Latest / Dubious Creatures Presents / The Vampire With No Name 1.08 - Cut a Swathe
Transcript
- 0:23The. A highway wanders through the
- 1:19desert. A tumbleweed drifts past a dusty
- 1:23dive bar. A coyote shrieks out to no one
- 1:26in particular. Someone's bleeding out in a
- 1:29bathroom stall. The stars tonight are bright,
- 1:34but not nearly bright enough. This place does not exist.
- 1:40And yet here you are. Welcome to San Arroyo Kindred.
- 1:47We here at Dubious Creatures present to you the vampire with
- 1:51no name, and you hit out. We're just leaving the Jeremy
- 2:01asked her crow for the time being with the mysterious
- 2:05missive Crow. Are you OK others?
- 2:09Shit, is that new? Am I?
- 2:11Am I seeing that? Am I?
- 2:13Nope, That's that's that's new. I they popped up last night at
- 2:20the laundromat and I didn't really get a chance to ask
- 2:24Sebastian about it this morning. OK, I'm.
- 2:31Hungry. I'm very much so.
- 2:36Yet again, Aster will offer me like, Do you need to take the
- 2:40edge off? You know.
- 2:43I don't know if this is like a weird faux pas thing in Kindred
- 2:47society. I don't.
- 2:49That's usually how I get it anyways.
- 2:51Yeah, sure, fuck it. Aster will offer her wrist and
- 2:56look away out of courtesy. Do you partake?
- 2:59Crow. Yeah, yeah, I'm, I'm hungry
- 3:03enough. Even though there is this some
- 3:05slight concerns here, you very gingerly and Jeremy, you are
- 3:10also here in this situation. So this suddenly weirdly
- 3:15intimate feeling situation, you're not quite sure what to
- 3:21do. I I think to an.
- 3:23Extent, he definitely thinks. He is, he's a magic like there
- 3:28is a level of a disassociation that is going on here that is
- 3:31just like, this is not actually happening.
- 3:33This is I am actually watching. OK, this is OK.
- 3:39Going on in his head as he just kind of like he's watching with
- 3:43like kind of like eyes a little wide.
- 3:46As she goes to go in and looks up and sees Jeremy watching,
- 3:51she's like, can we take this somewhere else or you go
- 3:58somewhere else? Close your eyes.
- 4:02No. It's it's a trick.
- 4:05He just the Astor will close her eyes.
- 4:08Just just. Trust him.
- 4:11I, I, I know what he's going to do and I would prefer you not
- 4:16watch invisibly. That's almost creepier.
- 4:21So that was. Going to watch?
- 4:22This is a a thing, OK yeah. Reaches into his under his
- 4:29collar, the. You know, same thing he's been
- 4:32wearing and. Pulls back out the.
- 4:33Headphones and I think he just hits shuffle.
- 4:35So I I imagine this time he's going to be like super twingy
- 4:38country music and walks out of the room.
- 4:42And you have your privacy and I will go in for the bite.
- 4:53And you do that and asked her, you, you weren't really sure
- 4:57what to expect, but feel the fangs Pierce into your wrist,
- 5:04into the artery. And there's an immediate
- 5:06sensation of pain. And then oh, oh wow, that you
- 5:12have to like physically grit your teeth to not make a, let's
- 5:15call it inappropriate noise. Has a feeling this wonderful
- 5:22feeling passes through you? Well, this is interesting.
- 5:28I don't hate it. Crow, how much are you taking?
- 5:33I was going to slake 3. She's going to try to slake 3.
- 5:38Unless she gets pushed off. We'll just say it that way
- 5:41because she's used to doing this with Sebastian.
- 5:45OK, so go ahead Astor, give me 3 Rouse chicks.
- 5:52Unchanged. That's 1-2 to go.
- 5:57Where are you at right now, Astor?
- 5:59Oh, I'm definitely hungry now. So what's your total hunger
- 6:03levels now? 3.
- 6:06OK, so as you and The thing is, crow it, it tastes good.
- 6:12It just tastes different. Not quite a person, not quite
- 6:18kindred. There's something changeable,
- 6:22mercurial almost about it. And it's, I mean, it's not
- 6:27Sebastian, but you don't hate it and asked her you definitely
- 6:33don't hate it. It's.
- 6:36Kind of awesome. As you pull away, Crow still
- 6:40holding the wrist and you watch as she leans in and just as
- 6:45you're wondering, oh crap, now I've got a bite mark in my wrist
- 6:49video and she licks it closed and just like that, no bite
- 6:53mark. Same time next week.
- 6:56And she says this as she's like wiping like blood from like the
- 7:00side of her mouth. In fairness, you owed me for
- 7:03that one. Yeah, yeah, I.
- 7:05Kind of that's, yeah, same same line of thinking, just kind of
- 7:12slumped on the couch, just half leaned over.
- 7:16Almost looks drunk, but definitely not drunk.
- 7:19Chill for a minute, he's. Feeling better?
- 7:23Much, much better, thanks. We're even meanwhile, very
- 7:29patently ignoring all of this. Jeremy, do you listen to music
- 7:33off your phone? My sire took my phone.
- 7:37If I remember correctly, I sold a cheap MP3 player from a gas
- 7:40station. I don't believe she took your
- 7:43phone. You just didn't wake up with it
- 7:46on you. I don't know.
- 7:48I mean, I, I mean, if Jeremy has his phone, he doesn't know it,
- 7:52which is kind of part of the course I think at this point.
- 7:55That's fair. So you're a little surprised
- 7:56when you're familiar, when you rather feel you don't hear
- 7:59anything. Your ears are full of country
- 8:02twang at the moment, but you feel a buzzing.
- 8:06I eventually I'm amazed considering the the racket.
- 8:09That this thing survived. I'll check the phone.
- 8:12Is somebody actually calling me or is it a text?
- 8:15It's just a text and you are a little surprised.
- 8:17I mean the screen seems better. Days crack the hell.
- 8:20But the text on screen is still legible and the text nearly
- 8:24floors you. You didn't think you still had
- 8:27her contact info, but you see a message from Linda Barnes.
- 8:32That's a little terrifying. OK.
- 8:34It would immediately springs to mind when Jeremy sees this text.
- 8:39Like, not even guilt. Not even.
- 8:42Just immediate. Guilt.
- 8:44Of course I'll. Check what it says.
- 8:50It just says hey stranger, heard you were in town.
- 8:56Small world right? Don't know if you even still
- 8:59have my info saved, but if not, Hi it's Linda.
- 9:06How you been? I guess it's one text after
- 9:11another like she's fighting indecision with each line.
- 9:16What brings you to California Cowboy County?
- 9:22He kind of thinks for a moment before he starts typing.
- 9:27You're running away from my problems.
- 9:30Oh, really? Same.
- 9:32Yeah. Rehab sucked, but.
- 9:34Cold Turkey is worse. I'm glad you're doing better.
- 9:39Thanks. I'm not sure how better I am.
- 9:42But. I'm at least clearer.
- 9:46Well, I'm glad you're doing your version of better then.
- 9:54How'd you hear I was in town? My boss is one of the few people
- 9:58that still goes to this fancy ass restaurant downtown.
- 10:02Dragged along there for some kind of work mixer I think.
- 10:07And apparently you were playing for tips and there's a couple of
- 10:13people who miss your musical stylings.
- 10:16About damn time you asked. Me, I haven't done anything for
- 10:22real money since I found out that Vick gets every almost
- 10:27every penny and what he doesn't get, my parents get.
- 10:31Oh fuck that sucks man. Hence the.
- 10:35Cash bank and hence the incommunicado bank.
- 10:42I'm sure at some point they'll figure out where I ended up,
- 10:44but. It'll.
- 10:46Take them a while and hopefully be a pain in their ass.
- 10:50Hey, well it just so happens that I work for a truly scary
- 10:56ass law firm, so if you want to send a legal fuck you their way
- 11:07I might know a few people. I might take you up.
- 11:11On that but. I don't have any money to pay
- 11:14people, so I'm not going to ask anyone to do anything on my on
- 11:19my side. I'm fine.
- 11:22I haven't bought enough people down.
- 11:24We'll call it a legally binding I owe you.
- 11:27I'll think about it. OK, well don't be a stranger.
- 11:33Or do I realize that I haven't talked to you in man?
- 11:37How long has it been actually? Tenish years, I think.
- 11:43Jesus, we're old farts now. Well, I mean that apparently I
- 11:51invented a time machine because I don't remember half of it.
- 11:55Maybe we could take it back to Brooklyn circa 2010.
- 12:01Maybe. I got a few decisions I want to
- 12:03tell my teenage self not to do under any circumstance.
- 12:09It only seems to work work going forwards.
- 12:11You you, you don't go back, you just go forwards and you lose
- 12:14more and more each time. That's deep.
- 12:17You should put in the song. You know, if I get the urge to
- 12:23write again, maybe I will. Better credit me remember scary
- 12:29ass lawyer? Yeah, sure.
- 12:34If I if I do write a song with that line, I'll I'll put.
- 12:36I'll put. You in there?
- 12:38I'll hold you to that. But I'm glad to hear you're
- 12:41doing well. Yeah, you too, Jeremy.
- 12:47Fumble for a little bit and then send her like one of those like
- 12:52like hugging beams. Like where it's like someone
- 12:54someone giving like a hug. She sends back emoji of blowing
- 12:59kisses. OK, I don't want to bother you.
- 13:04I I realize it's late and I should also probably be at least
- 13:08pretending to get my six hours. Or like 3 hours if I'm being
- 13:12perfectly honest. Sorry, but thanks for reaching
- 13:17out. I'm don't know what prompted it,
- 13:21but. Thanks SO.
- 13:24Always nice to hear from someone.
- 13:27No problem, dork. He'll kind of like stare at the
- 13:30phone for like a really long time after.
- 13:32That last text. He'll let her have Lesper,
- 13:35though. He'll probably like sit down out
- 13:39behind Ester's like on the way like out past the greenhouse.
- 13:44So he's going to sit down probably pretty close to where
- 13:46he talked to Ash, like I think the day before, and he's going
- 13:50to sit there with this like iPod or the MP3 players like bangs
- 13:54in. And he's going to.
- 13:56Check how many cigarettes he has left and then light one up and
- 13:58then just going to sit there with his head in his hands very
- 14:02slowly smoking. Processing.
- 14:06There's a song playing in your ears, but it's not.
- 14:09It's not country, it's not Western.
- 14:11It's slow melodies. Have a piano solo you're
- 14:16particularly proud of. And she was glad to be your
- 14:20audience of one that night. I imagine he's he's got the plug
- 14:27tier thing going on and he's just, he's going to be
- 14:29completely zoned out until someone disturbs him I think.
- 14:33Meanwhile, there's one thing that's a constant across all of
- 14:39Southern California. It's that people really love
- 14:44their hiking trails, especially upper middle class white people
- 14:50in suburbs and Angel Acres. Snow shortage of well worn dirt
- 14:59trails spiraling up hillsides through dense brush of
- 15:04chaparral. Really.
- 15:08Yeah. Could you give me a hunting
- 15:10roll? Yeah, I can do that.
- 15:13We'll. Give you an extra die because
- 15:15Ash is assisting you and Ash knows the terrain a little
- 15:19better than you do. 3 successes. Spot on the top of a low rise,
- 15:27there's a guy having put up the kickstand on his mountain bike.
- 15:32Off to the side you can see that he's got looks like camera.
- 15:38Not his phone camera, but an actual camera Appears to be
- 15:42taking landscape pictures and surroundings.
- 15:47Doesn't really notice you until he notices you, if you know what
- 15:54I mean. Mid 30s, wiry, pretty good
- 15:58shape. Looks like he definitely uses
- 16:00that by Glot all right. Athletic shirts and a helmet and
- 16:05maybe a slightly stained Striver University sweatshirt.
- 16:12Any other time I would probably think he's very cute, but I
- 16:16don't even think I have the faculties to process that right
- 16:19now. I do need that willpower check.
- 16:24Yeah, 2 successes. It's not enough.
- 16:29Nope. She stalks toward him.
- 16:34Ash. And first, you're like, OK,
- 16:37that's not so bad. And then?
- 16:42Then she starts to pick up the pace and cross the distance
- 16:46between you and this guy alarmingly fast.
- 16:49It's like watching a nature documentary where a hapless
- 16:53gazelle doesn't yet realize the predatory feline.
- 16:58That's padding through the Savannah at them until it's far,
- 17:03far too late. When she pounces, there's no
- 17:06pretence of anything but predation.
- 17:10Ash will bolt as fast as they can and will pretty much
- 17:16immediately be trying to restrain Raleigh because even if
- 17:23it's like not completely saving her hunger, Ash is going to be a
- 17:28good winger and prevent her from becoming a murderer.
- 17:35OK, Ash, go ahead and give me a strength plus athletics chick.
- 17:42Raleigh, go ahead and get me a strength plus athletics chick,
- 17:45because at this exact moment you do not want to be restrained.
- 17:49Mm Hmm. I'm going to rouse.
- 17:51It's probably a good idea, man. Really the the number of tonight
- 17:56is 2. I can't rule anything above
- 17:58that. That is five successes. 5
- 18:01successes. OK, so you do manage to
- 18:07successfully pry her off, but she she's fighting you and she's
- 18:14kissing and spitting and growling like that thing in the
- 18:19laundromat and you cook your arms and her shoulders and you
- 18:23drag the bag. Meanwhile, the poor guy, you
- 18:26don't even think he registered presence, that's how quickly it
- 18:30happened, is lying there on the ground with a slightly lazed
- 18:34expression, arterial blood still pumping out of the wound in his
- 18:38throat and into the dirt. Really, the good news is that in
- 18:43that moment you managed just like 2 levels of hunger.
- 18:48And more than that, he tastes amazing.
- 18:51There's this you never knew what the feeling of calm, the feeling
- 18:59of sentimentality tasted like until now.
- 19:06And it is exactly what the doctor ordered in this moment as
- 19:12you gain an intense ligmatic resonance give you plus one to
- 19:19any all specs or dominate abilities, although I do not
- 19:22believe you have those I. Do not have either.
- 19:26Ash, while like holding her back, is going to whisper.
- 19:33You're just, you're good, you're good.
- 19:36We're going to have to clean this up though.
- 19:40Am I still can? I think again it.
- 19:46Takes a minute you. It's like ashes, despite
- 19:50speaking in your ears, speaking at you from a long hallway until
- 19:54eventually you finally snapped back to yourself.
- 20:00If there's any blood on my face, I'm rubbing at it but licking at
- 20:05it at the same time, just wanting to get a little bit more
- 20:09and I look at it just being like I don't know what to do.
- 20:16If I let you go, are you going to be OK?
- 20:20Yeah. Yeah, I think I'm in control
- 20:23again. OK, OK.
- 20:25Ash is going to like let go of that grip, like pat her on the
- 20:31back of the neck before going to this hiker and they're going to
- 20:38Crouch over him and going to lick the wound closed.
- 20:46You're not sure how cognizant he is in this moment.
- 20:51It tastes really good, though. You're not at that level, but.
- 20:58Could I? It's like a dot the.
- 21:00Problem is, you don't give me an intelligence plus medicine,
- 21:05Jack. I have one success.
- 21:08He tastes really good. Which is interesting that that's
- 21:14been happening more often. Ash is going to try, I think,
- 21:18slicking a single dot like, oh, just a little bit, just like a
- 21:21little sip before looking the wounds closed.
- 21:26Okay, could you please give me a result plus stamina check?
- 21:333 successes. As good as it just tastes,
- 21:37there's something It catches in your throat, almost like an gag
- 21:41reflex, and for a moment you feel that sensation, but you
- 21:45keep it down, barely, and you also have the same resonance
- 21:51now. Hey.
- 21:54This guy, he's you're here's the thing, you're biting a man while
- 21:59he's down. So can you give me any reason
- 22:01why you shouldn't receive another stain for this action
- 22:05that you did not need to undertake?
- 22:08No, no, I can't give you a reason.
- 22:12Ash was just hungry. You're enjoying the power
- 22:18dynamic at play with these encounters far more than you
- 22:23feel like you should. Don't worry, we're going to make
- 22:25this worse. Take a stain on your humanity.
- 22:29Yeah, once they have licked the wound closed, Ash is going to
- 22:37meet the eyes of of their mutual victim and I'm going to cloud
- 22:45memory. He's coming too, looking up.
- 22:50What do you do as some some instinct overtakes you?
- 22:57Ash is going to like reach up to this guy like, you know, like
- 23:01cut the side of his face like pat it say don't worry, don't
- 23:05worry. You're just got a little light
- 23:08headed on your hike. It's all good.
- 23:11Don't worry, nothing happened. I oh, oh wow, oh man, did I
- 23:25crap. I fell off my bike, didn't I?
- 23:27Shit. Yeah, you got a little scuff
- 23:30there, bud. Yeah, Oh, oh man, I knew I
- 23:33should have. You know they tell you to drink
- 23:35more water, but he nearly folds into you as he tries to stand
- 23:40up. Ash like, you know, catches him
- 23:44like, rises up with him. He's like, oh, are you like
- 23:47diabetic or anything or? No, I just.
- 23:52I just need a minute. I just.
- 23:55Yeah, sure, sure. It's it's all right.
- 23:58It's cool. It's cool.
- 23:59I'm just glad we were here. Yeah, no thanks.
- 24:02Thanks so much. I'm just going to, I'm just
- 24:04going to take a second. He sort of leans back on his
- 24:10bike. Yeah.
- 24:12No, no, take it easy, take it easy.
- 24:14Just don't. Don't rush for a.
- 24:18Moment Lily is staying back away from this and pulled the hoodie
- 24:25on the hood on my hoodie up over my head and the sleeves down and
- 24:31over the thumbs and just kind of sitting there suddenly just
- 24:37thinking about that was that was me like a month ago in the
- 24:43hospital when Henry kept draining me over and over and
- 24:49over and kind of trying not to have a panic attack.
- 24:53There's something about Ashton enjoys being in charge, you can
- 24:59tell. Eventually 2 of you make your
- 25:03way back, leaving a confused and rather light headed but none the
- 25:08wiser midnight biker out on that hill and you all once again find
- 25:15yourselves back in Astor's living room.
- 25:19OK, we're all here. We're all mostly sane, brained
- 25:28Crow. What's that letter about?
- 25:33Oh. Brought it to me.
- 25:35And I I I don't know who sent it other than, you know, what's
- 25:41written on it because it's not Sebastian's handwriting.
- 25:44But I don't know who else would have talked to Poke.
- 25:49Somebody would have had to have talked to Poke to get him to
- 25:53bring me this letter. You remember Rafe from last
- 25:56night? A weirdly polite, tattooed
- 26:00gentleman that now this has been your second time encountering
- 26:04him, you realize? Oh, yeah, that's right.
- 26:07That was his name. I mean, he did say that he would
- 26:10be using Sebastian as an intermediary.
- 26:15I guess this is what intermediary looks like.
- 26:18Yeah. Now that's all starting to make
- 26:20sense. OK, All right, sorry.
- 26:25Slowly putting the pieces together.
- 26:26So this is the the tattooed guy that we met last night sent this
- 26:34I'm guessing. Strangely hot wizard.
- 26:37Yeah, hot wizard. Let's go with that.
- 26:39He was really hot. So yeah, I'm guessing he found
- 26:44the whatever things that he was wanting to send us on a quest.
- 26:49For. I have no idea what a fucking
- 26:54curatrix is. I sounds like a change on
- 27:03curator, somebody who's got a little bit of Aladdin on them,
- 27:11but so might be somebody who has historical items of some sort,
- 27:17like our big, tall and ugly. Yeah, Ash, as you look at the
- 27:25note yourself, you know where that address is.
- 27:28Oh, now where is that? You went there once on a middle
- 27:31school field trip that you did not particularly enjoy.
- 27:34That's the address of the Jay Connolly Historical Society.
- 27:38Now, when you say Historical Society, are we talking like,
- 27:43oh, we're going to, we're going to do our local whitewash
- 27:46history or? It's it's technically a museum
- 27:52with a well, the Historical Society is well, the name of an
- 27:56organization and a building in the way that such things often
- 28:01go, telling the history of the home of the white gold rush.
- 28:08And yes, it is, as is most things involving American
- 28:14history as it is taught to the use incredibly sanitized,
- 28:20lovely, lovely. You remember mostly being bored
- 28:26out of your mind and waiting for the OR substitute teacher that
- 28:33had been assigned that day to turn around so you could head
- 28:37around the corner and get slushies with your friends.
- 28:40Well, that's a that's certainly an address that's Historical
- 28:46Society is going to be and that's where a curator would
- 28:50look, would look, I guess, and seems like every other vampire
- 28:54we encounter. Sorry, air quotes.
- 28:56Kindred is older than fucking dirt here.
- 29:01Makes sense? So we're breaking in it?
- 29:04Or is this an invite? Yes.
- 29:09Cool, I'll get my lock pick. You know what?
- 29:11No, I'm not going to ask. Are we taking my car or does
- 29:16somebody have something that it can actually seat everybody?
- 29:21I have a rental car. I you don't, I don't want this
- 29:26thing connected with any of it. Yeah, that's a bad idea.
- 29:30I've got I, I can, if we want to split, I can.
- 29:33I mean, I can fit all of you, but it would probably be a
- 29:36little bit tight. But otherwise we could split I.
- 29:41Mean I'm fine with splitting too.
- 29:44All right. Well, who's going there?
- 29:52Yeah, there's one other thread to pull on, and that is the
- 29:57Michael Phillips situation. Oh.
- 30:00That guy. Yeah, that guy, you know where
- 30:04he's at. Yeah.
- 30:07Or at least you know where Chrissy said he was at the
- 30:15trailer park that they recently opened up.
- 30:20Not terribly far away from where you are now.
- 30:22Something about all the layoffs that the mines recently need for
- 30:26low income housing. So do the punchy folks want to
- 30:34go together to go deal with this Michael guy and the other?
- 30:40Three, are we expecting to have to use violence on him?
- 30:44I don't know. He's like a shock jock.
- 30:47We don't, I think if you. I can.
- 30:50I expect violence with everybody, honestly at this
- 30:52point. I I I don't want to.
- 30:55Currently I'm trying to lay low so I should not go there.
- 30:59OK, who wants to come to the trailer park with me since I'm
- 31:03apparently being, Volun told. For I'm just, I was expecting,
- 31:08I'm expecting, listen, I'm expecting shenanigans and I
- 31:12quite frankly, I'm not in any kind of physical condition to
- 31:15deal with any fucking shenanigans tonight.
- 31:18Jeremy, you want to deal with some shenanigans?
- 31:21He kind of reaches up and pulls the very loud music playing
- 31:25headphone out and then shrugs. Great.
- 31:28You're coming with me. I need somebody to watch my
- 31:30back. At least I'm not doing this
- 31:31alone. OK.
- 31:35All right. So we're splitting the party.
- 31:38My never goes well. What could possibly go wrong?
- 31:46Better question is what? Could go right?
- 31:48Let's start with the Historical Society.
- 31:54It's not a hard building to find, even if you didn't know
- 31:56where the address was. Stands out in downtown kind of
- 32:02forming the official barrier between the quote UN quote ultra
- 32:08modernity of downtown and the remnants of its Boomtown past
- 32:16encapsulated in the Carlsberg historic district directly
- 32:22adjacent building itself from what you know Aster from what
- 32:26you picked up just from conversations with Zach about
- 32:29his hometown. It used to be a hotel back when?
- 32:33Well, back when the railroad initially first connected San
- 32:37Arroyo to the rest of California, that.
- 32:41Was forever ago. Yeah, like forever ago.
- 32:47Forever ago. And it looks like it.
- 32:52It's got that, sort of. 2. Story almost slightly bow art
- 33:00style facade to it. A building that definitely looks
- 33:06out of place, especially next to the looming shadow of the actual
- 33:15skyscrapers, or what passes for skyscrapers directly next to it.
- 33:21And it is closed because, well, of course it is.
- 33:25It's after hours. First thing Astor's going to do
- 33:29is look for cameras. Give me a widths plus either
- 33:36larceny or technology. That's two successes.
- 33:44Yeah, there are cameras. Looks like there's one directly
- 33:48covering the entrance, and there's another one looks like
- 33:52it's covering the alley directly adjacent to the closest
- 33:56building. So, Astor points out, both of
- 34:04the cameras should be like, just beware, there are cameras.
- 34:10So now it comes up and I probably pull out some sort of
- 34:16medical mask to put over my face.
- 34:18Just anything that can. This is anything that I don't
- 34:24can hide my face for a little bit.
- 34:28Astor is also obscuring her face and is wearing gloves.
- 34:33I. Guess the question is when we we
- 34:36break in, where do we go? The back would be better because
- 34:41it looks like that camera isn't pointed directly at the door.
- 34:46Plus we could just have Aster looks to crow, not wanting to
- 34:51step on a toe and be like. We could also just ask Poe to
- 34:55slide in front of the camera for a little bit, right?
- 34:59And it's actually incredibly, yeah, yeah, I could do that.
- 35:05And she sort of takes, puts her fingers like up under his claws
- 35:10and brings brings them up and just like, hey, but can you just
- 35:14go like just that camera back there?
- 35:18Just go sit on it in front of it, block it, please.
- 35:23Just going to give him a little kiss on the head.
- 35:27And. Let him go.
- 35:29Give me a Charisma Plus Animal Ken roll or successes.
- 35:36He lies up there, perching physically on top of the little
- 35:45plastic stem that connected to those of the building, begins
- 35:48poking and pecking at the camera lens furiously, like this camera
- 35:53owes him money. That works too.
- 36:00That's fantastic. The only thing that they're
- 36:02going to be seeing on the other end of that security camera is 1
- 36:05very pissed off bird. All right, let's let's move,
- 36:11please. Yep.
- 36:12Let's let's do this and Astor will proceed to pick a lock.
- 36:18OK, index plus larceny. They'll just, you know, keep an
- 36:23eye out. Perfect or successes?
- 36:29It's been a minute, but, you know, it's like, yeah, you know,
- 36:36it's like riding a bike. You never really forget.
- 36:41And you know, every optico building in Southern California
- 36:46is mandated to have a fire entrance and exit somewhere on
- 36:50the ground level. It also means that there's
- 36:53almost always a side entrance on every building in Socal.
- 37:00It does make it easy to break into places.
- 37:03Someone should really do something about that.
- 37:05No no no they shouldn't make keep my life easier.
- 37:11Well, this lock clicks open, you push in.
- 37:17I hope there's not an alarm, I didn't think about that
- 37:19beforehand. Yeah, that's weird.
- 37:21You open it up and there isn't. It's slightly concerning, but
- 37:26I'm also just grateful for the good luck.
- 37:29You walk in and well, it's pitch dark in here.
- 37:32Lights aren't on, so the only small amount of illumination is
- 37:37coming from what street light is filtering in through the
- 37:40windows. But you can see the old timey
- 37:44aesthetic extends into the building proper.
- 37:53You half expect old timey twangy piano music to start playing the
- 37:59moment you walk in, as you gaze at the slightly scuffed wood
- 38:03panels, the Persian rugs, the old almost Romanesque style
- 38:12columns holding up the buttresses, the frame, the.
- 38:20It might have at one point been the lobby area of the old hotel,
- 38:24but has been since converted into a series of glass display
- 38:29cases, relics of a frontier age. Old blown up panoramic photos
- 38:39with large text detailing the fascinating journey of one Karl
- 38:47Streiber at a caravan of German immigrants that came here during
- 38:55the gold rush years and somehow found themselves a ways away
- 39:00from the Central Valley. But the shadows cast over it all
- 39:06give it a decidedly eerie quality.
- 39:10Well, slightly unnerved, she's pastor will kind of like wave to
- 39:16Raleigh and Crow be like, all right, let's do this.
- 39:20Get in and get out. I have no idea what I'm looking
- 39:22for. Yeah, well, something a cherry
- 39:27trick such I don't know. Is that a person or an item?
- 39:31Why is the the hot wizard so vague?
- 39:35Aren't. Izzards normally pretty vague,
- 39:40Maria. Yes.
- 39:45Well, this won't do at all. They let themselves in, and
- 39:51you've been watching them chattering away this whole time.
- 39:55Like, this is perfectly acceptable behavior and you're
- 40:02rather peeved about that. I think Maria, from back down in
- 40:10the hall, shuts the door behind them.
- 40:16Aster jumps. Rally jumps.
- 40:20Generally if one is visiting 1 knocks.
- 40:28Sorry, I didn't think anybody would be here.
- 40:32At the moment, the figure that is speaking is still occluded by
- 40:37the darkness, but you can see a shape and a pair of burning red
- 40:45eyes. We we, we, we apologize and.
- 40:54I take it by the look of the feathered one that you don't
- 40:57count yourselves among the living.
- 41:01Yeah, team not breathing. Team not breathing.
- 41:06I see. That definitely won't do.
- 41:12It is one thing for hapless mortals to stumble in here, and
- 41:18there's another for this place to be invaded.
- 41:24I think she's going to slowly step.
- 41:26Forward. What do they see as she steps
- 41:31into the half light? So it's a feminine figure,
- 41:36pretty slight and slender. She's about 5-7.
- 41:41She's in black shoes and black high waisted slacks.
- 41:45She's got a white button up with the sleeves rolled up, the
- 41:49buttons buttoned down decently low, and she has disposable
- 41:55gloves on her hands. That's where the kind of
- 41:58recognizably human traits end. There are the glowing eyes, as
- 42:06well as the fact that she is completely bald, and instead of
- 42:12hair almost on the front of her head, there is raised bone
- 42:18ridges going back, almost like armor around the upper half of
- 42:24her face and head, and it trails off into her flesh, leaving
- 42:30behind designs that are like the back of a snake.
- 42:36There's a similar situation going on around her collarbone,
- 42:40like it's armored, and her arms beneath the rolled up sleeves
- 42:46are discolored and utterly smooth.
- 42:53It also looks like snake scales but very dark green almost black
- 43:02scales, and the rest of her skin too almost has that kind of
- 43:08shiny smooth quality. Just like everything has been
- 43:13reduced and made smooth and any excess is gone except for those
- 43:19human inhuman traits that protect her.
- 43:22I mean no offense by this, but you are beautiful.
- 43:26She stops for a moment, cocks her head.
- 43:31Not what I was expecting, but thank you.
- 43:36We were told by Rafe to come. Here by Rafe.
- 43:45We still have the note like ask for whispers to Riley and Crow.
- 43:54Yeah, I've got Rafe sent it along with my familiar.
- 44:08She. Extends a hand which you can see
- 44:12is lightly called clawed beneath the glove.
- 44:17Handed over clawed hand is not entirely unknown to me, so it's
- 44:24like, that's cool. Still, though, there is She's
- 44:31She's not. There's no pretence of humanity
- 44:35here. Yeah, no, it's not even like the
- 44:40whites, where it still was recognizably a man.
- 44:44As she draws closer, there's something Phidian about her.
- 44:49No, not Phidian. Reconic, almost.
- 44:57She studies you with eyes that are these oblong slits that open
- 45:09and contract in a way that no mammalian pupil should, as she
- 45:14very carefully studies the note. And indeed, the dilating eyes
- 45:22are the only motion when she's still.
- 45:25She is perfectly statuesque still, and when she's moving
- 45:31it's perfectly smooth, just a little too quick to start and
- 45:36stop. Now, Maria, that is the Regent's
- 45:42handwriting. Still though, this this is not
- 45:48how it is done. There is a proper procedure to
- 45:53this? It is not enough for him to mark
- 45:57me and keep me in this place, but he sends fledglings in
- 46:07without a care in the world to, I assume, take something.
- 46:14She points at the note. Yeah, you cut, you hit the nail
- 46:19on the head with that. Yeah, we're, we're very fresh.
- 46:32I'm. Starting to catch the vibe at
- 46:34this point that like pretty much everybody wants us dead and keep
- 46:41throwing us into situations to die again I'm.
- 46:47Getting real tired of it, yes? Well, I'm hardly an exception in
- 46:53this moment. Except that one.
- 46:55She points at Aster. You made a positive impression.
- 47:00Aster just bows like she doesn't know what to do, so she just
- 47:03bows. So.
- 47:08I take it I can count near allegiance among the Camarilla?
- 47:16I guess. She throws her armoured brow a
- 47:23little bit. That name is slightly.
- 47:29A couple, but what is your what is what, what is your plan?
- 47:33She wants a rally. Rally has to take a second and
- 47:37goes started with AT. Oh, you are fresh.
- 47:42Fresh. It's been a week.
- 47:45Yes, they seem very determined for you to die then.
- 47:50Yeah, about a week old. Yeah, it's, it's a, it's a long
- 47:58story. I suppose I should hear it after
- 48:06I hear some apologies for intruding on my home.
- 48:10I am so fucking sorry, I did not know that this was your home.
- 48:13I also apologize. We didn't know.
- 48:16We were not told proper procedure.
- 48:19We didn't. We did not know.