Latest / Repcolite Home Improvement Show / Dead Animal Smells, Art Deco, and the Secret Life of Paint Finish
Transcript
- 0:02Speaker 1: Hey, everyone, thanks for tuning in.
- 0:04Speaker 2: You're listening to Home in Progress by Repcole Like Paints,
- 0:07Speaker 2: sponsored by Benjamin Moore. And I hope everybody out there
- 0:10Speaker 2: had a big week, a good week, not just a
- 0:13Speaker 2: big week, but a good week. And I hope you're
- 0:15Speaker 2: pumped for the weekend. Right, I'm pumped. I'm super pumped.
- 0:20Speaker 2: I'm gonna be doing yard work, specifically a lot of weeding,
- 0:23Speaker 2: and that means I am stoked to do that weeding
- 0:27Speaker 2: because I absolutely love weeding. Anyway, That's not true at all.
- 0:31Speaker 2: That's a complete lie. I hate weeding. I am dreading
- 0:36Speaker 2: the rest of this day. But I'll listen to something
- 0:38Speaker 2: really good and that will make weeding not so bad anyway.
- 0:41Speaker 2: On the show this week, let's get to that at
- 0:44Speaker 2: the end, we're gonna be talking about different finishes.
- 0:49Speaker 1: When it comes to paint.
- 0:49Speaker 2: We don't always think about our finish when we're choosing
- 0:52Speaker 2: paint colors and all of that.
- 0:53Speaker 1: We're really focused, hyper focused on the color.
- 0:56Speaker 2: We don't think about finish so much, or if we
- 0:58Speaker 2: do think about finish, it's you, I would say, really,
- 1:02Speaker 2: I mean not, you can't say one hundred percent of
- 1:03Speaker 2: the time. But eighty percent of the time or more.
- 1:06Speaker 2: It's generally, if we're thinking about finish, it's about the
- 1:09Speaker 2: practical aspect of what finish is going to do for us.
- 1:12Speaker 2: It's durability or hiding imperfections or something like that. We
- 1:16Speaker 2: don't think about finish as a design tool. And that's
- 1:19Speaker 2: what we're going to talk about at the end of
- 1:20Speaker 2: the show, finish as a design tool.
- 1:22Speaker 1: We'll also be talking about art deco one more time.
- 1:25Speaker 1: Last week I dug into its history and its origins.
- 1:28Speaker 2: This time, I want to be more practical and talk
- 1:30Speaker 2: about how and why to bring some art deco flare
- 1:34Speaker 2: into your own home.
- 1:35Speaker 1: We'll talk about colors and.
- 1:36Speaker 2: Materials and finishes that will help you do that, and
- 1:41Speaker 2: we'll make sure that you don't create a space that
- 1:43Speaker 2: just screams art deco. So that's all coming up, but
- 1:46Speaker 2: right now I want to get back to stinks and smells.
- 1:50Speaker 2: You know, if you remember last week, I mentioned that
- 1:52Speaker 2: my son bought a house and one of the first
- 1:55Speaker 2: things he encountered was this seriously, problematically horrible.
- 2:00Speaker 1: I don't even think that's the right way to say it.
- 2:02Speaker 2: There are no words to describe how horrible and powerful
- 2:06Speaker 2: this smell was that we encountered in his entry And
- 2:10Speaker 2: because of that, I told you last week that we're
- 2:13Speaker 2: going to kind of do a series that will continue
- 2:16Speaker 2: throughout the summer a little bit. Just from time to time,
- 2:18Speaker 2: we'll talk about different common smells that you might run
- 2:22Speaker 2: into in a home and how to deal with them,
- 2:25Speaker 2: so smoke smells and things like that. And last week
- 2:28Speaker 2: we just talked about the difference between covering over and
- 2:31Speaker 2: masking a smell versus eliminating.
- 2:34Speaker 1: We talked about some tools to use to eliminate smells.
- 2:37Speaker 2: Now I want to get practical and I want to
- 2:39Speaker 2: talk about, you know, specifically, the horrible smell Caleb was
- 2:42Speaker 2: dealing with. You know, he had a squirrel living in
- 2:45Speaker 2: the attic above this little entryway that I was talking about,
- 2:48Speaker 2: and he was working with a pest company to get
- 2:50Speaker 2: it out. And we assumed that the stink was from
- 2:53Speaker 2: the squirrel nest, you know, and all the mess that
- 2:55Speaker 2: the squirrel had made up in the attic. But the
- 2:57Speaker 2: smell was so profound that after a couple of visits,
- 3:01Speaker 2: I knew it wasn't just squirrel mess. You know, I'm
- 3:04Speaker 2: not an expert, but it was dead. Something was dead
- 3:08Speaker 2: and we thought the squirrel had been you know, allowed
- 3:11Speaker 2: out of the house and couldn't get back in. So
- 3:13Speaker 2: unless there were other squirrels in there, that was a
- 3:15Speaker 2: horrible thought that they were trapped in there and they died.
- 3:19Speaker 2: But it was a dead thing. It wasn't just squirrel mess. Well,
- 3:22Speaker 2: good news is nothing to do with the squirrel. He
- 3:25Speaker 2: ripped all of that ceiling out, and a lot of
- 3:28Speaker 2: squirrel mess up there, but no dead squirrels, And he
- 3:32Speaker 2: was convinced that was the source of the stink. But
- 3:34Speaker 2: after about ten minutes of having that out of there
- 3:36Speaker 2: and realizing the stink is just as pervasive, he knew
- 3:39Speaker 2: there was something else going on. Well, anyway, it turns out,
- 3:42Speaker 2: long story short, he had to rip up the floor
- 3:45Speaker 2: in that little entry and there was a dead possum,
- 3:49Speaker 2: you know, underneath the space, and it had been there
- 3:52Speaker 2: for several weeks, and it was bad. In fact, it
- 3:55Speaker 2: was so bad that I just quit visiting for a while. Now,
- 3:58Speaker 2: if you've ever been and at that point in your
- 4:02Speaker 2: own home, you know, facing a dead animal stink and
- 4:04Speaker 2: not sure how to go about eradicating it, I've got
- 4:07Speaker 2: the info you need. But before we start talking about
- 4:10Speaker 2: dealing with the stink. Let's talk briefly about the stink itself.
- 4:13Speaker 2: You know what determines how bad it is and what
- 4:15Speaker 2: determines how long it lasts. Well, of course, the size
- 4:18Speaker 2: of the animal plays a big role here. The bigger
- 4:21Speaker 2: it is, the more potential for stink. That's not rocket science.
- 4:24Speaker 2: Other factors include the temperature, the humidity, and how much
- 4:27Speaker 2: airflow reaches the area. Warm and damp. It's the absolute
- 4:31Speaker 2: worst combination, cool and dry. That's the least bad. It's
- 4:34Speaker 2: not great, but it's least bad. My kid's problem. This
- 4:38Speaker 2: came about or not, it didn't come about because of this,
- 4:41Speaker 2: But the possum died over the winter, and it was
- 4:45Speaker 2: nicely kept frozen, wonderfully frozen, you know, non smelly, frozen
- 4:51Speaker 2: all winter long. But then the warm up happened, and
- 4:54Speaker 2: oh my goodness, warm and damp, it really kicked in
- 4:58Speaker 2: and the stink became almost like a member of the family. Now,
- 5:02Speaker 2: if you're looking for practical timelines, because I asked, you know,
- 5:05Speaker 2: how bad does the stink get and how long do
- 5:07Speaker 2: stinks last? If you're looking for that, there is some idea.
- 5:12Speaker 2: You know, if it's a single mouse, it might smell
- 5:14Speaker 2: for a few days to a week, you know, deal
- 5:17Speaker 2: with it, but you can.
- 5:17Speaker 1: Get through it.
- 5:18Speaker 2: A rat or a squirrel, you're looking at a couple
- 5:20Speaker 2: of weeks. A possum, a raccoon, anything larger than that,
- 5:24Speaker 2: you could be dealing with several weeks. In some cases,
- 5:27Speaker 2: you know, pest control people say it can last up
- 5:30Speaker 2: to two months or longer for a larger animal in
- 5:33Speaker 2: a damp and closed space. So just be aware. Size
- 5:36Speaker 2: of the animal is going to determine, of course, how
- 5:39Speaker 2: long that stink can go. Now, for me, here's how
- 5:42Speaker 2: I work with things like this. This is just open insight,
- 5:45Speaker 2: honest insight into me, into how my brain works. When
- 5:48Speaker 2: I'm facing something like this for a few days or
- 5:51Speaker 2: a few weeks, I almost always start to wonder.
- 5:54Speaker 1: Is this it? Is this the big one? Is this
- 5:57Speaker 1: the one that never ever goes away? We're going to
- 6:00Speaker 1: have to sell, try to sell the house. Is this
- 6:03Speaker 1: smell permanent? Is my house ever going to be normal ever?
- 6:06Speaker 2: Again, all of that goes through my brain and the
- 6:09Speaker 2: panic machine starts up and really gets moving. Now, if
- 6:13Speaker 2: your brain sometimes goes there too, there's good news. It's
- 6:16Speaker 2: not permanent. Your house will smell normal again. But how
- 6:19Speaker 2: long that takes and what you need to do to
- 6:21Speaker 2: get there all depends on the situation. Let's talk about
- 6:24Speaker 2: everything you need to know to locate the source and
- 6:26Speaker 2: eradicate the smell of a dead animal from your home.
- 6:29Speaker 2: And let's do that right after. This Home in Progress
- 6:33Speaker 2: is brought to you by Repcolite Paints and Benjamin Moore.
- 6:35Speaker 2: You know, people often think of paint as just another
- 6:38Speaker 2: line item on the project's supply list.
- 6:40Speaker 1: But here's the thing.
- 6:41Speaker 2: Everything you do, every hour of prep, every stroke of
- 6:44Speaker 2: the brush, all comes down to the quality of the paint.
- 6:46Speaker 1: The paint is the project. Make sure it's the best.
- 6:50Speaker 1: And we're back.
- 6:51Speaker 2: You're listening to Home in Progress by Repcolite Paint, sponsored
- 6:54Speaker 2: by Benjamin Moore, and we're talking about how to remove
- 6:56Speaker 2: the smell of the dead animal in your home.
- 6:59Speaker 1: You know, it could be a mile, it could be
- 7:00Speaker 1: a rat, it could be a.
- 7:01Speaker 2: Squirrel, it could be a possum, like my kid was
- 7:04Speaker 2: just dealing with whatever it is. If you encounter that
- 7:07Speaker 2: kind of smell and you're living with it over the
- 7:09Speaker 2: course of even just a few days, it really does
- 7:12Speaker 2: start to mess with you. You know, you can start
- 7:14Speaker 2: to feel. If you're anything like me, you can start
- 7:17Speaker 2: to feel like this whole thing could be.
- 7:18Speaker 1: You know, permanent.
- 7:20Speaker 2: You may worry that the house is going to permanently
- 7:22Speaker 2: absorb that smell. Well, the good news is you can
- 7:24Speaker 2: get rid of it completely. Let's talk about it and
- 7:28Speaker 2: how you do that. Now, the first thing you need
- 7:30Speaker 2: to do, of course, in order to eradicate it is
- 7:33Speaker 2: you've got to find it, find the source of the
- 7:35Speaker 2: stink and remove it. And unfortunately, the primary tool that
- 7:38Speaker 2: you've got in your toolbox for this is going to
- 7:41Speaker 2: be your nose. So walk slowly closed doors to isolate rooms,
- 7:46Speaker 2: and pay attention to where the smell intensifies, you know,
- 7:49Speaker 2: check your outlets, baseboards, vents, attic latches, cross based doors, understairs.
- 7:55Speaker 2: Become one with the stink. That's what you're trying to
- 7:58Speaker 2: do here, Think like the stink, track the stink. And
- 8:01Speaker 2: as you're doing this, there is a misconception that's worth correcting.
- 8:05Speaker 2: People often assume that the animal is inside the duct
- 8:09Speaker 2: work because the smell seems to come from the vents,
- 8:12Speaker 2: but pest control pros say that that's rarely the case.
- 8:15Speaker 2: The HVAC system usually ends up just moving the odor
- 8:18Speaker 2: around the house. The animal is usually going to be
- 8:21Speaker 2: in a wall or attic space near a ductron, but
- 8:24Speaker 2: not inside the duct itself, So use your nose.
- 8:28Speaker 1: Use your pets noses as well.
- 8:29Speaker 2: If you've got pets, dog or cat obsessively sniffing one
- 8:33Speaker 2: particular wall, cabinet, or vent, that's a clue worth following.
- 8:38Speaker 2: Another critter that can help you find it are blowflies.
- 8:41Speaker 1: Are you familiar with these? Hopefully not?
- 8:43Speaker 2: Hopefully not, because if you're seeing large, metallic looking flies
- 8:47Speaker 2: congregating in one area of your house, follow them. You know,
- 8:52Speaker 2: it's like the instructions right out of Harry Potter follow
- 8:54Speaker 2: the spiders, except in this instance it's follow the blowflies.
- 8:58Speaker 1: You know.
- 8:58Speaker 2: Blowflies appearing doors often indicate that there's a dead animal
- 9:02Speaker 2: or something in the wall or in the attic, and
- 9:05Speaker 2: they can lead you to the source. Now, when you
- 9:07Speaker 2: find the source, you don't need to celebrate for too long.
- 9:11Speaker 1: Don't overdo it right away.
- 9:13Speaker 2: You want to get it out of there, so wear gloves,
- 9:15Speaker 2: wear a mask, especially in enclosed spaces like a crawl
- 9:19Speaker 2: space or an attic, and before you start working and
- 9:22Speaker 2: moving in there, get the air moving, you know, so
- 9:25Speaker 2: open windows, run a fan. You want fresh air pulling
- 9:28Speaker 2: through that space the entire time you're working, and you'll
- 9:31Speaker 2: keep it going after you're done. Now, one safety point
- 9:34Speaker 2: that I should focus on before we move on. If
- 9:36Speaker 2: you find rodent droppings or nesting material near the carcass,
- 9:40Speaker 2: don't just sweep them up. Don't vacuum them up. That
- 9:43Speaker 2: stirs particles into the air and that can spread disease.
- 9:46Speaker 2: So instead, spray the droppings with a disinfectant or a
- 9:49Speaker 2: one to ten bleach and water solution. Let it soak,
- 9:52Speaker 2: you know, probably five ten minutes or so, and then
- 9:54Speaker 2: wipe everything up with paper towels. Of course, throw the
- 9:58Speaker 2: paper towels away, and then mop sponge the area with disinfectant.
- 10:01Speaker 1: Again.
- 10:02Speaker 2: For the carcass, you're gonna want to double bag it
- 10:05Speaker 2: and then dispose of it properly according.
- 10:07Speaker 1: To local rules. So look into that.
- 10:10Speaker 2: If the animal was on a hard, non porous surface,
- 10:13Speaker 2: you know, concrete, metal, vinyl, things like that, when you
- 10:16Speaker 2: remove it and clean the area promptly, the smell is
- 10:19Speaker 2: usually going to go away pretty quickly. Once you start ventilating,
- 10:22Speaker 2: you're in good shape. Best case scenario there if decomposition
- 10:26Speaker 2: fluids have soaked into porous materials like insulation, carpet pad,
- 10:31Speaker 2: unfinished wood, dry wall, cealing tile. If that happens, you've
- 10:35Speaker 2: got a different situation. You know, those materials absorb those fluids,
- 10:39Speaker 2: and when that happens, the smell can linger way past
- 10:43Speaker 2: the point where the carcass itself has dried out. This
- 10:46Speaker 2: is wonderful talk on a morning. So you're crunching your cheerios,
- 10:49Speaker 2: we're talking about carcasses drying out. But if those fluids
- 10:53Speaker 2: penetrate those porous areas, those smells can linger. It can
- 10:57Speaker 2: even seem to come back, you know, way down the
- 11:00Speaker 2: road on humid days. In those cases, when you find
- 11:03Speaker 2: that it's soaked into materials, the fix is removing the
- 11:06Speaker 2: contaminated material and then cleaning that area with a disinfectant.
- 11:10Speaker 2: All right, So remove the material, clean the area, and
- 11:14Speaker 2: then once it's clean and dry, you're gonna want to
- 11:17Speaker 2: apply an enzymatic cleaner to break down any you know,
- 11:20Speaker 2: remaining organic residue. And if you're wondering what I'm talking
- 11:24Speaker 2: about when I say an enzymatic cleaner, we talked about
- 11:27Speaker 2: them last week. Basically, these cleaners use enzymes to digest
- 11:31Speaker 2: the biological material at a molecular level, and they keep
- 11:35Speaker 2: working way after you apply to them. You know, that's
- 11:38Speaker 2: different than normal cleaners. It's going to keep working, and
- 11:41Speaker 2: this is the step that eliminates lingering odor rather than
- 11:44Speaker 2: covering it over. You can find these cleaners at pretty
- 11:47Speaker 2: much any pet store. Look for Nature's Miracle. That's one
- 11:50Speaker 2: brand or something similar. So you're going to want that.
- 11:54Speaker 2: An enzymatic cleaner once you've got the contaminating material out,
- 11:57Speaker 2: once you've got the area clean and dry, you may
- 12:00Speaker 2: want to take extra precautions. That depends on the situation
- 12:04Speaker 2: and if the situation allows it. But if that's the
- 12:07Speaker 2: case and you're still worried about a persistent smell, you
- 12:10Speaker 2: can seal any hard surfaces with an odor blocking primer.
- 12:13Speaker 2: We talked about that last last week as well. She
- 12:16Speaker 2: Lack based primers like beIN are the strongest option for this.
- 12:20Speaker 2: Just remember, the primer is the final lock, the final
- 12:23Speaker 2: step on a problem that's already been solved.
- 12:25Speaker 1: It's not step one.
- 12:27Speaker 2: You know, so make sure you clean everything dis in fact,
- 12:29Speaker 2: hit it with that enzymatic cleaner before you get to
- 12:33Speaker 2: the primer step. Now, if you can't locate or access
- 12:36Speaker 2: the source, you know, maybe it's in a wall cavity
- 12:39Speaker 2: or between floors something like that. If that happens, what
- 12:42Speaker 2: in the world do you do well? The honest answer
- 12:46Speaker 2: is that the intense smell, that horrible, horrible smell, is
- 12:49Speaker 2: eventually going to fade on its own as the carcass
- 12:52Speaker 2: dries out. You know, for a mouse, it's usually going
- 12:54Speaker 2: to take a week or so. Like we talked about
- 12:56Speaker 2: something larger, it could be a month or more. But
- 12:59Speaker 2: here's the caveat, and this connects to what we just
- 13:02Speaker 2: got done talking about. If the fluids, the decomposition fluids,
- 13:05Speaker 2: have drained into insulation or dry wall inside that area,
- 13:09Speaker 2: that wall pocket or whatever. If that happens, you're gonna
- 13:13Speaker 2: notice a smell that lingers or comes back on human days,
- 13:16Speaker 2: even after the worst has passed. If that's happening weeks later,
- 13:20Speaker 2: you're probably looking at having to open up that wall
- 13:23Speaker 2: to remove the contaminated material.
- 13:25Speaker 1: I know it's not.
- 13:25Speaker 2: Fun, but that's the way to get it solved in
- 13:29Speaker 2: to really be able to move on now. In the meantime,
- 13:31Speaker 2: if you're trying to wait it out, there are a
- 13:33Speaker 2: couple of tools that can help you manage the smell
- 13:36Speaker 2: while nature runs its course. First off, activated charcoal bags.
- 13:40Speaker 2: We talked about them last week. Activated charcoal works by
- 13:43Speaker 2: physically trapping odor molecules in millions of tiny pores. You're
- 13:48Speaker 2: not adding a cent, you're pulling the stink out of
- 13:50Speaker 2: the air. So place them as close as you can
- 13:52Speaker 2: to the affected area. You can find them pretty much
- 13:56Speaker 2: at a ton of different stores, and they're usually around
- 13:59Speaker 2: ten to fifteen or so. For a multipack. You can
- 14:02Speaker 2: set them in the sun every couple of weeks to
- 14:04Speaker 2: recharge them. So charcoal packs, that's one way to go. Second,
- 14:08Speaker 2: foaming enzymatic cleaners. Now, these are designed for exactly this
- 14:11Speaker 2: kind of situation. You know, you drill a small hole
- 14:13Speaker 2: in the wall cavity, inject the foam, and then the
- 14:16Speaker 2: enzymes go to work digesting that organic material from inside.
- 14:20Speaker 2: Products like backa Zapp, bac dash a dash Zapp they
- 14:25Speaker 2: make a foaming version specifically for wall voids and enclosed spaces.
- 14:29Speaker 2: You can find them online or through pest control suppliers.
- 14:32Speaker 2: So look into that charcoal bags. They handle what's in
- 14:35Speaker 2: the air. The enzymatic foam is going to attack the
- 14:38Speaker 2: source inside the wall. Use them together and that's your
- 14:41Speaker 2: best combination sort of opening up the wall.
- 14:43Speaker 1: But I want to be straight with you, these.
- 14:45Speaker 2: Are management tools. They're really not going to be magic.
- 14:48Speaker 2: If fluids have soaked into porous materials, these things will help,
- 14:52Speaker 2: but they may not fully solve it. You know, you
- 14:54Speaker 2: might just be buying some time.
- 14:56Speaker 1: All right. I've got a few.
- 14:57Speaker 2: Random thoughts as we wrap this part up in before
- 15:00Speaker 2: or we take a look at prevention.
- 15:01Speaker 1: First random thought.
- 15:03Speaker 2: As you're trying to find and deal with a smell,
- 15:05Speaker 2: keep in mind that a dead animal smell is not
- 15:08Speaker 2: always a dead animal. Propane and natural gas are odorless,
- 15:11Speaker 2: so a chemical odorant is added to them. We all
- 15:14Speaker 2: know that, and most of us describe that smell as
- 15:16Speaker 2: rotten egg smell, but some people experience it more like
- 15:19Speaker 2: a skunk spray or like a decay smell. So if
- 15:23Speaker 2: you can't find the source the smell isn't fading or
- 15:25Speaker 2: it's got a sharp chemical edge, don't just keep masking
- 15:28Speaker 2: it or assuming it's going to go.
- 15:30Speaker 1: Away, leave the area.
- 15:32Speaker 2: Call your gas company to check the lines, you know,
- 15:34Speaker 2: just be sure that it's not something bigger going on.
- 15:38Speaker 2: Second random thought, and this one matters because it can
- 15:41Speaker 2: directly create the exact problem we've been talking about. You
- 15:45Speaker 2: may have heard that certain rodent poisons will make miser
- 15:48Speaker 2: rats go outside looking for water before they die, or
- 15:53Speaker 2: maybe you've heard another version of it that the poison
- 15:55Speaker 2: dries them out, you know. Yeah, then maybe they stay
- 15:57Speaker 2: in the house, but it dries them out so they
- 15:59Speaker 2: don't smell at all. It's one of these things that
- 16:02Speaker 2: gets repeated so often it starts to sound like common knowledge.
- 16:06Speaker 2: But from everything I've seen in digging into the research
- 16:09Speaker 2: for this particular segment, everything I've seen says that's basically
- 16:13Speaker 2: a myth. Pest control experts, even the manufacturers of poisons
- 16:18Speaker 2: say there's really not a rodent poison out there that's
- 16:20Speaker 2: magically going to send the critter outdoors in search of water,
- 16:24Speaker 2: or that's going to dry the body out so that
- 16:25Speaker 2: it doesn't stink. What actually happens, it's much simpler, much
- 16:29Speaker 2: more frustrating. The rodent's going to eat the bait, it's
- 16:32Speaker 2: going to get sick over the next several days, and
- 16:34Speaker 2: then it's going to die. You know, it's going to
- 16:36Speaker 2: croak wherever it happens to be, and a lot of
- 16:38Speaker 2: the time that means it's nest You know, inside a wall,
- 16:41Speaker 2: under insulation, behind an appliance, probably somewhere you absolutely don't
- 16:46Speaker 2: want it to die. And that's why so many pest
- 16:48Speaker 2: professionals recommend snaptraps instead of poison inside the house.
- 16:52Speaker 1: That's one of the reasons. You know, poison in the house.
- 16:56Speaker 2: Just not having poison in the house as one of
- 16:58Speaker 2: the reasons they recommend snap traps. But snap traps allow
- 17:02Speaker 2: you to be able to you know, you know where
- 17:03Speaker 2: the critter is when the trap goes off and you
- 17:05Speaker 2: catch the mouse or the rat or whatever. Oh please
- 17:09Speaker 2: let it never be a rat in my house. I
- 17:11Speaker 2: don't know that I'd be able to handle that. So
- 17:14Speaker 2: I'm going to just think about mice. If I catch
- 17:16Speaker 2: the mouse in a trap, I know where he is.
- 17:18Speaker 2: You know, I just got to get the trap out,
- 17:20Speaker 2: clean the area, clean everything off, and I'm good to go.
- 17:22Speaker 2: With a poison you have no idea exactly where the
- 17:25Speaker 2: critter went until the stink starts, all right, So think
- 17:29Speaker 2: about snap traps. Realize that that whole poison thing is
- 17:32Speaker 2: potentially a myth. It seems to be a myth. It's
- 17:35Speaker 2: not going to dry him out and not going to
- 17:36Speaker 2: make them leave the house searching for water. Keep that
- 17:39Speaker 2: in mind, all right. Last thing I've got on this
- 17:41Speaker 2: particular topic is preventing this from happening again. You know,
- 17:45Speaker 2: once the smell is gone, or even as you're working
- 17:48Speaker 2: on the smell, you've got to ask yourself the question
- 17:51Speaker 2: how did the critter get in the first place. So
- 17:53Speaker 2: go around and look for gaps and holes around your
- 17:56Speaker 2: home and seal them. For small openings, skip the ordinary
- 18:00Speaker 2: foam and calk only approach you read about online. You
- 18:03Speaker 2: know a lot of places recommend that. You know a
- 18:05Speaker 2: lot of websites and blogs will say just seal it
- 18:07Speaker 2: that way. But rodents can chew right through.
- 18:10Speaker 1: All of that.
- 18:11Speaker 2: So pack the gap first with copper mesh or stainless
- 18:14Speaker 2: steel mesh. It's not going to crode or a rust
- 18:17Speaker 2: or anything like that, and then seal it over with
- 18:19Speaker 2: a good exterior grade caulk or a pest blocking foam.
- 18:22Speaker 2: For bigger openings, move up to hardware, cloth, metal flashing,
- 18:26Speaker 2: or you know other solid chew resistant materials. And don't
- 18:30Speaker 2: forget the obvious entry points chimney caps, vent screens, damage soffets,
- 18:34Speaker 2: loose sighting, gaps around pipes or utility lines, check all
- 18:38Speaker 2: of that stuff. Also, go in your garage, turn off
- 18:41Speaker 2: the lights and close the door. If you see light
- 18:43Speaker 2: coming in around the closed door and it's as big
- 18:46Speaker 2: as a dime, that's an entry point for mice, so
- 18:49Speaker 2: work to seal that as well. Right, the goal is
- 18:52Speaker 2: to make sure you've never got to deal with this again,
- 18:54Speaker 2: So make sure you look into that prevention stuff.
- 18:56Speaker 1: All right, that's enough of that.
- 18:58Speaker 2: When we come back, we're going to be looking at
- 19:00Speaker 2: art deco and how to apply it in our own
- 19:02Speaker 2: homes without turning them into set pieces from the nineteen twenties.
- 19:06Speaker 1: That's all coming up right after.
- 19:08Speaker 2: This Home in Progress is brought to you by Repcolite
- 19:11Speaker 2: Paints and Benjamin Moore.
- 19:12Speaker 1: Think about it.
- 19:13Speaker 2: You spend hours prepping, sandy, taping and then finally painting.
- 19:17Speaker 2: Don't throw all that work away with an inferior product.
- 19:19Speaker 2: The paint isn't just another supply. The paint is the project.
- 19:23Speaker 2: Make sure it's the best welcome back. You're listening to
- 19:26Speaker 2: Home in Progress by Repcolite Paints, sponsored by Benjamin Moore
- 19:30Speaker 2: and last week we talked about art deco, where it
- 19:33Speaker 2: came from, what made it so distinctive, and why it
- 19:37Speaker 2: made such a splash in the nineteen twenties and the
- 19:39Speaker 2: nineteen thirties. Basically we covered the history of it, the
- 19:41Speaker 2: origins of it. Today I want to shift into the
- 19:45Speaker 2: practical side of this for homeowners, for everybody out there listening,
- 19:48Speaker 2: because this is where it really gets fun.
- 19:50Speaker 1: You know.
- 19:50Speaker 2: I like the history stuff, but the practical stuff, well,
- 19:53Speaker 2: of course it's practical. This is what you can actually use.
- 19:56Speaker 2: So how does art deco still shape interiors today? And
- 20:00Speaker 2: maybe more importantly than that question, how can you use
- 20:03Speaker 2: it in a real house, you know, in my house
- 20:05Speaker 2: without making the space feel you know, ridiculous, or you know,
- 20:09Speaker 2: like it's trying to be a nineteen twenties movie set.
- 20:12Speaker 2: Because that's really the challenge with historical styles. You know,
- 20:16Speaker 2: it's one thing to admire them and to really enjoy
- 20:19Speaker 2: what they're doing. It's another thing to bring them into
- 20:23Speaker 2: your home, and to bring them in successfully, you know,
- 20:26Speaker 2: so it doesn't look like you're trying to do something
- 20:30Speaker 2: unusual with the space. You want it to flow and
- 20:32Speaker 2: to feel like it's part of the home, not just
- 20:34Speaker 2: this add on thing pasted on top of it, not
- 20:36Speaker 2: like a costume or anything like that.
- 20:38Speaker 1: So how do you do that with art Deco.
- 20:40Speaker 2: Well, the good news is that art Deco really is
- 20:43Speaker 2: one of those styles that translates surprisingly well into modern decorating,
- 20:48Speaker 2: you know, especially if you borrow selectively. You know, you
- 20:51Speaker 2: don't have to recreate a full on Art Deco interior
- 20:55Speaker 2: to get the benefits of the look. In fact, for
- 20:57Speaker 2: most people, that's going to be way too much. But
- 21:01Speaker 2: you can absolutely take some of the core principles and
- 21:04Speaker 2: then use them to give a room more elegance, more confidence,
- 21:07Speaker 2: more visual impact. So that's what we're going to talk about,
- 21:11Speaker 2: and let's start with the basic ingredients. If you want
- 21:13Speaker 2: a room to feel art Deco inspired, the first thing
- 21:17Speaker 2: to think about is shape. You know, art Deco loves geometry,
- 21:21Speaker 2: it loves clear lines, it loves repeated patterns.
- 21:24Speaker 1: You know.
- 21:24Speaker 2: That might mean a mirror with a stepped frame. It
- 21:27Speaker 2: could mean wallpaper with a fan pattern or a geometric
- 21:31Speaker 2: motif or something like that. It could mean a rug
- 21:34Speaker 2: with a bold linear structure. It could mean a light
- 21:36Speaker 2: fixture that uses globes metal symmetry. It could be a
- 21:41Speaker 2: vanity with fluted details, or a cabinet you know, with
- 21:45Speaker 2: curved corners and brass poles. Things like that, a lot
- 21:49Speaker 2: of different things. It's not a casual style. That's the
- 21:51Speaker 2: main thing to remember. It likes structure, It likes shape,
- 21:54Speaker 2: so think about shape. The second ingredient is contrast. Art
- 21:59Speaker 2: Deco tends to work best when there's some kind of
- 22:02Speaker 2: tension in the room. You know, light against dark, gloss
- 22:05Speaker 2: against matt, soft upholstery against hard metal, cream walls against
- 22:10Speaker 2: black trim, deep deep you know, jewel tones against war
- 22:15Speaker 2: metallic finishes. It likes that push and pull. It likes
- 22:18Speaker 2: the definition that it creates. The third ingredient that you
- 22:22Speaker 2: want to remember is sheen. And this is a huge
- 22:24Speaker 2: one and we briefly just mentioned it when we talked
- 22:27Speaker 2: about contrast, you know, gloss in matt, but sheen is
- 22:30Speaker 2: something that we should always be thinking about with any.
- 22:33Speaker 1: Paint project that we tackle.
- 22:34Speaker 2: You know, we talk about color all the time, but
- 22:36Speaker 2: the finish, you know, the sheen quite often is an afterthought. Well,
- 22:42Speaker 2: Ourt Deco has always had this incredible affinity for that's
- 22:49Speaker 2: probably the best way to say it, and affinity for
- 22:51Speaker 2: surfaces that reflect light. So lacquer, you know, glossy, you know,
- 22:55Speaker 2: highly polished lacquer, mirrored materials, polished metal, glass, smooth stones,
- 23:00Speaker 2: sleek tile. Art Deco loves those things. So even if
- 23:04Speaker 2: your paint color in that space is really quiet and reserved,
- 23:08Speaker 2: if you bump up the sheen, that can make a
- 23:10Speaker 2: dramatic statement and push the room toward an art deco
- 23:13Speaker 2: feel without really going into any kind of you know,
- 23:17Speaker 2: maybe maybe bolder or more daring color schemes. All right,
- 23:22Speaker 2: so those are three ingredients to keep in mind. Now,
- 23:25Speaker 2: let's get more specific when it comes to color, you know,
- 23:27Speaker 2: let's dive into that a little deeper here. A lot
- 23:29Speaker 2: of people assume that art deco always is going to
- 23:32Speaker 2: mean black and gold, and yeah, that's certainly one version
- 23:37Speaker 2: of art deco, you know, that's a color scheme that
- 23:38Speaker 2: we see a lot black, ivory, brass.
- 23:41Speaker 1: And chrome.
- 23:42Speaker 2: They absolutely create a striking art deco palette, but the
- 23:45Speaker 2: style is actually way broader than that. Art Deco will
- 23:49Speaker 2: work with rich jewel tones, you know, emerald green, sapphire, blue,
- 23:53Speaker 2: deep teal, burgundy, plump. It can also use blush pinks,
- 23:57Speaker 2: dusty roses, pale oc was, warm cream, smoky tope, elegant grays,
- 24:02Speaker 2: all of those tones as well. Some palettes are dramatic
- 24:05Speaker 2: and moody. Others are soft and refined. What matters most
- 24:09Speaker 2: is that the color choices feel deliberate and usually somewhat elevated.
- 24:14Speaker 2: You know, art Deco is in a style that tends
- 24:17Speaker 2: to thrive on you know, kind of random muddiness. You know,
- 24:20Speaker 2: even when the colors are muted, there's usually something polished
- 24:23Speaker 2: about the way they're used. You know, they didn't just
- 24:25Speaker 2: fall together. They were purposely chosen and intentionally placed together.
- 24:30Speaker 2: So let's say you want to because I know that's
- 24:33Speaker 2: kind of vague. You know, it's vague as I say it,
- 24:36Speaker 2: I get it, it's vague when you hear it. Let's
- 24:39Speaker 2: get even more practical. Let's get you know, really dial
- 24:42Speaker 2: it in. Let's say you want to bring some art
- 24:44Speaker 2: deco into a room, and you want to do that
- 24:46Speaker 2: with your paint colors. Well, one approach would be a
- 24:49Speaker 2: dramatic wall color, so a deep green in a dining room,
- 24:52Speaker 2: a rich navy in a bedroom, a charcoal and a
- 24:55Speaker 2: powder room. Those kinds of colors can feel very art deco,
- 24:58Speaker 2: especially when you pair on with things like we talked
- 25:01Speaker 2: about earlier, brass lighting, crisp trim. You know, remember the contrast,
- 25:05Speaker 2: maybe a mirror or a graphic wallpaper. Another approach would
- 25:10Speaker 2: be a soft, elegant backdrop, you know, rather than going
- 25:13Speaker 2: with a dramatic wall color, go with something soft and elegant,
- 25:16Speaker 2: maybe a warm cream, a pale blush, maybe a light
- 25:19Speaker 2: gray green on the walls.
- 25:21Speaker 1: And then you bring in the art.
- 25:22Speaker 2: Deco energy through black accents, metallic fixtures, geometric shapes, and
- 25:27Speaker 2: strong furniture lines. And that's probably the smartest route for
- 25:31Speaker 2: many of us. You know, let the paint create the atmosphere,
- 25:34Speaker 2: you know, a softer, more reserved atmosphere, but then let
- 25:37Speaker 2: the accessories and the architecture carry more of the explicit
- 25:40Speaker 2: style of art Deco.
- 25:42Speaker 1: Because here's the thing.
- 25:43Speaker 2: Art Deco can become overwhelming if every single element is,
- 25:48Speaker 2: you know, shouting at you. If the wallpaper is dramatic,
- 25:52Speaker 2: if the lighting is dramatic, If you brought in a
- 25:55Speaker 2: mirror and that's dramatic, If the paint colors are dramatic,
- 25:58Speaker 2: if the tile you've got is dramatic, If all of
- 26:01Speaker 2: that's really dramatic, then pretty soon the whole room feels,
- 26:05Speaker 2: you know, way less elegant, and it just feels exhausting.
- 26:09Speaker 2: Art Deco is going to work best when it's a
- 26:11Speaker 2: little bit reserved. Let it make a statement, you know,
- 26:14Speaker 2: that's what you want, but you don't want it to
- 26:15Speaker 2: make ten statements at once. So, you know, maybe the
- 26:19Speaker 2: way to go if you're just starting out for sure
- 26:21Speaker 2: with trying to dabble in this style, you know, go
- 26:24Speaker 2: that route of having a more you know, reserved wall
- 26:27Speaker 2: color and bring in the style with accessories and architecture
- 26:30Speaker 2: and stuff like that. Also, if you love art Deco,
- 26:33Speaker 2: you don't need a whole house kind of commitment to it.
- 26:37Speaker 2: In fact, some of the best places to use the
- 26:39Speaker 2: Art Deco influence are small, high impact spaces, so powder
- 26:43Speaker 2: rooms they're great for this. You can go darker, you
- 26:46Speaker 2: can go glossier, you can just have more fun in
- 26:48Speaker 2: a littler space like that. A jewel toned wall, a
- 26:51Speaker 2: brass got's, a bold mirror, a black vanity, you know,
- 26:54Speaker 2: maybe some geometric tile. All of that can really work,
- 26:58Speaker 2: you know, and lean towards you know, that art Deco
- 27:00Speaker 2: kind of a style. It can give a nod towards
- 27:02Speaker 2: Art Deco and it can be really fun in that
- 27:04Speaker 2: one little enclosed space. Just don't overdo it, like we
- 27:07Speaker 2: talked about, you know, make a statement, but not ten statements.
- 27:10Speaker 1: But you don't have to do it through the whole home.
- 27:13Speaker 1: One room like a powder room, great place to do it.
- 27:15Speaker 2: Entryways it's another really good choice to try this style.
- 27:19Speaker 2: You know, art deco is really good at making a
- 27:21Speaker 2: first impression. A strong console, a sunburst mirror, you know,
- 27:25Speaker 2: a crisp wall color, all of that can make an
- 27:27Speaker 2: entrance feel more intentional.
- 27:29Speaker 1: You know, you're not.
- 27:30Speaker 2: Necessarily blasting art Deco style through the room, You're just
- 27:33Speaker 2: taking elements of it and using that in the entryway.
- 27:36Speaker 1: It's perfect for a space like that. Dining rooms.
- 27:39Speaker 2: It works really well there too, because art deco has
- 27:41Speaker 2: a natural connection to entertaining. You know, if you remember
- 27:44Speaker 2: last week its origins, we're all about, you know, the
- 27:48Speaker 2: nightlife and just the excitement of the twenties, you know,
- 27:52Speaker 2: and that just lends itself to the idea of entertaining,
- 27:54Speaker 2: which is exactly what dining rooms, generally speaking, are meant for.
- 27:58Speaker 2: You know, if you want a dining room to feel
- 28:00Speaker 2: a little more special, a little more energized, a little
- 28:02Speaker 2: more elevated, art deco has a lot to offer, So
- 28:05Speaker 2: think about that. In a space like that, it can
- 28:08Speaker 2: also work really well in bedrooms, especially if you lean
- 28:11Speaker 2: into upholstered shapes, you know, symmetry and calmer versions of what.
- 28:16Speaker 1: The Art Deco color palettes have to offer.
- 28:19Speaker 2: Maybe not a full black lacker, you know, look all
- 28:22Speaker 2: over the place, unless that's really your thing, but a
- 28:24Speaker 2: softer Art Deco you know, maybe a dusty rose, muted greens,
- 28:28Speaker 2: the warm ivory, you know, those kinds of colors. So
- 28:31Speaker 2: those are some rooms you can look at. And then,
- 28:33Speaker 2: of course there are all kinds of individual things, different items,
- 28:36Speaker 2: different pieces you can bring in that will nod towards
- 28:39Speaker 2: the style. You know, a single Art Deco style mirror,
- 28:43Speaker 2: different light fixtures that mimic the style or nod towards
- 28:47Speaker 2: the style. A cabinet that leans in that direction, a
- 28:50Speaker 2: wallpapered nook, a vanity.
- 28:52Speaker 1: Area, you know.
- 28:53Speaker 2: Sometimes that's all it takes, just a little thing to
- 28:56Speaker 2: give your home, just that little extra bit of interest.
- 29:00Speaker 1: All right, before we.
- 29:01Speaker 2: Wrap this up, let's make this as practical as I
- 29:03Speaker 2: can make it. If you want to try an Art
- 29:05Speaker 2: Deco inspired look, just start with one room, you know,
- 29:08Speaker 2: one room in the home. It doesn't need to be
- 29:09Speaker 2: a big room. It could be a powder room, like
- 29:11Speaker 2: we just talked about, start with one room and ask
- 29:14Speaker 2: yourself three questions. First off, do I want this room
- 29:17Speaker 2: to feel dramatic or elegant. If the answer to that
- 29:20Speaker 2: question is dramatic, then you're gonna want to lean darker
- 29:22Speaker 2: and richer with your colors, so deep greens, navies, charcoal colors,
- 29:27Speaker 2: black accents, metallic finishes. Let the room have some weight.
- 29:31Speaker 2: That's what you want to do if you want to
- 29:32Speaker 2: go towards a more dramatic feel. If the answer is elegant,
- 29:36Speaker 2: you're going to want to lean lighter and softer with
- 29:38Speaker 2: your colors, so cream, pale, blush topes, muted blue, green,
- 29:42Speaker 2: soft grays, colors like that. Then let the accessories and
- 29:46Speaker 2: other details do the bulk of the work, right, that's
- 29:49Speaker 2: the first question. Second question to ask yourself is where's
- 29:52Speaker 2: the geometry going to come from?
- 29:54Speaker 1: Because if you remember, that's.
- 29:55Speaker 2: A big part of art deco is the shape, you know,
- 29:58Speaker 2: the geometric patterns, things like that. Where is the geometry
- 30:02Speaker 2: going to come from in your space? Is it going
- 30:03Speaker 2: to come from the wallpaper, from the mirror, from a
- 30:07Speaker 2: light fixture, Is it going to come from the tile,
- 30:09Speaker 2: from the rug? Pick one or two places, you know, one,
- 30:13Speaker 2: maybe two places, not every place. Our decko is going
- 30:16Speaker 2: to work best when the pattern feels intentional, not when
- 30:19Speaker 2: the room is shouting, you know, from every corner. We
- 30:21Speaker 2: talked about that earlier. Less is more in this regard.
- 30:26Speaker 2: Third question that you want to ask yourself is where
- 30:28Speaker 2: is the shine going to come from? Is it going
- 30:31Speaker 2: to be brass, Is it going to be chrome? Is
- 30:32Speaker 2: it going to be glass? You know, is it going
- 30:34Speaker 2: to be a satin finish or even a shinier finish
- 30:36Speaker 2: on the walls, a glossy vanity, mirrored furniture. You know,
- 30:40Speaker 2: where's the shine.
- 30:41Speaker 1: Going to come from?
- 30:42Speaker 2: And again, choose strategically, because a little bit of shine
- 30:45Speaker 2: is going to go a long long way too much,
- 30:48Speaker 2: and the room can start to feel like a like
- 30:49Speaker 2: a hotel lobby or a stage set or something like that.
- 30:53Speaker 2: Just a little bit, just a little bit of intentional,
- 30:56Speaker 2: you know, placement of this increased sheen, you.
- 30:59Speaker 1: Know this, whether it's on the walls or wherever.
- 31:02Speaker 2: So those three questions, if you answer them, you're already
- 31:05Speaker 2: thinking in the language of art deco. You know, you're
- 31:08Speaker 2: not just asking what can I buy? You're asking where
- 31:10Speaker 2: should the emphasis go? You're deciding where the drama belongs,
- 31:13Speaker 2: where the structure comes from, and where the polish is
- 31:16Speaker 2: going to show up. And that may be the biggest
- 31:18Speaker 2: lesson of Art deco, you know, for all of us,
- 31:21Speaker 2: it's not really about piling on all kinds of things,
- 31:24Speaker 2: you know, expensive things or deeply you know, richly colored things.
- 31:28Speaker 2: It's about composition. It's about knowing what to emphasize and
- 31:32Speaker 2: what to leave alone. You know, it's about using line
- 31:35Speaker 2: and color and contrast and finish to create a sense
- 31:38Speaker 2: of polish and intentionality. And that makes it surprisingly accessible.
- 31:43Speaker 2: You don't need a historic house or some amazing you know,
- 31:47Speaker 2: hotel like you know, movie palace like lobby to work in.
- 31:51Speaker 2: You can do this in your own space, in your
- 31:53Speaker 2: own home. You just need to understand the language of
- 31:56Speaker 2: the style, like we said, the geometry, the contrast, the elegance,
- 31:59Speaker 2: and the confidence of it. Understand the language of the
- 32:02Speaker 2: style and you can apply it in a way that
- 32:05Speaker 2: will fit into any space in your home. And maybe
- 32:08Speaker 2: there's a larger lesson here as we wrap all of
- 32:11Speaker 2: this up. You know, once you understand the language of
- 32:13Speaker 2: art deco, you start to realize that every single design
- 32:16Speaker 2: style out there has a language of its own. The
- 32:18Speaker 2: Arts and crafts movement has a language, mid Century Modern
- 32:21Speaker 2: has a language. The Victorian style has a language. Scandinavian
- 32:25Speaker 2: design has a language. They all have a language. Each
- 32:28Speaker 2: style has certain colors and shapes and materials and finishes
- 32:32Speaker 2: and ideas that make it feel, you know, like itself.
- 32:36Speaker 2: And once you learn to look for those things, you
- 32:38Speaker 2: can borrow from a style more intentionally. You know, you're
- 32:42Speaker 2: not just copying a room from a magazine at that point,
- 32:45Speaker 2: and it's way more exciting. You're asking way better questions.
- 32:49Speaker 2: You're asking what gives this style its character? Where does
- 32:52Speaker 2: the emphasis go when I'm working in this style? What
- 32:55Speaker 2: should be repeated? What should be restrained? That's what makes
- 32:59Speaker 2: design and more approachable for everybody. You don't have to
- 33:04Speaker 2: recreate a style perfectly. You just have to understand enough
- 33:07Speaker 2: of its language to speak it clearly in your own home.
- 33:10Speaker 2: You know, that's the goal, and that's a really really
- 33:14Speaker 2: exciting place to land. So Art Deco, you know, thank
- 33:17Speaker 2: you for tolerating my great, big, long deep dive into it.
- 33:20Speaker 2: I had so much fun learning about it. Hopefully you
- 33:23Speaker 2: pick something up that you can apply to all right,
- 33:26Speaker 2: let's shift gears slightly and talk about something that we
- 33:28Speaker 2: don't always think about when we're picking paint the finish.
- 33:31Speaker 1: We'll get to that right after this. You're listening to Home.
- 33:34Speaker 2: In Progress, where the projects are real, the mistakes, they're educational,
- 33:38Speaker 2: sometimes painful, mostly educational, and the only thing more stubborn
- 33:44Speaker 2: than that old wallpaper on your bathroom wall is your.
- 33:47Speaker 1: Determination to get it fixed.
- 33:49Speaker 2: Probably sponsored by Repcolite Paints and Benjamin Moore Paint with
- 33:52Speaker 2: a Purpose, people who care, and everything you need to
- 33:55Speaker 2: get the job done right.
- 33:57Speaker 1: Welcome back.
- 33:57Speaker 2: You're listening to Home in Progress by Repcolite Paint sponsored
- 34:00Speaker 2: by Benjamin More and last segment, I said something about
- 34:05Speaker 2: art Deco that I want to circle back to. But
- 34:07Speaker 2: hold on, don't freak out. This is not going to
- 34:09Speaker 2: be about art Deco. It's got a much broader application.
- 34:14Speaker 2: You know, we spend a lot of time, when you
- 34:16Speaker 2: think about it, we spend a lot of time talking
- 34:18Speaker 2: and thinking about paint colors. And that makes sense, right
- 34:22Speaker 2: because color is the first thing you notice. It's the
- 34:24Speaker 2: thing that people agonize over when they're making, you know,
- 34:28Speaker 2: some renovations or making a change to a space in
- 34:30Speaker 2: their home. They agonize over the color. But there's another
- 34:33Speaker 2: paint decision that doesn't get nearly as much attention, and
- 34:37Speaker 2: it really should and that's the finish, the sene. You know,
- 34:40Speaker 2: the amount of shine and the paint, and it's important
- 34:43Speaker 2: because sine changes everything. You know, the same color, the
- 34:46Speaker 2: same color can feel soft and quiet in a mat
- 34:49Speaker 2: it can feel clean and practical in an eggshell. It
- 34:52Speaker 2: can feel polished in a satin. It can feel dramatic
- 34:55Speaker 2: in a high gloss. Same color, different finish, and you
- 34:58Speaker 2: get a completely different feeling room depending on the sheen.
- 35:02Speaker 2: And the reason that happens is because of light. You know,
- 35:04Speaker 2: a flat or a matte paint absorbs light. It doesn't
- 35:07Speaker 2: bounce much back at you, so the color reads deeper, softer, calmer,
- 35:12Speaker 2: and it also hides a lot of imperfections. And that's
- 35:15Speaker 2: why flat is so popular on ceilings. A shinier finish,
- 35:19Speaker 2: it's going to reflect light and that's going to make
- 35:21Speaker 2: a color feel brighter and richer and more energized. It's
- 35:24Speaker 2: going to make a surface feel more formal, more dressed up.
- 35:27Speaker 2: But it's also going to show more brushstrokes, more roller marks,
- 35:30Speaker 2: more drywall flaws and other imperfections. So sheen plays two
- 35:34Speaker 2: roles basically, But usually if we think about sheen at all,
- 35:38Speaker 2: we only think about it from the practical point of
- 35:40Speaker 2: view about durability and hiding imperfections. But there's a second
- 35:44Speaker 2: role that sheen plays. You know, it's also a design tool,
- 35:48Speaker 2: and most people have no idea how much you can
- 35:51Speaker 2: do with it. Here are just a few examples. One,
- 35:54Speaker 2: try painting your walls and trim the exact same color,
- 35:57Speaker 2: but step the trim up a sheene or two. If
- 36:00Speaker 2: the wall is matt, put satin sheen or something like
- 36:03Speaker 2: that on the trim. If the wall's eggshell, try a
- 36:05Speaker 2: semi gloss on the trim. You know, you haven't changed
- 36:08Speaker 2: the color at all in that situation, but the architecture
- 36:12Speaker 2: that trim is going to quietly emerge. The trim's going
- 36:14Speaker 2: to catch more light, the room's going to look way
- 36:17Speaker 2: more considered, way more custom, a little more formal, a
- 36:22Speaker 2: little more elegant. You know, it's going to give you
- 36:24Speaker 2: that contrast without adding a color, and that's why it's
- 36:27Speaker 2: going to feel more elegant than just having white trim
- 36:32Speaker 2: or something like that. With that contrast, you can also
- 36:35Speaker 2: use sheen to control attention. And what I mean is this,
- 36:38Speaker 2: you keep the walls soft and quiet. You know, let's
- 36:40Speaker 2: say Matt finished something like that, and then let a
- 36:43Speaker 2: satin bookcase, a painted door, or a glossy piece of
- 36:46Speaker 2: furniture become the feature. You know, it's a way to
- 36:48Speaker 2: add interest without adding more pattern or more clutter or
- 36:52Speaker 2: even another color. You know, you could do this all
- 36:54Speaker 2: in the same color, but the different finish is going
- 36:57Speaker 2: to tell your eye where to look. It's a really
- 36:59Speaker 2: interesting trick to try. Another thing you could do is
- 37:02Speaker 2: take a small room, maybe a powder room. Let's say,
- 37:04Speaker 2: paint it a deep saturated color, an emerald, a navy,
- 37:08Speaker 2: you know, something like that, and paint it in a
- 37:10Speaker 2: semi gloss or a high gloss. You know, the whole
- 37:13Speaker 2: room when you do that, is going to become a
- 37:15Speaker 2: jewel box. You know, light is going to bounce off
- 37:17Speaker 2: every surface. The color stops being color and it starts
- 37:20Speaker 2: being almost a material.
- 37:22Speaker 1: You walk in and you feel like you.
- 37:23Speaker 2: Stepped into something. Now, another thing that we see all
- 37:26Speaker 2: over the place is glossy ceilings. You know, it's one
- 37:29Speaker 2: of the great underused tricks in design. You know, we're
- 37:32Speaker 2: so used to flat white ceilings that we forget. The
- 37:35Speaker 2: ceiling is a fifth wall. You know, paint it in
- 37:37Speaker 2: a high sheen finished even if it's just white, and
- 37:39Speaker 2: it's going to reflect the room back at itself. It
- 37:42Speaker 2: bounces light and it can make a low ceiling feel
- 37:45Speaker 2: taller and a small room feel bigger. Designers use this
- 37:48Speaker 2: in dining rooms, entryways, small studies, powder rooms all the time.
- 37:52Speaker 2: But before you rush off to the store, even to
- 37:56Speaker 2: paint your entire powder room, you know, the walls.
- 37:59Speaker 1: A glossy color.
- 38:00Speaker 2: I do need to mention that a glossy ceiling and
- 38:03Speaker 2: glossy walls they can be a little bit of a
- 38:05Speaker 2: struggle too, But glossy ceilings are probably one of the
- 38:08Speaker 2: hardest paint jobs in a house to pull off. I
- 38:11Speaker 2: want to be really clear about that. You know, a
- 38:13Speaker 2: ceiling gets raking light. You know, light comes in through
- 38:15Speaker 2: windows at low angles, it comes from overhead fixtures and
- 38:19Speaker 2: all of its skims across the ceiling instead of hitting
- 38:22Speaker 2: it straight on.
- 38:23Speaker 1: You know, flat paint hides a lot of that gloss.
- 38:25Speaker 2: Paint is going to broadcast it every drywall scene, every
- 38:28Speaker 2: tape joint, every screw pop, every roller mark, every brush mark,
- 38:32Speaker 2: every speck of dust. Gloss is gonna find them and
- 38:35Speaker 2: put a spotlight on everyone. The most drywall in most
- 38:38Speaker 2: homes isn't finished well enough for that. You know, it's
- 38:41Speaker 2: finished well enough for flat paint, matte paint, things like that,
- 38:44Speaker 2: But glossy paint it's a whole different animal, and without
- 38:49Speaker 2: the level of prep that you need, you know, the
- 38:50Speaker 2: skim coating, the sanding, the priming, standing again before you
- 38:55Speaker 2: even open the finished coat. Without that level of prep,
- 38:57Speaker 2: every imperfection is likely going to show up the moment
- 39:01Speaker 2: the ceiling catches light. So be aware with the glossy
- 39:04Speaker 2: finishes that you see. You know, when people go to
- 39:06Speaker 2: full gloss, that's a can of worms that you're opening
- 39:09Speaker 2: up there. You might want to get a professional, and
- 39:11Speaker 2: you might want to get somebody who's done this before.
- 39:14Speaker 1: You don't just might want to.
- 39:15Speaker 2: You want to get somebody who's done this before, and
- 39:18Speaker 2: you want to see some pictures of some rooms that
- 39:20Speaker 2: they've done. If you want to try, you know, a
- 39:23Speaker 2: taste of what a reflective ceiling can do without going
- 39:25Speaker 2: to full gloss. You know, maybe try a satin machine
- 39:28Speaker 2: or something like that, But even then it is a
- 39:31Speaker 2: little more of a struggle on a ceiling to make
- 39:34Speaker 2: that look good than just using a flat anyway, don't
- 39:37Speaker 2: forget about finish and about sheen when it comes to
- 39:40Speaker 2: pulling a room together. It's a conversation you should be
- 39:43Speaker 2: having and something you should be thinking about. There's a
- 39:45Speaker 2: lot you can do with it.
- 39:46Speaker 1: All right. That's going to do it for this episode.
- 39:48Speaker 2: If you want to catch it again, you can find
- 39:50Speaker 2: it online at repco light dot com.
- 39:52Speaker 1: Just click the on the radio.
- 39:53Speaker 2: Tab on the homepage. And whatever you do today, make
- 39:55Speaker 2: sure Paints a part of it.
- 39:57Speaker 1: Have a great.
- 39:57Speaker 2: Weekend, everybody, and I'll see you next week. For Home
- 40:00Speaker 2: in Progress by Repolite Paints. I'm Dan Hansen. Thanks for listening.