Latest / The Breakfast Club / Flash Back to Michael B Jordan to Jonah Hill Interview

Transcript

Flash Back to Michael B Jordan to Jonah Hill Interview · The Breakfast Club

• 0:00
  Speaker 1: This is your wake up call Breakfast Club. They show
• 0:05
  Speaker 1: you love to hate from the East to the West,
• 0:07
  Speaker 1: Coach DJ and a Charlomagne, the really show on the planet.
• 0:12
  Speaker 1: This is why I respect this show, because this is
• 0:14
  Speaker 1: a voice of society. Saints in the game. Guys are
• 0:17
  Speaker 1: the coveted morning show. But y'all Earni and Facting the
• 0:21
  Speaker 1: coach wake up in the morning and they want to
• 0:23
  Speaker 1: hear that breakfast cause the world's most dangerous morning show.
• 0:28
  Speaker 1: Pick up the mother mother phone and died. This is
• 0:31
  Speaker 1: your time to get it off your chest, whether you're
• 0:33
  Speaker 1: mad or pleases, we want to hear from you on
• 0:36
  Speaker 1: the Breakfast Club. Please better have the same energy. Hello,
• 0:39
  Speaker 1: who's this Hi, good morning, Let's just your cares her car.
• 0:43
  Speaker 1: Get it off your chest. I'm calling because these old
• 0:46
  Speaker 1: ben out here are still disgusting. This one guy, he
• 0:50
  Speaker 1: was like, hold enough to be my dad and he
• 0:53
  Speaker 1: I told him that thanks morning. He I said, note
• 0:56
  Speaker 1: on my car. You know it's so creepy and disgusting.
• 0:58
  Speaker 1: What is say like? I'm a very successful businessman and
• 1:04
  Speaker 1: that old man could have been your blessing? Shoot? How wait? Wait,
• 1:08
  Speaker 1: how old is he? How old? He looked like he
• 1:11
  Speaker 1: was like over fifty or something like that. How old
• 1:14
  Speaker 1: are you? I'm twenty five? So are you missing your blessing?
• 1:17
  Speaker 1: Bull by not being with this old man? No, he
• 1:20
  Speaker 1: turns out he was a landscaper at the hotel. I
• 1:22
  Speaker 1: was sitting there. That's a lot of money. That's a
• 1:24
  Speaker 1: lot of money. Not just about that. She's not turned on.
• 1:27
  Speaker 1: I can hit the Charleston in your voice, the eight
• 1:29
  Speaker 1: four three? Yes you are you from hug My boy
• 1:34
  Speaker 1: wife's got a chicken form and huge. Oh yeah, yes, listen.
• 1:38
  Speaker 1: Are you missing your blessing? How much money this man
• 1:40
  Speaker 1: making a week with this landscaping businessman? I didn't find
• 1:42
  Speaker 1: that all I thought it was. I think it's treaty
• 1:45
  Speaker 1: when these old men try to talk to us young girls,
• 1:47
  Speaker 1: that's all. How old is he? Old man? How old
• 1:53
  Speaker 1: is she? She said? Twenty five? Well, come on, she's
• 1:55
  Speaker 1: that's old enough to be her dad. You really got
• 1:57
  Speaker 1: to do much, be a flirt with him to get
• 1:59
  Speaker 1: a free, free, free lawn mow every now and then,
• 2:03
  Speaker 1: just like you. I hear you said it before or
• 2:05
  Speaker 1: something me you said. You mess with them, old men
• 2:07
  Speaker 1: get worse worm You never get no worm. Man. Hello,
• 2:13
  Speaker 1: who this hien to the breakfast club every morning, and
• 2:17
  Speaker 1: I love y'all, and I'm calling to tell y'all why
• 2:20
  Speaker 1: I'm mad. I just usually signed out. My boyspone was
• 2:22
  Speaker 1: stealing money for me. What how was he stealing money?
• 2:25
  Speaker 1: Oh my god? You whack? Yeah, like no, like taking
• 2:29
  Speaker 1: my card? Like what was he buying? Let's just not
• 2:33
  Speaker 1: saying rady no, no, by you tell me he was
• 2:35
  Speaker 1: buying drugs with your credit card? I'm a doll? No, no,
• 2:37
  Speaker 1: he can't buy Was he buying a sex doll or
• 2:39
  Speaker 1: some crazy sex toys? No? Nothing, He's not a weirdo
• 2:43
  Speaker 1: like that. What was he buying? He was not using
• 2:45
  Speaker 1: it for illegal stuff like the money so he was
• 2:48
  Speaker 1: doing buying escorts? No? No, no, no, no no. How
• 2:51
  Speaker 1: do you buy illegal stuff with a legal credit card?
• 2:53
  Speaker 1: How he was he buying? You gotta tell us. No,
• 2:55
  Speaker 1: he was getting cash out, not like y'all. Oh okay,
• 2:58
  Speaker 1: and then buying drugs. Is he was gonna seller because
• 3:01
  Speaker 1: it we the coat? It was Oh oh my god.
• 3:04
  Speaker 1: So the question is what are you gonna do now?
• 3:06
  Speaker 1: You're actually an accessory at this point. Yeah, you are
• 3:09
  Speaker 1: the obvious thing I just had. You're gonna go snitch on.
• 3:13
  Speaker 1: You're gonna go tell I'm not gonna you need to
• 3:16
  Speaker 1: you an accessory. No, we're just gonna you know, we're
• 3:19
  Speaker 1: just not gonna deal with each other. What drugs? Was
• 3:21
  Speaker 1: a heroine? What was it? No? What a heroind What
• 3:24
  Speaker 1: was it? It was the drugs mostly legal? And mean,
• 3:30
  Speaker 1: why are you acting so we don't about it? Hey,
• 3:33
  Speaker 1: write us a letter when you get your conspiracy charge. Okay,
• 3:35
  Speaker 1: my goodness, I have a good morning mama. All right,
• 3:41
  Speaker 1: eight hundred five eight five one oh five one. If
• 3:44
  Speaker 1: you're upset, you need to vent hit us up right now.
• 3:46
  Speaker 1: It is the breakfast Morning. Are you blessing? I feel blessed.
• 3:51
  Speaker 1: Tell the congregation at eight hundred five eight five one
• 3:53
  Speaker 1: five one, it's the breakfast Club to show Why are
• 3:59
  Speaker 1: you mad? Bro? Man? I'm man because I got the
• 4:02
  Speaker 1: flu many I'm not feeling good at all. Yeah, you
• 4:05
  Speaker 1: signed a little congested. What have you been taking? I've
• 4:09
  Speaker 1: been taking what I've been taking? Uh yeah, Yeah, seemed
• 4:16
  Speaker 1: like the flu in a way. The flu hit hard
• 4:17
  Speaker 1: and people were dying and passing away, and I got
• 4:20
  Speaker 1: the control and I seemed like they gotta do control.
• 4:21
  Speaker 1: In the last couple of weeks. Yeah, I just wanted
• 4:23
  Speaker 1: to stand. What something to y'all doing? All right, brother,
• 4:26
  Speaker 1: we'll get better. Hello, who's this britanicle? Hey, mamma getting
• 4:29
  Speaker 1: off her chess. I feel it. I'm blessed because um
• 4:33
  Speaker 1: a hard working woman, I'm a white and then I
• 4:36
  Speaker 1: just suit. It ends up telling with my masters. And
• 4:39
  Speaker 1: then months later I received a great job on the base,
• 4:43
  Speaker 1: so I feel they at the being the United States
• 4:45
  Speaker 1: better for so long. I was like, that's a blessing
• 4:47
  Speaker 1: to me, because yesterday it was the worst. I get
• 4:50
  Speaker 1: almost the work and I had to blow out. Blow
• 4:52
  Speaker 1: out What you mean like on my car? Yes, the
• 4:58
  Speaker 1: car that I drive. They don't even get your spars higher.
• 5:00
  Speaker 1: So I was like I had to get my car
• 5:02
  Speaker 1: tone and I was like, oh my god, I'm going
• 5:04
  Speaker 1: to late the word and this is my first one. Later,
• 5:07
  Speaker 1: Oh damn, well, congratulations baby, sound like I don't know
• 5:10
  Speaker 1: what the hell was she talking about. I don't know.
• 5:11
  Speaker 1: She says you got to work out a blowout. I
• 5:12
  Speaker 1: thought the Dominican did her head. Hello, who's this? Hey?
• 5:15
  Speaker 1: Hey Kim, Hey Kim, Hey. Well, I just want to
• 5:19
  Speaker 1: say I was a sing I am a single mother
• 5:22
  Speaker 1: and after years of working hard, I was able to
• 5:26
  Speaker 1: launch my own cosmetic f line. I went from welfare
• 5:29
  Speaker 1: to raising one point two millions on my own And
• 5:34
  Speaker 1: if I can do it, anybody can do it. I
• 5:36
  Speaker 1: am the founder of Glamazon Beauty Cosmetic. Yeah, she is
• 5:40
  Speaker 1: a great makeup artist. I actually know Kim. She does
• 5:42
  Speaker 1: a fantastic job, and she has her products and like
• 5:45
  Speaker 1: the major drug stores and everything now yes, yes, so
• 5:50
  Speaker 1: and knows personally. I literally went from being a single
• 5:54
  Speaker 1: mom to now I'm being my own entrepreneur and the
• 5:57
  Speaker 1: line of storm very well. Well, congratulations and congrats on
• 6:00
  Speaker 1: the weight loss. Thank oh, thank you, love your an,
• 6:04
  Speaker 1: love you two, Kim, congrats on everything you deserve it.
• 6:07
  Speaker 1: Get it off your chest eight on drip five eighty five,
• 6:09
  Speaker 1: one on five one. If you're upset, you need to
• 6:11
  Speaker 1: hit us up now. It's the breakfast club of good morning. Hello.
• 6:13
  Speaker 1: Who's this? This is Bishop, a bishop. Get it off
• 6:16
  Speaker 1: your chest. I'm taking tired of women complaining about the
• 6:20
  Speaker 1: man cheating. Right. Just recently a friend of ours, me
• 6:23
  Speaker 1: and my wife got called cheat. Right, you know you're
• 6:28
  Speaker 1: tired a man cheat you too, And but the fact
• 6:30
  Speaker 1: of the matter is when the when the story broke.
• 6:32
  Speaker 1: The man was getting sex like three times a month. Now,
• 6:36
  Speaker 1: a man doesn't want sex, a man needs sex. It's
• 6:38
  Speaker 1: a difference between wamps and water and needing some water. Now,
• 6:41
  Speaker 1: if your man leaves out after he did, after he
• 6:43
  Speaker 1: didn't told you he wanted sex, and you let him
• 6:45
  Speaker 1: go a whole week, two weeks, three weeks, as if
• 6:48
  Speaker 1: you didn't realize that your man just tucked on your case.
• 6:50
  Speaker 1: So basically, basically, you're saying what your woman don't do.
• 6:53
  Speaker 1: Another woman was was what you're saying exact exactly, So
• 6:56
  Speaker 1: stop this complaining. When he goes out and he gets
• 6:59
  Speaker 1: him a piece, it's only sex to him, but you
• 7:01
  Speaker 1: didn't want it. You didn't want to give it to him.
• 7:03
  Speaker 1: You were your head ache or whatever really is never
• 7:07
  Speaker 1: gonna give it to him, and now he probably destroyed
• 7:09
  Speaker 1: their relationship. I understand what's worth. I understand what you're
• 7:12
  Speaker 1: complaining about her, but you have to understand your woman
• 7:13
  Speaker 1: didn't want to have sex with you because she was
• 7:15
  Speaker 1: busy getting to add out by another guy. She was tired, exactly. Yeah,
• 7:19
  Speaker 1: my woman on the always wants you to be slapping
• 7:21
  Speaker 1: bellies with him. You know what I'm saying, but look,
• 7:23
  Speaker 1: you need to leave your man. You leave to leave
• 7:25
  Speaker 1: your man drained, then he can't get that thing. Now,
• 7:27
  Speaker 1: let me ask you this. If it's no big deal,
• 7:29
  Speaker 1: and it's not a problem because it's only sex, bighting,
• 7:31
  Speaker 1: he just tell her, Hey, I'm about to go have
• 7:32
  Speaker 1: sex with this other woman. Why did he lie? Curse?
• 7:34
  Speaker 1: He ain't he ain't stupid? You know what I mean.
• 7:36
  Speaker 1: You don't want to be stupid. You know now you
• 7:39
  Speaker 1: not only have you had sex with somebody else, but
• 7:40
  Speaker 1: you also are a liar. Apparently. Yet I'm telling you
• 7:44
  Speaker 1: your woman didn't want to have sex with you because
• 7:46
  Speaker 1: she already got add out by somebody else. Man, have
• 7:48
  Speaker 1: a navy, all right, get it off your chest. Eight
• 7:50
  Speaker 1: hundred five eight five one on five one. If you
• 7:52
  Speaker 1: need to vent, hit us up. Keep a lock. Just
• 7:54
  Speaker 1: to breakfast, cloak of morning phoning. Everybody is DJ Envy
• 7:57
  Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast club.
• 8:01
  Speaker 1: We got a special guest in the building. I'm telling
• 8:03
  Speaker 1: you sex sex symbol extraordin air brush shut Michael, my
• 8:12
  Speaker 1: god shutting their Michael Well, all the ladies and all
• 8:17
  Speaker 1: the fellows like Michael B. Jordan, okay, ask him to
• 8:20
  Speaker 1: take your shirt onver that oh man, man, quick, real quick,
• 8:25
  Speaker 1: you guys awkward. Jesus's the movement going on now, and
• 8:28
  Speaker 1: you guys can't just harass Michael Bie. That's what you
• 8:34
  Speaker 1: have to say that. You got to say it. You
• 8:36
  Speaker 1: have to say. Listen, how are you, sir? I'm doing
• 8:40
  Speaker 1: good man? How is your life changed since Black Panther?
• 8:43
  Speaker 1: It's insane. Uh, it's uh, you know, kind of known before.
• 8:46
  Speaker 1: I guess now it's just it's can't go anywhere, malls
• 8:49
  Speaker 1: off limits. You know what I'm saying. Postmates, you know
• 8:51
  Speaker 1: what I'm saying. My Postmates Bill went through the roof.
• 8:53
  Speaker 1: I'm in your house. It's just a it's incredible, especially
• 8:56
  Speaker 1: with the kids, next generation man, just seeing them kind
• 8:59
  Speaker 1: of how excited they be and you know, after the
• 9:00
  Speaker 1: seeing the movie and it's kind of their reaction to
• 9:02
  Speaker 1: me walking around has been has been pretty incredible. Incredible.
• 9:05
  Speaker 1: That buried me in the ocean with my ancestor that
• 9:07
  Speaker 1: jumped from ships because they knew death was better than Bondage.
• 9:10
  Speaker 1: Who wrote that line, I was Ryan Man? Wow, Yeah, Ryan,
• 9:13
  Speaker 1: Ryan Cooler's uh, he's incredible. Man. We just wanted to
• 9:16
  Speaker 1: you know, really get the essence of what kill Monger
• 9:19
  Speaker 1: was trying to was trying to say, and you know,
• 9:22
  Speaker 1: going in change, trying to you know, trying to trying
• 9:24
  Speaker 1: to live. It wasn't really on his agenda. He was
• 9:26
  Speaker 1: willing to die for what he believed in the you know,
• 9:28
  Speaker 1: going out like his answers did was was proving his point.
• 9:31
  Speaker 1: I think I think he won. I think he got
• 9:32
  Speaker 1: his point across in the end. You see to Chyla
• 9:35
  Speaker 1: actually go back to Oakland, you know what I'm saying,
• 9:36
  Speaker 1: by the buildings really like you know, open up the
• 9:38
  Speaker 1: borders of Wakanda. So that was you know, kill Monger's victory.
• 9:41
  Speaker 1: I want to said, keep a diary during the time
• 9:44
  Speaker 1: that you did Black Panther. Yeah, for most of my
• 9:46
  Speaker 1: characters in general, um, not for television, but for film.
• 9:50
  Speaker 1: I like to write a diary from like the earliest
• 9:52
  Speaker 1: memory of a character up until the first page of
• 9:54
  Speaker 1: the script, which just kind of gives me like a
• 9:55
  Speaker 1: backstory of a subtext to always know where my characters
• 9:59
  Speaker 1: are at. So always kind of like keep those So
• 10:00
  Speaker 1: I got a like a you know, a crate full
• 10:03
  Speaker 1: of like you know, meet notebooks of like all my
• 10:05
  Speaker 1: characters that I played thus far, and it's kind of
• 10:07
  Speaker 1: memory that you think, oh no, maybe like maybe when
• 10:10
  Speaker 1: it's all sitting done, or like you know, at the
• 10:12
  Speaker 1: end of it, you know, something that people kind of
• 10:13
  Speaker 1: look back on and just kind of get a subtext
• 10:15
  Speaker 1: to all the characters that that's actually a good idea.
• 10:17
  Speaker 1: I don't think something like that. Never really thought about
• 10:19
  Speaker 1: it like that. How did you prepare it for the role,
• 10:21
  Speaker 1: Like did you have to bulk up? Was it a
• 10:23
  Speaker 1: lot of training? Did you watch a lot of videos
• 10:24
  Speaker 1: of black men getting shot by police and not really
• 10:27
  Speaker 1: get angry away? Nah? I mean that didn't. I mean,
• 10:29
  Speaker 1: that's not too hard, you know what I'm saying. Like
• 10:31
  Speaker 1: for me, it was more or less. Uh sorry, allergies
• 10:35
  Speaker 1: just not this allergies. Not it ain't that hard for
• 10:40
  Speaker 1: me out there. I'm good, I'm good. I'm good. I'm good.
• 10:42
  Speaker 1: Um No, it's one of those things. But like, uh,
• 10:45
  Speaker 1: it took me to a dark place this character. Not
• 10:47
  Speaker 1: even a dark place, but I just isolated, you know
• 10:50
  Speaker 1: what I mean. Like it was one of those things
• 10:51
  Speaker 1: where you know, kill manger. What he was fighting for
• 10:54
  Speaker 1: wasn't too far from you know what the culture was
• 10:57
  Speaker 1: feeling at the moment, you know what I'm saying. It
• 10:59
  Speaker 1: was an opportunity for me to kind of express I
• 11:01
  Speaker 1: think with our generations feeling right now, you know, through
• 11:05
  Speaker 1: my art. You know, I spent a lot of time
• 11:06
  Speaker 1: away from my family. I didn't really talk to my
• 11:07
  Speaker 1: mom and my dad, you know what I'm saying, Like
• 11:09
  Speaker 1: my brothers and sisters and stuff like that. You know,
• 11:11
  Speaker 1: I worked out a lot. It was a sad place, man.
• 11:12
  Speaker 1: I just kind of like stayed to myself. And so
• 11:14
  Speaker 1: the physical aspect was that was the easy part. Mentally,
• 11:17
  Speaker 1: kind of going to that lonely place and willing to
• 11:19
  Speaker 1: do whatever it takes to kind of freeze people was
• 11:21
  Speaker 1: a more challenging part. What about white women? Did you
• 11:23
  Speaker 1: cut off white women during that? Man? Why would that
• 11:26
  Speaker 1: go back there? I like women, period, all women. Everybody's
• 11:29
  Speaker 1: on the table. Okay, yeah, everybody's on the table. Everybody's
• 11:36
  Speaker 1: on the table, man, everybody. Did you antriticipate the movie
• 11:38
  Speaker 1: would have the impact that it was going to have
• 11:40
  Speaker 1: when you were filming it, I thought we had something special.
• 11:43
  Speaker 1: I never imagined that it was going to have the
• 11:45
  Speaker 1: reach it did. I did, I told her last summer
• 11:49
  Speaker 1: I said, you know, Black Peple are gonna make of
• 11:50
  Speaker 1: a billion dollars and he was like, what I said,
• 11:52
  Speaker 1: I'm telling you because you don't have all the Marvel fans. Yeah,
• 11:55
  Speaker 1: every black person in America who ain't even up on
• 11:57
  Speaker 1: comments gonna go see it's gonna do with a billion.
• 11:59
  Speaker 1: And then we didn't really account for I think people
• 12:01
  Speaker 1: going to see it three, four or five times and
• 12:03
  Speaker 1: I saw it three times. That's that's what's up. How
• 12:06
  Speaker 1: many people buying out the theaters as well being able
• 12:09
  Speaker 1: to like take kids that wouldn't necessarily have the opportunity
• 12:12
  Speaker 1: or the means to go see the film. So it was,
• 12:13
  Speaker 1: it was. It was a big deal. It's kind of surreal.
• 12:16
  Speaker 1: But the impact hasn't really hit me right now. It's
• 12:18
  Speaker 1: still like because it's still living it still, you know,
• 12:20
  Speaker 1: so I think the real impact for me personally won't
• 12:23
  Speaker 1: happen until, you know, years later. Did it desperately settled? All?
• 12:27
  Speaker 1: We got more with Michael B. Jordan when we come back.
• 12:29
  Speaker 1: Keep it locked as the Breakfast Club Go Morning, the
• 12:32
  Speaker 1: Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 12:37
  Speaker 1: the guy. We all the Breakfast Club Michael B. Jordan
• 12:41
  Speaker 1: is in the building. Charlomagne, Well, let's talk about these women. Man.
• 12:43
  Speaker 1: You know what's going on? Why well, why everybody want
• 12:46
  Speaker 1: to know about what I'm doing on my life. You've
• 12:48
  Speaker 1: got to be disciplined, Michael, because they on you all
• 12:50
  Speaker 1: right now, they on you now. Now. Recently, this girl
• 12:53
  Speaker 1: from Temple got into your DMS and bought you a
• 12:55
  Speaker 1: smovie and you pulled up on she didn't. You pulled
• 12:58
  Speaker 1: up on I love like you bought your smoothlye and
• 13:01
  Speaker 1: you pulled up on it love. If you read the Internet,
• 13:08
  Speaker 1: I declined to Smoothie. Okay, she didn't buy me no
• 13:11
  Speaker 1: smooth Let's happen. This happened, so you want to go
• 13:16
  Speaker 1: see it. Listen this, No, no, this is what happened. Right.
• 13:18
  Speaker 1: So this got right here. Boy. So uh, we're shooting
• 13:22
  Speaker 1: at to the university and our base camp is behind
• 13:24
  Speaker 1: the dorm rooms. I was coming out of here and
• 13:26
  Speaker 1: make a trailer. It was in the windows. Went crazy
• 13:28
  Speaker 1: blah blah blah. Yeah, yeah, I went out talked to
• 13:30
  Speaker 1: a couple of them through the window, just like you know,
• 13:32
  Speaker 1: show them some lovel takes me went off of the
• 13:34
  Speaker 1: cook I was like cool, cook me something whatever, just
• 13:37
  Speaker 1: being nice. They slid a my DMS. Where can I
• 13:40
  Speaker 1: see the food? I answered? A couple of them said, Cooper,
• 13:43
  Speaker 1: just come down and meet me at my at the
• 13:45
  Speaker 1: base camp. I'll tell the security to chill out. Went
• 13:47
  Speaker 1: out there, gave me a flake. I took some pictures.
• 13:50
  Speaker 1: You ate it. That was it. I took a couple
• 13:51
  Speaker 1: of blakes. You're not worried about period Blake? Come on,
• 13:55
  Speaker 1: come on, how they get you? That's roots voodoo? No,
• 14:00
  Speaker 1: I mean nah? I took good bikes whatever, man, cool,
• 14:03
  Speaker 1: what I mean whatever, That's what I'm saying. Took good bikes.
• 14:06
  Speaker 1: It was cool. And let's tell page come in, man,
• 14:09
  Speaker 1: I need to shoot from my se. The blond right there,
• 14:13
  Speaker 1: she said, know what she's been talking about in your
• 14:15
  Speaker 1: ask for much? Really? I have her own video saying
• 14:20
  Speaker 1: George's as she don't even want to come in here. Now.
• 14:22
  Speaker 1: Out of control you have, of control. I'm telling you
• 14:24
  Speaker 1: what you say. I look out of control energy that
• 14:29
  Speaker 1: they have with Michael B. Jordan. Rumor has it that
• 14:32
  Speaker 1: he's in a relationship. So I'm really man, Look I'm chilling. Man,
• 14:36
  Speaker 1: I keep I keep my I'm keep on personal Okay,
• 14:40
  Speaker 1: I'm keeping that I'm chilling, So what's the quick chilling?
• 14:43
  Speaker 1: A fan has done it to try to get your attention.
• 14:44
  Speaker 1: If anything, it's one fan in Philly, I guess made
• 14:47
  Speaker 1: a cut out of me and like, you know, actually
• 14:49
  Speaker 1: took me to prom to get cut out to exactly
• 14:52
  Speaker 1: and that was a little extreme, you know what I'm saying.
• 14:54
  Speaker 1: So I responded back to her. So she got my
• 14:56
  Speaker 1: attention with that. Yeah, she got my attention with that one. So,
• 14:58
  Speaker 1: I mean, I'm not a rap like these rappers be
• 15:00
  Speaker 1: having like you know what, I'm seeing these fans and
• 15:02
  Speaker 1: stuff going crazy. I think musician fans and like actors
• 15:05
  Speaker 1: fans are different, you know. I mean, I think it's
• 15:06
  Speaker 1: a different type of like, you know, obsession a little bit.
• 15:08
  Speaker 1: So I don't really get too many crazy, crazy, crazy
• 15:10
  Speaker 1: fans of a woman throwing her panties on the stage
• 15:13
  Speaker 1: if you were a singer screenshot at her without panties on.
• 15:17
  Speaker 1: I don't know, man, I don't know. I listen to
• 15:20
  Speaker 1: Tiffany Hattish, Yeah, my family, but she told me something.
• 15:24
  Speaker 1: I don't even know if I should be repeating this,
• 15:26
  Speaker 1: but oh man, so don't no listen, She says she's
• 15:30
  Speaker 1: not shaving her pupid hair until she has sex with you. Now,
• 15:33
  Speaker 1: you know it's gonna be hot this summer. Do you
• 15:35
  Speaker 1: do you do you want to have her down there
• 15:37
  Speaker 1: all bush? Can you make that happen? I know you're
• 15:39
  Speaker 1: gonna see her to night at the met Gallas, So
• 15:40
  Speaker 1: you're gonna put that on me? Yes? What you mean,
• 15:42
  Speaker 1: ain't gonna do let her walk around with a bush?
• 15:44
  Speaker 1: I ain't gonna do it me. I never this first
• 15:45
  Speaker 1: time I'm hearing about it. How long those she was yesterday?
• 15:48
  Speaker 1: She got day? No, No, she's talking about been growing it.
• 15:54
  Speaker 1: That'd be a good look for you. She's a real
• 15:55
  Speaker 1: love of African princess. And why don't you do stand up? Man?
• 15:58
  Speaker 1: You don't think about it? What's up? No? I know,
• 16:00
  Speaker 1: I know once you have to stand up. You got
• 16:02
  Speaker 1: a situation black man, don't you? Oh? You? Oh, you
• 16:05
  Speaker 1: got a relationship. Why y'all trying to bait me into
• 16:07
  Speaker 1: answering this goddamn question. I'm chilling, I'm chilling, I'm chilling.
• 16:11
  Speaker 1: What is this white woman's name? What are you talking about?
• 16:14
  Speaker 1: What are you talking about? Why do you leaving me alone?
• 16:17
  Speaker 1: Or anything? Or anything or anything? Asking I'm just asking man,
• 16:21
  Speaker 1: I'm chilling man. So no real interest in Tiffany had
• 16:23
  Speaker 1: This is what you're telling Tiffany's dope, So oh that's
• 16:26
  Speaker 1: a good You're saying. You're not going to bait him
• 16:28
  Speaker 1: in this interview. Is basically all I'm telling you is
• 16:30
  Speaker 1: when you see her the night at the Mecgalla, you
• 16:31
  Speaker 1: got a full bush down there. So what should I
• 16:33
  Speaker 1: said on you? It's on me to get it removed.
• 16:36
  Speaker 1: You're a friend, why you can't You can't convince her
• 16:39
  Speaker 1: to take care of that. She wanted you. She said
• 16:41
  Speaker 1: she's not back, and then you got to think about
• 16:46
  Speaker 1: all the money she's gonna make in the future. Man,
• 16:47
  Speaker 1: that's a good y'a can build your own together. Leave
• 16:52
  Speaker 1: me alone, Michael Jordan gotta get about it. He got
• 16:57
  Speaker 1: some tivy to do. It's very busy, but we really
• 17:00
  Speaker 1: appreciate you for stopping. Can always tell people from Hollywood,
• 17:04
  Speaker 1: especially the black actors, they forget about their black basis,
• 17:07
  Speaker 1: you know what I'm saying. So it's good to see
• 17:08
  Speaker 1: y'all still coming back with the rush off to the
• 17:10
  Speaker 1: white people. No, not on. I never lose touch man,
• 17:15
  Speaker 1: never lose touch. Bro All right. I appreciate you guys. Absolutely.
• 17:18
  Speaker 1: It's Michael B. Jordan. It's the Breakfast Club. The morning
• 17:21
  Speaker 1: we're celebrating the Breakfast Clubs eight year anniversary. Check out
• 17:24
  Speaker 1: this moment. DJ. Drama so shady, the drama good. I
• 17:30
  Speaker 1: don't know what's happening awkward between those two. Maybe you
• 17:34
  Speaker 1: can shed some light on. I don't know. I'm curious.
• 17:36
  Speaker 1: I don't know what's going on there. And he got
• 17:40
  Speaker 1: his head because I don't have I don't know. Is
• 17:43
  Speaker 1: that what it is? I don't I don't want them
• 17:44
  Speaker 1: fast anymore, but I know. I mean, but you did
• 17:46
  Speaker 1: question if I had one. Well, if you want to
• 17:48
  Speaker 1: get into it, the reason why, Okay, there we go. Yes,
• 17:53
  Speaker 1: I thought it was some real sucker right when we
• 17:55
  Speaker 1: when I left Hot and we came over here, Hu,
• 17:59
  Speaker 1: it was a fight were our lives right? And a
• 18:02
  Speaker 1: lot of artists weren't with us. It was cool and
• 18:04
  Speaker 1: I don't put them down. So it's all great because
• 18:06
  Speaker 1: you know, the Breakfast Club is real big. And during
• 18:09
  Speaker 1: that time we all came together, we said we're gonna
• 18:12
  Speaker 1: do a breakfast club. DJ dropped my tape and we
• 18:14
  Speaker 1: were all right, we're all excited. About that. Let me
• 18:17
  Speaker 1: finish right. Then, all of a sudden, tapes not being
• 18:19
  Speaker 1: done anymore. I was like, damn, wow, what happened? No call,
• 18:22
  Speaker 1: no word, no nothing. I'm like, damn not drum And
• 18:25
  Speaker 1: then I heard Walt Drum said he can't do the
• 18:27
  Speaker 1: tape because if you do the tape, another radio station
• 18:29
  Speaker 1: won't players record. And I'm like, damn it, can't even
• 18:32
  Speaker 1: call me and tell me, you know what I mean,
• 18:35
  Speaker 1: I'm like getting them. I don't give a fuck about
• 18:37
  Speaker 1: the politics of the music, like that's my I know
• 18:40
  Speaker 1: that for a long time. But support them, support his records.
• 18:43
  Speaker 1: But we didn't have had a conversation. I'm not Charlomagne.
• 18:47
  Speaker 1: He had, and I knew you before Charlomagne. I'm like,
• 18:50
  Speaker 1: but then I said, you know what, I guess that's
• 18:51
  Speaker 1: just Drumm and know he's focused on him. I was like, yeah,
• 18:53
  Speaker 1: I could get a call, and I'm like, I just didn't.
• 18:55
  Speaker 1: I just didn't like that. I didn't take that like
• 18:57
  Speaker 1: that ain't a friendly type of individual. That ain't my friend.
• 19:00
  Speaker 1: That ain't somebody that I faxed with that's good that
• 19:02
  Speaker 1: I don't with. So it was like, all right, we
• 19:04
  Speaker 1: don't each other. For at the end of the day,
• 19:16
  Speaker 1: I was in a very awkward position in situation on
• 19:19
  Speaker 1: a lot of sides where I felt like I was
• 19:22
  Speaker 1: caught in the middle and where I didn't want to be,
• 19:25
  Speaker 1: and it became awkward for me. Now, if I never
• 19:28
  Speaker 1: gave you the phone call, n V, I put it
• 19:30
  Speaker 1: to you right here, I apologize, you might meet you,
• 19:32
  Speaker 1: my man. We've always been good. We've always been one
• 19:35
  Speaker 1: hundred So outside of that, when it comes to the
• 19:38
  Speaker 1: politics between the two stations, for two almost three years,
• 19:42
  Speaker 1: I got caught in something that I had no intentions
• 19:45
  Speaker 1: of getting caught in, and it left me in a
• 19:46
  Speaker 1: very awkward position, and I didn't know what to do
• 19:49
  Speaker 1: until I was able to be able to get good
• 19:51
  Speaker 1: on both sides. Right though, I get it, But before
• 19:55
  Speaker 1: you was good on both sides, drama. You was invited
• 19:58
  Speaker 1: up here a million and one times. Like it wasn't easy.
• 20:00
  Speaker 1: We wasn't the breakfast club as it is now. We
• 20:02
  Speaker 1: was fighting for every little little scrap. Nobody was with us.
• 20:05
  Speaker 1: But I went, I reached out to my guys that
• 20:07
  Speaker 1: I thought I could that would say the radio politics
• 20:10
  Speaker 1: that's it wasn't in a position to say that only
• 20:12
  Speaker 1: because it was now I wasn't because only only because
• 20:15
  Speaker 1: even before that, I was put in a position where
• 20:18
  Speaker 1: I got banned. Period, I got banned. Yeah, okay, but
• 20:22
  Speaker 1: last coach you was djing'll pay you would exactly, And
• 20:26
  Speaker 1: at that point I didn't even know it was gonna
• 20:28
  Speaker 1: be like that. So when when the situation came winning
• 20:32
  Speaker 1: the rows for that for that mixtape, I was also
• 20:35
  Speaker 1: putting another situation. I had to listen to my record label.
• 20:38
  Speaker 1: I had to listen to the people around me. That
• 20:39
  Speaker 1: was like, Yo, you have to reconci you have to
• 20:41
  Speaker 1: think about these moves you make so that you can
• 20:44
  Speaker 1: be able to come to the breakfast club and then
• 20:46
  Speaker 1: still go across the street. That is before they all
• 20:49
  Speaker 1: the power does say you should never commit to anyone.
• 20:51
  Speaker 1: But I understand what NV saying too. I think that
• 20:53
  Speaker 1: we're both of y'all the same. I didn't do the tape.
• 20:54
  Speaker 1: Did the tape ever come out? No, do the tape.
• 20:57
  Speaker 1: We were doing the tapecause it was going to be
• 20:58
  Speaker 1: the first time that the that DJ Drama did the
• 21:01
  Speaker 1: tape that wasn't with the gangster girls. We didn't want
• 21:03
  Speaker 1: to do that. That's what basically, that's what it because
• 21:05
  Speaker 1: it didn't you want to do it. If it wasn't
• 21:08
  Speaker 1: the Gangster Girls, you didn't want to do I mean,
• 21:10
  Speaker 1: what of the brand out there is cool enough for
• 21:13
  Speaker 1: that lives drama? That's what it sounds like. He's trying
• 21:15
  Speaker 1: to say. I wasn't that, but it was just a conversation.
• 21:17
  Speaker 1: We don't give about the tape. But I considered you
• 21:20
  Speaker 1: with somebody that I had, I had my note, I
• 21:22
  Speaker 1: had I consider you my friends when when you needed
• 21:25
  Speaker 1: something or I needed something. Your drama need this? You
• 21:27
  Speaker 1: I need this when when you when I swear we've
• 21:29
  Speaker 1: talked since then, No, we haven't. So y'all not friends anymore. Yeah,
• 21:32
  Speaker 1: but what do you drama right now? Drama? He apologize,
• 21:37
  Speaker 1: be good drama. Do you consider envies my man? And
• 21:41
  Speaker 1: I felt somewhere about that like that, that's that's that's it.
• 21:46
  Speaker 1: If I didn't know Envy felt the way about that,
• 21:48
  Speaker 1: and I didn't know either, and I apologize for that.
• 21:51
  Speaker 1: So Angelie, we the jury in the case of Waffle
• 21:53
  Speaker 1: Colored Negro one versus Waffle Colored Negro What you what?
• 21:57
  Speaker 1: What is the verdict? Well, the verdict is that we
• 21:59
  Speaker 1: are going to throw this case out. Yes, because apparently
• 22:03
  Speaker 1: there was a misunderstanding of miscommunication. And now it seems
• 22:07
  Speaker 1: that plaintiff and the defendant have both resolved their issues,
• 22:10
  Speaker 1: and we appreciate this mediation between the two of you. Yeah,
• 22:13
  Speaker 1: Court and journed years of Breakfast Club wanting. Everybody is
• 22:19
  Speaker 1: DJ Mvy Angela Yee, Charlomagne the guy. We all the
• 22:23
  Speaker 1: Breakfast Club. We got a special guest in the building. Yes, sir, Joe,
• 22:28
  Speaker 1: Oh my god, welcome sir. This is a moment. This
• 22:32
  Speaker 1: is my favorite show. Okay, so I probably say that
• 22:34
  Speaker 1: to all the show. No, you just said that when
• 22:35
  Speaker 1: I walked in. I already told you that wasn't true.
• 22:37
  Speaker 1: I don't say that to all the shows. I don't
• 22:39
  Speaker 1: go on like Kevin and Bean. I'm like, Yo, this
• 22:41
  Speaker 1: is my favorite show. Like Big Boy, I grew up
• 22:44
  Speaker 1: in LA I gotta give love the Big Boy. I
• 22:46
  Speaker 1: grew up listening. But I live in New York for
• 22:47
  Speaker 1: the past six years, and every morning I listened to
• 22:49
  Speaker 1: the show. And it is a true honor to be here,
• 22:52
  Speaker 1: and it's an honor to be on a show that
• 22:54
  Speaker 1: celebrates hip hop. For me, doing press my film Mid
• 22:58
  Speaker 1: Nineties has a lot to do with hip hop. I
• 23:00
  Speaker 1: want to talk about it. But something for me that
• 23:02
  Speaker 1: over the course of my career is these big studios
• 23:04
  Speaker 1: didn't want mainstream people coming in the hip hop stations.
• 23:08
  Speaker 1: They didn't care, and they didn't want people to come
• 23:10
  Speaker 1: in like they didn't think it was necessary even though
• 23:13
  Speaker 1: I'd ask. And so for me, I think it's really
• 23:17
  Speaker 1: dope that times are changing because I always wanted to
• 23:20
  Speaker 1: come into only the hip hop stations because that's all
• 23:22
  Speaker 1: I listened to. So I'm a huge fan and like,
• 23:24
  Speaker 1: it is actually really dope to be here. Or two things.
• 23:27
  Speaker 1: Number One, big Boy makes way more money than anybody
• 23:30
  Speaker 1: put out there that I can't help. I was born
• 23:34
  Speaker 1: in LA but I live in a He's done. That's
• 23:36
  Speaker 1: a fact. And number two, the reason that has changed
• 23:39
  Speaker 1: is because this generation of white man has decided, you
• 23:42
  Speaker 1: know what, I rock with hip hop and I rock
• 23:44
  Speaker 1: with the coaches. So I'm going up to that station,
• 23:46
  Speaker 1: you know what I mean? Yeah, But Ed Sharon and
• 23:49
  Speaker 1: Charlie Pools to the world like y'all through yall middle
• 23:52
  Speaker 1: finger today. No disrespect to them, but please don't love
• 23:54
  Speaker 1: me and sharing in Charlie Pool Bro, I'm thirty four
• 23:58
  Speaker 1: years old. I grew up. I grew up listening the
• 24:00
  Speaker 1: mob deep in tribe called Questions. I know, I listened
• 24:04
  Speaker 1: to you know, Ja Ru and O see like like
• 24:08
  Speaker 1: no disrespect to them. Those are young kids, Like I've
• 24:11
  Speaker 1: never listened to a non route Like my first record
• 24:15
  Speaker 1: is like wild pitch compilation, Like I don't you know,
• 24:17
  Speaker 1: like like like yeah, I just don't know any deal.
• 24:21
  Speaker 1: And so for me, it's important to represent the culture
• 24:23
  Speaker 1: in my film. You know, mid nineties, no joke A
• 24:26
  Speaker 1: big reason I made this film so hip hop, like skateboarding,
• 24:29
  Speaker 1: is always misrepresented in film. It's always shown people driving
• 24:34
  Speaker 1: through the hood or popping champagne, some exploitative, you know,
• 24:37
  Speaker 1: dumb stereotype. And for me, it was really important to
• 24:40
  Speaker 1: make an elegant, honest, emotional film that showed hip hop
• 24:44
  Speaker 1: for what it is for me, which is the emotional
• 24:46
  Speaker 1: backbone of my childhood. So like what tribe was to me,
• 24:49
  Speaker 1: or like what the Beatles were to my parents, right
• 24:51
  Speaker 1: Meagles are better than the Beatles, by the way, which
• 24:55
  Speaker 1: one wrote yesterday, The Beatles are mem but but for me,
• 25:00
  Speaker 1: that's this movie does that and it shows hip hop
• 25:03
  Speaker 1: in like a true That's how I grew up That's
• 25:06
  Speaker 1: how my life was framed. That's the lens I saw
• 25:08
  Speaker 1: life through. It felt skateboarder, it felt very authentic, just
• 25:11
  Speaker 1: because I know you're such a big hip hop head.
• 25:13
  Speaker 1: And I got a chance to see some of the
• 25:15
  Speaker 1: screener and I heard big l on there. I heard
• 25:18
  Speaker 1: child called Quests on there. I'm listening to the music
• 25:20
  Speaker 1: on there, and I'm like, I know he had a
• 25:22
  Speaker 1: great time putting this part. How do you have that
• 25:24
  Speaker 1: dough using tears in the trailer? Thank you Tank? Growing up,
• 25:29
  Speaker 1: I used to think that was the wackest song on
• 25:30
  Speaker 1: the album, but now I would like, I love this role.
• 25:33
  Speaker 1: Don't you realize how heart, how how much how emotional
• 25:36
  Speaker 1: that song is when you get older, when you're young,
• 25:38
  Speaker 1: it's like skip straight to cream, Bros, Skip right to cream.
• 25:44
  Speaker 1: Trying to explain how did you get into hip hop,
• 25:46
  Speaker 1: especially being from the West Coast, Like so from screening
• 25:49
  Speaker 1: in the music that you've been talking about, you've been
• 25:50
  Speaker 1: talking about mob d, Big Alm Okay, so cool Quests.
• 25:53
  Speaker 1: So I so in New York, my brother he passed
• 25:56
  Speaker 1: away man he rest in peace. He was a big
• 25:58
  Speaker 1: hip hop head. He was six years older than me.
• 26:00
  Speaker 1: So I was like sneak into his room and like
• 26:03
  Speaker 1: and like listening to all the CDs. So like before Farside,
• 26:07
  Speaker 1: before ninety three, you know, before Souls and Mischief, there
• 26:10
  Speaker 1: wasn't good like already West Coast hip hop it was
• 26:13
  Speaker 1: just gangster rap. So if you were of true like
• 26:16
  Speaker 1: hip hop head, like my older brother, you were East Coast,
• 26:19
  Speaker 1: you dressed like you were from the East Coast. You
• 26:21
  Speaker 1: weren't like repping the West Coast as hard because we
• 26:24
  Speaker 1: weren't gangsters, Like you couldn't maybe yeah, like I could,
• 26:28
  Speaker 1: like I'm not gonna wear a puffer Raiders jacket and
• 26:31
  Speaker 1: like that just wasn't cool, you know, and so like
• 26:33
  Speaker 1: so tribe. You know, Q Tips one of my best friends,
• 26:36
  Speaker 1: and like he was one of the first people to
• 26:37
  Speaker 1: see this movie, him and Frank Oceans and my sister
• 26:40
  Speaker 1: saw the first cut and it was important to me,
• 26:42
  Speaker 1: just as skateboarding even showed the legends and be like,
• 26:45
  Speaker 1: I made this not from a place of authority, but
• 26:47
  Speaker 1: from a place of deep admiration and respect for for
• 26:51
  Speaker 1: giving me music that changed my life. No, no, I
• 26:57
  Speaker 1: mean like through skateboarding. It definitely burst me out of
• 27:00
  Speaker 1: like part of what the movie is about is you
• 27:01
  Speaker 1: find this tribe of people, right, just like through hip hop,
• 27:04
  Speaker 1: you would find this tribe of people where it's like
• 27:06
  Speaker 1: a family outside of your home. And that's what it's about.
• 27:08
  Speaker 1: This lonely kid finds these skateboarders and he connects with
• 27:12
  Speaker 1: them because it's like it's a time in your life
• 27:15
  Speaker 1: when you're twelve, thirteen, or your friends are more important
• 27:17
  Speaker 1: than your family. It's likely they are your family and
• 27:21
  Speaker 1: the family you build, and that's what this is. So
• 27:23
  Speaker 1: it's like, even if you don't care about skating, it's
• 27:25
  Speaker 1: about a kid working his way up through the animal
• 27:27
  Speaker 1: kingdom and he's this little kid. And what's amazing about
• 27:30
  Speaker 1: it is with skating with hip hop. So skating burst
• 27:33
  Speaker 1: me out of my bubble. So I had friends from
• 27:35
  Speaker 1: like you know, I ran with the mostly like Hispanic
• 27:37
  Speaker 1: dude from like East La when East La wasn't like
• 27:39
  Speaker 1: a hipster place to live now you know what I mean.
• 27:42
  Speaker 1: And so thank God for skateboarding because it burst me
• 27:44
  Speaker 1: out of a bubble that everyone should be burst out of.
• 27:47
  Speaker 1: How did you feel when all these a pop bartis
• 27:49
  Speaker 1: started u co opting skateboard culture? You know Nikel Smith
• 27:53
  Speaker 1: who's in our film. He plays Ray and he's unbelievable.
• 27:55
  Speaker 1: He's on Supreme and I'm wearing I'm rocking his adidis
• 27:57
  Speaker 1: right now, shout out to Nickel. I'm up the let's say,
• 27:59
  Speaker 1: let's say shout out to Nickel. I got some knock
• 28:01
  Speaker 1: ones on. Okay, all right, a little bit. I'm old,
• 28:08
  Speaker 1: I got bad. I was showing respect. If I was
• 28:13
  Speaker 1: on some other radization and someone said put your leg up,
• 28:15
  Speaker 1: I'd be like, hey, why don't we go outside? My
• 28:17
  Speaker 1: leg up? So, like, I just know, it's all love
• 28:20
  Speaker 1: and respect. Awkwardly put my leg up on there out
• 28:24
  Speaker 1: of respect for you guys, don't it Just next time
• 28:26
  Speaker 1: take the shoe off holding you know what I'm saying,
• 28:30
  Speaker 1: What a better idea? Okay, okay, So I'm thirty four.
• 28:35
  Speaker 1: Our whole generation in the nineties was like trying his lame.
• 28:38
  Speaker 1: Everything's lame. But what's cool about this new generation is
• 28:42
  Speaker 1: some of them they're more open, like Nickel will be like,
• 28:44
  Speaker 1: I love skateboarding. Look, I was never a good skateboarder,
• 28:47
  Speaker 1: but I was one hundred percent dedication, fourteen percent skill.
• 28:52
  Speaker 1: But I skated my like for six years. It's still
• 28:54
  Speaker 1: changed my life. Like I'm not a good MC or
• 28:56
  Speaker 1: a good producer. I mean I kind of made fire beats,
• 28:59
  Speaker 1: but I still had an MPC and was making beats
• 29:01
  Speaker 1: for six years. And for me, skaters can feel however
• 29:04
  Speaker 1: they want. I'm sure it feels weird that their their
• 29:06
  Speaker 1: culture is getting culture vultured and stuff like that, you know,
• 29:09
  Speaker 1: but like to me, just as someone when the skateboarding
• 29:12
  Speaker 1: was like so outsider. It was so not mainstream, right,
• 29:15
  Speaker 1: So that's why I connected to it because it was
• 29:17
  Speaker 1: just anti. The same with rap. It was like the
• 29:19
  Speaker 1: way you treated authority was like you And I love
• 29:22
  Speaker 1: that about skating. I love that about hip hop and
• 29:24
  Speaker 1: that gave me a lens that I saw life through
• 29:27
  Speaker 1: and I think everything should just be all mixed together, man, like,
• 29:30
  Speaker 1: let people have fun, like life is so hard. If
• 29:33
  Speaker 1: he loves skating, let the man skate, like, come on,
• 29:36
  Speaker 1: like he was a rapper that you had a rap
• 29:38
  Speaker 1: name back in the day. You say MPC, So you
• 29:40
  Speaker 1: made beats? Did you rap? Yeah, of course I do. Name.
• 29:45
  Speaker 1: This is like an official, this is an exclusive. Oh boy,
• 29:47
  Speaker 1: what was the rap name? It was bad? I had
• 29:50
  Speaker 1: a beat and I didn't ever rap, and an EMINEMC
• 29:52
  Speaker 1: name but I made a lot of beats and to
• 29:54
  Speaker 1: be honest, at least my gate my sample game was
• 29:57
  Speaker 1: my digging game was tight. Was nice. Um, it's it's
• 30:00
  Speaker 1: really embarrassing. Spindrome. Spindrome like syndrome, but credible fight in
• 30:06
  Speaker 1: the third movie it was whacked. No, But you know
• 30:12
  Speaker 1: what I worked for. So I interned for an indie
• 30:15
  Speaker 1: rap manager. And this is a crazy story. So my
• 30:19
  Speaker 1: manager now this two managers, this guy Rick Yourn and
• 30:22
  Speaker 1: Ian Montone, and they're great, and Ian Moore works in music,
• 30:25
  Speaker 1: and Rick managers like Leonardo DiCaprio and myself and Barnes.
• 30:29
  Speaker 1: I'm his least successful client. And Ian does mostly music.
• 30:33
  Speaker 1: But I wanted to work with him. And here's why.
• 30:35
  Speaker 1: I interned at an indie hip hop backpack manager. Right
• 30:41
  Speaker 1: answering phones, I'm fourteen fifteen, right, everyone's a jerk to me.
• 30:45
  Speaker 1: And I answered the phone and this one guy, Ian
• 30:47
  Speaker 1: was a lawyer at this time. He would always go,
• 30:50
  Speaker 1: how you doing, man? You know, like you have any
• 30:52
  Speaker 1: They're treating you all right over there. And it meant
• 30:54
  Speaker 1: so much to me that when I blew up, I
• 30:58
  Speaker 1: was like he manages like the White stripes and like
• 31:00
  Speaker 1: people like that, and I was like, I want that
• 31:03
  Speaker 1: dude to work with me. Wow. You know you always
• 31:05
  Speaker 1: tell the true character of a person based on how
• 31:07
  Speaker 1: they treat people that can't do nothing for him. That
• 31:09
  Speaker 1: stuff stays with you your whole life. We got more
• 31:11
  Speaker 1: with Jonah Hill. When we come back, don't move. It's
• 31:13
  Speaker 1: the Breakfast Club. Good morning, bj Envy Angela Yee, Charlomagne
• 31:17
  Speaker 1: the guy. We are the Breakfast Club. We have Jonah
• 31:20
  Speaker 1: Hill in the building acting. Now, how did you get
• 31:22
  Speaker 1: to acting? You say skateboarding, then you say producer, you
• 31:25
  Speaker 1: say record label. How did you turn and say, you
• 31:27
  Speaker 1: know what, I'm gonna leave this music as your load
• 31:29
  Speaker 1: and start acting. So I always wanted to be a
• 31:31
  Speaker 1: filmmaker my whole life. I always wanted to be a
• 31:33
  Speaker 1: right director. And when I was starting so like, I
• 31:36
  Speaker 1: wanted to make movies for the culture. Like now we're
• 31:38
  Speaker 1: at a time where the culture is so big, like skating,
• 31:41
  Speaker 1: hip hop. The things that I love now can be
• 31:43
  Speaker 1: in a film, whereas before they had to be some
• 31:46
  Speaker 1: little part of a film done poorly. Now it's like
• 31:49
  Speaker 1: we're here and you guys are a massive part of
• 31:52
  Speaker 1: bringing that forward. So I'm a kid I go to
• 31:55
  Speaker 1: New York and I want to be a writer and director,
• 31:57
  Speaker 1: and I would write plays and I was so bad
• 32:00
  Speaker 1: with the actors because they would not do it right.
• 32:02
  Speaker 1: And I go and I didn't have good bedside man.
• 32:04
  Speaker 1: I'd be like, current, you're doing it like like I
• 32:06
  Speaker 1: wrote it. And my friend was like, yo, the actors
• 32:09
  Speaker 1: don't like coming in and reading for your plays because
• 32:11
  Speaker 1: you don't speak to them correctly. I didn't know how.
• 32:14
  Speaker 1: So I took an acting class to learn how i'd
• 32:17
  Speaker 1: like to be spoken to. And I was so insecure
• 32:21
  Speaker 1: that I got such positive feedback for acting. I went
• 32:23
  Speaker 1: on a fifteen year DA tour because the teachers were like, Wow,
• 32:27
  Speaker 1: you're really good at something. And when you're a kid
• 32:29
  Speaker 1: who wasn't that good at stuff, like you're like, okay,
• 32:31
  Speaker 1: I'll take whatever I can get. Right when you stopped writing,
• 32:34
  Speaker 1: just act. What happened was I love acting, but I
• 32:36
  Speaker 1: went on this fifteen I had this beautiful fifteen year career.
• 32:39
  Speaker 1: Have it. I got the best film school in the world.
• 32:42
  Speaker 1: You know, if you're on a film set and you're
• 32:44
  Speaker 1: an actor, if you want it, you haven't. You have
• 32:47
  Speaker 1: a front row seat at Harvard, you know, experience is
• 32:50
  Speaker 1: the best teach I love how you talk about this
• 32:52
  Speaker 1: stuff because to me, it's so important. If I was
• 32:55
  Speaker 1: like fourteen listening to this right now, all we get
• 32:58
  Speaker 1: out of it is an education. That's what I feel like,
• 33:01
  Speaker 1: Like I love the education. Like when this is when
• 33:04
  Speaker 1: we turn the mics off, I'm gonna ask you guys
• 33:06
  Speaker 1: so much about your how you got here and why
• 33:09
  Speaker 1: that is. And like, as an actor, you just get
• 33:11
  Speaker 1: a front row seat to it. I feel like this
• 33:13
  Speaker 1: film is therapeutic for you because I was reading an
• 33:15
  Speaker 1: article in Volture and you said, for most of your
• 33:17
  Speaker 1: young adult life you listen to people telling you that
• 33:19
  Speaker 1: you were fat, gross, and unattractive. With the past four
• 33:21
  Speaker 1: years you realize how much that hurt was making because
• 33:25
  Speaker 1: because he was making the movie and reflected, yeah, because
• 33:27
  Speaker 1: I get to be myself, Like this feels as me
• 33:30
  Speaker 1: literally coming to the world, like as myself. I spent
• 33:34
  Speaker 1: my twenties, it had this beautiful career, like I'm fortunate
• 33:37
  Speaker 1: for it, but it was kind of like acting is
• 33:40
  Speaker 1: to be seen and writing is to be heard, and
• 33:43
  Speaker 1: so for me, I did feel like, yeah, it's just
• 33:46
  Speaker 1: like fat, funny comedian and people could just like trash
• 33:50
  Speaker 1: me or you know, like because I was funny or
• 33:52
  Speaker 1: because of that. It's like you could I don't have
• 33:54
  Speaker 1: feelings or you can't just you could just murder me,
• 33:56
  Speaker 1: you know, and it's like no, Like I'm a really
• 33:58
  Speaker 1: sensitive person and people are sensitive and that hurts, and
• 34:02
  Speaker 1: so for me, it's important to tell kids like yo,
• 34:05
  Speaker 1: like you don't have to take that. So do you
• 34:07
  Speaker 1: feel like people would like you were a joke in Hollywood,
• 34:09
  Speaker 1: Like you'd be around in circles with Leo dam and
• 34:11
  Speaker 1: Leod like hey, no, no, no, see that. No, No,
• 34:15
  Speaker 1: my friends were always my friends would never disrespect. They
• 34:18
  Speaker 1: were fiercely, fiercely you know, Like that's what I'm saying. Though,
• 34:22
  Speaker 1: it's like no one would do that. That is a
• 34:24
  Speaker 1: human being that is connected to you. People do it
• 34:27
  Speaker 1: on their computers because they like, are what made you
• 34:30
  Speaker 1: feel that way? What made you feel gross? Just like well,
• 34:32
  Speaker 1: just like article like it was more like writers, you know.
• 34:35
  Speaker 1: And then if I was doing an interview like this,
• 34:37
  Speaker 1: Let's say I wouldn't have the confidence in myself to
• 34:40
  Speaker 1: speak as confidently as I'm speaking now. I try and
• 34:43
  Speaker 1: make a joke or I try something, and they would
• 34:46
  Speaker 1: they would I was young. I was like a kid,
• 34:48
  Speaker 1: so I was always talking to people ten years fifteen
• 34:49
  Speaker 1: years older than me, and they're talking down to me,
• 34:52
  Speaker 1: and like, that isn't flying with me anymore. I'm proud
• 34:56
  Speaker 1: to be the person that I am, and I think
• 34:58
  Speaker 1: making this film Midnight and these like I made a
• 35:01
  Speaker 1: film that means something to me. And once you realize
• 35:03
  Speaker 1: you can do that, you're unstoppable. Because this is I
• 35:07
  Speaker 1: was writing in my room. This is my best friend.
• 35:09
  Speaker 1: When I'm like angry, sad, lonely, I'm in my room
• 35:12
  Speaker 1: writing made nineties and now I'm here on the Breakfast
• 35:14
  Speaker 1: Club talking about my first film as a writer director.
• 35:17
  Speaker 1: Because I included so much of the hip hop that
• 35:20
  Speaker 1: I love in this film. I swear to God if
• 35:21
  Speaker 1: I hit that same line on another show, but you
• 35:23
  Speaker 1: just changed the name I'm giving you, daughter Ellen. Now
• 35:26
  Speaker 1: that I'm here, I'd take you to write this three
• 35:31
  Speaker 1: years twenty drafts. Wow. Yeah, is it hard writing about
• 35:35
  Speaker 1: the nineties now because the culture is so different in times,
• 35:38
  Speaker 1: it's so different and people's sensitivities are so different. It's
• 35:41
  Speaker 1: like the nineties was wrong. Well, the movies rang, I
• 35:44
  Speaker 1: mean the movie I made a really strong choice that
• 35:47
  Speaker 1: I stand behind, which is these kids speak really homophobic language.
• 35:52
  Speaker 1: They treat women in a disrespectful way and talk about
• 35:55
  Speaker 1: them in a disrespectful way. And I made the choice
• 35:58
  Speaker 1: and I stand behind it. I'm not celebrating it. I'm
• 36:01
  Speaker 1: telling the truth. But I'm not a moralist. I'm not
• 36:04
  Speaker 1: here to be your dad. Like I'm not here to
• 36:06
  Speaker 1: tell you how to feel and what to think. I'll
• 36:08
  Speaker 1: show you the truth. And I personally think it sucks.
• 36:11
  Speaker 1: I think it's horrible the way they speak. But like
• 36:15
  Speaker 1: it's not my job to be the judge. Why are
• 36:17
  Speaker 1: artists all of a sudden like the moral police, Like
• 36:20
  Speaker 1: you make the decision, you know, I'm showing you how
• 36:22
  Speaker 1: it is. I put it in there as a mirror
• 36:24
  Speaker 1: to show how up it is. Yes, and it's good
• 36:26
  Speaker 1: to learn from because you'd be watching that stuff and
• 36:27
  Speaker 1: listening to the old music and you'll be like, god, damn,
• 36:29
  Speaker 1: we was wild all the time. We was bucking bro.
• 36:34
  Speaker 1: I was listening to Bigel the other day and I
• 36:37
  Speaker 1: was just like, I miss big Eel by the way,
• 36:39
  Speaker 1: But like you know what I mean, It's like, my
• 36:41
  Speaker 1: job's not to tell you. I'm a filmmaker, I'm a storyteller.
• 36:44
  Speaker 1: Like I'm not I'm not your parent, but it's some
• 36:46
  Speaker 1: guy in the computer, this new Jonah Hill mid nineties movie.
• 36:49
  Speaker 1: Because movie is so homophobic and misogynistic and problematic. Well, honestly,
• 36:54
  Speaker 1: it's been amazing because people seem to get it. It's
• 36:56
  Speaker 1: pretty obvious. I'm not stupid, Like I fought this through
• 36:59
  Speaker 1: for a year and I made a choice. And Scott
• 37:01
  Speaker 1: Ruten and my producer, you know, he's he is a
• 37:04
  Speaker 1: gay man, and he was like, I wrote a scene
• 37:05
  Speaker 1: where they were kind of like when people are saying
• 37:07
  Speaker 1: the F word, and they're kind of like one kid
• 37:09
  Speaker 1: goes like, you know, maybe we shouldn't be saying this,
• 37:12
  Speaker 1: and I said I and he he wrote back to me,
• 37:18
  Speaker 1: he wrote, he wrote back to me. Would you guys
• 37:20
  Speaker 1: have this conversation in the nineteen ninety five? And I
• 37:22
  Speaker 1: was like, hell no. And he's like, then you're lying,
• 37:25
  Speaker 1: you know. He's like, tell the truth and let people
• 37:27
  Speaker 1: see how gross it is. Do you think your youngest
• 37:29
  Speaker 1: self could have survived this social media error? No, I
• 37:32
  Speaker 1: can barely survive it. Now. I'm listening to you talk
• 37:35
  Speaker 1: and I'm wondering, did you start the process of losing
• 37:37
  Speaker 1: weight for health reasons or because you wanted to feel
• 37:40
  Speaker 1: more confident because you was listening to what people were
• 37:42
  Speaker 1: saying about you. I'm just trying like every other human being.
• 37:46
  Speaker 1: You know, every day you can put one foot in
• 37:48
  Speaker 1: front of the other. That's it, you know. I don't
• 37:50
  Speaker 1: know the way you tried to lift your leg up.
• 37:51
  Speaker 1: I don't know how he did this for you to
• 37:52
  Speaker 1: put brother. Honestly, look at what I have right here
• 37:56
  Speaker 1: the wall, Like all right, no word, Yeah, what do
• 38:01
  Speaker 1: you have to prove to me how flexible you Arewood?
• 38:03
  Speaker 1: What are you listening to musically now? Because all the
• 38:05
  Speaker 1: groups that you mentioned amazing? What are you listening to
• 38:09
  Speaker 1: musically now? Now? Um? I got the kids to finally
• 38:13
  Speaker 1: admit that the boom Bat era saw the SoundCloud era,
• 38:18
  Speaker 1: Like I got the young kids to finally admitted. I
• 38:20
  Speaker 1: was like, yo, your music like the kids from nineties,
• 38:24
  Speaker 1: like because they're like eleven to twenty three, so that
• 38:27
  Speaker 1: all day they're listening to SoundCloud and I get with it, like, like,
• 38:31
  Speaker 1: you know, there's music I like from that world. But
• 38:33
  Speaker 1: obviously I listened to the Golden era. DJ Premier is
• 38:36
  Speaker 1: my God, you know, que Tips my God, like Gang Star,
• 38:39
  Speaker 1: Mo Prince, Paul Pete Raw, who's your top five, top
• 38:46
  Speaker 1: five dead or alive? Yes, m m is. I can't
• 38:49
  Speaker 1: go in orders that would take me like I would
• 38:52
  Speaker 1: want to think for a month. It's just big els
• 38:55
  Speaker 1: on there um tribe, Like, hey man, it's a tribe.
• 39:00
  Speaker 1: Can I put tipping fife as one? Like tribe is
• 39:02
  Speaker 1: one of them together? Okay? So big al tribe, mob,
• 39:06
  Speaker 1: deep gang Star, old On, hold on, I need six
• 39:15
  Speaker 1: Boo tank And because there's someone I'm leaving out that's
• 39:19
  Speaker 1: really important to me clearly not oh ju I love
• 39:22
  Speaker 1: Jay Wow Wow. So he was really big on from
• 39:25
  Speaker 1: me and you listen to anything with and I'm like
• 39:30
  Speaker 1: happy for him and Royce's success. Like I like stories
• 39:33
  Speaker 1: like that, like their band didn't run the jewels, like
• 39:36
  Speaker 1: people blowing up like later in life. It's like, yo,
• 39:39
  Speaker 1: we all get older brothers, Like we ain't gonna be twenty.
• 39:41
  Speaker 1: We're not twenty anymore. And it's nice to see someone
• 39:44
  Speaker 1: that makes good art blow up. Right, that's sick. You know.
• 39:48
  Speaker 1: We got more with Jonah Hill when we come back,
• 39:49
  Speaker 1: don't move. It's to breakfast club, go on, It's morning.
• 39:51
  Speaker 1: Everybody is DJ Envy angela Ye, Charlomagne the guy we
• 39:55
  Speaker 1: are the Breakfast Club. Jonah Hill is here Charlomagne as
• 39:59
  Speaker 1: as a white man who loves the coach of hip
• 40:01
  Speaker 1: hop so much. How do you use your privilege to
• 40:04
  Speaker 1: combat prejudice that we experience on a social level. That's
• 40:07
  Speaker 1: a really good question, and mostly I need to be better.
• 40:11
  Speaker 1: Two of the leads of my movie or African American
• 40:13
  Speaker 1: non actors wants Hispanic and one white, two or white.
• 40:16
  Speaker 1: You know. So for me, this movie was a representation
• 40:20
  Speaker 1: of like my multi cultural life of skateboarding. But I
• 40:24
  Speaker 1: need to do better. You know what can I do?
• 40:27
  Speaker 1: Like for real? Like I want to know what I
• 40:29
  Speaker 1: can do to check my privilege and help people out,
• 40:32
  Speaker 1: you know what I mean? Like one of our producers
• 40:34
  Speaker 1: is Mikey Alfred is a young African American duties twenty three,
• 40:37
  Speaker 1: a co producer of the movie. I didn't want it
• 40:39
  Speaker 1: to be like a bunch of white people making a
• 40:42
  Speaker 1: movie about all these cultures, you know. But yo, I'm
• 40:46
  Speaker 1: not saying, like tell me for real, like, what is
• 40:49
  Speaker 1: a good way for me to be of service as
• 40:51
  Speaker 1: opposed to just being privileged? Dude? M one way through
• 40:54
  Speaker 1: your art, like you're doing. You're hiring people of these
• 40:58
  Speaker 1: cultures that you're talking about today, right, yeah, because one
• 41:01
  Speaker 1: of the problems to me is like you have all
• 41:03
  Speaker 1: these culturally clueless people in these boardrooms talking about things
• 41:08
  Speaker 1: and just calling bull when you see it. I mean,
• 41:11
  Speaker 1: that's I mean, that's always. I mean, you see some
• 41:13
  Speaker 1: balls going in society, call it out and jab some
• 41:16
  Speaker 1: of that spindrome fire, some of that heat, you know.
• 41:20
  Speaker 1: But for me, for real, it's like even that's what
• 41:21
  Speaker 1: I was saying, like when I was young, right, I'm
• 41:23
  Speaker 1: in these big comedies and it's I'm put there, right,
• 41:26
  Speaker 1: I'm putting this box right, and you're in a boardroom
• 41:29
  Speaker 1: and it's all these whackouts, like fifty year old white
• 41:32
  Speaker 1: people basically, and they're like, how do we sell twenty
• 41:35
  Speaker 1: one Jump Street? And then like you go to like
• 41:37
  Speaker 1: mainstream white radio, and I'm like, why aren't I on
• 41:39
  Speaker 1: Big Boy? Why aren't I on? You know, like it's
• 41:42
  Speaker 1: like it is, I'm a white straight dude. I get it.
• 41:47
  Speaker 1: I've been handed just based on that, right, And so
• 41:51
  Speaker 1: I want to be of service and I want to
• 41:55
  Speaker 1: be the best I can be, and anyone who wants
• 41:57
  Speaker 1: to help me do that I'm all years help from
• 42:00
  Speaker 1: everyone except for Kandie to do right now. It's like
• 42:05
  Speaker 1: say no, yes, no, yo, yeah, I love his music.
• 42:10
  Speaker 1: Don't know what the is going on right now? Nobody
• 42:13
  Speaker 1: does about the movie one time because they saying you
• 42:15
  Speaker 1: gotta go. Well, you know I'm not going anywhere, bro,
• 42:17
  Speaker 1: what you're talking about as long as you guys want
• 42:20
  Speaker 1: me here, like I'm not leaving, Like this is what
• 42:22
  Speaker 1: I've been like for real. This is so sick to
• 42:24
  Speaker 1: me man, to talk about hip hop music, to talk
• 42:26
  Speaker 1: about like I literally feel like I do. Watch you
• 42:29
  Speaker 1: guys every day. It's like, weird. This is so flattering,
• 42:32
  Speaker 1: but it's legit. So don't know what's up with your
• 42:34
  Speaker 1: Idida's collab. Can't talk about it yet, but let's just
• 42:37
  Speaker 1: say Jonah Ones coming for the creators. But with it
• 42:42
  Speaker 1: ever hard to get people to take you serious as
• 42:44
  Speaker 1: an actor. I have to do it so many comedic
• 42:46
  Speaker 1: roles of course. Yo. Let me tell you something, man,
• 42:49
  Speaker 1: I think you go through this a lot too, because
• 42:51
  Speaker 1: I watch your evolution right now. I see what you're doing.
• 42:54
  Speaker 1: It's amazing. I love it. I love it. I'm a
• 42:57
  Speaker 1: big fan real and like the best thing anyone ever
• 43:00
  Speaker 1: said to me is that true confidence is living in uncertainty.
• 43:04
  Speaker 1: And that's my biggest struggle, and I think it's everybody's
• 43:06
  Speaker 1: biggest ruggle. If you get married, you want to want
• 43:08
  Speaker 1: to be married forever. It's perfect. I take a job,
• 43:11
  Speaker 1: I'm never gonna get fired. You know, you just want certainty, right,
• 43:14
  Speaker 1: So no one gives you about us, like we think
• 43:16
  Speaker 1: people give you about us, but they don't. They got
• 43:18
  Speaker 1: their own lives going on. So they see me, they
• 43:21
  Speaker 1: see me in super Bad. They put me in this box.
• 43:23
  Speaker 1: And if I'm different than what they think, that's uncertainty
• 43:26
  Speaker 1: and that's weird to people. And they're like they don't
• 43:29
  Speaker 1: know how to deal with it because they're only giving
• 43:31
  Speaker 1: it a second of attention. But they're like, that's the
• 43:33
  Speaker 1: funny guy from super Bad. So if I'm like yo, no,
• 43:35
  Speaker 1: I'm like I'm other things too, it's like no, no, dude,
• 43:38
  Speaker 1: just stay in that thing. It's safer for me. It's
• 43:40
  Speaker 1: easier for me, you know. And then I'm like no,
• 43:42
  Speaker 1: I'm I don't want to be a filmmaker. That's what
• 43:44
  Speaker 1: I want. It's like no, no, no, dude, just like
• 43:46
  Speaker 1: you're an actor, just like stay over there, Like you know,
• 43:48
  Speaker 1: it's like people don't like change. They like, you're not
• 43:50
  Speaker 1: allowed to grow, our evolve, Bro, we're human, like we
• 43:54
  Speaker 1: all we only are today. So it's like it was
• 43:57
  Speaker 1: I would say frustrating, but like frustrating, it's called it
• 43:59
  Speaker 1: up town problem. Bro, It's like you know what I mean, Like,
• 44:02
  Speaker 1: I know, it's an uptown problem. It's a privileged problem.
• 44:04
  Speaker 1: It's a Champagne's problem. You never heard that. Yeah, it's
• 44:07
  Speaker 1: a Champagne problem. It's uptown problem. Like, but for me,
• 44:10
  Speaker 1: it's like, I'm not what you think I am. I'm me.
• 44:13
  Speaker 1: You're also a sex symbol. Now I have the biggest
• 44:21
  Speaker 1: crush on you. I'm a girl that I have a
• 44:25
  Speaker 1: girl and his fashion and they post but you're wearing
• 44:29
  Speaker 1: all the time and they're like, look at donut him.
• 44:31
  Speaker 1: The fashion stuff is dope man like, Like it's it
• 44:34
  Speaker 1: comes from the culture. You know, you talk about growth
• 44:37
  Speaker 1: and you know, not being afraid to change. Did you
• 44:40
  Speaker 1: do that on your own, whether it's a therapy, like well,
• 44:44
  Speaker 1: I'm heavy with company. I'm heavy with therapy. And I
• 44:47
  Speaker 1: really want to put that out there because people in
• 44:51
  Speaker 1: the spotlight when I was growing up didn't talk about
• 44:52
  Speaker 1: therapy and I think it's dope, especially in the African
• 44:55
  Speaker 1: American community, to kill and I talk a lot about
• 44:58
  Speaker 1: how like they're stigmatized on stigma on therapy and mental
• 45:01
  Speaker 1: illness and stuff like that. Like, dude, therapy saved my life. Like,
• 45:05
  Speaker 1: if I didn't have someone to talk to you about stuff,
• 45:07
  Speaker 1: I don't know where i'd be. And I'm sensitive. I'm
• 45:10
  Speaker 1: a really sensitive dude. So when someone says something mean,
• 45:13
  Speaker 1: it affects me really deeply. I'm not like Stone. My
• 45:17
  Speaker 1: anxiety is crazy. Back in the day, we'd be on
• 45:19
  Speaker 1: the radio not talking about how you get anxiety sometimes,
• 45:22
  Speaker 1: and I think that's dope. What was it like for
• 45:25
  Speaker 1: you to watch the final cut for the first time?
• 45:28
  Speaker 1: It was the first game. Was my sister, Beanie Feltine,
• 45:32
  Speaker 1: who's a sick actress. She was a lady bird. Yeah,
• 45:34
  Speaker 1: she's she's brilliant. Man. Next year's year being like, watch out.
• 45:37
  Speaker 1: I'm glad I can be a director because there's a
• 45:40
  Speaker 1: better version than me that's female that's coming next year.
• 45:43
  Speaker 1: Thank you. She's she's my best friend. So she's like
• 45:46
  Speaker 1: because anyone else coming in, I'm like, yeah, cute, Tip
• 45:48
  Speaker 1: and Frank Ocean and she's like, oh, shut up. And
• 45:51
  Speaker 1: then she gets there and it's just the three of
• 45:53
  Speaker 1: them and they watched the movie and she starts crying
• 45:56
  Speaker 1: after the movie, but she was embarrassed. She didn't want
• 45:58
  Speaker 1: to cry in front of Frank Ocean, so she ran
• 45:59
  Speaker 1: out on the hallway. And that was the first time
• 46:02
  Speaker 1: we showed the movie because I was like, Frank is
• 46:04
  Speaker 1: the taste. God, he is the taste. I disagree, but
• 46:08
  Speaker 1: I love. I'm also a huge fan of yours. I agree,
• 46:11
  Speaker 1: but like, like, he has great taste, so he keeps
• 46:13
  Speaker 1: it real. He doesn't like it that sucks, like he
• 46:15
  Speaker 1: will be honest. And Q tip is one of my
• 46:18
  Speaker 1: closest friends. So to me, it's like, I was like,
• 46:21
  Speaker 1: I'm going right in to get torn up. You know,
• 46:23
  Speaker 1: if there's any bush I want it, they're gonna tell
• 46:26
  Speaker 1: me right away. I really wish you had said that
• 46:28
  Speaker 1: about Frank Ocean. That would have been awesome. But I'm
• 46:30
  Speaker 1: going in there to get torn up. Bro, come on,
• 46:39
  Speaker 1: tell them when they can see the movie. Now, I
• 46:40
  Speaker 1: tell them when the movie comes. First of all, I'm
• 46:43
  Speaker 1: sorry if I talk too much, but I'm it's a
• 46:45
  Speaker 1: joy to be here. It's a joy to be heard
• 46:48
  Speaker 1: by everyone listening. Mid Nineties comes out October nineteenth in
• 46:53
  Speaker 1: LA and New York in October twenty sixth everywhere. It
• 46:56
  Speaker 1: is my heart go check it out. I would love
• 46:58
  Speaker 1: to see you get with a black creative and make
• 47:00
  Speaker 1: like a black comedy in the vein of the super
• 47:03
  Speaker 1: bads and get him to the Greeks. I just loved
• 47:05
  Speaker 1: that style of comedy. Well, if you see the film,
• 47:07
  Speaker 1: if you see the film, the funniest scene in the
• 47:09
  Speaker 1: film isd and to me, I think it's Gerard's best
• 47:15
  Speaker 1: scene in the film, right. I would love to make
• 47:17
  Speaker 1: a project with. To me, he is a special talent
• 47:20
  Speaker 1: in a way that we could create together and we
• 47:24
  Speaker 1: and I like him some hood with that style of comedy. Well,
• 47:26
  Speaker 1: watch the movie, dude. There is a lot of like
• 47:29
  Speaker 1: there is like it is from the perspective of being
• 47:32
  Speaker 1: out there, and a lot of it was like from
• 47:34
  Speaker 1: my friends who were black and Hispanic, how they were
• 47:37
  Speaker 1: treated by black and Hispanic people being skateboarders. Like there's
• 47:40
  Speaker 1: a line from Gerard to Nichel of like what black
• 47:43
  Speaker 1: people don't skate like surfs up, you know, And it's
• 47:45
  Speaker 1: like he was like, you know, I don't think you
• 47:48
  Speaker 1: can say that, yeah, because looking and and uh, A
• 47:53
  Speaker 1: lot of it has to do with like just like
• 47:55
  Speaker 1: subtle racism, and especially in the nineties in LA and
• 47:59
  Speaker 1: everyone judges for people racist people, they're the worst disgusting
• 48:03
  Speaker 1: people on the planet. Like mannise just trust me, whatever
• 48:10
  Speaker 1: were for white people? For racist people? Yeah, Man's like, like,
• 48:14
  Speaker 1: I mean, you're just you're disgusting person if you are racist. Right,
• 48:17
  Speaker 1: So like man, he's like on your brand and say no, Man,
• 48:21
  Speaker 1: mustard mustard boys for life, Mustard boys in the building.
• 48:28
  Speaker 1: That's a good job. It's the breakfast club. Good morning,
• 48:35
  Speaker 1: the breakfast club. Your mornings will never be the same.
• 48:39
  Speaker 1: Imagine you arrive at your perfect paradise filled with sun,
• 48:42
  Speaker 1: fun and hot singles, and suddenly that X you never
• 48:45
  Speaker 1: wanted to see again just shows up. Nightmare meet reality.
• 48:49
  Speaker 1: Because on Thursday to Cember twentieth, mtvs X on the
• 48:52
  Speaker 1: Beach is back. Ten singles came to fun love on
• 48:56
  Speaker 1: one by one, their xs show up and things get
• 48:59
  Speaker 1: comp located. Now they've got to decide when they choose
• 49:02
  Speaker 1: their X or move on to the next. Don't miss
• 49:05
  Speaker 1: mtvs X on the Beach new season premiere is Thursday,
• 49:08
  Speaker 1: the Cember twentieth at eight seventh century on MTV. I
• 49:13
  Speaker 1: was born to donkey. It's the Donkey of the Death
• 49:25
  Speaker 1: Charlomagne Devil Breakfast Club. All right, listen, man, Charlomagne the
• 49:32
  Speaker 1: God here. I'm on vacation. I don't give a damn
• 49:34
  Speaker 1: what y'all think about that, because I deserve it. Now,
• 49:37
  Speaker 1: the Breakfast Club is in eighty plus markets in a
• 49:39
  Speaker 1: one hundred and fifty country, so we have a lot
• 49:40
  Speaker 1: of new listeners who probably don't even know who Charlomagne
• 49:42
  Speaker 1: the God is. So use my time off to catch
• 49:45
  Speaker 1: up on some of my past work. Okay, okay, if
• 49:48
  Speaker 1: you knew here, I do a segment every day called
• 49:50
  Speaker 1: Donkey to Day Donkey as in jackass, and that's when
• 49:53
  Speaker 1: I give someone the credit they deserve for being stupid.
• 49:55
  Speaker 1: So if you never heard of it, this is new
• 49:57
  Speaker 1: to you. But if you are a regular listener and
• 49:58
  Speaker 1: this is an oldiep but goody, because it's the best
• 50:01
  Speaker 1: of the Donkey of the Day. Donkey of to Day
• 50:03
  Speaker 1: goes to a man named Kyle Gentleman. Now Kyle is
• 50:05
  Speaker 1: the owner of an ice cream parlor called ice This
• 50:08
  Speaker 1: ice cream parlor is Scottish and it's in a town
• 50:11
  Speaker 1: called fail Kirk Falkirk, Kyl and the good folks that
• 50:15
  Speaker 1: ice have created one of the worst montrosities this planet
• 50:17
  Speaker 1: has ever seen. I mean, the effects of this concoction
• 50:20
  Speaker 1: that they created will forever change the dynamics of the
• 50:22
  Speaker 1: world we live in. I mean, this is top five,
• 50:24
  Speaker 1: maybe top three, of the worst things ever created on
• 50:27
  Speaker 1: this planet. I mean, in no particular order, some of
• 50:29
  Speaker 1: the worst things created by humans on this planet. I've
• 50:32
  Speaker 1: been nuclear bombs, the old ABC show Caveman based off
• 50:36
  Speaker 1: the characters from the Geico commercial Slavery, the NFL's new
• 50:40
  Speaker 1: national Anthem policy concentration, camps to school to prison, pipeline nooses,
• 50:45
  Speaker 1: especially nooses if the person who decided to turn a
• 50:48
  Speaker 1: perfectly good rope into a murder weapon. Okay, speaking of weapons,
• 50:51
  Speaker 1: one of the worst things ever created was automatic weapons
• 50:53
  Speaker 1: in bump stocks. Let's not forget belly too, And a
• 50:56
  Speaker 1: list of some of the worst things ever created by
• 50:58
  Speaker 1: human beings on the planet wouldn't be complete without the
• 51:00
  Speaker 1: Jerry Carol. Okay, we're just talking about some of the
• 51:03
  Speaker 1: worst things treated by human beings. And Kyle is added
• 51:05
  Speaker 1: to that list by inventing a brand new flavor of
• 51:08
  Speaker 1: ice cream that I'm sure will be coming to a
• 51:10
  Speaker 1: store in Montana very soon. Oh, this line of ice
• 51:13
  Speaker 1: cream is sure to be all the rage in North
• 51:15
  Speaker 1: and South Dakota. It will sell out at whole foods everywhere.
• 51:19
  Speaker 1: And the flavor of that new ice cream is guess.
• 51:21
  Speaker 1: Who wants to guess? Anybody want to guess? The white
• 51:24
  Speaker 1: guy in the room is raising his hand, Steve, what
• 51:26
  Speaker 1: do you think? Oh my gosh, mayonnaise ice cream is there?
• 51:35
  Speaker 1: All right? Salute to Esquire magazine. They posted a headline
• 51:39
  Speaker 1: that says mayonnaise ice cream exists and it might be brilliant.
• 51:43
  Speaker 1: Then they put hear us out after you tell me
• 51:46
  Speaker 1: you think mayonnaise ice cream is brilliant, Esquire, there's nothing
• 51:49
  Speaker 1: more to hear out our in. Okay, Now, Esquire first
• 51:52
  Speaker 1: paragraph says, we now exist on the same physical plane
• 51:55
  Speaker 1: as mayonnaise ice cream, and it's either ingenious or the
• 51:58
  Speaker 1: end of all mankind. I'm gonna take on getting this
• 52:00
  Speaker 1: appoint us for five hundred alls. Okay. The worst thing
• 52:02
  Speaker 1: about this is that it looks like vanilla ice cream,
• 52:04
  Speaker 1: So somebody could make you a bowl. You don't know
• 52:07
  Speaker 1: any better. You take a taste and immediately you get poisoned.
• 52:10
  Speaker 1: All of a sudden. You want to listen to Taylor
• 52:12
  Speaker 1: Swift and call the police on black people for doing
• 52:14
  Speaker 1: it in My Feelings challenge in the park. Okay, mayonnaise
• 52:16
  Speaker 1: ice cream is what you give your kids when they're
• 52:18
  Speaker 1: not behaving. All right, My little two yold doesn't like
• 52:21
  Speaker 1: to eat all her food because she's so focused on
• 52:23
  Speaker 1: dessert and she loves ice cream. So the rule is,
• 52:25
  Speaker 1: you don't finish your dinner, you don't get dessert. All right,
• 52:28
  Speaker 1: brings some mayonnaise ice cream in the house. You don't
• 52:30
  Speaker 1: finish your dinner, then you're getting this nuclear weapon and
• 52:32
  Speaker 1: a bowl for dessert. Call mayonnaise ice cream. Now, mayonnaise
• 52:36
  Speaker 1: is a combination of lemon juice or vinegar with egg yolks.
• 52:40
  Speaker 1: None of those things would taste good together frozen in
• 52:42
  Speaker 1: a bowl. All right, Basting Robbins, please don't make this
• 52:44
  Speaker 1: your thirty third flavor. Let me just look at it. Walk.
• 52:47
  Speaker 1: Imagine walking into Basting Robins. You see butter peak and chocolate,
• 52:50
  Speaker 1: your cookie dough, Rocky Road cookies, and cream and mayonnaise
• 52:54
  Speaker 1: flavored ice cream. One of these kids is doing their
• 52:57
  Speaker 1: own thing. All right, Mayonnaise ice cream has me thinking
• 52:59
  Speaker 1: of this quote. I read about inventions once and that
• 53:03
  Speaker 1: quote is an invention has to make sense in the
• 53:06
  Speaker 1: world it finishes in, not the world it started it.
• 53:11
  Speaker 1: See this done makes sense to us now, but it's
• 53:13
  Speaker 1: gonna makes sense in the world full of whiteness. They're
• 53:15
  Speaker 1: about to get rid of us all bro Okay, they're
• 53:17
  Speaker 1: collecting all affinity Infinity stones right now there putting Putres
• 53:20
  Speaker 1: in Infinity Gauntlet. He gonna snap his fingers and everybody
• 53:23
  Speaker 1: with Melanie gonna disappear, and it's gonna be a world
• 53:26
  Speaker 1: full of tailor Swift playlists and mayonnaise ice cream and
• 53:28
  Speaker 1: it will all be Kyle's fault. Okay, please give Kyle
• 53:31
  Speaker 1: gentlemen and ice to ice cream, paulor the biggest he haul.
• 53:37
  Speaker 1: Who's gonna try it? Everybody on Fair Factor. That's gonna
• 53:40
  Speaker 1: be the next fair Factor challenge. You want to try
• 53:41
  Speaker 1: a bowler Mana's ice cream sounds like that's gonna be
• 53:43
  Speaker 1: diarrhea oldup ice cream. Well, no, no, Howney must be
• 53:54
  Speaker 1: like a little spicy but sweet. That sounds like spicy
• 53:57
  Speaker 1: diarreca water. Just just because what about pickle ice cream. No,
• 54:01
  Speaker 1: man no condiment ice cream brought the board, especially not
• 54:04
  Speaker 1: manny stop cardiment and coundiments. Polynesian sauce icecream that sounds
• 54:09
  Speaker 1: like like that barbecue ice cream? No, what about hot
• 54:15
  Speaker 1: wing sauce ice No? See, that's what happens the white people,
• 54:18
  Speaker 1: is what happened. You give people a bright idea. No,
• 54:20
  Speaker 1: hot wing ice cream. That does not sound good. It's
• 54:23
  Speaker 1: not even a bright idea. You got any more white ideas?
• 54:25
  Speaker 1: Lemon pepper ice cream? No, that's definitely a black idea. Morning.
• 54:28
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 54:31
  Speaker 1: all the breakfast club. It's time for ask ye Hello?
• 54:35
  Speaker 1: Who's this? This is Jasmine? Hey Jasmine, what's your question
• 54:39
  Speaker 1: for ye? Um? So, first of all, I want to
• 54:40
  Speaker 1: say so this is the first time I got to
• 54:46
  Speaker 1: the radio. But I have a very important question. I
• 54:48
  Speaker 1: need advice. Stands a up? Okay, So I've been married
• 54:51
  Speaker 1: m going on three years now, and Mothers Day weekend, Um,
• 54:56
  Speaker 1: I had to go to the too from my boats
• 54:59
  Speaker 1: and so my husband had left out. He recently lost
• 55:02
  Speaker 1: out his uncle and so he'sn't gone through a lot.
• 55:05
  Speaker 1: So as I'm pulling in, I see the police has
• 55:07
  Speaker 1: a car pulled over, and when I pull up, I
• 55:10
  Speaker 1: see it's my husband's car. So I pull up to
• 55:13
  Speaker 1: the side of the car. You know what I'm saying,
• 55:14
  Speaker 1: to get out to see what's going on, because of
• 55:16
  Speaker 1: course you don't have a license. So I pull up
• 55:20
  Speaker 1: and I see when I look, I see it's a
• 55:23
  Speaker 1: woman in the driver's seat. Whoa wait, so another woman
• 55:26
  Speaker 1: is driving your husband's car, right, And I paid for
• 55:29
  Speaker 1: the car. So I pulled up a little bit more
• 55:31
  Speaker 1: and I see that he's in the passenger seat. Thee
• 55:34
  Speaker 1: would lead back a little bits. I'm about to lose it,
• 55:37
  Speaker 1: so I get out the car. The girl's like, don't
• 55:40
  Speaker 1: don't beat me up because I'm pregnant. So I'm like,
• 55:43
  Speaker 1: get off the car right now. Hell, And I'm yelling
• 55:46
  Speaker 1: at my husband and the police is like, ma'am, knock
• 55:49
  Speaker 1: away from the vehicle right now. We want to arrest you.
• 55:51
  Speaker 1: But at that time I didn't care, right, but I'm
• 55:56
  Speaker 1: I'm like, my kids is at home and I have
• 55:58
  Speaker 1: to get home to my children. So I'm like, right,
• 56:00
  Speaker 1: I'm ann calm down. So I woke up to him
• 56:02
  Speaker 1: and he's like he's Tesch driving a car. I'm like,
• 56:05
  Speaker 1: what tech driving the car? I know he did not
• 56:07
  Speaker 1: come with that weak ass excuse, So, you know, I
• 56:10
  Speaker 1: go back home and mind you, he was asking very
• 56:13
  Speaker 1: nasty towards me. He wasn't trying to defend me or nothing.
• 56:16
  Speaker 1: I feel like he had her back over mind and then,
• 56:20
  Speaker 1: you know, little on that evening he comes to the
• 56:23
  Speaker 1: house and now he wants to talk sensible and he
• 56:27
  Speaker 1: wants to apologize. But I'm like, no, you should have
• 56:29
  Speaker 1: been doing all of that while we was out here
• 56:31
  Speaker 1: in the street. You get what I'm saying. I gotta
• 56:33
  Speaker 1: ask him, is he having a baby by this woman? No,
• 56:36
  Speaker 1: he says, that's his man's baby mother. And he was
• 56:39
  Speaker 1: selling a car, which I knew nothing about you selling
• 56:42
  Speaker 1: the car that I paid for, and you never even
• 56:43
  Speaker 1: had a conversation with me. I know you did not
• 56:45
  Speaker 1: believe this weak ass story. No I didn't. So it's
• 56:49
  Speaker 1: at the point where he's like, I'm sorry, Like, I'm
• 56:52
  Speaker 1: at a point in my life where I really want
• 56:53
  Speaker 1: to get things right. First of all, he need to
• 56:56
  Speaker 1: at least tell you what's for real going on, because
• 56:58
  Speaker 1: all this lying is respectful. All of a sudden, he's
• 57:01
  Speaker 1: selling his car, and his friend's pregnant baby mama was
• 57:04
  Speaker 1: driving a car. Where was his friend? And who is
• 57:06
  Speaker 1: his Friend's a friend that I've never even heard of before.
• 57:10
  Speaker 1: All right, So first of all, let's just keep it real.
• 57:12
  Speaker 1: He's completely lying to you. Don't even I don't know
• 57:15
  Speaker 1: if you believe him or you want to believe him
• 57:17
  Speaker 1: a lot of times we want to believe things, so
• 57:19
  Speaker 1: we kind of I don't want to believe it at all.
• 57:22
  Speaker 1: I just want to be able to move on like
• 57:25
  Speaker 1: we had. We just had a baby, you know what
• 57:26
  Speaker 1: I'm saying. And we had a baby last year. We've
• 57:29
  Speaker 1: just to tell the baby. And I'm just like, come
• 57:31
  Speaker 1: on now, I'm sitting here getting up taking care of you,
• 57:35
  Speaker 1: doing what I'm supposed to do ours a wife. You
• 57:37
  Speaker 1: get what I'm saying. And you want me to just
• 57:39
  Speaker 1: sit back and be played and listen to what you're saying.
• 57:42
  Speaker 1: And in the meantime, you want me to feel start
• 57:44
  Speaker 1: because now you don't gotta know where to go. Well,
• 57:46
  Speaker 1: you need to be knocking on that girl's door and
• 57:48
  Speaker 1: figure and out people sleep on her couch or how
• 57:50
  Speaker 1: better something, because you're not gonna see him play me
• 57:53
  Speaker 1: I can't lie. I wouldn't even have a conversation with
• 57:55
  Speaker 1: him until he tells the truth. You gotta take care
• 57:58
  Speaker 1: of the kids, whatever it is that you gotta do,
• 58:00
  Speaker 1: but me and you don't even speak until you at
• 58:02
  Speaker 1: least respect me enough to not tell me these dumb
• 58:05
  Speaker 1: ass lives. And he needs to go seek some help, okay,
• 58:09
  Speaker 1: like for real, he needs to be very active and
• 58:12
  Speaker 1: seeking help for himself, find out why is he's such
• 58:14
  Speaker 1: a liar, why is he so disgusting, and because he
• 58:17
  Speaker 1: does have kids to raise, and you guys do have
• 58:19
  Speaker 1: to make sure that for the sake of that you
• 58:21
  Speaker 1: all good alone. But he got some issues that he
• 58:22
  Speaker 1: needs to address, and he's not going to work on
• 58:24
  Speaker 1: those issues until he admits that he has him and
• 58:27
  Speaker 1: until he is honest and tells you the truth. So
• 58:29
  Speaker 1: I would say, I don't even want you're touching me.
• 58:32
  Speaker 1: I don't even know you until you at least have
• 58:35
  Speaker 1: enough respect to come clean with me on what was
• 58:37
  Speaker 1: going on, because there's nothing for us to work on
• 58:40
  Speaker 1: until you can admit the truth. Right, And then my
• 58:43
  Speaker 1: role for jumping to one of the wars, like right away, listen,
• 58:48
  Speaker 1: you're definitely not wrong for that, and I feel like
• 58:51
  Speaker 1: this unless he can prove to you and go above
• 58:54
  Speaker 1: and beyond, and that might take years for you to
• 58:57
  Speaker 1: even feel comfortable enough to ever believe him again. He
• 59:00
  Speaker 1: Once you lose that trust, it's gone in a second.
• 59:03
  Speaker 1: And so how you feel, it's how you feel. That's
• 59:05
  Speaker 1: his fault. It's not your fault that he did something
• 59:07
  Speaker 1: to make you feel away. Exactly. Well, I appreciate that, Angela. Okay,
• 59:12
  Speaker 1: you want to take that advice? All right? I really
• 59:15
  Speaker 1: do wish you the best of luck. But you know
• 59:17
  Speaker 1: you can't just let somebody do these things and walk
• 59:19
  Speaker 1: all over you, because why would he ever stop? Or exactly,
• 59:23
  Speaker 1: I appreciate that, y'all have a good day. Let me
• 59:25
  Speaker 1: get these kids in four daycare? Ok? All right? Ask
• 59:29
  Speaker 1: ye eight don't drink five A five one oh five one.
• 59:31
  Speaker 1: If you got a question for ye caller. Now it's
• 59:33
  Speaker 1: the breakfast Club. Good morning. Everybody is DJ Envy, Angela, Yee, Charlomagne,
• 59:38
  Speaker 1: the gel We are the breakfast Club. Now let's get
• 59:41
  Speaker 1: to ask ye eight don't drink five a five one
• 59:43
  Speaker 1: oh five one. If you need advice, relationship advice? Hello,
• 59:45
  Speaker 1: who's this Hi? This is J CJ. What's your question
• 59:49
  Speaker 1: for you? Okay, So I was kind of seeing this
• 59:52
  Speaker 1: guy and you know, it wasn't like really serious, but
• 59:56
  Speaker 1: you know like we were like, you know, we were
• 59:57
  Speaker 1: hanging out and somebody's hold me. Like a few months
• 1:00:01
  Speaker 1: ago that they saw a video us on my mind
• 1:00:04
  Speaker 1: and they said this to me, and I knew it
• 1:00:06
  Speaker 1: was me because I could see my tattoo. And I
• 1:00:09
  Speaker 1: knew exactly who made the video too, because I saw
• 1:00:12
  Speaker 1: his tattoos. Anyways, long story short, I haven't told him
• 1:00:15
  Speaker 1: that I know about the video yet the video is
• 1:00:16
  Speaker 1: still up because I go and check it to see
• 1:00:18
  Speaker 1: if he took it down and he didn't, and it
• 1:00:20
  Speaker 1: has like almost like thirty thousand views. So they put
• 1:00:23
  Speaker 1: out a sex tape of you. Yes he did, Yet
• 1:00:26
  Speaker 1: where's it at? It's all I'm like, I think it's
• 1:00:28
  Speaker 1: on this site called x videos dot Com. I want
• 1:00:31
  Speaker 1: to say. I know it's like black and it has
• 1:00:33
  Speaker 1: like red writing. I know it's not porn hup because
• 1:00:35
  Speaker 1: I always go to porn up. It's not it's not
• 1:00:37
  Speaker 1: when I but my question is like, how do I
• 1:00:40
  Speaker 1: approach him about it? Because honestly, truly, like I was
• 1:00:43
  Speaker 1: sassing of phone out about it, But I wasn't mad
• 1:00:46
  Speaker 1: because it was like all them thirty thousand views, Like
• 1:00:48
  Speaker 1: I'm kind of more attended that, Like you didn't tell
• 1:00:50
  Speaker 1: me about it, and like are you being a check
• 1:00:52
  Speaker 1: from this? Like what's going on? Like that. It's definitely
• 1:00:56
  Speaker 1: a legal issue. Okay, So you're not mad that the
• 1:00:59
  Speaker 1: sex tape is out because you actually like the fact
• 1:01:01
  Speaker 1: that it's gotten some views. But what you want to
• 1:01:03
  Speaker 1: know is financially, how can you be compensated? Yeah, because
• 1:01:06
  Speaker 1: that's a lot of you. That's a lot of cold.
• 1:01:09
  Speaker 1: You don't want that out there like that, Yes she does,
• 1:01:12
  Speaker 1: because you want money and you want fame. You want attention,
• 1:01:14
  Speaker 1: like everyone out there like that. You have a baby
• 1:01:16
  Speaker 1: one day, you don't want to know pawn out there
• 1:01:17
  Speaker 1: or your your future husband to see first babies one
• 1:01:21
  Speaker 1: of first up families. I'm not judging nobody. So you
• 1:01:24
  Speaker 1: want to be a pawn star. What you say wants
• 1:01:26
  Speaker 1: to get her money is what she's saying. She didn't
• 1:01:27
  Speaker 1: know he put this up. Do you have any other
• 1:01:29
  Speaker 1: tapes out or is this the only one? Well? Okay,
• 1:01:32
  Speaker 1: so if I were you and you don't want them
• 1:01:35
  Speaker 1: to take it down, well, my thing is like, I
• 1:01:38
  Speaker 1: want to know if he's making money off of it.
• 1:01:39
  Speaker 1: If he's not making money off of it, and he
• 1:01:41
  Speaker 1: just has an up there, yeah, I want him to
• 1:01:43
  Speaker 1: take it down. But I know I could just go
• 1:01:45
  Speaker 1: to them and have them take it down. But I
• 1:01:47
  Speaker 1: want to confront him about putting it up there in
• 1:01:49
  Speaker 1: the first tax because I know the website will take
• 1:01:51
  Speaker 1: it down because they don't want to legal problems like
• 1:01:53
  Speaker 1: I should. I'm sure they'll just take it down, right
• 1:01:55
  Speaker 1: if you tell him I didn't know that it was
• 1:01:57
  Speaker 1: up there and somebody didn't do it with my permission. Okay,
• 1:02:00
  Speaker 1: So I don't know that people get paid. Do they
• 1:02:02
  Speaker 1: get paid for those videos? Yeah, I don't know that
• 1:02:05
  Speaker 1: they cut a deal and whatever. I don't know how
• 1:02:07
  Speaker 1: that works because I know usually it's just like clips
• 1:02:09
  Speaker 1: of different, longer videos. What you need to do, though,
• 1:02:13
  Speaker 1: is have your lawyer contact him, because he doesn't have
• 1:02:15
  Speaker 1: anything with you signing off. Clearly it's a legal issue, right,
• 1:02:19
  Speaker 1: Are you able to get a lawyer? Um? Yeah, sure,
• 1:02:21
  Speaker 1: I'm like, I'm sure it's not a problem. I'm sure
• 1:02:23
  Speaker 1: I can call somebody, but you need you need to
• 1:02:26
  Speaker 1: hit him up and say, listen, I saw the video.
• 1:02:28
  Speaker 1: You should hit him. I don't know why you haven't yet,
• 1:02:30
  Speaker 1: because that would have been the first thing I do
• 1:02:31
  Speaker 1: because I'm scared, because I'm scared that if you know,
• 1:02:33
  Speaker 1: I know about it, he'll take it down and be
• 1:02:35
  Speaker 1: like what videos? You know what I'm saying you already
• 1:02:38
  Speaker 1: if I go, I know, But I feel like if
• 1:02:40
  Speaker 1: I was gonna go there round like you're gonna like
• 1:02:42
  Speaker 1: get the lawyer and like the law involved. They want evidence,
• 1:02:46
  Speaker 1: and I feel like it has to be up there
• 1:02:47
  Speaker 1: for them to see to have the evidence, because you
• 1:02:49
  Speaker 1: know how they're like, well that step on the internet
• 1:02:50
  Speaker 1: never goes away, by the way, but and yeah, and
• 1:02:53
  Speaker 1: you can record it. But number two, I would say
• 1:02:55
  Speaker 1: that I don't think that those little snippet videos and
• 1:02:59
  Speaker 1: X videos really make money like that there's like millions
• 1:03:01
  Speaker 1: of them, So I don't know that it's gonna be
• 1:03:03
  Speaker 1: a big payday for you. Okay, So I don't even
• 1:03:05
  Speaker 1: know that it would be worth it for one video.
• 1:03:07
  Speaker 1: But you should definitely talk to him, and when you
• 1:03:09
  Speaker 1: hit him up, you should be like, look, I said
• 1:03:11
  Speaker 1: that you put the video up. Are you getting paid
• 1:03:13
  Speaker 1: from this? Because if you are, then I need to
• 1:03:15
  Speaker 1: be compensated as well, and if not, I'm going to
• 1:03:17
  Speaker 1: do a season desist and I'm gonna sue you and
• 1:03:20
  Speaker 1: just see how he responds to that, because it seems
• 1:03:22
  Speaker 1: like you don't really care to this out anyway. So
• 1:03:24
  Speaker 1: I know this would be devastating to some other people,
• 1:03:26
  Speaker 1: but like to me, like I used to dance, like,
• 1:03:29
  Speaker 1: I don't really like you know what I'm saying, right,
• 1:03:30
  Speaker 1: you don't, Okay, it's like, yeah, like if you're gonna
• 1:03:33
  Speaker 1: like do something, it's like for me, it's like Kobie
• 1:03:35
  Speaker 1: and creepy that you did it me my money? I
• 1:03:38
  Speaker 1: want points, okay, because I'm like, if you would have
• 1:03:40
  Speaker 1: asked me, maybe I would have been on right with it, right,
• 1:03:42
  Speaker 1: But listen, I ain't judging you for that at all, period.
• 1:03:45
  Speaker 1: I'm sure everybody up here has watched one of the
• 1:03:47
  Speaker 1: you know these sites and multiple videos, so nobody's judging
• 1:03:50
  Speaker 1: you based off of that. But it is wrong for
• 1:03:52
  Speaker 1: somebody to post something without your knowledge, without your consent,
• 1:03:55
  Speaker 1: and without giving you your cash. So go ahead and
• 1:03:58
  Speaker 1: hit him up and let him know that and say, hey, look,
• 1:04:00
  Speaker 1: I'm not even mad, I'm not trying to do all that,
• 1:04:02
  Speaker 1: but I want my money. So hit him and tell him. Okay,
• 1:04:05
  Speaker 1: but I'm gonna be honest. I don't think it's gonna
• 1:04:07
  Speaker 1: be a lot, but just hit him up and see
• 1:04:09
  Speaker 1: how he responds. Okay, thank you. An see you're facing
• 1:04:12
  Speaker 1: the video not at all? Right, No, it's okay, so
• 1:04:16
  Speaker 1: it's not your face. The guys want to see it.
• 1:04:17
  Speaker 1: No we don't. I ain't even thinking about him. I'm
• 1:04:20
  Speaker 1: going with you. But anyway, good luck, Thank you by y'all. Guy,
• 1:04:25
  Speaker 1: it's good Breakfast club ej Envy Angela Yee, Charlomagne the guy.
• 1:04:32
  Speaker 1: We are the breakfast club as CNE. Hello. Who's this? Hello? Hey,
• 1:04:37
  Speaker 1: good morning? What's your question for C and E? Good
• 1:04:39
  Speaker 1: morning guys. Um. My question is I have a co
• 1:04:42
  Speaker 1: worker of mine that's interested in me, and I'm just
• 1:04:47
  Speaker 1: getting out of a relationship, and I never really date
• 1:04:51
  Speaker 1: people that I work with, so I'm just wondering if
• 1:04:54
  Speaker 1: it's a good idea. He wants to move in together,
• 1:04:58
  Speaker 1: and he has a kid, and I already have a
• 1:05:01
  Speaker 1: son of my own, so you know, in order for
• 1:05:04
  Speaker 1: me to even take as serious, I thought moving in
• 1:05:08
  Speaker 1: together would be the best thing. You want to shack up?
• 1:05:12
  Speaker 1: You think shacking up is the best thing. Yeah, I
• 1:05:15
  Speaker 1: just to see, like how serious, because I'm tired of
• 1:05:18
  Speaker 1: like just being a little bit. Yeah, I'm twenty eight.
• 1:05:23
  Speaker 1: We got a little bit of time. I mean, just
• 1:05:24
  Speaker 1: don't I wouldn't settle mama. I mean you're still young.
• 1:05:26
  Speaker 1: Don't sell it if you know it. Don't feel like
• 1:05:28
  Speaker 1: you really really love more feeless guy. You feel like
• 1:05:30
  Speaker 1: you're just doing it because you don't want to be lonely.
• 1:05:33
  Speaker 1: But if he's just your lonely guy, keep them on
• 1:05:35
  Speaker 1: the side and keep him as your side penis. But
• 1:05:36
  Speaker 1: if you're looking for a real man, as somebody that
• 1:05:38
  Speaker 1: you really are are into, keep looking and true. BE
• 1:05:41
  Speaker 1: told you twenty eight, so you really got two more
• 1:05:43
  Speaker 1: years of your whole phase left. If we're being honest,
• 1:05:45
  Speaker 1: you can hope for about two more solid years. I
• 1:05:47
  Speaker 1: went through that in my twenties. I'm all done. I
• 1:05:51
  Speaker 1: must have been a real holder. No, I wasn't a
• 1:05:53
  Speaker 1: real hole. I just I wasn't a real I didn't
• 1:05:56
  Speaker 1: catch herpies, so I wasn't. Okay, Okay, I like, I
• 1:06:02
  Speaker 1: like your whole limitations. Her piece is the limit for her.
• 1:06:04
  Speaker 1: I get it, thank you. Sure, no problem. We're telling
• 1:06:08
  Speaker 1: what to do. We told them what to do. We
• 1:06:10
  Speaker 1: told me to keep. If that's the god that's the shopping,
• 1:06:12
  Speaker 1: is keeping at the shopping. But just don't shack it.
• 1:06:14
  Speaker 1: She's lamely guy. I know he's trying to be my boyfriend.
• 1:06:18
  Speaker 1: It's just you know, she's not really white. And I'm African,
• 1:06:23
  Speaker 1: and like I've always stated, African. Wow, So yeah, don't
• 1:06:27
  Speaker 1: know if you can let somebody just colonize your vagina
• 1:06:29
  Speaker 1: like that. I'm all full interracial relationships though, but you know,
• 1:06:34
  Speaker 1: I'm just saying thank you, mama. I know, but that
• 1:06:37
  Speaker 1: the black men out here, like they're just the water
• 1:06:40
  Speaker 1: on the whole another level of these days. What you mean,
• 1:06:45
  Speaker 1: have no respect for the sisters like you? Rather go
• 1:06:48
  Speaker 1: and respect, you know, all right, go moving with the
• 1:06:50
  Speaker 1: white man. Then gone, gone, gone and moving with the
• 1:06:53
  Speaker 1: white man. Go ahead and be the white man's and
• 1:06:54
  Speaker 1: then you're serving. Then go ahead, gone gone and moving
• 1:06:57
  Speaker 1: with the white man. I hope you break your heart.
• 1:06:59
  Speaker 1: I hope you trying to escape that plantation into yards.
• 1:07:01
  Speaker 1: All right, all right, Hello, who's this? Good morning? Hey?
• 1:07:05
  Speaker 1: What's your name? Mama? My name was on it. I'm
• 1:07:07
  Speaker 1: trying to figure out how do I deal with my husband.
• 1:07:10
  Speaker 1: He's gonna be for South Carolina and we will get
• 1:07:13
  Speaker 1: into arguments and he would be mad at me, and
• 1:07:16
  Speaker 1: he will tell me to leave, and when I leave,
• 1:07:17
  Speaker 1: he will be mad and sad. Wile that's right. I
• 1:07:20
  Speaker 1: don't see the problem. You know, good in damn well.
• 1:07:22
  Speaker 1: I don't want you to leave. So why are you leave? It?
• 1:07:24
  Speaker 1: What you told me to leave? So what am I
• 1:07:25
  Speaker 1: supposing now? You want to listen to me? He didn't
• 1:07:27
  Speaker 1: mean it. You don't listen to me no other time.
• 1:07:29
  Speaker 1: If I don't listen to you, and then I listen
• 1:07:31
  Speaker 1: to and you're wrong, and then you're mad still, So
• 1:07:33
  Speaker 1: what do I do? He don't want you to leave.
• 1:07:34
  Speaker 1: That's the thing mine. He say't leave because he wants
• 1:07:36
  Speaker 1: the attention. He just wants you to be like, no, babe,
• 1:07:38
  Speaker 1: I don't want to leave, and then I have a conversation.
• 1:07:40
  Speaker 1: Tell me to grow up. By the way, is nothing
• 1:07:41
  Speaker 1: more confusing than that. My wife hit me yesterday because
• 1:07:43
  Speaker 1: I was in the middle of doing my podcast. You
• 1:07:45
  Speaker 1: called me. Whenever my wife called me, I pick up
• 1:07:47
  Speaker 1: the phone. When she put the phone, tell me something said,
• 1:07:48
  Speaker 1: I'm gona way back and doing my podcast. So she
• 1:07:50
  Speaker 1: says to me, why are you pick up the phone then,
• 1:07:52
  Speaker 1: because if I didn't pick up the phone, you'll be
• 1:07:54
  Speaker 1: texting me saying why are you not picking up your phone?
• 1:07:55
  Speaker 1: So how can when I pick up my phone? You
• 1:07:57
  Speaker 1: asked me why I picked up my phone? Oh? Oh, oh,
• 1:07:59
  Speaker 1: you you pick up when your wife called? When I
• 1:08:01
  Speaker 1: called you yesterday, you didn't pick up the phone. Sure,
• 1:08:03
  Speaker 1: that's exactly right. That's the fact I called you back though. Hello.
• 1:08:06
  Speaker 1: Who's this Hello? It's a lady North Carolina. Hey, mama,
• 1:08:10
  Speaker 1: what's your question for ce and me? Okay? So I've
• 1:08:12
  Speaker 1: been back and forthd with this guy for five years?
• 1:08:15
  Speaker 1: Um two thousand and seven, January tells seventeen. We broke
• 1:08:19
  Speaker 1: up by May two thousand and seventeen. He was married
• 1:08:22
  Speaker 1: all gets two thousand seventeen. I found out and I
• 1:08:25
  Speaker 1: sent sent a simple Instagram message. I said, all right, baby,
• 1:08:28
  Speaker 1: you would you would decide? Check, you would decide, you
• 1:08:30
  Speaker 1: would decide the whole time? No, no, no, no, no
• 1:08:33
  Speaker 1: no no, there's nothing to talk about, no, nothing else
• 1:08:36
  Speaker 1: to talk about. You were the side chick. Ma. He
• 1:08:38
  Speaker 1: already had a whole nother woman that he was in
• 1:08:40
  Speaker 1: love with. H all right, he wasn't stopping. Stopped Now,
• 1:08:44
  Speaker 1: I don't calling me to be not three months and
• 1:08:46
  Speaker 1: he's married, you would decide, don't call a don't call
• 1:08:49
  Speaker 1: a b to be in denial, divorce stop it. He
• 1:08:52
  Speaker 1: was forty five days later he was separated. Oh he separated,
• 1:08:56
  Speaker 1: his divorce is final. Now is he back with you?
• 1:08:59
  Speaker 1: Yeah he's yeah. Yeah, he said he got he fought
• 1:09:02
  Speaker 1: for divorce, he could, We could be together. So why
• 1:09:05
  Speaker 1: are you calling us something fact that I need to
• 1:09:07
  Speaker 1: know if if I need to accept him back. No,
• 1:09:10
  Speaker 1: we're not in the relationships. I don't Mary, Mary man,
• 1:09:12
  Speaker 1: but we have had conversation over the year, So I'm
• 1:09:15
  Speaker 1: trying to figure out that I take him back. Even
• 1:09:16
  Speaker 1: though he did that, and even though his divorce would
• 1:09:19
  Speaker 1: be final, Mom, I would move back. I would move all, Mama.
• 1:09:22
  Speaker 1: I mean he did you during, Mama, he got he
• 1:09:25
  Speaker 1: got all. He got married to a whole other lager.
• 1:09:26
  Speaker 1: This man dumped you to have a whole and and
• 1:09:29
  Speaker 1: you he got married. You gotta be smarter than that.
• 1:09:35
  Speaker 1: I would leave Mom alone unless he gave you an STD. Now,
• 1:09:38
  Speaker 1: if you gave you an STD, that's uncarrible and y'all
• 1:09:41
  Speaker 1: can share that together. For the rest of y'all. My goodness,
• 1:09:44
  Speaker 1: all right, we got more coming up next with a
• 1:09:46
  Speaker 1: breakfast club. The breakfast Club, your morning's will never be
• 1:09:50
  Speaker 1: the same. Imagine you ride at your perfect paradise filled
• 1:09:54
  Speaker 1: with son fun and hot singles, and suddenly that act
• 1:09:57
  Speaker 1: you never wanted to see again just shows up. Right, man,
• 1:10:00
  Speaker 1: meet reality, because on Thursday, December twentieth, mtvs X on
• 1:10:04
  Speaker 1: the Beach is back. Ten singles came to find love
• 1:10:08
  Speaker 1: on One by one, their xes show up and things
• 1:10:11
  Speaker 1: get complicated. Now they've got to decide where they choose
• 1:10:14
  Speaker 1: their X or move on to the next. Don't miss
• 1:10:17
  Speaker 1: mtvs X on the Beach new season premiere is Thursday
• 1:10:20
  Speaker 1: the Cember twentieth at eight seventh century on MTV.