand that he drug a
- 3:26Speaker 2: certain racehorse a week earlier, that that gambler had threatened
- 3:30Speaker 2: to kill him. I see.
- 3:30Speaker 4: Now, Mr. Marlowe, did Mr. Harper name that gambler?
- 3:38Speaker 2: Yes, he did.
- 3:39Speaker 4: Who was it?
- 3:40Speaker 2: Earl Jernigan.
- 3:41Speaker 4: Thank you. No further questions, Your Honor. Counsel for the defense.
- 3:46Speaker 4: Counsel for the defense waives cross-examination, Your Honor. The witness
- 3:50Speaker 4: is excused.
- 3:52Speaker 2: Didn't make sense. No cross-examination. Because from the opening adjective,
- 3:57Speaker 2: the counsel for the defense, a dapper item named Calder,
- 3:59Speaker 2: who always appeared in French cuffs, gray gabardine, and a cocky,
- 4:03Speaker 2: uninviting smile, had raved, ranted, and practically spit at each
- 4:07Speaker 2: witness the state had presented. I don't have a debt
- 4:08Speaker 2: to the witnesses. So the courtroom was left with a
- 4:10Speaker 2: tingling impression that Earl Jernigan's attorney had something of a
- 4:13Speaker 2: surprise waiting up his legal sleeve. Later, when Calder was
- 4:17Speaker 2: on his feet and addressing the jury, that something started
- 4:19Speaker 2: out fast.
- 4:21Speaker 8: Now that the state has taken the trouble to offer
- 4:24Speaker 8: so much circumstantial evidence, so much hearsay, rumor, conjecture, now
- 4:30Speaker 8: will I smash all of that with the testimony of
- 4:32Speaker 8: one man. One man known to all of you as
- 4:35Speaker 8: an outstanding citizen of this city. A prominent real estate broker.
- 4:39Speaker 8: An unimpeachable witness eager to testify.
- 4:41Speaker 9: Mr.
- 4:41Speaker 4: Leonard Gaines.
- 4:45Speaker 2: It worked. Landed in each and every lap like a
- 4:47Speaker 2: live grenade and exploded all the way around at once.
- 4:50Speaker 2: And when the eminent Mr. Gaines, gray at the temples,
- 4:52Speaker 2: maybe 45, a neat and expensive midnight blue flannel with
- 4:55Speaker 2: giant stick pin to match, took the stand. And in
- 4:58Speaker 2: his own meeting of the board, tone of voice, told
- 5:00Speaker 2: the court that Earl Jernigan had spent the entire day
- 5:03Speaker 2: and night of July 30th last with him at his
- 5:05Speaker 2: Malibu beach home. The prosecuting attorney's jaw dropped to his
- 5:09Speaker 2: chest and he stared dumb.
- 5:10Speaker 10: Day or night did Mr. Jernigan ever leave my home.
- 5:14Speaker 10: And as for the hour of the murder, 8 o'clock
- 5:16Speaker 10: in the evening, we were having dinner. After that, we
- 5:20Speaker 10: played gin rummy until, oh, until midnight.
- 5:23Speaker 4: Are you sure of that, Mr. Gaines? The hour of
- 5:26Speaker 4: your dinner, I mean.
- 5:27Speaker 6: I am positive, Mr.
- 5:28Speaker 2: Calder. No, you can't be. You're lying.
- 5:31Speaker 4: Quiet, quiet in the court.
- 5:33Speaker 2: Order.
- 5:33Speaker 4: Miss Harper, order in the court, please.
- 5:35Speaker 2: No, I won't be quiet.
- 5:37Speaker 9: I won't anymore.
- 5:38Speaker 4: Miss Harper, quiet.
- 5:39Speaker 9: Order, order. This court is adjourned until tomorrow morning.
- 5:43Speaker 2: At 10 o'clock. The End.
- 5:53Speaker 6: Another scotch and soda, mister?
- 5:59Speaker 2: Yeah, I guess so. Now, wait a minute, baby. I
- 6:01Speaker 2: think I'm going to have company.
- 6:02Speaker 9: Mr.
- 6:02Speaker 7: Marlowe, can I talk to you for a minute?
- 6:04Speaker 6: I'm Gail.
- 6:04Speaker 2: Gail Harper, yeah, I know. What I don't know is
- 6:08Speaker 2: why you're not doing 30 days on a rock pile
- 6:10Speaker 2: for that rumpus you just kicked up in court. Would
- 6:12Speaker 2: you like a soft drink?
- 6:13Speaker 7: No, thanks.
- 6:14Speaker 2: All right, just one, baby. Jerk.
- 6:16Speaker 7: The judge said he understood and left me off with
- 6:18Speaker 7: a short lecture, which is what I accounted on.
- 6:19Speaker 2: Oh... You mean all that fireworks in there was planned,
- 6:23Speaker 2: not just spontaneous combustion?
- 6:24Speaker 7: That's right. I had to have time. Look, Mr. Marlowe,
- 6:28Speaker 7: will you work for me?
- 6:29Speaker 2: Oh, well, now look, baby.
- 6:30Speaker 7: Will you help me prove that Mr. Leonard Gaines is
- 6:32Speaker 7: alive and that Earl Jernigan did kill my father?
- 6:34Speaker 2: Oh, take it easy, girl. It's a big mouthful, you know.
- 6:36Speaker 4: Mr.
- 6:36Speaker 7: Marlowe, listen, please. There isn't much time. We gotta prove
- 6:39Speaker 7: this tonight or never. By noon tomorrow with the outside,
- 6:42Speaker 7: the case will go to the jury.
- 6:43Speaker 2: Okay, what do you want me to do?
- 6:45Speaker 7: Take over where I left off. But first, let's get
- 6:47Speaker 7: out of here.
- 6:48Speaker 2: All right. And never mind that drink, miss. Where do
- 6:51Speaker 2: we start, honey?
- 6:52Speaker 7: With Leonard Gaines' ex-wife, Debbie Jansen. Here's a snapshot of her.
- 6:57Speaker 7: They were divorced about six months ago, Mr. Marlowe, and
- 6:59Speaker 7: she wasn't very happy about it.
- 7:01Speaker 11: No, huh?
- 7:02Speaker 2: Made you figure she was your in?
- 7:03Speaker 7: Yes, and I was right.
- 7:05Speaker 9: Mr.
- 7:05Speaker 7: Marlowe, it took eavesdropping, bribery, second story work, but I
- 7:09Speaker 7: found out plenty.
- 7:10Speaker 2: I'll bet you did. Like what? Oh, hold it, girl.
- 7:12Speaker 2: Lights red.
- 7:13Speaker 7: Like the fact that Debbie and a guy called Eugene
- 7:15Speaker 7: Mowry are putting a bite on Gaines for $ 20, 000.
- 7:17Speaker 2: Blackmail, Mr.
- 7:17Speaker 6: Marlowe.
- 7:20Speaker 7: With the payoff schedule to be made sometime tonight. Right now,
- 7:23Speaker 7: she's staying at the Sunland Sulphur Springs Lodge out in
- 7:25Speaker 7: the valley. Gaines used to go there once in a
- 7:27Speaker 7: while for his arthritis. And the why of the whole
- 7:30Speaker 7: business is a letter Gaines once wrote to his ex-wife.
- 7:32Speaker 2: No fooling.
- 7:33Speaker 6: Uh-huh.
- 7:34Speaker 2: Well, tell me, what's that to do with Jernigan's trial
- 7:36Speaker 2: and Gaines being a... Oh, it's green now.
- 7:39Speaker 7: I think there's a connection, because yesterday I overheard Debbie
- 7:41Speaker 7: tell this Maui something about Gaines' scheduled appearance at the
- 7:44Speaker 7: trial today, and.
- 7:45Speaker 3: Oh, Mr.
- 7:46Speaker 4: Gaines!
- 7:46Speaker 9: Hey, hey!
- 7:48Speaker 2: Those jerk California drivers... The man behind the wheel. What
- 7:51Speaker 2: about him?
- 7:52Speaker 7: That thin face, blonde hair. I've seen him before. I
- 7:55Speaker 7: know he was trying to hit one of us.
- 7:56Speaker 2: Oh, fine. Well, that'll keep things from getting dull, won't it?
- 7:59Speaker 4: Then.
- 8:00Speaker 7: Then you're gonna help me.
- 8:01Speaker 2: Well, now, look, I.
- 8:05Speaker 2: Who could resist you, baby? Okay, tonight I check in
- 8:08Speaker 2: at the lodge at Sunland Sulphur Springs. Come on, let's
- 8:11Speaker 2: get out of here. Come on. It was eight o'clock
- 8:21Speaker 2: and almost dark when I reached the foothills of the
- 8:23Speaker 2: mountain range that separates the San Fernando Valley from L.A.
- 8:26Speaker 2: proper and turned off onto a narrow dirt road that
- 8:29Speaker 2: ran through a twisting gorge past a moon-faced watchman who
- 8:33Speaker 2: asked no questions as he slowly opened a sagging wooden gate,
- 8:37Speaker 2: faintly labeled Sunland Sulphur Springs, where Mother Nature's remedies bubble
- 8:41Speaker 2: from the earth private. It was another five minutes along
- 8:45Speaker 2: the same dirt road uphill and through thick foliage, before
- 8:48Speaker 2: I was at a parking space out of my car
- 8:50Speaker 2: and walking the last quarter of a mile toward the
- 8:52Speaker 2: lodge itself that was spotted with widely separated cottages, also saggy,
- 8:57Speaker 2: and each tagged Casa, and followed by something Spanish and
- 9:00Speaker 2: hard to pronounce. Inside the place was cheap porch furniture
- 9:04Speaker 2: and occasional threadbare rugs over scarred pine and deserted, except
- 9:08Speaker 2: for a sleepy old guy with thick-lidded eyes and an
- 9:11Speaker 2: accordion-wrinkled face was slouched in a heap behind a sign
- 9:15Speaker 2: on the reservation desk. It read Maynard Sharp, no less.
- 9:18Speaker 2: Night manager. When I gave him my name and said
- 9:21Speaker 2: that both my rheumatism and I needed a rest, he
- 9:24Speaker 2: came too. Almost. Rheumatism, Mr.
- 9:28Speaker 4: Marlowe? Well, let's see.
- 9:31Speaker 9: I can let you have most any one of the cottages.
- 9:35Speaker 9: Half of them are empty. Things are kind of slow
- 9:37Speaker 9: this time of year.
- 9:38Speaker 2: How slow can you get?
- 9:39Speaker 9: You'd be surprised. How's about Casa Francisco de Leon?
- 9:46Speaker 2: Casa Francisco, hmm? Yeah, that'll be fine, Mr. Sharp.
- 9:49Speaker 9: All righty, sir. Now, if you'll just sign the register here,
- 9:53Speaker 9: I'll get your key. But, uh.
- 9:56Speaker 2: As I sign my name, I check the guest list quickly.
- 9:58Speaker 2: And the next second found what I wanted. Deborah Jansen.
- 10:02Speaker 2: And next to that, and in a different hand, her
- 10:04Speaker 2: cottage for the night. Casa Rolando de Barandido. That's close enough. Well, anyway,
- 10:12Speaker 2: it was all I needed. I took the key from Mr. Sharp,
- 10:15Speaker 2: a misnomer if ever you heard one, learned the location
- 10:18Speaker 2: of my quarters, paid him in advance, and left. Outside,
- 10:21Speaker 2: I turned to my right, passed a large open bath
- 10:23Speaker 2: that smelled like rotten eggs and talked to itself like
- 10:25Speaker 2: a junior Vesuvius, as more warm sulfur water is equally
- 10:29Speaker 2: unpleasant to smell, bubbled from a pipe in the center.
- 10:33Speaker 2: Beyond that was the first cottage, another casa I couldn't pronounce,
- 10:36Speaker 2: and it stayed like that all the way down the line,
- 10:39Speaker 2: until I reached the second one that showed light. It
- 10:42Speaker 2: was the casa known as Rolando de Barandido. And when
- 10:46Speaker 2: I moved closer and around to a window that was
- 10:47Speaker 2: clean only, I knew that my client had done her
- 10:50Speaker 2: eavesdropping well. Because in the center of the room and
- 10:52Speaker 2: putting on her coat was the ex-wife named Debbie. And
- 10:55Speaker 2: standing nearby and holding on tight to the cigarette in
- 10:57Speaker 2: his hand like it was support was what had to
- 11:00Speaker 2: be the boyfriend, Eugene Mowry.
- 11:02Speaker 6: You're sure that Gaines will go through with this all right?
- 11:04Speaker 6: For the hundredth time, Eugene, yes, I'm positive.
- 11:08Speaker 4: Can't you understand? He has to.
- 11:10Speaker 7: Besides, $ 20, 000 won't break him. It won't more than bend
- 11:13Speaker 7: him a bit.
- 11:14Speaker 6: Now stop worrying.
- 11:15Speaker 2: But I can't.
- 11:16Speaker 6: Debbie, why must you go alone? Why can't I go
- 11:19Speaker 6: with you? Eugene, please, we've been over that.
- 11:22Speaker 7: I told Leonard that I'd meet him in town at
- 11:24Speaker 7: the Beverly Crest Hotel at 10 and alone.
- 11:27Speaker 4: He agreed to also be alone.
- 11:29Speaker 6: Except for the month.
- 11:32Speaker 11: Debbie, you do handle things well.
- 11:34Speaker 2: Come here, darling. Here's a kiss for your brilliance.
- 11:38Speaker 7: Oh, please, Eugene.
- 11:39Speaker 2: There isn't time.
- 11:40Speaker 6: What's the matter? Are my kisses losing their flavor at
- 11:42Speaker 6: this point?
- 11:43Speaker 2: Don't be a fool.
- 11:44Speaker 7: Look, it's late, Eugene.
- 11:46Speaker 6: It's after nine already. I've got to hurry. Now, go on.
- 11:49Speaker 2: Go on.
- 11:49Speaker 7: Be a good boy and leave now.
- 11:51Speaker 2: We shouldn't even be seen together tonight.
- 11:52Speaker 6: Why not, Debbie?
- 11:53Speaker 7: It's not smart.
- 11:56Speaker 6: Here.
- 11:58Speaker 7: Meet me at the tulip room, darling, at 11 as
- 12:00Speaker 7: we plan.
- 12:01Speaker 6: Then, Eugene, we'll have time and reason to relax.
- 12:06Speaker 11: Twenty thousand bucks worth of reason.
- 12:15Speaker 2: As Maury oozed toward the door, I slid away from
- 12:18Speaker 2: the cottage and into the shadow of a clump of
- 12:20Speaker 2: trees nearby. Stayed there as he walked out of sight
- 12:23Speaker 2: down a road that led back to the parking space.
- 12:26Speaker 2: Then a few minutes later when Debbie clicked off the
- 12:27Speaker 2: light and left. I moved out of hiding and started
- 12:30Speaker 2: slowly after at a safe distance. Until from someplace in
- 12:34Speaker 2: the night, an ugly, snub-nosed automatic that belonged to someone
- 12:36Speaker 2: blonde and thin-faced as a near-automobile accident stopped me cold.
- 12:40Speaker 6: Where are you going, Jack?
- 12:43Speaker 2: For air. I love to walk in the country at night, okay?
- 12:46Speaker 6: I wouldn't know, Jack. I'm a city boy myself. But
- 12:48Speaker 6: as long as that's what you want, it's Jake with me.
- 12:51Speaker 6: As long as it's where it's good and dark.
- 12:54Speaker 2: Now go on. That way.
- 12:56Speaker 6: Move. All right, Jack.
- 13:10Speaker 2: That's far enough.
- 13:12Speaker 6: Hold it.
- 13:14Speaker 2: Turn around and face me. Why? So I can watch
- 13:17Speaker 2: you pull the trigger? Never mind why.
- 13:19Speaker 6: Just turn.
- 13:20Speaker 2: Okay. Turn it is.
- 13:21Speaker 1: That's better.
- 13:23Speaker 6: Now, one step closer.
- 13:24Speaker 2: One step closer.
- 13:25Speaker 10: Hey, what's that?
- 13:26Speaker 2: A pheasant, my friend.
- 13:27Speaker 6: Take him away.
- 13:29Speaker 2: Now, before I beat you into little pieces, let's have it.
- 13:30Speaker 4: Who are you?
- 13:31Speaker 2: Who do you work for and what do you want
- 13:32Speaker 2: with me? Come on, gunman.
- 13:33Speaker 10: Talk.
- 13:34Speaker 6: Okay. Okay.
- 13:36Speaker 9: No more.
- 13:38Speaker 6: My name's Langley. Worked for Earl Jennegan.
- 13:41Speaker 2: Oh?
- 13:41Speaker 6: Yeah, I've been watching you ever since the trial started.
- 13:45Speaker 9: Jennegan didn't want you moving in on me.
- 13:46Speaker 2: Which is why you tried to pick me off with
- 13:47Speaker 2: a car when I was with Gail Harper this afternoon, huh?
- 13:49Speaker 6: Come on! Yeah, yeah, that's why.
- 13:52Speaker 2: Now, what are you going to do with me? For
- 13:54Speaker 2: the time being, bust her, leave her as is. Flat
- 13:57Speaker 2: on your back, because I've still got to catch up
- 13:59Speaker 2: with the lady before she reads a letter! City boy.
- 14:17Speaker 3: In just a moment, the second act of Philip Marlowe.
- 14:19Speaker 2: But first.
- 14:21Speaker 3: Because of the sharp rise in America's birth rate during
- 14:23Speaker 3: the war, we face a very serious educational crisis. Many
- 14:28Speaker 3: communities will find that their schools lack sufficient teachers, classrooms,
- 14:32Speaker 3: and facilities. Citizens must get together and work for better schools,
- 14:36Speaker 3: more teachers. If we want all of our children to
- 14:40Speaker 3: have a chance for a good education, we must take
- 14:42Speaker 3: action now. Now with our star, Gerald Moore, we return
- 14:48Speaker 3: to the second act of Philip Marlowe and tonight's story,
- 14:50Speaker 3: The Eager Witness.
- 15:02Speaker 2: It was strictly hit and run. I piled Langley into
- 15:05Speaker 2: the manzanita and didn't even wait to see him bounce. Instead,
- 15:08Speaker 2: I took off through a gully that was a shortcut
- 15:10Speaker 2: to my car, because I knew that Jernigan's watchdog had
- 15:13Speaker 2: nothing to offer compared with a hot-headed Debbie Jansen, who
- 15:16Speaker 2: at the moment, no doubt, was well on her way
- 15:17Speaker 2: to the Beverly Crest Hotel, and a blackmail rendezvous that
- 15:20Speaker 2: was a cinch to wind up in the final destruction
- 15:22Speaker 2: of the letter. That was my theory. But I dropped
- 15:26Speaker 2: it like a hot rock just as I crossed the
- 15:28Speaker 2: path to the sulfur pool. Mr. Marlowe! Mr. Marlowe!
- 15:35Speaker 4: Somebody scream! Yeah, in there by the spring. Oh, my gosh.
- 15:40Speaker 2: Oh, my gosh. It was nothing but sulfur fumes and
- 15:44Speaker 2: the thick gurgle of the springs until Sharp played his
- 15:46Speaker 2: flashlight over the pool. Then we saw her.
- 15:49Speaker 9: Oh, my gosh.
- 15:50Speaker 2: In the water that was turning red from blood oozing
- 15:52Speaker 2: around the knife in her back.
- 15:53Speaker 6: Look, look.
- 15:54Speaker 9: It's Miss Jansen.
- 15:55Speaker 2: Come on, Pop. Give me a hand. Let's get her
- 15:57Speaker 2: out of there.
- 15:58Speaker 9: Come on.
- 15:59Speaker 2: Take it easy now. Take it easy. That's it. Debbie. Debbie.
- 16:05Speaker 9: I never should have tried.
- 16:07Speaker 2: Tried what? Who was it, Debbie? Who did this?
- 16:09Speaker 9: He got the letter.
- 16:13Speaker 6: Who?
- 16:14Speaker 2: Who got the letter, Debbie? Debbie.
- 16:17Speaker 9: Marlowe, did she pass out?
- 16:21Speaker 2: For good, Maynard. She's dead. Oh, well.
- 16:28Speaker 9: She seemed to be mumbling something about a letter. Did
- 16:31Speaker 9: you get what it was?
- 16:32Speaker 2: The only part of it. The killer apparently took the
- 16:35Speaker 2: letter away from her. Believe me, that's bad.
- 16:38Speaker 5: Letter?
- 16:39Speaker 2: What's a letter? Wait a minute, wait a minute. Oh,
- 16:42Speaker 2: it's probably that pheasant again.
- 16:44Speaker 9: Letter? Pheasant? What are you talking about?
- 16:46Speaker 2: Oh, I guess I'm just getting jumpy. Hey, hey, there
- 16:50Speaker 2: is somebody. Come on, pop.
- 16:59Speaker 9: Sounds, sounds like he's over there, Marlowe.
- 17:01Speaker 2: Yeah, I can hear him.
- 17:04Speaker 9: Oh, now, that ain't gonna do you any good, son.
- 17:07Speaker 9: Not in that brush, it ain't. And what's more, I
- 17:09Speaker 9: wouldn't go any further if I was you.
- 17:11Speaker 2: But, Pop, all he needs is ten seconds and he
- 17:13Speaker 2: can destroy that letter for good.
- 17:14Speaker 9: Well, just to see him, there's a million and one
- 17:16Speaker 9: places a killer can hide in there and lay for you, son.
- 17:19Speaker 11: Yeah.
- 17:21Speaker 2: Yeah, Pop, well, the moment it's a stalemate. I'd sure
- 17:25Speaker 2: love to find out who that snake in the bush is.
- 17:28Speaker 6: You know.
- 17:29Speaker 9: I've run a peaceful place up until it's getting to
- 17:32Speaker 9: be like one of them there movies. Only thing left
- 17:36Speaker 9: out is a posse.
- 17:37Speaker 2: Yeah, you're so right. Murders in the night, lost letters.
- 17:39Speaker 2: It's corny enough without a posse.
- 17:41Speaker 9: Yeah, and my dangerous too.
- 17:43Speaker 2: Yeah, I see what you mean.
- 17:46Speaker 6: Are you ready to.
- 17:48Speaker 2: Yeah, I'm ready.
- 17:51Speaker 6: I'll lead you back to the office.
- 17:53Speaker 9: My Jasper, I don't understand this one bit. Miss Jensen
- 17:57Speaker 9: is stabbed to death over that letter and in her... Hey!
- 18:01Speaker 6: Huh? What is it?
- 18:02Speaker 2: Shh. Up ahead there. Somebody duck behind that big tree.
- 18:05Speaker 2: Keep the chatter going, man. Walk on up the path.
- 18:07Speaker 2: Don't let him know we spotted him. Go on, talk, talk.
- 18:10Speaker 9: Okay, sure, sure. I was saying, I don't understand. Our
- 18:13Speaker 9: place here is generally as quiet as a tomb.
- 18:16Speaker 2: As the old man grimly ad-libbed his way up the path,
- 18:18Speaker 2: they followed a few feet behind. When he got even
- 18:21Speaker 2: with the tree, I turned suddenly, took three fast steps.
- 18:23Speaker 1: And grabbed him.
- 18:24Speaker 9: Come here, you.
- 18:25Speaker 2: Hang on to him.
- 18:26Speaker 4: Hang on to him.
- 18:27Speaker 2: Well, well.
- 18:29Speaker 9: Mr.
- 18:29Speaker 2: Leonard Gaines, the unimpeachable citizen himself, stand still, Gaines.
- 18:33Speaker 9: A gun.
- 18:34Speaker 2: What's the idea, Marlowe? Try running and it'll come to you.
- 18:37Speaker 2: I suppose you've got a legitimate reason for being here
- 18:39Speaker 2: all thawed up.
- 18:41Speaker 10: I'm here because I've got a touch of arthritis. I
- 18:44Speaker 10: need a treatment and a night's rest.
- 18:46Speaker 2: Arthritis isn't all you're going to have if I find
- 18:48Speaker 2: what I think I'm going to find in your pockets.
- 18:50Speaker 2: Empty them, Buster.
- 18:51Speaker 6: I said empty them. All right, Harlow.
- 18:54Speaker 11: I'll empty them.
- 18:55Speaker 2: That's better. Sharp, you're a witness, and I demand that you.
- 18:58Speaker 6: Now, just a minute, Mr.
- 19:00Speaker 4: Gaines.
- 19:01Speaker 9: You're in a pretty bad spot to demand anything.
- 19:03Speaker 2: There. There's our baby. There's the letter we've been looking for.
- 19:06Speaker 2: Pick it up, Gaines. Pick it up and read it. Now,
- 19:09Speaker 2: see here, Marlowe. See there, Gaines.
- 19:10Speaker 4: Read it while you're able to.
- 19:12Speaker 2: Here. My dear Debbie.
- 19:16Speaker 10: If I didn't know you so well, I'd resent your
- 19:18Speaker 10: stupid accusations.
- 19:19Speaker 2: Now, look, Mark... Read it!
- 19:22Speaker 10: We've already made our property settlement, as you're well aware,
- 19:25Speaker 10: and you'll be a long time finding a court that
- 19:28Speaker 10: says otherwise.
- 19:29Speaker 2: Now you know where you can go.
- 19:31Speaker 10: So why not get started as ever, Leonard?
- 19:34Speaker 2: Oh, fine. This is about as incriminating as a lecture
- 19:38Speaker 2: on the family meat bill. Sharp, whose jurisdiction are we
- 19:42Speaker 2: under here?
- 19:44Speaker 9: County Sheriff's Office.
- 19:46Speaker 2: All right, call him. Also, call your man out on
- 19:48Speaker 2: the highway and have him lock that main gate. gate.
- 19:50Speaker 9: Main gate?
- 19:51Speaker 2: Yeah.
- 19:51Speaker 9: Say, now, that's a good idea. I'll do it right now.
- 19:54Speaker 2: Now, wait a minute. Have you got a gun?
- 19:55Speaker 4: Yep, got a rifle.
- 19:57Speaker 6: Been in the family for years.
- 19:58Speaker 2: Can you use it?
- 19:59Speaker 4: Well, yeah, I reckon I can.
- 20:03Speaker 9: Where are you going?
- 20:04Speaker 2: Out to round up Langley. He'll be pushing hard to
- 20:06Speaker 2: give his boss's star witness here a big helping hand.
- 20:09Speaker 2: I want to be in shape to push back. And remember, Pop,
- 20:12Speaker 2: keep your eye on Gaines and not on the phone
- 20:13Speaker 2: when you make those calls. I'll see you. The second
- 20:22Speaker 2: time that night, I started down the hill and toward
- 20:23Speaker 2: the car lot, keeping in the shadows and moving slowly
- 20:26Speaker 2: this time. Because it was odds on that Langley had
- 20:29Speaker 2: taken everything in. And I knew that he'd try to
- 20:31Speaker 2: part my hair with a gun barrel and pull Leonard
- 20:33Speaker 2: Gaines out of the jam. He was in the very
- 20:35Speaker 2: first chance he had. So I stayed off the paths
- 20:38Speaker 2: long enough to have both socks full of burrs when
- 20:40Speaker 2: it happened. But not what I expected. It was the
- 20:43Speaker 2: shop family blunderbuss that had exploded with a blast like
- 20:45Speaker 2: a small howitzer. So also for the second time I
- 20:48Speaker 2: turned and ran back up the hill, this time to
- 20:49Speaker 2: the office. I got there just as Maynard, climbing hand
- 20:52Speaker 2: over hand up a smoking rifle barrel, made it to
- 20:54Speaker 2: his feet. Maynard! Maynard, what happened? Where's Gaines?
- 20:58Speaker 4: I don't know.
- 20:58Speaker 6: He got away, I guess.
- 20:59Speaker 2: Well, the shot, what about that?
- 21:00Speaker 4: It went up there, through the roof.
- 21:02Speaker 2: Oh, fine.
- 21:03Speaker 9: Well, gosh, I didn't suspect a thing. He just said
- 21:06Speaker 9: he wanted to smoke.
- 21:07Speaker 2: But he didn't happen to have a match, I know.
- 21:09Speaker 2: So you hung your rifle over your arm, stuck both
- 21:11Speaker 2: hands in your pockets to find one for him, and
- 21:14Speaker 2: that's when he took you.
- 21:15Speaker 9: Yeah, that's exactly what happened.
- 21:17Speaker 6: How'd you know?
- 21:18Speaker 2: Never mind, pup.
- 21:20Speaker 4: I made a grab for him, though.
- 21:22Speaker 6: Ripped his coat.
- 21:23Speaker 4: About halfway off.
- 21:24Speaker 2: Oh, that's great, that's great.
- 21:26Speaker 9: I'm sure sorry he got away.
- 21:28Speaker 2: All right, don't worry about it. Can't get far with
- 21:30Speaker 2: the gate locked.
- 21:31Speaker 9: Well, I got bad news there, too. Oh, the gate's
- 21:36Speaker 9: locked all right.
- 21:37Speaker 6: But there's a back road.
- 21:39Speaker 2: There's a back what?
- 21:41Speaker 9: Back road.
- 21:42Speaker 2: Road, yeah.
- 21:43Speaker 6: It ain't much.
- 21:44Speaker 9: It's rough and rocky, but it's passable. And anybody who's
- 21:48Speaker 9: been up here as often as Mr. Gaines has, sure
- 21:51Speaker 9: know about it.
- 21:52Speaker 2: Oh, great. Look, Pop, can't you understand that there was
- 21:54Speaker 2: a murder committed here tonight and we had the murderer?
- 21:56Speaker 4: No buts!
- 21:58Speaker 2: Fell for the oldest gag in the world. I was
- 21:59Speaker 2: a sucker to turn him over to you. And will
- 22:01Speaker 2: you stop waving that envelope?
- 22:02Speaker 9: I just think you ought to see this.
- 22:05Speaker 2: All right, what is it? Oh, where'd you get all
- 22:08Speaker 2: that loot?
- 22:09Speaker 9: Gaines dropped it when I ripped his coat.
- 22:12Speaker 2: Twenty grand, it says here on the wrapper. There's something
- 22:15Speaker 2: else written here, too. Casa Rolando de Barandido. It's him. Casa... Pop,
- 22:23Speaker 2: that's it. That's the answer. Come on, we've got to
- 22:25Speaker 2: get down that back road now.
- 22:25Speaker 9: Hurry!
- 22:29Speaker 2: It was sharp at the wheel of the pickup truck.
- 22:36Speaker 2: We'd bounced over the pair of sometimes parallel ruts studded
- 22:38Speaker 2: with stones the size of bowling balls. It was called
- 22:40Speaker 2: a back road. The better part of two miles before
- 22:43Speaker 2: he cut lights and motor and whispered that if Gaines
- 22:45Speaker 2: was going to get stuck at all, it was sure
- 22:47Speaker 2: to happen in a dry wash just around the next bend.
- 22:50Speaker 2: I told him to wait and went ahead on foot.
- 22:52Speaker 2: He was right. Gaines was stuck in more ways than one.
- 22:55Speaker 2: His car was up to its hubcaps in sand and
- 22:57Speaker 2: his wallet up to its stamp compartment in blackmail, conducted
- 22:59Speaker 2: by his ex-wife's murderer with the same lever she'd had.
- 23:02Speaker 2: A letter. It was Eugene Murray and clenched in his
- 23:05Speaker 2: hand was a tattered white envelope, nothing more. I held my.
- 23:08Speaker 2: 38 in close to my side and edged up behind him.
- 23:11Speaker 6: Now, Murray, I don't have that much. You're lying. You're
- 23:15Speaker 6: going to pay her that.
- 23:16Speaker 10: I don't know.
- 23:18Speaker 2: I know because we worked the deal out together.
- 23:21Speaker 6: Only she got greedy.
- 23:22Speaker 2: She tried to.
- 23:23Speaker 6: Double-cross me and pull it alone.
- 23:25Speaker 2: So you killed her? Yes.
- 23:27Speaker 11: I didn't intend to, but when I found out that
- 23:29Speaker 11: she'd tricked me, I was furious. The first thing that
- 23:34Speaker 11: I knew, I'd stab her. That's enough of that. Just
- 23:38Speaker 11: give me the money. You've nothing to worry about.
- 23:40Speaker 2: Now, listen, Mowry, I tell you, I.
- 23:41Speaker 6: You listen, Gates.
- 23:42Speaker 2: You're in no position to buy that.
- 23:44Speaker 11: It's better than having your $ 200, 000 gambling debt exposed and
- 23:47Speaker 11: your reputation ruined, isn't it?
- 23:49Speaker 6: Or facing the.
- 23:49Speaker 11: Trigger man, Langley, if you refuse to alibi for Jenigan,
- 23:52Speaker 11: isn't it? Or bucking a perjury charge if you do alibi?
- 23:55Speaker 2: No, you've got yourself in a corner again, so pay off.
- 23:59Speaker 2: It's only 20 grand. But I tell you, Maury, I
- 24:01Speaker 2: don't have it.
- 24:02Speaker 6: You're lying again.
- 24:03Speaker 2: No, he isn't. Don't move, either one of you. Leave
- 24:06Speaker 2: your hands where they are. I got the 20 grand
- 24:08Speaker 2: right here, and it's pretty well earmarked as blackmail payment already.
- 24:12Speaker 2: But just to round things out, Maury, I'll take that
- 24:14Speaker 2: envelope you've got there.
- 24:15Speaker 9: This?
- 24:15Speaker 4: Well, what do you want this for?
- 24:16Speaker 2: Funny man. Because it's no doubt postmarked with an hour,
- 24:19Speaker 2: a date, and a location. which, together with Brother Gaines'
- 24:23Speaker 2: own handwriting, places him out of town on July 30th,
- 24:25Speaker 2: a time he swears he was at his Malibu home
- 24:27Speaker 2: all day with Jernigan. Right, Gaines?
- 24:29Speaker 4: Smart boy, aren't you, Marlowe?
- 24:31Speaker 6: You've still got a chance, Gaines. You'd better gamble with me.
- 24:33Speaker 6: You've got nothing to lose now.
- 24:34Speaker 9: I'm with you.
- 24:35Speaker 2: Stand still, Buster. Help me out. Now, Gaines, go!
- 24:39Speaker 9: Oh! Oh, my leg!
- 24:41Speaker 2: Were you thinking of going someplace, Mr.
- 24:43Speaker 9: Gaines?
- 24:45Speaker 7: No.
- 24:47Speaker 2: No, I... I'm not going anyplace. Mr.
- 24:51Speaker 9: Marlowe.
- 25:01Speaker 2: Well, Gail, the big show's about to start. Court will
- 25:06Speaker 2: be in session in a few minutes. I know.
- 25:08Speaker 7: And different from yesterday.
- 25:10Speaker 2: Yeah.
- 25:11Speaker 7: Oh, you did a swell job, Mr.
- 25:13Speaker 2: Marlowe.
- 25:14Speaker 7: Gee, gee, I don't know how to thank you.
- 25:16Speaker 2: Save it, baby. That scale Lady Justice holds in her
- 25:20Speaker 2: hands isn't better balanced today. It was your hunch and
- 25:22Speaker 2: old Maynard's blunderbuss that did as much to put it
- 25:24Speaker 2: there as my running around through the brush at Sulphur Springs.
- 25:27Speaker 7: But all I knew was that Gaines was lying. I
- 25:29Speaker 7: didn't know it was as complicated as it was.
- 25:32Speaker 2: Well, that's because Debbie Jansen was twice as treacherous as
- 25:34Speaker 2: we figured.
- 25:35Speaker 7: I still don't understand. How did you know that Eugene
- 25:39Speaker 7: Mowry had killed Debbie?
- 25:40Speaker 2: You see, baby, I overheard her tell Mowry that she
- 25:42Speaker 2: was going to meet Gaines in the Beverly Crest Hotel
- 25:44Speaker 2: at 10 for the payoff.
- 25:45Speaker 6: Uh-huh.
- 25:45Speaker 2: But I figured that was a lie strictly for Maury's
- 25:47Speaker 2: benefit when Pop gave me the packet of money Gaines
- 25:49Speaker 2: had dropped. It had that complicated name of a cabin
- 25:52Speaker 2: in the time of the appointment, which was also tan
- 25:54Speaker 2: written on it. So I knew the real meeting was
- 25:56Speaker 2: scheduled to take place out there.
- 25:58Speaker 6: See?
- 25:58Speaker 9: Oh, I see.
- 26:00Speaker 7: Then she was going to send Maury off to the
- 26:02Speaker 7: Beverly Crest while she collected the money at Sulphur Springs
- 26:05Speaker 7: and then beat it alone.
- 26:06Speaker 2: That's it, honey. You see, if her cabin had been
- 26:09Speaker 2: named something simple like Number Four, then Gaines could have
- 26:12Speaker 2: remembered it. Instead of that Casa Robino del Bangadoro. Whatever
- 26:18Speaker 2: it was. He had to write down, you see. Well,
- 26:20Speaker 2: then things might have been different.
- 26:21Speaker 7: Ah, you'd have.
- 26:22Speaker 4: Found a way.
- 26:23Speaker 7: After all, you figured out it was the postmark that
- 26:25Speaker 7: was important.
- 26:26Speaker 2: Only after I'd been slapped in the face by a
- 26:27Speaker 2: perfectly harmless letter with no envelope. Had to be the postmark.
- 26:30Speaker 2: What else?
- 26:31Speaker 7: Oh, they're starting.
- 26:34Speaker 2: Yeah.
- 26:35Speaker 7: Good luck, Mr.
- 26:36Speaker 4: Marlowe.
- 26:37Speaker 7: Give them the works.
- 26:37Speaker 2: Don't worry, baby. I'm the ego witness today. We're going
- 26:41Speaker 2: to knock them dead.
- 26:42Speaker 4: Literally.
- 26:43Speaker 2: They got it coming. I watched Jernigan's face as the
- 26:48Speaker 2: preliminaries got underway. The killer was beaten. When the court
- 26:52Speaker 2: finally settled down to work and the prosecutor took over,
- 26:55Speaker 2: I listened to his deft build-up as he primed the
- 26:57Speaker 2: jury and the dramatic ringmaster voice he used when he.
- 27:00Speaker 4: Called, Will Philip Marlowe take the stand, please?
- 27:08Speaker 2: Now, Mr.
- 27:08Speaker 4: Marlowe, you told us yesterday that you are a private investigator.
- 27:12Speaker 4: Now will you tell the court in your own words?
- 27:15Speaker 4: What happened to you last night?
- 27:21Speaker 2: I sat there looking into the cold, baleful eyes of
- 27:23Speaker 2: the prosecutor and thought of a paraphrase on that wonderful
- 27:27Speaker 2: quote from Oliver Wendell Holmes. It's not enough to ask
- 27:31Speaker 2: for justice. One must also hope for mercy. Mr.
- 27:35Speaker 1: Marlowe.
- 27:36Speaker 2: Oh, yes. I'm sorry. Well, it began here in this
- 27:40Speaker 2: room yesterday afternoon at about 3.30 when the Council for
- 27:43Speaker 2: Defense called a witness and Mr. Leonard Gaines to the stand.
- 28:04Speaker 3: The Adventures of Philip Marlowe, bringing you Raymond Chandler's most
- 28:07Speaker 3: famous character and crime's most deadly enemy, star Gerald Moore,
- 28:12Speaker 3: and are produced and directed by Norman MacDonald. Script is
- 28:15Speaker 3: by Mel Donnelly, Robert Mitchell, and Gene Levitt. Featured in
- 28:18Speaker 3: the cast were Joy Terry, John Daner, Michael Ann Barrett,
- 28:21Speaker 3: Junius Matthews, Ben Wright, Lou Krugman, Larry Dobkin, and Bud Whittam.
- 28:26Speaker 3: The special music is by Richard Orant. Be sure and
- 28:33Speaker 3: be with us again next week when Philip Marlowe says.
- 28:37Speaker 2: The trail started in Montana with a bum with two
- 28:39Speaker 2: names rushing away from his lady love and led fast
- 28:42Speaker 2: into L.A. past a southerner from Canada, a worried wool
- 28:45Speaker 2: dealer and a chorus girl with a. 45. When it
- 28:48Speaker 2: finally stopped at Murder in the Park, the tramp was
- 28:52Speaker 2: still in a hurry.
- 29:04Speaker 3: You and I have a friend coming to call next
- 29:06Speaker 3: Monday night. She's my friend Irma. If this beautiful, lovable,
- 29:11Speaker 3: but dumb blonde isn't your friend now, she will be
- 29:13Speaker 3: the moment you hear over most of these same CBS
- 29:16Speaker 3: network stations next Monday following the Lux Radio Theater. My
- 29:20Speaker 3: friend Irma will bring you plenty of laughs and great entertainment.
- 29:24Speaker 3: So be sure to make friends with my friend Irma
- 29:27Speaker 3: these Monday nights on CBS, where you'll hear them all
- 29:31Speaker 3: this fall. This is Roy Rowan speaking. Now stay tuned
- 29:36Speaker 3: for Gangbusters, which follows immediately over most of these same
- 29:39Speaker 3: CBS shows.
- 29:41Speaker 4: ¶ ¶.
- 29:49Speaker 3: This is CBS, where Arthur Godfrey's talent scouts are heard Mondays,
- 29:52Speaker 3: the Columbia Broadcasting System.
- 29:55Speaker 5: ¶ ¶.
- 30:09Speaker 1: This has been The Adventures of Philip Marlowe with The
- 30:12Speaker 1: Eager Witness. Good night and thank you for joining us.
- 30:16Speaker 1: Follow Old Time Mystery Radio for more classic mystery and
- 30:20Speaker 1: detective broadcasts.