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A Dream Within A Dream · Alien Worlds

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• 1:09
  Speaker 4: The car is beautiful. Where did you end up going
• 1:12
  Speaker 4: for it?
• 1:13
  Speaker 5: This exclusive place that Dad has connections with. They have
• 1:16
  Speaker 5: more cars for more dealerships than like anywhere else.
• 1:18
  Speaker 6: You have to put me in touch. What's it called?
• 1:20
  Speaker 7: It's Dune ADL.
• 1:23
  Speaker 8: Where?
• 1:24
  Speaker 6: Dune ADL.
• 1:25
  Speaker 7: There's an accent on the E.
• 1:29
  Speaker 6: Do you mean.
• 1:29
  Speaker 7: Yes, I got it on Dundale Cars.
• 1:31
  Speaker 6: Lift, please. Are you going past Kimmage?
• 1:34
  Speaker 9: Oh, Kimmage.
• 1:35
  Speaker 10: No.
• 1:36
  Speaker 7: Dundale Cars.
• 1:37
  Speaker 5: You couldn't possibly go anywhere else.
• 1:43
  Speaker 11: Slowly orbiting at the edge of deep space, 1,000 kilometres
• 1:47
  Speaker 11: beyond 21st century Earth, is the Arthur C. Clarke Astronomical Observatory, Starlab. Here,
• 1:56
  Speaker 11: Starlab Research Director Maura Cassidy and scientists and technicians of
• 2:01
  Speaker 11: the International Space Authority watch over the countless star systems
• 2:06
  Speaker 11: that fill the universe. This week, Maura Cassidy and Space
• 2:12
  Speaker 11: Exploration Team Captains John Graydon and Buddy Griff encounter the
• 2:17
  Speaker 11: Phantoms of Tamerlane and experience a dream within a dream.
• 2:23
  Speaker 11: on Alien Worlds.
• 2:28
  Speaker 12: Starlab Control, this is the Galileo. Do you read me?
• 2:50
  Speaker 2: This is Starlab. I read you, Galileo. What's your situation,
• 2:54
  Speaker 2: Captain Egan? Where are you?
• 2:57
  Speaker 13: We're 200 kilometers out at vector 205.
• 3:00
  Speaker 12: And this isn't Captain Egan.
• 3:04
  Speaker 2: It's Lieutenant Becker. Egan is dead. Lieutenant Becker, this is Dr.
• 3:09
  Speaker 14: Cassidy.
• 3:10
  Speaker 6: What happened to Captain Egan?
• 3:13
  Speaker 12: He died in the mails from Dr. Cassidy.
• 3:15
  Speaker 2: A whirlpool in the universe.
• 3:18
  Speaker 12: Captain Egan fell into it and drowned in the stars.
• 3:22
  Speaker 10: What?
• 3:23
  Speaker 7: He's either tripped out on something or he's in shock.
• 3:27
  Speaker 2: Lieutenant Becker, what's the condition of your crew?
• 3:30
  Speaker 15: Sleeping.
• 3:32
  Speaker 2: They fell asleep on Tamerlane.
• 3:35
  Speaker 12: They're still dreaming.
• 3:37
  Speaker 16: Call the short-range vehicle hangar, Jerry, and order a couple
• 3:39
  Speaker 16: of tugs out to tow them in.
• 3:40
  Speaker 2: Right.
• 3:41
  Speaker 15: And all my days are trances, and all my nightly
• 3:44
  Speaker 15: dreams are where thy dark eye glances and where thy
• 3:48
  Speaker 15: footstep gleams in what.
• 3:58
  Speaker 17: Attention all SRV personnel. This is a priority rescue alert.
• 4:03
  Speaker 17: Prepare three Magnum class tugs for immediate launch. Utility pilots Haskell, Shaw,
• 4:08
  Speaker 17: and Henning, please report to the SRV operations officer.
• 4:11
  Speaker 15: Reader, vector I.
• 4:13
  Speaker 10: Roger.
• 4:13
  Speaker 15: Vector I.
• 4:14
  Speaker 10: Roger.
• 4:19
  Speaker 12: Mission Control, Galaxy 9.
• 4:23
  Speaker 13: Roger, Starlab. We have the Galileo inside and she is damaged.
• 4:26
  Speaker 13: Looks like the starboard thruster housing is ripped open and
• 4:29
  Speaker 13: she's leaking fuel.
• 4:30
  Speaker 2: Tug 17.
• 4:31
  Speaker 12: 17, go ahead, Lee.
• 4:34
  Speaker 13: Yeah, Jimmy, see if you can check out that fuel leak,
• 4:36
  Speaker 13: will you?
• 4:38
  Speaker 15: Roger.
• 4:41
  Speaker 2: Tug 9.
• 4:41
  Speaker 12: Tug 9.
• 4:46
  Speaker 13: Come on, Ron. I know you're there. I can hear
• 4:47
  Speaker 13: you swearing at your receiver in my headphones. Sorry about that, Lee.
• 4:52
  Speaker 13: I had to switch to another channel.
• 4:54
  Speaker 12: Your transmission was breaking up. Okay.
• 4:57
  Speaker 13: Get around to the Galileo's port side and see if
• 4:59
  Speaker 13: you can get a grappler pad on her. Use the
• 5:02
  Speaker 13: standard placement.
• 5:03
  Speaker 11: Roger.
• 5:07
  Speaker 12: I have grappler contact, Lee.
• 5:09
  Speaker 13: Pad magnetism stable. Okay, Lee, I've closed off the leak.
• 5:14
  Speaker 12: All right.
• 5:15
  Speaker 13: Now let's get a grappler pad on her starboard side.
• 5:17
  Speaker 13: I'll stick one on the nose.
• 5:19
  Speaker 2: Roger.
• 5:25
  Speaker 13: Okay, you guys, let's haul her in.
• 5:33
  Speaker 11: Forty-five minutes after launch, Space Tugs 2, 9, and 17
• 5:38
  Speaker 11: return to Starlab with a damaged laboratory ship in tow
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  Speaker 11: and guided into Docking Bay 14.
• 5:58
  Speaker 17: Attention all B-level medical units. Report to docking bay 14
• 6:02
  Speaker 17: and stand by for incoming casualties.
• 6:09
  Speaker 11: 30 minutes after the Galileo's arrival, Starlab's executive physician, Dr.
• 6:13
  Speaker 11: Diana Rossiter, begins a computer-assisted examination of the ship's unconscious crew.
• 6:28
  Speaker 11: Three hours later, Starlab's Mycroft computer completes its analysis of
• 6:33
  Speaker 11: the examination.
• 6:34
  Speaker 18: Look at the waveform patterns here on screen three. These
• 6:38
  Speaker 18: are the electroencephalograms of the Galileo's crew. You notice anything unusual?
• 6:44
  Speaker 16: Looks like the same EEG repeated ten times.
• 6:48
  Speaker 10: That's right.
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  Speaker 18: And not only are their EEGs identical, they all have
• 6:52
  Speaker 18: the same pulse rate, temperature, respiration, and dream state irhythms.
• 6:57
  Speaker 19: Really?
• 6:58
  Speaker 6: I don't know what happened to them, Maura.
• 7:01
  Speaker 18: But they're all dreaming the same dream.
• 7:09
  Speaker 11: Alien Worlds will continue.
• 7:14
  Speaker 10: Alien Worlds continues.
• 7:28
  Speaker 11: Six weeks after its disappearance during a routine mission, the
• 7:32
  Speaker 11: deep space laboratory ship Galileo returns to Starlab, its captain
• 7:37
  Speaker 11: missing and presumed dead, its first officer in a state
• 7:40
  Speaker 11: of second-degree mind shock, its crew asleep and dreaming identical dreams.
• 7:49
  Speaker 16: What about Lieutenant Becker?
• 7:50
  Speaker 18: He talked off and on during his examination, but he
• 7:53
  Speaker 18: was getting so anxious I thought it best to sedate
• 7:56
  Speaker 18: him for a while.
• 7:57
  Speaker 16: Diana, did you record what he said during the examination?
• 8:00
  Speaker 18: Maddie's making a copy of the tape now.
• 8:02
  Speaker 9: You want to hear it?
• 8:03
  Speaker 10: Mm-hmm.
• 8:04
  Speaker 16: Have her send it up to my quarters. I'll listen
• 8:05
  Speaker 16: to it when John and Buddy get here.
• 8:16
  Speaker 2: Solaris to Starlab Control.
• 8:18
  Speaker 12: This is Starlab.
• 8:20
  Speaker 14: Go ahead, Solaris.
• 8:21
  Speaker 2: We've picked up some time, Jerry. Our revised ETA is
• 8:24
  Speaker 2: 4 minutes, 13 seconds.
• 8:26
  Speaker 13: Four plus thirteen, roger.
• 8:28
  Speaker 15: Okay, John, your revised docking orbit insertion coordinates are one niner.
• 8:33
  Speaker 12: Six degrees at subvector two zero alpha.
• 8:36
  Speaker 2: Docking bay nine. See you in a few minutes, Jerry.
• 8:38
  Speaker 2: Solaris out.
• 8:39
  Speaker 13: Starlab clear on ITS channel zero niner six.
• 8:44
  Speaker 2: You have that look on your face, buddy. What are
• 8:46
  Speaker 2: you thinking?
• 8:48
  Speaker 8: Remember what Maura said about Lieutenant Becker? You know, that
• 8:51
  Speaker 8: verse he quoted when she asked what happened to Frank?
• 8:53
  Speaker 2: Yeah, what about it?
• 8:55
  Speaker 14: Well, it's part of a poem by Thackeray or Tennyson,
• 8:57
  Speaker 14: one of those guys.
• 8:58
  Speaker 2: It's from that period anyway. I know I've either heard
• 9:01
  Speaker 2: it or read it.
• 9:03
  Speaker 12: Wait a minute.
• 9:05
  Speaker 2: Ingrid.
• 9:06
  Speaker 14: Ingrid read it to me. Solaris to Starlab Control.
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  Speaker 12: This is Starlab. Stand by.
• 9:15
  Speaker 2: Go ahead, Solaris.
• 9:17
  Speaker 14: Jerry, patch me through to the library. I have to
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  Speaker 14: talk to Ingrid.
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  Speaker 15: Roger.
• 9:22
  Speaker 12: Stand by.
• 9:34
  Speaker 20: And all my days are trances And all my nightly
• 9:38
  Speaker 20: dreams Are where thy dark eye glances And where thy
• 9:43
  Speaker 20: footstep gleams In what ethereal dances By what eternal.
• 9:47
  Speaker 6: Streams That's it. What's it from, Ingrid?
• 9:51
  Speaker 20: It's the last verse of a poem called To One
• 9:54
  Speaker 20: in Paradise by Edgar Allan Poe. And that isn't Lieutenant
• 9:58
  Speaker 20: Becker's only reference to Poe. Buddy, play back the last
• 10:02
  Speaker 20: part of Dr. Ross at his tape again.
• 10:04
  Speaker 15: Okay.
• 10:08
  Speaker 18: They're almost finished, Lieutenant. Now look into the light.
• 10:14
  Speaker 2: No, it was dark.
• 10:16
  Speaker 12: It was always dark.
• 10:18
  Speaker 10: Mm-hmm.
• 10:19
  Speaker 19: Then.
• 10:20
  Speaker 21: Captain Egan wanted to explore, so we went out in
• 10:24
  Speaker 21: a crawler.
• 10:25
  Speaker 10: I see.
• 10:25
  Speaker 18: Now, the other eye, Lieutenant.
• 10:28
  Speaker 2: The whirlpool started.
• 10:29
  Speaker 21: I got scared, and I jumped out of the crawler,
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  Speaker 21: and it was swallowed up in a maelstrom. I didn't
• 10:37
  Speaker 21: mean to leave him there.
• 10:39
  Speaker 18: I know you didn't, Lieutenant.
• 10:41
  Speaker 21: My hands. When I look at my hands, I see sand.
• 10:47
  Speaker 21: Grains of golden sand. How few yet how they creep
• 10:53
  Speaker 21: through my fingers to the deep while I weep, while
• 11:00
  Speaker 21: I weep.
• 11:02
  Speaker 9: Lie down, Lieutenant.
• 11:04
  Speaker 10: Come, that's right.
• 11:06
  Speaker 18: Now, I'm going to give you something to make.
• 11:08
  Speaker 12: You feel better.
• 11:11
  Speaker 20: Well, anyway, the whirlpool he mentioned coincides with one of
• 11:16
  Speaker 20: Poe's short stories, A Descent Into the Maelstrom, In.
• 11:20
  Speaker 16: The reference to Grains of Golden Sand.
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  Speaker 20: A poem Poe wrote in 1847 after his wife died.
• 11:26
  Speaker 9: A dream within a dream.
• 11:30
  Speaker 15: Maura.
• 11:30
  Speaker 16: What is it, Jerry?
• 11:31
  Speaker 2: You better get up here.
• 11:32
  Speaker 14: I have a transmission coming through on the Mayday frequency.
• 11:34
  Speaker 2: It's Captain Egan.
• 11:36
  Speaker 10: Egan?
• 11:36
  Speaker 2: How can that be?
• 11:38
  Speaker 16: We're on our way, Jerry.
• 11:40
  Speaker 15: I'm on Tamerlane. somewhere in the Ursa Minor system. The
• 11:52
  Speaker 15: exact coordinates are on the Galileo's flight recorder.
• 11:56
  Speaker 16: What about the whirlpool, Captain?
• 11:57
  Speaker 12: An illusion, a dream.
• 12:00
  Speaker 15: Like everything else around here.
• 12:02
  Speaker 14: What's your situation now, Frank?
• 12:04
  Speaker 15: Well, the batteries here in the crawler are about gone.
• 12:07
  Speaker 15: So this will have to be my last transmission. And
• 12:10
  Speaker 15: I have rations for two, maybe three days. Get me
• 12:16
  Speaker 15: out of here, buddy. I don't think I can.
• 12:17
  Speaker 2: Captain Egan? Captain Egan? Captain Egan? Ah, that's it. We've
• 12:24
  Speaker 2: lost him.
• 12:25
  Speaker 16: Ingrid, is Tamerlane connected to Poe?
• 12:27
  Speaker 9: It's one of his most famous poems.
• 12:29
  Speaker 16: What's it about?
• 12:30
  Speaker 6: Love, life, death, rebirth.
• 12:32
  Speaker 20: The entire spectrum of physical and mystical experience.
• 12:36
  Speaker 16: Call Docking Bay 14, Jerry. Tell Simon to disconnect the
• 12:38
  Speaker 16: Galileo's flight recorder and take it to the Solaris.
• 12:41
  Speaker 2: Okay.
• 12:41
  Speaker 16: Ingrid, go back to the library and pull everything you
• 12:43
  Speaker 16: have on Edgar Allan Poe. Hard copy, sleep tapes, micro cards, everything.
• 12:47
  Speaker 16: Then meet us at the Solaris.
• 12:48
  Speaker 6: Am I going with you?
• 12:49
  Speaker 16: You certainly are.
• 12:50
  Speaker 20: But why?
• 12:51
  Speaker 16: Because what happened to the Galileo might happen to us.
• 12:54
  Speaker 16: And since this whole incident is somehow connected to Poe,
• 12:58
  Speaker 16: what you know about his work might be our only protection.
• 13:02
  Speaker 6: Okay, let's get busy.
• 13:06
  Speaker 11: At 1330 hours, 40 minutes after receiving Captain Egan's transmission...
• 13:11
  Speaker 11: Maura and Ingrid enter Docking Bay 9 and join John
• 13:15
  Speaker 11: and Buddy aboard the Solaris.
• 13:26
  Speaker 16: Is everything programmed and ready?
• 13:28
  Speaker 2: We're all set, Maura. Good. Better strap yourselves in.
• 13:30
  Speaker 14: We're due to launch in 90 seconds.
• 13:34
  Speaker 19: Ready?
• 13:35
  Speaker 6: Let's go.
• 13:36
  Speaker 22: Okay, Buddy, let's run it down. Exterior hatches and fuel
• 13:39
  Speaker 22: bay doors... Pressurized and locked. Environmental control systems. Green across
• 13:45
  Speaker 22: the board. ECS backup terminals.
• 13:50
  Speaker 14: In phase and programmed for zero time emergency interlock.
• 13:54
  Speaker 2: Microwave antenna function.
• 13:56
  Speaker 11: Positive.
• 13:57
  Speaker 2: Digital auto guidance and inertial gyro integration.
• 14:00
  Speaker 8: Auto guidance in phase. Gyro integration at zero minus three seconds.
• 14:04
  Speaker 11: So to help you get over your fear of phone watch,
• 14:07
  Speaker 11: I want to try a bit of word association.
• 14:10
  Speaker 6: Just say whatever comes into your head after each word
• 14:12
  Speaker 6: I say, okay?
• 14:13
  Speaker 4: Peace.
• 14:14
  Speaker 6: Long gone.
• 14:15
  Speaker 15: Home.
• 14:15
  Speaker 10: Alarm.
• 14:16
  Speaker 21: Window.
• 14:17
  Speaker 11: Motion sensors.
• 14:17
  Speaker 6: Front door.
• 14:18
  Speaker 2: Video doorbell.
• 14:18
  Speaker 6: Time.
• 14:19
  Speaker 15: 15 seconds.
• 14:20
  Speaker 6: Trevor, these words are supposed to be neutral.
• 14:23
  Speaker 7: They were, until PhoneWatch added all the good stuff to
• 14:25
  Speaker 7: their alarms. Get the Alarm Burglar's Fear for just € 59
• 14:29
  Speaker 7: with 24x7 monitoring. Don't be alarmed.
• 14:31
  Speaker 6: Be PhoneWatched.
• 14:31
  Speaker 7: Offer end September 30th. Monitoring fees and terms apply.
• 14:34
  Speaker 6: The car is beautiful. Where did you end up going
• 14:37
  Speaker 6: for it?
• 14:38
  Speaker 5: This exclusive place that Dad has connections with. They have
• 14:41
  Speaker 5: more cars for more dealerships than, like, anywhere else.
• 14:43
  Speaker 6: You have to put me in touch. What's it called?
• 14:45
  Speaker 7: It's Dunaidial.
• 14:48
  Speaker 8: Where?
• 14:49
  Speaker 6: Dunaidial.
• 14:50
  Speaker 7: There's an accent on the E.
• 14:53
  Speaker 6: Do you mean.
• 14:54
  Speaker 7: Yes, I got it on Dundale Cars.
• 14:56
  Speaker 10: Lift?
• 14:56
  Speaker 16: Please.
• 14:57
  Speaker 6: Are you going past Kimmage?
• 14:58
  Speaker 10: Oh, Kimmage!
• 15:00
  Speaker 2: No.
• 15:01
  Speaker 7: Dundale Cars.
• 15:02
  Speaker 5: You couldn't possibly go anywhere else.
• 15:07
  Speaker 2: Tank pressure.
• 15:08
  Speaker 14: Maximum 1 through 6.
• 15:10
  Speaker 2: Cancel the ignition safety terminal.
• 15:14
  Speaker 14: Positive function on IST lockout.
• 15:16
  Speaker 8: Alien Worlds will continue.
• 15:43
  Speaker 2: Alien Worlds continues.
• 15:45
  Speaker 11: 48 hours after launching from Starlab, the Solaris penetrates the
• 15:51
  Speaker 11: Ursa Minor star system, a constellation filled with glowing stellar
• 15:56
  Speaker 11: dust and brilliant star clusters, a constellation dominated by the
• 16:02
  Speaker 11: second magnitude binary star Polaris. Three hours later, guided by
• 16:10
  Speaker 11: the navigation coordinates from the Galileo's flight recorder, the sleek
• 16:14
  Speaker 11: white SET interceptor lands on the dark, mist-shrouded planetoid of Tamerlane.
• 16:31
  Speaker 2: Open the visual scanner ports, buddy. Let's have a look
• 16:33
  Speaker 2: at this place.
• 16:34
  Speaker 10: Okay.
• 16:36
  Speaker 9: Nothing but mist and shadows. Can you move a little.
• 16:39
  Speaker 20: To the right, buddy?
• 16:40
  Speaker 9: I can't see the screen from back here.
• 16:42
  Speaker 10: Oh, yeah, sorry.
• 16:44
  Speaker 2: How's that?
• 16:45
  Speaker 6: That's fine.
• 16:47
  Speaker 9: It looks like the landscape in the fall of the
• 16:49
  Speaker 9: House of Usher.
• 16:51
  Speaker 15: Wait a minute.
• 16:52
  Speaker 14: What's that in the corner of the screen?
• 16:54
  Speaker 2: It's a cat.
• 16:55
  Speaker 12: Yeah.
• 16:55
  Speaker 10: A black cat.
• 16:58
  Speaker 6: It's... Wait a minute.
• 16:59
  Speaker 12: What happened?
• 17:00
  Speaker 2: Where'd it go?
• 17:03
  Speaker 12: It's gone.
• 17:04
  Speaker 9: Was it really there?
• 17:05
  Speaker 10: Yeah. It's gone.
• 17:07
  Speaker 9: Maybe it wasn't really there.
• 17:08
  Speaker 2: It had to be there.
• 17:10
  Speaker 9: Oh, buddy, I'm so sleepy.
• 17:12
  Speaker 23: We all saw it, didn't we?
• 17:15
  Speaker 2: Where's Frank? Oh, we have to find Frank.
• 17:19
  Speaker 12: Don't go to sleep.
• 17:22
  Speaker 6: Don't go to sleep. We can't go to sleep.
• 17:29
  Speaker 10: Don't go to sleep. Don't go to sleep.
• 17:42
  Speaker 11: Hear the tolling of the bells, iron bells.
• 17:47
  Speaker 24: What a world of solemn thought their melody compels.
• 17:52
  Speaker 23: Hear the loud alarm bells, brazen bells. What a tale
• 17:57
  Speaker 23: of terror now their turbulence tells.
• 18:08
  Speaker 10: In their Fortunato.
• 18:11
  Speaker 9: The cask of Amontillado is in there.
• 18:15
  Speaker 6: Beautiful.
• 18:18
  Speaker 10: For the love of God!
• 18:24
  Speaker 23: I forced the last stone into position and plastered it up.
• 18:30
  Speaker 24: Against the new masonry, I re-erected the.
• 18:34
  Speaker 14: Old royal part of bones.
• 18:36
  Speaker 24: For half a century, no mortal has disturbed them.
• 18:44
  Speaker 16: Rest in peace, Fortunato. Requiescat in pace.
• 18:53
  Speaker 10: Under the floor.
• 18:55
  Speaker 2: He's hidden the old man's body under the floor.
• 18:58
  Speaker 10: Under the floor.
• 19:02
  Speaker 8: Louder!
• 19:04
  Speaker 14: Louder!
• 19:06
  Speaker 9: I admit it!
• 19:08
  Speaker 6: I admit it!
• 19:08
  Speaker 10: Tear up the planks!
• 19:10
  Speaker 20: Stop the beating of his hideous heart!
• 19:24
  Speaker 23: The vibration of the pendulum was at right angles to
• 19:28
  Speaker 23: my length. It slowly descended hissing back and forth, repeating
• 19:37
  Speaker 23: its arc again and again.
• 19:40
  Speaker 16: As the shades of evening drew on, within view of
• 19:44
  Speaker 16: the melancholy house of Usher.
• 19:46
  Speaker 24: And the raven never flitting still sitting still sitting on
• 19:53
  Speaker 24: the pallid bust of palace just above my chamber door
• 19:58
  Speaker 24: and his eyes have all the seeming of the demons that.
• 20:02
  Speaker 12: Is dreaming.
• 20:05
  Speaker 10: How shall the burial rite be read The solemn song
• 20:12
  Speaker 10: be sung, the requiem for the loveliest dead that ever
• 20:17
  Speaker 10: died so young.
• 20:19
  Speaker 6: All that we see or seem.
• 20:24
  Speaker 23: Is but a dream within a dream.
• 20:32
  Speaker 16: Dr.
• 20:33
  Speaker 2: Cassidy. Buddy.
• 20:36
  Speaker 15: John.
• 20:37
  Speaker 19: Buddy. John, wake up. Dr.
• 20:40
  Speaker 2: Cassidy, wake up.
• 20:42
  Speaker 9: Frank.
• 20:43
  Speaker 19: I saw you land about an hour ago. I've been
• 20:45
  Speaker 19: trying to raise you on the crawler short-range transmitter ever since.
• 20:49
  Speaker 14: Bells.
• 20:51
  Speaker 16: I was dreaming about bells. And some kind of terrible
• 20:55
  Speaker 16: razor swinging back and forth.
• 20:57
  Speaker 8: And there was a murder. An old man was killed.
• 21:01
  Speaker 8: His body was under a floor, but his heart wouldn't
• 21:04
  Speaker 8: stop beating.
• 21:05
  Speaker 9: The pit in the pendulum. The telltale heart. Poe, we've
• 21:11
  Speaker 9: all been dreaming about his stories and poems.
• 21:13
  Speaker 19: Everyone aboard the Galileo had the same dreams. After we
• 21:17
  Speaker 19: landed here to repair the meteorite damage, we saw a
• 21:20
  Speaker 19: black cat. When it ran into the mist, we all
• 21:23
  Speaker 19: fell asleep.
• 21:24
  Speaker 2: But you weren't asleep the whole time you were here.
• 21:27
  Speaker 19: Tremors and storms. And after every disturbance, the mist would
• 21:31
  Speaker 19: clear long enough for us to see another part of
• 21:33
  Speaker 19: Tamerlane had disappeared. It's losing its molecular density, too. I've
• 21:39
  Speaker 19: been checking it out on the crawler's densiometer. Tamerlane is
• 21:43
  Speaker 19: returning to its own dimension.
• 21:45
  Speaker 9: What do you mean?
• 21:47
  Speaker 19: Tamerlane isn't supposed to be in this time-space continuum. Somehow
• 21:51
  Speaker 19: or other, it slipped out of its own dimension. And now,
• 21:54
  Speaker 19: it's slipping back.
• 21:56
  Speaker 11: How do you know that?
• 21:58
  Speaker 19: The longer you stay here, the more you dream. And
• 22:01
  Speaker 19: with every dream, you'll understand a little bit more about
• 22:04
  Speaker 19: Tamerlane and what it is.
• 22:06
  Speaker 9: Have you found out why all the dreams are related
• 22:08
  Speaker 9: to Edgar Allan Poe?
• 22:09
  Speaker 19: Yes, I have. I found the house last night.
• 22:13
  Speaker 16: House?
• 22:13
  Speaker 6: What house?
• 22:14
  Speaker 19: The house where the dream chamber is. The house of Usher.
• 22:19
  Speaker 19: Come on, I'll show you.
• 22:21
  Speaker 10: The House of Usher.
• 22:38
  Speaker 9: It's just the way I imagined it.
• 22:39
  Speaker 14: Looks haunted to me.
• 22:43
  Speaker 16: Come on, let's get this over with before Tamerlane drops
• 22:45
  Speaker 16: out from under us.
• 22:47
  Speaker 10: Take my hand, buddy.
• 22:56
  Speaker 2: Where to, Frank?
• 22:57
  Speaker 19: Up the stairs, then turn left.
• 22:58
  Speaker 10: Oops.
• 23:03
  Speaker 7: It's freezing in here.
• 23:06
  Speaker 19: Help me with the door, John.
• 23:19
  Speaker 10: Impossible.
• 23:20
  Speaker 2: It's impossible.
• 23:21
  Speaker 7: It's not a room at all.
• 23:23
  Speaker 9: Space.
• 23:23
  Speaker 10: Oh, it's beautiful. We're in space.
• 23:30
  Speaker 11: The dream chamber. an opening in the time-space continuum, a
• 23:35
  Speaker 11: place enclosed not by walls but by the golden light
• 23:39
  Speaker 11: and phantom shadows of a parallel universe, a void filled
• 23:44
  Speaker 11: with glittering star fields and an eternity of stellar mists
• 23:49
  Speaker 11: tinted with all the colors of creation. And in the
• 23:54
  Speaker 11: center of the dream chamber, a bed made of interlocking
• 23:58
  Speaker 11: beams of light and lying on the bed forever asleep
• 24:02
  Speaker 11: and forever dreaming.
• 24:03
  Speaker 6: It's him.
• 24:05
  Speaker 10: It's Poe.
• 24:06
  Speaker 15: Is he alive?
• 24:07
  Speaker 19: He's a dream, buddy. A dream sustained by everyone who
• 24:11
  Speaker 19: reads his work and falls in love with its beauty
• 24:14
  Speaker 19: and terror, its sorrow, its truth.
• 24:18
  Speaker 10: Are we looking at eternity?
• 24:21
  Speaker 2: Well, we're looking at Poe's eternity.
• 24:30
  Speaker 20: Everything's fading.
• 24:31
  Speaker 2: Let's get back to the ship before we get caught
• 24:32
  Speaker 2: in this.
• 24:33
  Speaker 6: Look, he's standing up.
• 24:35
  Speaker 14: Ingrid, what's wrong with you? He's not standing up.
• 24:37
  Speaker 2: He's a plague.
• 24:38
  Speaker 12: He's running away.
• 24:39
  Speaker 10: Ingrid.
• 24:40
  Speaker 24: Buddy, help me.
• 24:41
  Speaker 6: I can't hear anything.
• 24:43
  Speaker 2: Hey, help me with her, Frank. Okay, okay, let's get
• 24:45
  Speaker 2: her out of here. No.
• 24:56
  Speaker 12: All right, Maura. Thanks for letting me know.
• 24:58
  Speaker 15: I'll notify Starlab.
• 24:59
  Speaker 12: And tell them you're on your way in.
• 25:01
  Speaker 2: Thanks, Commissioner. Oh, by the way, I heard from Dr.
• 25:05
  Speaker 19: Rossiter.
• 25:05
  Speaker 15: Lieutenant Becker's all right, and so is the Galileo's crew.
• 25:09
  Speaker 13: They woke up.
• 25:09
  Speaker 12: About a half an hour ago. All right, Commissioner.
• 25:12
  Speaker 16: Thank you. See you tomorrow.
• 25:14
  Speaker 12: RSA comm center clear.
• 25:17
  Speaker 10: Half hour ago.
• 25:20
  Speaker 19: That means they woke up the instant Tamerlane disappeared.
• 25:26
  Speaker 2: What are you doing, Ingrid?
• 25:28
  Speaker 9: The hallucination I had in the dream chamber and that
• 25:31
  Speaker 9: terrible stillness afterwards.
• 25:33
  Speaker 20: I know it's related to one of Poe's stories.
• 25:36
  Speaker 9: I remember something.
• 25:37
  Speaker 12: I remember.
• 25:38
  Speaker 10: Here it is.
• 25:39
  Speaker 12: Silence.
• 25:40
  Speaker 14: A favor.
• 25:43
  Speaker 9: And mine eyes fell upon the countenance of the man.
• 25:46
  Speaker 9: And he was afraid.
• 25:47
  Speaker 11: And he was afraid.
• 25:48
  Speaker 6: He raised his head and listened.
• 25:49
  Speaker 14: Raised his head and listened.
• 25:50
  Speaker 20: But there was no voice.
• 25:51
  Speaker 9: Throughout the vast, illimitable void.
• 25:53
  Speaker 12: Illimitable void.
• 25:54
  Speaker 9: Only silence.
• 25:55
  Speaker 10: Only silence.
• 25:56
  Speaker 9: And the man turned his face away and fled into
• 25:59
  Speaker 9: the distance.
• 26:01
  Speaker 24: And I beheld.
• 26:03
  Speaker 10: Him. No more. No more.
• 26:28
  Speaker 11: A Dream Within a Dream was written by Ron Thompson
• 26:32
  Speaker 11: and starred Linda Gary, Chuck Olson, Bruce Philip Miller, Corey Burton,
• 26:38
  Speaker 11: and special guest stars Francis Bay, Clark Warren, Mel Wells,
• 26:43
  Speaker 11: Jack Angel, and Marilyn Schreffler. Associate producer, Ron Thompson. Music director,
• 26:50
  Speaker 11: Tom Rounds. Engineer, Stu Jacobs. Technical consultant, Peter Skye. Assistant
• 26:56
  Speaker 11: to the producer, Jim Cook. Alien Worlds was created, produced,
• 27:01
  Speaker 11: and directed by Lee Hansen. And so, until next week,
• 27:06
  Speaker 11: this is Roger Dressler inviting you to join us for
• 27:10
  Speaker 11: the adventure of the Parallax Deception from the Elsewhere and
• 27:14
  Speaker 11: Elsewhen of Alien Worlds.
• 27:29
  Speaker 25: It's so easy, your grandkid said, downloading that new app.
• 27:34
  Speaker 25: Yet two minutes later the screen's too dark and everything's
• 27:36
  Speaker 25: in Japanese. How'd you manage that? So you pop into
• 27:39
  Speaker 25: your local Vodafone store. They take their time with you
• 27:42
  Speaker 25: and suddenly it all makes sense. Turns out the hardest
• 27:45
  Speaker 25: part was walking through the door. Not every network offers
• 27:49
  Speaker 25: this level of care in 78 stores nationwide. Vodafone. Together
• 27:54
  Speaker 25: we can.
• 27:54
  Speaker 6: Find your nearest location on Vodafone.ie. The car is beautiful.
• 28:01
  Speaker 6: Where did you end up going for it?
• 28:03
  Speaker 5: This exclusive place that Dada's connections with. They've more cars
• 28:06
  Speaker 5: for more dealerships than like anywhere else.
• 28:08
  Speaker 6: You have to put me in touch. What's it called?
• 28:10
  Speaker 7: It's Dunaidial.
• 28:13
  Speaker 10: Where?
• 28:14
  Speaker 7: Dunaidial. There's an accent on the E.
• 28:18
  Speaker 6: Do you mean.
• 28:19
  Speaker 7: Yes, I got it on Dundale Cars.
• 28:20
  Speaker 14: Lift, please.
• 28:21
  Speaker 6: Are you going past Kimmage?
• 28:23
  Speaker 14: Oh, Kimmage.
• 28:25
  Speaker 10: No.
• 28:26
  Speaker 7: Dundale Cars.
• 28:27
  Speaker 5: You couldn't possibly go anywhere else.