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"Chucky" · The Baller Alert Show

• 0:02
  Speaker 1: Hold on, hold on, I rather kick you with Rory
• 0:09
  Speaker 1: sud be the hardest to keep in the boat. So
• 0:11
  Speaker 1: why would you wait every day? Still? It's too because
• 0:12
  Speaker 1: I know for faces they're gonna say, we're so I
• 0:14
  Speaker 1: bade my call on the station. Ain't know, not anxious.
• 0:16
  Speaker 1: I'm waiting on them to go live if it ain't
• 0:18
  Speaker 1: them in all right in the sidace, I promise that
• 0:20
  Speaker 1: no one can do what they do. It's like hundreds
• 0:22
  Speaker 1: of station. That's Aaron, But I'd rather listen to are Sue?
• 0:25
  Speaker 1: Are we in? Sup sup a soup a sup wor
• 0:32
  Speaker 1: so a sup sup boran sup so Ocome to the
• 0:41
  Speaker 1: Bawler Alert Show starting for Ry Simmons and Sue Solo. Yes, sir,
• 0:47
  Speaker 1: welcome to the Fall Alert Show podcast. I go by
• 0:50
  Speaker 1: the day with pit cifics and it's your best friend.
• 0:53
  Speaker 1: Sue Solo, Welcome to the Ball Show Podcast. You ready
• 0:56
  Speaker 1: to get into it? That's good in case you missed it. Alright,
• 1:01
  Speaker 1: chall So if you believe that racism is taught, then
• 1:05
  Speaker 1: I would agree. A nine year old Caucasian shall had
• 1:08
  Speaker 1: a few words for her school board after seeing Black
• 1:11
  Speaker 1: Lives Matters posters on campus. Listen to this little child.
• 1:17
  Speaker 1: I looked up onto the wall and saw a BLM
• 1:19
  Speaker 1: poster and an Amanda Gorman poster. And least you don't
• 1:23
  Speaker 1: know who that chick is. She's some girl who did
• 1:25
  Speaker 1: a poem that Biden so called inauguration. I was so mad.
• 1:29
  Speaker 1: Does not matter the color you make the posters and
• 1:31
  Speaker 1: the font you use, we all understand the meaning. It
• 1:35
  Speaker 1: is a political message about getting rid of police officers rioting,
• 1:39
  Speaker 1: burning buildings down while King Governor Walts just sits on
• 1:42
  Speaker 1: his throne and watches Yo, the micro water. Listen, the
• 1:49
  Speaker 1: micro aggression in her voice is absolutely little girl, you
• 1:54
  Speaker 1: know who that chick is? Okay, Now, the fact that
• 1:57
  Speaker 1: she is so mad and so sure she even knows
• 2:01
  Speaker 1: what the Black Lives Matter movement is actually about really
• 2:05
  Speaker 1: tells us a lot about her upbringing. And I'm just
• 2:06
  Speaker 1: gonna say this because I really don't care. It's sad, Okay,
• 2:10
  Speaker 1: it is sad. Your mama and your daddy is sad,
• 2:13
  Speaker 1: all right. Now, moving on. I interviewed Rapper to See
• 2:16
  Speaker 1: not too long ago, and you know what, he was
• 2:18
  Speaker 1: as cool as hell. He seemed to have his head
• 2:21
  Speaker 1: on straight. And like me, he's a bit of a
• 2:23
  Speaker 1: conspiracy theorist. But I did not see this one coming. Y'all.
• 2:27
  Speaker 1: Listen to what he said about pop Eyes. Why after
• 2:30
  Speaker 1: the Popeye's chicken said, which came out A pandemic was
• 2:34
  Speaker 1: a thing. That will tell me did the world not
• 2:36
  Speaker 1: go in a hole? What's Popeye? Alright? Boom, We're gonna
• 2:40
  Speaker 1: kill Papa's all right. It's a lot of black folks
• 2:44
  Speaker 1: that I actually never had it, and that's probably why
• 2:48
  Speaker 1: I never got the covids. I mean, Tucy might be right.
• 2:52
  Speaker 1: I had a young gripper from here. Okay, now, so listen.
• 2:58
  Speaker 1: At this point, it really is just whatever you believe
• 3:00
  Speaker 1: about the global pandemic, because everybody just saying whatever you
• 3:02
  Speaker 1: want to say. All right, that is what's new with Sue.
• 3:05
  Speaker 1: In case you missed it, We'll be right back. Stay
• 3:08
  Speaker 1: tuned with more of the Baller Alert Show. Back to
• 3:13
  Speaker 1: the Baller Alert Show start. Ferrori Simmons and Sue Solo
• 3:18
  Speaker 1: Faller Nation joined us in welcoming and American producer who
• 3:22
  Speaker 1: was a known hit man. Amongst the hit man that
• 3:25
  Speaker 1: helped make music Moogo Shaan Kom's bad Boy Records of Vibe,
• 3:29
  Speaker 1: A man who's behind some of our favorite classics behind
• 3:32
  Speaker 1: the notorious B I. G. Faith Evans, V. Mary J.
• 3:36
  Speaker 1: Blige and more, Ball the Nations. Snap your fingers or
• 3:39
  Speaker 1: clap your hands for Chucky Man. Let's dope to be here.
• 3:44
  Speaker 1: Appreciate it. How you feeling today's sir? And I'm good
• 3:48
  Speaker 1: man anticipating this when you know what I'm saying. Ball
• 3:52
  Speaker 1: Alert is like one of my favorite spots, you know
• 3:54
  Speaker 1: what I mean. So, Chucky, you've been in the game
• 3:57
  Speaker 1: since the nineties, the early nineties at that you have
• 4:02
  Speaker 1: a crazy resume. What are some of the classics that
• 4:06
  Speaker 1: people may know you for and don't know that you
• 4:08
  Speaker 1: had anything to do with them. I mean one of
• 4:12
  Speaker 1: the biggest ones would be Big Cooper, you know what
• 4:14
  Speaker 1: I mean? Um, and then My Life you know that one. Um,
• 4:20
  Speaker 1: But then a lot of people don't realize I did one,
• 4:23
  Speaker 1: Mike so Nas you know, Wow, that's one of the
• 4:26
  Speaker 1: biggest songs ever. Yeah, but I mean, you know it's
• 4:30
  Speaker 1: you know, I've always been a little key with it,
• 4:33
  Speaker 1: you know what I mean. Um, So it's you know,
• 4:35
  Speaker 1: it's partly my fault that people don't know these things.
• 4:39
  Speaker 1: But I mean they know the records, and you know
• 4:41
  Speaker 1: these records have been a part of of hip hop
• 4:44
  Speaker 1: and pop culture. So you know, I just feel good
• 4:48
  Speaker 1: about that that that my contributions have helped, you know,
• 4:51
  Speaker 1: push this thing along, you know. All right, So so
• 4:55
  Speaker 1: paint the picture for me. It's the nineties. You know,
• 4:58
  Speaker 1: you're talented, you know your how the help to become
• 5:02
  Speaker 1: a hitman at that um well, you know, it was
• 5:05
  Speaker 1: a mutual friend that that kind of pushed the situation
• 5:08
  Speaker 1: with me and Puff, And you know, at that time,
• 5:12
  Speaker 1: I was just submitting songs and one of those songs
• 5:15
  Speaker 1: was the one song that Mary liked, which was to
• 5:19
  Speaker 1: be with You record. So you know I heard at
• 5:23
  Speaker 1: that time she was just picking a bunch of songs
• 5:25
  Speaker 1: and nothing really attracted her, but that one song came
• 5:28
  Speaker 1: in and was like, yo, I want to do this.
• 5:30
  Speaker 1: So that's when Puff really said, you know what, let
• 5:33
  Speaker 1: me get ready. We we decided on a management agreement,
• 5:36
  Speaker 1: so you know, he was my manager. But then you
• 5:39
  Speaker 1: know a lot of the work that I was getting
• 5:41
  Speaker 1: was worked to help him solidify himself as a producer.
• 5:44
  Speaker 1: So we kind of made that pack that you know,
• 5:46
  Speaker 1: we're helping each other, you know, and you know, that's
• 5:51
  Speaker 1: pretty much how the story started. I was really the
• 5:53
  Speaker 1: first one. Uh you know son he was working with
• 5:56
  Speaker 1: a couple of producers at that time. You know, EASYMBI
• 5:59
  Speaker 1: was in a situation. Um Rashard tumming on Dice was
• 6:03
  Speaker 1: in the situation. But you know, I was the first
• 6:06
  Speaker 1: one that was kind of signed under management. So you know,
• 6:10
  Speaker 1: when I got there, it was just like okay, I
• 6:12
  Speaker 1: got this DC thing, this hospitality thing, and I played
• 6:15
  Speaker 1: like eight different instruments, so I started going around the
• 6:18
  Speaker 1: different sessions and just contribute, you know. But that was
• 6:23
  Speaker 1: also getting me on projects. So when you hear the
• 6:25
  Speaker 1: guitars on Ready to Die, that's me with easy Mobile,
• 6:30
  Speaker 1: you know what I'm saying. So, like, you know, it
• 6:32
  Speaker 1: started from there pretty much. Wait wait wait, wait, let
• 6:35
  Speaker 1: me interrupt. Let me interjet because this sounds really good
• 6:39
  Speaker 1: and it sounds like you have been making a lot
• 6:42
  Speaker 1: of money. So I want to ask you what was
• 6:45
  Speaker 1: the biggest first check that you got and how much
• 6:49
  Speaker 1: was it and what the hell did you do with it?
• 6:51
  Speaker 1: Go with that, man, I mean, it was when I
• 6:56
  Speaker 1: signed my publishing agreement, you know what I mean, when
• 6:58
  Speaker 1: I signed with Sony and um, you know at that time,
• 7:03
  Speaker 1: you know, step over the mouth, don't skip over the
• 7:06
  Speaker 1: mouth truck. It was it was, it was, you know,
• 7:09
  Speaker 1: my first million dollars came from Badward. You know that
• 7:14
  Speaker 1: that was you know, our agreement, like Puff felt that
• 7:19
  Speaker 1: strongly about the union that you know at that time
• 7:23
  Speaker 1: for me to be a new producer coming in the game,
• 7:25
  Speaker 1: and you know, that was my contract. And then from
• 7:28
  Speaker 1: there it was the publishing Tony Publishing, which I just
• 7:31
  Speaker 1: re read did my agreement with Big John over there?
• 7:35
  Speaker 1: So shout out the Big John and all of the
• 7:37
  Speaker 1: people over that, Sony, you know what I'm saying. So yeah,
• 7:41
  Speaker 1: I gotta kicked in, you know what I mean. And
• 7:44
  Speaker 1: the crazy thing is a million dollars then was was
• 7:48
  Speaker 1: a little more than a million dollars. Now, yeah, real
• 7:51
  Speaker 1: real talk, real talk. But you know it's like I said,
• 7:54
  Speaker 1: a lot of it had to do with that that
• 7:57
  Speaker 1: that trust, you know what I mean, because you don't
• 7:59
  Speaker 1: just signing people and giving them that type of a
• 8:02
  Speaker 1: situation if you don't think that it's going to work
• 8:05
  Speaker 1: out or think that you know, you're capable of making
• 8:08
  Speaker 1: it happen with them. So I still got to get
• 8:11
  Speaker 1: a puffle out of credit for just seeing, you know,
• 8:13
  Speaker 1: seeing seeing something to me that I probably didn't even
• 8:16
  Speaker 1: seeing myself at that time because you know, I'm coming
• 8:19
  Speaker 1: from d C. You know, he was in the game.
• 8:22
  Speaker 1: I'm trying to get there, you know, and that was
• 8:24
  Speaker 1: just the startup. So that was a dope to me,
• 8:27
  Speaker 1: like one of the dopest stars, you know, to get
• 8:30
  Speaker 1: it kicked in. Yeah. I can't imagine it could have gotten, honestly,
• 8:34
  Speaker 1: any bigger than that at that time, especially being in
• 8:37
  Speaker 1: black culture because he was he was the man, he
• 8:41
  Speaker 1: was real talk. I mean, you know, I was just
• 8:46
  Speaker 1: I was lucky, you know to have had uh, somebody
• 8:49
  Speaker 1: because did anything about it. At that time, it was
• 8:51
  Speaker 1: no Internet. It was really no way to get to
• 8:54
  Speaker 1: people other than for you to actually meet them and
• 8:57
  Speaker 1: then you have to actually you know, meet them in
• 9:02
  Speaker 1: a way where they want to even deal with you.
• 9:04
  Speaker 1: You know what I'm saying. It was a weird time,
• 9:07
  Speaker 1: but I was lucky enough to have somebody there to
• 9:10
  Speaker 1: kind of like, you know, at least have a bridge
• 9:13
  Speaker 1: into it. Um and it got that song placed and
• 9:17
  Speaker 1: you know the rest of the rest kicked it in.
• 9:20
  Speaker 1: That was it. That was history, you know, Chuck, Chuck,
• 9:22
  Speaker 1: I got a question. I know you have a Biggie
• 9:24
  Speaker 1: story that you can tell us, because you know, I
• 9:27
  Speaker 1: grew up listening to bigg He never met him. I
• 9:29
  Speaker 1: was a kid when he passed away. Um. You know,
• 9:32
  Speaker 1: so I kind of was. I kind of came in.
• 9:34
  Speaker 1: I mean, he had a short career anyway. But at
• 9:37
  Speaker 1: the same time, you know, I kind of didn't realize
• 9:39
  Speaker 1: or understand why he died, you know, because I was
• 9:41
  Speaker 1: a kid. Um. I know you have a story to
• 9:44
  Speaker 1: tell us about you in the studio with Biggie or
• 9:48
  Speaker 1: come on, man, give us some Yeah. Yeah, I mean,
• 9:50
  Speaker 1: let's let's let's let's talk about I almost didn't make. Um,
• 9:54
  Speaker 1: I almost didn't make Life after Death. Um. At that
• 9:58
  Speaker 1: particular time for me, I was work and on my artists.
• 10:00
  Speaker 1: I had an artist signed the Effort. It's a guy
• 10:03
  Speaker 1: named Frankie. And I was just trying to devote my time,
• 10:06
  Speaker 1: you know, watching Pump and seeing how much Heed to
• 10:09
  Speaker 1: vote at his time in the building this company. I
• 10:11
  Speaker 1: wanted to put that same energy into mine, you know.
• 10:14
  Speaker 1: And at that time I was just focused on that,
• 10:17
  Speaker 1: and I had went into the studio. I think I
• 10:19
  Speaker 1: went to Daddy's house to grab something and Big was
• 10:22
  Speaker 1: in the other room. He sent somebody in there to
• 10:25
  Speaker 1: talk to me, like you're big one. The haul is
• 10:27
  Speaker 1: shoot and say okay, So I go in there. This
• 10:30
  Speaker 1: is right after the accident, sees he got the cane
• 10:32
  Speaker 1: and all that. So I walked in. He's like, yo,
• 10:35
  Speaker 1: what's up man, You ain't doing nothing on my album,
• 10:37
  Speaker 1: like he was closing out the Life After Death album.
• 10:41
  Speaker 1: So I was like, no, I even like that. He said,
• 10:43
  Speaker 1: come on you. I was like, first off, you got
• 10:46
  Speaker 1: one of the biggest records on my last album, so
• 10:48
  Speaker 1: it's gonna look real funny that you don't have nothing
• 10:50
  Speaker 1: on this. So I'm about to take offense if you don't.
• 10:53
  Speaker 1: You know, if you don't jump on this record, we
• 10:56
  Speaker 1: might have me issues. So I you know, he's that
• 11:00
  Speaker 1: real that he pulled me up, you know what I mean.
• 11:02
  Speaker 1: So I said, cool, let me let me finally sit
• 11:05
  Speaker 1: with Puff and kind of here what what was happening?
• 11:08
  Speaker 1: And he played me a bunch of records and he
• 11:10
  Speaker 1: played Storytell and if you go online, it's an original
• 11:14
  Speaker 1: version of it um and they couldn't clear that sample.
• 11:18
  Speaker 1: So I was like, okay, so that's my end, I
• 11:20
  Speaker 1: was saying. So I was I'll replay this sample. And
• 11:23
  Speaker 1: get us through the door. So I basically it was
• 11:25
  Speaker 1: it was a night of the Grammys. I'm in the
• 11:28
  Speaker 1: studio with a big boats I on, you know what
• 11:30
  Speaker 1: I mean, like just finishing it up because they're closing
• 11:33
  Speaker 1: it out. If it doesn't happen tonight, it's not gonna happen.
• 11:36
  Speaker 1: So I finished that up. And you know the sad
• 11:39
  Speaker 1: part is I never really got to talk to Big
• 11:42
  Speaker 1: to see how he felt about it, you know, but
• 11:44
  Speaker 1: I know it made the record, so um you know,
• 11:48
  Speaker 1: all of that stuff kicked in like like right after
• 11:51
  Speaker 1: you know, um man that story to tell kid flow down.
• 12:00
  Speaker 1: Remember that's one, Remember that one? So chucky. At the time,
• 12:04
  Speaker 1: did you know that you were working with not only
• 12:08
  Speaker 1: classic music, but classic artists? I mean, yeah, It's like
• 12:13
  Speaker 1: it's funny with me because I get personal with people,
• 12:17
  Speaker 1: you know. When you know Big and and we used
• 12:20
  Speaker 1: to hang out all the time, you know what I mean.
• 12:23
  Speaker 1: I remember him having issues with Safe. You know what
• 12:26
  Speaker 1: I'm saying, I'm coming to be like dope, I want
• 12:29
  Speaker 1: to fix my marriage Joe, And I'm like, come on, man,
• 12:31
  Speaker 1: you out here and how are home coming? Going nuts?
• 12:34
  Speaker 1: And you're tik about fixing your marriage. Come on church,
• 12:37
  Speaker 1: you know what I'm saying. So going nuts? Like how
• 12:40
  Speaker 1: I mean, he was big. You've seen what it was
• 12:43
  Speaker 1: he you know he was a gym or not. I
• 12:45
  Speaker 1: mean big was I mean he got married because he
• 12:50
  Speaker 1: loved her, but he was big because he was big.
• 12:54
  Speaker 1: So it was just you know, he was that player.
• 12:57
  Speaker 1: He had that in them, you know what I mean.
• 12:58
  Speaker 1: And and and that's was the thing that broke them up.
• 13:02
  Speaker 1: You know what I'm saying, that that's the part that
• 13:04
  Speaker 1: that killed it. But you know, I'm I'm hearing all
• 13:07
  Speaker 1: of these stories and I'm catching the vibe. So, like
• 13:09
  Speaker 1: I said, I was around, I was around people in
• 13:12
  Speaker 1: different lights. You know. USh it was only what seventeen
• 13:16
  Speaker 1: and something crazy, you know, But he was in the house,
• 13:19
  Speaker 1: you know what I mean. Mary, you would hang with
• 13:21
  Speaker 1: her and we're having so much fun. And then she
• 13:24
  Speaker 1: get on the microphone and then we realized, Wait, aut
• 13:27
  Speaker 1: job was hanging with Mary. You know what I'm saying.
• 13:29
  Speaker 1: Like I didn't realize it until I realized it. But
• 13:32
  Speaker 1: you could feel the part about them just being real people.
• 13:36
  Speaker 1: You know, if you if we don't know nothing else
• 13:39
  Speaker 1: about these artists, we liked them because of that you know,
• 13:42
  Speaker 1: and that's really what it was. Just being around family.
• 13:45
  Speaker 1: You know, puff created this energy where it was just
• 13:49
  Speaker 1: like young black up and coming like the next That's
• 13:53
  Speaker 1: all that was around. Is everybody that was a Craig
• 13:55
  Speaker 1: mac over here, like everybody around was on their up.
• 13:59
  Speaker 1: So it was it was a blessing to come into
• 14:03
  Speaker 1: a situation like that. Because it's question we all got
• 14:07
  Speaker 1: that vibe. Okay, question, if you had to give us
• 14:10
  Speaker 1: your top five and you know we have a lot
• 14:12
  Speaker 1: of listeners on the Ball the Show podcast, if you
• 14:15
  Speaker 1: had to give it us your top five of the
• 14:17
  Speaker 1: records that you had something to do with or do
• 14:20
  Speaker 1: you have a top five? Or is this is gonna
• 14:22
  Speaker 1: be hard for you to say. I mean it's you
• 14:25
  Speaker 1: know what, it probably won't be what most people would
• 14:27
  Speaker 1: think would be my top five. You know what, Let's
• 14:30
  Speaker 1: brag a little bit. Let's brag. Come on, give us,
• 14:33
  Speaker 1: give us, give us a list, give us about ten
• 14:35
  Speaker 1: records you have something to do with Bonnie and Sean,
• 14:38
  Speaker 1: with Sean, you know, can't you see what total Dey're wrong?
• 14:42
  Speaker 1: Would be one of my favorite records. Like I said,
• 14:45
  Speaker 1: I got records that people probably wouldn't recognize that they
• 14:48
  Speaker 1: need to go back and here it's a song called
• 14:49
  Speaker 1: rest of My Life with nas and the final one
• 14:53
  Speaker 1: would be Another one that most people don't understand is
• 14:56
  Speaker 1: Chuck Baby. I produced the record with Chuck Brown Soul
• 14:59
  Speaker 1: searches down here in d C. And um, you know
• 15:03
  Speaker 1: it's like a d C classes, you know. But I'm
• 15:06
  Speaker 1: super proud of that record. That's like total total record
• 15:09
  Speaker 1: was a big record. Yeah, man, I mean shot off
• 15:13
  Speaker 1: to Rashard Tumblin Dice he you know, it was like
• 15:17
  Speaker 1: a synergy around us, like it was walking the room
• 15:20
  Speaker 1: and just started working. So Rashard had something going. I
• 15:23
  Speaker 1: came in and added some pieces. You know. Puff put
• 15:27
  Speaker 1: the cherry on top of as Big to get on it.
• 15:30
  Speaker 1: I think he paid them five thousand longs to know
• 15:32
  Speaker 1: what I'm saying. But Big was a hustler, so he
• 15:35
  Speaker 1: snatched it. It, did it and done. You know what
• 15:37
  Speaker 1: I mean was family. So it was a lot of
• 15:40
  Speaker 1: a lot of good love back then. So Mary J.
• 15:43
  Speaker 1: Blige is in the spotlight right now. Heavy you know
• 15:47
  Speaker 1: she She's always in a spotlight to me. But as
• 15:50
  Speaker 1: of right now, my life celebrates the anniversary this year
• 15:56
  Speaker 1: the Mary J. Blige My Life documentary is actually out
• 16:00
  Speaker 1: on Amazon pime um. How is think that the fans
• 16:05
  Speaker 1: are going to react to this documentary and what does
• 16:07
  Speaker 1: it mean to you to actually be a part of
• 16:09
  Speaker 1: it to some degree, I think the fans are gonna
• 16:12
  Speaker 1: love it because it goes back to what I was saying, like,
• 16:15
  Speaker 1: she's a real one, you know she She's a super
• 16:18
  Speaker 1: real one, and this story shows you behind the curtain.
• 16:23
  Speaker 1: You know, we already see this Wizard of Odd story,
• 16:25
  Speaker 1: you know what I'm saying, And what's out in front
• 16:27
  Speaker 1: is one thing. You go behind that curtain, it ain't pretty,
• 16:30
  Speaker 1: you know what I'm saying. To keep up that that
• 16:32
  Speaker 1: look of what's out front. But she was, she was
• 16:35
  Speaker 1: so dope that she just said, you know what, that's
• 16:37
  Speaker 1: the best way for me to to to be able
• 16:40
  Speaker 1: to connect with the people is to just be as
• 16:44
  Speaker 1: real as possible, you know what I'm saying. And with
• 16:47
  Speaker 1: the crazy part about it was real painful for her
• 16:50
  Speaker 1: after the success of the record, because you think about it,
• 16:53
  Speaker 1: You're going through a situation that's probably the lowest point
• 16:57
  Speaker 1: in your life, and that was being broadcasts all over
• 17:00
  Speaker 1: you know what I'm saying, and you gotta get on stage,
• 17:02
  Speaker 1: you gotta single for four and these these songs are painful.
• 17:06
  Speaker 1: So you know, I give a lot of credit to
• 17:09
  Speaker 1: her to be able to, you know, just expose herself
• 17:13
  Speaker 1: like that. You know what I'm talking. I'm talking about
• 17:15
  Speaker 1: some ugly truths in it, and this documentary it just
• 17:19
  Speaker 1: you know, it packages it up. It packages it up
• 17:23
  Speaker 1: for everybody that loves her to really understand, you know,
• 17:27
  Speaker 1: all that goes on with her, you know what I'm saying,
• 17:29
  Speaker 1: just from just being married, you know. Um And and
• 17:34
  Speaker 1: I'm I'm proud of it. I really like how it
• 17:36
  Speaker 1: came out, you know. I like the fact that this record,
• 17:40
  Speaker 1: I mean, for a time that we were just I
• 17:43
  Speaker 1: don't know, it's like being a somebody that builds houses
• 17:46
  Speaker 1: and you're just making sure to screws in the right place,
• 17:49
  Speaker 1: and you know what I mean, and then you just
• 17:50
  Speaker 1: step away, you off to the next house. But then
• 17:53
  Speaker 1: for people to come back and just look at the
• 17:55
  Speaker 1: house and admire and just see the art in the
• 17:59
  Speaker 1: work that we put in, you know what I mean,
• 18:01
  Speaker 1: It is incredible. Twenty five years of of of a
• 18:04
  Speaker 1: situation that took four months. That record was done in
• 18:08
  Speaker 1: four months, So it's like, you know, I'm I'm I'm
• 18:13
  Speaker 1: overwhelmed with I don't even know how to put this
• 18:17
  Speaker 1: right now. So I'm just happy and I want everybody
• 18:20
  Speaker 1: to just check it out, you know, and look at
• 18:22
  Speaker 1: it from a couple of different angles. You know that
• 18:25
  Speaker 1: there was a lot of it was a lot of love.
• 18:27
  Speaker 1: It's like when you look at the Motown story and
• 18:29
  Speaker 1: you think about all that love that went into making
• 18:31
  Speaker 1: those records. Puff took a page right out of that book,
• 18:35
  Speaker 1: and that's what we were doing. It was just it
• 18:37
  Speaker 1: was a lot of God around, you know, it had
• 18:40
  Speaker 1: to be for that record to turn out that way
• 18:42
  Speaker 1: and still be relevant, you know. So I'm happy it
• 18:48
  Speaker 1: is absolutely still relevant. I mean, I think it's I
• 18:50
  Speaker 1: think that that's kind of what makes a classical classic,
• 18:53
  Speaker 1: is that new generations to come can still relate to
• 18:56
  Speaker 1: the music and still feel it. I'm just happy they
• 18:59
  Speaker 1: let me be the canvas. You know, when when when
• 19:02
  Speaker 1: you're an artists, if you don't have a good canvas,
• 19:06
  Speaker 1: your paint not gonna stick right, you know what I mean,
• 19:08
  Speaker 1: something he's gonna be right. So that's just the part
• 19:11
  Speaker 1: that I feel like I played with that, Like, you know,
• 19:13
  Speaker 1: the master Chef, you know what I mean. But they
• 19:15
  Speaker 1: were they were the you know, they weren't agreed. They
• 19:19
  Speaker 1: just let me season and you know, let me do
• 19:22
  Speaker 1: my thing, and that kind of trust, you know, is
• 19:25
  Speaker 1: important because I was brand new, you know. She she
• 19:29
  Speaker 1: had a list of producers from the previous project, but
• 19:32
  Speaker 1: they all came in kind of you know, we just
• 19:35
  Speaker 1: sold three million that I that, you know what I mean,
• 19:37
  Speaker 1: that she just she's real. She's like, you know what,
• 19:40
  Speaker 1: I'm liking what this is doing. So if she asked,
• 19:44
  Speaker 1: puff would it be cool if we did the whole project,
• 19:46
  Speaker 1: It's I was only contracted to do one song, you
• 19:50
  Speaker 1: know what I'm saying, So it just flipped the whole script.
• 19:53
  Speaker 1: Likes Joe, she wants to do the whole album. Mean
• 19:57
  Speaker 1: what we were doing. They never met the talk about
• 20:00
  Speaker 1: with that. So that's how fast it happened. But I
• 20:03
  Speaker 1: mean because of that synergy of everybody just being around
• 20:06
  Speaker 1: each other. It's like, that's what made it happen as
• 20:09
  Speaker 1: fast as as it did and as dope as it did.
• 20:11
  Speaker 1: Like every day that raised was supposed to be on
• 20:14
  Speaker 1: My Life album. I don't know if you remember that song.
• 20:16
  Speaker 1: It was on the show soundtrack. It's a song called
• 20:19
  Speaker 1: every Day, and that was actually supposed to be on
• 20:23
  Speaker 1: the My Life album, but I think because the time
• 20:26
  Speaker 1: of them made of the double album, so then they
• 20:28
  Speaker 1: were like, you know, and then also Who Shot You
• 20:31
  Speaker 1: was an interlude on My Life album. People don't know that,
• 20:35
  Speaker 1: like Pluff went and got big off the street. It's
• 20:39
  Speaker 1: a Friday night, you know what I'm saying. So he
• 20:42
  Speaker 1: comes in, he shoots that that line, that rhyme. I mean,
• 20:46
  Speaker 1: he said something even crazier than that, Like he said,
• 20:51
  Speaker 1: he said some crazy stuff, and it was so crazy
• 20:54
  Speaker 1: that they were gonna they were gonna have to put
• 20:56
  Speaker 1: the uh, the parental sticker on her album if they
• 21:00
  Speaker 1: would have kept his version. So that's why they switched
• 21:04
  Speaker 1: it up and got Keith Murray because Bigg's verse was
• 21:07
  Speaker 1: so gangster. But look at the time frame. Everybody's trying
• 21:10
  Speaker 1: to think that he made Who Shot You behind that situation,
• 21:14
  Speaker 1: but look at the time frame that was before that
• 21:17
  Speaker 1: was before that was ninety four. It was like summer
• 21:21
  Speaker 1: ninety four that he wrote that. We will be right
• 21:24
  Speaker 1: back with more of The Baller Alert Show. You're listening
• 21:28
  Speaker 1: to a special edition of The Baller Alert Show. Mary
• 21:32
  Speaker 1: Serai Simmons and Sue so Long. This is special cloth alert.
• 21:38
  Speaker 1: Now I wanted I wanted to shift gears a little
• 21:41
  Speaker 1: bit um and we're talking very professionally. How is this
• 21:45
  Speaker 1: taken off? How is this success that you've had in
• 21:48
  Speaker 1: your lifetime taking a toll on you personally? I mean,
• 21:52
  Speaker 1: it's to me, it's all one and the same. Like
• 21:54
  Speaker 1: I don't I'm not a I'm not a famed cat,
• 21:58
  Speaker 1: you know what I mean. So I'm all about the work.
• 22:02
  Speaker 1: I always try to let the work speak for ourselves,
• 22:05
  Speaker 1: and that keeps me in a real space. You know
• 22:07
  Speaker 1: that I'm I'm I'm I'm approachable. You know. I try
• 22:12
  Speaker 1: to look at every situation is as real as it is,
• 22:16
  Speaker 1: or you know what I'm saying, trying to get the
• 22:17
  Speaker 1: reality of each situation. So I don't, I don't know.
• 22:20
  Speaker 1: It's no separation to me. I try not to do
• 22:22
  Speaker 1: that because you you know, you start to create these
• 22:26
  Speaker 1: different levels and all that does and sometimes it will
• 22:30
  Speaker 1: bring you down. So I stay low to the ground,
• 22:34
  Speaker 1: I stay right connected to because the streets dictate everything.
• 22:38
  Speaker 1: This is That's how I always feel about it. If
• 22:40
  Speaker 1: they don't move in the streets it's not gonna move.
• 22:42
  Speaker 1: It's like the foundation. So I stay connected to that
• 22:46
  Speaker 1: type of life, like I focus on real people like
• 22:49
  Speaker 1: in my music, you know what I mean, not the guy,
• 22:52
  Speaker 1: not the guy in the suits, in the in the
• 22:54
  Speaker 1: offices and this and that, they're gonna like it if
• 22:56
  Speaker 1: the people in the streets like so always and that
• 22:59
  Speaker 1: was always be in puffs uh um connection to He
• 23:03
  Speaker 1: stayed in the quasions. I loved him for that. But
• 23:06
  Speaker 1: I always stayed in the street so he could always
• 23:08
  Speaker 1: look across the room and know the perspective I'm coming
• 23:11
  Speaker 1: from is to make sure that the everyday person respects
• 23:15
  Speaker 1: what we're doing. And thank you for that, because you know,
• 23:18
  Speaker 1: we talked about mental health a lot on our show,
• 23:20
  Speaker 1: and I like, I like that you said that, you
• 23:22
  Speaker 1: know you you stayed real grounded, because I think a
• 23:24
  Speaker 1: lot of people don't realize that when you stay grounded
• 23:27
  Speaker 1: and you keep you here low um, that helps your
• 23:30
  Speaker 1: mental state of mind as well. So you know what,
• 23:33
  Speaker 1: I was lucky enough to be crowned. You know, I
• 23:35
  Speaker 1: gotta give give a lot of things to the people
• 23:37
  Speaker 1: that that that were around that raised me. I came
• 23:40
  Speaker 1: up in a term where you know, you're doing stuff
• 23:43
  Speaker 1: in the street, You're gonna get checked. You know. We
• 23:46
  Speaker 1: used to bust bottles in the in the alley, just
• 23:48
  Speaker 1: busting bottles like food, and somebody came and checked that.
• 23:51
  Speaker 1: You know what I'm saying, And that that that type
• 23:54
  Speaker 1: of community, that type of you know, that type of
• 23:58
  Speaker 1: energy around you is going to push you to you know,
• 24:01
  Speaker 1: try to succeed, because it's more to life than just
• 24:06
  Speaker 1: you know, doing doing reckless stuff, you know what I mean.
• 24:10
  Speaker 1: And I'm at the point right now I reach out
• 24:13
  Speaker 1: to these youngest I try to talk to him because
• 24:15
  Speaker 1: they need, you know, they need to see that there's
• 24:18
  Speaker 1: no difference. You know a lot of people feel like
• 24:21
  Speaker 1: you're old or you're young. Nah, even you fly or
• 24:26
  Speaker 1: you're not. It's not even a really old or young
• 24:28
  Speaker 1: to it. You know what I'm saying. Uh, Douggie Fresh
• 24:31
  Speaker 1: is still one of the dopest people that I know.
• 24:35
  Speaker 1: It's not about what record he put out, you know
• 24:37
  Speaker 1: what I'm saying. He can staying get drop him in
• 24:41
  Speaker 1: the middle of the street with nothing and see what happens.
• 24:44
  Speaker 1: He'll rock the whole you know what I'm saying. So
• 24:46
  Speaker 1: it's never really about an age thing. It's just about
• 24:49
  Speaker 1: what you know, how you know, how, what's your codes?
• 24:52
  Speaker 1: How how you working? You know what? What? What are
• 24:54
  Speaker 1: the things that matter? And a lot of people don't
• 24:57
  Speaker 1: really have those those codes. So it's it's it's almost
• 25:01
  Speaker 1: if you meet somebody, you talk to him, you just
• 25:03
  Speaker 1: just talk about life. Just get on a life page
• 25:06
  Speaker 1: and see what's happened. You know. I'm down for that.
• 25:10
  Speaker 1: So I wanted to ask you if Mary J. Blige
• 25:13
  Speaker 1: does a versus battle one, who do you think could
• 25:17
  Speaker 1: go up against her? And too? What would be the
• 25:21
  Speaker 1: first song that she should start with? Oh? Man, who
• 25:26
  Speaker 1: do I think will go up against her in a
• 25:29
  Speaker 1: versus battle? I know everybody off the top of sake faith,
• 25:33
  Speaker 1: you know what I'm saying, just because of that, the
• 25:36
  Speaker 1: time frames and things like that. Um, But uh, with her,
• 25:43
  Speaker 1: I mean I'm all the way up there with Anita
• 25:46
  Speaker 1: Baker and all of that. Like for me, with her,
• 25:48
  Speaker 1: it's it's different things, you know, um, because she has
• 25:55
  Speaker 1: the soul about her, She has this like hood about her,
• 25:59
  Speaker 1: you know, and and all of these things come from
• 26:03
  Speaker 1: that place of just being in you know, being in
• 26:07
  Speaker 1: the hood and hearing these songs like those were those
• 26:09
  Speaker 1: were medicine. What I'm saying that that Anita Baker's songs
• 26:13
  Speaker 1: just record that ship was medicine. It's almost the same
• 26:16
  Speaker 1: as the medicine with my life out. So I would
• 26:19
  Speaker 1: I would, you know, I know that seems crazy to
• 26:21
  Speaker 1: say that, but I would probably go with that. I
• 26:24
  Speaker 1: would go with with Anita Baker with her Now, it's
• 26:28
  Speaker 1: not crazy. I actually think you are giving um an
• 26:32
  Speaker 1: opinion based off of some ship that you really know. Okay,
• 26:36
  Speaker 1: it's not crazy at all. Are the phone calls going
• 26:40
  Speaker 1: crazy now? With this documentary coming out and like the
• 26:44
  Speaker 1: resurface of one of the men who are responsible for
• 26:47
  Speaker 1: its success. I mean, yeah, it's it's it's it's like up,
• 26:51
  Speaker 1: you know, a little bit more than normal, but you know,
• 26:53
  Speaker 1: it's it's a lot of this. It's a lot of
• 26:55
  Speaker 1: the same people though, you know, it's a lot of
• 26:57
  Speaker 1: people that's been you know and know having me in
• 27:00
  Speaker 1: their prayers and things like that. So it's just been
• 27:03
  Speaker 1: a lot of reassurance that you know, uh, you know,
• 27:06
  Speaker 1: I was a part of something that I helped create,
• 27:09
  Speaker 1: something that's like, you know, a soundtrack for all of us,
• 27:13
  Speaker 1: you know, and and and it's here forever. I mean,
• 27:15
  Speaker 1: we just survived. You know, I put that in the
• 27:19
  Speaker 1: classic box with you know, the Oasy Brothers and and
• 27:22
  Speaker 1: you know, certain situations like that. So I'm ecstatic things
• 27:25
  Speaker 1: are happening, you know, just from that level. But you know,
• 27:29
  Speaker 1: I have, UM, I have some things that that are
• 27:32
  Speaker 1: in the works too, you know, that are about to
• 27:35
  Speaker 1: get ready to surface. Because one thing that most people
• 27:38
  Speaker 1: don't realize is the fact that I am from d C,
• 27:41
  Speaker 1: and d C has uh music in that town, you know,
• 27:46
  Speaker 1: is go Go music. The crazy part about it is
• 27:50
  Speaker 1: a lot of people don't realize how much Go Go
• 27:52
  Speaker 1: has played a part and pushing hip hop you know,
• 27:57
  Speaker 1: UM and and and just pop culture in general. You know,
• 28:00
  Speaker 1: when you look at Beyonce is one of her biggest
• 28:03
  Speaker 1: records was done by Rich Harrison, who I'm gonna tell
• 28:07
  Speaker 1: you off the top and his brain was thinking go
• 28:10
  Speaker 1: Go when he made that record. And it's that pocket
• 28:13
  Speaker 1: in that field. So I have a documentary coming out.
• 28:17
  Speaker 1: It's called Chuckie Thompson Presents DC Go Go, and it
• 28:21
  Speaker 1: basically breaks down, you know a lot of people don't
• 28:24
  Speaker 1: understand the music. They don't understand even what it takes
• 28:27
  Speaker 1: to make Go Go. Then it's also a big movement
• 28:29
  Speaker 1: behind it, you know, where it's the official music of
• 28:33
  Speaker 1: the city. And then also a lot of people in
• 28:36
  Speaker 1: the city they either deem it that Go Go has
• 28:39
  Speaker 1: been on or that it's a mainstay, like it's just
• 28:44
  Speaker 1: for the city. It's probably one of the only places
• 28:46
  Speaker 1: that you can go and see a true art form
• 28:48
  Speaker 1: still in its truest art form. And I just you know,
• 28:53
  Speaker 1: I took it as a mission. It's not the Go
• 28:55
  Speaker 1: Go story. It's my story with Go Go. People don't
• 28:57
  Speaker 1: even realize that my life. The song I was mimicking
• 29:01
  Speaker 1: a Go Go band in d C. I I played
• 29:04
  Speaker 1: that Royer's record like a Go Go band with Clay,
• 29:07
  Speaker 1: you know what I'm saying. So it's it's behind a
• 29:09
  Speaker 1: lot of the records that I've made. So you know,
• 29:13
  Speaker 1: with that being said, it's like everything is uh is happening,
• 29:18
  Speaker 1: and I think it's happening for a reason, you know.
• 29:21
  Speaker 1: Definitely for Mary, I really wanted uh. I want to
• 29:25
  Speaker 1: give a stupid shout out to her man because it's
• 29:27
  Speaker 1: it's it's just incredible that, you know, for a situation
• 29:32
  Speaker 1: that she was sad about, you know, and it turned
• 29:36
  Speaker 1: into all of this to realize how many other people
• 29:39
  Speaker 1: related to that sadness, you know, and the fact that
• 29:42
  Speaker 1: I was able to play a part in that, you know,
• 29:45
  Speaker 1: is amazing. So I appreciate all the phone calls right now.
• 29:49
  Speaker 1: I'm loving it. I love it, and we absolutely appreciate
• 29:53
  Speaker 1: you for coming to the Ball of our show podcast
• 29:55
  Speaker 1: before we let you go, Before we let you go,
• 29:58
  Speaker 1: we have to have you as a part of our
• 30:02
  Speaker 1: father mail segments. Go for it all, right, here we go.
• 30:08
  Speaker 1: I'm gonna read it, dear Rory. My wife is terrible
• 30:11
  Speaker 1: with money. I have to hide money from her all
• 30:14
  Speaker 1: the time. I love her with all my heart, but
• 30:17
  Speaker 1: from managing money to managing credit, she's hella irresponsible. How
• 30:21
  Speaker 1: do I speak with How do I speak to her
• 30:23
  Speaker 1: in a way that won't hurt her feelings? Chuck, you
• 30:26
  Speaker 1: have to go first. I mean, in a situation like that,
• 30:29
  Speaker 1: you gotta be real. It's money, you know what I'm saying.
• 30:32
  Speaker 1: I don't think that that's the situation you should play with.
• 30:36
  Speaker 1: And I'm not saying you should scream and go nuts
• 30:38
  Speaker 1: when you're talking about it. But you also have to
• 30:41
  Speaker 1: understand where she may be coming from. You know, you
• 30:43
  Speaker 1: have to see the root of the problem. Why why
• 30:47
  Speaker 1: is she acting this way? What is it about money
• 30:49
  Speaker 1: that makes her? Actors? Right? And you deal with that,
• 30:52
  Speaker 1: you know, you try to figure out, Okay, you know what,
• 30:55
  Speaker 1: maybe you can't have this, but maybe we give you this,
• 30:58
  Speaker 1: and then after this, you know, you just have to manage.
• 31:00
  Speaker 1: But that that story rains and every household. You know,
• 31:05
  Speaker 1: I'm saying everybody has to deal with money, but it's
• 31:09
  Speaker 1: just you know, how real are you with it? Because
• 31:11
  Speaker 1: the one lesson that I learned is the money always
• 31:14
  Speaker 1: gets spent. You know, I don't give if you get
• 31:17
  Speaker 1: a check for forty million dollars, the money's gonna get spent.
• 31:21
  Speaker 1: The question is is what have you done? You know,
• 31:24
  Speaker 1: what's the plan? What's the situation? So I would just
• 31:27
  Speaker 1: say they just need to sit down and just, you know,
• 31:30
  Speaker 1: be real and then map out a plan. But be
• 31:33
  Speaker 1: real with the plan. You know, understand where she's at,
• 31:37
  Speaker 1: why she moves like that, you know, and trying to
• 31:40
  Speaker 1: try to meet the middle. I love because the reality
• 31:45
  Speaker 1: is some of us never had no money. So when
• 31:48
  Speaker 1: you get to a place where you have a little bit,
• 31:50
  Speaker 1: you don't know what to do with it, you know,
• 31:52
  Speaker 1: So I love Chucky's approach. Talk to or see what
• 31:55
  Speaker 1: the rule of the problem is, because she might not
• 31:57
  Speaker 1: be spending it just because she wants to. She may
• 32:00
  Speaker 1: just not know how to do any better. So I
• 32:03
  Speaker 1: definitely agree with R. That's it. You know, she might
• 32:07
  Speaker 1: be feeling like, you know, money is a band aid
• 32:11
  Speaker 1: for something, you know what I'm saying. So you just
• 32:14
  Speaker 1: gotta literally really gotta get into that problem. But what
• 32:16
  Speaker 1: is it that's doing this, Like, why are you doing this?
• 32:19
  Speaker 1: You know a lot of people don't tag me in.
• 32:21
  Speaker 1: Somebody tagged me in. Man, you know I'm a little
• 32:25
  Speaker 1: I'm a little rente game chop. This is to the dude,
• 32:27
  Speaker 1: Oh man, get your goddamn feelings out of or why
• 32:30
  Speaker 1: are you worried about how she feels? Bro her little
• 32:33
  Speaker 1: as down down and keep it to her raw and
• 32:37
  Speaker 1: funky so it stank when you talk to her. Bro
• 32:41
  Speaker 1: stop acting like, oh, I don't want to hurt her spinnings.
• 32:43
  Speaker 1: If you got damn goddamn, if you shed just spend
• 32:46
  Speaker 1: the rent money, this is a problem. She's a problem
• 32:50
  Speaker 1: if both. If your credit is good or her credit
• 32:52
  Speaker 1: is not good, this is a problem. Okay, by the
• 32:55
  Speaker 1: credit need to be on point when you sit down,
• 32:57
  Speaker 1: has thrill goals? Have a list. I am married to
• 33:01
  Speaker 1: an accountant. She saved my life, Chuck. When I met her,
• 33:04
  Speaker 1: I had a five ninety five. Chup. Now I'm sitting
• 33:07
  Speaker 1: next to you and I got a seven credits for
• 33:11
  Speaker 1: seven five for I say that ship with confidence. All
• 33:15
  Speaker 1: I'm saying is, she sat me down, and she wrote
• 33:19
  Speaker 1: down and we figured out the root of the problems.
• 33:21
  Speaker 1: So Chuck, you all right, we gotta figure out the
• 33:24
  Speaker 1: root of the problem. But dude, we are your balls,
• 33:27
  Speaker 1: that bro. I gotta speak to her in a way
• 33:30
  Speaker 1: that they don't hurt hut all that. When you do
• 33:36
  Speaker 1: stuff like that, you hurt your films. You know what
• 33:38
  Speaker 1: I'm saying. It's like, at the end of the day,
• 33:41
  Speaker 1: it's a team, you know. I always looked at it
• 33:44
  Speaker 1: like that. Some of the some of the dopest hustlers
• 33:47
  Speaker 1: that I've ever met. I'm talking about the Eights. Some
• 33:50
  Speaker 1: of their rules to the organization was if a guy
• 33:54
  Speaker 1: is not a person that uses his brain, I'm not
• 33:56
  Speaker 1: enforcing to use his brain. Like, if you're a person
• 33:59
  Speaker 1: to use your hand, I'm gonna give you that job.
• 34:01
  Speaker 1: So if you're not the person to manage the money
• 34:05
  Speaker 1: that that's not your job. Give it to the person
• 34:08
  Speaker 1: that manages the money. And then guess what. Now you
• 34:11
  Speaker 1: can live your life. You will have everything you want
• 34:14
  Speaker 1: and guess what days are gonna be taken care of?
• 34:17
  Speaker 1: And we're teams. You know that's a good aass point
• 34:21
  Speaker 1: because sometimes people expect you to be a professional is
• 34:24
  Speaker 1: something that you don't know it about. So identify the
• 34:27
  Speaker 1: weaknesses the strengths, and rely on that person for where
• 34:30
  Speaker 1: they're strong and and support them where they're not. And
• 34:33
  Speaker 1: but you got there at some point that everybody has
• 34:35
  Speaker 1: to be real because you might not want to hear
• 34:37
  Speaker 1: that fact that that's all you need to do is that.
• 34:40
  Speaker 1: But if you're if you love somebody enough, you know
• 34:44
  Speaker 1: that that you are in that union that where you're
• 34:47
  Speaker 1: dealing with money somewhere, and then you know it should
• 34:49
  Speaker 1: be it should be just you know, second nature that
• 34:52
  Speaker 1: appreciate you. Thank you now, this is a super dogbity
• 34:56
  Speaker 1: got you hYP got my man hype for two second,
• 35:02
  Speaker 1: admitted he was with a chucky Please tell bother nation
• 35:05
  Speaker 1: where they can find you, how they can keep up
• 35:07
  Speaker 1: with all of your current successes. Future successes as successes
• 35:12
  Speaker 1: where does ball the nation find you? Okay, so right
• 35:15
  Speaker 1: now you can definitely find me on my Instagram, which
• 35:18
  Speaker 1: is at chuck like three sixty five. Let me say
• 35:21
  Speaker 1: that again. At Chuck Like three sixty five, I post
• 35:25
  Speaker 1: some wow. It's funny, but it's all about life. It's
• 35:29
  Speaker 1: always real. Just come hang out with me. Also, my
• 35:32
  Speaker 1: Twitter is CHUCKI Thompson and my Facebook is CHUCKI. Thompson.
• 35:36
  Speaker 1: So come on all that Chucky Thompson, come come on
• 35:39
  Speaker 1: fall in line. Yea, welcome on us whenever you are
• 35:44
  Speaker 1: in Atlanta. Pleasure man. We we had a ball today.
• 35:49
  Speaker 1: Thank you so much for joining us on. I appreciate,
• 35:52
  Speaker 1: I appreciate. So so you got any shots before we
• 35:54
  Speaker 1: can go, because you know what I'm about to say,
• 35:56
  Speaker 1: So you go ahead and go first. Well first, I
• 36:00
  Speaker 1: mean shout out to my mom's man. Shout out to
• 36:03
  Speaker 1: Charlotte Jay Thompson man. And that's my mother and my
• 36:06
  Speaker 1: sister's Christal and callers. Um. You know my son's Quincy
• 36:11
  Speaker 1: and Trede, who are also producers. You know the name
• 36:15
  Speaker 1: of their group is Negative Minds. They're about to get
• 36:18
  Speaker 1: ready like the scene up. Trust me when I tell
• 36:20
  Speaker 1: you I didn't even know they were focusing on production
• 36:24
  Speaker 1: until I heard the records, Like they are amazing. They
• 36:27
  Speaker 1: do it different than I do it, but they do
• 36:29
  Speaker 1: it for what's happening right now, and they'll make their
• 36:32
  Speaker 1: mix between my hip hop and theirs. I didn't know
• 36:34
  Speaker 1: they were listening to the call that time. So shout
• 36:37
  Speaker 1: out to my family, man, and uh, you know that's
• 36:41
  Speaker 1: pretty much it. Man. Love out to the people of Tidy,
• 36:47
  Speaker 1: which is the northern region of Ethiopia, and I want
• 36:49
  Speaker 1: to give a big shout out to a really trying
• 36:53
  Speaker 1: to bring an end to the table eye genocide. People
• 36:55
  Speaker 1: that are speaking about it, repeat, reposting, retweeting, reaching out
• 37:00
  Speaker 1: to local government. I appreciate you guys were standing for Tickaday.
• 37:04
  Speaker 1: Whether you are Ethiopian, eritre and Molly's American, if you
• 37:08
  Speaker 1: stand on the right side of humanity, this shout out
• 37:11
  Speaker 1: is to you. Oh and my shoutout is to the
• 37:13
  Speaker 1: Atlanta Hawks. Okay, hey, New York Nick fans. We told
• 37:18
  Speaker 1: y'all we beat y'all last. Philadelphia set the ships for fans.
• 37:22
  Speaker 1: We told y'all we beat y'all ast and hopefully now
• 37:26
  Speaker 1: we told everybody that's said we was gonna get swept,
• 37:29
  Speaker 1: and it was gonna be bucks in five when we
• 37:33
  Speaker 1: beat y'all, and then one trade t L Hawks and
• 37:37
  Speaker 1: seven Hawks going to the finals. And then when we
• 37:40
  Speaker 1: get to the finals, Hawks and six chuck. You heard
• 37:43
  Speaker 1: it first from me. Hey man, I'm with you, Joe.
• 37:48
  Speaker 1: Appreciate your chuck. I can't get enough of baller Alerts.
• 37:52
  Speaker 1: Follow us on all social media platforms at valler Alert Holdo,
• 37:55
  Speaker 1: going to baller alert dot com