Latest / Arroe Collins Like It's Live / Wicked, Hamilton Broadway Atlanta The World Mandy Gonzalez

Transcript

Wicked, Hamilton Broadway Atlanta The World Mandy Gonzalez · Arroe Collins Like It's Live

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• 0:28
  Speaker 1: How are you Mandy?
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  Speaker 2: I WHOA, how are you doing?
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  Speaker 1: I'm doing fantastic. I love your energy this early in
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  Speaker 1: the morning. That means that you understand the power of creativity.
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  Speaker 3: Absolutely and a little bit of coffee.
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  Speaker 1: Oh even better. Hey, yes, congratulations on what you are
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  Speaker 1: doing here, because this is what I love about music
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  Speaker 1: when an artist will step in and say, by the way,
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  Speaker 1: here is this performer and I want you to see
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  Speaker 1: a different side of the writing abilities and capability and
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  Speaker 1: the outreach of it all. And I just love what
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  Speaker 1: you're doing here.
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  Speaker 3: Thank you.
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  Speaker 2: I appreciate that.
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  Speaker 3: I'm I'm having a fantastic time now.
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  Speaker 1: To get to that point though, that's the part that
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  Speaker 1: listeners don't understand anymore because we just go to a
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  Speaker 1: streaming outlet or we hit chat GPT, but we don't
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  Speaker 1: understand the process of how this even came into being.
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  Speaker 3: Yeah, so this kind of starts. A new musical takes
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  Speaker 3: a long time to put together. Some people don't realize
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  Speaker 3: that it takes years. And I think I started with
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  Speaker 3: this project Basura a couple of years ago and I
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  Speaker 3: got the call from the orchestrator and music supervisor Alex Lackimore,
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  Speaker 3: and he said, you know, we're putting together this piece
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  Speaker 3: and it's written by Gloria and Emily Stefan and Michael
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  Speaker 3: Grive's going to be directing. We're not sure what your
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  Speaker 3: character is yet, but would you want to be in
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  Speaker 3: the room. And I immediately said yes because of the
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  Speaker 3: creative team automatically off the bat, and then also the
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  Speaker 3: subject matter and I knew I had worked with Alex
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  Speaker 3: before in The Heights and then in Hamilton, and I
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  Speaker 3: knew it was going to be something special. And when
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  Speaker 3: I heard the story about Basura and I watched the documentary.
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  Speaker 3: You know, this story is about these young people that
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  Speaker 3: grow up on a landfill and this teacher, this music teacher,
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  Speaker 3: comes to their area and he starts to teach them
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  Speaker 3: the violin and these kids fall in love with music.
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  Speaker 3: These kids don't have a lot of have a lot,
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  Speaker 3: you know, of material things, and they fall in love
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  Speaker 3: with music. And the instruments get stolen and the community
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  Speaker 3: sees the joy that the music brings, and they come
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  Speaker 3: together and they start to build these instruments for these
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  Speaker 3: students out of things that they find in the landfill,
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  Speaker 3: repurpose things. So there are violins built out of tin
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  Speaker 3: and forks and pretty much anything and everything that you
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  Speaker 3: can think of. And when I met the teacher, the
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  Speaker 3: teacher in person here in Atlanta, Favio, he said, just
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  Speaker 3: because you have nothing doesn't mean you can't do something.
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  Speaker 3: And I think that's a story that resonates with everyone.
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  Speaker 3: And I play the main character, Panambie. I play her mother, Monica,
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  Speaker 3: and together you get to see our journey throughout this story,
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  Speaker 3: and her journey with music and my journey in letting go,
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  Speaker 3: and it's just really it's a beautiful story about community,
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  Speaker 3: about family, about sacrifice, and about hope.
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  Speaker 1: You know what, I got to tell you something, and
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  Speaker 1: kudos to everybody that has put this project together, because
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  Speaker 1: what you said about that landfill is exactly the truth,
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  Speaker 1: because that's where I learned the different sounds of a
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  Speaker 1: box and that became my drum set. That's where I
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  Speaker 1: learned how to play. Oh my God, I got so
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  Speaker 1: much from the landfill because that's where the music instruments are.
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  Speaker 1: And I think that's my attachment to why I still
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  Speaker 1: love dirt and the forest floor where I am right now,
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  Speaker 1: because I believe that it is so giving and anybody
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  Speaker 1: who finds an instrument at a landfill, that instrument is
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  Speaker 1: coming from the soul of this planet.
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  Speaker 3: Absolutely, and I think it makes you look at things
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  Speaker 3: that you throw away a lot differently, but it is
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  Speaker 3: a metaphor of what it is that we throw away,
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  Speaker 3: whether it's our hope or our people in our community
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  Speaker 3: that we love. It makes you take a look at
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  Speaker 3: all of that, and I think it's a show really
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  Speaker 3: for everybody, but especially for families.
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  Speaker 1: I love the way that you use the word hope,
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  Speaker 1: because today on iHeartRadio, there's going to be a story
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  Speaker 1: that I put up there that's all hope. And what
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  Speaker 1: I do is I compare hope like you talk about
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  Speaker 1: versus selfish hope. And so I love the fact that
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  Speaker 1: you're very much into the fact that, yes, there is
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  Speaker 1: such a thing as hope, and it doesn't because what
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  Speaker 1: you're doing you're outreaching. I mean, you're giving people the
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  Speaker 1: opportunity to escape their personal worlds. You're up on that
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  Speaker 1: stage because you've been called to be to that stage.
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  Speaker 3: Absolutely. I think that when I started in this business
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  Speaker 3: just a few years ago, no, about twenty five years ago,
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  Speaker 3: you know, when I wanted to do what I do,
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  Speaker 3: I really wanted to tell stories that that would change
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  Speaker 3: the world. You know, That's how I put it in
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  Speaker 3: my younger days. And I feel so blessed to have
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  Speaker 3: been able to do that. And I feel like this
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  Speaker 3: story is so important and it does change how you
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  Speaker 3: think about things when you leave the theater. It does
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  Speaker 3: make you feel like anything and everything is possible, and
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  Speaker 3: that maybe you don't play an instrument, maybe you don't
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  Speaker 3: have that musical ability, but you can do something. And
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  Speaker 3: I think that the story on that stage should inspire
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  Speaker 3: you to just feel like anything's possible.
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  Speaker 1: Please do not move. We'll be right back with Mandy Gonzalez.
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  Speaker 1: Thank you so much for coming back to the conversation.
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  Speaker 1: Let's get back into it with Mandy Gonzalez. You brought
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  Speaker 1: up the name Gloria Estefan I mean, look at what
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  Speaker 1: she did in the nineteen eighty she changed the whole
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  Speaker 1: course of music in this nation with her husband Emilio
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  Speaker 1: and just a really and today today to see her
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  Speaker 1: still doing it, that's exactly what I'm hoping that she
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  Speaker 1: plans inside the hearts of anybody who comes in contact
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  Speaker 1: with her musical aspirations.
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  Speaker 3: Absolutely, I think she is one of my biggest inspirations
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  Speaker 3: growing up as a Latina. And to hear her and
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  Speaker 3: to see her push herself as an artist, and to
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  Speaker 3: work with Emily as Stefan, who is yes, an incredible talent,
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  Speaker 3: and to see them work together and how they bring
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  Speaker 3: out the best in one another to create this musical,
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  Speaker 3: you know, like literally from from nothing, from scraps, you know.
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  Speaker 3: And and I think what they have put together is
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  Speaker 3: just a labor of love. And I think it's a
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  Speaker 3: testament to their talent and also their relationship and yeah,
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  Speaker 3: and the community that they want to serve. I'm glad.
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  Speaker 1: I'm glad that you're bringing this up in a huge way.
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  Speaker 1: That because we are the AI generation and I don't
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  Speaker 1: know anybody who hasn't put their little vocals inside you know,
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  Speaker 1: chat GPT or rock or anything like that, and then
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  Speaker 1: forty five seconds later they've got a song. That's not
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  Speaker 1: how you do music. And you're right, And I love
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  Speaker 1: the idea that you are so strong insane it can
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  Speaker 1: and it will take time. Because I've been in the studio.
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  Speaker 1: I know what it takes. I know what it's like
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  Speaker 1: to hire an outside musician or you know, and it's
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  Speaker 1: just one of those things where you've got you've got
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  Speaker 1: to piece it together and when it doesn't work out, okay,
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  Speaker 1: let's figure out a solution.
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  Speaker 3: And then right, I think there's nothing being a creative.
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  Speaker 3: There is nothing like creating something and seeing it come together.
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  Speaker 2: Oh my god, you know.
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  Speaker 3: And that's what I absolutely love about theater is that
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  Speaker 3: you can't do it alone. Theater takes a whole community
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  Speaker 3: to put a show on every night. You know, it's
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  Speaker 3: the people backstage, it's the tech, it's the stage manager,
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  Speaker 3: it's the company management. It's the people selling tickets. It's
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  Speaker 3: the lighting, the sound, and the other actors that are
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  Speaker 3: with you. So I think that theater is one of
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  Speaker 3: my favorite communities because we know that we need each other.
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  Speaker 1: Well, you're talking about that community. Were you just recently
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  Speaker 1: in Greensboro and you worked with another part of that community,
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  Speaker 1: which was the actual symphony from that city. How in
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  Speaker 1: God's name can you do that? These are people you've
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  Speaker 1: never worked before with and all of a sudden you've
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  Speaker 1: got to make it happen on that live stage.
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  Speaker 3: You know. Is so it's thrilling because you get one day,
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  Speaker 3: you get one rehearsal, one rehearsal, and then you're on.
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  Speaker 3: But when I put together the show of my dear
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  Speaker 3: friend lin Manuel Miranda's music, part of my putting that
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  Speaker 3: together that concert was that I wanted to travel all
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  Speaker 3: around the world and introduce people to his music, introduce
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  Speaker 3: people to things that maybe they haven't heard, or things
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  Speaker 3: that they have heard that they want to hear with
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  Speaker 3: a full orchestra. And so for me, it's just completely exciting.
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  Speaker 3: And I love going places. I love traveling, I love
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  Speaker 3: meeting new people.
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  Speaker 2: I love it is.
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  Speaker 3: A collaboration, you know, when you are with a symphony,
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  Speaker 3: it's like okay, you know you have to look at
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  Speaker 3: that conductor and go here we go. But you have
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  Speaker 3: to put your faith in your trust in the music.
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  Speaker 3: And I hope with my concerts that, as I've noticed,
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  Speaker 3: it starts to bring u so many new people to
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  Speaker 3: the symphony, because a symphony really is for everybody. And
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  Speaker 3: if that's their way of first coming to the symphony
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  Speaker 3: and then going, oh I really love this experience. I
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  Speaker 3: want to go back, or I want to be a subscriber,
• 10:13
  Speaker 3: and and that kind of thing. I just love that. Well.
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  Speaker 1: I love what symphonies are doing because just our Charlotte
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  Speaker 1: Symphony here just recently had it where they went to
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  Speaker 1: Myers Pike Park High School and somebody that I work with,
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  Speaker 1: you know, he says he has a love for music.
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  Speaker 1: But when I saw him up there as the conductor,
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  Speaker 1: Oh no, that's not a love for music. That is
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  Speaker 1: a passion. That is something that you are briefing. And
• 10:32
  Speaker 1: to see him in that position just totally blew me away.
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  Speaker 1: Because they're giving these these high school students the opportunity
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  Speaker 1: to feel the symphony, not just listen to it, to
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  Speaker 1: feel it right.
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  Speaker 3: And you know, there's nothing like a full orchestra. You
• 10:50
  Speaker 3: get to hear in vasura. You get to hear this
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  Speaker 3: incredible orchestra on the stage and and the you know,
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  Speaker 3: the students on the stage are taking about playing these instruments,
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  Speaker 3: and you get to really see it and feel it.
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  Speaker 3: And hear it come alive.
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  Speaker 2: And that's really.
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  Speaker 3: What music does. And when you are at the symphony,
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  Speaker 3: no matter where it is, you can't help but be
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  Speaker 3: moved by it.
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  Speaker 1: What is it like for you though, because I mean,
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  Speaker 1: I'm sure you're like the rest of us in the
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  Speaker 1: creative world with that live performance. Your vocal cords are
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  Speaker 1: so important. You can't go to live events such as
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  Speaker 1: concerts or football games or even basketball games, can you?
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  Speaker 1: Because because I'm telling you, because if you injure those
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  Speaker 1: vocal cords, that's a job that you could be losing.
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  Speaker 3: Absolutely, you know. I think what I do is if
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  Speaker 3: I do have to have a performance or something like that,
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  Speaker 3: and I want to go to a concert or cause
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  Speaker 3: who doesn't, I just have to remind myself not to scream.
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  Speaker 1: And or amusement park.
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  Speaker 3: You know. I have a fourteen year old, so she
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  Speaker 3: likes to go to six Flags and all of those things.
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  Speaker 3: So I just have to remind myself, Okay, you can,
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  Speaker 3: they can scream, but you have to be quiet. And
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  Speaker 3: that's just you know, it's a it's a push and pull.
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  Speaker 1: I would love to see your tech and what they
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  Speaker 1: do with your mic system because and the reason why
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  Speaker 1: is because a lot of people don't understand what kind
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  Speaker 1: of professionalism that goes into just a microphone when you're
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  Speaker 1: on that live stage, because I mean, if they stress
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  Speaker 1: out your voice in the middle of the performance, oh
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  Speaker 1: my god, I would just love to see your control board.
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  Speaker 3: Oh absolutely. You know, when I started in New York,
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  Speaker 3: we used to have auditions on the stage, So if
• 12:35
  Speaker 3: you made it to a certain point, then you could
• 12:38
  Speaker 3: audition on a Broadway stage in front of the director
• 12:42
  Speaker 3: and all the producers and things like that, and you
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  Speaker 3: really got to without a microphone, so you really got
• 12:47
  Speaker 3: to feel what your sound was like, you know, other
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  Speaker 3: than when you're practicing in a studio or something like that.
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  Speaker 1: When you're doing a song from Lynn Manuel, the thing
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  Speaker 1: is is that, I mean you've got to You've got
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  Speaker 1: to participate with those echoes inside that room too. I mean,
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  Speaker 1: if you're traveling all over the world with this man's music,
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  Speaker 1: every auditorium has its own ghost and echo.
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  Speaker 3: Absolutely absolutely, I mean that's like the joy of it.
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  Speaker 1: Yeah, that's another part of the thrill.
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  Speaker 3: Is like what is it going to sound like? And
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  Speaker 3: what is this home that I'm that I've been invited to?
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  Speaker 3: You know, it's I'm a guest I'm a guest artist
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  Speaker 3: in this place, and I have to, you know, take
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  Speaker 3: it in for what it is, and it's never going
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  Speaker 3: to sound the same. It's never going to sound And
• 13:31
  Speaker 3: I tell people that young, especially young performers that are
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  Speaker 3: starting and doing eight shows a week for the first time,
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  Speaker 3: or traveling and doing a concert.
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  Speaker 2: I just tell them like, it's it's never the same,
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  Speaker 2: and you have to be okay with that. You have
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  Speaker 2: to be okay with the ebb and flow of your
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  Speaker 2: voice and the ebb and flows of different theaters and
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  Speaker 2: the sounds.
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  Speaker 3: And things like that. That's that's part of the thrill,
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  Speaker 3: that's part of the thing that it's never it's never stagnant.
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  Speaker 1: You're so inspirational into the into the worlds of those
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  Speaker 1: that are sitting in their offices right now or at
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  Speaker 1: home and they're they're hiding I always call it hiders
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  Speaker 1: in the way they're hiding their musical abilities because they're
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  Speaker 1: so afraid of stepping out. And it's gonna take people
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  Speaker 1: like yourself, with all the people that you've met, to
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  Speaker 1: be able to have that energy to say step out.
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  Speaker 1: Make a mistake.
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  Speaker 3: Absolutely, absolutely, yes, Sometimes it just It takes one person
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  Speaker 3: to say, hey, you can do it. You know. For
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  Speaker 3: me that was my grandmother at a very young age.
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  Speaker 3: But for somebody else it can be hey, let's go
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  Speaker 3: to karaoke, Let's go do this tonight.
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  Speaker 1: To express yourself.
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  Speaker 3: Through music, I think is an important thing for everybody.
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  Speaker 3: Whether you're on key, whether you're not on key, You're
• 14:43
  Speaker 3: going to learn. You're going to learn as you go,
• 14:45
  Speaker 3: because that's just how it is, you know. It's a
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  Speaker 3: part of the sound, is a part of the universe,
• 14:51
  Speaker 3: you know. And I think if you're singing in the
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  Speaker 3: shower and you feel like, man, I love to get
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  Speaker 3: up on a stage, but I feel so afraid. Just
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  Speaker 3: know that everybody's afraid. It never goes away.
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  Speaker 1: I sing pretty good the National Anthem when I'm in
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  Speaker 1: the shower, but by God, when I get out, I
• 15:07
  Speaker 1: think I'm gonna try. I'm gonna try so I can
• 15:08
  Speaker 1: sing at the coliseum. No, I am not going to try.
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  Speaker 3: Well, it's the hardest song I think for any singer.
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  Speaker 3: I think the National Anthem is like the hardest song,
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  Speaker 3: just the octaves and then you know, making sure that
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  Speaker 3: you know the words and you're not getting nervous and
• 15:25
  Speaker 3: messing up the words and you know it's uh. I
• 15:28
  Speaker 3: think that's the hardest song to sing for any singer.
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  Speaker 1: Wow. Where can people go to find out more about
• 15:33
  Speaker 1: everything you're doing? Because you are so giving of your art?
• 15:37
  Speaker 3: Oh, thank you. If you want to check out what
• 15:40
  Speaker 3: I'm doing, please go to Mandy Gonzales dot com or
• 15:43
  Speaker 3: check me out on Instagram at Mandy dot Gonzales Gonzalez
• 15:48
  Speaker 3: with two zi's. So yeah, hopefully I can see some
• 15:52
  Speaker 3: of your listeners at some of my shows.
• 15:54
  Speaker 1: So did you say that you're down there in the
• 15:55
  Speaker 1: Atlanta area right now? I am? I am.
• 15:59
  Speaker 3: I'm at the Alliance Theater. Yeah. I'll be here until
• 16:02
  Speaker 3: mid July with the show Basua, written by Glorian Emilia Stefan,
• 16:08
  Speaker 3: a book by Karen Zacharias and directed by Michael Griffe
• 16:12
  Speaker 3: and music supervising by Alex Lackimore, choreography by Batisia Delgado.
• 16:18
  Speaker 1: Somehow, some way, You've got to get over there to
• 16:19
  Speaker 1: Spaghetti Junction, because that, to me is the ultimate place
• 16:22
  Speaker 1: for all creative people because it buys you time to
• 16:25
  Speaker 1: have a loneliness to where something creative could come to you,
• 16:29
  Speaker 1: or where you could sit there and practice, and note
• 16:30
  Speaker 1: that you've struggled with it. You're so cut off from
• 16:33
  Speaker 1: the rest of the world as spaghetti Junction that it
• 16:35
  Speaker 1: just to me. I just think it's a paradise for
• 16:37
  Speaker 1: all creative people.
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  Speaker 3: Ooh, I'm gonna check it out. That sounds amazing.
• 16:41
  Speaker 1: So of course people are gonna say he's talking about
• 16:43
  Speaker 1: the traffic. They've got bad traffic in Atlanta. But so
• 16:46
  Speaker 1: what you're in the best studio in the world. Which
• 16:49
  Speaker 1: is your car?
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  Speaker 3: I don't have a car.
• 16:50
  Speaker 1: I don't have a car.
• 16:51
  Speaker 3: Well, I'm here in Atlanta, so I am living on
• 16:54
  Speaker 3: the Marta.
• 16:54
  Speaker 1: Oh my no, I'm on the bus.
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  Speaker 3: You will see me walking. I am getting my steps
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  Speaker 3: in here in Atlanta.
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  Speaker 1: So when you say you're on the Marta, did you
• 17:03
  Speaker 1: go down to five Star to see where everything is
• 17:05
  Speaker 1: then where everything goes in all the difference?
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  Speaker 3: Yeah?
• 17:07
  Speaker 1: Oh my god, Oh.
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  Speaker 2: Yeah, I've been everywhere.
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  Speaker 3: I've been to Buckhead. I have taken you know, wherever
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  Speaker 3: I go. If there is public transportation, I'm on it
• 17:16
  Speaker 3: since New York because I'd like to get my bearings.
• 17:19
  Speaker 3: If I don't have my car, I want to know
• 17:21
  Speaker 3: where I am in case I get lost or there's
• 17:24
  Speaker 3: an emergency, I want to know where to go.
• 17:26
  Speaker 1: So the Marta has been you know, it's been great.
• 17:31
  Speaker 3: It's right around the corner.
• 17:33
  Speaker 2: Lets you off right at the theater.
• 17:34
  Speaker 1: Ah, that's even better. I love it when a train
• 17:37
  Speaker 1: is that programmed.
• 17:38
  Speaker 3: Man. Yeah, So if you want to go out for
• 17:40
  Speaker 3: dinner with your family, have a drink, and then head
• 17:44
  Speaker 3: on the Marta and go to the Arts Center, we
• 17:47
  Speaker 3: are right outside those doors the Alliance Theater.
• 17:49
  Speaker 1: And they can go to get the schedule for the
• 17:51
  Speaker 1: entire performance, right because you love to travel this country
• 17:54
  Speaker 1: and I really want people to take this in and
• 17:56
  Speaker 1: go through the entire experience.
• 17:59
  Speaker 3: Absolutely, absolutely, Wow.
• 18:02
  Speaker 1: You gotta come back to this show anytime in the future.
• 18:04
  Speaker 1: The door is always going to be open for you.
• 18:07
  Speaker 3: I would love it. I would love it, and I'll
• 18:10
  Speaker 3: I'd love to meet you in person and maybe one.
• 18:13
  Speaker 1: Day, absolutely you'd be brilliant today. Okay, thank you so much,
• 18:17
  Speaker 1: you too,