Latest / On with Mario Interviews / David Arquette and Danny A
Transcript
- 0:00Speaker 1: I have one with Mario Lopez Teverye.
- 0:03Speaker 2: Mario Lopez joining right now in studio, a couple of
- 0:05Speaker 2: friends of mine, mister Danny, Yeah, you and David or Kett.
- 0:08Speaker 1: How are you telling me what's going on? You buddy,
- 0:13Speaker 1: You're doing well?
- 0:14Speaker 2: Thank you, and I know you were on my show
- 0:16Speaker 2: Access Daily and Access Hollywood. We're repurposing, We're blowing up
- 0:20Speaker 2: Mob Cops. Sally here and I love that you guys
- 0:23Speaker 2: have teamed up now for a couple of films. This
- 0:27Speaker 2: one that is going to be hitting both theaters and
- 0:30Speaker 2: on demand.
- 0:30Speaker 1: Mob Cops.
- 0:31Speaker 2: I'm very excited about because it's based on a shoe
- 0:33Speaker 2: story and it essentially evolves some dirty cops.
- 0:36Speaker 3: Right Yeah, Yeah, probably the most corrupt case in the
- 0:39Speaker 3: history of the NYPD eighties and nineties. Yeah, it's a
- 0:43Speaker 3: really a crazy story.
- 0:44Speaker 1: How challenging is it to do period piece in that era?
- 0:48Speaker 1: It's very challenging.
- 0:50Speaker 3: I mean that's why I shot the movie in LA
- 0:53Speaker 3: I didn't take it to New York and New York.
- 0:54Speaker 3: I have to close down streets, permits, all the cars
- 0:57Speaker 3: and wardrobe, and then you have to really like figure
- 1:00Speaker 3: out how you you know, there's so many moving things
- 1:04Speaker 3: when you shoot in the city itself, with the noise
- 1:06Speaker 3: and all that stuff.
- 1:07Speaker 1: We decided to shoot.
- 1:08Speaker 3: It all in La exterior stuff was shot and Warner
- 1:11Speaker 3: Brothers on the New York lots over there, and it.
- 1:13Speaker 1: Just made it much easier.
- 1:14Speaker 3: It's very difficult to the cars, the wardrobe, all of
- 1:17Speaker 3: that stuff, the unions.
- 1:19Speaker 2: The.
- 1:21Speaker 1: Mob coming after us.
- 1:23Speaker 2: From what I see though, David, look, it's great man.
- 1:25Speaker 2: I mean, you've had your fair share of playing cops before.
- 1:29Speaker 1: Are you a shady cop in this is like.
- 1:31Speaker 4: My first crooked cop. I've played so many cops, like,
- 1:35Speaker 4: I don't know why.
- 1:36Speaker 1: We played literally like.
- 1:38Speaker 4: Half of the films I've done I've been a cop.
- 1:40Speaker 4: But uh yeah, so this is the first real cooking cop.
- 1:44Speaker 4: That was an interesting thing. And Jeremy Luke's amazing in it.
- 1:47Speaker 4: He plays the other mob cop, the other cookie cop,
- 1:50Speaker 4: and it's funny because it's not a comedy in any way.
- 1:54Speaker 4: But for us, I'm kind of like his straight man.
- 1:57Speaker 4: I'm the quieter one. Other two he's sort of the loud,
- 2:00Speaker 4: boisterous one. So it's fun to sort of take that
- 2:03Speaker 4: approach to my My guy was we have bo Diedle
- 2:07Speaker 4: in the movie he was a legendary and really officer.
- 2:11Speaker 1: Quite a good actor. Amaly Mo.
- 2:15Speaker 4: Yeah, but we could turn to him because he had
- 2:17Speaker 4: worked with him, he knew him. That's why we could
- 2:19Speaker 4: turn right to him and say what was this guy?
- 2:21Speaker 4: Like what do you think he'd do? And blah blah.
- 2:24Speaker 4: There's one part where my character I get like they
- 2:27Speaker 4: they they're getting paid by the mom they're starting to
- 2:29Speaker 4: make money. But my choice was just to like get glasses. Like,
- 2:33Speaker 4: my guy's not flashy at all. He doesn't get a
- 2:35Speaker 4: new car, he doesn't get anything, but he got these glasses.
- 2:38Speaker 4: So I put these glasses on. And I hadn't see
- 2:41Speaker 4: with Boddle, and I could tell bos was like a
- 2:44Speaker 4: little kind of annoyed by what he's like off camera.
- 2:49Speaker 4: He's like, well, why are you wearing those classes? I
- 2:53Speaker 4: was like, because New York cops don't really wear glasses
- 2:56Speaker 4: like some other kind of cops. Otherwears.
- 2:58Speaker 1: We can't YPD don't wear class. Wait a minute, but
- 3:00Speaker 1: you can't see, you can't work.
- 3:02Speaker 4: It's like a fed thing. It's like, yeah, it's.
- 3:05Speaker 2: More like you're out there struggling like the worst.
- 3:11Speaker 1: I mean you exactly. You did have a good stash
- 3:16Speaker 1: though I saw that, yes, not a bad stash. That
- 3:19Speaker 1: was not a bad stas not a bad stash.
- 3:21Speaker 2: And it's interesting you mentioned Boddle and he was a
- 3:25Speaker 2: real life cop and coincidentally during the same era that
- 3:29Speaker 2: the film takes place, and made the transition, of course,
- 3:31Speaker 2: to be an actor, which reminds me of you, Danny,
- 3:33Speaker 2: who was like sort of the king of nightlife and
- 3:35Speaker 2: made this transition to get an entertainment industry.
- 3:37Speaker 1: Why are you signing, I'm saying that's fascinating.
- 3:40Speaker 2: No one, that's sound like an easy you know, Hey,
- 3:42Speaker 2: I'm club one minute, you know.
- 3:43Speaker 1: What, I think I'm gonna get an acting That usually
- 3:45Speaker 1: doesn't happen. Well, I always wanted to be an actor.
- 3:48Speaker 1: He's just the club stuff. Was like, I gotta pay
- 3:50Speaker 1: some bills until I become this a you know what
- 3:53Speaker 1: I mean? But no, I started with the So was
- 3:56Speaker 1: that deal? Okay? I didn't know. You just woke up
- 3:57Speaker 1: one d you know what, that's good to try the
- 3:59Speaker 1: second thing.
- 3:59Speaker 3: So always, you know, So as a kid, I went
- 4:02Speaker 3: on all these auditions. I did a couple of music videos,
- 4:06Speaker 3: school play. I wanted to be an actor.
- 4:08Speaker 1: Realized, you know, it's not that easy.
- 4:10Speaker 3: I'm from Brooklyn, New York. I've never really been to Hollywood.
- 4:14Speaker 3: And then I got into the club business and I succeeded,
- 4:17Speaker 3: so I kept staying in it. But the focus is
- 4:19Speaker 3: always like figuring out how I can actually start doing
- 4:22Speaker 3: what I really love doing. And then eventually, slowly I
- 4:28Speaker 3: did a short film and and and a couple of friends,
- 4:31Speaker 3: you know, casting me in the small little roles here
- 4:33Speaker 3: and there, and just got you know, used to being
- 4:36Speaker 3: on set, and decided to make my first film.
- 4:38Speaker 1: And that's what happened.
- 4:39Speaker 3: And now I'm here, good for you, sitting with you.
- 4:41Speaker 1: I love that story.
- 4:42Speaker 4: I went from actor to a club owners.
- 4:46Speaker 3: He went out, he went, he went from being in
- 4:48Speaker 3: the biggest movie of the year into like running fellow.
- 4:53Speaker 1: Hey and wrestling. I love it. What's next? Oh well?
- 4:58Speaker 1: Both was as of the clown that's right, right, Yeah,
- 5:07Speaker 1: you knew that. Thank you.
- 5:10Speaker 4: Yeah, bosos coming back, Happy clowns coming back.
- 5:15Speaker 1: Now scary clown Now, what do you make of the
- 5:17Speaker 1: connotation that most people are scared?
- 5:19Speaker 4: A lot of people scared of clowns? Yeah, I know,
- 5:22Speaker 4: I know, not scary though scary clowns aren't typically like
- 5:28Speaker 4: actually real clowns. Clowns bring you joy and happiness, make
- 5:31Speaker 4: you laugh. But we do this thing called Bob Baker
- 5:34Speaker 4: Day and there's Poncho who's an amazing uh clown and
- 5:38Speaker 4: tattoo artists at Spotlight Tattoo. And he said to me
- 5:41Speaker 4: at the end of the day, he was like, David,
- 5:44Speaker 4: you were a good clown today.
- 5:47Speaker 1: Thanks.
- 5:48Speaker 4: It's like, yeah, you made a lot of kids happy
- 5:50Speaker 4: and you scared a few. That's what a good clown does.
- 5:55Speaker 1: Balance. Yeah, my God, tell me about this other film
- 5:59Speaker 1: called The Perfect.
- 6:00Speaker 3: Oh, so David's actually in it as well. The Perfect
- 6:04Speaker 3: Gamble is a movie that we shot last summer and
- 6:09Speaker 3: in Georgia, mostly in Georgia, and uh it comes out
- 6:13Speaker 3: in late August, beginning of September. It's guy David Arquette
- 6:18Speaker 3: and Daniella Peake Tarantino, Quentin's wife. That's her first acting job.
- 6:24Speaker 3: She's great in it. Subbining Film picked it up and
- 6:28Speaker 3: we're very, very excited. So the premiere and the release
- 6:32Speaker 3: should be beginning of September.
- 6:34Speaker 4: And an amazing actor named Danny Ave.
- 6:38Speaker 3: Me and him play like buddies, like two very good
- 6:42Speaker 3: friends from New York who end up moving to Georgia
- 6:44Speaker 3: and opening an underground casino and getting caught up with
- 6:48Speaker 3: the with the Russian mob there and paying you know.
- 6:50Speaker 4: Really hard to act like his friend though, So that
- 6:53Speaker 4: took I really had.
- 6:54Speaker 3: I think my favorite part about the movie is just
- 6:57Speaker 3: our relationship.
- 6:57Speaker 2: We just really it's it was playing such a blast
- 7:01Speaker 2: on this on the set, man, I can't imagine it was.
- 7:03Speaker 1: It did never come by set.
- 7:05Speaker 3: He didn't come to set. Uh, But we worked with him,
- 7:09Speaker 3: me and David and Daniella, just on on on the
- 7:13Speaker 3: on the script, you know, going over the lines and uh.
- 7:16Speaker 3: In the editing room he was he was very helpful
- 7:20Speaker 3: and gave us some good some notes.
- 7:21Speaker 1: That's cool, man, that is awesome.
- 7:23Speaker 2: And David, you're talking about playing a cople lot and
- 7:26Speaker 2: you're gonna returning to one of your classic characters, Dewey,
- 7:29Speaker 2: which is ironic because he appeared to have died.
- 7:33Speaker 1: But in horror films, I guess anything, anything possible.
- 7:37Speaker 2: Flashback flash burned the week of the resurrection, So oh
- 7:41Speaker 2: is it a flashback?
- 7:44Speaker 4: I can't really do I discuss the particulars of it.
- 7:47Speaker 4: But I got to work with Kevin Williamson, the writer
- 7:49Speaker 4: of the original, and like created this whole universe. So yeah,
- 7:54Speaker 4: it was an honor to work with him.
- 7:55Speaker 1: That's awesome.
- 7:56Speaker 2: That's awesome all these years and and Dan, I just
- 7:58Speaker 2: want to make sure I get to this because I
- 8:00Speaker 2: just find it fascinating. I know you recently directed another
- 8:03Speaker 2: film called twelve Hours in October, regarding the events on
- 8:06Speaker 2: October seventh.
- 8:07Speaker 1: Yeah, in Israel, Man, I can't wait to see it.
- 8:12Speaker 1: How was it being from Israel? How was it just
- 8:14Speaker 1: visiting that content and telling that story?
- 8:17Speaker 4: Oh?
- 8:17Speaker 1: My god?
- 8:18Speaker 3: So yes, it was very, very difficult to make this film.
- 8:22Speaker 3: I shot it in Israel. Lionsgate picked it up, and
- 8:28Speaker 3: I didn't realize how hard it was going to be,
- 8:31Speaker 3: just because I wanted to take I wanted to look
- 8:33Speaker 3: at it just as a film and go scene by scene.
- 8:36Speaker 3: But just you know, when you have all these people
- 8:40Speaker 3: that went through this, because we shot it in Israel,
- 8:42Speaker 3: so all the actors and all the extras were there
- 8:45Speaker 3: and really experienced it and bringing it all back and
- 8:48Speaker 3: really showing it. It's not a documentary where it's only
- 8:50Speaker 3: the aftermath. We're showing the actual act of what happened
- 8:54Speaker 3: and Reh having to redo it and we create it.
- 8:58Speaker 3: It really was difficult. I mean, we had we had
- 9:00Speaker 3: actors that that got going to panic attacks, and we
- 9:03Speaker 3: had psychiatrists and psychologists on set and really like but
- 9:08Speaker 3: people were really passionate to make sure that we say,
- 9:10Speaker 3: you know, we do it at the at the highest
- 9:12Speaker 3: level and really really do it right. And the movie
- 9:16Speaker 3: came out great. I actually screened it for Lionsgate couple
- 9:19Speaker 3: days ago and they're looking to release it hopefully on
- 9:22Speaker 3: October seven, two years of the day.
- 9:24Speaker 1: Oh wow. Yeah.
- 9:25Speaker 3: And you know, and this movie was made from passion
- 9:29Speaker 3: and love and and even just the raising the money
- 9:33Speaker 3: for you know, I told all my investors if one
- 9:35Speaker 3: of them here, Eli Weise, my buddy. I explained to
- 9:39Speaker 3: the investors, I was like, we probably, you know, this
- 9:42Speaker 3: movie might not.
- 9:43Speaker 1: Get a distribution deal.
- 9:44Speaker 3: It's a very difficult subject, you know. And they were like,
- 9:47Speaker 3: you know, we're doing it for the right reasons. We
- 9:49Speaker 3: got to make this film no matter what happens. And
- 9:52Speaker 3: then lions Gate stepped up and really understood what it
- 9:55Speaker 3: was and and we're really excited for the world to
- 9:57Speaker 3: see it. It's it's called twelve was in October because
- 9:59Speaker 3: it we really just concentrate on the first twelve hours
- 10:02Speaker 3: from six twenty nine am to six twenty nine pm
- 10:05Speaker 3: and and follow what happened at the Nova and and
- 10:07Speaker 3: and the Kibboots and Barry.
- 10:10Speaker 1: I cannot wait to see it.
- 10:11Speaker 2: And I think Americans, to put it in perspective, it
- 10:15Speaker 2: would be like correct me if I'm wrong, almost like
- 10:18Speaker 2: if people came to Coachella right to the music's resolutely
- 10:21Speaker 2: and something which is really just kind of his mind
- 10:23Speaker 2: blowing when you think about it.
- 10:25Speaker 1: So I congrats, look forward to that.
- 10:28Speaker 2: In the meanwhile, we're gonna be sure to check out
- 10:30Speaker 2: Mob Cops with Danny and David.
- 10:33Speaker 1: We also got Kevin Connolly I know in it.
- 10:35Speaker 3: Kevin Connyoddrenzo Denucci, got Jeremy Luke, Joey Ruts. I want
- 10:41Speaker 3: to give a shout out to everybody Man Layla, so
- 10:46Speaker 3: many great people, Lynn and Grahame Sibley. Everyone deserves a
- 10:50Speaker 3: big hand.
- 10:51Speaker 1: Barry Markowitz time.
- 10:56Speaker 4: No, we this movie.
- 10:57Speaker 1: We're really proud of it.
- 10:58Speaker 3: And I think I think that once people see it tonight,
- 11:01Speaker 3: I'm I'm excited that you're coming. Yeah, thank you, thank
- 11:04Speaker 3: you for coming. And and uh and we're really excited
- 11:08Speaker 3: because this is this is a good one, you know,
- 11:10Speaker 3: sometimes you know, you make a film and you're proud
- 11:12Speaker 3: of it, and not a lot of people get to
- 11:13Speaker 3: see it. Because this is you know, Grindstone and lines Gate.
- 11:16Speaker 3: I think people are really going to be able to
- 11:18Speaker 3: see it and really find it. It will be fun.
- 11:20Speaker 2: Well, it is available now, check it out. And also
- 11:22Speaker 2: the Perfect Gamble, which is going to be coming soon. Gentlemen,
- 11:26Speaker 2: thanks for stopping by.
- 11:26Speaker 1: Thank you Mario.
- 11:27Speaker 4: Can I just take one second to say, yeah, Mario Lopez,
- 11:35Speaker 4: so impressive with your workoutthic all you do.
- 11:38Speaker 1: I don't mean to be like puffing you up, but
- 11:39Speaker 1: I really am like blowing away. No one works.
- 11:46Speaker 4: On works hard.
- 11:47Speaker 1: Thanks buddy. Well you know you got supporter of me.
- 11:48Speaker 3: I love you
- 11:52Speaker 2: With Mario Lopez.