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Dimension X - ”The Professor Was Athief” (Old Time Radio, 1950) · Old Time Sci-Fi Radio | Old Time Radio

• 0:05
  Speaker 1: Adventures in time and space transcribed in future. Can you
• 0:25
  Speaker 1: predict what will come in one hundred years, or in
• 0:29
  Speaker 1: ten or in the next minute?
• 0:32
  Speaker 2: Can you see beyond the known.
• 0:34
  Speaker 1: Dimensions of time and space into the unknown dimension X.
• 0:42
  Speaker 1: Today we tell you a story of America's largest city,
• 0:45
  Speaker 1: a story that began in.
• 0:46
  Speaker 3: The Mustling City room of the New York let Policy.
• 1:00
  Speaker 2: City. The Sweeneye me rewrite quick, I take it.
• 1:04
  Speaker 4: Okay.
• 1:05
  Speaker 5: Now, look, I'd see at twelve forty five to day, three.
• 1:10
  Speaker 4: Months in all class, tomb disappears.
• 1:12
  Speaker 6: That's what I'm telling their talk Listen, Sweeney, get yourself
• 1:16
  Speaker 6: to a Turkish bad sober uh sell the rustling you
• 1:21
  Speaker 6: we just a minute, Albert, what's up? Call a hundreds
• 1:25
  Speaker 6: detective precincts. Find out if anything's been reported missing.
• 1:28
  Speaker 2: Like what like grand Tomb. Go on, make it snappers, okay, pop,
• 1:33
  Speaker 2: all right, training, I'll give it him it so just
• 1:36
  Speaker 2: better not be a jag.
• 1:38
  Speaker 4: Okay, I'm not gonna die. The classic of the crime.
• 1:40
  Speaker 4: We got an Amal and the Veners'.
• 1:42
  Speaker 7: Scott to a middle woul happy laughing, then without a
• 1:45
  Speaker 7: Lorning humble.
• 1:46
  Speaker 2: Fellow, the hold of Sweeneye.
• 1:49
  Speaker 8: Well, all but I.
• 1:50
  Speaker 2: Don't get it. They say that the grass tomb is gone.
• 1:55
  Speaker 6: Okay, called composing, hold them the whold everything for next time,
• 1:58
  Speaker 6: tear out paid one, get gone, don't pay straining now
• 2:02
  Speaker 6: the heck with the words, give me the garbage.
• 2:03
  Speaker 9: What happened?
• 2:04
  Speaker 4: Howbody knows? Now happened to the police carton on the
• 2:07
  Speaker 4: stand the place where Grim's tone was about to block away?
• 2:10
  Speaker 4: I heard the rims. I came home and I went family.
• 2:12
  Speaker 2: How many dens?
• 2:13
  Speaker 4: Nobody knows the anybody is dead?
• 2:15
  Speaker 9: Find out?
• 2:16
  Speaker 4: How can I find on the step?
• 2:19
  Speaker 2: Wh god? Nobody coop?
• 2:23
  Speaker 6: Okay, you hope it back up there and get stories
• 2:25
  Speaker 6: from some witnesses.
• 2:27
  Speaker 2: Now calling me back.
• 2:28
  Speaker 6: Albert, Yes, pop that plumbing university on the phone, get
• 2:31
  Speaker 6: us take away the shirt grabbing and tackler badc if
• 2:35
  Speaker 6: anything like this ever happened before.
• 2:37
  Speaker 2: Hey, well yeah, I'll call it on and find out
• 2:39
  Speaker 2: about secret weapons.
• 2:42
  Speaker 6: Hello, composing, This is pop out of beyond the City dance,
• 2:46
  Speaker 6: start setting up an extra.
• 2:47
  Speaker 2: I want to hit the seat in twenty minutes. Second
• 2:49
  Speaker 2: next to and now it's pictures. Okay, what are you
• 2:52
  Speaker 2: waiting for?
• 2:53
  Speaker 9: Get them alling.
• 3:03
  Speaker 2: Hop pop, Oh I'm busy outer.
• 3:06
  Speaker 8: Yes, sir hop, mister cowboy wants to see you. Frano
• 3:13
  Speaker 8: tell him I'm busy, welly, he says, to come now.
• 3:17
  Speaker 6: All of plane headed publishes the Saddle and used paper
• 3:20
  Speaker 6: with Okay, Sweeney calls, switching to Colban's office.
• 3:24
  Speaker 8: Okay, Pop, I mean, listen.
• 3:33
  Speaker 2: Mister Colban, I'm very busy. Now there's an extra on
• 3:35
  Speaker 2: the rollers.
• 3:36
  Speaker 8: I know. I just called composing and ordered them to
• 3:39
  Speaker 8: stop it.
• 3:40
  Speaker 2: Stop it.
• 3:41
  Speaker 8: I gotta be. You've been on the city desk of
• 3:44
  Speaker 8: the Herald for twenty five years now. Since when do
• 3:48
  Speaker 8: you waste thousands of dollars on an April fool issue?
• 3:51
  Speaker 2: April fool? Listen, grants to him. Is missing? Is that
• 3:55
  Speaker 2: a starry or am I dead from the neck up?
• 3:57
  Speaker 8: Did you check it?
• 3:58
  Speaker 4: Yes?
• 3:58
  Speaker 8: And Sweeney, how do you know it's true?
• 4:00
  Speaker 2: Well?
• 4:00
  Speaker 8: If what do you mean spreading cold terror all over town?
• 4:03
  Speaker 8: The devil with Sweeney? How do you know it isn't
• 4:07
  Speaker 8: just a hallucination, mass hypnotism or something like that? What
• 4:10
  Speaker 8: if it is, i'd'all be If this is a farce,
• 4:14
  Speaker 8: we'll be in Dutch.
• 4:15
  Speaker 3: But good.
• 4:17
  Speaker 8: Several suits Criminal Action were the only paper in town
• 4:20
  Speaker 8: on the streets with an extra. The other editors don't
• 4:23
  Speaker 8: believe this story for one instances gets to run a paper. Well,
• 4:26
  Speaker 8: if that's what it takes, you've got too many. You
• 4:28
  Speaker 8: took the authority for this without even trying to find
• 4:31
  Speaker 8: me and get it.
• 4:31
  Speaker 2: Okay, father inlaw, on your story has to run while
• 4:35
  Speaker 2: it's hot.
• 4:35
  Speaker 8: All right. You ran this while it was so hot.
• 4:38
  Speaker 8: Our first ten papers drove the city into a panic.
• 4:41
  Speaker 8: How do we know this whole thing isn't a big thing? Hello,
• 4:45
  Speaker 8: Now there's Carborne.
• 4:47
  Speaker 2: Yes, he's here.
• 4:50
  Speaker 8: It was Oh well, that's fine, that's fine and dandy.
• 4:58
  Speaker 8: You're fine. It's your star reporter, mister Sweeney formerly the
• 5:05
  Speaker 8: Herald formally give me that phone. Hello, Sweeney, how did
• 5:08
  Speaker 8: you get the pictures? How I think I'll need more
• 5:12
  Speaker 8: witness What it's back?
• 5:16
  Speaker 2: What did you say?
• 5:18
  Speaker 4: It's back? Flaps? Thoma's back.
• 5:21
  Speaker 9: I'm sorry, You're sorry?
• 5:23
  Speaker 6: All right, golden boy, Now give it to me. So
• 5:27
  Speaker 6: make it sound intelligent.
• 5:29
  Speaker 2: Just reappair that all. What about the people who were inside?
• 5:33
  Speaker 4: I'll back, don't rumble. Thing's just like appaball.
• 5:36
  Speaker 10: It's a milkle some miracle.
• 5:38
  Speaker 6: We got an extra on the Streets of twenty eight
• 5:40
  Speaker 6: type screaming that Grant's tomb has vanished, and you calmly.
• 5:44
  Speaker 8: Call me up to tell me that it's back, but
• 5:46
  Speaker 8: it was gone.
• 5:47
  Speaker 11: I what do me a favor? Will you what you're dead? Well,
• 5:54
  Speaker 11: that'll be just rerun a attraction.
• 6:00
  Speaker 6: It doesn't make sense. Twelve police cards start. We've got
• 6:04
  Speaker 6: statement from witnesses.
• 6:06
  Speaker 8: I told you it was hysteria. Look at the man
• 6:08
  Speaker 8: from Mars broadcast that Austin Wells did. A thousand people
• 6:12
  Speaker 8: will swear they saw the monsters.
• 6:14
  Speaker 10: I don't know.
• 6:15
  Speaker 6: I'm all confused.
• 6:16
  Speaker 8: Well, let's look at it this way to be. Maybe
• 6:20
  Speaker 8: you've had enough. No what you've been on the city
• 6:23
  Speaker 8: desk twenty five years now? That makes you uh, let
• 6:26
  Speaker 8: me see fifty.
• 6:26
  Speaker 2: Five fifty four? While are you driving out, mister Colby?
• 6:30
  Speaker 8: I mean maybe you ought to retire.
• 6:33
  Speaker 2: Retire.
• 6:33
  Speaker 8: We need new people, new ideas. I've been thinking about
• 6:36
  Speaker 8: it for some time now. With the social security you'd get.
• 6:41
  Speaker 2: About twenty bucks.
• 6:43
  Speaker 6: Fine, now you listen, I brought this paper into the
• 6:47
  Speaker 6: world and it's going to take me out. I was
• 6:49
  Speaker 6: on that city desk before you ever heard of a
• 6:51
  Speaker 6: stick of type. Then you come along and marry a
• 6:53
  Speaker 6: publisher's daughter, Anstey. Enough, I made a mistake, Okay, anybody
• 6:59
  Speaker 6: can make a missas take.
• 7:01
  Speaker 2: I still think there's something in this story. Sweeney's been
• 7:04
  Speaker 2: around too long to blow on like this, even when
• 7:07
  Speaker 2: he's drunk. He's a better newspaper man than most.
• 7:09
  Speaker 8: I'm sorry. Effective today, you're relieved. The city editor Sandford
• 7:14
  Speaker 8: will take over Sanford way as great as graft. If
• 7:17
  Speaker 8: you want to stay on in some minor jobs, such
• 7:19
  Speaker 8: as how about science editor? Sigh and said you can
• 7:25
  Speaker 8: have the office right next to mine. It'll pay the rent.
• 7:32
  Speaker 10: Well, I don't know. I don't know what I'll do,
• 7:37
  Speaker 10: but on the city desk so long.
• 7:38
  Speaker 8: Or maybe it's too much excitement for a man. Your
• 7:40
  Speaker 8: aid stop writing me off, will you.
• 7:43
  Speaker 2: I'm sick.
• 7:44
  Speaker 10: I'm fifty four. A man at fifty.
• 7:48
  Speaker 8: Four is no longer a boy.
• 7:51
  Speaker 10: I don't know. Maybe I am losing the grip. Gotta
• 7:54
  Speaker 10: go somewhere and think it.
• 7:55
  Speaker 8: Over all, right, and I mean take your time.
• 7:59
  Speaker 10: I'll be cross this treated Burley's Bar. If you need me,
• 8:02
  Speaker 10: I'll let you know before the bulldog hits the streets.
• 8:17
  Speaker 2: B and shape bar.
• 8:20
  Speaker 10: Yeah, haven't you had enough?
• 8:24
  Speaker 2: Pop?
• 8:24
  Speaker 6: Yeah? This is a solemn occasion, Berlin, poor Hamlock, what's
• 8:29
  Speaker 6: the occasion?
• 8:30
  Speaker 2: Pop? H? I am now, I hadn't been no.
• 8:35
  Speaker 6: Reduce millions you pop never meet the new science Senator
• 8:42
  Speaker 6: of the Sunday Supplement. Me knows much about science, and
• 8:47
  Speaker 6: JP Morgan knows about sharecropping.
• 8:50
  Speaker 2: What happened? Who did it? You're familiar with a reporter
• 8:54
  Speaker 2: named Alawish's John Sweening, former friend and drinking.
• 8:59
  Speaker 6: Companion, Sweeney got you busted the same if that gentleman
• 9:05
  Speaker 6: should ever buy some misforgotten chance thrust.
• 9:09
  Speaker 2: His head into this bar Bury, my friend, I person
• 9:14
  Speaker 2: the liberties to bear and hey, pop, pop pop pop,
• 9:20
  Speaker 2: it's me. I shall control my homicidal instinct.
• 9:23
  Speaker 4: Listen, pop, I just came down from Riverside Drive.
• 9:26
  Speaker 9: Daring move.
• 9:27
  Speaker 2: Sweeney brought a guy with me. It won't help, hop.
• 9:30
  Speaker 4: You don't understand.
• 9:31
  Speaker 5: I found a little guy on a swallow tail coat
• 9:33
  Speaker 5: who watched this whole thing happen.
• 9:35
  Speaker 8: Pop burly whurly, Why why everybody?
• 9:38
  Speaker 2: Why?
• 9:39
  Speaker 8: Quiet were you?
• 9:41
  Speaker 4: How do you do?
• 9:43
  Speaker 9: Gentlemen?
• 9:44
  Speaker 7: I can assure you my small stature belies the magnitude
• 9:48
  Speaker 7: of my abilities.
• 9:50
  Speaker 10: What did you bring him for?
• 9:52
  Speaker 9: Sweeney?
• 9:52
  Speaker 8: He's a genius, Papa, full time genius.
• 9:55
  Speaker 2: Betrayed me one Sweeney. Isn't that left? Take your little
• 9:58
  Speaker 2: man away and don't bother me.
• 10:00
  Speaker 7: Your friend isn't very polite, mister Sweeney. Perhaps one day
• 10:04
  Speaker 7: he will learn that even the most insignificant man has
• 10:06
  Speaker 7: a sense of dignity and personal worth.
• 10:09
  Speaker 10: I apologize, professor, I'm not such you.
• 10:12
  Speaker 2: It should have made a headed friend, Sweeney.
• 10:16
  Speaker 10: I ought to kill you.
• 10:17
  Speaker 2: I ard to.
• 10:18
  Speaker 6: Strangle you with my bare hands. I ought to have
• 10:20
  Speaker 6: your run for a rotary pressed low speed. Those things
• 10:24
  Speaker 6: are too.
• 10:24
  Speaker 10: Good for you.
• 10:25
  Speaker 4: Papa. Look, I'm trying to tell you the story.
• 10:27
  Speaker 2: Ain't folly. It happened, mister perk we hit Hannibal.
• 10:32
  Speaker 4: Tell him about it gladly.
• 10:36
  Speaker 7: My contribution has been awaiting worldwide recognition for many years now. Unfortunately,
• 10:42
  Speaker 7: there are some who insist I am insane. I's see
• 10:45
  Speaker 7: that h Being small of stature, as you can see,
• 10:49
  Speaker 7: I chose to nurse my resentment rather than to take
• 10:52
  Speaker 7: positive measures. However, I feel now the world is ready
• 10:56
  Speaker 7: to come to terms with Hannibal Perkweaters.
• 11:00
  Speaker 10: Can you or can you not explain this Grant's tomb business?
• 11:04
  Speaker 7: Naturally, it can all be explained quite simply in terms
• 11:10
  Speaker 7: of the pert Wee system of infinite acceleration and transportational
• 11:14
  Speaker 7: facilitation is applied to fretage. I've been trying to sell
• 11:18
  Speaker 7: it to the railroads for ten years.
• 11:20
  Speaker 5: Eh, didn't I tell you it was a genius Popper
• 11:23
  Speaker 5: d I'll wait a minute, Pop, give them a chance.
• 11:26
  Speaker 2: Show them the trains, Hannibal.
• 11:27
  Speaker 9: Ah, yes, the trains.
• 11:29
  Speaker 7: If you, gentlemen, will gather around the suitcase, come on,
• 11:33
  Speaker 7: I'll come on. As you can see, I have in
• 11:38
  Speaker 7: this suitcase a complete model railroad reduced to the size
• 11:42
  Speaker 7: of a cigar box.
• 11:44
  Speaker 9: Observe. Oh okay, that's enough.
• 11:59
  Speaker 4: I think they run just like real train.
• 12:04
  Speaker 10: Sweeney.
• 12:06
  Speaker 12: Not content for ruining my life, losing me my job,
• 12:09
  Speaker 12: driving me the alcohol. You're now trying to drive me
• 12:13
  Speaker 12: out of my mind with an obvious madman who build
• 12:15
  Speaker 12: my railroad.
• 12:17
  Speaker 2: Here's the money, Berry gets the change.
• 12:19
  Speaker 5: But Pop, General, Pop, you're not even giving them a
• 12:22
  Speaker 5: child of my way, lesson piled up my way. It's
• 12:27
  Speaker 5: always the same. They won't listen to me. I guess
• 12:31
  Speaker 5: Pop is losing his grit. I hate Ah, don't take
• 12:34
  Speaker 5: it's a hard animal. Maybe it was all a hallucination.
• 12:37
  Speaker 9: The perk we theory is not an hallucination.
• 12:42
  Speaker 2: Well, it was a good try.
• 12:43
  Speaker 4: Anyway.
• 12:44
  Speaker 5: I guess I'll go back to the office and pick
• 12:45
  Speaker 5: up my stuff and I'll show them someday. They'll listener.
• 12:50
  Speaker 5: Sure you'll show them. Hannibal at Burley. Thanks Professor Perkree.
• 12:55
  Speaker 5: Here with a double scott ahead, make it a stripper.
• 13:12
  Speaker 13: The newest use of the isotope enable medical experts to
• 13:21
  Speaker 13: trace the eccacy, the growth the car.
• 13:29
  Speaker 2: Found that.
• 13:32
  Speaker 10: Maybe it's better to be unemployed. Signs editor speaking.
• 13:38
  Speaker 2: Pop, Yeah, swing was I got a story I thought
• 13:42
  Speaker 2: carbon can do?
• 13:43
  Speaker 4: You can't fire mess?
• 13:47
  Speaker 2: Does the Mosio? No Yankees Stadium? What about Bernie's bar?
• 13:52
  Speaker 9: It's gone?
• 13:53
  Speaker 10: Oh sweet, just a few seconds.
• 13:56
  Speaker 2: Take a look at the windows, Sweeny. I want you,
• 13:59
  Speaker 2: okay me hang on, Albert, yes, Pop, do me a favorite.
• 14:04
  Speaker 6: Stick your head out of that window and telling me
• 14:06
  Speaker 6: if anything unusual is going on at Bre's corner.
• 14:09
  Speaker 4: Okay, fop, Holy jumping catfish.
• 14:16
  Speaker 2: Huh it's gone. Come here and look. Well, I'll be
• 14:23
  Speaker 2: a monkey.
• 14:24
  Speaker 10: Where's Colburn?
• 14:25
  Speaker 2: He went to Apollo meck out on Long Island's on
• 14:27
  Speaker 2: the young stand. Come on, okay, I'll give it to
• 14:36
  Speaker 2: read right.
• 14:36
  Speaker 4: Test a second side ask why are you nuts?
• 14:42
  Speaker 8: What everybody listening this?
• 14:44
  Speaker 2: Well, it's Martinson down a thirty poestry, he says. The
• 14:48
  Speaker 2: Empire State building has disappeared? Can you feature that? What
• 14:50
  Speaker 2: you're gonna do about it? Am I supposed to do something?
• 14:53
  Speaker 4: He's gone?
• 14:53
  Speaker 2: Now give me that phone.
• 14:54
  Speaker 1: Hey, let's come here in that phone.
• 14:56
  Speaker 2: Hello Marty, this is Pop Pop.
• 14:58
  Speaker 4: What do you know?
• 14:59
  Speaker 8: Abo mind?
• 15:00
  Speaker 2: What happened?
• 15:01
  Speaker 4: Well, I've gone for pricing five minutes ago? A cop stagger.
• 15:04
  Speaker 4: Then it's call, he says, what's call?
• 15:07
  Speaker 8: They say the Empire State? He says, I I think
• 15:09
  Speaker 8: I'm got a call.
• 15:10
  Speaker 2: Okay't go down there and get the details. And Jace,
• 15:13
  Speaker 2: you need to convince it. Burley's bar went just before
• 15:15
  Speaker 2: you call.
• 15:16
  Speaker 5: Oh I am my crawl the contactively that is okay, Papa,
• 15:20
  Speaker 5: I'll call you.
• 15:21
  Speaker 2: Look at the skyline. The employer state isn't there?
• 15:24
  Speaker 6: Oh no, no, don't get panicade, don't get Panites may
• 15:30
  Speaker 6: come back.
• 15:31
  Speaker 2: Just like Grand's tune. Okay, Pop, he'll take over, won't
• 15:35
  Speaker 2: you conta shaped will I'll show you Clinchley's how to
• 15:38
  Speaker 2: run a new paper together? What after that? Time her
• 15:42
  Speaker 2: down to Empire stage.
• 15:44
  Speaker 8: Who got a story?
• 15:45
  Speaker 6: Call him there out the telemony and ask party and
• 15:47
  Speaker 6: judge to the chat check where's the re sites depart.
• 15:51
  Speaker 9: University?
• 15:53
  Speaker 2: Tell him no, address it up to shut it down.
• 15:56
  Speaker 6: Yes, wait a minute, find out how many people are
• 15:59
  Speaker 6: used in the Empire station. No, I don't call the
• 16:03
  Speaker 6: Empire state to find out.
• 16:05
  Speaker 2: Oh, isn't there sit in chairs? Who? My father?
• 16:12
  Speaker 8: Question?
• 16:13
  Speaker 2: Dead?
• 16:13
  Speaker 4: Sober? See?
• 16:15
  Speaker 2: Yeah, like garbage FREGGI the god.
• 16:17
  Speaker 3: Remember I'm sober, I said, and sober am over.
• 16:19
  Speaker 2: I'm on. What happened? Help me?
• 16:22
  Speaker 4: Pop?
• 16:22
  Speaker 8: Hand station just disappeared?
• 16:24
  Speaker 6: Fatty finn ass jump turtles, the people too, people trained
• 16:29
  Speaker 6: the works.
• 16:30
  Speaker 2: I'm telling you there's a hall of black white.
• 16:32
  Speaker 8: I was lucky it was only a black.
• 16:33
  Speaker 2: A wife who saw it. I went, oh, brushing my
• 16:36
  Speaker 2: boy dog.
• 16:37
  Speaker 6: There was a rumble, see kind of electrical hum in
• 16:40
  Speaker 6: the air, and all of a sudden, the station seemed
• 16:42
  Speaker 6: to cave in on itself. Wango nothing any statement, No,
• 16:46
  Speaker 6: but you gotta see the hall? Oh dead statesman's flat head?
• 16:49
  Speaker 2: Where are you now? I'm over at the post office
• 16:52
  Speaker 2: across the street. Hello, Hello, Hello, thank you, thank you
• 17:02
  Speaker 2: operator hop Pop.
• 17:04
  Speaker 8: We got a flash.
• 17:05
  Speaker 3: The United States Post Office just went the hold on
• 17:09
  Speaker 3: city is going peace by.
• 17:11
  Speaker 2: Peep losh head Albert, Hello, this is a composing one.
• 17:18
  Speaker 6: It's old, Lou. We've just lost Penn station in the
• 17:22
  Speaker 6: Post Office. Get out a new ban ahead, New York
• 17:25
  Speaker 6: City vanishing. You don't need copy for a story like this.
• 17:29
  Speaker 6: Tell a lighter type operators her his imagination, Albert hot
• 17:35
  Speaker 6: anything else missing Chrysler building?
• 17:38
  Speaker 2: Maybe nothing yet?
• 17:40
  Speaker 8: Pop?
• 17:40
  Speaker 6: Oh?
• 17:41
  Speaker 2: Anything reappeared yet?
• 17:43
  Speaker 8: No word on anything?
• 17:44
  Speaker 6: Maybe things just stabilizing. Call composing. Tell him to start
• 17:48
  Speaker 6: rolling right, Pop and behind the sween You tell the
• 17:50
  Speaker 6: phone from downstairs. A while ago I forgot all about him.
• 17:53
  Speaker 6: Tell him he's hired again. I have printed on this
• 17:55
  Speaker 6: statement that isn't Inmorrow.
• 17:57
  Speaker 8: Oh Pop, here comes mister trouble.
• 18:01
  Speaker 2: Now cold up.
• 18:03
  Speaker 8: What are you doing at the city desk? West hand Borne?
• 18:07
  Speaker 8: What's going on here? Anyway? Has everyone gone out of
• 18:09
  Speaker 8: his mind?
• 18:10
  Speaker 6: Listen to the Empire State depend station in the Post Office.
• 18:13
  Speaker 6: Have all been missing for almost five million?
• 18:15
  Speaker 8: If that desk, you'll drop that telephone. So I don't
• 18:17
  Speaker 8: care if Washington, d c. Has been bombed for the Martians.
• 18:21
  Speaker 8: I want you out of this office. In two minutes.
• 18:23
  Speaker 8: I'll but cast those extras.
• 18:25
  Speaker 2: Pop, you get out your fire are you're not being right?
• 18:28
  Speaker 2: I'm not interested in the other papers.
• 18:30
  Speaker 8: Just get out of here before I go stop raving mad?
• 18:51
  Speaker 7: Pop?
• 18:52
  Speaker 10: Hey, Pop, Hello, sheeny?
• 18:54
  Speaker 2: Where you've been?
• 18:55
  Speaker 4: I've been trying to make up my mind with it
• 18:56
  Speaker 4: to come up or not? When you left me hang
• 18:58
  Speaker 4: on the floor, I thought he was insulting me.
• 19:01
  Speaker 8: Hey, how come you want on a desk?
• 19:04
  Speaker 11: Oh, I'm kink Are you kidding?
• 19:09
  Speaker 4: Oh?
• 19:09
  Speaker 10: It's been coming. I really had the place jumping.
• 19:11
  Speaker 2: You seen me screen me? It was like the San Francisco.
• 19:15
  Speaker 2: It's quick.
• 19:16
  Speaker 10: Uh, I need a drink?
• 19:18
  Speaker 2: How about uh?
• 19:20
  Speaker 10: Keep forgetting? Isn't any burlies anymore?
• 19:24
  Speaker 14: No, just a big hole in the ground.
• 19:28
  Speaker 10: Let's walk over or the browser around?
• 19:32
  Speaker 8: Uh, Pop, there's nothing to see.
• 19:34
  Speaker 10: Well, let's take a snoop anyway, just for old time.
• 19:37
  Speaker 4: Shake.
• 19:38
  Speaker 14: Well, okay, Pop, let's cross.
• 19:40
  Speaker 1: We got the light.
• 19:46
  Speaker 2: Let's see.
• 19:50
  Speaker 6: Well will you look at that? Who'd ever thought it?
• 19:53
  Speaker 6: Less than ten minutes ago? There was a building there, yeap,
• 19:57
  Speaker 6: let's climb down.
• 19:58
  Speaker 10: And have a look.
• 19:58
  Speaker 14: Sweeny, Well, uh what four poppet says?
• 20:02
  Speaker 8: It's getting dark?
• 20:03
  Speaker 1: You know what break or not.
• 20:04
  Speaker 2: See anywhere's your older part of the spirit?
• 20:06
  Speaker 4: Come on, okay, but I don't see what you expect the.
• 20:15
  Speaker 14: Crazy clean as up burn and let's walk around the bus.
• 20:32
  Speaker 10: See anything?
• 20:33
  Speaker 4: Nah, just rot pieces of the foundation. I'll bet you
• 20:38
  Speaker 4: the pop Wait a minute, what when you look at this?
• 20:45
  Speaker 2: So small? I almost missed it, and I'd be a
• 20:47
  Speaker 2: center of it.
• 20:49
  Speaker 6: A perfect scale model of Burley's less than four inches tall.
• 20:53
  Speaker 14: What do you suppose that's just doing here?
• 20:55
  Speaker 10: I don't know?
• 20:56
  Speaker 4: Can I help you?
• 20:57
  Speaker 9: Gentlemen?
• 20:58
  Speaker 4: Wait?
• 20:58
  Speaker 2: Wait? What are you doing down here?
• 21:00
  Speaker 4: I'm looking for my model?
• 21:04
  Speaker 9: Thank you for finding it? Oh?
• 21:06
  Speaker 2: This is yours?
• 21:07
  Speaker 6: Is it?
• 21:07
  Speaker 9: Certainly?
• 21:09
  Speaker 2: Now?
• 21:09
  Speaker 9: If you'll be kind enough to hand it to me,
• 21:10
  Speaker 9: I'll just put it back in my suitcase.
• 21:13
  Speaker 10: Uh you better give it to him pomp alrus?
• 21:16
  Speaker 9: Thank you, Yeah, we are, Thank you, gentlemen.
• 21:20
  Speaker 2: I thought you just went in for model train.
• 21:23
  Speaker 7: I have always been preoccupied with tiny things, but lately
• 21:28
  Speaker 7: I've been branching out. Well I really must be going.
• 21:31
  Speaker 9: Thank you very much.
• 21:35
  Speaker 14: Eh he's as looney as a beat. Well, the geniuses
• 21:39
  Speaker 14: are all crazy.
• 21:40
  Speaker 15: I read in the book Threely you get a look
• 21:42
  Speaker 15: in that suitcase who sure I've seen it when he
• 21:45
  Speaker 15: opened it in the bar this morning, I mean, just now,
• 21:48
  Speaker 15: oh why this morning when he opened his suitcase, he
• 21:51
  Speaker 15: had a little round tube and a set of model
• 21:54
  Speaker 15: trains in it, nothing else.
• 21:56
  Speaker 6: So this time he had three other modules. So what
• 22:01
  Speaker 6: nothing except they happened to be models of the Empire
• 22:05
  Speaker 6: State Penn Station and the United States Post Office.
• 22:20
  Speaker 8: There he goes down the block.
• 22:21
  Speaker 6: Pop, break, break, fray, come back there. He's starting to
• 22:24
  Speaker 6: run here here here's a tap. Come on, I tell
• 22:27
  Speaker 6: I catch up with that little guy running down on
• 22:29
  Speaker 6: the block.
• 22:29
  Speaker 4: Make it past.
• 22:30
  Speaker 2: Okay, I there is holdly tappy, hold of Come on, sweening.
• 22:42
  Speaker 4: Hey, how buy my dog?
• 22:43
  Speaker 2: Hey your fun?
• 22:44
  Speaker 8: Stop gentlemen, stop.
• 22:46
  Speaker 2: I warn you.
• 22:47
  Speaker 8: Hey, Pop, he's got the little tube out of a suitcase.
• 22:49
  Speaker 2: He's pointing, happing between this a right, give me that
• 22:53
  Speaker 2: pink that go my arm here and I mean.
• 22:56
  Speaker 8: There, I warn you.
• 22:57
  Speaker 2: Never mind the warnings.
• 22:59
  Speaker 6: Just you come along with us. We're gonna have a
• 23:01
  Speaker 6: little talk. Take him up the office, Eni, Pop, What
• 23:06
  Speaker 6: for the taxi?
• 23:06
  Speaker 2: What the taxi?
• 23:08
  Speaker 9: If you look at the curb, you'll find your taxi.
• 23:12
  Speaker 8: Jumping saints.
• 23:14
  Speaker 2: Pop, look at it.
• 23:15
  Speaker 7: Now, gentlemen, perhaps the world will believe in the validity
• 23:20
  Speaker 7: of the prick we system of infinite acceleration.
• 23:36
  Speaker 10: All eyes, Hannibal.
• 23:37
  Speaker 2: Now you start talking and I won't hold his hands. Sweeney.
• 23:40
  Speaker 10: That's a pleasure.
• 23:42
  Speaker 6: Well, Hannibal, let me out of this office. Talk never, Sweeney,
• 23:46
  Speaker 6: where's the tube?
• 23:47
  Speaker 4: Right here?
• 23:47
  Speaker 8: Pop?
• 23:48
  Speaker 6: Now, Hannimal, I give you five seconds to talk, after
• 23:52
  Speaker 6: which I'm turning this tube on you for a taste
• 23:54
  Speaker 6: of your own medicine.
• 23:55
  Speaker 4: Not think it over? One?
• 23:57
  Speaker 2: Two?
• 23:58
  Speaker 6: Now?
• 23:59
  Speaker 2: Three?
• 23:59
  Speaker 9: I hate them?
• 24:00
  Speaker 8: Why should I save them more?
• 24:02
  Speaker 9: All right? Put it away?
• 24:04
  Speaker 14: Please?
• 24:05
  Speaker 2: That's better?
• 24:07
  Speaker 10: Now?
• 24:08
  Speaker 2: How did you do it?
• 24:10
  Speaker 7: Many years ago Einstein posed a theory that if an
• 24:15
  Speaker 7: object were sufficiently accelerated, it would gradually flatten out and
• 24:19
  Speaker 7: eventually disappear altogether. Working on this approach, I evolved a
• 24:25
  Speaker 7: method of accelerating the atoms within the molecules, setting an
• 24:30
  Speaker 7: object spinning in four rather than three dimensions. For many years,
• 24:35
  Speaker 7: I tried to sell my idea to the railroad for
• 24:37
  Speaker 7: condensing freight and storage.
• 24:39
  Speaker 2: And you start the thing spinning with this little tube.
• 24:42
  Speaker 7: The tube sends out a whirling ring of electrons which
• 24:45
  Speaker 7: engulfed the object.
• 24:47
  Speaker 2: Why did you turn it on those buildings.
• 24:49
  Speaker 8: I was driven to it.
• 24:51
  Speaker 7: Only something dramatic could shock the world into realizing my greatness.
• 24:56
  Speaker 2: But you'll restore them. You're brought back grants, Tom, I.
• 25:00
  Speaker 9: Can restore them.
• 25:01
  Speaker 10: Yes, not can Hannibal will on.
• 25:04
  Speaker 7: One condition, Well, it's your paper. Give me full credit
• 25:08
  Speaker 7: for my scientific achievement. Front page pictures, a complete start.
• 25:12
  Speaker 10: It's a deal.
• 25:12
  Speaker 2: Wait a minute, pup.
• 25:14
  Speaker 3: We don't even work for this paper anymore.
• 25:15
  Speaker 6: Remember we'll take care of that little Matterswheney. Mister Colburn,
• 25:20
  Speaker 6: this is pop Adamy. You've just rehired me. Now, if
• 25:23
  Speaker 6: you care to step down the hall into my new office,
• 25:26
  Speaker 6: I think I can show you something. Make your hair
• 25:28
  Speaker 6: stand on end. I have three missing buildings in my desk.
• 25:32
  Speaker 6: Draw well, these on fire as it's coming down here
• 25:37
  Speaker 6: to have me committed to an institution?
• 25:40
  Speaker 8: All right, Adaby, all right, what's going on here? I
• 25:43
  Speaker 8: fired you, I ordered you off these premises. And this
• 25:45
  Speaker 8: is a joke.
• 25:46
  Speaker 2: Mister Colburn. You see these models?
• 25:49
  Speaker 8: What about them?
• 25:50
  Speaker 6: What would you say if I were to tell you
• 25:52
  Speaker 6: that these five inch models are actually the Empire State
• 25:56
  Speaker 6: Penn Station, the United States Post Office and bar and
• 26:01
  Speaker 6: the taxi cab all compressed five hundred times, that there
• 26:07
  Speaker 6: are people in them so tiny they can't see them,
• 26:09
  Speaker 6: that even time is so compressed inside these buildings that
• 26:12
  Speaker 6: movement is impossible.
• 26:14
  Speaker 8: This is insanity. Who is this man?
• 26:18
  Speaker 6: Don The show hasn't even started yet. Swingy put the
• 26:22
  Speaker 6: taxicab out in the middle of the floor. Okay, Pop,
• 26:25
  Speaker 6: now stand back, Hanibal, here's the tube. Now do your
• 26:29
  Speaker 6: stuff stand back.
• 26:32
  Speaker 9: Now?
• 26:35
  Speaker 8: Good lord. I don't believe it. It's getting bigger.
• 26:38
  Speaker 9: I reverse the polarity of the spin, very graduating.
• 26:45
  Speaker 8: When I am lying Tavylazi bomb, Hey where am I?
• 26:50
  Speaker 8: What happened out of my cab?
• 26:52
  Speaker 2: Getting us up?
• 26:53
  Speaker 8: As it easy?
• 26:54
  Speaker 2: George?
• 26:55
  Speaker 3: What is this?
• 26:55
  Speaker 2: So are you?
• 26:57
  Speaker 8: Ain't you a fair that skipped out on me? And
• 27:00
  Speaker 8: what is this a bug house? Well, mister Coleman, I
• 27:03
  Speaker 8: don't understand what you do. Believe Well, yes, yes, I
• 27:07
  Speaker 8: saw it right before my eyes.
• 27:08
  Speaker 6: Okay, Well, then here's the deal. You give our boy
• 27:11
  Speaker 6: Hannibal a front page spread with pictures. He'll take these
• 27:15
  Speaker 6: other buildings back to the original sites and restore them
• 27:18
  Speaker 6: just like they were, with our cameras getting exclusive shots.
• 27:21
  Speaker 2: Now is it the bargain?
• 27:23
  Speaker 8: Is it a bargain. I may not be the best
• 27:25
  Speaker 8: newspaper man in the world, but this is the biggest
• 27:27
  Speaker 8: thing since Snow's Ark. You're rehired a city editor at
• 27:31
  Speaker 8: your own salary, my own sound all right?
• 27:33
  Speaker 9: All right?
• 27:34
  Speaker 6: Plus a five hundred bonus. It's a deal, sweet it,
• 27:37
  Speaker 6: Carl composing. Tell them to double the size of the
• 27:39
  Speaker 6: front page. Have them hold it for a red don
• 27:41
  Speaker 6: of full page headline.
• 27:42
  Speaker 2: Got that right? Hello Albert, this is pop Listen. I
• 27:46
  Speaker 2: want to all photographers up in my office right away.
• 27:48
  Speaker 6: Cal Research. Tell that girl to have Trumbias and the
• 27:51
  Speaker 6: battery big shots over the former side of penn station
• 27:54
  Speaker 6: hop page. Happage, boy, I'm busy, George Twain.
• 28:00
  Speaker 8: What's the word? Mess that?
• 28:01
  Speaker 9: All right?
• 28:02
  Speaker 2: All right?
• 28:03
  Speaker 8: What is all I want to know is how do
• 28:06
  Speaker 8: I get my hack out of this office?
• 28:28
  Speaker 3: You have just heard another adventure in time space and
• 28:31
  Speaker 3: the unknown world of the future, the world of How
• 28:46
  Speaker 3: would you like to leave your home and friends for
• 28:50
  Speaker 3: a trip that might last for ten years or forever.
• 28:54
  Speaker 3: You'll hear all about it on Dimension next next week
• 28:56
  Speaker 3: when we present Shanghai. Today, Dimension X is presented. The
• 29:04
  Speaker 3: professor was a thief from adaptation by George Leopards of
• 29:08
  Speaker 3: a story by l Ron Hubbard featured in the cast,
• 29:11
  Speaker 3: where Arthur Maitland is Pop, John Larkin is Sweeney, and
• 29:15
  Speaker 3: John Gibson as the Professor.
• 29:17
  Speaker 16: Your host was Norman Rose. Music by Bert Berman engineer
• 29:21
  Speaker 16: Bill Chambers. Dimention X is produced by William Welch and
• 29:25
  Speaker 16: directed by Edward King. Three Times Mean Good Times on NBC.
• 29:36
  Speaker 16: Tonight is the time for the premiere of NBC's gigantic
• 29:39
  Speaker 16: Sunday night broadcast, The Big Show. Every Sunday evening. Starting tonight,
• 29:45
  Speaker 16: You'll hear an hour and a half of the greatest
• 29:47
  Speaker 16: stars in radio, performers like Fred Allen, Jimmy Duranty, Ethel Merman,
• 29:52
  Speaker 16: Frankie Lane, Meredith Wilson, and many many more. And your
• 29:55
  Speaker 16: MC will be the lady who invented this snappy retort,
• 29:59
  Speaker 16: Tallulah Bankhead.
• 30:00
  Speaker 10: It's the Big Show.
• 30:04
  Speaker 2: Here The Big Show later today on NBC
• 30:11
  Speaker 14: M