Miami Vice
Many movies tell us how to watch them. Whether it’s Raiders of the Lost Ark, Casablanca, or Rear Window, movies steer the viewers to certain reactions anticipated by their directors long before the first tickets have been sold. Michael Mann’s Miami Vice does this less often than other films (including Mann’s) with spectacular results. Almost twenty years after its release, the film seems to have found a new audience that appreciates Mann’s letting the viewer take the protagonists on their own terms. It’s not a buddy-cop movie, although the cops are friends; it’s not a tale of star-crossed…
The skinny
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