Latest / Nashville Movie Dispatch / The Cinema Chronicles, Vol. 45: 'Street Fighter' and More!
Transcript
- 0:21Speaker 1: Welcome back to another volume of the Cinema Chronicles right
- 0:27Speaker 1: here on Nashville Movie Dispatch. I am your host, as always,
- 0:31Speaker 1: Sir Brandon Vick, member of the Southeastern Film Critics Association
- 0:36Speaker 1: and a board member of the Music City Film Critics Association.
- 0:41Speaker 1: We got four. Four movies. I think, as usual, I
- 0:47Speaker 1: did a pretty damn good job of finding four very
- 0:50Speaker 1: different movies to to talk about uh today for you
- 0:56Speaker 1: and let's um I'm only going to spend a couple
- 1:00Speaker 1: minutes on this but obviously Saturday is Halloween and uh
- 1:06Speaker 1: we have tried to do quite a bit of stuff
- 1:10Speaker 1: to celebrate the season and we've only really had fall
- 1:14Speaker 1: weather for like half of October so But we've done
- 1:18Speaker 1: the pumpkin patch stuff. We actually went up to Gatlinburg
- 1:21Speaker 1: and the Smoky Mountains. And we, as of this recording,
- 1:28Speaker 1: haven't yet been going to Rock City because they got
- 1:31Speaker 1: a full-blown Halloween thing going on up there. We even went,
- 1:37Speaker 1: even though this was in September, we actually just went
- 1:42Speaker 1: to see a movie in a cave. at Cherokee Cavern.
- 1:47Speaker 1: So I feel like we've done good. I think we've
- 1:49Speaker 1: done a lot. I've tried to watch a ton of
- 1:53Speaker 1: spooky stuff. I'm in the middle of Crystal Lake, the
- 1:56Speaker 1: Friday 13th Voorhees show. Still trying to watch that Josh
- 2:01Speaker 1: Hartnett Netflix show called Below. But yeah, we still watched
- 2:08Speaker 1: some of the Some of the greats have watched The Thing.
- 2:13Speaker 1: I've watched the 2009's Friday the 13th. Of course, Paranorman,
- 2:17Speaker 1: Monster House. I've kind of gone back in time. I've
- 2:23Speaker 1: watched Psycho. I haven't watched that in years. And went
- 2:28Speaker 1: back and watched the OG Werewolf movie. So, yeah. I
- 2:36Speaker 1: think it's been a pretty successful spooky season. My son
- 2:41Speaker 1: is really into Toy Story, so he has chosen to
- 2:45Speaker 1: go as Buzz Lightyear this year. He told my wife
- 2:50Speaker 1: that she's going to be Jesse, I'm going to be Woody,
- 2:53Speaker 1: and his aunt is going to be Bullseye. But I
- 2:58Speaker 1: personally thought Woody was too plain. So I've decided I'm
- 3:04Speaker 1: going to go with Sid. But a 40-year-old Sid.
- 3:10Speaker 1: Who has been beaten up by the world, who's a
- 3:14Speaker 1: chain smoker, and has a limp. So I think it's
- 3:22Speaker 1: going to be really cool when we take our pictures,
- 3:25Speaker 1: and my son's going to be totally surprised, while probably
- 3:29Speaker 1: my wife is going to be pissed. But, you know, listen,
- 3:33Speaker 1: you've got to expand your horizons. You've got to step
- 3:36Speaker 1: out of that box. It's still Toy Story. So shouldn't be,
- 3:41Speaker 1: shouldn't be an issue. So we're excited. Uh, I think
- 3:45Speaker 1: we've decided where we're going as far as going to,
- 3:49Speaker 1: going to get them candies, but I love this. I
- 3:53Speaker 1: love this season. I think I've loved it more. My
- 3:56Speaker 1: wife has gotten me more into it and now being
- 3:58Speaker 1: a dad, I'm, it's pretty fun. So, uh, it's going
- 4:03Speaker 1: by way too fast and it's really hard to believe
- 4:05Speaker 1: that there's less than a week before, uh, for Halloween
- 4:10Speaker 1: and then it's the hectic holiday season. So, and speaking
- 4:14Speaker 1: of a hectic holiday season, just a little programming note.
- 4:18Speaker 1: Last year, I took a break, did not do a
- 4:22Speaker 1: Cinema Chronicles in December. I'm going to do the same
- 4:26Speaker 1: this year, but I'm also going to take next month
- 4:31Speaker 1: off too. There will still be a VixFlix podcast, for
- 4:38Speaker 1: November and December. This is just, just specifically the Cinema Chronicles.
- 4:43Speaker 1: There will not be an episode in November or December.
- 4:48Speaker 1: December will come back in January. It's just been, it's
- 4:54Speaker 1: been a busy couple of months. There are a lot of,
- 5:00Speaker 1: there's a lot of content out there, reviews, other podcasts
- 5:05Speaker 1: as far as with the VIXX Flix, Movie View Rewind,
- 5:11Speaker 1: The Drinking Whist. We just did the live drinking with
- 5:15Speaker 1: last Friday at Danger Zone Video for House of Wax. So,
- 5:19Speaker 1: you know, basically what I'm saying is I think I've
- 5:22Speaker 1: earned it. So the Cinema Chronicles will not have an
- 5:28Speaker 1: episode for the rest of this year, but we will
- 5:32Speaker 1: be back in January. So just kind of keep that
- 5:36Speaker 1: in mind. And I mean, I'm sure there'll be a
- 5:41Speaker 1: podcast review or written review or something like that. But
- 5:44Speaker 1: I just wanted to take a break for a little
- 5:49Speaker 1: bit on this as a lot of time is put
- 5:52Speaker 1: into it as you see the movie and then trying
- 5:55Speaker 1: to gather information on top of writing my thoughts. So anyway,
- 6:01Speaker 1: I don't know why I have to explain it to everyone, but...
- 6:04Speaker 1: But this is it. So this is the last episode
- 6:06Speaker 1: of 2026. We'll see you in 2027. But first, let's
- 6:11Speaker 1: get to some movies, shall we? Coming up first is
- 6:16Speaker 1: a whale. And he said, get in my belly. Next.
- 6:31Speaker 1: Whale Fall. This is per Rotten Tomatoes. Following the death
- 6:35Speaker 1: of his father, played by Josh Brolin, Jay Gardner, played
- 6:38Speaker 1: by Austin Abrams, goes diving off the central coast of
- 6:42Speaker 1: California in search of his father's remains, but is swallowed
- 6:45Speaker 1: by a massive sperm whale. While trapped inside its belly
- 6:49Speaker 1: with only one hour of oxygen left, Jay comes to
- 6:51Speaker 1: realize that the hard-earned lessons that his father imparted may
- 6:55Speaker 1: be the key to his escape. So this is adapted...
- 7:01Speaker 1: From Daniel Krause's novel, co-writer, director Brian Duffield creates an
- 7:06Speaker 1: incredibly immersive survival thriller slash kind of claustrophobic nightmare deep
- 7:12Speaker 1: in the belly of a beast. It's quite exhilarating, excruciating,
- 7:16Speaker 1: and entertaining when the movie is just about a boy
- 7:20Speaker 1: and a whale. Abrams is back at it after Resident Evil,
- 7:26Speaker 1: which was great for anybody that hasn't seen it. And
- 7:28Speaker 1: he's fantastic here, too. He's delivering a tormented, physically committed performance.
- 7:34Speaker 1: He's not really saying a whole lot after being swallowed
- 7:37Speaker 1: up by a sperm whale. It's more sort of like noises.
- 7:45Speaker 1: Like that. But when he does... You almost can't quite
- 7:50Speaker 1: make it out because of the scuba mouthpiece that gives
- 7:54Speaker 1: him oxygen to breathe. But that's where that physically dedicated
- 8:00Speaker 1: part really comes in handy. Brolin, he's solid. He's bringing
- 8:06Speaker 1: some emotional gravitas to a dad who's struggling to communicate
- 8:09Speaker 1: with his son. Who does for a lot of the runtime... Unfortunately,
- 8:15Speaker 1: kind of comes across as just kind of an asshole
- 8:18Speaker 1: who cares more about the natural world than his family. Or,
- 8:22Speaker 1: you know, again, so we think that's kind of what
- 8:23Speaker 1: it looks like on the surface level. Jay, that's Abrams character, right?
- 8:30Speaker 1: He's probably got enough trauma to fill up maybe two
- 8:33Speaker 1: or three sperm wells, to be honest. But how his
- 8:38Speaker 1: and his dad's relationship plays out on screen doesn't totally
- 8:41Speaker 1: work by the end of Wellfall. Knowing that this is
- 8:45Speaker 1: the heart of the story, and it should give it
- 8:48Speaker 1: its resonance, it doesn't really move beyond the predictable beats
- 8:52Speaker 1: of daddy issues that end up spawning these familiar feelings
- 8:57Speaker 1: of unresolved anger, pain, guilt, and grief that, of course,
- 9:03Speaker 1: ultimately leads to a sense of forgiveness. It's also more
- 9:08Speaker 1: mushy than it needs to be, while also feeling a
- 9:12Speaker 1: little unnecessary when the movie feels like it literally has
- 9:16Speaker 1: to explain that these lessons that have been taught by
- 9:20Speaker 1: Jay's dad wind up becoming the tools he needs to survive.
- 9:24Speaker 1: While also wanting to, trying to dive deeper into what
- 9:31Speaker 1: this entire journey is really about and kind of, you know,
- 9:34Speaker 1: the whale being a metaphor. I think if Duffield had
- 9:38Speaker 1: made some different choices, especially pertaining to stuff towards the end,
- 9:42Speaker 1: I think the crucial connection still would have been, one,
- 9:45Speaker 1: they would have been pretty obvious, but two, would have
- 9:47Speaker 1: been more emotionally effective. It's the craftsmanship and sound design
- 9:54Speaker 1: that truly makes Will fall. An unforgettable, breathtaking experience. With
- 10:00Speaker 1: much of the film taking place inside a sperm whale's stomach,
- 10:04Speaker 1: it's amazing what Duffield and his crew pull off and
- 10:07Speaker 1: making it so damn cinematic. Ramsey Avery is the man
- 10:12Speaker 1: behind it all, and he was the production designer on
- 10:14Speaker 1: Duffield's last film. It was a 2023 sci-fi horror film
- 10:18Speaker 1: called No One Will Save You. What he has created
- 10:21Speaker 1: here is jaw-dropping. You're visually mesmerized with just how it
- 10:25Speaker 1: looks and feels and moves. There was an Entertainment Weekly
- 10:29Speaker 1: piece titled, How Did the Whale Fall Team Create That
- 10:32Speaker 1: Incredible Whale's Stomach? The Production Designer Reveals All. It says,
- 10:37Speaker 1: The first step was a lot of research. Nobody's really
- 10:41Speaker 1: seen those things, Avery says, of the insides of a
- 10:43Speaker 1: living whale. So he dove into a catechism, catechism, biology
- 10:49Speaker 1: information and kicked off many early mornings with Well Falls
- 10:52Speaker 1: Well expert, who often greeted him with photos of dissections.
- 10:56Speaker 1: He's quite a saying, lots of good bloody stuff to
- 10:58Speaker 1: start off my day. Avery oversaw the creation of digital
- 11:02Speaker 1: models scaled from real well stomach measurements. Then they built
- 11:05Speaker 1: a rough foam mock-up that the crew climbed into one
- 11:10Speaker 1: at a time to test the scale, sight lines, and
- 11:14Speaker 1: memorably the placement of the stomach chambers sphincters he says
- 11:21Speaker 1: the first model was shaped like an eggplant and one
- 11:23Speaker 1: of the sphincters was right behind jay's head avery recalls
- 11:27Speaker 1: we were like yeah we don't really want to look
- 11:29Speaker 1: at a butthole for an entire movie Next came 3D printing,
- 11:34Speaker 1: more foam builds, and finally four full-scale rigs, including one
- 11:38Speaker 1: on a heavy-duty motion base and one rigged to spin
- 11:42Speaker 1: like a washing machine, each built to give cinematographer Aaron
- 11:46Speaker 1: Morton a different way to shoot movement inside the well.
- 11:49Speaker 1: Keeping that set alive during filming filled a seven-crew member
- 11:54Speaker 1: station outside it, manually pushing and pulling the structure with
- 11:58Speaker 1: foam paddles and custom tools while Avery called out their
- 12:01Speaker 1: movements in real time. Avery says, I'm actually there talking
- 12:06Speaker 1: to the manipulators. Can you move a little higher? Can
- 12:08Speaker 1: you push a little harder or a little less? He
- 12:11Speaker 1: says he's never had to do that before. When we
- 12:20Speaker 1: talk about willful, it's not just about what you see,
- 12:23Speaker 1: but it's what you hear. The sounds are phenomenal and
- 12:27Speaker 1: easily enveloping, keeping us, the audience, in a constant state
- 12:31Speaker 1: of anxiousness while adding so much naturalism to, I mean,
- 12:35Speaker 1: let's face it, a pretty preposterous premise. What could have
- 12:39Speaker 1: made well-fall great is if the same kind of energy
- 12:43Speaker 1: and effort that was put into the creation of the
- 12:45Speaker 1: insides of a well was put into the father-son dynamic,
- 12:48Speaker 1: because that's really what the story is. Yet, it's because
- 12:53Speaker 1: of all of these tremendous technical aspects that still makes
- 12:58Speaker 1: well-fall worth seeing on a very big screen. VixFlix rating
- 13:04Speaker 1: for Will Fall is 3 out of 5. And coming
- 13:08Speaker 1: up next, Jessica Chastain is back as one creepy mama.
- 13:16Speaker 2: Next.
- 13:26Speaker 1: I knew one thing that I had to have for
- 13:29Speaker 1: this Cinema Chronicles episode, and that was at least one
- 13:34Speaker 1: spooky movie, because after all, it is October. Unfortunately, the
- 13:39Speaker 1: one I brought you is a shitty one. Let's go
- 13:43Speaker 1: over what this is about, in case you don't know.
- 13:45Speaker 1: An eight-year-old girl encounters, this is per Rotten Tomatoes, eight-year-old
- 13:48Speaker 1: girl encounters a sinister entity that looks and sounds just
- 13:51Speaker 1: like her mother. So, Jessica Chastain, I love her, I'm
- 13:56Speaker 1: sure you do too. But she doesn't have the best
- 13:59Speaker 1: track record when it comes to the horror genre. I'd
- 14:02Speaker 1: say IT Chapter 2 is probably her best, and even
- 14:04Speaker 1: that one was the weakest of the two IT movies,
- 14:07Speaker 1: I think. Crimson Peak is more known for its production
- 14:11Speaker 1: design and atmosphere, and not necessarily, I think, for the performances. Mama,
- 14:18Speaker 1: I don't know if anybody remembers that one, but that
- 14:20Speaker 1: one was quite disappointing. And now, here we are with
- 14:23Speaker 1: Other Mommy, which is definitely the worst of the bunch, and...
- 14:27Speaker 1: one of the worst movies of the year. So there's
- 14:31Speaker 1: nothing really wrong with her performance. There seems to be
- 14:36Speaker 1: somewhat of a balance between camp and just straight up
- 14:39Speaker 1: horror for her. And the little girl in it plays
- 14:43Speaker 1: her daughter. Her name is Arabella Olivia Clark. She's pretty
- 14:46Speaker 1: good too. But it's everything else that is so uneven
- 14:51Speaker 1: and poorly executed. I had a suspicious feeling that That
- 14:56Speaker 1: the scariest stuff was probably in the previews. And I
- 15:00Speaker 1: couldn't have been more correct. The preview really freaked people out.
- 15:06Speaker 2: And....
- 15:07Speaker 1: If you haven't seen it, I'd almost tell you just
- 15:09Speaker 1: to watch the trailer and be... And say, okay, no need.
- 15:13Speaker 1: No need to go watch an hour and 20-something minutes
- 15:15Speaker 1: of that.
- 15:16Speaker 2: But.
- 15:19Speaker 1: It's... Jump scares galore for director Rob Savage. Rob Savage. But... What...
- 15:26Speaker 1: what are what would those be called if they don't
- 15:29Speaker 1: scare you because i guess that would be just annoying
- 15:33Speaker 1: um they run away the family jessica chastain jay jay
- 15:39Speaker 1: duplass plays the husband and of course their daughter they
- 15:43Speaker 1: run away from home to get away from other mommy
- 15:46Speaker 1: just to go to other places and that's then followed
- 15:50Speaker 1: by the other mommy, and then make their way back
- 15:52Speaker 1: home to pick from a table full of murder weapons
- 15:56Speaker 1: to kill the other mommy. Oh, and the real mommy
- 16:01Speaker 1: is having an affair that adds nothing to this story.
- 16:07Speaker 1: The writing is atrocious and the attempted humor is awful.
- 16:11Speaker 1: The demon elements, they're creepy at first, but then those
- 16:15Speaker 1: get pretty laughable the more that we see it, and
- 16:22Speaker 1: what the other mommy is intended to represent also goes
- 16:28Speaker 1: horribly wrong. The family lie reveal that happens at the
- 16:34Speaker 1: very last moment and the way that it's done is
- 16:39Speaker 1: quite baffling. I'll let you go and enjoy that on
- 16:45Speaker 1: your own. The emotional core of the movie, and again,
- 16:48Speaker 1: I have not read the book, but I assume the book,
- 16:52Speaker 1: is this isolation and loneliness of the little girl, the daughter,
- 16:58Speaker 1: which is basically how this mommy demon finds her and
- 17:04Speaker 1: is pretty consistent in asking to let her into her heart, which,
- 17:11Speaker 1: I mean, I guess as demons do. However, This feeling
- 17:19Speaker 1: that we're supposed to have with the struggles of the
- 17:24Speaker 1: daughter is clearly not resonating on screen as Other Mommy
- 17:31Speaker 1: does not know how to effectively depict this sort of
- 17:34Speaker 1: pain that she's going through. So what Savage ends up
- 17:39Speaker 1: prioritizing doesn't leave us feeling unsettled or have us straight
- 17:44Speaker 1: up sitting in our seat, sweating in fear. It's an
- 17:48Speaker 1: undeniable sense of just silliness and stupidity. A VixFlix rating
- 17:55Speaker 1: for Other Mommy is 1.5 out of 5 stars. And
- 17:59Speaker 1: coming up next... Round 1.
- 18:02Speaker 2: Fight!
- 18:10Speaker 1: Good news, everyone. The best Street Fighter movie ever is
- 18:16Speaker 1: finally here. What's that? There's only been two other movies?
- 18:21Speaker 1: That's correct. There's the, I think, probably the most famous
- 18:26Speaker 1: 1994 movie with the one and only Jean-Claude Van Damme.
- 18:30Speaker 1: There was also a 2009 Street Fighter Legend of Chun-Li,
- 18:35Speaker 1: and I don't remember anything about that one. So I'm
- 18:38Speaker 1: going to say no one saw it, no one cared.
- 18:42Speaker 1: So obviously this is a very low bar. But per
- 18:47Speaker 1: Rotten Tomatoes, estranged street fighters Ryu and Ken Masters get
- 18:52Speaker 1: thrown back into combat when the mysterious Chun-Li recruits them
- 18:56Speaker 1: for the next World Warrior Tournament. A brutal clash of fists, fate,
- 19:01Speaker 1: and fury. However... Behind the Battle Royal lies a deadly
- 19:06Speaker 1: conspiracy that forces them to face off against each other
- 19:10Speaker 1: and the demons from their past. This is a perfect
- 19:15Speaker 1: case of what you see is what you get with
- 19:17Speaker 1: this Capcom video game adaptation that is directed by.
- 19:23Speaker 1: Bear with me here. It is directed by Kiteo Sakurai.
- 19:27Speaker 2: And....
- 19:34Speaker 1: The entire cast and crew's love for this game is
- 19:38Speaker 1: on full display, with references popping up everywhere. But when
- 19:42Speaker 1: there's no fighting, the movie is supremely sloppy and more
- 19:46Speaker 1: stupid than fun. uh street fighter opens up with this
- 19:51Speaker 1: stellar anime animation and honestly that's really how the whole
- 19:57Speaker 1: movie should have been because it's it's really cool but
- 20:01Speaker 1: the live action stuff struggles to get from one fight
- 20:06Speaker 1: to the next It doesn't take itself that seriously, but
- 20:11Speaker 1: it's also incredibly incoherent with too many characters, awful dialogue,
- 20:18Speaker 1: and lousy attempts to make the audience laugh. I really
- 20:21Speaker 1: don't know if there's a single joke that really hits,
- 20:26Speaker 1: and I feel like if it does, it might only
- 20:28Speaker 1: cause a tiny chuckle, and it may have come from
- 20:31Speaker 1: Cody Rhodes' guile. Maybe. I don't even want to get
- 20:36Speaker 1: your hopes up on that. And the editing. The editing
- 20:41Speaker 1: is terrible when it comes to actually trying to present
- 20:48Speaker 1: this main plot that involves Ryu and Kim. And the
- 20:54Speaker 1: Warrior Tournament itself. Half of that is skipped with lame forfeits.
- 21:03Speaker 1: It doesn't make sense. The visual effects... Go from decent
- 21:08Speaker 1: to iffy to just being straight-up eyesores. Jason Momoa's Blanca
- 21:13Speaker 1: instantly comes to mind. I don't know what in God's
- 21:17Speaker 1: name they've done, but he looks... It looks awful. Hey,
- 21:25Speaker 1: here's some good stuff. I did enjoy this brotherhood that
- 21:30Speaker 1: is shared by Noah Centineo and Andrew Koji. They are...
- 21:37Speaker 1: Ken and Ryu respectively their friendship and bond I do
- 21:41Speaker 1: think is a nice direction to take this story even
- 21:44Speaker 1: if it fails to really do something with it these
- 21:49Speaker 1: two guys are undoubtedly committed I think you can physically
- 21:54Speaker 1: see that and all the training really pays off and
- 21:57Speaker 1: I think that could be said for most of the
- 22:02Speaker 1: performances when they're actually throwing fists and throwing each other
- 22:06Speaker 1: around um kalina liang as chun li i thought she
- 22:11Speaker 1: was pretty good but i really found andrew schultz and
- 22:15Speaker 1: eric andre annoying they they don't add anything to it
- 22:19Speaker 1: they're also part of the real problem of trying to
- 22:23Speaker 1: force these laughs by getting these type of funny guys
- 22:26Speaker 1: it does not work at all um I talked about
- 22:32Speaker 1: Cody Rhodes is guile. He was pretty amusing for the
- 22:35Speaker 1: most part. And Roman reigns got to be pretty evil,
- 22:38Speaker 1: even though, and I'm, I'm sure maybe I'm the only one,
- 22:41Speaker 1: but I don't even really remember Akuma in the games.
- 22:47Speaker 1: So I don't really know when he came in. He it's,
- 22:51Speaker 1: it's a, it's a, it's a very, um, prominent role.
- 22:55Speaker 1: You don't really see Roman reigns, um, until the end,
- 23:00Speaker 1: but it's, but, But I liked that aspect of it.
- 23:05Speaker 1: I didn't mind it. The most fascinating person, I think,
- 23:09Speaker 1: in this whole thing is David Dussmouchen. And I don't
- 23:14Speaker 1: really mean that in the best way. I like him.
- 23:18Speaker 1: I think he's a great actor. He does have this
- 23:24Speaker 1: kind of creepy, mysterious presence. He's been in the Suicide
- 23:30Speaker 1: Squad movie. He's been in a lot of stuff, including
- 23:34Speaker 1: in Nolan's Batman movies. I think it's The Dark Knight.
- 23:37Speaker 1: He's in that. But there is a movie, and actually
- 23:40Speaker 1: it's perfect to watch right now, but it's called Late
- 23:42Speaker 1: Night with the Devil. I highly recommend that one. He
- 23:46Speaker 1: is really good. But as far as his M. Bison,
- 23:49Speaker 1: his M. Bison is strange and sinister, which kind of
- 23:54Speaker 1: fits with what he does. But it weirdly seems like
- 24:01Speaker 1: a lot of his screen time is either spent yelling or, like,
- 24:06Speaker 1: legit rolling his eyes into the back of his head
- 24:09Speaker 1: as if he's orgasming in his pants. Now, I haven't
- 24:14Speaker 1: played Street Fighter in a really long time, but I
- 24:16Speaker 1: don't remember him doing.
- 24:17Speaker 2: That in the game. And, honestly....
- 24:22Speaker 1: To build on that, there's more than a few things
- 24:26Speaker 1: in this street fighter that made me wonder why in
- 24:29Speaker 1: the hell is this movie so horny? It's really kind
- 24:34Speaker 1: of wild on some of the things that they say
- 24:37Speaker 1: or do where they, I mean, they are really going
- 24:40Speaker 1: out of their way to make it horny. And I
- 24:45Speaker 1: don't get it. I don't really know what the, Like
- 24:49Speaker 1: I get if you want to have everybody under a
- 24:52Speaker 1: certain age come and you're going to have these, you know,
- 24:54Speaker 1: guys without their shirts and stuff. I get it. You
- 24:57Speaker 1: want eye candy and then you want some, some, you know,
- 25:02Speaker 1: beating of, of faces and bloodshed. And I get it,
- 25:06Speaker 1: but I really don't, I don't know. It's, it's very confusing. Uh,
- 25:12Speaker 1: if there is one thing that street fighter can do it,
- 25:14Speaker 1: it is fighting. Thankfully. Uh, The fighting sequences, they're vicious,
- 25:19Speaker 1: they're intense, and they're energetic. They truly do pack a punch,
- 25:22Speaker 1: which is what fans, I think, want really at the
- 25:25Speaker 1: end of the day. It does have a lot of
- 25:28Speaker 1: what we enjoyed about the game and its characters. It's
- 25:34Speaker 1: 90s nostalgia with a banger soundtrack. I will say there's
- 25:37Speaker 1: a lot of good songs in there that it just
- 25:39Speaker 1: goes all in on the absurdity of it all. And
- 25:42Speaker 1: you're either willing to go a few rounds with it
- 25:44Speaker 1: or you're not. I do think you'll probably find yourself
- 25:49Speaker 1: exhausted either way. Street Fighter gets a 2.5 out of
- 25:54Speaker 1: 5 stars, the VixFlix rating. And coming up next, if
- 25:59Speaker 1: you got wicker, the bed is a-rockin' and don't come a-knockin'.
- 26:03Speaker 2: Oh, next.
- 26:14Speaker 1: It's that sensation that's been sweeping the nation, steamy and sexy,
- 26:23Speaker 1: with a popcorn bucket that could have men and women
- 26:27Speaker 1: howling at the moon. It's Wicker. Per Rotten Tomatoes, on
- 26:32Speaker 1: the outskirts of a village by the sea lives a fisherwoman,
- 26:36Speaker 1: played by Olivia Colman, smelly, single, and perpetually ridiculed. One day,
- 26:41Speaker 1: fed up with her stuffy, small-minded neighbors, she commissions herself
- 26:45Speaker 1: a husband to be made from wicker, played by Alexander Skarsgård.
- 26:49Speaker 1: In an otherwise conservative town, this unconventional romance sparks outrage, jealousy,
- 26:56Speaker 1: and chaos. This is based on a short story, it's
- 27:05Speaker 1: only like 14 pages, called The Wicker Husband by Ursula Willis-Jones.
- 27:11Speaker 1: Wicker is a fabulous and romantic fable about sharing love
- 27:15Speaker 1: and happiness with another while freeing yourself of societal pressures
- 27:18Speaker 1: and conventions and how that just might make everyone around
- 27:23Speaker 1: you jealous as hell. Olivia Coleman is sensational as always.
- 27:29Speaker 1: She's displaying depth and anguish and joy as a very misconceived,
- 27:37Speaker 1: though rebellious woman who Skarsgard will never have you looking
- 27:41Speaker 1: at Wicker the same again. Not sure how you looked
- 27:44Speaker 1: at it before, but just know you're going to look
- 27:46Speaker 1: at it differently after this film. Even as he's hidden
- 27:50Speaker 1: under all of that Wicker, his character's tenderness and tranquility
- 27:55Speaker 1: shines through. I think what we know is that women
- 28:03Speaker 1: want him and men want to be him. Skarsgard's total
- 28:09Speaker 1: look is exceptional there's an entertainment weekly piece called how
- 28:13Speaker 1: wicker special effects team turned scars guard into a sexy
- 28:17Speaker 1: man basket uh this is with the there's a lead
- 28:21Speaker 1: makeup effects artist named sarah uh rubino and then the
- 28:26Speaker 1: prosthetic makeup designer who is john joe dunkley um Entertainment
- 28:32Speaker 1: Weekly piece says they started by creating a digital scan
- 28:36Speaker 1: of the actor's body and wove the costume together using
- 28:40Speaker 1: computer software. We did attempt weaving various materials in our
- 28:44Speaker 1: research and development process, but what we settled on was
- 28:47Speaker 1: a 3D model, Dunkley reveals. We 3D printed the prosthetics
- 28:51Speaker 1: themselves in a print material with the weave intact. We
- 28:55Speaker 1: think it's the first time this has been done. We have,
- 28:58Speaker 1: and other shops have, done 3D. I've done digital prosthetics before,
- 29:02Speaker 1: but you usually do a mold. We didn't do that
- 29:05Speaker 1: for this, and we think that's a first, and then
- 29:07Speaker 1: it's polished and painted to look like wicker. Then, each
- 29:15Speaker 1: individual strand of the costume was painted with different colors.
- 29:19Speaker 1: You had to follow it through the whole pattern because
- 29:21Speaker 1: that's one of the things that was intrinsic in basketry.
- 29:25Speaker 1: He adds, every strand is slightly different. The final result
- 29:30Speaker 1: was composed of 50 interlocking parts for the body. All
- 29:33Speaker 1: the pieces were stitched onto a spandex suit so that
- 29:36Speaker 1: eventually became one piece made up of many pieces. Rubino
- 29:41Speaker 1: explains the face had about 13 individual pieces and that's
- 29:45Speaker 1: including the wig and the eyelashes but the ears were
- 29:48Speaker 1: separate the lips were separate the eye bags were separate
- 29:52Speaker 1: and there was a chin piece and a lower under
- 29:54Speaker 1: lip piece so it was kind of a puzzle that
- 29:56Speaker 1: was pieced together The piece says the most challenging part
- 30:00Speaker 1: of assembling the costume was just making sure that our
- 30:03Speaker 1: weaves were all lined up. So as we were putting
- 30:06Speaker 1: the lower lip on, we had to match the weave
- 30:09Speaker 1: and make sure the strands were all lined up perfectly.
- 30:15Speaker 1: And there is a, there was a thing that I
- 30:19Speaker 1: saw that I really thought was kind of interesting. So one,
- 30:25Speaker 1: it was the, they talk about the practical part. the
- 30:29Speaker 1: practical effects. And it says that, uh, the directors who
- 30:33Speaker 1: are Alex Houston Fisher and Eleanor Wilson, who are married,
- 30:37Speaker 1: they chose practical makeup and physical effects instead of heavy, um, CGI.
- 30:43Speaker 1: So that way there was actual physical interaction on set.
- 30:48Speaker 1: The talk, there was talk in the entertainment piece about
- 30:51Speaker 1: the prosthetic pieces. Um, that went up to like 10
- 30:56Speaker 1: separate prosthetic pieces that were glued directly to Skarsgård. This
- 31:01Speaker 1: was able to move with his actual facial expressions. And
- 31:06Speaker 1: then I read somewhere that the restrictive suit did make
- 31:09Speaker 1: it hard for Skarsgård to open his mouth to eat
- 31:12Speaker 1: or drink and had to wear it up to 10
- 31:14Speaker 1: hours a day that required physical endurance and skin recovery time.
- 31:21Speaker 1: So pretty fascinating stuff. And it looks... It looks sensational
- 31:27Speaker 1: on screen. Elizabeth Debicki is also in this. She's great.
- 31:31Speaker 1: She's kind of representing most of the oppressed wives that
- 31:34Speaker 1: are trapped in this patriarchy. Her and practically the entire
- 31:38Speaker 1: rest of the village become more depraved the more that
- 31:40Speaker 1: they see how affectionate and kind the wicker husband is
- 31:45Speaker 1: to Coleman's Fisherwoman. It's clear every woman in town wants
- 31:50Speaker 1: to be treated the way that she's being treated. There
- 31:53Speaker 1: is a... there is a great, great scene of, it's
- 31:59Speaker 1: for someone's wedding, and I think it may be the
- 32:03Speaker 1: first time the town actually sees the wicker husband. I'm
- 32:06Speaker 1: not sure, but everybody is kind of doing the same
- 32:11Speaker 1: sort of dance that's the traditional dance, except them. The
- 32:16Speaker 1: fisherwoman and the wicker husband, and just their dance and
- 32:21Speaker 1: their movement kind of, makes everything else stand still because
- 32:27Speaker 1: it's just something that they have not seen, certainly have
- 32:29Speaker 1: not experienced. Anyway, it was a great scene. Peter Dinklage
- 32:33Speaker 1: is also in this. He's the creator of this captivating
- 32:37Speaker 1: wicker husband. He should be in it more, but he's
- 32:40Speaker 1: wonderful with the time that we do get with him.
- 32:44Speaker 1: But really, the entire cast is superb. I actually got
- 32:49Speaker 1: to participate in a press conference that did have Skarsgård, Coleman,
- 32:54Speaker 1: and Debicki, and I, you have to register for it,
- 33:02Speaker 1: and then they kept changing the time the day of, anyway,
- 33:04Speaker 1: it was going to be pushed back, then it ended
- 33:05Speaker 1: up starting early, but you, there, I don't know how
- 33:10Speaker 1: many people were on it, but there was this moderator,
- 33:14Speaker 1: and with them, and obviously it's one where, like, you know,
- 33:17Speaker 1: they do a thousands of these in the same, sitting
- 33:19Speaker 1: in the same seat, So, but you could ask a question.
- 33:24Speaker 1: And my question was, because there's a lot of, there's
- 33:28Speaker 1: a few parts in the film that kind of talks
- 33:31Speaker 1: about like, well, once the wicker husband is made, that
- 33:34Speaker 1: he's pretty handy around the house. So my question was,
- 33:41Speaker 1: are you, who's the handiest person that you know, like
- 33:46Speaker 1: in your family or whatever, anyway, It wasn't asked, and
- 33:49Speaker 1: after hearing the other questions, I think I know why,
- 33:52Speaker 1: but everything dealt with the film and this and that,
- 33:56Speaker 1: and I just thought, you know what, let's get to
- 33:59Speaker 1: some fun questions. But anyway, they didn't. But some things
- 34:07Speaker 1: that were said, that were kind of revealed in the
- 34:10Speaker 1: press conference, Alexander Skarsgård talked about how it was intimidating
- 34:14Speaker 1: and exciting to take on the role. He was drawn
- 34:17Speaker 1: to the purity. of the Wicker Husband character. He also
- 34:22Speaker 1: talked about wanting and needing kind of for the audience
- 34:25Speaker 1: to connect and care about the Wicker Husband, which you
- 34:30Speaker 1: definitely do. And, fun fact, Alexander kept the Wicker Nips,
- 34:37Speaker 1: but he ended up gifting them to Graham Norton on
- 34:40Speaker 1: Graham Norton's show. So, that was a fun little tidbit.
- 34:45Speaker 1: Elizabeth Devicki, she talked about how the Wicker Husband was
- 34:51Speaker 1: sort of this mirror of the Fisher woman's beauty and purpose.
- 34:55Speaker 1: She doesn't really see her character, the tailor's wife, as
- 34:58Speaker 1: a villain, yet more of a woman that is stuck
- 35:01Speaker 1: in this specific societal system, which I think that's really
- 35:04Speaker 1: the case for a lot of these women that are
- 35:07Speaker 1: in the village. And she has a terrific shout of
- 35:10Speaker 1: rage towards the end of the film where she's finally
- 35:14Speaker 1: kind of able to release this frustration, um, that she
- 35:18Speaker 1: hasn't been able to, uh, before. And then Olivia Coleman
- 35:24Speaker 1: talked about how the film was about learning about love
- 35:28Speaker 1: together as far as her Fisher woman character and the
- 35:31Speaker 1: wicker husband. But I also, I would like to add
- 35:35Speaker 1: that there's also this liberation and this kind of sexual
- 35:38Speaker 1: awakening that the Fisher woman experiences. That's quite significant and remarkable. Um,
- 35:46Speaker 1: But through the absurdity and the fantastical, Wicker is beautifully
- 35:51Speaker 1: told and is rather raunchy, but in all of the
- 35:55Speaker 1: right ways, with stellar wit. The exceptional practical effects and
- 36:00Speaker 1: sound that bring the Wicker husband to life also impresses
- 36:05Speaker 1: beyond belief. Wicker is getting a VixFlix rating of 3.5
- 36:09Speaker 1: out of 5. It's really such an unexpected... romance film
- 36:18Speaker 1: not sexy or hot even though I guess there are
- 36:24Speaker 1: elements of that but it is quite romantic in its
- 36:31Speaker 1: strangeness and I think that is not only exciting but
- 36:36Speaker 1: it's also something quite fresh and so I enjoyed it
- 36:41Speaker 1: my wife enjoyed it so that's a that's a compliment
- 36:45Speaker 1: in itself And that does it for this volume of
- 36:48Speaker 1: the Cinema Chronicles. Like I said, that's going to do
- 36:53Speaker 1: it as far as 2026. Cinema Chronicles will be back
- 36:58Speaker 1: January 2027. Until then, all of our stuff can be
- 37:03Speaker 1: found on nationalmoviedispatch.substack.com. Like I said, there's the Drinking With,
- 37:09Speaker 1: there's the Movie Review Rewinds that we've done, and obviously
- 37:14Speaker 1: the VIXFLIX, which again, there will be VIXFLIX episode for
- 37:18Speaker 1: November and December. Be sure to check those out. You
- 37:21Speaker 1: can listen to all of it wherever you get your podcasts.
- 37:27Speaker 1: And until next time, just go see a damn movie.