Latest / The Real Report with Tony Yayo and Uncle Murda / Deen The Great, Hitmaka & Bang Williams on Kai Cenat, DMX & Adrien Broner Drama

Transcript

Deen The Great, Hitmaka & Bang Williams on Kai Cenat, DMX & Adrien Broner Drama · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: He got 50 cent on Thursday.
• 0:02
  Speaker 2: He said he got 50 on Thursday. Oh, yeah?
• 0:04
  Speaker 3: I was just finna say that Yayo needs to introduce,
• 0:06
  Speaker 3: y'all need to introduce.
• 0:07
  Speaker 2: His name to the show. Okay. I'm bull.
• 0:10
  Speaker 1: Oh, dog.
• 0:11
  Speaker 4: I can't with this.
• 0:12
  Speaker 2: I can't with this. I can't with this. Not yet.
• 0:18
  Speaker 1: Not yet.
• 0:18
  Speaker 2: He didn't get stabbed. Shut the up.
• 0:25
  Speaker 1: Bruins!
• 0:26
  Speaker 4: Bruins!
• 0:26
  Speaker 2: Bruins!
• 0:41
  Speaker 5: Yeah, it's the talk of New York, Tony Ayo.
• 0:43
  Speaker 2: It's the boy Uncle Murder, a.k.a. Ledgett Lenny.
• 0:46
  Speaker 5: And it's a crazy episode.
• 0:48
  Speaker 2: Oh, yeah.
• 0:48
  Speaker 5: Hitmakers in the building.
• 0:49
  Speaker 2: Hitmakers.
• 0:50
  Speaker 5: Bangs in the building. My niggas in the building.
• 0:52
  Speaker 2: Yeah. C.O.B. C.O.B.
• 0:53
  Speaker 5: Is in the building. A.B., where you at, cuz?
• 0:57
  Speaker 2: A little drunk, but it's all good. Let's go. Whoa.
• 1:00
  Speaker 2: Let's go.
• 1:01
  Speaker 5: Make some noise. The gang is in the building.
• 1:03
  Speaker 1: C.O.B. is in the building.
• 1:04
  Speaker 5: The gang is in the building.
• 1:05
  Speaker 2: Yeah.
• 1:06
  Speaker 6: I got us drinking early. Crash out, boys.
• 1:08
  Speaker 2: Definitely do.
• 1:10
  Speaker 5: Appreciate y'all in the building.
• 1:12
  Speaker 6: Let's talk about this album because right now it seems
• 1:15
  Speaker 6: like the streaming just took over the game. Streaming and
• 1:19
  Speaker 6: podcasters are as big as rappers now.
• 1:22
  Speaker 5: You know what I'm saying? Look at the jury.
• 1:24
  Speaker 6: Look how y'all running around. What's up, man? How do
• 1:28
  Speaker 6: y'all feel right now? Because the success, you worked for it,
• 1:31
  Speaker 6: but we've seen it. I just told you you got
• 1:33
  Speaker 6: the best clippers in the world.
• 1:34
  Speaker 1: Shout out to Clippers, though. I mean, it's just like consistency, obviously.
• 1:39
  Speaker 1: And then being on the green app, the purple app.
• 1:41
  Speaker 2: Yeah. You dig?
• 1:42
  Speaker 1: And then they, they, they, unauthentic.
• 1:45
  Speaker 2: You dig? Ooh. Fake.
• 1:46
  Speaker 1: You dig?
• 1:47
  Speaker 2: So it's the purple app.
• 1:48
  Speaker 1: Yeah, they, the Cartoon Network.
• 1:50
  Speaker 5: Copy.
• 1:50
  Speaker 7: You dig? And they hella like, they don't want to
• 1:53
  Speaker 7: get blackballed and they fans fake.
• 1:55
  Speaker 1: But the green app, we got the most authentic people
• 1:57
  Speaker 1: on this app. You dig? And all this is just
• 2:00
  Speaker 1: about consistency and the team I got.
• 2:02
  Speaker 2: You know? Got you. Got you. How the fuck you
• 2:05
  Speaker 2: hook up with Hitmaker? How y'all hook up?
• 2:07
  Speaker 1: On accident.
• 2:08
  Speaker 2: On accident.
• 2:09
  Speaker 1: No, for real.
• 2:09
  Speaker 7: I was making music for fun. And Hitmaker seen the vision.
• 2:13
  Speaker 7: You know, Hitmaker, when he hear some shit, when he hear.
• 2:15
  Speaker 1: A voice, he know.
• 2:17
  Speaker 2: You dig? Being at the top of his head fast.
• 2:20
  Speaker 7: Yeah.
• 2:20
  Speaker 1: So he hit the team. He hit Ray J. Ray
• 2:23
  Speaker 1: J connected us.
• 2:23
  Speaker 8: Boom.
• 2:25
  Speaker 1: And then we just made, then it was just.
• 2:26
  Speaker 3: See, y'all niggas is really rappers. Y'all legends as well.
• 2:29
  Speaker 3: So y'all will understand this. I heard the nigga Tone.
• 2:32
  Speaker 3: And like, tones are really a key thing.
• 2:35
  Speaker 2: You know what I'm saying?
• 2:35
  Speaker 3: Like, you know Yayo when you hear Yayo talk. If
• 2:38
  Speaker 3: you was downstairs, I might be like.
• 2:40
  Speaker 5: Is Tony Yayo downstairs?
• 2:43
  Speaker 3: So he got one of them voices to where, like,
• 2:45
  Speaker 3: it resonate. And I think that that was the way
• 2:47
  Speaker 3: it initially intrigued me. Like, yo, cause I'm like, I
• 2:49
  Speaker 3: know what I could do with this shit.
• 2:51
  Speaker 2: I like what I hear. I know I could take
• 2:53
  Speaker 2: this shit to a 10. So.
• 2:54
  Speaker 3: We link, Ray J connected the dots.
• 2:56
  Speaker 2: He came to Miami.
• 2:57
  Speaker 3: We did like six songs the first night and Fuck
• 3:00
  Speaker 3: Cuts was actually one of the first songs we did
• 3:02
  Speaker 3: the first night or whatever. So we just, we hit
• 3:05
  Speaker 3: the ground running, man. We like 16 songs deep. I
• 3:08
  Speaker 3: just play a bunch of shit.
• 3:09
  Speaker 1: And we just like, that's the one. But then, but
• 3:12
  Speaker 1: he already had everything laid out perfectly.
• 3:14
  Speaker 7: Like he had like 12 songs and they already had
• 3:17
  Speaker 7: songs like features.
• 3:18
  Speaker 1: Like we got like DaBaby, we got D2G, Ralph O'Dog.
• 3:23
  Speaker 3: Uh, Eric Bellinger, Ray J. So a lot of these
• 3:27
  Speaker 3: songs was already done. It was just in a vault
• 3:29
  Speaker 3: for me or whatever. And then it's like, yo, that's
• 3:31
  Speaker 3: kind of like how my creative process is. Like every month,
• 3:35
  Speaker 3: my team will create the schedule of artists that I'm
• 3:37
  Speaker 3: working with. And I'll just go through my archive of
• 3:39
  Speaker 3: things that I've been doing. And I'll just like make
• 3:41
  Speaker 3: a tent pack and say, yo, this fit this artist.
• 3:44
  Speaker 3: And this is what I did for Dean and shit.
• 3:45
  Speaker 2: Here we are now.
• 3:46
  Speaker 6: So Hitmaker, how do you see the future? Because we
• 3:48
  Speaker 6: know you from having hit records back in the days.
• 3:51
  Speaker 5: Him as an artist.
• 3:52
  Speaker 6: And a lot of people don't know. he was signed
• 3:54
  Speaker 6: to DMX, Bloodline Records.
• 3:56
  Speaker 5: Rest in peace, DMX.
• 3:57
  Speaker 2: Oh, you didn't even know that?
• 3:58
  Speaker 1: He was just saying DMX.
• 3:59
  Speaker 2: He was signed to DMX.
• 4:02
  Speaker 6: One of the greatest artists, rest in peace, DMX in
• 4:04
  Speaker 6: the world. He was young getting money. From records like
• 4:09
  Speaker 6: Sexy Ken, I would restate. Back in the days, what
• 4:11
  Speaker 6: you got, 75 million records sold?
• 4:13
  Speaker 1: 450.
• 4:13
  Speaker 2: 450? Yeah. He said, excuse me, you had that wrong.
• 4:17
  Speaker 2: I like how you correct that good one.
• 4:20
  Speaker 6: But how do you see the future? What was it
• 4:22
  Speaker 6: like sounding at DMX? What was it like being in
• 4:25
  Speaker 6: the studio with DMX? Because a lot of people don't
• 4:27
  Speaker 6: know you.
• 4:28
  Speaker 2: A lot of people don't know you for that. At
• 4:29
  Speaker 2: that time.
• 4:30
  Speaker 3: Yeah, my name was Iceberg at the time. That's why
• 4:32
  Speaker 3: I got these three chains on. One say Iceberg, one
• 4:34
  Speaker 3: say Youngberg, another one say Hitmaker. I've literally been three
• 4:37
  Speaker 3: different people in the music business the whole time. So
• 4:40
  Speaker 3: it was amazing, bro. Like I was just a young
• 4:42
  Speaker 3: spitter being around all these different guys, rough riders and whatever.
• 4:45
  Speaker 3: And X kind of came inside me, took me under
• 4:48
  Speaker 3: his wing. and he stole my first piece of pussy
• 4:50
  Speaker 3: from me, too.
• 4:51
  Speaker 2: Like, that's how brainy of a nigga he is. Shout
• 4:53
  Speaker 2: out to DMX, man. That's kind of like where AB
• 4:56
  Speaker 2: be trying to do the dick. Yo, literally. I got you.
• 5:00
  Speaker 2: I got you. I can't make this shit up.
• 5:02
  Speaker 3: We was in Toronto, Canada, bro. We went to this club.
• 5:05
  Speaker 3: I was like, back in that day, I was like 13.
• 5:07
  Speaker 3: I was like 4'4, bro. And, like, the nigga X
• 5:10
  Speaker 3: had me everywhere with him. I was smoking weed, drinking
• 5:12
  Speaker 3: at the same time.
• 5:13
  Speaker 2: At 14, I was 4'4, gang. God, that's... I know.
• 5:18
  Speaker 2: I'm grown now, though. So, boom.
• 5:21
  Speaker 3: The nigga, we take back girls or whatever. My room
• 5:25
  Speaker 3: is right next to his room. He in a penthouse.
• 5:27
  Speaker 3: I'm in a room right, like, 14, 22 or something
• 5:30
  Speaker 3: next to him. I'm literally walking up with a chick.
• 5:33
  Speaker 3: I put my key card on the shit. I still
• 5:34
  Speaker 3: remember the hotel. It's called The Sudden Place in Toronto.
• 5:37
  Speaker 3: That nigga door opened up.
• 5:38
  Speaker 2: He's like, hey, yo, ma. I think you left your
• 5:40
  Speaker 2: bag in here. Bitch ain't never been to a hotel.
• 5:43
  Speaker 2: We just found him at the club. He went right
• 5:45
  Speaker 2: in his room and left me.
• 5:46
  Speaker 1: She wouldn't have cared. She chose, though.
• 5:49
  Speaker 2: Yeah, for sure. He was the big dog. That was X, man.
• 5:50
  Speaker 2: That was X at the time.
• 5:51
  Speaker 5: What was he like in the studio with DMX?
• 5:53
  Speaker 2: Man.
• 5:54
  Speaker 5: He had the dogs in there?
• 5:55
  Speaker 2: Yeah, he had the dogs.
• 5:56
  Speaker 3: The nigga gave me a dog and told me to
• 5:58
  Speaker 3: take my dog everywhere I go. So, like, I would
• 6:00
  Speaker 3: be in a death jam building my dog shit in
• 6:02
  Speaker 3: front of Lior's office. But X was so on fire,
• 6:04
  Speaker 3: they just came and clinked that shit up.
• 6:06
  Speaker 2: Like, yo, it's Iceberg. Because I remember death jam building, bro.
• 6:09
  Speaker 3: It used to be a hangout spot because Murray, Rockefeller,
• 6:12
  Speaker 3: DMX label, everybody. And I used to go there and
• 6:14
  Speaker 3: just get high and drunk and just go write songs
• 6:16
  Speaker 3: inside DMX office.
• 6:19
  Speaker 5: What's your parents say? Because DMX was, you.
• 6:21
  Speaker 1: Know, he was, you know.
• 6:23
  Speaker 6: What's your parents, what's your mom say you're about to sign?
• 6:25
  Speaker 3: Well, I was bad. My parents, my parents are multimillionaires, bro.
• 6:28
  Speaker 3: But I wanted to go and be like a bad
• 6:30
  Speaker 3: kid and sell crack.
• 6:31
  Speaker 1: What they did?
• 6:32
  Speaker 2: You didn't even have to do this music shit? No,
• 6:34
  Speaker 2: I didn't have to do this shit at all.
• 6:35
  Speaker 3: I could have been like a rich kid in a
• 6:37
  Speaker 3: Range Rover at 16 with a permit type shit or whatever.
• 6:40
  Speaker 3: But I love this music shit so much that I
• 6:42
  Speaker 3: went to the hood selling crack. Because this bad, you
• 6:44
  Speaker 3: had to live your raps. So I'm a young nigga
• 6:47
  Speaker 3: selling crack and doing all this dumb shit, going home
• 6:49
  Speaker 3: to a mansion, but selling crack and doing that or whatever.
• 6:52
  Speaker 2: Look at that. through the grace of God, I'm here.
• 6:54
  Speaker 2: You know what I'm saying? Over 20 years in the game, man.
• 6:56
  Speaker 2: For real, for real. Nah, definitely. God's gift was a blessing.
• 6:58
  Speaker 2: It was meant for you to be doing this. Where
• 7:00
  Speaker 2: you grew up at? Chicago, Southside. But, I mean, on
• 7:03
  Speaker 2: the road, though, for real. That's right, that's right, that's right.
• 7:07
  Speaker 1: I'm going to get mine. All right, Franklin Saint.
• 7:09
  Speaker 2: Nah, for sure.
• 7:10
  Speaker 6: Nah, because when you look at him, like I said,
• 7:12
  Speaker 6: he see the future. He done work with Lil Wayne,
• 7:15
  Speaker 6: like in the studio with Lil Wayne.
• 7:16
  Speaker 5: At that time.
• 7:17
  Speaker 2: Several opportunities.
• 7:19
  Speaker 3: I remember my dog Pleasure P from Pretty Ricky introduced
• 7:21
  Speaker 3: me to Lil Wayne. And Wayne just went, that's back
• 7:24
  Speaker 3: in Hot Beats era, ATL, when Wayne used to be
• 7:27
  Speaker 3: in Atlanta a lot or whatever and shit.
• 7:29
  Speaker 2: He just went and flamed all my records, man. Wayne
• 7:31
  Speaker 2: is one of the greatest. Of all time, man. Salute
• 7:33
  Speaker 2: to Wayne. Definitely, man. Now, I see y'all had some drama, man. Like,
• 7:37
  Speaker 2: when y'all first put the record out, man. Me and him? Yeah.
• 7:40
  Speaker 2: What was going on with y'all, man?
• 7:41
  Speaker 3: They said they getting their crew called J. Cruz, and
• 7:43
  Speaker 3: he mad that I took his artist.
• 7:45
  Speaker 2: Oh, shit. No, that's what Twitter said. That's what Twitter said.
• 7:48
  Speaker 2: Twitter said that.
• 7:51
  Speaker 5: Twitter said that.
• 7:52
  Speaker 2: Twitter said that.
• 7:55
  Speaker 3: Nah, it ain't no beef though, but y'all watching us
• 7:57
  Speaker 3: in real time. You watch our artist development in real time.
• 8:00
  Speaker 3: You watching him learn about the business in real time.
• 8:02
  Speaker 3: And I'm going to be honest with you. This is
• 8:04
  Speaker 3: me and Dean's sixth time ever seeing each.
• 8:06
  Speaker 2: Other in life. Got you.
• 8:08
  Speaker 3: So like y'all watching our relationship build, y'all watching us become,
• 8:11
  Speaker 3: you know what I'm saying? close and tighter, you know
• 8:13
  Speaker 3: what I'm saying? So like, it's a real time thing
• 8:15
  Speaker 3: happening right now.
• 8:16
  Speaker 2: Real time.
• 8:16
  Speaker 8: Like nigga, you can't put the record out without the
• 8:19
  Speaker 8: business being done.
• 8:20
  Speaker 2: Dean like, nah, nigga. We streaming, nigga.
• 8:22
  Speaker 1: We live, nigga. I was like, nigga, I'm just trying
• 8:24
  Speaker 1: to have fun with this shit, nigga. Fuck what you
• 8:25
  Speaker 1: talking about. He like, nigga, we got to get this
• 8:26
  Speaker 1: business right, bro.
• 8:27
  Speaker 2: The business right, that's a fact.
• 8:28
  Speaker 1: So I ain't understanding.
• 8:29
  Speaker 7: It was a misunderstanding, but we got too many hits
• 8:31
  Speaker 7: to even.
• 8:32
  Speaker 2: Deep stress on that.
• 8:33
  Speaker 6: Yeah, it's the Talk of New York, Tony Ayo, a.k.a.
• 8:37
  Speaker 6: Turbulence Tony. And it's the Boy Uncle Murder, a.k.a. Led
• 8:40
  Speaker 6: Jet Lenny. And it's the Real Report Show. I need
• 8:42
  Speaker 6: to tell you about this new prediction market called Polymarket.
• 8:45
  Speaker 6: It's the best new way to trade in sports.
• 8:48
  Speaker 2: Tell me a little more, though, yeah?
• 8:49
  Speaker 6: In the past, if you wanted action on a game,
• 8:51
  Speaker 6: you put some money in. And if your team was
• 8:54
  Speaker 6: doing well, and if you wanted to cash out, they'll
• 8:57
  Speaker 6: lock the trade or take a huge fee.
• 8:59
  Speaker 5: Now that's messed up.
• 9:00
  Speaker 8: Yeah, that's what happened. But polymarket is a prediction market.
• 9:03
  Speaker 8: It's a stock exchange for sports. Buying in and selling
• 9:06
  Speaker 8: out on your terms. I tried them all. And polymarket
• 9:09
  Speaker 8: is simply the best prediction market. They better than DraftKings, FanDuel, Calci,
• 9:15
  Speaker 8: you name it.
• 9:16
  Speaker 2: It don't matter. Polymarket is better.
• 9:18
  Speaker 6: They are so confident you'll never go back to the
• 9:20
  Speaker 6: other guys, and they're giving you a free $ 25.
• 9:23
  Speaker 5: You heard that?
• 9:24
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• 9:27
  Speaker 5: Just $ 10.
• 9:28
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• 9:32
  Speaker 6: chat where you can see what everyone is trading on.
• 9:35
  Speaker 8: So download the Polymarket app today and use RealReport when
• 9:39
  Speaker 8: you sign up.
• 9:39
  Speaker 5: Yeah.
• 9:40
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• 9:44
  Speaker 2: You heard? Polymarket is posh.
• 9:46
  Speaker 5: Pop it. You know what.
• 9:49
  Speaker 6: I think a lot of people like about y'all, you
• 9:51
  Speaker 6: banging AB, is y'all keep it solid.
• 9:53
  Speaker 5: Like, y'all say what the fuck y'all feel.
• 9:55
  Speaker 1: Nah, for sure.
• 9:55
  Speaker 6: Like, when you was at Complex Con, shout out to Complex,
• 9:58
  Speaker 6: feed A.O.
• 9:58
  Speaker 5: Show over there.
• 9:59
  Speaker 2: Shout out to Complex.
• 10:00
  Speaker 6: When you was at Complex Con and you walked in,
• 10:02
  Speaker 6: Kyle said, nah, shit. And he act like he didn't
• 10:04
  Speaker 6: see you. He was like, fuck cuz.
• 10:06
  Speaker 1: Fuck this bitch ass nigga. I should have bought her
• 10:09
  Speaker 1: just to burn it. Nah, 100%.
• 10:11
  Speaker 7: We've been spending like two, three pounds on that motherfucker.
• 10:14
  Speaker 5: We've been spending more than that.
• 10:16
  Speaker 1: Calling it about a bunch of fits. And well, that's
• 10:17
  Speaker 1: for everybody. The whole team. Yeah, we've been about a
• 10:20
  Speaker 1: bunch of fits for everybody. A, B.
• 10:22
  Speaker 5: Everybody, nigga.
• 10:22
  Speaker 6: You feel like there's a little jealousy there? Because like now,
• 10:24
  Speaker 6: you know, obviously, y'all were like.
• 10:26
  Speaker 5: Clover Boys was the shit out of point. Shout to them.
• 10:29
  Speaker 2: But now.
• 10:30
  Speaker 5: It's like, it's all about the Crash Out Boys.
• 10:32
  Speaker 2: C.O.B., nigga.
• 10:34
  Speaker 1: Yeah.
• 10:35
  Speaker 5: I think that's where it comes from, though. Like, a
• 10:37
  Speaker 5: little bit of jealousy there.
• 10:38
  Speaker 7: Yeah, I mean, it gotta be. I mean, it shouldn't
• 10:39
  Speaker 7: have been that. Because if we mix, if we come together,
• 10:42
  Speaker 7: we could be bigger. Especially if somebody comes to the
• 10:44
  Speaker 7: show you love. But what he don't know is, his
• 10:46
  Speaker 7: manager used to be my old manager.
• 10:48
  Speaker 2: Oh, okay. You dig?
• 10:49
  Speaker 1: That's my ex-manager. So when he came to me, he's like, yo, Dean.
• 10:54
  Speaker 7: You good, just keep it low key. But I know him,
• 10:57
  Speaker 7: so I know what that mean. Basically ain't cut on
• 11:00
  Speaker 7: wanting niggas in, but I fuck with you, so I'm
• 11:02
  Speaker 7: going to let you in.
• 11:02
  Speaker 6: Rob Markman Yeah, obviously if you come in the store
• 11:05
  Speaker 6: and you going to spend $ 10, 000, $ 5, 000, even $ 3, 000, whatever it.
• 11:07
  Speaker 5: Is, you would think a nigga going to show you
• 11:09
  Speaker 5: some love.
• 11:10
  Speaker 7: Rob Markman Nah, but it's cool, but everybody else, you
• 11:11
  Speaker 7: going up, grabbing hands, hugging. But us, as soon as
• 11:15
  Speaker 7: we come to the register, you walking out, that's intimidation.
• 11:18
  Speaker 2: You dig?
• 11:18
  Speaker 1: But it's cool though. Niggas fuck that nigga. Nigga, and
• 11:21
  Speaker 1: any nigga that's rocking with him, that ain't fucking with niggas.
• 11:23
  Speaker 2: Fuck that. Straight up.
• 11:24
  Speaker 1: That ain't why fuck that is out. Fuck that is
• 11:26
  Speaker 1: the anthem.
• 11:26
  Speaker 2: Nah, you heard of this song? Purple App Killer?
• 11:28
  Speaker 1: Yeah, we got a Purple App Killer song. Oh, shit.
• 11:30
  Speaker 2: He dissed him. That was what he was trying to
• 11:32
  Speaker 2: get the business done for. That's why he was trying
• 11:34
  Speaker 2: to put it out.
• 11:34
  Speaker 1: It's over. It's over.
• 11:35
  Speaker 7: It's over.
• 11:35
  Speaker 2: It's over. It's over. It's over. It's over.
• 11:46
  Speaker 7: I got to ask.
• 11:52
  Speaker 6: You, man, when Dean and AB be arguing, you like
• 11:54
  Speaker 6: the guy, you the guy that's always, I ain't going
• 11:56
  Speaker 6: to say in the middle, pause, but you the mediator.
• 12:02
  Speaker 4: I understand both of them. Like, I be understanding where
• 12:06
  Speaker 4: he coming from. And I know AB, like, I just
• 12:08
  Speaker 4: know how he is. And I understand where he coming from,
• 12:10
  Speaker 4: like on the business shit and trying to get shit done.
• 12:14
  Speaker 2: I feel like A.B. be cheating sometimes, though. Because he
• 12:16
  Speaker 2: always want to fight.
• 12:17
  Speaker 1: Hold up, nigga.
• 12:18
  Speaker 2: You used to be a professional boxer. You used to
• 12:20
  Speaker 2: act like you ready to fight things, cuz? Like, you
• 12:22
  Speaker 2: ready to fight?
• 12:23
  Speaker 1: He ain't fighting us.
• 12:25
  Speaker 5: He's a good boxer. Bang is a good boxer. He
• 12:27
  Speaker 5: ain't fighting us.
• 12:29
  Speaker 2: It ain't going that far.
• 12:30
  Speaker 4: He gonna boot up, but he ain't fighting us.
• 12:32
  Speaker 2: Got you. Got you. Okay. Jump cut. Jump cut.
• 12:39
  Speaker 5: Y'all mad he missed his flight with Ray J? How
• 12:42
  Speaker 5: does that work?
• 12:42
  Speaker 7: Obviously, yeah, but it's like, you can't get to Venice right, bro,
• 12:44
  Speaker 7: but you also good for Venice, but also sometimes you
• 12:47
  Speaker 7: act like you're bad for Venice.
• 12:48
  Speaker 1: But he, all this, everything is a lie, bro. Everything
• 12:50
  Speaker 1: I'm saying ain't nothing like, I ain't been said before.
• 12:53
  Speaker 1: Of course, of course. It ain't obvious. Niggas know.
• 12:54
  Speaker 2: Of course, of course.
• 12:56
  Speaker 1: But he's got to get it together.
• 12:57
  Speaker 7: That's my brother at the end of the day, but
• 12:58
  Speaker 7: I always say the same shit. I had a yacht,
• 13:02
  Speaker 7: a structured yacht that I built. I brought him along
• 13:05
  Speaker 7: on the yacht, and he helped me build a cruise ship.
• 13:07
  Speaker 7: But in amongst the cruise ship, he punctured holes in
• 13:09
  Speaker 7: the shit. But I said, at the end of the day,
• 13:11
  Speaker 7: I'm going to continue this motherfucking boat.
• 13:13
  Speaker 2: I was good with my yacht. Right.
• 13:15
  Speaker 1: You know what I'm saying?
• 13:16
  Speaker 7: And this yacht now a cruise ship, and I'm going
• 13:17
  Speaker 7: to continue it being a motherfucking cruise ship. So whether
• 13:19
  Speaker 7: you on with the ride or not, nigga, I'm going
• 13:21
  Speaker 7: to keep it going.
• 13:22
  Speaker 6: I mean, everybody should learn to be appreciative because it
• 13:24
  Speaker 6: all came from your marketing.
• 13:25
  Speaker 1: 100%.
• 13:25
  Speaker 6: I'm going to give you a perfect example, Hitmaker. He
• 13:28
  Speaker 6: fought Crip Mack. Crip Mack is a fucking.
• 13:31
  Speaker 2: What, 6'7, 6'5? Chris!
• 13:33
  Speaker 6: I think y'all, I don't give a fuck.
• 13:39
  Speaker 2: You can't punch that nigga.
• 13:42
  Speaker 1: Yeah, that's what I'm saying.
• 13:44
  Speaker 5: So I think you're nonchalant. I don't give a fuck.
• 13:46
  Speaker 5: You was going to fight UFC dudes before?
• 13:48
  Speaker 2: Whatever, yeah.
• 13:49
  Speaker 1: I got elbowed. I got my licks back, though.
• 13:51
  Speaker 2: Didn't a nigga have to fuck up with his wife
• 13:53
  Speaker 2: or some crazy shit? That nigga was like, you was
• 13:54
  Speaker 2: fucking with a nigga's wife?
• 13:55
  Speaker 1: Yeah, but we even played that out, though.
• 13:57
  Speaker 2: Y'all played that out? Yeah, yeah, yeah.
• 13:58
  Speaker 1: But the elbow, the elbow was definitely.
• 14:00
  Speaker 2: Elbow was real, alright.
• 14:01
  Speaker 1: Back to back, it was like, goddamn.
• 14:03
  Speaker 2: So what made you.
• 14:06
  Speaker 5: Just say, Dean, yo, fuck it. I ain't got nothing
• 14:08
  Speaker 5: to lose. Fuck it, cuz. I'm doing whatever. I'm getting on.
• 14:11
  Speaker 6: What made you have the marketing mind to make people
• 14:14
  Speaker 6: know if you fight Crip Mack, everybody's going to watch.
• 14:16
  Speaker 6: You get that Adam 22, like, yo, fuck, son.
• 14:18
  Speaker 5: You don't need money. All the marketing.
• 14:21
  Speaker 1: I took advantage of all of it. I'm like, shit. Especially, like,
• 14:24
  Speaker 1: most people get humiliated.
• 14:26
  Speaker 2: You dig?
• 14:27
  Speaker 1: I just took it as, like, all the eyes on me.
• 14:29
  Speaker 1: Now I got to perform and do more.
• 14:31
  Speaker 2: You dig?
• 14:31
  Speaker 7: So I took that and I just took advantage of it.
• 14:33
  Speaker 7: Took advantage of the momentum with it.
• 14:35
  Speaker 1: And then I just continued interviews and all this shit.
• 14:39
  Speaker 1: So then I just kept that shit going, bro.
• 14:41
  Speaker 2: You dig?
• 14:42
  Speaker 1: And then with the Crip Mac shit, I already don't
• 14:44
  Speaker 1: give a fuck. I didn't got jumped for video. I
• 14:46
  Speaker 1: did a bunch of crazy shit. You dig?
• 14:49
  Speaker 7: Which is why I got in the box. I just
• 14:50
  Speaker 7: fight all the time anyway. So I was like, fuck it.
• 14:53
  Speaker 7: I don't be giving a fuck. So I fought a cop.
• 14:56
  Speaker 1: All types of crazy shit. That went viral, whoop, and
• 14:59
  Speaker 1: then I just utilized off of- Where you from?
• 15:01
  Speaker 5: Where you from?
• 15:02
  Speaker 2: Tampa, Florida. Where you from? I'm from Broward, Florida.
• 15:05
  Speaker 1: Broward. About like three hours.
• 15:07
  Speaker 2: You fought a cop?
• 15:08
  Speaker 1: I got to go Google that bitch.
• 15:10
  Speaker 5: Houston, Texas.
• 15:10
  Speaker 1: Shout out to the cop in Houston, Texas.
• 15:11
  Speaker 5: Shout out.
• 15:14
  Speaker 1: I couldn't end, but shout out to you, bruh.
• 15:16
  Speaker 5: Yo, we going to see like a streaming university from
• 15:19
  Speaker 5: y'all banging?
• 15:19
  Speaker 7: We could do our own shit, which we actually wanted
• 15:21
  Speaker 7: to go support streaming.
• 15:23
  Speaker 1: You, because of the value that we could have brought
• 15:25
  Speaker 1: to it. You dig? But niggas want, he thought I
• 15:27
  Speaker 1: guess we was a brand risk or whatever.
• 15:28
  Speaker 5: I would love to see y'all do one.
• 15:30
  Speaker 1: Which is cool, but fuck niggas.
• 15:31
  Speaker 7: We don't want no filter shit anyway, nigga.
• 15:32
  Speaker 1: We want authenticity. I can't get that word right, nigga. Authenticity, nigga.
• 15:36
  Speaker 5: All of our gang shit.
• 15:40
  Speaker 2: Yo, hey, would you be a part of the streaming universe?
• 15:42
  Speaker 2: Fuck no.
• 15:48
  Speaker 3: My trajectory, I'm about to be the next L.A. Reid,
• 15:50
  Speaker 3: Craig Cowan, Jimmy Iovine, and run one of these companies
• 15:53
  Speaker 3: or whatever.
• 15:54
  Speaker 2: So look to all my partners.
• 15:55
  Speaker 3: I did like four years at Atlantic. I'm making that
• 15:57
  Speaker 3: shit sound like I did. I was vice president of
• 16:00
  Speaker 3: Atlantic for like four years. Then I went to Empire.
• 16:02
  Speaker 3: I was VP at Empire. Now I'm over at Epic.
• 16:05
  Speaker 3: And then top of the year, I might announce something
• 16:07
  Speaker 3: super duper crazy to where I could change some more
• 16:09
  Speaker 3: people's lives.
• 16:10
  Speaker 2: Damn.
• 16:10
  Speaker 5: How does your mind take you there? Because that's not
• 16:12
  Speaker 5: average shit to be, you know.
• 16:14
  Speaker 2: You want to know what's so crazy?
• 16:15
  Speaker 3: I went on a breakfast club and I was like
• 16:17
  Speaker 3: A & Rs was reaching out to me and now
• 16:19
  Speaker 3: they troll me with this shit on TikTok or whatever.
• 16:21
  Speaker 3: And they say I lied. So I went on a
• 16:22
  Speaker 3: breakfast club and I just had like a number one
• 16:24
  Speaker 3: record idea. Big Sean bounced back and I was up
• 16:27
  Speaker 3: there talking. I'm like, yo, a lot of A &
• 16:28
  Speaker 3: Rs been hitting me like they want me to come
• 16:30
  Speaker 3: inside the building. They don't really let me go inside
• 16:32
  Speaker 3: the building for real.
• 16:33
  Speaker 2: And then. And another exec hit me, heard that, heard
• 16:36
  Speaker 2: me say that, like, oh, you really want to be
• 16:38
  Speaker 2: in the building? I'm like, yeah.
• 16:39
  Speaker 3: And they like, yo, go meet Craig Calman and Julie
• 16:41
  Speaker 3: Greenwald or whatever. And I went there, sold myself on
• 16:44
  Speaker 3: them or whatever, popped my shit. And then I became
• 16:46
  Speaker 3: a VP over there. And I think I did 50
• 16:48
  Speaker 3: million records at Atlantic when I was over there. Nick
• 16:50
  Speaker 3: Mildred's first number one did A Boogie look back at
• 16:53
  Speaker 3: it that shit is diamond right now about to be
• 16:55
  Speaker 3: diamond yeah.
• 16:56
  Speaker 2: So I got yeah.
• 16:57
  Speaker 3: I did Star Tender I did a bunch of records
• 16:59
  Speaker 3: for A Boogie or whatever yeah that's a fact exactly
• 17:04
  Speaker 3: man salute A Boogie High Bridge the whole.
• 17:06
  Speaker 5: Crew We had Gillian Wallow up here.
• 17:09
  Speaker 2: New York, LA. She's amazing. Yeah, she definitely played us
• 17:12
  Speaker 2: some joints you made for her.
• 17:14
  Speaker 5: For her, and I was like, damn.
• 17:15
  Speaker 3: That's why I'm popping my professional life change and shit.
• 17:18
  Speaker 3: So really, in reality, Gillian just hit me and was like, yo,
• 17:21
  Speaker 3: my daughter's amazing. I ain't know his daughter from nothing
• 17:24
  Speaker 3: or whatever. She came to my studio in Miami.
• 17:26
  Speaker 2: We hit it off. Then we just kept working. I'm like, yo,
• 17:29
  Speaker 2: she's dope.
• 17:29
  Speaker 3: So I was able to take her to Ezekiel Lewis,
• 17:32
  Speaker 3: who's the president of Epic Records, and And I able
• 17:35
  Speaker 3: to alley-oop Gillian Wallow into their label deal with Epic Records.
• 17:38
  Speaker 2: Now, talking about that, right?
• 17:40
  Speaker 8: Because just working with an artist like you don't know
• 17:42
  Speaker 8: like that, that might not be popping. Because I also
• 17:44
  Speaker 8: see you do it with, shout out to my guy
• 17:46
  Speaker 8: from East New York, Maceo.
• 17:48
  Speaker 2: Yeah, Maceo.
• 17:48
  Speaker 8: What makes you just like, all right, this guy might
• 17:50
  Speaker 8: not have the most buzz right now on streams, but
• 17:53
  Speaker 8: you're like, I'm going to work with him anyway and
• 17:54
  Speaker 8: try to make something happen with him.
• 17:55
  Speaker 2: I'm an energy nigga. You know what I'm saying?
• 17:57
  Speaker 3: So if we get around each other and like I'm
• 17:59
  Speaker 3: having fun with you and I like you and it's
• 18:00
  Speaker 3: a good vibe and shit, I'm going to go ahead.
• 18:03
  Speaker 2: And I'm an underdog too. I'm Young Bird.
• 18:05
  Speaker 3: So it's like niggas told me I was a one
• 18:08
  Speaker 3: hit wonder and I'll never have another hit again. Then
• 18:10
  Speaker 3: I went and did everybody hit. So it is what
• 18:12
  Speaker 3: it is, bro. I'm rocking with whoever the underdogs are.
• 18:14
  Speaker 2: That's right. That's right. Real shit. Real shit.
• 18:17
  Speaker 5: Talk to us, man. When's the next fight, man?
• 18:19
  Speaker 2: Next year.
• 18:19
  Speaker 5: Dean, y'all niggas going to start fighting again or what?
• 18:22
  Speaker 1: Next time of next year. We all going to be
• 18:23
  Speaker 1: on the same card. Next year, me, AB, Bang.
• 18:25
  Speaker 2: We all going to be on the same card? And Wheel. Oh, man.
• 18:28
  Speaker 2: That's going to be hard.
• 18:29
  Speaker 5: That's going to be a big ticket seller.
• 18:30
  Speaker 1: And top of the top of the top of next year, CLB.
• 18:31
  Speaker 1: The whole CLB is going to be on the same card.
• 18:33
  Speaker 2: Any of you. You dig?
• 18:35
  Speaker 1: We just got to figure out the month and the numbers.
• 18:38
  Speaker 1: The numbers looking great, so we just got to.
• 18:40
  Speaker 7: But that's the thing. If we can implement that. With
• 18:43
  Speaker 7: our shit, especially if we drop our record.
• 18:45
  Speaker 2: The project right there. Our project.
• 18:48
  Speaker 1: Top of the year. When we walk out, nigga, what?
• 18:51
  Speaker 2: So you taking this rap thing serious?
• 18:53
  Speaker 1: I wasn't.
• 18:54
  Speaker 7: At first, I was just doing it for fun. But then,
• 18:55
  Speaker 7: after the potential he seen me that I had, I
• 18:58
  Speaker 7: really had no choice. I fell in love with it.
• 19:01
  Speaker 2: I ain't gonna lie. That shit is fun, bro.
• 19:03
  Speaker 1: We just making hits. Niggas just fucking with it.
• 19:05
  Speaker 2: Fuck it. What's the process for you writing in the studio?
• 19:07
  Speaker 1: My bad, I'm cussing too hard, nigga.
• 19:09
  Speaker 5: Man's all good, man.
• 19:09
  Speaker 2: It's the real report. It's the real report, nigga. We
• 19:12
  Speaker 2: with the Crash Out Boys and Hitmaker, nigga. Yeah, yeah, yeah.
• 19:19
  Speaker 2: Spank that. Spank that. What's the process for you writing
• 19:21
  Speaker 2: in the studio? How did that work for you?
• 19:23
  Speaker 5: The writing process?
• 19:23
  Speaker 2: The writing process for you in the studio? I ain't
• 19:26
  Speaker 2: gonna write shit.
• 19:26
  Speaker 1: I ain't gonna lie.
• 19:27
  Speaker 2: I got jazz. Shout out to jazz.
• 19:28
  Speaker 1: He did.
• 19:28
  Speaker 2: It's his partner.
• 19:29
  Speaker 5: He did his writer.
• 19:30
  Speaker 7: But jazz wrote everything for me. I ain't got no
• 19:32
  Speaker 7: shame in having a ride or not. I go in
• 19:34
  Speaker 7: there and deliver.
• 19:35
  Speaker 1: It, though.
• 19:35
  Speaker 2: You ain't got no time to map this shit. You
• 19:37
  Speaker 2: over here. And that's a talent, though, too.
• 19:39
  Speaker 3: We could write anything for anybody in this motherfucking room,
• 19:41
  Speaker 3: but if they can't get in front of the mic
• 19:43
  Speaker 3: and go delivering it, man.
• 19:43
  Speaker 2: That's been executed like it's supposed to be executed. Yes.
• 19:46
  Speaker 1: Correct.
• 19:47
  Speaker 2: Correct.
• 19:47
  Speaker 5: Y'all always see the future, man.
• 19:49
  Speaker 1: You guys, man.
• 19:49
  Speaker 2: He sees the future. the future, bro.
• 19:50
  Speaker 6: Because if you think about it, a streamer has the
• 19:52
  Speaker 6: possibility to sell more than your favorite rapper.
• 19:56
  Speaker 2: That's a fact.
• 19:57
  Speaker 5: Even if he don't write.
• 19:58
  Speaker 2: Most definitely. You better believe it.
• 19:59
  Speaker 1: Your favorite rapper, and I'm going to tell you, he
• 20:01
  Speaker 1: got a writer. I am.
• 20:04
  Speaker 5: Nah, for real.
• 20:07
  Speaker 1: I got a rider, nigga. And I ain't got no shame, nigga.
• 20:10
  Speaker 2: That's my man. That's my man for that.
• 20:14
  Speaker 5: Yo, you got the best marketing. I see you every day.
• 20:16
  Speaker 2: Exactly.
• 20:16
  Speaker 5: Shout out to your Clippers and shout out to what
• 20:18
  Speaker 5: y'all doing, you bang. AB, Crash Y'all Boys. We watch everything.
• 20:22
  Speaker 6: Y'all on the timeline, y'all in the algorithm. Y'all took
• 20:25
  Speaker 6: over the fucking internet.
• 20:26
  Speaker 8: He not lying about that, because before I even started
• 20:28
  Speaker 8: following y'all page, it was like, I didn't have no choice.
• 20:31
  Speaker 8: It was like, y'all shit just kept coming across the
• 20:33
  Speaker 8: nigga's shit.
• 20:34
  Speaker 2: It was like, I might as well follow this shit,
• 20:36
  Speaker 2: because I'm laughing at it. I keep seeing it. I'm like,
• 20:39
  Speaker 2: what the fuck? I got to hit that good old
• 20:42
  Speaker 2: follow button and just get into it with this. You
• 20:46
  Speaker 2: know what I'm saying?
• 20:47
  Speaker 1: Real talk.
• 20:48
  Speaker 2: Real talk.
• 20:48
  Speaker 6: Let me ask you a question. Because everybody thinks streaming's easy.
• 20:51
  Speaker 6: But then I hear it's like an eight-hour day. Like,
• 20:53
  Speaker 6: y'all motherfuckers, like, when do you sleep?
• 20:55
  Speaker 1: Nah, 24 hours.
• 20:56
  Speaker 2: Nah, he goes 25-8.
• 20:57
  Speaker 5: Tell me what a day like that is like. Because
• 21:00
  Speaker 5: that's crazy to me.
• 21:01
  Speaker 2: Today. Today.
• 21:04
  Speaker 1: Right now, all day.
• 21:05
  Speaker 2: We streaming right now.
• 21:07
  Speaker 5: What time?
• 21:08
  Speaker 7: When we wake up, till we like, we tired or
• 21:11
  Speaker 7: we want to go handle something with a little chick.
• 21:13
  Speaker 2: You dig?
• 21:14
  Speaker 1: But in the midst of that, to keep the show going,
• 21:16
  Speaker 1: we have night shifts. We switch to night shifts. We
• 21:17
  Speaker 1: have talent.
• 21:20
  Speaker 3: You gassy ass nigga, what's up with you?
• 21:24
  Speaker 2: You know how that vibes, yo.
• 21:26
  Speaker 1: Or someone that can hold down the stream. Shout out
• 21:28
  Speaker 1: to Dan, shout out to Dan. Respect that.
• 21:30
  Speaker 7: So someone that can hold it down, we had him
• 21:33
  Speaker 7: hold on a night shift, and then when we wake up, boom.
• 21:35
  Speaker 1: Because you don't want to get burnt out. And people
• 21:37
  Speaker 1: that can take over the shifts and shit.
• 21:38
  Speaker 2: You dig?
• 21:42
  Speaker 1: What was the question again?
• 21:48
  Speaker 6: When you do the video in LA, how was that?
• 21:52
  Speaker 5: I seen the video.
• 21:53
  Speaker 2: Man, brought the.
• 21:53
  Speaker 1: City out, though, bro. Man, movie. Nigga, I ain't got
• 21:57
  Speaker 1: to say nothing.
• 21:58
  Speaker 3: Nigga, Beverly Hills. We was in Beverly Hills with like
• 22:01
  Speaker 3: 300 crips. all in the middle of Beverly Hills and
• 22:05
  Speaker 3: that shit was so crazy. They brought the SWAT team out.
• 22:07
  Speaker 3: That's how you seen niggas getting out there.
• 22:09
  Speaker 2: Yeah, bro. That shit was hot. Hold on, they had
• 22:11
  Speaker 2: that red shit on when you was with them Crips, right? Yeah.
• 22:14
  Speaker 4: You did?
• 22:14
  Speaker 2: I actually did wear red.
• 22:15
  Speaker 5: Oh, that's crazy.
• 22:16
  Speaker 2: I actually wear red. But I'm not a game maker.
• 22:18
  Speaker 3: I'm just a record executive, a bad bitch getter, a
• 22:22
  Speaker 3: multimillionaire type nigga.
• 22:23
  Speaker 5: I ain't gonna do that.
• 22:24
  Speaker 2: That's right. Talk that shit. That's right.
• 22:25
  Speaker 5: What's the process of the album in the studio like?
• 22:27
  Speaker 5: What's the night in the studio? Y'all get it? 18,
• 22:29
  Speaker 5: 20 girls in there, vibe out, pick the bitch?
• 22:32
  Speaker 1: Nah, because bitches going to distract me.
• 22:34
  Speaker 2: You be kicking them out the booth.
• 22:36
  Speaker 1: And, dude, especially... Y'all get out.
• 22:37
  Speaker 5: Y'all get out real quick, man.
• 22:38
  Speaker 2: I didn't even get in the booth, nigga. They in
• 22:39
  Speaker 2: the booth, so you're already fake distracted here, but you
• 22:42
  Speaker 2: got them in the booth. Yeah, but... Y'all get out
• 22:44
  Speaker 2: real quick. Okay, got it.
• 22:46
  Speaker 7: Let me lay this down, because I be seeing them
• 22:48
  Speaker 7: titties in that ass, and it throw my mind off.
• 22:50
  Speaker 7: So I need to really lock in, and it's like,
• 22:53
  Speaker 7: you know, I be thinking of other shit when they
• 22:55
  Speaker 7: in there, so it's like, you know.
• 22:56
  Speaker 2: Got you, got you.
• 22:58
  Speaker 5: My motherfuckers is working, man.
• 22:59
  Speaker 2: Get him a battery. My motherfuckers is working.
• 23:02
  Speaker 6: What's this other guy you always arguing with? He like
• 23:05
  Speaker 6: always talking shit back to you a little bit.
• 23:07
  Speaker 2: Who?
• 23:07
  Speaker 5: Like an assistant or something.
• 23:08
  Speaker 2: It's my Z. That's Z.
• 23:10
  Speaker 5: That's just like... That's his brother, man. That's my brother.
• 23:13
  Speaker 2: I've known my nigga for 12 years. When I was
• 23:15
  Speaker 2: down back....
• 23:25
  Speaker 1: He was the nigga that called me and told me, like, bro,
• 23:27
  Speaker 1: what the fuck you doing? You need to be streaming.
• 23:28
  Speaker 1: You need to be woo. Since he came in the
• 23:31
  Speaker 1: country from Syria.
• 23:32
  Speaker 5: Shout out to Syria. Shout out to Syria, man.
• 23:34
  Speaker 2: Shout out to Z, man.
• 23:35
  Speaker 7: I done fought this nigga like 10, 15 times. Even
• 23:38
  Speaker 7: when I didn't have a camera for YouTube, he'd come,
• 23:41
  Speaker 7: record a video. If I ain't had nothing to do,
• 23:42
  Speaker 7: I'd be like, yo, let's fight for a video. He fade,
• 23:44
  Speaker 7: and the video went viral, millions of views. It got
• 23:46
  Speaker 7: like 1.8 million, like 500,000. We got a bunch of views,
• 23:49
  Speaker 7: videos that look crazy, but he's my brother, so I
• 23:52
  Speaker 7: just like, he ran a couple smoke shops in Tampa.
• 23:56
  Speaker 1: And I just told him like, man, fuck that. Just
• 23:58
  Speaker 1: come work with me. Not work for me, just work
• 24:00
  Speaker 1: with me type shit.
• 24:01
  Speaker 5: Yeah, because I remember I was arguing one day. AB,
• 24:04
  Speaker 5: he wanted to jump out. Yeah, I was in the car.
• 24:05
  Speaker 1: Yeah.
• 24:06
  Speaker 5: AB wanted to go get some girls. And you're like, yo, cuz,
• 24:08
  Speaker 5: what you doing?
• 24:09
  Speaker 2: Yeah, yeah, yeah.
• 24:10
  Speaker 5: And then he got.
• 24:11
  Speaker 2: Into the argument. This nigga here. Yeah, we all in
• 24:13
  Speaker 2: my head.
• 24:13
  Speaker 5: That's what we love.
• 24:15
  Speaker 1: We all in my head.
• 24:17
  Speaker 2: He in the loop. That's my brother, though. I said
• 24:19
  Speaker 2: he in the loop for real.
• 24:20
  Speaker 5: Yeah, he be in the loop.
• 24:22
  Speaker 1: That's my nigga, though.
• 24:23
  Speaker 5: It won't happen on camera yet.
• 24:24
  Speaker 2: We doing it on camera. That shit don't count.
• 24:27
  Speaker 4: And we still won at the end of the day.
• 24:29
  Speaker 4: We're going to get into it. We all get into it.
• 24:34
  Speaker 4: We get into it every day or something.
• 24:36
  Speaker 2: Every day.
• 24:37
  Speaker 6: Y'all would love to see a card of all three
• 24:39
  Speaker 6: of y'all fighting. That would be fucking crazy.
• 24:41
  Speaker 1: Hey, you want to fade on the card? You can
• 24:43
  Speaker 1: get you on the card too, Z.
• 24:45
  Speaker 6: That would be fucking crazy. We going to see you
• 24:48
  Speaker 6: back on Brand Wish, babe?
• 24:50
  Speaker 5: Yeah, you're going to see me on Brand Wish for sure.
• 24:51
  Speaker 5: Who do you want to fight next?
• 24:53
  Speaker 2: Shit, you. Oh, shit. Goddamn. Oh, shit. Goddamn, man.
• 24:58
  Speaker 7: I looked at the computer and the computer said, fuck people.
• 25:05
  Speaker 2: Damn, man. I heard that one. I heard that, man.
• 25:10
  Speaker 3: Wait a minute.
• 25:12
  Speaker 2: You brought this grass out of my neck? Come down
• 25:14
  Speaker 2: to me. Who you gonna fight next, man? I'm talking
• 25:18
  Speaker 2: about Bran Whisk.
• 25:24
  Speaker 1: That's why I can't look.
• 25:27
  Speaker 5: That's why I can't stream.
• 25:29
  Speaker 2: I can't edit shit. No edits, bro. No edits at all.
• 25:35
  Speaker 2: I can't stream.
• 25:36
  Speaker 5: How y'all live like that? You can't make no mistakes.
• 25:40
  Speaker 2: You can't make no mistakes.
• 25:42
  Speaker 6: Yo, he got a book in his nose, chat. I
• 25:44
  Speaker 6: don't know, like, how y'all live like that?
• 25:47
  Speaker 2: I don't know how they do it. Look, this is
• 25:49
  Speaker 2: how I live. You see my head?
• 25:51
  Speaker 4: I wake up on stream like this every day and
• 25:52
  Speaker 4: stream me getting.
• 25:54
  Speaker 2: On my ass.
• 25:54
  Speaker 1: They be on cut. They call him John Pork.
• 25:57
  Speaker 5: That shit don't bother y'all.
• 26:02
  Speaker 2: Every day.
• 26:03
  Speaker 5: I just laugh at that shit.
• 26:04
  Speaker 2: Because it all adds up at the end of the day.
• 26:07
  Speaker 2: It all adds up.
• 26:09
  Speaker 5: This shit is a troll world.
• 26:10
  Speaker 2: It adds up.
• 26:11
  Speaker 1: They funny though.
• 26:12
  Speaker 7: In our community, we got like, because we got a
• 26:15
  Speaker 7: variety of like, Chad, put your age.
• 26:17
  Speaker 1: Let me show them.
• 26:18
  Speaker 2: The age demographic. Put your age in the chat.
• 26:21
  Speaker 1: Don't lie to me, the bitch.
• 26:24
  Speaker 5: Only cap, bro.
• 26:26
  Speaker 3: Yo, they be going so crazy. I got to read
• 26:28
  Speaker 3: this shit to y'all. We just did it. We've been
• 26:30
  Speaker 3: moving around all day talking shit or whatever. On Twitter,
• 26:33
  Speaker 3: they just said that I said that Dean is better
• 26:38
  Speaker 3: than Jay-Z.
• 26:39
  Speaker 5: Shout out to the chat.
• 26:40
  Speaker 2: Them niggas going crazy.
• 26:42
  Speaker 5: Tell them the age is on.
• 26:44
  Speaker 2: Look at that. They're all like 34, 35, 50, 34, 37. Look, 42, 31, 22, 22, 21.
• 26:46
  Speaker 2: They all 31, 41, 15, 20, 50, 12. Goddamn. Y'all
• 26:47
  Speaker 2: got to watch your mouth, 12-year-olds. Goddamn. Nigga said that
• 26:51
  Speaker 2: shit like the Matrix, boy. That shit flying. Bro, I
• 26:54
  Speaker 2: told you they quick, bro. It's already.
• 27:09
  Speaker 2: It's already there. We on the record.
• 27:12
  Speaker 5: Episode tomorrow.
• 27:13
  Speaker 2: Episode tomorrow. Episode tomorrow. Episode tomorrow. Episode tomorrow.
• 27:18
  Speaker 5: That shit crazy. That's crazy. Now let me ask you
• 27:20
  Speaker 5: a question. Because you hear the numbers.
• 27:23
  Speaker 6: You know, like you hear, yo, they say Blueface make
• 27:26
  Speaker 6: $ 100, 000 a week. This guy, y'all make $ 200, 000, $ 300, 000 a week.
• 27:28
  Speaker 6: What'd Drake say?
• 27:30
  Speaker 2: Without telling you.
• 27:31
  Speaker 1: I'll be $ 250, 000 a week for real. That's why it's
• 27:36
  Speaker 1: my favorite song.
• 27:39
  Speaker 2: 250,000 a week?
• 27:40
  Speaker 1: I'm just saying the lyrics. Allegedly.
• 27:42
  Speaker 2: Allegedly.
• 27:43
  Speaker 1: Yeah, you know.
• 27:45
  Speaker 8: But those numbers be kind of accurate somewhere around there.
• 27:49
  Speaker 5: That's my idea.
• 27:50
  Speaker 2: I love y'all niggas.
• 27:53
  Speaker 5: Yo, what the fuck? Yo, that's crazy.
• 27:57
  Speaker 1: Nah, we blessed though.
• 27:58
  Speaker 2: We blessed though. I got a lot of employees.
• 28:00
  Speaker 1: Shout out to my motherfucking team. I'm going to be
• 28:02
  Speaker 1: shipped out my team.
• 28:03
  Speaker 7: A lot of y'all some dumb fucks sometimes, but yeah,
• 28:07
  Speaker 7: I guess you're done.
• 28:08
  Speaker 1: A lot of teams got a lot of dumb fucks,
• 28:10
  Speaker 1: but let's keep building.
• 28:11
  Speaker 5: Where's your manager? Your manager's here today?
• 28:12
  Speaker 1: No, he's in Chicago.
• 28:13
  Speaker 2: Yeah, I know. Hitmaker was viral before all this.
• 28:16
  Speaker 1: Yeah, you did a reality show all the time.
• 28:18
  Speaker 2: He was on Love & Hip Hop. He was on
• 28:20
  Speaker 2: the first season of Love & Hip Hop. Look, he
• 28:22
  Speaker 2: say he hate that.
• 28:23
  Speaker 5: Look, he hate that shit.
• 28:23
  Speaker 1: Look at him.
• 28:24
  Speaker 3: I'm not as comfortable as he was. It wasn't my
• 28:26
  Speaker 3: finest hour. Wasn't my finest hour, man. They'd still be
• 28:30
  Speaker 3: on my ass at the airport.
• 28:32
  Speaker 5: Why you do it easily like that?
• 28:33
  Speaker 2: Why you do that?
• 28:34
  Speaker 3: I'm like, bro, I ain't do nothing, bro. That shit fake, bro.
• 28:38
  Speaker 2: So I say that's something you regret a little bit,
• 28:40
  Speaker 2: the love and hip-hop phase. Oh, no, I made it out.
• 28:42
  Speaker 2: You only regret it when you don't make it out.
• 28:44
  Speaker 2: You definitely one of the ones that made it out.
• 28:46
  Speaker 2: You made it out. I made it out. I'm good.
• 28:48
  Speaker 2: I'm good. All good. All good.
• 28:51
  Speaker 3: You got me viral on TikTok for that shit. You
• 28:54
  Speaker 3: know that shit 12 years ago. It's still going on
• 28:56
  Speaker 3: right now.
• 28:58
  Speaker 2: That's crazy. I did that 12 years ago. I'm still
• 29:01
  Speaker 2: viral on that shit, bro.
• 29:03
  Speaker 5: Definitely, yeah.
• 29:05
  Speaker 3: Bitch told me I was her fucking Stevie J of
• 29:07
  Speaker 3: loving hip-hop Hollywood.
• 29:08
  Speaker 2: There you go, look, there you go. Bitch pop up
• 29:11
  Speaker 2: like Cruella De Vil, like, it makes Stevie J of
• 29:15
  Speaker 2: loving hip-hop Hollywood. Fuck out of here, Mona. We all
• 29:18
  Speaker 2: love you, though, Mona, for real.
• 29:19
  Speaker 1: We actually, speaking of reality show, we actually about to
• 29:21
  Speaker 1: do a dance show. Finding love. Finding love for CLB.
• 29:24
  Speaker 1: Or finding love for me and A.B.
• 29:25
  Speaker 5: Oh, that's going to be dope.
• 29:26
  Speaker 2: That's going to be fire. You ain't trying to find
• 29:28
  Speaker 2: no love, nigga.
• 29:29
  Speaker 1: But we're going to do it for the people, though.
• 29:30
  Speaker 2: Got you. I heard you. And if it come, it.
• 29:33
  Speaker 7: Come, though.
• 29:35
  Speaker 1: If it come, it come. We gonna do it. We
• 29:36
  Speaker 1: gonna probably do it. Shit, I wanna do it in
• 29:40
  Speaker 1: like December, honestly, or top of the year.
• 29:42
  Speaker 2: Miami, right? Miami.
• 29:44
  Speaker 3: And you got Ray J with you because he was
• 29:47
  Speaker 3: the first nigga for the love of Ray J.
• 29:49
  Speaker 2: He know how to let him be the host of
• 29:50
  Speaker 2: this shit. That's what we gonna do.
• 29:52
  Speaker 1: And we gonna implement, we gonna implement like, you know what?
• 29:55
  Speaker 1: I just thought, boom, you could be like, Nigga that put.
• 29:59
  Speaker 2: The songs in the show.
• 30:01
  Speaker 1: Because we going to have a high production.
• 30:02
  Speaker 3: Yeah, I'm going to do the music. I'm going to
• 30:04
  Speaker 3: do the music for the show. He make everything but
• 30:06
  Speaker 3: be on camera.
• 30:06
  Speaker 2: You heard him? He said, yeah, yeah, I'm.
• 30:07
  Speaker 1: Going to do the music for the show. Boom.
• 30:10
  Speaker 2: He do.
• 30:12
  Speaker 1: The music side. Boom.
• 30:17
  Speaker 2: Man. Brain fart. Give him another shot.
• 30:19
  Speaker 1: 1,800.
• 30:19
  Speaker 5: Give him another shot.
• 30:20
  Speaker 2: 1,800 tequila.
• 30:20
  Speaker 5: What's the other one?
• 30:21
  Speaker 2: Get me one, too.
• 30:21
  Speaker 7: Bang.
• 30:22
  Speaker 1: He's about to sleep, kind of.
• 30:30
  Speaker 2: For the love of John Pork is crazy. Yo, bro.
• 30:33
  Speaker 2: That's a lot of funnies. I'm crying, bro. For the
• 30:40
  Speaker 2: love of John Pork.
• 30:41
  Speaker 7: We got to implement, like, we got to have a
• 30:43
  Speaker 7: big bag in that bed. We got to have some
• 30:45
  Speaker 7: tall shit, and we got to have, like, six, seven,
• 30:47
  Speaker 7: five shit. And amongst, I haven't figured out how long
• 30:49
  Speaker 7: I'm going to have it for, but if we have
• 30:51
  Speaker 7: it for, like, three weeks, 21 days, every, like, three days, whatever,
• 30:55
  Speaker 7: we'll probably eliminate a bit.
• 30:58
  Speaker 6: You need like 30, 40 girls in the house with
• 30:59
  Speaker 6: the Crash Out Boys, that would be definitely some.
• 31:02
  Speaker 1: I know bitches gonna be kicked out left to right, though. A.B.
• 31:04
  Speaker 2: Ain't gonna let you find no love.
• 31:06
  Speaker 4: Nah, A.N.
• 31:06
  Speaker 7: Ain't.
• 31:06
  Speaker 1: But that's cool. But let's do that, though. Because he
• 31:09
  Speaker 1: think he gonna find something.
• 31:11
  Speaker 2: A.N. ain't.
• 31:11
  Speaker 7: Yeah.
• 31:11
  Speaker 1: Because I'm gonna talk about the cat, too. He's gonna
• 31:14
  Speaker 1: try to fuck the whole house. Times two.
• 31:16
  Speaker 2: I'm crying.
• 31:17
  Speaker 1: He's gonna try to fuck the whole house.
• 31:18
  Speaker 2: Nah, for real. A.B., is A.B. the first streamer to
• 31:21
  Speaker 2: fuck on stream? Probably.
• 31:25
  Speaker 4: Nah.
• 31:25
  Speaker 2: You fucked on stream.
• 31:26
  Speaker 1: No, I got hit.
• 31:28
  Speaker 2: Vegas. Nigga, you had the mic on.
• 31:31
  Speaker 1: But I went up. They ain't see it, though.
• 31:33
  Speaker 5: Yeah, they ain't see it, but you was.
• 31:34
  Speaker 3: Sixknot, but that nigga walked in on AB in mid-stroke
• 31:38
  Speaker 3: pause and put the camera on him and all the
• 31:40
  Speaker 3: other shit.
• 31:41
  Speaker 2: That was crazy.
• 31:41
  Speaker 4: Oh, yeah.
• 31:42
  Speaker 2: That was crazy.
• 31:43
  Speaker 1: Yeah, he did.
• 31:44
  Speaker 2: That was crazy.
• 31:45
  Speaker 1: 696 didn't walk in on him? Talks again, nigga.
• 31:48
  Speaker 5: Y'all retired that house? Y'all got a new house now, right?
• 31:50
  Speaker 2: Somewhere else?
• 31:51
  Speaker 1: I just got a crib, actually. I just set it
• 31:53
  Speaker 1: on a crib out there. Miami? Miami?
• 31:56
  Speaker 5: Yeah, because the other house was what?
• 31:57
  Speaker 2: L.A., right? No, we got a warehouse.
• 31:58
  Speaker 5: What was the crazy house y'all was really wild in that?
• 32:01
  Speaker 2: That was in Miami, I think. Oh, the house.
• 32:03
  Speaker 5: The first house y'all was like, well, all that shit
• 32:05
  Speaker 5: was happening.
• 32:05
  Speaker 1: They always in L.A.
• 32:07
  Speaker 2: That's when I wasn't there. That's when y'all was in L.A.
• 32:10
  Speaker 1: Was it stairs in the background? I think so.
• 32:13
  Speaker 6: The time with that first house, y'all was wilding. Got
• 32:15
  Speaker 6: the backyard where the neighbor was.
• 32:17
  Speaker 2: Like, yo, put it down. He talking about Miami.
• 32:20
  Speaker 1: He talking about Miami. Oh, fuck yeah.
• 32:22
  Speaker 2: That was recently. That was recently.
• 32:25
  Speaker 1: That was for my birthday.
• 32:26
  Speaker 7: We just got a career for like three days for
• 32:28
  Speaker 7: my birthday. But no, that wasn't no crazy.
• 32:31
  Speaker 1: We actually made a song. Shout out to Trinidad James.
• 32:33
  Speaker 1: We made some shit with Cut, too.
• 32:34
  Speaker 5: Yeah, fuck with Trinidad.
• 32:36
  Speaker 2: Oh, Trinidad James. That's what's up, man.
• 32:38
  Speaker 5: So when the album dropping?
• 32:40
  Speaker 2: I think.
• 32:42
  Speaker 3: Next year we gonna go sing like with the marketing
• 32:44
  Speaker 3: that he got you know what I'm saying I think
• 32:46
  Speaker 3: it's more advantageous for us to go single single single
• 32:48
  Speaker 3: single single and build the momentum up for the singles
• 32:51
  Speaker 3: and then drop the album when we got something strategic
• 32:53
  Speaker 3: going on like the TV show that he talking about
• 32:56
  Speaker 3: and all this other stuff or whatever.
• 32:58
  Speaker 2: So the songs we got Exactly. Exactly.
• 33:02
  Speaker 3: So we got a bunch of shit cooking right now, whatever.
• 33:04
  Speaker 3: And then also I'm excited just like with all the
• 33:07
  Speaker 3: people that I'm working with and now we getting this
• 33:08
  Speaker 3: different exposure.
• 33:09
  Speaker 2: You never know. Niggas about to start asking me for
• 33:12
  Speaker 2: Dean features. You know what I'm saying?
• 33:13
  Speaker 3: It's going to be other people because they're going to
• 33:14
  Speaker 3: see other artists going to see the marketing that come
• 33:16
  Speaker 3: along with this shit. They're going to start asking. Then
• 33:18
  Speaker 3: I'm going to get this nigga featured up on a
• 33:20
  Speaker 3: bunch of different songs.
• 33:21
  Speaker 2: You never know, man. Like all this is happening. Yo,
• 33:24
  Speaker 2: we literally.
• 33:25
  Speaker 1: It's all liquor though?
• 33:26
  Speaker 2: Yeah, that's all liquor.
• 33:27
  Speaker 5: God damn.
• 33:27
  Speaker 1: I'm thinking it's a shot in this bitch.
• 33:31
  Speaker 2: I met these guys a month ago. Damn. We only
• 33:34
  Speaker 2: met a month ago. That's crazy.
• 33:36
  Speaker 6: And who's on the album.
• 33:45
  Speaker 2: Again? Man, there's a bunch of motherfuckers on that shit.
• 33:51
  Speaker 2: And we ain't even done. We still cooking daily. They
• 33:53
  Speaker 2: just went in. They got a bunch of different shit
• 33:56
  Speaker 2: cooking up. Cooking. Yes, sir. I might need you on
• 34:00
  Speaker 2: the record, G. Fuck it.
• 34:02
  Speaker 1: Let's go, nigga. And then we got.
• 34:06
  Speaker 5: Oh, shit.
• 34:11
  Speaker 2: Yeah, he don't want to leak that.
• 34:15
  Speaker 1: Yeah, Wednesday, we got... So we got some... Yeah, we
• 34:20
  Speaker 1: was cooking.
• 34:22
  Speaker 3: Oh, you record everything else, but you mute y'all little
• 34:25
  Speaker 3: personal shit, huh?
• 34:26
  Speaker 2: Oh, y'all niggas is funny.
• 34:28
  Speaker 1: We got 50 Cent on Thursday.
• 34:31
  Speaker 2: He say he got 50 on Thursday. Oh, yeah.
• 34:34
  Speaker 3: I was just finna say that Yayo need to introduce,
• 34:36
  Speaker 3: y'all need to introduce his nigga.
• 34:38
  Speaker 2: Okay. I'm bullshit.
• 34:40
  Speaker 3: I can't fuck with this nigga.
• 34:44
  Speaker 2: I can't fuck with this nigga. I can't fuck with
• 34:49
  Speaker 2: this nigga, man. Not yet, though. That's how you got
• 34:53
  Speaker 2: to do it. Speak it into existence, man. Speak it
• 34:55
  Speaker 2: into existence. It's going to happen.
• 34:56
  Speaker 5: Y'all motherfuckers ever think of getting acting? Because y'all some
• 34:58
  Speaker 5: funny motherfuckers.
• 34:59
  Speaker 2: That's what I'm saying. I ain't going to lie to you.
• 35:01
  Speaker 2: You definitely need some acting classes, man. Definitely, man. Definitely.
• 35:04
  Speaker 1: I'll do it.
• 35:06
  Speaker 2: You think you can.
• 35:06
  Speaker 1: Do this to me? Dang!
• 35:07
  Speaker 2: 1,800.
• 35:09
  Speaker 6: 1,800 tequila popping right now.
• 35:19
  Speaker 8: I'm not going to lie. Crash Out Boys. So, Hitmaker,
• 35:22
  Speaker 8: how it felt after you won your first Grammy?
• 35:25
  Speaker 2: Oh, man.
• 35:25
  Speaker 1: Shit.
• 35:25
  Speaker 2: What was that feeling like?
• 35:27
  Speaker 3: I've been nominated like 17 times before I won or whatever. So,
• 35:31
  Speaker 3: it was kind of crazy.
• 35:32
  Speaker 2: But, I mean.
• 35:33
  Speaker 3: My first Grammy, I think it was probably with Drake
• 35:36
  Speaker 3: on Scorpion. And then I think, I don't know if
• 35:38
  Speaker 3: that's the right title of the album.
• 35:40
  Speaker 2: I'm not sure. We won one with Drake.
• 35:42
  Speaker 3: And then it was really important to me to win
• 35:45
  Speaker 3: one with CB.
• 35:47
  Speaker 2: 11-11.
• 35:47
  Speaker 7: Yeah.
• 35:47
  Speaker 3: 11-11, we won a Grammy for that. And I'm super
• 35:50
  Speaker 3: excited about that because, man, me and Chris been like...
• 35:53
  Speaker 3: collaborating for so long or whatever and like this nigga
• 35:56
  Speaker 3: just blesses me like anytime if he fucking with something
• 35:59
  Speaker 3: and I send him a song and he like it
• 36:01
  Speaker 3: he gonna do it shout out to Lil Baby they
• 36:03
  Speaker 3: just dropped their record today Lil Baby and Chris Brown
• 36:05
  Speaker 3: shout out to uh fucking Skilla Baby you know what
• 36:08
  Speaker 3: I'm saying we got that one with Bryson Tilly and
• 36:10
  Speaker 3: Chris Brown just went number one you smoked that one
• 36:17
  Speaker 3: yep so.
• 36:18
  Speaker 6: I mean exactly so how it feel when you get
• 36:21
  Speaker 6: your first fucking Grammy.
• 36:22
  Speaker 2: Man I don't know. I was waiting for the price
• 36:25
  Speaker 2: to go up or something like that.
• 36:26
  Speaker 3: I was asking my team, like, so when you get
• 36:28
  Speaker 3: the Grammy, like, you gonna tax a little bit more
• 36:30
  Speaker 3: or something like that or whatever? But to me, man,
• 36:33
  Speaker 3: fuck a Grammy, man. I was more happy with my
• 36:35
  Speaker 3: BET award when they gave me producer of the year
• 36:37
  Speaker 3: because I felt like it came from my niggas.
• 36:38
  Speaker 2: You know what I'm saying? It came from us.
• 36:40
  Speaker 3: So I was more excited about that shit. You know,
• 36:42
  Speaker 3: and the Grammys is Grammys. You know, it is what
• 36:45
  Speaker 3: it is.
• 36:45
  Speaker 2: Gotcha. That's real shit right there. I like that, man.
• 36:47
  Speaker 2: I like that.
• 36:49
  Speaker 1: So what's more valuable, the Grammys or the BET Awards?
• 36:51
  Speaker 2: Neither. You're just going to say you're a Grammy Award winner.
• 36:55
  Speaker 1: I know, it's politics too, though.
• 36:56
  Speaker 5: So when I win a Grammy, you say the price
• 36:58
  Speaker 5: don't go up?
• 36:58
  Speaker 2: Yeah, okay. How come the price go up when you
• 37:01
  Speaker 2: win a Grammy? It don't go up. It don't.
• 37:03
  Speaker 3: Because you know, in reality, right? when you win a Grammy,
• 37:06
  Speaker 3: your price already so high that it's like, if you're
• 37:08
  Speaker 3: going to go up, ain't crazy.
• 37:09
  Speaker 2: You know what I'm saying?
• 37:10
  Speaker 3: I wish I was producing back in the Swiss beat, Timbaland.
• 37:12
  Speaker 3: Them niggas get like $ 250 a beat. Them niggas get
• 37:14
  Speaker 3: $ 250, 000 a beat.
• 37:14
  Speaker 2: Yes. Yes, nigga. And no, that was just for, that
• 37:20
  Speaker 2: was damn near sometimes just to- On the walk-in, right?
• 37:22
  Speaker 2: $ 250 just to meet. $ 250 just to meet. Yeah, everybody said,
• 37:26
  Speaker 2: let's get my man business correct. Yeah, that's a fact.
• 37:28
  Speaker 2: That was just to meet. Just to walk in. $ 250
• 37:30
  Speaker 2: just to get in the studio with a nigga.
• 37:32
  Speaker 5: Them budgets was crazy back then.
• 37:33
  Speaker 1: I ain't glad I would have been making my own
• 37:35
  Speaker 1: beats at that point.
• 37:36
  Speaker 2: Respectfully, though. I need to bring that back. I need
• 37:39
  Speaker 2: to bring that back, though. $ 250, shit.
• 37:41
  Speaker 8: That was a good- And they still got 50% of
• 37:44
  Speaker 8: the record on top of that.
• 37:46
  Speaker 1: Yes, sir.
• 37:47
  Speaker 2: Still got 50% of the record on top of that.
• 37:49
  Speaker 6: Hitmaker, what other projects you working on besides Dean?
• 37:53
  Speaker 3: Man, bro, I ain't gonna lie, bro. This whole year,
• 37:56
  Speaker 3: I done walked this year down so crazy, bro. I'm
• 37:58
  Speaker 3: on everybody's shit. moving forward man just the next man
• 38:03
  Speaker 3: who else who else i've been in i was just
• 38:04
  Speaker 3: in with meek uh shout out to my dog meek
• 38:06
  Speaker 3: i was just in with him recently he got a
• 38:08
  Speaker 3: project coming um man i've been working with everybody bro
• 38:11
  Speaker 3: i ain't even gonna lie this shit i'm so fried
• 38:13
  Speaker 3: because i'm in with a new artist every day i
• 38:15
  Speaker 3: can't even tell you about what's going on bro for
• 38:17
  Speaker 3: real for real.
• 38:19
  Speaker 2: Yeah, don't be surprised if the rapper produced it. Too Rare,
• 38:23
  Speaker 2: I just did. Too Rare, I just did that. Nah,
• 38:27
  Speaker 2: it's on the way.
• 38:28
  Speaker 3: That shit top 40 is like number 30-something right now.
• 38:30
  Speaker 3: Whatever just came out a couple weeks ago.
• 38:32
  Speaker 5: Ain't nothing wrong on the chat.
• 38:33
  Speaker 1: Nah. Hey, yo.
• 38:39
  Speaker 2: Shout out to everybody that I'm working with. Shout out
• 38:42
  Speaker 2: to the chat.
• 38:43
  Speaker 5: Shout out to the chat. That's dope, man.
• 38:45
  Speaker 2: Thank God. Love, brother. That's dope, man.
• 38:46
  Speaker 5: We appreciate y'all coming through.
• 38:48
  Speaker 2: Y'all, thanks for having us.
• 38:48
  Speaker 5: Crash Out Boys.
• 38:49
  Speaker 2: Crash Out Boys in the building. Hitmaker.
• 38:52
  Speaker 8: Hitmaker's gonna send me a 10-pack for the rap-up beat.
• 38:57
  Speaker 2: He's sending me a 10-pack for the rap-up beat.
• 39:00
  Speaker 3: And listen, I'm not responsible for whatever Yayo's saying, but
• 39:03
  Speaker 3: I mean, not Yayo. Murder's gonna say some shit. I'm
• 39:06
  Speaker 3: going to say my tag at the beginning, but it
• 39:08
  Speaker 3: ain't on me.
• 39:09
  Speaker 2: That's a fact. Hitmaker. Hitmaker, you heard?
• 39:11
  Speaker 5: Let's get a chat, y'all. Hitmaker, you know the vibe. Whoa, whoa.
• 39:19
  Speaker 2: A.B., stop drinking, nigga.
• 39:20
  Speaker 5: We need to see you next time. Hey, B, where
• 39:22
  Speaker 5: you at?
• 39:23
  Speaker 2: Let's go.
• 39:25
  Speaker 5: We got these for y'all, too.
• 39:26
  Speaker 2: Oh, yeah, definitely, man.
• 39:27
  Speaker 1: Hell, yeah.
• 39:28
  Speaker 2: Little gift bags from the unit dispensary.
• 39:30
  Speaker 5: Dang, we got you, too, even though you want to
• 39:31
  Speaker 5: fight me.