Latest / Vanity Farah with Chris Farah / 90 Day Fiancé The Other Way Season 8 Episode 3  “No Shoes, No Trust, Big Problems” Part 2

Transcript

90 Day Fiancé The Other Way Season 8 Episode 3  “No Shoes, No Trust, Big Problems” Part 2 · Vanity Farah with Chris Farah

• 0:08
  Speaker 1: Hi there. Welcome back to Vanity Fair. My name is
• 0:10
  Speaker 1: Chris Fair, where I recap pop culture, entertainment, television shows, docuseries,
• 0:15
  Speaker 1: that kind of thing. I talk about it because, you know,
• 0:18
  Speaker 1: I'm like an only child. Maybe you need someone to
• 0:20
  Speaker 1: talk about it. And maybe like, you know, you thought
• 0:22
  Speaker 1: of weird things at the same time I did. And
• 0:25
  Speaker 1: there's like small details I'm going to bring up that
• 0:27
  Speaker 1: you're into. And that's You know what we do here, honey.
• 0:30
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• 0:57
  Speaker 1: slash Chris Farah. Let's talk about it. I have already
• 1:00
  Speaker 1: given you my part one of what I'm talking about today.
• 1:03
  Speaker 1: This is part two of 90 Day Fiance, The Other Way,
• 1:06
  Speaker 1: season eight, episode three. No shoes, no trust, big problems.
• 1:10
  Speaker 1: Stupid title. Okay, so we're going to pick up on
• 1:13
  Speaker 1: Niles and Matilda, honey. So Matilda wakes up. It's breakfast.
• 1:19
  Speaker 1: She sits at her breakfast nook table, honey. She calls
• 1:23
  Speaker 1: a taxi. She's like, take me to Kumasi. because I
• 1:26
  Speaker 1: have to drive over there and it's very fucking frustrating.
• 1:28
  Speaker 1: And I need to get there in one piece. I
• 1:31
  Speaker 1: need to be calm, cool, collected for my man. I
• 1:35
  Speaker 1: need to be in a good frame of mind and
• 1:38
  Speaker 1: that's what's happening. And so she's a woman that has
• 1:42
  Speaker 1: decided to make this choice and she's doing it. And
• 1:44
  Speaker 1: I'm happy for her because she should be in a
• 1:47
  Speaker 1: good mood and he assume wouldn't would want that for her.
• 1:52
  Speaker 1: Because Niles does one thing, which is tailor what he's
• 1:56
  Speaker 1: going to do or say to make sure Matilda stays
• 1:58
  Speaker 1: in a good mood. And I feel like so she
• 2:00
  Speaker 1: knows that about her. She has a certain power. Now,
• 2:04
  Speaker 1: at the same time, he's on a whole ass plane
• 2:06
  Speaker 1: and he's waiting for his squishy mommy. He's really into squishy,
• 2:11
  Speaker 1: squishing her face. He's like, and maybe a texture thing.
• 2:15
  Speaker 1: She has great cheeks. He's just like, I love want
• 2:20
  Speaker 1: to eat you. Like he treats Matilda's face and cheeks
• 2:24
  Speaker 1: like how I treat my niece and nephews. Like if
• 2:28
  Speaker 1: I could, if it'd be okay, I would just like
• 2:31
  Speaker 1: gnaw and kiss their cheeky poos all day long and
• 2:36
  Speaker 1: like chew on them if I could, but just smush
• 2:39
  Speaker 1: them for sure. And just hug and smush them all
• 2:41
  Speaker 1: night long. Like, and that's what he gets to do with,
• 2:45
  Speaker 1: you know, like not his niece or nephew, it's Matilda,
• 2:47
  Speaker 1: you know, it's what he's into. So She is in
• 2:51
  Speaker 1: the car, taxi getting there. She's pissed off, putting on
• 2:54
  Speaker 1: lip gloss. Honey, she's prepping to just like leave this
• 2:57
  Speaker 1: life behind and move to America with her husband, which
• 3:00
  Speaker 1: is what she thinks is going to happen. She gets mad.
• 3:05
  Speaker 1: to the airport. She sees him. He comes through and
• 3:07
  Speaker 1: she's overjoyed. And he is so happy to see her.
• 3:10
  Speaker 1: They run, they hug. She says he looks even more handsome.
• 3:13
  Speaker 1: And dare I say, he does. It looks like he's
• 3:17
  Speaker 1: been lifting. He looks like he has some like muscle tone,
• 3:19
  Speaker 1: his biceps. And you know, I like arms. One thing
• 3:23
  Speaker 1: you know about Chris Farah, she liked them arms. Chris
• 3:25
  Speaker 1: Farah likes arms, shoulders, hands, Popeye muscles. I think it's
• 3:30
  Speaker 1: pretty obvious. He looks like he's been lifting. So I
• 3:34
  Speaker 1: was really happy for him. You know, I like to
• 3:37
  Speaker 1: talk about men's bodies and I talk about women's bodies.
• 3:39
  Speaker 1: That's the kind of person I am. Comment good or bad.
• 3:42
  Speaker 1: I usually don't really comment usually when it's bad. I
• 3:45
  Speaker 1: don't think I do. But I will comment when it's good.
• 3:47
  Speaker 1: And I'll fetishize men. Okay, so he does what he
• 3:52
  Speaker 1: wants to do in public at the airport. Just squishes
• 3:55
  Speaker 1: the fuck out of her cheeks. And she's like, hey,
• 4:00
  Speaker 1: wait till we're home. Private. He's like, okay. Now, when
• 4:05
  Speaker 1: he does this and I took a picture, I realized, oh,
• 4:08
  Speaker 1: where's my picture? Give me one second because I know
• 4:15
  Speaker 1: I have it and I'm going to be so mad.
• 4:27
  Speaker 1: Got it. Okay. Okay. One point, of course, he is
• 4:32
  Speaker 1: squishing her face in real time at the airport. And
• 4:34
  Speaker 1: what I noticed is he has the best, longest nail
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  Speaker 1: beds I've ever seen. Look at them nail beds. They
• 4:43
  Speaker 1: are pristine. I mean, they are so wide. They're like billboards.
• 4:48
  Speaker 1: The man has billboards for nail beds. He is a
• 4:51
  Speaker 1: hand model. I don't know if there are male hand models.
• 4:59
  Speaker 1: We're in the age of like gender unspecific beauty, you know,
• 5:04
  Speaker 1: like he could definitely rock black nails, you know, like
• 5:08
  Speaker 1: in the sense of if there's like goth male, you know,
• 5:12
  Speaker 1: nail polishes that would need a hand as opposed to
• 5:17
  Speaker 1: like hot pink, maybe there are hot pink male hand
• 5:20
  Speaker 1: model jobs. And I would want that for him. You
• 5:24
  Speaker 1: know what I'm saying? I feel like if a guy
• 5:27
  Speaker 1: is wearing nail polish and Nine times out of 10,
• 5:30
  Speaker 1: it's black nail polish or chipped pink nail polish because
• 5:36
  Speaker 1: their daughter decided to like do it for them yesterday.
• 5:42
  Speaker 1: And they use that like non-toxic stuff that just peels
• 5:44
  Speaker 1: off anyway. You know, I'm talking about Ella, Ella and May. Okay.
• 5:48
  Speaker 1: So she says, you know, he's like, okay, well, so
• 5:55
  Speaker 1: I'm here. God bless. I've squished the fuck out of
• 5:57
  Speaker 1: your face. And I have Obviously, just got a fresh mani-pedi.
• 6:01
  Speaker 1: And I talked to Mr. Ark, my dad, and he
• 6:06
  Speaker 1: wants us to go to his house. And she's like, no.
• 6:08
  Speaker 1: And she's like, well, we can stop by, but then
• 6:10
  Speaker 1: we're going to my apartment. He's like, I'm sorry, what?
• 6:12
  Speaker 1: She's like, then we're going to go to my apartment
• 6:14
  Speaker 1: and be alone because we want privacy. And he's like, you're,
• 6:17
  Speaker 1: it's weird. It's like you said apartment. It's like, that'd
• 6:22
  Speaker 1: be like a place that like you would have to
• 6:24
  Speaker 1: pay to live. And she's like, yep. What are you
• 6:30
  Speaker 1: going to say? He's like, we'll talk about this later.
• 6:33
  Speaker 1: But the later happens mere moments later in the car.
• 6:36
  Speaker 1: And we start to have this conversation where he says,
• 6:41
  Speaker 1: you know, Matilda, he's going to call Matt, which is,
• 6:44
  Speaker 1: you know, his own thing. Matt mismanaged her money. And
• 6:49
  Speaker 1: about two months ago, she said that she was going
• 6:51
  Speaker 1: to be out on the streets. And so he sent
• 6:53
  Speaker 1: her money. And it's like a convoluted story because then
• 6:56
  Speaker 1: she's like, don't say that. What I did do is
• 6:58
  Speaker 1: just tell you I was going to be out on
• 6:59
  Speaker 1: the streets, which is true. And you thought, well, I'm
• 7:02
  Speaker 1: not going to give you money for you to live
• 7:04
  Speaker 1: by yourself, but I'll give you some extra money and
• 7:07
  Speaker 1: you deal with your own life by moving back in
• 7:10
  Speaker 1: with your parents. But she didn't want to do that.
• 7:12
  Speaker 1: So she said that she probably needed more money and
• 7:14
  Speaker 1: then took the money he could give her and then
• 7:15
  Speaker 1: just got a place that he didn't know she could
• 7:18
  Speaker 1: or something like that. It's like he gave her money
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  Speaker 1: that he thought was just being used for her life.
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  Speaker 1: And then when he realized that she had used it
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  Speaker 1: for an apartment and didn't tell him she was getting
• 7:31
  Speaker 1: an apartment, he got mad. And it's because she felt
• 7:37
  Speaker 1: like was manipulating him for more money. But in her mind,
• 7:41
  Speaker 1: she thought you should be giving me money anyway. Because
• 7:45
  Speaker 1: in my culture, the man takes care of the woman.
• 7:48
  Speaker 1: The husband takes care of the wife. I am here.
• 7:52
  Speaker 1: You're not here. You said you would be here. And
• 7:55
  Speaker 1: you have to understand, day in and day out, I
• 8:00
  Speaker 1: live underneath the judgmental gaze of my parents, the elders
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  Speaker 1: of the town and the village, who all know me
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  Speaker 1: to be married and to an American. And I can't
• 8:17
  Speaker 1: be shamed by then burdening them with like me staying
• 8:23
  Speaker 1: with them when that should be on you to take
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  Speaker 1: care of me because you know, money can be stretched
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  Speaker 1: to whatever it is. Like, that's what it feels like
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  Speaker 1: she's saying to him. And he's like, okay, but I
• 8:37
  Speaker 1: had given explicit instructions for you to move in with
• 8:41
  Speaker 1: your mom and And I kind of want to be like, oh,
• 8:48
  Speaker 1: do you think that you can control this woman? This woman?
• 8:53
  Speaker 1: Look at this. What do you think you can do? Niles,
• 8:56
  Speaker 1: look at her, babe. I know. Let's just take some moments,
• 9:01
  Speaker 1: some cognitive behavioral therapy, because it feels like you have
• 9:04
  Speaker 1: a belief that's not quite right. Let's examine that belief.
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  Speaker 1: Is that true? Because he does say some absolutely contradictory,
• 9:17
  Speaker 1: you know, like hypocritical things in the next few moments
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  Speaker 1: where you're like, Niles, come on. We're going to replay
• 9:24
  Speaker 1: this tape, honey, right at the reunion. You're going to
• 9:26
  Speaker 1: hear yourself just sound like a whole ass crazy person
• 9:29
  Speaker 1: because you do try and pinpoint and like put her
• 9:32
  Speaker 1: feetsies to the fire for things that you have done
• 9:36
  Speaker 1: and are about to do, about to do. So, again,
• 9:45
  Speaker 1: she is like, you disgrace me by asking me to
• 9:51
  Speaker 1: go to my parents or not giving me the small
• 9:55
  Speaker 1: amount of money that I asked for or the money
• 9:59
  Speaker 1: that I asked for because you haven't given me the
• 10:03
  Speaker 1: American citizenship in the time you did. So it's like,
• 10:07
  Speaker 1: how dare you not give me either thing? You owe
• 10:11
  Speaker 1: me this. It's a disgrace to not give me any
• 10:14
  Speaker 1: of it. That's what I think she's coming from. He's like, well, Matt,
• 10:18
  Speaker 1: you didn't tell me what was going on. And that's
• 10:21
  Speaker 1: a problem. You cannot keep from me lies about where
• 10:28
  Speaker 1: you are going to live or where I'm going to
• 10:29
  Speaker 1: live or what's happening. You have to be honest with me,
• 10:32
  Speaker 1: no matter what you think I'm going to say. And
• 10:35
  Speaker 1: we're looking at Niles. We're hearing what he's saying and
• 10:37
  Speaker 1: being like, girl, boo, babe, pet. Come on. Get the
• 10:48
  Speaker 1: mirror out. Look at it. That's you. That's what you do.
• 10:57
  Speaker 1: You are literally not telling her that you are about
• 11:00
  Speaker 1: to tell her, which now you can't tell her, that
• 11:06
  Speaker 1: you are going to live here now. And that she,
• 11:09
  Speaker 1: of course, is going to continue to live here instead
• 11:13
  Speaker 1: of where she thinks she's going to live. Because this
• 11:17
  Speaker 1: whole time she thinks she's going to live in America
• 11:19
  Speaker 1: and you have been what? Lying to her. You've been
• 11:22
  Speaker 1: knowing she's not going to live in America and you
• 11:25
  Speaker 1: haven't told her that. You've been waiting to surprise her.
• 11:32
  Speaker 1: Surprise her with a surprise. Surprise. I'm here. You're not
• 11:36
  Speaker 1: coming to America. I made a decision without you. And
• 11:43
  Speaker 1: it's almost like Maddie knows that. And it's like, I
• 11:48
  Speaker 1: don't know, production reached out or something where she low-key
• 11:50
  Speaker 1: is like, Well, Niles, I have a surprise for you.
• 11:54
  Speaker 1: Surprise for a surprise, right? You have a surprise for me?
• 11:59
  Speaker 1: What husband wouldn't appreciate a surprise from his wife? You know,
• 12:04
  Speaker 1: it's like a very interesting back and forth and like
• 12:07
  Speaker 1: conversation with the word surprise where I'm like, I don't,
• 12:10
  Speaker 1: I don't, this is weird. She surely seems like maybe
• 12:17
  Speaker 1: happy to see him at the airport physically, but pissed. Hangry. Angry.
• 12:27
  Speaker 1: Not hangry. I'm hangry. She's just angry. She's eating in
• 12:31
  Speaker 1: the first scene, so she's fine. Yeah, he's just like,
• 12:36
  Speaker 1: we must be honest about big things in life. Pot
• 12:47
  Speaker 1: kettle black. Pot kettle black.
• 12:57
  Speaker 1: Okay,
• 13:01
  Speaker 1: I won't do it. But, you know, it's hard when
• 13:06
  Speaker 1: you like know words are going to come back to
• 13:08
  Speaker 1: haunt you. And I wonder if in that moment, I
• 13:13
  Speaker 1: wonder if any part of his very smart, very astute brain,
• 13:17
  Speaker 1: you know, like, I don't want to put too much like,
• 13:20
  Speaker 1: you know, like, stereotype on the tism, but some tism
• 13:27
  Speaker 1: peeps are really good at making connections and callbacks and patterns, right? Patterns, right?
• 13:33
  Speaker 1: And I'm just saying the patterns of the words that
• 13:37
  Speaker 1: he's saying to her of what she shouldn't do and
• 13:41
  Speaker 1: how she should be honest about big things in life,
• 13:44
  Speaker 1: like where she's living. I wonder if the words sound
• 13:49
  Speaker 1: familiar from The past patterns in which he's said them
• 13:53
  Speaker 1: calling back to him. And if he's like, that sounds
• 13:57
  Speaker 1: familiar to when I said it to the producers of
• 14:00
  Speaker 1: what I was going to be doing, which is lying
• 14:01
  Speaker 1: and not being honest about where we're going to live.
• 14:04
  Speaker 1: I just want to know if he, in real time,
• 14:07
  Speaker 1: was like, oh, shit. Oh, Sean's going to fucking bring
• 14:12
  Speaker 1: that up in a clip package. I can see it.
• 14:15
  Speaker 1: I can feel it coming in the air tonight. I
• 14:18
  Speaker 1: won't sing it again because I feel like I've sung
• 14:19
  Speaker 1: 14 times on this thing. You're like, oh, my God.
• 14:22
  Speaker 1: That's why you talk about the tism, Chris. Like you
• 14:23
  Speaker 1: don't know a goddamn callback. Like you won't do a pattern.
• 14:25
  Speaker 1: You won't sing every time. Like, you know, you say
• 14:27
  Speaker 1: three words that's already exist in some sort of song
• 14:29
  Speaker 1: that like, you know, brings a lyric to you and
• 14:31
  Speaker 1: a melody and you have to sing it. Yes. Okay.
• 14:33
  Speaker 1: So this is what's happening. We're like, Ooh, it doesn't
• 14:35
  Speaker 1: sound good. We, he, she, obviously they're on the way
• 14:37
  Speaker 1: to Mr. Ark and then we're going to go see
• 14:39
  Speaker 1: her a place and she seems upset and he doesn't
• 14:43
  Speaker 1: get why. And it does seem like the, it seems
• 14:47
  Speaker 1: interesting because there's two things at play. How rich is
• 14:53
  Speaker 1: Niles in Matilda's eyes? And is that real? And doesn't
• 14:57
  Speaker 1: Matilda understand what Niles can, you know, like do and
• 15:01
  Speaker 1: make for her? And, and also is she just like,
• 15:04
  Speaker 1: get me to America and I will pick up, you know,
• 15:08
  Speaker 1: the bacon making as well. I can do better bacon
• 15:15
  Speaker 1: making there. It was weird that I said bacon-makin', and
• 15:20
  Speaker 1: I feel like I meant bring home the bacon, which
• 15:25
  Speaker 1: is weird because if you bring home bacon, then you
• 15:27
  Speaker 1: assume that if you're going to actually cook the bacon,
• 15:30
  Speaker 1: someone else would be making that bacon. It would be
• 15:33
  Speaker 1: not the person that brought it home. I mean, that's
• 15:35
  Speaker 1: just traditional. I was only last week old when I
• 15:40
  Speaker 1: heard the term bread loser. Like if someone is the breadwinner,
• 15:49
  Speaker 1: Someone's the bread loser in a relationship if one is
• 15:54
  Speaker 1: a working person and one isn't, which I thought was funny.
• 15:59
  Speaker 1: How come there's so much like food stuff? A bacon, anyway.
• 16:02
  Speaker 1: All right, yum. Okay, it's like if there are some eggs,
• 16:06
  Speaker 1: I have a full breakfast sandwich. Okay, we'll see what happens.
• 16:11
  Speaker 1: And it doesn't look promising, but we don't know. And
• 16:13
  Speaker 1: I don't feel like it's in the cards for Niles
• 16:21
  Speaker 1: and Matilda to stay in Ghana. Like I think that
• 16:25
  Speaker 1: she's going to make it to America. I need to
• 16:33
  Speaker 1: know a little more of why it hasn't happened because
• 16:35
  Speaker 1: I said this before, we've touched on it because God
• 16:38
  Speaker 1: bless Niles has been open with the fact that it's
• 16:40
  Speaker 1: hard for him to, you know, maybe get all the administrative,
• 16:43
  Speaker 1: like executive functioning stuff done. And like, you know, he's
• 16:45
  Speaker 1: been offered help before to kind of like get, just
• 16:50
  Speaker 1: paperwork fucking done, right, for this process. I still need
• 16:53
  Speaker 1: to know if the holdup is monetary or paperwork or
• 16:57
  Speaker 1: a combination of both and what can be done. Okay,
• 17:04
  Speaker 1: so my babes, we are going to move on to
• 17:09
  Speaker 1: John and Allie. This is messy as F. Lots of umbrellas, honey, outdoors,
• 17:15
  Speaker 1: no rain, Singapore. There are, you know, Just a lot
• 17:20
  Speaker 1: of people taking care of their skin. She is laying
• 17:24
  Speaker 1: in bed and he's like, do you want warm water?
• 17:27
  Speaker 1: Not white coffee like I earlier described in part one,
• 17:32
  Speaker 1: which is a Lebanese after dinner drink with orange blossom
• 17:37
  Speaker 1: or coffee. She's pregnant. She says warm water. I'm like,
• 17:39
  Speaker 1: oh my God. I feel like anytime someone and I
• 17:42
  Speaker 1: get it, it's like I start my day with warm
• 17:44
  Speaker 1: water and lemon. I'm like, it's great. Oh, cool. while
• 17:49
  Speaker 1: you wake up at 5 a.m. That's crazy. He's like,
• 17:53
  Speaker 1: we had pregnancy sex. It's sort of like a geometric, sorry,
• 18:00
  Speaker 1: I'll have to say this, geometrical, geometry there, geometry problem.
• 18:10
  Speaker 1: And I'm also sort of like, You shouldn't be a problem.
• 18:17
  Speaker 1: It should just be you being as gentle as fuck,
• 18:20
  Speaker 1: somehow making her happy. But he didn't make her happy
• 18:28
  Speaker 1: because she's pregnant and he's 50 and he should know
• 18:33
  Speaker 1: how to lay it down. And she complains. She says
• 18:37
  Speaker 1: he didn't warm her up, which means he tried to
• 18:40
  Speaker 1: raw dog. her pregnant without like doing any foreplay, which
• 18:45
  Speaker 1: is maniacal. I mean, like that is blocked. That is like,
• 18:52
  Speaker 1: that's not it. That alone, I was like, did you
• 18:55
  Speaker 1: talk to Megan about that? Are you like, Megan, he's
• 18:57
  Speaker 1: the most selfish lover. Megan's like, I'll talk to him
• 19:02
  Speaker 1: about it. Bring him prawning. And that's what happens. So
• 19:06
  Speaker 1: they're going prawning And that is like a farmed prawning experience.
• 19:12
  Speaker 1: Prawning to me, it's like lobsters. I'm not a big
• 19:17
  Speaker 1: fish person. Every time I see a fish, I make
• 19:19
  Speaker 1: this face. It's the same face Allie makes when she
• 19:22
  Speaker 1: sees a prawn. They're ugly. Lobsters are ugly. Crabs are ugly.
• 19:26
  Speaker 1: I mean, these are like hideous sea creatures slash aliens
• 19:31
  Speaker 1: that people are like, yum. Can't wait to put that
• 19:33
  Speaker 1: in my mouth by breaking its whole skeleton and then
• 19:36
  Speaker 1: slurping its whatever is insides. Oh, anyway, God bless. So
• 19:41
  Speaker 1: she's like, yeah, we're going to go pruning. And we're like, okay, girl,
• 19:43
  Speaker 1: you go a lot? Like, is that your thing in Singapore?
• 19:45
  Speaker 1: You guys do that? She's like, I've been waiting to
• 19:47
  Speaker 1: go with him. I'm like, okay, is that weird? It's
• 19:48
  Speaker 1: like ax throwing. She's like, and my friend Megan. I'm like, okay,
• 19:51
  Speaker 1: are you guys sitting on a boat? But she's not that.
• 19:53
  Speaker 1: She gets there. She's only too happy to be like,
• 19:56
  Speaker 1: see that sign? No vaping. You stupid asshole. And I
• 20:03
  Speaker 1: think it is kept in for us to be like,
• 20:06
  Speaker 1: this bitch will not drop it. And the other thing is,
• 20:09
  Speaker 1: she's like, it's just annoying to me again, she kept saying,
• 20:11
  Speaker 1: because you lied to me. But it's like, why make
• 20:15
  Speaker 1: him stop vaping in the land in which he fucking can,
• 20:20
  Speaker 1: if you know he can't even vape the minute he
• 20:22
  Speaker 1: gets here anyway? Just let him fucking vape then there.
• 20:27
  Speaker 1: Because you're right, he can't vape here. He's going to
• 20:28
  Speaker 1: get fined $ 1 billion or whatever the fuck it is.
• 20:31
  Speaker 1: So just let him live where he can live She's
• 20:35
  Speaker 1: annoying to me, but he's even worse. So I'm definitely
• 20:37
  Speaker 1: on the ex-wife side. So she's like, I don't know
• 20:42
  Speaker 1: why I brought you here. It's not a really feminine activity. Oh, okay.
• 20:47
  Speaker 1: She's like scared as he baits it. I'm like, okay,
• 20:49
  Speaker 1: I don't like fish either, but I don't need to
• 20:50
  Speaker 1: see like, what? No. What is this? You brought him here.
• 20:56
  Speaker 1: Didn't you look at the website? I wouldn't bring someone here,
• 21:00
  Speaker 1: but I know I don't like the smell of fish
• 21:02
  Speaker 1: or just watch them, you know, like wet finger push
• 21:05
  Speaker 1: a hook through a live, small animal to bait it
• 21:10
  Speaker 1: for this other animal to eat and then get hooked.
• 21:12
  Speaker 1: I mean, you know, just think about, I mean, I
• 21:14
  Speaker 1: wouldn't do it, but I'm assuming this bitch knows what
• 21:16
  Speaker 1: fishing is. All right. So Megan comes and when Megan
• 21:22
  Speaker 1: gets there too, you really are reminded of how young
• 21:25
  Speaker 1: both these girls are. They're young and it's in relationship
• 21:29
  Speaker 1: to him. He's old. He looks old because he is old.
• 21:34
  Speaker 1: And these girls are what? Young. And in comparison, look
• 21:37
  Speaker 1: even younger. The juxtaposition of him and those big ass,
• 21:41
  Speaker 1: thick ass glasses with his old ass, weathery ass skin
• 21:44
  Speaker 1: and the like wrinkly ass, freckly ass arms. And then
• 21:48
  Speaker 1: these just dewy faced, look like schoolgirls. I mean, graduate schoolgirls.
• 22:02
  Speaker 1: getting their master's, honey, learning about feminist theory somewhere. I mean,
• 22:06
  Speaker 1: I don't know. It's gross. It's a G-R-O-S-S. Okay, so
• 22:15
  Speaker 1: Megan comes in, balls of steel, guns blazing, coming in hot, honey,
• 22:23
  Speaker 1: like how it's been in Los Angeles recently. Hot. Hot
• 22:27
  Speaker 1: as fuck. She is like, has a whole agenda going.
• 22:32
  Speaker 1: She has come in like with all of the intention
• 22:38
  Speaker 1: of like a prosecutor who has a client that she
• 22:45
  Speaker 1: believes in that has been wronged. And this client has
• 22:51
  Speaker 1: been I mean, dodge left and right when they've asked
• 22:56
  Speaker 1: for answers or any sort of action. And it's like
• 23:00
  Speaker 1: Megan's entire calling in life to be like, I'm going
• 23:04
  Speaker 1: to get John to fucking fess the goddamn up. I'm
• 23:09
  Speaker 1: Megan slash father to Johnny Pop or Johnny Bean. They
• 23:14
  Speaker 1: keep calling this baby something. Johnny Pop? I don't know. Okay,
• 23:19
  Speaker 1: I'm like, I just... There's obviously categories for me in
• 23:27
  Speaker 1: the couples of 90 day. I can either absolutely love you.
• 23:31
  Speaker 1: I can love to hate you. I can think you're
• 23:35
  Speaker 1: fake or I can think you're weird or gross. You
• 23:38
  Speaker 1: know what I'm saying? There's just so many things. And
• 23:39
  Speaker 1: there's probably even more. There's nuanced ones of this. So
• 23:45
  Speaker 1: right now, Jesse and Vittorio are fake, right? The couple
• 23:51
  Speaker 1: I was like, who do I really like? Oh my God,
• 23:54
  Speaker 1: is there one? You know, it's not Niles and Matilda,
• 23:59
  Speaker 1: though they're not bad. But it's like, I kind of
• 24:03
  Speaker 1: think like to love to hate to watch right now
• 24:06
  Speaker 1: is probably Andy, Andy and Nigel. But the ones that
• 24:10
  Speaker 1: I like think are gross, Allie and John. And it's
• 24:17
  Speaker 1: interesting because when I go to Reddit, and you know
• 24:20
  Speaker 1: I do, People's opinions are sometimes the same as mine
• 24:25
  Speaker 1: and sometimes so vastly different. There are people who are like,
• 24:32
  Speaker 1: I like Allie. And I'm like, I don't, I feel
• 24:34
  Speaker 1: like she's really immature and stuff like that. And people
• 24:37
  Speaker 1: are hating Jesse. I'm not saying that Jesse's great, but
• 24:40
  Speaker 1: also people are like, Jesse's not that pretty. I'm like,
• 24:42
  Speaker 1: Jesse's gorgeous. Also, Allie's gorgeous. There are a lot of
• 24:45
  Speaker 1: beautiful people on this season. Well, those people. Um, Andy
• 24:51
  Speaker 1: has her own charm. Okay. So let's go back. Megan's like, hi,
• 24:57
  Speaker 1: how are you? How's that job hunt going? And he's like, oh, uh, well,
• 25:02
  Speaker 1: it's hard because I'm foreign. I'm like, is it? Shouldn't
• 25:04
  Speaker 1: that be like, do you speak English and you have
• 25:06
  Speaker 1: a whole ass career in America doing what I'm assuming
• 25:09
  Speaker 1: is some niche ass shit. So it shouldn't be you
• 25:14
  Speaker 1: white ass, stupid ass educated man. Like what? No. Okay. Well,
• 25:20
  Speaker 1: So then she's like, oh, yeah, I'll tell you what
• 25:22
  Speaker 1: he's not doing, applying to jobs. What he does do, TikTok,
• 25:25
  Speaker 1: watching TikTok. Why are you watching so much fucking TikTok?
• 25:29
  Speaker 1: Why aren't you applying to jobs, you stupid asshole? And
• 25:31
  Speaker 1: he's starting to get the hint that these women are
• 25:35
  Speaker 1: going to gang up on him, honey. And then suddenly
• 25:38
  Speaker 1: he's the prawn. He's been hooked. So anyway, Megan's like,
• 25:46
  Speaker 1: you know what? If you got a job, I'm sure
• 25:48
  Speaker 1: our girl would be just like more assured she's pregnant.
• 25:53
  Speaker 1: You know, because it doesn't really always seem like you're
• 25:55
  Speaker 1: trying and you know what's up. And he's like, I'm
• 25:58
  Speaker 1: obviously trying. I'm here right now, right? She's like, yeah,
• 26:02
  Speaker 1: but there's sometimes there's a lot of talk and no action.
• 26:04
  Speaker 1: He's like, cool story, but I'm here. Cool. Right. I'm
• 26:06
  Speaker 1: where you're seeing me right now. So what is happening?
• 26:09
  Speaker 1: You know? And he's like, listen, I didn't even want
• 26:12
  Speaker 1: to be here. We weren't going to be here. We
• 26:13
  Speaker 1: were going to be in America. And Megan's like, well,
• 26:17
  Speaker 1: did she want that? He's like, well, I don't know.
• 26:20
  Speaker 1: Did you want that? And then Allie's like, no, I
• 26:23
  Speaker 1: hate it in America. I, It was so not what
• 26:26
  Speaker 1: I expected. I had to live in your house with
• 26:28
  Speaker 1: your ex-wife. I'll never go back. And he's so pissed
• 26:32
  Speaker 1: about this. He's like, well, if we went back, she
• 26:35
  Speaker 1: wouldn't be living with us, would she? What are you doing?
• 26:41
  Speaker 1: She's like, well, we don't have to worry about that
• 26:43
  Speaker 1: because you're here now, right? Like, you're like, oh, fuck. fuck.
• 26:47
  Speaker 1: These prawns are like, we're going to just stay and
• 26:50
  Speaker 1: swim around, honey. We should be skidding away because you
• 26:53
  Speaker 1: should be eating us. But now this is like drama.
• 26:56
  Speaker 1: This is the biggest drama we've had, honey. Come Buster,
• 26:59
  Speaker 1: come Greg, come Mary Bell. I don't know the other
• 27:02
  Speaker 1: prawns names. They all swim up. They're like, what the fuck?
• 27:06
  Speaker 1: All the little critters in the land come and see
• 27:08
  Speaker 1: what these banshees are yelling about. Okay. So it's like
• 27:13
  Speaker 1: Megan's thing is like, yeah, if you're not going to
• 27:15
  Speaker 1: fucking do something, then like, I don't know, you just
• 27:19
  Speaker 1: might be more of a burden to her. And that's
• 27:22
  Speaker 1: interesting because half of me is like, you really think
• 27:26
  Speaker 1: this man's not shit? Is he not giving her any money?
• 27:30
  Speaker 1: Is he straight pulling, you know, like Niles? Like, is
• 27:35
  Speaker 1: she doing everything by, like, what do you think she's
• 27:38
  Speaker 1: doing by herself? And like, why would Ally be better
• 27:40
  Speaker 1: by herself? Only because what is the alternative if Ally
• 27:44
  Speaker 1: has not her parents on her side? I just want
• 27:48
  Speaker 1: to know what Megan's thought process is. I'm not saying
• 27:52
  Speaker 1: that Allie doesn't, but I don't quite understand the thought process.
• 28:04
  Speaker 1: So then suddenly, a cockroach just comes in. And I
• 28:07
  Speaker 1: don't know if it's Allie willing something to break this up,
• 28:11
  Speaker 1: or again, all the critters in the land decided to
• 28:14
  Speaker 1: give them a distraction. But the cockroach... sort of makes
• 28:19
  Speaker 1: Allie and her friend Megan squeal and scatter, and it's
• 28:23
  Speaker 1: a whole ass big deal. And the squealing and the
• 28:26
  Speaker 1: scattering triggers John to be annoyed and whatever. Also, I
• 28:35
  Speaker 1: think wanting to show up these, in his mind, probably dumb,
• 28:40
  Speaker 1: immature young girls. So he grabs the fucking cockroach barehanded,
• 28:46
  Speaker 1: like Bear Grylls would wrestle a goddamn bear. Okay. I'm sorry,
• 28:51
  Speaker 1: but it's like, it's a cockroach. And he just sort
• 28:56
  Speaker 1: of like football maneuvers the cockroach on the pier and
• 29:00
  Speaker 1: then like cups it with his hand and like scoops
• 29:04
  Speaker 1: it off. It is to me grotesque and in a
• 29:11
  Speaker 1: very small way, absolutely horrifying. The thought of doing this
• 29:19
  Speaker 1: is almost like a horror movie kind of thing to
• 29:23
  Speaker 1: watch someone grapple with live cockroaches and try and grab them.
• 29:27
  Speaker 1: And what if they threw them at you or who
• 29:30
  Speaker 1: knows what? I was like, this is a nightmare. And
• 29:32
  Speaker 1: it felt so... Okay. I wonder if in his mind,
• 29:39
  Speaker 1: he was trying... to do it in a masculine display.
• 29:44
  Speaker 1: You guys are screaming over this thing and screaming over me,
• 29:46
  Speaker 1: but I can take down this cockroach. But it's also
• 29:50
  Speaker 1: hilarious because he is a cockroach and so is this cockroach.
• 29:54
  Speaker 1: And a like a viable adversary to a man. Granted,
• 30:04
  Speaker 1: cockroaches are supposed to like, I guess, outlast us all,
• 30:06
  Speaker 1: but you know, it's a cockroach. It's not something that
• 30:13
  Speaker 1: usually is a good fight for us, a fair fight.
• 30:16
  Speaker 1: So he doesn't look that masculine or accomplished or big
• 30:20
  Speaker 1: or whatnot or protective by like just killing a cockroach. Their,
• 30:26
  Speaker 1: of course, reactions are so But there's something about Allie
• 30:32
  Speaker 1: that is kind of fake hyper feminine. Like there's something
• 30:37
  Speaker 1: about Allie that feels performative, like gross a pun. And
• 30:41
  Speaker 1: also being like, I love the smell of your armpits. There's,
• 30:45
  Speaker 1: I don't know, like a just weird toxic femininity about her,
• 30:52
  Speaker 1: if that makes sense. Okay, so obviously he's gotten upset.
• 30:58
  Speaker 1: He's gotten the cockroach out. He like leaves the area.
• 31:01
  Speaker 1: You know, the girls are looking at each other. Allie's like,
• 31:04
  Speaker 1: oh no. Allie was, he says, too quiet and did
• 31:10
  Speaker 1: not have his back when other people were attacking him.
• 31:13
  Speaker 1: So then Allie just decides to go to the bathroom.
• 31:15
  Speaker 1: And Megan comes over to talk to him more because
• 31:18
  Speaker 1: he loved the first batch so much, okay? And then
• 31:21
  Speaker 1: he's like, I just... you know, don't know why you
• 31:26
  Speaker 1: came at me so hard. And Megan's like, well, I
• 31:28
  Speaker 1: think it's sometimes, you know, the things you're saying sound
• 31:31
  Speaker 1: like a cop-out. And he's like, well, I think it's
• 31:34
  Speaker 1: a cop-out when you told me that she'd be better
• 31:37
  Speaker 1: off without me. Cause like, what does that mean? And
• 31:40
  Speaker 1: she's like, well, I just don't know if you give
• 31:46
  Speaker 1: or giving to Allie's life. And he's like giving, I'm
• 31:49
  Speaker 1: the father of those That child, that Johnny Pop she's
• 31:53
  Speaker 1: about to have. And you, you, Megan, you don't have kids,
• 31:56
  Speaker 1: do you? She's like, no. He's like, so you don't
• 31:58
  Speaker 1: get to come and tell me, person with kids, what
• 32:01
  Speaker 1: to do with my kids. She's like, well, okay, well,
• 32:08
  Speaker 1: I'm going to, fair enough, listen to you. you are
• 32:10
  Speaker 1: valid in your feelings. I will tell you though, that
• 32:12
  Speaker 1: if my friend wants to tell me how they're feeling
• 32:15
  Speaker 1: and have an emotional release because they have no one,
• 32:17
  Speaker 1: I will be there for them. And if they want
• 32:19
  Speaker 1: me to speak up or advocate for them on their behalf,
• 32:23
  Speaker 1: I will. And he's like, well, you know what? I'll
• 32:25
  Speaker 1: tell you. You knew some private ass business and I
• 32:28
  Speaker 1: wasn't ready for it. She's like, well, I would assume
• 32:31
  Speaker 1: that if you didn't want Allie to say anything, you
• 32:34
  Speaker 1: guys would have said that. And he's like, oh, I did.
• 32:36
  Speaker 1: And she's like, well, Did she agree to say anything?
• 32:40
  Speaker 1: He's like, well, we'll talk about that. And she's like, well,
• 32:45
  Speaker 1: I guess you guys will. It's crazy. It's like Megan
• 32:51
  Speaker 1: does hold her own against this old man really well
• 32:55
  Speaker 1: in a face of someone who's older and weird and emotional.
• 32:59
  Speaker 1: I was really proud of her. I get verklempt. I
• 33:04
  Speaker 1: panic or fight. I don't know if it's fight or flight,
• 33:06
  Speaker 1: but it's like talk. Okay. Okay. There's fawn, fight, or flight, right?
• 33:12
  Speaker 1: Fawn is... Wait. Fight is fight. Flight is fight. Fawn
• 33:17
  Speaker 1: is to be like, oh, you're fine, or whatever. It's
• 33:20
  Speaker 1: not so much that I fawn. It's like I bumble. Fumble. Fight. Flight. Fawn. Fumble.
• 33:31
  Speaker 1: Is there a fumble? I'll look it up. Okay. Wow. Okay. So...
• 33:38
  Speaker 1: He obviously is still upset because he's a little whiny,
• 33:41
  Speaker 1: whiny boy and he can't handle, I mean, a very
• 33:45
  Speaker 1: young girl just asking him basic questions. And that is
• 33:49
  Speaker 1: what I found so interesting. She, again, is handling herself
• 33:55
  Speaker 1: and speaking so well and communicating so well, her thoughts
• 33:57
  Speaker 1: and feelings. She's not getting reactive. She's being able to
• 34:00
  Speaker 1: hold space for him and also have her boundary like, well,
• 34:03
  Speaker 1: I understand what you're saying, but at the same time,
• 34:05
  Speaker 1: I'm going to be there for my friend who has no,
• 34:07
  Speaker 1: you know, she's just, that's what her vibe is. And
• 34:11
  Speaker 1: I go back to be like, let's just say you
• 34:14
  Speaker 1: were his therapist. How would he have been able to
• 34:19
  Speaker 1: handle that moment where in his mind, whether it's right
• 34:25
  Speaker 1: or wrong, he's like, I don't want to talk about
• 34:28
  Speaker 1: my business with this person who has no place talking
• 34:33
  Speaker 1: about my business. and or I wasn't expecting to talk
• 34:37
  Speaker 1: about this, and or C, this is a conversation that
• 34:40
  Speaker 1: I want to have with Allie and Allie only. All
• 34:43
  Speaker 1: three of those I feel like could be communicated in
• 34:47
  Speaker 1: a way that shuts Megan down while also giving space
• 34:52
  Speaker 1: to the concerns at hand, which are basically everyone saying this,
• 34:58
  Speaker 1: including Allie. Allie wants these concerns addressed. And she feels
• 35:07
  Speaker 1: insecure with how you've addressed them, or if you will,
• 35:13
  Speaker 1: or your ability to do so. Now, you can know
• 35:22
  Speaker 1: of those concerns, but even in the knowing, you certainly
• 35:28
  Speaker 1: haven't put any action out there to make it seem
• 35:31
  Speaker 1: like you care. So what is it? Do you just
• 35:34
  Speaker 1: not care? You don't take them seriously? Because even if
• 35:39
  Speaker 1: you think they are over the top or too much
• 35:44
  Speaker 1: or dramatic, at the end of the day, you are
• 35:48
  Speaker 1: not a pregnant woman. young woman. You'll never know what
• 35:52
  Speaker 1: it's like to be a woman. You'll never know what
• 35:54
  Speaker 1: it's like to be young again. And you don't know
• 35:56
  Speaker 1: what it's like to be pregnant. And you certainly don't
• 35:59
  Speaker 1: know what it's like to be like in a foreign
• 36:01
  Speaker 1: country or not being talking to your parents or being
• 36:04
  Speaker 1: raised like a certain religion where you're now, you're absolutely
• 36:07
  Speaker 1: haram in every way and every eye of the religion,
• 36:10
  Speaker 1: all of the eyes, the evil eye staring at you
• 36:12
  Speaker 1: because you are what haram. I mean, I'm just saying,
• 36:14
  Speaker 1: you know, so like she has a lot of pressure, right?
• 36:18
  Speaker 1: All I'm saying is he doesn't know what it's like
• 36:19
  Speaker 1: to have all of that on you and then have
• 36:22
  Speaker 1: like some old bumbling buffoon be like, I'll get a
• 36:26
  Speaker 1: job someday. I just need to know how much money
• 36:30
  Speaker 1: she's getting from him monthly because I need to know
• 36:32
  Speaker 1: the scale of it because- He seems to think that $ 10, 000
• 36:40
  Speaker 1: isn't a lot of money. And I would assume that
• 36:43
  Speaker 1: there is a world in which a white man would
• 36:45
  Speaker 1: think that it wouldn't be a lot of money. And
• 36:47
  Speaker 1: maybe he could just get it. But I can't quite
• 36:50
  Speaker 1: tell if he's like a Nigel where he's like, yeah,
• 36:52
  Speaker 1: I have money, but also I can't pay for a timeshare,
• 36:54
  Speaker 1: which is probably what's happening. Or if $ 10, 000 is just
• 36:58
  Speaker 1: sitting in some stock somewhere, he has to just liquidate.
• 37:04
  Speaker 1: but I kind of feel like it's not, he's not
• 37:07
  Speaker 1: rich because he wouldn't be needing to get a job.
• 37:09
  Speaker 1: Like he would be able to have the job still
• 37:12
  Speaker 1: giving him money in America. That's what I'm confused about.
• 37:17
  Speaker 1: He owns a company with his dad. Did he buy,
• 37:21
  Speaker 1: did his dad buy him out? Like, no, because he
• 37:24
  Speaker 1: keeps saying he's going to try and like get manufacturing
• 37:27
  Speaker 1: happening here. I need this. I hate it. So, okay, fine.
• 37:30
  Speaker 1: Let's move on. Oh no. Okay. So Basically, you know,
• 37:33
  Speaker 1: he gets upset and then he gets up from talking
• 37:35
  Speaker 1: to Megan and he finally, Allie comes over and she's like, hi.
• 37:43
  Speaker 1: And he's like, look, I am seriously, seriously thinking about leaving.
• 37:52
  Speaker 1: And she's like, I'm sorry. I'm sorry. I'm sorry. Did
• 38:03
  Speaker 1: my friend make you upset? You don't want to pawn anymore?
• 38:08
  Speaker 1: Did my little friend ask you the hard questions and
• 38:12
  Speaker 1: now you're so upset now? That's literally what I feel
• 38:17
  Speaker 1: like she does. She does not give one fuck. Two things.
• 38:20
  Speaker 1: Either she doesn't give a fuck, like I'm saying, and
• 38:22
  Speaker 1: this is all sarcastic, or it is like that horrible
• 38:24
  Speaker 1: woman pick-me thing where she's like, oh, this man's upset
• 38:28
  Speaker 1: at me. I'll throw one of the two things I
• 38:30
  Speaker 1: know tits or baby voice because obviously sexy baby is
• 38:38
  Speaker 1: the way to every stupid man's heart so I'm sorry
• 38:45
  Speaker 1: I'm sorry I didn't mean to I'm sorry she made
• 38:50
  Speaker 1: you upset baby your hands smell like prawns I like
• 38:58
  Speaker 1: the smell of prawns you know you're just like oh
• 39:01
  Speaker 1: my god Okay. But then he's like, no, I'm fucking
• 39:06
  Speaker 1: going to leave. I'm outie 5,000, all of it. She's like,
• 39:11
  Speaker 1: this relationship? He's like, yeah, this country, this relationship, this
• 39:21
  Speaker 1: midlife crisis. I think I'm going to hopefully get over
• 39:24
  Speaker 1: it someday. You know, just like, oh my God, he's
• 39:26
  Speaker 1: a nightmare. Okay. So let's move on. Zuri and Ben,
• 39:30
  Speaker 1: we get this one B roll where it's just like,
• 39:32
  Speaker 1: it feels like a very long segment that almost feels like,
• 39:36
  Speaker 1: you know, like Anthony Bourdain segment where we just watch
• 39:39
  Speaker 1: this French guy make these candies. Like, you're like, is
• 39:43
  Speaker 1: this part of Ben's lineage? What's Bergmont candies? You're like,
• 39:48
  Speaker 1: is this part of it? Like, did they pay for this?
• 39:52
  Speaker 1: special commercial. What do those candies taste like? I love caramel. Okay.
• 40:02
  Speaker 1: So she's in route to Paris, honey. And I'm sorry,
• 40:04
  Speaker 1: she's in, sorry, my love. She's in Paris. She's in
• 40:08
  Speaker 1: route to meet Ben. She has to go to the
• 40:10
  Speaker 1: train station, the Parisian train station. How gorgeous. Find out
• 40:14
  Speaker 1: where her train is. You know, they do that thing
• 40:16
  Speaker 1: where the flaps flap down. Oh my God. It's so fun.
• 40:19
  Speaker 1: You can hear it all happen at once when they change.
• 40:21
  Speaker 1: She had to find her platform. Maybe they're digitalized now.
• 40:23
  Speaker 1: Maybe that doesn't bring it through, but when it's the
• 40:26
  Speaker 1: flaps is always the best. Um, and she's chill with that.
• 40:30
  Speaker 1: You know, Paris has a great, I guess, metropolitan or,
• 40:36
  Speaker 1: you know, obviously made diagrammed city transit system in the
• 40:43
  Speaker 1: city and then great trains to neighboring cities. It's very
• 40:48
  Speaker 1: easy to get around. Um, So, you know, she gets
• 40:54
  Speaker 1: on that train by herself. And Ben, we pick up
• 40:57
  Speaker 1: and is in his apartment. He's making some really yummy espresso.
• 41:03
  Speaker 1: It's fancy. And, you know, I don't know if she
• 41:05
  Speaker 1: got to eat while she left. I saw there was
• 41:08
  Speaker 1: a LaPon Quotampe behind her when she was getting on
• 41:11
  Speaker 1: the train. I was like, girl, get a piece of
• 41:13
  Speaker 1: that bread and that hazelnut spread for the road. But
• 41:16
  Speaker 1: back then, Ben had made a poster of her. And
• 41:19
  Speaker 1: he shows his sister Clara. And she's like, oh, subtle. wow,
• 41:24
  Speaker 1: just a bunch of boxes and pictures. Wow. Would you
• 41:27
  Speaker 1: really tore it up on Canva? Didn't you just couldn't
• 41:31
  Speaker 1: even like put a shading on any of the lettering
• 41:33
  Speaker 1: or any, just, just, yeah, just pick box and picture
• 41:38
  Speaker 1: box and picture. Wow. But then Zuri picks up honey
• 41:45
  Speaker 1: in the train and she's like, I love my outfit.
• 41:48
  Speaker 1: And I think he thinks it's going to be cute.
• 41:51
  Speaker 1: It's Frenched out. And she certainly is Frenched out to
• 41:54
  Speaker 1: the point where I have a couple of pictures from
• 41:56
  Speaker 1: Reddit and I wanted you to see what I saw,
• 42:00
  Speaker 1: which was the hee hee ha ha hoo hoos over
• 42:03
  Speaker 1: some of these, not me generated, but funny comparisons. One
• 42:08
  Speaker 1: picture has a picture of the red, of course, double-breasted
• 42:14
  Speaker 1: blazer with the black buttons and her beret. And then
• 42:17
  Speaker 1: a picture of like Millie or Vanellie, honey, one of them.
• 42:20
  Speaker 1: When Milli or Vanilli Honey, one of them was wearing
• 42:23
  Speaker 1: a very similar vibed thing. And then that's the post
• 42:28
  Speaker 1: on Reddit that started it. And then underneath it, someone
• 42:31
  Speaker 1: also put like this picture of Elizabeth Banks. Sorry, Elizabeth Banks.
• 42:37
  Speaker 1: Hillary Banks from Fresh Prince. Not Elizabeth Banks, Hillary Banks. Anyway,
• 42:44
  Speaker 1: also similar vibe. Yeah, black and red. Here for it. Okay, so...
• 42:57
  Speaker 1: He gets to the train station and he brings her
• 43:02
  Speaker 1: really beautiful flowers. Oh, they're like pale, pale pinks with
• 43:07
  Speaker 1: like eucalyptus. It's wrapped in like beautiful brown paper. It's gorgeous.
• 43:14
  Speaker 1: She comes. Their hello, I think, was certainly filmed over
• 43:19
  Speaker 1: and over again because the one we saw... look like
• 43:22
  Speaker 1: the sixth take. And I wouldn't say it's romantic. I
• 43:26
  Speaker 1: would say their overall vibe is cutesy. They're adorable. It's
• 43:31
  Speaker 1: very cutesy. They're like, oh, hi. Oh, it's so good
• 43:37
  Speaker 1: to see you. Hi, I miss you. And then she
• 43:43
  Speaker 1: says over and over again, I'm so happy. He's like,
• 43:48
  Speaker 1: I'm so happy. I'm so happy. It's like so generic, like, okay.
• 43:57
  Speaker 1: Don't talk about it. Be about it. I don't know
• 44:00
  Speaker 1: what I like. I guess I assume they're going to
• 44:02
  Speaker 1: like romantically kiss. They just like, they seem so young,
• 44:09
  Speaker 1: like little, like sweet, like they're almost like awkward. Oh, hi,
• 44:13
  Speaker 1: you look cute. Like then someone's like, what year are we?
• 44:17
  Speaker 1: How old are you guys? So they start talking in
• 44:24
  Speaker 1: the car and you know, she is like, I'm trying
• 44:32
  Speaker 1: this again and I didn't do a great job of
• 44:35
  Speaker 1: learning the language. And I have to get into my
• 44:38
  Speaker 1: mind and my body that when you try something new,
• 44:40
  Speaker 1: you fail a lot, period. So just get over the
• 44:43
  Speaker 1: fact that you fail because that's what happens. He's like, yeah,
• 44:46
  Speaker 1: you have to fail to learn. And she gets to
• 44:50
  Speaker 1: his place. His place is very well put together. It's
• 44:52
  Speaker 1: the opposite of Nigel's place. I'd much rather say at
• 44:55
  Speaker 1: Ben's place. And I'd much rather have the snacks that
• 44:58
  Speaker 1: Ben got her than over Vittoro, though the villa does
• 45:02
  Speaker 1: look beautiful. But he got her a bunch of American snacks.
• 45:06
  Speaker 1: There's Lay's. There's Cool Ranch Doritos. There's all the yums.
• 45:10
  Speaker 1: I feel like the Lay's was maybe the Cheddar Sour Cream,
• 45:14
  Speaker 1: which is top tier. Top tier. I guess Baked Ruffles.
• 45:20
  Speaker 1: I should say that. The Baked Ruffles Cheddar Onion... sour
• 45:25
  Speaker 1: cream situation is top tier. Yeah. It's been so long
• 45:30
  Speaker 1: since I've had that. I forgot about it until just
• 45:33
  Speaker 1: like now for some reason. Okay. And then of course
• 45:38
  Speaker 1: she's like, I got you presents too. It's American coffee,
• 45:41
  Speaker 1: which is weird. We just saw him like make the
• 45:42
  Speaker 1: most beautiful espresso, but I guess he also wants flavored coffee.
• 45:45
  Speaker 1: At first I'm like, is it Dunkin's? I hope it's
• 45:48
  Speaker 1: not Dunkin's. I think it might've been though. And then
• 45:51
  Speaker 1: she's like, and the enchilada sauce. I was like, oh,
• 45:55
  Speaker 1: he loves that enchilada sauce. I love that for him.
• 45:59
  Speaker 1: Then they pop bubbly. And I love that too. And
• 46:02
  Speaker 1: he says, you know, in three years, she hasn't trained
• 46:04
  Speaker 1: in French. And she's like, yeah, of course. I'll be honest.
• 46:07
  Speaker 1: I'm taking it for granted because you speak English. He's like, yeah,
• 46:09
  Speaker 1: but you're in France. You can't do anything in this
• 46:13
  Speaker 1: country and you can't do anything but move through me.
• 46:15
  Speaker 1: And I don't want to have to be your portal
• 46:19
  Speaker 1: to everything. She's like, he's like, so let's practice. Say
• 46:29
  Speaker 1: I'm happy. She's like, je suis content. And I forgot
• 46:34
  Speaker 1: exactly which one, but it's something like. the male is
• 46:38
  Speaker 1: content and like the female is content and maybe it's
• 46:41
  Speaker 1: the other way around. And she's like, oh, well, whatever.
• 46:44
  Speaker 1: God bless. Can we just be a little more woke? Like,
• 46:46
  Speaker 1: fuck these genders. He's like, ha, ha, ha, ha, ha.
• 46:48
  Speaker 1: And then it's a cute thing. He's like, okay, ha, ha, ha. Here,
• 46:50
  Speaker 1: give me your phone. And what he does, honey, is
• 46:52
  Speaker 1: he changes his settings, the settings of her phone to French.
• 46:56
  Speaker 1: He's like, that's what I did. And it really worked. English.
• 47:00
  Speaker 1: You have to. It's also like, yeah, you have to watch,
• 47:03
  Speaker 1: I think, Entertainment, I mean, especially if you are someone
• 47:07
  Speaker 1: who does watch TV or television or films with subtitles.
• 47:13
  Speaker 1: I think it's really important to see faces and communication
• 47:19
  Speaker 1: with conversation. It's just so much easier to like watch
• 47:24
  Speaker 1: a human express with words and watch the sound come
• 47:28
  Speaker 1: out of their mouth than it is to A, listen
• 47:33
  Speaker 1: to just auditory, you know, Je suis large en vie.
• 47:37
  Speaker 1: Number one. There used to be these like French. It
• 47:45
  Speaker 1: was like some like cartoon elephant that would just say,
• 47:48
  Speaker 1: I'm a little girl. Je suis large en vie. Or
• 47:50
  Speaker 1: something like that. Anyway, I think, you know, it's easier
• 47:55
  Speaker 1: to watch a human say, Je t'aime. And know that
• 48:05
  Speaker 1: they're looking into the eyes of someone they really want
• 48:07
  Speaker 1: to kiss, and they look all lovey-dovey. And when they say,
• 48:11
  Speaker 1: you're like, well, I guess I'm assuming that that means
• 48:13
  Speaker 1: I love you. It doesn't mean like, I have gas.
• 48:18
  Speaker 1: It'd be weird, just the way the context of what's
• 48:22
  Speaker 1: happening in the scene if she did. So yeah, I
• 48:24
  Speaker 1: can see that means I love you. I think it helps.
• 48:27
  Speaker 1: So one thing about Ben... is that he loves neon signs.
• 48:34
  Speaker 1: I mean, what is he, a podcaster? He's like, yeah, girl,
• 48:37
  Speaker 1: get that Vanity Fair neon sign behind you. I love
• 48:40
  Speaker 1: neon signs. He has two in his home. Is there
• 48:43
  Speaker 1: a neon sign factory right next to this candy place?
• 48:47
  Speaker 1: Is it like, we've been doing these candies in France
• 48:49
  Speaker 1: since 1901, right next to the neon sign place. He
• 48:56
  Speaker 1: has also stupid neon signs. Like a neon sign that
• 49:00
  Speaker 1: just says bar, where his alcohol is, bar. That's not
• 49:07
  Speaker 1: worth it. Whatever you pay for that sign, it's not
• 49:09
  Speaker 1: worth it. And I mean that because I have probably
• 49:16
  Speaker 1: complained about word art 100%. billion times on this show.
• 49:23
  Speaker 1: And I, you know, neon can be exactly that. It
• 49:27
  Speaker 1: has to be something different for me to really like
• 49:29
  Speaker 1: take home that it's not just even louder, more obnoxious
• 49:33
  Speaker 1: word art. Oh, baby booze. Can you believe that we've
• 49:41
  Speaker 1: done it, that we've talked all about these people and
• 49:45
  Speaker 1: their ways? Two parts, two hearts, mine, yours. Oh, my poet. Okay,
• 49:56
  Speaker 1: my babes. Thank you so much. I am a poet.
• 49:58
  Speaker 1: I'm a rapper. I'm a poet. So many things. Chris Farah, podcaster, rapper, poet, singer, philosopher.
• 50:09
  Speaker 1: perfect speaker, elocutionist. I do a lot of geometry and
• 50:14
  Speaker 1: I study philosophy. And I know how to say those
• 50:17
  Speaker 1: words all the time. So don't worry about it. All right,
• 50:20
  Speaker 1: my babes. Listen, if you want more of me, you
• 50:22
  Speaker 1: absolutely can get more of me. Thank you so much
• 50:24
  Speaker 1: for hanging around. Thank you so much for spending time
• 50:26
  Speaker 1: with me. I really appreciate it, truly. If you want
• 50:29
  Speaker 1: more though, here are some free ways and here are
• 50:30
  Speaker 1: some cheap ways. Free ways, of course, You can find
• 50:33
  Speaker 1: me on social media. I exist all over the place.
• 50:36
  Speaker 1: I am at Chriselfera. My name is Chrisfera. So at
• 50:38
  Speaker 1: Chriselfera on TikTok. You can do Instagram. I'm also, honey,
• 50:43
  Speaker 1: let's just talk about it. I have a Facebook, Chrisfera.
• 50:45
  Speaker 1: I have a page, Chrisfera. I have a group, Vanityfera.
• 50:49
  Speaker 1: I have a Patreon and that's where you can give
• 50:51
  Speaker 1: me $ 5. And guess what? I am expanding my Patreon
• 50:55
  Speaker 1: to have more fun benefits and more tiers. Guess what?
• 51:00
  Speaker 1: New things are on the horizon because Vanity Fair is
• 51:03
  Speaker 1: on its way to its very first birthday. One year
• 51:06
  Speaker 1: since I have launched this podcast from the old feed,
• 51:11
  Speaker 1: from the old podcast that I had with a co-host.
• 51:15
  Speaker 1: God bless Vanity evolution, and I wish it for everyone.
• 51:19
  Speaker 1: And I'm so thankful that anyone and all of you
• 51:22
  Speaker 1: have either found me in this year or stuck with
• 51:25
  Speaker 1: me since previous iterations. Really, my heart is full, almost
• 51:32
  Speaker 1: growing too big. So all of that exists. And then
• 51:35
  Speaker 1: just spend some time with me as we breathe together
• 51:39
  Speaker 1: presently in this moment, because for some reason, God or
• 51:43
  Speaker 1: the in this moment, let's be here. And it's not
• 51:51
  Speaker 1: for me, it's for you. I'm doing it for myself
• 51:54
  Speaker 1: right now as I record this, and it can only
• 51:58
  Speaker 1: benefit you to just take a moment out of your
• 52:01
  Speaker 1: day to just remember what it's like to feel your
• 52:03
  Speaker 1: body presently. So let's do it. Two breaths, out, in, out, in,
• 52:09
  Speaker 1: and then I'll let you go, okay? Okay. All right, babes,
• 52:40
  Speaker 1: take care of yourselves and one another. Stand up for
• 52:43
  Speaker 1: what you believe and you make art. All right. Bye.
• 52:47
  Speaker 1: Art right. Just kidding. Bye.