Latest / Luke's English Podcast / CRISTIAN BELL _ THEUZINHO - Podpah _1042
Transcript
- 0:18Speaker 1: Pass the ball, Capu! I'm alone. Pass the ball, Capu!
- 0:20Speaker 1: Pass the ball, Capu!
- 0:49Speaker 2: What, what, what, what, what.
- 1:17Speaker 3: Hello, hello, my team, everyone who is there, in your house.
- 1:22Speaker 3: Welcome to the first Potipar of the week.
- 1:25Speaker 1: Clap your hands, man! Let's start from the top.
- 1:27Speaker 3: It's cold here in São Paulo, I don't want to know. Man,
- 1:31Speaker 3: you're like... You're elegant, looking like a high-quality cameraman. You
- 1:36Speaker 3: know when the cameraman comes all dressed up?
- 1:40Speaker 1: All high-quality. Cinema cameraman.
- 1:42Speaker 4: Thanks.
- 1:47Speaker 1: We have. How are you, Igão?
- 1:50Speaker 3: Underground, the phenomenon of the Brazilian internet.
- 1:53Speaker 1: Make a big quote.
- 1:54Speaker 4: How are you?
- 1:55Speaker 5: Everything I learned, I learned with this guy here. Seriously,
- 1:58Speaker 5: you don't know what he does in the dark. The
- 2:00Speaker 5: thing is, before introducing our guests today, wonderful, I need
- 2:04Speaker 5: to talk about our sponsor, Mítico Jovem.
- 2:06Speaker 1: Good!
- 2:12Speaker 5: Cartão Mercado Pago Visa, Mítico Jovem.
- 2:15Speaker 1: Here, look.
- 2:16Speaker 5: Promotion, launch for Cartão Mercado Pago Visa. During the FIFA
- 2:21Speaker 5: World Cup 2026, every R $ 300 in purchases, you
- 2:22Speaker 5: compete for a year of paid invoices, okay? This will
- 2:27Speaker 5: be all a Visa offer.
- 2:28Speaker 6: Wow, so you can make a barbecue, right? Exatamente. Vai
- 2:36Speaker 6: fazer um churrasco com os amigos?
- 2:37Speaker 1: É lance pra cartão.
- 2:38Speaker 6: Lance pra cartão Mercado Pago Visa.
- 2:40Speaker 1: Lance pra cartão Mercado Pago Visa.
- 2:41Speaker 6: Vai pedir o aplicativo ali pra ir embora?
- 2:44Speaker 1: Lance pra cartão Mercado Visa.
- 2:46Speaker 7: Meu irmão.
- 2:46Speaker 6: Mercado Pago Visa, médico jovem. Vem com nós.
- 2:49Speaker 5: Exactly, everything is a gift for Mercado Pago Visa, because, remembering,
- 2:55Speaker 5: every R $ 300 in purchases on Mercado Pago Visa,
- 2:57Speaker 5: you apply for a year of paid invoices.
- 2:59Speaker 6: For God's sake, don't you want to stay with your
- 3:00Speaker 6: accounts paid?
- 3:02Speaker 1: One year still?
- 3:02Speaker 6: Scan the QR code and read everything right, so you
- 3:06Speaker 6: can see all the conditions, right, pretty.
- 3:08Speaker 5: It's there on the screen, scan the QR code. Mercado
- 3:11Speaker 5: Pago Visa, we're together, it's us, see?
- 3:14Speaker 1: Send with balance, password. This is mine. Really? For a year?
- 3:20Speaker 1: I pay, you're crazy.
- 3:23Speaker 6: Do you remember all he took from this pocket?
- 3:24Speaker 1: And it already came with.
- 3:27Speaker 6: A little plane.
- 3:28Speaker 1: It was already folded. It's here, this is mine.
- 3:30Speaker 5: A hug to Silvio Santos, wherever he is. I believe
- 3:34Speaker 5: that these guys don't die.
- 3:35Speaker 1: He must be around.
- 3:35Speaker 6: Did you see that there was a guy today....
- 3:40Speaker 1: I like that.
- 3:41Speaker 6: I like that.
- 3:41Speaker 1: I like that.
- 4:04Speaker 4: I felt like an artist, bro.
- 4:05Speaker 6: But you are, you are.
- 4:06Speaker 1: I felt like an artist.
- 4:08Speaker 2: That's it, let's go. Applause for you. How are you,
- 4:10Speaker 2: my brothers?
- 4:10Speaker 5: In addition to beautiful and stylish, right?
- 4:14Speaker 1: And then, people, how cool to come back here. First
- 4:16Speaker 1: of all, good evening.
- 4:19Speaker 4: To you who are at home watching.
- 4:20Speaker 1: Good evening.
- 4:20Speaker 4: Now we're going to have fun, we're going to have
- 4:22Speaker 4: a joke. We're fine, bro. I'm fine, I'm happy to
- 4:28Speaker 4: be back here again. You said you were.
- 4:30Speaker 1: Going to call me, I didn't believe it.
- 4:32Speaker 3: We talked, bro, because the first time you came here,
- 4:35Speaker 3: we were in love with.
- 4:36Speaker 1: You, brother. Really?
- 4:37Speaker 2: Without knowing him. You had the fucking chemistry.
- 4:39Speaker 3: It's serious, he and his sister came with an energy,
- 4:41Speaker 3: a sagacity, a joy that we said, man, please come
- 4:44Speaker 3: back here as soon as possible.
- 4:46Speaker 5: We had already met Abel briefly, right? But we hadn't
- 4:48Speaker 5: met Christian yet. We had already seen a little bit
- 4:50Speaker 5: of Abel. Man, that day was amazing, man.
- 4:54Speaker 4: Yeah, it was. And it's gonna be awesome today, too.
- 4:56Speaker 4: For sure.
- 4:56Speaker 1: It's a gift, man.
- 4:56Speaker 4: Don't be shy, because I'm from the house already, you know?
- 4:58Speaker 4: And me too, the last time he came.
- 5:01Speaker 2: With Bélio, I was here. I remember, you had to
- 5:03Speaker 2: leave earlier.
- 5:04Speaker 1: And it's an honor for me to thank.
- 5:06Speaker 2: You guys here. Thank you very much for the invitation.
- 5:08Speaker 2: And that's it, I'm here. That's it, my brother. Thank
- 5:10Speaker 2: you very much. How old are you?
- 5:11Speaker 4: I'm 20.
- 5:12Speaker 1: I'm 20 years old. That's new, right? How old are you, Bélio?
- 5:13Speaker 6: Are you 28?
- 5:14Speaker 1: I'm 28.
- 5:14Speaker 2: I'm 28.
- 5:22Speaker 7: I like to put it like this because my forehead is.
- 5:26Speaker 1: Big and no one notices it here. No, it's cool, it's.
- 5:53Speaker 4: Beautiful, it's beautiful, man. And then, man, tell me how
- 5:56Speaker 4: you guys are, man. What's up, man?
- 5:58Speaker 6: So, man, I think you're fucking funny, man, but fuck you.
- 6:00Speaker 5: He's talking like this, what did he say now, that
- 6:02Speaker 5: it was a Paulista gira?
- 6:04Speaker 6: I'm from the house, and then.
- 6:05Speaker 5: He said something, I don't remember now, he said some
- 6:08Speaker 5: Paulista gira. Anyway, I want to know, my brother, when
- 6:11Speaker 5: did you meet?
- 6:12Speaker 6: What was the situation like? It's better for you to tell.
- 6:14Speaker 1: Take advantage of the fact that.
- 6:16Speaker 2: You're in a duo, right? We've known each other for
- 6:19Speaker 2: five years now. Five years.
- 6:21Speaker 7: It was when I started my career too, right? I
- 6:23Speaker 7: met him, he became my employer, he became my father.
- 6:27Speaker 2: And we're with Macho.
- 6:28Speaker 1: And he adopted you at the same time.
- 6:29Speaker 2: At the same time.
- 6:30Speaker 6: So, calm down. Did you always want to sing?
- 6:32Speaker 1: Ever since, brother?
- 6:34Speaker 2: Boy, I always say no.
- 6:35Speaker 4: Okay.
- 6:36Speaker 7: Because I always say that I worked. Like, when I
- 6:39Speaker 7: was a little kid, I worked a lot.
- 6:41Speaker 2: The question... The runs, do the runs, from the neighborhood,
- 6:44Speaker 2: like that.
- 6:45Speaker 7: And I decided to become a singer when I was 13.
- 6:50Speaker 7: I started recording videos for Instagram. How many guys do
- 6:54Speaker 7: you work with?
- 6:54Speaker 4: I usually say that I work in favelas.
- 6:55Speaker 2: I sell candy.
- 6:56Speaker 7: I asked my mom to sell brigadeiro. I worked at
- 6:59Speaker 7: Lava Jato.
- 7:01Speaker 2: As soon as I met Cristian, I was working at
- 7:03Speaker 2: a drink store.
- 7:04Speaker 7: I didn't know how to ride a motorcycle, so I
- 7:07Speaker 7: delivered drinks, beer, water.
- 7:08Speaker 1: By bike?
- 7:09Speaker 2: By bike. I used to go by bike.
- 7:17Speaker 1: And walking?
- 7:18Speaker 2: I used to walk.
- 7:19Speaker 7: I used to put three boxes of beer in my
- 7:21Speaker 7: hand and go. When it was 20 liters of water,
- 7:24Speaker 7: it was a car, a donkey. I used to go
- 7:26Speaker 7: around the neighborhood.
- 7:28Speaker 1: But you didn't sing in your mind?
- 7:30Speaker 2: Always.
- 7:30Speaker 7: I used to think about the video later. But I
- 7:32Speaker 7: used to go to school early in the morning. I
- 7:34Speaker 7: used to go to school in the morning. I used
- 7:36Speaker 7: to work in the afternoon. Then, on the weekend, I
- 7:39Speaker 7: used to work in the morning.
- 7:40Speaker 5: Was there any of those races that you talked about?
- 7:43Speaker 5: Selling brigadeiro?
- 7:45Speaker 6: Galão d' água. Teve um que você ficou por mais tempo fazendo?
- 7:50Speaker 2: Rapaz, velho. Lava jato, velho. É?
- 7:52Speaker 7: Porque eu trabalhava no lava jato, ia de manhã cedo,
- 7:55Speaker 7: ia pro lava jato, e com o dinheiro do lava jato,
- 7:58Speaker 7: eu pedia.
- 7:58Speaker 2: Pra minha mãe fazer mousse. Aí eu vendia o mousse.
- 8:02Speaker 6: Mousse do quê?
- 8:02Speaker 7: De maracujá, laranja. Aí minha mãe desembolava, aí eu fazia
- 8:06Speaker 7: o dinheiro girar, né?
- 8:07Speaker 1: Entendi.
- 8:08Speaker 3: Qual que era o trabalho, nessa época, pior que você falava?
- 8:11Speaker 1: Meu Deus do céu, vou me ferrar hoje, mas vamos lá, vai.
- 8:13Speaker 2: Rapaz, velho.
- 8:14Speaker 7: I used to sell, it's because it's a lot, it
- 8:17Speaker 7: seems like a lie, but in fact, those who know
- 8:19Speaker 7: me know, those who saw me in those neighborhoods there,
- 8:21Speaker 7: I'm from Salvador, Pirajá, the people will know that it's true,
- 8:25Speaker 7: I used to sell black soil.
- 8:27Speaker 1: What is that?
- 8:28Speaker 6: What is black soil?
- 8:29Speaker 2: Black soil for plants.
- 8:30Speaker 4: For plants?
- 8:30Speaker 7: We took it, we had that work of digging, then
- 8:33Speaker 7: we threw it in the hand cart.
- 8:34Speaker 2: And it was the hand cart, the hand cart. My God.
- 8:37Speaker 1: And black soil sells?
- 8:38Speaker 2: Sells, man. How did you approach the customers?
- 8:43Speaker 1: My aunt, who was from Terra Preta, we were friends.
- 8:44Speaker 7: We were a little bit of each other. Terra Preta
- 8:48Speaker 7: was in need. Your plant is with little here. There
- 8:51Speaker 7: was no value. Did you spend a lot of time
- 8:53Speaker 7: selling water? Because water must be a very difficult thing
- 8:56Speaker 7: to sell. It wasn't a long time since I was
- 9:10Speaker 7: in the gas station. It wasn't a long time, but
- 9:12Speaker 7: it was a little while. I think I was working
- 9:15Speaker 7: for about two months, because I was asking the guy
- 9:18Speaker 7: to work, but I was young, I didn't know how
- 9:20Speaker 7: to ride a motorcycle. And in your house, it was
- 9:23Speaker 7: just you and your mother?
- 9:24Speaker 6: How was it? I always lived with my grandmother.
- 9:26Speaker 7: I see. Since I was little, I lived with my mother,
- 9:29Speaker 7: but my best friend was my grandmother, because my house
- 9:31Speaker 7: and my grandmother, my aunt's house, were also a house
- 9:34Speaker 7: for eight people, I think.
- 9:36Speaker 2: What the fuck?
- 9:50Speaker 7: She was also my mother's friend. But my mother was
- 9:53Speaker 7: also a chamego by the family.
- 9:55Speaker 2: She raised my mother. Then I was born, she went
- 9:57Speaker 2: and raised me too. Then I stayed in that family.
- 10:00Speaker 2: Your mother is really awesome.
- 10:01Speaker 1: Then, man, it was the run that I.
- 10:03Speaker 2: Had to do.
- 10:04Speaker 7: Then, right after that, my mother... I have two brothers.
- 10:06Speaker 7: I have a brother and a sister.
- 10:07Speaker 2: Are they younger? They are younger.
- 10:08Speaker 7: My brother is 8 years old and my sister is 6.
- 10:11Speaker 7: That's what made me want to unwind more.
- 10:13Speaker 2: Because I had that. I wanted to help my mom somehow.
- 10:21Speaker 7: I wanted to give some things to my brothers, I
- 10:23Speaker 7: wanted to work, I bought milk. My brother in Bahia
- 10:26Speaker 7: used to buy milk, clothes, diapers. Then, my mom helped
- 10:29Speaker 7: my mom and we started to get along.
- 10:31Speaker 5: It's really crazy, right? The response comes from early on,
- 10:33Speaker 5: from a kid. You don't even have time to think
- 10:35Speaker 5: and play. The child has a very quick understanding that
- 10:38Speaker 5: she needs help.
- 10:39Speaker 1: You know?
- 10:40Speaker 6: It's really crazy, right? But your childhood, how was your childhood?
- 10:48Speaker 1: That's it.
- 10:48Speaker 7: My childhood because I managed to reconcile the two. Thanks
- 10:51Speaker 7: God I managed to have a great childhood too.
- 10:53Speaker 1: You played.
- 10:53Speaker 7: But it was playing and also getting out of school.
- 10:55Speaker 7: Playing and getting out of school. Playing and getting out
- 10:58Speaker 7: of school.
- 10:58Speaker 5: But when did you see that it was possible to
- 11:00Speaker 5: become a singer? That this dream for you... You said, okay,
- 11:03Speaker 5: I'll invest in it.
- 11:04Speaker 1: Why?
- 11:04Speaker 6: Who was it that looked at you and said, you sing, bro.
- 11:06Speaker 2: I always liked to sing. At home, like that.
- 11:09Speaker 7: And out of nowhere I felt like recording a video.
- 11:13Speaker 7: In this one I recorded a video. The people in
- 11:16Speaker 7: the neighborhood liked it and started reposting. We were really small.
- 11:20Speaker 7: Two people reposted here and it didn't work out.
- 11:23Speaker 1: Five people.
- 11:23Speaker 7: In another video, there were 20, 30 stories hitting 400 people.
- 11:26Speaker 7: I had 1,000 followers and that was it. Whether you
- 11:35Speaker 7: like it or not, for the internet, 5 years ago,
- 11:36Speaker 7: it was something that updated a lot.
- 11:38Speaker 2: But for those who leave.
- 11:40Speaker 6: From scratch and go to 400 people, 500 people, it's
- 11:43Speaker 6: a lot of people.
- 11:43Speaker 1: Then I said, boy, this is going to work.
- 11:45Speaker 7: I started posting videos, I started posting videos, I started
- 11:47Speaker 7: posting videos, working, studying.
- 11:48Speaker 2: What were those videos at that time?
- 11:50Speaker 7: A little video, a little beast singing, I put another
- 11:53Speaker 7: cell phone here in the playback, then I didn't have
- 11:55Speaker 7: a cell phone at the time either. Then let's suppose,
- 11:58Speaker 7: I saw you guys on the street with cell phones
- 11:59Speaker 7: like this, I already asked for it.
- 12:01Speaker 2: If I could record a video here, you can send
- 12:02Speaker 2: it to me on my Instagram.
- 12:03Speaker 1: It was like that.
- 12:05Speaker 2: In the face of Paul.
- 12:06Speaker 1: You looked if you had a cell phone of a
- 12:08Speaker 1: good quality, that's what.
- 12:09Speaker 6: I asked for.
- 12:09Speaker 2: My brother, good afternoon, let me record a video on
- 12:11Speaker 2: your cell phone.
- 12:12Speaker 5: The guys didn't think you, with all due respect to
- 12:14Speaker 5: the world, because they already approached me like this, like,
- 12:17Speaker 5: what time is it?
- 12:17Speaker 2: She said, ouch, she wants.
- 12:19Speaker 6: To steal me. Yeah.
- 12:20Speaker 2: You said, have your cell phone.
- 12:21Speaker 6: The guys didn't think you were even wanting.
- 12:22Speaker 2: To do evil. They denied it, they denied it. No, no, no.
- 12:26Speaker 7: But I also saw others like that. I would get
- 12:29Speaker 7: there and record it. I would send it to my Instagram,
- 12:31Speaker 7: I would put an arroba and send the video.
- 12:33Speaker 6: So you would go to the streets to find someone who.
- 12:37Speaker 2: Could record your video. My friend's father too.
- 12:40Speaker 3: We always remember the first video that hit in a
- 12:43Speaker 3: different way.
- 12:44Speaker 1: What was yours? Man, it was my first video. The
- 12:50Speaker 1: first one.
- 12:50Speaker 2: It was my first video.
- 12:51Speaker 1: What did you do with it?
- 12:53Speaker 2: I can even search here to show you.
- 12:54Speaker 1: Show me the song you sang.
- 12:57Speaker 2: Aditya Ri.
- 12:58Speaker 7: I'm with a whore, a whore missing you, dude. I'll
- 13:03Speaker 7: search here, you'll see. People liked this first video.
- 13:07Speaker 2: And how did you find Krisha? That comes back to
- 13:09Speaker 2: our first question.
- 13:10Speaker 6: It was nice to know a little before, right, brother?
- 13:12Speaker 7: That?
- 13:17Speaker 2: It's because it's the story of Azul.
- 13:19Speaker 1: It's been a long time. Here, the podcast is ours.
- 13:22Speaker 7: There were some friends there, who are now my friends too,
- 13:27Speaker 7: who at the time were influencers. We already followed them.
- 13:31Speaker 7: Then I said, they were in the neighborhood of a bar,
- 13:33Speaker 7: which was a bar that was a little reference, the
- 13:36Speaker 7: guys liked to go there.
- 13:37Speaker 2: Then I called my friends. I was in Cartigo that day.
- 13:40Speaker 7: I was even remembering with my uncle. This is my
- 13:42Speaker 7: uncle that I lived with. They put me in Cartigo.
- 13:47Speaker 7: Because at the time I couldn't play Free Fire, I
- 13:48Speaker 7: played hidden. Then he put me in punishment because I
- 13:53Speaker 7: played Free Fire.
- 13:53Speaker 2: You're playing Free Fire, aren't you, boy? You're not going
- 13:55Speaker 2: to leave.
- 13:55Speaker 6: At the time, did you like Free Fire a lot?
- 13:57Speaker 2: I liked it, then I was crazy.
- 13:58Speaker 4: You played it like hell.
- 13:59Speaker 2: Screaming, I was screaming.
- 14:00Speaker 4: Ah, I don't know what, I.
- 14:01Speaker 7: Was watching it from home, I was a fucking loser,
- 14:03Speaker 7: I was flying sandals, bro. Then I got crazy, screaming
- 14:06Speaker 7: for fucking out of the house. Then he put me
- 14:08Speaker 7: in punishment.
- 14:08Speaker 1: I got crazy, screaming for fucking. Then in this one that.
- 14:11Speaker 7: Put me in punishment, then the people said, boy, I
- 14:14Speaker 7: don't know what.
- 14:14Speaker 2: Ramon is here. Ameduim is here too. Ameduim.
- 14:18Speaker 1: I remember.
- 14:19Speaker 2: He's here too. Everyone is here. I said, I have
- 14:23Speaker 2: to go there. My uncle wasn't there. My grandmother was there.
- 14:28Speaker 2: I said, unfortunately I'll have to run away. You didn't ask?
- 14:31Speaker 1: I didn't ask.
- 14:32Speaker 2: Because I wasn't going to leave.
- 14:34Speaker 1: That's good.
- 14:34Speaker 2: My grandmother didn't know. I wasn't going to leave.
- 14:38Speaker 1: Was this bar far? It was close, but I couldn't
- 14:41Speaker 1: leave the house.
- 14:42Speaker 6: What did you do? Did you jump the wall? No,
- 14:43Speaker 6: I opened the.
- 14:44Speaker 4: Door and left.
- 14:47Speaker 7: Then I got there, I called my friends to go
- 14:49Speaker 7: with me, but no one wanted to go, bro.
- 14:50Speaker 2: I said, I need to go there so they can
- 14:52Speaker 2: record me.
- 14:52Speaker 1: So you already had a plan, you wanted to show
- 14:55Speaker 1: up there.
- 14:55Speaker 7: I had a plan to ask to record me. I said,
- 14:57Speaker 7: I'll ask to record me, me singing. Then I called,
- 14:59Speaker 7: but no one wanted to go with me, bro.
- 15:01Speaker 6: My God, what a chance to be serious.
- 15:02Speaker 4: Did you go alone?
- 15:03Speaker 2: Let's assume, there's us here, look. And then, let's go there,
- 15:06Speaker 2: I'm not going, man.
- 15:07Speaker 1: Shame.
- 15:08Speaker 2: Boy, really? I'm not going, man.
- 15:10Speaker 6: I would never go either.
- 15:11Speaker 1: Yeah, shame.
- 15:12Speaker 7: And like that, this is pivete even, with an influencer.
- 15:15Speaker 7: which is already big, and it was really embarrassing to go.
- 15:18Speaker 7: We were shy, I was still shy, I got close
- 15:20Speaker 7: to the guys, I was still shy, it's normal. I called,
- 15:22Speaker 7: nobody wanted to go, and I said, damn, unfortunately I
- 15:26Speaker 7: won't let this opportunity pass.
- 15:28Speaker 2: It can be the only one.
- 15:31Speaker 7: As you can see here, several people also having a
- 15:34Speaker 7: unique opportunity, that if you don't do it right away, bro,
- 15:37Speaker 7: the opportunity passes and it's gone.
- 15:38Speaker 1: That's it.
- 15:39Speaker 7: The guys started to go, bro, straight to the car,
- 15:42Speaker 7: to go.
- 15:42Speaker 4: I said, go.
- 15:43Speaker 1: They....
- 15:46Speaker 7: Christian wasn't there. He left and I said, dude, what's up? Man,
- 15:53Speaker 7: for God's sake, it was two meters to get to
- 15:55Speaker 7: the car.
- 15:56Speaker 1: Two meters. I ran away.
- 15:58Speaker 2: I ran away, I was alone. Alone, alone. Then I arrived,
- 16:04Speaker 2: good night, man. Do you know how to hear me sing?
- 16:09Speaker 2: Then I said, how so? Then I said, just sing.
- 16:13Speaker 2: I didn't ask to record, just sing, just.
- 16:16Speaker 4: Sing it!
- 16:16Speaker 2: Then I sang it.
- 16:17Speaker 1: Which one did you release? It has to be the
- 16:20Speaker 1: pure one, right? To conquer.
- 16:23Speaker 2: I remember.
- 16:24Speaker 4: It was that one. I think it was. When I
- 16:27Speaker 4: miss you, I see the message. You sang this song there.
- 16:30Speaker 6: From Tarcísio?
- 16:30Speaker 2: No, I don't think so. I think it was... My
- 16:33Speaker 2: piece of sin, of body, of love. Dance with me.
- 16:35Speaker 7: I want to be your boyfriend. Stay by your side.
- 16:38Speaker 7: Because I was a fan of João Gomes before. Then,
- 16:40Speaker 7: when I started singing, he said, no.
- 16:43Speaker 2: No, no. Then Ramon, no, no, no, no. Let me
- 16:46Speaker 2: record you here.
- 16:46Speaker 6: At the same time, man.
- 16:47Speaker 7: I sang two parts of the song he wanted to
- 16:49Speaker 7: record me at the same time.
- 16:50Speaker 2: He already understood you.
- 16:52Speaker 1: When he put it like that.
- 16:54Speaker 7: When this arrow appeared here, my brother, I started to
- 16:59Speaker 7: tremble right away.
- 17:00Speaker 2: I said, oh my God. Then I sang. In this
- 17:02Speaker 2: one I sang, he sang another one, I sang another one.
- 17:04Speaker 2: Then he said.
- 17:06Speaker 3: You didn't even tremble, you didn't feel ashamed, you sent
- 17:09Speaker 3: the best version, or was it yours?
- 17:11Speaker 6: It was.
- 17:11Speaker 7: The wind started to come, right? I stayed with Rafa
- 17:14Speaker 7: that day. I said, man, no one wanted to come
- 17:16Speaker 7: with me, right? And now that the guy recorded me,
- 17:18Speaker 7: everyone leaned on me.
- 17:19Speaker 1: At the time I saw the flash.
- 17:20Speaker 7: Then he, tomorrow is a meeting, tomorrow is a meeting.
- 17:22Speaker 7: I went home, I said, tomorrow is a meeting, man.
- 17:25Speaker 7: He recorded me.
- 17:27Speaker 6: They left talking to you, tomorrow is a meeting.
- 17:29Speaker 1: Did you change contact?
- 17:31Speaker 2: What contact?
- 17:31Speaker 1: Nothing.
- 17:32Speaker 2: I said, how is tomorrow a meeting without me having contact?
- 17:34Speaker 1: Nothing, man.
- 17:36Speaker 2: How is he.
- 17:37Speaker 4: Going to know?
- 17:38Speaker 6: He's going to know your Instagram.
- 17:39Speaker 7: I think he found it. I think he found it.
- 17:43Speaker 7: I think he found it, man. Then, in that moment,
- 17:45Speaker 7: Christian said... I don't know how to talk about it. Actually,
- 17:47Speaker 7: at that time, I was a composer, right? I was
- 17:50Speaker 7: already a composer.
- 17:50Speaker 4: And I had a lot of music that I made
- 17:53Speaker 4: that I knew was good. Then I sent it to
- 17:55Speaker 4: the artists and the artists didn't want to record it.
- 17:57Speaker 4: I needed a singer to record these songs that I
- 17:59Speaker 4: believed in, you know? Fuck. I wanted the right person.
- 18:01Speaker 4: When Ramon saw his story, I said, hey, you can
- 18:04Speaker 4: go to a meeting, I want to meet this guy.
- 18:10Speaker 1: What was the feeling when you saw the story? I
- 18:11Speaker 1: liked his hair, it's the.
- 18:13Speaker 4: Only thing that moves me. I don't even know if
- 18:14Speaker 4: it was my hair.
- 18:15Speaker 2: I think it was God's. I think in my life
- 18:16Speaker 2: it was God's. I thought his hair was very stylish.
- 18:19Speaker 2: I thought it would have.
- 18:20Speaker 4: A different style. You've seen him as an artist, right? Yeah,
- 18:23Speaker 4: I really like that thing.
- 18:23Speaker 2: I thought, damn, he's an artist.
- 18:25Speaker 6: His hair was like this.
- 18:26Speaker 4: But because of the story, I thought he was big, right?
- 18:37Speaker 4: Because it was recorded like this, I said, it's a man.
- 18:40Speaker 4: I said, I'll show this guy, this guy has a talent.
- 18:43Speaker 4: When the day came... It's a man. The next day
- 18:46Speaker 4: I marked the meeting, I said, look, I found his
- 18:50Speaker 4: Instagram there, Teuzinho.
- 18:53Speaker 2: With an M at the end, several Z's.
- 18:55Speaker 4: Teuzinho, underline, I said, no, let's organize this here. Look
- 18:58Speaker 4: at this here, no. I saw a kid coming, I said,
- 19:01Speaker 4: my God, what the hell did I do in my life?
- 19:03Speaker 4: It's a kid, man.
- 19:04Speaker 6: It was a kid, kid, right?
- 19:06Speaker 4: He was skinny, skinny, with the Chelsea jersey. What madness
- 19:11Speaker 4: is this? A kid, what the fuck was this kid?
- 19:14Speaker 4: I said, he took me out of the house.
- 19:15Speaker 6: It's a kid, man.
- 19:16Speaker 4: Then I started to change the idea, like, good. I
- 19:19Speaker 4: always ask what the purpose of the person in life is.
- 19:22Speaker 4: What is your purpose? Then he started to cry, man.
- 19:25Speaker 4: Help my mother, sell water, then the partner... So I
- 19:29Speaker 4: was recording JN, and I was sad, I said, I
- 19:32Speaker 4: have to help his mother. I said, I'll help you,
- 19:36Speaker 4: let's go. And at the same time, let's go to
- 19:39Speaker 4: the studio now. Let's go to the studio.
- 19:42Speaker 7: Now I say that it was God in my life,
- 19:45Speaker 7: because if he sees me sing like I used to
- 19:47Speaker 7: sing before, today, he's going to give me a lot.
- 19:50Speaker 2: And send me away.
- 19:50Speaker 1: Why, my brother?
- 19:53Speaker 2: I didn't know how to sing either.
- 19:55Speaker 5: I'm going to tell you, Teuzinho, of course you're very talented.
- 19:59Speaker 5: But it's not just that, man. When he talked about
- 20:01Speaker 5: your hair, about your person, about your purpose, I think
- 20:03Speaker 5: it It was a whole package, you know?
- 20:05Speaker 4: It was a package that brought together a lot of things.
- 20:07Speaker 6: Because it's like you when you met Franco. Was it
- 20:09Speaker 6: just because he was super talented?
- 20:10Speaker 1: No, bro.
- 20:11Speaker 3: It was a mixture of a lot of things and
- 20:13Speaker 3: sensations too.
- 20:14Speaker 1: To say, hey, this kid needs to be seen, man.
- 20:18Speaker 4: It's kind of like that, right? And like that, when
- 20:20Speaker 4: I see Teuzinho's videos, in the past, I have a
- 20:23Speaker 4: feeling that I was deaf. You know? I was like, damn,
- 20:25Speaker 4: I was deaf. It was crazy. I didn't know how
- 20:30Speaker 4: to sing.
- 20:30Speaker 1: But did you learn it by yourself? No, I learned
- 20:32Speaker 1: it by ear.
- 20:32Speaker 4: And it's also practice, right? Practice, dedication.
- 20:35Speaker 2: So how did it go? You went to the studio.
- 20:37Speaker 4: I talked to my partner, Carti.
- 20:39Speaker 2: I'm with a girl here. Look how crazy it is.
- 20:50Speaker 7: We were in the restaurant, we had all this, I
- 20:52Speaker 7: was already crazy. Already too nervous. And your mother knew?
- 20:55Speaker 7: It looked like it was a dream. I mean, your
- 20:57Speaker 7: family knew that you had gone to the meeting?
- 20:59Speaker 1: I knew, man.
- 21:00Speaker 2: I knew.
- 21:00Speaker 3: You were punished the day before? I left the punishment.
- 21:03Speaker 1: You left. I left.
- 21:04Speaker 2: I had to leave, man.
- 21:06Speaker 3: But then you revealed that last night you went there.
- 21:09Speaker 4: I left.
- 21:10Speaker 7: Even because my uncle saw it on Instagram. But then
- 21:13Speaker 7: everyone hugged me because... That's why my family today also
- 21:17Speaker 7: says a lot that I did my opportunity, man. My
- 21:20Speaker 7: family says that no one helped me. You made your
- 21:24Speaker 7: opportunity and today you are who you are and what
- 21:27Speaker 7: you ran after. Because I built my opportunity, I went
- 21:30Speaker 7: up without fear, I ran away. I'm not even there.
- 21:32Speaker 7: Because I said, man, it's my dream.
- 21:35Speaker 6: Yeah, but you didn't run away to do some shit.
- 21:38Speaker 2: You understand?
- 21:39Speaker 7: That's why it's in the family. Boom, then hugged. I
- 21:41Speaker 7: even found the first video here too.
- 21:43Speaker 1: Where is it? Wow, let's see if Christian is right.
- 21:52Speaker 6: It's yours.
- 21:52Speaker 2: I had this vision before.
- 21:54Speaker 1: I had this vision. I had this vision.
- 21:56Speaker 4: I had this vision. I had this vision.
- 22:05Speaker 6: I had this vision. I had this vision. I had
- 22:06Speaker 6: this vision.
- 22:08Speaker 4: I had this vision. I had this vision. I had
- 22:12Speaker 4: this vision.
- 22:17Speaker 5: When I was a kid, my mom used to say,
- 22:19Speaker 5: take your hands off the bag!
- 22:21Speaker 2: After a while, I started to play show. I was
- 22:24Speaker 2: addicted to it.
- 22:26Speaker 7: Man, it was hell in my life, because of this,
- 22:28Speaker 7: to get rid of this addiction here, this guy is
- 22:29Speaker 7: pressing on my mind.
- 22:31Speaker 2: Man, you have to stop.
- 22:33Speaker 4: Imagine, man.
- 22:34Speaker 2: But he was nervous.
- 22:35Speaker 4: He was a mother of a family. He was nervous.
- 22:37Speaker 1: And massaging here.
- 22:38Speaker 4: And then, when he was in the music breaks, he
- 22:39Speaker 4: didn't know what to interact with people, then he would
- 22:42Speaker 4: go and drink water here, he would drink water and
- 22:45Speaker 4: the music playing, and from the back to the people.
- 22:48Speaker 4: Then I felt like he was peeing and that he
- 22:50Speaker 4: was pressing harder, man. So, like that, his first shows,
- 22:52Speaker 4: I was just going to get stressed, man. I wasn't
- 22:54Speaker 4: going to enjoy it. You were like, take your hands
- 22:58Speaker 4: off the bag!
- 22:58Speaker 2: What?
- 22:59Speaker 4: I put it on the mic and said, take your
- 23:00Speaker 4: hands off the egg, look at the people!
- 23:02Speaker 1: There's a woman there, man!
- 23:03Speaker 4: Because, just to go back, he recorded four of my compositions,
- 23:08Speaker 4: and then with the storytelling I did, he didn't have
- 23:12Speaker 4: a weak career. He blew it up like that, boom, fast!
- 23:15Speaker 7: Let's suppose I left the street, I left these videos
- 23:18Speaker 7: for the stage, to sing for 5,000, 10,000 people.
- 23:20Speaker 2: But how long did it take?
- 23:21Speaker 4: Months. It was very fast. People really embraced their story,
- 23:28Speaker 4: you know? People embraced it.
- 23:30Speaker 2: My first show was at Ingressos. Ingressos Esgotados. It was.
- 23:34Speaker 6: And the pressure, brother?
- 23:35Speaker 2: In a neighboring city.
- 23:37Speaker 4: Santa Fá, Feira.
- 23:37Speaker 6: What was the good part of that and the.
- 23:41Speaker 4: Bad part?
- 23:42Speaker 7: Man, the good part is that it was working out. Like,
- 23:46Speaker 7: it was a very well done job. That we did
- 23:49Speaker 7: from the beginning. Christian also pushed a lot. So it
- 23:52Speaker 7: was working out very well. And the very bad part
- 23:56Speaker 7: is that I don't... Like, usually when a person.
- 23:59Speaker 2: Already has 5,000.
- 24:00Speaker 6: Tickets sold, he's ready, right? To go up on the stage.
- 24:03Speaker 6: Already came, whether.
- 24:04Speaker 7: You like it or not. I miss it a lot
- 24:05Speaker 7: that I didn't have. One thing I didn't have was
- 24:08Speaker 7: to make a bass.
- 24:09Speaker 1: I got it.
- 24:10Speaker 7: And make a crescent, right? It's essential for all singers.
- 24:13Speaker 7: That today all singers need it.
- 24:16Speaker 4: The person who passed by the bar is ready.
- 24:18Speaker 6: He suffered from everything, right?
- 24:20Speaker 2: He suffered and learned too.
- 24:22Speaker 5: But what's cool about you, brother, from what I'm realizing here,
- 24:25Speaker 5: you're a young kid, but what happened, bro?
- 24:26Speaker 6: Because I think the most.
- 24:27Speaker 5: Difficult thing to talk to young kids is that they
- 24:31Speaker 5: are young and they will do what they want.
- 24:33Speaker 4: There was a lot of fight, right?
- 24:34Speaker 1: For sure.
- 24:35Speaker 3: No, but still going back, I wanted to know, you
- 24:37Speaker 3: already saw it, you went to the studio.
- 24:39Speaker 1: The first session, how was it?
- 24:40Speaker 7: I went to the studio on the first day, I
- 24:42Speaker 7: saw Tayroni singing.
- 24:44Speaker 4: Tayroni, Karchilov, I was there.
- 24:46Speaker 1: Tyrone Loirinho? He was my friend.
- 24:47Speaker 7: The first day I met him, we went to the studio.
- 24:49Speaker 2: I was already with Tyrone, Cartilove, in the studio.
- 24:53Speaker 4: I was.
- 24:57Speaker 2: And you never entered the studio.
- 24:59Speaker 1: Never, bro.
- 25:00Speaker 4: Never. I was playing football with Tayroni these days, and
- 25:03Speaker 4: Tayroni said that on that day, when I left, there
- 25:06Speaker 4: was a comment that said, Christian is crazy, what a
- 25:07Speaker 4: bad boy. Man, what a crazy guy. That Christian is crazy,
- 25:10Speaker 4: what a bad boy, I don't know what, he's going
- 25:12Speaker 4: to lose his time. And why do you confess?
- 25:14Speaker 1: Since then, you were confessing. I don't know, bro, I
- 25:17Speaker 1: think it.
- 25:18Speaker 4: Was God, God loves him. I'm being honest, God loves him, because...
- 25:24Speaker 4: Today I see his videos and his evolution and I think, damn,
- 25:26Speaker 4: it was something like that, I didn't understand.
- 25:28Speaker 7: It's the same thing, the same thing as you, you're brothers,
- 25:32Speaker 7: for me you're brothers. The same thing, you do something
- 25:36Speaker 7: today and they say, bro, don't go. And you say, bro,
- 25:41Speaker 7: unfortunately you're my brother, but unfortunately now I won't listen
- 25:44Speaker 7: to you, I will.
- 25:47Speaker 2: I was very excited.
- 26:08Speaker 4: And the guys would talk behind my back. And then,
- 26:11Speaker 4: after everything was ruined, they would come up to me
- 26:13Speaker 4: and say, man, what's up with this guy?
- 26:15Speaker 1: He's bad.
- 26:15Speaker 2: You have money to invest in a great singer, man.
- 26:17Speaker 2: What the hell is this?
- 26:18Speaker 7: You're the most fucking influencer in Bahia and you're with Pivete, man.
- 26:22Speaker 2: And what did you say?
- 26:24Speaker 4: I said, man, Pivete is awesome, man. I like to
- 26:27Speaker 4: listen to him.
- 26:28Speaker 1: I like him.
- 26:29Speaker 4: It seems like I'm his only fan. You... Yeah, man. So, like...
- 26:36Speaker 4: That's cool, man.
- 26:38Speaker 1: You really believe it.
- 26:39Speaker 2: A lot, man.
- 26:40Speaker 4: And, like, with us... As he was a minor, for
- 26:42Speaker 4: him to do shows, someone had to sign for him. Then,
- 26:46Speaker 4: at the beginning, I wanted to be just a businessman.
- 26:50Speaker 4: But then my lawyer came up with this subject, look...
- 26:53Speaker 4: You can't just go and take documents... You emancipated. I
- 26:57Speaker 4: became his father. I adopted him. In the document, I
- 27:00Speaker 4: had to become his father. I became his father, and
- 27:04Speaker 4: I said, man, I'm Pivete's father.
- 27:06Speaker 6: In addition to believing, he became a father.
- 27:08Speaker 1: Ask your father. He asks.
- 27:10Speaker 6: He's going to run away.
- 27:12Speaker 1: What a joke, man.
- 27:13Speaker 4: I became Pivete's father.
- 27:15Speaker 1: Fast, man. Fast.
- 27:16Speaker 2: We're talking about fast things.
- 27:17Speaker 4: This is three months, two months that I knew him.
- 27:20Speaker 4: I said, damn, I'll have to live with this shit.
- 27:22Speaker 2: Calm down, calm down.
- 27:23Speaker 5: What did your family say when they found out that
- 27:27Speaker 5: you were turning into a father?
- 27:29Speaker 6: Literally.
- 27:29Speaker 4: I didn't say that to anyone. I didn't say that
- 27:32Speaker 4: to anyone.
- 27:32Speaker 2: I was ashamed.
- 27:33Speaker 4: I said, man, what a crazy thing I'm doing. But, like,
- 27:35Speaker 4: in my mind, it was... Something I said was like, man,
- 27:38Speaker 4: it's going to work. What did you do to go
- 27:40Speaker 4: wrong in your life?
- 27:42Speaker 1: Nothing.
- 27:42Speaker 4: Everything you do is going to work. It's going to work.
- 27:48Speaker 4: And I was like, man, I'm Pivete's father, I didn't
- 27:51Speaker 4: talk to anyone, man. Because sometimes people can use Mafé,
- 27:54Speaker 4: I'm very afraid, I don't know.
- 27:55Speaker 1: Yes, yes, that's right.
- 27:55Speaker 4: Then, all I knew was me, his mother and him,
- 27:58Speaker 4: that I was his father, you know? That's crazy, right?
- 28:04Speaker 1: Impressive, man.
- 28:05Speaker 4: When he was 16 years old, we already gave him
- 28:07Speaker 4: a salary, regardless of his income. He didn't even perform.
- 28:10Speaker 4: He didn't even perform, and he already supported his family.
- 28:14Speaker 1: Fuck.
- 28:14Speaker 6: To have autonomy, right?
- 28:16Speaker 4: At the age of 15, in the first months that
- 28:18Speaker 4: I met him, he said, take it, go for a
- 28:21Speaker 4: good life. And do you handle the money well, brother?
- 28:23Speaker 1: Fuck, thank God.
- 28:24Speaker 2: I've spent a lot too, but... It's normal, right?
- 28:26Speaker 6: Yeah.
- 28:31Speaker 5: I feel that a slumber.
- 28:32Speaker 2: A slumber in life.
- 28:34Speaker 1: Controlled is good.
- 28:34Speaker 5: Because the problem is you get, I don't know, with
- 28:38Speaker 5: 30 and a few years not having done anything, you
- 28:40Speaker 5: will think that you lost a lot of time.
- 28:42Speaker 6: And it's cool, while young, do some things. But you
- 28:44Speaker 6: have to listen to the guys.
- 28:45Speaker 4: He was a boy, like, very... He listens, like, right?
- 28:48Speaker 4: I pull a lot in his ear. At 18 years old,
- 28:50Speaker 4: without his history, he put his apartment, bro.
- 28:52Speaker 1: 17.
- 28:52Speaker 4: 17 years old, right? Wow, this for you must have
- 28:56Speaker 4: been crazy.
- 28:56Speaker 6: You're crazy, bro. You know, I was selling water yesterday.
- 29:03Speaker 1: A lot of money, bro.
- 29:04Speaker 4: 17 years old, a lot of money.
- 29:05Speaker 7: And as he said, it was crazy for me from
- 29:07Speaker 7: the beginning, bro. Because I worked... I worked Friday, Saturday
- 29:13Speaker 7: and Sunday.
- 29:15Speaker 2: In the morning, right?
- 29:16Speaker 7: Because I didn't go... Friday because of school. But Saturday
- 29:21Speaker 7: and Sunday I woke up at 7 a.m. to go
- 29:22Speaker 7: work at the warehouse. It was three days to earn
- 29:25Speaker 7: 50 reais at.
- 29:25Speaker 2: The end of Sunday.
- 29:26Speaker 7: Fuck.
- 29:26Speaker 2: And it was all day.
- 29:30Speaker 2: But when was the moment that you.
- 29:39Speaker 3: realized that the boy was evolving, that he was getting good?
- 29:43Speaker 3: Or you always thought so, but the people around you said, oh, oh, boy.
- 29:47Speaker 1: I always believed.
- 29:48Speaker 6: No.
- 29:48Speaker 1: The boy is good, huh?
- 29:49Speaker 2: We released the CD, right, dad?
- 29:50Speaker 7: What? At that time, he said that we started to evolve.
- 29:53Speaker 7: We released the CD and, thanks to him, the CD
- 29:54Speaker 7: started to work right away, the first one.
- 29:56Speaker 2: The first CD.
- 30:00Speaker 4: It worked very well because we recorded a CD with
- 30:03Speaker 4: some of my compositions. The CD was ready. Do you
- 30:08Speaker 4: know what happened? I was in France. Then I went
- 30:13Speaker 4: viral at the time when I called Neymar your son. Neymar,
- 30:15Speaker 4: your son! I don't know if you remember.
- 30:17Speaker 1: Of course I remember.
- 30:18Speaker 4: I then released the CD that day, man.
- 30:21Speaker 1: Silly.
- 30:21Speaker 4: I told his whole story, I released the CD that day.
- 30:23Speaker 6: The CD was ready then.
- 30:24Speaker 7: Already.
- 30:25Speaker 4: But I couldn't stop releasing it. When this thing happened,
- 30:28Speaker 4: I released his CD. His CD hit a million a week.
- 30:30Speaker 4: Gave me an arroba. Gave an arroba of him.
- 30:32Speaker 2: Hit a hundred thousand.
- 30:33Speaker 4: He won a hundred thousand followers.
- 30:35Speaker 1: Man, brother, what.
- 30:38Speaker 1: That's right.
- 30:39Speaker 5: You should have thrown a bomb and shot him, but
- 30:43Speaker 5: he was waiting for the right opportunity.
- 30:44Speaker 4: Imagine it was Neymar. Neymar is a blessing in my life.
- 30:47Speaker 6: He was a blessing in my life because it was surreal.
- 30:51Speaker 4: At that time I was even discouraged, I had lost Instagram.
- 31:00Speaker 1: What the fuck? Why?
- 31:01Speaker 4: Then I went viral with this thing of Neymar, I
- 31:05Speaker 4: got 700 thousand followers, the Instagram engaged. Then I released
- 31:08Speaker 4: his CD, his CD hit so organically that the owner
- 31:12Speaker 4: of the platform Sua Música, he at the time called
- 31:14Speaker 4: me to be a partner of Pivete. He said, man,
- 31:16Speaker 4: this Pivete here is... Then I didn't go, I said, man...
- 31:20Speaker 4: He's calling attention. He called attention and stuff. Then the
- 31:25Speaker 4: CD hit, then we started to do a little show, right? Slowly,
- 31:28Speaker 4: like this.
- 31:29Speaker 1: With hands on the.
- 31:32Speaker 2: Eggs, still.
- 31:33Speaker 4: On the back, bro. I was on the back for
- 31:35Speaker 4: the people.
- 31:36Speaker 2: You're learning, you're learning.
- 31:38Speaker 4: I was stressed. He had a security guard, we have
- 31:41Speaker 4: a security guard called Alisson. He was like this. When
- 31:44Speaker 4: the show was over, he was like, Christian, take it easy.
- 31:48Speaker 6: The beast is new.
- 31:49Speaker 4: He's new, calm down. I was like, man, we've rehearsed
- 31:53Speaker 4: so much, take this hand off the egg, look at
- 31:55Speaker 4: the people, take it from the hands of the people, man.
- 31:57Speaker 4: What's the point of looking at someone, you're looking down,
- 32:00Speaker 4: there's no one down there, looking at the wall like that,
- 32:02Speaker 4: with shame, you know? I imagine, a lot of shame.
- 32:03Speaker 4: So the first CD was good, man.
- 32:07Speaker 3: What was the song here? There's always a song that
- 32:09Speaker 3: goes bad.
- 32:09Speaker 1: No compromises. No compromises, right? Because Hilux too.
- 32:13Speaker 2: And were they your compositions? All four hit. All four
- 32:16Speaker 2: hit at the time. Mea ficante.
- 32:20Speaker 4: Mea ficante, sem colocar esse nome.
- 32:22Speaker 5: Ô Christian, eu já vi você em estúdio muito tempo
- 32:25Speaker 5: atrás com o Eze Safadão. Eu não lembro com quem
- 32:27Speaker 5: foi o artista que tava... Era pra carnaval, ele tava
- 32:30Speaker 5: fazendo a levada.
- 32:30Speaker 4: Você, não, não, não, não.
- 32:32Speaker 6: Aqui, ó.
- 32:33Speaker 5: Eu falei, mano, esse moleque, cara, ele pra mim era influenciador.
- 32:36Speaker 1: Comediante.
- 32:37Speaker 6: Só que é comediante, faz série na música, manja muito.
- 32:41Speaker 5: When did you start to be respected by these people
- 32:45Speaker 5: in music? Because you are also young, to get to
- 32:47Speaker 5: the level of music where you already have Wesley Safadão
- 32:50Speaker 5: and he respects you is very difficult.
- 32:52Speaker 4: Damn bro, what you said was very cool, this question
- 32:56Speaker 4: is very important, even if you are a composer watching,
- 32:59Speaker 4: it's a thing that I always say. You already saw
- 33:02Speaker 4: me with Safadão, Xande, Henrique Juliana, cool guys, but like this,
- 33:07Speaker 4: I started making my name in Bahia, you know? My
- 33:12Speaker 4: first composition was with La Fúria, with Pagode, Oi Fake,
- 33:16Speaker 4: Neymar's time as well.
- 33:18Speaker 1: Neymar was always there, right?
- 33:20Speaker 4: Always, always Ney. Then the second one was with Tayroni,
- 33:23Speaker 4: I always... After Unha Pintada... But how did you get
- 33:27Speaker 4: to La Fúria, for example? I made a video singing
- 33:29Speaker 4: the song, at the time when Neymar was talking, his
- 33:32Speaker 4: conversations were gone. Then he talked to the woman. Hi,
- 33:35Speaker 4: reason of my libido. Then I made the song.
- 33:38Speaker 1: Hi, fake.
- 33:39Speaker 4: Reason of my libido. I made this song. Posted it
- 33:42Speaker 4: on my Instagram. Then it exploded there. Then La Fúria
- 33:47Speaker 4: wanted to record. Recorded. Then I liked it. Then I
- 33:50Speaker 4: did one. Tayroni recorded. Then I did others with Kev Johnny.
- 33:54Speaker 4: He was a guy who encouraged me a lot. He recorded.
- 33:56Speaker 4: He's the guy who has the most compositions of mine today.
- 33:59Speaker 4: Then my songs started to make fun. In Salvador and Bahia.
- 34:01Speaker 4: Then a guy who... For me, it was essential. Rod
- 34:06Speaker 4: Bala took me to a reality show where there were
- 34:10Speaker 4: the best 20 Brazilian composers. Man, it was for Wesley Safadão,
- 34:15Speaker 4: to compose for Wesley Safadão. In that reality show, there
- 34:18Speaker 4: were the bravest.
- 34:21Speaker 1: What did you have to do in that reality show?
- 34:22Speaker 1: Besides composing, I imagine.
- 34:23Speaker 4: It was a reality show from Skol called Hit Estourado.
- 34:26Speaker 4: You had to make one song for Safadão. He chose
- 34:28Speaker 4: one song.
- 34:29Speaker 2: With 20 greatest Brazilian composers.
- 34:31Speaker 1: The bravest.
- 34:32Speaker 6: And he with four months of composition.
- 34:34Speaker 4: Yeah, that's how it was. No, it wasn't four months,
- 34:37Speaker 4: it was a year. A year.
- 34:39Speaker 6: But I mean, starting, right?
- 34:41Speaker 4: Starting, these guys were 10, 15 years old. Anyway, I
- 34:42Speaker 4: could only compose, just so you know, when I was recording.
- 34:51Speaker 4: because I wasn't respected, obviously. And when I wasn't recording,
- 34:54Speaker 4: the guys kept on composing. I'm a guy who knows
- 34:56Speaker 4: how to tune myself, but it was that thing that
- 34:59Speaker 4: I couldn't do while I wasn't recording. When I was recording,
- 35:01Speaker 4: I would go there, I could compose, because I was
- 35:04Speaker 4: doing the review, they liked it, the guys from school
- 35:06Speaker 4: liked to film me.
- 35:07Speaker 1: This guy is good for the camera.
- 35:08Speaker 4: Yeah, good for the camera. Brother, it's over. The guys
- 35:13Speaker 4: kept on composing, I couldn't do it. I went through
- 35:15Speaker 4: those things, those little panels. Today they are all my friends.
- 35:19Speaker 4: To go to my house, but at the time, I
- 35:20Speaker 4: was like, no, you're crazy, you're coming now. You're new.
- 35:23Speaker 4: In this footprint. In short, I only did five songs.
- 35:26Speaker 4: The guy who did the least after me did about 15.
- 35:29Speaker 4: You know? Then, at the time, of these five songs
- 35:34Speaker 4: of mine, three were selected for the final phase. For me,
- 35:37Speaker 4: it was surreal. Then, when I thought it wasn't, Safadão
- 35:43Speaker 4: chose my song and recorded it.
- 35:45Speaker 1: What was the sound?
- 35:47Speaker 4: It was a song called, I jump and I pass
- 35:49Speaker 4: at the time, that he wanted a dance song, I
- 35:51Speaker 4: made a song, I presented the song already with the
- 35:53Speaker 4: choreography there. Then, like, this song was recorded. Then, man,
- 35:56Speaker 4: I also went to him with a taste of home.
- 35:58Speaker 4: He didn't have to pay me, no, just me being here, then...
- 36:01Speaker 4: He liked it.
- 36:03Speaker 1: He liked it. It was a exchange there.
- 36:05Speaker 4: No, he paid everyone, I didn't want my money, I said, no,
- 36:07Speaker 4: I don't need it, just to be there, then... That's
- 36:10Speaker 4: how the friendship started. Then he recorded it and I
- 36:12Speaker 4: started to sell it. Because that was my intention with Teozinho.
- 36:15Speaker 4: He was going to record my compositions and sell them
- 36:17Speaker 4: to the big artists. Then I started to sell it.
- 36:19Speaker 4: It was one of the songs he recorded and I
- 36:21Speaker 4: sold it to Safadão. Then I sold it to Dô.
- 36:23Speaker 4: Take it.
- 36:24Speaker 1: Take it, man.
- 36:25Speaker 4: Record it, it's going to hit. He recorded it in Bahamas. Bahamas.
- 36:29Speaker 1: And for you, over time, have you been realizing what
- 36:32Speaker 1: you have? Don, ease?
- 36:33Speaker 3: Where does this musicality come from?
- 36:37Speaker 4: Brother, I think we can be anything we want. In
- 36:39Speaker 4: my mind.
- 36:40Speaker 6: Everything we want to be, we'll.
- 36:41Speaker 4: Be able to be. However, we have to dedicate ourselves
- 36:45Speaker 4: and give our best. I want to be Hungarian, I'll
- 36:47Speaker 4: be the most fucking Hungarian I can be. I'm going
- 36:51Speaker 4: to give myself to this, I'm going to be a
- 36:53Speaker 4: very good bricklayer, I'm going to dedicate myself. I can't
- 36:55Speaker 4: do the stuff in half, I want to dedicate myself
- 36:57Speaker 4: so I can stand out in that. I'm not going
- 37:00Speaker 4: to look at you how you do it, I'm going
- 37:01Speaker 4: to say, I'm going to improve on this.
- 37:03Speaker 6: But the guys never thought you were crazy?
- 37:04Speaker 5: Ah, now he's an influencer, now he wants to sing,
- 37:07Speaker 5: now he's a music entrepreneur, now he's a player, now
- 37:10Speaker 5: he's going to play ball.
- 37:12Speaker 4: Every genius before the thing worked out was crazy, bro.
- 37:14Speaker 1: You know?
- 37:15Speaker 4: I was crazy, I was crazy, you know, crazy, I
- 37:17Speaker 4: don't know what. Man, IUPI is going to beat you today.
- 37:22Speaker 4: You know? I'm going to do 35 shows in June now. Imagine.
- 37:25Speaker 5: That trampa that I even put here in my question,
- 37:28Speaker 5: that I saw you doing harmony with the musicians.
- 37:32Speaker 1: Who was it for?
- 37:33Speaker 4: For him.
- 37:33Speaker 1: Was it for him? It was.
- 37:35Speaker 6: What's his name? Because this has a trampa.
- 37:38Speaker 1: It's the name.
- 37:39Speaker 4: It was for Carnaval.
- 37:40Speaker 5: What's the importance of that at that moment? Because I've
- 37:43Speaker 5: seen Igor Canário do this a lot.
- 37:47Speaker 6: You know? Like, no, this one is cool, but I say, no,
- 37:49Speaker 6: change this one, come on this one. I say, man,
- 37:51Speaker 6: this makes a total difference, man.
- 37:53Speaker 4: This makes a total difference. Nowadays, especially even him, by
- 37:59Speaker 4: the way, many artists viralize with a little bit of
- 38:03Speaker 4: a song that sometimes you can put in a video. So,
- 38:08Speaker 4: the musical production, it makes a total difference there. I
- 38:12Speaker 4: don't know if you've seen this thing, it's even viralizing there.
- 38:16Speaker 4: A boy who says, don't call me a dog, otherwise
- 38:18Speaker 4: I'll bite your cinnamon.
- 38:19Speaker 1: Yes.
- 38:19Speaker 4: It went viral, man. So, like, the musical production of...
- 38:22Speaker 4: It can be a dance. So, like, I really like
- 38:25Speaker 4: to think about these parts, and leave a little bit
- 38:28Speaker 4: there that is slowly... You have to think about it.
- 38:35Speaker 1: Every detail.
- 38:36Speaker 4: Every detail, man. You can't just do it by doing it,
- 38:38Speaker 4: you know?
- 38:38Speaker 6: Just put a song together and let's go.
- 38:41Speaker 4: Don't forget, man. I think a lot about these details too.
- 38:43Speaker 4: Because nowadays, with TikTok, with Instagram, with Reels, with Kawai,
- 38:48Speaker 4: a little bit of a song can give you a career.
- 38:52Speaker 4: If you do it right.
- 38:52Speaker 6: You can start something there, right? And Davi Brito with Bambam,
- 38:56Speaker 6: did you see?
- 38:57Speaker 4: Bambam.
- 38:59Speaker 1: Out of nowhere.
- 38:59Speaker 4: Out of nowhere. I was watching the fight, and when
- 39:02Speaker 4: it started, I said, he's going to win.
- 39:05Speaker 6: Me too, he went forward. He's going to win.
- 39:07Speaker 1: He was all drunk. I think he lost in the gas.
- 39:09Speaker 1: He lost. He got tired, right?
- 39:16Speaker 4: Man, it's from Bahia, we have a moral from Salvador,
- 39:19Speaker 4: we give everything, we have the condition to trade with anyone,
- 39:23Speaker 4: you know? I said to Davi, Davi, stop fighting, you're losing.
- 39:26Speaker 4: He said, no, now I'm going to win. I said,
- 39:28Speaker 4: then win. He crushes the guy, he goes and loses, bro.
- 39:31Speaker 4: We're from the carnival, right, Pivete?
- 39:34Speaker 1: He puts the glove on, right, Pivete?
- 39:35Speaker 4: Twice already, bro.
- 39:35Speaker 2: And the other time he came here, he was going
- 39:38Speaker 2: to have the other one, right? Yes, yes. But he
- 39:39Speaker 2: was from your agency, right?
- 39:41Speaker 1: It was, it was from my agency. But Davi, he
- 39:44Speaker 1: has his own way of working, right?
- 39:50Speaker 4: You have to bless him.
- 39:51Speaker 1: It's a differentiated way of David.
- 39:53Speaker 4: It's a differentiated way.
- 39:54Speaker 2: He's cool.
- 39:54Speaker 4: He's not as mean as most people think. I've known him,
- 39:56Speaker 4: I've lived with him for a long time. He's not
- 39:59Speaker 4: a mean guy. He's a guy without information, in my opinion.
- 40:03Speaker 4: He's a guy who... He earned a lot of money and...
- 40:05Speaker 4: He's not just any person who's ready to earn a lot.
- 40:10Speaker 4: My career, I think... I like my career because my
- 40:12Speaker 4: career was built, man. His too. It's the build, right?
- 40:16Speaker 2: The build, you know?
- 40:17Speaker 1: You go through stages.
- 40:18Speaker 4: Process. There was a bad moment. Davi left BBB, an Uber,
- 40:22Speaker 4: which in his mind was an Uber inside BBB. He left,
- 40:25Speaker 4: he was very famous.
- 40:26Speaker 1: Millionaire, I think.
- 40:27Speaker 4: I don't like to play with him, man.
- 40:30Speaker 6: I don't either, I think this is.
- 40:31Speaker 2: Unnecessary.
- 40:32Speaker 4: Unnecessary.
- 40:33Speaker 6: And very racist.
- 40:34Speaker 4: What they did to him, like, he became a famous millionaire, man.
- 40:37Speaker 4: It's two things that a guy has to know how
- 40:40Speaker 4: to deal with.
- 40:41Speaker 6: Man, I've seen that people get on his feet some
- 40:43Speaker 6: stuff like, oh, Davi, who wants to have all the professions... Fuck.
- 40:47Speaker 1: Fuck it! Leave the guy. Fuck it!
- 40:50Speaker 3: Davi, the next one you're going to win, my brother.
- 40:53Speaker 6: Davi, do the real thing, say you want to be
- 40:55Speaker 6: an astronaut, and fuck it!
- 40:56Speaker 4: Fight against Teozinho, man. You win, man.
- 40:58Speaker 1: Oh, man.
- 40:59Speaker 7: Oh, man.
- 40:59Speaker 1: Do you win, Teuzinho?
- 41:00Speaker 4: I don't win anything.
- 41:03Speaker 2: It's on the weight, on the weight, on the weight.
- 41:04Speaker 2: He wins on the weight. Davi wins on the weight.
- 41:06Speaker 4: He wins on the weight.
- 41:07Speaker 6: Did you see the knockout that I sent to Davi?
- 41:09Speaker 1: I saw. Davi got tired. But I'm with you, Davi.
- 41:13Speaker 1: From the next one, you win. I promise. Continue. But train, man.
- 41:16Speaker 6: Okay?
- 41:17Speaker 1: But he trains, man.
- 41:18Speaker 4: He trains with the guy who trained Popó, my son.
- 41:20Speaker 6: You're going to pay dearly.
- 41:21Speaker 1: You're going to pay dearly. You're going to pay dearly.
- 41:23Speaker 4: But he's been training for how many years?
- 41:25Speaker 1: For how long?
- 41:25Speaker 6: A few months, right?
- 41:29Speaker 4: I don't know, I don't follow, but Dória is a reference.
- 41:31Speaker 4: Dória is Dória, man. If I train with Dória... Dória,
- 41:34Speaker 4: where are you? I'm going to train with you, man.
- 41:38Speaker 1: If someone calls you an influencer... I wish I didn't
- 41:40Speaker 1: become a fighter, I don't know why.
- 41:41Speaker 2: If someone hits me, I'll kick him.
- 41:43Speaker 1: I'll kick his ass.
- 41:44Speaker 2: You'll bite him.
- 41:44Speaker 6: I'll beat him, I'll.
- 41:45Speaker 3: Have two kids on my back, I'll take a shit here.
- 41:48Speaker 4: The guy will separate and say I lost. I'll give
- 41:50Speaker 4: him a elbow, I'm crazy. I'll take a rock and
- 41:53Speaker 4: I'll hit him in the face. There's no such thing
- 41:55Speaker 4: as talking.
- 41:55Speaker 1: To me, I'm not for fighting.
- 41:56Speaker 4: I don't like it, leave me alone here. Go to
- 41:58Speaker 4: the ring, leave me alone, man. No, it didn't work out.
- 42:08Speaker 4: If it was a.
- 42:09Speaker 1: Lot of money, take it from Winters. Hey, has it changed?
- 42:12Speaker 4: Did you ask so fast? Oh, dad, two boys, milk, diaper,
- 42:15Speaker 4: hair dye, right, Zinho? It's crazy, huh?
- 42:18Speaker 1: Now worth a million. Oh, son, spend, right?
- 42:21Speaker 4: Spend.
- 42:22Speaker 1: Oh, your son, what is this, brother? Your son.
- 42:25Speaker 4: Can I show it to the people?
- 42:26Speaker 1: Of course you can. What is this? Your son is
- 42:28Speaker 1: very big.
- 42:29Speaker 6: His son is taking biotonic.
- 42:30Speaker 1: Okay. Iron mucilon, look at this. Huge. No, here, show
- 42:34Speaker 1: it here, look.
- 42:38Speaker 5: No, it doesn't exist. The person holding it is an adult.
- 42:41Speaker 5: It's my daughter.
- 42:44Speaker 1: Man... How old is your daughter? She's going to be six.
- 42:47Speaker 4: It's August 25th. Your son-in-law is four months old.
- 42:50Speaker 6: He's the size of a six-year-old. I'm not kidding. I'm
- 42:53Speaker 6: not kidding.
- 42:55Speaker 1: Man, he's very big. He's very big. He's going to
- 42:58Speaker 1: be strong, man.
- 42:59Speaker 4: If God wants, man.
- 43:00Speaker 1: It's the breast milk, you know? Yeah?
- 43:02Speaker 4: Yeah, we're just in the breast milk, and we've researched
- 43:05Speaker 4: a lot. My wife makes a mess, right? My wife
- 43:09Speaker 4: makes a mess because he didn't pick up the chest.
- 43:12Speaker 4: It doesn't hurt, but it's annoying, uncomfortable. She said that
- 43:17Speaker 4: when she's making a mess, there's a thing that researches
- 43:21Speaker 4: that you feel a sadness when you're breastfeeding. It's a sadness,
- 43:24Speaker 4: it has a name. She doesn't want to stop giving
- 43:31Speaker 4: because she knows the benefits that breast milk has, you know?
- 43:34Speaker 1: My son never got sick. My son will never keep
- 43:35Speaker 1: drinking milk. No, not there, man.
- 43:37Speaker 4: Wait a minute. I already told her that if she
- 43:41Speaker 4: depended on me, we would have stopped. She wants it
- 43:42Speaker 4: because she really wants it. Everyone there, bro, gives the nans,
- 43:46Speaker 4: the stuff. We don't even need it. And thank God, right?
- 43:49Speaker 4: We work, we have a condition. I said, give the nan,
- 43:51Speaker 4: she doesn't get sick.
- 43:52Speaker 1: So that's the secret of the boy who gets huge.
- 43:55Speaker 4: Man, it's the breast milk. And he takes it. More
- 43:58Speaker 4: than 10 mamadeiras. He's very intelligent.
- 43:59Speaker 2: He's very intelligent.
- 44:00Speaker 4: He's very intelligent.
- 44:01Speaker 2: He's very intelligent.
- 44:01Speaker 1: He's very intelligent. He's very intelligent.
- 44:02Speaker 2: He's very intelligent. He's very intelligent.
- 44:03Speaker 1: He's very intelligent.
- 44:04Speaker 2: He's very intelligent. He's very intelligent. He's very intelligent. He's
- 44:06Speaker 2: very intelligent. He's very intelligent. He's very intelligent.
- 44:08Speaker 6: He's very intelligent.
- 44:08Speaker 2: He's very intelligent.
- 44:09Speaker 6: He's very intelligent.
- 44:09Speaker 1: He's very intelligent.
- 44:10Speaker 6: He's very intelligent.
- 44:10Speaker 1: He's very intelligent. He's very intelligent. He's very intelligent.
- 44:13Speaker 2: He's very intelligent. He's very intelligent.
- 44:14Speaker 1: He's very intelligent.
- 44:14Speaker 2: He's very intelligent.
- 44:15Speaker 6: He's very intelligent.
- 44:16Speaker 2: He's very intelligent. He's very intelligent. He's very intelligent.
- 44:17Speaker 4: He's very intelligent. He's very intelligent.
- 44:19Speaker 1: He's very intelligent.
- 44:19Speaker 4: He's very intelligent. He's very intelligent. He's very intelligent. He's
- 44:21Speaker 4: very intelligent.
- 44:21Speaker 1: He's very intelligent.
- 44:22Speaker 4: He's very intelligent.
- 44:22Speaker 1: He's very intelligent. He's very intelligent.
- 44:23Speaker 2: He's very intelligent.
- 44:24Speaker 7: He's In the belly too, when you were listening to
- 44:27Speaker 7: him dancing. You just have to talk, you'll know how.
- 44:31Speaker 4: To sing everything. You're not going to have kids, are you?
- 44:34Speaker 1: How old are you?
- 44:34Speaker 4: I'm 35, man.
- 44:35Speaker 1: 35? And you're with that.
- 44:37Speaker 4: Face, man.
- 44:38Speaker 2: It's a review. It's a good lie.
- 44:39Speaker 4: You're 35, man. I'm 35.
- 44:40Speaker 2: He's 90, I'm 29.
- 44:41Speaker 1: Really, man? Yeah, I'm more spoiled, right?
- 44:52Speaker 4: Both of them, man. It's because you're following the Hungarian era.
- 44:57Speaker 4: You were the first, then you... I believe you. But
- 45:00Speaker 4: the mythical, man, damn it. Botox is fucked.
- 45:03Speaker 3: No, I'm going to do it. I'm going to do Botox.
- 45:06Speaker 3: But there's still nothing, no.
- 45:08Speaker 6: It's the North, man.
- 45:09Speaker 1: But I want to be a papaja. Man, you're in
- 45:11Speaker 1: the last year. I'm not at the end of the
- 45:16Speaker 1: line there, right?
- 45:17Speaker 4: No, it's the last one, son. You're on the pedage.
- 45:19Speaker 4: You went through that, forget it. You have to find
- 45:22Speaker 4: a boy who wants to be a mother. Post it
- 45:24Speaker 4: on Instagram. Someone who wants to.
- 45:26Speaker 1: Be a mother.
- 45:27Speaker 6: That's when it works. For sure, Mítico. Please, it's going
- 45:30Speaker 6: to work.
- 45:30Speaker 1: Someone who wants to be a mother. It's going to work.
- 45:33Speaker 4: It's going to work. It has to be someone who
- 45:35Speaker 4: wants to be a mother.
- 45:36Speaker 6: Marry a Japanese woman.
- 45:39Speaker 4: Why?
- 45:39Speaker 6: I just wanted to see a.
- 45:40Speaker 1: Japanese son of yours. A Japanese? Yes, yes.
- 45:42Speaker 3: No, but I have this thought, for sure. It's a
- 45:44Speaker 3: dream that I always have. But I've already married twice.
- 45:48Speaker 4: You've already married twice?
- 45:49Speaker 7: Yes.
- 45:50Speaker 4: Was it wrong?
- 45:51Speaker 6: No, it was right.
- 45:53Speaker 4: No, it was a good time. Exactly.
- 45:55Speaker 1: That's it.
- 45:56Speaker 4: Christian Bell.
- 45:58Speaker 1: Applause!
- 45:59Speaker 6: It was good while it lasted.
- 46:01Speaker 4: No, there are people who think that the relationship is over, right, Terzinho?
- 46:04Speaker 4: Think that... It was already. It was a good time.
- 46:07Speaker 4: You learned so many things with that person.
- 46:08Speaker 1: Of course.
- 46:08Speaker 4: Sometimes you grew professionally.
- 46:10Speaker 1: Of course. So, it's not even... So, but I also
- 46:12Speaker 1: say that it was not for lack of experience or will.
- 46:14Speaker 1: Or temptation. It's that it didn't happen yet, right? But
- 46:17Speaker 1: one day God will bless. I know I'm on a pedestal.
- 46:19Speaker 1: If I was, I would have to come this year, man.
- 46:23Speaker 1: Calm down. Calm down.
- 46:24Speaker 4: It's because it's such a surreal experience. I don't want
- 46:27Speaker 4: anyone to leave the earth without having children.
- 46:29Speaker 3: Our partner, Vituxo, will be a father. We were talking
- 46:32Speaker 3: about it just now. He's anxious to be a father, etc.
- 46:37Speaker 2: You're the one who should talk about it.
- 46:38Speaker 4: You're the one who should talk about it.
- 46:40Speaker 2: You're the one who should talk about it.
- 46:42Speaker 4: You're the one who should talk about it.
- 47:02Speaker 2: Then I don't play ball. Then I'll see Cristian playing
- 47:05Speaker 2: ball with his son and I won't.
- 47:07Speaker 6: Calm down.
- 47:08Speaker 4: Calm down, bro.
- 47:09Speaker 1: Calm down. One thing at a time.
- 47:10Speaker 4: He's dating, bro. I waited too.
- 47:12Speaker 1: Long and you're too anxious. That's why... Everyone who wasn't
- 47:14Speaker 1: young is anxious.
- 47:15Speaker 6: What? I got married at 18. I've done a lot
- 47:17Speaker 6: of things already.
- 47:18Speaker 1: I've lived.
- 47:18Speaker 6: But calm down. Getting married at 18.
- 47:19Speaker 1: Is good, right?
- 47:20Speaker 7: No.
- 47:20Speaker 1: Having a son at 20 is, right? No.
- 47:29Speaker 3: There were people who said it's a mix, because there
- 47:32Speaker 3: were those who went.
- 47:32Speaker 1: He must have been a young father.
- 47:34Speaker 6: You're a young father, bro.
- 47:34Speaker 1: Where's your son?
- 47:35Speaker 4: There, next to him.
- 47:36Speaker 7: Ready?
- 47:36Speaker 6: Where's your son?
- 47:36Speaker 4: He's at home.
- 47:37Speaker 6: Does he live with you? Does he live?
- 47:47Speaker 4: Foda, aqui é uma exceção. Quem tem um jovenzinho, um
- 47:50Speaker 4: filho jovenzinho, deu 10 anos, separa, cada um leva algumas coisas,
- 47:54Speaker 4: a mulher leva tudo, o cara recomeça a vida, do nada,
- 47:58Speaker 4: vem pra São Paulo, que eu pensei que era a
- 47:59Speaker 4: sua história, né? Vem pra São Paulo separado pra reconstruir
- 48:03Speaker 4: a vida. Foi com a sigala.
- 48:07Speaker 5: Teuzinho, por isso que o público tá falando assim, pergunta
- 48:09Speaker 5: pro Teuzinho como é que foi o pedido de namoro dele.
- 48:12Speaker 2: Foda. Ai, tá vendo? Pô, é.
- 48:16Speaker 3: He's a passionate guy, right?
- 48:18Speaker 1: I am, man.
- 48:19Speaker 2: That's why I say... I'm not even there.
- 48:21Speaker 4: I'm there, man.
- 48:22Speaker 2: If he comes.
- 48:23Speaker 4: If he comes, he'll.
- 48:26Speaker 2: Take it out. Never.
- 48:27Speaker 4: Jesus.
- 48:28Speaker 1: So, brother... But we.
- 48:29Speaker 2: Can avoid it. T-shirt.
- 48:30Speaker 7: Right?
- 48:31Speaker 4: Anticonceptional.
- 48:32Speaker 6: And his girlfriend gets.
- 48:34Speaker 1: Every time I see.
- 48:35Speaker 4: I'm sick of the talk of Recife. I'm a little sick,
- 48:37Speaker 4: I say, Beto. Don't talk about pregnancy.
- 48:44Speaker 7: There are some videos where she was throwing up. I
- 48:46Speaker 7: was like, what the fuck was she throwing up?
- 48:48Speaker 1: But you were happy?
- 48:50Speaker 4: I was happy.
- 48:52Speaker 1: But what was that date?
- 48:53Speaker 7: Dude, it was on my audiovisual, where I recorded in Recife.
- 48:57Speaker 2: Ah, it all happened. It was all a thing.
- 49:01Speaker 4: Can I show the video, dad?
- 49:02Speaker 1: Please. But you planned everything, how was it? DVD. You
- 49:06Speaker 1: planned it, the idea was yours, how was it?
- 49:08Speaker 2: I said, fuck it.
- 49:09Speaker 7: I said to Keisha that before I say everything to him.
- 49:13Speaker 1: I said, hey, dad. Literally.
- 49:15Speaker 2: I'm going to get married, man.
- 49:17Speaker 4: I'm good.
- 49:18Speaker 2: I'm in peace.
- 49:19Speaker 1: I'm liking it.
- 49:19Speaker 2: And you know, right? He's like that, man. I was
- 49:23Speaker 2: like that too.
- 49:24Speaker 4: I liked it.
- 49:25Speaker 2: I wanted it and it went up. Then I'm there.
- 49:27Speaker 4: Look at the conversations.
- 49:29Speaker 2: She's watching now. I didn't watch it, huh?
- 49:32Speaker 1: Yes, dad.
- 49:32Speaker 2: But then we don't talk about it. She's watching, man.
- 49:38Speaker 4: He was singing, you know? And at that moment, I
- 49:39Speaker 4: was talking to his girlfriend all the time, like, man,
- 49:42Speaker 4: my God, I'm talking about this point here. It's a lie, right?
- 49:44Speaker 4: I said, he's saying he wants to leave, he's having
- 49:46Speaker 4: a hard time. She said, he can't leave, man. I said, man,
- 49:49Speaker 4: he's saying he's leaving, he's having a hard time. I said, man,
- 49:52Speaker 4: he's having a hard time. She said, he just didn't eat.
- 49:56Speaker 4: I said, oh my God, that's it. He didn't eat anything, nothing,
- 49:58Speaker 4: he didn't eat anything. I said, oh my God, he's leaving.
- 50:08Speaker 4: This is me and him already. In the review.
- 50:10Speaker 1: Here's Tetano. Look, the crowd is starting.
- 50:12Speaker 6: Nobody knew that, bro.
- 50:17Speaker 2: The firemen got on stage.
- 50:18Speaker 1: Man!
- 50:18Speaker 4: The firemen got on stage.
- 50:23Speaker 6: Manobra de Heinrich!
- 50:24Speaker 1: Manobra de Heinrich!
- 50:24Speaker 4: Look at the people, all worried!
- 50:25Speaker 1: Manobra de Heinrich! Manobra de Heinrich!
- 50:26Speaker 2: Manobra de Heinrich!
- 50:26Speaker 1: Manobra de Heinrich! Manobra de Heinrich!
- 50:27Speaker 6: Manobra de Heinrich!
- 50:28Speaker 2: Manobra de Heinrich!
- 50:28Speaker 6: Manobra de Heinrich! Manobra de Heinrich! Manobra de Heinrich!
- 50:30Speaker 4: Manobra de Heinrich! Manobra de Heinrich!
- 50:31Speaker 6: Manobra de Heinrich! Manobra de Heinrich!
- 50:31Speaker 4: Manobra de Heinrich!
- 50:32Speaker 2: Manobra de Heinrich!
- 50:33Speaker 1: Manobra de Heinrich!
- 50:33Speaker 6: Manobra de Heinrich!
- 50:34Speaker 1: Manobra de Heinrich!
- 50:35Speaker 6: Manobra de Heinrich! Manobra de Heinrich! Manobra de Heinrich!
- 50:41Speaker 5: Manobra de Heinrich!
- 50:42Speaker 6: Manobra de Heinrich!
- 50:43Speaker 4: Manobra de Heinrich! Manobra de Heinrich!
- 50:48Speaker 3: Manobra de Heinrich!
- 50:49Speaker 1: Manobra de Heinrich! Manobra de Heinrich! Manobra de Heinrich! Manobra
- 50:50Speaker 1: de Heinrich!
- 50:50Speaker 6: Manobra de Heinrich! Manobra de Heinrich!
- 50:51Speaker 4: Manobra de Heinrich!
- 50:53Speaker 1: Oh my God!
- 50:55Speaker 6: Look at the crazy crowd!
- 50:57Speaker 1: The crowd is crazy, huh?
- 50:58Speaker 6: Yeah, we spent.
- 51:04Speaker 2: A lot of money! Look at that!
- 51:06Speaker 4: The love is beautiful, isn't it? It's cool!
- 51:09Speaker 1: Damn, I'm crazy for you to.
- 51:11Speaker 4: Live this, bro!
- 51:12Speaker 1: Yeah, me too!
- 51:19Speaker 4: And she's a very nice girl, man. Too much. Very nice.
- 51:22Speaker 6: He's so cool, he's happy, right?
- 51:23Speaker 1: He's so cute, too cute. He's good, bro.
- 51:25Speaker 2: He's 20 years old, too, at my age. You have
- 51:27Speaker 2: to live love, right?
- 51:28Speaker 1: You know why, bro?
- 51:29Speaker 2: Tell us, then.
- 51:30Speaker 4: Bro.
- 51:30Speaker 1: Love is too good, right? Yeah, bro, love is too good.
- 51:40Speaker 7: I'm 20 years old, she's 20 too. She supports herself,
- 51:42Speaker 7: I support myself. I live alone, I have my house.
- 51:44Speaker 7: She has her own house too, she lives alone too.
- 51:46Speaker 7: You have two arms?
- 51:48Speaker 6: She has two legs.
- 51:49Speaker 2: What's missing for a son, bro?
- 51:52Speaker 4: Oh, shit! That's it, man. I was enjoying his idea.
- 51:58Speaker 4: He was all cute and.
- 51:59Speaker 1: You're going to be Vogue.
- 52:00Speaker 6: You're going to be Vogue.
- 52:02Speaker 2: Man, I'm going to be Vogue, man. Vogue, man.
- 52:06Speaker 4: You know what it's like to be a kid, man.
- 52:08Speaker 4: When you're on the loose and something happens, you have
- 52:13Speaker 4: to separate. You know what problem you're going to have, man.
- 52:16Speaker 4: If a woman takes my grandson to Recife, I know
- 52:17Speaker 4: who's going to Recife. Come with my grandson here, because someday...
- 52:21Speaker 4: Calm down, Teucião.
- 52:22Speaker 1: But you're going to be an idiot, for sure.
- 52:23Speaker 7: What?
- 52:24Speaker 2: Right, it's right.
- 52:24Speaker 1: It's right.
- 52:25Speaker 2: You're not going?
- 52:25Speaker 4: It's right, it's right.
- 52:27Speaker 2: That idiot?
- 52:27Speaker 1: It's right.
- 52:27Speaker 4: The funny thing about this request here was that he said, Dad,
- 52:30Speaker 4: I want to ask Clara to go on a date.
- 52:31Speaker 4: I said, man, you're going to have a great opportunity.
- 52:34Speaker 4: You're going to record an audiovisual in her city, right?
- 52:37Speaker 4: It's going to be beautiful for everyone. He said, wait
- 52:39Speaker 4: a minute, but I already asked like that.
- 52:41Speaker 1: I said, wow.
- 52:41Speaker 2: No, it's because I was nervous, man.
- 52:43Speaker 4: It's a responsibility.
- 52:43Speaker 2: He was nervous. That's the responsibility. And the son is
- 52:46Speaker 2: the same!
- 52:47Speaker 7: The son is the one who takes you down.
- 52:51Speaker 6: He takes you.
- 52:52Speaker 7: Down in the best way, but the one who wants
- 52:54Speaker 7: to get married is the responsibility.
- 52:56Speaker 2: It's harder to get married.
- 52:58Speaker 1: After you're already dating, right? Your son goes to you
- 53:00Speaker 1: and says, Dad, what about dating?
- 53:01Speaker 2: Because he's never dated, right?
- 53:03Speaker 4: Dad, what about dating? Seriously? I said, what about dating?
- 53:12Speaker 4: I said to myself, understand that you have to respect
- 53:17Speaker 4: a person.
- 53:17Speaker 2: I came to ask him everything.
- 53:20Speaker 4: I said, you have to respect a person if you're
- 53:23Speaker 4: not ready to respect as much as possible. Because you
- 53:27Speaker 4: went there, you met the family, everyone liked it. You're
- 53:30Speaker 4: not going to date just with her, you have to
- 53:33Speaker 4: respect her whole family. He passed the day, so you
- 53:37Speaker 4: answer me, in a little while he... He sent a
- 53:39Speaker 4: picture of the alliance. I said, fuck, is it really ready?
- 53:42Speaker 4: Then he bought the.
- 53:43Speaker 2: Fire, that whole thing, that heart.
- 53:50Speaker 1: Papel picado.
- 53:52Speaker 4: Aí, tipo assim, ó, eu ainda falei, mano, você tem
- 53:54Speaker 4: que falar umas palavras bonitas. Entalou, não falou nada.
- 53:57Speaker 6: Só almoçou ali, ele não conseguiu.
- 54:00Speaker 2: Eu cantei, meti voz.
- 54:02Speaker 4: Cantou, cantou, cantou.
- 54:03Speaker 2: No palco?
- 54:04Speaker 3: No palco. Atuou ali, fingindo que tava passando mal.
- 54:07Speaker 2: Você tá entendendo, ninguém nunca fez.
- 54:09Speaker 7: Viralizou, depois foi e viralizou um vídeo meu, porque o
- 54:11Speaker 7: pessoal tava pedindo muito. O pessoal também apertou nossa mente
- 54:14Speaker 7: pra pedir. Ah, eu falei que não, calma, calma. Que
- 54:16Speaker 7: a gente se conheceu. It's been three months. We're going
- 54:19Speaker 7: to do it now. I'm already sick here. We're going
- 54:21Speaker 7: to do it. Our first month of dating.
- 54:23Speaker 2: I'm going to do it now.
- 54:25Speaker 1: She's doing a show.
- 54:25Speaker 2: No, but then we get hurt on the other side.
- 54:27Speaker 2: There's always a post and a counter.
- 54:30Speaker 7: I'll be working.
- 54:31Speaker 2: You won't be able to live four months?
- 54:33Speaker 7: No, the first month of dating, the first month, which
- 54:35Speaker 7: is the sixth day now.
- 54:36Speaker 1: Ah, the first month of dating. I got it. You'll
- 54:39Speaker 1: be in the fight, working.
- 54:41Speaker 2: But then it's good too, working, right, bro?
- 54:43Speaker 4: Working, we stay together.
- 54:44Speaker 7: Every day, because it's not a special date, but we
- 54:46Speaker 7: also have to work, right?
- 54:47Speaker 2: Even because if you see a child.
- 54:49Speaker 1: You have to cover the words.
- 54:50Speaker 2: How was your first date?
- 54:51Speaker 6: You don't need to give details, because mine was in
- 54:53Speaker 6: a doca.
- 54:53Speaker 5: I worked at McDonald's and I said, bro, I bought
- 55:00Speaker 5: the alliance and he came here, in.
- 55:02Speaker 4: Doca, from the trash.
- 55:03Speaker 1: With my doctor.
- 55:03Speaker 6: To live with me.
- 55:05Speaker 1: It was shit. In Doca where?
- 55:06Speaker 4: Osascão?
- 55:07Speaker 6: Osascão, Doca, that smell of... What is Doca?
- 55:09Speaker 5: Doca, for those who work at the mall, Doca is
- 55:11Speaker 5: where you walk, it's like the mall's basement, where you'll pass.
- 55:13Speaker 6: Service area. Shopping service area, exactly. Mine was at school,
- 55:16Speaker 6: which I later married her.
- 55:21Speaker 2: I was very in love.
- 55:23Speaker 1: But you knelt down, that's.
- 55:24Speaker 6: What I want to know. I knelt down.
- 55:27Speaker 3: No, I didn't have all this charm of him, but
- 55:29Speaker 3: I wanted, I think, at the time to make a whole,
- 55:31Speaker 3: explode Fogos, pretend that I was passing by, it was another, man,
- 55:35Speaker 3: date me.
- 55:35Speaker 6: Yeah, mine too, but I remember the.
- 55:37Speaker 7: But did you accept it like that? I accepted it,
- 55:40Speaker 7: because we knew each other already and stuff, we studied together.
- 55:43Speaker 7: But then it went viral, because there was even a
- 55:46Speaker 7: skit with Scott that I told people personally, then we
- 55:48Speaker 7: were answering a box of questions, right?
- 55:50Speaker 2: I said, no, calm down.
- 55:51Speaker 7: We're still getting to know each other, but my request,
- 55:54Speaker 7: I want it to be something my way.
- 55:57Speaker 2: I don't want it to be something that no one did.
- 55:59Speaker 2: Calm down, calm down.
- 56:00Speaker 4: It was really special, this thing.
- 56:03Speaker 2: It was my way, right, bro? My crazy way. Maximum respect.
- 56:06Speaker 4: If she leaves, no one will do this to her.
- 56:09Speaker 2: That's it, man.
- 56:10Speaker 4: It's the last romantic.
- 56:11Speaker 1: It's beautiful.
- 56:11Speaker 6: It's beautiful to see a young Amanda, right?
- 56:14Speaker 4: Yeah.
- 56:21Speaker 6: You weren't even playing Botafogo da Bahia.
- 56:24Speaker 4: Man, I think the guy broke me. It's like.
- 56:29Speaker 6: No, I remember that.
- 56:30Speaker 1: It came out in a note.
- 56:32Speaker 5: The influencer who caught Neymar's attention will be hired by
- 56:37Speaker 5: Botafogo da Bahia.
- 56:38Speaker 7: Oh, man.
- 56:39Speaker 4: Like, I have... I was a mother, I used to
- 56:43Speaker 4: play ball. Calm down.
- 56:44Speaker 1: Look at that.
- 56:45Speaker 4: Damn, man. I don't know how to play ball.
- 56:47Speaker 2: You're a connector.
- 56:48Speaker 4: You're a ball-maker, man. And today I'm fat.
- 56:51Speaker 2: At that time I was flying.
- 56:53Speaker 4: You were flying. I was flying. Man, seriously, to be honest,
- 56:56Speaker 4: it was my childhood dream, you know? And then when
- 56:58Speaker 4: I grew up and became famous and had the opportunity
- 57:00Speaker 4: that she called me to play, when I saw, man,
- 57:02Speaker 4: that I was going to be a player like that... Damn,
- 57:06Speaker 4: the guys in training take it seriously. And I had
- 57:10Speaker 4: another profession, you know? I was afraid of getting hurt
- 57:12Speaker 4: in training. I didn't play because of that.
- 57:16Speaker 1: At the time, the first training, you said, it's not
- 57:18Speaker 1: for me.
- 57:18Speaker 4: No, the first training, hard. The second, hard. He said,
- 57:22Speaker 4: there's a game. I said, there's a game, my brother.
- 57:24Speaker 4: Everyone wanted to be a starter. I took the ball,
- 57:26Speaker 4: the guys saw. I said, these guys are going to
- 57:28Speaker 4: break my leg. Then, like this, I managed to realize
- 57:30Speaker 4: my dream. I saw that I was going to be
- 57:32Speaker 4: a player.
- 57:33Speaker 1: The story came out.
- 57:35Speaker 4: No, I trained, I went to a nutritionist, I did physical.
- 57:38Speaker 6: Were you watching the training?
- 57:40Speaker 4: Man, I was, but only... With fear? I was dying
- 57:43Speaker 4: of fear of getting hurt. Then I have a partner
- 57:45Speaker 4: who said like this, man, do you really need to
- 57:48Speaker 4: get hurt, stay at home without working, you don't depend
- 57:50Speaker 4: on this thing. You haven't realized your dream, you haven't
- 57:54Speaker 4: played there.
- 57:55Speaker 1: No, man.
- 57:56Speaker 4: The guys are mad at you and the other team.
- 57:58Speaker 4: And the guys said, Christian Bell took someone's spot. But
- 58:02Speaker 4: the team was only happening because I was on the team.
- 58:04Speaker 4: You were also an investor in the team? How was it?
- 58:05Speaker 4: I took visibility, I saw other investors.
- 58:08Speaker 3: At the time, I thought that if I didn't play,
- 58:10Speaker 3: I wouldn't.
- 58:10Speaker 4: Have the team.
- 58:11Speaker 2: Anyway.
- 58:11Speaker 4: Then I said, if I step on the field, a
- 58:14Speaker 4: guy will come from behind, he'll hit me, I'll break
- 58:17Speaker 4: my leg. I said, look. Let me be honest here.
- 58:28Speaker 4: God didn't want that for me. He wanted other things.
- 58:30Speaker 4: I did it and it's fine.
- 58:31Speaker 1: And you didn't even play a game.
- 58:34Speaker 4: No, man. I was scared. In the training, I was
- 58:36Speaker 4: already seeing the guys from my own team breaking me.
- 58:39Speaker 4: Imagine the other team.
- 58:40Speaker 7: Wow.
- 58:41Speaker 5: Even more knowing that, oh, there, the famous influencer.
- 58:44Speaker 1: Let's break him now.
- 58:46Speaker 6: Teozinho, Christian Bell pays the IPVA?
- 58:49Speaker 1: Today, man... Oh shit!
- 59:00Speaker 2: I had already forgotten about that, bro.
- 59:03Speaker 1: And he pays, of course he pays.
- 59:05Speaker 6: It's the right thing to do.
- 59:07Speaker 2: He always invests.
- 59:08Speaker 4: We pull the ear, I don't offer.
- 59:10Speaker 7: In short, I had really forgotten, but I was going
- 59:13Speaker 7: to do three shows a day, bro.
- 59:14Speaker 2: We were going to the first. What was it? The
- 59:16Speaker 2: PRF behind him, Faixa Contina.
- 59:17Speaker 5: He, vum, oxi.
- 59:29Speaker 2: The plane came at the right time.
- 59:31Speaker 4: No, the guys passed me and it was fine. Then
- 59:33Speaker 4: I did it again.
- 59:34Speaker 2: No, it was just once.
- 59:36Speaker 4: He said that when he was in front of me,
- 59:38Speaker 4: I passed him again. Then it was at that time.
- 59:40Speaker 1: It was.
- 59:40Speaker 4: It was the same.
- 59:42Speaker 7: Then he went to the base and leaned on me.
- 59:44Speaker 7: He leaned on me and pulled me. My uncle, for
- 59:47Speaker 7: the love of God, we're going to do the show now.
- 59:49Speaker 7: I'm going to do three shows today. For God's sake,
- 59:52Speaker 7: then the buses passing, the cars passing, going to the.
- 59:55Speaker 2: Party, screaming.
- 59:56Speaker 4: The people going to the party were.
- 59:58Speaker 1: Going to sing.
- 59:58Speaker 7: Everyone recording, my God, and stopped at Blitz, the IPVA
- 1:00:01Speaker 7: all late. Ah, man, it's because, like, to be very honest.
- 1:00:04Speaker 4: You forgot to pay. It's not me who pays. It's
- 1:00:07Speaker 4: me who pays for my.
- 1:00:08Speaker 1: IPVA, man.
- 1:00:09Speaker 4: No, I don't think so. It's the mythical. It's my financial, man.
- 1:00:18Speaker 6: Forget it.
- 1:00:19Speaker 4: I don't care about these things. And I didn't even
- 1:00:22Speaker 4: question it.
- 1:00:23Speaker 6: For you, it was paid.
- 1:00:24Speaker 1: Of course.
- 1:00:25Speaker 4: That's right. But I was there. I said, bro, you're
- 1:00:27Speaker 4: going to take it ready. Then there was another car
- 1:00:30Speaker 4: of us, right? Coming after the guy who works with us.
- 1:00:32Speaker 2: But in that, we posted a story. A woman from
- 1:00:35Speaker 2: the front, from a house.
- 1:00:37Speaker 4: The fan went to look for us.
- 1:00:38Speaker 2: There was a place near the base. That was the road.
- 1:00:42Speaker 4: The fan went to pick us up, because I didn't
- 1:00:45Speaker 4: know if the other car was with me or not.
- 1:00:47Speaker 1: Man, what a fucking fan.
- 1:00:48Speaker 7: The car was there, I got there, I studied her
- 1:00:52Speaker 7: habitation too, I got my wallet, we went and got
- 1:00:55Speaker 7: more with the fan.
- 1:00:56Speaker 1: And the car stayed there? It stayed there.
- 1:00:59Speaker 4: It stayed there, it's fine. The other day my partner
- 1:01:01Speaker 4: took it, my partner from Feira, send it to Feira
- 1:01:03Speaker 4: de Santana. You're kidding me. But I paid. I paid everything.
- 1:01:06Speaker 4: I said, pay this shit to be a fucking shame.
- 1:01:08Speaker 4: The problem is not the shame, it's the show that
- 1:01:10Speaker 4: he was going to lose, bro.
- 1:01:11Speaker 2: I got there, I didn't warm up, I didn't warm up,
- 1:01:14Speaker 2: I said.
- 1:01:15Speaker 4: Fuck it. But this show was fucked, this is the
- 1:01:18Speaker 4: cross of souls.
- 1:01:18Speaker 3: But have other funny things happened on the way to
- 1:01:21Speaker 3: the show.
- 1:01:22Speaker 1: Or in your own show, brother?
- 1:01:23Speaker 2: Boy, not funny. Complicated, right? When the bus breaks down.
- 1:01:28Speaker 7: And the guy with the show to do, whether you
- 1:01:30Speaker 7: like it or not, the show is a very important thing, right?
- 1:01:33Speaker 7: Because if you delay.
- 1:01:34Speaker 4: It's serious.
- 1:01:35Speaker 1: The show is a very important thing.
- 1:01:36Speaker 7: The show is a very important thing, because if you
- 1:01:38Speaker 7: delay there, the guy has already gone. Then the guy
- 1:01:42Speaker 7: who takes all the blame, the people are not even there.
- 1:01:45Speaker 1: They don't know when he broke, what.
- 1:01:46Speaker 2: Happened in the middle of the road.
- 1:01:47Speaker 7: These things happen, these problems on the road, which are
- 1:01:50Speaker 7: prone to happen, right? But whether you like it or not,
- 1:01:52Speaker 7: the guy doesn't wait. You're there waiting for your favorite
- 1:01:56Speaker 7: singer and stuff, you don't know what's going on, but
- 1:01:58Speaker 7: if he doesn't show up, who's going to be bad?
- 1:02:00Speaker 6: This guy is going to be bad. I wanted to
- 1:02:02Speaker 6: have the little finger nail like.
- 1:02:03Speaker 2: That when I was younger.
- 1:02:04Speaker 1: Really?
- 1:02:05Speaker 2: I swear to God, my mom didn't let me.
- 1:02:06Speaker 1: My mom didn't let me either. And why are you
- 1:02:09Speaker 1: leaving it now?
- 1:02:10Speaker 7: It's because she said when you live alone, you leave it.
- 1:02:14Speaker 2: Like the tattoo, right?
- 1:02:16Speaker 1: Like the tattoo.
- 1:02:16Speaker 2: She said with 18. What was the first tattoo you
- 1:02:18Speaker 2: put on?
- 1:02:19Speaker 1: It was this one. Written mom, you want to see? No,
- 1:02:22Speaker 1: it was this one.
- 1:02:22Speaker 2: Look at the wolf.
- 1:02:24Speaker 3: And when you showed it to your mom, she said,
- 1:02:27Speaker 3: what a pride, right, son?
- 1:02:29Speaker 2: She liked it.
- 1:02:29Speaker 7: She even said, I didn't like it, but when he
- 1:02:32Speaker 7: did the first one, I thought it was cute.
- 1:02:35Speaker 2: I paid with a lot of money. I thought it
- 1:02:38Speaker 2: was cute.
- 1:02:38Speaker 6: My grandmother cried when I did my first one.
- 1:02:40Speaker 2: Was it the same, but bad?
- 1:02:42Speaker 6: No, she thought I was becoming a bandit.
- 1:02:45Speaker 4: In our time, it was the same thing.
- 1:02:46Speaker 2: Ah, son, you... You can stay forever.
- 1:02:49Speaker 6: She started to cry a lot. What is this? It
- 1:02:51Speaker 6: was me.
- 1:02:53Speaker 1: My son's goal is always to do something to honor
- 1:02:55Speaker 1: his mother. That's the idea.
- 1:02:56Speaker 4: But I didn't do it on the first one, but.
- 1:02:58Speaker 2: This guy is full of tattoos, full of hatred for
- 1:03:00Speaker 2: his face.
- 1:03:00Speaker 1: I did his signature here.
- 1:03:01Speaker 4: There must always be something for the mother. What was
- 1:03:04Speaker 4: your first one, Bel? I wrote the name of my.
- 1:03:06Speaker 1: Grandfather who passed away. I loved him a lot, but I.
- 1:03:09Speaker 4: Said, I'm going to put his name here because my
- 1:03:12Speaker 4: father will come and complain, but I'm going to say
- 1:03:14Speaker 4: that I never really forgot. I never forget, because people
- 1:03:22Speaker 4: always look at me like, who is Vigilio? It's my grandfather, man.
- 1:03:25Speaker 4: My grandfather, who was very close to me and stuff.
- 1:03:29Speaker 4: But at the time, my father did like this. I
- 1:03:31Speaker 4: made family here, which was very small. No, family, family
- 1:03:36Speaker 4: and Vigilio on the leg. I have a tattoo studio too, man.
- 1:03:39Speaker 4: What don't you have? What don't you have?
- 1:03:41Speaker 1: I don't know.
- 1:03:42Speaker 4: You're with everything, man.
- 1:03:44Speaker 1: What do you mess with these days? You're even a vaqueiro, man.
- 1:03:47Speaker 1: You have Aras, right?
- 1:03:48Speaker 4: I have Aras. I have a restaurant. sushi sushi when
- 1:03:52Speaker 4: you go to Salvador.
- 1:03:53Speaker 1: God's sake sushi here when you.
- 1:03:55Speaker 4: Go you are invited you will pay nothing go with
- 1:03:58Speaker 4: my sushi then I'll make a tattoo and then I'm
- 1:04:00Speaker 4: the businessman of your little Michael Santos I have an
- 1:04:06Speaker 4: area that I mess with the horse we already started
- 1:04:09Speaker 4: but there's no player There are two players. It's even
- 1:04:19Speaker 4: disappointing with Feira.
- 1:04:20Speaker 6: I was watching your videos on YouTube.
- 1:04:23Speaker 4: Yeah, I was watching. Feira and Lucaneta are playing.
- 1:04:26Speaker 6: Is it going well?
- 1:04:29Speaker 4: Lucaneta only gets in at the end, with three minutes left.
- 1:04:32Speaker 4: I was anxious for him to play, but they put
- 1:04:35Speaker 4: him with three minutes left.
- 1:04:35Speaker 6: But I think that's what you said. Calm down, it's
- 1:04:38Speaker 6: coming now.
- 1:04:39Speaker 4: Yeah. And the guys are going to break him. I
- 1:04:41Speaker 4: see that the guys want to get to him harder,
- 1:04:43Speaker 4: because the guy is an influencer and such. I'm scared too, man.
- 1:04:48Speaker 6: This guy is awesome.
- 1:04:49Speaker 1: And what's the difficulty of having an Aras?
- 1:04:51Speaker 3: Besides being expensive, I imagine, but... Organizing things, man. How
- 1:04:55Speaker 3: many horses do you have there?
- 1:04:57Speaker 1: How is your Aras?
- 1:04:58Speaker 4: I have 17 horses.
- 1:04:59Speaker 1: What's that?
- 1:05:00Speaker 4: It's going to be born now, plus 10 of my Garanhão.
- 1:05:03Speaker 4: I have a Garanhão called Agressivo Storm. Agressivo Storm, man.
- 1:05:08Speaker 1: Yeah, the names are crazy. This is wonderful. He is...
- 1:05:12Speaker 1: Fortão Grandão?
- 1:05:13Speaker 4: He was the best horse of the.
- 1:05:15Speaker 2: He's Fortão Grandão.
- 1:05:17Speaker 4: He was the best horse of the PEPB, bro.
- 1:05:19Speaker 1: Dude, in one.
- 1:05:20Speaker 6: In one, he only pregnant 10 boys? 10 horses?
- 1:05:22Speaker 5: No, reproduction is the following.
- 1:05:24Speaker 4: We collect.
- 1:05:25Speaker 6: Ah, it's insemination.
- 1:05:27Speaker 4: Then we do insemination, bro.
- 1:05:29Speaker 1: Where's the bichão? My God. He's one of the.
- 1:05:31Speaker 4: Most coveted horses in Laquejada.
- 1:05:33Speaker 1: Horse milk is valuable. Horse milk is valuable.
- 1:05:35Speaker 3: Look.
- 1:05:35Speaker 1: Wow, the bichão is cute. He's an aggressive stormer.
- 1:05:40Speaker 4: He is one of the most coveted horses in Brazil.
- 1:05:42Speaker 6: Do you like horse racing, Teozinho? I like it. This
- 1:05:47Speaker 6: is a very big thing in the Northeast, right?
- 1:05:49Speaker 1: How was it?
- 1:05:50Speaker 3: Did you start at a young age? Did you start
- 1:05:52Speaker 3: going crazy? I started at a young age.
- 1:05:55Speaker 4: Soon I bought a horse for Negoio to race an X1,
- 1:05:59Speaker 4: which was my horse, against Nathan Queiroz. No, against Pedro Militão.
- 1:06:03Speaker 4: This X1 didn't have. I had a horse that I
- 1:06:06Speaker 4: bought at the time, it was 300 conto.
- 1:06:10Speaker 1: Man.
- 1:06:11Speaker 4: Then I had a horse and I started competing. And then, man,
- 1:06:16Speaker 4: soon you buy another one, you have this horse here.
- 1:06:18Speaker 4: Don't go wrong in the auction. I went in a
- 1:06:21Speaker 4: little wrong, you know? Because the wrong way is the following.
- 1:06:23Speaker 4: A lot of people start saying, buy this horse because
- 1:06:25Speaker 4: it's worth money. I got in that way. So I
- 1:06:27Speaker 4: invested a lot, a lot, a lot.
- 1:06:28Speaker 1: I see.
- 1:06:29Speaker 4: But it was wrong. You know? It was for me
- 1:06:31Speaker 4: to have at most three horses. Then today, after Safadão
- 1:06:34Speaker 4: pulls my ear a lot, I'm reorganizing myself. I'm selling
- 1:06:37Speaker 4: a lot.
- 1:06:37Speaker 1: What did Safadão teach you?
- 1:06:40Speaker 4: What did you do wrong?
- 1:06:41Speaker 1: He said, no, not like that.
- 1:06:42Speaker 6: He said, it's not a joke.
- 1:06:43Speaker 4: He said, you don't like to run? This is for
- 1:06:44Speaker 4: your leisure. Spend with your horse. Like that... At most,
- 1:06:48Speaker 4: there is one of yours and one of the cowboy's.
- 1:06:55Speaker 4: I bought several horses for Nego Igor. I really wanted
- 1:06:58Speaker 4: him to win. I bought several for him and I
- 1:06:59Speaker 4: had only one. He said, no, you're doing everything wrong.
- 1:07:05Speaker 4: You have to buy your horse, it has to be
- 1:07:09Speaker 4: cool for you to have fun. Your truck is yours,
- 1:07:12Speaker 4: the cowboy's is the cowboy's. Don't mix things up, you know?
- 1:07:17Speaker 4: This is a business, be closer, you have to be inside,
- 1:07:19Speaker 4: you can't be too close. He said a lot of
- 1:07:22Speaker 4: these things.
- 1:07:22Speaker 6: That's cool, man. And he's a cowboy.
- 1:07:26Speaker 1: He's strong, isn't he?
- 1:07:27Speaker 4: No, he's weak. He's afraid of me. He's weak. I
- 1:07:30Speaker 4: call him for the X1. Then he says on WhatsApp, like, no, bro,
- 1:07:33Speaker 4: don't call me for the X1, no, because I had
- 1:07:36Speaker 4: a hernia surgery. He says on WhatsApp so I don't
- 1:07:39Speaker 4: call him on Instagram. Then when someone films him.
- 1:07:42Speaker 6: In sincerity.
- 1:07:44Speaker 1: Who would win this X1?
- 1:07:45Speaker 4: Sincerity. No, he has 10 years of vaquejada. It's his
- 1:07:47Speaker 4: obligation to win, but today I'm not afraid.
- 1:07:50Speaker 2: So it would be.
- 1:07:51Speaker 4: Today it's pau a pau. I think I have more
- 1:07:55Speaker 4: prizes than Safadão, man, at Vaquejada.
- 1:07:58Speaker 1: How many prizes do you have? A lot already. You
- 1:08:01Speaker 1: lost the count.
- 1:08:03Speaker 4: There are some, there are about 15 already.
- 1:08:04Speaker 6: Safadão has a face that if he said like this,
- 1:08:06Speaker 6: I'm better than you in music, Safadão would say, okay. Now,
- 1:08:09Speaker 6: at Vaquejada, it seems that it will mess with the
- 1:08:10Speaker 6: ego of the man.
- 1:08:11Speaker 4: No, at Vaquejada it messes, man. Then he would say, oh,
- 1:08:14Speaker 4: don't call me, no, because I'm with... with hernia and stuff,
- 1:08:17Speaker 4: and when he went to the party that he ran,
- 1:08:19Speaker 4: someone filmed, he was like, come on, Christian Bale, and
- 1:08:22Speaker 4: I was like, bro, is it to call him or not, bro?
- 1:08:24Speaker 4: What was it, man? But I think he'll give us
- 1:08:26Speaker 4: a X1, it'll come out. It'll come out.
- 1:08:28Speaker 6: Can I transmit?
- 1:08:30Speaker 4: You only talk. I talked to you, and then, bro,
- 1:08:34Speaker 4: let's go to the party, you just talk, you know?
- 1:08:35Speaker 2: He said he was going to the Aves, there, it
- 1:08:37Speaker 2: didn't go.
- 1:08:38Speaker 4: No, but.
- 1:08:39Speaker 6: How are you going to my house if I don't say, come?
- 1:08:41Speaker 4: I sent me out to you, you came and exploded, bro.
- 1:08:44Speaker 4: I think I sent it.
- 1:08:46Speaker 1: I think I sent it. I think I sent it.
- 1:08:47Speaker 1: I think I sent it. I think I sent it.
- 1:08:49Speaker 1: I think I sent it.
- 1:08:50Speaker 3: I can't believe you're telling us to broadcast.
- 1:08:53Speaker 4: Something like this.
- 1:08:53Speaker 6: First of all, I wanted to get to know you, man.
- 1:08:55Speaker 2: I wanted to experience it.
- 1:08:56Speaker 6: Get to know you, man.
- 1:08:58Speaker 2: It's a lot to get to know you from up close.
- 1:08:59Speaker 6: Experience the culture, man.
- 1:09:00Speaker 4: A serrinha. A serrinha vaquejada. It's very traditional. It's in Bahia.
- 1:09:05Speaker 4: It's a big vaquejada. With a fucking show. You know?
- 1:09:09Speaker 4: God willing, my truck will be fixed. When is this
- 1:09:12Speaker 4: going to be?
- 1:09:13Speaker 1: It's in September.
- 1:09:14Speaker 6: The truck is just to transport... To sleep.
- 1:09:18Speaker 4: You will sleep in my truck. It's really a room.
- 1:09:19Speaker 2: There are two rooms.
- 1:09:20Speaker 4: You will stay in one room and I will stay
- 1:09:23Speaker 4: in the other room. That's crazy, brother. You will sleep
- 1:09:25Speaker 4: in the truck. You will wake up.
- 1:09:26Speaker 2: You will eat couscous.
- 1:09:27Speaker 1: Bathroom.
- 1:09:28Speaker 4: Take a bath. Yeah.
- 1:09:30Speaker 6: So the vaquejada has a whole experience. There is no.
- 1:09:32Speaker 4: Like this, a vaquejada, many times, is inside a farm.
- 1:09:35Speaker 4: So you have to sleep in the truck. You don't
- 1:09:37Speaker 4: have a hotel. Got it? That's crazy.
- 1:09:39Speaker 1: That's crazy. That's cool. But it's cool, man.
- 1:09:41Speaker 4: It's like this. It's going to be a thing that
- 1:09:44Speaker 4: you will... And there's internet. There's Starlink. It's good. It
- 1:09:48Speaker 4: will be something that you will.
- 1:09:50Speaker 2: Want to go straight.
- 1:09:51Speaker 3: Man, everyone who is going and who is knowing is
- 1:09:53Speaker 3: saying that it is very foda, bro.
- 1:09:54Speaker 6: You do not have the desire at all, brother.
- 1:09:56Speaker 7: Even because Christian bought the Aras, we started with the
- 1:09:58Speaker 7: long-sleeved horse, which is for a walk.
- 1:10:04Speaker 6: Explain it to me, because I don't eat.
- 1:10:06Speaker 1: What are the.
- 1:10:06Speaker 6: I don't know if there are many types of horses.
- 1:10:09Speaker 7: Quarto de milha, which is for horseback riding, which is
- 1:10:11Speaker 7: for bullfighting, and Mangalarga, which is for sightseeing. Those horses
- 1:10:14Speaker 7: that you ride normally, because Quarto de milha, it's jumping, galloping, right?
- 1:10:18Speaker 7: Then the guy can't walk anymore. Then it gets like this.
- 1:10:21Speaker 7: For sightseeing, no, you already ride well.
- 1:10:23Speaker 4: The Quarto de Milha horse was made to run a
- 1:10:24Speaker 4: quarter of a mile, that's why the name is Quarto
- 1:10:26Speaker 4: de Milha. And the Mangalarga, Machador, is a horse for sightseeing,
- 1:10:29Speaker 4: for the race cups. Got it?
- 1:10:32Speaker 2: And with that, we started to go, man.
- 1:10:34Speaker 7: Christian bought a horse, without the intention of having one.
- 1:10:40Speaker 7: It was just for fun. I bought mine, at the
- 1:10:43Speaker 7: time I was afraid. I was afraid of horses, brother.
- 1:10:47Speaker 2: He was afraid of horses.
- 1:10:48Speaker 4: Tell this story, brother.
- 1:10:49Speaker 7: I had to buy, I said, everyone is buying, man.
- 1:10:53Speaker 7: Inessa's friends bought, Christian bought, Frank bought, Jota bought too.
- 1:10:56Speaker 7: Then I went, I'm going to buy mine. I bought
- 1:11:00Speaker 7: an eagle. But I was afraid, man. I didn't even
- 1:11:03Speaker 7: ride my horse because I was afraid.
- 1:11:04Speaker 2: I said, what logic is that?
- 1:11:06Speaker 6: Afraid of falling?
- 1:11:07Speaker 2: Of riding a horse.
- 1:11:08Speaker 4: My passion has always been horse riding. Everyone on the
- 1:11:10Speaker 4: horse riding and he was pulling his horse, his fucking
- 1:11:13Speaker 4: horse riding.
- 1:11:13Speaker 6: And how is a horse in the beginning? Is he
- 1:11:16Speaker 6: docile with people?
- 1:11:18Speaker 1: Or does it all depend?
- 1:11:19Speaker 6: How is the treatment with the horse?
- 1:11:21Speaker 4: A horse that you buy in this way, he is domed.
- 1:11:23Speaker 4: So he is good. He already knows that he will.
- 1:11:26Speaker 2: And it depends a lot on the age of the horse.
- 1:11:27Speaker 2: Let's suppose my horse was afraid too because she.
- 1:11:30Speaker 7: She was young, she was a whore. She was afraid
- 1:11:33Speaker 7: of bags, she was afraid of trucks, cars. Then she
- 1:11:35Speaker 7: would go by herself, she would go to the side,
- 1:11:38Speaker 7: I don't know what, she was already afraid.
- 1:11:40Speaker 2: She was just, there was a horse on the side.
- 1:11:42Speaker 7: There was a day that we, I was going, my God, man,
- 1:11:44Speaker 7: we were talking now in the car, that unintentionally, bro,
- 1:11:48Speaker 7: I was going to have a tragedy with the horses, everything,
- 1:11:51Speaker 7: because I was in my water, a friend tied the
- 1:11:54Speaker 7: horse in the port like that, but tied it loose,
- 1:11:57Speaker 7: the horse left and.
- 1:11:57Speaker 2: Came after my water. I was still afraid, I could not,
- 1:11:59Speaker 2: but I was afraid.
- 1:12:01Speaker 7: The horse came, I looked back, the horse was coming
- 1:12:03Speaker 7: in the wave to go up. And in this one
- 1:12:05Speaker 7: he goes up, he throws his legs with everything, and
- 1:12:07Speaker 7: whoever is here takes it. I said, I already knew that.
- 1:12:09Speaker 7: I said, when I saw him coming like that, I
- 1:12:10Speaker 7: jumped from the needle. I jumped, the horses were afraid
- 1:12:15Speaker 7: of the track, of the trucks. The horses running, the
- 1:12:17Speaker 7: horses running back to go up in the needle, I
- 1:12:19Speaker 7: don't know what.
- 1:12:20Speaker 2: And that's what we took on the review. That's on
- 1:12:21Speaker 2: the road?
- 1:12:22Speaker 1: On the road.
- 1:12:22Speaker 4: In fact, he just needed to do this with his hand.
- 1:12:24Speaker 4: Get out. The horse wouldn't go up.
- 1:12:26Speaker 2: He was so afraid that he took.
- 1:12:28Speaker 6: It and jumped, bro.
- 1:12:31Speaker 1: Did you jump without any information?
- 1:12:33Speaker 2: Without any information. We were just starting in that area.
- 1:12:35Speaker 7: I went and the horse went to the middle of
- 1:12:38Speaker 7: the track. We started to take it to the review
- 1:12:40Speaker 7: and record. There are even the cuts on Tik Tok.
- 1:12:43Speaker 7: But then it got serious because it went to the
- 1:12:44Speaker 7: back and the truck was passing. If it went to
- 1:12:46Speaker 7: the back, it was right.
- 1:12:48Speaker 4: The water ran away.
- 1:12:49Speaker 1: And the horse went back.
- 1:12:50Speaker 6: It's very obvious, right? Obviously we are worried about the
- 1:12:53Speaker 6: animal here too. But, like, I've seen accidents with animals
- 1:12:56Speaker 6: like this, bro, it's a mess.
- 1:12:57Speaker 1: It's a mess. It's death. It's a mess.
- 1:13:00Speaker 7: So, like, the eagle was running and the horse was
- 1:13:02Speaker 7: going after it. She was running out of fear, because
- 1:13:04Speaker 7: she was running away, the eagle was running away, right?
- 1:13:08Speaker 2: And the horse was going after it, and we started seriously.
- 1:13:10Speaker 7: One day he went to catch it, when he went
- 1:13:11Speaker 7: to catch it, he took a bite and the other
- 1:13:13Speaker 7: one took a bite here.
- 1:13:14Speaker 4: He took a bite, he took six bites. I had
- 1:13:15Speaker 4: to get on another horse, right? Then I went to...
- 1:13:18Speaker 4: Then I crossed the track, like, a truck passing by.
- 1:13:21Speaker 1: The car.
- 1:13:25Speaker 4: .
- 1:13:47Speaker 6: If you were to explain to two laymen how the
- 1:13:50Speaker 6: game works, what do you have to do to win?
- 1:13:52Speaker 6: The game is like this. Let's say you go to
- 1:13:53Speaker 6: a big game.
- 1:13:54Speaker 2: It's a double game.
- 1:13:55Speaker 4: The puller and the stick. I'm the puller, the guy
- 1:13:58Speaker 4: who knocks. It's called the puller. It's mounted on the horse.
- 1:14:11Speaker 4: Both of them are, right?
- 1:14:12Speaker 6: Ah, okay, I got it.
- 1:14:13Speaker 4: The stick helps the career, he's the guy who grabs
- 1:14:16Speaker 4: the tail, not the tail, the protector, and gives and such.
- 1:14:20Speaker 4: In a fight today, the goal is for you to
- 1:14:22Speaker 4: knock down the four boys, four boys in a row,
- 1:14:25Speaker 4: inside those two bands. He has to fall in there
- 1:14:28Speaker 4: without tripping in the first one, and he has to
- 1:14:30Speaker 4: get up in that middle. From those two sides. Without
- 1:14:36Speaker 4: leaving the second one. And he can't leave, he can't
- 1:14:38Speaker 4: get up outside, he has to get up inside those
- 1:14:39Speaker 4: two sides. You have to repeat this four times.
- 1:14:42Speaker 1: It has to be really hard to do that.
- 1:14:45Speaker 6: Thank you.
- 1:14:47Speaker 1: You have to.
- 1:14:48Speaker 6: And is there a right way? Like, if he falls
- 1:14:50Speaker 6: like that.
- 1:14:51Speaker 4: It's not worth it. If he falls... Yeah, that's it.
- 1:14:54Speaker 2: He has to.
- 1:14:54Speaker 4: He has to fall in a way that he shows
- 1:14:55Speaker 4: the four legs.
- 1:14:55Speaker 2: Up, but if he falls... If he falls like that,
- 1:14:57Speaker 2: it's zero.
- 1:14:58Speaker 4: And another thing, man. A password, which is a chance, right,
- 1:15:01Speaker 4: of you getting on the track and doing this, A
- 1:15:04Speaker 4: chance to.
- 1:15:05Speaker 2: Run four oxen. And in that, in the first oxen.
- 1:15:07Speaker 6: You pay a thousand reais to run once.
- 1:15:09Speaker 4: Which is the right to four oxen.
- 1:15:11Speaker 7: If you miss the first one, some things that he
- 1:15:12Speaker 7: explained now, you don't run the others.
- 1:15:15Speaker 2: You already lost one race. You already lost a thousand bucks.
- 1:15:18Speaker 4: Then you just buy another.
- 1:15:19Speaker 2: Race so you can run all. You have to hit
- 1:15:21Speaker 2: the four, otherwise you don't pass.
- 1:15:23Speaker 6: But the race has always.
- 1:15:25Speaker 1: Been very strong?
- 1:15:25Speaker 3: Or now, from a few years ago, it has grown
- 1:15:28Speaker 3: in a different way? I feel that from a few
- 1:15:30Speaker 3: years ago.
- 1:15:31Speaker 4: Like this.
- 1:15:34Speaker 4: Safadão, me, Natan Queiroz, we have a lot of things
- 1:15:38Speaker 4: like that, because we took the X1, at the time
- 1:15:41Speaker 4: of the X1, Vaquejada grew and took a proportion with
- 1:15:43Speaker 4: the internet. But for those who are from the countryside,
- 1:15:48Speaker 4: for those who have the roots, I say that in
- 1:15:51Speaker 4: the capitals it never arrived, but it never arrived much,
- 1:15:54Speaker 4: there in Salvador at least, but Vaquejada always had a
- 1:15:58Speaker 4: giant tradition, you know, in my view.
- 1:16:00Speaker 1: And now with the internet, it's growing more and more.
- 1:16:02Speaker 4: Now it's become a business. They say that vaquejada is
- 1:16:05Speaker 4: a business.
- 1:16:06Speaker 6: A strong business.
- 1:16:07Speaker 4: Strong. All the artists are making music focused on vaquejada.
- 1:16:11Speaker 4: You see, like, Natan... It's in fashion, right? It's in fashion, vaquejada.
- 1:16:17Speaker 2: Hey, Christian running here.
- 1:16:19Speaker 4: What video is this?
- 1:16:23Speaker 1: You were one, double, double?
- 1:16:24Speaker 2: Yeah, he was on the stairs and I was knocking.
- 1:16:28Speaker 4: And the show was over at 6 am.
- 1:16:30Speaker 2: I finished the show here at Vaquejada.
- 1:16:31Speaker 5: Man, but it's beautiful, man.
- 1:16:34Speaker 1: The horses running, man.
- 1:16:35Speaker 4: Running, it's a beautiful thing. And like this, man, no kidding,
- 1:16:38Speaker 4: I say it because I think I've never lived a
- 1:16:42Speaker 4: more fucking adrenaline than this.
- 1:16:43Speaker 6: I just wanted to ask you, what can happen? What
- 1:16:46Speaker 6: are the dangers of Vaquejada? What can go wrong there, brother?
- 1:16:49Speaker 1: Here, man, I.
- 1:16:50Speaker 4: Have a scar here. The horse already stepped on my head,
- 1:16:54Speaker 4: which is the barbed wire, you know? My legs here
- 1:16:55Speaker 4: are all hurt. It's a very dangerous sport.
- 1:17:00Speaker 1: It can break you. It's a real adrenaline.
- 1:17:02Speaker 2: It's a very tasty adrenaline.
- 1:17:03Speaker 6: Because if the boy falls on top of you, the
- 1:17:05Speaker 6: horse can fall on top of you. You're dealing with
- 1:17:07Speaker 6: two animals.
- 1:17:08Speaker 4: Two animals you're dealing with.
- 1:17:10Speaker 2: Independently, it's irrational.
- 1:17:11Speaker 7: So, from then on, it's a different thing. Then you're here,
- 1:17:15Speaker 7: on one side of the car. with a bull in
- 1:17:26Speaker 7: the middle, on the other side, let's assume, it's two horses, right?
- 1:17:30Speaker 7: Two horses in one career, it's two horses, you on
- 1:17:32Speaker 7: one side, one on the other.
- 1:17:33Speaker 6: It can happen some shit, right? It's running too fast,
- 1:17:35Speaker 6: it doesn't.
- 1:17:35Speaker 2: Have enough space. It's pressing your leg together with it here.
- 1:17:37Speaker 2: And you have to walk.
- 1:17:39Speaker 7: Here. I'll show you a good video for you. Pay
- 1:17:42Speaker 7: attention to get the protector, turn around, if you're not
- 1:17:45Speaker 7: looking forward, you look forward, look back, look forward, look back.
- 1:17:47Speaker 7: You take the protector, turn around, to get there. So
- 1:17:50Speaker 7: it's a surreal adrenaline.
- 1:17:52Speaker 2: Look at this video there.
- 1:18:00Speaker 3: That's me.
- 1:18:00Speaker 6: What are you trying to do?
- 1:18:01Speaker 4: My God, let me go!
- 1:18:02Speaker 7: Let me go! Man!
- 1:18:03Speaker 1: He's not... You got it?
- 1:18:05Speaker 2: He's not holding it.
- 1:18:06Speaker 1: He's stuck.
- 1:18:06Speaker 4: I'm stuck. Look!
- 1:18:07Speaker 2: Did you get a.
- 1:18:08Speaker 1: Knot in your hand? It was my mistake. Here, look.
- 1:18:12Speaker 2: There's a protector here, look.
- 1:18:14Speaker 1: Man.
- 1:18:14Speaker 2: This was the most dangerous day of my.
- 1:18:17Speaker 4: Life in November. Look there.
- 1:18:18Speaker 6: No, man. There, look.
- 1:18:18Speaker 2: When you passed the gate there, the stuff.
- 1:18:20Speaker 1: Are you crazy, brother?
- 1:18:21Speaker 6: Then he was dragged inside where... He was simply.
- 1:18:23Speaker 2: An animal dragged you here.
- 1:18:31Speaker 7: Wow, so you have to use a lot of protection,
- 1:18:33Speaker 7: you have to have a canivete. While he was trying
- 1:18:41Speaker 7: to let himself go running, but he accelerated and fell
- 1:18:45Speaker 7: and was arrested.
- 1:18:45Speaker 1: Wow, man.
- 1:18:46Speaker 6: So you have to use a lot of protection. You
- 1:18:48Speaker 6: have to always have a vest. What? No.
- 1:18:50Speaker 4: Nothing?
- 1:18:50Speaker 6: At the time, there was no.
- 1:18:52Speaker 2: Time to leave.
- 1:18:53Speaker 4: There was no time to think. And this career here,
- 1:18:55Speaker 4: before running here, I was running without a helmet. I saw, man.
- 1:18:58Speaker 6: No, here I put it.
- 1:19:00Speaker 4: At that time, out of nowhere, something said, I think
- 1:19:03Speaker 4: it was my wife who said, love, put on the helmet.
- 1:19:04Speaker 4: Then I said, give me this helmet. Then I put
- 1:19:06Speaker 4: it on. After I got out of the car, my
- 1:19:09Speaker 4: helmet was ripped.
- 1:19:09Speaker 1: Man.
- 1:19:09Speaker 4: Because it hit a wall. It hit my head, you know?
- 1:19:13Speaker 4: Then I was like, fuck. Then a friend said, if
- 1:19:17Speaker 4: you don't get out of the car, you'll never get
- 1:19:20Speaker 4: out again. That was a foda. It was a test.
- 1:19:23Speaker 4: And then the guy also said that there was a
- 1:19:25Speaker 4: guy who was ripped off... It was a training, right?
- 1:19:27Speaker 4: But in a normal car, the guy was ripped off and...
- 1:19:29Speaker 4: He went to the corral like that and it was bad, man.
- 1:19:32Speaker 4: He was trampled.
- 1:19:33Speaker 1: By the other bulls. What a shit, man.
- 1:19:36Speaker 4: But it's an exciting sport, it moves the culture, it
- 1:19:39Speaker 4: moves a lot of money, it generates a lot of jobs,
- 1:19:42Speaker 4: for me it's the most important, it generates a lot
- 1:19:44Speaker 4: of jobs.
- 1:19:45Speaker 6: And it moves the culture of the place there, right, bro?
- 1:19:47Speaker 4: In the Northeast, there are small cities that have vaquejadas,
- 1:19:50Speaker 4: sometimes there's nothing there all year, but there's a vaquejada there,
- 1:19:53Speaker 4: people go out of the house, go there to watch,
- 1:19:56Speaker 4: it moves a whole income.
- 1:19:58Speaker 6: And it seems that lately cultural things are losing space,
- 1:20:01Speaker 6: everything has become advertising, everything has become I don't know what,
- 1:20:05Speaker 6: you know?
- 1:20:05Speaker 4: It's true, bro.
- 1:20:07Speaker 6: Everything, man. Everything. And that bothers me a little. At
- 1:20:10Speaker 6: least I'm a very bothered guy.
- 1:20:10Speaker 1: Culturally, right?
- 1:20:12Speaker 6: Ah, man. You have to do the cultural stuff. Ah,
- 1:20:14Speaker 6: but it won't give you money. But let's do it, man.
- 1:20:16Speaker 6: For God's sake.
- 1:20:17Speaker 1: It's important. São João, Vakejada.
- 1:20:18Speaker 3: So, pulling that, I was going to talk about São João.
- 1:20:21Speaker 3: São João, how is the man's agenda?
- 1:20:23Speaker 1: How is it.
- 1:20:24Speaker 2: Going to be? We work there, right? It's the time
- 1:20:27Speaker 2: we work the most, man. It's the moment we.
- 1:20:29Speaker 7: Expect too, because we want to be with the guys.
- 1:20:31Speaker 7: It's a moment that the guys are also very excited,
- 1:20:33Speaker 7: which is São João. E o Igor falou também uma
- 1:20:36Speaker 7: coisa que é bastante, é certo demais, mano. A tradição
- 1:20:39Speaker 7: do São João também perdeu muita tradição, muita coisa boa, né, mano?
- 1:20:44Speaker 5: Pô, velho, sei lá, eu senti isso, eu estive no
- 1:20:47Speaker 5: último jogo do Brasil, por exemplo, e eu vi que
- 1:20:50Speaker 5: time meio que tudo é publicidade. O bandeirão que vai
- 1:20:52Speaker 5: subir é de tal marca. Não sei o que vai fazer,
- 1:20:55Speaker 5: é da outra marca. E tá tudo bem, tá todo
- 1:20:57Speaker 5: mundo trabalhando, eu entendo isso. But we stopped doing it
- 1:21:00Speaker 5: for the people, you know? We stopped doing it for
- 1:21:02Speaker 5: the fans, we stopped doing it for the people who
- 1:21:04Speaker 5: actually consume it. So that's why when I see something
- 1:21:09Speaker 5: very regional getting very big and the people still staying
- 1:21:13Speaker 5: the way they are, I like it a lot, bro.
- 1:21:14Speaker 6: That's why you guys are there all the time, because.
- 1:21:16Speaker 1: It's nice, right? The essence, right? How many shows are
- 1:21:18Speaker 1: you going to do now, São João?
- 1:21:19Speaker 7: Man, I think we're at 26, if I'm not mistaken, 26.
- 1:21:23Speaker 2: Thank God, huh?
- 1:21:24Speaker 1: 26 shows. Last year I did 40.
- 1:21:29Speaker 4: Wow!
- 1:21:31Speaker 7: And how is it to keep up with a routine
- 1:21:32Speaker 7: like this, brother?
- 1:21:35Speaker 1: It's hard.
- 1:21:35Speaker 7: You have to get ready, right? Man, thank God too,
- 1:21:40Speaker 7: right when the crash, thanks to God, the crash I
- 1:21:43Speaker 7: had last year, it was a very big crash and
- 1:21:46Speaker 7: we ended up rolling a lot. We rolled a lot, like,
- 1:21:49Speaker 7: I did Alagoas, Pernambuco, Bahia.
- 1:21:53Speaker 2: The entire Northeast. Like, I rolled a lot.
- 1:21:56Speaker 7: São Paulo, São Paulo here too, I did. I'm going
- 1:21:59Speaker 7: to Maranhão now. Tomorrow.
- 1:22:02Speaker 1: At 6 a.m.
- 1:22:02Speaker 7: We're going to Maranhão. I'm going to have a show
- 1:22:04Speaker 7: there on Wednesday. I think it's Thursday, if I'm not mistaken.
- 1:22:07Speaker 1: Good.
- 1:22:08Speaker 2: We're coming back now too.
- 1:22:09Speaker 7: In a short time. We went there. We did a
- 1:22:11Speaker 7: show for 140,000 people.
- 1:22:12Speaker 1: Maranhão?
- 1:22:13Speaker 7: Public record we did there. Thanks to that, we did
- 1:22:16Speaker 7: a great show. I also work hard, man. For my
- 1:22:19Speaker 7: show to be very good. And the guys liked it.
- 1:22:22Speaker 2: Take care, man.
- 1:22:23Speaker 6: Take care of your product, man.
- 1:22:24Speaker 1: Because.
- 1:22:24Speaker 6: It gives a lot.
- 1:22:27Speaker 5: Physical pain, when you see a very good artist, but
- 1:22:29Speaker 5: he's delivering anything to the audience, just.
- 1:22:31Speaker 2: To go to the next one, you know?
- 1:22:32Speaker 7: So, like, it ended up that I delivered too much,
- 1:22:34Speaker 7: and then the people asked a lot, asked a lot,
- 1:22:37Speaker 7: thank God, I'll even give a hug to the people
- 1:22:40Speaker 7: of Maranhão, who are watching there, in fact, I know,
- 1:22:43Speaker 7: thank you very much for the affection, right?
- 1:22:46Speaker 2: We'll meet soon, it's going to be top again.
- 1:22:49Speaker 5: And how difficult, bro, is to make success in Bahia, because, like...
- 1:22:53Speaker 5: Bahia is a very critical state with music, man.
- 1:22:55Speaker 2: And many artists.
- 1:22:56Speaker 6: It's a range of pagodão, of everything, of everything.
- 1:22:58Speaker 2: There's everything there.
- 1:22:58Speaker 6: Making success there is difficult, brother. Do you know who's
- 1:23:03Speaker 6: in Bahia, bro? Caetano Veloso, Gilberto.
- 1:23:05Speaker 4: Gil, Ivete Sangalo, Léo Santana, Pablo. So, like, we know
- 1:23:09Speaker 4: what's good, you know? So, Teozinho, I'm happy he blew
- 1:23:11Speaker 4: up there in Bahia, because, bro.
- 1:23:22Speaker 4: We know what's good. Caetano Veloso and Gil are from there.
- 1:23:25Speaker 4: This is a cultural blessing. Wagner Moura, Lázaro Ramos. So, like, Isabelle. Isabelle,
- 1:23:30Speaker 4: to me, is the biggest artist from there.
- 1:23:32Speaker 6: Isabelle is awesome.
- 1:23:33Speaker 1: Oh, forget it. Man.
- 1:23:35Speaker 6: There's no one with that.
- 1:23:39Speaker 6: Authenticity, man.
- 1:23:39Speaker 7: Yeah, man.
- 1:23:40Speaker 4: I even sent a message to her. Oh, she's not posting.
- 1:23:42Speaker 4: I miss seeing your life. She's wonderful.
- 1:23:44Speaker 1: In the end, man, Bahia.
- 1:23:46Speaker 4: Is a lot of fucking artists. And he's been there, man.
- 1:23:50Speaker 4: It's just that I don't remember.
- 1:23:52Speaker 5: which artist from Bahia we were talking about and then
- 1:23:54Speaker 5: he brought this point that he said, man, you have
- 1:23:56Speaker 5: no idea how difficult it is to be successful in
- 1:23:59Speaker 5: the state of Bahia.
- 1:24:00Speaker 1: Because it's full of artists, right?
- 1:24:01Speaker 7: It's very full and the people who are from outside too,
- 1:24:04Speaker 7: the greatest desire, one of the greatest desires, I think,
- 1:24:06Speaker 7: I don't think, I'm sure, is the desire of the
- 1:24:10Speaker 7: artists from outside to enter Bahia, because it's something very difficult.
- 1:24:14Speaker 1: Because if you.
- 1:24:16Speaker 4: Enter, then it's blessed, right? 423 municipalities, brother, for you
- 1:24:19Speaker 4: to roll. You play all year and you don't go
- 1:24:21Speaker 4: to all the places. Today, thank God, the work we've
- 1:24:25Speaker 4: been doing, we can do shows in other places. But
- 1:24:27Speaker 4: if we wanted to live in Bahia.
- 1:24:29Speaker 6: It would be great.
- 1:24:30Speaker 2: It's 423 municipalities.
- 1:24:31Speaker 4: It's a lot. It's a lot. If you do a
- 1:24:34Speaker 4: show every day, you don't play everything.
- 1:24:35Speaker 7: A show every day, all year round. It's very cool
- 1:24:38Speaker 7: to think like that.
- 1:24:40Speaker 1: I love my state.
- 1:24:41Speaker 4: I love it too. And thank you very much to
- 1:24:44Speaker 4: the people of Bahia, who pushed both me and Teuzinho
- 1:24:47Speaker 4: to Brazil, you know? It's very cool.
- 1:24:49Speaker 3: They are very baristas too. They are very like, if
- 1:24:51Speaker 3: you are ours, we will promote you, we will be
- 1:24:53Speaker 3: together to listen to your music.
- 1:24:56Speaker 1: We are together until the end.
- 1:24:57Speaker 4: My Bahia is Bahia, man. My Bahia is foda. Let's
- 1:25:01Speaker 4: do it.
- 1:25:02Speaker 3: Bahia.
- 1:25:02Speaker 7: Now also São Paulo here, Bahia is in weight here
- 1:25:05Speaker 7: in São Paulo too. We come here, I came here now,
- 1:25:07Speaker 7: it's been a month, right?
- 1:25:08Speaker 2: Last month, right? Last month.
- 1:25:10Speaker 7: I came here last month, I did three shows, three
- 1:25:13Speaker 7: or four?
- 1:25:14Speaker 1: Four shows.
- 1:25:14Speaker 2: Four shows. In the house of shows, today the music.
- 1:25:18Speaker 7: Everyone knows that today music, whether you like it or not,
- 1:25:20Speaker 7: is going through a crisis, in fact, in terms of
- 1:25:23Speaker 7: private parties. Today, everywhere there are free parties, the city hall... But,
- 1:25:28Speaker 7: in fact, it's the country, right? The country lives in
- 1:25:31Speaker 7: this crisis.
- 1:25:32Speaker 4: The financial condition of the people to pay for tickets
- 1:25:35Speaker 4: is terrible.
- 1:25:35Speaker 2: So, today it's very difficult.
- 1:25:37Speaker 7: Today, for an artist to have a private party, whether
- 1:25:40Speaker 7: you like it or not, he has to do a
- 1:25:41Speaker 7: good job and the people have to like it, in fact.
- 1:25:43Speaker 5: And I see that there are people saying that the artist...
- 1:25:46Speaker 5: It's coming very overpaid, saying like this, people, first you
- 1:25:50Speaker 5: have to know how many tickets you sell, so then
- 1:25:52Speaker 5: you can charge this ticket, because if you charge this.
- 1:25:54Speaker 2: Ticket, there's no way to pay.
- 1:25:56Speaker 7: Besides that, the contractors are also, besides the party, the
- 1:25:59Speaker 7: contractors themselves, the contractor comes to the party, they can't
- 1:26:02Speaker 7: pay the tickets because no one buys, they're not buying,
- 1:26:07Speaker 7: so they don't charge the artist's ticket. But, thank God,
- 1:26:10Speaker 7: we saw last month that we did four shows, four concerts,
- 1:26:13Speaker 7: private house private and thank God all the tickets are
- 1:26:16Speaker 7: exhausted here in São Paulo we made Guarulhos.
- 1:26:19Speaker 4: Itacoaxetuba Itacoaxetuba Itacoaxetuba Guarulhos São Bernardo.
- 1:26:23Speaker 5: Dos Campos São Bernardo dos Campos and the guys hug
- 1:26:27Speaker 5: Surreal and in the Itacoaxetuba Rancho Itacoaxetuba so I know it's.
- 1:26:31Speaker 1: Hard to think Do you remember one of the best
- 1:26:38Speaker 1: shows you've ever done?
- 1:26:39Speaker 3: Not only because I'm talking about the amount of audience,
- 1:26:41Speaker 3: but also the shows you've been to.
- 1:26:43Speaker 7: Man, today I say with all my heart that all.
- 1:26:51Speaker 2: The shows that I do, for me, are special.
- 1:26:55Speaker 1: For sure.
- 1:26:55Speaker 7: For me it's special, there's no difference. Of course it
- 1:26:59Speaker 7: will change only in the audience, let's assume. It will
- 1:27:01Speaker 7: change in the audience. I've done it in Manaus too,
- 1:27:04Speaker 7: it was a great show, I did it in the
- 1:27:05Speaker 7: state of Manaus.
- 1:27:07Speaker 2: In a stadium. In a stadium. In a football stadium.
- 1:27:11Speaker 2: And it's super crowded.
- 1:27:12Speaker 1: Wow.
- 1:27:12Speaker 7: The crowd is singing all the songs. Manaus too. A
- 1:27:15Speaker 7: kiss to Manaus. The crowd likes me a lot. In Maranhão,
- 1:27:18Speaker 7: 140 thousand people. Let's talk about grade too. Me, whether
- 1:27:22Speaker 7: I want it or not, I'm 20 years old. I'm
- 1:27:24Speaker 7: starting too. I did 5 years of career now, in May.
- 1:27:26Speaker 1: You're crazy, man.
- 1:27:27Speaker 7: We're playing on stage with the artist São João. We
- 1:27:30Speaker 7: played at São João de Jequié.
- 1:27:31Speaker 2: Super crowded.
- 1:27:34Speaker 1: Wow, Ave Maria.
- 1:27:37Speaker 4: It's because I'm still his number one fan.
- 1:27:40Speaker 2: And the show in Maranhão. What the fuck, man? The
- 1:27:41Speaker 2: guys screaming and singing.
- 1:27:43Speaker 1: I saw Yugi Santos enjoying your song. The guy is NBA, bro.
- 1:27:46Speaker 1: He's your face, bro. He looks like.
- 1:27:47Speaker 4: You, man. He looks like me. I thought it was you, bro.
- 1:27:49Speaker 2: Then I saw him playing basketball and he's your face. Maranhão. Maranhão.
- 1:27:53Speaker 4: What is this, bro? So many people, Turzinho.
- 1:28:04Speaker 2: It's all flash.
- 1:28:08Speaker 1: It's awesome, isn't it, brother?
- 1:28:11Speaker 4: It's awesome, brother.
- 1:28:12Speaker 6: It's not flash, is it?
- 1:28:14Speaker 5: Christian, it must be difficult for him to talk about himself,
- 1:28:16Speaker 5: but what do you think he has of different to
- 1:28:18Speaker 5: call so many people, such a young boy.
- 1:28:21Speaker 6: And singing at a rhythm... Consolidado, né, mano?
- 1:28:24Speaker 5: Alguém jovem cantando algo consolidado. E por que tanta gente
- 1:28:28Speaker 5: gosta do Teuzinho, que você acha?
- 1:28:29Speaker 4: Mano, porque o nosso trabalho em conjunto foi muito bem feito.
- 1:28:32Speaker 4: Vou te falar assim, a gente, ele, na verdade, quando
- 1:28:37Speaker 4: ele fez assim, quando completou os três anos de carreira, Uh-huh.
- 1:28:57Speaker 4: Last year, when we released the project A Favela Tá Gostosa,
- 1:29:01Speaker 4: I started seeing a lot of artists blowing up. I
- 1:29:05Speaker 4: was like, damn, God put this guy in my life
- 1:29:08Speaker 4: and he doesn't want anything else. I had a conversation
- 1:29:13Speaker 4: with him and I said, man, this is the last
- 1:29:15Speaker 4: CD we're going to make. If you don't want anything,
- 1:29:18Speaker 4: I think I'm wasting my time. I've always believed, I've
- 1:29:23Speaker 4: been doing it for five years, believing. You look like
- 1:29:27Speaker 4: you don't want anything, man. I had this conversation with
- 1:29:31Speaker 4: him like this. Woman, man.
- 1:29:32Speaker 2: You're an artist, if you.
- 1:29:33Speaker 4: No, man, I wasn't a woman. Friendship, woman.
- 1:29:36Speaker 2: Everything, man, in general. It's a complete slumber.
- 1:29:38Speaker 4: It's a normal slumber.
- 1:29:39Speaker 7: I couldn't go to parties, they fought a lot with me.
- 1:29:41Speaker 7: I was going to go to parties, I was spending money.
- 1:29:42Speaker 1: I had that too.
- 1:29:44Speaker 2: Baby, start drinking. No, I had that too. The youth.
- 1:29:46Speaker 1: 20 years old.
- 1:29:47Speaker 5: My partner Júlio came to me and said, faggot. Man, stop,
- 1:29:51Speaker 5: I'm not going to let you come here anymore.
- 1:29:53Speaker 7: I said, why?
- 1:29:54Speaker 6: He said, because you.
- 1:29:55Speaker 2: Only think about women. I'm going to work, man.
- 1:29:57Speaker 1: I know, I had that too.
- 1:30:00Speaker 4: And he's lucky because I didn't have a guy like
- 1:30:02Speaker 4: me to give me that vision. You know when I stopped?
- 1:30:05Speaker 4: When I had a child out of nowhere.
- 1:30:07Speaker 2: My daughter.
- 1:30:08Speaker 4: It was out of nowhere. And, man, living the madness
- 1:30:10Speaker 4: of the world. I gave birth to a daughter. I
- 1:30:12Speaker 4: take the responsibility now. And I don't want that for him.
- 1:30:15Speaker 4: What is that? So, like, I pulled his ear.
- 1:30:16Speaker 6: You understand?
- 1:30:17Speaker 4: I don't want you to go through the things I've
- 1:30:19Speaker 4: been through, man. I've seen my account, like, me enjoying,
- 1:30:22Speaker 4: making money, and I didn't see it going up in
- 1:30:24Speaker 4: the account. Because I came in here and left here. So,
- 1:30:27Speaker 4: I said, man, I don't want you to go through
- 1:30:28Speaker 4: these things, give a lot of advice. But there was
- 1:30:30Speaker 4: a moment when the guy got tired, and I said, man,
- 1:30:32Speaker 4: I'm tired. If this CD doesn't hit, I'm going to.
- 1:30:37Speaker 2: You're going to go back there to make your records?
- 1:30:41Speaker 4: Yeah, I'm going to make my records, I'm going to
- 1:30:43Speaker 4: keep liking you, we're going to be friends, but professionally,
- 1:30:45Speaker 4: I'm not going to keep hitting my head. Then, man, we, like,
- 1:30:50Speaker 4: it was a parada de Deus too, because the CDs
- 1:30:53Speaker 4: that we were releasing, we were always trying to go
- 1:30:55Speaker 4: in the line of someone, you know? I called Cassinho,
- 1:30:59Speaker 4: who was the first guy to produce this CD, the
- 1:31:02Speaker 4: first time I met him. I didn't record with him anymore.
- 1:31:05Speaker 4: I said, Cassinho, let's make a CD for Teozinho. I
- 1:31:07Speaker 4: selected a repertoire, I made an authorial song too. I said,
- 1:31:12Speaker 4: let's put the voice there, Cassinho produced it. We did
- 1:31:15Speaker 4: it different from everyone else. You know? I said, Teozinho,
- 1:31:17Speaker 4: this is your last CD. It's incredible that I was
- 1:31:21Speaker 4: enjoying it a lot that day. I said, this is
- 1:31:24Speaker 4: getting awesome. And even so, bro, I was making his
- 1:31:29Speaker 4: last CD, he has it here on the cell phone.
- 1:31:30Speaker 4: That day I was very stressed. Fuck, man, fuck. Turn
- 1:31:35Speaker 4: off the CD. He doesn't want you to sing, no. Right, bro?
- 1:31:39Speaker 4: Tell me, bro.
- 1:31:40Speaker 2: I don't like it. I get tense, bro.
- 1:31:42Speaker 7: That day was a tension. Let's suppose the CD of
- 1:31:45Speaker 7: my breakthrough, bro. It was going to be deleted, bro.
- 1:31:50Speaker 7: It was going to be deleted because, in fact, I
- 1:31:53Speaker 7: was going to finish the CD the next day, but
- 1:31:55Speaker 7: he said, bro, record it. Record something, I don't know what.
- 1:31:58Speaker 4: Say hello, send a hug to your friends and such.
- 1:32:00Speaker 7: I said, no, I'm not going back here tomorrow to
- 1:32:02Speaker 7: finish the CD. He said, no, but record now. I said, bro,
- 1:32:05Speaker 7: but I've already finished recording the whole CD. Halfway there,
- 1:32:07Speaker 7: I'll come back tomorrow, I'll do it. To finish, I'll
- 1:32:10Speaker 7: go down and do everything. No, bro, don't do it.
- 1:32:12Speaker 2: I got stressed. Bro, you don't listen to me.
- 1:32:15Speaker 4: No, it wasn't just that. Kevin Jones too. Kevin Jones
- 1:32:17Speaker 4: put a pressure. Kevin Jones did it like this.
- 1:32:19Speaker 2: No, I'm talking in general.
- 1:32:19Speaker 4: Kevin Jones did it like this. You know what Kevin
- 1:32:21Speaker 4: did like this? Man, Deozinho... Your boss is wanting more
- 1:32:26Speaker 4: than you, bro. I wanted to have a guy like
- 1:32:29Speaker 4: that to want to be with me. I was behind
- 1:32:32Speaker 4: my boss to record my stuff. You have a guy
- 1:32:33Speaker 4: who is... Then when I looked at Kev, I saw
- 1:32:35Speaker 4: Kev talking like that, I said, it's mine, right?
- 1:32:37Speaker 1: I want more than him.
- 1:32:37Speaker 4: I said, turn off this CD.
- 1:32:38Speaker 6: Man, turn off the CD.
- 1:32:39Speaker 4: But he was giving you a letter, right? It was.
- 1:32:42Speaker 1: No, but I was serious.
- 1:32:44Speaker 6: And here we are laughing, man.
- 1:32:50Speaker 7: It was like we were in the middle and it
- 1:32:52Speaker 7: was like a crazy talk. Turn off, turn off, turn
- 1:32:54Speaker 7: off the CD, turn off the CD, let's go, I
- 1:32:56Speaker 7: don't know what.
- 1:32:57Speaker 2: Then I said, ok.
- 1:32:58Speaker 7: Then Kevin started talking, Kevin also, Kevin pressed.
- 1:33:01Speaker 2: My mind, Kevin pressed my mind, man. Then Kevin started.
- 1:33:03Speaker 1: Talking, bro.
- 1:33:03Speaker 7: But also later when he saw that he was already,
- 1:33:06Speaker 7: he caught a lot of air and I was, and
- 1:33:08Speaker 7: I started to cry right away because I saw that
- 1:33:10Speaker 7: it was true, man.
- 1:33:13Speaker 4: I said, Kev, do you want to put your voice
- 1:33:15Speaker 4: on this CD?
- 1:33:16Speaker 1: Then Kev said.
- 1:33:16Speaker 2: You burst, I said.
- 1:33:17Speaker 4: The same thing, you burst again. Then Kev said, no, no,
- 1:33:19Speaker 4: calm down, this.
- 1:33:19Speaker 7: Is what's happening, I think it's for it to happen,
- 1:33:22Speaker 7: it's God who's making this happen. This here, Calcinho, don't
- 1:33:25Speaker 7: erase it. Then Cristiano, go erase it, go erase it.
- 1:33:28Speaker 7: He said, calm down, bro, calm down. I said it
- 1:33:30Speaker 7: here too because I felt the desire to say, Teozinho,
- 1:33:34Speaker 7: I have a friendship with you that I'm feeling the
- 1:33:36Speaker 7: desire to say here, I'm not going to get caught,
- 1:33:39Speaker 7: but you're all wrong there, bro. In addition to investing money,
- 1:33:44Speaker 7: which is also important, in addition to the money, he
- 1:33:46Speaker 7: is investing his time in you, brother. The guy who
- 1:33:50Speaker 7: is an entrepreneur, you have to be, like, you have
- 1:33:53Speaker 7: to be very good at being an entrepreneur, because he
- 1:33:57Speaker 7: is the only person who is investing in you. Entrepreneur
- 1:34:01Speaker 7: is something very important in the person's career, you know?
- 1:34:04Speaker 7: So you, Christian, be good, Christian, relax, you can come in,
- 1:34:06Speaker 7: I'm going to talk to him here. But this is
- 1:34:09Speaker 7: going to happen, I'm feeling that God is here in
- 1:34:10Speaker 7: this place. And if this is happening, it's because it's
- 1:34:13Speaker 7: going to happen and it's going to work. Cassinho, don't
- 1:34:15Speaker 7: turn it off, Cassinho. Don't turn it off. Then Cassinho
- 1:34:18Speaker 7: also saw that the thing was serious. Then Cassinho, no, no, man.
- 1:34:21Speaker 2: My wife is at home calling me here.
- 1:34:22Speaker 1: Turn it off or not?
- 1:34:23Speaker 2: No, but Cassinho said, don't turn it off.
- 1:34:24Speaker 1: Cassinho said, no, man.
- 1:34:26Speaker 7: He was very stressed at the time, I saw it there,
- 1:34:27Speaker 7: but I wasn't going to turn it off. I feel
- 1:34:29Speaker 7: like he told me to turn it off. He saw
- 1:34:30Speaker 7: it on my WhatsApp and I didn't turn it off.
- 1:34:32Speaker 7: I left it to see the next day what happened.
- 1:34:33Speaker 7: But then Cassinho said, I wanted to leave right away
- 1:34:36Speaker 7: so it wouldn't get worse.
- 1:34:39Speaker 2: Because he stressed a lot, and at the time I said,
- 1:34:41Speaker 2: I had a need, I didn't want to record now.
- 1:34:42Speaker 2: I was wanting to go home, I was wanting to
- 1:34:44Speaker 2: go out too, actually. You got to... No, seriously, from
- 1:34:47Speaker 2: the bottom of my heart, I'm not even.
- 1:34:48Speaker 4: Laughing, because.
- 1:34:50Speaker 2: No, but it's cool.
- 1:34:51Speaker 7: It was the change in my life that made my.
- 1:34:53Speaker 6: Life totally change, because today I really.
- 1:34:54Speaker 2: Live my dream.
- 1:34:55Speaker 7: Before we lived from music, okay, but it's different when
- 1:34:58Speaker 7: you live the dream, the real music, today we live
- 1:35:02Speaker 7: the music.
- 1:35:02Speaker 4: So.
- 1:35:09Speaker 7: It's the CD that changed my life, so I don't
- 1:35:10Speaker 7: even like to laugh about it. It was something real.
- 1:35:13Speaker 7: I was like, damn, I'm going to close this and
- 1:35:16Speaker 7: go home. My girlfriend is sending me a message.
- 1:35:17Speaker 4: And before this CD, I also wanted to give a gas,
- 1:35:20Speaker 4: because a friend of ours, we have a group that
- 1:35:23Speaker 4: is very heavy with interviews, with disturbance. If you go
- 1:35:25Speaker 4: in there, we will disturb you in a heavier way.
- 1:35:27Speaker 4: One day, a friend of ours, JN, they were discussing,
- 1:35:29Speaker 4: he said to himself, Teuzinho, where is your agenda?
- 1:35:38Speaker 2: Every singer has a schedule.
- 1:35:39Speaker 4: You're a singer who stays at home. I don't know
- 1:35:42Speaker 4: if he called, but... He called, but... He crossed you.
- 1:35:46Speaker 1: Fuck!
- 1:35:46Speaker 4: And you were in the group.
- 1:35:47Speaker 1: I was.
- 1:35:48Speaker 5: He said, I'll call you, but he crossed you.
- 1:35:52Speaker 6: And all the friends, right?
- 1:35:53Speaker 1: All the friends, man.
- 1:35:54Speaker 2: Then he answered a lot.
- 1:35:55Speaker 4: Like, Jota talked in the review and everything. Then it
- 1:35:59Speaker 4: was rude. But he answered like this, one day God
- 1:36:02Speaker 4: will bless, man. I don't know when. I said, no,
- 1:36:08Speaker 4: it has to be this year. We're going to put
- 1:36:10Speaker 4: a schedule in São João, it has to be this year.
- 1:36:12Speaker 4: Now he messed with my word. He's a friend, he's
- 1:36:15Speaker 4: my partner. But that gave me a place to work.
- 1:36:18Speaker 4: I said, no, where is the schedule? It's fucked. And
- 1:36:21Speaker 4: he was fucked. He was fucked, he didn't talk to
- 1:36:24Speaker 4: the group anymore. And I felt it too, and I too.
- 1:36:27Speaker 2: But it was a problem.
- 1:36:28Speaker 7: But it was a very complex thing, that's why it
- 1:36:31Speaker 7: was God's will.
- 1:36:31Speaker 2: There was this.
- 1:36:35Speaker 2: There were a lot of things going wrong.
- 1:36:37Speaker 1: And we never put God in our.
- 1:36:38Speaker 7: We always prayed, we always asked God for forgiveness, but
- 1:36:41Speaker 7: we never put God to lead the project. And on
- 1:36:43Speaker 7: that day, before we released it, we did the test too,
- 1:36:44Speaker 7: listening to the sound. We were very confident and we
- 1:36:47Speaker 7: put God in everything, man.
- 1:36:58Speaker 4: No, that day when you got home, you sent me
- 1:37:00Speaker 4: this video.
- 1:37:00Speaker 2: No, that's when we recorded the audiovisual. That's the video
- 1:37:03Speaker 2: he sent.
- 1:37:03Speaker 4: Me when he got home. We recorded the audiovisual, the project.
- 1:37:05Speaker 4: Listen to that.
- 1:37:06Speaker 1: For everything. We just prayed, you know? That's the video
- 1:37:08Speaker 1: you sent him.
- 1:37:11Speaker 2: I think God will allow it.
- 1:37:14Speaker 6: It was before you prayed that, my brother.
- 1:37:21Speaker 1: I think we live in our moment now.
- 1:37:22Speaker 2: You know it from the heart, right? I know I
- 1:37:29Speaker 2: messed up a lot of times, but like.
- 1:37:30Speaker 1: I need you to.
- 1:37:33Speaker 7: Understand, I'm fine, right, bro? There are times when we
- 1:37:35Speaker 7: get crazy about life, but... I'm determined, I'm happy, it's
- 1:37:39Speaker 7: already started. I don't want to say much, bro. I
- 1:37:40Speaker 7: just know that I want to live this and I'm
- 1:37:44Speaker 7: going to live it, bro. God will allow me to
- 1:37:47Speaker 7: live this, bro. God won't let me go anymore.
- 1:37:50Speaker 4: That's great, bro.
- 1:37:51Speaker 1: That's great, bro.
- 1:37:57Speaker 7: So, a little step, but thank you very much for everything, man.
- 1:38:02Speaker 7: One more chance that you gave me. I know I
- 1:38:05Speaker 7: didn't deserve it, but I know you always exist.
- 1:38:08Speaker 6: And this time I'm going to make it worth it, man.
- 1:38:13Speaker 4: Damn.
- 1:38:13Speaker 6: So, CD released.
- 1:38:14Speaker 2: How long?
- 1:38:15Speaker 1: 15 days. 15 days.
- 1:38:16Speaker 6: Two weeks?
- 1:38:17Speaker 4: Man, 15 days. Like, it's not that it exploded, but
- 1:38:20Speaker 4: 15 days we've seen it like this. And this CD
- 1:38:22Speaker 4: is different.
- 1:38:23Speaker 2: That it was going to.
- 1:38:24Speaker 4: Then I said, now I'm going to use all my strength,
- 1:38:26Speaker 4: Then I went to the ranch. I started to put
- 1:38:30Speaker 4: the CD there, but I put it there and I
- 1:38:33Speaker 4: left the ranch of Maia, right? So no one would
- 1:38:36Speaker 4: even know it was me. Because, I don't know, maybe
- 1:38:39Speaker 4: someone fights. Let it play, let it play. And then,
- 1:38:41Speaker 4: my brother, the influencers all liking the thing. Soon, man,
- 1:38:45Speaker 4: Carlinhos put it, man. He put it on, he got
- 1:38:48Speaker 4: it and put it on. It was connected to his Bluetooth.
- 1:38:49Speaker 4: I thought it was Franklin, right? Because I passed and
- 1:38:53Speaker 4: I said, fuck! Soon, when I was going, Franklin came
- 1:38:55Speaker 4: and I said, what was it, bro? I said, it
- 1:38:58Speaker 4: wasn't you who put it on. Damn, bro, he put
- 1:39:00Speaker 4: it on, he liked it. I said, fuck! Then, like this,
- 1:39:03Speaker 4: we started trying... It started to viralize with trend, right?
- 1:39:06Speaker 4: It started to try, one, another song, the autoral, we
- 1:39:10Speaker 4: hit a lot on the autoral, soon... Before the autoral,
- 1:39:12Speaker 4: there was another.
- 1:39:14Speaker 2: One that was the best. The best version was.
- 1:39:16Speaker 7: It started and said, wow, this is the song of
- 1:39:19Speaker 7: the project, when we feel the thermometer, when we throw it,
- 1:39:22Speaker 7: we feel the thermometer, see which one is working the
- 1:39:23Speaker 7: most for me, we will work. Then it started to
- 1:39:25Speaker 7: hit one, then hit another, then hit another, and at
- 1:39:27Speaker 7: the end of it all it was... It was.
- 1:39:30Speaker 2: Wow, that hit a lot, man.
- 1:39:32Speaker 4: Man, and at the time, it was Autoral that hit,
- 1:39:35Speaker 4: then it hit the best version, then it hit 12 hours. Then,
- 1:39:38Speaker 4: out of nowhere, Dundera 1 went through everything, like, boom,
- 1:39:41Speaker 4: it exploded, surreal.
- 1:39:42Speaker 1: It was supposed to be, right?
- 1:39:43Speaker 2: It hit the world, man. It hit the world on Spotify.
- 1:39:46Speaker 4: It hit the top 50 world.
- 1:39:49Speaker 6: And how crazy, you can't imagine, right? Because you're 20
- 1:39:53Speaker 6: years old, man. When I first heard Dunderarinho, I think
- 1:39:56Speaker 6: it was Bruno Marrone's voice.
- 1:39:57Speaker 1: I'm crazy.
- 1:39:58Speaker 2: He's 14 years old. You know?
- 1:39:59Speaker 6: The song is almost your age. How can you trust
- 1:40:05Speaker 6: that it's good, you know?
- 1:40:06Speaker 1: It's very crazy, you can't explain it, right? But now,
- 1:40:10Speaker 1: knowing this story, there's a... Oh, right. It's God, right, bro?
- 1:40:12Speaker 7: And on the day I sent this video, we recorded
- 1:40:14Speaker 7: the project.
- 1:40:15Speaker 2: And he said, bro, go home. I said, I'm fine, bro.
- 1:40:19Speaker 4: I'm going home. He said, no, don't go to the street.
- 1:40:21Speaker 4: Go home, bro.
- 1:40:21Speaker 7: I finished, I recorded now, it worked out here. Let's
- 1:40:23Speaker 7: wait there. I arrived, I started to pray, pray, pray.
- 1:40:26Speaker 7: I prayed, I was delivered to God. I said, God,
- 1:40:30Speaker 7: if it's to live... When I told him that, I
- 1:40:33Speaker 7: told God, bro. I said, if it's to live now,
- 1:40:34Speaker 7: give me music. I want it now. The Lord has
- 1:40:37Speaker 7: to give me now, because I want it now.
- 1:40:39Speaker 4: I'm dedicated now, it's not later.
- 1:40:40Speaker 7: I want it now and I'm going to live it.
- 1:40:43Speaker 7: If the Lord allows me to live, I'm going to
- 1:40:44Speaker 7: live it. Then God touched my heart. I sent this
- 1:40:46Speaker 7: video to him there, because... One day he said, man,
- 1:40:48Speaker 7: this is the last chance, the last CD. If it
- 1:40:50Speaker 7: doesn't hit now, unfortunately, it's over. Brother, and that day
- 1:40:53Speaker 7: I was already.
- 1:40:54Speaker 4: Lying here to sleep with my wife. I showed her
- 1:40:57Speaker 4: the video. Then she looked at me and we said
- 1:41:00Speaker 4: at the same time, let's pray too? Then I said, God,
- 1:41:02Speaker 4: what was it that you put this boy five years
- 1:41:05Speaker 4: into my life? God, I believe that there is a purpose.
- 1:41:07Speaker 4: That it's not for me to waste my time. Because
- 1:41:10Speaker 4: I didn't understand. God, I want it now too. In
- 1:41:12Speaker 4: the same way, I want it to hit now, if
- 1:41:14Speaker 4: it happens. I didn't want to waste my time, so
- 1:41:17Speaker 4: I did it. We spent five months, there were two
- 1:41:19Speaker 4: shows in five months. In the other month there were 20,
- 1:41:21Speaker 4: then in the other month there were 40, and in
- 1:41:23Speaker 4: the other.
- 1:41:24Speaker 7: And when you asked about the preparation... Yes.
- 1:41:26Speaker 2: There was no preparation.
- 1:41:27Speaker 7: I came from the music, I was already doing shows,
- 1:41:30Speaker 7: I was already... But I was a while without doing shows,
- 1:41:33Speaker 7: and the first month I broke was in May. I
- 1:41:37Speaker 7: already did 20 shows in May, in the other month
- 1:41:40Speaker 7: I did 40.
- 1:41:40Speaker 1: Fuck! Then it came.
- 1:41:42Speaker 7: I remember there were 25 shows. Then I asked, what's up?
- 1:41:46Speaker 7: Put two more. My husband here, I said, put 27.
- 1:41:50Speaker 7: And then, another one is appearing here.
- 1:41:52Speaker 2: Boom, put. Three more, put. When it came to 35, boy,
- 1:41:57Speaker 2: it's tight. It's tight. It's tight in my mind, boy,
- 1:41:59Speaker 2: it's tight. I'm going to be dry, bro. I said, bro.
- 1:42:03Speaker 2: I'm going to be dry.
- 1:42:04Speaker 6: Wow, we broke the....
- 1:42:08Speaker 3: Whatever you have there, you can put it.
- 1:42:11Speaker 2: Whatever you have there, you can put it.
- 1:42:14Speaker 7: 37.
- 1:42:14Speaker 2: Man, two more here. Put it.
- 1:42:15Speaker 4: But there was a moment when the first day came
- 1:42:18Speaker 4: and he was like, Dad, what the fuck is this, man?
- 1:42:21Speaker 4: It's too much show, man.
- 1:42:24Speaker 2: I said, it's 30 days only in the middle, it's 40,
- 1:42:26Speaker 2: it's 10 shows more.
- 1:42:26Speaker 4: I said, my God.
- 1:42:27Speaker 2: Then I put a phone.
- 1:42:31Speaker 4: On the road.
- 1:42:32Speaker 2: But thank God, bro.
- 1:42:33Speaker 4: He came to Salvador just to take vitamins. Thank God
- 1:42:36Speaker 4: I was able.
- 1:42:37Speaker 2: To complete the 40. He came to take a gestation, Franzinho.
- 1:42:39Speaker 1: Complete the 40. Take a B12. Man, and like that,
- 1:42:41Speaker 1: we saw the news like that.
- 1:42:42Speaker 4: These guys, I'm not going to say names, but like that,
- 1:42:46Speaker 4: a lot of people who found you canceled two because
- 1:42:48Speaker 4: they felt bad and I don't know what.
- 1:42:50Speaker 2: And the people use it a lot.
- 1:42:52Speaker 7: And he's scared. People use corticoid a lot, bro, in
- 1:42:55Speaker 7: the vein. Like, to get hoarse, the voice loses. Man,
- 1:42:57Speaker 7: the voice is barrio, bro. If you don't take care,
- 1:43:00Speaker 7: you lose. It's not like, please vote for Alex, turn
- 1:43:03Speaker 7: on the voice. Forget it, you won't vote. Then the
- 1:43:07Speaker 7: people use it a lot in the veia. And then
- 1:43:09Speaker 7: it comes back. Man, I couldn't, I didn't use anything.
- 1:43:11Speaker 7: I completed the 40 shows, I just got sick and
- 1:43:13Speaker 7: there are 5 left.
- 1:43:16Speaker 6: But you delivered it.
- 1:43:18Speaker 2: I was like this on the bus. Then when I
- 1:43:21Speaker 2: got there, it wasn't zero. How did you get there?
- 1:43:23Speaker 4: It didn't happen, I just got sick, I was missing five.
- 1:43:28Speaker 2: It's because I have to remember what the guy remembers.
- 1:43:31Speaker 4: I was missing five.
- 1:43:32Speaker 7: I said, man, I'm going to miss these five, it's
- 1:43:34Speaker 7: not possible. I was weak, man, I had a fever.
- 1:43:36Speaker 7: Then I took the meds like this, right? Of flu
- 1:43:39Speaker 7: and stuff. But also when I got off the bus,
- 1:43:41Speaker 7: my brother, it seems that God said like this, take
- 1:43:43Speaker 7: my son, all the strength of the world for you.
- 1:43:44Speaker 1: That's what you asked for, brother.
- 1:43:46Speaker 2: Take it here, look.
- 1:43:47Speaker 7: I got in bed, I couldn't take a picture, I
- 1:43:49Speaker 7: did the show the same way, the same delivery, thanks
- 1:43:51Speaker 7: to God, being the most expected attraction of the place,
- 1:43:53Speaker 7: a very big responsibility. Everyone just talked to me like this,
- 1:43:56Speaker 7: I said, bro, I need to have gas here, even sick,
- 1:43:57Speaker 7: I need, I need to go. But I also finished
- 1:44:00Speaker 7: the show, I just wanted to go, I took more
- 1:44:02Speaker 7: than 20 pictures like this, because I also didn't have time,
- 1:44:05Speaker 7: I took more than 20 pictures. And I said, man,
- 1:44:09Speaker 7: I need to go to the bus, I'm not well.
- 1:44:12Speaker 7: Then there were four left. I just know that on
- 1:44:15Speaker 7: the last day I did four shows, man, in one day.
- 1:44:17Speaker 7: My first show was two o'clock in the afternoon. And
- 1:44:20Speaker 7: the last one? Four in the morning.
- 1:44:22Speaker 1: The first two in the afternoon.
- 1:44:24Speaker 7: The last four in the morning, being that I came
- 1:44:27Speaker 7: from three shows the other day, stopping at seven in
- 1:44:30Speaker 7: the morning. We had a base that was on the fair,
- 1:44:32Speaker 7: the hotel, we didn't go back to Salvador, we stayed
- 1:44:34Speaker 7: a month away. We stayed at this bar and we
- 1:44:36Speaker 7: only went to have coffee, because the last time I
- 1:44:38Speaker 7: came at dawn, I would have coffee, take a shower
- 1:44:41Speaker 7: and leave.
- 1:44:42Speaker 2: 8am again to start again. I would do 3 shows,
- 1:44:43Speaker 2: 3 shows, 2 shows, 3, 2.
- 1:44:44Speaker 4: No, bro, I want this.
- 1:44:45Speaker 1: For my life.
- 1:44:45Speaker 4: I would say, fuck, it's good. He would say, bro,
- 1:44:48Speaker 4: I'm not in the mother here, I'm pretending that I'm drinking. Bro,
- 1:44:51Speaker 4: and today, whether you like it or not, I'm not chubby, right?
- 1:44:55Speaker 2: If you look at me, you won't see that I'm chubby.
- 1:44:58Speaker 2: You can't say. Then you think about the past, brother,
- 1:45:00Speaker 2: it was like this. But, skinny? The mayors would come
- 1:45:03Speaker 2: and say.
- 1:45:09Speaker 2: He's here.
- 1:45:10Speaker 3: For everything that is most sacred in my life.
- 1:45:15Speaker 2: He's the artist. He's the one who's being the most awaited.
- 1:45:18Speaker 2: It's Maguinho, right?
- 1:45:19Speaker 4: It's me, I know, dog.
- 1:45:20Speaker 2: The arms would do like this. If I did it
- 1:45:22Speaker 2: like this, I would fall. Then he would buy a
- 1:45:25Speaker 2: PP shirt and send me to press it, bro.
- 1:45:28Speaker 4: Man, that's... I saw the video up close, there, with
- 1:45:30Speaker 4: Mítico and Franco. Mítico looked at.
- 1:45:31Speaker 1: Franco and said.
- 1:45:38Speaker 1: Please, Franzino, eat. Eat, eat. You're feeding yourself. It's my
- 1:45:41Speaker 1: fight today, bro. In short.
- 1:45:42Speaker 4: Eat food, bro. Just so you know. Eat bread in
- 1:45:44Speaker 4: the morning, eat lunch at noon.
- 1:45:45Speaker 1: Cuscuzinho.
- 1:45:46Speaker 4: Substance, bro. Before going to bed.
- 1:45:48Speaker 1: You have to eat, bro.
- 1:45:51Speaker 4: He only makes a meal in the morning, he lives
- 1:45:53Speaker 4: like a rat.
- 1:45:54Speaker 7: He used to say, bro, you're dry, you won't be
- 1:45:55Speaker 7: able to make a show like this, bro.
- 1:45:57Speaker 2: He put it on. He put it on. He allowed it.
- 1:45:59Speaker 2: There were five left, but you came to pass.
- 1:46:05Speaker 1: But take care of yourself now, brother. You're already living
- 1:46:08Speaker 1: from it. Amen. God bless you.
- 1:46:10Speaker 2: Now we're more prepared, right?
- 1:46:12Speaker 6: I have questions to ask you to answer faster, can I?
- 1:46:15Speaker 1: Really?
- 1:46:15Speaker 4: Really.
- 1:46:16Speaker 6: Damn, fast. Fast, without thinking. Bahia or Vitória?
- 1:46:22Speaker 4: Bahia. Bahia.
- 1:46:22Speaker 6: Have you cured the phimose?
- 1:46:26Speaker 4: Yes.
- 1:46:27Speaker 2: What the fuck.
- 1:46:30Speaker 4: Is this, man?
- 1:46:31Speaker 2: The guy has to answer.
- 1:46:35Speaker 4: Did you really take it off? I didn't know it
- 1:46:37Speaker 4: was a film, I don't have to talk about it.
- 1:46:39Speaker 2: Postectomy, bro, you put the wrong word there.
- 1:46:41Speaker 6: What's the name?
- 1:46:43Speaker 2: Postectomy.
- 1:46:44Speaker 4: Postectomy, let me see. I didn't even know what it was, bro.
- 1:46:47Speaker 4: I was just a kid, my mother made it for me.
- 1:46:48Speaker 4: Thank you, Dona Isabel Cristina.
- 1:46:50Speaker 2: I love you.
- 1:46:50Speaker 7: I went here, I went to a TV station here
- 1:46:52Speaker 7: in São Paulo that posted at.
- 1:46:53Speaker 1: The time, bro.
- 1:46:54Speaker 2: That I posted one day, I said, look, I'm going
- 1:46:56Speaker 2: to retire here, right?
- 1:46:58Speaker 7: I'm going to do a postectomy process here.
- 1:47:02Speaker 2: Rapaz, uma TV de São Paulo aqui postou, pós-tecnomia não,
- 1:47:05Speaker 2: é fimose. Aí na televisão, mano. Pô, eu mal.
- 1:47:11Speaker 6: Você falou isso na TV?
- 1:47:12Speaker 1: Não, eles postaram.
- 1:47:14Speaker 4: Ele foi falar pós-tecnomia, pô.
- 1:47:17Speaker 6: O cara vai falar.
- 1:47:17Speaker 4: O cara que pós-tecnomia só fez fimose no popular falando.
- 1:47:21Speaker 2: Tinha que ficar de resguardo, né, mano? For at least
- 1:47:26Speaker 2: a week.
- 1:47:26Speaker 6: For at least a month.
- 1:47:28Speaker 4: 40 days, man. It's a month.
- 1:47:29Speaker 2: A month without practicing sports.
- 1:47:31Speaker 6: And that sport you know what I'm talking about.
- 1:47:35Speaker 4: Yeah, man.
- 1:47:35Speaker 6: A month without eating cookies. But, you know.
- 1:47:38Speaker 1: You ate? No.
- 1:47:38Speaker 6: You broke everything. Man, with the show, doing the show.
- 1:47:42Speaker 4: You got involved with a person who is married today,
- 1:47:45Speaker 4: you can't say, but you got involved. And I'm also married,
- 1:47:47Speaker 4: it's liberation.
- 1:47:47Speaker 6: Get out.
- 1:47:48Speaker 2: Look, let me tell you.
- 1:47:55Speaker 2: With that, the guy had to.
- 1:47:56Speaker 7: Rest for at least a week to be able to
- 1:47:58Speaker 7: walk there. I had to do this show for four days, bro.
- 1:48:01Speaker 4: Four days.
- 1:48:02Speaker 2: Then I was going to cry. I had to talk, man.
- 1:48:06Speaker 6: I had to talk to the people.
- 1:48:07Speaker 4: And everyone already knew, bro.
- 1:48:08Speaker 2: There's no talking.
- 1:48:09Speaker 7: Then the interviews, it wasn't about me singing what song
- 1:48:11Speaker 7: with this expectation.
- 1:48:12Speaker 2: It was, and then, how are the girls?
- 1:48:20Speaker 4: It?
- 1:48:20Speaker 1: Did you get to do the meia?
- 1:48:22Speaker 7: But I entered the wave, I entered the wave, because
- 1:48:25Speaker 7: the guys liked the review.
- 1:48:26Speaker 2: But then on the show, on the show, I was talking.
- 1:48:28Speaker 2: I woke up, I was sitting.
- 1:48:29Speaker 4: In a doctor, I came to do a postectomy, I said, fuck,
- 1:48:32Speaker 4: you're going to do something in the voice, you gave
- 1:48:34Speaker 4: some shit. Soon we were with the avental too much,
- 1:48:36Speaker 4: I said, man, a lot of avental. Then I said...
- 1:48:40Speaker 4: I don't know what. I said, man, there's a lot
- 1:48:42Speaker 4: of skin.
- 1:48:42Speaker 2: I mean, it's clean in the shibata.
- 1:48:44Speaker 4: Can I make a half? The rest is left. Ivete
- 1:48:46Speaker 4: Sangalo or Taylor Swift?
- 1:48:48Speaker 2: Ivete Sangalo.
- 1:48:49Speaker 4: Ivete Sangalo, man.
- 1:49:04Speaker 6: Leo Santana or Joe Lennon?
- 1:49:05Speaker 2: Leo Santana.
- 1:49:06Speaker 6: That's it.
- 1:49:07Speaker 5: What would you do if you only had one more
- 1:49:10Speaker 5: hour of your life?
- 1:49:12Speaker 2: Man, I'd stay with my mom.
- 1:49:15Speaker 4: I think hugging my family. I think I'd.
- 1:49:17Speaker 1: Commit all possible crimes.
- 1:49:18Speaker 6: Really?
- 1:49:18Speaker 4: Really?
- 1:49:19Speaker 2: No, I just said it.
- 1:49:21Speaker 1: To be funny.
- 1:49:22Speaker 6: I don't think I'd have the courage.
- 1:49:23Speaker 1: But just one hour?
- 1:49:24Speaker 2: Just one hour.
- 1:49:25Speaker 6: Just one hour with my mom.
- 1:49:27Speaker 4: I'd like to stay....
- 1:49:32Speaker 6: On the other side of the myth, it's only one hour.
- 1:49:35Speaker 1: Seriously? That sucks. I'm leaving, it's your fault.
- 1:49:39Speaker 6: Make him feel bad.
- 1:49:42Speaker 2: Fuck, I'm going to feel bad for sure.
- 1:49:43Speaker 4: Tell us, Mitch.
- 1:49:44Speaker 1: Tell us. Why? It's my fault, damn it. Just to
- 1:49:46Speaker 1: do evil. Fuck.
- 1:49:48Speaker 6: A baiano who doesn't have a mole.
- 1:49:51Speaker 2: Kidding.
- 1:49:51Speaker 6: What would you do if you were hard tomorrow?
- 1:49:54Speaker 1: What?
- 1:49:54Speaker 6: What would you do if you were hard tomorrow?
- 1:49:56Speaker 2: Work everything again. Three best tours of Bahia. Three best
- 1:50:29Speaker 2: slang that we use the most. The one you.
- 1:50:31Speaker 1: Like the most to use.
- 1:50:33Speaker 2: Differentiated.
- 1:50:34Speaker 7: Yeah.
- 1:50:34Speaker 4: From Bahia.
- 1:50:34Speaker 6: I see everything, less animals. I see everything, less animals.
- 1:50:41Speaker 4: Yeah?
- 1:50:42Speaker 1: What does that mean?
- 1:50:43Speaker 4: I see everything, less animals. I see everything, but I'm
- 1:50:47Speaker 4: not afraid of anything. I see.
- 1:50:49Speaker 1: If you see me, Christian Bale, start talking this.
- 1:50:51Speaker 4: Shit, I'm very stressed already wanting to fight. I like
- 1:50:54Speaker 4: it for sure. Man, I'm for sure. If I'm talking this,
- 1:50:56Speaker 4: I'm at the level of stress. You're traveling too. You're traveling?
- 1:51:01Speaker 4: You're traveling. What was it? You're traveling? You're traveling, yeah.
- 1:51:05Speaker 1: And there he.
- 1:51:11Speaker 1: Laelê also has to.
- 1:51:13Speaker 6: Laelê became.
- 1:51:14Speaker 4: Laelê wasn't that bad, right?
- 1:51:15Speaker 2: No, bro, but you have to protect yourself.
- 1:51:17Speaker 4: But Laelê wasn't that bad, bro.
- 1:51:18Speaker 2: But it's a gíria da Bahia.
- 1:51:19Speaker 4: Laelê exploded outside of Bahia. You started calling him Laelê.
- 1:51:23Speaker 4: Then we had to use it there, bro. But it
- 1:51:26Speaker 4: wasn't the same thing that we used. It was, for example...
- 1:51:29Speaker 4: Then there are people who talk like that, rude. Then
- 1:51:30Speaker 4: people say, Laelê. But it wasn't like that, bro. Laelê
- 1:51:34Speaker 4: was in the heaviest cases, like that, talking like that.
- 1:51:36Speaker 6: When the person was talking on purpose.
- 1:51:38Speaker 4: No, a thing like that, bro, for example... O cara
- 1:51:41Speaker 4: falou sem querer, assim, deu uma sentada na grossa. Isso é...
- 1:51:43Speaker 4: Tinha que.
- 1:51:44Speaker 2: Falar mesmo a parada.
- 1:51:46Speaker 7: Tipo, deu a entender mesmo, não é.
- 1:51:48Speaker 2: Qualquer coisa.
- 1:51:49Speaker 4: Ah, não sei o que é que é atrás, aí.
- 1:51:51Speaker 4: Aí vocês falam, ah, não sei o que é que
- 1:51:52Speaker 4: é chegar por trás. Isso aí não era Laele, pô.
- 1:51:55Speaker 1: O Laele virou banal, virou qualquer coisa.
- 1:51:57Speaker 4: O Laele virou muito banal depois que estourou no Brasil.
- 1:51:59Speaker 4: Ficou chato. Ficou chato. Porque aí eu tenho que toda
- 1:52:01Speaker 4: hora falar Laele, porque o pessoal, ah, baiano, qual foi, Laele, baiano.
- 1:52:05Speaker 4: Você de lá, eu falo, ah, mas lá a gente
- 1:52:07Speaker 4: nem usava.
- 1:52:07Speaker 1: I see.
- 1:52:08Speaker 4: But, bro.
- 1:52:09Speaker 6: We are against him.
- 1:52:09Speaker 7: And the swear word that I use too, the swear word,
- 1:52:12Speaker 7: that I use for any baiano.
- 1:52:15Speaker 2: Edith.
- 1:52:15Speaker 6: You don't say it, it's a swear word.
- 1:52:17Speaker 4: No, man, you can't say it all the time.
- 1:52:18Speaker 1: This word doesn't let me say it either.
- 1:52:20Speaker 2: But the baiano uses it all the time.
- 1:52:22Speaker 4: It depends too.
- 1:52:23Speaker 2: Use it, bro, use it.
- 1:52:24Speaker 4: I don't say it, just to intimidate, as I'm saying,
- 1:52:27Speaker 4: by the way, the name of Laela, the name of Pelada,
- 1:52:30Speaker 4: because there we say, the swear word is the name
- 1:52:33Speaker 4: of Laela, the name of Pelada. Like, if you get
- 1:52:36Speaker 4: inside the house.
- 1:52:36Speaker 2: I don't understand.
- 1:52:37Speaker 6: Calm down.
- 1:52:39Speaker 4: Like, let's suppose you're here in the living room, you
- 1:52:43Speaker 4: took a nap, your mom is in the kitchen, you
- 1:52:45Speaker 4: took a nap and you... Then your mom comes like this...
- 1:52:48Speaker 4: You're calling the name of the naked girl inside the house?
- 1:52:52Speaker 4: Your Laela. To not curse you. Laela is Disgra.
- 1:52:58Speaker 1: Which is the name of the naked girl.
- 1:52:59Speaker 4: Which is the name of the naked girl too.
- 1:53:02Speaker 1: Que pelada?
- 1:53:03Speaker 4: A pelada é... Ninguém sabe o que é a pelada.
- 1:53:07Speaker 6: Mas tá lá. Tá sendo falado.
- 1:53:09Speaker 4: É o nome da pelada, entendeu? Desgra... É o nome ruim.
- 1:53:12Speaker 1: Entendi.
- 1:53:13Speaker 4: Tipo assim... Aí fala assim... Desgra... Para de chamar o
- 1:53:17Speaker 4: nome da pelada toda hora, sua laela. E os dois
- 1:53:20Speaker 4: tem o mesmo sentido, só que só não é o nome.
- 1:53:22Speaker 4: É difícil de explicar. Mas eu... Eu gosto de... For sure. Man,
- 1:53:29Speaker 4: I'm for sure. That's what I say the most. For sure.
- 1:53:32Speaker 4: You have to be for sure. I like to... Are
- 1:53:35Speaker 4: you seeing animals? It's with me. Don't see animals. Who's
- 1:53:38Speaker 4: seeing animals, bro?
- 1:53:40Speaker 1: Like Chacal.
- 1:53:41Speaker 4: And get the vision. Get the vision of the stuff.
- 1:53:43Speaker 4: It's my three. What are your three, man? Yeah, bro.
- 1:53:47Speaker 2: It's like that, bro.
- 1:53:48Speaker 1: No.
- 1:53:49Speaker 2: Fuck.
- 1:53:49Speaker 4: You have to copy, bro. You have to have personality, man.
- 1:53:52Speaker 6: You didn't say it here, bro.
- 1:53:53Speaker 4: I said it.
- 1:53:55Speaker 6: But in Bahia you don't really say the letter U.
- 1:54:00Speaker 2: No, we don't always end up like this.
- 1:54:01Speaker 7: We don't always end up like this.
- 1:54:05Speaker 6: You're almost creating a new dialect.
- 1:54:08Speaker 4: But there it is.
- 1:54:10Speaker 2: It's a bivis.
- 1:54:11Speaker 4: It's a bivis.
- 1:54:11Speaker 1: Urubivis.
- 1:54:12Speaker 4: Urubivis.
- 1:54:13Speaker 1: Urubivis.
- 1:54:14Speaker 4: Because there will always be a gaiata.
- 1:54:15Speaker 2: Camamivis.
- 1:54:16Speaker 7: But then you say, I'm going to Camamu. Camamu is
- 1:54:19Speaker 7: the name of the place, I'm going to Camamu.
- 1:54:21Speaker 2: It's too heavy.
- 1:54:22Speaker 4: Aracaju, man.
- 1:54:24Speaker 2: Aracajives.
- 1:54:26Speaker 4: I've never stepped on aracajives to not say aracajives, man.
- 1:54:29Speaker 4: And the people of the village, stop saying aracajives, the
- 1:54:32Speaker 4: name is aracaju. I say, man, I miss it.
- 1:54:33Speaker 6: Then the guy goes, how did you say that?
- 1:54:36Speaker 4: I say, yeah, man, if you had a tubaiana here,
- 1:54:39Speaker 4: it would be really cool. It's automatic, right? It's automatic.
- 1:54:42Speaker 1: But let's go there.
- 1:54:46Speaker 6: Suponhamos que somos todos baianos e estamos numa roda só
- 1:54:49Speaker 6: de baianos.
- 1:54:50Speaker 5: Alguém falou, vai, vamos supor que eu dei mó brecha.
- 1:54:53Speaker 5: Aí o cara falou, ah, não sei o que, peraí.
- 1:54:55Speaker 4: Beleza.
- 1:54:56Speaker 5: Eu falo, tá, só não liguei. Will the guys still
- 1:54:59Speaker 5: be making fun of me because I.
- 1:55:00Speaker 2: No.
- 1:55:01Speaker 4: No, no.
- 1:55:02Speaker 6: But, guys, because I see that you take it seriously.
- 1:55:05Speaker 4: Man, it depends on the moment. Let's suppose that we're
- 1:55:07Speaker 4: talking about death.
- 1:55:08Speaker 7: Okay.
- 1:55:08Speaker 4: Then the guy says, Aracaju, I love it because the
- 1:55:10Speaker 4: weather is... But if we're in the farm, in the farm...
- 1:55:12Speaker 4: I got it, I got it.
- 1:55:14Speaker 7: It's easier for the Baianos to joke around here, to
- 1:55:16Speaker 7: joke around and not go to him.
- 1:55:18Speaker 2: It's not to joke around.
- 1:55:19Speaker 4: Yeah, man, to keep joking around.
- 1:55:21Speaker 2: That's it.
- 1:55:22Speaker 4: You know?
- 1:55:22Speaker 7: But let's suppose in another moment, in another occasion, if
- 1:55:25Speaker 7: the guy boiasse, then the guy has to defend himself.
- 1:55:27Speaker 1: Yeah, man.
- 1:55:28Speaker 2: It's not any time. We will stay.
- 1:55:29Speaker 4: You say the time has fallen... Even because, imagine.
- 1:55:30Speaker 2: No, but if you say something very... Like, you say
- 1:55:32Speaker 2: like this.
- 1:55:32Speaker 6: With your mouth.
- 1:55:32Speaker 4: Very full, right?
- 1:55:33Speaker 2: You say like this.
- 1:55:33Speaker 4: Dude, you're crazy, bro.
- 1:55:34Speaker 6: .
- 1:55:43Speaker 4: .
- 1:55:46Speaker 2: .
- 1:55:49Speaker 4: .
- 1:55:52Speaker 6: .
- 1:55:55Speaker 7: I'm not going to be a hypocrite, man. Imagine,
- 1:56:00Speaker 7: you look at France, you see that team there. The
- 1:56:04Speaker 7: guy who said, we're going to let it roll, we're
- 1:56:07Speaker 7: going to support. In Brazil, you have to support with everything,
- 1:56:11Speaker 7: as much as possible. But we also have to know
- 1:56:14Speaker 7: that there are other very strong teams too, man.
- 1:56:16Speaker 2: Man, I.
- 1:56:18Speaker 4: Want to try something different this year. Because all these
- 1:56:22Speaker 4: years I've been putting a lot of faith in Brazil.
- 1:56:24Speaker 4: Last year I went to Qatar, I danced with the gringos,
- 1:56:25Speaker 4: I almost got arrested. I cursed the guys there, the Muslims,
- 1:56:30Speaker 4: I cursed them in Portuguese, because they didn't understand anything.
- 1:56:34Speaker 4: I gave them a kick, I was there behind the goal, bro,
- 1:56:36Speaker 4: when Neymar scored that goal against Croatia, I got mad,
- 1:56:38Speaker 4: because at the same time of screaming so much, Brazil
- 1:56:40Speaker 4: took the goal. Deception, me, old, crying. So, like, I
- 1:56:44Speaker 4: want to think that Brazil will lose, bro. To see
- 1:56:46Speaker 4: if this shit wins. Got it? Good, good tactic.
- 1:56:49Speaker 1: Oh, and Danilo, you know, Danilo is from there, from us,
- 1:56:51Speaker 1: from Salvador.
- 1:56:51Speaker 4: Danilo is crazy, bro. I said to him on the
- 1:56:57Speaker 4: chat today, I said, Pivete, you screwed up a lot,
- 1:57:00Speaker 4: but I want you to show that you.
- 1:57:02Speaker 2: Are a master, all your life. Danilo was crazy, he
- 1:57:04Speaker 2: was drinking with me at parties.
- 1:57:06Speaker 7: Oh, boy!
- 1:57:06Speaker 2: In the past. It's been 10 years. It's been 10 years, right?
- 1:57:10Speaker 4: 10 years, you were 10 years old.
- 1:57:11Speaker 1: Better not to talk.
- 1:57:12Speaker 6: Let's go.
- 1:57:12Speaker 2: Zé Felipe and Virgínia, are they going to come back?
- 1:57:24Speaker 4: Man, what kind of subject did you play there, man?
- 1:57:25Speaker 2: I think it will come.
- 1:57:29Speaker 4: Back.
- 1:57:30Speaker 6: I think it will come back. It's already inducing, okay?
- 1:57:34Speaker 1: You know?
- 1:57:34Speaker 6: I already sang the song there. Brazil wants, right?
- 1:57:37Speaker 2: Brazil wants.
- 1:57:38Speaker 6: Are you crazy?
- 1:57:39Speaker 5: Brazil is crazy because of that. I don't sleep anymore,
- 1:57:41Speaker 5: it's been about... Five months.
- 1:57:43Speaker 4: Man, the thing is the following, it's because it's three children, man.
- 1:57:46Speaker 4: It's the same side as my wife. We can't be separated,
- 1:57:48Speaker 4: we have a child together, man.
- 1:57:49Speaker 1: We'll be together.
- 1:57:51Speaker 4: Imagine, bro.
- 1:57:52Speaker 6: It's a vital contract.
- 1:57:54Speaker 4: Fuck, three kids, how is that possible?
- 1:57:56Speaker 2: Bro, I can speak for myself.
- 1:57:58Speaker 6: Calm down, don't talk back!
- 1:58:00Speaker 2: Don't talk back! No, no, I'm not going to talk
- 1:58:02Speaker 2: about them, I'm talking about myself. Me, me, me, me.
- 1:58:06Speaker 7: I'm not talking about Zé Felipe, I'm not talking about Virgínia.
- 1:58:09Speaker 7: I'm saying that me, having my wife with my children,
- 1:58:13Speaker 7: I broke up with her, she had another relationship, I
- 1:58:16Speaker 7: wouldn't go back with her. Now they, they decide their lives.
- 1:58:21Speaker 1: I doubt it.
- 1:58:24Speaker 4: He, he, he, fuck me. Like, Clara left today, then
- 1:58:26Speaker 4: Clara lived a thing with Pivete, then she comes back.
- 1:58:28Speaker 6: Stop it, forget it.
- 1:58:29Speaker 2: I'm good, man. He comes back.
- 1:58:30Speaker 7: I'm talking to your son, so I'm going to make
- 1:58:32Speaker 7: a son soon.
- 1:58:33Speaker 4: No, calm down.
- 1:58:33Speaker 2: Calm down, girl.
- 1:58:34Speaker 1: Calm down.
- 1:58:35Speaker 4: Come on.
- 1:58:36Speaker 1: Come on.
- 1:58:37Speaker 6: Let me tell.
- 1:58:39Speaker 4: You, you've never watched Tiquetitas, man. Rebels, love surpasses everything, man.
- 1:58:45Speaker 4: We have to start watching soap operas, man. The movies.
- 1:58:48Speaker 4: The happy ending, where the hero wins.
- 1:58:50Speaker 1: That's right.
- 1:58:51Speaker 4: I loved the beginning of that part.
- 1:58:53Speaker 6: Have you never watched Tiki Tita, man?
- 1:58:55Speaker 2: Yeah, man.
- 1:58:56Speaker 4: Cirilo suffered in the end, and he put the ball
- 1:58:59Speaker 4: in the goal, man.
- 1:59:00Speaker 1: That's right.
- 1:59:01Speaker 4: You have to watch soap operas, man. You have to
- 1:59:03Speaker 4: watch Power Ranger. The red one was always with the
- 1:59:05Speaker 4: pink one, man.
- 1:59:06Speaker 2: It's true.
- 1:59:06Speaker 4: It's always going to be these things. So, like, the
- 1:59:08Speaker 4: happy ending will win everything, man. We have to believe
- 1:59:11Speaker 4: in love, in peace, in the energy of the trees.
- 1:59:14Speaker 4: In the sound of the waterfalls. The little children running.
- 1:59:17Speaker 1: Around the house.
- 1:59:18Speaker 2: Daddy, mommy, what a beautiful.
- 1:59:20Speaker 1: Thing, man.
- 1:59:20Speaker 4: You have to think about these things. Man, you've thought.
- 1:59:25Speaker 4: They come back. Look at that. Look at that. Look
- 1:59:32Speaker 4: at that. Look at that. Look at that.
- 1:59:59Speaker 2: You can do anything here.
- 2:00:00Speaker 1: You have to vote, man.
- 2:00:01Speaker 2: He was convinced, he was convinced.
- 2:00:05Speaker 1: Love is a tree, it's Chiquititas, it's RBD. It's Rebelde,
- 2:00:07Speaker 1: it's Nahi, it's Diego, it's Roberto, it's these things, man.
- 2:00:09Speaker 1: You know me, man. I was Diego, man.
- 2:00:11Speaker 4: Are you crazy? You were Diego? I was Diego, man.
- 2:00:14Speaker 4: I was sad that there was no black in Rebelde,
- 2:00:16Speaker 4: I had to be him, right, man? That was the most...
- 2:00:27Speaker 4: Then my sister with the hard hair, she said it
- 2:00:29Speaker 4: was Roberta. Roberta with the red hair, the girl took
- 2:00:33Speaker 4: it and painted her hair with lipstick. It was Isabela,
- 2:00:36Speaker 4: it was Isabela. Then it wasn't Lupita, Isabela was Roberta.
- 2:00:40Speaker 4: Isabela took the lipstick, threw it on her hair to
- 2:00:42Speaker 4: make it red like Roberta. Before my father arrived, she
- 2:00:46Speaker 4: was desperate, she cut her hair.
- 2:00:47Speaker 1: My God.
- 2:00:48Speaker 4: The part where she put the lipstick. Forget it, man.
- 2:00:51Speaker 4: It looked like Vegeta. The hair here, small up like this.
- 2:00:54Speaker 1: Problem, bro.
- 2:00:56Speaker 4: As novelas tem que botar os protagonistas pra serem negros,
- 2:00:59Speaker 4: pra gente se identificar, mano.
- 2:01:01Speaker 1: Com certeza.
- 2:01:01Speaker 4: A gente quer criança, quer negro que assiste a parada, pô,
- 2:01:04Speaker 4: só tem branco lá no protagonista. O negro geralmente é preso, mano.
- 2:01:08Speaker 4: Não tem risada não, mano.
- 2:01:11Speaker 1: Eu fechei a risada.
- 2:01:12Speaker 4: Você deu risada, parceiro. Tá dando risada na parada? Saiu
- 2:01:16Speaker 4: qual era o personagem, mano, que eu tinha que ser, velho? Laranjinha, acerola, mano.
- 2:01:20Speaker 4: Porque eu era negro, tá ligado? Aí na época, meu
- 2:01:23Speaker 4: apelido era esse, mano.
- 2:01:25Speaker 1: And Cirilo too, right?
- 2:01:27Speaker 4: Cirilo is already more advanced, right, bro? But I was
- 2:01:31Speaker 4: Laranjinha and Acerola, the two together, right? It wasn't just one.
- 2:01:34Speaker 4: It wasn't just two. No, stop it.
- 2:01:37Speaker 1: Those guys calling Laranjinha and Acerola, get over here.
- 2:01:39Speaker 4: It was Laranjinha and Acerola. Novelas. Put black protagonists.
- 2:01:44Speaker 6: That's it.
- 2:01:45Speaker 1: Fuck, bro.
- 2:01:46Speaker 4: The black protagonist, who was it?
- 2:01:48Speaker 1: Lázaro Ramos, bro. Ah, it's Brabo, right?
- 2:01:52Speaker 4: Foguinho, man.
- 2:01:53Speaker 1: Foguinho.
- 2:01:53Speaker 6: Damn, I was really inspired by Foguinho.
- 2:01:56Speaker 1: But Foguinho represented it.
- 2:01:57Speaker 4: He represented it. He was the only one I remember.
- 2:01:59Speaker 6: Do you remember Foguinho's kits?
- 2:02:01Speaker 1: Foguinho was funny. Foguinho represented it.
- 2:02:03Speaker 6: Novela da Sete, man.
- 2:02:04Speaker 1: Lazaro Rancho. Lagatos e Pelados. No, no, no.
- 2:02:07Speaker 6: Pobres Lagatos.
- 2:02:08Speaker 1: Pobres Lagatos.
- 2:02:09Speaker 2: Lagatos e Pelados I couldn't watch, no.
- 2:02:11Speaker 4: Lagatos e Pelados.
- 2:02:13Speaker 6: Lagatos e Pelados. Lagatos e Pelados is.
- 2:02:19Speaker 1: But this soap opera was good.
- 2:02:21Speaker 6: The guys were naked, each one with his phone.
- 2:02:22Speaker 4: But this is a lot of talk.
- 2:02:25Speaker 6: It started with the latarinha.
- 2:02:27Speaker 4: It became crazy.
- 2:02:28Speaker 1: My brothers, Coutinho is here at Podpá today.
- 2:02:30Speaker 6: Damn, this is crazy. What a great time. I didn't
- 2:02:33Speaker 6: even see him.
- 2:02:34Speaker 4: In this question, we're leaving. There's no more, man.
- 2:02:37Speaker 2: I liked it. It's cool, right?
- 2:02:44Speaker 6: So, here's the invitation for you to come back.
- 2:02:46Speaker 1: For the love of God, you have to come back.
- 2:02:48Speaker 1: For Turma to come back too.
- 2:02:49Speaker 4: For the love of God.
- 2:02:50Speaker 1: Turma. Oh, my sister.
- 2:02:52Speaker 2: I thought you were going to say Turma.
- 2:02:53Speaker 1: No, Turma.
- 2:02:54Speaker 4: Hey, Pygmy, I couldn't come, but we'll come in the episode.
- 2:02:56Speaker 6: Stay in peace, please. Come back with the man.
- 2:02:58Speaker 2: Man, and when you want to call me all your life,
- 2:03:00Speaker 2: I'll come.
- 2:03:01Speaker 1: You have to come. You have to call.
- 2:03:03Speaker 4: Him Clara, man, with his wife. His accent was very funny,
- 2:03:05Speaker 4: he was very nice. You have to.
- 2:03:07Speaker 1: Bring your whole family, man.
- 2:03:08Speaker 2: Then it's going to be a mess here, my brother.
- 2:03:10Speaker 4: You guys brought my sister, a believer, right?
- 2:03:14Speaker 1: So, next time, let's do it, you three. Let's do it, bro?
- 2:03:17Speaker 2: Let's do it.
- 2:03:18Speaker 1: Fuck, man.
- 2:03:20Speaker 4: She's fucked. She was there in the house.
- 2:03:23Speaker 1: Would she stop here? No, forget it.
- 2:03:25Speaker 4: She's fucked. She came to talk about the word of God.
- 2:03:28Speaker 1: Amen.
- 2:03:29Speaker 4: She's coming, bro. She's coming.
- 2:03:31Speaker 1: But she's going to have to tell the stories of
- 2:03:32Speaker 1: the past. Yeah.
- 2:03:33Speaker 4: Fuck, man.
- 2:03:34Speaker 5: She's not going to have to be alone in the unção, no.
- 2:03:36Speaker 5: She's going to have to remember the time when she
- 2:03:37Speaker 5: wasn't unjida ainda.
- 2:03:39Speaker 4: Yeah.
- 2:03:39Speaker 1: Fuck, man. Her testimony. Yeah, it's good.
- 2:03:43Speaker 4: But I think she tells to inspire other people.
- 2:03:45Speaker 2: She tells, she tells. She's good at it, she's good.
- 2:03:48Speaker 1: The funny stories of you, Pivete, too, must be wonderful.
- 2:03:51Speaker 1: In her vision.
- 2:03:52Speaker 5: Just this little detail that he told, the red hair
- 2:03:55Speaker 5: of Belly, painted in lipstick. My father will come, I
- 2:03:58Speaker 5: cut my hair, it looks like Vegeta's already.
- 2:04:00Speaker 1: How many stories like this should not have?
- 2:04:01Speaker 4: You're crazy, a lot of stories. There was a day
- 2:04:04Speaker 4: that we were remembering these days, we were at home, reviewing,
- 2:04:07Speaker 4: like this, right? We were talking about how much we
- 2:04:10Speaker 4: are united and such, and that fight of who likes
- 2:04:13Speaker 4: it the most. We were remembering a day when there
- 2:04:15Speaker 4: was a shootout, bro. Pa, pa, pa, pa, there was
- 2:04:18Speaker 4: a shootout.
- 2:04:19Speaker 2: Who protects who?
- 2:04:20Speaker 4: Brother, I'm out.
- 2:04:25Speaker 7: Man.
- 2:04:25Speaker 1: Man.
- 2:04:25Speaker 7: Man.
- 2:04:45Speaker 4: I don't know what happened to me, but I forgot
- 2:04:48Speaker 4: that I had family. I ran a lot.
- 2:04:50Speaker 6: It's survival, right?
- 2:04:51Speaker 7: I was a kid.
- 2:04:51Speaker 4: I was afraid of taking a shot, dying, and my
- 2:04:54Speaker 4: mom hitting me. I was afraid of that. If I die,
- 2:04:57Speaker 4: my mom will break me. I was a kid. Very good.
- 2:04:59Speaker 4: If you liked it, leave your like, subscribe to the channel,
- 2:05:02Speaker 4: follow Teuzinho on social.
- 2:05:04Speaker 1: Media, it's in the description.
- 2:05:06Speaker 6: Go to the shows.
- 2:05:12Speaker 1: For God's sake.
- 2:05:12Speaker 2: Follow Christian Bell.
- 2:05:14Speaker 5: On social media. It's in the description. It's a beautiful friendship.
- 2:05:17Speaker 5: You guys are family.
- 2:05:19Speaker 6: What a wonderful story.
- 2:05:20Speaker 1: Congratulations.
- 2:05:23Speaker 6: Mítico Jovem, make the honors at home.
- 2:05:26Speaker 1: Let's go, guys.
- 2:05:26Speaker 3: Leave your like and subscribe to Podpá. One to ten million.
- 2:05:30Speaker 3: This week there are four podcasts, see?
- 2:05:33Speaker 6: Mítico Jovem, tomorrow there's a premiere of Fala de Cobertura.
- 2:05:35Speaker 1: What is this? Our program is sensational. Wonderful. Today we
- 2:05:39Speaker 1: had O Grande Sonho, you'll watch it too.
- 2:05:41Speaker 3: There's a lot, man. Look at our agenda, there's a
- 2:05:43Speaker 3: lot of program. There's a Podpá Record too. It's being
- 2:05:46Speaker 3: recorded at the same time. It's recording the base down there.
- 2:05:50Speaker 1: We're together. Do you want to say one last thing
- 2:05:52Speaker 1: before we go to the show?
- 2:05:53Speaker 4: I want to thank you once again for opening your
- 2:05:56Speaker 4: doors for us. Thank you. For you to give this moral, right?
- 2:06:28Speaker 4: I'm very happy to come here with Teozinho, who is
- 2:06:32Speaker 4: my artist, who is a pivete. We've been breaking barriers, man.
- 2:06:36Speaker 4: I think I'm the first influencer to have a singer
- 2:06:39Speaker 4: blown up in Brazil.
- 2:06:41Speaker 1: So young. Got it?
- 2:06:42Speaker 4: It's very difficult to get support in this market. I'm
- 2:06:47Speaker 4: fighting there. Thank God we've been winning. And you're opening
- 2:06:51Speaker 4: doors and helping me in the career of this pivete,
- 2:06:53Speaker 4: who is a dreamer. In mine too. So thank you
- 2:06:56Speaker 4: very much. You at home, thank you very much for
- 2:06:59Speaker 4: the audience, for every like, every play you play, you
- 2:07:03Speaker 4: don't know how much you help us. And you are
- 2:07:06Speaker 4: my home.
- 2:07:07Speaker 1: I already feel part of your life.
- 2:07:09Speaker 4: If you want, one day I'll have something here.
- 2:07:13Speaker 7: Amen.
- 2:07:13Speaker 2: And it's coming in the vaquejada.
- 2:07:15Speaker 1: This is what we're most looking forward to. When is it?
- 2:07:17Speaker 1: End of the year? September. I think in the first
- 2:07:20Speaker 1: week of September. Do you want to say one last thing?
- 2:07:24Speaker 7: I just want to thank you guys for the opportunity.
- 2:07:27Speaker 7: Thank you guys for watching. I hope you guys enjoyed
- 2:07:29Speaker 7: our participation.
- 2:07:30Speaker 1: It was awesome.
- 2:07:31Speaker 2: And that's it.
- 2:07:32Speaker 1: Let's go.
- 2:07:32Speaker 7: A kiss on the heart and I hope to come back. Hello,
- 2:07:36Speaker 7: Christian Bell.
- 2:07:37Speaker 4: Come back to play in the forest.
- 2:07:39Speaker 6: Now he's asking to say hello to Nesca, for God's sake.
- 2:07:41Speaker 1: Hello, Nesca. Hello, Nesca. Hello, Nesca.
- 2:07:43Speaker 2: Hello, Nesca.
- 2:07:45Speaker 4: Hello, Nesca.
- 2:07:51Speaker 2: And it's us, you play.
- 2:07:52Speaker 4: Man, I know it's ending, but... Don't forget. His childhood friends, man,
- 2:07:54Speaker 4: he took everything.
- 2:07:54Speaker 1: To the band. This is fucking awesome.
- 2:07:56Speaker 4: This is fucking awesome.
- 2:08:00Speaker 1: Everyone.
- 2:08:01Speaker 4: One is roadie, one is filmmaker. It's like, you know,
- 2:08:04Speaker 4: you're fucked.
- 2:08:04Speaker 1: Up, you know?
- 2:08:05Speaker 4: Yeah, man.
- 2:08:05Speaker 6: Congratulations, man. Be part of who you trust, you know?
- 2:08:07Speaker 1: Always, always.
- 2:08:08Speaker 4: Congratulations. Nemo, Nesca, Vini. Who else? Nescau, Roliço, Rabica.
- 2:08:13Speaker 1: Rabica.
- 2:08:13Speaker 4: Roliço, Rabica. Salve to all of you.
- 2:08:16Speaker 1: Did you say your brother's last name?
- 2:08:18Speaker 4: Six.
- 2:08:18Speaker 6: Leave a like, subscribe, meet the young, do the honors.
- 2:08:23Speaker 1: See you tomorrow. Dignity now. We're together.
- 2:08:24Speaker 6: Bye. Let's go.
- 2:08:34Speaker 1: Pass the ball, Kapu! I'm alone. Pass the ball, Kapu!
- 2:08:36Speaker 1: Pass the ball, Kapu!
- 2:09:05Speaker 4: I'm going crazy, man!
- 2:09:08Speaker 6: I got the win! Now leave the fouls with me.
- 2:09:10Speaker 4: Pass the ball.
- 2:09:10Speaker 2: Call three friends, play in a group and for free.
- 2:09:13Speaker 3: Together you can take more than a million reais.
- 2:09:16Speaker 1: Call yours. Superbet.
- 2:09:18Speaker 4: You feel when it's super.