Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🇬🇧 Real Housewives of London Episodes 1-6 Recap Compilation (Re-Release)

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🇬🇧 Real Housewives of London Episodes 1-6 Recap Compilation (Re-Release) · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling Drama, Darling.
• 0:13
  Speaker 2: Drama, Darling. Hello, it's me your bish wife. Hey listen.
• 0:25
  Speaker 2: It turns out that The Real Housewives of London is
• 0:29
  Speaker 2: now on Bravo here in the United States. Funny enough,
• 0:33
  Speaker 2: about a year ago and I was just looking at
• 0:35
  Speaker 2: my notes. Almost exactly a year ago, I believe August eighteenth,
• 0:40
  Speaker 2: the Real Housewives of London aired in the UK, and
• 0:45
  Speaker 2: as a matter of fact, Emily Dresis and I went
• 0:48
  Speaker 2: ahead and we subscribed to Hey, you you know, we
• 0:52
  Speaker 2: did the whole thing to ture we got the GPN.
• 0:55
  Speaker 2: We did what we I don't even remember how we
• 0:56
  Speaker 2: did it, but we did it, and we watched it
• 0:59
  Speaker 2: and we recap exactly six episodes and that's exactly how
• 1:04
  Speaker 2: many episodes are out right now in the US. So
• 1:09
  Speaker 2: I am I was like, I'm doing a re release
• 1:12
  Speaker 2: of these ups because a year ago, I don't think
• 1:15
  Speaker 2: many people were even watching it. I mean, honestly, I
• 1:17
  Speaker 2: think that's why we stopped, because it was literal crickets.
• 1:21
  Speaker 2: So here we are. We're back again. And I had
• 1:26
  Speaker 2: my fabulous bish editor Julie, throw together this compilation. Okay,
• 1:32
  Speaker 2: you're going to listen to the premiere episode recap. Then
• 1:35
  Speaker 2: you're going to go into two and three, which are combined,
• 1:39
  Speaker 2: Four and five are combined, and then six and that's
• 1:43
  Speaker 2: where we land. Now. I don't know, I'm thinking this
• 1:46
  Speaker 2: will probably be about I don't know, maybe an hour
• 1:50
  Speaker 2: and forty five minutes, because you know, I mean the
• 1:52
  Speaker 2: first couple episodes were kind of short because I doubled
• 1:54
  Speaker 2: it up with like a below deck or we did
• 1:57
  Speaker 2: a British invasion thing and so we were doing the
• 2:00
  Speaker 2: great bit British banking show. That's what we did, and
• 2:02
  Speaker 2: we split it with the Real Housewives of London. Got
• 2:05
  Speaker 2: it was such a great time. God, I loved it.
• 2:08
  Speaker 2: I just love being in the UK. So now I'm
• 2:12
  Speaker 2: just glad because I actually had a Darling reach out
• 2:15
  Speaker 2: to me a few I know, Gigi reached out and said,
• 2:18
  Speaker 2: are you watching the Real Housewives of London? And I
• 2:20
  Speaker 2: was like, wait a minute, is that Ladies of London?
• 2:23
  Speaker 2: Is that?
• 2:23
  Speaker 1: Like?
• 2:24
  Speaker 2: Didn't we do that? I mean I had a literal
• 2:27
  Speaker 2: British brain freeze because I was thinking, I'm pretty positive
• 2:31
  Speaker 2: we did this, but like, let me just recalibrate, and
• 2:34
  Speaker 2: so we did. So now here you are six episode
• 2:38
  Speaker 2: recaps and if there are any references to I don't know,
• 2:45
  Speaker 2: like maybe Amanda and Kyle being together forever, or you know,
• 2:49
  Speaker 2: maybe there's an election. I don't know. I'm just saying
• 2:52
  Speaker 2: the references maybe a little outdated. Okay if I throw
• 2:56
  Speaker 2: one in here and there, but the recap will remain
• 2:59
  Speaker 2: the same. So I hope you enjoy this. And if
• 3:03
  Speaker 2: you are watching The Real Housewives of London, come on
• 3:07
  Speaker 2: let me know. And you can let me know O.
• 3:08
  Speaker 2: We're on Patreon dot com, slash drama Darling or you
• 3:11
  Speaker 2: can email me at Drama darlingswi a z at gmail
• 3:15
  Speaker 2: dot com, or you can reach me at Meetami Phllips.
• 3:18
  Speaker 2: However you want to do it, reach out say hi.
• 3:21
  Speaker 2: All right, guys, I hope you enjoy. Okay, welcome back.
• 3:25
  Speaker 2: We are talking the Real Housewives of London. This is
• 3:28
  Speaker 2: our British invasion. Emily Theresa's is joining me. And I'll
• 3:33
  Speaker 2: tell you what, watching this really invigorated me for the
• 3:37
  Speaker 2: type of aspirational housewives that I really enjoy. You know,
• 3:42
  Speaker 2: here in the US we have very little of those
• 3:45
  Speaker 2: left in terms of like money and things like that, so.
• 3:49
  Speaker 1: We know too much. I'm sure if like this show
• 3:53
  Speaker 1: just started. We would be like, whoa, you know Jen
• 3:58
  Speaker 1: and Tamra have are loaded. But then we would be like,
• 4:02
  Speaker 1: wait a second, they've been sued a hundred times, Like
• 4:06
  Speaker 1: we know too much, so.
• 4:07
  Speaker 2: Not to say we won't, you know, uncover that with London,
• 4:10
  Speaker 2: I mean, I guess we don't really know what that's saying.
• 4:13
  Speaker 2: That's to say, but I mean Panthea talking about how
• 4:16
  Speaker 2: she spent like the equivalent of three hundred thousand dollars
• 4:18
  Speaker 2: a heron's one day.
• 4:20
  Speaker 1: So did Erica Jane and look where we are.
• 4:23
  Speaker 2: And there you go. Yeah, and then we had Juliette
• 4:26
  Speaker 2: who's like or Amanda. No, I think it was Juliet
• 4:29
  Speaker 2: who's like her last husband. They were in such social
• 4:32
  Speaker 2: demand that they were on like six superyachts in three months.
• 4:36
  Speaker 1: Yeah, that's the Australian that has to be your current
• 4:39
  Speaker 1: husband because they've been married twenty years. Right.
• 4:41
  Speaker 2: Oh sure, I don't know, you know, I'm just getting
• 4:46
  Speaker 2: to know these ladies. This is the first episode.
• 4:48
  Speaker 1: I will say.
• 4:48
  Speaker 2: I'm going to get it all right, I'm with you.
• 4:51
  Speaker 1: I'm going to get everything wrong. I think I'm totally
• 4:53
  Speaker 1: with you on the aspirational stuff because I am like
• 4:56
  Speaker 1: totally blown away. But then the second I googled like Amanda,
• 5:01
  Speaker 1: I was like.
• 5:01
  Speaker 2: Oh, oh really she seems so impressive with her skincare line
• 5:06
  Speaker 2: and like everything she said in her incredible home and
• 5:10
  Speaker 2: it's a stone's throw from the castle, and I mean,
• 5:12
  Speaker 2: it's just so many things.
• 5:13
  Speaker 1: Got a settlement, she got a sudden like settlement in
• 5:17
  Speaker 1: her divorce. Oh, a sudden strack style settlement. Who like
• 5:22
  Speaker 1: hundreds of millions of dollars. So yeah, like of course,
• 5:26
  Speaker 1: like she's got a lot of money to fund a
• 5:29
  Speaker 1: great skincare line to just try or I mean if
• 5:33
  Speaker 1: it was in the US, it could be a write off.
• 5:36
  Speaker 1: But like yeah, I was just like all right, because
• 5:39
  Speaker 1: I was like wow, like what's how did she fund this?
• 5:43
  Speaker 2: And then I also thought it was her company had
• 5:46
  Speaker 2: been going on for a long time the way that
• 5:49
  Speaker 2: she was like actually the first person in the UK
• 5:52
  Speaker 2: or in England to have done this at Sacks.
• 5:57
  Speaker 1: Oh in twenty twenty two, what happened she started her
• 6:04
  Speaker 1: stay in Caroline.
• 6:06
  Speaker 2: On the first person to do this with Zaxon two. Here, Okay,
• 6:14
  Speaker 2: I'm bad right now, I see this is you're right.
• 6:16
  Speaker 2: This is where we start lifting the veil. Once we
• 6:19
  Speaker 2: really get down to breast tacks, and I'm just like letting,
• 6:22
  Speaker 2: I'm getting the broad strokes in right now.
• 6:24
  Speaker 1: I'm just gonna give you a one at od, I'll
• 6:26
  Speaker 1: give you a stroke for a broad Do you remember?
• 6:30
  Speaker 1: This is also what I saw when I googled Amanda.
• 6:33
  Speaker 1: What is that gal with pe K that we talked
• 6:36
  Speaker 1: about in the news in June that he was running
• 6:40
  Speaker 1: around with another housewife?
• 6:42
  Speaker 2: Oh my god, that's her. Okay, so that's Amanda. I'm
• 6:49
  Speaker 2: a queen. Now we're talking.
• 6:55
  Speaker 1: Now, we're talking.
• 6:56
  Speaker 2: Okay, Okay.
• 6:58
  Speaker 1: We just lifted ever so delicately the veil. Yes, we
• 7:02
  Speaker 1: have right under.
• 7:04
  Speaker 2: And then I'm like, well, when are these ladies gonna
• 7:06
  Speaker 2: like rip each other's faces off? If in fact they will?
• 7:09
  Speaker 2: And then we get to like the International Woman's Day
• 7:14
  Speaker 2: as they say they don't say women's they say Woman's.
• 7:17
  Speaker 2: I'm like, like, just like Jersey and and they had
• 7:21
  Speaker 2: like this, And then we get like Panthea and Juliet
• 7:27
  Speaker 2: in this knockdown, drag out dentist like dentist Gate, which
• 7:32
  Speaker 2: is begging so many questions. Emilie.
• 7:35
  Speaker 1: Yeah, every time it's explained to me, I am so
• 7:39
  Speaker 1: much further away from Panthea's side of things that I'm
• 7:42
  Speaker 1: back in the United States because she is just like,
• 7:45
  Speaker 1: doesn't it seem totally crazy?
• 7:49
  Speaker 2: It seems completely unrealistic that a dentist would not do
• 7:55
  Speaker 2: what you ask them to do but then did basically
• 8:00
  Speaker 2: malpractice by not doing X rays on someone's mouth but
• 8:05
  Speaker 2: then saying that they're cavities and then doing six or seven.
• 8:09
  Speaker 2: She didn't even have the number. She didn't even have
• 8:11
  Speaker 2: the number it was six or seven, didn't even have it.
• 8:14
  Speaker 1: But Phil, how's that. Juliette just defended, just said, like,
• 8:20
  Speaker 1: lighten up on social media because that the dentist was
• 8:24
  Speaker 1: her friend. So I'm kind of like, you know, what's up, Panea, Like,
• 8:30
  Speaker 1: Juliette didn't do this. And by the way, there's going
• 8:33
  Speaker 1: to be a second juliet so.
• 8:35
  Speaker 2: I know I can't wait because Juliette was on the
• 8:36
  Speaker 2: original Ladies of London Juliette other Juliette, Yes, the other
• 8:41
  Speaker 2: one who isn't in the first episode. Yeah right, But look,
• 8:45
  Speaker 2: if if in fact this dentist did do what Panthea
• 8:51
  Speaker 2: is saying she did, I suppose I might be going
• 8:55
  Speaker 2: absolutely bonkers on the internet. As well to warn people
• 8:59
  Speaker 2: not to go to a dentist who's going to go
• 9:01
  Speaker 2: rogue in your child's mouth. That's true, but I don't
• 9:05
  Speaker 2: know if any of this is true. Like I said,
• 9:07
  Speaker 2: you don't even know how many fillings he got. And
• 9:11
  Speaker 2: and then furthermore, like what is the what's the dental
• 9:16
  Speaker 2: practice in the UK? Like what are we looking at?
• 9:19
  Speaker 2: You know? And and were these was she giving him
• 9:21
  Speaker 2: free fillings? And if so, I mean it's she's doing
• 9:25
  Speaker 2: him a favor.
• 9:26
  Speaker 1: Mm, But I don't think there was. I don't I
• 9:32
  Speaker 1: don't understand any of that. I just was like, yeah,
• 9:37
  Speaker 1: I but we're coming out of the gate pretty hot
• 9:40
  Speaker 1: about like something that first of all happened six years ago.
• 9:43
  Speaker 2: That's like six years ago.
• 9:46
  Speaker 1: Yeah, yeah, that's what Juliette M said. She's like, wait,
• 9:50
  Speaker 1: this is sleep six.
• 9:51
  Speaker 2: Years that's amazing, Okay, I love it already.
• 9:57
  Speaker 1: It's But then to Panthea's point, it's been six years
• 10:00
  Speaker 1: of Juliet M cold shouldering her and acting like she's
• 10:04
  Speaker 1: above it and whatever. And I can see as a
• 10:08
  Speaker 1: mother that would be very like you didn't have my
• 10:12
  Speaker 1: back and then you acted like you're better than me
• 10:15
  Speaker 1: at social get togethers. But then I'm like, Panthea, you
• 10:20
  Speaker 1: probably haven't done yourself any favors, because at one point
• 10:23
  Speaker 1: I can't believe it. I don't know if it's this
• 10:25
  Speaker 1: episode or the next one where she's talking about how
• 10:28
  Speaker 1: she's gonna go right up to Prince or now King
• 10:31
  Speaker 1: Charles and be like, what's up with Harry and get
• 10:34
  Speaker 1: a selfie? Like don't ask about Harry. It says, don't
• 10:38
  Speaker 1: ask about Harry. I'm like, I know exactly who Paty is. Yep,
• 10:44
  Speaker 1: I was gonna say, Nessie seems legit.
• 10:48
  Speaker 2: Her business story those kids talk about going from the
• 10:51
  Speaker 2: Great British take off to her going from like banking
• 10:56
  Speaker 2: to baking or whatever it was. Yeah, I can't believe
• 11:00
  Speaker 2: those cakes. I can't believe now sweets.
• 11:03
  Speaker 1: I know.
• 11:04
  Speaker 2: I love that pancake with the black bows. I absolutely
• 11:07
  Speaker 2: loved Amanda's Fusha dress. I love the clothes, love the
• 11:13
  Speaker 2: confessional looks, and loving the styles.
• 11:15
  Speaker 1: I'm really like, this was the Housewives we needed.
• 11:20
  Speaker 2: Mmmm.
• 11:22
  Speaker 1: I don't think I could have like hard launched into
• 11:24
  Speaker 1: another It's so elegant. As they say, it is very
• 11:30
  Speaker 1: fun to watch.
• 11:31
  Speaker 2: It is very fun to watch, and I can't wait
• 11:34
  Speaker 2: till Juliet Angus enters the scene. Next time we watch
• 11:38
  Speaker 2: episode two, and then there's another housewife, Karen, who.
• 11:42
  Speaker 1: Yeah, she had the party. She's having a party. See
• 11:46
  Speaker 1: I watched the first two episodes, so it's a little
• 11:48
  Speaker 1: blurry for me. But she's she's going to have a
• 11:50
  Speaker 1: party at Isabelle and she has like a six a
• 11:53
  Speaker 1: five floor, oh right, townhouse that she's making into six
• 11:58
  Speaker 1: and that rehabit that is like years.
• 12:02
  Speaker 2: Well, it's hard to build. It's hard to build in
• 12:04
  Speaker 2: London town.
• 12:06
  Speaker 1: I know that building. There's a couple of them. Do
• 12:10
  Speaker 1: you remember the They all look like Sonia Morgan's townhouse.
• 12:14
  Speaker 2: Oh all right, you know what I mean? Yes, right, right,
• 12:18
  Speaker 2: but like with working toilets and yeah, you know, somewhat
• 12:22
  Speaker 2: of an upkeep situation. No no tin, no shade, but cheers.
• 12:28
  Speaker 2: All right, Well listen, this is just broad strokes. Welcome
• 12:31
  Speaker 2: in Real Housewives of London.
• 12:32
  Speaker 1: Oh Nessie made the Queen's ninetieth birthday cake. Just I'm
• 12:35
  Speaker 1: very yeah, that's rasty.
• 12:37
  Speaker 2: Me too, already fan favorite. Yeah, and I can't wait
• 12:42
  Speaker 2: to talk about it more. Darlings. I have to tell
• 12:48
  Speaker 2: you something that makes me laugh. I've literally been shopping
• 12:51
  Speaker 2: for a new living room rug for months. I'd find
• 12:54
  Speaker 2: one I love, but then I think what happens when
• 12:57
  Speaker 2: someone spills coffee on it? Is this too light? Is
• 12:59
  Speaker 2: this too dark? And then I try to find a
• 13:02
  Speaker 2: washable one, and it looked like it belonged in a
• 13:04
  Speaker 2: dorm room. So I basically what I'm trying to say
• 13:06
  Speaker 2: is I could not make a decision. Things were added
• 13:09
  Speaker 2: to the cart, things were taken out, and I just
• 13:11
  Speaker 2: left it there. Then all of a sudden, this partnership
• 13:14
  Speaker 2: with Tumble came along, and honestly, the timing couldn't have
• 13:18
  Speaker 2: been more perfect, because I now actually have my own
• 13:22
  Speaker 2: Tumble rug and it is so amazing. It is everything
• 13:27
  Speaker 2: that I wanted and I didn't have to compromise. I mean,
• 13:29
  Speaker 2: I feel like I manifested this. It looks like a
• 13:33
  Speaker 2: gorgeous designer rug, but it's actually made for real life.
• 13:37
  Speaker 2: My daughter has friends over. There's snacks, there's crafts, there's spills,
• 13:42
  Speaker 2: there's shoes, there's pool water. I mean, there's a cat.
• 13:46
  Speaker 2: You know, A lot happens on the living room rug.
• 13:49
  Speaker 2: And I realized I wasn't shopping for a rug anymore.
• 13:52
  Speaker 2: I was shopping for a peace of mind. And that's
• 13:54
  Speaker 2: exactly why I love Tumble. Their rugs are spillproof, so
• 13:58
  Speaker 2: when something gets knocked over the liquor, it literally beads
• 14:01
  Speaker 2: up on the surface instead of soaking in. And the
• 14:03
  Speaker 2: first time I saw it happen, I was like, am
• 14:05
  Speaker 2: I imagining this? You just wipe it away. It's just
• 14:08
  Speaker 2: like magic. And when life gets really messy, the rug
• 14:12
  Speaker 2: is machine washable, even the larger sizes. I have an
• 14:15
  Speaker 2: eight x ten. You just remove it from the cushioned
• 14:18
  Speaker 2: rug pad, throw it in the washing machine and you'd done.
• 14:21
  Speaker 2: And speaking of the rug pad, it's genius. It tucks
• 14:24
  Speaker 2: into hidden corner pockets underneath the rug, so everything stays
• 14:28
  Speaker 2: securely in one place. Thank goodness for this, because I
• 14:31
  Speaker 2: have seen too many rugs where there's bunching sliding around
• 14:35
  Speaker 2: every time someone walks across it. You know, I didn't
• 14:38
  Speaker 2: want that for myself, you guys, and I don't want
• 14:40
  Speaker 2: that for you. Oh and another thing I love is
• 14:42
  Speaker 2: that these rugs don't look washable. Do you know what
• 14:45
  Speaker 2: I'm talking about? They have these beautiful, hand illustrated designs
• 14:49
  Speaker 2: that look like something you'd find in a designer home store.
• 14:52
  Speaker 2: They're also Oco TEXT certified, which means they're made with
• 14:55
  Speaker 2: non toxic materials that are safe for kids, pets, and
• 14:59
  Speaker 2: anyone spending time on the floor. How amazing is that
• 15:03
  Speaker 2: this checks every box for me? Honestly, tumble solved a
• 15:06
  Speaker 2: problem I've been trying to solve four months. Machine washable
• 15:10
  Speaker 2: rugs made better for a limited time, Darlings, my listeners
• 15:14
  Speaker 2: get ten percent off plus free shipping at tumbleliving dot
• 15:18
  Speaker 2: com slash drama. That's tumbleliving dot com forward slash drama.
• 15:24
  Speaker 2: After you purchase, they'll ask you where you heard about him.
• 15:26
  Speaker 2: So please support drama Darling and let them know that
• 15:29
  Speaker 2: I sent you. And we are back. We're going to
• 15:36
  Speaker 2: be recapping The Real Housewives of London episodes two and three.
• 15:42
  Speaker 2: We're going to be doing you know, a couple at
• 15:44
  Speaker 2: a time. Sometimes we'll see how this all you Know
• 15:46
  Speaker 2: plays out. But Emila and I are loving The Real
• 15:51
  Speaker 2: Housewives of London. Emily, I have to say that I
• 15:54
  Speaker 2: am not here for the drama. I'm here for the visuals.
• 15:59
  Speaker 2: I'm here for the looks, the scenery, the accents, the culture.
• 16:07
  Speaker 1: And what you are saying is not conducive to being
• 16:11
  Speaker 1: in a group of elegant women.
• 16:15
  Speaker 2: I just want you to know before we continue this conversation,
• 16:18
  Speaker 2: I am a lady, and I am more of a
• 16:22
  Speaker 2: lady than you.
• 16:26
  Speaker 1: List the reasons loudly.
• 16:29
  Speaker 2: All right, I am a lady because I don't yell.
• 16:33
  Speaker 2: You set me up there, you set me up there?
• 16:37
  Speaker 2: I okay. Well, here's the thing. I love these ladies.
• 16:43
  Speaker 2: I think that the cast works together beautifully, and quite frankly,
• 16:48
  Speaker 2: I'm in awe of their money, especially Nessa, now that
• 16:54
  Speaker 2: we've gone on a cast trip to her Cotswald's cottage.
• 16:59
  Speaker 1: It's right, what did I say, Nessa?
• 17:03
  Speaker 2: Right?
• 17:04
  Speaker 1: I think it is.
• 17:06
  Speaker 2: It's NeSSI with an iean.
• 17:08
  Speaker 1: Like the lockness like Nessy right, like the lockness. Yeah,
• 17:14
  Speaker 1: because if you google NeSSI, that's what you're gonna.
• 17:17
  Speaker 2: Well guess what search is going to be really strewn about,
• 17:22
  Speaker 2: because NeSSI from the Real Housewives of London is gonna
• 17:26
  Speaker 2: knock out Nessy the luckness monster.
• 17:31
  Speaker 1: Yeah, perhaps it could happen. Also, she was on Bakeoff.
• 17:36
  Speaker 1: She was on Big What Off Professionals there like a
• 17:40
  Speaker 1: couple of years ago they did like a bake Off Professionals.
• 17:43
  Speaker 1: I haven't seen it since, but yeah, she was on that.
• 17:47
  Speaker 1: I know.
• 17:49
  Speaker 2: When this was not mentioned on the show, was it
• 17:52
  Speaker 2: not yet?
• 17:53
  Speaker 1: But I was looking up about her and I was like,
• 17:56
  Speaker 1: I watched that, but I didn't like totally love it.
• 18:00
  Speaker 1: But I and I don't exactly remember her. I looked
• 18:04
  Speaker 1: it up to know that, but.
• 18:06
  Speaker 2: Yeah, I was like, all right, oh, that's so interesting.
• 18:09
  Speaker 2: Love when they pull up and I'm like, that's a
• 18:11
  Speaker 2: lot of cakes. When they pulled up to her and
• 18:12
  Speaker 2: got swampscottage.
• 18:15
  Speaker 3: Yeah, the cakes aren't paying for that, Okay, I darlings,
• 18:21
  Speaker 3: I yes, you'll get there, but I just I need
• 18:24
  Speaker 3: to understand our British darlings, the economics of the of
• 18:29
  Speaker 3: that cottage because hen Sir Henry comes as the owner
• 18:34
  Speaker 3: of the estate.
• 18:37
  Speaker 2: Oh right, so what is that? Right? So she she
• 18:43
  Speaker 2: does is she like leasing it?
• 18:46
  Speaker 1: Like yeah, like what is that?
• 18:48
  Speaker 2: But she's like renovating.
• 18:50
  Speaker 1: Well maybe she said she did it herself.
• 18:55
  Speaker 2: That's right. She's she went in there and yeah, I
• 18:59
  Speaker 2: mean she really made sure. She was like I did this,
• 19:02
  Speaker 2: I did this. I put those panels on the walls
• 19:06
  Speaker 2: and painted them myself with my very own hands. He's like, okay,
• 19:11
  Speaker 2: I mean it's extremely impressive. I mean she is hands on.
• 19:16
  Speaker 2: She was looking for that bench. She was like, my bench,
• 19:18
  Speaker 2: it's supposed to be right here. There's a bench that
• 19:20
  Speaker 2: goes here. I have the cushion. There's no bench. That's
• 19:23
  Speaker 2: a bench that's always here. They're like, okay, that's not there.
• 19:27
  Speaker 2: It's probably in the shed.
• 19:29
  Speaker 1: She could lease it and still make improvements. But yeah,
• 19:33
  Speaker 1: five hundred year old estate and he's the owner obviously
• 19:37
  Speaker 1: his family was And is it like a Downton Abbey
• 19:41
  Speaker 1: situation or is it I need to understand like the
• 19:45
  Speaker 1: British Royalty and like land and how she's an owner.
• 19:49
  Speaker 2: How is she okay, is it possible that he's squatting
• 19:54
  Speaker 2: she's she bought it and he will not lead or
• 19:57
  Speaker 2: he is a ghost. He's a FEUs full on passed away.
• 20:00
  Speaker 2: He's a ghost and he's haunting and we're all seeing him.
• 20:03
  Speaker 2: And that's a delight.
• 20:04
  Speaker 1: Ah, that is the reveal.
• 20:06
  Speaker 2: Emily loves it. Yeah, you know, that is such a
• 20:09
  Speaker 2: great question. I just assumed he was like doing them
• 20:16
  Speaker 2: a favor because he knows the land and was but right,
• 20:21
  Speaker 2: you're right, you're right, you're right. Okay, So here this
• 20:26
  Speaker 2: is where we're going to be learning about, you know,
• 20:29
  Speaker 2: how we're like, oh, they're so rich, they're so wealthy,
• 20:32
  Speaker 2: and yet like we don't know everything yet, Like well.
• 20:36
  Speaker 1: How like I just don't understand the economics because like
• 20:40
  Speaker 1: I think British people be like you dumb Americans.
• 20:43
  Speaker 2: British people be like.
• 20:48
  Speaker 1: This. In fact, if she's leasing it, that means she's
• 20:52
  Speaker 1: even more rich. Like I don't know what that means,
• 20:56
  Speaker 1: because it could be like you know, like in dunn
• 20:58
  Speaker 1: Abbey when it's like times get tough and he's like
• 21:02
  Speaker 1: he's keeping this property alive, but he's got to like
• 21:05
  Speaker 1: start giving, you know, he has to start trying to
• 21:08
  Speaker 1: figure out a new way. And I so that's what
• 21:10
  Speaker 1: I'm like, did he is, Sir Henry kind of on
• 21:14
  Speaker 1: tough times? So she's leasing for one hundred years to
• 21:17
  Speaker 1: this house?
• 21:18
  Speaker 2: Like I don't know what it is you are asking,
• 21:21
  Speaker 2: oh the right questions or sure you're working world right questions.
• 21:25
  Speaker 2: And we are going to need our British darlings to
• 21:28
  Speaker 2: pop in and lock in and hit me up. Drama
• 21:32
  Speaker 2: Darlings with a Z at gmail dot com. That's Drama
• 21:36
  Speaker 2: Darlings with a Z at gmail dot com. Also, anyone
• 21:39
  Speaker 2: feel free to pop me a mess bitch. Okay. So
• 21:45
  Speaker 2: I love, love, love getting to know these housewives one
• 21:48
  Speaker 2: at a time, and I am obsessed with Okay, Amanda
• 21:55
  Speaker 2: is such a piece of work, Ladies and gents. Can
• 21:59
  Speaker 2: we just discuss her for a second. What a gal,
• 22:03
  Speaker 2: you know? Cloaked in mystery? As I mean, I think
• 22:06
  Speaker 2: Panthea said, she's just a total riddle, you know, and
• 22:09
  Speaker 2: she's gonna chisel away at it. And I'm thankful for
• 22:11
  Speaker 2: Panthea for that reason. But even just like she's like
• 22:14
  Speaker 2: my adult his name is Sophia, my step daughter's name
• 22:17
  Speaker 2: is Sophia. My son's name is Lucas, but we call
• 22:21
  Speaker 2: him Sophia. My dog's name is Sophia, and that dogs
• 22:25
  Speaker 2: dogs name is Sophia. My midtle. I'm like, all right, okay,
• 22:29
  Speaker 2: now we have this question which I'm gonna jump right
• 22:33
  Speaker 2: to the walk with Panthea and Amanda after their whole
• 22:39
  Speaker 2: thing about pan Panthea calling her out for you know,
• 22:46
  Speaker 2: all of the rumor, the roumas and the nastiness about
• 22:49
  Speaker 2: her and how she had a really big settlement and
• 22:53
  Speaker 2: all this stuff, and is there anything else that she
• 22:56
  Speaker 2: was talking about about Amanda before they met on that walk?
• 23:00
  Speaker 1: Yeah, and I think that it's it. I mean, it's
• 23:01
  Speaker 1: all things are connected to her marriage and divorce.
• 23:04
  Speaker 2: Okay, so then money and money, Yeah, that's what it
• 23:08
  Speaker 2: comes down to. It comes down to that for sure.
• 23:11
  Speaker 2: So now we're like at we're on this walk and
• 23:16
  Speaker 2: Panthea is just so straightforward. I mean, she's really doing
• 23:19
  Speaker 2: the work of a housewife. You know, do we need
• 23:21
  Speaker 2: it in London Town? Yeah? I guess we do. Or
• 23:27
  Speaker 2: also it'll just you know, we need someone to kind
• 23:29
  Speaker 2: of come in hard, and she's definitely doing that.
• 23:31
  Speaker 1: Yeah. So I do you think we need it if
• 23:34
  Speaker 1: we don't enjoy her, but we need it?
• 23:35
  Speaker 2: Yeah? I agree. Okay, so we settled on that. Amanda's
• 23:38
  Speaker 2: like everything that's been said about me is not true,
• 23:41
  Speaker 2: and Panthea's like, I'm glad I asked you at the
• 23:42
  Speaker 2: dinner because I would be thinking, not only did she
• 23:45
  Speaker 2: marry this guy, get divorced and gets twenty million dollars,
• 23:48
  Speaker 2: but you know she's she's just living. She's so smart
• 23:52
  Speaker 2: for marrying a guy for the money and then and
• 23:54
  Speaker 2: then divorcing him and then having them adopt their their daughter, right,
• 23:58
  Speaker 2: so smart. And she's like, I didn't get any money none,
• 24:04
  Speaker 2: and then she's like none, and then she goes you see,
• 24:09
  Speaker 2: she's like, I had ten of the company and during
• 24:16
  Speaker 2: the divorce when that was sold, I was compensated with that.
• 24:22
  Speaker 2: And it's like, oh, that's no. What isn't that kind
• 24:27
  Speaker 2: of considered still a settlement.
• 24:29
  Speaker 1: It's also considered still speaking about what you sign on
• 24:33
  Speaker 1: an NDA. So I don't believe it. She said she
• 24:36
  Speaker 1: can't talk about it, and then she's saying that would
• 24:41
  Speaker 1: be in it, right if she's like right, the marriage
• 24:45
  Speaker 1: will be the it would all be in that. And
• 24:49
  Speaker 1: she just said she can't talk about it. So whatever
• 24:51
  Speaker 1: she's saying right now, I'm like, well, this doesn't sound legit.
• 24:57
  Speaker 2: I don't know, but I loved how in her confessional
• 25:00
  Speaker 2: she was so quiet, just like I mean, these birds
• 25:04
  Speaker 2: there's some of them are so quiet.
• 25:05
  Speaker 4: She's like, aw, divorce was so so private. Oh only
• 25:12
  Speaker 4: me the eight Sophia's he's business partner. So anybody who's
• 25:20
  Speaker 4: talking about it absolutely making assumptions about what it was
• 25:26
  Speaker 4: so private.
• 25:28
  Speaker 2: That's very private.
• 25:29
  Speaker 1: And then welcome back to Love Island.
• 25:35
  Speaker 2: Oh my god. Wait, and then Panthea is just like,
• 25:42
  Speaker 2: oh no, no, it was just and then Amanda's just
• 25:49
  Speaker 2: like fool for this. She's gonna have to take what
• 25:53
  Speaker 2: I saw up. So I don't know, twenty million, fifty million,
• 25:57
  Speaker 2: it doesn't matter.
• 25:58
  Speaker 1: She's written right, she's rich as shit, and she's got
• 26:02
  Speaker 1: I think probably north of that even like she she
• 26:08
  Speaker 1: has so much money, but soon does panthea. I'm also like,
• 26:13
  Speaker 1: let's talk about this money. Okay. Also confusing because I
• 26:20
  Speaker 1: guess it's all her husband. I mean, she doesn't even
• 26:22
  Speaker 1: own a hair dryer or shampoo and conditioner.
• 26:25
  Speaker 2: That was sick. That was epic. That was some epic
• 26:30
  Speaker 2: epic money.
• 26:32
  Speaker 1: Yeah. Yeah.
• 26:33
  Speaker 2: I the second I heard that, I look over at
• 26:36
  Speaker 2: our Real Housewives of the United States, I was like, yeah,
• 26:42
  Speaker 2: I was like, ruh, I love that so much. Yeah.
• 26:48
  Speaker 2: I guess, you know, for the lack of love she
• 26:53
  Speaker 2: had growing up, she's got enough blowouts to cover that.
• 26:58
  Speaker 2: Her mother is a monster. Uh wow. And I don't
• 27:02
  Speaker 2: think it's just put on. I mean I think it's
• 27:04
  Speaker 2: put on a little bit. But the mother being like
• 27:07
  Speaker 2: you know, when she's like, you made it into the
• 27:10
  Speaker 2: the finals and you're running for this and the mother's
• 27:13
  Speaker 2: like so what. I'm like, this grandmother is fucking destroying children.
• 27:21
  Speaker 1: She is. But I kind of love it for the show.
• 27:24
  Speaker 1: I don't want to again, I don't want to hang
• 27:26
  Speaker 1: out with her, but she does keep it interesting.
• 27:30
  Speaker 2: I like it when I'm not seeing her directly say
• 27:33
  Speaker 2: it to the child and see their face like crushed.
• 27:40
  Speaker 1: Like that. Also, like Panthea is saying one thousand times
• 27:44
  Speaker 1: glanma glandma, Like I was, like, you just learned this word.
• 27:49
  Speaker 2: Yeah, well, she's trying to get used to it. Because
• 27:51
  Speaker 2: she could never call her mother. She made her call
• 27:53
  Speaker 2: her her first name. Yeah, this is so messed like
• 27:56
  Speaker 2: that to me is so messed up that needs some
• 27:58
  Speaker 2: serious looking into. But whatever, so you know, we're run
• 28:05
  Speaker 2: with it. Wait, we have to talk about Juliet and
• 28:08
  Speaker 2: her singing coach.
• 28:11
  Speaker 1: Tell me, tell me, tell me fame of it's my legacy.
• 28:15
  Speaker 2: Wait, let's let's reenact the scene. Okay, okay, so you
• 28:20
  Speaker 2: know I'm going back to singing after all these years
• 28:24
  Speaker 2: because you know, tell me tell me, well, tell me
• 28:28
  Speaker 2: I lost myself because I decided to give up to career.
• 28:33
  Speaker 2: Tell me and have tell me tell me I gave
• 28:36
  Speaker 2: into having children. I didn't want to have them.
• 28:41
  Speaker 1: See that is the emotional contraction. It's my legacy, legacy.
• 28:47
  Speaker 1: That's what it was. Legacy was the thing.
• 28:50
  Speaker 2: Your legacy. Well yeah, he's like she started to talk
• 28:53
  Speaker 2: emill We're were talking at Christopher Guest movie.
• 28:56
  Speaker 1: He was like, it was so spinal.
• 28:58
  Speaker 2: Okay, yes, oh god, it was so.
• 29:00
  Speaker 1: A whole scene.
• 29:01
  Speaker 2: And then he got shushed out. He had scurry out.
• 29:04
  Speaker 2: Somebody knocked on the door in the middle of his
• 29:06
  Speaker 2: intense scene that was like all his. And then he
• 29:10
  Speaker 2: was like, I was having my scene. I thought I
• 29:12
  Speaker 2: was gonna have this and then she's like, show yourself out.
• 29:16
  Speaker 2: She's like cheerio, so humiliating. I felt so bad, but
• 29:23
  Speaker 2: he was. She was like I came up singing. He's like,
• 29:26
  Speaker 2: you gave up to have those nasty little rats when
• 29:32
  Speaker 2: you should long arms your talent. Does that say about
• 29:35
  Speaker 2: you my legacy. I'm having a stroke. He had an
• 29:41
  Speaker 2: emotional stroke. He made the weirdest sound. It was like,
• 29:49
  Speaker 2: bless you. Yeah, amazing. Karen at the Brixton Market getting
• 29:55
  Speaker 2: all the Jamaican food in the world. That was so great.
• 29:59
  Speaker 2: Seeing her in South Line. I love her relationship with
• 30:01
  Speaker 2: her daughter. It's very Ramona Avery, where the daughter's kind
• 30:06
  Speaker 2: of like okay, mom, you know, but it's elevated. It's
• 30:11
  Speaker 2: elevated and it's fun. I like it.
• 30:14
  Speaker 1: Yeah, No, it's I enjoy her daughter. That dynamic is good.
• 30:18
  Speaker 2: I like that. Yeah. Okay, Well the Iranian New Year
• 30:24
  Speaker 2: at the Persian Restaurant with Panthea, Amanda, Afy, Gina. I
• 30:29
  Speaker 2: can't remember if there's someone else there, Karen.
• 30:31
  Speaker 1: Well, that's the thing, like I do think, like we
• 30:34
  Speaker 1: keep seeing friends showing up and I'm I'm like, I
• 30:38
  Speaker 1: don't know everybody well enough yet to now like we
• 30:41
  Speaker 1: cut like there was that there's that woman Katie that's
• 30:44
  Speaker 1: been at four of these events and she's like the
• 30:48
  Speaker 1: fay Resnik of the group, right, and now like Gina
• 30:52
  Speaker 1: is there and I'm I mean, like, I don't mind
• 30:54
  Speaker 1: friends of it's just in the first couple episodes, I
• 30:58
  Speaker 1: need to lock into who I need to care about,
• 31:01
  Speaker 1: and then I need a second level of who to
• 31:04
  Speaker 1: care about. I already really like Gina.
• 31:05
  Speaker 2: Are you saying it's sort of like are you giving
• 31:08
  Speaker 2: an analogy analogy of a double deck or London bus? Ooh?
• 31:13
  Speaker 1: I sure am one ticket? Please?
• 31:17
  Speaker 2: Are you trapped in the London phone booth looking for
• 31:20
  Speaker 2: answers and who we are getting to know?
• 31:22
  Speaker 1: Yes, I totally.
• 31:23
  Speaker 2: Agree with you. I was a little confused. I was like, oh,
• 31:25
  Speaker 2: are we is this so this is her best friend? Okay,
• 31:27
  Speaker 2: so this is her best friend, this is her friend
• 31:29
  Speaker 2: and there. I mean, I think because this is the
• 31:32
  Speaker 2: first season, it's very possible that they're like throat to
• 31:35
  Speaker 2: at the wool seewet Stice.
• 31:37
  Speaker 1: Yeah. I didn't even think about that.
• 31:39
  Speaker 2: Absolutely, who knows. Yeah, well, obviously Karen calls Panthea a narcissist,
• 31:44
  Speaker 2: and we get that lovely montage of her talking and
• 31:48
  Speaker 2: when they had We didn't see the full scene, but
• 31:50
  Speaker 2: we got that flashback of Karen and Panthea talking like
• 31:54
  Speaker 2: on a couch in someone's house, and Karen was genuinely
• 31:58
  Speaker 2: and authentically exhausted from this woman. She was like, Panthea,
• 32:04
  Speaker 2: my god, stop talking, my god. Like I mean, I
• 32:07
  Speaker 2: don't even and and and and Karen is a very
• 32:09
  Speaker 2: you know, upbeat, charismatic, positive person who has a lot
• 32:15
  Speaker 2: to say. So for her to be, you know, a
• 32:19
  Speaker 2: shrinking violet among someone says a lot. And I was like,
• 32:23
  Speaker 2: I would never Panthea. I would lose my mind being
• 32:26
  Speaker 2: around her for five minutes.
• 32:27
  Speaker 1: Yes, totally. And I've been around people like panthea. They
• 32:31
  Speaker 1: start talking before they entered the room, so they can
• 32:33
  Speaker 1: like command the attention like immediately, and no one like
• 32:38
  Speaker 1: I I have no time, no time, no British time.
• 32:47
  Speaker 2: So that kind of sets off a narcissistic fight between them,
• 32:51
  Speaker 2: which they I guess they get back into later with
• 32:56
  Speaker 2: the fight in the sprinter van about who's a lady?
• 33:01
  Speaker 1: Well before they get out the.
• 33:04
  Speaker 2: Wait before they get to the Cotswalls. When they were
• 33:06
  Speaker 2: arriving in the Spiderman, they're sitting out front in the
• 33:08
  Speaker 2: driveway and Nessie is inside playing the piano, peering out
• 33:13
  Speaker 2: of the window waiting for them to arrive. This was
• 33:18
  Speaker 2: unlike anything we've ever seen.
• 33:19
  Speaker 1: It was incredible, it was and she's a very good
• 33:23
  Speaker 1: piano player.
• 33:24
  Speaker 2: Oh the talent yeah, amazing.
• 33:27
  Speaker 1: That was Yeah, that was great.
• 33:29
  Speaker 2: Delighted to see a housewife that has skill that they're
• 33:33
  Speaker 2: showing us outside of trying to create a clothing brand
• 33:38
  Speaker 2: or dropping a single.
• 33:40
  Speaker 1: Well, I will say, Juliette really can sing.
• 33:43
  Speaker 2: Oh you're right, you're right, she can sing.
• 33:46
  Speaker 1: Yeah, So the two we'll have a move over Danielle's
• 33:52
  Speaker 1: stuff and friends whoever.
• 33:58
  Speaker 2: Oh my god, that was amazing. But yeah, they're they're
• 34:01
  Speaker 2: fighting about the narcissistic stuff. I don't know if there's
• 34:04
  Speaker 2: anything else to say about that.
• 34:05
  Speaker 1: Oh well then also, the that was the lady fight,
• 34:08
  Speaker 1: because like she's like, well, you have a tattoo on
• 34:12
  Speaker 1: your left breast something.
• 34:16
  Speaker 2: A lady fight is the greatest thing I've ever heard about.
• 34:22
  Speaker 1: Out ladying each other. Yeah, yeah, it was great.
• 34:27
  Speaker 2: You're kind of out ladying me with your ruffled high
• 34:31
  Speaker 2: neck blouse and I'm pissed about it.
• 34:34
  Speaker 1: Well, but you're out lady ing me. We're actually we're
• 34:39
  Speaker 1: inverting this.
• 34:40
  Speaker 2: We're uplifting. We're uplifting each other to out lady having
• 34:46
  Speaker 2: the other person out lady ourselves.
• 34:51
  Speaker 1: Yeah. It's definitely like, I mean, none of this would
• 34:58
  Speaker 1: even register as a in any city in the US
• 35:02
  Speaker 1: for housewives. It would just be so confusing to be like,
• 35:06
  Speaker 1: you have a tattoo on your left thank you, right.
• 35:10
  Speaker 2: They'd be like, what, well, thank you for noticing, right.
• 35:14
  Speaker 2: I mean that's why I really like it. Everything is
• 35:16
  Speaker 2: somewhat understated. The clothes. I love the clothes. Oh my god.
• 35:20
  Speaker 2: When they were NeSSI sen's a helicopter.
• 35:24
  Speaker 1: Yeah said, yeah, yeah, I.
• 35:27
  Speaker 2: Don't know what that's about. But like she has some
• 35:29
  Speaker 2: money obviously. Now the outfits that they were wearing in
• 35:34
  Speaker 2: while they were waiting for the helicopter. Okay, this is
• 35:37
  Speaker 2: Juliet and Amanda. I have a picture. I'm showing you
• 35:41
  Speaker 2: guys to your two drama moms and papas. The the coats,
• 35:47
  Speaker 2: the hats, the camel colors, the.
• 35:50
  Speaker 1: Scarves, the sunglasses.
• 35:54
  Speaker 2: The plaids. I'm that's my vibe. That is my vibe.
• 35:59
  Speaker 2: Is this is me, That's that's Juliette. But that's really me.
• 36:02
  Speaker 2: That's who I am inside, Okay, and I love this
• 36:07
  Speaker 2: is this is Amanda. I was this is my My
• 36:10
  Speaker 2: blouse is kind of you know, celebrating her. And I
• 36:14
  Speaker 2: was gonna wear my blazzer and that's plaid like that.
• 36:16
  Speaker 2: But it was just just too hot up here.
• 36:18
  Speaker 1: It is too hot. Yeah, but I agree. I was
• 36:22
  Speaker 1: very impressed with their just going on vacation clothes. And
• 36:27
  Speaker 1: I know our gal's over here. They've all they all
• 36:30
  Speaker 1: have their going on vacation looks, especially like whenever they
• 36:34
  Speaker 1: were gonna take like Sutton was gonna fly then or
• 36:36
  Speaker 1: flying them, they all showed up. But I'm just saying
• 36:41
  Speaker 1: there's a difference.
• 36:42
  Speaker 2: Oh, it's a huge difference. It's it's pretty big.
• 36:46
  Speaker 1: You know.
• 36:46
  Speaker 2: You got Erica Jane showing up in like the latest
• 36:50
  Speaker 2: heavy you know, tracksuit.
• 36:52
  Speaker 1: With like a latex sock out of nowhere, just like, okay,
• 36:58
  Speaker 1: cool text.
• 36:59
  Speaker 2: Sock that looks comfortable for twenty hours on a plane.
• 37:06
  Speaker 1: Also, like they had to be watching that, Like all
• 37:09
  Speaker 1: these London gals probably watched that OC trip to London
• 37:12
  Speaker 1: and were like, you fucking idiots.
• 37:14
  Speaker 2: Oh much? I would love up here, Like are they
• 37:18
  Speaker 2: on HAYU watching any of these housewives? I mean some
• 37:20
  Speaker 2: of them have to be certainly panthea. Yeah, okay, I
• 37:26
  Speaker 2: have to say, wait, what was the thing that oh
• 37:28
  Speaker 2: got me really laughing? Uh whatever? Okay when they had
• 37:31
  Speaker 2: a packing scene and they all, like half of them
• 37:35
  Speaker 2: had assistants helping them pack. I was That's when I
• 37:38
  Speaker 2: looked over to the real house Lives of the United
• 37:41
  Speaker 2: States and I go, puh.
• 37:44
  Speaker 1: Storm air pack this storm.
• 37:48
  Speaker 2: I mean, I know Sutton has already Like, Sutton is
• 37:50
  Speaker 2: really the only one that came up in my mind
• 37:52
  Speaker 2: that could actually hang with them.
• 37:55
  Speaker 1: Yeah, I can't think of that's a good point. I
• 38:00
  Speaker 1: think you're right, Sutton is the only one. Maybe Diirinda
• 38:02
  Speaker 1: because also I think Dorinda obviously she shows up on
• 38:05
  Speaker 1: this season, Oh, Direinda's I think she has a connection
• 38:10
  Speaker 1: over there. But I do think Jorinda might be able
• 38:13
  Speaker 1: to hang.
• 38:14
  Speaker 2: Well, but money wise, like definitely hang in terms of
• 38:17
  Speaker 2: you know, oh, I thus anywise, don't you think? Did
• 38:20
  Speaker 2: you say I think bunny.
• 38:21
  Speaker 1: Wise Bunny and money.
• 38:26
  Speaker 2: Money wise? No, I don't.
• 38:28
  Speaker 1: Okay, all right, Well, maybe at one point when Richard
• 38:32
  Speaker 1: was with us, Oh yeah, for sure, for sure. I
• 38:35
  Speaker 1: guess all of them at some point, yes, Sonya back
• 38:38
  Speaker 1: when she was married.
• 38:39
  Speaker 2: Yeah, all of them at some point.
• 38:41
  Speaker 1: Yeah.
• 38:42
  Speaker 2: But the one other during that packing scene, and Panthea
• 38:45
  Speaker 2: is so well, she's an narcissist and she's so blatantly
• 38:50
  Speaker 2: insulting and doesn't even understand or realize that when she's like.
• 38:54
  Speaker 5: Uh just go oh school texts the best scorle it party.
• 38:58
  Speaker 2: Oh no, because you know, well how much I hate
• 39:01
  Speaker 2: red I'll just I think it looks vulgar. And then
• 39:04
  Speaker 2: you just see her assistant that's standing there like wearing
• 39:07
  Speaker 2: red wearing red shirt.
• 39:09
  Speaker 1: Right now, this is where panthera There's a redeeming quality
• 39:15
  Speaker 1: about Panthea to me, is that that assistant gives her
• 39:19
  Speaker 1: ship from time to time, and Panthea like doesn't lose it.
• 39:24
  Speaker 1: And I think maybe on camera, but I do think
• 39:27
  Speaker 1: like that Panthea hopefully has a sense of humor about
• 39:32
  Speaker 1: all this, and like that's where I'm seeing maybe that
• 39:35
  Speaker 1: like there's more to Panthea going on, because she seems
• 39:38
  Speaker 1: to like do bits with the assistant.
• 39:40
  Speaker 2: That maybe that was a bit with her. I don't know, Yeah,
• 39:45
  Speaker 2: but then like at the very big I don't know.
• 39:48
  Speaker 2: But then at the beginning, she's like, so what I'm
• 39:50
  Speaker 2: gonna do is I'm just gonna throw everything on the
• 39:52
  Speaker 2: floor and then you'll pick it up like the trash
• 39:56
  Speaker 2: that you all and throw it in a in my
• 39:59
  Speaker 2: suit case. That's right, and like you are here in
• 40:02
  Speaker 2: the trash, okay, Like I'm gonna throw every Just the
• 40:06
  Speaker 2: way that she says it makes you feel like she's
• 40:09
  Speaker 2: just talking down to someone so horrifically, like I'm gonna
• 40:13
  Speaker 2: throw everything on the floor and you go get it
• 40:16
  Speaker 2: when you.
• 40:17
  Speaker 1: Like everything costs individually ten thousand dollars minimum that she's
• 40:23
  Speaker 1: gonna be just throwing on the floor. So it's like
• 40:26
  Speaker 1: on top of on top of I'm throwing it on
• 40:29
  Speaker 1: the floor. It's like with no regard for price, right right.
• 40:34
  Speaker 2: Like, also, can you pull up a chair, lay it,
• 40:36
  Speaker 2: lay it up, throw it on the chair.
• 40:39
  Speaker 1: Yeah, get a wagon and then cart that shit over
• 40:41
  Speaker 1: to the bed.
• 40:42
  Speaker 2: Yeah, get a wagon. And then Amanda was with her
• 40:45
  Speaker 2: assistant and she's like.
• 40:47
  Speaker 4: You can just take all the tags off these little
• 40:49
  Speaker 4: brand new.
• 40:51
  Speaker 1: Taf now.
• 40:54
  Speaker 4: Just clip them off.
• 40:55
  Speaker 2: Thank you. Wait, I'm obsessed with Amanda at that restaurant,
• 41:01
  Speaker 2: the first restaurant where she was. She had so much business,
• 41:06
  Speaker 2: you know how Like when you're an actor, guys, I'm
• 41:09
  Speaker 2: just gonna pull the curtain back and just explain a
• 41:11
  Speaker 2: little acting. Okay, hold on a second. When you're acting,
• 41:17
  Speaker 2: you have business. You know, if you're a good actor,
• 41:19
  Speaker 2: you're going to you're in your character and you need
• 41:21
  Speaker 2: to focus on things that that character would be doing
• 41:23
  Speaker 2: sitting there. If you don't have lines, or even if
• 41:25
  Speaker 2: you do have lines, what are your business? What's your business? So,
• 41:27
  Speaker 2: for example, I'm playing a character and I've got a
• 41:30
  Speaker 2: tea cup in front of me, I'm going to pick
• 41:31
  Speaker 2: it up, I'm going to switch it around a little bit.
• 41:34
  Speaker 2: I'm going to look out the window. I might grab
• 41:37
  Speaker 2: my glasses. I'm going to clean them off a little bit.
• 41:40
  Speaker 2: I have business that informs my character, right, So in
• 41:44
  Speaker 2: this scene, the amount of business that Amanda has is unbelievable.
• 41:47
  Speaker 2: Go back and watch it. The slow sipping with the
• 41:50
  Speaker 2: straw out of I don't know, felt like four different glasses.
• 41:55
  Speaker 1: Yes, but those lips I did catch that, those.
• 41:58
  Speaker 2: Lips coming over to over straw and the slowly and
• 42:03
  Speaker 2: then the way she puts it down and then brings
• 42:05
  Speaker 2: it back up and then reaches for something else and
• 42:07
  Speaker 2: then pick. I mean, she is so good at like
• 42:12
  Speaker 2: deflecting what's going on around her and making her high status.
• 42:17
  Speaker 2: It's unbelievable.
• 42:18
  Speaker 1: She is good. She is compelling to look at. I
• 42:21
  Speaker 1: will say so, even if she's not trying to distract,
• 42:26
  Speaker 1: she's just very like striking and her movements are very
• 42:31
  Speaker 1: like slow and graceful in a way. So it's like
• 42:35
  Speaker 1: it kind of draws your attention. And I don't know
• 42:38
  Speaker 1: how much of that is calculated or what. It would
• 42:42
  Speaker 1: probably drive me nuts if that was like my sister
• 42:46
  Speaker 1: all right, like we fucking move normal. But as a viewer,
• 42:54
  Speaker 1: I'm like, look at the elegance.
• 42:55
  Speaker 2: I know, I'm like, oh my god, she's one of
• 42:57
  Speaker 2: the Queen's swans, she's property of the she's a royal
• 43:01
  Speaker 2: property like that, she has to move like that. I'm
• 43:04
  Speaker 2: also so fascinated that the way that Panthea is just
• 43:08
  Speaker 2: drilling down on how much the London talks about her.
• 43:12
  Speaker 2: So many people talk about her, They talk about her
• 43:14
  Speaker 2: all the time, and I'm like, they're really talking about
• 43:17
  Speaker 2: her that much, like I believe it.
• 43:19
  Speaker 1: I believe it, man, because they look how much they
• 43:21
  Speaker 1: talk about the royals. England gets hooked on something and
• 43:26
  Speaker 1: they don't let it go.
• 43:29
  Speaker 2: Okay, all right, well I love it. I absolutely love it.
• 43:33
  Speaker 2: And then what was I going to say? Forgot? Oh?
• 43:36
  Speaker 1: Well, but it also ensures like it's kind of ensuring
• 43:40
  Speaker 1: that Amanda stays on the show because if she's that
• 43:43
  Speaker 1: people are saying that much, then she she should be there.
• 43:48
  Speaker 1: Imich I think she should be there anyway.
• 43:50
  Speaker 2: But yeah, and if she's being talked about that much,
• 43:52
  Speaker 2: I'm surprised that if she's trying to lead such a
• 43:55
  Speaker 2: private life.
• 43:55
  Speaker 1: It such a private life.
• 43:58
  Speaker 2: Like why she decided to go on show? But good
• 44:01
  Speaker 2: for her. And then I do remember what I was
• 44:03
  Speaker 2: gonna say, It's that Juliet and panthea. After kind of
• 44:08
  Speaker 2: getting upset at each other about this six year old beef,
• 44:12
  Speaker 2: they do clear the air. They really turn on a dime,
• 44:17
  Speaker 2: you know, they're like, oh, we have to lead. They're like,
• 44:19
  Speaker 2: we gotta wrap this up. Okay, So that's stalls a
• 44:21
  Speaker 2: new you know, and then they hug and then they
• 44:23
  Speaker 2: and they move on. So that was that was good.
• 44:25
  Speaker 1: Yeah, And I do appreciate that they have little jabs
• 44:30
  Speaker 1: at each other, like we can joke about this now,
• 44:33
  Speaker 1: which I know is going to get real old for
• 44:36
  Speaker 1: them real quick and it's gonna not be fun for them,
• 44:40
  Speaker 1: but I'm.
• 44:40
  Speaker 2: Gonna get to it. Yeah, Yeah, I love it, love
• 44:43
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• 44:50
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• 49:10
  Speaker 1: Hello. I wish it was London Town.
• 49:13
  Speaker 2: I know it would be great. R Holt.
• 49:21
  Speaker 1: I do wish they would do a British Real Housewives
• 49:25
  Speaker 1: of Jersey.
• 49:27
  Speaker 3: Like, h yeah, Jersey, Oh my god, New Jersey.
• 49:32
  Speaker 1: Okay.
• 49:32
  Speaker 2: So then the other thing I wanted to say was
• 49:35
  Speaker 2: that here I am going like, what in the hell
• 49:40
  Speaker 2: is like Jersey? Why do they Why does she keep
• 49:44
  Speaker 2: referring to Karen and Jersey, you know, meaning Panthea did
• 49:49
  Speaker 2: her due diligence and called Jersey. She's texting with people
• 49:53
  Speaker 2: in Jersey, right, So I just basically was like, I
• 49:56
  Speaker 2: didn't I didn't know anything about it. So I just
• 49:59
  Speaker 2: had to look up what where it is and what
• 50:01
  Speaker 2: it is. So for those of you who don't know,
• 50:03
  Speaker 2: and I know you know because you do a ton
• 50:06
  Speaker 2: of stuff in the UK, but you know where Jersey
• 50:10
  Speaker 2: is correct?
• 50:11
  Speaker 1: Well yeah, I mean also like it's New Jersey because
• 50:16
  Speaker 1: when the settlers came over, I mean, like they you know,
• 50:19
  Speaker 1: it's the New I didn't know that.
• 50:22
  Speaker 2: I didn't put that together. Get out really.
• 50:25
  Speaker 1: Yeah, I mean that's how I always.
• 50:27
  Speaker 2: My god, that makes so much sense. Okay.
• 50:30
  Speaker 1: So it's an island name England, right, it's like where
• 50:34
  Speaker 1: they first came so right, right?
• 50:38
  Speaker 2: Oh my god? Why even still after reading this, I
• 50:41
  Speaker 2: still never put that together. Okay, So an island named
• 50:44
  Speaker 2: Jersey that is a British Crown dependency located in the
• 50:47
  Speaker 2: English Channel, a few miles from the coast of France
• 50:49
  Speaker 2: and south of England. So wild Jersey is a self
• 50:52
  Speaker 2: governing baliwick which I don't know that word, and not
• 50:57
  Speaker 2: part of the United Kingdom. It is close, it has
• 51:00
  Speaker 2: close constitutional ties to the UK. And gosh, that makes
• 51:05
  Speaker 2: so much sense.
• 51:08
  Speaker 1: Yeah. Well they got the dirt on Panthea. Well here
• 51:11
  Speaker 1: I am thea for panthea.
• 51:13
  Speaker 2: Oh yeah, dirt for Panthea about Karen, and I just
• 51:17
  Speaker 2: loved the idea when she was saying Jersey. I just
• 51:19
  Speaker 2: loved the idea possibly her like calling Margaret Joseph's who's
• 51:24
  Speaker 2: just like, yeah, tell you all about this. It's going
• 51:29
  Speaker 2: the tea about Karen, like her knowing just everything. I
• 51:33
  Speaker 2: just love that idea of those two being connected. So
• 51:37
  Speaker 2: not and does Jamaica have any ties to Jersey? Like
• 51:44
  Speaker 2: so she just basically went like her families, Karen's family's
• 51:47
  Speaker 2: from Jamaica, right, and then she went to Jersey.
• 51:51
  Speaker 1: I don't know why she would be. It sounds like
• 51:55
  Speaker 1: she just maybe lived in Jersey, but I mean like Jamaica. Man,
• 52:00
  Speaker 1: this is where it gets complicated for me. But it's
• 52:02
  Speaker 1: under like the monarch right or was so yeah, okay,
• 52:09
  Speaker 1: then you can look it all up, but like that's
• 52:12
  Speaker 1: why like they like, that's why they have a close
• 52:15
  Speaker 1: tie territory. But I forget how that's all. Like then
• 52:19
  Speaker 1: it gets confusing to me.
• 52:21
  Speaker 2: It's very confusing. We just all know that that's what
• 52:24
  Speaker 2: it is. You know, we know that they have some
• 52:26
  Speaker 2: islands and we have some islands, and they have some islands,
• 52:29
  Speaker 2: and she has some islands and they have some islands
• 52:31
  Speaker 2: and he has some islands and we have some islands.
• 52:33
  Speaker 1: So it's like, okay, we.
• 52:35
  Speaker 2: Can move on from that. Uh. We also pose the
• 52:39
  Speaker 2: question because we're just going to be getting into the
• 52:41
  Speaker 2: Real Housewives of London first, obviously here might as well
• 52:44
  Speaker 2: we're half into it. It poses the question that we
• 52:49
  Speaker 2: asked last week, which is, anybody know what the deal
• 52:56
  Speaker 2: is with Nessies caught Wald's cottage. Well, anyway, that's that
• 53:03
  Speaker 2: Jersey connection is just fun for me to think about. Well,
• 53:06
  Speaker 2: why don't we welcome ourselves in, you know, officially, we
• 53:10
  Speaker 2: might as well over to you know, across the pond.
• 53:13
  Speaker 2: We really need it, welcome in. Yeah, we need a
• 53:19
  Speaker 2: British one. Cheerio cheerio in.
• 53:24
  Speaker 1: Cheerios in. You know.
• 53:27
  Speaker 2: This is something that I forgot to mention from the
• 53:31
  Speaker 2: other episodes when they were flying in the helicopter that
• 53:36
  Speaker 2: Karen didn't go because she won't fly in a helicopter
• 53:39
  Speaker 2: unless it's with family. And I think that is so
• 53:41
  Speaker 2: smart and I don't blame her one bit because those
• 53:44
  Speaker 2: suckers are going downlift and right, you know, and I
• 53:47
  Speaker 2: agree with you. If you're all on there, it's all good.
• 53:49
  Speaker 2: You're all going down together. But one on a helicopter
• 53:53
  Speaker 2: not a good idea. So I totally co sign that
• 53:56
  Speaker 2: I'm here for it, and I'm not necessarily a person's
• 53:59
  Speaker 2: like afraid to lie. But those helicopters, man, you just
• 54:02
  Speaker 2: don't know.
• 54:03
  Speaker 1: Well, yeah, because you can in an airplane, there's the
• 54:07
  Speaker 1: chance that you can glide. Helicopters, you're just down. That's it.
• 54:12
  Speaker 2: If we've learned anything from our toys, you know, growing up,
• 54:15
  Speaker 2: we know that a helicopter boom aerodynamics not in their favor. Okay,
• 54:23
  Speaker 2: so what did you think about the piano inviting them
• 54:27
  Speaker 2: in after they got out of that argument? By the way,
• 54:30
  Speaker 2: we're doing like episodes four and five recap, I did
• 54:33
  Speaker 2: not specify so because I think last week I was
• 54:38
  Speaker 2: talking about the piano, Nessie at the piano any further
• 54:42
  Speaker 2: one end that way? Good?
• 54:44
  Speaker 1: Okay, cranking it up over and over again, like starting
• 54:47
  Speaker 1: the song over, starting it again, and looking out from
• 54:51
  Speaker 1: the top, Nessie, I that room is, oh the crown,
• 55:02
  Speaker 1: That is the exact room from the crown. That's the
• 55:05
  Speaker 1: exact and also in like obviously in real life, that's
• 55:10
  Speaker 1: the room that the queen would receive guess in, So
• 55:14
  Speaker 1: when you see pictures of the Queen and like her
• 55:16
  Speaker 1: final pictures especially, it's always in that like exact layout.
• 55:21
  Speaker 1: I'm like, so I'm always thinking I'm always in the
• 55:25
  Speaker 1: Crown when we are in that room.
• 55:29
  Speaker 2: Yeah, any, I guess I should take that further from me.
• 55:32
  Speaker 2: Any paneled, wood paneled room with those you know, country
• 55:37
  Speaker 2: landscape framed pieces and soft lighting, I'm in the Crown
• 55:42
  Speaker 2: no matter what.
• 55:44
  Speaker 1: Yeah.
• 55:45
  Speaker 2: Yeah, but my god, Emily, I'm just I love being
• 55:48
  Speaker 2: here so much. I could care less about the drama.
• 55:53
  Speaker 2: I want more and more and more. I love everything
• 55:56
  Speaker 2: about every scene and I don't think it's gonna get
• 55:59
  Speaker 2: old for me. I really don't.
• 56:02
  Speaker 1: No, I I guess I would like bore close ups
• 56:05
  Speaker 1: on the dishes, thank you.
• 56:09
  Speaker 2: I agree, I would like more detail on where we are, Like, yes, yes,
• 56:13
  Speaker 2: I agree.
• 56:15
  Speaker 1: You know I'm not talking about the food.
• 56:17
  Speaker 2: I'm talking about the actual dishware.
• 56:19
  Speaker 1: Yes, there's like that cabinet, and I'm like, can we
• 56:22
  Speaker 1: get a close up?
• 56:23
  Speaker 2: Get in there zooming and what are you afraid of?
• 56:26
  Speaker 2: That's what we want to see. Yeah, But while we're
• 56:31
  Speaker 2: at it, as they're tipping their cup, please get a
• 56:34
  Speaker 2: look at what the signature.
• 56:36
  Speaker 1: That pottery mark on the cup.
• 56:38
  Speaker 2: There you go, pottery mark or the stamp or the
• 56:41
  Speaker 2: back or the tramp stamp. We need a British tramp stamp.
• 56:45
  Speaker 2: Zoom in stat uh so all right? I love that
• 56:52
  Speaker 2: the piano. And then I also love the, of course
• 56:54
  Speaker 2: at the scarlet party, the violinists. I mean, we we
• 56:58
  Speaker 2: just don't see this type of class anywhere on our
• 57:02
  Speaker 2: side of the pond. And I love the violinists. I
• 57:05
  Speaker 2: love these ladies. I love that they came in with
• 57:07
  Speaker 2: these electric violins and we're playing them nicely and beautifully,
• 57:12
  Speaker 2: and their their sequin gowns at the end, and I
• 57:16
  Speaker 2: think it was Poco Bell's cannon. Am I wrong? Am
• 57:18
  Speaker 2: I wrong?
• 57:19
  Speaker 1: Yeah?
• 57:19
  Speaker 2: Okay, at the end of the dinner, when they were
• 57:23
  Speaker 2: like up and dancing, these violinist fishes came in and
• 57:27
  Speaker 2: they fucking put those lights on, those led lights on
• 57:31
  Speaker 2: their violins. Did you see that? Yes, they weren't on
• 57:35
  Speaker 2: at the beginning. Then they pumped it up like that's why.
• 57:38
  Speaker 1: They had a red light on their face when they
• 57:41
  Speaker 1: walked in.
• 57:41
  Speaker 2: When they walked in, I did see, I did see
• 57:44
  Speaker 2: the nice lighting of just that one. But then at
• 57:47
  Speaker 2: the end, right, the lighting was different. When they came back,
• 57:50
  Speaker 2: they were like, this is when we rock out, and
• 57:52
  Speaker 2: I was like, yes, I.
• 57:55
  Speaker 1: Have to imagine that the We need to look them
• 57:57
  Speaker 1: up because I bet they do a ton of corporative
• 58:00
  Speaker 1: and I bet they I bet they were. I bet
• 58:03
  Speaker 1: these scales.
• 58:05
  Speaker 2: Are killing it, slaying it.
• 58:09
  Speaker 4: Well.
• 58:09
  Speaker 2: I remember when there was like a real trend and
• 58:13
  Speaker 2: I'm talking like, hmm, two thousand and three. Now, you
• 58:18
  Speaker 2: know you can check me on this, Emily, because you're
• 58:19
  Speaker 2: the one with the dates. But I mean, you've got
• 58:22
  Speaker 2: the eighties dates and I've got the electric strings trend dates,
• 58:28
  Speaker 2: Elevations on Serious Exit, like that channel.
• 58:31
  Speaker 1: Where it's all like classic music but it's all pop
• 58:34
  Speaker 1: music but it's done.
• 58:35
  Speaker 2: I don't know that.
• 58:37
  Speaker 1: Oh yeah, elevations, Yeah, lesions nice. Now I'm not but
• 58:43
  Speaker 1: it's strings.
• 58:45
  Speaker 2: Okay, that's cool.
• 58:48
  Speaker 1: It's like it's like modern music.
• 58:50
  Speaker 2: But yeah, okay, that's streets. I didn't I never what
• 58:53
  Speaker 2: channel is that one number?
• 58:54
  Speaker 1: Do you know? No?
• 58:56
  Speaker 2: Okay, I just can't call that out. You just you
• 59:00
  Speaker 2: know the name of it. I'm so obsessed elevent that's
• 59:02
  Speaker 2: like if you have that app, you.
• 59:04
  Speaker 1: Never know the actual channels. I only know how right, because.
• 59:07
  Speaker 2: He right, and I would always just listen in the car.
• 59:12
  Speaker 2: So that's how I don't really listen on the app. Okay.
• 59:15
  Speaker 2: So getting back to that trend, it was a lot
• 59:18
  Speaker 2: of like hot chicks with violins that were electric. They
• 59:23
  Speaker 2: were sweeping the nation and other nations, you know. So
• 59:28
  Speaker 2: I love that that trend is still hot over there,
• 59:31
  Speaker 2: and so it's like it's never gonna go away, and
• 59:35
  Speaker 2: I love that they're doing parties.
• 59:37
  Speaker 1: Let me tell you if do you know who Lindsey
• 59:39
  Speaker 1: Sterling is. No, Okay, she's an acrobat slash violinists. That's
• 59:45
  Speaker 1: the best way I can describe it, Okay, And she
• 59:48
  Speaker 1: sells out everywhere and we literally did Baby when Scandy
• 59:54
  Speaker 1: did her cruise. That was like sold out, wow, wha.
• 1:00:01
  Speaker 2: Yeah, and Baby Wants Candy. If those of you who
• 1:00:03
  Speaker 2: are not familiar Emily, Emily and her husband, they produce
• 1:00:09
  Speaker 2: lots of different theatrical shows. One of them is Baby
• 1:00:12
  Speaker 2: Wants Candy, which is an improvised musical.
• 1:00:15
  Speaker 1: Yes, so Baby Wents Candy and Hamilton, which is an
• 1:00:19
  Speaker 1: improvised Hamilton. We were on Lindsay Sterling's cruise for a
• 1:00:25
  Speaker 1: week in the spring, and yeah, like she crushes it
• 1:00:29
  Speaker 1: so like it's a whole thing. Especially when there's not
• 1:00:33
  Speaker 1: like a language barrier. Those kind of acts do amazing
• 1:00:37
  Speaker 1: because you can tour anywhere and it doesn't matter.
• 1:00:40
  Speaker 2: Oh good point, Like I'm just I'm not gonna kill
• 1:00:44
  Speaker 2: in Vietnam, you know, And when I take my Cabareami
• 1:00:47
  Speaker 2: over there, it's just I don't think it'll sell well.
• 1:00:51
  Speaker 1: At least this sells out.
• 1:00:52
  Speaker 2: Yeah, so I and so when they got up after
• 1:00:57
  Speaker 2: the dinner and they were like dancing to that, I
• 1:00:59
  Speaker 2: was like, this is awesome. And some people were like, hunt,
• 1:01:02
  Speaker 2: you dance to classical music and I was like, and
• 1:01:04
  Speaker 2: you've never done that. Here, come on, ladies, let's go.
• 1:01:06
  Speaker 1: Let's go. And I Amanda so happy, always dancing the
• 1:01:10
  Speaker 1: classical music like constantly, like it never stops. That's the
• 1:01:15
  Speaker 1: that's how she moves.
• 1:01:16
  Speaker 2: Her body language is a slow shimmy.
• 1:01:20
  Speaker 1: Yeah.
• 1:01:21
  Speaker 2: It is always shimmying, but in a slow way. And
• 1:01:25
  Speaker 2: it's not like a lot of big shoulder movements. We're
• 1:01:28
  Speaker 2: not talking up and I'm not talking just the chest.
• 1:01:31
  Speaker 2: I am talking the whole. If you're watching this, this
• 1:01:34
  Speaker 2: is what I'm talking about. So it's like this, yeah, yeah,
• 1:01:39
  Speaker 2: Now if I were to do a video of her,
• 1:01:41
  Speaker 2: it would definitely be like, I would definitely exaggerate this,
• 1:01:46
  Speaker 2: but I love Oh my god, what a delight. This
• 1:01:50
  Speaker 2: is the first episode, episode four where we have Juliette
• 1:01:54
  Speaker 2: Angus in the introduction and giving her tagline. So she
• 1:01:57
  Speaker 2: has now joined a board. So welcome in cheerio in
• 1:02:03
  Speaker 2: to Juliet Angus for this episode, which we get to.
• 1:02:06
  Speaker 2: I'm sorry that's episode five because she wasn't.
• 1:02:09
  Speaker 1: My apologies, but I also didn't watch the intro, so
• 1:02:13
  Speaker 1: I was like, maybe they queued her up in four.
• 1:02:15
  Speaker 1: Get her five?
• 1:02:17
  Speaker 2: Ha, No, I apologize in my bad. We have this
• 1:02:22
  Speaker 2: before we move on to five, because that's more interesting obviously,
• 1:02:27
  Speaker 2: but before we move on, we just have to like
• 1:02:29
  Speaker 2: kind of wrap things up at the Cotswold cottage and
• 1:02:33
  Speaker 2: that scarlet dinner party where they had their questions and
• 1:02:37
  Speaker 2: Panthea demonstrates her fake orgasm inspired by you know when
• 1:02:42
  Speaker 2: Harry met Sally.
• 1:02:43
  Speaker 1: Yeah, you know it's sad, it's it's Housewives', it's.
• 1:02:47
  Speaker 2: Housewives, and you know, Juliet was arrested because her passport
• 1:02:52
  Speaker 2: was not stamped when she exited I believe Thailand. We
• 1:02:56
  Speaker 2: got that. We have the argument that's continuing on from
• 1:02:59
  Speaker 2: with Anthony and Karen about who was a lady the narcissist.
• 1:03:03
  Speaker 2: I don't know what it is about the contacts, and
• 1:03:07
  Speaker 2: I'm not sure about like what was the contacts, Like
• 1:03:11
  Speaker 2: she's seeople or contacted in your eyes lenses.
• 1:03:14
  Speaker 1: She was saying to Karen, you look so great because
• 1:03:18
  Speaker 1: of your colored contact lenses, like you know when people
• 1:03:21
  Speaker 1: wear like a green or a blue, and Karen's like,
• 1:03:25
  Speaker 1: I'm not, basically I'm not wearing that. But I I
• 1:03:30
  Speaker 1: think like that was just one of many things.
• 1:03:32
  Speaker 2: One of many, Yeah, but I did, but that one
• 1:03:35
  Speaker 2: was lost. I didn't hear that, so I needed to
• 1:03:38
  Speaker 2: find out, thank you.
• 1:03:39
  Speaker 1: Because she said lenses and it was like I I
• 1:03:41
  Speaker 1: honestly thought, do they call veneers lenses? Like I didn't know.
• 1:03:45
  Speaker 2: What lenses because there the other language is very different
• 1:03:51
  Speaker 2: for certain things. So yeah, I mean it could be anything.
• 1:03:56
  Speaker 1: It was contact lenses.
• 1:03:57
  Speaker 2: Yeah, well, Karen Karen real. Panthea and Karen really went
• 1:04:02
  Speaker 2: into each other about you know, Jersey and due diligence,
• 1:04:06
  Speaker 2: and Karen's like, you have an evil eye on you
• 1:04:10
  Speaker 2: and things ended. But in the sprinter van leaving there,
• 1:04:15
  Speaker 2: panthe and juliet had a very nice moment where they
• 1:04:18
  Speaker 2: sort of came back together and Juliette kind of apologized
• 1:04:22
  Speaker 2: sort of there we are in the hotel rooms that
• 1:04:25
  Speaker 2: they're staying off site.
• 1:04:27
  Speaker 1: Karen had the big blow up, but then Karen goes
• 1:04:30
  Speaker 1: right back to the back of that sprinter van. I
• 1:04:31
  Speaker 1: was like, why is she sitting so close to Panthea
• 1:04:35
  Speaker 1: after their blood, Like they're not friendly getting back in
• 1:04:39
  Speaker 1: that sprinter van right, And I didn't know why she
• 1:04:42
  Speaker 1: went right back to the back, but I was like,
• 1:04:43
  Speaker 1: good on you producers to be like, no, everybody has
• 1:04:46
  Speaker 1: to sit in.
• 1:04:46
  Speaker 2: The back because the crews in front. Yeah, that does
• 1:04:50
  Speaker 2: make sense.
• 1:04:51
  Speaker 1: Yeah, but you know, if she's really hitting the fan.
• 1:04:55
  Speaker 2: And it's not really, they're just tickling the service exactly.
• 1:04:57
  Speaker 2: They're so excited to be doing this. So much of
• 1:05:01
  Speaker 2: it to me, I don't even like want to strip
• 1:05:04
  Speaker 2: this down because I don't really care. I really don't.
• 1:05:07
  Speaker 2: But a lot of it I don't really believe. Is
• 1:05:09
  Speaker 2: that is like anything?
• 1:05:12
  Speaker 1: So well, yeah, the six year dentis thing was like
• 1:05:15
  Speaker 1: what I don't this is?
• 1:05:17
  Speaker 2: Yeah, So I mean there's many things that are happening
• 1:05:20
  Speaker 2: that I don't really believe, and I'm okay with that.
• 1:05:21
  Speaker 2: You know, we just we got to read the engine.
• 1:05:24
  Speaker 2: We got to get in there.
• 1:05:25
  Speaker 1: And that's also why I usually the box of questions
• 1:05:28
  Speaker 1: annoys me, but for this, didn't you know me? Because
• 1:05:31
  Speaker 1: we are getting to know them.
• 1:05:33
  Speaker 2: But you know what, on New York it bothered the
• 1:05:35
  Speaker 2: hell out of us, and we were getting to know them.
• 1:05:38
  Speaker 2: So what's the difference because we're in London. It's because
• 1:05:41
  Speaker 2: we're in London. Honestly, like they were guests, we're over
• 1:05:44
  Speaker 2: like we are. We give them, We're giving them so
• 1:05:47
  Speaker 2: much leeway Emily that we would not normally, and we
• 1:05:50
  Speaker 2: don't care. And I'm fine with that.
• 1:05:52
  Speaker 1: What we're in those boxes. So those presents on the table,
• 1:05:55
  Speaker 1: they had huge. Everybody got a gift from NeSSI at
• 1:05:59
  Speaker 1: that dinner, and we didn't get to see what she
• 1:06:01
  Speaker 1: gave them.
• 1:06:02
  Speaker 2: Oh my gosh, I don't know.
• 1:06:04
  Speaker 1: Okay, I just need to make sure to miss something.
• 1:06:07
  Speaker 2: Okay, I didn't even think about it. I didn't think
• 1:06:10
  Speaker 2: that we even missed anything. And that's really weird because
• 1:06:15
  Speaker 2: typically we always see what they're giving. Yeah, and maybe
• 1:06:19
  Speaker 2: they're just wasn't clearance because maybe there wasn't Clarence on
• 1:06:23
  Speaker 2: it or something like that.
• 1:06:24
  Speaker 1: Maybe.
• 1:06:24
  Speaker 2: Okay, So we go back to the hotels. They're beautiful
• 1:06:27
  Speaker 2: rooms again. This is where I'm like, oh god, everything
• 1:06:30
  Speaker 2: in England is just gorgeous. You know, Karen is just
• 1:06:32
  Speaker 2: talking to her daughter. I'm like, I don't really care
• 1:06:34
  Speaker 2: about what they're talking about because it's just such a setup. Oh,
• 1:06:37
  Speaker 2: call your daughter and get advice from her. You know,
• 1:06:39
  Speaker 2: it's just so set up, right, I don't care. I
• 1:06:41
  Speaker 2: just want to look at the hotel room. And then
• 1:06:44
  Speaker 2: we get to the morning and we have Nessy's unbelievable
• 1:06:48
  Speaker 2: homemade breakfast with fresh croissants and we had some salmon
• 1:06:54
  Speaker 2: stuff just just looking like the epitome of anything we'd
• 1:06:57
  Speaker 2: ever dream we want to be, at least for me,
• 1:06:59
  Speaker 2: And it was amazing. I did love that. Panthea was
• 1:07:03
  Speaker 2: like announcing that she had to leave to go to
• 1:07:06
  Speaker 2: this very exclusive event that only happens two to three
• 1:07:10
  Speaker 2: times a year.
• 1:07:13
  Speaker 1: Was she leaving to go to the tea? Yeah? Yeah, okay,
• 1:07:20
  Speaker 1: she showed the invitation, remember showed her phone to show this.
• 1:07:27
  Speaker 1: Oh yeah, Queen with Princess Anne.
• 1:07:30
  Speaker 2: Thank you so sorry, so sorry, miss that Dolings very important.
• 1:07:33
  Speaker 2: So yeah, I they're weaving this. The storylines here are
• 1:07:37
  Speaker 2: just so lovely because we don't live there, and it's
• 1:07:40
  Speaker 2: just great. Now, if we live there and we're watching this,
• 1:07:42
  Speaker 2: maybe we wouldn't think this is as good as it is.
• 1:07:46
  Speaker 2: But yeah, Karen reaching into her purse to grab her
• 1:07:51
  Speaker 2: phone to zoom into this. Princess Anne, is it uh invite? Yeah, hilarious,
• 1:07:58
  Speaker 2: Panthea rolling her eyes, like anybody can go to that.
• 1:08:01
  Speaker 2: You want to talk about what anyone can't go to
• 1:08:03
  Speaker 2: is you know, you have to serve the crown and
• 1:08:05
  Speaker 2: this is an event that's two to three times a year.
• 1:08:07
  Speaker 2: And then she brings her hard copy, hard copy invite,
• 1:08:12
  Speaker 2: which does says something not gonna lie.
• 1:08:16
  Speaker 1: It says a lot. Yeah, it says a lot until
• 1:08:18
  Speaker 1: you get to that fucking event and realize she is
• 1:08:21
  Speaker 1: a parking lot away from a sprinting King and queen
• 1:08:27
  Speaker 1: walking like they go by so fast, and you find
• 1:08:31
  Speaker 1: out she had an elbow her way through.
• 1:08:34
  Speaker 2: Right. Oh, she was gonna get to the front no
• 1:08:36
  Speaker 2: matter what.
• 1:08:37
  Speaker 1: But that's not like an audience with the King. Oh
• 1:08:41
  Speaker 1: my god, I thought it was.
• 1:08:43
  Speaker 2: That's about as close as you'll get to being on
• 1:08:46
  Speaker 2: the grounds and being that close to them, but like
• 1:08:50
  Speaker 2: you could get that close on the street, you know.
• 1:08:54
  Speaker 1: Yeah, I couldn't believe that was what we were building
• 1:08:59
  Speaker 1: up to.
• 1:09:00
  Speaker 2: You know, it was okay for me. I still appreciated it.
• 1:09:04
  Speaker 2: I did love it, and I was like, how ghost
• 1:09:07
  Speaker 2: of you? You know what I mean? Like it just
• 1:09:09
  Speaker 2: goes to show how little class she does have to
• 1:09:14
  Speaker 2: be doing that.
• 1:09:15
  Speaker 1: Yelling God said Camella. I'm like, oh my god, you
• 1:09:21
  Speaker 1: are talking you see the queen.
• 1:09:23
  Speaker 2: What are you doing to But I don't know why.
• 1:09:27
  Speaker 2: Is that because it was a dig at her or
• 1:09:30
  Speaker 2: because they're so used to saying things like that before
• 1:09:33
  Speaker 2: she became, before she was named the queen. I didn't
• 1:09:37
  Speaker 2: understand that.
• 1:09:38
  Speaker 1: To be honest, name the queen, you call her the queen.
• 1:09:41
  Speaker 2: That's what I was. So that's my thing.
• 1:09:43
  Speaker 1: Is it a dig?
• 1:09:44
  Speaker 2: Oh so it is a dig.
• 1:09:46
  Speaker 1: She didn't mean it to be a dig. I'm just
• 1:09:48
  Speaker 1: saying that was like I was just like that.
• 1:09:52
  Speaker 2: So that's her making a legitimate error in terms of
• 1:09:56
  Speaker 2: the etiquette.
• 1:09:57
  Speaker 1: Yeah, that's just her being like this is this is cool,
• 1:10:00
  Speaker 1: this is what I do have, Camella, God Save Camilla,
• 1:10:04
  Speaker 1: And it's like no, no, no, that's actually her, let's
• 1:10:07
  Speaker 1: let's if we're gonna if we're gonna be so excited
• 1:10:09
  Speaker 1: to be in the audience of the King and the Queen,
• 1:10:12
  Speaker 1: like play the game right.
• 1:10:14
  Speaker 2: Here, We'll do everything right. Plus, you know your husband
• 1:10:17
  Speaker 2: is like Lord Master Maya, mayor of Lord Governor Master Maya.
• 1:10:21
  Speaker 2: I have no idea what that means.
• 1:10:24
  Speaker 1: Solicitor.
• 1:10:25
  Speaker 2: She called him a mayor at one point. I don't
• 1:10:27
  Speaker 2: know what he is or what he does. I'm so lost.
• 1:10:30
  Speaker 2: I didn't even know what Jersey was. So what is
• 1:10:34
  Speaker 2: do you know what that means?
• 1:10:35
  Speaker 1: Like lawyer? Oh, he's a lawyer. Yeah.
• 1:10:38
  Speaker 2: Isn't that it called a barrister. I thought a lawyer
• 1:10:43
  Speaker 2: was called a barrister unless unless a barrister is a
• 1:10:46
  Speaker 2: royal lawyer, a solicitor. I'll pause. Well, Emily does the research,
• 1:10:53
  Speaker 2: all right, So we are back. Emily has looked it
• 1:10:57
  Speaker 2: up and she has discovered that a lawyer, he is
• 1:11:01
  Speaker 2: a lawyer, okay, and that is what he is called,
• 1:11:05
  Speaker 2: which is a solicitor. M interesting. So when they come
• 1:11:09
  Speaker 2: to the United States and we have signs all over
• 1:11:11
  Speaker 2: our lawns that say no soliciting allowed, is not allowed, lawyers,
• 1:11:15
  Speaker 2: no lawyers allowed, so then we say, what is the
• 1:11:19
  Speaker 2: difference between a lawyer and a barrister and barristers.
• 1:11:24
  Speaker 1: It seems our specialist courtroom advocates who present cases in
• 1:11:29
  Speaker 1: court and provide legal advice. That's what the solicitors do,
• 1:11:35
  Speaker 1: handle legal work outside of the court and prepare cases.
• 1:11:39
  Speaker 1: So one's in the court, ones out of the court.
• 1:11:41
  Speaker 1: Maybe according to AI in Google.
• 1:11:45
  Speaker 2: Okay, right, a barristers in the courtroom. Yes, yes, yes, yes, yes, okay, good,
• 1:11:51
  Speaker 2: all right, well we did that excellent, moving right along. So, yeah,
• 1:11:56
  Speaker 2: she was pretty ghost at that event, and it was
• 1:11:58
  Speaker 2: really funny, and I love that they have to show
• 1:12:00
  Speaker 2: their invitations. And at the scarlet party when Karen did
• 1:12:04
  Speaker 2: say she was going to whatever it was, she was
• 1:12:06
  Speaker 2: going to the tea, and Juliet immediately pipes up, I've
• 1:12:11
  Speaker 2: done that. Yes, it's not yeah, you know, like everyone
• 1:12:14
  Speaker 2: has to say that they've done it and they've been there.
• 1:12:17
  Speaker 2: I'm so obsessed with that, okay, just obsessed. Then we
• 1:12:23
  Speaker 2: get at the breakfast, Karen, you know, she ends up leaving.
• 1:12:28
  Speaker 2: Panthea texted an apology to Karen last night, and that
• 1:12:35
  Speaker 2: wasn't enough. So they obviously went on a walk and
• 1:12:37
  Speaker 2: then they made up. So I'm sorry I said that
• 1:12:40
  Speaker 2: Panthea left. Panthea is still there. Karen and Panthea go
• 1:12:43
  Speaker 2: on a gorgeous walk. Who cares what they're talking about? Right,
• 1:12:46
  Speaker 2: this is what I mean now, don't care gorgeous? They
• 1:12:50
  Speaker 2: make up. They love it, they think it's gorgeous. They
• 1:12:53
  Speaker 2: come back. They're like, we can't ignore the surroundings and
• 1:12:56
  Speaker 2: the fame right now, we're going to make up. We
• 1:12:58
  Speaker 2: come back in and everyone wasn't necessarily upset that they
• 1:13:02
  Speaker 2: made up, which is what I believe, which Karen likes
• 1:13:05
  Speaker 2: to think, but they were shocked that they made up
• 1:13:09
  Speaker 2: after all of that, that it happened so fast, right,
• 1:13:12
  Speaker 2: So then that leads us into our next storyline that
• 1:13:16
  Speaker 2: we get to in the in the next episode, but
• 1:13:19
  Speaker 2: not to gloss over the l paca walking.
• 1:13:23
  Speaker 1: And the aston Martin's to dinner.
• 1:13:26
  Speaker 2: The vintage Oh, Emily, the vintage cars to that country
• 1:13:33
  Speaker 2: like restaurant.
• 1:13:35
  Speaker 1: They were James Bond. Those were James Bond's cars, like
• 1:13:38
  Speaker 1: that is the they I was like, hats off this.
• 1:13:42
  Speaker 2: Hats off, King's up? Te's I mean when they got
• 1:13:48
  Speaker 2: into those, She's like, I've got these calls come doing
• 1:13:50
  Speaker 2: a call rally, which I don't know is a car show.
• 1:13:52
  Speaker 2: I guess I assume, okay, And I mean in Detroit
• 1:13:57
  Speaker 2: we have those two like we call them like the
• 1:14:00
  Speaker 2: Auto show or what not the auto show, but like
• 1:14:03
  Speaker 2: we have like a drive down Woodward Avenue where you
• 1:14:07
  Speaker 2: can anyone can participate with their old cars and it's
• 1:14:10
  Speaker 2: a big deal because you know, it's the motor City.
• 1:14:12
  Speaker 1: Well don't they do those like every Saturday at grocery
• 1:14:15
  Speaker 1: stores like everybody, like they do all that and they
• 1:14:19
  Speaker 1: have that like you enough, it's all the old guys
• 1:14:22
  Speaker 1: in their cool car.
• 1:14:23
  Speaker 2: Yes, yes, together, right, they do have that. That's what
• 1:14:26
  Speaker 2: Nassy's just going to the local grocery store. Yeah, I
• 1:14:31
  Speaker 2: mean right. Obviously the motor City is a huge event.
• 1:14:35
  Speaker 2: It can't be compared with what you're speaking of, Emily.
• 1:14:37
  Speaker 2: So I don't want to like dumb down what we're
• 1:14:39
  Speaker 2: doing over there. Let's get that clear. I mean they
• 1:14:42
  Speaker 2: shut down so much.
• 1:14:44
  Speaker 1: Of the grocery store. Yeah right, no they don't, they
• 1:14:47
  Speaker 1: before they open. But yeah, my god, the same thing,
• 1:14:50
  Speaker 1: same drift keep going Paris Socialistor ever saying the same thing.
• 1:14:53
  Speaker 2: So when they are riding in these vehicles and they're
• 1:14:58
  Speaker 2: getting these stick shifts going. I was so proud of them.
• 1:15:02
  Speaker 2: And then that Country pub I was like, this is
• 1:15:06
  Speaker 2: what I want my life, like, this is where I thrive.
• 1:15:09
  Speaker 2: Everything about it. Now a stick shift, Emily. I learned
• 1:15:13
  Speaker 2: how to do a stick shift when I was like
• 1:15:14
  Speaker 2: in high school. Okay, that's when I learned. And I
• 1:15:16
  Speaker 2: remember if I got into a car now, it would
• 1:15:20
  Speaker 2: be very tough, but I could make my way through it.
• 1:15:24
  Speaker 2: Give me ten minutes, you know, it would be rough,
• 1:15:27
  Speaker 2: but I would get there. But back in my day,
• 1:15:31
  Speaker 2: you know, people had stick shifts left and right, literally
• 1:15:34
  Speaker 2: no pun, which was so clutch another pun AnyWho such
• 1:15:42
  Speaker 2: a way to like hit on girls, or not necessarily
• 1:15:45
  Speaker 2: even hit on girls, but to like take it to
• 1:15:48
  Speaker 2: the next level with a girl that you're pursuing, which
• 1:15:50
  Speaker 2: is like I can show you how to like drive
• 1:15:52
  Speaker 2: a stick shift. I'm not joking. The amount of guys
• 1:15:58
  Speaker 2: that offered to show me how to drive a stick shift.
• 1:16:04
  Speaker 2: I had a tally and uh and I think they
• 1:16:07
  Speaker 2: meant something other than the actual car stick shift. But
• 1:16:10
  Speaker 2: I digress. But I was taught by a couple guys,
• 1:16:15
  Speaker 2: but I didn't drive a stick shift. And it's fun. Yeah,
• 1:16:20
  Speaker 2: have you did you ever learn?
• 1:16:23
  Speaker 1: Yeah, I was as you're saying that, I was like,
• 1:16:25
  Speaker 1: that's that, guys, really, that's it. And then I'm like, oh, yeah,
• 1:16:28
  Speaker 1: I wrecked bent shout out Ben Cauldron.
• 1:16:32
  Speaker 2: I wrecked his car driving, Oh my god.
• 1:16:36
  Speaker 1: Burned out his clutch and we drove into my neighbor's yard.
• 1:16:40
  Speaker 1: Just took out like three shrubs and burn yeah, burned out.
• 1:16:47
  Speaker 2: They burned out the clutch.
• 1:16:50
  Speaker 1: Yeah. And like, my neighbors never told my parents, which
• 1:16:54
  Speaker 1: was cool, and I didn't really know that they were
• 1:16:56
  Speaker 1: neighbors in a different part of the neighborhood. And then
• 1:16:58
  Speaker 1: like Ben like fully lied to his parents. But I
• 1:17:03
  Speaker 1: still like that ruined.
• 1:17:05
  Speaker 2: Me for That's hilarious, amazing. Okay, I have a question
• 1:17:13
  Speaker 2: for you. When they went to Boufford, Bofford, Boufford, Bofford.
• 1:17:18
  Speaker 1: The little town someone, Yes, let me just add Ben
• 1:17:22
  Speaker 1: was not trying to there was We were we were
• 1:17:25
  Speaker 1: friends amy before it.
• 1:17:27
  Speaker 2: Well you were after you rect a stick shift. He
• 1:17:29
  Speaker 2: wasn't interested anymore.
• 1:17:32
  Speaker 1: We were cocing. Yeah, we were criminals at that point,
• 1:17:35
  Speaker 1: but keep going.
• 1:17:35
  Speaker 2: Yes, Boofford, Booford, Boofod. Okay, when they went into that
• 1:17:42
  Speaker 2: beautiful little town. And they went into that jewelry shop.
• 1:17:46
  Speaker 2: It was Juliette and someone else, and she was like,
• 1:17:49
  Speaker 2: lovely bronzes, lovely, the bronze is so good, lovely bronzes,
• 1:17:52
  Speaker 2: the bronzes, so much bronze. I was like, I don't
• 1:17:55
  Speaker 2: know what the fun we're talking about.
• 1:17:56
  Speaker 1: I didn't either, You didn't, No. I I was like,
• 1:18:00
  Speaker 1: are there statues we're not seeing because the artists didn't
• 1:18:03
  Speaker 1: clear them? Like what am I missing with the bronzes, darlings?
• 1:18:07
  Speaker 2: What are oh my gosh, okay, thank goodness. Well, I
• 1:18:10
  Speaker 2: would think like, well, why would they have us in
• 1:18:13
  Speaker 2: there if they're not going to show us what they
• 1:18:15
  Speaker 2: keep repeating? And then I was like, is it bronze jewelry?
• 1:18:19
  Speaker 2: Are they using the bronze for the jewelry that we're
• 1:18:21
  Speaker 2: seeing and we don't And that's a new thing that
• 1:18:24
  Speaker 2: I've never seen before. I've never seen bron I don't
• 1:18:27
  Speaker 2: think so.
• 1:18:28
  Speaker 1: Because then she made some what I thought was not
• 1:18:32
  Speaker 1: cool dig on the shop, being like, oh, my mother
• 1:18:35
  Speaker 1: in law would like, this is all stuff like my
• 1:18:37
  Speaker 1: mother in law would wear. And I'm like her mother
• 1:18:40
  Speaker 1: in law might be very cool.
• 1:18:42
  Speaker 2: I don't know, but it was just like, but it's
• 1:18:43
  Speaker 2: obviously you know, it's a nod to an older generation
• 1:18:48
  Speaker 2: of women perhaps.
• 1:18:50
  Speaker 1: And maybe I'm reading into it, but that's how I
• 1:18:52
  Speaker 1: read it.
• 1:18:54
  Speaker 2: Right, right, right, But the bronzes, Okay, well, I don't know.
• 1:18:59
  Speaker 2: I was like, oh, Emma, well no, I'm glad that
• 1:19:01
  Speaker 2: real losses me. All right, Well, if anybody knows, because
• 1:19:04
  Speaker 2: we're not going to look it up right now, we
• 1:19:06
  Speaker 2: gotta move forward, okay. Sorry. At the Country Pub, this
• 1:19:11
  Speaker 2: is when the shit went down that we didn't know
• 1:19:13
  Speaker 2: was happening. First of all, we had a really heart wrenching,
• 1:19:16
  Speaker 2: vulnerable moment with Careen when she shares that when she
• 1:19:20
  Speaker 2: was living with her mother in the country, basically in Jamaica,
• 1:19:24
  Speaker 2: her mother started to feel like it wasn't going to
• 1:19:27
  Speaker 2: be a safe place for her anything longer, and so
• 1:19:29
  Speaker 2: she wanted to have her grow up with her dad
• 1:19:33
  Speaker 2: for a few years and dropped her off with her
• 1:19:36
  Speaker 2: dad in the city and said she'd come back to
• 1:19:38
  Speaker 2: get her when she was twelve, to which everyone was
• 1:19:41
  Speaker 2: very emotional about. And she was two and it was
• 1:19:43
  Speaker 2: very very sad. I had some follow up questions, a
• 1:19:47
  Speaker 2: did she come back to get you?
• 1:19:50
  Speaker 1: And it sounds like they're good now, it sounds like sounds.
• 1:19:54
  Speaker 2: It sounded like she loves her mother. But we also
• 1:19:58
  Speaker 2: didn't get any any kind of closure to that, which
• 1:20:02
  Speaker 2: was odd. But I think that was also really interesting
• 1:20:07
  Speaker 2: because she was nine when that happened, and in as
• 1:20:12
  Speaker 2: we know in England, when you're raised with a lot
• 1:20:15
  Speaker 2: of wealth, like with Caroline Stanbury, she was sent away,
• 1:20:20
  Speaker 2: that's what you did. You go to boarding school. You
• 1:20:22
  Speaker 2: go to boarding school.
• 1:20:23
  Speaker 1: Yeah, I know. So I was a little thrown by
• 1:20:25
  Speaker 1: that too.
• 1:20:27
  Speaker 2: That everyone but I was interested, and I was happy
• 1:20:30
  Speaker 2: that everyone had such compassion for her because there I
• 1:20:33
  Speaker 2: would think that at a table of British women, but
• 1:20:37
  Speaker 2: see Pantheon wasn't there, and she went to boarding school.
• 1:20:40
  Speaker 2: Now I don't know about anyone else at that table,
• 1:20:42
  Speaker 2: they may not have gone, but like for them to
• 1:20:45
  Speaker 2: have such compassion was a really nice thing to see.
• 1:20:49
  Speaker 2: Had Caroline Stanbury been there, it would have been a
• 1:20:51
  Speaker 2: completely different scene and I think shit would have hit
• 1:20:54
  Speaker 2: the fan because Caroline may not have had compassion. She
• 1:20:58
  Speaker 2: would have been like, well that's what you did, and
• 1:21:00
  Speaker 2: Karen me have said, well, I didn't go to a
• 1:21:02
  Speaker 2: boarding school. I was just staying with my dad in
• 1:21:04
  Speaker 2: the city. But it was for your safety. It was
• 1:21:06
  Speaker 2: for your upbringing and maybe to socialize and maybe to
• 1:21:09
  Speaker 2: get more education where you wouldn't have had as much
• 1:21:11
  Speaker 2: in the country. So that would have been an interesting
• 1:21:14
  Speaker 2: different direction. All right, well, why don't we pop into
• 1:21:18
  Speaker 2: episode five, where we basically are getting to Karen's cryptic
• 1:21:24
  Speaker 2: post the night of that country cottage dinner.
• 1:21:31
  Speaker 1: Bizarre and Perfect Housewives. I was like, you know, I
• 1:21:40
  Speaker 1: didn't think any of you had it any but this
• 1:21:43
  Speaker 1: made no sense. I'm signing up.
• 1:21:48
  Speaker 2: The best was when Panthea was sharing the voice messages
• 1:21:53
  Speaker 2: with NeSSI and nehim sorry, and then Nessie says, we
• 1:21:59
  Speaker 2: had the I mean it was like a murder mystery. Yeah,
• 1:22:04
  Speaker 2: I was a murder mystery. I thought I was watching
• 1:22:06
  Speaker 2: like a PBS Sunday Night masterpiece classic, you know, anything like.
• 1:22:13
  Speaker 2: It was just so good. I love MESSI my god,
• 1:22:18
  Speaker 2: this was crazy her posting that and her throwing it
• 1:22:21
  Speaker 2: out caution into the wood. Well, if somebody catches it, good.
• 1:22:24
  Speaker 2: If they don't, they don't. It's a storyline I was
• 1:22:27
  Speaker 2: trying to put out there, and if it doesn't work,
• 1:22:28
  Speaker 2: it doesn't work. But it works. It worked, and what
• 1:22:34
  Speaker 2: a weird thing to do because she was so vulnerable
• 1:22:37
  Speaker 2: and so for her to like lead them in in
• 1:22:39
  Speaker 2: that way is very odd that you would lead with
• 1:22:43
  Speaker 2: a personal story into Panthea not being trustworthy, you know,
• 1:22:52
  Speaker 2: kind of like she tied Panthea into her personal You know.
• 1:22:57
  Speaker 1: I thought it was more like because Karen says to
• 1:23:04
  Speaker 1: was it Amanda that she was like, I was. That
• 1:23:07
  Speaker 1: was more about when I came in, when we returned
• 1:23:11
  Speaker 1: from our walk, and nobody in the kitchen or at
• 1:23:15
  Speaker 1: Nessi's they all gave us like a side eye about
• 1:23:19
  Speaker 1: us making up so quickly. So I didn't know if
• 1:23:24
  Speaker 1: even Karen knew why she did it, because like there's
• 1:23:27
  Speaker 1: like a couple things happening there, but it made no sense.
• 1:23:35
  Speaker 2: Yeah, she really tried to explain things, and you know,
• 1:23:41
  Speaker 2: I don't know at leaves, Panthea and NeSSI are on
• 1:23:46
  Speaker 2: to what's happening here, and Amanda knows too, and Amanda
• 1:23:51
  Speaker 2: and Karen seems fine with Amanda, even though Karen was
• 1:23:54
  Speaker 2: specifically calling out Amanda in the voice text like I
• 1:24:02
  Speaker 2: don't trust Amanda, or maybe it was Juliet, like those
• 1:24:05
  Speaker 2: are the two people, and she was like, I don't
• 1:24:07
  Speaker 2: know about NeSSI because you know, it was like.
• 1:24:13
  Speaker 1: It was as though she had copied the lyrics to
• 1:24:15
  Speaker 1: Bob Marley Hypocrites and then pasted it because it was
• 1:24:20
  Speaker 1: the last thing that she copied. And she's like, well,
• 1:24:23
  Speaker 1: fuck it, post it. I can't, I can't delete this
• 1:24:26
  Speaker 1: now I've I've copied it and I've pasted it and I've.
• 1:24:30
  Speaker 2: Linked the song. You know, when I saw that it
• 1:24:32
  Speaker 2: was Bob Marley Hypocrite at the top, I immediately go, oh,
• 1:24:35
  Speaker 2: those are just the lyrics she was song?
• 1:24:39
  Speaker 1: Yeah, and were they?
• 1:24:41
  Speaker 2: But were they? Oh?
• 1:24:43
  Speaker 1: They were for real? Real? Okay?
• 1:24:46
  Speaker 2: Oh okay, all right, didn't I either way? It didn't.
• 1:24:49
  Speaker 2: It was still confusing either way.
• 1:24:50
  Speaker 1: But yeah, it was like she's like, I'm going to
• 1:24:53
  Speaker 1: retrofit something to like, well, I've copied and paid, I've
• 1:25:00
  Speaker 1: done the work I need to figure out. Like it's
• 1:25:02
  Speaker 1: like that's the only thing. Like I'm like, this makes
• 1:25:05
  Speaker 1: no sense unless you're like I accidentally copy pasted and
• 1:25:09
  Speaker 1: then posted and linked a song. So I'll just I mean,
• 1:25:13
  Speaker 1: because not the logic makes no sense.
• 1:25:15
  Speaker 2: And also, you know, it's also not logical that when
• 1:25:19
  Speaker 2: you post something to Instagram, if you post that song,
• 1:25:22
  Speaker 2: you will automatically put the lyrics up for you. You
• 1:25:26
  Speaker 2: can make the slider slide to any part of the
• 1:25:28
  Speaker 2: song and those lyrics will play on the screen for you,
• 1:25:32
  Speaker 2: so there's no need to copy and paste. So that
• 1:25:36
  Speaker 2: says a lot about her proficiency in the social media world. Well,
• 1:25:43
  Speaker 2: let's head on over to uh let's see here the
• 1:25:47
  Speaker 2: bucking Oh oh, we already talked about the Buckingham Palace
• 1:25:50
  Speaker 2: garden party. That butterfly hat looked like I could have
• 1:25:56
  Speaker 2: made it if I went to hobby lobby.
• 1:25:58
  Speaker 1: Sorry, sometimes that's what those hats look like.
• 1:26:03
  Speaker 2: Rough.
• 1:26:04
  Speaker 1: Okay, now, uh oh, we went to Padol. Yeah, remember
• 1:26:13
  Speaker 1: I was on Dubai. They were They played it like
• 1:26:16
  Speaker 1: the same kind of club at on the last season
• 1:26:20
  Speaker 1: of Housewives of Dubai in Dubai. Yeah, Dubai any way,
• 1:26:27
  Speaker 1: if you had to buy chocolate, No, but wait, just
• 1:26:31
  Speaker 1: where is that?
• 1:26:33
  Speaker 2: I saw it at Costco?
• 1:26:35
  Speaker 1: Get it?
• 1:26:36
  Speaker 2: Oh my god. I had a flash in from my
• 1:26:38
  Speaker 2: head where I go, where have I heard this before?
• 1:26:41
  Speaker 2: And then I just went to my and then I
• 1:26:44
  Speaker 2: saw it at Costco. Was just there last week?
• 1:26:46
  Speaker 1: You guys?
• 1:26:47
  Speaker 2: Is it good?
• 1:26:49
  Speaker 1: It's fine, But people are like all summer I couldn't
• 1:26:52
  Speaker 1: stop hearing about it. So I finally like ordered it,
• 1:26:55
  Speaker 1: and I'm like, I I guess, like.
• 1:26:58
  Speaker 2: It's probably just a trend. I mean it's a Costco.
• 1:27:00
  Speaker 1: It is a trend and it's good and that's why
• 1:27:03
  Speaker 1: it's at Costco now. But I mean it's not I
• 1:27:08
  Speaker 1: mean people are like losing their minds. I am not.
• 1:27:13
  Speaker 2: Well, I'm going to get it. I will check it out, Okay, Oh,
• 1:27:17
  Speaker 2: thank you. I loved Amanda when they were talking about
• 1:27:22
  Speaker 2: the Cryptic test text and Amanda's like, I thought it
• 1:27:26
  Speaker 2: was about me. I mean I can make anything about me.
• 1:27:29
  Speaker 2: I mean the honesty there. And then I think everyone
• 1:27:33
  Speaker 2: at that uh padel Ball appreciated with you know, Juliette
• 1:27:38
  Speaker 2: and Nessie and Amanda, like they were all laughing at
• 1:27:41
  Speaker 2: her and it was incredible, and I thought it was
• 1:27:43
  Speaker 2: very funny.
• 1:27:43
  Speaker 1: They were getting lit. They were all pretty drunk.
• 1:27:47
  Speaker 2: Okay, they were. Oh I didn't even I mean, especially.
• 1:27:49
  Speaker 1: When like Juliette's like, I think it's summer. I think
• 1:27:52
  Speaker 1: I might have a picnic and Nessie's.
• 1:27:54
  Speaker 2: Like, yeah, nassy when nuts?
• 1:28:00
  Speaker 1: All right, Yeah, that's right.
• 1:28:02
  Speaker 2: She did lose her mind. I was like, this is
• 1:28:04
  Speaker 2: some great charisma. I was here for her enthusiasm, and
• 1:28:10
  Speaker 2: it's like they have to freeze their little asses off
• 1:28:13
  Speaker 2: to do anything.
• 1:28:15
  Speaker 1: Yeah, I mean it gets hot for an hour, but
• 1:28:19
  Speaker 1: like then it's like England again.
• 1:28:23
  Speaker 2: Wow, we have so many scenes here. Okay, the Caviar
• 1:28:26
  Speaker 2: house with Caroline Stanbury and Juliet and Juliet Angus and
• 1:28:32
  Speaker 2: then that's how Juliet Angus got in here and wait
• 1:28:36
  Speaker 2: that flashback to Juliet's bodybuilding phase set. It really tells
• 1:28:42
  Speaker 2: a story that I didn't expect to be told about.
• 1:28:45
  Speaker 1: Australian Juliet right. Oh yeah, I thought she. I didn't
• 1:28:51
  Speaker 1: think it looked as intense as like Teresa yeah or Tamera. Yeah.
• 1:28:58
  Speaker 1: I thought it looked kind of just like Kyle working out.
• 1:29:01
  Speaker 1: I didn't think of that crazy.
• 1:29:04
  Speaker 2: That spray tan Well. I mean, anybody who's going to
• 1:29:07
  Speaker 2: even lean into that a little bit, you know, when
• 1:29:09
  Speaker 2: these Brits are dressed in gray suits and plaids all
• 1:29:12
  Speaker 2: the time, Like that's gonna be horrific. And and I
• 1:29:17
  Speaker 2: shot a shock to the eye. So I love that
• 1:29:20
  Speaker 2: Caroline brought it up and was like absolutely disgusting and
• 1:29:25
  Speaker 2: she just hated it. I loved it and that we
• 1:29:29
  Speaker 2: find out how like Caroline Wait, nope, wait, there was
• 1:29:35
  Speaker 2: this Cash and Rocket twenty nineteen tour where they were
• 1:29:39
  Speaker 2: co pilots and it was Juliet Angus and Amanda and
• 1:29:44
  Speaker 2: Paris Hilton and that's how she met. Yeah, so that's
• 1:29:47
  Speaker 2: how they became friends, even friends for five years. All
• 1:29:50
  Speaker 2: this was great. Definitely let us into you know what
• 1:29:55
  Speaker 2: we what we know is coming and we find out
• 1:29:58
  Speaker 2: what the Amanda and Juliet at American Juliette, what the
• 1:30:02
  Speaker 2: drama is and this nasty little text after COVID and
• 1:30:07
  Speaker 2: Amanda's text saying it's over. Don't worry. I don't need
• 1:30:11
  Speaker 2: your friendship. It has no value and I'm certainly not
• 1:30:14
  Speaker 2: engaging with that other person. So we are all good.
• 1:30:17
  Speaker 2: And Juliette feels very duped by her and feels like
• 1:30:20
  Speaker 2: it was just a transactional relationship. And wow, I mean
• 1:30:28
  Speaker 2: it was awesome.
• 1:30:30
  Speaker 1: That end of that final scene was great.
• 1:30:34
  Speaker 2: Let's get to it. Juliette's posh picnic Henley Park, is
• 1:30:40
  Speaker 2: that correct? I think that's where they said they had
• 1:30:41
  Speaker 2: it all right. Kids and husbands running amook, loved it,
• 1:30:47
  Speaker 2: loved having some of them there. That was really nice.
• 1:30:50
  Speaker 2: Amanda's large sun hat needed some work with the earplacement.
• 1:30:58
  Speaker 2: See how they kind of folded under the hat. It
• 1:31:01
  Speaker 2: looked uncomfortable. It was a hard miss for me, and
• 1:31:06
  Speaker 2: I was quite frankly shocked you would allow that to
• 1:31:09
  Speaker 2: be like that. I don't know why she didn't put
• 1:31:13
  Speaker 2: the hat over those ears. She had them flopping out.
• 1:31:16
  Speaker 2: Anybody noticed that it was such a distraction.
• 1:31:19
  Speaker 1: I did, and I didn't. I think the whole hat
• 1:31:23
  Speaker 1: was so big that I just thought, like, there's something.
• 1:31:27
  Speaker 1: I there was a lot going on with that hat,
• 1:31:29
  Speaker 1: so I just figured this is how she has to
• 1:31:31
  Speaker 1: wear it. But like, yeah, I didn't think that much
• 1:31:34
  Speaker 1: about it.
• 1:31:35
  Speaker 2: It was tucked behind her ears, all right, Well so strange.
• 1:31:42
  Speaker 2: So then Juliette comes in and now they had this
• 1:31:44
  Speaker 2: whole fight Juliette too, meaning Juliette of America and Amanda
• 1:31:51
  Speaker 2: and this fight, this argument about like how they were
• 1:31:56
  Speaker 2: locked down, and she's like and Jamanda says, we were
• 1:31:58
  Speaker 2: best friends. She's like no, and then yes we were.
• 1:32:03
  Speaker 2: I know your daughter. I've been to your house. No
• 1:32:05
  Speaker 2: you haven't. I was there to drop off dresses.
• 1:32:08
  Speaker 1: Oh that makes sense, borrowed clothes.
• 1:32:12
  Speaker 2: Oh that makes sense, Oh my god, really bad. And
• 1:32:17
  Speaker 2: and how Juliette's calling her Corilla Corilla Deville, and then
• 1:32:21
  Speaker 2: and also my fair Lady gone wrong, which is pretty funny.
• 1:32:25
  Speaker 2: And the White Witch, the White Witch. What a legacy,
• 1:32:29
  Speaker 2: embrace it, what a brand she has coming for her,
• 1:32:33
  Speaker 2: I know, right, iconic in so many ways. When Juliette
• 1:32:38
  Speaker 2: called her out about doing ozempic and all that stuff,
• 1:32:41
  Speaker 2: how's it going for you, She's like, very good. I've
• 1:32:44
  Speaker 2: lost nine knots. I mean, embracing all of the you know,
• 1:32:48
  Speaker 2: superficial stuff. And it was it was good fight for Amanda,
• 1:32:54
  Speaker 2: and it was it was a good establishment of an
• 1:32:57
  Speaker 2: ongoing feud. Here this is where I stopped real. Okay,
• 1:33:02
  Speaker 2: this is where I feel like it was real at
• 1:33:05
  Speaker 2: one point. But I think they made up at some
• 1:33:09
  Speaker 2: point and they're redoing it like they're re enacting it
• 1:33:12
  Speaker 2: for TV. So I'm fine with it, I think either way.
• 1:33:20
  Speaker 1: Yeah, Juliette to me feels like like legit hurt.
• 1:33:26
  Speaker 2: And yeah, when she was crying, she started well, actually
• 1:33:32
  Speaker 2: I snuck a peek into the next episode and she
• 1:33:34
  Speaker 2: was crying a little bit, but I stopped. It's like,
• 1:33:36
  Speaker 2: I can't get ahead, so.
• 1:33:39
  Speaker 1: Yeah, there's something about Amanda in that moment that I
• 1:33:43
  Speaker 1: don't think she liked the lack of control. So the
• 1:33:45
  Speaker 1: one thing she could do, I don't if they were
• 1:33:48
  Speaker 1: going to redo this, she would have I think, had
• 1:33:53
  Speaker 1: a little bit more footing on it. She just didn't.
• 1:33:56
  Speaker 1: She seemed like she was shutting down, so she seemed
• 1:33:59
  Speaker 1: to like it was a little out of control for her.
• 1:34:02
  Speaker 1: So that's why I thought it was real. Yeah, it
• 1:34:04
  Speaker 1: was like I'm not done, and she just kept going. Yeah.
• 1:34:11
  Speaker 2: I don't really Yeah, that's the thing. I don't really know,
• 1:34:14
  Speaker 2: but I don't really care so much. I think, yeah,
• 1:34:18
  Speaker 2: they did such a good job. If they were acting,
• 1:34:20
  Speaker 2: they did a great job. And so if it's convincing enough,
• 1:34:25
  Speaker 2: I'm fine with it. But I do really think that
• 1:34:27
  Speaker 2: even if it wasn't like, I think it was actually
• 1:34:31
  Speaker 2: real no matter what, like eat, it took place, that's
• 1:34:33
  Speaker 2: for sure. So I think there's real pain there and
• 1:34:36
  Speaker 2: a real and then we'll see where it goes from here.
• 1:34:39
  Speaker 2: But uh, yeah, COVID, what a wild time. And for
• 1:34:44
  Speaker 2: that that nasty blow that Amanda threw to her, which
• 1:34:48
  Speaker 2: was like slim pickens during COVID, youch listen if You've
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  Speaker 2: To get started and learn more, including important safety information,
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  Speaker 2: will go be clinical study information and restrictions, visit for
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  Speaker 2: hers dot com. I love this show so much.
• 1:37:11
  Speaker 1: This is too okay.
• 1:37:12
  Speaker 2: This is episode six right six correct, So seven is
• 1:37:17
  Speaker 2: already up and I had to stop myself from watching
• 1:37:19
  Speaker 2: it last night because they come out on Mondays for us,
• 1:37:23
  Speaker 2: like Monday nights is when we would get them right.
• 1:37:27
  Speaker 2: I mean it's Monday for them too. But I'm just saying, like,
• 1:37:29
  Speaker 2: we don't get until later. I think, yeah, well we
• 1:37:34
  Speaker 2: get them.
• 1:37:35
  Speaker 1: I guess at midnight UK time, which whatever time zone
• 1:37:39
  Speaker 1: that you're in, Amy's, Amy's, You're feeling it.
• 1:37:42
  Speaker 2: Tell everybody, I'm yawning. They can't. They can't see you
• 1:37:46
  Speaker 2: see it. The people who are listening on the public
• 1:37:49
  Speaker 2: or they.
• 1:37:49
  Speaker 1: Don't know they can feel it. They can feel it.
• 1:37:54
  Speaker 1: And Amy was up all night waiting for that London
• 1:37:58
  Speaker 1: seven to drop.
• 1:38:00
  Speaker 2: And I didn't even watch it. I was a good girl.
• 1:38:03
  Speaker 2: I was a good girl.
• 1:38:04
  Speaker 1: I'm anyway, wait, do you still think coming into this
• 1:38:13
  Speaker 1: we're back at that luncheon, Julie's luncheon. The more I'm
• 1:38:17
  Speaker 1: watching it, the more I'm like, no, I feel like
• 1:38:19
  Speaker 1: this is pretty real. It is.
• 1:38:21
  Speaker 2: I agree. I agree with you, I agree, I agree.
• 1:38:23
  Speaker 2: I agree. So like last week, I thought, oh, even
• 1:38:27
  Speaker 2: if this isn't I thought, this is real, no matter what.
• 1:38:31
  Speaker 2: But maybe they've already played it out with each other
• 1:38:33
  Speaker 2: and they're just bringing it up on the show now
• 1:38:35
  Speaker 2: and it didn't matter to me. But absolutely, you know,
• 1:38:39
  Speaker 2: we need time with these ladies. And as we continued
• 1:38:42
  Speaker 2: in Hyde Park, for Juliette. Juliette's posh picnic and Juliette Angus.
• 1:38:51
  Speaker 2: Juliet the American arrives and Amanda didn't know that she
• 1:38:55
  Speaker 2: was coming, and they got in their little fight about
• 1:38:58
  Speaker 2: we were never best friends and they were talking, they
• 1:39:02
  Speaker 2: were really calling each other out. So then we already
• 1:39:06
  Speaker 2: talked about that last week. But Juliet is telling, you know,
• 1:39:12
  Speaker 2: basically saying to the other Juliet, you know, I can't
• 1:39:14
  Speaker 2: believe this. I'm very upset. I mean, I don't know
• 1:39:17
  Speaker 2: what she's doing. I don't know who this is. This
• 1:39:20
  Speaker 2: is like a character. And when she was like when
• 1:39:24
  Speaker 2: she said I didn't know her daughter, and then Juliet
• 1:39:27
  Speaker 2: Angus was like she started to cry, you know. And
• 1:39:30
  Speaker 2: then did you notice how the other housewives were like, oh,
• 1:39:34
  Speaker 2: like trying to console her, And then she was like no,
• 1:39:37
  Speaker 2: I mean really, no, I mean it's like I really,
• 1:39:39
  Speaker 2: I mean, I mean I was there. She just like completely,
• 1:39:43
  Speaker 2: she just like railroaded them over their empathetic responses. It
• 1:39:48
  Speaker 2: was so annoying. I was like, that's the kind of
• 1:39:51
  Speaker 2: person she is, you know, like she is somebody who
• 1:39:55
  Speaker 2: wants to be heard so bad that when there's applause
• 1:40:00
  Speaker 2: or if someone's interjecting they're not quite done with their soliloquy.
• 1:40:05
  Speaker 2: They can't have a you know, a back and forth
• 1:40:07
  Speaker 2: kind of like what I'm doing right now to Emily.
• 1:40:10
  Speaker 1: And and so and so.
• 1:40:12
  Speaker 2: I wouldn't trying to say, is that you know what
• 1:40:17
  Speaker 2: I mean?
• 1:40:19
  Speaker 1: Yeah, wait, you're saying that, Usa. Juliet is like this, Yeah,
• 1:40:24
  Speaker 1: I feel that way with Panthea also, Oh well yeah
• 1:40:27
  Speaker 1: that's that's kind of a given.
• 1:40:29
  Speaker 2: But it was just surprising to hear or see Juliet
• 1:40:32
  Speaker 2: be like that.
• 1:40:33
  Speaker 1: Much to like what we were kind of talking about
• 1:40:35
  Speaker 1: with below Deck. I felt like I thought maybe that
• 1:40:39
  Speaker 1: was a defense thing, like she she was like, oh shit,
• 1:40:42
  Speaker 1: I'm if if I get too much into the weeds
• 1:40:46
  Speaker 1: on this, it's really gonna really upset me and I
• 1:40:48
  Speaker 1: won't be able to control my emotions. I thought it
• 1:40:51
  Speaker 1: was more of just like a push away.
• 1:40:53
  Speaker 2: It was, but it was really aggressive. Okay, it was
• 1:40:59
  Speaker 2: it was I'm trying I may control my emotions, but
• 1:41:01
  Speaker 2: also fucks straight off because I'm not done yet. It
• 1:41:05
  Speaker 2: was both Emily, Yeah, it was like, yeah, I'm gonna
• 1:41:09
  Speaker 2: be crying.
• 1:41:10
  Speaker 1: So here's a stick of dynamite in your face, and
• 1:41:12
  Speaker 1: I was like, oh no, it's actually.
• 1:41:15
  Speaker 2: No, it's actually no, it's actually no, it's actually really sad.
• 1:41:21
  Speaker 2: My god, I know that's why we were trying to
• 1:41:23
  Speaker 2: comfort you, loose Cannon. So then this was so unexpected
• 1:41:30
  Speaker 2: to have.
• 1:41:30
  Speaker 1: That little.
• 1:41:34
  Speaker 2: Dumb a bit of a sage, bit of a sage,
• 1:41:39
  Speaker 2: oh my god, the husband's bit of excitement over the
• 1:41:43
  Speaker 2: bit bit of excitement. God, I love the Brits. Yeah,
• 1:41:48
  Speaker 2: a bit of excitement after that happened. I did not
• 1:41:52
  Speaker 2: know that Panthea and Karen were gonna go jugular to
• 1:41:56
  Speaker 2: jugular Jeseus, especially.
• 1:41:58
  Speaker 1: After there's straw and on the beautiful like grounds last
• 1:42:04
  Speaker 1: week at the Pond and their makeup.
• 1:42:06
  Speaker 2: Panthea is unhinged. Panthea is absolutely insane.
• 1:42:11
  Speaker 1: Totally, and it does not help that everything good or
• 1:42:15
  Speaker 1: bad comes with a smirk. It's like this part is
• 1:42:21
  Speaker 1: like always just like it is.
• 1:42:25
  Speaker 2: It's like an evil Disney villain.
• 1:42:27
  Speaker 1: Yes, I don't know how she's gonna not do that,
• 1:42:32
  Speaker 1: but it is in fear.
• 1:42:34
  Speaker 2: I mean, I was livid for Karen. Oh my gosh.
• 1:42:37
  Speaker 2: Karen was so genuinely upset. She could barely even put
• 1:42:41
  Speaker 2: words together, and she was so shaken that she was
• 1:42:46
  Speaker 2: going about to cry. I did not like that.
• 1:42:50
  Speaker 1: And to what end, Panthea like, to what end? To
• 1:42:53
  Speaker 1: what end you are saying her actions are the west
• 1:42:58
  Speaker 1: End to the west End and west End girls. She
• 1:43:04
  Speaker 1: is making Karen right by the second. Yeah, the thing
• 1:43:10
  Speaker 1: that she's really upset about is that Karen says she's
• 1:43:13
  Speaker 1: a narcissist, right right, isn't that at the heart of it,
• 1:43:17
  Speaker 1: and that she wouldn't let and Karen's like, you don't
• 1:43:19
  Speaker 1: let people talk. And then Panthea, out of nowhere, Hijackson's
• 1:43:23
  Speaker 1: day and makes it about her and screams at Karen.
• 1:43:27
  Speaker 1: I'm just like, well, Karen maybe wasn't correct, but I
• 1:43:31
  Speaker 1: think she is now.
• 1:43:34
  Speaker 2: And she's getting the names of the place is wrong.
• 1:43:38
  Speaker 2: Panthea is saying the wrong places. Karen is simply trying
• 1:43:43
  Speaker 2: to correct her. Where she moved from, where she has
• 1:43:47
  Speaker 2: a house, where she lived, that she went from London,
• 1:43:53
  Speaker 2: It doesn't matter. The point is like Panthea has such
• 1:43:57
  Speaker 2: an axe to grind with her and then she starts
• 1:44:01
  Speaker 2: bringing stuff out of nowhere with you say you're worth
• 1:44:05
  Speaker 2: four hundred and fifty million dollars, where's your husband? Your husband?
• 1:44:10
  Speaker 2: Can't stand you. Yikes, Now we're bringing that husband into it.
• 1:44:19
  Speaker 1: I mean, she's she Panthea is on a war path
• 1:44:23
  Speaker 1: right now for Karen. So she I will say this,
• 1:44:28
  Speaker 1: I don't know Panthea from a hole in the wall
• 1:44:30
  Speaker 1: because we've got we don't know any of these women yet,
• 1:44:33
  Speaker 1: but she must have some information that we don't know
• 1:44:38
  Speaker 1: yet to go this hard on Karen.
• 1:44:41
  Speaker 2: Okay, or.
• 1:44:44
  Speaker 1: She's fucking nuts. And that's why she had us go
• 1:44:47
  Speaker 1: to the doctor with her so the doctor could say
• 1:44:50
  Speaker 1: on camera, she's mentally unstable if she's going through a menopause,
• 1:44:57
  Speaker 1: a wave of like hormonal issues, and she's not making
• 1:45:02
  Speaker 1: good decisions. So so Pantheon knows she's wrong, or else
• 1:45:07
  Speaker 1: we wouldn't have she wanted. She took us to the
• 1:45:09
  Speaker 1: doctor's office so that the doctor could say, you're not
• 1:45:13
  Speaker 1: responsible for your emotions right now. It's hormones.
• 1:45:16
  Speaker 2: But even though we all are like, but didn't the
• 1:45:19
  Speaker 2: doctor say you're not going through well, you're not going
• 1:45:23
  Speaker 2: through menopause. But she she did, I guess say that
• 1:45:27
  Speaker 2: she's going through perimenopause? Correct or did she say that?
• 1:45:31
  Speaker 1: The doctor said no, I don't think so, yeah'd be right.
• 1:45:34
  Speaker 2: Yeah, So she's basically saying it's not hormones. You're absolutely
• 1:45:41
  Speaker 2: bonkas dollie. Yes, you thought you're gonna get to diagnosis
• 1:45:44
  Speaker 2: here and there's no excuse.
• 1:45:46
  Speaker 1: Yes. So in that way, I think Pantheon knows that
• 1:45:49
  Speaker 1: she fucks up, and she was really hoping to have
• 1:45:52
  Speaker 1: like a doctor's note for it, a doctor note. Yeah
• 1:45:55
  Speaker 1: you're fine. Sorry, you're fine.
• 1:45:58
  Speaker 2: Right, you can act like a level headed per on
• 1:46:01
  Speaker 2: this show, all right, and.
• 1:46:02
  Speaker 1: Even ps perimenopause menopause, Like, I'm also like, don't put
• 1:46:05
  Speaker 1: this shit on perimenopause menopause.
• 1:46:07
  Speaker 2: Like, no, it's true, though you do, it is true.
• 1:46:11
  Speaker 2: I'm sorry, Okay.
• 1:46:12
  Speaker 1: But also I think Panthea has I think I haven't.
• 1:46:16
  Speaker 2: Reached Panthea level at all, but I do know that
• 1:46:20
  Speaker 2: some mental challenges come with that.
• 1:46:24
  Speaker 1: Okay, Then I have a hunch Panthea then has been
• 1:46:28
  Speaker 1: going through perimenopause menopause for most of her life, right,
• 1:46:35
  Speaker 1: because if this is the baseline, nothing's going on.
• 1:46:39
  Speaker 2: You're jealous of my husband, You're jealous of my life.
• 1:46:43
  Speaker 2: It's like, so basically you're just you wrote down a
• 1:46:46
  Speaker 2: bunch of lines that housewives would say, and you throw
• 1:46:50
  Speaker 2: them in a hat. You shook it up and under
• 1:46:54
  Speaker 2: the table. You're just pulling them out. You're just pulling
• 1:46:56
  Speaker 2: them out and reading them, you know, because this is
• 1:46:59
  Speaker 2: not making any sense. Get a life, Get a life.
• 1:47:03
  Speaker 2: What how does she not have a life.
• 1:47:07
  Speaker 1: She's got like so much life, Karen.
• 1:47:10
  Speaker 2: She's got nine lives. She's a cat.
• 1:47:15
  Speaker 1: She is a cat. Get a life, get it, nine lives.
• 1:47:20
  Speaker 1: Getting I'm trying to Morris the cat. I was like,
• 1:47:23
  Speaker 1: what is that fucking nine lives cat? Is Moors? Remember?
• 1:47:28
  Speaker 2: Is that the same cat that Pepula pew was Jason? Because, uh,
• 1:47:32
  Speaker 2: Morris the cat from the nine Lives commercial? And then
• 1:47:36
  Speaker 2: you give me n he had like they tried to
• 1:47:38
  Speaker 2: make him sound like Garfield.
• 1:47:39
  Speaker 1: But it was nine lives. But he's like, oh, nine lives.
• 1:47:44
  Speaker 1: And I was like, I'm glad you give me nine lives.
• 1:47:46
  Speaker 1: I'm glad I give you nine lives for the one
• 1:47:49
  Speaker 1: you've given me. Yeah.
• 1:47:52
  Speaker 2: And that's and to your point, that is Karen.
• 1:47:55
  Speaker 1: That is Karen.
• 1:47:56
  Speaker 2: That is such a beautiful little jingle. Oh my god,
• 1:48:00
  Speaker 2: that is so sweet. Can you can you just sing
• 1:48:03
  Speaker 2: that again? Go ahead, I got a beat for you.
• 1:48:07
  Speaker 1: I'm glad I feed you nine lives for the one
• 1:48:12
  Speaker 1: you've given me.
• 1:48:19
  Speaker 2: Oh my god, like a housewife in the studio. You
• 1:48:22
  Speaker 2: nailed it. Oh my god.
• 1:48:25
  Speaker 1: Now I'm gonna go fuck the guy for ninety eight degrees.
• 1:48:29
  Speaker 1: Keep the MIC's.
• 1:48:30
  Speaker 2: Open, because I'm gonna have my mouth open.
• 1:48:37
  Speaker 1: Desgusting, disgusting.
• 1:48:41
  Speaker 2: Karen's daughter is lovely, and I really felt awful that
• 1:48:44
  Speaker 2: both of her daughters were there, But the one that
• 1:48:46
  Speaker 2: came up and was like, she's insufferable, mother, let's go.
• 1:48:49
  Speaker 2: It's like I love her so much. Insufferable British gea.
• 1:49:00
  Speaker 2: That's hilarious.
• 1:49:02
  Speaker 1: Yeah, I would love to see all other daughters take
• 1:49:07
  Speaker 1: She would they.
• 1:49:07
  Speaker 2: Would be more like Cockney though, like they would be like,
• 1:49:12
  Speaker 2: come on, she's insufferable.
• 1:49:15
  Speaker 1: Oh she was.
• 1:49:19
  Speaker 2: Get Oh he can get some fish and chips. He's
• 1:49:23
  Speaker 2: just ridiculous.
• 1:49:25
  Speaker 1: Come on, mother, I'm pudding, she said. Chaffer, mother, we
• 1:49:31
  Speaker 1: need to kind of chicks.
• 1:49:34
  Speaker 2: Just flip your tea cup.
• 1:49:35
  Speaker 5: Mother, it's just boloney, first ride class boloney.
• 1:49:42
  Speaker 6: What's my Narniadnia Narnia, Mellennia, Like are we in Narnia?
• 1:49:52
  Speaker 2: The Witch?
• 1:49:53
  Speaker 1: The words dietting, get guget, mother, come chafferble get in
• 1:50:01
  Speaker 1: the closet Nannia Molonnia. Yeah, I got to go.
• 1:50:05
  Speaker 2: I can't wait home on. I I know you do
• 1:50:07
  Speaker 2: an accident like Teresa Wright. Uh dash right, Oh my god,
• 1:50:16
  Speaker 2: that's good.
• 1:50:16
  Speaker 1: I go came on.
• 1:50:19
  Speaker 2: G Yeah, we go a guy, Chilie. I can't do it.
• 1:50:22
  Speaker 2: It's so hard. You had it, No, you had it,
• 1:50:25
  Speaker 2: all right, I got I got some work to do.
• 1:50:28
  Speaker 2: Speaking of vocal things.
• 1:50:31
  Speaker 1: Sorry go ahead, sorry, I go ahead.
• 1:50:38
  Speaker 2: Uh. Juliette's vocal coach was also at this picnic.
• 1:50:42
  Speaker 1: Yeah, he sure was.
• 1:50:44
  Speaker 2: He He will get his moment again. That won't be
• 1:50:47
  Speaker 2: cut off, all right. We go to Juliette. We go
• 1:50:51
  Speaker 2: to Juliet Angus's home, and I gotta tell you, I
• 1:50:55
  Speaker 2: got I got a thing for Gregor I do.
• 1:50:58
  Speaker 1: I like that guy really.
• 1:51:00
  Speaker 2: Yeah, I like him. I like his vibe. I like
• 1:51:03
  Speaker 2: how he's so chill. I like how he's just like
• 1:51:06
  Speaker 2: okay and uh, you know he's just I like his vibe. Okay,
• 1:51:13
  Speaker 2: that's great, thank you.
• 1:51:16
  Speaker 1: I like Juliet's interview look that is so great on her. Yeah, sasta, Yeah,
• 1:51:24
  Speaker 1: that's one of my favorite interview looks I've seen in
• 1:51:27
  Speaker 1: a while.
• 1:51:27
  Speaker 2: I have to say, if everything about it.
• 1:51:31
  Speaker 1: Okay, I did have to You did tell me that
• 1:51:33
  Speaker 1: you called me really late last night to say I
• 1:51:35
  Speaker 1: had to say this.
• 1:51:36
  Speaker 2: I did.
• 1:51:37
  Speaker 1: I don't even agree with it, but.
• 1:51:40
  Speaker 5: I will say, yeah, Emily White, you got to say
• 1:51:51
  Speaker 5: how much will interview.
• 1:51:56
  Speaker 2: More London more London to or what I call you
• 1:52:00
  Speaker 2: on London Time every night? God?
• 1:52:05
  Speaker 1: And He's like, really into the real houses of London.
• 1:52:08
  Speaker 1: We have to record at four am.
• 1:52:11
  Speaker 2: It's a am in London. I mean, yeah, it's eight
• 1:52:14
  Speaker 2: pm in London. Sorry, Oh all right, Moving on Juliet,
• 1:52:18
  Speaker 2: she's a brand ambassador. She I like how she well,
• 1:52:22
  Speaker 2: she shaded Megan Markle and was like, I've been here
• 1:52:26
  Speaker 2: for fourteen years. That's longer than Meghan Markle lasted ooh snap.
• 1:52:31
  Speaker 2: I mean yeah, I look, it's a London It's a
• 1:52:36
  Speaker 2: British joke and I'm here for it. Don't care.
• 1:52:39
  Speaker 1: Yeah, I just I don't know where to land on
• 1:52:40
  Speaker 1: the Megan mark Darling sea. I know you guys land
• 1:52:43
  Speaker 1: on it on Megan Markle. I was pretty hard tea
• 1:52:47
  Speaker 1: Megan Markle for a long time.
• 1:52:48
  Speaker 2: I'm kind of like over the whole I was over
• 1:52:51
  Speaker 2: it from the jump, but even now I'm over it.
• 1:52:55
  Speaker 2: She has a show, right, so like have a show, enjoy.
• 1:52:59
  Speaker 1: Yeah, I don't care about any of that. I feel
• 1:53:01
  Speaker 1: like I feel like England always has to have a
• 1:53:05
  Speaker 1: villain in like their royalty, and I feel like it's
• 1:53:09
  Speaker 1: just on on Megan Markle now.
• 1:53:11
  Speaker 2: But yeah, absolutely, I absolutely agree.
• 1:53:15
  Speaker 1: And people make a lot of money off that. That's
• 1:53:17
  Speaker 1: the other reason I think that it has to happen,
• 1:53:19
  Speaker 1: Like press makes a ton of money. There's so much
• 1:53:21
  Speaker 1: clickbait over having a villain at that level.
• 1:53:24
  Speaker 2: So what a story? What a story? Thank you, Thank you, Amy,
• 1:53:28
  Speaker 2: You're welcome. When Gregor was being told about how you
• 1:53:33
  Speaker 2: know Juliette saw Amanda, and that was interesting because like,
• 1:53:41
  Speaker 2: as far as I'm concerned, I thought it had been
• 1:53:43
  Speaker 2: years since they had talked. But she is basically saying
• 1:53:47
  Speaker 2: and I don't know who she said this to or
• 1:53:49
  Speaker 2: how we found it out. Okay, she said it. She
• 1:53:54
  Speaker 2: said that they she saw her like eight months ago
• 1:53:57
  Speaker 2: and they were having dinner in uh Nodding Hill and
• 1:54:00
  Speaker 2: they were fine. So like, what is this. That's what
• 1:54:06
  Speaker 2: kind of threw me for a loop. I thought that
• 1:54:08
  Speaker 2: they both hated each other, and Juliet hated her because
• 1:54:11
  Speaker 2: she sent her that text message. So why was Juliette saying, well,
• 1:54:15
  Speaker 2: I thought we were fine. Well, how would you have
• 1:54:17
  Speaker 2: been fine if she sent you that text message? Wouldn't
• 1:54:20
  Speaker 2: you have a problem with her?
• 1:54:21
  Speaker 1: I My impression, based on like the mixing of Amanda
• 1:54:27
  Speaker 1: and USA Juliet's stories, is that, oh, they had a
• 1:54:31
  Speaker 1: really hard and fast friendship at the top of COVID
• 1:54:34
  Speaker 1: that took them into lockdown and they bonded way faster
• 1:54:37
  Speaker 1: than they ever normally would have. But then after like
• 1:54:40
  Speaker 1: it kind of settled, they weren't going to be right.
• 1:54:44
  Speaker 2: Yeah, but Amanda sent that text.
• 1:54:47
  Speaker 1: She made so many requests of USA Juliet, like.
• 1:54:52
  Speaker 2: I I love hearing those voice memos, bad awesome, talk
• 1:54:58
  Speaker 2: about receipts. Amanda, all right, I'm going to need you
• 1:55:02
  Speaker 2: to She reminded me of like the boss from the
• 1:55:05
  Speaker 2: office office, you know where He's like, Ni Peter, I'm
• 1:55:09
  Speaker 2: gonna need you to come in on Sunday. It was
• 1:55:11
  Speaker 2: like the version of is like, Hello, Juliette, I'm going
• 1:55:15
  Speaker 2: to need you to come Sunday and do video. And
• 1:55:19
  Speaker 2: also can you get your grand me me to be
• 1:55:22
  Speaker 2: in it. I know she's dead, darling, but if you
• 1:55:25
  Speaker 2: could just dig her up and just put a little
• 1:55:28
  Speaker 2: bit of blush on her. That would be fabulous. I'm
• 1:55:30
  Speaker 2: also going to need you to draw some blood and
• 1:55:36
  Speaker 2: just show the people what blood type you are so
• 1:55:38
  Speaker 2: that they know that it's good for every blood type.
• 1:55:41
  Speaker 2: And like she chest was infuriatingly annoying with these requests.
• 1:55:48
  Speaker 2: If those were just two requests, I'm sure there were
• 1:55:51
  Speaker 2: a lot more, and if.
• 1:55:52
  Speaker 1: Those were not some kind of brand deal that they
• 1:55:56
  Speaker 1: had worked out. I'm giving Amanda a chance to say
• 1:55:59
  Speaker 1: I hate.
• 1:56:00
  Speaker 2: Her for those like me, but that is not the
• 1:56:03
  Speaker 2: vibe I think Juliet would have said, because she's like,
• 1:56:07
  Speaker 2: I'll do favors for any of my friends.
• 1:56:09
  Speaker 1: Yeah. True, but I wonder.
• 1:56:11
  Speaker 2: If brand deal's being an influencer.
• 1:56:14
  Speaker 1: But here's what The only way Amanda could be correct
• 1:56:17
  Speaker 1: or I give her a pass is if Juliette's idea
• 1:56:21
  Speaker 1: of a favor is a huge discount, and so Amanda
• 1:56:24
  Speaker 1: did pay her, but it was at a big discounted
• 1:56:27
  Speaker 1: rate or something like a friend's rate or something like that,
• 1:56:31
  Speaker 1: to which I would be like, well, Juliet, don't do
• 1:56:34
  Speaker 1: a friend's rate like that. I would kind of have to.
• 1:56:36
  Speaker 1: But right now, the way it stands, I'm like, Amana,
• 1:56:38
  Speaker 1: are you fucking crazy?
• 1:56:40
  Speaker 2: I'll give you unlimited visits to my in apartment. Spaw,
• 1:56:49
  Speaker 2: what's come in the door? I'm shimmying like she got this,
• 1:56:54
  Speaker 2: by the way, yeah that's.
• 1:56:57
  Speaker 1: We got in there. Like I what we first saw it.
• 1:56:59
  Speaker 1: I thought it was so cool, but once we actually
• 1:57:01
  Speaker 1: get in there, I'm like, this looks like the storage
• 1:57:04
  Speaker 1: closet at a clinic. Like it's not.
• 1:57:07
  Speaker 2: Yeah, yeah, yeah, I don't know.
• 1:57:11
  Speaker 1: I wanted it to look more magical or something.
• 1:57:13
  Speaker 2: Well, once you had a person in there and you
• 1:57:16
  Speaker 2: could see the scale of like them laying there, and
• 1:57:19
  Speaker 2: then another person in there, and then another person in there,
• 1:57:23
  Speaker 2: You're like, there's not much room in here.
• 1:57:26
  Speaker 1: But it's also just like white particle board wall, you know,
• 1:57:29
  Speaker 1: like copboard.
• 1:57:30
  Speaker 2: Like I'm just like, very sterile.
• 1:57:33
  Speaker 1: Well, and I know it has to be. There was
• 1:57:35
  Speaker 1: just something about it that I'm like, so there was.
• 1:57:37
  Speaker 2: Something about it. I can't I agree with you. I
• 1:57:40
  Speaker 2: can't one hundred percent articulate it. But it fell off
• 1:57:43
  Speaker 2: and it's not it wasn't the vibe. It's just not
• 1:57:46
  Speaker 2: the vibe.
• 1:57:47
  Speaker 1: Yeah, And like you're paying to according to her, like
• 1:57:52
  Speaker 1: a ton of money to probably get the same thing
• 1:57:55
  Speaker 1: you would get, Like if you just went into the
• 1:57:58
  Speaker 1: city and had it done for a lot less.
• 1:58:02
  Speaker 2: Well, let's think about it. Would you rather, you know,
• 1:58:06
  Speaker 2: roll up in your car to somebody's house and have
• 1:58:11
  Speaker 2: parking right there, walk up someone's stairs and just go
• 1:58:16
  Speaker 2: privately and not have to deal with like city or
• 1:58:19
  Speaker 2: other customers or clients, and then be done with it
• 1:58:22
  Speaker 2: and then leave.
• 1:58:23
  Speaker 1: I get I don't. I wouldn't give two shits if
• 1:58:25
  Speaker 1: it was a fraction of the price to go, I
• 1:58:28
  Speaker 1: will drive, you know me, I don't think it was.
• 1:58:30
  Speaker 1: I would think it was a fashion away.
• 1:58:32
  Speaker 2: I don't think she was getting a discount that lady.
• 1:58:34
  Speaker 1: It's a say, That's what I'm saying. I don't think
• 1:58:37
  Speaker 1: it's worth the value. It's not worth the price that
• 1:58:40
  Speaker 1: you pay to go sit in Amanda's house to have
• 1:58:42
  Speaker 1: this shit done. I would much rather pay a lot
• 1:58:44
  Speaker 1: less and go into the city and deal with parking
• 1:58:47
  Speaker 1: or whatever. I was like, it can't be that good.
• 1:58:50
  Speaker 1: And also I'm like if I don't know, it just
• 1:58:54
  Speaker 1: felt like if shit goes south, like I wouldn't be
• 1:58:56
  Speaker 1: in a facility.
• 1:58:57
  Speaker 2: I would to be like if your Bowt. This goes wrong.
• 1:59:01
  Speaker 2: I just have this sneaking suspicion that that's Amanda's only
• 1:59:05
  Speaker 2: VIP client that comes to that room, you know, and
• 1:59:08
  Speaker 2: it was only for this shoot.
• 1:59:11
  Speaker 1: Yeah, okay, now now we're making a good point.
• 1:59:14
  Speaker 2: Like I think Amanda gets her treatments there, and that's it.
• 1:59:18
  Speaker 2: Like she's a VIP client and this lady is.
• 1:59:20
  Speaker 1: And that's it. To quote Jeremy Karen's husband Wright.
• 1:59:29
  Speaker 2: It's like, oh, Jeremy Karen's husband. I loved him. That
• 1:59:36
  Speaker 2: was great seeing that together and hearing him just delight
• 1:59:41
  Speaker 2: in how ridiculous it is to say that that he
• 1:59:44
  Speaker 2: doesn't bear her.
• 1:59:46
  Speaker 1: Yeah, Karen's like, she said, your husband can't stand you right,
• 1:59:53
  Speaker 1: like wrong, say wrong, Jeremy.
• 1:59:56
  Speaker 2: Oh, I see you wanted you wanted him actually say so. Yeah,
• 2:00:00
  Speaker 2: that's a good point. He actually didn't disagree.
• 2:00:02
  Speaker 1: He was like agreeing with everything, right.
• 2:00:08
  Speaker 2: It could have gone both ways. Yeah, yeah, yeah, I
• 2:00:15
  Speaker 2: did like getting to know him. He seems nice.
• 2:00:18
  Speaker 1: Yeah, it was good to get there. I would god,
• 2:00:21
  Speaker 1: I know. Can I just take aim minute to make
• 2:00:23
  Speaker 1: a note just to producers editors, maybe because we're on
• 2:00:27
  Speaker 1: the heels of this Salt Lake City menu fake restaurant
• 2:00:31
  Speaker 1: is isn't it frenzy that we've all been on this week,
• 2:00:33
  Speaker 1: this journey, but we had it again and also the
• 2:00:36
  Speaker 1: watermelon with Eddie and Tamar in the last oc If
• 2:00:40
  Speaker 1: we are going to shoot at these tables and in
• 2:00:42
  Speaker 1: these restaurants, we need continuity because guess what the viewers
• 2:00:46
  Speaker 1: know the process of the way food is eaten and
• 2:00:49
  Speaker 1: when things are brought to the table. So Karen and
• 2:00:53
  Speaker 1: Jeremy are sitting there having dessert, the meal is over,
• 2:00:57
  Speaker 1: and then we get the waiters bringing menus. So what
• 2:01:00
  Speaker 1: menus are we bringing after dessert port Nope, liqueur that
• 2:01:07
  Speaker 1: came with the dessert. That came with the dessert menu.
• 2:01:11
  Speaker 2: Anyway, Cigar Cigarettes.
• 2:01:14
  Speaker 1: Feel free to edit all this. I have been talking
• 2:01:19
  Speaker 1: to myself entertainment.
• 2:01:20
  Speaker 2: Oh my god, I can't believe we forgot to talk
• 2:01:22
  Speaker 2: about the clown. That the chef is a clown on
• 2:01:24
  Speaker 2: below deck oops.
• 2:01:28
  Speaker 1: A memorable clown. We call him memorable clown. We forget
• 2:01:33
  Speaker 1: like somebody.
• 2:01:34
  Speaker 2: Showed up in their actual confessional as a clown, and.
• 2:01:39
  Speaker 1: These clown people do.
• 2:01:41
  Speaker 2: That's what these clown people do.
• 2:01:43
  Speaker 1: That shit they do, clown school shits.
• 2:01:47
  Speaker 2: All right, Now, we have Amanda and Juliet. They go
• 2:01:49
  Speaker 2: to lunch and this restaurant that allows dogs inside. Okay,
• 2:01:56
  Speaker 2: I'm sorry, I don't. I'm not into that. You put
• 2:02:01
  Speaker 2: your dog on the table looking drinking from it. No,
• 2:02:06
  Speaker 2: I love my dog.
• 2:02:10
  Speaker 1: I love my dog. No, I don't. I'm not into it.
• 2:02:14
  Speaker 1: I mean, like, if it was my dog, absolutely for sure.
• 2:02:19
  Speaker 2: But that's how we all feel. That's how we all feel, right, yep.
• 2:02:23
  Speaker 2: And that's where we land. So like I see outside,
• 2:02:29
  Speaker 2: Like I get it when you're outside and you have
• 2:02:31
  Speaker 2: the dogs there. Yeah, I'm that fine with that. It's outside.
• 2:02:36
  Speaker 1: Yeah, I don't care. There was something about like I
• 2:02:40
  Speaker 1: mean and then I'm like, well, is it even fair
• 2:02:43
  Speaker 1: to the dog? If your dog is so clean and
• 2:02:48
  Speaker 1: you're so confident you could put this dog on your
• 2:02:50
  Speaker 1: on the table. I'm like, well, what kind of life
• 2:02:52
  Speaker 1: is that for the dog?
• 2:02:54
  Speaker 2: Like, I don't know what kind of life is that
• 2:02:57
  Speaker 2: for the dog? You don't think a dog you're a table?
• 2:03:01
  Speaker 1: No, I'm saying if you are, like, my dog is
• 2:03:04
  Speaker 1: so sanitary that I can put it on this restaurant table,
• 2:03:09
  Speaker 1: Like what are you using it? Clean that dog with?
• 2:03:12
  Speaker 1: Then you're gonna just it's you can eat off this dog, he's.
• 2:03:16
  Speaker 2: One of my VIP clients, and bring them up the
• 2:03:21
  Speaker 2: privately up the stairs. Truck truck trots up there.
• 2:03:27
  Speaker 1: The I don't want people's feet on there.
• 2:03:31
  Speaker 2: I was just saying, you don't want people's feet on.
• 2:03:33
  Speaker 1: There, like I wouldn't put your feet on the table.
• 2:03:37
  Speaker 2: Now the w is a restaurant, Hi, thank you. If
• 2:03:40
  Speaker 2: this restaurant is specifically for people and their dogs, now
• 2:03:46
  Speaker 2: that's a different story.
• 2:03:48
  Speaker 1: It is specifically they have a dog many.
• 2:03:51
  Speaker 2: Yeah, I know, but that could just be like if
• 2:03:56
  Speaker 2: regular people are gonna go there without dogs, is what
• 2:03:59
  Speaker 2: I'm saying, then it's wrong. But if it's just like
• 2:04:04
  Speaker 2: everybody knows it's called like it's called like lads and leashes,
• 2:04:10
  Speaker 2: you know, that's pretty good. Let's just say it's called that, right,
• 2:04:16
  Speaker 2: so it already says it in the title, and it's
• 2:04:18
  Speaker 2: like arrest, it's a beast stroph But you and you'll
• 2:04:20
  Speaker 2: loved everyone, so we all know going in that's what
• 2:04:25
  Speaker 2: it's for.
• 2:04:27
  Speaker 1: I'm with you. But if it's just dog friendly, then
• 2:04:31
  Speaker 1: this was too much.
• 2:04:32
  Speaker 2: It was too much, all right? Anyway. I love the God,
• 2:04:34
  Speaker 2: I love being there. The wood paneling on the walls,
• 2:04:37
  Speaker 2: just the tables, everything is just so magnificent. Now this
• 2:04:41
  Speaker 2: is where we get and we got a little taste
• 2:04:44
  Speaker 2: of it at that picnic at Hyde Park, but this
• 2:04:50
  Speaker 2: is where we get even more so Amanda and her
• 2:04:53
  Speaker 2: fuck around and find out personality. She is there and
• 2:04:59
  Speaker 2: no one really knows too much about it, and she's
• 2:05:01
  Speaker 2: letting her light shine and I am very much here
• 2:05:05
  Speaker 2: for it. And Juliet the British Juliet was pretty shaken
• 2:05:10
  Speaker 2: about it, and Amanda stood her ground and I am
• 2:05:13
  Speaker 2: loving this for the real Housewives of London. Yeah, and
• 2:05:17
  Speaker 2: you know, first we have all this talk about dogs
• 2:05:21
  Speaker 2: and dog magazine and you should have your dog and
• 2:05:24
  Speaker 2: this dog magazine with my dog, and my dog's a
• 2:05:26
  Speaker 2: star of dog magazines. And then Juliet's like, well, I
• 2:05:30
  Speaker 2: didn't like how you annihilated, Juliet and you throw the
• 2:05:35
  Speaker 2: first You threw the first punch because you said you
• 2:05:37
  Speaker 2: were never my friend, which she was wrong because she
• 2:05:40
  Speaker 2: actually said we were never best friends. We got that throwback,
• 2:05:44
  Speaker 2: and we also got the explanation that they were. She
• 2:05:49
  Speaker 2: didn't want to get into that other friend, but she said,
• 2:05:52
  Speaker 2: like we just dropped off after the pandemic but then
• 2:05:56
  Speaker 2: she continued on and said that Juliette showed her that
• 2:05:59
  Speaker 2: she was very disloyal. And let's also not forget that
• 2:06:04
  Speaker 2: Juliet American. Juliet dropped some little breadcrumbs, saying that Amanda
• 2:06:10
  Speaker 2: said she didn't want to be friends with this other
• 2:06:13
  Speaker 2: person anymore for fear that people would think that she's bisexual,
• 2:06:18
  Speaker 2: because this person is bisexual, so she didn't want to
• 2:06:22
  Speaker 2: be associated with her. And then Juliet the American goes
• 2:06:26
  Speaker 2: on to also say they were fighting like lovers, So
• 2:06:30
  Speaker 2: she's kind of laying the breadcrumbs out there that we
• 2:06:33
  Speaker 2: should now be questioning her sexual relationship with this other person,
• 2:06:39
  Speaker 2: which is exactly apparently what Amanda didn't want. But now
• 2:06:42
  Speaker 2: Juliet is laying that out for us, which is very shady.
• 2:06:47
  Speaker 1: Yeah, and I think it's very shady on USA Juliet's part.
• 2:06:53
  Speaker 1: But I think, like, if you're going to act like
• 2:06:57
  Speaker 1: you don't know USA Juliet and you were not friends
• 2:07:00
  Speaker 1: and you don't have this history, then yeah, USA Juliet
• 2:07:05
  Speaker 1: has to start like laying down some facts. It's her motive,
• 2:07:08
  Speaker 1: like some motives.
• 2:07:10
  Speaker 2: That's right, Amanda saying like that there was a hate
• 2:07:13
  Speaker 2: campaign against her for six to eight months from this
• 2:07:17
  Speaker 2: other lady, and that juliet knew that this other woman
• 2:07:20
  Speaker 2: was talking about her this whole time, but American Juliette
• 2:07:25
  Speaker 2: didn't tell her that this was going on, and so
• 2:07:28
  Speaker 2: that was disloyal. Amanda heard it from a stranger that
• 2:07:31
  Speaker 2: this person was talking about her, and so she's really
• 2:07:34
  Speaker 2: pissed about that.
• 2:07:39
  Speaker 1: If this is a If this is a month's long
• 2:07:41
  Speaker 1: hate campaign and she only heard it from one person,
• 2:07:46
  Speaker 1: I'm gonna say, define month's long hate campaign.
• 2:07:51
  Speaker 2: Right, I mean, did she did she She probably just
• 2:07:55
  Speaker 2: said we don't talk anymore. I mean, she probably said something,
• 2:07:57
  Speaker 2: but she probably said it to one person, probably that
• 2:08:00
  Speaker 2: one client that went up to Amanda's private spa. But
• 2:08:05
  Speaker 2: also Amanda was like pissed off at British Julia and
• 2:08:09
  Speaker 2: was like, no, you didn't have my back, No you
• 2:08:13
  Speaker 2: didn't you left me in anyr picnic And then she's
• 2:08:17
  Speaker 2: like no I didn't. I came right over actually, and
• 2:08:19
  Speaker 2: then she's like you're a terrible host. It's like, holy shit, yeah,
• 2:08:24
  Speaker 2: I got real personal f around and find out she
• 2:08:27
  Speaker 2: will go for it. She does not care. She will
• 2:08:30
  Speaker 2: leave them all dead behind her.
• 2:08:35
  Speaker 1: And be totally wrong this. It's a perfect housewife.
• 2:08:39
  Speaker 2: It is for her to be like, you're a terrible host,
• 2:08:42
  Speaker 2: and then she goes, you chose your side, so go off,
• 2:08:44
  Speaker 2: now go off. She just dismisses her. I was like,
• 2:08:49
  Speaker 2: I thought you guys were gonna do dog magazines together. Geez,
• 2:08:53
  Speaker 2: this really went left at Lads and Lasha's lords.
• 2:09:00
  Speaker 1: Is that Lads of Lashes? Yeah?
• 2:09:04
  Speaker 2: So wow, wow, wow, wow wow wow. Great episode.
• 2:09:08
  Speaker 1: Yeah.
• 2:09:08
  Speaker 2: I love it, Yeah, absolutely love it.
• 2:09:12
  Speaker 1: I think we're gonna we end at that sketch restaurant
• 2:09:17
  Speaker 1: that Nessian? Is it? It's Australian? Is it UK? Or
• 2:09:23
  Speaker 1: Australian juliet or is her husband Australian?
• 2:09:26
  Speaker 2: Juliette's Australian and her husband's British. I don't know, Yeah,
• 2:09:31
  Speaker 2: any problem.
• 2:09:31
  Speaker 1: They're there and they're like, oh, the Americans like sketch
• 2:09:36
  Speaker 1: and when my American friends are here, they want to
• 2:09:38
  Speaker 1: eat at Sketch.
• 2:09:40
  Speaker 2: All right, Yes I did, yes, Oh, all right, okay,
• 2:09:46
  Speaker 2: I guess we'll go there, got too, I'm sure that.
• 2:09:49
  Speaker 1: OC was like, we're going to film a sketch.
• 2:09:53
  Speaker 2: Sketch that's such a great name. Yeah, But then the
• 2:09:59
  Speaker 2: equivalent of cat here.
• 2:10:01
  Speaker 1: Yes, yes, it totally is. And it's been there for
• 2:10:06
  Speaker 1: twenty two years, so I guess, yeah, it's an institution
• 2:10:10
  Speaker 1: at this point, I mean think anyway.
• 2:10:15
  Speaker 2: Anyway, that's all all right, darlings. Seario Chier Drama Darlings,