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THROWBACK THURSDAY! (BREAKDOWN- SHAKEDOWN: The 'Burbs) · Cosmic Peach

• 0:20
  Speaker 1: Welcome to Throwback Thursday.
• 0:26
  Speaker 2: So these are some of the oldies, but goodies.
• 0:29
  Speaker 1: The classics, and they are some of the episodes that
• 0:34
  Speaker 1: are probably in the back of the catalog that you
• 0:38
  Speaker 1: haven't managed to listen to yet. So just a warning,
• 0:44
  Speaker 1: some of my thoughts, feelings, opinions may have changed since
• 0:47
  Speaker 1: the recordings of these episodes, doesn't make them any less interesting.
• 0:53
  Speaker 1: So as an evolving human being, I may say something
• 0:58
  Speaker 1: in these episodes that I don't necessarily agree with today,
• 1:02
  Speaker 1: but these episodes are the classics, and I just thought
• 1:06
  Speaker 1: I would do a little something fun for us. So
• 1:10
  Speaker 1: welcome and enjoy Throwback Thursday.
• 1:24
  Speaker 2: All right, everyone, thanks for being here. I'm so excited
• 1:29
  Speaker 2: for this episode. I have one of my best sties
• 1:33
  Speaker 2: in the podcasting world, Drew, on tonight and we are
• 1:36
  Speaker 2: going to cover one of our favorite movies, or at least,
• 1:40
  Speaker 2: let me just speak for myself, one of my favorite
• 1:42
  Speaker 2: movies of all time. But before we get into it, Drew,
• 1:46
  Speaker 2: how are you?
• 1:47
  Speaker 3: I am? Good, mate, really good.
• 1:49
  Speaker 4: I'm really happy to be on for this film because,
• 1:52
  Speaker 4: like you said, it's not just yours, it's one of
• 1:54
  Speaker 4: my favorite films of all time as well.
• 1:56
  Speaker 3: It's an epic eighties film eighties.
• 2:00
  Speaker 4: But I really can't wait to get into this one
• 2:02
  Speaker 4: because after going back and watching it with a keen
• 2:05
  Speaker 4: eye this time, I picked up on a lot of
• 2:07
  Speaker 4: things that just went straight over my head as a
• 2:09
  Speaker 4: kid growing up watching this.
• 2:11
  Speaker 2: Oh for sure. And like I said before we started recording,
• 2:14
  Speaker 2: I hope we didn't find all the same stuff. I
• 2:16
  Speaker 2: still hope to blow your mind a little bit, like
• 2:19
  Speaker 2: that's always I have to set the bar, like if
• 2:21
  Speaker 2: I don't blow Drew's mind, I've failed. So hopefully I
• 2:26
  Speaker 2: found something. But it is the verbs. And of course,
• 2:31
  Speaker 2: you know, with Tom Hanks and everything, it's one of
• 2:33
  Speaker 2: those conspiracy theories that even people who aren't into conspiracy
• 2:37
  Speaker 2: theories are starting to know about. You know, it's always
• 2:41
  Speaker 2: Tom Hanks that gets brought up. He's like, yeah, conspiracy
• 2:45
  Speaker 2: candy at this point.
• 2:46
  Speaker 4: Yeah, Tom Hanks has become very much a thorn in
• 2:50
  Speaker 4: the side of the Q people. He's this big personality
• 2:54
  Speaker 4: that when everyone talks about Hollywood and the City Underbelly,
• 2:56
  Speaker 4: Tom Hanks just happens to be.
• 2:58
  Speaker 3: The lead head of this.
• 2:59
  Speaker 4: It's like he's some kind of a patriarch of the
• 3:02
  Speaker 4: of the pedophilic pedophile, satanic colt or something.
• 3:05
  Speaker 3: He's just ye, and it came out nowhere too.
• 3:07
  Speaker 4: America's dad, as he's been known, has somehow become the
• 3:10
  Speaker 4: most nefarious name in Hollywood.
• 3:13
  Speaker 2: Yeah, and it was also he was also linked to
• 3:15
  Speaker 2: all that Isaac Cappy stuff and just all the weirdness,
• 3:19
  Speaker 2: you know. And like one of his sons is like
• 3:21
  Speaker 2: pretty hot. Actually he's like a buff dude and doesn't
• 3:25
  Speaker 2: really look like Tom Hanks at all. And then you
• 3:27
  Speaker 2: have his other son, Colin, that has been in a
• 3:30
  Speaker 2: lot of movies that looks almost just like him, like
• 3:34
  Speaker 2: a twin of him, And you almost wonder, like, are
• 3:38
  Speaker 2: they into all this stuff too? I guess they'd have
• 3:40
  Speaker 2: to be right, it's like that's their dad. Guilt by association.
• 3:44
  Speaker 2: But I mean, I guess it's one of those separating
• 3:48
  Speaker 2: the art from the artist or whatever they say. Because
• 3:52
  Speaker 2: I still love the movie. I still watch Tom Hanks
• 3:55
  Speaker 2: movies all the time. I always talk about The Money Pit.
• 3:57
  Speaker 2: I don't know if you like that one, but yeah.
• 3:59
  Speaker 4: It's pretty good, The Money Pit, Big Castaway. There's all
• 4:04
  Speaker 4: these great Hollywood films of Tom Hanks. Like I said,
• 4:08
  Speaker 4: when you think of the elites of Hollywood and people
• 4:11
  Speaker 4: who are genuinely entertaining in their craft. Tom Hanks is
• 4:14
  Speaker 4: right up there. So for all these conspiracy theories to
• 4:17
  Speaker 4: come out and say, at bare minimum the last five
• 4:19
  Speaker 4: to six years, that just blew up the scene in
• 4:22
  Speaker 4: conspiracy big time because we.
• 4:23
  Speaker 3: All grew up on Tom Hanks.
• 4:25
  Speaker 4: Tom Hanks is a fantastic actor.
• 4:28
  Speaker 2: One hundred and I know you have a little bit
• 4:30
  Speaker 2: of an article you want to read for everyone, just
• 4:33
  Speaker 2: maybe to get us started. Yeah, sir, little tease test.
• 4:38
  Speaker 4: Absolutely so, this is an article I came across and
• 4:40
  Speaker 4: I'll just bring it up on the screen. It really
• 4:44
  Speaker 4: spins the tale of what conspiracy theory is for normies.
• 4:49
  Speaker 4: And probably all I'd say is left wing politics in
• 4:51
  Speaker 4: America and how it's considered today. Tom hanks movie that
• 4:54
  Speaker 4: explains modern conspiracy theories, The Burbs, continues to be underrated
• 4:59
  Speaker 4: by Cracked. A lot of Tom Hanks's movies help us
• 5:04
  Speaker 4: untangle the complexities of the modern world. Philadelphia taught many
• 5:07
  Speaker 4: of us about AIDS discrimination, Apollo thirteen was a hainstakingly
• 5:12
  Speaker 4: accurate look at the space program, and of course Larry
• 5:14
  Speaker 4: Crown was a hard look at well whatever it was
• 5:17
  Speaker 4: that happened in the Larry Crown, But we'd like to
• 5:19
  Speaker 4: take a minute to talk about Tom hanks most sadly
• 5:23
  Speaker 4: underrated projects, the nineteen eighty nine comedy The Urbs, directed
• 5:27
  Speaker 4: by Joe Dante. The Suburbs have been a subject of
• 5:31
  Speaker 4: a lot of political discourse this year. Donald Trump's reelection
• 5:35
  Speaker 4: strategy heavily involved stoking racist fears among white suburbanites, and
• 5:39
  Speaker 4: earlier this year, the Republican National Convention hosted Mark and
• 5:43
  Speaker 4: Patricia McCloskey, the recently indicted gun toting rejects from the
• 5:47
  Speaker 4: Freedom fifty five commercial who threatened Black Lives Matter protesters.
• 5:51
  Speaker 4: The couple warned viewers that the Democrats were attempting to
• 5:54
  Speaker 4: abolish the suburbs, presumably their warning that Joe Biden would
• 5:58
  Speaker 4: personally bathe in the blood of each and every peer
• 6:00
  Speaker 4: one shopper, shopper that was cut for time.
• 6:04
  Speaker 2: What the fuck right?
• 6:06
  Speaker 4: This is varied politicized, spinning every single conspiracy theorist as
• 6:10
  Speaker 4: a gun toting white American. Of course, the American suburb's
• 6:14
  Speaker 4: real story is inherently racist. One the state's sponsored housing
• 6:18
  Speaker 4: projects purposely segregated communities out of the fears of property
• 6:21
  Speaker 4: values of white homes would decline Otherwise, One could argue
• 6:26
  Speaker 4: that the verbs exclusion of black characters in the story
• 6:29
  Speaker 4: about suburbans and aphobia is a giant oversight, but the
• 6:33
  Speaker 4: film also grapples with another theme that is sadly relevant today. Ultimately,
• 6:37
  Speaker 4: the movie is about how fear, privilege, and isolation are
• 6:41
  Speaker 4: the gears to crank out the conspiracy theory sausage. Alarmingly quickly,
• 6:45
  Speaker 4: Hanks and friends convince themselves that their residents foreigners are
• 6:49
  Speaker 4: Satanists and reflect in real life Satanic panic of the
• 6:52
  Speaker 4: mid nineteen eighties. The massisteria of the Satanists were abusing
• 6:58
  Speaker 4: children throughout the country, some times through the unholy vessel
• 7:01
  Speaker 4: of the Smurfs certainly has echoes in today's batshit crazy
• 7:05
  Speaker 4: QAnon conspiracy theory, and it to has been spreading in
• 7:09
  Speaker 4: the suburbs. While the Verbs ultimately ends in the revelation
• 7:13
  Speaker 4: that the mysterious foreign invaders did commit murder, the twist
• 7:16
  Speaker 4: almost feels like an after thought, and they could easily
• 7:19
  Speaker 4: exist solely in race fractured psyche. The point that this
• 7:24
  Speaker 4: titular verbs can be conserved as the perfect breeding ground
• 7:28
  Speaker 4: for irrational, toxic obsession. And while society has gone through
• 7:32
  Speaker 4: like twenty Batman's since nineteen eighty nine, sadly that hasn't
• 7:36
  Speaker 4: changed what the app a compolete absolute drama of politics
• 7:44
  Speaker 4: that's been thrown into this.
• 7:47
  Speaker 2: What do you know when we do episodes like this
• 7:50
  Speaker 2: and I have people say like, oh, you're grasping at straws. Oh,
• 7:54
  Speaker 2: you're splitting hairs, You're doing this, and now that article,
• 7:58
  Speaker 2: that article is doing that. Okay, exactly, it's article is
• 8:03
  Speaker 2: doing that, not us, not the stuff, No, no, no, no,
• 8:06
  Speaker 2: that shit is grasping at stras.
• 8:09
  Speaker 4: It took something that was a nineteen eighty nine classic
• 8:12
  Speaker 4: comedy and made it purposely political for no reason.
• 8:19
  Speaker 3: If anyone's stoking and yeah, it's stoked.
• 8:23
  Speaker 4: The fire division by making it race related war, not
• 8:27
  Speaker 4: at all about the actual content of the film, but anyway,
• 8:30
  Speaker 4: it just hints at things like Satanism, which are clearly
• 8:33
  Speaker 4: within this film by the way, yeah, the script, but
• 8:36
  Speaker 4: let's just go off that and everyone's a gun toning
• 8:39
  Speaker 4: Trump supporter. Wow, I just found that article very interesting
• 8:43
  Speaker 4: in my research.
• 8:44
  Speaker 2: Dude, that is fucking wild, Drew. I'm telling you, they
• 8:49
  Speaker 2: hit us at every angle with some shit like that,
• 8:52
  Speaker 2: Like somebody who wasn't like us, who wasn't into this stuff,
• 8:55
  Speaker 2: come across an article like that and they'd be like, oh,
• 8:58
  Speaker 2: I never knew that about the bird. It's like what
• 9:00
  Speaker 2: the fuck?
• 9:01
  Speaker 5: What?
• 9:01
  Speaker 4: Like what?
• 9:03
  Speaker 2: That's not what the movie was about at all.
• 9:06
  Speaker 5: Not at all.
• 9:07
  Speaker 4: It's it's one of those like lecturers at university which
• 9:11
  Speaker 4: has a whole unit on white oppression of minority groups,
• 9:14
  Speaker 4: and they use this as a focus for their students. Huh,
• 9:17
  Speaker 4: I'm reading something into it that's not actually.
• 9:19
  Speaker 2: There, right right, Okay, Well, we're gonna have to school
• 9:23
  Speaker 2: people now because we gotta we gotta make it right
• 9:26
  Speaker 2: for anybody out there who found that article. We got
• 9:29
  Speaker 2: to tell them the truth about the fucking verbs. How
• 9:34
  Speaker 2: do you want to get started? You you always do
• 9:36
  Speaker 2: like the the kind of like the overview and the
• 9:39
  Speaker 2: names and stuff. You want to do that first, Yeah.
• 9:41
  Speaker 4: Let's get into I've got synopsis there, so did you
• 9:43
  Speaker 4: know facts? And then the etymology of the names.
• 9:46
  Speaker 5: All Tom Hanks wanted was a quiet vacation at home.
• 9:50
  Speaker 4: This is when I need Carol, I need this.
• 9:54
  Speaker 5: Welcome to Mayfield Place, a typical street in the burbs.
• 10:01
  Speaker 5: Whine Walter were nothing much ever happened. Aren't just stick
• 10:05
  Speaker 5: a dump on Rumsfield's lonning again?
• 10:08
  Speaker 6: Until the Clopex moved in Clopex Clopex Clopek.
• 10:12
  Speaker 5: No one goes in, no one comes out, neighbors from hell.
• 10:17
  Speaker 5: It was a nice place to live, he said.
• 10:19
  Speaker 4: He thinks that Clopex are evil incarnate.
• 10:24
  Speaker 7: Well you're much too smart to fall for that, aren't you, honey.
• 10:27
  Speaker 5: But no, Carol, you wouldn't want to visit there. Right,
• 10:34
  Speaker 5: This is Walter the Burbs.
• 10:40
  Speaker 6: I'm going over the fence when I'm not coming back
• 10:42
  Speaker 6: till I find a dead body. Wait, do you wanted
• 10:47
  Speaker 6: to take your family kidnap and tear their livers out
• 10:49
  Speaker 6: and make some kind of satanic pant take?
• 10:53
  Speaker 3: We thought, Walter, we got a real problem the gas.
• 10:56
  Speaker 8: I'd ron.
• 11:00
  Speaker 5: Love this street, Tom Hanks.
• 11:02
  Speaker 6: I think we are overreacting now.
• 11:04
  Speaker 5: The Urbs. It's one hell of a neighborhood.
• 11:08
  Speaker 2: I think we should move.
• 11:13
  Speaker 5: So.
• 11:13
  Speaker 4: The Urbs is the nineteen eighty nine dark comedy thriller
• 11:16
  Speaker 4: written by Dana Olson and director by Joe Dante that
• 11:19
  Speaker 4: tells the tale of a typical American neighborhood when new
• 11:22
  Speaker 4: neighbors come to live in the house next door to
• 11:24
  Speaker 4: Ray Peason. He finds out these people are really strange.
• 11:27
  Speaker 4: Nobody's ever seen them. The house is a real mess,
• 11:30
  Speaker 4: and during the night, weird noises keep coming from their basement.
• 11:34
  Speaker 4: The only thing they know is their name, clopec. One day, Walter,
• 11:39
  Speaker 4: an old man in the neighborhood, suddenly disappears under mysterious circumstances.
• 11:43
  Speaker 4: Ray begins to question the Clopexx involvement, while his friend
• 11:46
  Speaker 4: and fellow neighbor Art is convinced that the new family
• 11:49
  Speaker 4: on the block is part of a murderous satanic cult.
• 11:54
  Speaker 3: Straight off the bat.
• 11:55
  Speaker 4: Joe Dante as the director, Oh.
• 11:58
  Speaker 2: Don't even say anything, because I got all the ship
• 12:03
  Speaker 2: on the drug. You know that's my thing.
• 12:08
  Speaker 4: I just gotta just just just a little bit Dante
• 12:12
  Speaker 4: Dante's Inferno, the literal story about a man who goes
• 12:15
  Speaker 4: to hall to save his wife who's committed suicide. I
• 12:18
  Speaker 4: know it just jumped off the bat for me as
• 12:19
  Speaker 4: a historian and a literary lover.
• 12:22
  Speaker 3: So what have you got on the director?
• 12:26
  Speaker 2: I actually this is an m Night Shyamalan twist in
• 12:30
  Speaker 2: our episode because I'm not going to reveal anything about
• 12:33
  Speaker 2: the director until we get like halfway through the breakdown
• 12:36
  Speaker 2: because there's a specific scene that triggers the conspiracy. So
• 12:41
  Speaker 2: I'll get to it kind of halfway through. But let
• 12:44
  Speaker 2: me hear about the names.
• 12:46
  Speaker 3: Give me the name, Okay, I'll go through the names.
• 12:49
  Speaker 4: Then we'll go through some did you know facts. Ray
• 12:51
  Speaker 4: Peterson Tom Hanks plays their main character in Old German tongue.
• 12:56
  Speaker 4: Ray finds fitting roots in Reagan, meaning or advice, elevating
• 13:02
  Speaker 4: the bearer to a moral learned stature. Peterson meaning Peter's son,
• 13:06
  Speaker 4: is derived from the given name Peter, which is from
• 13:09
  Speaker 4: the Greek Petros, meaning rock or stone. So Ray is
• 13:13
  Speaker 4: the bed rock of his small community of Mayfield Place.
• 13:16
  Speaker 4: He forms his council with fellow neighbors seeking advice on
• 13:19
  Speaker 4: the new mysterious neighbors and what they've been doing within
• 13:21
  Speaker 4: the confines of the dark and ominous home. So he's
• 13:25
  Speaker 4: the counselor and the bed rock of his community. Yeah, Carol,
• 13:30
  Speaker 4: his wife, Carol, just being synonymous with folk songs and
• 13:33
  Speaker 4: religious significance, she's almost like his moral grounding. She's his
• 13:37
  Speaker 4: voice of reason throughout. Oh you're crazy, you're looking too
• 13:40
  Speaker 4: much into this. So she's almost like his. His balancing
• 13:43
  Speaker 4: scale in this film was ng.
• 13:45
  Speaker 3: Though she was very wrong.
• 13:48
  Speaker 4: Yeah. Mark Rumsfeld, who plays the neighbor who's like a
• 13:52
  Speaker 4: grizzled Vietnam veteran. Roman Latin name Marcos or Martkos has
• 13:59
  Speaker 4: been thought to mean lord of war and warlock. Rumsfeld
• 14:02
  Speaker 4: is Old English, which means wild garlic. It's believed that
• 14:06
  Speaker 4: a strong sense an essence of garlic repels creatures, protecting
• 14:09
  Speaker 4: individuals from their harmful intentions. Whilst association with vampires is
• 14:14
  Speaker 4: mostly mythical, the symbolism of garlic is a potent guardian
• 14:18
  Speaker 4: against darkness still persists. Mark is a grizzled war veteran
• 14:22
  Speaker 4: from Vietnam, a man with a keen eye on what
• 14:25
  Speaker 4: happens with his street. He forms the physical protect for
• 14:28
  Speaker 4: the town, using his military and tactical knowledge to keep
• 14:31
  Speaker 4: those he cares about safe, repelling those who mean to
• 14:34
  Speaker 4: do them harm. He's the physical soldier and the esoteric
• 14:38
  Speaker 4: guardian of his street.
• 14:41
  Speaker 2: He definitely is that.
• 14:44
  Speaker 4: Art Wagner, which is the conspiracy theorist in this film
• 14:47
  Speaker 4: who kind of aligns with what our thinking is. It's
• 14:52
  Speaker 4: hilarious loved art art Winengartner Art is a Celtic masculine
• 14:57
  Speaker 4: name meaning bear and figuratively means champion, whereas white Gardener
• 15:03
  Speaker 4: is a German surname meaning wine. Gardener art embodies the
• 15:07
  Speaker 4: essence of his namesake he as he wanders in and
• 15:10
  Speaker 4: around the town and the street, going through people's houses,
• 15:13
  Speaker 4: eating their food, sitting down, lazing about. He also enjoys
• 15:16
  Speaker 4: a good drink, in this case it's beer, not wine,
• 15:19
  Speaker 4: So he's just the lays of our easy going guy.
• 15:23
  Speaker 4: The last one in the small little group is Ricky Butler,
• 15:26
  Speaker 4: who's played by Oh from Grimlins.
• 15:29
  Speaker 5: What's his name?
• 15:31
  Speaker 4: Corey Felman Corey thank You, one of his last films
• 15:34
  Speaker 4: before he.
• 15:35
  Speaker 3: Dropped off the face of the earth.
• 15:36
  Speaker 4: Ricky Butler German origins meaning powerful leader or brave ruler.
• 15:42
  Speaker 3: And it's a short form of Richard.
• 15:43
  Speaker 4: Whereas Butler is Old English meaning a bottle bearer. Ricky
• 15:48
  Speaker 4: is the leader amongst his group of youthful friends doing
• 15:51
  Speaker 4: the typical things of those in his age, hanging around, partying, drinking.
• 15:55
  Speaker 4: He brings the beer, the location, and the entertainment for
• 15:57
  Speaker 4: his friends group, so you see throughout this film he's
• 16:00
  Speaker 4: always got his young group of friends around watching what
• 16:02
  Speaker 4: other people are doing and not going out and partying
• 16:05
  Speaker 4: like the stereotypical things of the kids at that age.
• 16:09
  Speaker 4: Last one, Doctor Werner Clopek, which is our villain for
• 16:13
  Speaker 4: this film. Werner is a name of German origin, Werner,
• 16:17
  Speaker 4: meaning the defender or the defending warrior. Clopek is Polish
• 16:22
  Speaker 4: in origin, a diminutive vermin version sorry of Closs. A
• 16:28
  Speaker 4: nickname from Closs roughly translates to ear or spike of cereal,
• 16:36
  Speaker 4: which generally means in Polish tongue, probably for someone who's
• 16:39
  Speaker 4: small or lanky. Doctor Werner is a small man and
• 16:43
  Speaker 4: fierce defender of his family's ancient Germanic Slavic arts, practices
• 16:47
  Speaker 4: and secrets. Whilst he cannot defend his family in the
• 16:50
  Speaker 4: sense of martial strength and power, he does so through
• 16:53
  Speaker 4: his intellect, charm, and panash. We see this guy as
• 16:56
  Speaker 4: a very well educated, very worldly man, very different from
• 17:01
  Speaker 4: his brother and his nephew, but he defends them in
• 17:04
  Speaker 4: that manner through his intellect.
• 17:05
  Speaker 2: And he is small as fun like he looks like, yeah,
• 17:08
  Speaker 2: he looks like a fucking midget or something. But you know,
• 17:15
  Speaker 2: I thought that it might be significant because they kept
• 17:17
  Speaker 2: bringing it up in the movie. Like Klopek, Like, what
• 17:20
  Speaker 2: is that a Slavic name?
• 17:21
  Speaker 8: Like?
• 17:22
  Speaker 2: They kept bringing it up in the movie, so I
• 17:24
  Speaker 2: thought like it might be I don't know, do you
• 17:28
  Speaker 2: think it fits the character well or do you think
• 17:32
  Speaker 2: it's just some randomness.
• 17:34
  Speaker 4: I think they wanted a Pollock Slavic type of name,
• 17:38
  Speaker 4: but it tends to be the more Germanic in their
• 17:41
  Speaker 4: origin in this film. And it kind of comes back
• 17:43
  Speaker 4: to one of the key sequences later on I'll get into,
• 17:46
  Speaker 4: but it refers to a Zooastrian god or demon in
• 17:51
  Speaker 4: this case.
• 17:52
  Speaker 2: Yeah, Drew, why are you going to come in with
• 17:57
  Speaker 2: the heat so early on? Geez, let me grab my
• 18:02
  Speaker 2: water real quick. Hang on, no problem, okay, So the
• 18:06
  Speaker 2: beginning of the movie, let's just walk ourselves through it.
• 18:11
  Speaker 2: Did anything strike you? I'm talking about even the opening
• 18:14
  Speaker 2: of the opening of the movie when they're zooming down
• 18:18
  Speaker 2: in on the house and like everything after that, did
• 18:23
  Speaker 2: anything strike you? Right off the top?
• 18:26
  Speaker 3: Well, straight off the get go.
• 18:27
  Speaker 4: If you can only go down to conspiracy routes it
• 18:29
  Speaker 4: has and it's the producer of the film, the company
• 18:33
  Speaker 4: that helped build it and fund it. It goes straight
• 18:36
  Speaker 4: to the globe Earth versus flat Earth analogy, because we've
• 18:39
  Speaker 4: got the globe, it shows the globe, it zooms in,
• 18:41
  Speaker 4: it goes specific part of America and goes down to
• 18:44
  Speaker 4: a street level straight away.
• 18:46
  Speaker 3: It's setting up the idea or.
• 18:47
  Speaker 4: The sigh up that the Earth is a globe versus
• 18:50
  Speaker 4: a flat plane, and if you're a biblical person, it's
• 18:53
  Speaker 4: a flat plane.
• 18:54
  Speaker 2: Yeah, that's what That's the first thing that I noticed too, right,
• 18:57
  Speaker 2: Like they got the globe model going for it, and
• 19:00
  Speaker 2: then it's zooming down in and you know, compared to
• 19:05
  Speaker 2: everything else on the street, obviously, the Klopex house, everything
• 19:09
  Speaker 2: is fucking dead. The grass is dead, the trees are dead.
• 19:13
  Speaker 2: The house looks fucking dilapidated, which doesn't make sense to
• 19:16
  Speaker 2: me because if they had just moved in and just
• 19:20
  Speaker 2: murdered the Naps, why weren't the Naps keeping up with
• 19:23
  Speaker 2: their shit like they moved in and literally everything fucking
• 19:26
  Speaker 2: died overnight or like what I mean. Obviously it's just
• 19:29
  Speaker 2: part of the movie for the theatrical version of it,
• 19:32
  Speaker 2: but they had literally freshly murdered the Naps and fucking
• 19:37
  Speaker 2: the whole house looks like it's been vacant for seventy
• 19:40
  Speaker 2: two years.
• 19:42
  Speaker 4: Yeah, it almost looks as if the land's cursed because
• 19:44
  Speaker 4: you've got the immaculate lawns on everyone else's front yards,
• 19:47
  Speaker 4: and there's literally a delineation of lime grain that suddenly stops.
• 19:51
  Speaker 4: There's no overlap of a little bit of grass slowly dying.
• 19:54
  Speaker 4: It's just dead in lines, as if almost it's like
• 19:57
  Speaker 4: cursed earth assaulted earth.
• 19:58
  Speaker 2: Yeah. Yeah, so now we have to take into consideration.
• 20:03
  Speaker 2: Just tear me out that it goes beyond just the
• 20:07
  Speaker 2: physical aspects of these guys being fucking weird, because if
• 20:10
  Speaker 2: you can kill grass overnight and trees, then there's probably
• 20:14
  Speaker 2: a spiritual aspect to this, Like everything is dead around
• 20:17
  Speaker 2: these motherfuckers. And the next scene, like when I put
• 20:25
  Speaker 2: in some stuff that I just thought was funny, but
• 20:27
  Speaker 2: like the newspaper boy is doing his route or whatever
• 20:30
  Speaker 2: and he gets to uh Tom Hanks his house and
• 20:33
  Speaker 2: he splashes the coffee at him, like I don't know why,
• 20:38
  Speaker 2: but it just gets me every time. It's so funny.
• 20:42
  Speaker 4: The hilarious thing I found was the name of the
• 20:44
  Speaker 4: straight Mayfield Place because it's a wink and a nod
• 20:48
  Speaker 4: to Mayfield, which was the town which the Claves lived in,
• 20:50
  Speaker 4: and leave it to Beva. Oh so it's trying to
• 20:52
  Speaker 4: tie it's trying to tie back into that Americana like
• 20:56
  Speaker 4: Golden age Tom Frame.
• 20:59
  Speaker 2: Oh yeah, And like we kind of get introduced in
• 21:02
  Speaker 2: a way to all of the characters in this like
• 21:05
  Speaker 2: first five minutes of the movie, because you know, Tom
• 21:08
  Speaker 2: Hanks splashes his coffee at the newspaper boy, and then
• 21:12
  Speaker 2: it kind of goes over to Rumsfield and his wife,
• 21:15
  Speaker 2: who is smoking hot. By the way, if we were
• 21:18
  Speaker 2: gonna rate like eighties wives, she's right up there. I mean,
• 21:22
  Speaker 2: she's classic eighties wife material. Rumsfield's wife is smoking hot,
• 21:30
  Speaker 2: and oh yeah, definitely definitely. And you know, I think
• 21:37
  Speaker 2: we see Walter, you know, his dog takes a shit
• 21:40
  Speaker 2: on Rumsfield's lawn. We see Corey Feldman aka Ricky Butler,
• 21:46
  Speaker 2: and uh, I don't think we see Art until a
• 21:51
  Speaker 2: little bit later. But did anything strike you between like
• 21:56
  Speaker 2: the opening and then the kitchen scene.
• 22:00
  Speaker 4: Noria really kicked off in the kitchen saying that's where
• 22:02
  Speaker 4: I stopped me too.
• 22:04
  Speaker 2: Well, I'll let you go first and then I'll tell
• 22:06
  Speaker 2: you what I found in the kitchen.
• 22:09
  Speaker 4: So this is the scene where we do get introduced
• 22:12
  Speaker 4: into Art. Kanna just makes his way over and starts
• 22:15
  Speaker 4: eating the food and they're chatting. I noticed a little
• 22:18
  Speaker 4: nod to a previous Corey Feldman film. In the background,
• 22:22
  Speaker 4: there's a box of Grimlin cereal sitting on the shelf.
• 22:25
  Speaker 4: I guess I'll go first, go for it, please, all.
• 22:28
  Speaker 2: Right, So first I want to say though, in the
• 22:33
  Speaker 2: kitchen scene at the beginning of the movie, when he's
• 22:35
  Speaker 2: walking through the house and he's arguing with Carol about
• 22:39
  Speaker 2: whether or not he's going to go on vacation, there
• 22:41
  Speaker 2: is a painting in the background of a little girl
• 22:44
  Speaker 2: in a red overall dress with what looks to be
• 22:48
  Speaker 2: a bullet hole in the middle of her head, and
• 22:51
  Speaker 2: it's like kind of creepy. And I zoomed in on
• 22:53
  Speaker 2: it and made it extra big, and it looks like
• 22:56
  Speaker 2: there's just a dark circle like right in the middle
• 22:59
  Speaker 2: of her forehead. Like she's like, it's like a dead
• 23:01
  Speaker 2: girl in the painting. And I look at all the
• 23:04
  Speaker 2: background stuff. Right then we get into the other part
• 23:07
  Speaker 2: of the kitchen scene and they're they're either eating Grimlin
• 23:10
  Speaker 2: cereal or they are it's on the counter. Obviously, the
• 23:15
  Speaker 2: Grimlin cereal is out. I me and my sister do
• 23:18
  Speaker 2: this with me. By the way, we were both watching it.
• 23:21
  Speaker 2: She was born in the eighties. She knows things I
• 23:22
  Speaker 2: don't know. I said, is that a real fucking cereal?
• 23:25
  Speaker 2: I was like, did bitches be eating Grimlin cereal? She
• 23:28
  Speaker 2: was like, oh my god. Yeah. And so I watched
• 23:31
  Speaker 2: the commercial for the Grimlin cereal and it goes, satisfy
• 23:36
  Speaker 2: the demon inside. Ah okay, that's what the Grimlin cereal
• 23:41
  Speaker 2: commercial says. And the director of the Urbs directed the
• 23:47
  Speaker 2: Grimlins bro like literally, and there is a lot of
• 23:52
  Speaker 2: shit in the Grimlins that is fucking conspiracy theorists shit,
• 23:57
  Speaker 2: Like there is the term grim lens came from the
• 24:01
  Speaker 2: conspiracy Fuck me, it came from the conspiracy theorist guy
• 24:07
  Speaker 2: in the Grimlins, because he was like, they're all coming
• 24:09
  Speaker 2: to get us. There's Grimlins everywhere. So even that word
• 24:13
  Speaker 2: came from like a conspiracy theory. And he's also one
• 24:18
  Speaker 2: of the directors of the Twilight Zone movie. He directed
• 24:22
  Speaker 2: the Twilight Zone movie alongside of Steven Spielberg. And there
• 24:27
  Speaker 2: were two kids in the Twilight Zone movie that got
• 24:30
  Speaker 2: their heads completely decapitated and uh in this fucking horrible
• 24:35
  Speaker 2: helicopter accident while they were filming and so there's all
• 24:40
  Speaker 2: this weird darkness around this director, and he's putting little
• 24:45
  Speaker 2: clues about stuff in the burbs. If you look for it,
• 24:49
  Speaker 2: it's there. He's already referenced the Grimlins. There's Corey Feldman's
• 24:54
  Speaker 2: wearing a Batman T shirt underneath his other T shirt,
• 24:59
  Speaker 2: and quite few scenes. But I mean, what do you
• 25:02
  Speaker 2: think about that? I think it's interesting.
• 25:05
  Speaker 3: It is I will.
• 25:06
  Speaker 4: You mentioned the artwork, right, So I looked at that
• 25:09
  Speaker 4: artwork and something. I didn't notice the bullet hole, but
• 25:11
  Speaker 4: I noticed the style in which it was painted. It
• 25:14
  Speaker 4: looks eerily reminiscent of some Pizzagate.
• 25:17
  Speaker 2: Well that's the paintings right, eerily similar, very much so.
• 25:23
  Speaker 2: And then you get like the way that they set
• 25:26
  Speaker 2: up everything in the background. It has to be on
• 25:31
  Speaker 2: purpose because it catches your eye. The Grimlins cereal box
• 25:35
  Speaker 2: catches your eye, and the painting in the background caught
• 25:40
  Speaker 2: my eye for sure. But anyways, so after this scene, actually,
• 25:46
  Speaker 2: and why I know it's got to be on purpose
• 25:49
  Speaker 2: is because Art comes through the backyard and he's got
• 25:53
  Speaker 2: a fucking gun and he there's no other figurines in
• 25:57
  Speaker 2: the entire backyard in his backyard, other than what an
• 26:02
  Speaker 2: ow a fucking owl and he shoots the head of
• 26:07
  Speaker 2: it off. So I mean, do you think I'm grasping
• 26:12
  Speaker 2: at straws because.
• 26:13
  Speaker 4: I think that there's the council of like a council
• 26:18
  Speaker 4: of owls or wisdom of ows. And the owl is
• 26:21
  Speaker 4: very reminiscent of certain elites that gather together at a
• 26:24
  Speaker 4: certain grove and raise this molch. It's almost as if
• 26:30
  Speaker 4: they're trying to symbolize the death of one kind of
• 26:34
  Speaker 4: ancient deity to ushering another one later in the film.
• 26:38
  Speaker 2: Mm hmmm, hmm, yeah, I mean I thought it was interesting.
• 26:41
  Speaker 2: And just again, in the kitchen scene, they're kind of
• 26:47
  Speaker 2: at the table and Art is talking his head off,
• 26:51
  Speaker 2: and in the background they're watching a cartoon. Did you
• 26:53
  Speaker 2: catch the cartoon.
• 26:55
  Speaker 4: In the back? No?
• 26:56
  Speaker 3: I missed it. What was it?
• 26:57
  Speaker 2: All right? So again, Perhapsimizo because she recognized it. I
• 27:01
  Speaker 2: never would have. She was like, oh, I know exactly
• 27:03
  Speaker 2: what that was. They're watching Felix the Cat, and my
• 27:08
  Speaker 2: sister actually found the exact episode they were watching in
• 27:11
  Speaker 2: the movie, and it's called The Rainbow Parade in Technicolor.
• 27:17
  Speaker 2: And if you look at the cover for this cartoon,
• 27:20
  Speaker 2: this episode It's like all Wizard of Ozzie and there's
• 27:25
  Speaker 2: like rainbows and just the symbolism is off the charts,
• 27:31
  Speaker 2: and they're watching that episode in the background of this
• 27:36
  Speaker 2: kitchen scene. But I mean, the funny part of it
• 27:38
  Speaker 2: if you're not looking at the background and you're looking
• 27:40
  Speaker 2: at the forefront. Art is eating his fucking ass off,
• 27:45
  Speaker 2: and Ray looks at him and he's like, why didn't
• 27:49
  Speaker 2: you go with your wife to her mother's house? And
• 27:51
  Speaker 2: He's like, hey, I'm eating here, So.
• 27:54
  Speaker 3: Why didn't you go with ze to a mother's house?
• 27:57
  Speaker 5: Okay, I'm eating here. Okay. Can you imagine and me
• 28:00
  Speaker 5: and the two of them alone for a week? I'd
• 28:02
  Speaker 5: rather too broken glass.
• 28:05
  Speaker 2: Then he eats He eats a dog food out of
• 28:08
  Speaker 2: the dog food bowl. I mean, there's so many iconic moments.
• 28:11
  Speaker 2: There's there's actually Aunt Jemima syrup on the table, rip
• 28:16
  Speaker 2: Aunt Jemima.
• 28:17
  Speaker 4: But like, also do you guess what he grabs out
• 28:20
  Speaker 4: of the fridge as well? Ribs, ribs, and a goddamn pineapple.
• 28:27
  Speaker 4: He pulls a pineapple out and pineapple and Hawaiian culture
• 28:31
  Speaker 4: is a symbol of hospitality, friendship, and fertility.
• 28:34
  Speaker 2: But it also upside down means swingers, so it's a
• 28:40
  Speaker 2: sexual reference and.
• 28:42
  Speaker 3: It is that's the fertility side of things.
• 28:44
  Speaker 2: Ruh, yeah, yeah yeah. But I mean the kitchen scene
• 28:46
  Speaker 2: in itself is pure comedy because I mean, if I
• 28:50
  Speaker 2: was gonna be a character in this movie, I'm one Art.
• 28:54
  Speaker 2: There is no other character I would be. I'm actually
• 28:58
  Speaker 2: like that in real life. I can't stop eating and
• 29:00
  Speaker 2: I can't stop talking about dumb shit. So I'm Art.
• 29:05
  Speaker 2: I think you're I think your RUMs.
• 29:07
  Speaker 4: Field, Well really.
• 29:13
  Speaker 2: Unless you. I mean, I'm not going to tell you
• 29:14
  Speaker 2: who you identify with, but if I was going to
• 29:17
  Speaker 2: say who, probably probably Rumsfield.
• 29:20
  Speaker 4: I probably would be, Yeah, you're not wrong, smoking, hot wife,
• 29:23
  Speaker 4: the whole thing.
• 29:23
  Speaker 3: Yeah.
• 29:27
  Speaker 2: So what don't we go to next?
• 29:31
  Speaker 3: So this is.
• 29:31
  Speaker 4: Where because prior to this this scene sequence where we
• 29:35
  Speaker 4: see talking to to our main character about the neighbors,
• 29:40
  Speaker 4: we've skimmed over a little part at the start where
• 29:43
  Speaker 4: our main character played by Tom Hanks, he goes out
• 29:45
  Speaker 4: and he's watching the neighbors. There's some weird noises coming
• 29:48
  Speaker 4: from the basement. You hear over and you see Rumsfeld
• 29:51
  Speaker 4: having a cigarette or a cigar in the window, watching
• 29:55
  Speaker 4: over at night, being his creepy little self as well,
• 29:58
  Speaker 4: and they start to get into the minuture of you know,
• 30:01
  Speaker 4: he's got a week off, he's on vacation. He doesn't
• 30:04
  Speaker 4: really want to do anything. He wants to lays about,
• 30:06
  Speaker 4: drink a few beers, doesn't want to go anywhere. But
• 30:09
  Speaker 4: this storyline starts to take over his life. He's a
• 30:12
  Speaker 4: bit too invested in the neighbors and the issues are
• 30:15
  Speaker 4: surrounding them and the weird noises he hears and sees.
• 30:18
  Speaker 4: And this is where art really tapped into the Schizzo
• 30:22
  Speaker 4: conspiracy side of things.
• 30:24
  Speaker 3: When he's eating his food and he's just blah blah blah.
• 30:26
  Speaker 4: Going off about all the things that he's noticed about
• 30:28
  Speaker 4: these neighbors. He says, one thing, though, I spoke to
• 30:32
  Speaker 4: the real estate agent about the Clopex buying the house,
• 30:36
  Speaker 4: and that's how he knows the last name. So the
• 30:38
  Speaker 4: only thing we know about him the last name Clopex,
• 30:40
  Speaker 4: which is interesting later on the film there was no
• 30:44
  Speaker 4: sale of the house. The house wasn't purchased spoiler or
• 30:49
  Speaker 4: so how does his art just talking shit?
• 30:52
  Speaker 2: Or we catch us.
• 30:55
  Speaker 3: We catched a flood.
• 30:57
  Speaker 4: That is, there was a massive era in the continuity
• 31:01
  Speaker 4: of the story or it's actually.
• 31:03
  Speaker 2: In on it. Maybe I still think I would be
• 31:07
  Speaker 2: art though in this story it would be like me
• 31:10
  Speaker 2: to be like fucking hiding some shit like that too,
• 31:13
  Speaker 2: like I did some fucking digging and shit fucking spying
• 31:16
  Speaker 2: on the neighbors. Well, you know, when they're standing outside
• 31:20
  Speaker 2: the garage and he's like, oh, did I show you
• 31:23
  Speaker 2: these these tools that Carol's dad got me, and you know,
• 31:27
  Speaker 2: they're talking back and forth, and he's like, oh, yeah,
• 31:29
  Speaker 2: those are beautiful. What are you gonna build something with those?
• 31:33
  Speaker 5: So what are you gonna do first?
• 31:35
  Speaker 4: I don't know.
• 31:38
  Speaker 5: Hey, that show you my new tools. Yeah, these are great.
• 31:42
  Speaker 4: Carol's father gave.
• 31:43
  Speaker 5: Him to me for Christmas. Huh Oh those are beauties.
• 31:52
  Speaker 3: Yeah, you're gonna build something with us, I think so.
• 31:55
  Speaker 2: I mean, it's just so it's just pure comedy, pure comedy.
• 31:59
  Speaker 2: He's like, you want to go stop by the deli
• 32:01
  Speaker 2: and get one of those sandwiches. I mean, I just
• 32:05
  Speaker 2: love this movie so much. It's near and dear to
• 32:08
  Speaker 2: my heart. But there is so much stuff in there,
• 32:11
  Speaker 2: and you know, raise a pussy like for the first
• 32:15
  Speaker 2: like half of the movie, because even when they're standing
• 32:18
  Speaker 2: outside at you know, talking back and forth in the garage.
• 32:22
  Speaker 2: Fucking This is where we see the first Cloepec fucking
• 32:26
  Speaker 2: Haunts makes his debut. And I don't know, Drew. I mean,
• 32:33
  Speaker 2: I'm not a hater against Gingers, obviously for apparent reasons,
• 32:39
  Speaker 2: but damn, okay, they couldn't have picked a more crip
• 32:43
  Speaker 2: keeper ass looking purple circles under the eye, fucking nasty
• 32:48
  Speaker 2: ass Ginger. I mean that dude looked like walking hepatitis.
• 32:54
  Speaker 3: Yeah, he fell out of the ugly tree and hit
• 32:56
  Speaker 3: every branch on the right down.
• 32:57
  Speaker 2: Yeah, yeah, yeah, I mean obviously some of its makeup,
• 33:02
  Speaker 2: but god, damn, Hans is fucked up.
• 33:06
  Speaker 4: Yeah, this is where we see him. They notice him
• 33:10
  Speaker 4: because no one's ever seen these people, and he's standing
• 33:12
  Speaker 4: out the front, and everyone's like once you go say hello, No, no,
• 33:15
  Speaker 4: you go say hello. You're his neighbor. You're his neighbor too.
• 33:19
  Speaker 4: You're in the same coulder sack. Yeah, but you live
• 33:20
  Speaker 4: right next to him, you share a border. And it's
• 33:22
  Speaker 4: like that, almost like the kid type of no you
• 33:25
  Speaker 4: ring the doorbell, no, you ring the doorbell approach. And
• 33:27
  Speaker 4: this is when a comedy really comes into its own,
• 33:29
  Speaker 4: where we see these characters, although they've got this conspiracy
• 33:33
  Speaker 4: going on, they're trying to figure it out. It's very
• 33:35
  Speaker 4: reminiscent of almost like a preteen kid's story about them
• 33:41
  Speaker 4: dingdong ditching houses and that weird neighbor that's trying to
• 33:44
  Speaker 4: figure out. But they've transplanted to an adult theme.
• 33:47
  Speaker 2: Mm hm because just in the kitchen something else I
• 33:51
  Speaker 2: think I guess I forgot to mention is like Art
• 33:54
  Speaker 2: eating ribs and he's talking to raise kid and he
• 33:57
  Speaker 2: was like, I saw him in the backyard digging like grave. Yeah,
• 34:04
  Speaker 2: so they know nothing about the family other than their
• 34:08
  Speaker 2: last name, but now they're grave diggers and you know
• 34:12
  Speaker 2: all this stuff and fucking they're daring each other to
• 34:15
  Speaker 2: go up to well, you know, he's about to go
• 34:17
  Speaker 2: back in the house. You could just say, oh, you're
• 34:19
  Speaker 2: gonna miss him, you're gonna miss him, and like they're
• 34:22
  Speaker 2: daring each other to go say hello, and he goes back,
• 34:26
  Speaker 2: Hans goes back into the house, and uh, they pretty
• 34:30
  Speaker 2: much dare each other to knock on the door. And
• 34:34
  Speaker 2: this is where some more conspiracy stuff comes in. I'll
• 34:37
  Speaker 2: let you go first.
• 34:39
  Speaker 4: Yeah, yeah, so this they go, I'll go if you
• 34:41
  Speaker 4: go and they work up the courage, they go up
• 34:44
  Speaker 4: to the front door.
• 34:45
  Speaker 3: As they're walking in book.
• 34:47
  Speaker 4: Goes through the decking of the of the front of
• 34:49
  Speaker 4: the house, lift their foot up and as they go
• 34:52
  Speaker 4: to knock on the door, it's originally stated his house
• 34:56
  Speaker 4: six six' nine knock on the, door nile falls out
• 34:59
  Speaker 4: and six six six very intentional on the film and
• 35:02
  Speaker 4: to be the devil's. Number but the interesting part is
• 35:05
  Speaker 4: when they go to hit the doorbell and they push
• 35:08
  Speaker 4: their finger through and the bees start coming out from.
• 35:11
  Speaker 4: Everywhere now this is a purely comedy effect that they're
• 35:14
  Speaker 4: getting chased by bees and the neighbor has.
• 35:15
  Speaker 3: To wet them down with the.
• 35:17
  Speaker 4: Hose but the bee itself is very symbolic of masonry
• 35:22
  Speaker 4: form of a hive, mind the, hexagon the, bee the
• 35:26
  Speaker 4: idea that the bee is a sacred symbol and has
• 35:29
  Speaker 4: this energetic field around it that can heal and.
• 35:31
  Speaker 3: Be used for certain.
• 35:32
  Speaker 4: Things it's built into the fabric of freemasonry because it's
• 35:36
  Speaker 4: like the perfect structure in nature and bees the capable
• 35:39
  Speaker 4: of building. It SO i thought that was a bit
• 35:40
  Speaker 4: of a cheeky nod to. It they kind of distracted
• 35:44
  Speaker 4: us with the six sixty, six which was very, intentional
• 35:47
  Speaker 4: but hit away bees as being the real symbol and
• 35:49
  Speaker 4: what's going on.
• 35:50
  Speaker 2: There and the door knocker is a little devil with
• 35:53
  Speaker 2: a little devil, horns.
• 35:54
  Speaker 4: It, is and that'll come back to a certain deity later,
• 35:57
  Speaker 4: on WHICH i find very interesting that the house already
• 36:00
  Speaker 4: had that structures associated with it before they moved.
• 36:03
  Speaker 9: In ah, okay all, Right, Yeah SO i think that
• 36:10
  Speaker 9: within the five seconds they were standing on the, porch
• 36:13
  Speaker 9: we found three, things, right like.
• 36:14
  Speaker 2: The six six six, obviously but the bees and the
• 36:17
  Speaker 2: knocker to the door with the little devil head on.
• 36:20
  Speaker 2: IT i actually have in my. Notes they used the
• 36:23
  Speaker 2: color blue a lot in this. Movie and BLUE i
• 36:28
  Speaker 2: was kind of looking into. It it's supposed to be
• 36:33
  Speaker 2: related to expression and communication within, occultism BUT i kind
• 36:40
  Speaker 2: of saw it as like some times they use blue
• 36:45
  Speaker 2: in movies to convey a certain, emotion like isolation and
• 36:49
  Speaker 2: shit like. That BUT i felt like they were using
• 36:52
  Speaker 2: it a lot in this. Movie and it's almost like
• 36:54
  Speaker 2: they're getting into our, minds because everything you see on
• 36:57
  Speaker 2: screen somehow translates into your mind as something, else, Right
• 37:01
  Speaker 2: so by bombarding us with imagery and certain, colors it
• 37:06
  Speaker 2: does trigger something in the. Mind SO i did notice
• 37:09
  Speaker 2: that a lot of the, outfits a lot of the,
• 37:12
  Speaker 2: houses a lot of the just random. Stuff it was
• 37:16
  Speaker 2: like blue and, Yeah SO i just wanted to mention,
• 37:22
  Speaker 2: that and then did you catch anything right after? That
• 37:28
  Speaker 2: BECAUSE i have something in my. Nose but it's the next.
• 37:30
  Speaker 4: Scene, well there was another gaff that occurred in this,
• 37:34
  Speaker 4: scene AND i THOUGHT i was hearing things and had
• 37:36
  Speaker 4: to go back deliberately and, like listen to it three.
• 37:38
  Speaker 4: Times there's someone, screaming help, me help me at the
• 37:41
  Speaker 4: top of their, lungs AND i, thought, oh maybe this
• 37:43
  Speaker 4: is one of the people in the. Basement turns out
• 37:46
  Speaker 4: depends on which edition you got a hold. Of there's
• 37:49
  Speaker 4: background noise which has been saturated into it because that
• 37:53
  Speaker 4: lot which they filmed on was right next to The jaws,
• 37:56
  Speaker 4: ride so people who are on the ride are, screaming
• 37:59
  Speaker 4: helped me, Out help. Me it's a part of the,
• 38:01
  Speaker 4: ride and it was put into the original soundtrack of
• 38:04
  Speaker 4: digital backing, noise and they're only deleted at post.
• 38:07
  Speaker 3: Production but there's.
• 38:08
  Speaker 4: Some versions of this that you can get that are old.
• 38:11
  Speaker 4: Enough it has the scene so you can hear.
• 38:12
  Speaker 2: It oh my. God, well that goes along with the.
• 38:15
  Speaker 2: Movie they probably should have amplified the sound of it
• 38:19
  Speaker 2: and made it part of the, movie like somebody was
• 38:21
  Speaker 2: like screaming in the basement or.
• 38:23
  Speaker 4: Something, yeah so there's that sound saturation that was in
• 38:26
  Speaker 4: there the house we just spoke. About beyond, that this
• 38:30
  Speaker 4: is where we move into starting to understand and get
• 38:34
  Speaker 4: to know the neighbors a little bit. More and this
• 38:36
  Speaker 4: all kinds of coalesces are Around walter. Disappearing so the
• 38:41
  Speaker 4: old guy at the start With, queen the cute little
• 38:43
  Speaker 4: black toy, poodle he's.
• 38:44
  Speaker 3: Just up and.
• 38:45
  Speaker 4: Disappeared and the only reason they know he's disappeared is
• 38:47
  Speaker 4: Because queen is running around out in the street by. Herself,
• 38:50
  Speaker 4: Ironically queeny is the exact same dog that Played precious
• 38:54
  Speaker 4: In silence of The Lamps No.
• 38:56
  Speaker 2: Film oh she's So cuteye.
• 38:59
  Speaker 4: Is all, right it's just got these weird. Owners queenie
• 39:02
  Speaker 4: runs up To queenie runs up To uh to one
• 39:11
  Speaker 4: Of rumsfeld's, wife and she looks after. Him there's something
• 39:14
  Speaker 4: that's gotta be wrong With, walter Because walters wouldn't let
• 39:16
  Speaker 4: her by by. Herself and they go to check the
• 39:18
  Speaker 4: house out to see what's happened To walter and it's.
• 39:21
  Speaker 4: Locked they can't see him there until we See. Rumsfeld
• 39:25
  Speaker 4: he goes in through the, back you, know very cloak and.
• 39:27
  Speaker 4: Dagger special forces guy pulled the glass out and they
• 39:30
  Speaker 4: go into the house to check On, rumsfeld to Check,
• 39:32
  Speaker 4: rumseveld to check For. Walter and he walks. In the
• 39:35
  Speaker 4: first thing he notices the TV's, on but the chairs
• 39:38
  Speaker 4: on the ground looks like there's been a struggle.
• 39:40
  Speaker 2: Here sign a struggle a chair.
• 39:46
  Speaker 4: A chair over isn't really a sign of a struggle,
• 39:49
  Speaker 4: There and they're just looking around the. House and it's
• 39:52
  Speaker 4: quite funny during this whole time because what we end
• 39:56
  Speaker 4: up seeing is that at a certain point in this,
• 39:59
  Speaker 4: sequence they're looking through at the house and they're looking for,
• 40:02
  Speaker 4: things and we've Got art looking for. Food, ironically he's, like,
• 40:06
  Speaker 4: HEY i found some cookies and he opens the door
• 40:08
  Speaker 4: and smashes and breaks. Things when he leaves the, house
• 40:13
  Speaker 4: he's got two wristwatches, on so he's pinched one of
• 40:15
  Speaker 4: his watches the. House no starts off going in with one,
• 40:21
  Speaker 4: watch leaves of the second. One so there's something about
• 40:24
  Speaker 4: this guy whi's a little bit.
• 40:25
  Speaker 3: Off he takes.
• 40:26
  Speaker 4: Advantage he takes people's, food takes, watches who knows what
• 40:29
  Speaker 4: else he's, Doing literally a fucking.
• 40:31
  Speaker 2: Kleptomaniac Maybe i'm Not. Art Maybe i'm. Not NO i,
• 40:35
  Speaker 2: AM i am minus the, Thievery i'm Definitely. Art but
• 40:40
  Speaker 2: is this before or After ray sneaks out of the
• 40:46
  Speaker 2: house to have a cigar and they talk? Outside is that?
• 40:52
  Speaker 2: Before do they go To? Walters before or after?
• 40:55
  Speaker 3: THAT i think it might be?
• 40:56
  Speaker 2: Before, okay, okay because what my notes pick up on
• 41:00
  Speaker 2: that conversation when he takes the dog for a walk
• 41:04
  Speaker 2: and goes over and talk To art And Ricky butler
• 41:08
  Speaker 2: Because Corey. Feldman Ricky butler brings up the Movie The
• 41:12
  Speaker 2: sentinel about a doorway being opened up Into, hell AND
• 41:19
  Speaker 2: i went and watched the trailer for this. Movie it's
• 41:24
  Speaker 2: got Like Jeff goldbloom And christopher walking and it actually
• 41:28
  Speaker 2: looks like it would be a really classic horror. MOVIE
• 41:32
  Speaker 2: i had never seen it, before but it reminded me
• 41:35
  Speaker 2: of The Original exorcist a little, bit so it's a real.
• 41:40
  Speaker 2: MOVIE i don't know if you had any notes on
• 41:44
  Speaker 2: that part in, particular But art also tells this story
• 41:50
  Speaker 2: About skip and murdering his old. House did it not
• 41:54
  Speaker 2: remind you or was it not similar kind of to
• 41:57
  Speaker 2: like Maybe John Wayne gacy little bit murdering people and
• 42:02
  Speaker 2: burying them in his, basement and he was a, big.
• 42:04
  Speaker 4: Fat guy in, like oh a little, bit and they
• 42:07
  Speaker 4: kind of reference aspects of that that there was a
• 42:11
  Speaker 4: certain time In american culture in which people were almost
• 42:14
  Speaker 4: activated to be serial, killers and they seemed to be
• 42:17
  Speaker 4: like the average. Person they all seem to have had
• 42:19
  Speaker 4: military experience where they'll probably, brainwash but they just snap
• 42:23
  Speaker 4: and they kill. People and the skip stories of this
• 42:25
  Speaker 4: guy that would serve sodas at the soda fountain and
• 42:29
  Speaker 4: one day he just snapped and killed his, family put
• 42:32
  Speaker 4: the bodies down the cool, room but the power went
• 42:34
  Speaker 4: out that summer and everyone could smell their decomposing. Bodies
• 42:37
  Speaker 4: very reminiscent of us serial killers that just you, know
• 42:41
  Speaker 4: hid bodies in their, houses.
• 42:43
  Speaker 2: Hid bodies in. Abasement, yeah it's. Crazy and they were, like,
• 42:46
  Speaker 2: YEAH i just snapped one day and just went back
• 42:49
  Speaker 2: to making cherry fast feats for the whatever he. Said
• 42:54
  Speaker 2: but the thing, is, though is it reminded me Of
• 42:56
  Speaker 2: John geesey just because of the bodies in the basement.
• 42:59
  Speaker 2: Thing and then later on in the dream sequence there's
• 43:03
  Speaker 2: an appearance By, skip and it's obviously, art but it's
• 43:08
  Speaker 2: like a big fat guy who makes fucking ice cream
• 43:10
  Speaker 2: treats for the townsfolk who ends up. Snapping and they
• 43:14
  Speaker 2: always make serial killers out to be like, that but
• 43:17
  Speaker 2: in my, opinion it's always by design in some form or.
• 43:21
  Speaker 2: Fashion like serial, killers some of them, maybe but a
• 43:24
  Speaker 2: lot of them don't act out of random acts of.
• 43:30
  Speaker 2: Violence is definitely more programmed in my. Opinion BUT i
• 43:35
  Speaker 2: thought that was interesting that they included that as a
• 43:41
  Speaker 2: tidbit in this, movie.
• 43:44
  Speaker 4: And they almost try to saturate it into the public
• 43:46
  Speaker 4: sake because they preface it with every small town's got
• 43:49
  Speaker 4: one of these, stories and then he tells a story About.
• 43:52
  Speaker 4: Skip it's almost like planting the seed that would light
• 43:55
  Speaker 4: to become the serial killer phenomenon that we, say which
• 43:58
  Speaker 4: a white housewives who were hooked on these podcasts.
• 44:01
  Speaker 2: About real.
• 44:04
  Speaker 4: And every goddamn town seems to have one of those.
• 44:06
  Speaker 3: Stories.
• 44:07
  Speaker 4: Right my own hometown has one of these stories where
• 44:09
  Speaker 4: a guy killed his, wife buried, her and then built
• 44:12
  Speaker 4: a shed over the top shut up the.
• 44:17
  Speaker 3: Town someone in my.
• 44:19
  Speaker 4: Town SO i used to walk past this guy's house
• 44:21
  Speaker 4: as a little kid on the way to, kindergarten and
• 44:23
  Speaker 4: he killed his. Wife no one knew what happened to,
• 44:25
  Speaker 4: her buried, her built a concrete slab over the, top
• 44:28
  Speaker 4: built a shed on top of, it and they didn't
• 44:30
  Speaker 4: find it UNTIL i was like twenty, five twenty six years.
• 44:32
  Speaker 2: Old so did he blab or they just found her.
• 44:35
  Speaker 4: BODY i think they found the, body but he must
• 44:38
  Speaker 4: have been talking to someone for them to look had
• 44:40
  Speaker 4: to have.
• 44:41
  Speaker 2: Been you know what my sister said the other. Day
• 44:43
  Speaker 2: she's worse than me about watching true crime. Shows she's
• 44:46
  Speaker 2: got this whole thing worked out where she's gonna if
• 44:50
  Speaker 2: it ever needed to, happen she would kill someone and
• 44:55
  Speaker 2: bury them up and, down straight up and, down and
• 44:59
  Speaker 2: then bury a die over top of them, sideways so
• 45:03
  Speaker 2: that if they ever went, flicking they the.
• 45:06
  Speaker 10: DOG i was, like you know how deep of a
• 45:12
  Speaker 10: hole you'd have to take to bury someone standing up
• 45:16
  Speaker 10: and then bury a dog on top.
• 45:18
  Speaker 2: Of them sideways like that Is she's put a lot
• 45:21
  Speaker 2: of thought into.
• 45:22
  Speaker 3: This not be along With julia's.
• 45:26
  Speaker 2: Sister i'm living with.
• 45:28
  Speaker 4: Her how do you think.
• 45:32
  Speaker 2: DID i do the dishes well.
• 45:34
  Speaker 4: Enough for your, SISTER i didn't put the tails back
• 45:37
  Speaker 4: on the?
• 45:37
  Speaker 2: Rack CAN i get you? Anything but, yeah, No SO
• 45:44
  Speaker 2: i thought that was a little interesting thing that they
• 45:46
  Speaker 2: tossed into the. Movie and do you have anything else after?
• 45:52
  Speaker 2: That because the next NOTE i have is something That
• 45:56
  Speaker 2: Ricky butler was saying about the neighborhood to his little.
• 46:02
  Speaker 2: Girlfriend that's the next SCENE i have no.
• 46:04
  Speaker 4: Sign, right just to finish, off when they went Into
• 46:07
  Speaker 4: walter's house to check if heels, alive there's a photo
• 46:09
  Speaker 4: Of walter And Lucille ball on one of the side,
• 46:13
  Speaker 4: cabinets a group of, photos which is interesting Because walter
• 46:16
  Speaker 4: is played by a man Named gordon who actually was
• 46:19
  Speaker 4: a character on a lot Of Lucy bowl. SHOWS I Love,
• 46:23
  Speaker 4: lucy my favorite. Husband they were on these television shows. Together,
• 46:27
  Speaker 4: now this could just be a wink and a nod
• 46:28
  Speaker 4: Within hollywood that these people worked together. Before But Lucille
• 46:31
  Speaker 4: bull in herself has a conspiratorial background surrounding, it does she?
• 46:36
  Speaker 2: Does but you, Know, drew this is WHY i, say
• 46:40
  Speaker 2: And i'm so glad you brought that, up BECAUSE i
• 46:44
  Speaker 2: Know i've already said. This but when people say that
• 46:47
  Speaker 2: we grasp at straws or we're splitting hairs when we
• 46:50
  Speaker 2: do episodes like, this because we're looking at the, Background
• 46:53
  Speaker 2: we're looking at all these minute, details and they think
• 46:56
  Speaker 2: that it's just a coincidence or we're you, know trying
• 47:01
  Speaker 2: to make it something that it's. Not but putting all
• 47:03
  Speaker 2: those little clues in, there that's not an, Accident like,
• 47:07
  Speaker 2: he like the director he Directed, gremlins puts the gremlin
• 47:11
  Speaker 2: cereal in. There you, know the small little details like
• 47:15
  Speaker 2: that are on. Purpose and so having that picture sitting,
• 47:19
  Speaker 2: there that wasn't an. Accident you, know there is stuff
• 47:23
  Speaker 2: going on in the background of these.
• 47:25
  Speaker 4: Movies, yeah the average person would say that these are
• 47:28
  Speaker 4: easter eggs or little just nuggets put in the artistic.
• 47:32
  Speaker 4: Flare BUT i tend to think that there's probably a
• 47:34
  Speaker 4: bit more revelation of the method and kind of showing
• 47:37
  Speaker 4: their hand that overtly saying it and doing it through
• 47:40
  Speaker 4: symbolism of having things in the, background in the, foreground
• 47:43
  Speaker 4: hidden away in, dialogue that type of, thing.
• 47:45
  Speaker 2: And like the. Imagery you, know even if it's just
• 47:48
  Speaker 2: a flash of a second of seeing something like, that
• 47:51
  Speaker 2: you may have not processed, it but it went into your,
• 47:53
  Speaker 2: mind you. Know and so the next notes THAT i
• 47:59
  Speaker 2: have is That coreyman is saying watching people in his
• 48:03
  Speaker 2: neighborhood is more entertaining than going to the movies because it's.
• 48:07
  Speaker 2: Real AND i was, like isn't that the? Truth because
• 48:10
  Speaker 2: reality is always stranger than. Fiction and the Way corey
• 48:17
  Speaker 2: describes living in that, neighborhood it's very stuck in the
• 48:23
  Speaker 2: matrix c kind of vibe because everyone has a. Routine
• 48:28
  Speaker 2: it's almost like The Truman. Show he knows exactly what
• 48:32
  Speaker 2: each of his neighbors does at each you, know given.
• 48:35
  Speaker 2: Time oh he's about to walk out of his door
• 48:38
  Speaker 2: and say he's taking the dog for a. Walk oh
• 48:39
  Speaker 2: he's doing, this always doing. That and it does tend
• 48:43
  Speaker 2: to be like that when you live in neighborhoods that
• 48:47
  Speaker 2: are so you get, up you nine to, five it
• 48:50
  Speaker 2: you come, home you watch the same show at, night
• 48:52
  Speaker 2: you do your little. Routine it's very stuck in the.
• 48:56
  Speaker 2: Matrixy it's really a study in human psychology almost how
• 49:02
  Speaker 2: people get stuck in these matrix. Neighborhoods it's almost like
• 49:08
  Speaker 2: is anything? Real the only thing that seems real to
• 49:10
  Speaker 2: me is the clopex.
• 49:12
  Speaker 4: That dialogue that where he says that it's everything here is,
• 49:15
  Speaker 4: real it's better than. Television it throws away to a
• 49:18
  Speaker 4: ligne later in the film Which i've got to mention,
• 49:20
  Speaker 4: Now Tom, hanks our main, character he goes on a
• 49:24
  Speaker 4: bit of a rant about how you know The clopex
• 49:27
  Speaker 4: were good people and where you were the monsters all
• 49:29
  Speaker 4: arong along where the bear guys where the?
• 49:31
  Speaker 3: Evildoers?
• 49:32
  Speaker 4: Well was that just revelation of the method in himself
• 49:35
  Speaker 4: considering the controversy Surrounding Tom hanks And podesta emails And.
• 49:40
  Speaker 4: Pizzagate is he just putting it out in the open
• 49:43
  Speaker 4: telling people what really is going on, Allegedly.
• 49:46
  Speaker 2: Oh good, Catch like we are the monsters and the
• 49:51
  Speaker 2: ones that we make out to be the monsters are,
• 49:53
  Speaker 2: not even though they. Were but it's like in that, context,
• 49:57
  Speaker 2: yeah that's. Good that was a good. Catch did you
• 50:02
  Speaker 2: have anything Before hans drives to the end of the
• 50:05
  Speaker 2: street and beats the garbage with a. Stick i've never seen.
• 50:10
  Speaker 4: THAT i never seen anybody drive their garbage down to
• 50:14
  Speaker 4: the street and then bang the hell out of it
• 50:16
  Speaker 4: with a.
• 50:16
  Speaker 5: Stick i've never seen.
• 50:17
  Speaker 4: THAT i. DON'T i just had the way in which
• 50:25
  Speaker 4: he was really going to town on my.
• 50:27
  Speaker 2: Garbage that's one of my favorite. Seats it's, like who
• 50:33
  Speaker 2: do you know that drives their trashed down to the
• 50:35
  Speaker 2: end of the street and then beats it with a.
• 50:37
  Speaker 4: Stick, well this is a funny thing because some driveways
• 50:41
  Speaker 4: In australia can beklometers long at some. Point so my
• 50:46
  Speaker 4: wife's family, home where my father in law still, lives
• 50:50
  Speaker 4: you literally have to drive half a kilometer down the.
• 50:52
  Speaker 2: Road he beat it with his, stick though.
• 50:54
  Speaker 3: Sometimes depends on how.
• 50:56
  Speaker 2: Bullets oh my, GOD i hope he's not a. Redhead
• 51:01
  Speaker 2: he Fucking Hans hans is your father in? Law?
• 51:09
  Speaker 3: What but.
• 51:12
  Speaker 2: SO i actually have some notes on the next morning
• 51:16
  Speaker 2: After hans beats the shit out of the garbage with the.
• 51:19
  Speaker 2: Stick SHOULD i go first or should.
• 51:22
  Speaker 3: You please go for? It let me value?
• 51:23
  Speaker 2: It, okay. Okay so one of the garbage men has
• 51:28
  Speaker 2: a rainbow badge on his coverall, okay and he's talking
• 51:32
  Speaker 2: about metaphysics and quote unquote the power of crystals blah blah,
• 51:37
  Speaker 2: blah literally talking about witchcraft and tells the other guy
• 51:40
  Speaker 2: he needs to open himself, up and talking about the
• 51:43
  Speaker 2: laying on of hands and, shit and he's wearing This
• 51:46
  Speaker 2: democrat pin on the other side of His coverall that says.
• 51:50
  Speaker 2: McCarty and so this, DUDE i, mean you can break
• 51:55
  Speaker 2: in and tell me what you. Think BUT i, MEAN
• 51:58
  Speaker 2: i never noticed that UNTIL i watched it yesterday about
• 52:02
  Speaker 2: that conversation they were.
• 52:03
  Speaker 4: Having, LIKEWISE i knew you'd pick up on the crystals
• 52:08
  Speaker 4: and the metaphysical, stuff SO i didn't take too.
• 52:10
  Speaker 3: Many notes on.
• 52:11
  Speaker 4: It BUT i found it really interesting that it was
• 52:13
  Speaker 4: the democrat of what's going on with the, rainbow the
• 52:18
  Speaker 4: inversion of the, rainbow, right the rainbow And christian theology
• 52:22
  Speaker 4: Is god's promised not to flood the world, again but
• 52:24
  Speaker 4: for The New ages that means something completely.
• 52:25
  Speaker 3: Different and he had almost like.
• 52:28
  Speaker 4: This weird dialectical conversation with the garbage man who is From.
• 52:32
  Speaker 4: Grimlins you, Know dante's just re using the same, cast
• 52:36
  Speaker 4: the exact same character.
• 52:37
  Speaker 2: Too he's the conspiracy theorist in The.
• 52:39
  Speaker 4: Grimminals yeah, right and he's having this conversation about, you
• 52:46
  Speaker 4: like you, said the metaphysicals of the world and how
• 52:48
  Speaker 4: you can.
• 52:48
  Speaker 3: Lay hands on people healing This New age type of.
• 52:51
  Speaker 4: Approach and this guy's very much a, grounded solid blue collar,
• 52:54
  Speaker 4: worker just wants.
• 52:55
  Speaker 3: To put the rubbish in the.
• 52:56
  Speaker 4: Bin and this is where we see our art. Runner
• 53:00
  Speaker 4: i've grabbed the rubbish and start just dumping it on the,
• 53:02
  Speaker 4: ground and he starts going through like the legal lace
• 53:05
  Speaker 4: of things you have according to the. Law you, know
• 53:07
  Speaker 4: people have access to. Garbage once it's on the side
• 53:09
  Speaker 4: of the, right it's becomes public. Domain so then very
• 53:12
  Speaker 4: much focusing on some legal lays THAT i thought was very,
• 53:16
  Speaker 4: strange can see in the context of the, film and.
• 53:19
  Speaker 2: It's almost, like of, course the democrat guy with the
• 53:21
  Speaker 2: rainbow sticker on his coveralls is the one that's, like
• 53:24
  Speaker 2: you can't tell him he can't throw garbage in the,
• 53:26
  Speaker 2: street and and then the person with the common sense
• 53:30
  Speaker 2: that's got to pick it all up is, like what
• 53:31
  Speaker 2: the fuck are you doing throw garbage in the. Street
• 53:34
  Speaker 2: it's almost like the juxtaposition of people who are in
• 53:37
  Speaker 2: their right mind and people who are. Not he's literally
• 53:40
  Speaker 2: just got done talking about laying on of hands and
• 53:42
  Speaker 2: crystals and metaphysical and you need to change your, life
• 53:45
  Speaker 2: and talking about, witchcraft and then the other guy's, like
• 53:48
  Speaker 2: you're fucking. Bonkers and he's also the one that's, like
• 53:52
  Speaker 2: why the fuck are you throwing trash in the, Street
• 53:54
  Speaker 2: like he's the grounded common sense guy and the other
• 53:58
  Speaker 2: guy's in Fucking la la land. Somewhere what does that
• 54:00
  Speaker 2: sound like that it's still a.
• 54:01
  Speaker 4: Problem, well it sounds like it sounds like a little
• 54:04
  Speaker 4: saying that we're familiar, with do what thou? Wilt people
• 54:08
  Speaker 4: just doing what they. Want and it gets to the
• 54:10
  Speaker 4: point where the garbage man's, like can you help this guy, out,
• 54:13
  Speaker 4: like you.
• 54:14
  Speaker 3: Know stop the guy from putting rubish on the. Ground
• 54:16
  Speaker 3: and what's he? Doing helps?
• 54:16
  Speaker 2: Him, yeah he starts putting more garbage on the. Ground
• 54:20
  Speaker 2: that's the, thing, though isn't. It it's such a like
• 54:23
  Speaker 2: that scene in the even in itself is kind of
• 54:26
  Speaker 2: like telling of a lot of. Things but SO i
• 54:32
  Speaker 2: don't know how quickly this next scene. Happens but my
• 54:36
  Speaker 2: notes go to when they're in the basement with the
• 54:39
  Speaker 2: Uh demonology? Book did you have anything before? That? No
• 54:45
  Speaker 2: you keep, going okayilet's keep the they're in the. BASEMENT
• 54:50
  Speaker 2: i actually had. THIS i don't know if you remember
• 54:52
  Speaker 2: or ever heard, it BUT i had this scene as
• 54:54
  Speaker 2: my intro to my. Show. Yeah, yeah so this this
• 54:59
  Speaker 2: is always been near and dear to my heart BECAUSE
• 55:01
  Speaker 2: i find it absolutely.
• 55:02
  Speaker 6: Hilarious, OH i can't believe you're still bringing that out a.
• 55:06
  Speaker 5: DREAM a plane was gonna, crash or it took the
• 55:08
  Speaker 5: bus To Las.
• 55:08
  Speaker 6: Vegas If i'd have been on the, plane it would have.
• 55:10
  Speaker 6: Crashed and it doesn't. Matter this wasn't a, dream this
• 55:13
  Speaker 6: was a. Vision i'm telling. You these people Are. Satanists
• 55:15
  Speaker 6: AS i sit, here they Are. Satanists.
• 55:17
  Speaker 5: Look, look the world is all of these kind of.
• 55:19
  Speaker 6: Things look at, this black, masses, mutilations, mutilations.
• 55:23
  Speaker 5: The, incabus the.
• 55:24
  Speaker 6: Suckabus i'm telling, You walter was a human.
• 55:28
  Speaker 5: Sacrifice you should have gone to the. LAKE i should
• 55:32
  Speaker 5: have listened To.
• 55:32
  Speaker 3: Carol listen to your. Wife who listens to their?
• 55:35
  Speaker 5: Wife?
• 55:35
  Speaker 7: Listen you gotta listen to. Me you know what deel.
• 55:37
  Speaker 6: Is what we gotta do is we gotta go down
• 55:39
  Speaker 6: to the religious supply. Store we gotta get ourselves a
• 55:41
  Speaker 6: couple of gallons of holy. Water my Cousin jerry's a preat.
• 55:43
  Speaker 5: You can get us a.
• 55:44
  Speaker 7: Deal, no, no we gotta go to the.
• 55:46
  Speaker 6: Market we gotta get ourselves a couple of those big.
• 55:48
  Speaker 6: Strings you know they string that, GARLIC a couple of
• 55:50
  Speaker 6: big strings of. Garlic we gotta get ourselves some fresh lambs,
• 55:53
  Speaker 6: blood and then we gotta.
• 55:55
  Speaker 3: Ray do you want them to take.
• 55:56
  Speaker 6: Your family kidnap and tear their livers out and make
• 55:58
  Speaker 6: some kind of satanic pat.
• 55:59
  Speaker 5: Tay i'm not going to listen to.
• 56:02
  Speaker 6: This you're, chanting going, here it is now going through unconscious.
• 56:08
  Speaker 6: Chanting you're, CHANTING i want to kill. Everyone satan is,
• 56:13
  Speaker 6: Good satan is our pal.
• 56:15
  Speaker 5: Y y you're.
• 56:17
  Speaker 7: Chanting.
• 56:19
  Speaker 6: Hey once they get in, here it's.
• 56:24
  Speaker 2: Overpell they're reading a book Called The theory And practice
• 56:31
  Speaker 2: Of demonology By Julian. Carswell AND i did a lot
• 56:37
  Speaker 2: of looking THAT i didn't ever do before because we're
• 56:40
  Speaker 2: doing this. Episode but Doctor Julian carswell was a character
• 56:44
  Speaker 2: in The british horror Film night of The demon from
• 56:48
  Speaker 2: nineteen fifty, seven which in which An american psychologist travels
• 56:54
  Speaker 2: To england to investigate A satanic cult and it turned
• 56:59
  Speaker 2: out that Doctor Julian carswell was the leader of the.
• 57:04
  Speaker 2: Cult so it's one of those twist m Night shyamalan fucking,
• 57:09
  Speaker 2: endings and that this is the book they're reading in you,
• 57:14
  Speaker 2: know it's not a real, book but this is where
• 57:20
  Speaker 2: a lot of the conspiracy theories come. From because he's
• 57:26
  Speaker 2: down there and he's like they're gonna they're gonna tear
• 57:29
  Speaker 2: your livers out and turn them into A satanic pat
• 57:32
  Speaker 2: and all this. Stuff and he's, Like i'm not going
• 57:36
  Speaker 2: to listen to. This i'm not going to chance. Chanting you're.
• 57:40
  Speaker 2: Chanting once they get in, here it's all over.
• 57:44
  Speaker 7: Pale.
• 57:44
  Speaker 2: Like that's WHY i Say i'm art BECAUSE i have
• 57:48
  Speaker 2: a tendency to go to tin with stuff like, this
• 57:51
  Speaker 2: and that sounds like me talking to people about stuff
• 57:53
  Speaker 2: like that are not really into. Conspiracies i'm, like, listen.
• 57:56
  Speaker 4: They're coming for your.
• 57:57
  Speaker 2: Kids they're coming from the calm, down calm, down like,
• 58:01
  Speaker 2: fucked this is having, dinner.
• 58:05
  Speaker 4: This is stacking up more and. MORE i think art
• 58:07
  Speaker 4: is the, secret like actual practicing. Occultist he's not the like.
• 58:12
  Speaker 2: He's gotta be because he's so into.
• 58:15
  Speaker 4: It he's got the, book he knows all about. It
• 58:18
  Speaker 4: you could, say, yeah that's conspiratorial level. Understanding he shoots
• 58:22
  Speaker 4: the head off an, owl WHICH i think was. Intentional
• 58:25
  Speaker 4: he was also trying to kill a crow or a,
• 58:27
  Speaker 4: raven and the crow or a raven is symbolic of the
• 58:30
  Speaker 4: eyes Of odin that have been able to view and see.
• 58:34
  Speaker 4: Things so it's almost as if he's trying to take
• 58:37
  Speaker 4: out the competing criminal syndicates within the, Area like he
• 58:41
  Speaker 4: sees this level of occultism and, groups and he's got
• 58:44
  Speaker 4: his own little control on the.
• 58:46
  Speaker 2: Town that is, Interesting and he's got the scoop on
• 58:50
  Speaker 2: all the murderers and, shit he's got his wife's out
• 58:54
  Speaker 2: of town so he can do whatever he. Wants he's
• 58:57
  Speaker 2: at home by. HIMSELF i, mean it is kind of,
• 59:00
  Speaker 2: crazy but, yeah that's one of the best scenes in
• 59:04
  Speaker 2: the entire movie in my, opinion because it's so it's
• 59:06
  Speaker 2: just pure. Comedy and the next bit of NOTES i
• 59:10
  Speaker 2: have unless you have anything else about that, scene, no that's.
• 59:13
  Speaker 2: It So ray goes upstairs and he's WATCHING. Tv he's
• 59:20
  Speaker 2: trying to like wind, down and he flips through three,
• 59:24
  Speaker 2: channels specifically three channels all playing horror, films and a
• 59:29
  Speaker 2: couple of them you will know what they are right
• 59:31
  Speaker 2: off the. Bat at LEAST i. Did The exorsus nineteen
• 59:34
  Speaker 2: seventy three And The Chainsaw Massacre part two easily. Identifiable
• 59:39
  Speaker 2: but the first movie showing the ritual murder of a
• 59:43
  Speaker 2: woman behind a bonfire is not as easily, recognizable and
• 59:48
  Speaker 2: it actually comes from a horror film Called race with
• 59:52
  Speaker 2: The devil from nineteen seventy, five in which motorists accidentally
• 59:57
  Speaker 2: witnessed a satanic ritual and have to fight for their.
• 1:00:01
  Speaker 2: Lives so what do you think about? That and like
• 1:00:05
  Speaker 2: the whole dream, Sequence, well.
• 1:00:08
  Speaker 4: It's a bit on the nose that all three of
• 1:00:10
  Speaker 4: those shows are on primetime television at the same exact, time, Right, Yeah,
• 1:00:16
  Speaker 4: yeah it leads into the dream sequence of our main,
• 1:00:19
  Speaker 4: character and each of those elements appear in his. Nightmare
• 1:00:24
  Speaker 4: so we start off with he's going down the stairs
• 1:00:26
  Speaker 4: and the chainsaw comes through the. Wall he tries to escape,
• 1:00:29
  Speaker 4: it and he ends up on this, barbecue which is
• 1:00:31
  Speaker 4: almost like the sacrifice scene from the first.
• 1:00:33
  Speaker 3: Film.
• 1:00:34
  Speaker 4: Yep and then we get skip the appearance of our
• 1:00:38
  Speaker 4: serial killer and he comes. In, yeah it's almost foreboding
• 1:00:42
  Speaker 4: of what's going to happen later in the. Film in
• 1:00:44
  Speaker 4: a lot of ways that we know that it gives
• 1:00:47
  Speaker 4: us a real glimpse into the, colpex who they, are
• 1:00:50
  Speaker 4: and maybe the satanic kind of background behind them and
• 1:00:54
  Speaker 4: their practices as a.
• 1:00:55
  Speaker 2: People, yeah and if you notice in the dream, sequence
• 1:00:58
  Speaker 2: everything is, Blue LIKE i was, saying very interesting to
• 1:01:02
  Speaker 2: me how they use colors in certain. Ways everything's blue
• 1:01:05
  Speaker 2: in the dream sequence and he wakes up to Mister.
• 1:01:09
  Speaker 2: Rogers he.
• 1:01:11
  Speaker 4: Does, ironically he later plays Mister rogers's, correct it's.
• 1:01:16
  Speaker 5: Right.
• 1:01:19
  Speaker 3: That's a beautiful. Day in twenty.
• 1:01:21
  Speaker 4: Nineteen he would later go to Play Fred. Rogers, tom.
• 1:01:28
  Speaker 2: That's, INTERESTING i forgot about. THAT i forgot about. THAT
• 1:01:32
  Speaker 2: i mean his pedo ass of course he would volunteer
• 1:01:35
  Speaker 2: to play anything that's connected to having children. Around but just.
• 1:01:39
  Speaker 4: Very ironic because do you know What Tom hanks was
• 1:01:42
  Speaker 4: adamant against being in this. Film what he Fought dante
• 1:01:47
  Speaker 4: on this every single way. Could he did not want
• 1:01:49
  Speaker 4: to play a. Father he didn't want to be around.
• 1:01:52
  Speaker 2: Kids why oh why? Duh but, yeah that's.
• 1:01:56
  Speaker 4: Interesting didn't want to be a, father and according to
• 1:02:00
  Speaker 4: the mainstream, approaches he didn't want it to impact his
• 1:02:03
  Speaker 4: career where he was typecast as a father for the
• 1:02:06
  Speaker 4: rest of his. Life but he went From big where
• 1:02:09
  Speaker 4: you're surrounded by, children went Into The birds where he
• 1:02:12
  Speaker 4: didn't want to.
• 1:02:13
  Speaker 3: Be surrounded by.
• 1:02:14
  Speaker 4: Kids that almost sounds like someone who has an, addiction
• 1:02:17
  Speaker 4: and first, off In big was made a year before,
• 1:02:21
  Speaker 4: this he was surrounded by it and had the addiction
• 1:02:24
  Speaker 4: of something allegedly then moved. On he was almost had
• 1:02:27
  Speaker 4: that like where addicts. Go, no, NO i can go on
• 1:02:30
  Speaker 4: the straight. NARROW i just have to distance myself from.
• 1:02:31
  Speaker 4: IT i can't be around.
• 1:02:32
  Speaker 2: It like the alcoholic that doesn't want to take one more.
• 1:02:36
  Speaker 4: Drink, yeah where the day before they're on the biggest
• 1:02:39
  Speaker 4: bend through of the life and the next day they
• 1:02:40
  Speaker 4: wake up and they start pouring the rest of the
• 1:02:42
  Speaker 4: alcohol down the. Drain it's almost like he was flipped
• 1:02:44
  Speaker 4: on a.
• 1:02:44
  Speaker 2: Script wait TILL i tell my, sister because even while
• 1:02:48
  Speaker 2: we were watching, this she was, Like, JULIE i don't
• 1:02:50
  Speaker 2: want to believe that he was doing stuff to. Kids
• 1:02:53
  Speaker 2: AND i, SAID i, Know, sis but it's this is
• 1:02:56
  Speaker 2: the world we live. In this is the. Reality Now
• 1:02:58
  Speaker 2: i'm going to tell her that shit really going to fucking.
• 1:03:01
  Speaker 2: Blow it's going to blow the tits off her chest
• 1:03:03
  Speaker 2: BECAUSE i did not know. THAT i did not know.
• 1:03:06
  Speaker 2: That but he still went on to do stuff around,
• 1:03:09
  Speaker 2: kids obviously because he just went full line into it
• 1:03:13
  Speaker 2: because he wanted to Become Tom. Hanks you.
• 1:03:16
  Speaker 4: Know. Yeah, well and this is this is where we
• 1:03:19
  Speaker 4: get into the really, deep seedy side of. Things Cory
• 1:03:22
  Speaker 4: feldman has publicly come out multiple times in interviews saying
• 1:03:25
  Speaker 4: that there's a pedophile problem In hollywood and both he
• 1:03:27
  Speaker 4: And Corey haim were victims of the abuse on set
• 1:03:31
  Speaker 4: by directors and prominent. Actors he's never come out and
• 1:03:34
  Speaker 4: publicly named, them but it's, very very telling That Corey
• 1:03:38
  Speaker 4: feldman would go into this one of his last big
• 1:03:41
  Speaker 4: name films and then.
• 1:03:42
  Speaker 3: Disappear it's like this was one of.
• 1:03:44
  Speaker 4: His last, films so much so that there's talk between
• 1:03:48
  Speaker 4: what was going on behind the. Scenes Carrie fisher was
• 1:03:52
  Speaker 4: one of his confidants and spoke to this guy every
• 1:03:55
  Speaker 4: day just to keep him on the straight and narrow
• 1:03:57
  Speaker 4: to finish the film because he was losing his. Mind
• 1:04:00
  Speaker 4: he was about to completely lose, himself and.
• 1:04:03
  Speaker 3: She kept him on.
• 1:04:04
  Speaker 4: Set so was there something on set around him that
• 1:04:08
  Speaker 4: was a previous you, know abuser Alleged.
• 1:04:15
  Speaker 2: Fuck have you seen him? Recently? Drew, yeah he thinks
• 1:04:20
  Speaker 2: he's he's like the Generic Michael. Jackson he's like the
• 1:04:24
  Speaker 2: fucking he's like fucking doing all this shit like Woll and.
• 1:04:28
  Speaker 4: Stuff because he was friends With Michael. Jackson guess who
• 1:04:32
  Speaker 4: visited the Set michael during the. Film Michael jackson and.
• 1:04:36
  Speaker 4: Bubbles The monkey was often on set on The.
• 1:04:40
  Speaker 2: Burbs, yep, really you GOT mj And Tom hanks all on?
• 1:04:47
  Speaker 4: SET whoa With Corey, fellman the guy who was supposedly
• 1:04:51
  Speaker 4: molested By hollywood.
• 1:04:53
  Speaker 2: Elites, dude he's come off as. Rocker he's like out
• 1:04:56
  Speaker 2: of his fucking. Medula he is totally boners bonkers in
• 1:05:04
  Speaker 2: his LITTLE mj. Act like nobody's buying. It, corey you
• 1:05:07
  Speaker 2: don't fucking look Like michael when you do that. Shit
• 1:05:10
  Speaker 2: you look like you have Fucking. Parkinson's he looks more
• 1:05:13
  Speaker 2: Like MICHAEL. J fox Than Michael.
• 1:05:15
  Speaker 4: Jackson, okay he looks like.
• 1:05:21
  Speaker 2: Serious but this is the world we live, in and
• 1:05:25
  Speaker 2: everybody's blowing smoke up his, ass like good, Job. Corey
• 1:05:29
  Speaker 2: LIKE i get. It he's fucked. Up he's been through
• 1:05:32
  Speaker 2: a lot of stuff in his. Life but it doesn't
• 1:05:35
  Speaker 2: mean he's he's a great musician or. ANYTHING i feel
• 1:05:39
  Speaker 2: sorry for him WHEN i see, him like it hurts
• 1:05:42
  Speaker 2: my heart because he's so screwed.
• 1:05:44
  Speaker 3: UP i feel really sorry for the.
• 1:05:46
  Speaker 4: Guy because he came out roughly the same time as
• 1:05:49
  Speaker 4: the May too. Movement everyone believed the victims of May.
• 1:05:53
  Speaker 4: Too he came Out Drew.
• 1:06:00
  Speaker 2: Drew your thing is cut. Out your sound is cut. Out,
• 1:06:05
  Speaker 2: yep it's. MUTED i can't hear. Yet fuck oh go
• 1:06:10
  Speaker 2: back back, back go, ahead.
• 1:06:12
  Speaker 3: That's, right why we'll do.
• 1:06:16
  Speaker 4: So the interesting thing is That corey came out during
• 1:06:19
  Speaker 4: the Me.
• 1:06:19
  Speaker 3: Too movement with his.
• 1:06:20
  Speaker 4: Allegations all the, attention all the belief went to the
• 1:06:23
  Speaker 4: victims of me, too with prominent, businessmen, actors, directors they
• 1:06:27
  Speaker 4: were all. Believed Corey felman comes out with groundbreaking allegations
• 1:06:32
  Speaker 4: and things that should be, investigated swept under the, rug
• 1:06:34
  Speaker 4: and he started.
• 1:06:35
  Speaker 2: Some of the worst, dude like the stuff about The
• 1:06:38
  Speaker 2: crisco and all the very very intense. Abuse so and
• 1:06:45
  Speaker 2: the poor, Guy i'm telling, you it's just it's. Sad it's.
• 1:06:49
  Speaker 2: Sad but And corey ham, TOO i mean that shit
• 1:06:56
  Speaker 2: is just the worst Shit i've ever, heard, well not ever,
• 1:06:58
  Speaker 2: heard but it's it's up. THERE i, mean it's really.
• 1:07:00
  Speaker 2: BAD i just can't WHEN i go back and watch these. Movies.
• 1:07:06
  Speaker 2: THOUGH i don't know if you do, this but almost
• 1:07:08
  Speaker 2: just IF i want to watch the, MOVIE i JUST
• 1:07:10
  Speaker 2: i can't think about.
• 1:07:11
  Speaker 4: It, no you have to like almost put yourself into
• 1:07:14
  Speaker 4: a state of just, watching like a vegetative.
• 1:07:17
  Speaker 2: Sites, yeah joy like even WHEN i watch The goonies and.
• 1:07:21
  Speaker 2: STUFF i love The Truffle, SHUFFLE i LOVE i love
• 1:07:24
  Speaker 2: all those. Movies you, know they're just it's just core
• 1:07:27
  Speaker 2: memories for me growing up watching that. Ship and even
• 1:07:31
  Speaker 2: the next THING i have in my notes is one
• 1:07:33
  Speaker 2: of the funnier lines after the dream sequence that they
• 1:07:37
  Speaker 2: Have rumsfield And art come over to the house like their,
• 1:07:39
  Speaker 2: kids asking you think about and.
• 1:07:43
  Speaker 4: Play come, on we gotta, Plan come, on we.
• 1:07:47
  Speaker 7: Got sorry, boys my husband's not feeling. Well he has
• 1:07:51
  Speaker 7: to stay in his.
• 1:07:52
  Speaker 3: Room oh come, on, Please, carol let them come.
• 1:07:57
  Speaker 4: Out come.
• 1:07:59
  Speaker 8: On he can't come out until he resembles the man
• 1:08:02
  Speaker 8: That i'm.
• 1:08:02
  Speaker 3: Married, carol we don't have that kind of. Time please
• 1:08:05
  Speaker 3: let him come.
• 1:08:05
  Speaker 4: On come.
• 1:08:06
  Speaker 7: ON i think THAT i have given you my, answer And.
• 1:08:10
  Speaker 2: Carol, goes he can't come out until he resembles the
• 1:08:13
  Speaker 2: MAN i, married And art, Goes, carol we don't have
• 1:08:15
  Speaker 2: that kind of.
• 1:08:16
  Speaker 4: Time and even does the thing where he kicks the
• 1:08:24
  Speaker 4: ground he's a.
• 1:08:27
  Speaker 2: Friend.
• 1:08:28
  Speaker 4: Yeah, oh and.
• 1:08:31
  Speaker 2: This is WHERE i don't know if you have anything after,
• 1:08:33
  Speaker 2: that But art slips, THIS i know what you did
• 1:08:36
  Speaker 2: last summer note under the door.
• 1:08:39
  Speaker 3: And, yeah he's like, yeah he.
• 1:08:41
  Speaker 4: Says he comes over and he tells him's, LIKE i
• 1:08:43
  Speaker 4: slipped a note under the, door when in the sequence
• 1:08:46
  Speaker 4: he actually slipped it through the mail. Slot could just
• 1:08:48
  Speaker 4: be a saying. Anyway he's out there talking and as
• 1:08:51
  Speaker 4: they're having this argument about, like you, know you're being too,
• 1:08:53
  Speaker 4: conspiratorialist nothing to. IT i just want to relax and
• 1:08:56
  Speaker 4: have some beers on my time, off the dog has a,
• 1:08:59
  Speaker 4: femur a human, famer in his mouth and he's running
• 1:09:01
  Speaker 4: up and they're throwing it the whole. Time they touched
• 1:09:03
  Speaker 4: like three or four times during the, sequence and he,
• 1:09:06
  Speaker 4: goes do you what this?
• 1:09:07
  Speaker 3: Is it's a? Bone why throws it? Again, no this
• 1:09:10
  Speaker 3: is a.
• 1:09:10
  Speaker 4: Femur, yeah you, know intray to, biology this is a human.
• 1:09:13
  Speaker 5: Femur do you know what this?
• 1:09:15
  Speaker 8: Is it's a.
• 1:09:16
  Speaker 5: Bone it's a. Femur it's a femur.
• 1:09:20
  Speaker 6: BONE a femur just happens to be a human thigh.
• 1:09:26
  Speaker 5: Bone, Right, wait how do you know that?
• 1:09:31
  Speaker 6: Biology one on, ONE i, mean look at the size
• 1:09:34
  Speaker 6: of this.
• 1:09:35
  Speaker 7: THING i think this came up a chicken or.
• 1:09:37
  Speaker 5: Something where the hell The vince get? This he dug
• 1:09:47
  Speaker 5: it up from underneath the fence and.
• 1:09:50
  Speaker 2: He looks the. Rain he, goes you think this came
• 1:09:54
  Speaker 2: off a chicken or.
• 1:09:55
  Speaker 3: Something it came off a.
• 1:09:56
  Speaker 4: Chicken then and then they notice someone's walking around in
• 1:10:02
  Speaker 4: the backyard of the klopex and we see the shadowy
• 1:10:05
  Speaker 4: figure walk past the, slats and then the piece of
• 1:10:08
  Speaker 4: paper gets thrown, over and we naturally know that's the. Note,
• 1:10:10
  Speaker 4: again he, goes, oh what is That and he, goes,
• 1:10:12
  Speaker 4: oh could just be a bit of rubbish.
• 1:10:14
  Speaker 3: Receipt maybe.
• 1:10:18
  Speaker 4: It's my, note and he freaks out and he's cracking.
• 1:10:21
  Speaker 4: It and this is the point where the wives really take.
• 1:10:24
  Speaker 4: Over they try to be the common sense approach to
• 1:10:26
  Speaker 4: this and they try to stomp it.
• 1:10:27
  Speaker 1: Out scene, Everything.
• 1:10:32
  Speaker 4: This whole scene foreshadows what's about to, Happen so when
• 1:10:35
  Speaker 4: the dog finds the, femur we get the great. Foreshadowing
• 1:10:38
  Speaker 4: after they find, It carol, says before anyone falls off
• 1:10:42
  Speaker 4: a roof or sets themselves on, fire let me put
• 1:10:45
  Speaker 4: an end to this right. Now later on the, Film
• 1:10:48
  Speaker 4: rumsfeld falls off a roof And ray sets himself on
• 1:10:51
  Speaker 4: fire with the.
• 1:10:51
  Speaker 2: Explosion, yep, yep, yep, yep one, hundred one hundred and
• 1:10:57
  Speaker 2: so my next bit notes is when they go over
• 1:11:01
  Speaker 2: to the, HOUSE i found two, things and one of
• 1:11:09
  Speaker 2: THEM i found from an article about the. Movie, actually
• 1:11:12
  Speaker 2: it said that filmmakers inserted several visual clues that things
• 1:11:17
  Speaker 2: aren't what they, appear and when they first get to
• 1:11:21
  Speaker 2: The clopex house there's a shadow of a noose on
• 1:11:24
  Speaker 2: the wall. One and then it also said it's easy
• 1:11:30
  Speaker 2: to miss if you're not looking for, it but When
• 1:11:33
  Speaker 2: reuben walks past the front, door the window frame forms
• 1:11:36
  Speaker 2: a large backlet inverted, cross which of course is the
• 1:11:41
  Speaker 2: Anti christianity symbol in pop. Culture so those were two
• 1:11:48
  Speaker 2: THINGS i don't know about, You. Drew IF i wouldn't
• 1:11:50
  Speaker 2: have read that article about, IT i FUCKING i don't
• 1:11:52
  Speaker 2: know IF i would have seen that shit in the.
• 1:11:53
  Speaker 4: Movie BUT i didn't catch.
• 1:11:56
  Speaker 2: The other, one the inverted.
• 1:11:58
  Speaker 4: Cross did not catch that.
• 1:12:00
  Speaker 2: One if you go back and watch, it you'll see
• 1:12:03
  Speaker 2: it and it's, like, damn it's like right, There but
• 1:12:05
  Speaker 2: of course everything is. Right it's right in plain, sight
• 1:12:08
  Speaker 2: and you're just not looking for. It before they get
• 1:12:11
  Speaker 2: into the, house, though. Fucking another pure comedy moment is
• 1:12:14
  Speaker 2: When rumsfield steps through the porch and he's, like go, there,
• 1:12:17
  Speaker 2: goes the goddamn, Brownies brownie's flying. Everywhere she picks them.
• 1:12:23
  Speaker 2: Up they got fucking leaves and shit on. Them, yeah
• 1:12:26
  Speaker 2: something for the old sweet.
• 1:12:27
  Speaker 4: Tooth and you, say this house, inside it hasn't changed
• 1:12:34
  Speaker 4: since it's been. Built, no it looks like dark.
• 1:12:35
  Speaker 2: Shadows, right it looks Like barnabas calling shit in, there which.
• 1:12:40
  Speaker 4: Leads you to think where the original people own the
• 1:12:42
  Speaker 4: house shady and not of the up and up, themselves
• 1:12:45
  Speaker 4: because nothing has changed in this. House the door, knocker
• 1:12:49
  Speaker 4: a lot of the artwork that we see in the
• 1:12:52
  Speaker 4: houses of the original, household they haven't really changed. Anything,
• 1:12:56
  Speaker 4: no this.
• 1:12:57
  Speaker 2: Brings up a good point because we know later on
• 1:12:59
  Speaker 2: that they murdered The. Naps but when in this moment
• 1:13:03
  Speaker 2: is pure comedy as, well when he, goes oh that's
• 1:13:05
  Speaker 2: a pretty.
• 1:13:06
  Speaker 5: Girl, oh pretty girl under?
• 1:13:15
  Speaker 7: Yours, no it's game with the, frame game with the, Frame, yes.
• 1:13:21
  Speaker 2: Because it came with the. Frame is that did it
• 1:13:25
  Speaker 2: really come with the? Frame or is that like the,
• 1:13:27
  Speaker 2: naps like family photos and shit that they just never
• 1:13:30
  Speaker 2: like took. Down?
• 1:13:32
  Speaker 4: Yeah is it something that they like take as a
• 1:13:35
  Speaker 4: trophy when they've killed?
• 1:13:36
  Speaker 2: People because, right he said it came with the, frame
• 1:13:39
  Speaker 2: but we don't know. That we don't know that it
• 1:13:41
  Speaker 2: game with the. Frame that could be like somebody else's
• 1:13:44
  Speaker 2: whole family pictures in. THERE i mean they murdered the
• 1:13:49
  Speaker 2: naps and just kind of moved.
• 1:13:50
  Speaker 5: In.
• 1:13:52
  Speaker 4: Yeah did you notice when the doctor was coming up
• 1:13:55
  Speaker 4: from the basement that his shadow actually defied the laws of?
• 1:13:59
  Speaker 5: Physics?
• 1:14:00
  Speaker 2: Oh, yeah for, sure because he's like a.
• 1:14:02
  Speaker 4: Midget, yeah but at the actually where the light source
• 1:14:05
  Speaker 4: was coming, from it looked as if the shadow was
• 1:14:08
  Speaker 4: moving out from the wall towards the. People it's kind
• 1:14:11
  Speaker 4: of going up the, stairs so it's almost like there's
• 1:14:14
  Speaker 4: a foreshadowing of something coming before. Him.
• 1:14:16
  Speaker 2: Yeah, YEAH i don't really have a lot else of
• 1:14:21
  Speaker 2: notes from when they're in the house other than.
• 1:14:25
  Speaker 3: Sardines and press.
• 1:14:26
  Speaker 2: Gardine, dude the sardine.
• 1:14:28
  Speaker 7: Sodin so how are you Enjoying Hinckley? Hills we just love.
• 1:15:30
  Speaker 2: It he's like eating it with that little tiny, pretzel
• 1:15:33
  Speaker 2: AND i just this is WHY i, say, LIKE i,
• 1:15:36
  Speaker 2: CAN'T i can't cancel these movies BECAUSE i used to
• 1:15:42
  Speaker 2: laugh so HARD i fucking needed a bladdersling after watching
• 1:15:46
  Speaker 2: this movie because when he puts that little fucking sardine
• 1:15:49
  Speaker 2: on the pretzel and can choose it. UP i, mean just, hilarious,
• 1:15:55
  Speaker 2: hilarious and the candles on the.
• 1:15:58
  Speaker 4: TABLE i thought it would be romantic for the.
• 1:16:01
  Speaker 3: Ladies, yeah.
• 1:16:04
  Speaker 5: Painting and.
• 1:16:05
  Speaker 2: Shit, yeah, no it's just there's too. Much there's too.
• 1:16:08
  Speaker 2: Much it's just so. Funny did you have any other
• 1:16:10
  Speaker 2: notes though from the when they the first, Visit so.
• 1:16:13
  Speaker 4: Just on The rumsfeld playing with the painting as a
• 1:16:16
  Speaker 4: painting of like an open, surgery And rumsfeld's trying to
• 1:16:19
  Speaker 4: figure out which orientation it. Goes And rumsfeld keeps putting
• 1:16:22
  Speaker 4: it from the patient's, perspective so the orientation of view
• 1:16:26
  Speaker 4: or the patient looking. Up and when the doctor comes
• 1:16:28
  Speaker 4: along later to reseat, it he sets it to his
• 1:16:31
  Speaker 4: perspective he's doing the surgery mm. Hmm and he makes
• 1:16:35
  Speaker 4: it that he's been painting down in the basement and
• 1:16:37
  Speaker 4: that's what the red was on his. Hands it was
• 1:16:39
  Speaker 4: paint right right.
• 1:16:41
  Speaker 2: Right. Yeah AND i paused it on a couple of
• 1:16:46
  Speaker 2: different scenes when he's flipping it BECAUSE i was, like
• 1:16:49
  Speaker 2: what what it really is? It and if you flip
• 1:16:52
  Speaker 2: it in a certain way you can kind of tell
• 1:16:53
  Speaker 2: like it's an open heart surgery or. Whatever BUT i
• 1:16:56
  Speaker 2: always thought that that part of the Kitchen Cloe peck
• 1:17:00
  Speaker 2: kitchen scene was kind of interesting because the doctor guy
• 1:17:05
  Speaker 2: is such a pompous, ass and you can tell they're
• 1:17:08
  Speaker 2: fucking hiding. Something he's the only one that's openly social and,
• 1:17:13
  Speaker 2: shit and those are always the ones that are the
• 1:17:15
  Speaker 2: most fucked, Up like the other two are visibly fucked.
• 1:17:18
  Speaker 2: Up hans looks like he just came out of a concentration,
• 1:17:21
  Speaker 2: camp fucking The but the doctor, guy he's just so,
• 1:17:25
  Speaker 2: debonair and you, know it's, like what are you really up,
• 1:17:29
  Speaker 2: to Doctor.
• 1:17:30
  Speaker 4: Kloepeck and this is where he gets into The we
• 1:17:34
  Speaker 4: start to have a seeding of doubt that maybe the
• 1:17:36
  Speaker 4: wife's are right all. Along there's nothing about these people
• 1:17:40
  Speaker 4: that they're just being. Conspiratorial and he talks it's about
• 1:17:44
  Speaker 4: they've had to move multiple, times and you, know because
• 1:17:47
  Speaker 4: of the, university and they've just moved into the town
• 1:17:49
  Speaker 4: and they haven't had a chance to meet with, people
• 1:17:51
  Speaker 4: blah blah. Blah the whole, time we have A vietnam
• 1:17:54
  Speaker 4: vet just drilling them for. Information is that A slavic?
• 1:17:57
  Speaker 3: Name? No very, Idly, no It's. Slavic and he's asking all.
• 1:18:01
  Speaker 4: These niggling little, questions hoping that they'll slip, up and they.
• 1:18:05
  Speaker 4: Don't and he gets to the point where he, says,
• 1:18:07
  Speaker 4: well we're going to be out of the house. Tomorrow
• 1:18:10
  Speaker 4: we've got to go to the university about possibly moving.
• 1:18:12
  Speaker 4: Again and their eyes kind of prick, up like, awesome
• 1:18:16
  Speaker 4: they're going to be out of the. House that's our
• 1:18:17
  Speaker 4: window for. Opportunity they leave the house and he's then
• 1:18:23
  Speaker 4: the wives, like, see you boys were just going.
• 1:18:25
  Speaker 3: Crazy is nothing to?
• 1:18:26
  Speaker 2: It?
• 1:18:27
  Speaker 4: Okay and the men go down into the man cave
• 1:18:30
  Speaker 4: and they're having a beer and he's.
• 1:18:32
  Speaker 3: Like are you siding with the? Girls?
• 1:18:34
  Speaker 4: Now how are you beginning to Chick show us your
• 1:18:36
  Speaker 4: balls you have balls or? Not And Tom hanks starts
• 1:18:38
  Speaker 4: to rifle around in his very short. Shorts, well, man
• 1:18:40
  Speaker 4: we'll just. Kidding you don't need to show. Us he
• 1:18:42
  Speaker 4: pulls out the two pay of the neighbor who's, disappeared
• 1:18:46
  Speaker 4: the two pay that was originally seen in the. House
• 1:18:49
  Speaker 4: so we now get the idea that The clopex have
• 1:18:51
  Speaker 4: gone into the house they've taken the two. Pays so
• 1:18:54
  Speaker 4: the men are running with the idea that they've Killed.
• 1:18:56
  Speaker 4: Walter they've taken the two pay as like a.
• 1:18:58
  Speaker 3: Souvenir. Mmmm and they get to.
• 1:19:01
  Speaker 4: The grand plan of they're out tomorrow at the university all.
• 1:19:04
  Speaker 4: Day that's when we're going in that. Backyard i'm scaling
• 1:19:07
  Speaker 4: that fence.
• 1:19:08
  Speaker 2: And another there's another digging scene too that like kind
• 1:19:14
  Speaker 2: of adds to the like what the fuck are they digging?
• 1:19:17
  Speaker 2: For it never really, says all the bones in the,
• 1:19:21
  Speaker 2: trunk what the fuck were they.
• 1:19:22
  Speaker 4: Digging in the middle of the not During Rhine star.
• 1:19:26
  Speaker 2: His fuck and, yeah just digging and. Shit and so
• 1:19:31
  Speaker 2: they come up with this master Plan they're gonna break
• 1:19:33
  Speaker 2: into the house while they're, out and Fucking art has
• 1:19:37
  Speaker 2: to cut this electrical. Line oh my, god this is
• 1:19:42
  Speaker 2: WHY i Say I'm, art because that's some SHIT i would.
• 1:19:44
  Speaker 2: Do fucking electrocute myself up and down the fucking. Neighborhood
• 1:19:49
  Speaker 2: his fucking fingernails are, black the fillings in his teether
• 1:19:52
  Speaker 2: boiling lava. Hot he goes to like get something out
• 1:19:56
  Speaker 2: of his wallet later all of his freaking credit cards and.
• 1:19:59
  Speaker 4: MELT i, mean.
• 1:20:02
  Speaker 2: It's, just oh, god it's so. Funny and Like Tom
• 1:20:06
  Speaker 2: hanks is totally in because like he thinks they Killed.
• 1:20:08
  Speaker 2: Walter so when they break in the. House they're down
• 1:20:12
  Speaker 2: in the basement freaking shoveling down to like the sewer
• 1:20:16
  Speaker 2: lines and, shit and they don't find. Anything they find
• 1:20:20
  Speaker 2: nothing in the.
• 1:20:21
  Speaker 4: House this is the confusing thing About art. Again he
• 1:20:25
  Speaker 4: likes to wear costumes or. Disguises he dresses up in
• 1:20:27
  Speaker 4: golf clothes to sell the, Idea, oh we're gonna go
• 1:20:30
  Speaker 4: play some golf.
• 1:20:30
  Speaker 3: Later do you think she bought?
• 1:20:31
  Speaker 4: It then in this scene he's wearing an electrical company
• 1:20:35
  Speaker 4: shirt and, Overalls.
• 1:20:37
  Speaker 3: Like does he actually work for the electrical company or
• 1:20:39
  Speaker 3: is that.
• 1:20:39
  Speaker 4: Another disguise that guy, has because he's starting to become very.
• 1:20:42
  Speaker 2: Suspicious, literally he's literally like have you ever Watched Pineapple? Express,
• 1:20:49
  Speaker 2: yeah he's like the guy who serves. People he's got
• 1:20:52
  Speaker 2: all these costumes and, shit he's a, doctor He's but
• 1:20:56
  Speaker 2: it just makes you, wonder, Like, art what do you?
• 1:20:58
  Speaker 2: Do what do you?
• 1:20:59
  Speaker 4: Do?
• 1:20:59
  Speaker 2: Art please doesn't mention it at all in the Shod,
• 1:21:02
  Speaker 2: no he just has costumes on, costumes just hidden in his.
• 1:21:06
  Speaker 4: House, so as you, said they they test the fence
• 1:21:10
  Speaker 4: security alarm doesn't go, Off they've cut the power ends,
• 1:21:13
  Speaker 4: up cutting the power for the entire, street maybe even
• 1:21:15
  Speaker 4: half the. Town they scale the fence and we get
• 1:21:19
  Speaker 4: this time lapse where there's no, holes and sudden there's
• 1:21:21
  Speaker 4: holes all over the backyard And art's being extremely lazy
• 1:21:24
  Speaker 4: laying in one of the.
• 1:21:25
  Speaker 3: Holes he's, like how are you going to find? Anything?
• 1:21:28
  Speaker 3: IS i don't.
• 1:21:28
  Speaker 4: Know maybe you could start digging your own. Hole he's, like,
• 1:21:31
  Speaker 4: oh you, know But i've done this And i've done,
• 1:21:33
  Speaker 4: that and you, KNOW i fell out of the of
• 1:21:35
  Speaker 4: the power. Pole my fingers, hurt blah blah. Blah maybe
• 1:21:38
  Speaker 4: we should check the.
• 1:21:39
  Speaker 3: Basement and this is where they go.
• 1:21:40
  Speaker 4: In and they go down to the basement and the
• 1:21:43
  Speaker 4: furnace is very prominent in this. Scene the furnace has
• 1:21:45
  Speaker 4: the exact same symbol of a demonic.
• 1:21:47
  Speaker 2: Entity on it from the door knocker.
• 1:21:51
  Speaker 4: From the door, knocker the exact same. One so this
• 1:21:53
  Speaker 4: was already in the. House they haven't brought this with.
• 1:21:55
  Speaker 4: Them they did make some adjustments to, it as we
• 1:21:57
  Speaker 4: see with the rigged up yacht batteries and the furnace
• 1:22:00
  Speaker 4: much higher and higher than it should. Be but it
• 1:22:03
  Speaker 4: has the entity's name on. It it says on the
• 1:22:06
  Speaker 4: top of it Ata a A atar was the god
• 1:22:10
  Speaker 4: of fire and the element itself son of A houra.
• 1:22:13
  Speaker 4: Master he's depicted as a flame and follows Behind mithtress's
• 1:22:17
  Speaker 4: chariot into. Battle fire was considered the presence Of ata
• 1:22:21
  Speaker 4: himself in rituals and after the rise of Zoo, astrianism
• 1:22:25
  Speaker 4: and is present in the Horor mazda.
• 1:22:28
  Speaker 5: Worship so this is like.
• 1:22:29
  Speaker 4: An Ancient iranian, god right fuck day fied the god
• 1:22:34
  Speaker 4: of firesonification of flame? Itself what do we see leap
• 1:22:38
  Speaker 4: out of this? Furnace huge amounts of?
• 1:22:40
  Speaker 2: Flame, dude drew you fucking crushed. THAT i didn't even worst.
• 1:22:46
  Speaker 4: That the worst part is it says something underneath it
• 1:22:49
  Speaker 4: in a script and it says something something cometh and
• 1:22:53
  Speaker 4: IT'S i can't make it the but it's atar something something.
• 1:22:59
  Speaker 2: Cometh, fuck, dude that is. Intense that is. Intense and
• 1:23:07
  Speaker 2: they got it on the door knocker. Too so it's
• 1:23:08
  Speaker 2: like when you come in the, house you're, like what
• 1:23:12
  Speaker 2: are you? Like, like Like Corey feldman said in The,
• 1:23:15
  Speaker 2: sentinel like they opened up a portal into hell in
• 1:23:18
  Speaker 2: the guy's apartment or. Whatever it's the same. Thing when
• 1:23:22
  Speaker 2: you walk into the, house you're walking into some type
• 1:23:25
  Speaker 2: of fucking god knows. What BUT i did not see
• 1:23:29
  Speaker 2: that on the. Furnace great, catch ten out of, ten great.
• 1:23:33
  Speaker 3: Catch and this is where we break.
• 1:23:37
  Speaker 4: Into they figure out the furnace burns way too, hot
• 1:23:40
  Speaker 4: and they make the connection with you, know furnaces that
• 1:23:42
  Speaker 4: burn this, hot they burn. Bodies and he's, like they've
• 1:23:45
  Speaker 4: burned the bodies and they've buried them, somewhere and they
• 1:23:48
  Speaker 4: start digging within the basement. Itself they find that the
• 1:23:51
  Speaker 4: soil is, loose so they start. Digging and during this
• 1:23:55
  Speaker 4: time we see what's happened. Outside it's become dark now
• 1:23:58
  Speaker 4: and the kids are out there, watching drinking, along laughing
• 1:24:02
  Speaker 4: at at Our vietnam about falling off the, roof and
• 1:24:05
  Speaker 4: he's going off all those great little comedy. Tropes the
• 1:24:09
  Speaker 4: guy's just sitting on a roof with a. FIREARM i
• 1:24:11
  Speaker 4: don't know if that's just An american, thing but be
• 1:24:14
  Speaker 4: a little bit, concerned, right which it never says what he.
• 1:24:20
  Speaker 4: Was it never says he's, rank but he's wearing a
• 1:24:22
  Speaker 4: command over a so you would assume that he's Special
• 1:24:24
  Speaker 4: forces to some. Degree and he's like the. Spotter he's
• 1:24:27
  Speaker 4: there with the radiator special.
• 1:24:31
  Speaker 2: He does so much stupid.
• 1:24:33
  Speaker 4: Shit he just need a special. Helmet he's sitting there
• 1:24:37
  Speaker 4: and he's. Watching he's the lookout and he communicates To
• 1:24:41
  Speaker 4: art that you, know watch out there. Coming and while
• 1:24:44
  Speaker 4: this is going, on we've still Got tom digging a.
• 1:24:46
  Speaker 3: Hole in the.
• 1:24:47
  Speaker 4: Basement he's covering the radio with. Mud he's digging that
• 1:24:49
  Speaker 4: far and he's, like we've found, that we found. Something
• 1:24:52
  Speaker 4: we've hit. It and he goes back in and he
• 1:24:54
  Speaker 4: realized he's hit a. Gas, Mate he's like hit a
• 1:24:57
  Speaker 4: Gas maine run just bailing like little kids, again, like oh,
• 1:25:00
  Speaker 4: no we've set the house on. Fire light runs out
• 1:25:03
  Speaker 4: saying there's a gast's going to. Explode and as soon
• 1:25:05
  Speaker 4: as he says that house explodes behind, him and we
• 1:25:08
  Speaker 4: assume he doesn't.
• 1:25:09
  Speaker 2: Bother to check On.
• 1:25:10
  Speaker 4: Ray, fine he was on his way out. Too ray's
• 1:25:15
  Speaker 4: still within the building and the neighbors are there with
• 1:25:18
  Speaker 4: the police now because they've seen that the house is
• 1:25:21
  Speaker 4: being interrupted as they've called the police's fire emt. Ambulance
• 1:25:25
  Speaker 4: all this stuff going on and we think raised it explosions,
• 1:25:29
  Speaker 4: happen the house has, collapsed is on. Fire Then ray
• 1:25:33
  Speaker 4: slowly walks. Out he's staggering. Along his clothes are all,
• 1:25:36
  Speaker 4: torn he's. Burnt he comes out the house collapses behind.
• 1:25:43
  Speaker 4: Him just as he walks, out his eye is. Swollen one.
• 1:25:47
  Speaker 4: Eye he literally has one. Eye so he walks out, injured.
• 1:25:53
  Speaker 4: Burnt he has the one eye, swollen that one eye.
• 1:25:55
  Speaker 4: Symbolism just after this scene we see the EMT's have got.
• 1:25:59
  Speaker 4: Too they banded him. Up they splint his pinky. Finger
• 1:26:03
  Speaker 4: they splint it in such a way that when he
• 1:26:05
  Speaker 4: rants later on towards art that you know where the
• 1:26:08
  Speaker 4: bad guys, where the monsters where the bad, people he's
• 1:26:11
  Speaker 4: pointing at him like, this he's pointing at him using
• 1:26:14
  Speaker 4: The masonic symbol for the. Horns shut, UP i think
• 1:26:18
  Speaker 4: not only telling, you he's telling you where the bad
• 1:26:21
  Speaker 4: guys wear the, monsters and he's actually showing it in
• 1:26:23
  Speaker 4: symbolism and the. Horns he's doing the. Horns he's pointing
• 1:26:27
  Speaker 4: at him like, that you're the monster were the.
• 1:26:29
  Speaker 2: Monsters it's funny you bring that up because in my
• 1:26:32
  Speaker 2: NOTES i have that art when they are. Fighting he
• 1:26:36
  Speaker 2: bites that finger. Too he does like they make it
• 1:26:39
  Speaker 2: a point to draw your attention to that hand into
• 1:26:42
  Speaker 2: like the broke, finger and, like so, YEAH i mean
• 1:26:48
  Speaker 2: THAT i didn't even notice. That that's. Crazy with all
• 1:26:52
  Speaker 2: the other stuff that they've put in the. Movie there's
• 1:26:54
  Speaker 2: no way that's that's an.
• 1:26:56
  Speaker 4: Accident now this this becomes even more. Interesting don't bite
• 1:27:01
  Speaker 4: the hand that feeds. You if is really an esoteric,
• 1:27:05
  Speaker 4: Person he's bitten the symbol of the devil's.
• 1:27:07
  Speaker 3: Horns.
• 1:27:08
  Speaker 4: Right what happens To art's house later on in this?
• 1:27:10
  Speaker 4: Sequence fuck, Ambulance.
• 1:27:18
  Speaker 2: Yeah, yeah, DAMN i didn't even think about. That. FUCK
• 1:27:25
  Speaker 2: i mean there are some really funny parts of this
• 1:27:28
  Speaker 2: end scene, too because he's, Like i've been blown, up
• 1:27:30
  Speaker 2: and he Fucking.
• 1:27:37
  Speaker 8: I've been blown.
• 1:27:38
  Speaker 6: Up to take it to the, sick.
• 1:27:57
  Speaker 8: Honey i'll just find out what hospital they're taking it
• 1:28:02
  Speaker 8: to and Then i'll.
• 1:28:04
  Speaker 2: Follow right.
• 1:28:05
  Speaker 7: Along, okay, okay, honey.
• 1:28:08
  Speaker 2: And You fuckingtcher fucking throws. It, Yeah and this is
• 1:28:16
  Speaker 2: where we see for the first time doctor Clopex ass
• 1:28:22
  Speaker 2: is a murdering psychopath and he's got some unidentified green
• 1:28:26
  Speaker 2: liquid and it's, ayringe and he's, LIKE i know you
• 1:28:29
  Speaker 2: saw my. SKULLS i know you, did and he's like
• 1:28:33
  Speaker 2: trying to Get Tom hanks and fucking it is, like,
• 1:28:35
  Speaker 2: hello how does it feel when people are trying to
• 1:28:38
  Speaker 2: forcibly inject? You doesn't feel, nice does?
• 1:28:41
  Speaker 5: It?
• 1:28:42
  Speaker 2: Asshole he was on the fucking. Vaccine fucking you know
• 1:28:48
  Speaker 2: What i'm talking, About so it's, like fuck.
• 1:28:50
  Speaker 4: You the dialogue before this is. Hilarious he's laying on
• 1:28:54
  Speaker 4: the beg And i'm so, sorry Doctor. Clopec WHEN i
• 1:28:56
  Speaker 4: get out of, Jail i'm gonna help you re build your.
• 1:28:58
  Speaker 3: House i've got to set the. Tools my wife's my
• 1:29:01
  Speaker 3: wife's father gave them to.
• 1:29:02
  Speaker 4: ME i love that.
• 1:29:05
  Speaker 2: Far it's just pure comedy and so oh.
• 1:29:11
  Speaker 4: Good it's funny though that the liquid is, grain. Right
• 1:29:14
  Speaker 4: people always associate red with being an evil. Color red's
• 1:29:17
  Speaker 4: really a symbol of, passion, anger, ferocity that type of.
• 1:29:21
  Speaker 4: Thing grain is really.
• 1:29:22
  Speaker 3: The symbol of.
• 1:29:23
  Speaker 4: Evil, yeah he's got a grain syringe. Drot and green
• 1:29:27
  Speaker 4: is associated with lucifer as, well, chrisipharious the glowing.
• 1:29:30
  Speaker 3: Substance and this looks quite.
• 1:29:32
  Speaker 2: Glowing and that's the thing, too IS i mentioned that
• 1:29:36
  Speaker 2: in The John benet episode because there is so much
• 1:29:40
  Speaker 2: green that surrounds things about that case And John benet.
• 1:29:44
  Speaker 2: Herself so green is actually where people should be, looking not,
• 1:29:49
  Speaker 2: red not even, BLUE i, mean but green especially is
• 1:29:55
  Speaker 2: the color to look.
• 1:29:56
  Speaker 5: For.
• 1:29:57
  Speaker 4: Yeah, well and grain is the combination of two prime,
• 1:30:00
  Speaker 4: colors blue and, yellow which in themselves we say blue
• 1:30:03
  Speaker 4: and yellow. Symbolism, ever everyone points At, ukraine everyone points
• 1:30:06
  Speaker 4: out the blue and yellow symbolism DURING, Covid but it's
• 1:30:09
  Speaker 4: a combination of the, two which is the, green which,
• 1:30:11
  Speaker 4: ironically In australia all of OUR covid vaccine advertising was on.
• 1:30:15
  Speaker 2: Green it was, Amazing that's What i'm talking. About and
• 1:30:18
  Speaker 2: LIKE i put down in my notes about like the
• 1:30:21
  Speaker 2: forced injection and, shit because out of all the ways
• 1:30:25
  Speaker 2: that you could kill, someone he had literally all those
• 1:30:29
  Speaker 2: bodies burnt up in his basement and. Shit but while
• 1:30:32
  Speaker 2: all of a sudden is he changing in his and
• 1:30:35
  Speaker 2: now he's injecting, people you, Know like it just was so,
• 1:30:39
  Speaker 2: interesting the forced injection. Thing And Tom hanks later in
• 1:30:44
  Speaker 2: life is like trying to forcibly inject, like, Oh I'm Tom,
• 1:30:47
  Speaker 2: hanks AND i improved this. Message fuck you fucking Doctor,
• 1:30:51
  Speaker 2: klopek you fuck her like that that was so foreshadowing
• 1:30:56
  Speaker 2: of real life, too you know kind. Of and and
• 1:31:01
  Speaker 2: so they get in a scuffle Whatever hans drives Through
• 1:31:05
  Speaker 2: art's house and you, know they roll out of the
• 1:31:09
  Speaker 2: back of the. Ambulance the they hit the back of
• 1:31:13
  Speaker 2: Doctor clopex car and the trunk flies open and all
• 1:31:17
  Speaker 2: the skulls are in. There do you notice how the
• 1:31:19
  Speaker 2: black guy at the end of the movie pronounces his,
• 1:31:22
  Speaker 2: name Doctor. Klopik this is.
• 1:31:27
  Speaker 3: Your, Vehicle Doctor.
• 1:31:28
  Speaker 2: Clappick he's, like are these your, Skulls Doctor, Kloppik.
• 1:31:37
  Speaker 3: And he's just, like, oh maybe.
• 1:31:39
  Speaker 2: Maybe but BEFORE i say anything, ELSE i just have
• 1:31:45
  Speaker 2: to get this one last part out and Then i'll
• 1:31:47
  Speaker 2: let you. Go. Ham the funniest part of that whole
• 1:31:51
  Speaker 2: end scene is When hans comes out of the. Ambulance,
• 1:31:57
  Speaker 2: HEY i know.
• 1:31:59
  Speaker 5: You where are you?
• 1:32:02
  Speaker 2: Going?
• 1:32:07
  Speaker 5: Gotcha? Yeah don't you make a, Move.
• 1:32:16
  Speaker 8: SONNY i was eighteen months in the bush AND i
• 1:32:19
  Speaker 8: could snap your neck in a.
• 1:32:21
  Speaker 2: Heartbeat And Fucking rumsfield is, like Hey. Pinocchio. Yeah hilarious
• 1:32:30
  Speaker 2: and also foreshadowing of real, life seeing as How Tom
• 1:32:33
  Speaker 2: hanks would go on to Play geppetto In.
• 1:32:36
  Speaker 3: Fucking pinocchio and the whole story is about. Pedophilia.
• 1:32:41
  Speaker 2: Boom so we got in just the last. Scene we Got,
• 1:32:45
  Speaker 2: pinocchio we got forced, Injections we have fucking devil, Horns
• 1:32:54
  Speaker 2: like is? THERE i probably am even forgetting some, shit
• 1:32:57
  Speaker 2: but like that's a lot this in the last couple of.
• 1:33:01
  Speaker 3: Scenes it's a huge.
• 1:33:03
  Speaker 4: Amount it's ridiculous how much you notice host watching something
• 1:33:08
  Speaker 4: as a kid and enjoying it for what it. Was
• 1:33:10
  Speaker 4: these things pop, out and like you said earlier on
• 1:33:12
  Speaker 4: in this, episode you have to train yourself when watching
• 1:33:15
  Speaker 4: films now not to look for this. Stuff but when
• 1:33:17
  Speaker 4: you really zero, internet the stuff pops, out and it's not,
• 1:33:21
  Speaker 4: reaching it's not grasping at. Straws it's very very evident
• 1:33:25
  Speaker 4: when you see what they're, doing like the biting at the.
• 1:33:26
  Speaker 4: Hand what happens when you bite the hand that feeds,
• 1:33:28
  Speaker 4: you you're. Punished his house catches on, fire the two
• 1:33:31
  Speaker 4: houses in the street that catch, fire The satanists who
• 1:33:34
  Speaker 4: are killing, people an arts, house an art, house dabbling
• 1:33:38
  Speaker 4: in the occult for.
• 1:33:40
  Speaker 2: Sure now that you mention, it and all like this
• 1:33:42
  Speaker 2: stuff he knew. About and Like i'm pretty sure the
• 1:33:45
  Speaker 2: book they were reading was from, Art Like i'm pretty
• 1:33:49
  Speaker 2: sure that was.
• 1:33:50
  Speaker 3: Art it was his. BOOK m, yeah.
• 1:33:52
  Speaker 4: Yep SO i, mean did.
• 1:33:54
  Speaker 2: You have any other, notes like about the end part
• 1:33:57
  Speaker 2: or did we pretty much crash? It we nailed.
• 1:33:59
  Speaker 3: IT i think he nailed.
• 1:34:01
  Speaker 4: It the only other thing THAT i came across was
• 1:34:04
  Speaker 4: That Paulie, shaw a very Young Pauli, shaw was considered
• 1:34:07
  Speaker 4: for the role Of, ricky but the, Director Joe, dante
• 1:34:10
  Speaker 4: was not impressed with his. Audition more, so it Was
• 1:34:15
  Speaker 4: Pauli shaw's mother who put the kibosh on. It Pauli shaw's,
• 1:34:18
  Speaker 4: mother for people who don't, know used to run the comedy.
• 1:34:20
  Speaker 3: Store the stand up place in Yeah.
• 1:34:22
  Speaker 4: La she didn't want him getting involved In hollywood at
• 1:34:26
  Speaker 4: a young. Age she wanted him to be older before
• 1:34:29
  Speaker 4: he got Into. Hollywood, now a woman who's in the
• 1:34:32
  Speaker 4: know with stand up comedy in that part of the,
• 1:34:34
  Speaker 4: world why would you be so protective of your child
• 1:34:37
  Speaker 4: if it was all copasetic and, Fine, well maybe she
• 1:34:39
  Speaker 4: knew what was going on with kids on, sets especially
• 1:34:42
  Speaker 4: she wanted him to be of, age right.
• 1:34:45
  Speaker 2: RIGHT i, mean, look it's like we were seeing earlier
• 1:34:48
  Speaker 2: With corey fucking not only you don't know what happens on,
• 1:34:51
  Speaker 2: set like Obviously Tom, hainks But Michael jackson showing up
• 1:34:56
  Speaker 2: about of, nowhere and then you know it's just do
• 1:34:59
  Speaker 2: you think he's dead by the, way or you think
• 1:35:02
  Speaker 2: you think that's that's a.
• 1:35:04
  Speaker 4: Conspiracy the WHOLE q side of things where he's been
• 1:35:07
  Speaker 4: executed via a military, tribune all that type of.
• 1:35:10
  Speaker 2: Jazz Michael, JACKSON.
• 1:35:14
  Speaker 4: I thought you're talking About Tom. HANKS i Think Michael
• 1:35:15
  Speaker 4: jackson probably is.
• 1:35:16
  Speaker 2: Dead you think he is?
• 1:35:17
  Speaker 3: Dead, Okay, Yeah it all kind of ties.
• 1:35:19
  Speaker 4: In there's this whole HUGE q conspiracy THAT mj somehow
• 1:35:24
  Speaker 4: faked his own death and he was giving information to
• 1:35:26
  Speaker 4: the white hats and that's how they Got Tom. Hanks
• 1:35:29
  Speaker 4: And Tom hanks has been arrested and executed and someone
• 1:35:32
  Speaker 4: else is an actor playing. Him he gets really into the.
• 1:35:35
  Speaker 4: Weeds even for a conspiracy theorist like, me it becomes too.
• 1:35:37
  Speaker 4: WILD i think it's probably more along the lines, of you,
• 1:35:41
  Speaker 4: know allegedly a lot of this stuff has been going,
• 1:35:44
  Speaker 4: on and there's so much power and wealth associated with
• 1:35:48
  Speaker 4: just the name Of Tom hanks that these people can
• 1:35:51
  Speaker 4: cover this stuff.
• 1:35:52
  Speaker 5: Up they get away with.
• 1:35:53
  Speaker 2: It for fucking. Sure and the thing IS i am
• 1:35:57
  Speaker 2: a conspiracy, theorist of course one, percent but SOMETIMES i
• 1:36:02
  Speaker 2: really do think people just, die like you, know a
• 1:36:05
  Speaker 2: lot Of. Epstein don't get me, WRONG i think that
• 1:36:08
  Speaker 2: motherfucker is probably still. Alive but Like Michael, jackson some
• 1:36:12
  Speaker 2: of these other people it's fifty to fifty for. Some
• 1:36:15
  Speaker 2: BUT i think he probably is dead AND i think
• 1:36:18
  Speaker 2: he probably was touching, kids which is another thing that
• 1:36:21
  Speaker 2: people are like split fence on. That Corey feldman said
• 1:36:24
  Speaker 2: that nothing ever. Happened Well macaulay and fucking whatever whoever
• 1:36:28
  Speaker 2: is saying that nothing ever. Happened there's like a gang
• 1:36:30
  Speaker 2: of other children who are, like, YEAH i, know shit was,
• 1:36:33
  Speaker 2: happening including his own. Sister LaToya jackson said he was touching.
• 1:36:37
  Speaker 2: Kids SO i, mean it's, like what would she have
• 1:36:40
  Speaker 2: to gain from coming out and saying.
• 1:36:41
  Speaker 4: That you, KNOW i think this is the this is
• 1:36:44
  Speaker 4: the danger that you see in these types of conversations
• 1:36:47
  Speaker 4: with the way trauma works with sexual abuse of, children
• 1:36:50
  Speaker 4: far more often than, not the traumatized end up becoming
• 1:36:53
  Speaker 4: the predators in the. Future, yeah the trauma That i've gone,
• 1:36:56
  Speaker 4: on they pill portrayed that tope of trauma on other.
• 1:36:59
  Speaker 4: People and you, know if these people have grown up
• 1:37:02
  Speaker 4: in that kind of a system where it's accepted within
• 1:37:05
  Speaker 4: The hollywood culture that you, know you have to go
• 1:37:07
  Speaker 4: on the casting couchs regardless of whether you're an eighteen
• 1:37:10
  Speaker 4: year old girl or a twelve year old. Boy you're
• 1:37:12
  Speaker 4: on the casting couch with these people and they don't.
• 1:37:14
  Speaker 3: Care you grow.
• 1:37:15
  Speaker 4: Up in that system of where you either think it's
• 1:37:18
  Speaker 4: acceptable or you start perpetrating that trauma on other. People
• 1:37:23
  Speaker 4: AND i think that's why you see a lot of
• 1:37:25
  Speaker 4: these people collapse within, themselves their career goes to shit
• 1:37:29
  Speaker 4: because you, know their reality finally dawns on. THEM i
• 1:37:32
  Speaker 4: was a, VICTIM i was. Abused these things have happened to,
• 1:37:34
  Speaker 4: me and no one. Cares and we see. THAT i,
• 1:37:37
  Speaker 4: know it.
• 1:37:39
  Speaker 2: Sucks it, sucks and like for the kids out there
• 1:37:45
  Speaker 2: that are like coming out and saying like this happened to,
• 1:37:49
  Speaker 2: me and like these are the, things and for people
• 1:37:51
  Speaker 2: to just turn a blind, eye like imagine if it
• 1:37:55
  Speaker 2: was your. Kid i've been covering a lot of this
• 1:37:57
  Speaker 2: stuff in my new, show like for The cult Of,
• 1:38:00
  Speaker 2: conspiracy about like things that have happened to. Kids nobody
• 1:38:03
  Speaker 2: will ever know their, name nobody will ever know their,
• 1:38:06
  Speaker 2: story nobody cares to look into.
• 1:38:08
  Speaker 4: This kind of.
• 1:38:09
  Speaker 2: Stuff it's just really sad that this is the world
• 1:38:12
  Speaker 2: we live.
• 1:38:12
  Speaker 4: In, yeah, well when you've got big money and big
• 1:38:16
  Speaker 4: personalities running the, show they are they're going to cover it.
• 1:38:20
  Speaker 4: Up and, really people talk about. It it just doesn't
• 1:38:23
  Speaker 4: gain the traction like The Me too movement WHICH i
• 1:38:25
  Speaker 4: referred to, before that was allowed to gain traction because
• 1:38:28
  Speaker 4: it was a great distraction from a lot of The
• 1:38:29
  Speaker 4: Morena fairies evilshit that was going.
• 1:38:31
  Speaker 3: On people will.
• 1:38:33
  Speaker 4: Recognize it's downright atrocious and disgusting that men in power
• 1:38:37
  Speaker 4: will exploit that get sexual favors from women who want
• 1:38:40
  Speaker 4: to progress their. Careers that's, terrible don't get me. Wrong
• 1:38:44
  Speaker 4: that's far far more evil when children, involved and that
• 1:38:47
  Speaker 4: just seems to be skimmed. OVER i.
• 1:38:49
  Speaker 2: Know it's just fucking gut, wrenching and it's like we
• 1:38:54
  Speaker 2: were seeing at the very beginning of the Episode Tom,
• 1:38:57
  Speaker 2: Hanks america's dad quote, Unquote AND i.
• 1:39:01
  Speaker 4: Mean.
• 1:39:03
  Speaker 2: There are movies Like The Money Pit The, burbs And
• 1:39:08
  Speaker 2: i'll always have a soft spot for them and watch,
• 1:39:11
  Speaker 2: them but it JUST i don't. Know Even, CASTAWAY i
• 1:39:17
  Speaker 2: used to watch a lot because it's a really good,
• 1:39:19
  Speaker 2: movie AND i haven't seen him do a lot, recently
• 1:39:25
  Speaker 2: If i'm just being, Honest AND i think that's where
• 1:39:27
  Speaker 2: a lot of the conspiracy theories are coming. From alhw
• 1:39:30
  Speaker 2: he's dead and there's like an actor playing him or.
• 1:39:32
  Speaker 2: Whatever maybe he's just, like you, know when you get
• 1:39:35
  Speaker 2: to a certain point when you're doing all this, shit
• 1:39:38
  Speaker 2: like it catches up to you at some. Point maybe
• 1:39:42
  Speaker 2: he's like worn. OUT i don't, know like he's just
• 1:39:47
  Speaker 2: posted up somewhere with a fucking bag of a drenochrome
• 1:39:50
  Speaker 2: dripping into his. BALLS i don't, Know like at some
• 1:39:53
  Speaker 2: point your body just gives out from all the evil
• 1:39:56
  Speaker 2: shit you've been.
• 1:39:57
  Speaker 4: Doing, yeah and you look the background Of Tom, hanks
• 1:40:01
  Speaker 4: and we're not the first people to go into, this
• 1:40:03
  Speaker 4: but you see the humiliation rituals early on his, career
• 1:40:06
  Speaker 4: where he was forced to dress up as a woman
• 1:40:08
  Speaker 4: ON tv and roles within. Movies was the whole drag
• 1:40:12
  Speaker 4: scenes that go on early. On it's almost like the
• 1:40:14
  Speaker 4: initiation ritual that they have to do for their. Careers
• 1:40:18
  Speaker 4: we went from that into things Like Bachelor, party where
• 1:40:21
  Speaker 4: it's very sexualized that type of.
• 1:40:22
  Speaker 3: Nature he then somehow.
• 1:40:24
  Speaker 4: Falls into the role Of big where he's surrounded by
• 1:40:27
  Speaker 4: kids and he's a personification of a child in a man's,
• 1:40:30
  Speaker 4: body which is very. Pedophilic the fact that he sleeps
• 1:40:34
  Speaker 4: with a woman in that film pretty disgusting when you
• 1:40:37
  Speaker 4: think about it. Now regardless of him being a grown
• 1:40:40
  Speaker 4: up man then goes into this film which is almost,
• 1:40:43
  Speaker 4: like let's cover up the. Conspiracies let's make the white
• 1:40:47
  Speaker 4: Suburban american who's starting to notice things look. CRAZY i
• 1:40:50
  Speaker 4: think that's the real message in. THIS i read out
• 1:40:53
  Speaker 4: the article at the, start which is kind of pushing
• 1:40:55
  Speaker 4: that idea again onto the mainstream. Public but it's the
• 1:40:58
  Speaker 4: inversion of. That people noticing things because they're out in
• 1:41:01
  Speaker 4: the open, now, yeah and they don't care what's being
• 1:41:05
  Speaker 4: put out. There if we've got the ability to put
• 1:41:07
  Speaker 4: two and two, together that's a dangerous thing for. Them
• 1:41:10
  Speaker 4: so now they're running cover and saying that you know
• 1:41:12
  Speaker 4: your conspiracy theorists, again It's trump support is it's a Maga.
• 1:41:16
  Speaker 4: Republicans they don't know what's really going. On it's all
• 1:41:18
  Speaker 4: about white guilt and blah blah. Blah it's really. Not
• 1:41:21
  Speaker 4: there's things that you can generally notice and connect the dots.
• 1:41:23
  Speaker 2: With, well where would you rank it In Tom hanks's?
• 1:41:27
  Speaker 2: Movies would you rank it as like number? One number?
• 1:41:30
  Speaker 2: Two like do you have another?
• 1:41:32
  Speaker 4: FAVORITE i would put it as maybe a number. TWO
• 1:41:37
  Speaker 4: i really Enjoyed big as a kid growing.
• 1:41:38
  Speaker 2: Up maybe we should just refresh the. Listeners let's See
• 1:41:42
  Speaker 2: Tom hanks movies in Case i'm forgetting some. Biggies let's See.
• 1:41:51
  Speaker 2: Splash did you Watch?
• 1:41:52
  Speaker 3: Splash The mermaid?
• 1:41:54
  Speaker 4: One i've seen it, before but it's not something That
• 1:41:56
  Speaker 4: i'm deeply invested.
• 1:41:58
  Speaker 2: In i'm not going to go through every single, one
• 1:42:00
  Speaker 2: but these are some of the ones that the listeners might.
• 1:42:04
  Speaker 2: Like for, me Money pit and then Uh turner and
• 1:42:09
  Speaker 2: Hootch Uh sleepless In. Seattle, oh Fuck Forrest. Gump that's Gonna.
• 1:42:18
  Speaker 2: OH i definitely am putting that up, there saving Private
• 1:42:22
  Speaker 2: Ryan toy. Story you've got mail Cast? Away, Oh drew
• 1:42:28
  Speaker 2: The Green. Mile FUCK i about that one.
• 1:42:31
  Speaker 4: Too The man with The One Red, Shoe The.
• 1:42:36
  Speaker 2: Man with the one red? Shoe where did you get that?
• 1:42:38
  Speaker 4: For i've never Seen Tom hanks is The man With
• 1:42:42
  Speaker 4: One Red shoe nineteen eighty, Five Red Shoe, Club Red Shoe.
• 1:42:46
  Speaker 2: Club how About Polar, express The Da Vinci. Code, uh let's.
• 1:42:56
  Speaker 3: See he has done a. Lot this is the.
• 1:42:58
  Speaker 4: Thing this is why He's america's, dad because he's been
• 1:43:01
  Speaker 4: in these not always, blockbusters but they're culturally rich films
• 1:43:06
  Speaker 4: that people will always. Remember The urbs is a great
• 1:43:08
  Speaker 4: example of. It this movie bombed in the box. Office
• 1:43:11
  Speaker 4: it wasn't, REALLY i can't believe.
• 1:43:12
  Speaker 2: THAT i can't believe.
• 1:43:13
  Speaker 3: That then it became a cult hit after the.
• 1:43:15
  Speaker 2: Fact yeah he was In.
• 1:43:17
  Speaker 4: Elvis, YEAH i think he was the, manager wasn't.
• 1:43:20
  Speaker 2: He oh, Right, Okay so it's got obviously it's got
• 1:43:24
  Speaker 2: Like pinocchio and some of his newer, STUFF A Beautiful
• 1:43:30
  Speaker 2: day in The, Neighborhood, greyhound Fucking Cloud. Atlas but the
• 1:43:36
  Speaker 2: ones That i'm going to go, with, Uh i'm going
• 1:43:40
  Speaker 2: to rate Money pit as my number, one The burbs
• 1:43:45
  Speaker 2: as my number, two For stcump is my number. THREE
• 1:43:50
  Speaker 2: i quote it all the. Time And i'm gonna go
• 1:43:55
  Speaker 2: with Cast away for my number. Four and coming in
• 1:43:58
  Speaker 2: at number five is the divinc.
• 1:44:00
  Speaker 4: Code yeah, Fair i'd probably Go turner And hooch number,
• 1:44:04
  Speaker 4: one big as.
• 1:44:05
  Speaker 3: Too The burbs is number.
• 1:44:07
  Speaker 4: THREE i can't go past the toy story even though
• 1:44:10
  Speaker 4: it's just voice. Acting the first toy story was amazing
• 1:44:14
  Speaker 4: stories coming in number four for, you, yep and then
• 1:44:17
  Speaker 4: The Green, Mile.
• 1:44:19
  Speaker 2: Green mile coming in number.
• 1:44:21
  Speaker 3: Five that's.
• 1:44:25
  Speaker 2: It that is. It that's a good. Lineup that's a good.
• 1:44:27
  Speaker 2: LINEUP i probably should have shared my screen WHILE i
• 1:44:32
  Speaker 2: was doing. That, Yeah, no so The burbs itself one
• 1:44:42
  Speaker 2: to Ten klopex on, CONSPIRACY.
• 1:44:47
  Speaker 4: I would probably go maybe an eight on. CONSPIRACY i
• 1:44:51
  Speaker 4: wouldn't go full ten because there just wasn't. Enough it
• 1:44:54
  Speaker 4: was spaced out well enough within the film that kept
• 1:44:57
  Speaker 4: you paying attention looking for, it but it wasn't just
• 1:45:00
  Speaker 4: bang bang bang one after the. Other that are in
• 1:45:02
  Speaker 4: small bite sized chunks at the, start the, middle and the.
• 1:45:05
  Speaker 4: End but on the on their, face they were.
• 1:45:08
  Speaker 3: Really good enough to dig into the.
• 1:45:09
  Speaker 4: Weeds, YEAH i have to find out that ata like
• 1:45:12
  Speaker 4: This god Of fire was.
• 1:45:13
  Speaker 2: Literally the First that one was that you blew my
• 1:45:16
  Speaker 2: mind with that. Ship that was a really good. Catch
• 1:45:19
  Speaker 2: that was a super good. CATCH i was gonna, ALSO
• 1:45:23
  Speaker 2: i don't want to have the same, answer So i'm
• 1:45:25
  Speaker 2: gonna go eight point three three Uh. CLOPEX i think
• 1:45:30
  Speaker 2: it's it's almost right up there with like being one
• 1:45:33
  Speaker 2: of the more obviously conspiratorial. Movies but WHEN i compared
• 1:45:38
  Speaker 2: to some of the other episodes we've done that were
• 1:45:41
  Speaker 2: ten out of, TEN i would, say. O our coverage
• 1:45:45
  Speaker 2: on The alien franchise was ten out of. TEN i
• 1:45:49
  Speaker 2: think Even Dark shadows might have been a ten out of.
• 1:45:53
  Speaker 2: Ten for, me just like when you really dig into,
• 1:45:55
  Speaker 2: it but the, Burbs i'm gonna get eight point three
• 1:45:59
  Speaker 2: three on. That did you, watch by the, way SINCE
• 1:46:03
  Speaker 2: i have you the new alien Movie? Romulus, Yep?
• 1:46:06
  Speaker 3: ROMULUS i?
• 1:46:07
  Speaker 5: Have?
• 1:46:07
  Speaker 2: Yeah, okay do you want to give me like the cliff?
• 1:46:09
  Speaker 2: NOTES i haven't seen it? Yet is? It is it?
• 1:46:11
  Speaker 4: Good is it?
• 1:46:12
  Speaker 9: Bad is?
• 1:46:12
  Speaker 4: It it's not, Really, Scott it's it's the error of
• 1:46:16
  Speaker 4: alien and. Aliens though they've gone back to the aesthetics
• 1:46:19
  Speaker 4: look just like. It it's not The prometheus type of
• 1:46:22
  Speaker 4: everything's somehow more advanced than what the previously. Is the
• 1:46:25
  Speaker 4: technology looks Like alien nineteen. SEVENTIES i don't like. Storyline it's, perfect,
• 1:46:30
  Speaker 4: Though i'm telling you it. Fit, okay sell it to you, actually.
• 1:46:34
  Speaker 4: Okay it ties up all the loose ends Of. Prometheus
• 1:46:38
  Speaker 4: the alien that we saw ejected out of the spaceship
• 1:46:40
  Speaker 4: in the First alien film turns itself into a chrysalis
• 1:46:43
  Speaker 4: in space and whaling you tiny gets a hold of.
• 1:46:46
  Speaker 4: It they grab, It they take it back to a
• 1:46:48
  Speaker 4: space station Called romulus And, remus so straight away we've
• 1:46:52
  Speaker 4: got the esoteric. Stuff on The rome they start to
• 1:46:56
  Speaker 4: re engineer the Black goo The Black, coup which they
• 1:47:00
  Speaker 4: Call prometheus, five And prometheus was the fifth film in
• 1:47:04
  Speaker 4: The alien, franchise so they name the. Good they start
• 1:47:07
  Speaker 4: genetically engineering face. Huggers something goes around on The Space,
• 1:47:11
  Speaker 4: shuttle which they don't, know the space, station which it
• 1:47:14
  Speaker 4: doesn't really explain until a young group of kids who
• 1:47:18
  Speaker 4: want to get off a mining planet want to escape
• 1:47:21
  Speaker 4: the planet and go to a new, world a free
• 1:47:22
  Speaker 4: zone that's not owned by the corporation or the. Colonies
• 1:47:25
  Speaker 4: they go there to get some cryer beds because they
• 1:47:28
  Speaker 4: want to survive the sixty yearlong. Trip right howl ensues
• 1:47:32
  Speaker 4: lots of aliens hybrid. Creatures it's right if you haven't seen.
• 1:47:39
  Speaker 2: It so it has nothing to do With. Covenant then not.
• 1:47:43
  Speaker 3: A direct, time, no because.
• 1:47:45
  Speaker 2: It's not peaking up off Of, covenant not.
• 1:47:49
  Speaker 4: Exactly it takes place in between alien and, aliens but
• 1:47:55
  Speaker 4: a long time After. Covenant Whoa so there could be
• 1:48:00
  Speaker 4: a third another, one a third in The Covenant prometheus
• 1:48:04
  Speaker 4: series that would help tie it all. In but it
• 1:48:06
  Speaker 4: does it in this because they Describe Whyland Bishop wyland
• 1:48:11
  Speaker 4: went to the, planet found the gur and then naming
• 1:48:13
  Speaker 4: it after His prometheus five expedition.
• 1:48:16
  Speaker 2: Whoa all, right all, right all, RIGHT i gotta watch.
• 1:48:21
  Speaker 2: IT i gotta watch. It that sounds fucking fucked. Up
• 1:48:26
  Speaker 2: The Face huggers Really basager's.
• 1:48:29
  Speaker 4: Drones there's a hybrid creature at the very end of
• 1:48:32
  Speaker 4: it that comes from a pregnant woman who he's injected
• 1:48:35
  Speaker 4: with the GUR i don't want to give y, spoilers
• 1:48:37
  Speaker 4: but it's god damn Good, ovacially it's akin to The.
• 1:48:40
  Speaker 2: Originals WHEN i watch, IT i WILL i will have
• 1:48:44
  Speaker 2: to message you and let you know WHAT i. Think
• 1:48:46
  Speaker 2: BUT i, Mean i'm excited now because you, know it
• 1:48:49
  Speaker 2: looked kind of, gay like they. Weren't you, know they
• 1:48:53
  Speaker 2: weren't like picking it up right off a. Covenant it
• 1:48:56
  Speaker 2: looked like some, other totally different thing to. Me SO
• 1:48:59
  Speaker 2: i didn't know if they went in like a gay
• 1:49:01
  Speaker 2: direction with it or if they were going to keep
• 1:49:02
  Speaker 2: it with like the cool shit about like what makes
• 1:49:05
  Speaker 2: alien so? Cool you. Know so it sounds like they,
• 1:49:08
  Speaker 2: did and Now i'm excited to watch. It fucking face.
• 1:49:12
  Speaker 2: Huggers but So. Drew when we team up and we
• 1:49:17
  Speaker 2: do breakdowns, TOGETHER i always get so many. Compliments everyone
• 1:49:20
  Speaker 2: loves the, energy you, bring the. Research everything Is. Dynamite
• 1:49:24
  Speaker 2: thank you so much for joining me for yet another,
• 1:49:28
  Speaker 2: breakdown and if you could those who are hearing you
• 1:49:32
  Speaker 2: for the first, time let them know where they can
• 1:49:34
  Speaker 2: find more of your.
• 1:49:35
  Speaker 4: Work, Yeah drew missing from You All missing The point,
• 1:49:37
  Speaker 4: podcast AM i doubles AND i find in all the Usual.
• 1:49:41
  Speaker 4: Podcatches also co hosts a show Called Conspiracy theater three,
• 1:49:45
  Speaker 4: thousand in which me and the Guys Moral bob And
• 1:49:48
  Speaker 4: Ryan dane we break down films similar to. This we
• 1:49:50
  Speaker 4: do watch, lungs we do, commentaries we do, breakdowns all
• 1:49:53
  Speaker 4: that good. Stuff and thanks again for having me On.
• 1:49:56
  Speaker 4: JULIE'S i love. THESE i always look forward to. Them
• 1:49:58
  Speaker 4: we always pick great, movies stuff that we tend to
• 1:50:00
  Speaker 4: miss On Conspiracy data three. Thousand so you're indulging me
• 1:50:04
  Speaker 4: with these types of, conversations WHICH i really.
• 1:50:05
  Speaker 2: Enjoy, OH i was gonna say me. TOO i love
• 1:50:08
  Speaker 2: teaming up on. THESE i think we pick some fun
• 1:50:10
  Speaker 2: ones from our, childhood fun ones that people wouldn't think.
• 1:50:13
  Speaker 2: About harry and The henderson's that was a great, One
• 1:50:17
  Speaker 2: but So i'm looking forward we'll team up on another.
• 1:50:20
  Speaker 2: One it doesn't even have to be a. Breakdown we
• 1:50:21
  Speaker 2: can just pick something random, maybe but uh, YEAH i
• 1:50:25
  Speaker 2: hope everyone goes and checks out more of your. Work
• 1:50:28
  Speaker 2: thank you again for joining me, tonight and to all
• 1:50:31
  Speaker 2: the listeners out, there thank you and we will catch
• 1:50:34
  Speaker 2: you on the next.
• 1:50:35
  Speaker 6: ONE i think the message to psychos, fanatics murderers not
• 1:50:40
  Speaker 6: cases all over the world is do not mess with
• 1:50:43
  Speaker 6: suburbanites because, frankly we're just not gonna take it. Anymore you,
• 1:50:46
  Speaker 6: know we're not going to be content to look after
• 1:50:47
  Speaker 6: our lawns and wax our, cars paint our.
• 1:50:49
  Speaker 5: Houses we're out to get them. Now we are out.
• 1:50:52
  Speaker 5: Together