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Classic 2016 Interviews · The Breakfast Club

• 0:00
  Speaker 1: This is your week up call to Breakfast Club. They
• 0:05
  Speaker 1: show you love to hate from the East to the
• 0:07
  Speaker 1: West Coast. DJ M Angela Ye, Charlomagne, the guy really
• 0:11
  Speaker 1: show on the planet. This is why I respect this
• 0:13
  Speaker 1: show because this is a voice of society. Saints in
• 0:16
  Speaker 1: the game. Guys are the coveted morning show. What y'all
• 0:19
  Speaker 1: earn in bacting the coach up in the morning and day.
• 0:23
  Speaker 1: Want to hear that Breakfast the world's most dangerous morning show.
• 0:32
  Speaker 1: So like a control what up y'all is? DJ m
• 0:37
  Speaker 1: vy angela yee Charlomagne the guy. We are the Breakfast Club.
• 0:40
  Speaker 1: Make sure you donate to UNISEF to help save children's
• 0:43
  Speaker 1: lives this holiday season. Use your cell phone to dial
• 0:46
  Speaker 1: pound two fifty and say the keyword UNISEF. That's pound
• 0:50
  Speaker 1: two fifty, keyword UNISEF to make a donation. We got
• 0:53
  Speaker 1: a special guest in the building and he came in
• 0:55
  Speaker 1: there playing Pokemon Go Up and Down time. I'm trying
• 1:03
  Speaker 1: to catch you man. Yeah, now I was watching. I
• 1:07
  Speaker 1: was watching the interview you did in La on the
• 1:09
  Speaker 1: Rail with Letty. You said, you know you wasn't enjoying
• 1:12
  Speaker 1: the moment. Are you enjoying the moment now. Still there's
• 1:16
  Speaker 1: a lot of Man, it's rough, man. You lose your
• 1:17
  Speaker 1: one of your own boys, bro like that, Ain't that
• 1:19
  Speaker 1: ain't easy? Man. You don't just be like all right,
• 1:21
  Speaker 1: I'm over it. He wrapped about down on the album.
• 1:23
  Speaker 1: He went to prisoner right for a hundred years. Man,
• 1:26
  Speaker 1: Jesus Christ. He just he just I just got the
• 1:29
  Speaker 1: news that he got a hundred years to day my
• 1:32
  Speaker 1: album dropped. Damn, I'm supposed to feel like that. I've
• 1:34
  Speaker 1: been eating like once a day, like just being my
• 1:36
  Speaker 1: homie be folk, even though he was my homie, like
• 1:39
  Speaker 1: you the reason I'm even rapping about this lifestyle. He
• 1:41
  Speaker 1: did do to put me on the set, like only
• 1:43
  Speaker 1: like three years older than me, but he's like my
• 1:45
  Speaker 1: original big HOMEI like, bro talk, you feel like what
• 1:48
  Speaker 1: some survival's remorse, maybe survival's guilt that you made it
• 1:52
  Speaker 1: and he you know, nah, not really that. It's just
• 1:55
  Speaker 1: more so that just my nick like he's gone and
• 1:58
  Speaker 1: all I could do is just hop fun the pit.
• 2:00
  Speaker 1: I mean, you still got to enjoy the moment. You
• 2:01
  Speaker 1: got to do it right now, So that could be
• 2:03
  Speaker 1: some kind of Man I'm out here and she just
• 2:04
  Speaker 1: brought her arm too. You know what, you don't have
• 2:09
  Speaker 1: to you got what. You don't have time with Pokemon go.
• 2:12
  Speaker 1: You got too much. Man, I'm trying to keep my
• 2:14
  Speaker 1: mind off of it, just like being a kid, you know,
• 2:17
  Speaker 1: seven year old. Like that was one of the reasons
• 2:20
  Speaker 1: why I told people I stepped away from music after
• 2:22
  Speaker 1: my last album because it's just like I'm always doing
• 2:25
  Speaker 1: this type of stuff and moving around and I'm missing
• 2:28
  Speaker 1: out on my family. Like important. I was supposed to
• 2:30
  Speaker 1: be there, Like my daughter broke her arm and she
• 2:33
  Speaker 1: got like somebody else taking her to the hospital in
• 2:36
  Speaker 1: the hospital with it. I'm supposed to be there, right.
• 2:38
  Speaker 1: They make me sad talking about you know, your FaceTime
• 2:43
  Speaker 1: and what she's a FaceTime and she sleep most of
• 2:46
  Speaker 1: the time, you know what I mean. She on the dope.
• 2:48
  Speaker 1: They got her on the dope and stuff. She was
• 2:50
  Speaker 1: gonna get ready to go. It's dope, man, It's dope.
• 2:54
  Speaker 1: It is what it is. I think before FaceTime something
• 2:57
  Speaker 1: like that happened and you can at least now that's
• 2:59
  Speaker 1: a lot of connection like that to be on the
• 3:01
  Speaker 1: face time and see. Modern technology has really helped a
• 3:04
  Speaker 1: lot with relationships in general. No for sure. Off top. Well,
• 3:08
  Speaker 1: let's talk about the new album, blank Face, blank Face
• 3:11
  Speaker 1: seventeen songs. You must have had a lot of songs
• 3:13
  Speaker 1: done to be able to pick seventeen. I mean, yeah,
• 3:17
  Speaker 1: we were going to do a deluxe and all that,
• 3:18
  Speaker 1: but I'm just like, well I do a deluxe. That's
• 3:20
  Speaker 1: like the label stuff that you were in about to
• 3:22
  Speaker 1: seal the stuff. I don't care about that stuff, but
• 3:24
  Speaker 1: never care about don't damn bottom they put me in
• 3:30
  Speaker 1: this position. Don't get a twisted like TD put me
• 3:33
  Speaker 1: in this position. I wouldn't be where I'm at without TD.
• 3:35
  Speaker 1: Like you know how I know you here because you
• 3:37
  Speaker 1: did the song Studio that was a huge hit song
• 3:39
  Speaker 1: off the last album, and then I could tell on
• 3:42
  Speaker 1: this song you have another hit. What you talked about
• 3:43
  Speaker 1: the song with Miguel and Justine tough although you said
• 3:47
  Speaker 1: you didn't No, I didn't like it at first because
• 3:50
  Speaker 1: look see what I said that the listening party sound it.
• 3:53
  Speaker 1: I had to say stuff so brief that came out wrong.
• 3:57
  Speaker 1: But I didn't like the song until me get on
• 3:59
  Speaker 1: into Stein got on it. I'm the one that acts
• 4:03
  Speaker 1: for I was getting the hood. Then we had as
• 4:06
  Speaker 1: you can tell, Kendrick still got background vocals. Kendrick is
• 4:08
  Speaker 1: in the background too. It's just a little like, nah,
• 4:10
  Speaker 1: I'm cool on that, Like y'all know about the forest meter,
• 4:13
  Speaker 1: but use Kindrick on one album with the girls song, Yeah,
• 4:16
  Speaker 1: I can see what time I'm hauging with Dave. I'm like, bro,
• 4:21
  Speaker 1: that's a bootleg studio. He like, no, it's not. I'm like, bro,
• 4:24
  Speaker 1: it's definitely a bootleg studio. I don't think it's sound
• 4:26
  Speaker 1: like but nah, I'm the one that was like, get
• 4:30
  Speaker 1: me me Gail at least, Yeah, no, what it is
• 4:36
  Speaker 1: these bunk ass websites they put it out there. They
• 4:39
  Speaker 1: didn't even put Justine name. Schoolboard Q hates the song
• 4:42
  Speaker 1: with me Gail I never mentioned, like, I never, but
• 4:46
  Speaker 1: also I would have to say it brief, so I
• 4:48
  Speaker 1: can understand why they would put it like that. You
• 4:50
  Speaker 1: could tell that they're looking for it's a great headline
• 4:52
  Speaker 1: and looking like yeah, exactly, but he doesn't like song
• 4:56
  Speaker 1: with Miguel. Miguel hit you like I thought you said
• 4:59
  Speaker 1: you like girl. We hunted at each other or whatever.
• 5:01
  Speaker 1: I was wrong in the situation. I would have been
• 5:03
  Speaker 1: like I would have hided letting you know what I'm saying,
• 5:05
  Speaker 1: somebody says something like that to me, ain't nothing you
• 5:07
  Speaker 1: can say to me, like, you know what I mean?
• 5:08
  Speaker 1: So I had to highlight him and let him know
• 5:14
  Speaker 1: that this better. No, I was like that, I'm just like,
• 5:17
  Speaker 1: I'm just like I had to apologize to him because
• 5:19
  Speaker 1: it came out wrong. And as a man, you gotta
• 5:21
  Speaker 1: know when you're wrong when you when you do something.
• 5:23
  Speaker 1: You know what I mean? I was wrong? How man?
• 5:26
  Speaker 1: We just always used to run into each other, and
• 5:27
  Speaker 1: I just had a top calling him like I'm not
• 5:29
  Speaker 1: about to go ask somebody like Kanye West status, like yo,
• 5:33
  Speaker 1: let me get your number. We should do something like
• 5:35
  Speaker 1: Kanye is up here, school boy. No, no, not like
• 5:38
  Speaker 1: Kanye bro. Kanye is a legend, like he hadn't done
• 5:40
  Speaker 1: it over and over and over and over and over
• 5:43
  Speaker 1: since I was in like first year out of high school.
• 5:46
  Speaker 1: You know what I'm saying, right, you know your playing exactly.
• 5:49
  Speaker 1: You don't let I hate when you artists like, no disrespect.
• 5:53
  Speaker 1: But if you just got on like you're not even
• 5:55
  Speaker 1: made the freshman listen, you ask him for my number
• 5:58
  Speaker 1: and you talk about let's go to the wild, let's
• 6:00
  Speaker 1: do this. Oh, you should like no, I'm cool, like no,
• 6:03
  Speaker 1: like unless it's like unless I know who you are
• 6:06
  Speaker 1: and it's dope, like don't just ask me for my number,
• 6:09
  Speaker 1: and like no we need to get one, Like no,
• 6:11
  Speaker 1: we don't need to get one. I mean still yes
• 6:14
  Speaker 1: so much because people confuse gangster rap with no substance. Now,
• 6:19
  Speaker 1: but we got the most substance in any artists because
• 6:22
  Speaker 1: for the simple fact we're talking about our life. People
• 6:24
  Speaker 1: just be talking about what's on the news. I'll be
• 6:26
  Speaker 1: hearing Nick to be wrapping double Time and that's bars
• 6:29
  Speaker 1: Like now you got better and way more child, I
• 6:31
  Speaker 1: get more greener, I got more, like what the that's
• 6:35
  Speaker 1: double time? Confusing bad? Just stepping up lyrically on this album.
• 6:41
  Speaker 1: Of course I had to, man, this is I felt
• 6:43
  Speaker 1: I felt like people sleeping on me. Man, even though
• 6:46
  Speaker 1: I had the big record, I just got to come
• 6:48
  Speaker 1: back harder. I just felt like I just had to
• 6:50
  Speaker 1: come back harder, stay focused. Man. Now you haven't had
• 6:53
  Speaker 1: some experiences with aliens, because I see you're on Action
• 6:56
  Speaker 1: Bronson's or if you're popping in LA all the time. Yeah,
• 7:01
  Speaker 1: so they say, I mean, I don't believe in none
• 7:02
  Speaker 1: of that alien stop. I don't believe in alien. Don't
• 7:06
  Speaker 1: get me wrong. I don't think we're the only species
• 7:08
  Speaker 1: in the world. I'm not believing Alien has a spaceship
• 7:11
  Speaker 1: flying over LA just seeing was cracking it. No got planes.
• 7:16
  Speaker 1: I can fly over other countries and all around the world.
• 7:18
  Speaker 1: We're not going to more's talking about what's cracking that.
• 7:20
  Speaker 1: We know what's going on. Oh they see us. We
• 7:22
  Speaker 1: gotta get out of here. Experience. But if that was
• 7:26
  Speaker 1: ghost or something, No, I know that experience with ghosts.
• 7:28
  Speaker 1: None of that wasn't dreamed all that. But you know
• 7:32
  Speaker 1: what I'm saying, that's what the ghost too. Like Bobby Brown, No,
• 7:35
  Speaker 1: I don't know what he's talking about. No, man, I
• 7:38
  Speaker 1: need some of that. He got whatever you got crack
• 7:42
  Speaker 1: it's called you know with the ghost. I mean you
• 7:46
  Speaker 1: ain't getting no SCD running. We got more with schoolboy
• 7:49
  Speaker 1: que keeping locked as to breakfast Club. Good morning, the
• 7:52
  Speaker 1: breakfast Club. What I'm jealous? Dj M v Angela Ye
• 7:59
  Speaker 1: Charlo mine the guy. We are the breakfast Club. You
• 8:01
  Speaker 1: have one more day to make your tax deductible donation
• 8:04
  Speaker 1: in two thousand and sixteen. Make you see your tax
• 8:06
  Speaker 1: deductible donation before it's too late with this easy unisef donation.
• 8:10
  Speaker 1: Use your cell phone to dial pound two fifty and
• 8:13
  Speaker 1: say the keyword UNITSAF. That's pound two fifty, keyword unitsaf
• 8:17
  Speaker 1: to make a donation. Schoolboy, que is in the building
• 8:20
  Speaker 1: that there's a freak que out a little bit when
• 8:22
  Speaker 1: you go to your concert and people are looking like
• 8:24
  Speaker 1: you with the hat, like, Bro, it's weird, bro, people
• 8:26
  Speaker 1: wearing the circle the John Lenny's glasses. I'm starting to
• 8:30
  Speaker 1: see ugly bears now, like, oh that you gotta salute
• 8:33
  Speaker 1: Chilly for that. Credit for that. I'm not taking the
• 8:36
  Speaker 1: credit for it. I'm just saying when I'm at my shows,
• 8:38
  Speaker 1: I've seen that, and it's it's a little weird. I'm
• 8:41
  Speaker 1: seeing dashikis now like they already took the bucket hats
• 8:45
  Speaker 1: from me. Everybody wearing the bucket I'm like, bro, like
• 8:47
  Speaker 1: I had to put that away. That's why you don't
• 8:49
  Speaker 1: have you got a little too weird. Everywhere I go.
• 8:51
  Speaker 1: It's just like everybody knew it was me off the rip, like,
• 8:54
  Speaker 1: oh that schoolworkque I took the bucket hat off. People
• 8:57
  Speaker 1: don't even bother me no more. But what's the science
• 8:59
  Speaker 1: behind the dot chikis I'm black. Okay, damn the album
• 9:06
  Speaker 1: behind that. I'm just asking I how you said on
• 9:09
  Speaker 1: Twitter you just be paying five dollars. They just cast
• 9:11
  Speaker 1: five dollars off Amazon. You getting the match, you sneakers, though.
• 9:15
  Speaker 1: I get every color possible on Amazon. I go every week.
• 9:20
  Speaker 1: I check Amazon. You got any new ones? No, they
• 9:22
  Speaker 1: got any. I don't bought them all. I ain't seen
• 9:24
  Speaker 1: on new ones now reloaded. I got a couple of throwbacks,
• 9:29
  Speaker 1: like like like exclusive ones. I got a couple. I
• 9:33
  Speaker 1: got a couple of exclusive one the super Bowl and
• 9:39
  Speaker 1: I got cool on it face. Yeah, this Michael Jordan
• 9:49
  Speaker 1: crying and people thought that was your album cover. You
• 9:52
  Speaker 1: put that out there like that for people to think
• 9:53
  Speaker 1: that as a joke, Yeah, you really want to do that,
• 9:56
  Speaker 1: But you knew, Michael Jordan. The whole thing was, I
• 9:59
  Speaker 1: had a cost up behind it because the album is
• 10:01
  Speaker 1: obviously called blank Face, and I was supposed to put
• 10:04
  Speaker 1: out a bunch of a series of pictures. But you
• 10:06
  Speaker 1: put the first one out and everybody jumped on it, like, oh, cut,
• 10:10
  Speaker 1: that's the cover. I've never said it was the cover,
• 10:13
  Speaker 1: all right, So I'm like, all right, y'all, stupid, not
• 10:16
  Speaker 1: my fans. The websites like, like I said, they timz now,
• 10:20
  Speaker 1: like you put something out, they want to be the
• 10:22
  Speaker 1: first one to do. They want to gossip, they want
• 10:24
  Speaker 1: to you know what I mean. So I'm all right,
• 10:27
  Speaker 1: these websites are stupid. Did I threw the Donald Trump
• 10:29
  Speaker 1: went out and I was like, Deluxe covered Just I'm
• 10:31
  Speaker 1: now I'm trolling now because y'all messed my whole thing
• 10:34
  Speaker 1: up that I was trying to do. I had a
• 10:35
  Speaker 1: whole bunch of pictures. Bro it was the first picture
• 10:38
  Speaker 1: we put up. The first two minutes they talked about album.
• 10:41
  Speaker 1: But you know, that just means people are excited and
• 10:45
  Speaker 1: you put something out and immediately everybody jumps on it.
• 10:47
  Speaker 1: They're like, oh, this is dam'm covered albums coming. It's
• 10:49
  Speaker 1: exciting for people. Now, imagine you put that out and
• 10:51
  Speaker 1: nobody said nothing would have been tight because they would
• 10:55
  Speaker 1: have got everything I got that I wanted to do
• 10:57
  Speaker 1: with it. It would have been tight. But I mean,
• 10:59
  Speaker 1: it is what it is. Man. I'm not I'm not.
• 11:01
  Speaker 1: I'm new to all this media stuff still, Like I
• 11:04
  Speaker 1: can tell you that's what you cool here, Like, man,
• 11:08
  Speaker 1: I'm not about to come in here like when I'm
• 11:10
  Speaker 1: gonna come in here. Y'all know I getting money? Like, now,
• 11:15
  Speaker 1: what does the blank face actually symbolize? Because on the album,
• 11:18
  Speaker 1: you got a line where you say all lives matter.
• 11:20
  Speaker 1: Oh no, people got that and they mixed it up.
• 11:23
  Speaker 1: The whole song. First of the song is called black thoughts. Okay,
• 11:27
  Speaker 1: the whole song is about crips and bloods. After I
• 11:31
  Speaker 1: said all lives matter, I said both sides. So what
• 11:35
  Speaker 1: does that give you? What does that bring to you?
• 11:37
  Speaker 1: What am I talking about exactly? Which means I'm still
• 11:41
  Speaker 1: talking about black lives. I flip the whole little ignorance
• 11:44
  Speaker 1: saying all lives matter into making it still black lives.
• 11:48
  Speaker 1: You get what I'm saying. People are not dissecting the lyrics.
• 11:51
  Speaker 1: People are so easy at listening to the song. Rappers
• 11:54
  Speaker 1: are whack. People just hearing they're just like, oh, you
• 11:57
  Speaker 1: said all lives matter. You didn't even listen to the
• 11:59
  Speaker 1: song black Thoughts. So you said there's only two skin colors?
• 12:05
  Speaker 1: Like you know what I mean? Like people always making
• 12:07
  Speaker 1: it white in the black thing. It's not about that. Like,
• 12:09
  Speaker 1: are you disgusting with the music industry because you keep
• 12:11
  Speaker 1: saying these rappers are so whack? Oh? They are like,
• 12:14
  Speaker 1: not everybody whack bro, I'll just see what everybody's doing.
• 12:17
  Speaker 1: Everybody's trying to make older music, like, oh, I'm trying
• 12:20
  Speaker 1: to sound like this dude. I'm trying to sound like
• 12:22
  Speaker 1: that dude. Are they doing the same thing? Like I
• 12:24
  Speaker 1: don't tune and like everybody that's the new wave now,
• 12:27
  Speaker 1: like because of guys like you, because of Kendrick, because
• 12:31
  Speaker 1: of Victimns and Chance. I like, I like a lot
• 12:34
  Speaker 1: about it. Don't get me wrong. It are the people
• 12:37
  Speaker 1: that's dope. But there's so much whacked out there, no content,
• 12:40
  Speaker 1: no nothing, and then it makes the listener lazy, like
• 12:43
  Speaker 1: everywhere you go, everybody actually, so what do your album mean?
• 12:47
  Speaker 1: Before it even drop, like everybody's been asking me what
• 12:49
  Speaker 1: does blank face mean? I'm like, you figure it out first,
• 12:51
  Speaker 1: it don't even out the week listen to it. I'm
• 12:53
  Speaker 1: gonna take a crack of this blank face thing. I
• 12:55
  Speaker 1: think it means that, like, you don't want to be profiled,
• 12:57
  Speaker 1: you don't want to be just you don't want to
• 12:58
  Speaker 1: be stereotypes, like don't put me in the boxes. You
• 13:01
  Speaker 1: don't know what I am. Part of that's big, that's
• 13:04
  Speaker 1: big percentage of what the album in like got it
• 13:09
  Speaker 1: albums out right now, make sure you pick it up.
• 13:11
  Speaker 1: And we appreciate you joining a school. But you've been
• 13:13
  Speaker 1: the same since you first came out. Man, every time
• 13:15
  Speaker 1: you get the same guy, you always show us love
• 13:17
  Speaker 1: and we appreciate that. Man. Thank y'all for not doing
• 13:20
  Speaker 1: me like the other rappers and making me good music music.
• 13:23
  Speaker 1: And you don't do dumbs when you're not in the booth. Yeah, people,
• 13:27
  Speaker 1: I've been looking at some of these interviews. I'd be like, damn,
• 13:29
  Speaker 1: I'm ready to get down. Some of the y'all say
• 13:33
  Speaker 1: to people, we gotta get down, like off top we
• 13:36
  Speaker 1: make good music. No, I'm scalars man, y'all y'all making
• 13:40
  Speaker 1: artists feel weird, like y'all do answer questions not interested
• 13:43
  Speaker 1: in the answer, like ask the questions. It's already caring
• 13:48
  Speaker 1: what the deal is saying. Like, so I'll appreciate y'all
• 13:51
  Speaker 1: for even you know what I'm saying. If you don't
• 13:53
  Speaker 1: put the knowledge of me, if you don't put no
• 13:55
  Speaker 1: thought into your music or your craft, why should we
• 13:57
  Speaker 1: put thought into our questions when we interview? True, that's
• 14:03
  Speaker 1: my mind supposed to say that you said you answer
• 14:06
  Speaker 1: the questions like you answer and say stuff like me
• 14:08
  Speaker 1: and he answered say stuff like Dave and topping one
• 14:12
  Speaker 1: angel the lie just to token female that need to
• 14:14
  Speaker 1: be on the show. I feel like she just here
• 14:19
  Speaker 1: to just tell you, like but yeah, so I heard
• 14:23
  Speaker 1: you name your album blank face like a love Angela.
• 14:32
  Speaker 1: She loves music, but I don't think she cares to
• 14:34
  Speaker 1: interview nobody. I can tell she genuinely loved music, but
• 14:38
  Speaker 1: she doesn't care to h exactly what you want to
• 14:42
  Speaker 1: go and listen to the music. She ain't trying to.
• 14:44
  Speaker 1: Definitely went to the listening session. Ye, he was the
• 14:46
  Speaker 1: only one. So she do that type of stuff. I
• 14:50
  Speaker 1: understand that because you come up here and take time
• 14:52
  Speaker 1: out to promote. I like to go out and show
• 14:54
  Speaker 1: my support as well for people. If I care about
• 14:56
  Speaker 1: your music, I care about you, I like to make
• 14:58
  Speaker 1: sure I go out of my way to go and
• 15:00
  Speaker 1: do that. So all right, Well it's to Breakfast Club
• 15:02
  Speaker 1: the Schoolboy Q Happy Holiday. You're listening to the World's
• 15:08
  Speaker 1: most dangerous morning show. To Breakfast Club the Breakfast Club
• 15:13
  Speaker 1: You jealous, DJ MD Angela, Yee Charlomagne, the guy we
• 15:17
  Speaker 1: are the Breakfast Club this year is a time of giving,
• 15:20
  Speaker 1: so make sure you donate to UNISEFT to help save
• 15:23
  Speaker 1: children's lives this holiday season. Use your cell phone to
• 15:26
  Speaker 1: die pound two fifty and say the keyword unisapp. That's
• 15:29
  Speaker 1: pound two fifty keyword unisapp to make a donation. We
• 15:33
  Speaker 1: got a special guest in the building, young m A.
• 15:35
  Speaker 1: The other day, I was a DJ and the team
• 15:37
  Speaker 1: party and the DJ shop the Little Man with DJ
• 15:40
  Speaker 1: and before me, he played the instrumental of her record
• 15:42
  Speaker 1: and these kids wrapped the whole soul which back after bottom.
• 15:46
  Speaker 1: Oh now I'm hearting your name all through New York City. Man,
• 15:49
  Speaker 1: I'm always interested in knowing you know who young rappers
• 15:52
  Speaker 1: like yourself were influenced from coming from New York. That
• 15:57
  Speaker 1: was my favorite rapper of all time. Man, definitely I
• 15:59
  Speaker 1: was younger. So what got you rapping? Because I mean
• 16:02
  Speaker 1: you're a girl. So as a kid, Oh yeah, no,
• 16:05
  Speaker 1: girls right, finish and I finish what I'm saying. You know,
• 16:13
  Speaker 1: usually females are into bobby dolls and toy but you
• 16:16
  Speaker 1: got wown't like. I don't want you to bury yourself
• 16:22
  Speaker 1: on your I wasn't into barbies, I bobbies do I
• 16:25
  Speaker 1: have bothers? But I used to. What I used to
• 16:27
  Speaker 1: do was cut their hair off, make them into boys.
• 16:29
  Speaker 1: Because my mom never bought me the Kendle, cut the
• 16:32
  Speaker 1: hair of, drew a mustache on them, bobbies. Did you
• 16:38
  Speaker 1: cut the boof? And every day? No, I ain't to
• 16:41
  Speaker 1: do that. I just put a shirt on call it
• 16:43
  Speaker 1: the day. Why would you buy the kindle? Black mothers
• 16:46
  Speaker 1: ain't think of kenn and Barbie. They just got the
• 16:48
  Speaker 1: bobby head. Take that and it was all black single
• 16:51
  Speaker 1: mother definitely. That's why, kid that you played the football
• 17:01
  Speaker 1: tackle football. That wasn't strange. Not to me. It was normal.
• 17:06
  Speaker 1: You put equipment on it hits what got you in
• 17:14
  Speaker 1: the foot and it was like did you get your period?
• 17:21
  Speaker 1: If they would have asked me to play football, I
• 17:23
  Speaker 1: don't think I would be like, all right, come on,
• 17:24
  Speaker 1: we gonna put this equipment on the go play. Being
• 17:27
  Speaker 1: around the bullets, everybody playing football were all playing football,
• 17:30
  Speaker 1: and they were just like, yo, you should get on
• 17:31
  Speaker 1: the team. Because all my all my friends was they
• 17:33
  Speaker 1: was they was playing football. It was on the team.
• 17:35
  Speaker 1: I was the only one that didn't get on the
• 17:37
  Speaker 1: team that I was. I thought, you know, I'm a girl,
• 17:38
  Speaker 1: I can't get on the team. So we made it
• 17:40
  Speaker 1: happen and I was the first girl on the football team.
• 17:43
  Speaker 1: Oh you actually played like organized, That's what I'm trying
• 17:45
  Speaker 1: to tell you. Equipment on everything. So you asked the
• 17:50
  Speaker 1: NFL like, yeah, I was. I was. I was, Um,
• 17:56
  Speaker 1: what's that? What's that called finest? What was this? You
• 18:00
  Speaker 1: played running back? I wanted to play that. They put
• 18:02
  Speaker 1: me as ride receiver. I mean I could throw a
• 18:04
  Speaker 1: football too. I wanted to be quarter I wanted to
• 18:06
  Speaker 1: be anything. They can put me in that position. But
• 18:08
  Speaker 1: he said everything. He wouldn't let his dad to do
• 18:10
  Speaker 1: that because it feels dangerous. This is my little baby girl.
• 18:14
  Speaker 1: You ever heard anybody. I even got into a fight
• 18:16
  Speaker 1: with one of my one of my homeboys from from
• 18:18
  Speaker 1: tackling them to all. He got upset because he was
• 18:20
  Speaker 1: a little embarrassed. They tried to get up and fight me.
• 18:23
  Speaker 1: You know what I mean, because I popped him in
• 18:25
  Speaker 1: front of everybody like bom hit him. Everybody from from
• 18:28
  Speaker 1: the buildings yelling like oh so he fell some type
• 18:31
  Speaker 1: of way, push me, and then we just started fighting.
• 18:34
  Speaker 1: But you seem like the type of woman that was
• 18:36
  Speaker 1: never like they never looked at you as a female.
• 18:38
  Speaker 1: They accepted you as one of the dudes, like I
• 18:40
  Speaker 1: saw basically embarrassing. I want to see this. I was
• 18:46
  Speaker 1: like ten years old. Wow, sometimes I questioned, while I
• 18:51
  Speaker 1: was born this way. I never wanted to wear skirts
• 18:53
  Speaker 1: and shoes, makeup, nails, dresses, and even wear my hand.
• 18:55
  Speaker 1: Certain we always want to wear jeans and sneakers, study arrings,
• 18:57
  Speaker 1: hand a ponty time, play with the boys. I never
• 18:59
  Speaker 1: wanted to get chick. I wanted to play football. You really,
• 19:03
  Speaker 1: really you are the young age that you like girls
• 19:05
  Speaker 1: at the young game. It was like first grade. First grade. Yeah,
• 19:09
  Speaker 1: I thought I was with though, you know what I mean,
• 19:11
  Speaker 1: Like I thought I was the only one in the
• 19:12
  Speaker 1: world that felt like that. I never said nothing for
• 19:15
  Speaker 1: for years to come, years to come. I can't tell
• 19:17
  Speaker 1: you seem like a veteran. That was the only truth.
• 19:19
  Speaker 1: It's crazy because I used to act so much like
• 19:22
  Speaker 1: a boy that people used to be like, you're like
• 19:25
  Speaker 1: you gutty, Like why you like stop the night you're game?
• 19:29
  Speaker 1: Like it's obvious, you know what I mean. I still
• 19:30
  Speaker 1: have boyfriends before. Yeah, I have boyfriends before before. No no, no, no, no,
• 19:34
  Speaker 1: say hey hey whoa No. I never did really I
• 19:40
  Speaker 1: swell my dad brother real virgin. Yeah, you got a
• 19:43
  Speaker 1: lot of lesbians that had some penis and you kids
• 19:45
  Speaker 1: and all that. Yeah, but I never did what she
• 19:49
  Speaker 1: knew early on clearly. Also, yeah, my mom been new.
• 19:52
  Speaker 1: She used to try to get me to say it,
• 19:53
  Speaker 1: like she she went in like force it, but she
• 19:56
  Speaker 1: would be like, you know, if you like girly, no,
• 19:58
  Speaker 1: you can always tell me. I like, nah, Mom, Like,
• 20:01
  Speaker 1: why are you keep saying that? Nah? You know what
• 20:02
  Speaker 1: I mean? She really knew when I had went to
• 20:04
  Speaker 1: gay Pride one day, like come on, now, I'm like,
• 20:07
  Speaker 1: everybody goes to gay Pride, you know what I mean?
• 20:09
  Speaker 1: But she knew, and I used to be scared to
• 20:11
  Speaker 1: tell my moms because I didn't know. I knew my
• 20:13
  Speaker 1: moms was that. Wasn't that type of mother to be like, oh,
• 20:16
  Speaker 1: I don't like you, you know what I mean, I'm gonna,
• 20:18
  Speaker 1: you know, just ignore you whatever. Whatever she didn't you
• 20:22
  Speaker 1: cannot know and be okay with it. But then when
• 20:24
  Speaker 1: you know it could change, you know what I mean,
• 20:26
  Speaker 1: your input on it? So what got you in the writing?
• 20:29
  Speaker 1: I don't know. I just won day. I just saw
• 20:30
  Speaker 1: that writing rhymes in my room and playing with it,
• 20:32
  Speaker 1: and I knew you were already playing with yeah. But um, now,
• 20:40
  Speaker 1: once I started listening in the fifty cent that's when
• 20:42
  Speaker 1: I really was like, oh, no, I want to be
• 20:44
  Speaker 1: a rapper. You write your own ms? Yeah? Absolutely? Was
• 20:47
  Speaker 1: it hard for you to get sized since you're not
• 20:48
  Speaker 1: yet your typical female artist, I'm not sorry. Well I
• 20:53
  Speaker 1: should say for people to hear your music to get on, um,
• 20:57
  Speaker 1: there's your records are popping up there. I've been doing
• 20:59
  Speaker 1: music for the past few years where I was, um
• 21:02
  Speaker 1: originally like a little more feminine, you know what I
• 21:05
  Speaker 1: mean with the music, and this is what I was
• 21:08
  Speaker 1: told to be, you know what I mean. I couldn't
• 21:09
  Speaker 1: come out aggressive. I couldn't come out like you know
• 21:12
  Speaker 1: what I mean, being who I am today. Don't tell
• 21:14
  Speaker 1: people you're a lesbian. It was like being a lesbian
• 21:16
  Speaker 1: and say you like guys too, you know what I mean.
• 21:18
  Speaker 1: It was like do both. It was like points where
• 21:21
  Speaker 1: they'd be like, you know, it's gonna be times where
• 21:22
  Speaker 1: you might have to throw and a dress and at
• 21:26
  Speaker 1: that time, at that time, don't get me wrong, I
• 21:29
  Speaker 1: thought that's that's what it was like. I just was like, okay,
• 21:33
  Speaker 1: you know what I mean, but part of me was like,
• 21:34
  Speaker 1: I don't think I'm gonna do this. I just when
• 21:36
  Speaker 1: I started to be in the streets small and and
• 21:38
  Speaker 1: then it was just like I was just gonna leave
• 21:40
  Speaker 1: music alone, like forget it. It just kept coming back
• 21:42
  Speaker 1: to me. You know, they saved you let something go
• 21:44
  Speaker 1: in and come back. It's meant music kept coming back
• 21:46
  Speaker 1: to me. People kept him me like, yo, you don't
• 21:47
  Speaker 1: do music no more. And I just kept putting out music.
• 21:51
  Speaker 1: And I had to get a little more aggressive on
• 21:52
  Speaker 1: the track. So I'm like, I don't think they hit
• 21:54
  Speaker 1: me like it's what I do, Like this is what
• 21:56
  Speaker 1: I've been doing for a long time, Like this ain't new.
• 21:58
  Speaker 1: Did you have a question why you did to see
• 22:00
  Speaker 1: more LGBT and hip hop? See, I never looked at
• 22:03
  Speaker 1: it like that, Like I never look at LGBT when
• 22:06
  Speaker 1: when I do music, I don't. I don't. I don't
• 22:08
  Speaker 1: stick in that box. You know what I mean? You
• 22:10
  Speaker 1: just do music. I just do music. I'll get anything
• 22:13
  Speaker 1: stuck in your box, young man. It's the Breakfast Club.
• 22:15
  Speaker 1: Good morning, what up y'all? The cj M, D Angela, Ye,
• 22:20
  Speaker 1: Charlomagne the guy. We are the Breakfast club. Make sure
• 22:22
  Speaker 1: you donate to UNISF to help save children's lives this
• 22:25
  Speaker 1: holiday season. Use your cell phone to dial pound two
• 22:29
  Speaker 1: fifty and say the keyword UNISF. That's pound two fifty,
• 22:32
  Speaker 1: keyword UNISF to make a donation. MS in the building. Yeah. Also,
• 22:36
  Speaker 1: probably fortunate you didn't end up on Empire. Oh yeah, yeah,
• 22:41
  Speaker 1: you look like one of Lose his kids. I wasn't
• 22:44
  Speaker 1: you know. I wasn't even gonna be his kid on
• 22:46
  Speaker 1: the show. I was gonna be the good Yeah. But
• 22:49
  Speaker 1: the original name was Betty Bars. They wrote the script
• 22:54
  Speaker 1: for me. Wow, it was based off me. Who'd you meet?
• 22:57
  Speaker 1: Who'd you know? Over that? I met Lee Daniels face
• 23:00
  Speaker 1: to face. No, yeah, while I'm serious though, I'm like, no,
• 23:06
  Speaker 1: I'm thinking he I don't know. Nah. I was in
• 23:14
  Speaker 1: Swiss Beats office and my manager had low key set
• 23:16
  Speaker 1: something up because I already had turned it down before
• 23:19
  Speaker 1: I met Lee Danels. I denied it. I was like, nah,
• 23:21
  Speaker 1: I don't want to be on it. I'm good, I'm
• 23:22
  Speaker 1: gonna tell y'all why. And we wanted up meeting with
• 23:24
  Speaker 1: Swiss Beats in his office and he comes walking in.
• 23:28
  Speaker 1: Lee Daniels, I didn't really know who he was, you
• 23:30
  Speaker 1: know what I mean. At the time, I just was like,
• 23:32
  Speaker 1: was just fabulous, man. Yeah, he was real fabulous when
• 23:35
  Speaker 1: he walked in, you know what I mean. You could
• 23:37
  Speaker 1: tell he got a demeanor about him. He pulls out
• 23:39
  Speaker 1: the script. He says, let's go, I'm gonna see with Lee,
• 23:42
  Speaker 1: you know what I mean. So I remember I wasn't
• 23:45
  Speaker 1: I wasn't doing too good or whatever. So so Swiss
• 23:47
  Speaker 1: Beats brought me out to his balcony and was like, yo,
• 23:50
  Speaker 1: let's give him. You don't worry about it, being like
• 23:53
  Speaker 1: you know, on the show Wolf and like it's a
• 23:54
  Speaker 1: script and you gotta read it from the script. He
• 23:56
  Speaker 1: was like, just be yourself. So I came back out,
• 23:59
  Speaker 1: you know, gave him me. He loved it, but I
• 24:01
  Speaker 1: still wasn't really with it because I knew Empire was
• 24:04
  Speaker 1: gonna put me in a position where I'm known from
• 24:07
  Speaker 1: Empire as this character and I'm not known from Young
• 24:10
  Speaker 1: and May from Brooklyn building on on my music. You'd
• 24:13
  Speaker 1: have been Betty Boss, I would have been. Anybody would
• 24:15
  Speaker 1: have been like right now, you would have called me
• 24:17
  Speaker 1: up there, like, let we got Betty Bass on the show. Yeah,
• 24:19
  Speaker 1: because three the guests it's always free the guests, and
• 24:22
  Speaker 1: she cool as out. But I do know, I can't
• 24:24
  Speaker 1: remember a real name right now. I'm trying to think, right, yeah,
• 24:27
  Speaker 1: you know her, but it's at of the people that
• 24:30
  Speaker 1: know her. But I will say and then I heard,
• 24:33
  Speaker 1: but I don't know what her situation is. But I
• 24:34
  Speaker 1: know they make you sign a contract and it might
• 24:36
  Speaker 1: have something to do with your music. Awesome, I know.
• 24:38
  Speaker 1: I didn't want to get too deep in that, but
• 24:40
  Speaker 1: that was that was a big reason why Quincy was
• 24:43
  Speaker 1: up here. He was saying that he couldn't his father
• 24:45
  Speaker 1: did hey would not let him do it. Thank God
• 24:46
  Speaker 1: for my lawyer. The contracts just put the ice on
• 24:49
  Speaker 1: the cake. Now, how does the young artists build the online?
• 24:52
  Speaker 1: But because I would assume your your career really popped
• 24:54
  Speaker 1: off because of the internet. Is there a science to it?
• 24:57
  Speaker 1: Stay consistent and you know what I mean, they eventually
• 25:00
  Speaker 1: wake up. You gotta be nice, you know what I mean.
• 25:02
  Speaker 1: You can't be trashed, of course, but just be consistent. Man,
• 25:05
  Speaker 1: how old it take for? Not that long? That's just crazy.
• 25:09
  Speaker 1: Video forward and everything to video video was at like
• 25:12
  Speaker 1: seven million. Now. I like the fact that your your
• 25:14
  Speaker 1: your sexuality is not overshadowing your music. People. It's like
• 25:18
  Speaker 1: young Amaz's dope. Oh yeah, absolutely, yeah, you know what
• 25:23
  Speaker 1: I mean, It's not totally out of the equation. I've
• 25:25
  Speaker 1: been sitting with mad labels like Big Dog for the
• 25:29
  Speaker 1: past two weeks. Now, I'm just hearing everybody out and
• 25:32
  Speaker 1: just trying to make choose my decision wisely. I just
• 25:34
  Speaker 1: don't want them to try to change it. I don't
• 25:36
  Speaker 1: going to be on some old school like telling you
• 25:38
  Speaker 1: dress like this. Man. I think that I got past
• 25:41
  Speaker 1: that point already, Like I was in that position in
• 25:44
  Speaker 1: my in my life at one point, you know what
• 25:45
  Speaker 1: I mean, where it was like you might have to
• 25:47
  Speaker 1: do this or sound like this or talk about this,
• 25:50
  Speaker 1: you know what I mean. When I got to a
• 25:51
  Speaker 1: point where I just like, I don't care. I'm gonna hey,
• 25:53
  Speaker 1: I'm gonna be gay, I'm gonna talk about you know
• 25:55
  Speaker 1: what I mean. I just got to that point. So
• 25:56
  Speaker 1: you can take what you want now, because you have
• 25:59
  Speaker 1: going on this if you I'm board with what I'm
• 26:01
  Speaker 1: doing in my movement, yeah, and that's it. If you
• 26:04
  Speaker 1: can't exactly what she think me, when did you start
• 26:07
  Speaker 1: getting it? When you start falling over with the test.
• 26:09
  Speaker 1: My first chet was a canoffess my brother. He was
• 26:13
  Speaker 1: my older brother. Yeah, and then I just made this
• 26:16
  Speaker 1: whole all about him, how he influence you. He was
• 26:19
  Speaker 1: the reason why I played football, I was a tomboy
• 26:21
  Speaker 1: playing basketball. He probably was the reason why I like girls,
• 26:25
  Speaker 1: The biggest influence in my life. Like, so when he died,
• 26:27
  Speaker 1: it was like a big rip, you know what I mean,
• 26:31
  Speaker 1: from from my chest and I just you know, right now,
• 26:33
  Speaker 1: just I just make sure I do it in his memory,
• 26:36
  Speaker 1: Like this is why I go so hard, And this
• 26:38
  Speaker 1: is why nobody can't change my mind on certain because
• 26:40
  Speaker 1: I'm stuck with you know, his his memory and my mind.
• 26:43
  Speaker 1: So that's the only sibling. Now. I have a little
• 26:45
  Speaker 1: sister too, and I have a brother on my father's side.
• 26:48
  Speaker 1: But he was kind of the guy that you probably
• 26:49
  Speaker 1: could trust them. Most of you have trust? Is who
• 26:51
  Speaker 1: you after that? Like, like just trust me? Yeah, absolutely,
• 26:54
  Speaker 1: I had a lot of trust issues once I found
• 26:56
  Speaker 1: out about that situation. I was already not really a
• 26:58
  Speaker 1: trusty type person. Yeah is it just me? What up? Y'all?
• 27:02
  Speaker 1: As DJ M v Angela Yee Charlomagne the guy we
• 27:05
  Speaker 1: are the Breakfast Club, the Holidays are a ton forgiving.
• 27:08
  Speaker 1: To make a difference and donate to help save children's
• 27:10
  Speaker 1: lives this holiday season. Use your soulfon Nadal pound two
• 27:14
  Speaker 1: fifty and save the keyword unit Seth. We got a
• 27:17
  Speaker 1: special guest in the building, the man of the hour,
• 27:19
  Speaker 1: Ladies and gentlemen, Nate Parkers in the building. What's up?
• 27:22
  Speaker 1: What's up? Two things I thought I would never see
• 27:23
  Speaker 1: on a Hollywood screen in Loot Cage in any form,
• 27:26
  Speaker 1: and Nat Turner in the movie. I've been screaming for
• 27:29
  Speaker 1: a Nat Turning movie because I don't like flav movies.
• 27:31
  Speaker 1: I've been denounced him. I said, are you gonna make
• 27:32
  Speaker 1: any flavor movie, Let it be Nat Turner, because Nat
• 27:35
  Speaker 1: Turner wasn't a victim and you got it done. Well,
• 27:37
  Speaker 1: let's explain Nat Turner two for people that don't know,
• 27:39
  Speaker 1: because I've never learned it in my history books. It
• 27:42
  Speaker 1: wasn't It wasn't anything that I've ever read. And I
• 27:44
  Speaker 1: went to Hampton University within the HBCU. I've been in
• 27:47
  Speaker 1: here to know you from Norfolk? So what made that
• 27:50
  Speaker 1: so special to you? That story? Well, a lot of
• 27:52
  Speaker 1: it is what you just said. I grew up in Norfolk.
• 27:54
  Speaker 1: Forty two miles east of Southampton County where the revolt happened.
• 27:57
  Speaker 1: And I never heard about this brother, right, so Wiley,
• 27:59
  Speaker 1: Yeah I never heard about Yeah, we learned about it
• 28:02
  Speaker 1: growing up, but yeah, I know, I've never learned about
• 28:04
  Speaker 1: it in school. Uh. And it's significantly because when you
• 28:07
  Speaker 1: think of the proximity, you would think that someone would
• 28:09
  Speaker 1: have said something. But it speaks to the danger of
• 28:11
  Speaker 1: the revolutionary, you know, the person that looks like us,
• 28:14
  Speaker 1: that for its own freedom. We don't get those stories,
• 28:16
  Speaker 1: like you said, you know what I mean. Like even
• 28:18
  Speaker 1: when we learn about slavery, we learned through the context
• 28:20
  Speaker 1: stuff the victim a victim and honest and we laid
• 28:23
  Speaker 1: down until honest Abe said enough is enough, you know
• 28:25
  Speaker 1: he You know, honest Abe couldn't tell a lie Moden's chin,
• 28:28
  Speaker 1: pensive slave problem. We got to figure it out this
• 28:31
  Speaker 1: up and now we're free. R. We don't learn about
• 28:34
  Speaker 1: you know, Tucson, We don't learn about Denmark VC. We
• 28:36
  Speaker 1: don't learn a b you know, we don't learn about
• 28:38
  Speaker 1: Gabriel Proser. We don't learn about any of them. Right,
• 28:40
  Speaker 1: And so you have to ask yourself, why is that one?
• 28:42
  Speaker 1: Why are they one? Our history of being hit the
• 28:44
  Speaker 1: things that would empower us, you know what I mean.
• 28:46
  Speaker 1: I mean, even when I was trying to make this film,
• 28:47
  Speaker 1: people were like, you make this film, bro, Like it's
• 28:50
  Speaker 1: gonna be a problem, Like, don't make this film like
• 28:52
  Speaker 1: black people. Like prominent directors was like, make the story
• 28:55
  Speaker 1: of John Brown. You know, John Brown's a white abolition
• 28:57
  Speaker 1: to still let a slave revolt. It was like, that'll
• 28:59
  Speaker 1: be easier for people to digest, you know. I mean.
• 29:01
  Speaker 1: I had another prominent black director told me. He was like, well,
• 29:04
  Speaker 1: I liked your script, but I didn't love it. One
• 29:06
  Speaker 1: thing would have made me love And I was like,
• 29:07
  Speaker 1: what you know, I got my notebook right. He said,
• 29:09
  Speaker 1: you need more good white people. Wow. I was like,
• 29:12
  Speaker 1: what do you mean? He was like, white people are
• 29:13
  Speaker 1: gonna watch that man gonna watch this thing a period
• 29:16
  Speaker 1: piece and it was America. And that's the thing. It's like,
• 29:19
  Speaker 1: you know, when it comes to other demographics that have
• 29:21
  Speaker 1: endured torture and genocide and holocaust and this never forget,
• 29:25
  Speaker 1: you know what I mean, It's very important that we
• 29:26
  Speaker 1: hold those stories up so they never repeat themselves. But
• 29:29
  Speaker 1: in this country, we have this this habit of kind
• 29:31
  Speaker 1: of closing off the things that don't reflect us in
• 29:34
  Speaker 1: the best of lights, you know. So in telling the story,
• 29:37
  Speaker 1: you know, I said, man, I learned about that Turner
• 29:39
  Speaker 1: twenty one. But if I learned about him at twelve,
• 29:41
  Speaker 1: how did you learn about him at twenty one African
• 29:43
  Speaker 1: American studies class. You know what I'm saying, like made
• 29:45
  Speaker 1: you read the confessions in that turn up? I did
• 29:47
  Speaker 1: read that, you know. And it's funny because confessions is fiction,
• 29:51
  Speaker 1: you know, that's not That's like I always wonder about that.
• 29:52
  Speaker 1: Somebody told me that before. It's well, it won a Pulzer,
• 29:55
  Speaker 1: which is was just tricky because it won the Pulsar
• 29:56
  Speaker 1: for fiction. But the writer, he said, it's a reimagined
• 30:00
  Speaker 1: of Nat Turner's life. It's not Naturner's life. So when
• 30:02
  Speaker 1: you read The Fires of Jubilee, you know, or William
• 30:04
  Speaker 1: Drewry's book, and in Southampton Insurrection you read the real stuff,
• 30:08
  Speaker 1: you're like, wait a minute, well, I need to rid
• 30:09
  Speaker 1: the real stuff the Confession INtime. Let me tell you
• 30:12
  Speaker 1: how like it's a fiction book with said, okay, well,
• 30:14
  Speaker 1: Nat Turner um, he has all of his motivation came
• 30:18
  Speaker 1: for his lust after the handmaid of his master. Like
• 30:21
  Speaker 1: a white woman, like that's why. And he was crazy,
• 30:23
  Speaker 1: he was a fanatic, he was homosexual, like all these
• 30:25
  Speaker 1: things that they made up, you know what I mean.
• 30:27
  Speaker 1: So when you get to the real you're like, well,
• 30:29
  Speaker 1: why would they denigrate his life? Why would they mysticize
• 30:32
  Speaker 1: the things that actually happened when they had Like why
• 30:34
  Speaker 1: would they make it so he didn't have children or
• 30:36
  Speaker 1: didn't have a wife. He had a wife, He had
• 30:38
  Speaker 1: a child, you know what I'm saying. So it's like
• 30:40
  Speaker 1: the attack of the black man, the demonizing of the
• 30:44
  Speaker 1: black man is something it ain't new. This is age old,
• 30:47
  Speaker 1: you know. So when we get to celebrate this story,
• 30:50
  Speaker 1: you know, like I said, you know a lot of
• 30:51
  Speaker 1: people I grew up with with the president not here
• 30:53
  Speaker 1: with us today, had that chip on his shoulder and
• 30:55
  Speaker 1: had no context as to why or where you know,
• 30:58
  Speaker 1: they could put that energy. But he rose when you
• 31:01
  Speaker 1: can say oh no, no no, no no, Nat Turner rose,
• 31:04
  Speaker 1: So I can stand the colonel with Django the real
• 31:07
  Speaker 1: jazz Men and Chris Rock had a debate about that
• 31:09
  Speaker 1: because he thought I was trying to insult in that
• 31:10
  Speaker 1: Turner by saying that. But the reason I loved Jangles
• 31:12
  Speaker 1: because he wasn't a victim Jango Burton the plantage he
• 31:14
  Speaker 1: did and he stood up and he was like, Nah,
• 31:16
  Speaker 1: it's not happening this way. I'll take it even a
• 31:17
  Speaker 1: step further, though. Nat Turner said, I'm going to sacrifice
• 31:20
  Speaker 1: on behalf of people that I'll never meet. You get
• 31:23
  Speaker 1: what I'm saying, Like and Biblically it says a good
• 31:25
  Speaker 1: man leaves an inheritance for his children's children, right. Nat
• 31:28
  Speaker 1: Turner was like, Okay, I'm going to walk to these gallows,
• 31:30
  Speaker 1: but I know that what I did will echo into eternity.
• 31:34
  Speaker 1: We're celebrating that they scanned him lampshades out of his
• 31:37
  Speaker 1: skin in person, like this is what they did. You
• 31:40
  Speaker 1: know what I'm saying. So it's like, all and they
• 31:42
  Speaker 1: did what they did in the name of God. He
• 31:44
  Speaker 1: did what he did in the name of God. Well,
• 31:45
  Speaker 1: there's certain things that you originally had in the movie
• 31:47
  Speaker 1: that you felt like you had to take out. Our
• 31:49
  Speaker 1: people said, okay, maybe that's nope, And it goes back
• 31:52
  Speaker 1: to your question. Seriously, like you said, I didn't you
• 31:55
  Speaker 1: know I went on for money. Everybody that said they
• 31:57
  Speaker 1: passed or how did you pay for it? I knocked
• 32:00
  Speaker 1: on doors man. You know, I went to school. A
• 32:02
  Speaker 1: lot of friends were in finance. You know, one guy
• 32:04
  Speaker 1: in particularly I contacted. He connected me to one of
• 32:07
  Speaker 1: his friends that actually worked in New York that had
• 32:09
  Speaker 1: a hedge fund, and I asked him for the money.
• 32:11
  Speaker 1: He said no. I said, okay, that was what you
• 32:13
  Speaker 1: ask me for. Millions. You got seven. You're ade seven
• 32:18
  Speaker 1: to get it done? Right? Yeah? I rang, as you
• 32:19
  Speaker 1: think you needed the budget? Said we needed like thirty
• 32:23
  Speaker 1: right to make it. Oh my, it's a battle film.
• 32:26
  Speaker 1: They said we needed forty days. We shot in twenty
• 32:29
  Speaker 1: seven days. You know what I'm saying. So I knocked
• 32:31
  Speaker 1: on doors. I went to anyone who would listen. My
• 32:33
  Speaker 1: lowest contribution was like seventy five thousand. My biggest contribution
• 32:36
  Speaker 1: was like two million, you know. And the guy that
• 32:38
  Speaker 1: gave me the two million, I just I just begged him.
• 32:40
  Speaker 1: I stepped away from acting for two years. I thought
• 32:41
  Speaker 1: I finished beyond the lights. That Monday, I went into
• 32:44
  Speaker 1: my team, was like, I'm not acting anymore, writing anything else.
• 32:47
  Speaker 1: I'm not acting anything else, I'm not directing. Don't call me.
• 32:51
  Speaker 1: The next skin I live in would be not turned
• 32:53
  Speaker 1: a period um. You know, leafing yourself from it was
• 32:58
  Speaker 1: a belief in God, like my faith really had. It
• 33:01
  Speaker 1: really reeled me in. The first on the grand into
• 33:03
  Speaker 1: the film was my own money and that's all I had.
• 33:06
  Speaker 1: You know what I'm saying, Like, I ain't a millionaire.
• 33:07
  Speaker 1: I'm a thousand air you know what I mean. And
• 33:09
  Speaker 1: to put up one hundred grand it hurts, you know
• 33:12
  Speaker 1: what I I mean? Talking to my wife, I was like
• 33:13
  Speaker 1: this important. Like I didn't know it would be a
• 33:15
  Speaker 1: hunt with her stance at this point, because that's baby,
• 33:18
  Speaker 1: you ain't working and you want to take everything. And
• 33:21
  Speaker 1: we got lights, you know, they got kid and kids
• 33:24
  Speaker 1: need to be turned on. But she had faith. Man,
• 33:26
  Speaker 1: she was just like, you know, you know the Lord's
• 33:28
  Speaker 1: called you to do this. You know I got your back. Um, yeah,
• 33:33
  Speaker 1: you know. I was gonna say, like Nat Turner was
• 33:34
  Speaker 1: a chosen one from when he was a child. From
• 33:37
  Speaker 1: this point, did you feel like you were a chosen
• 33:39
  Speaker 1: one in telling this story that it was something that
• 33:42
  Speaker 1: you were kind of born to do? I felt like
• 33:44
  Speaker 1: it was written on my spirit, you know what I'm saying.
• 33:46
  Speaker 1: Like I wouldn't say I'm chosen. I just felt like,
• 33:48
  Speaker 1: you know how you like you know what you know,
• 33:50
  Speaker 1: we all struggle and rustle with our faith and trying
• 33:52
  Speaker 1: and strong and whatever that means. And uh and I
• 33:54
  Speaker 1: was like, you know, Lord, like I feel like you
• 33:56
  Speaker 1: want me to tell this story? How many times can
• 33:58
  Speaker 1: you get offered crypt number four or blood? At some
• 34:05
  Speaker 1: point you're like, man, there's got to be something better,
• 34:07
  Speaker 1: you know. And it's like I go a whole year
• 34:10
  Speaker 1: and pass on fifty projects and they'd be one great debaters.
• 34:13
  Speaker 1: Now I got to compete against the whole world to
• 34:15
  Speaker 1: get that and then hope that Denzel see something to
• 34:18
  Speaker 1: me that works. At some point you're like, man, well,
• 34:20
  Speaker 1: what is the story I want to tell? If I
• 34:21
  Speaker 1: can tell any story? I want to be Turner. That's braveheart.
• 34:26
  Speaker 1: You never had a brave heart. When we have more
• 34:28
  Speaker 1: with Nate Parker when we come back, keep it locked.
• 34:31
  Speaker 1: It's the Breakfast Club. Good morning, hey, Charlomagne the god here,
• 34:36
  Speaker 1: And I just want to wish a Mary Christmas to
• 34:38
  Speaker 1: all my credit card scamras out there. Did the season
• 34:41
  Speaker 1: to find you a scamera friend, so you can save
• 34:43
  Speaker 1: some money in any major department store in America. Breakfast
• 34:47
  Speaker 1: Club because you don't need to hesitate. What up, y'allass
• 34:53
  Speaker 1: DJ M de Angelie, Charlomagne the guy. We are the
• 34:56
  Speaker 1: Breakfast Club. We're standing with Uni self to give hope
• 34:59
  Speaker 1: to the children. First, we need you to help make
• 35:02
  Speaker 1: a difference by donating to help save children's lives. Use
• 35:05
  Speaker 1: your cell phone to dive pound two fifty and say
• 35:07
  Speaker 1: the keyword Uni Seth. That's pound two fifty, keyword Uni Seth.
• 35:10
  Speaker 1: Join the movement and give this holiday season with the
• 35:12
  Speaker 1: Breakfast Club. We have Nate Parker in the building now, Charlomane,
• 35:16
  Speaker 1: I honestly don't know who's demonizing you at this point
• 35:18
  Speaker 1: because I see it from all angles. Because I'm gonna
• 35:21
  Speaker 1: tell the story. I remember, maybe a month before I
• 35:23
  Speaker 1: saw the movie, had an og triple og in the
• 35:25
  Speaker 1: game hit me up, and he goes, look, we got
• 35:26
  Speaker 1: to support this film. He said, they're gonna try to
• 35:28
  Speaker 1: crucify a Nate Parker. And then two three weeks later,
• 35:32
  Speaker 1: all the different allegations came out. It was, oh he
• 35:34
  Speaker 1: got a white wife, it was oh he's homophobic, it
• 35:36
  Speaker 1: was oh he has rape charges. Did you expect that
• 35:39
  Speaker 1: to happen. Let's just say I was warned early on.
• 35:45
  Speaker 1: You know, people in the industry, people that love me,
• 35:47
  Speaker 1: people that I love that just said, you know, are
• 35:50
  Speaker 1: you ready for what may comable with this film? You
• 35:52
  Speaker 1: know it's like it's look, I'm gonna say, look, you
• 35:55
  Speaker 1: know how you rediscover something you already knew. I've never
• 35:58
  Speaker 1: heard anything from a lot, never ran from nobody about us,
• 36:01
  Speaker 1: And I'm not gonna run now. No one's gonna stop
• 36:03
  Speaker 1: me from telling stories. And I think uplifting my people,
• 36:05
  Speaker 1: They're just not gonna do it. It can come for me.
• 36:07
  Speaker 1: That's okay. I'm I'm a grown up, I'm a man.
• 36:09
  Speaker 1: I'm I'm so anchored in the Lord, Bro. My faith
• 36:11
  Speaker 1: is so strong that I'm not tripping. I know the
• 36:15
  Speaker 1: power of Nat Turner, what he can do for people,
• 36:17
  Speaker 1: what he can do for America. What happens if we
• 36:20
  Speaker 1: start celebrating Nat Turner as a hero who you know,
• 36:22
  Speaker 1: look the African American Museum. Just open Nat Turner's Bible, right,
• 36:27
  Speaker 1: George Bush said, you know Nat Turner money, Like what
• 36:31
  Speaker 1: happens if if he if it becomes normal to celebrate
• 36:34
  Speaker 1: every one of every color that has contribute to the
• 36:36
  Speaker 1: narrative of this country, man, things will change. Privilege will
• 36:39
  Speaker 1: be challenged, but things will change. Doesn't piss you off
• 36:42
  Speaker 1: through because we were watching your Good Morning America and
• 36:45
  Speaker 1: you look like, all right, enough is enough? You look
• 36:47
  Speaker 1: like you on the screen put some respect on my name,
• 36:51
  Speaker 1: because I mean, because they showed some of the stuff
• 36:53
  Speaker 1: that you went through when you were in college. You
• 36:55
  Speaker 1: look like, come on now, I'll just say this I
• 36:57
  Speaker 1: posted out there probably in trouble. It was an ambush,
• 37:00
  Speaker 1: you know, just it looked like it looks like what
• 37:03
  Speaker 1: the fuck? You know, because this is bigger than me.
• 37:05
  Speaker 1: Nat Turner is so much bigger than me, like in
• 37:08
  Speaker 1: my in my thirty six year old life and anything
• 37:11
  Speaker 1: you could ever dig up or whatever, Nat Turner, did
• 37:13
  Speaker 1: you feel like it would be in jeopardy at any
• 37:15
  Speaker 1: point the film, Yeah, just with everything coming up, like
• 37:19
  Speaker 1: we can't put this out because I remember thinking, oh man,
• 37:21
  Speaker 1: are they going to try to not put the movie out? Now?
• 37:23
  Speaker 1: There's a there's a verse in the Bible says I
• 37:25
  Speaker 1: tell you these things so that you will find peace
• 37:27
  Speaker 1: in me. You know, in the world that will be tribulation,
• 37:30
  Speaker 1: but be a good cheer. Bible become the world. God
• 37:33
  Speaker 1: is God, the same guy that helped me to make
• 37:35
  Speaker 1: this film, the same guy that got me through. You know,
• 37:38
  Speaker 1: whatever opsles I have in my life, the same God
• 37:40
  Speaker 1: has made it so people will be able to gain
• 37:42
  Speaker 1: something perspective young people. Fifty years from now, some ten
• 37:46
  Speaker 1: year old kid is going to be able to watch
• 37:48
  Speaker 1: this film in the same way that that they use
• 37:50
  Speaker 1: the original Birth of a Nation as a recruitment tool
• 37:52
  Speaker 1: for the KKK. We're gonna use it as a recruitment
• 37:55
  Speaker 1: tool for revolution and resistance, for people that recognize something
• 37:58
  Speaker 1: needs to change that's bigger than me. If I died
• 38:01
  Speaker 1: today and the film can live, I'm not tripping. I'm good, bro.
• 38:05
  Speaker 1: I'm in such peace right now because this film exists.
• 38:08
  Speaker 1: So for me, it's kind of like, Okay, well cool,
• 38:10
  Speaker 1: let's get the film out. Okay, cool, all right, fine,
• 38:13
  Speaker 1: let's get the film out. Okay, yeah, next question, I mean,
• 38:16
  Speaker 1: I think we've all been guilty of it. It judges
• 38:18
  Speaker 1: your character. You know, when we hit in Nate Parker,
• 38:20
  Speaker 1: we hear this accusation, his friend is this his friend?
• 38:23
  Speaker 1: Is that? That has to affect you in a way
• 38:26
  Speaker 1: because now people who don't know you might look at
• 38:29
  Speaker 1: you at a different light. But guess what, we gotta
• 38:31
  Speaker 1: we gotta rise up to the ten thousand foot view, right,
• 38:34
  Speaker 1: Like when you're in a moment and you're set on fire,
• 38:37
  Speaker 1: it's easy to be like, oh my god, I'm on fire, right,
• 38:40
  Speaker 1: But when you rise up to the ten thousand foot
• 38:41
  Speaker 1: view and you see the Lord's resume, everything that's happening
• 38:44
  Speaker 1: up until that moment, and you're looking forward and say, Okay,
• 38:47
  Speaker 1: this moment will cause a reaction forward, then then you realize, look,
• 38:52
  Speaker 1: this is bigger than my character. People will get to
• 38:54
  Speaker 1: know me, You'll get to know my heart, you know
• 38:57
  Speaker 1: what I mean. I'm cool with that. I'm cool. I
• 38:58
  Speaker 1: didn't know you guys until I knew you. I didn't
• 39:00
  Speaker 1: know you until I knew you. If I could go
• 39:02
  Speaker 1: out and meet every single person in glad hand and
• 39:04
  Speaker 1: shake their hand, would I do? Yeah? I can't do that.
• 39:06
  Speaker 1: I'm gonna let my art, let my activism speak in
• 39:10
  Speaker 1: ways that my mouth on these shows with these headline
• 39:13
  Speaker 1: hunters and these clickbait people, I'm gonna let them do
• 39:16
  Speaker 1: that thing. I'm not tripping on the news. I feel
• 39:18
  Speaker 1: this is just me talking. I feel like it was
• 39:20
  Speaker 1: a conspiracy by some powers that be the relator release
• 39:23
  Speaker 1: of the film, because all of this information has been
• 39:24
  Speaker 1: out there, it's been public, you have found not guilty,
• 39:27
  Speaker 1: you spoke about it before. Why now? That's all I
• 39:29
  Speaker 1: wanted to like, why why now? You know what? You know?
• 39:32
  Speaker 1: There's some people that say, you know, why me? And
• 39:35
  Speaker 1: then there's some people that say, well, what can come
• 39:37
  Speaker 1: out of this moment? You know? And I try to
• 39:39
  Speaker 1: be the latter. I try to be the person that says,
• 39:41
  Speaker 1: regardless of the moment, what can change because of these actions?
• 39:45
  Speaker 1: Because look, if people forever kick dirt on me forever,
• 39:49
  Speaker 1: but this film exists by itself, and then a hundred
• 39:53
  Speaker 1: years when I'm dead and gone, they got this film.
• 39:57
  Speaker 1: We win. We all win. And if we releases film
• 40:00
  Speaker 1: right and all the old heads see it, all the
• 40:03
  Speaker 1: old heads are like, yeah, we get it. We're moving forward.
• 40:05
  Speaker 1: And the kid in Best started the fifteen year old
• 40:08
  Speaker 1: kids don't know who that turner is still Oakland or
• 40:11
  Speaker 1: kid in Decatur don't doesn't know. We lose. So I
• 40:14
  Speaker 1: reached out to the dopest artist I could find, Gucci
• 40:17
  Speaker 1: Maine and talk to them on the phone. I said, brother,
• 40:19
  Speaker 1: I know you care about your care. I haven't heard
• 40:22
  Speaker 1: the music, so I'm not gonna judge, but I didn't understand,
• 40:26
  Speaker 1: but you gotta you gotta hear the music. That's the thing. Look,
• 40:28
  Speaker 1: look guess what Gucci got the streets, little Wayne got.
• 40:31
  Speaker 1: I don't have the streets. And even to every listen,
• 40:38
  Speaker 1: everyone is on message. It's kind of crazy. You got
• 40:41
  Speaker 1: two chains on message talking about go up to the
• 40:42
  Speaker 1: state House tell them to provise a system. You know
• 40:45
  Speaker 1: what I mean. It's like if you can get them
• 40:47
  Speaker 1: on message, because I as you know music in a
• 40:51
  Speaker 1: waysman corporate times. You know a lot of them. You
• 40:54
  Speaker 1: know the politics around making music and who we're making
• 40:56
  Speaker 1: it for them, who's consuming it. A lot of times
• 40:58
  Speaker 1: it doesn't help our people. A lot of times in
• 41:00
  Speaker 1: this country. They give a little bit to a few
• 41:03
  Speaker 1: and then tell those few times kinda be happy with
• 41:05
  Speaker 1: what you got and turn your back and your power
• 41:07
  Speaker 1: against the people that needed the most. I mean, the
• 41:09
  Speaker 1: things that happened, it happens in my industry too. So
• 41:11
  Speaker 1: if I can get people that do care about the
• 41:13
  Speaker 1: community but don't have the platform to release it. So
• 41:16
  Speaker 1: I had the chance to sit with all these these guys,
• 41:18
  Speaker 1: you know, Vic Mensa, all of them, you know, Trace Songs, Neo.
• 41:22
  Speaker 1: Everyone is on message talking about the system talking about
• 41:24
  Speaker 1: a fresh and talking about faith. You know what I'm saying,
• 41:28
  Speaker 1: Like Little Wayne was like I got to feed the family,
• 41:30
  Speaker 1: but I had to leave the family. I left for CNB.
• 41:33
  Speaker 1: I'm an empathy, but I would never leave Christianity. I
• 41:35
  Speaker 1: heard it gets submitted a track, but you turned it down.
• 41:38
  Speaker 1: I didn't turn anything down. You know, it's like anything else.
• 41:43
  Speaker 1: Things like everyone that wants to be on your show
• 41:44
  Speaker 1: can't get a show you get really submitted a track? No,
• 41:51
  Speaker 1: whoa no, No. I'm saying that. I'm trying to be fair.
• 41:55
  Speaker 1: A lot of people submitted albums, but we really you know,
• 41:58
  Speaker 1: when you track list, when you make a trackle, you
• 42:00
  Speaker 1: want to make sure everything fits. NAS has an incredible
• 42:02
  Speaker 1: song called war See that's on brand. Huh Na, why
• 42:08
  Speaker 1: would you do something obvious? You know what I'm saying,
• 42:10
  Speaker 1: Like at some point like if I can get lu Wayne,
• 42:12
  Speaker 1: you know, to talk about the streets in the context
• 42:15
  Speaker 1: of a message. And then a young person was like,
• 42:17
  Speaker 1: wait a minute, just say that right what I'm jealous?
• 42:21
  Speaker 1: DJ M v Angela Yee, Charlomagne the guy we are
• 42:24
  Speaker 1: the breakfast Club. You have one more day to make
• 42:26
  Speaker 1: your tax deductible donation in two thousand and sixteen. Make
• 42:30
  Speaker 1: you see your tax deductible donation before it's too late.
• 42:32
  Speaker 1: With this easy UNISEF donation. Use your cell phone to
• 42:35
  Speaker 1: dial pound two fifty and say the keyword UNISF. That's
• 42:39
  Speaker 1: pound two fifty, keyword UNISF to make a donation. We
• 42:43
  Speaker 1: have Nate Parker in the building. Now tell me, are
• 42:45
  Speaker 1: you I don't want to say concerned that this movie
• 42:48
  Speaker 1: will cause some type of revolte now because this could,
• 42:51
  Speaker 1: this could be a dangerous time to put this movie.
• 42:53
  Speaker 1: Let me be clear. It's a quotable. I hope it
• 42:55
  Speaker 1: makes people uncomfortable. I hope that it inspires a riot's
• 42:59
  Speaker 1: dis position. Now do I want violence? Absolutely not. We're
• 43:03
  Speaker 1: above that. Now, why do we need to be violent?
• 43:05
  Speaker 1: When we got journalists, we got radio personalities that have power.
• 43:08
  Speaker 1: We have social media, but that's not like the same
• 43:10
  Speaker 1: old song. The media is not, but everything else I
• 43:12
  Speaker 1: like the same That Turner had ax handles and broomsticks, right,
• 43:17
  Speaker 1: and he didn't have the right to as symbol. So
• 43:19
  Speaker 1: what's that mean? That means what we're doing right now
• 43:20
  Speaker 1: in this room would have been illegal and we would
• 43:22
  Speaker 1: all have been lunched right. Well, we do have a
• 43:24
  Speaker 1: white man in the room. Oh good, good, good, I
• 43:27
  Speaker 1: couldn't see your whole face good. As soon as I
• 43:31
  Speaker 1: said that, he was like, no, you're wrong, but the right.
• 43:39
  Speaker 1: We didn't underrate this symbol. It's right here, dead right.
• 43:43
  Speaker 1: Not turner out of that only tools he had it
• 43:46
  Speaker 1: is only yeah. He couldn't have been like, I'm calling
• 43:47
  Speaker 1: the meeting everyonnd the plantation. We're gonna strike, We're gonna
• 43:50
  Speaker 1: protest and walk around the main house like you didn't
• 43:53
  Speaker 1: couldn't do nothing. So he fought and whatn't in the
• 43:56
  Speaker 1: tools he had? You look now right? If we I
• 43:58
  Speaker 1: mean the power we had, you look like Colin Kaepernick,
• 44:00
  Speaker 1: like the I always say when athletes get involved, it's
• 44:03
  Speaker 1: around like things are going to change because we're messing
• 44:04
  Speaker 1: with the money. You get what I'm saying. So if
• 44:06
  Speaker 1: nothing else, they walk out of that film and says,
• 44:08
  Speaker 1: I'm going to use my occupation to spearhead the systemic
• 44:12
  Speaker 1: crisis I see in my own life, my own community.
• 44:15
  Speaker 1: Things will change immediately. Does that mean marching maybe? Does
• 44:19
  Speaker 1: it mean more than marching? Does it mean some people saying, Noah,
• 44:21
  Speaker 1: I ain't gonna do that. I'm gonna walk into my
• 44:23
  Speaker 1: producer and tell him I'm not saying that thing ever again.
• 44:27
  Speaker 1: What in sacrificing somebody get fired? You know? Is it?
• 44:30
  Speaker 1: Whatever your occupation, what is your contribution? I want you know.
• 44:35
  Speaker 1: The biggest difference I believe between the civil rights movement
• 44:38
  Speaker 1: of old and the civil rights movements of new is
• 44:40
  Speaker 1: that people aren't willing to die. Anything has ever anything
• 44:42
  Speaker 1: and done anything for our community that actually resolved in progress.
• 44:45
  Speaker 1: I had to take a bullet to their head. The
• 44:47
  Speaker 1: good thing about the movie, too, is like when you
• 44:49
  Speaker 1: say systemic oppression, I like that because it's not just
• 44:51
  Speaker 1: saying white people, because they had to go battle against
• 44:54
  Speaker 1: their own on the side of systemic oppression as well. Right,
• 44:57
  Speaker 1: You're absolutely right. Brother Frederick Douglas has this dope core
• 45:00
  Speaker 1: where he says, when I became free, I begin to
• 45:01
  Speaker 1: see the effects lave we had not only on slave
• 45:04
  Speaker 1: but on slave masters. Right like we all of everyone
• 45:07
  Speaker 1: around us has been passed down something this tum this trauma,
• 45:11
  Speaker 1: this wound that we won't he let he or we
• 45:14
  Speaker 1: won't face it. We just won't because it's too uncomfortable,
• 45:17
  Speaker 1: too painful. And how many times you hear someone say
• 45:20
  Speaker 1: like in politics. You know, we got to have the
• 45:22
  Speaker 1: race of conversation. Have you ever had the race conversation
• 45:24
  Speaker 1: with like, like, have we haven't been? Like, okay, everyone,
• 45:27
  Speaker 1: this is race conversation Day. Race conversation Day is gonna
• 45:29
  Speaker 1: be October ten. Right, call your friends, order pizza, you know,
• 45:34
  Speaker 1: and coke and in Coca Cola and come over to right,
• 45:39
  Speaker 1: come over to the house. Headline like, encourage people, No,
• 45:44
  Speaker 1: come over, We're gonna have a conversation on race. Invite
• 45:47
  Speaker 1: people that don't look like you when come to the
• 45:48
  Speaker 1: table's gonna eat and be like, yo, so race, like
• 45:51
  Speaker 1: you know what black privilege? When what you think? No
• 45:53
  Speaker 1: one's having that conversation, right, yeah, you know so at
• 45:56
  Speaker 1: some point, you know, they say, have you always do
• 45:58
  Speaker 1: what you're always done? You always get what you always got.
• 46:00
  Speaker 1: America's always doing what they've always done. That's shutting people up,
• 46:04
  Speaker 1: that's attacking the people that resist, and that's a problem
• 46:07
  Speaker 1: for America. I always say, a healthier Black community, healthier
• 46:10
  Speaker 1: Latino community, is a healthier United States of America. Do
• 46:14
  Speaker 1: you think your past rape chargers will cause people not
• 46:16
  Speaker 1: to see this movie with an objective eye? Because I
• 46:19
  Speaker 1: saw an article in the New Yorker, where the author
• 46:21
  Speaker 1: didn't give it the best review, but it kept mixing
• 46:23
  Speaker 1: you with the movie, and I'm like, listen, listen, presume
• 46:26
  Speaker 1: dangerous and guilty. Presume dangerous and guilty, like that's you know,
• 46:29
  Speaker 1: the attack is the attack? You know? You know what
• 46:31
  Speaker 1: I'm saying. I think anyone that thinks it's important to
• 46:36
  Speaker 1: hear stories that have been a race from history that
• 46:38
  Speaker 1: can aid in our progress as America, he needs to
• 46:41
  Speaker 1: see this film, in my humble opinion, right to take
• 46:44
  Speaker 1: me out of it. Whatever you feel about me, whatever
• 46:46
  Speaker 1: you feel about my acquittal, whatever you feel about my innocence,
• 46:49
  Speaker 1: or whatever you just for a second recognize if you
• 46:52
  Speaker 1: call yourself a patriot, I think you have to take
• 46:54
  Speaker 1: steps toward healing America. And if this film stands for
• 46:58
  Speaker 1: something like that outside out of me, then let's have
• 47:01
  Speaker 1: that conversation. Let's let's not take the baggage of whatever
• 47:05
  Speaker 1: you've read in a headline and just say I'm gonna
• 47:08
  Speaker 1: see what the film does. You know, black man, ever
• 47:10
  Speaker 1: be not guilty in America. Even you're you're acquitted, you're
• 47:14
  Speaker 1: not guilty. But even when he was on sixty minutes,
• 47:16
  Speaker 1: they was like, you should have apologized. I'm like, but
• 47:18
  Speaker 1: he's maintained his innocence. Thing I found not guilty. What
• 47:20
  Speaker 1: do you want to apologize for? Um, it's it's it's
• 47:24
  Speaker 1: it's a it's a question worth asking. But at the
• 47:25
  Speaker 1: same time, I think that we're more concerned about how
• 47:28
  Speaker 1: we've been conditioned to see ourselves and less concerned about
• 47:31
  Speaker 1: how other people see us, then we'll be able to
• 47:33
  Speaker 1: really deal with crisis. We have to make ourselves smaller,
• 47:36
  Speaker 1: bigger picture that Turner made himself small. You know, it
• 47:39
  Speaker 1: doesn't say a good man make sure his name is
• 47:41
  Speaker 1: good when he dies, Like I'm not tripping on me.
• 47:43
  Speaker 1: You know, everything I'm doing, I'm doing for my children
• 47:45
  Speaker 1: and my children's children, so that when they look up
• 47:47
  Speaker 1: at that image of me wherever it is, and I'm
• 47:49
  Speaker 1: in hopefully looking fly in the oil painting, they can
• 47:52
  Speaker 1: be like, you know what, man, my dad tried. You know,
• 47:54
  Speaker 1: my great, great great you know whatever, he tried to
• 47:56
  Speaker 1: do something, he tried to deal with it. Even if
• 47:58
  Speaker 1: they say they came for him. Whatever we try to
• 48:00
  Speaker 1: do something, they definitely try to divide. But that ain't
• 48:04
  Speaker 1: new man, That ain't like all I'm saying is can
• 48:07
  Speaker 1: we try to start with women and African American women
• 48:09
  Speaker 1: and have women against you? And then you know with
• 48:11
  Speaker 1: with the headlines, they definitely try to divide. Yeah, I
• 48:13
  Speaker 1: mean it's it's interesting to me that a black man
• 48:15
  Speaker 1: can't be black if he's married to a white woman.
• 48:17
  Speaker 1: That's the picture they try to paint. All I'm saying
• 48:20
  Speaker 1: is this, Look at my resume. Do I care about
• 48:22
  Speaker 1: black people? Do I care about systemic oppression? Have I
• 48:26
  Speaker 1: dedicated anything to raising all ships when it comes to
• 48:29
  Speaker 1: progressing a conversation around America? Um, I don't have to
• 48:33
  Speaker 1: answer that question, you know what I mean? I will
• 48:36
  Speaker 1: continue like I said, No one's gonna take take my seat.
• 48:38
  Speaker 1: What I believe the Lord is putting me to to
• 48:41
  Speaker 1: do for our community, to do for our country. I'm
• 48:44
  Speaker 1: just staying the course and staying focused, man, and the
• 48:46
  Speaker 1: hope that you know the next what's the next project?
• 48:49
  Speaker 1: You know, That's what I was going to ask you,
• 48:50
  Speaker 1: what's next to an eight? Parker? Now after you put
• 48:52
  Speaker 1: out such a huge movie, come with Tyler Perry because
• 48:55
  Speaker 1: you're gonna have to listen. All right, Look, I'm gonna
• 49:02
  Speaker 1: say this publicly. All right, leave Tyler Perry alone. He's
• 49:07
  Speaker 1: a friend of mine. And uh he's a good brother.
• 49:09
  Speaker 1: He's give me some money. He did not give me money. Um,
• 49:12
  Speaker 1: but he's a good brother. He's a good you know.
• 49:14
  Speaker 1: I don't know what I'm gonna do next. You know,
• 49:15
  Speaker 1: I'm gonna do, you know, whatever makes me as passionate about,
• 49:19
  Speaker 1: you know, doing the work in the yard as this has.
• 49:21
  Speaker 1: You know, like I said, I stepped away two years
• 49:23
  Speaker 1: to really get it together. Um so the next thing,
• 49:26
  Speaker 1: who knows, the next thing might take eight more years.
• 49:27
  Speaker 1: I don't know. You know, my arts are functioned my activism. Man,
• 49:30
  Speaker 1: I'm not tripping on Hollywood. Are not tripping on money
• 49:32
  Speaker 1: by tripping on awards Like I just want to wake
• 49:35
  Speaker 1: folks up. I can get a ten year old kid
• 49:38
  Speaker 1: to have a you know, walking out the street playing
• 49:40
  Speaker 1: with his friends. I'm not Turner. We win. That's the
• 49:43
  Speaker 1: biggest win of them all. So yeah, until he chasing
• 49:45
  Speaker 1: four little white kids come. We really appreciate it. I
• 49:55
  Speaker 1: appreciate y'all. Thank you for the time, man for his club.
• 49:59
  Speaker 1: Good morning. What up y'all? Is TJ. M. Gobody name
• 50:04
  Speaker 1: of Charlomagne Gut and we just want to say happy
• 50:06
  Speaker 1: holidays from all three of us, all three of y'all.
• 50:08
  Speaker 1: The Breakfast Club control Charlom Mayne say the gang, don't
• 50:17
  Speaker 1: get out the shape man. You aren't you donkey today?
• 50:25
  Speaker 1: Just not discriminate. I might not have the song of today,
• 50:27
  Speaker 1: but I got to donkey that gay. So if you
• 50:29
  Speaker 1: ever feel I need to be a donkey man, give
• 50:31
  Speaker 1: it with the Breakfast Club bitches. They just don't give
• 50:35
  Speaker 1: today today. Yes, donkey today. He goes to g OP
• 50:41
  Speaker 1: nominee Donald J. Trump. Now, listen, I don't do selective morality.
• 50:45
  Speaker 1: Even though I'm giving Trump this donkey, I'd be a
• 50:47
  Speaker 1: hypocrite acting like I haven't talked like this about women.
• 50:50
  Speaker 1: But I'm not running for leader of the free world,
• 50:52
  Speaker 1: and Donald Trump is. Therefore he got to get this.
• 50:54
  Speaker 1: He hard. Now. I'm sure you've heard Donald Trump's comments
• 50:57
  Speaker 1: about grabbing on pussycats. But if you have it, we
• 51:00
  Speaker 1: got the clip right here. You go. I gotta get
• 51:03
  Speaker 1: some kickcats. Just think it's just a kissinger. You know,
• 51:06
  Speaker 1: I'm automatically attracted the beautiful. I just started kissing them.
• 51:09
  Speaker 1: It's like a magnet. And when you're a start, then
• 51:13
  Speaker 1: let you do it. You can do anything whatever you
• 51:15
  Speaker 1: want grab brothers. Now, let's be clip. That's sexual assault.
• 51:20
  Speaker 1: It may not seem like it because a lot of
• 51:22
  Speaker 1: that behavior we have normalized in our society. But if you,
• 51:26
  Speaker 1: you know, welcome to a girl and kiss it without
• 51:27
  Speaker 1: her consent, a God forbid, welcome to her and grab
• 51:30
  Speaker 1: her a pussycat without consent, that's a charge, sir. Okay,
• 51:33
  Speaker 1: if you have ever grabbed a woman's asking the club
• 51:35
  Speaker 1: or at school without her consent, that's sexual assault. I know,
• 51:39
  Speaker 1: I know you don't look at it like that because
• 51:41
  Speaker 1: it's been so normalized what it is now for me.
• 51:44
  Speaker 1: I watched Trump on Friday night make those comments, and
• 51:46
  Speaker 1: I laughed and I said death foul. But immediately my
• 51:50
  Speaker 1: conscience kicked in and said, you are being a hypocrite
• 51:52
  Speaker 1: right now because you have said worse publicly and privately
• 51:56
  Speaker 1: about women. So I told myself, damn, you're right. This
• 52:00
  Speaker 1: is a moment to learn. It's a classic example of
• 52:02
  Speaker 1: a mirror effect. Okay, we look at somebody marrying and
• 52:04
  Speaker 1: displaying the same behavior that you have, and you get
• 52:07
  Speaker 1: to see yourself in a different light. All these Trump
• 52:10
  Speaker 1: comments did was make me want to monitor how I
• 52:12
  Speaker 1: speak to and about women. Now, why are these comments
• 52:15
  Speaker 1: so dangerous coming from Trump? Because power corrupts, and absolute
• 52:20
  Speaker 1: power corrupts absolutely, and Donald Trump is running for the
• 52:24
  Speaker 1: most powerful position in the land. Okay, Donald Trump already
• 52:27
  Speaker 1: has a level of privilege because he's filthy, rich, a
• 52:30
  Speaker 1: reality star, and he's a white male. Okay, those three combinations.
• 52:34
  Speaker 1: What makes him feel like he can sexually assault a
• 52:36
  Speaker 1: woman simply because he can? All right, you don't want
• 52:38
  Speaker 1: to give somebody like that the keys to the largest
• 52:41
  Speaker 1: military in the world. But why are we still surprised
• 52:44
  Speaker 1: that Donald Trump's antics. He's not a politician, He's a
• 52:47
  Speaker 1: reality show star and he's been acting like one this
• 52:49
  Speaker 1: whole time. But we keep putting lipstick on this pig
• 52:53
  Speaker 1: and acting like it's not a pig. He's not a
• 52:55
  Speaker 1: politician just because he's a GOP nominee. It means nothing.
• 52:58
  Speaker 1: I can stand in a garage in a parking space,
• 53:01
  Speaker 1: but that doesn't mean I'm a car. Okay. He's grabbing
• 53:03
  Speaker 1: by the pussycat comments is just the latest brick and
• 53:06
  Speaker 1: a wall of wildness that Donald Trump has been building
• 53:09
  Speaker 1: since this campaign started. And you know why none of
• 53:11
  Speaker 1: this seems to hurt Trump's momentum. You know, because he's
• 53:15
  Speaker 1: not a politician and everybody knows that he's a reality star,
• 53:18
  Speaker 1: we're really not even grading him on the same scale
• 53:21
  Speaker 1: we wore a real politician. This is why I feel
• 53:24
  Speaker 1: sorry for Hillary Clinton, love hater. She is the most
• 53:27
  Speaker 1: experienced person for the presidency. But I feel sorry for
• 53:30
  Speaker 1: her because we have to watch her try to prove
• 53:32
  Speaker 1: herself against the executive producer of Celebrity Apprentice. Watching her
• 53:36
  Speaker 1: debate Donald Trump is like watching Lebron James try to
• 53:38
  Speaker 1: prove to America that he's a great basketball player by
• 53:41
  Speaker 1: playing one on one against Peter Griffin from Family Guy.
• 53:43
  Speaker 1: Like it's not even remotely a fair matchup, but for
• 53:46
  Speaker 1: whatever reason, America has made it that and I don't
• 53:49
  Speaker 1: understand why, but we're here now. If Donald Trump loses
• 53:53
  Speaker 1: this election, this will by farb He's the funniest, most
• 53:56
  Speaker 1: entertaining presidential campaign we have ever seen. But if he wins,
• 54:00
  Speaker 1: this will be no laughing matter. In fact, if Donald
• 54:02
  Speaker 1: Trump wins, on a damn thing be funny. So in November,
• 54:05
  Speaker 1: I want you to go out and vote, Go out
• 54:07
  Speaker 1: and grab this selection by the pussycat, be like Donald Trump,
• 54:10
  Speaker 1: and don't ask for consent when it comes to voting.
• 54:13
  Speaker 1: Grab America's destiny by the pussycat, and let's end this
• 54:16
  Speaker 1: joke called Trump once and for all. Please give Donald J.
• 54:20
  Speaker 1: Trump the biggest see hull. I don't know if you
• 54:25
  Speaker 1: guys saw Giuliani trying to defend him. Awesome, Now you're
• 54:28
  Speaker 1: not even listening to Juliana's nothing to start telling him?
• 54:31
  Speaker 1: Said that, and relax, And yes, I will be monitoring
• 54:34
  Speaker 1: my rhetoric towards women. I will monitor what I say
• 54:37
  Speaker 1: to and about them. And I don't want to hear that.
• 54:39
  Speaker 1: You know, Oh, Charlotte man, you're not running for president. Talk.
• 54:42
  Speaker 1: I don't care if you're running for president. I don't
• 54:43
  Speaker 1: care if you're a radio personality or rapper or barber
• 54:46
  Speaker 1: or garbage man, doesn't matter. We can all do better
• 54:49
  Speaker 1: when it comes to how we talk to and about women.
• 54:51
  Speaker 1: Absolutely well, thank you for that dog in today, sir. Yes,
• 54:54
  Speaker 1: my Hawaiian brother, we found out yesterday that dj v's Hawaiian.
• 54:57
  Speaker 1: By the way, everything we did, we I think he
• 55:00
  Speaker 1: did one of those ancestry tests and we found out
• 55:02
  Speaker 1: he did. Yeah, we found out you Hawaiian. I'm not Hawaiian,
• 55:06
  Speaker 1: So you did that ancestry Testian a Hawaiian. What's it
• 55:10
  Speaker 1: called twenty three? What is it called? Again? I forgot
• 55:16
  Speaker 1: y'all never come to me morning. Everybody is DJ mvy
• 55:20
  Speaker 1: Angela Yee, Charlomagne, the gud We are the breakfast club
• 55:23
  Speaker 1: and she's back, Carol Stern. That's right, that's friend. Now
• 55:28
  Speaker 1: that money, it's right. What we need to do to
• 55:31
  Speaker 1: hit that goal. We need to give and we need
• 55:34
  Speaker 1: to get big. Now we didn't even introduce you some
• 55:35
  Speaker 1: UNI supp she's the CEO. Did I thought you just
• 55:39
  Speaker 1: said she's back? I did? I did? You didn't say? Okay,
• 55:44
  Speaker 1: so you're on the CEO of UNITH. Thank you, okay,
• 55:47
  Speaker 1: thank you? There we go, there we go. Come on, guys,
• 55:50
  Speaker 1: and you need you know, we all had a really
• 55:53
  Speaker 1: good holiday and this is our chance to do something
• 55:55
  Speaker 1: for somebody else. And there are kids around the world
• 55:57
  Speaker 1: today that really need your help. Pound to five keyword
• 56:02
  Speaker 1: unisf make a gift, That's what I mean. This is
• 56:04
  Speaker 1: a great present to actually give someone because can I
• 56:06
  Speaker 1: like donate in somebody else's name? Also, absolutely absolutely you
• 56:10
  Speaker 1: can definitely do that, you know, pound two five keyword
• 56:14
  Speaker 1: Unif you can make a gift in someone's honor. You
• 56:16
  Speaker 1: can make a gift yourself. You can make the difference
• 56:19
  Speaker 1: for child your Christmas past, so you can do it
• 56:21
  Speaker 1: for like a New Year's resolution, a New Year's resolution.
• 56:23
  Speaker 1: That's right. I love that you think people think it's
• 56:27
  Speaker 1: the holiday so that they don't think they can give
• 56:29
  Speaker 1: as much because they've got other things on their mind,
• 56:31
  Speaker 1: like presence and stuff like that. Yeah, you know, I
• 56:33
  Speaker 1: think especially right after Christmas, we're all sitting there with
• 56:36
  Speaker 1: the wrapping paper, you know, wrapping it up, throwing away,
• 56:38
  Speaker 1: they getting it together exactly and the year giving before
• 56:42
  Speaker 1: that little tax break exactly right right at the end
• 56:44
  Speaker 1: of the year, it's gone count for your taxes. That's right.
• 56:47
  Speaker 1: This is the time to do it. And also, you know,
• 56:49
  Speaker 1: I know in my house, I looked around on that
• 56:51
  Speaker 1: morning and I thought, how lucky you're weak. You know,
• 56:54
  Speaker 1: I've got my kids surrounding me. I've got my husband
• 56:57
  Speaker 1: sitting next to me. We're going to have a big dinner.
• 56:59
  Speaker 1: And I know for kids around the world that's just
• 57:02
  Speaker 1: not happening. And donations or you can write it off
• 57:05
  Speaker 1: on taxes for people out there, right, you can totally
• 57:07
  Speaker 1: write it off on taxes and ninety cents of every
• 57:09
  Speaker 1: dollar week collect goes to the children around the world.
• 57:12
  Speaker 1: That it was a rumor that your CEO was making
• 57:13
  Speaker 1: over a million dollars a year. That totally not true,
• 57:16
  Speaker 1: totally not you know, And that rumor said I was
• 57:18
  Speaker 1: driving rolls roy So I'll tell you when that got
• 57:20
  Speaker 1: texted out, I took a picture of me driving my
• 57:22
  Speaker 1: priests and I texted it back and I said, this
• 57:25
  Speaker 1: is how I roll fire your fact checker. And the
• 57:28
  Speaker 1: person who texted that out said that he would make
• 57:30
  Speaker 1: a gift. I'm still waiting stuff make stories come from.
• 57:34
  Speaker 1: I hate stuff like that because I feel like public
• 57:36
  Speaker 1: servants should be treated like that, like teachers. There's people
• 57:40
  Speaker 1: like you, military people. They should be millionaires, like they
• 57:44
  Speaker 1: should be writing around in fanoms and stuff like that too.
• 57:47
  Speaker 1: They would give them money to whatever. But I'm saying
• 57:49
  Speaker 1: we should treat them like that, and I think the
• 57:51
  Speaker 1: services should be free. But that's a whole other story.
• 57:54
  Speaker 1: Well there we go. You know, no, you know, listen,
• 57:57
  Speaker 1: I make a great seller. You can check it out
• 57:58
  Speaker 1: on our nine nineties. It's pub with knowledge. We're a
• 58:00
  Speaker 1: public trust. But at the same time, you know, for
• 58:04
  Speaker 1: people to make up rumors about nonprofits. I don't think
• 58:06
  Speaker 1: they understand when you spread that, right, you you cost lives.
• 58:10
  Speaker 1: You cost actual lives. Person who would have made a gift,
• 58:13
  Speaker 1: who doesn't. One dollar buys enough clean drinking water to
• 58:16
  Speaker 1: keep a kid alive for twenty days. Wow, So we
• 58:19
  Speaker 1: lose one dollar twenty days. Wow. All right, So every
• 58:22
  Speaker 1: gift amount counts, every donation that you can make counts.
• 58:25
  Speaker 1: Right now, we have one day right to meet our goal.
• 58:28
  Speaker 1: One day. One day. We're gonna do it too. Okay,
• 58:30
  Speaker 1: listeners out there, we're gonna do this right now. Tell
• 58:33
  Speaker 1: them a pound two five zero keyword una stuff. Okay, perfect,
• 58:38
  Speaker 1: And you can take what's the minimum you can give.
• 58:40
  Speaker 1: I don't even think there is a manim Oh cool,
• 58:42
  Speaker 1: So they can. They can give a dollar and then
• 58:45
  Speaker 1: give a lot more, the more of the marria. Oh,
• 58:50
  Speaker 1: I throw a stack on it. I'll put a thousand,
• 58:52
  Speaker 1: thousand dollars. I put a thousand dollars. Do amazing. That
• 58:56
  Speaker 1: means we all have to so we move as you
• 58:59
  Speaker 1: guys do. Awesome. Three ran from the breakfast club. Thank you,
• 59:01
  Speaker 1: thank you, thank you, thank you. We don't got to
• 59:04
  Speaker 1: do it to the thirty first, right before you, right
• 59:09
  Speaker 1: now when I get kicked in tomorrow wanting everybody is
• 59:16
  Speaker 1: DJ mvy Angela Yee, Charlottage and the guy. We are
• 59:20
  Speaker 1: the breakfast club. We got a special guests in the building.
• 59:23
  Speaker 1: You didn't crust us out? Tell him? Get it off
• 59:25
  Speaker 1: your chest, Burt Mandy. I ain't talking about because I
• 59:28
  Speaker 1: don't understand the angle like like already, So why I
• 59:31
  Speaker 1: come here? I did it already, I'm here, So what's happening?
• 59:35
  Speaker 1: I mean, it's all good. What I'm saying, what I'm here,
• 59:37
  Speaker 1: what's happening? I'm all good, But I'm saying, why come here? Man?
• 59:42
  Speaker 1: I wanted to see you. I wanted to talk to
• 59:44
  Speaker 1: you on your man and your face. Absolutely, you understand me.
• 59:47
  Speaker 1: I knew a few places you was that I could
• 59:50
  Speaker 1: have pulled up, but I don't think that was thankster.
• 59:52
  Speaker 1: I wanted to come look in your face like a
• 59:54
  Speaker 1: man and tell you how I feel. Okay, straight up
• 59:57
  Speaker 1: like a man. So what did you anyways? The issue?
• 1:00:00
  Speaker 1: You you'll feel me? I just come to let y'all
• 1:00:03
  Speaker 1: know stop put some respect on my name. Y'all stand
• 1:00:06
  Speaker 1: me when y'all saying my name, put some respect on it.
• 1:00:08
  Speaker 1: Did you did you pull up on ross that way
• 1:00:10
  Speaker 1: or trick daddy, and I'm pulling up on you. Yeah,
• 1:00:13
  Speaker 1: I'm the radio guy. I put up on the radio guy.
• 1:00:15
  Speaker 1: All up with the radio Guyha, y'all, y'all, y'all finish
• 1:00:18
  Speaker 1: or y'all dumb. I ain't got no more talking. That's
• 1:00:22
  Speaker 1: all right, yeah, grand over the gradhol All right, Well
• 1:00:28
  Speaker 1: there you have it. We're good. We're good. Yeah, man,
• 1:00:32
  Speaker 1: what about on my notes? Were good? That's it? Quick breast,
• 1:00:36
  Speaker 1: Well that's the breakfast. If you ever good morning, good morning. Well,
• 1:00:42
  Speaker 1: if you just joined the bird man came up here,
• 1:00:44
  Speaker 1: the interview didn't go that way. You know what was
• 1:00:47
  Speaker 1: gonna go that way? From our understanding behind the scenes,
• 1:00:52
  Speaker 1: he wanted to just come and address some things. He
• 1:00:54
  Speaker 1: wanted to come, and they said he was excited to come,
• 1:00:56
  Speaker 1: that he wanted to come talk to us, that he
• 1:00:58
  Speaker 1: wanted to get some things off the chest, and he did.
• 1:01:01
  Speaker 1: So let's actually play because we were you know, as
• 1:01:03
  Speaker 1: soon as you walk into this this room, we start
• 1:01:05
  Speaker 1: taping immediately because we never because it's always some good
• 1:01:07
  Speaker 1: stuff before after, and let's play. Let's say this is
• 1:01:10
  Speaker 1: what happened when Burman as soon as he walk walk there,
• 1:01:14
  Speaker 1: Yes there, I won't start this, ya straight. All three
• 1:01:17
  Speaker 1: of y'all stopped playing with my name. Let's go on there,
• 1:01:20
  Speaker 1: let's go. Stop playing with my name. Do it on camera.
• 1:01:24
  Speaker 1: Stop playing with my name, with my name, come on,
• 1:01:28
  Speaker 1: respect it. I playing with my name. All three of y'all,
• 1:01:32
  Speaker 1: stop playing with my name. I ain't gonna say it,
• 1:01:35
  Speaker 1: no mope if we go, warning everybody it is DJ
• 1:01:37
  Speaker 1: m zy Angela Yee trying to me. Now. The reason
• 1:01:40
  Speaker 1: I kept saying let's go because the cameraman was taking
• 1:01:42
  Speaker 1: the time. You don't wait, do a good conscience, like
• 1:01:44
  Speaker 1: let's go. You will not coming here. Cursh us out,
• 1:01:46
  Speaker 1: We're not gonna get the radio. We would trying to
• 1:01:50
  Speaker 1: take the quick cameman would taking his time. But what
• 1:01:52
  Speaker 1: happened with Burtman camera here. He tried to curush us
• 1:01:54
  Speaker 1: out and shake up the interview before the interview started,
• 1:01:58
  Speaker 1: thinking that the interview would be but it wouldn't have been.
• 1:02:01
  Speaker 1: We just still ask the questions we wanted to ask. Well,
• 1:02:04
  Speaker 1: you try to do the intimidation thing. Came in here
• 1:02:05
  Speaker 1: with like seven guys, you know, and my thing is yo,
• 1:02:08
  Speaker 1: anything I've ever said about a person on the radio.
• 1:02:11
  Speaker 1: I'm gonna say today's face. So I'm thinking, if you're
• 1:02:13
  Speaker 1: coming here, you coming here to address those issues right
• 1:02:16
  Speaker 1: that there? To me, that was some suffer that that's
• 1:02:19
  Speaker 1: anything we do a pre we did, we talk about
• 1:02:21
  Speaker 1: you or make a comment about you. When you come up,
• 1:02:23
  Speaker 1: people gonna make that same comment. And like, i' I don't,
• 1:02:25
  Speaker 1: I don't like. I don't like the coming up here
• 1:02:27
  Speaker 1: just trying to show out on people. Try to plan
• 1:02:30
  Speaker 1: to come up here and do certain things. Don't don't
• 1:02:32
  Speaker 1: don't try to be tough to the radio guys, especially
• 1:02:34
  Speaker 1: when people like Trick Daddy has been up here. Trick Daddy,
• 1:02:36
  Speaker 1: you have to say about bird Man, let's I've dumped
• 1:02:39
  Speaker 1: in this with bird Man. Summer good and Summer's bad.
• 1:02:42
  Speaker 1: I just think when when you trying to be a
• 1:02:43
  Speaker 1: CEO and you try to be a rapper, and you
• 1:02:46
  Speaker 1: try to be a ladies man, and you try to
• 1:02:48
  Speaker 1: be a girlfriend, and you're trying to be a girlfriend
• 1:02:52
  Speaker 1: and a blood trying to be a girlfriend a girlfriend.
• 1:02:55
  Speaker 1: I don't know that's what they see. I got it
• 1:02:59
  Speaker 1: from the three okay, and Ross was up here between
• 1:03:05
  Speaker 1: Wayne and him and he spoke about it. What's ledge
• 1:03:08
  Speaker 1: with Berman? I don't have one with Burdman. For me
• 1:03:11
  Speaker 1: to see the way things are transpiring, I can't respect that,
• 1:03:14
  Speaker 1: and I don't respect Have you had that convo with
• 1:03:16
  Speaker 1: Burdman boss to boss, like you need to treat your
• 1:03:18
  Speaker 1: people better? Not at all? I mean that's what I
• 1:03:20
  Speaker 1: wanted to build my team after the way their kids
• 1:03:23
  Speaker 1: was molding together, the way their family was so for
• 1:03:26
  Speaker 1: me to see this, that's a no go. They know
• 1:03:29
  Speaker 1: how I play, Berman know how I get down. He
• 1:03:31
  Speaker 1: was in Miami a long time. He knows double M
• 1:03:33
  Speaker 1: active what I'm jealous d j M, d Angela, Yee, Charlomagne,
• 1:03:37
  Speaker 1: the guy. We are the Breakfast Club. This year is
• 1:03:39
  Speaker 1: a time of giving, so make sure you donate to
• 1:03:42
  Speaker 1: UNISEFT to help save children's lives this holiday season. Use
• 1:03:45
  Speaker 1: your cell phone to die pound two fifty and say
• 1:03:47
  Speaker 1: the keyword unisapp. That's pound two fifty keyword unisapp to
• 1:03:52
  Speaker 1: make a donation. The People's Choice Mix is coming up,
• 1:03:54
  Speaker 1: so get your requests in it. Eight hundred five eight
• 1:03:57
  Speaker 1: five one oh five one. The Breakfast Club put up
• 1:04:02
  Speaker 1: y'all as DJ M, vy Angela, Yee, Charlomne and the guy.
• 1:04:06
  Speaker 1: We are the Breakfast Club. We're standing with Uni Steth
• 1:04:08
  Speaker 1: to give hope to the children. First. We need you
• 1:04:11
  Speaker 1: to help make a difference by donating to help save
• 1:04:13
  Speaker 1: children's lives. Use yourself phone to dive pound two fifty
• 1:04:16
  Speaker 1: and say the key word Uni Seth. That's pound two fifty,
• 1:04:19
  Speaker 1: keyword Uni Seth. Join the movement and give this holiday
• 1:04:22
  Speaker 1: season with the Breakfast Club. What do you think about
• 1:04:24
  Speaker 1: Birdman's approach? I'm starting the room. I was kind of
• 1:04:27
  Speaker 1: geeked that because they called me a couple of weeks
• 1:04:29
  Speaker 1: ago and they said Birdman wanted to do the interview,
• 1:04:31
  Speaker 1: and I was I was hyped. I was like, that's great.
• 1:04:33
  Speaker 1: It would be great for the culture, you know, because
• 1:04:35
  Speaker 1: we don't really get to talk to Birdman and see
• 1:04:36
  Speaker 1: the history and see everything that's going on for him
• 1:04:38
  Speaker 1: not paying his artists, alleged league to you know, him
• 1:04:41
  Speaker 1: kissing Wayne, alleged league to all that stuff. They called
• 1:04:44
  Speaker 1: me at four in the morning and said, are you
• 1:04:46
  Speaker 1: gonna be here on this day Birdman wants to come.
• 1:04:48
  Speaker 1: I said absolutely, because I mean, listen, I have no
• 1:04:51
  Speaker 1: problem with the confrontation. Confrontations ain't never scared me in
• 1:04:54
  Speaker 1: no way, shape or form. Anything I said about you
• 1:04:56
  Speaker 1: on the radio, I'm gonna say to your face. Period.
• 1:04:59
  Speaker 1: So I wasn't on that, but I thought that it
• 1:05:01
  Speaker 1: would have went better than that. But I always say,
• 1:05:03
  Speaker 1: you can never tell somebody how to react. So I
• 1:05:05
  Speaker 1: can't sit here and say that the way he reacted
• 1:05:07
  Speaker 1: was wrong. I just don't respect it, because if you
• 1:05:10
  Speaker 1: got an issue, let's talk about the issue. Don't come
• 1:05:12
  Speaker 1: in here with seven dude trying to intimidate people. Because
• 1:05:15
  Speaker 1: you ain't pull up on ross like that. You can't
• 1:05:16
  Speaker 1: pull up on a trick like that. Don't pull up
• 1:05:18
  Speaker 1: on the radio guys that can tough. I cannot stand
• 1:05:21
  Speaker 1: when these artists coming here and try to act tough
• 1:05:23
  Speaker 1: with us. Go act tough with the people that's out
• 1:05:25
  Speaker 1: here acting tough. Okay, I don't do that. You got
• 1:05:29
  Speaker 1: your notes, are prepared, and you was already like. Here's
• 1:05:31
  Speaker 1: the thing. I don't understand what he's mad about, because
• 1:05:35
  Speaker 1: I feel like, if you really don't mess with us,
• 1:05:37
  Speaker 1: then you shouldn't have came up here. I can see
• 1:05:39
  Speaker 1: why he's mad, but I'm saying you shouldn't have came
• 1:05:40
  Speaker 1: you And if you are to come up here and confront.
• 1:05:44
  Speaker 1: If you want to confront, let's have a conversation. Now.
• 1:05:47
  Speaker 1: I don't feel like I've ever spoken part. I've interviewed
• 1:05:49
  Speaker 1: Bert Man before we do at my former job. Great interview,
• 1:05:53
  Speaker 1: and I was very prepared for this one. I had
• 1:05:55
  Speaker 1: a lot of things we wanted to talk about discuss,
• 1:05:57
  Speaker 1: but I thought it was gonna be great. But I'm
• 1:05:59
  Speaker 1: think and maybe in the room of report there's certain
• 1:06:02
  Speaker 1: things that I don't make up, but maybe I know.
• 1:06:06
  Speaker 1: For me, I talked about him breaking up in Wayne
• 1:06:08
  Speaker 1: and then hooking up a thug, you know what I'm saying.
• 1:06:10
  Speaker 1: We never stopped talking about him kissing Wayne in his mouth,
• 1:06:13
  Speaker 1: artists that you know, artists, and bills that he allegedly
• 1:06:16
  Speaker 1: doesn't paid. We've definitely discussed that. You know. I got
• 1:06:19
  Speaker 1: cast from his people yesterday saying that he was upset
• 1:06:22
  Speaker 1: because he feels like whenever I say things like why
• 1:06:23
  Speaker 1: would you sign with bird Man, don't say nobody and
• 1:06:25
  Speaker 1: messages his business stuff. I can understand that that's understandable,
• 1:06:28
  Speaker 1: but you know, I didn't care. I wanted him to
• 1:06:30
  Speaker 1: come up here and cleared up, and me and bird
• 1:06:31
  Speaker 1: was cool. We were on told with each other. He
• 1:06:33
  Speaker 1: actually offered me a deal last year to signed me
• 1:06:35
  Speaker 1: to the cash money. I remember that you're offrom me
• 1:06:38
  Speaker 1: a deal, and I talked to him about day elect
• 1:06:41
  Speaker 1: trying to come previously he had wanted to sign him
• 1:06:43
  Speaker 1: because he's from New Orleans. Also, I don't know. So
• 1:06:46
  Speaker 1: let's go to the full lord. Hello, who's this yo? Yo?
• 1:06:50
  Speaker 1: From the d Man? What's straight entertainment? But what do
• 1:06:52
  Speaker 1: you think about Birdman's approach Man? Was it justified? Yeah?
• 1:06:55
  Speaker 1: I know he cameras and anything. I mean, you felt
• 1:06:59
  Speaker 1: like see me in the streets. He should have just
• 1:07:02
  Speaker 1: kept the interview he had to say. But it's all
• 1:07:05
  Speaker 1: about entertainments, just like I mean, I'm a broad fan
• 1:07:08
  Speaker 1: of for Life. But it's entertainment. It's the media industry.
• 1:07:11
  Speaker 1: It's a disgusting business. I wish you would have cleared
• 1:07:13
  Speaker 1: everything up. I wish we'd have had the chance to
• 1:07:15
  Speaker 1: talk to him about all those things. I don't ever
• 1:07:17
  Speaker 1: want to talk to bird Man. I'm cool on Burdman.
• 1:07:19
  Speaker 1: He was calling me yesterday trying to get us on
• 1:07:21
  Speaker 1: the phone. All that. I'm good. I didn't know. I
• 1:07:24
  Speaker 1: didn't know Burdman before this. I don't need to know
• 1:07:26
  Speaker 1: Burdman after this. God bless him. I wish him the best.
• 1:07:28
  Speaker 1: I'm cool on bird Man. I spoke to Burdman after that,
• 1:07:31
  Speaker 1: and he did apologize and he said he would love
• 1:07:34
  Speaker 1: to come back up here and talk to us, and
• 1:07:36
  Speaker 1: he said he wanted to talk to you face to
• 1:07:38
  Speaker 1: face as well. No, that is that wasn't happening. And
• 1:07:40
  Speaker 1: they called me for that yesterday too, they wanted to
• 1:07:42
  Speaker 1: meet face to face. I'm like, nope. He was like,
• 1:07:44
  Speaker 1: can y'all get on the phone. I'm like, man, let
• 1:07:45
  Speaker 1: me call y'all back. So y'all are hearing me say
• 1:07:47
  Speaker 1: it now? I'm cool on burd Man. I don't need
• 1:07:50
  Speaker 1: to have no conversation with a Burnman. Didn't know him
• 1:07:52
  Speaker 1: before this, don't need to know him after this. God
• 1:07:53
  Speaker 1: bless him. Burdman' is it justified? Please? First of all,
• 1:07:57
  Speaker 1: like Charlemagne said, for you to take this time to
• 1:07:59
  Speaker 1: come to the radio Statians to address me, that's not
• 1:08:01
  Speaker 1: being a man. You told him that you've seen him
• 1:08:04
  Speaker 1: any of the time, but you never addressed him. And
• 1:08:06
  Speaker 1: the fact that he was addressing all three of you guys,
• 1:08:09
  Speaker 1: including a female, a little Spanish female, was straight up.
• 1:08:15
  Speaker 1: The Spanish female. No, I wasn't saying, m va female.
• 1:08:21
  Speaker 1: I'm sorry. I wasn't saying I would have just said, like,
• 1:08:25
  Speaker 1: shut up ahead, it's just wat because if you was
• 1:08:29
  Speaker 1: a man, you would have pulled him to the song.
• 1:08:30
  Speaker 1: And you've seen them, but you waited until you got
• 1:08:32
  Speaker 1: on the radio station to say a five second interview
• 1:08:35
  Speaker 1: like come on, please, God, we ain't worried about you.
• 1:08:40
  Speaker 1: Just came. Burdman's approach was justified. No, man, not at all. Man,
• 1:08:45
  Speaker 1: Come on, man, what's you coming at Charlom Man? For man,
• 1:08:48
  Speaker 1: you know our person, Una Man. We took it with
• 1:08:50
  Speaker 1: charlom Man. He right across the bridge, Yes, sir, all
• 1:08:52
  Speaker 1: right bro third, well let's come on the story, guys,
• 1:08:56
  Speaker 1: come all in the story. Burd Man wasn't wrong because
• 1:08:58
  Speaker 1: I always tell y'all you can never tell somebody how
• 1:09:00
  Speaker 1: they should react to a certain situation. But I know
• 1:09:02
  Speaker 1: for me, I'm cool on burd Man boy. Like I said,
• 1:09:05
  Speaker 1: he did call after the show and he apologized. He
• 1:09:07
  Speaker 1: said he wanted to come back home. Did you accept
• 1:09:08
  Speaker 1: his apology? Nothing bothers me. I don't care. I mean
• 1:09:12
  Speaker 1: the fact that we was able to get it on
• 1:09:13
  Speaker 1: the air is what made my song. I left that
• 1:09:15
  Speaker 1: n act like nothing happened right before the bisland Okay, okay,
• 1:09:18
  Speaker 1: hold on, I was trying to get it. I was
• 1:09:20
  Speaker 1: trying to get it on air. Like you, talking behind
• 1:09:21
  Speaker 1: the scenes does nothing for our listeners. I want our
• 1:09:23
  Speaker 1: listeners to see everything, every aspect, everything that happens. That's
• 1:09:27
  Speaker 1: why I was trying to get the cameraman and Harry up.
• 1:09:29
  Speaker 1: I wouldn't love to know what it is that really
• 1:09:31
  Speaker 1: in particular has him. I don't care. Practice Charlemagne said
• 1:09:36
  Speaker 1: that why would you sign the Birdman because because he
• 1:09:38
  Speaker 1: was like he felt like that messes up his money,
• 1:09:40
  Speaker 1: because a lot of artists might like I won't sign him.
• 1:09:42
  Speaker 1: But God, God bless bird Man. I didn't know Burman
• 1:09:45
  Speaker 1: before this. I don't need to know him after this.
• 1:09:48
  Speaker 1: No need to call my phone and ask the Holly
• 1:09:50
  Speaker 1: and all that. I'm cool on Birdman. Five stop. Okay,
• 1:09:55
  Speaker 1: good luck to him. I wish him the best. He
• 1:09:57
  Speaker 1: had it. He's had a great life. He will continue
• 1:09:58
  Speaker 1: to have a great life without the Breakfast Club. But
• 1:10:01
  Speaker 1: my thing is, don't come here if you really don't
• 1:10:03
  Speaker 1: want to address issues and get things off your chest.
• 1:10:06
  Speaker 1: Don't come in here and try to curse us out
• 1:10:07
  Speaker 1: with seven dude and intimidate people and do the old
• 1:10:10
  Speaker 1: fake guy in nineteen nineties tough rapper thing. That is whack.
• 1:10:13
  Speaker 1: He might have been. He just might have had a
• 1:10:14
  Speaker 1: bad morning man. He might have just who knows. Well,
• 1:10:16
  Speaker 1: let's pop battles, stupid ass, it's a breakfast club. Good morning, duke,