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Cyhi the Prynce Interview and More · The Breakfast Club

0:00
Speaker 1: I wait to Breakfast Club to show you love to
0:03
Speaker 1: hate from the East to the West Coast. DJ Charloman
0:07
Speaker 1: the really show on the planet. This is why I
0:10
Speaker 1: respect this show because this is a voice of society.
0:12
Speaker 1: Saints in the game, guys are the coveted morning show.
0:16
Speaker 1: What y'all earnion impacting the coach in the morning and
0:19
Speaker 1: they want to hear that Breakfast Club the world's most
0:22
Speaker 1: dangerous morning show. And this is your time to get
0:31
Speaker 1: it off your chests, whether you're mad or blessed, So
0:33
Speaker 1: you better have the same in We want to hear
0:35
Speaker 1: from you on the Breakfast Club. Hello, who's this? And listen?
0:39
Speaker 1: Chandler from Ohio? How you guys going to listen? Morning?
0:41
Speaker 1: What's up? Channel? I get it off your chests? And Solomon,
0:45
Speaker 1: I'm gonna need you guys to do a favor and
0:49
Speaker 1: get her a copy of The Lion King? How have
0:52
Speaker 1: you not seen the Lion King all your life? Like?
0:55
Speaker 1: I apologize, but I'm like, what did your parents? But
0:57
Speaker 1: you didn't go to Disney? Ain't having a right? Yeah,
1:00
Speaker 1: it's pretty bad. I don't even make child. I'm gonna
1:02
Speaker 1: be honest. I don't even think my parents have seen
1:04
Speaker 1: The Lion King. It's a great movie. So what I'm
1:06
Speaker 1: gonna need you guys to do for her? Copy for Dave,
1:09
Speaker 1: Dave and Christmas, and you watch with your parents Lion King,
1:13
Speaker 1: because you have to see The Lion King. You have
1:15
Speaker 1: to see it like it's actually like like like a
1:18
Speaker 1: lot of it's actually the story of black people in
1:21
Speaker 1: America if you really pay attention to But you gonna
1:23
Speaker 1: see the play you to play? You can see the
1:25
Speaker 1: play you think to play? To play movie first? Yeah,
1:28
Speaker 1: stick to the cartoon. Don't still be confused? Part two
1:33
Speaker 1: The Lion King Part two. But it don't matter. You
1:36
Speaker 1: don't need that. You need to get it for it
1:37
Speaker 1: please Now, I don't know did you see part Did
1:39
Speaker 1: you see part two? Oh? Trash? The Lion King? Part
1:42
Speaker 1: two is like Belly Part two. I've seen Paul one
1:46
Speaker 1: and then I seen the play. I took the kids
1:47
Speaker 1: to see the play. Hello, who's this? Yo? Yo? This
1:50
Speaker 1: is law yo. I need your help, yo boy? What happened?
1:53
Speaker 1: It sounds like you listen. Two weeks ago, I was
1:56
Speaker 1: shooting some video on the Farday name. I came back
1:58
Speaker 1: on to Yonkers. It was like three in the morning.
2:00
Speaker 1: I ended up fall asleep at the light. I woke
2:03
Speaker 1: up to somebody's banging on my window. Who there? I
2:05
Speaker 1: was like, Yo, you trump? You drunk? Tell I'm like, yo, bro,
2:07
Speaker 1: I'm not drunk. I'm literally tired. Homie called the cops
2:11
Speaker 1: on me. Waiting for the cops, waiting for the cop
2:13
Speaker 1: to get there. Cops pulled up. Homie stole on me
2:16
Speaker 1: and was holding the doors. I couldn't get out until
2:18
Speaker 1: the cop came out, Like I need you listen. I
2:20
Speaker 1: need y'all to put it out there. Whoever to do it,
2:22
Speaker 1: I don't know. He's from Yanka. Tell him meet me
2:25
Speaker 1: by Getty Square at three o'clock today. We just he's
2:27
Speaker 1: not gonna meet you. And it's matter. He drunk right now,
2:29
Speaker 1: so he's definitely not gonna meet you there. Damn man,
2:32
Speaker 1: I'm told every time I sim I'm gonna him. Man,
2:36
Speaker 1: isn't a crying to be dropping to sleep in your car?
2:39
Speaker 1: Thank you, bro. I think it is a crown to
2:40
Speaker 1: be drunk in your car. I don't know. I'm just asking,
2:42
Speaker 1: and I think so get it off your chests eight
2:43
Speaker 1: hundred and five eight five one on five one if
2:45
Speaker 1: you're upset and he the vent hit us up right now,
2:47
Speaker 1: it's the Breakfast Club. Go morning. This is your time
2:52
Speaker 1: to get it off your chests, whether you're man or blast,
2:54
Speaker 1: so you better have the same industry. We want to
2:56
Speaker 1: hear from you on the Breakfast Club Castley. Yes, get
3:01
Speaker 1: it off your chess. Mama. I just call him this
3:03
Speaker 1: morning just to say that I feel blessed. Actually, I'm
3:06
Speaker 1: not trying to get anything off my chest, just sitting
3:08
Speaker 1: positive spot. I last week, Lass, I recently quit my
3:12
Speaker 1: job of ten years, and that same day I got
3:16
Speaker 1: another job. And day was my first day and today's
3:19
Speaker 1: my second. So I'm just so real good. Positive gratitude
3:23
Speaker 1: is your attitude, bull When you thankful for what you got,
3:25
Speaker 1: you'll get blessed with more. How are you liking your job?
3:27
Speaker 1: It's interesting, It's very interesting, oh boy, But I mean, hey,
3:32
Speaker 1: it's the job here you go. All right, thank you, mama,
3:34
Speaker 1: all right, thank you? Hello? Who's this Rob? Rob? Get
3:38
Speaker 1: it off your chests? Yo. I wanted to know what
3:40
Speaker 1: does Black Lives Matter doing for the people Black people
3:44
Speaker 1: that are being enslaved in other parts of the world
3:47
Speaker 1: being sought like we only focus on what happens with
3:49
Speaker 1: Black Lives Matter in America, or but there's a lot
3:53
Speaker 1: going on here to focus on. We can. I ask
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Speaker 1: you a question, sir, do you do you do anything
3:57
Speaker 1: for the Black Lives Matter movement here at Oh? No,
4:01
Speaker 1: there's nothing enough to say, he said no. So why
4:03
Speaker 1: are you questioning us on what we do for any
4:05
Speaker 1: Black Lives Matter movement anywhere? If you're not doing it,
4:07
Speaker 1: If you're not doing anything for the Black Lives Matter
4:09
Speaker 1: movement at all, it sounds like you're just, you know,
4:12
Speaker 1: working for a propaganda for America. You guys, don't give
4:15
Speaker 1: it making a little baby hut black brother, my brother,
4:20
Speaker 1: my brother. Are you hungry? Are you hungry this morning?
4:22
Speaker 1: Are you hungry? I stood up for the Okay, cool,
4:27
Speaker 1: if you're hungry it okay. I wouldn't invite another man
4:31
Speaker 1: in his generatives. He might like, hello, who's this? All right?
4:34
Speaker 1: This is andres Andre. Get it off your chests. Bro,
4:37
Speaker 1: Hey man, I'm blessed today. I just had a kid
4:39
Speaker 1: a month ago and I'm just feeling blessed. Man. All right, congratulations, bro,
4:43
Speaker 1: thank you man, thank you have a go on, all right,
4:45
Speaker 1: get it off your chests. Eight hundred five eighty five,
4:48
Speaker 1: one oh five one The breakfast Club. God, Morning, the
4:51
Speaker 1: breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
4:58
Speaker 1: the guy. We are the breakfast Club. We gotta special
5:00
Speaker 1: guests in the building. Just La what's happening? My brother?
5:03
Speaker 1: Oh man, y'all got it. I'm just trying to you know,
5:05
Speaker 1: I'm just trying to enjoy the vibe. Why Why is
5:07
Speaker 1: the Lacrex album necessary right now? I don't know why.
5:09
Speaker 1: I feel like La Crew might be necessary. Oh my goodness,
5:12
Speaker 1: Come on, man, it's like courting the prophecy the world
5:14
Speaker 1: from the end. Ye, let's talk about it now. Happen
5:18
Speaker 1: in a couple of days. Yeah, right, Well, you got
5:20
Speaker 1: one day to buy my album because it come out
5:22
Speaker 1: to twenty second Baby it's a rap, so you got
5:27
Speaker 1: a day to listen to the album and enjoy it. Man, Nah, man,
5:31
Speaker 1: you know just so much going on, I mean, societally, culturally,
5:35
Speaker 1: natural disasters everywhere, you know what I'm saying. So I
5:38
Speaker 1: feel like everything lined up well to just be able
5:41
Speaker 1: to tell people that's hoping in the middle of the chaos. Now,
5:43
Speaker 1: after the Charlotteville ride, you tweeted if anyone feels unsafe
5:46
Speaker 1: at UVA, it needs help to transfer schools. Let me
5:49
Speaker 1: know when you're paying tuition to what you. I did
5:52
Speaker 1: whatever I needed to do, Like, yeah, whatever I needed
5:54
Speaker 1: to do. Yeah, any people about four by four folks.
5:59
Speaker 1: We we we helped four people out and you're too.
6:01
Speaker 1: The following sucks. No, no, no no, no school yeah they
6:06
Speaker 1: are school yeah no, no no. I got a lot
6:09
Speaker 1: of people that was like, hey, help me, bro, you're
6:12
Speaker 1: playing tuition. You to help me? I go to University
6:15
Speaker 1: of Maryland. I'm like that, ain't got nothing to do
6:16
Speaker 1: where you at. But so did they transfer it what
6:18
Speaker 1: they want? Yeah? So some people want to transfer schools.
6:20
Speaker 1: A young young black ladies. She was like, man, I
6:23
Speaker 1: don't feel safe here, you know what I'm saying, So
6:24
Speaker 1: I want to transfer to another school. So um, you know,
6:28
Speaker 1: shout out to my homegirl who you know works in
6:31
Speaker 1: the academic advising in the whole. Non. So she gave
6:33
Speaker 1: me to run down on how to help these students transfer,
6:36
Speaker 1: and then it really really was just a matter of
6:38
Speaker 1: writing a check and just saying all right, here's the
6:40
Speaker 1: fee it's gonna cost, like we got you. Wow, you
6:42
Speaker 1: there for four people? Yeah, dropping the clues bombs at
6:44
Speaker 1: credit can't allow you to be humble about that. I mean,
6:48
Speaker 1: you know what I mean. I respect the fact that
6:49
Speaker 1: you didn't make a big deal about it, but no,
6:51
Speaker 1: that's a big deal. No man, I just you know,
6:54
Speaker 1: for me, I felt like, if you want to change
6:55
Speaker 1: what's going on in society, especially in this climate, you
6:58
Speaker 1: got policy, you got programmed as, you got uh you know,
7:02
Speaker 1: uh publicity, and and for me, I feel like, I'm
7:05
Speaker 1: not with the publicity and the programs. I don't I mean,
7:07
Speaker 1: the policies, Like, I don't know all of that, you
7:10
Speaker 1: know what I'm saying, But I know programs, so you know,
7:13
Speaker 1: it's a program I could put you in or go
7:15
Speaker 1: volunteer at a prison or something. And I don't got
7:17
Speaker 1: to blow my own horn and do that type stuff.
7:18
Speaker 1: I just get it done now. I still. You also
7:20
Speaker 1: saved someone's life. Yeah, that was crazy. That was a
7:22
Speaker 1: divine intervention. Okay, we're gonna tell this story. Want so
7:26
Speaker 1: you saved the transgender from committment? Sus that was crazy.
7:28
Speaker 1: I want my man Andy Minio, I go visit him
7:31
Speaker 1: and watch hypes and he's like, you you know New York. Yeah,
7:35
Speaker 1: it's New York. So we were talking about Cardi B
7:38
Speaker 1: winning card everybody talking about dropping Cardi B winning and
7:43
Speaker 1: you know, curse me watch you know Dominican Capital. You
7:46
Speaker 1: know what I'm saying. And uh he said, you know
7:48
Speaker 1: she and she was in a Bronx and said, oh,
7:49
Speaker 1: that's what. I don't know if I've ever been to
7:51
Speaker 1: the Bronx. He's like, we could walk from where we at.
7:52
Speaker 1: I was like, you want to walk to right there? Yeah,
7:55
Speaker 1: this is just such a random thing at the right time,
7:59
Speaker 1: really from God to just be walking through Washington Heights
8:02
Speaker 1: and the brother you say, somebody, but but look, that's
8:07
Speaker 1: why I was crazy, right because when I so I
8:10
Speaker 1: saw her running with her shirt off Cardi B. No,
8:19
Speaker 1: it was he. It was I was like, why you
8:22
Speaker 1: just snapped this? Una? So I saw running with a
8:25
Speaker 1: shirt off, and so I'm like, yo this. I'm in
8:27
Speaker 1: the Bronx though, so I'm like, I'm like, yo, Andy,
8:29
Speaker 1: she's running with a shot off. He's like, it's New York.
8:31
Speaker 1: Let it happens. And especially the Bronx. All the great
8:34
Speaker 1: people in the world come from all the Florida and
8:36
Speaker 1: the Bronx. Yeah, that's how you can tell us in
8:37
Speaker 1: New Yorker running with a shirt off he's like, nah,
8:39
Speaker 1: it happened. I was like, yo, should we He's like,
8:42
Speaker 1: it's New York. Let it happened. I said, all right, cool.
8:45
Speaker 1: But then she ran into like you know the pillars
8:47
Speaker 1: that hold the bridges up, like, she ran into it
8:49
Speaker 1: head first, split her head wide open. It's blood everywhere.
8:53
Speaker 1: So I'm like, yo, what's going on. I can't just
8:56
Speaker 1: let this happen. He's like, it's New York. Let So
8:59
Speaker 1: he's a little bit shocked, like I don't know what's
9:01
Speaker 1: going on. She gets up and we're standing like right
9:04
Speaker 1: at the bridge, and she runs to the bridge and
9:06
Speaker 1: and literally tries to jump, and just I just so
9:09
Speaker 1: happened to reflex grab her and Yanka down, Like, yo,
9:12
Speaker 1: you're tripping what you're doing? She like, let me go,
9:15
Speaker 1: let me go. I'm trying to go meet God. I said, listen,
9:17
Speaker 1: we can talk about God right now. Guy wants you
9:19
Speaker 1: to live. He ain't done with you yet. You know,
9:21
Speaker 1: she wrestling with Miss Strong. She was strong. It hit
9:24
Speaker 1: me because I was like, you know, she had a
9:26
Speaker 1: little um like five o'clock shot. Oh yeah, And I
9:30
Speaker 1: was like, yo, I think this is this is a
9:31
Speaker 1: transgender And so I'm like oh, man, I don't know
9:34
Speaker 1: what's going on right now. So my man, Andy, you
9:37
Speaker 1: just know it's a human being that needed help. Yeah, absolutely,
9:40
Speaker 1: a trans woman. Yeah forget me. I Don't'm not trying
9:43
Speaker 1: to be politically incorrect, but it was a human being
9:45
Speaker 1: that matter that you don't feel me. So we're wrestling,
9:49
Speaker 1: and then finally she's like, all right, let me wrest,
9:51
Speaker 1: let me wrest. I said, all right, but you gotta
9:52
Speaker 1: just chill out. So she sit down, and then she
9:54
Speaker 1: jumped right back up and trying to jump over the
9:56
Speaker 1: bridge again. I'm like, yo, calm down. So I'm like
9:58
Speaker 1: holding her, you know what I'm saying, and an old
10:00
Speaker 1: man run up, like you gotta stop. She kicked him
10:03
Speaker 1: in the chest bow he fall on the ground bonally,
10:05
Speaker 1: and he's like somebody called the police. Police come. And
10:08
Speaker 1: that's just a real messed up part about it because
10:10
Speaker 1: when the police got there, the first couple of officers were,
10:12
Speaker 1: you know, helpful, trying to like subdue and calm her down.
10:16
Speaker 1: But then they saw her wrestling, and some other cops
10:19
Speaker 1: from a distance just saw tussle, so they didn't ask
10:21
Speaker 1: no questions. They didn't came this tough guy, you know,
10:24
Speaker 1: I just not compassionate at all, and it was it
10:26
Speaker 1: was an ugly scene. But you know, hopefully you know
10:29
Speaker 1: she's good lucky because you as you a man wrestling
10:34
Speaker 1: with huh blood all over you. Yeah, I didn't get
10:36
Speaker 1: no blood on me. You was you was domestic violence
10:39
Speaker 1: right there, right now. I didn't get no blood out.
10:41
Speaker 1: It was like it was a weird like I was
10:44
Speaker 1: really just trying to keep her from jumping. Man. It
10:46
Speaker 1: was I hope so man like please if you if
10:49
Speaker 1: if you listen to this man hit me up, you
10:52
Speaker 1: got saved, yo. It was why all right, we got
10:56
Speaker 1: more with La Crew when we come back to Don't Move.
10:58
Speaker 1: It's a breakfast club. Good morning, breakfast club morning. Everybody
11:04
Speaker 1: is DJ Envy, Angela Yee, Charlemagne, the guy. We are
11:08
Speaker 1: the breakfast club. We have Lacree in the building. Charlemagne.
11:11
Speaker 1: You know that's how I know you're a really decent
11:13
Speaker 1: human being. Because I was actually listening to Oprah's Super
11:16
Speaker 1: Soul podcast this morning, yeah guy who she had on there,
11:18
Speaker 1: But they were talking about how the essence of life,
11:21
Speaker 1: the essence of being human, is realizing other people's pain
11:25
Speaker 1: and coming to the aid of others who are in pain,
11:28
Speaker 1: you know what I mean, no matter who who, no
11:29
Speaker 1: matter who the person is, what their background is, what
11:31
Speaker 1: they do. You just saw a human being in paid
11:34
Speaker 1: and you reacted. Oh yeah, absolutely. I can't even imagine,
11:36
Speaker 1: Like I'll just be thinking to myself, like, because I
11:38
Speaker 1: went through a lot of you know, suicidal feelings and thoughts,
11:42
Speaker 1: you know, through twenty sixteen too, So I can only
11:45
Speaker 1: imagine because I mean, just all of the you know,
11:48
Speaker 1: it's it's the trauma from watching people murdered on television,
11:52
Speaker 1: and then just just so many other things too. I
11:54
Speaker 1: had it was a you got a gun point on
11:55
Speaker 1: you by a police officers to her, it did got
11:58
Speaker 1: all the thing that you, of all people, would have suite.
12:03
Speaker 1: You're the closest to God, yeah, much as you read.
12:07
Speaker 1: But I'm a real one though, man, I don't mind
12:09
Speaker 1: being real. I think that's the problem is that it's
12:10
Speaker 1: this misconception that like, you know, uh, you know, God's
12:14
Speaker 1: people are these picture perfect folks. You know what I'm saying.
12:17
Speaker 1: If anything, we're the most we should be the most vulnerable,
12:20
Speaker 1: the most who are Like listen, i know I'm jacked up.
12:22
Speaker 1: I know I need God. I don't I don't claim
12:24
Speaker 1: to have it all together. So for me, you know,
12:26
Speaker 1: it wasn't like I had a knife to my neck,
12:27
Speaker 1: but it was just like, man, I'm just tired, you
12:29
Speaker 1: know what I'm saying. I'm just tired of all the nonsense.
12:31
Speaker 1: And it's it's not like I was like, all, I'm
12:33
Speaker 1: about to do this. Because when you stop and think about,
12:35
Speaker 1: like anybody who's ever considering suicide, I always think about
12:38
Speaker 1: who's gonna find your body? You know what I'm saying.
12:40
Speaker 1: It's gonna be your kids, It's gonna be you know,
12:41
Speaker 1: your love, when's your mama, somebody got it. It is
12:43
Speaker 1: gonna face the trauma seeing your body land someone on
12:45
Speaker 1: the ground. So don't ever, ever, like always consider that.
12:48
Speaker 1: But long story short, I just went through so much
12:51
Speaker 1: and then and then just all the scrutiny and when
12:54
Speaker 1: your whole, when you start mixing faith and all that
12:56
Speaker 1: stuff into it and just get real ugly and weird
12:58
Speaker 1: and twisted. I see understand what's just saying because I
13:01
Speaker 1: remember at one point in my life I thought about suicide.
13:03
Speaker 1: And it was when I was doing youth ministry at
13:06
Speaker 1: Muhammed mass Number thirty eight in Columbia, South Carolina. I
13:09
Speaker 1: was really trying to be on the righteous path, and
13:12
Speaker 1: I had him Managi with these two chicks, so seriously,
13:14
Speaker 1: I got drunk, had him and talk with these two
13:16
Speaker 1: chicks that so bad. I was like, oh, man, I
13:19
Speaker 1: didn't I'm going to Hell. I disobeyed God. So y'all
13:25
Speaker 1: didn't got shook? What got you at that dog place?
13:27
Speaker 1: You're talking about the dog plays? What got you out
13:28
Speaker 1: of it? Obviously cliche is guy, But I got three
13:32
Speaker 1: really good friends. Man. Shout out to b J. A. T.
13:34
Speaker 1: Tadashi man who just held me down. And they wasn't
13:37
Speaker 1: trying to fix me. They just was trying to face me.
13:39
Speaker 1: Everybody be trying to fix you know, You're like, damn,
13:41
Speaker 1: I'm tired of it. You know, you're talking real sideway,
13:43
Speaker 1: you're talking outside of your next time. And they don't say,
13:47
Speaker 1: you know, brother, you need to you know, think on
13:50
Speaker 1: the right right way. They was just like, I feel you, bro,
13:54
Speaker 1: you know what I'm saying. I feel you. You know,
13:55
Speaker 1: keep keep talking, like let's keep wrestling through it. Yeah,
13:59
Speaker 1: thattimes absolutely need And you also feel like in the
14:01
Speaker 1: church they should have something to do with the politics
14:04
Speaker 1: of everything that's happening today. Oh yeah, that's that's really what.
14:07
Speaker 1: What what God had popped off for me was like
14:10
Speaker 1: the silence. And you know a lot of people look
14:13
Speaker 1: at me and like, oh, you love God. So it's
14:16
Speaker 1: the whole Like and I've had this conversation a million times,
14:20
Speaker 1: but like, you know, me loving God doesn't doesn't make
14:23
Speaker 1: me you know, uh, a conservative, Republican or whatever. You
14:29
Speaker 1: know what I'm saying. And I think that's the mentality
14:30
Speaker 1: people like like, stop talking about politics. I'm like, I'm
14:33
Speaker 1: talking about ta me or Rice. That's a person that
14:35
Speaker 1: ain't politics, you know what I'm saying, Like, what are
14:37
Speaker 1: you talking about? So that the church isn't vocal enough
14:40
Speaker 1: about situations like that you feel? I mean, by and large,
14:44
Speaker 1: I think that you know a lot of people have
14:46
Speaker 1: been vocal. A lot of people have done a lot
14:48
Speaker 1: of great stuff. You know, shout out to like Pastor
14:50
Speaker 1: McCamey and uh in the Bay area, who's who's been
14:53
Speaker 1: real vocal about a lot of stuff. It's been a
14:55
Speaker 1: lot of vocal people. I'm just saying, you know, it
14:58
Speaker 1: was really folks who their faith is connected to patriotism
15:02
Speaker 1: and nationalism. Mine is not. You know what I'm saying, like, right,
15:07
Speaker 1: like I don't like God. I don't God ain't here
15:10
Speaker 1: to save America, you to save the world, you know
15:13
Speaker 1: what I'm saying. So that's my whole thing is like
15:15
Speaker 1: I'm not I'm not anti American, but I'm not like
15:19
Speaker 1: my faith and patriotism, I'm not. I don't believe all
15:21
Speaker 1: that type of weird stuff. So that's what what got
15:24
Speaker 1: me in a lot of tensions. The artists you feel
15:26
Speaker 1: like you couldn't work with because your fan base would
15:29
Speaker 1: be like, I can't believe morally that he would do
15:31
Speaker 1: a song with this person. Nah, Because I mean, now,
15:35
Speaker 1: I think my fans know me and they know what
15:37
Speaker 1: I'm about, and so they know I'm I'm I'm I'm
15:39
Speaker 1: gonna be real and yeah, I'm a man of God
15:42
Speaker 1: or whatnot. But at the same time, I'm gonna be
15:44
Speaker 1: real and I'm gonna do what I what I feel
15:46
Speaker 1: like it's necessary artistically, you know what I'm saying. So
15:49
Speaker 1: I work with anybody, you know, it's just what are
15:52
Speaker 1: we gonna be talking about? You know what I'm saying, Like,
15:54
Speaker 1: I'm gonna work with anybody, and I may just have
15:56
Speaker 1: to jump on a track and put my little spin
15:58
Speaker 1: on it. You know what I'm saying, Like, I don't
15:59
Speaker 1: know how that works. It ain't no rules to it,
16:02
Speaker 1: so to speak, Like everybody trying to make rules for this,
16:04
Speaker 1: but it ain't rules. To just follow what you believe
16:07
Speaker 1: is right, you know what I'm saying, and make good music.
16:10
Speaker 1: Do you think the generational likes the spiritual foundation? America
16:13
Speaker 1: is so influenced by Western thought, and Western thought is
16:17
Speaker 1: gradually becoming more like anti God, you know what I'm saying, Like,
16:21
Speaker 1: I don't believe in God, so but when you go
16:23
Speaker 1: to the East, God is still a very huge part
16:25
Speaker 1: of their culture. So you know, you go to Africa,
16:28
Speaker 1: you go to China, but not God is still it's
16:30
Speaker 1: a big thing. But I feel like, you know, we
16:32
Speaker 1: get real arrogant and like, look at everything we hadn't done,
16:35
Speaker 1: and so we move away. Having a conversation with one
16:38
Speaker 1: of my white homeboys, yeah, we're talking about all of
16:41
Speaker 1: this to natural disasters and climbate change. He's like, look, man,
16:44
Speaker 1: I don't care about the earth. You know, we should
16:45
Speaker 1: be putting this money into other places, not climate change.
16:48
Speaker 1: And I'm like, you don't care about that, So you're
16:50
Speaker 1: basically saying you don't care about God's hearth, and you
16:52
Speaker 1: don't care about your kids your grandchildren. Are you from
16:56
Speaker 1: the South. Yeah. We hunt to eat, We fish, we eat,
17:01
Speaker 1: We garden to eat. The earth is everything. What are
17:04
Speaker 1: you talking about? Catch your story? They think they food
17:07
Speaker 1: come from the grocery store. That's a fact, you know
17:11
Speaker 1: what I'm saying. Long as they don't mess with the
17:12
Speaker 1: grocery store. I'm fine, buddy, Like I'm tripping. Man, things
17:16
Speaker 1: work together. Come on, talk talk, That's what I'm saying.
17:20
Speaker 1: Shot you for joining us. Man. No, it's always a pleasure. Always,
17:23
Speaker 1: Ladies and gentlemen, It's Lacray. It's the Breakfast Club. Good morning.
17:33
Speaker 1: It's time to shoot your shot. To shoot your shot
17:35
Speaker 1: with the Breakfast Club. Want chance, don't mess it up,
17:39
Speaker 1: mess it up, mess it up. It's time to shoot
17:42
Speaker 1: your shot. We got Mike on the line. Mike, what's
17:44
Speaker 1: up something man? Good morning? Now you want to you
17:47
Speaker 1: want to shoot your shot? I'm kind of confused. Who
17:49
Speaker 1: are you shooting your shot with Kenya? Who's Keny my wife?
17:53
Speaker 1: How are you shooting your shot with your wife? Like
17:55
Speaker 1: you should be shooting that shot all day long? Like
17:57
Speaker 1: I shot my shot this morning with my wife. That's
18:00
Speaker 1: kind of SEXYO, that's kind of sexy, especially if you
18:02
Speaker 1: always gotta treat your wife like she's just a girl
18:05
Speaker 1: that you're constantly trying to court. Well, it's it's a
18:08
Speaker 1: it's a complicated story. Man. I've been with my wife
18:11
Speaker 1: for um about two years, and right now she she
18:17
Speaker 1: cheated on me. She left me for someone. Oh, oh,
18:24
Speaker 1: your wife left you for somebody, and now you're gonna
18:28
Speaker 1: call the radio and try to get her back. Oh,
18:31
Speaker 1: see what it is? I work harder work twenty four
18:34
Speaker 1: seven and I just to provide for my family, and
18:37
Speaker 1: she felt that the love wasn't there, and she went
18:40
Speaker 1: and cheated on me. She met this guy in the
18:42
Speaker 1: club and she slept with him. And I've been a
18:46
Speaker 1: papa for a few months. I just want her back.
18:50
Speaker 1: Maybe you victim blaming you. You didn't cause her to
18:53
Speaker 1: sleep with that man. You're no. You out here working hard,
18:57
Speaker 1: trying to provide for your family as a man should,
19:00
Speaker 1: and she should have been holding it down. But were
19:02
Speaker 1: you still being there for her when you still get
19:04
Speaker 1: her out? I gave her everything. I gave her everything
19:08
Speaker 1: that he about to cry, Well, if you cry I
19:10
Speaker 1: will come to this radio and slap fire out. You
19:11
Speaker 1: don't you better? Man up on you and you? You
19:13
Speaker 1: gave her everything? You you? You did you give her?
19:16
Speaker 1: Did you give her love and emotion? The money is
19:18
Speaker 1: always good, But did you give her that love and
19:19
Speaker 1: emotion in that conversation? That she needs that mental I
19:22
Speaker 1: couldn't give her all of that because I'm working to
19:24
Speaker 1: provide for my family, provide for my kids to be
19:27
Speaker 1: in school. That don't give her permission to cheat. It
19:30
Speaker 1: definitely does not give her permission to cheat. You gotta
19:32
Speaker 1: stop blaming yourself. If she wanted to get out, she
19:34
Speaker 1: could have just said she wanted out. She shouldn't have cheated.
19:35
Speaker 1: Exactly did y'all have that conversation? Did she tell you
19:38
Speaker 1: that she and she was She's been blaming it anything.
19:41
Speaker 1: I'm the one to love her. Oh my god, he's
19:44
Speaker 1: about to cry. It's not your fault, bro, It's not
19:47
Speaker 1: your fault. Bro. You be strong man. You might not
19:49
Speaker 1: have been all there, but she shouldn't have cheated. Bro.
19:51
Speaker 1: Now what you're gonna call her and say? I love
19:53
Speaker 1: I just want my wife back? Oh my god, what's his? Nor? Wife?
20:01
Speaker 1: Is another woman's? I mean another man smart at this moment.
20:04
Speaker 1: Stop man, that's like, no, she left you for another man.
20:07
Speaker 1: She cheated on you. Trying to work it out. Man,
20:09
Speaker 1: Oh my god, I can't believe Mike. When we come back,
20:12
Speaker 1: we're gonna call up on the line. You know, you
20:15
Speaker 1: be strong, You tell her, you tell her how you feel,
20:17
Speaker 1: and you just don't cry. Just be strong because it's
20:19
Speaker 1: not your fault. It's definitely not his fault. I don't
20:21
Speaker 1: even know why you calling her. I'll move on. I'll
20:23
Speaker 1: be in the gym right now and getting my weight
20:26
Speaker 1: up and going to find me something else. No, this
20:28
Speaker 1: is his wife. You know. When we come back, we're
20:30
Speaker 1: gonna call Kenya. Mike, you're good, yeah, all right, hold on, yo, man,
20:34
Speaker 1: be nice man. This is crazy. I'm hurt, but just
20:37
Speaker 1: be nice man. You want to hurt the guy. He's crying.
20:40
Speaker 1: All right. When we come back, we're gonna call ken
20:41
Speaker 1: You don't move. It's a breakfast club in the morning,
20:43
Speaker 1: the morning. Everybody is DJ n Vy, Angela Yee, Charlomagne.
20:47
Speaker 1: The guy. We all the breakfast club. We're in the
20:49
Speaker 1: middle of shoot your shot. Mike is trying to shoot
20:52
Speaker 1: his shot with his wife, Kenya all right, Mike, It's
20:54
Speaker 1: all up to you. Hello, take Hey, Hey, can you Mike?
21:09
Speaker 1: I tell you I'm just, first of all, how are
21:13
Speaker 1: you doing? I don't know. I'm not the emotional. Um.
21:20
Speaker 1: I mean, part of me is really angry, part of
21:23
Speaker 1: me is a little scared. I'm just it's just a lot,
21:26
Speaker 1: a lot cre I just I don't want you back.
21:30
Speaker 1: Please don't go through with this. I love you. What
21:35
Speaker 1: is what? My family? I'm sorry now you now you cry?
21:41
Speaker 1: Right now? You cry? What about all those night you
21:44
Speaker 1: come in home? Mate? You never crossed, you never taxed.
21:48
Speaker 1: I mean like you could have just chucked in. You know,
21:52
Speaker 1: it's your kids. I'm working to prob for us. I haven't.
22:00
Speaker 1: You haven't done anything outside him my husband. Hello, Hello, Kenya, Kenya,
22:07
Speaker 1: good morning, Good morning Kenya Charlomagne from the Breakfast Club
22:10
Speaker 1: DJ V Charlomagne and god here, how are you this morning?
22:12
Speaker 1: Can you cheat? Wow? I don't even know what to
22:15
Speaker 1: say right now? Can you? Can you? You're blaming him
22:18
Speaker 1: and you could have spoke to him. You could have said, hey,
22:20
Speaker 1: this is not working. Youase, you didn't just have to
22:22
Speaker 1: just cheat on him? Can you? You cheated on Mike?
22:24
Speaker 1: Can you yea when you know what you cheated on? Mike. No,
22:29
Speaker 1: I don't blame him because you're Vachina opened up and
22:32
Speaker 1: let another man's penis inside of it. That's not right.
22:40
Speaker 1: He was pretty, was providing for his family, and yes
22:43
Speaker 1: he didn't come home. He made some mistakes, but not
22:45
Speaker 1: enough where you're just gonna leave cheat on my divorce.
22:46
Speaker 1: You could have broke up with him, divorced him, didn't
22:49
Speaker 1: go have your way with other penises. You cheated, You
22:52
Speaker 1: are in breaching his marriage. Bosh, you technically have him
22:58
Speaker 1: having sex with his boss. Now, I mean, listen, listen.
23:02
Speaker 1: You don't know what's going on. Yeah, you got a
23:04
Speaker 1: great promotion at work and all of that, but I
23:05
Speaker 1: don't use you. Is called can you? You're wrong? You
23:08
Speaker 1: are wrong? You are right? Something like say something you're wrong?
23:14
Speaker 1: Can you? Mike? You need to made it up, Mike
23:16
Speaker 1: and stop acting like this. She is wrong. Speak up, Mike.
23:18
Speaker 1: I'm not this is all You're wrong. It's two plus
23:22
Speaker 1: two equal five stopping whatever. Four but wrong, dumb. I'm
23:30
Speaker 1: glad you guys think this is funny. It's not nothing
23:34
Speaker 1: funny about women cheating. Mike speak. Black men ain't cheating
23:37
Speaker 1: since the folk and you out here being my god,
23:43
Speaker 1: I just want my family. Oh my god, can you
23:47
Speaker 1: get all the times you I was, I though so lonely,
23:51
Speaker 1: You did not call you, You never come home for dinner.
23:54
Speaker 1: I mean, he said all the time at work, he was,
23:57
Speaker 1: he was a change of the family. Doesn't want to
24:00
Speaker 1: lose it. You know what you want to talk about
24:02
Speaker 1: being fair? It wasn't fair for you to cheat on
24:04
Speaker 1: that man, so can you? Are you gonna give him
24:06
Speaker 1: another shot and don't fail out for divorces? Give him
24:08
Speaker 1: another shot. Y'all speak it, talk it out, and see
24:10
Speaker 1: if y'all give me one reason why I should take
24:14
Speaker 1: you back because you cheat it. Let Mike, that's why, Mike.
24:21
Speaker 1: Stop it, Mike, Mike, Mike. I want to slap fire
24:24
Speaker 1: out you so bad. I swear I just want to
24:27
Speaker 1: take my left knuckle and rub it deep into your temple, Mike,
24:30
Speaker 1: and said, if you don't stop this, can you? You've
24:32
Speaker 1: been together since eight years old? You are you are
24:35
Speaker 1: his child's mom. Where you give my opportunity a chance?
24:41
Speaker 1: I really really wanted a divorce. I mean this is
24:44
Speaker 1: what you know. Everything within me told me that this
24:47
Speaker 1: is what's happening. I mean, all I could say is
24:49
Speaker 1: that I'll think about it. No, no, no, no, no, no,
24:51
Speaker 1: you gotta give me a shot. What would Beyonce do?
24:54
Speaker 1: Write an album about it? But guess what, Beyonce wouldn't
24:58
Speaker 1: be in this situation because Beyonce didn't the man did. Okay,
25:01
Speaker 1: But in this situation you jay Z, So you need
25:03
Speaker 1: to make a four full four album. I ain't heard
25:05
Speaker 1: you say I apologize yet? Can you? I don't apologize.
25:09
Speaker 1: I don't what it is. Mike, ain't gonna treat me better? No,
25:14
Speaker 1: you need to take her the cart. Mike, stop the voice.
25:17
Speaker 1: Irreconcilable differences. You know, the man at the end of
25:22
Speaker 1: the day, I just want to tell you a lot.
25:23
Speaker 1: You ain't no man, Mike, So can you give all? Right? Well,
25:29
Speaker 1: imagine a question? Can you Is you white with the name?
25:32
Speaker 1: Can you me? Are you white with the name? Can
25:35
Speaker 1: you nothing? I'm just asking you white? I know I'm
25:40
Speaker 1: not white? Okay, let's asking well? Can you can you
25:43
Speaker 1: give him a shot? Getting what? Can y'all just talk
25:46
Speaker 1: it out after this, maybe call each other, have some
25:48
Speaker 1: lunch and talk it out. Is that possible? Mike? I
25:51
Speaker 1: want to take a lot. You give me a call
25:55
Speaker 1: and a little figure it out, not give him a
25:58
Speaker 1: call and figure it out. This this weekend, this Friday,
26:01
Speaker 1: y'all go out to dinner and y'all talk it out.
26:03
Speaker 1: Is that cool? I hope you all right? Michael? Michael,
26:09
Speaker 1: you free this friday? Please say yes? Please say you're
26:11
Speaker 1: not working? Ye? Yes? Okay? Good? All right? Well, well,
26:14
Speaker 1: good luck guys. You better than me. Mike. I want
26:16
Speaker 1: to take a hot light and put it on the
26:18
Speaker 1: back of your neck. Please keep us in everything whatever.
26:21
Speaker 1: You don't know what I've been through? All right? Can
26:23
Speaker 1: you trying? Can't you? God? I ain't gonna let your
26:27
Speaker 1: edges stay flourishing? Stop? Can you thank you for trying?
26:31
Speaker 1: How are you welcome? Thank you all? Good luck. I've
26:33
Speaker 1: never heard nothing like this in my life. Come on, man,
26:36
Speaker 1: get cheated on and she blaming him, but you're not helping.
26:40
Speaker 1: You made me. She wants to go back. Can you
26:41
Speaker 1: imagine if a man use that excuse? Imagine if I
26:44
Speaker 1: told my wife you made me cheat. That wouldn't go away,
26:47
Speaker 1: even locked me away in the mental institude. She probably
26:50
Speaker 1: not wrong. That shoots your shots to breakfast club. Good morning,
27:00
Speaker 1: it's time to shoot your shot. To shoot your shot
27:03
Speaker 1: with the breakfast club, just one chance. Don't mess it up,
27:06
Speaker 1: mess it up, mess it up. What's our guys? What
27:10
Speaker 1: are you trying to shoot your shot with? DeVante? This
27:13
Speaker 1: girl a tiv. She works at the pharmacy. I go too,
27:17
Speaker 1: All right, now you gotta go there to pick up
27:19
Speaker 1: your vale treks every now and then. Oh, maybe you know,
27:21
Speaker 1: fix an STD problem, because I'm letting you know if
27:23
Speaker 1: you got to pick up your valereks. I don't think
27:24
Speaker 1: this is a good idea to shoot your shot. If
27:26
Speaker 1: she knows that she's given you. Nah, she's just dope. Man.
27:28
Speaker 1: I don't even have a prescription there. I just go
27:30
Speaker 1: there once a week to get like a pack or
27:32
Speaker 1: dumb or something. And then you go to the pharmacy
27:34
Speaker 1: register just to go see her. Yeah, she definitely did
27:37
Speaker 1: should have STD and too scared to get the prescription. Bro,
27:40
Speaker 1: I don't know. I don't know. I'm scared to shoot
27:42
Speaker 1: my shot. I was hoping y'all help me. Why have
27:44
Speaker 1: you ever had a convit? Have you ever had a conversation, dude?
27:47
Speaker 1: You know? I get the gum and ask her how
27:49
Speaker 1: her day is doing, what's going on? And she's going
27:51
Speaker 1: at this for that concert, not to have not a question?
27:55
Speaker 1: Do you put the gum in your mouth before you
27:58
Speaker 1: talk to her? Oh? You know, are you get a
28:00
Speaker 1: piece of the half of her one? Because if you're
28:02
Speaker 1: talking to her before you put the gum in your mouth,
28:04
Speaker 1: that's probably why she's not interested, because your breakfast clearly funky.
28:08
Speaker 1: Now it's like half a half, half with gum, half
28:11
Speaker 1: without gum. Okay, okay, all right, well let's get right
28:13
Speaker 1: into it. I mean they've only had some brief conversations. Though.
28:16
Speaker 1: He doesn't see her when he buys some gums, so
28:18
Speaker 1: I'll be interested to see if she's noticed you. Does
28:20
Speaker 1: he say hi when you walk in? Oh? Yeah, she's
28:23
Speaker 1: very friendly. Okay, it's gotta be a reason that you
28:26
Speaker 1: haven't shot your shot yet other than just nerve. Maybe
28:28
Speaker 1: he's scared. Maybe he got a small wee week. I
28:30
Speaker 1: don't know, damn. Okay, all right, let's maybe maybe you
28:35
Speaker 1: need some some zannies then for anxiety. I don't have
28:38
Speaker 1: a prescription for it, you know why I could get something? Yeah,
28:41
Speaker 1: the girl, Once you shoot your shot, when we come back,
28:44
Speaker 1: we're gonna call the TVA. That's the name, right, let's
28:47
Speaker 1: let's don't move, right, Okay, we'll call the TA when
28:50
Speaker 1: we come back, so don't move. It's the Breakfast Club
28:51
Speaker 1: in the morning. DJ envy Angela ye, sholaminea God. We
28:55
Speaker 1: are the Breakfast Club. We're in the middle of shoot
28:57
Speaker 1: your shot. We have the von take on the line.
29:01
Speaker 1: Shoot your shot, man. Make that phone call? Hello, Hey,
29:16
Speaker 1: what's up with Tylia? Devant from the pharmacy. DeVante from
29:23
Speaker 1: the pharmacy. How do you get my number? You gave
29:27
Speaker 1: it to me? Remember, No, I don't remember. I never
29:30
Speaker 1: gave you one. Wait, please don't say what do you want? Well,
29:34
Speaker 1: you didn't actually give me a number. You actually gave
29:36
Speaker 1: me your name, and then our search Facebook and your
29:39
Speaker 1: number came off. Jesus Christ. Okay, you gotta stop. You
29:42
Speaker 1: did not tell us this part. I'm sorry this. Let's
29:45
Speaker 1: have you from the Hello. Yes, hey, wait DJ m
29:48
Speaker 1: v Angela ye. Charlemagne from Breakfast Club. Mama, Yeah, we're
29:50
Speaker 1: doing shooting. We thought that you gave him your number,
29:54
Speaker 1: and so he was calling to shoot his shot because
29:55
Speaker 1: he has a crush on you. He said, he comes
29:57
Speaker 1: in there all the time to buy gum. Oh my god,
30:01
Speaker 1: Oh my god, to du That boy's gum. I don't
30:04
Speaker 1: even put his change in his hand like I put
30:07
Speaker 1: it on the Oh my god, he's the creepiest. Why
30:11
Speaker 1: is he calling me? I don't understand. He still, he's
30:13
Speaker 1: still on the phone. He can hear he can hear you.
30:15
Speaker 1: He's here. I got this point. I don't even care
30:19
Speaker 1: because you're talking about too looked up my number on Facebook.
30:23
Speaker 1: It's kind of weird. That's no really, because Facebook does
30:28
Speaker 1: provide this kind of information. But I do think I
30:31
Speaker 1: wish we would have asked him, you know, did he
30:32
Speaker 1: get your number before? And but yeah, but wait, why
30:36
Speaker 1: is he calling me? I'm not understanding. He wants to
30:38
Speaker 1: have sex with No, no, he wants to take you
30:40
Speaker 1: out on the date. He wants to take you out
30:41
Speaker 1: on the date. Why would go five billion people on
30:45
Speaker 1: the planet and you think I would go out with
30:46
Speaker 1: this dude? Speak? No no, no, no, no, no, speak.
30:51
Speaker 1: You have the name of a mens what he keeping
30:59
Speaker 1: in one hun no? Well let me keep it one hundred.
31:03
Speaker 1: DeVante has adult acne. I can't even get past that
31:06
Speaker 1: because we're not even doing it like that? No, are
31:09
Speaker 1: you kidding me? Trying to figure out and figure me out? No, please,
31:18
Speaker 1: and let me tell you, I'm giving out medicine for diabetes,
31:21
Speaker 1: for HIV, for cancer, and this is coming every day
31:25
Speaker 1: buying gum. Do you know how creepy that is? Listen,
31:30
Speaker 1: why don't you prescribe him something for his adult acte?
31:32
Speaker 1: Should he go see a dermat I have a great man.
31:36
Speaker 1: I don't believe. I really, I don't know why she's
31:40
Speaker 1: being like that. I always offer a piece of dumb
31:42
Speaker 1: when I come, and that's creepy. I don't think you
31:48
Speaker 1: should tell a guy like this any last words. That
31:51
Speaker 1: creepy and it really okay, all nice and slow flirt
31:58
Speaker 1: with me. You know you love the girl. Why are
32:00
Speaker 1: you taking the gun from him? Why are you leading
32:01
Speaker 1: him on by taking the gun from gun from him?
32:03
Speaker 1: If you've never taking a gun from him, I'm never
32:06
Speaker 1: taking gun fire. I have a video I snapshatted LaTavia.
32:12
Speaker 1: What Yeah, next time he comes in there, I would
32:15
Speaker 1: call a policeman. He's creepy as hell. Yeah, and the
32:17
Speaker 1: table you might you might need to get. Now, we
32:22
Speaker 1: didn't know. I'm sorry, you know we didn't know. Heyte
32:25
Speaker 1: your mother our father was clearly a Jodas fan. Okay,
32:28
Speaker 1: because they named you DeVante. Are you familiar with Devant
32:31
Speaker 1: Swing from Jodas, Yeah, okay, he did a juicy f
32:34
Speaker 1: commercial back in the day. Oh my god, Latavi. I'm sorry.
32:41
Speaker 1: All right, we gotta go. We got things to do.
32:42
Speaker 1: I'm sorry. Time, have a blessed day. Stops talking women, Okay,
32:48
Speaker 1: all right, I'll see you to see you next week. Girl, Sorry, sorry,
32:56
Speaker 1: geez all right, shoot your shot. I was born to donkey.
33:01
Speaker 1: It's the Donkey of the death. That's pretty Charlomagne Devil
33:16
Speaker 1: Breakfast Club any day for Tuesday, September nineteenth Coast. This
33:21
Speaker 1: Chanelle West Coast. You know Chanelle West Coast and I
33:23
Speaker 1: had a little encounter earlier this year on MTV's Ridiculousness.
33:27
Speaker 1: Let's hear it in case you're not familiar. My only
33:30
Speaker 1: strategy is just to tell the truth. It's like, whatever
33:32
Speaker 1: I said about you, I'm gonna say to you, and
33:34
Speaker 1: I'm gonna continue to stay in tune your regards. How
33:36
Speaker 1: man say something doesn't make it the truth. I told
33:39
Speaker 1: her she was whack wrapping one time. Have y'all ever heard? Okay,
33:45
Speaker 1: good for the good people that said no little way
33:51
Speaker 1: who close signed rank and Nicki Minaj is the same
33:53
Speaker 1: person who co signed me. I want to be et
33:55
Speaker 1: Award with young Money. I got songs called French Montana, YG,
33:57
Speaker 1: Tie Dollar Side Snoop Dogg, Dog mind you, I don't dog.
34:04
Speaker 1: After getting into a verbal argument with him because he's
34:07
Speaker 1: respecting me so much, after I spoke my mom'sa he
34:09
Speaker 1: still came back into the song while are you talking
34:11
Speaker 1: with your hands? Musical track record bro say funny today
34:18
Speaker 1: because he doesn't know my mother. Musical track record records show.
34:25
Speaker 1: People always like to say Wayne found Nikki and Drake,
34:27
Speaker 1: but they always leave out a little twist and Tiger.
34:29
Speaker 1: Chanelle is hilarious. Bless her little heart. The thing about
34:33
Speaker 1: Chanelle West Coast is that she's always talking about this
34:35
Speaker 1: imaginary resume she has. She's always talking about this track record.
34:39
Speaker 1: She's like the side chick who claims she's the main chick,
34:41
Speaker 1: But when you ask the guys about it that she
34:43
Speaker 1: claims to be with, they don't claim. I like that.
34:46
Speaker 1: On Loving Hip Hop Hollywood, you know West Coast is
34:48
Speaker 1: trying to convince the producer name a one to do
34:51
Speaker 1: something that no producer really wants to do, and that's
34:53
Speaker 1: recording music with her. Chanelle West coast has to produce
34:56
Speaker 1: at A One about helping her make the mayonnaise music. Yes,
34:59
Speaker 1: Chanelle wanted to know if A One is interested in
35:01
Speaker 1: helping her provide a soundtrack for her unseasoned chicken Breast,
35:04
Speaker 1: and A One had to remind her that back in
35:06
Speaker 1: the day, when I wanted to work with you, you
35:08
Speaker 1: played me. Oh, yes, we've heard this tale before. Back
35:11
Speaker 1: then you didn't want me. Now I'm a hot day
35:12
Speaker 1: all on me. That's what happened with Schnell and A
35:14
Speaker 1: One on loving hip hop Hollywood? Can we hear a
35:16
Speaker 1: bit of this police, I rap and sing and I
35:18
Speaker 1: really liked your beat. Should definitely linked up, just so
35:21
Speaker 1: you to get familiar, like I was with Little Wayne
35:23
Speaker 1: Young Money, Like I sat and played all my music
35:25
Speaker 1: for Little Wayne. And I have songs with French Montana,
35:28
Speaker 1: Snoop be Real Tie do all the side. Yeah, you
35:33
Speaker 1: could ask them. I met you before. Um, I wasn't
35:37
Speaker 1: as hot. I was in session with French Montana. You know.
35:40
Speaker 1: I'm like, yo, we should work and you had your
35:42
Speaker 1: chaise one. I don't know. You probably never looked at me,
35:45
Speaker 1: but I was trying to work with you. Disclaim me.
35:49
Speaker 1: You know, I hope the best for you. I can't
35:52
Speaker 1: work with you. I dropped one a clue bomb for
35:55
Speaker 1: a one, dammit right. That's why you got to treat
35:59
Speaker 1: everyone with because you never know who's gonna be who. Okay,
36:02
Speaker 1: basically a one told the Delhi owner the whole the
36:04
Speaker 1: man as now when the mail that is Chanelle West
36:07
Speaker 1: Coast wasn't allowed on a one sandwich. When she got
36:09
Speaker 1: introduced to a tribe called Curve, not only did she
36:12
Speaker 1: start running down her track record, it was interesting to
36:15
Speaker 1: see how she took me telling her that she was whacked.
36:17
Speaker 1: I don't know if you don't like if you know
36:19
Speaker 1: my track d Charlot Mayne said it right. Oh no,
36:23
Speaker 1: I had to tell him what it was. Charle Mayne
36:25
Speaker 1: also has went out some of the biggest rappers in history.
36:28
Speaker 1: So I'm up. I'm up there with Kanye and drinking
36:31
Speaker 1: everybody else. But listen, Charla Mayne and just In Chanelle
36:37
Speaker 1: West Coast, you're just putting me up in the caliber
36:39
Speaker 1: of the mother. Do just in't Wow? That's very ambitious.
36:43
Speaker 1: That's dope, Chanelle West Coast thinks because I have called
36:46
Speaker 1: out drinking Kanye before that since I called her whack
36:49
Speaker 1: as well. She's on that level. First of all, even
36:52
Speaker 1: though Drake has never been my cup of green tea,
36:54
Speaker 1: I've always said he was an extremely talented individual. Just
36:57
Speaker 1: because I called Kanye West Kanye Kardashian, and I think
36:59
Speaker 1: he's the sunken places, not me, and I am not
37:01
Speaker 1: a fan. Kanye West is a musical legend. You, Chanel,
37:04
Speaker 1: are none of these things. All right. Let's be clear
37:06
Speaker 1: on that. There are four types of delusions delusions in
37:09
Speaker 1: this world. All right. You got bizarre delusions, non bizarre delusions,
37:13
Speaker 1: mood congruent delusions, mood neutral delusions. I would say, Chanel,
37:16
Speaker 1: you fall under the bizarre delusions category. Somebody asked me
37:20
Speaker 1: what bizarre delusions are. Nobody's gonna ask me. Bizarre delusions
37:24
Speaker 1: are considered extremely odd, highly implausible, and inappropriate based on
37:29
Speaker 1: the person's culture and life experiences. Okay. An example of
37:33
Speaker 1: a bizarre delusion would be the belief that an alien
37:36
Speaker 1: performed surgery and replaced all your blood with kool Aid
37:39
Speaker 1: without leaving the car. Okay, A Chanelle West Coast thinking
37:43
Speaker 1: she's on the same level as draking Kanye West because
37:45
Speaker 1: Charlemagne has so called disc all of them. I have
37:48
Speaker 1: been very specific about any reason why I wasn't feeling
37:51
Speaker 1: drinking Kanye about something. But those guys are extremely talented.
37:55
Speaker 1: Just like what you, Shanel. I think you're a lovely person,
37:57
Speaker 1: but you're just a whack artist. Okay. I think Donald
38:00
Speaker 1: Trump is whack and I've said that these whack a
38:02
Speaker 1: bunch of times on this radio. But that don't make
38:04
Speaker 1: you the president. Doesn't. Channel doesn't make you one of
38:07
Speaker 1: the highest politicians in the world, does it just because
38:09
Speaker 1: I just you and Donald Trump? Chanel, You're a whack rapper, Okay.
38:12
Speaker 1: You have done music with all of those people. You
38:14
Speaker 1: got this long track record and it's gotten you absolutely nowhere.
38:17
Speaker 1: You have every musical cheek, cold known the man, and
38:20
Speaker 1: you keep failing. And you know what they say, when
38:23
Speaker 1: all else fails, there's always delusion. Channel don't go chasing
38:27
Speaker 1: Texas Peak. Stick to the Helmans in the miracle whip
38:30
Speaker 1: that you're used to. Please give Channel West Coast the
38:33
Speaker 1: biggest he hull Jesus christ Man, the Breakfast Club Morning.
38:41
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy we
38:45
Speaker 1: are the Breakfast Club. We got a special guest in
38:48
Speaker 1: the building. What's happening, what's up? What's going on? Man?
38:53
Speaker 1: To sign Hi. I always wanted to know what did
38:55
Speaker 1: you mean when you said, really don't do breakfast club interviews?
38:58
Speaker 1: Oh no, real gangsters don't. Yeah, because, um, you know, man,
39:02
Speaker 1: I used to see a lot of artists come up here,
39:04
Speaker 1: man be like, I don't want to answer the question
39:07
Speaker 1: when you ask them, you know what I mean, Like
39:09
Speaker 1: they'd be like trying to act off tough about be like, man,
39:11
Speaker 1: you're an artist, bro, if you gangster like, we don't
39:17
Speaker 1: do no interviews, you should bring your attorney with you.
39:21
Speaker 1: I'm just saying that's if that's how if that's what
39:24
Speaker 1: we're really doing. So it's just like i'd be wondering,
39:26
Speaker 1: I'd be fans of the artist to me, like they
39:28
Speaker 1: ain't answer that one. That was nothing. Yeah, you're not
39:30
Speaker 1: being interrogated. It's an interview. Yeah. So it's like, if
39:33
Speaker 1: you really a street dude, you really don't want to
39:35
Speaker 1: come and talk about what your life and what made
39:37
Speaker 1: you an artist and what inspired you, then this ain't
39:40
Speaker 1: the interview. This ain't the place for that. Yeah. Absolutely.
39:43
Speaker 1: Now let's you you're a writer as well as an artist,
39:45
Speaker 1: A lot for Kanye West, Yes, sir, now like balls
39:48
Speaker 1: of hooks, uh, more of everything. It's more of just
39:52
Speaker 1: brainstorm Like it ain't more so like hey like bow
39:56
Speaker 1: wow and I'm like okay, it's you know, it's like
40:00
Speaker 1: right wrapped that like that. No, it's more so half
40:03
Speaker 1: of the time we just being there talking about the record.
40:06
Speaker 1: The record Man Pablo was done probably in like seven days,
40:11
Speaker 1: the whole life. He wrapped all at the Jungle studio.
40:15
Speaker 1: He wrapped twelve verses before the Pablo thing in the
40:18
Speaker 1: Madison Square gard really, but he just wrapped all twover,
40:21
Speaker 1: didn't go to sleep. It was just him kill Me
40:23
Speaker 1: and Chance and we just satting there and made him
40:25
Speaker 1: wrap everything. But we've just been talking about it for
40:28
Speaker 1: two years though we ain't even had a lyrics lad.
40:31
Speaker 1: So it was just like he did twelve records in
40:34
Speaker 1: one week. I mean, like, you know, it might not
40:35
Speaker 1: even be in one week. He might have been like
40:37
Speaker 1: three days. He stayed up like straight and went straight
40:40
Speaker 1: to Madison Square. Guards My Hands was your favorite, yeah
40:44
Speaker 1: yeah yeah, I love that record too, yeah yeah. So
40:47
Speaker 1: when Cuttie came in there, it was just like, man,
40:50
Speaker 1: that's like the Holy Trinity. I was just in the
40:52
Speaker 1: bay like, wow, I've never seen him work together before.
40:55
Speaker 1: So that was the first for me. Um Well, he
40:59
Speaker 1: discovered me on the internet. I did a song on
41:01
Speaker 1: guy named Pale and yellow Wolf pills. Yeah, yeah, so
41:06
Speaker 1: I was I was yellow Wolf. I don't got nothing
41:12
Speaker 1: against him. I don't rock with you know what I'm saying.
41:14
Speaker 1: I just had to find some guys that was like
41:16
Speaker 1: in my lane because in Atlanta was tough for me
41:18
Speaker 1: to like do what type of music I wanted. So
41:20
Speaker 1: I just kind of got fed up with my situation.
41:22
Speaker 1: It was like, you know, how much gonna gona rap
41:23
Speaker 1: with dudes who wrap, even if they ain't that poblo
41:26
Speaker 1: or whatever. So we did this record and we did
41:28
Speaker 1: a little you know, fifteen hundreds video and ya seen
41:31
Speaker 1: it on the internet and just kind of start putting
41:33
Speaker 1: it on his tumbler. And then a week lady flew
41:35
Speaker 1: me to Hawaii and it was just and we've been conversation.
41:38
Speaker 1: Row was just say, yeah, what Errow? This my beautiful
41:41
Speaker 1: dark twister fantas. Okay. Yeah, so that's when I first
41:44
Speaker 1: met him. During that album, I always wondered where you frustrated,
41:46
Speaker 1: like just trying to put out that solo album, I
41:48
Speaker 1: mean that debut album or was it you being patient
41:51
Speaker 1: and saying, okay, it's not time, it's not time. Well,
41:54
Speaker 1: one thing for me, man, I'm like I experienced the
41:56
Speaker 1: streets in on a sober level, so I was it
42:00
Speaker 1: is happy to not have to go back to the
42:02
Speaker 1: trap I would have gave. I would have delivered waters
42:05
Speaker 1: in turn what I'm saying, Carrie quit me, I wouldn't
42:08
Speaker 1: even tripping so a lot of time. That may be
42:10
Speaker 1: my fault because I would just I'm just happy not
42:13
Speaker 1: you know that have to do what I used to
42:14
Speaker 1: do so then and I understand the fans was like,
42:17
Speaker 1: you know, very adamant about it. So I definitely wanted
42:19
Speaker 1: to do this for them too as well, not just
42:21
Speaker 1: for myself. But I was never frustrated because I hadn't
42:24
Speaker 1: worked on his last five albums. I'm pretty absolutely okay, Yeah,
42:30
Speaker 1: I definitely got a play. Oh no, he overly paid
42:34
Speaker 1: that's an issue for nobody. Was an issue like he
42:38
Speaker 1: had come like if he has overly paid me, Okay,
42:41
Speaker 1: all right. A dude walked into studio with some leather
42:44
Speaker 1: black jeans on and his and a theme song black
42:49
Speaker 1: jeans on get a part of the song that I helped,
42:52
Speaker 1: you know what I'm saying, putting together? Yes, bro, he
42:55
Speaker 1: if you're delivering waters, if you the engineer, if you're
42:59
Speaker 1: the cameraman, if he actually one thing about this song,
43:02
Speaker 1: your name is on the record. That's why I'd be
43:03
Speaker 1: so many people. All you gotta do is be in
43:06
Speaker 1: the brainstorming. If you was in the brainstorm room, you
43:10
Speaker 1: get part of the record. Ain't like everybody wrote on
43:12
Speaker 1: the record. It's just everybody who was in there get
43:14
Speaker 1: pieces of you the piano player. That's so interesting because
43:17
Speaker 1: you wonder like like sometimes Kanye seems so narcsistic, and
43:21
Speaker 1: it seems like he has such a big ego and
43:23
Speaker 1: he seems so self centered that you wouldn't think he
43:25
Speaker 1: would be such a giving person like that. Yeah, man,
43:28
Speaker 1: because he already you know, the samples already taken up.
43:31
Speaker 1: He got three samples, so that's all gonna take. It's
43:35
Speaker 1: fifteen twenty people gotta chop up. But that's just how
43:38
Speaker 1: he is. He just you know what I mean. So
43:40
Speaker 1: I appreciate them, you know what I'm saying, because a
43:42
Speaker 1: lot of times, you know, people don't do that. People
43:44
Speaker 1: don't even recognize nobody, but he overly recognized. I'm talking.
43:47
Speaker 1: If you answering the door, you're asking what's you're publishing? Relax,
43:53
Speaker 1: the first deal was with Acon. Yeah, now how did
43:56
Speaker 1: you look up with Acon or what happened with that situation? Well,
43:59
Speaker 1: my first dude was actually with Nuoni and Jazz Faye.
44:02
Speaker 1: I was in a group, but damn they take me
44:04
Speaker 1: back with that one. Yeah, I got my first dual
44:07
Speaker 1: like fifteen, so you know what I mean. I was
44:10
Speaker 1: always like one of the best rappers in my opinion,
44:12
Speaker 1: But um, yeah, I knew Booth through my potting, you
44:19
Speaker 1: know what I'm saying. So I knew Booth through Bach,
44:22
Speaker 1: you know what I mean. So I was just a dude.
44:24
Speaker 1: I was just trying to get out of my situation.
44:25
Speaker 1: I was signing some gangsters, you know what I'm saying.
44:27
Speaker 1: They were just like, okay, you want to get out
44:29
Speaker 1: of this, we need this. So I'm like, okay, So
44:31
Speaker 1: I'm trying to figure out somebody that it helped me,
44:34
Speaker 1: you know what I mean, you know, give me a
44:35
Speaker 1: check on something. So Boots like what y'all loved it.
44:38
Speaker 1: So I always got a place even though our situation
44:41
Speaker 1: that all the way work out because you know the
44:42
Speaker 1: Deaf Jam regime and you know La Reads and all that.
44:45
Speaker 1: I just always appreciated him for just taking a chance
44:48
Speaker 1: to like get me out of my situation. I ain't
44:50
Speaker 1: need nothing else from Boot. It didn't kind of go
44:52
Speaker 1: right because once I got to death Jam, it was
44:55
Speaker 1: like Boot left, Boo La Read left and like four
44:58
Speaker 1: months after that, so it was like, damn, just stuck.
45:01
Speaker 1: I'm stuck. But then people know Yay just started, so
45:04
Speaker 1: they were like, Okay, we don't want to let them
45:05
Speaker 1: go ye, and I'm like, no, it ain't. This ain't
45:07
Speaker 1: the people who signed me. So Yay was just like yo, man,
45:10
Speaker 1: come over and write for me. You know what I'm saying,
45:12
Speaker 1: do this, do this, and then we'll get you some
45:14
Speaker 1: cachet and then we can come back and you know,
45:16
Speaker 1: get you out of that situation. And that's why I'm
45:18
Speaker 1: here today. No Dope on Sundays. He was with death
45:20
Speaker 1: Jam before Good Music. Yeah, yeah, I was already on
45:23
Speaker 1: death Jam. It just you know, I wasn't making trap records,
45:27
Speaker 1: so me and you know, Comfort was kind of butting
45:30
Speaker 1: heads about that you're from Atlantic, you should be making
45:32
Speaker 1: the bounce. Yeah, yeah, but I didn't. I couldn't listen
45:35
Speaker 1: to rap growing up. I didn't start listening to Round
45:37
Speaker 1: to talk about fifteen. Yeah, I heard your parents were scrick.
45:39
Speaker 1: Was it a religious thing? Yeah? Yeah, Well, I mean
45:41
Speaker 1: I just grew up in the church and I was like,
45:43
Speaker 1: probably bad, more bader than I should have been at
45:46
Speaker 1: that age. So they were just trying to keep it
45:48
Speaker 1: away from me. But I always heard it, like when
45:49
Speaker 1: I went to skate ring or I went to like
45:51
Speaker 1: out to the club or whatnot. But my first CD
45:54
Speaker 1: I purchase was Reasonable Doubt, and it was written because
45:59
Speaker 1: this dude from Philly was teaching me how to wrap,
46:01
Speaker 1: and I just thought this man was the most prolific.
46:04
Speaker 1: Well yo, thirty yard because you have to rap like
46:06
Speaker 1: nas raps say they was his. You know what I'm
46:11
Speaker 1: saying to me, I'm trying to wrap him. One time
46:15
Speaker 1: he hit me with how you like me? Now I
46:17
Speaker 1: go blaw that move crowd making in the middle of
46:21
Speaker 1: a cipher, and he's killing me. Always He's like telling me,
46:24
Speaker 1: how I made you give you ain't gonna do me
46:28
Speaker 1: like that? Drive me out of the round. So about
46:31
Speaker 1: four or five years later, I'm in the call one
46:34
Speaker 1: of my other New York dudes. I'm in high school
46:36
Speaker 1: now and then I just here, come on. How you
46:38
Speaker 1: like me? Nah? I'm like, oh oh man, that's my
46:41
Speaker 1: partner record. They're like, well, you know nas like na Bro,
46:47
Speaker 1: there's my partner. We got more with Side How the Prince,
46:50
Speaker 1: where we come back, Don't Move. It's to Breakfast Club.
46:53
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy. We
46:57
Speaker 1: are the Breakfast Club, Side How the Princess in the building.
47:00
Speaker 1: Now you kidnap Kanye West and you shot up to
47:02
Speaker 1: death Jam? What that was the song elephant in the
47:04
Speaker 1: Let's talk about na Man. Well, a lot of people
47:09
Speaker 1: don't know. Ya gave me that beat and we came
47:11
Speaker 1: up that topic together. Okay. So the thing was we
47:13
Speaker 1: was about to do like this eminem Doctor Dre album
47:15
Speaker 1: and he had some controversies that he was going through.
47:18
Speaker 1: People would like keep asking me, like, you know, different
47:20
Speaker 1: things they asking me. That was like the biggest thing, like, man,
47:23
Speaker 1: why ya you won't put your own up? Why anyone
47:25
Speaker 1: never yave fault? It was just like death Jam on
47:27
Speaker 1: a power struggle. So I just decided to write a
47:31
Speaker 1: rapper about cop. Was just tired of going the grocery store,
47:33
Speaker 1: tired of going it when people keep asking me, like brother,
47:36
Speaker 1: like ask me something else, you know what I mean.
47:38
Speaker 1: So I made a song that I thought actually cut
47:41
Speaker 1: the air was like a parody almost to me, because
47:43
Speaker 1: you know, Meek and Drake was going through these things.
47:45
Speaker 1: I just threw it out there, just like throw it off,
47:47
Speaker 1: and it just the discord from that was a disrecord,
47:50
Speaker 1: like oh okay, so I had to really explain it.
47:52
Speaker 1: But nah me and Ya was good. He actually had
47:54
Speaker 1: a verse to it, and so we never finished the
47:56
Speaker 1: actual album. So, I mean, I sit on so many
47:59
Speaker 1: records i'd be mad. So sometimes I will just let
48:02
Speaker 1: something go that probably wants supposed to go. Y'all gonna
48:04
Speaker 1: do a whole project called Elephant in the Room. No,
48:05
Speaker 1: I was gonna be like an eminem. I don't know
48:07
Speaker 1: what the name of its gonna be, but it was
48:09
Speaker 1: gonna be like, you know, like a multi conscience. Yeah,
48:11
Speaker 1: who take advice with somebody who slapped people? Like we're
48:14
Speaker 1: going back and forth like, man, you ran on stage
48:16
Speaker 1: with old girl, how are you gonna give me? You
48:18
Speaker 1: know what I mean? So that's how we was just
48:20
Speaker 1: kind of really starting to brew it, but it just
48:21
Speaker 1: never came to fluition something not because like I mean,
48:25
Speaker 1: you know, man, one thing about Bro Man he's a
48:28
Speaker 1: free artist, so I can't you can't even rush his
48:30
Speaker 1: greatness and so many senses. It's like, man, I don't
48:34
Speaker 1: seen him come up with the last minute that we've
48:36
Speaker 1: been trying to get him to cope with for six months.
48:38
Speaker 1: And they'd be like, oh, like famous the famous record
48:41
Speaker 1: that's wrote the last day. Really yeah, like he just
48:46
Speaker 1: but we've been talking to it, like, bro, we gotta
48:48
Speaker 1: have it. Bro, they got all of me on the album. Yeah,
48:52
Speaker 1: he'll just like people just don't understand. People think when
48:55
Speaker 1: they see him, they think that he got a bunch
48:57
Speaker 1: of ghost right, none of that happens without him, Like
49:00
Speaker 1: all of us could be there and he ain't there.
49:02
Speaker 1: It ain't gonna come out like that. So y'are not
49:03
Speaker 1: writing stuff beforehand and saying yea, saying say as as
49:08
Speaker 1: a fin like yeah, well say say you know you're
49:12
Speaker 1: gonna jump on the jet this time? To take it
49:14
Speaker 1: out of that line, He's like, okay, yea, that dude
49:16
Speaker 1: kind of go better. Like it's just like stuff like that.
49:18
Speaker 1: It ain't like just like I said, bow wow, and
49:21
Speaker 1: them like he doesn't care about people knowing he got ghostwriters.
49:27
Speaker 1: I think it's pretty open about it. I think I
49:30
Speaker 1: don't think it's he don't look at it a ghost
49:32
Speaker 1: right though. It's like, because you gotta think about I
49:34
Speaker 1: tell people this is once you already conquer rap or
49:36
Speaker 1: body wrap, you can have ghostwriters. That's to me because
49:41
Speaker 1: I go to the Grammys. I'm at the Grammys every year.
49:43
Speaker 1: A day'll walk on stage. It's fifteen people who helped
49:46
Speaker 1: up with this record. Right, you're gonna stay saying all
49:49
Speaker 1: these other pop they got twenty people on stage, but
49:52
Speaker 1: then rap, it just got to be you and the engineer.
49:55
Speaker 1: It's like, how do you compete with twenty great musical
49:58
Speaker 1: minds and it's just you and the engineer. They also
50:00
Speaker 1: benefits the people that are you know, artists that work
50:03
Speaker 1: with you on your label, because they get to make
50:05
Speaker 1: some money is they're in the room helping you write.
50:07
Speaker 1: So now that he contributed to this track, he contributed,
50:09
Speaker 1: we were having a conversation and now everybody gets paid.
50:12
Speaker 1: But back in the day, unless unless we don't know,
50:15
Speaker 1: those guys were creating immaculate records. I guess by themselves. Yeah, yeah,
50:20
Speaker 1: nas what it was Mad called Jay early on Reasonable Dial, Biggie,
50:23
Speaker 1: you're ready to die, Wu Tang Like I don't think
50:25
Speaker 1: they had ghostwriters, Yeah, but I think. I mean, I'm
50:28
Speaker 1: pretty sure they had some partners in their feeding, Like
50:31
Speaker 1: I know Biggs through j a few lines. I'm like, yo,
50:35
Speaker 1: say this, say that like it just even your partner
50:37
Speaker 1: in there smoking, Oh, I like that one. Just if
50:40
Speaker 1: you don't even react to a line that might be
50:42
Speaker 1: like right, that line, I'm partner didn't react how I
50:45
Speaker 1: wanted to react. So you know, a lot of times
50:48
Speaker 1: it's just more so about vibes. It ain't really more
50:50
Speaker 1: so about the actual lyrics. They said that you exposed
50:54
Speaker 1: that you too was ready and it was to playlist
50:56
Speaker 1: on Spotify. What happened with that? No, I don't know
50:59
Speaker 1: what that is. I thought I thought that was something
51:01
Speaker 1: that um first of all, First of all, I thought
51:04
Speaker 1: somebody hacked my computer. So I'm over getting all this guys.
51:10
Speaker 1: I'm saying that's why I was nervous. But I think
51:13
Speaker 1: it's a playlist that I was about to put up
51:15
Speaker 1: from my album. That kind of it is gonna massage
51:17
Speaker 1: you to you know, get my album kind of gets.
51:19
Speaker 1: You just happened to title stuff from Yes This too.
51:22
Speaker 1: I ain't even that computer saying I'm just gonna keep
51:25
Speaker 1: you all with them or with you. But I still
51:26
Speaker 1: I'm still penciling ping, So I don't know how I
51:29
Speaker 1: got up there. I was trying to figure that out. Now.
51:31
Speaker 1: I was just making sure my stuff then, because I
51:33
Speaker 1: do have those type of records on my computer. If
51:36
Speaker 1: the story is correct. I remember that for the first
51:38
Speaker 1: season's album, when YA bought Rick Rubin and they said
51:40
Speaker 1: it was like six records, he cut off the album
51:42
Speaker 1: that he was gonna use for the sequel, and you
51:44
Speaker 1: just happened to put up six records. I mean I
51:48
Speaker 1: might have about twenty of them, to be honest, computer
51:52
Speaker 1: right now. I mean it stashed away, you know what
51:54
Speaker 1: I'm saying. But I'm just saying, like the six is
51:57
Speaker 1: selling me short. So I don't I know the name.
52:00
Speaker 1: You know, I'm interested in that Elephant in the Room
52:02
Speaker 1: project man, because I want to know what Kanye was
52:04
Speaker 1: vetting about on Yeah. I mean that man, he was
52:07
Speaker 1: just talking about a lot, like you know me, I
52:09
Speaker 1: don't really be knowing the folks. Have you talking about
52:11
Speaker 1: Elon Musk and Phoebe. I'm from Atlanta, bro, I know
52:16
Speaker 1: black people. Really, I don't really know all of you
52:19
Speaker 1: know what I mean England designers, no disrespect. But he'd
52:22
Speaker 1: be going in on me a bottom like you know
52:24
Speaker 1: this mother? Who who told me? I can't help? He like?
52:26
Speaker 1: Who is that? I'm like, who a? Yeah? But well
52:28
Speaker 1: let's make I'm a god. Well we got these headphones
52:33
Speaker 1: for you right here. Oh yeah, oh yeah, you are
52:35
Speaker 1: a rapper. Everybody don't who don't know if the Prince
52:38
Speaker 1: can really rap it like he and you're talking about
52:40
Speaker 1: he wrote for ye with this guy. We don't tell
52:44
Speaker 1: me when you're ready. I wrapped. I want too many blunts.
52:46
Speaker 1: I'm I'm apologized. Here we go, let go. How so
52:53
Speaker 1: how the Prince no dope on Sundays? Yes? Can you
52:57
Speaker 1: hear me? Okay, huh? How about this roller? Because I
53:03
Speaker 1: could never force I had dreams of me being on
53:06
Speaker 1: the Forbes list and the fortress with so much shrugs
53:09
Speaker 1: in that bitch. You gotta move it with a forkliff.
53:12
Speaker 1: I always say my grace before my forkliff. This four
53:15
Speaker 1: fifth for my waist. I go to the war with
53:17
Speaker 1: or if I try to take away the lords, get
53:19
Speaker 1: the man talking world peace. Donna hit the fan, rappers
53:23
Speaker 1: out hit faked beet and wears miss with man. I
53:25
Speaker 1: never threw a rock and den hit my hand. Y'all
53:28
Speaker 1: should come casses because I'm in the man. Every floor
53:30
Speaker 1: was uncut dope. I wrapped it in Surran. Let's go
53:34
Speaker 1: u okay. Yeah, I say mine of an outlaw. I'm
53:39
Speaker 1: a diamond without flaws. I doubt y'all ever heard them
53:41
Speaker 1: with a south draw that can outball anybody in this town. Dog.
53:45
Speaker 1: I say that comfortable is out shopping in the town hall. Huh.
53:48
Speaker 1: I run the underground. I'm the ground hall. Nil all
53:51
Speaker 1: strong waiting on my downfall. They shooting shots, pootie tanking
53:54
Speaker 1: with the bounce off, all out the window, oozy hanging
53:57
Speaker 1: shoot the south path. Even your fans could catch it.
54:00
Speaker 1: That's a foul ball. You don't want to see them.
54:01
Speaker 1: Guys pull up with them golf clubs nine or the
54:04
Speaker 1: four iron. That's to toss up scared dude, drive bys,
54:07
Speaker 1: day walk ups. How you talk tough? Two or two
54:10
Speaker 1: dollars state ahead of my time. Y'all didn't know I
54:12
Speaker 1: was two. I was late. Huh, you suckers better move
54:14
Speaker 1: out the way, because on my birthday I wish it would.
54:17
Speaker 1: Then I blew out the cake celebration toast to the
54:20
Speaker 1: good life, huh, because I can die the night knock
54:23
Speaker 1: on wood twice at the kushlight. I walk around like
54:25
Speaker 1: I'm a bush white. I try to stay down the earth,
54:28
Speaker 1: but out took flight, just like an old school Sheville.
54:30
Speaker 1: Like a hood stripe. You can tell a lot about
54:32
Speaker 1: the bitch, about how she cooked rice, which I would
54:34
Speaker 1: might before this good pipe. What I look like. That
54:37
Speaker 1: bitch must have must stook my kindness for weakness, silence
54:41
Speaker 1: for meekness, sleepless nights trying out to dine the street.
54:44
Speaker 1: Baby girl, I don't mean to be facetious. I cut
54:47
Speaker 1: a bitch y'af at the gym if I see fit,
54:49
Speaker 1: But on some g I still get your weed. Fis
54:52
Speaker 1: you want to be a fund on my arm. But
54:53
Speaker 1: I'm trying to speech stick good enough about the ship
54:55
Speaker 1: in hand them like I'm three six When the weed
54:57
Speaker 1: lit the rappers is in some deep just can't keep
55:00
Speaker 1: a secret. But I want to sneak this bull the
55:02
Speaker 1: side of jolly ranches, thinking I'm a sweet lit upgraded
55:05
Speaker 1: from an AMG two more horses than the finish line
55:09
Speaker 1: at the prickness. I used to break them down, make
55:11
Speaker 1: sure what's remixed, then then surfing up the street from Eastwick.
55:15
Speaker 1: I was the lord of rap Way before I toward
55:17
Speaker 1: the Math. I got too much to lose. I can't
55:19
Speaker 1: afford the trap. The FBI got me bugged, even my
55:22
Speaker 1: water tap. Now I'm done with this. Press is out
55:30
Speaker 1: right now, yes, no get it, no dope on Sundays man,
55:34
Speaker 1: pre order to go out tomorrow on the tim if
55:35
Speaker 1: I appreciate your breakfast club man, but let me bring
55:38
Speaker 1: this messes to your platform Revolte as well, so you
55:41
Speaker 1: know the album be out on November seventeen. Let's get it, Kanye.
55:44
Speaker 1: If you don't post your album morning the Instagram, he
55:46
Speaker 1: don't got an Instagram, Twitter. He ain't got that on
55:48
Speaker 1: the morning, but I might. I might have him revigorated.
55:50
Speaker 1: He got something. Absolutely, you heard Charlemagne. All right, there
55:56
Speaker 1: you have it. It's the Breakfast local money. Hey, the
55:59
Speaker 1: break first Club