Latest / Crime Stories with Nancy Grace / SMEAR CAMPAIGN: 'GOSSIP GIRL' BLAKE LIVELY BATTLES CO-STAR JUSTIN BALDONI, SHOCK 'SEX' CLAIMS
Transcript
- 0:00Speaker 1: Crime Stories with Nancy Grace a so called smear campaign.
- 0:10Speaker 1: Everybody's Favorite gossip Girl, Blake Lively battles her co star
- 0:15Speaker 1: Justin Baldoni after shot. Sex harassment claims emerge. I'm Nancy Grace,
- 0:22Speaker 1: this is Crime Stories. Thank you for being with us.
- 0:25Speaker 2: Bombshell lawsuit from Hollywood star Blake Lively alleges co star
- 0:29Speaker 2: Justin Baldoni sexually harassed and orchestrated a smear campaign against Lively.
- 0:35Speaker 1: A smear campaign alleged a campaign against Everyone's Favorite gossip Girl,
- 0:42Speaker 1: Blake Lively.
- 0:45Speaker 3: What we are hearing.
- 0:46Speaker 1: Includes undesired lip biting during sex, sayes sucking on lips,
- 0:52Speaker 1: people barging into her dressing room while she's completely nude
- 0:57Speaker 1: or partially nude, or breast feeding, allowing friends of friends
- 1:03Speaker 1: to watch as she is partially new performing sex scenes
- 1:08Speaker 1: in very vulnerable positions.
- 1:10Speaker 3: What happened? Okay? The name of the movie. It ends
- 1:14Speaker 3: with us from Wayfarer and Sony. Let's just take a peek. Hey, Lily,
- 1:20Speaker 3: you want to do the honors?
- 1:22Speaker 4: No, you go ahead, I need to take it in
- 1:24Speaker 4: from here.
- 1:25Speaker 3: You'd say that, okay, Oho, that's my brother Ryle.
- 1:32Speaker 5: The first official customer.
- 1:34Speaker 1: That is from the official It Ends with Us movie
- 1:36Speaker 1: trailer from Sony Pictures. Before we get into the meat
- 1:40Speaker 1: of this vicious battle in court, I want to go
- 1:44Speaker 1: out to Rob Shooter very quickly, a host of Naughty
- 1:47Speaker 1: but Nice podcast form, a publicist, author of the four
- 1:50Speaker 1: word answer, Rob.
- 1:52Speaker 3: Thank you for being with us. Rob, you have worked
- 1:55Speaker 3: with so many stars.
- 1:58Speaker 1: I may need to go to a shrink on this,
- 2:00Speaker 1: But do you believe as many of us do you know,
- 2:03Speaker 1: the little people out there watching movies and TV? Do
- 2:07Speaker 1: you believe a star's true persona comes out on the screen.
- 2:13Speaker 5: Oh, that's a really good question.
- 2:14Speaker 6: I think that the most successful actress and actresses are
- 2:18Speaker 6: playing roles where they can find an element of themselves
- 2:21Speaker 6: in that role, and so I think that's the sort
- 2:25Speaker 6: of golden ticket here. This is what makes them really,
- 2:28Speaker 6: really successful. But we know from day one.
- 2:30Speaker 5: Forget the characters.
- 2:32Speaker 6: These two just did not like each other from day one.
- 2:36Speaker 3: Hold on, hold on, hold on, judge objection not responsive.
- 2:43Speaker 1: I simply asked you one thing, and that is, do
- 2:47Speaker 1: actors and actresses do we see any of their real persona?
- 2:53Speaker 3: That's a yes.
- 2:54Speaker 2: No.
- 2:54Speaker 3: I don't know where you went with that. Shooter.
- 2:56Speaker 1: But my point is, did you just see that trill
- 2:59Speaker 1: or with Lively? Because she seems so likable and friendly. Now,
- 3:05Speaker 1: I never knew about Gossip Girls. I guess I was
- 3:08Speaker 1: in law school or practicing law. But my daughter found
- 3:11Speaker 1: it and we've been watching it. You know, in all
- 3:14Speaker 1: those years she was in Gossip Girl, I never heard
- 3:18Speaker 1: a bad word about her.
- 3:19Speaker 3: Rob Shooter. Am I wrong? Did I miss something?
- 3:22Speaker 6: I've heard mixed things about Blake Lively over the years.
- 3:27Speaker 6: I think here it's really difficult because it's hard to
- 3:30Speaker 6: separate her from the characters that she's played, from the
- 3:33Speaker 6: characters that we love, and so I think we want
- 3:35Speaker 6: to believe that she is that person on the screen.
- 3:38Speaker 1: But as we all know, But let me analyze, quote
- 3:42Speaker 1: what you've heard about Blake Lively and all the years
- 3:47Speaker 1: that she has been on camera. Give me two things
- 3:50Speaker 1: negative about what you've heard about her, because I guarantee
- 3:53Speaker 1: you it came from a mean girl. Because I've seen
- 3:56Speaker 1: so many women piling on to Blake Lively.
- 3:59Speaker 3: I think there's tell us. So what are the bad
- 4:02Speaker 3: things you've heard about Blake Lively.
- 4:04Speaker 5: I've heard I've heard she's very controlling, she likes controlling, that.
- 4:09Speaker 3: She likes to rolling. Okay, what's wrong with that? Number two?
- 4:12Speaker 3: What's the other thing.
- 4:14Speaker 6: I hear that she has very very strong opinions and.
- 4:20Speaker 3: Bad thing.
- 4:21Speaker 1: Oh no, a woman in her opinion, she goes straight
- 4:25Speaker 1: to hell.
- 4:26Speaker 3: Okay, what else I've heard.
- 4:28Speaker 6: Too, that now she's married to one of the most
- 4:31Speaker 6: one of the most famous people, successful people in the
- 4:34Speaker 6: entertainment business, she's not frightened to flicks her muscles.
- 4:38Speaker 1: Okay, I asked you in all the years that she
- 4:42Speaker 1: was a star on Gossip Girl, whatever else she did,
- 4:45Speaker 1: what you heard about her, And now you're saying that
- 4:49Speaker 1: because she's married to Ryan Reynolds, that she's not afraid
- 4:54Speaker 1: to flex her muscle. To See, that's entirely inconsistent because
- 4:58Speaker 1: what you said before she was controlling and has strong opinions,
- 5:03Speaker 1: but now that she's married to a start, she's controlling
- 5:05Speaker 1: and has strong opinions. See, you can't have your cake
- 5:08Speaker 1: and eat it too well. You heard Blake Lively was
- 5:13Speaker 1: controlling with strong opinions before she got married, and then
- 5:16Speaker 1: when she got married, same thing.
- 5:17Speaker 5: Absolutely, and that's part of her success here.
- 5:19Speaker 6: You've got to be tough in this business. None of
- 5:21Speaker 6: them are wallflowers. She's tough, she's strong, she knows what
- 5:24Speaker 6: she wants.
- 5:24Speaker 5: But now she has.
- 5:25Speaker 3: But how is that bad?
- 5:27Speaker 1: You know what, I'm running down a rabbit hole with
- 5:29Speaker 1: you and I'm getting nowhere, all right, so far from you, Rob,
- 5:32Speaker 1: sheoter who has your nose and your ear to the ground.
- 5:36Speaker 1: That's the worst thing you got to throw at me
- 5:38Speaker 1: about her. And look, I don't have a dog in
- 5:40Speaker 1: the fight. I'm just analyzing this court case, you know what.
- 5:43Speaker 1: Hold on, Let's start at the beginning, when everybody loved everybody.
- 5:49Speaker 7: Listen, this has been a passion project and something that
- 5:52Speaker 7: has been so near and dear to my heart and
- 5:55Speaker 7: so many and it wouldn't happen without you, without your love,
- 5:59Speaker 7: without your support, without you being such huge fans of
- 6:03Speaker 7: the book and caring so much about Lily and her story.
- 6:05Speaker 8: Hello, Blake Lively, here, Colleen Hoover, and it ends with
- 6:09Speaker 8: us is in theaters now, so grab your friends, wear
- 6:12Speaker 8: your florals and head out to see it.
- 6:14Speaker 3: Okay, first of all, what's the floral?
- 6:16Speaker 1: What does that mean? Where a floral? Does that mean
- 6:18Speaker 1: a floral print dress? Is that what she's talking to? Okay,
- 6:20Speaker 1: don't have any of those. But that said, that is
- 6:23Speaker 1: from the official Instagram page of the movie. It ends
- 6:25Speaker 1: with us, Now did you see everybody all smiles and
- 6:28Speaker 1: happy and getting along?
- 6:30Speaker 3: How did it go from that? To this?
- 6:33Speaker 9: A bombshell lawsuit filed by Blake Lively against her co
- 6:37Speaker 9: star and director less than two weeks after the movie.
- 6:40Speaker 9: It ends with US leaves theaters having pulled in over
- 6:42Speaker 9: three hundred and fifty million dollars. The lawsuit of legis
- 6:45Speaker 9: sexual harassment and claims that Baldoni exhibited behavior that caused
- 6:49Speaker 9: her severe emotional distress. DMZ reports to the lawsuit states
- 6:54Speaker 9: there was a meeting attended by individuals including Lively, her
- 6:57Speaker 9: husband Ryan Reynolds, Baldoni, and their lawyers to a dress
- 7:00Speaker 9: Lively's claims as well as other cast and crew members,
- 7:03Speaker 9: and to reach an agreement on requirements Lively needed to
- 7:06Speaker 9: continue working on the film.
- 7:07Speaker 1: Okay, that smells like trouble in the middle of a project.
- 7:10Speaker 1: You have to have a big meeting about the requirements
- 7:14Speaker 1: necessary to move forward on that project.
- 7:16Speaker 3: Okay.
- 7:17Speaker 1: So it goes from everyone being totally in love to
- 7:20Speaker 1: a bombshell lawsuit and.
- 7:22Speaker 9: Now this justin Baldoni files a two hundred and fifty
- 7:25Speaker 9: million dollar lawsuit against The New York Times over the
- 7:28Speaker 9: investigative article titled we Can Bury Anyone inside a Hollywood
- 7:32Speaker 9: smear Machine. Baldoni and nine other plaintiffs, including publicistm Melissa Nathan,
- 7:37Speaker 9: and Jennifer Abel, are suing The Times for libel and
- 7:41Speaker 9: false line invasion of privacy over the article. The group's
- 7:44Speaker 9: suing includes producers of the movie It Ends with Us,
- 7:47Speaker 9: Jamie Heath and Steve Sorrowitz claim The New York Times
- 7:50Speaker 9: relied on altered communications, stripped of necessary context, and deliberately
- 7:55Speaker 9: spliced to mislead.
- 7:56Speaker 1: Okay, straight out to Daryl Cohen joining me for I'm
- 8:00Speaker 1: felony prosecutor now high profile civil and defense attorney, Darryl thank.
- 8:05Speaker 3: You for being with us.
- 8:06Speaker 1: You've been involved in so many movie scenarios.
- 8:12Speaker 3: It's really hard to.
- 8:14Speaker 1: Make sense of what is the truth that's going to
- 8:16Speaker 1: be decided in court, of course, but when I have
- 8:20Speaker 1: a damning piece of evidence against someone and their defense says, oh,
- 8:26Speaker 1: you took that out of context. Okay, I would have
- 8:30Speaker 1: a field day with that. Yes, I wrote the damning
- 8:34Speaker 1: piece of evidence. I said that, but you took it
- 8:36Speaker 1: out of context. That's what do you make of that?
- 8:39Speaker 10: Well, start, Nancy, this is complete, nothing more than Hollywood.
- 8:44Speaker 10: It's Hollywood all over again. Think Amber Heard and Johnny Depp.
- 8:49Speaker 10: This is nothing more than that. It is out of context,
- 8:54Speaker 10: or it's not out of context.
- 8:56Speaker 1: Cohen, Wait a minute, nothing more than quote Hollywood entered.
- 9:00Speaker 1: I call a two hundred and fifty two hundred and
- 9:03Speaker 1: fifty million dollar lawsuit a lot more than just gossip
- 9:08Speaker 1: in nundo or rumor.
- 9:10Speaker 3: And not only that, when.
- 9:12Speaker 1: Someone takes down or tries to take down, your reputation,
- 9:17Speaker 1: which is really all you've got, once he lose that
- 9:22Speaker 1: technical legal term, you're screwed. If this is true that
- 9:27Speaker 1: Baldoni tried to destroy Lively's reputation, that's a very big deal.
- 9:35Speaker 3: That's all she's got is her reputation.
- 9:39Speaker 10: That's true. But Nancy, she has more than that. She
- 9:42Speaker 10: has a mouth, she has a brain, and she has
- 9:45Speaker 10: a publicity machine. And because of that, whatever he did,
- 9:49Speaker 10: whatever she did, is a fight to the finish. What's
- 9:52Speaker 10: the finish, more films, what's the finish, more parts, more roles,
- 9:57Speaker 10: and stayed in the public eye, and that's.
- 10:00Speaker 5: What this is. Really.
- 10:02Speaker 1: I completely disagree with you to doctor Bethany Marshall joining US.
- 10:06Speaker 1: High profile psychoanalyst out of la and author of deal Breaker.
- 10:12Speaker 1: You can see her now on Peacock. Doctor Bethany, thank
- 10:14Speaker 1: you for being with us. I agree and disagree with
- 10:18Speaker 1: Daryl Cohen. He's an expert in movie relations, movie lawsuits,
- 10:27Speaker 1: that whole shebang. But I think it's more than that,
- 10:31Speaker 1: because claims have been made by Lively that Baldoni would
- 10:38Speaker 1: bust into her trailer when she was completely naked, partially naked, breastfeeding,
- 10:46Speaker 1: that he would He denies all this, that he would
- 10:50Speaker 1: allow friends to watch filming of her in sex scenes
- 10:56Speaker 1: where she's partially naked, also a saying where she is
- 11:01Speaker 1: giving birth naked in a very vulnerable position, as you
- 11:06Speaker 1: can imagine, I would do a backflip. And everybody's trashing
- 11:12Speaker 1: her about bringing in Ryan Riddles her husband.
- 11:15Speaker 3: To a meeting. I'd have to beg my husband not
- 11:18Speaker 3: to kill somebody.
- 11:19Speaker 1: Don't start a big fight for BIG's sake, don't get
- 11:22Speaker 1: us all thrown in jail. Why shouldn't she bring her
- 11:25Speaker 1: husband in? I mean, I think you should Massachwartz. I
- 11:28Speaker 1: don't get it.
- 11:29Speaker 8: You know, a nancy part of a healthy marriage is
- 11:31Speaker 8: the couples protect each other, so he's coming in to
- 11:33Speaker 8: protect his wife. I think what's interesting about this movie
- 11:36Speaker 8: is that life imitates art in a way. And Justin
- 11:39Speaker 8: Baldoni is the producer, and he has chosen to produce
- 11:43Speaker 8: a movie about a man who's sexually aggressive and a
- 11:47Speaker 8: woman who decides to end intergenerational domestic violence. This is
- 11:53Speaker 8: his story, it's not hers. She's merely an actress in it.
- 11:57Speaker 8: And so from a psychoanalytic perspective, I would wonder if
- 12:01Speaker 8: this story is near and dear to his heart for
- 12:04Speaker 8: some other reason.
- 12:06Speaker 1: Now, okay, you've lost me. I don't know what you're saying.
- 12:09Speaker 1: I took a note Dr Bethany the irony. I think
- 12:13Speaker 1: this is what you're saying, the.
- 12:15Speaker 3: Irony that this is about. The movie is about a.
- 12:19Speaker 1: Woman victimized, and now there are claims that a woman
- 12:25Speaker 1: is being victimized as part of the movie. I don't
- 12:29Speaker 1: think that somebody bursting into your trailer while you're butt
- 12:32Speaker 1: naked telling you you need to lose weight.
- 12:37Speaker 3: I mean, Bethany, when I'm working.
- 12:41Speaker 1: My rear end off trying to prosecute a case or
- 12:44Speaker 1: trying to investigate a case.
- 12:45Speaker 3: Now it would hell.
- 12:47Speaker 1: With freeze over before somebody came up to me and
- 12:51Speaker 1: showed me pornography or talked about coworkers' genitals. I'm like,
- 12:56Speaker 1: what are you doing, man?
- 13:00Speaker 3: Do it?
- 13:00Speaker 1: Uh?
- 13:01Speaker 3: Uh? That's the claims here totally. If somebody walk up.
- 13:06Speaker 1: To you and show you pornography in the middle of
- 13:09Speaker 1: your work day.
- 13:10Speaker 11: No.
- 13:10Speaker 8: But when we think of sexual abuse and sexual harassment,
- 13:15Speaker 8: trying to entice the victim to be stimulated sexually, it's
- 13:20Speaker 8: a part of the offending pattern, which is a word
- 13:22Speaker 8: I use a lot on this show. So showing pornography
- 13:26Speaker 8: is in the hopes that he allegedly could excite her
- 13:30Speaker 8: develop a relationship with her. That's what we call predation, Nancy.
- 13:34Speaker 3: It's being about or what are you saying? Are you
- 13:37Speaker 3: saying that he who denies all.
- 13:41Speaker 1: Of this and has filed his own multimillion dollar lawsuit,
- 13:45Speaker 1: that he would show her porn for what reason?
- 13:49Speaker 3: To excite Arow The woman is breastfeeding.
- 13:52Speaker 1: In our trailer, to doubt she's going to get excited
- 13:54Speaker 1: by a costar show number on his cell phone.
- 13:57Speaker 8: I just want to say about sex addicts, and I'm
- 14:00Speaker 8: not saying he'sa is one.
- 14:01Speaker 3: I've never met him.
- 14:03Speaker 8: But the sex addicts notoriously have a very poor theory
- 14:09Speaker 8: about what's going on in the minds of other people.
- 14:11Speaker 8: They do not track with the thoughts of others. Often
- 14:14Speaker 8: they're so pre octopu pied and distracted with their own
- 14:18Speaker 8: thoughts of sex. They don't track with others, so they
- 14:21Speaker 8: do very inappropriate things that are very offensive.
- 14:25Speaker 9: As the rumor mill begins turning out news stories daily
- 14:28Speaker 9: about the feud between Justin Baldoni and Blake Lively, often
- 14:31Speaker 9: discussing the merits of different rumors, Baldoni hires Melissa Nathan.
- 14:36Speaker 3: She's a crisis.
- 14:36Speaker 9: Management PR pro known for her work with Johnny Depp
- 14:39Speaker 9: in his battle with Amber. Heard during the Depp herd
- 14:42Speaker 9: Core battle, rumors arose of an organized social media campaign
- 14:46Speaker 9: against Amber. Heard days after Nathan joins team Balboni. Blake
- 14:50Speaker 9: Lively faces a tax online accusing her of being tone
- 14:54Speaker 9: deaf with regard to her approach to marketing the movie Wow,
- 14:57Speaker 9: what a coinkydink.
- 14:59Speaker 1: In my world of criminal law, there is no such
- 15:03Speaker 1: thing as the coincidence. Straight to high profile PR guru
- 15:09Speaker 1: Rob Shooter, a host of Naughty but Nice podcast, author
- 15:14Speaker 1: of the Foreword Answer rob let me understand this. So
- 15:21Speaker 1: days after this person, Melissa Nathan, a PR person public relationsperson, joins.
- 15:31Speaker 3: Justin Baldoni's team.
- 15:34Speaker 1: Suddenly Blake Lively faces the tax online accusing her of
- 15:39Speaker 1: being quote tone deaf. The trashing begins. That's quite the coincidence,
- 15:45Speaker 1: isn't it, Shooter.
- 15:46Speaker 5: Yeah, it's no coincidence at all.
- 15:47Speaker 10: Here.
- 15:47Speaker 6: You hire these PR pitopulls to plant bad stories about
- 15:51Speaker 6: your competitors, people that you don't like, people that can
- 15:54Speaker 6: make you look better.
- 15:55Speaker 5: So this is an old story in PR. This is
- 15:57Speaker 5: not new.
- 15:58Speaker 6: It's now being out there the first time in a
- 16:01Speaker 6: long time, really fronts and center.
- 16:03Speaker 5: But this is not new.
- 16:05Speaker 6: And let's remember too, Blake has her own PR machine,
- 16:08Speaker 6: and they're claiming that Justin's claiming that they attacked him.
- 16:12Speaker 6: So this is just a trick of publicists. This is
- 16:14Speaker 6: why you hire a very expensive publicist.
- 16:17Speaker 1: You went way beyond the scope of my question, but
- 16:20Speaker 1: I appreciate that. So immediately after Baldoni hires Melissa Nathan,
- 16:27Speaker 1: stories emerged throughout the press, and I remember reading some
- 16:32Speaker 1: of them thinking, wow, I've never picked up on that
- 16:34Speaker 1: about Blake Lively, But what do I know? Maybe it's true,
- 16:39Speaker 1: but then take a look at what is alleged about her.
- 16:44Speaker 1: For instance, here's a so called mean girl moment by
- 16:48Speaker 1: Blake Lively.
- 16:49Speaker 11: So, if someone understands the themes of this movie and
- 16:53Speaker 11: they want to really talk to you, what's the best
- 16:55Speaker 11: way for them to be able to talk to you
- 16:56Speaker 11: about this? How would you recommend they go about it?
- 16:58Speaker 8: Like asking for my address or my phone number, or
- 17:01Speaker 8: like my location share.
- 17:03Speaker 3: I could just location share you and then we could.
- 17:06Speaker 1: That's from Jake's take on YouTube. Now did you see
- 17:09Speaker 1: what I just saw? Because I took it to be
- 17:12Speaker 1: that she was joking around, kidding you know, Let's watch
- 17:16Speaker 1: it one more time because I'm not getting any sense
- 17:18Speaker 1: of bad girl here.
- 17:19Speaker 11: So, if someone understands the themes of this movie and
- 17:23Speaker 11: they want to really talk to you, what's the best
- 17:25Speaker 11: way for them to be able to talk to you
- 17:26Speaker 11: about this? How would you recommend they go about it like.
- 17:28Speaker 8: Asking for like my address or my phone number, or like.
- 17:31Speaker 3: My location share. I could just location share you and
- 17:34Speaker 3: then we could.
- 17:36Speaker 1: That's the bombshell that makes Blake Lively a mean girl.
- 17:43Speaker 3: That's again from Jake's take on YouTube.
- 17:45Speaker 1: Joining me right now in addition to Rob Shooter, doctor
- 17:48Speaker 1: Bethany Marshall and Darryl Cohen, celebrity lawyer Linn Shaw is
- 17:54Speaker 1: with me, founder executive director Lynn's Warriors, who has shot
- 17:59Speaker 1: to fame in her opposition to all things dirty ditty,
- 18:04Speaker 1: her other life that you don't see on camera. She
- 18:09Speaker 1: created Lynn's Warriors that is committed to ending exploitation of
- 18:14Speaker 1: women and sex trafficking in any form. You know, Linnshaw,
- 18:20Speaker 1: I usually have you join us when we are talking
- 18:24Speaker 1: about sex crimes on girls or women or men. The
- 18:29Speaker 1: exploitation of women is a very nuanced thing.
- 18:36Speaker 3: It comes in many many.
- 18:38Speaker 1: Forms, like, for instance, a woman is shamed because she
- 18:43Speaker 1: gains weight after having a baby.
- 18:46Speaker 3: You know what the twins are seventeen. I just went
- 18:48Speaker 3: on a diet. Okay.
- 18:51Speaker 1: Women are shamed because they have strong opinions. They're put
- 18:56Speaker 1: in a position of power and authority, Yet they exercise
- 19:01Speaker 1: power and authority to complete their job. Then they're shamed.
- 19:07Speaker 1: They're evil, they're bitches, they're divas. In my mind, that
- 19:13Speaker 1: is exploiting women. You put them up on a pedestal
- 19:16Speaker 1: only to tear them down.
- 19:18Speaker 12: Nancy, You're absolutely right, But we at the Warriors are
- 19:22Speaker 12: based on facts. Obviously, Nancy, you have not been a
- 19:26Speaker 12: fan of the Sisterhood of the Traveling Pants. Because I
- 19:28Speaker 12: just want to mention one thing. It goes back to
- 19:31Speaker 12: the nineties. A lot of stories behind the scenes about
- 19:34Speaker 12: Blake Lively and her behavior. Now that doesn't mean much.
- 19:37Speaker 12: She was much younger than let's fast forward. Here's what
- 19:40Speaker 12: I want to say this movie.
- 19:42Speaker 3: O no, no, no, no, no, no. You don't have to hear
- 19:45Speaker 3: what I have to say.
- 19:46Speaker 1: What behavior in the nineties was supposedly bad?
- 19:50Speaker 12: Oh Nancy, please, there have been stories about her for
- 19:53Speaker 12: decades where she was very means about you want to
- 19:56Speaker 12: interview people interviewing her, she was very starky.
- 20:00Speaker 3: Sorry your business.
- 20:02Speaker 12: No, especially a woman, especially if you're a woman. We've
- 20:07Speaker 12: got the double standards everybody knows about. Because I'm here
- 20:09Speaker 12: to say, it's still a man's world in Hollywood. That's
- 20:13Speaker 12: the way it goes. It's a very tough thing. So
- 20:15Speaker 12: her reputation has been questioned many times over the last
- 20:19Speaker 12: few days.
- 20:19Speaker 1: Words now you can throw out there, Lynn Shaw, she
- 20:22Speaker 1: was snarky and mean.
- 20:24Speaker 3: Auntie Grace, she has been thing her to that high school.
- 20:28Speaker 3: Oh no, it was the okay, go ahead.
- 20:31Speaker 12: She has been mean. She has been called herself a
- 20:34Speaker 12: mean girl by other actresses.
- 20:36Speaker 3: Okay, what, Okay, she was, which I'm not buying into.
- 20:41Speaker 3: So what that's the worst you've got.
- 20:42Speaker 1: I mean, I means to dealing with rapist, serial killers,
- 20:45Speaker 1: child lessons, and you're.
- 20:47Speaker 3: Telling me she was mean when she was twenty one. Okay,
- 20:51Speaker 3: I am fast forwarding.
- 20:53Speaker 12: I am fast forwarding now to some facts that this
- 20:56Speaker 12: movie has grown so far three hundred and fifty one
- 20:59Speaker 12: million worldld why with a budget of twenty five million.
- 21:02Speaker 12: So a lot of these people here are making a
- 21:04Speaker 12: lot of money.
- 21:05Speaker 3: This is a real.
- 21:06Speaker 12: Mud slinging case because we deal with real world, real people,
- 21:09Speaker 12: real victims. Here's my big question. I want to ask,
- 21:12Speaker 12: why wasn't the intimacy coordinator from day one on that set?
- 21:17Speaker 12: After going through the meet too, the Harvey Weinstein go
- 21:20Speaker 12: back to Bill Cosby, Kevin Spacey, We'd be here all
- 21:23Speaker 12: day if I keep naming the men in Hollywood. Why
- 21:26Speaker 12: wasn't he has proof Justin Baldoni he wanted that coordinator
- 21:30Speaker 12: on the set. She would not meet with the coordinator.
- 21:33Speaker 12: Everybody's got to get these backstreet. She said, you know what,
- 21:36Speaker 12: Justin you meet, and he has this in text messages.
- 21:39Speaker 12: You meet and when I arrive on the set, you
- 21:41Speaker 12: can tell me translate that information directly to me. So
- 21:45Speaker 12: how do we know that in his talking to her
- 21:48Speaker 12: and translating these sexual scenes and this intimacy that now
- 21:52Speaker 12: she's going back and I remind everybody she also The
- 21:56Speaker 12: New York Times did not do their job. They took
- 21:58Speaker 12: her side her store, they didn't contact him, they didn't
- 22:02Speaker 12: question him. I think that's unfair. He was released from
- 22:05Speaker 12: his agent, w Emmy William Morrison Devor, the same agent
- 22:09Speaker 12: as Blake Lively and her husband, Ryan Reynolds. Why was
- 22:12Speaker 12: he You know, you're innocent until proven guilty.
- 22:15Speaker 3: So I want to go back on something.
- 22:17Speaker 1: If she's playing something anything that a tag down agency
- 22:21Speaker 1: dropping you equals a guilty verdict.
- 22:25Speaker 3: But hold on, I want to address what you said.
- 22:27Speaker 3: I want facts. We have to get the FAF that's true.
- 22:31Speaker 1: I'm trying to determine if this smear on her was
- 22:36Speaker 1: orchestrated by hitch people of Justin Baldoni's because I've read
- 22:42Speaker 1: those texts about quote burying her. Here is another example
- 22:50Speaker 1: of Blake Lively being a so called mean girl.
- 22:54Speaker 3: Watch frets on your little boom. Congrats on your little
- 22:59Speaker 3: bum bum. By the way, that's from Shirsty Flower's YouTube page. Okay,
- 23:06Speaker 3: what did I miss? Rub Sheeter? What was wrong with what?
- 23:10Speaker 3: Blake Lively just to say.
- 23:12Speaker 6: Yeah, I don't think there was anything wrong in that
- 23:15Speaker 6: specific answer. However, Nancy, you're not gonna like this. Blake
- 23:19Speaker 6: has a history of being difficult to interview. I know
- 23:21Speaker 6: lots of reporters, including myself, I don't look forward to
- 23:24Speaker 6: talking to Blake Lively on the carpet.
- 23:25Speaker 5: Does that make her a terrible person?
- 23:28Speaker 3: Know?
- 23:28Speaker 6: But in this business, in this town, in Hollywood, you're
- 23:31Speaker 6: meant to sell your movies, and part of that is
- 23:33Speaker 6: selling yourself as well.
- 23:35Speaker 5: And Blake won't play that game. If that's what she decides,
- 23:38Speaker 5: good for her. But she doesn't.
- 23:41Speaker 6: She doesn't play the Hollywood game. And maybe that's the
- 23:44Speaker 6: point here. Maybe that's what people are so annoyed.
- 23:53Speaker 3: Crime stories with Natty Grace.
- 24:00Speaker 4: Requirements that are mentioned in the lawsuit include no more
- 24:02Speaker 4: adding of sex scenes, oral sex, or on camera climax
- 24:06Speaker 4: scene by bl outside the scope of the script. Bl
- 24:10Speaker 4: approved when signing on to the project. Sony Pictures, the
- 24:13Speaker 4: distributor of the film approved Blake Lively's list.
- 24:16Speaker 3: Joining me in addition to our all star panel.
- 24:18Speaker 1: You've already met, Ashley a Ward Law is joining us PI,
- 24:23Speaker 1: chief operations officer at Nathan's investigation.
- 24:27Speaker 3: Ashley, thanks for being with us.
- 24:29Speaker 1: This is when you need a great detective or investigator
- 24:32Speaker 1: like yourself, because what is the truth now. We've got
- 24:37Speaker 1: a lot of damning or what we believe to be
- 24:39Speaker 1: damning text messages that were back and forth, back and forth,
- 24:45Speaker 1: back and forth on Justin Baldoni's team claiming to barry
- 24:50Speaker 1: Barry Blake Lively and they follow online. Oh there's so
- 24:56Speaker 1: much negative reporting on her. It's awesome. You know we
- 24:59Speaker 1: can be marry anyone. But I can't put that in writing.
- 25:02Speaker 1: For Pete's say, imagine if a document saying all that
- 25:06Speaker 1: ends up in the wrong hands, we can't actually write
- 25:09Speaker 1: we will destroy her by the way, as they writing,
- 25:12Speaker 1: I'm having reckless thoughts of wanting to plant pieces this
- 25:17Speaker 1: week of how horrible Blake is to work with. But
- 25:23Speaker 1: my question to you is how do you go about
- 25:27Speaker 1: proving this?
- 25:29Speaker 3: Ashley? Where do I get the information?
- 25:31Speaker 1: I guess I would start with this thirty point document
- 25:36Speaker 1: that emerged from the meeting where Lively brings her husband
- 25:39Speaker 1: rentals and they have it out with Baldoni about what
- 25:43Speaker 1: will and will not be tolerated on set.
- 25:45Speaker 3: That's a great place to start.
- 25:47Speaker 1: Or why are crew members unfollowing or not following Baldoni
- 25:52Speaker 1: and they are following her?
- 25:54Speaker 3: Where would you start?
- 25:56Speaker 13: Well, let's be clear, Nancy, the evidence is definitely going
- 25:59Speaker 13: to speak for ourselves. Okay, when it comes to take
- 26:03Speaker 13: messages or any digital type of evidence, nowadays, it's really.
- 26:08Speaker 8: Hard to believe what you see, like.
- 26:10Speaker 13: A screenshot or something along those lines. For a PI,
- 26:15Speaker 13: we would have to take it a little farther and say, okay,
- 26:17Speaker 13: we're not going to take these springshots. We're actually going
- 26:20Speaker 13: to do something called a data extraction where we take
- 26:24Speaker 13: a mobile device or a laptop or whatever type of
- 26:26Speaker 13: electronic device and actually pull the files directly from that
- 26:31Speaker 13: device along with metadata right to look at the time
- 26:34Speaker 13: and date them. Because again, screenshots can be manipulated. That's
- 26:38Speaker 13: just the reality we live in nowadays. So again, a PI,
- 26:42Speaker 13: we're going to have to take it a step further.
- 26:43Speaker 13: We can't just take a screenshot and give it to
- 26:46Speaker 13: an attorney and say, hey, this is what we have
- 26:48Speaker 13: for you, we have to go further.
- 26:50Speaker 1: You know what, You're so right, Ashley Ashley Wardlock joining
- 26:54Speaker 1: US veteran private investigator. I would go to everybody that
- 26:58Speaker 1: worked on that set with a subpoena and a subpoena
- 27:02Speaker 1: ducas tikam for documents or as you're saying, text messages,
- 27:06Speaker 1: emails that may have gone back and forth regarding what
- 27:10Speaker 1: was happening on the set. And I'd like to point
- 27:12Speaker 1: out to Rob Shooter and Lyn Shaw want you to
- 27:14Speaker 1: hear this. It sounds like what you were saying about
- 27:18Speaker 1: Blake Lively not wanting an intimacy coordinator on the set
- 27:23Speaker 1: is just another plant against her, because I've got the
- 27:27Speaker 1: document what purports to be the document that she submitted
- 27:32Speaker 1: her demands and number eighteen of that thirty point list
- 27:37Speaker 1: is an intimacy coordinator must be on set for all
- 27:40Speaker 1: scenes involving nudity and or simulated sex, and must have
- 27:44Speaker 1: a monitor to ensure compliance.
- 27:48Speaker 3: So this is Blake Lively's request.
- 27:51Speaker 1: Rob Shooter, let's go through this thirty point request. What
- 27:56Speaker 1: do you make no spontaneous improvised In other words, don't
- 28:00Speaker 1: bite my lip and suck on it during kissing scenes.
- 28:04Speaker 1: Physical touching must only be done in connection with the
- 28:08Speaker 1: character and scene work. No discussion with lively of personal
- 28:14Speaker 1: experiences with sex or nudity.
- 28:17Speaker 3: What I mean, Rob Shearter, I had.
- 28:20Speaker 1: The same investigator for eleven years. Okay, we did everything together.
- 28:28Speaker 1: We only ever had one fight over O. J. Simpson
- 28:32Speaker 1: for Pete's sake. That said, I would think somebody had
- 28:38Speaker 1: killed him and was wearing his skin if he made
- 28:40Speaker 1: a sex comment or tried to show me porn. He
- 28:43Speaker 1: just wouldn't even think to do that. And she has
- 28:47Speaker 1: to put this in a document. Don't show me any
- 28:49Speaker 1: more porn. Please, don't talk about genitalia or your sex life.
- 28:55Speaker 3: She had to put that in writing.
- 28:57Speaker 5: Yeah, yeah, it sounds awful, doesn't it? When if he'll
- 28:59Speaker 5: tell you.
- 28:59Speaker 6: This documents many, many times. It's pretty standard when you
- 29:03Speaker 6: sign up a big star. Often celebrities that are not
- 29:06Speaker 6: that famous don't have this much power, but Blake certainly does.
- 29:09Speaker 6: They can have clauses in their contracts, no nudity, no
- 29:12Speaker 6: shots from behind.
- 29:14Speaker 5: What's interesting about.
- 29:15Speaker 6: This to me is that the movie business, the music business,
- 29:20Speaker 6: it's a messy business. And you and me, Nancy and
- 29:23Speaker 6: our jobs, we are not having sets on camera. They are,
- 29:26Speaker 6: and so because the job is so unusual, the job
- 29:29Speaker 6: is so intimate.
- 29:30Speaker 5: Being an actor is such.
- 29:32Speaker 6: An odd profession that these conversations need to be had.
- 29:36Speaker 6: I think where he let her down is not just
- 29:39Speaker 6: as an actor. He was the producer. It was his
- 29:43Speaker 6: job to have a safe set. And if she insisted
- 29:47Speaker 6: on all these all these details as a producer, if
- 29:51Speaker 6: he agreed to that, which he did, then she had
- 29:53Speaker 6: every right to have all her demands met. So I
- 29:57Speaker 6: think she's got quite a strong case against him here
- 30:00Speaker 6: as somebody who was really not just the star of
- 30:03Speaker 6: the movie.
- 30:04Speaker 5: He also was the producer. It's his movie.
- 30:13Speaker 3: Crime Stories with Nancy Grace. Justin Baldoni.
- 30:20Speaker 14: Working with this, crisis management pr specialist Melissa Nathan sent
- 30:24Speaker 14: examples of a viral social media thread accusing another celebrity
- 30:28Speaker 14: of bullying, writing this is what we would need. According
- 30:31Speaker 14: to the New York Times report, Nathan soon floated proposals
- 30:34Speaker 14: to hire contractors to dominate social media through full social
- 30:38Speaker 14: account takedowns, by starting threads of theories and generally working
- 30:42Speaker 14: to change narrative. All of this would be most importantly untraceable.
- 30:47Speaker 1: She wrote, Wow, okay, decipher that I'm only used to
- 30:51Speaker 1: Latin phrases and lawyers throwing around legal terms to Rob Sheeter,
- 30:56Speaker 1: what are they saying.
- 30:57Speaker 6: They're saying that he hired a PRT to trash Blake Lively,
- 31:02Speaker 6: and I think that is going to be hard to
- 31:06Speaker 6: prove not true. Shortly after this PR team was hired,
- 31:10Speaker 6: lots of stories started to pop up.
- 31:12Speaker 5: They were really.
- 31:13Speaker 6: Unflattering about Blake. Now I've been doing this a long time, Nancy.
- 31:16Speaker 6: I would argue that eighteen ninety percent of the calls
- 31:19Speaker 6: that I get are publicists trying to spread a rumor
- 31:22Speaker 6: or something something mean.
- 31:24Speaker 5: And I think that this looks like it's pretty clear here.
- 31:27Speaker 6: Shortly after his PR experts started, we started to see
- 31:32Speaker 6: really tough stories about her. I've got to say, though, Nancy,
- 31:35Speaker 6: this is awful, but it's not unusual.
- 31:37Speaker 1: Yll Okay, and I thought the law was a big
- 31:41Speaker 1: sty Okay, this was a big mistake as well.
- 31:46Speaker 3: I find it really interesting.
- 31:48Speaker 1: Let me go out to Ashley Ward Law, private Investigator
- 31:52Speaker 1: Chief Operation Officer Nathan's investigations.
- 31:55Speaker 3: Actually, I was wondering, how.
- 31:58Speaker 1: Did they get ahold of these alleged texts? Okay, how
- 32:02Speaker 1: did they get Baldoni's texts. How did they get his
- 32:05Speaker 1: PR team's text? Well, as it turns out, and correct
- 32:09Speaker 1: me if I'm wrong. Everybody on the panel, someone on
- 32:13Speaker 1: his PR team either quit or got fired and made
- 32:20Speaker 1: those texts available to Blake Lively's camp.
- 32:26Speaker 3: That's where the text came from.
- 32:28Speaker 1: No need for a subpoena, talk about a smoking gun.
- 32:32Speaker 3: This is a bullet for Pete's sake.
- 32:34Speaker 13: Ashley, Yes, yes, text messages could be detrimental to a case.
- 32:40Speaker 13: I would say, you're right, those messages would have had
- 32:43Speaker 13: to be leaked, especially if they weren't present in court
- 32:46Speaker 13: or you know, a subpoena was an issue already.
- 32:49Speaker 3: Again, you can't believe a screenshot.
- 32:50Speaker 13: So someone may have sent this over and said, hey,
- 32:52Speaker 13: here's what I have for you guys to use. But
- 32:55Speaker 13: the only way to reduce those text messages is to
- 32:58Speaker 13: really do a data extraction and show the entire, the
- 33:03Speaker 13: entire thread of tech messages, not just from one end,
- 33:05Speaker 13: but everything in full.
- 33:07Speaker 1: Okay, Daryl Cohen, celebrity lawyer Darryl this is a yes
- 33:12Speaker 1: no answer.
- 33:13Speaker 3: Okay, you're on cross right now. Don't try to explain.
- 33:17Speaker 1: We know about attorney client privilege we know priest, parishioner,
- 33:21Speaker 1: we know husband wife. There is no PR guru client privilege.
- 33:27Speaker 1: If you say things to your PR person or your
- 33:30Speaker 1: media team, they can state that in court. And here's
- 33:34Speaker 1: a hard learned lesson. Remember when Monica Lewinsky's mother, I
- 33:38Speaker 1: believe it was, had to testify in front of a
- 33:40Speaker 1: grand jury. There's no mom daughter privilege, much less a
- 33:43Speaker 1: PR guru client privilege.
- 33:46Speaker 3: So you know, all bets are off.
- 33:50Speaker 1: This PR person could hand over these texts.
- 33:54Speaker 3: To anybody that answered.
- 33:55Speaker 1: She's under no duty of confidentiality, is she unless they
- 33:58Speaker 1: signed one, unless.
- 34:00Speaker 10: She has a non disclosure, She's not under a duty.
- 34:04Speaker 10: But what must happen is it must happen in context. Yes,
- 34:09Speaker 10: these are available. Yes they can be used, but they
- 34:13Speaker 10: can also be abused. Don't get mad get even make
- 34:18Speaker 10: sure that the publicist is well coached and knows how
- 34:22Speaker 10: to explain what happened and why if it.
- 34:25Speaker 1: Ever gets o Oh wait, hey, Darryl, look at your screen.
- 34:29Speaker 1: I don't like this. Had you she was off promoting
- 34:33Speaker 1: it as if it was Barbie.
- 34:35Speaker 3: It's just based on things that she said directly. Whoa
- 34:40Speaker 3: look at what.
- 34:40Speaker 1: They're saying about her of course that's not a crime.
- 34:43Speaker 1: But if she can show this damaged her business and
- 34:46Speaker 1: her credibility and her reputation, yeah, they're up the proverbial
- 34:51Speaker 1: creek without a paddle. Of course, Baldonian his team claim
- 34:55Speaker 1: none of this is true and it has been taken
- 34:56Speaker 1: out of context. Well we'll see, because there are two
- 34:59Speaker 1: more million dollar lawsuits brewing.
- 35:02Speaker 3: Now, this was a.
- 35:03Speaker 1: Bad move, and apparently there is a digital footprint of this,
- 35:10Speaker 1: a trail, so to speak.
- 35:11Speaker 3: They dragged in Taylor Swift.
- 35:16Speaker 5: Uh oh.
- 35:17Speaker 9: Taylor Swift is mentioned in the lawsuit twice, namely in
- 35:20Speaker 9: a scenario planning document that was written by Baldoni's PR
- 35:23Speaker 9: team at TAG PR, headed up by Melissa Nathan. In
- 35:27Speaker 9: the document, a discussion of ways to possibly target Lively
- 35:30Speaker 9: in the press in a negative manner is explored. The
- 35:33Speaker 9: scenario planning document states that TAG could also explore planting
- 35:37Speaker 9: stories about the weaponization of feminism and how people in
- 35:41Speaker 9: Lively circle, like Taylor Swift, have been accused of utilizing
- 35:45Speaker 9: these tactics to bully into getting what they want. Taylor
- 35:48Speaker 9: Swift is mentioned a second time in an alleged message
- 35:51Speaker 9: from Melissa and Nathan to Jennifer abel, a public relations executive.
- 35:55Speaker 9: In the message, Nathan talks about Blake Lively's fan base
- 35:58Speaker 9: while talking about a meal social media plan that would
- 36:02Speaker 9: help suppress negative content about Baldoni and amplify negative content
- 36:06Speaker 9: about Lively. Nathan notes that because Lively and Swift are
- 36:09Speaker 9: close friends, the actress has the support of Swift's fans.
- 36:13Speaker 9: Nathan points out that Lively does have some of the
- 36:16Speaker 9: Swift fan base, so we will be taking it extremely
- 36:19Speaker 9: seriously to a.
- 36:20Speaker 1: High profile psychoanalysts joining us out of Beverly Hills, doctor
- 36:23Speaker 1: Bethany Marshall. You see what's happening here, So if it's true,
- 36:27Speaker 1: and Baldoni says it's not, a takedown on Blake Lively.
- 36:33Speaker 3: Was happening, and they wrote in another.
- 36:37Speaker 1: Famous woman, Taylor Swift, to make her seem like she
- 36:42Speaker 1: bullies people to get what she wants.
- 36:45Speaker 3: I mean, you see the common thread here.
- 36:47Speaker 1: Two beautiful, successful and powerful women are being dragged down
- 36:52Speaker 1: because they're quote mean, Who cares you, Nancy?
- 36:56Speaker 8: If we were covering a rape case, would we see
- 36:59Speaker 8: the woman deserved be raped because she wore a short skirt,
- 37:03Speaker 8: or she was in the wrong part of town, or
- 37:05Speaker 8: we didn't like her personality. No, a rape is a rape.
- 37:08Speaker 8: This is such a common pattern in Hollywood. Think about
- 37:12Speaker 8: Harvey Weinstein. What happened when you're harassed women and they
- 37:15Speaker 8: start have to tell you think their careers. P Diddy,
- 37:20Speaker 8: which we've been covering, has been all over the news.
- 37:22Speaker 8: What was a part of his offending pattern? If a
- 37:25Speaker 8: woman or a man stood up to him, he would harass,
- 37:27Speaker 8: he would stalk, he would try to take down their reputations.
- 37:31Speaker 8: So this pattern is so common I urge everybody to
- 37:35Speaker 8: see it. In terms of whether or not Blake Lively
- 37:38Speaker 8: is mean, it has nothing to do with it. The
- 37:42Speaker 8: viewers should ask themselves if they wrote like a bad
- 37:45Speaker 8: email at work, does their boss deserve to harass.
- 37:49Speaker 12: Them for it?
- 37:49Speaker 8: I mean, it's just like a huge logic flaw. And
- 37:53Speaker 8: we also know, Nancy, there are no pure victims. There
- 37:56Speaker 8: aren't because there are no pure people all of us.
- 38:00Speaker 3: I don't get doctor Bethany.
- 38:02Speaker 1: If your coworker comes to you and says, hey, this
- 38:06Speaker 1: thing you're doing bothers me, will you not do it?
- 38:10Speaker 1: I mean, with all the money writing on this movie,
- 38:13Speaker 1: I don't understand why he wouldn't just say, if this
- 38:16Speaker 1: is all true, by the way, you know what, I'm sorry.
- 38:19Speaker 3: I did that. I screwed up. I'm not doing that anymore.
- 38:22Speaker 3: I'm really sorry.
- 38:24Speaker 1: Instead of now we've got all these multimillion dollar lawsuits
- 38:27Speaker 1: playing out to lyn Shaw joining me founder executive director
- 38:32Speaker 1: Lynn's Warriors, dedicated to ending human trafficking and protecting specifically
- 38:37Speaker 1: women and girls. What do you make of it now
- 38:39Speaker 1: that you know? In her thirty point doc she demanded
- 38:44Speaker 1: an intimacy coordinator on the set.
- 38:47Speaker 12: Nancy, she demanded it, but she did not meet with
- 38:51Speaker 12: the intimacy coordinator. So that's something everybody should be looking at.
- 38:55Speaker 12: Why didn't she meet again? She said to Justin, you
- 38:59Speaker 12: go ahead and I'll meet the coordinator when I get
- 39:02Speaker 12: to the set. You get all the information, let you
- 39:05Speaker 12: let me discuss it. But here's what I want to say.
- 39:08Speaker 12: So that's really bothering me. And I'll tell you why.
- 39:11Speaker 12: I wish we could flip this around. This movie was
- 39:14Speaker 12: about domestic violence, a woman's relationship, a woman's worth, a
- 39:17Speaker 12: woman owning a business, a young woman. You know why
- 39:21Speaker 12: I wish in this movie they focused on doing some
- 39:23Speaker 12: good for domestic violence victims, you know, putting that out there. Now,
- 39:27Speaker 12: what do we have we have this big I don't
- 39:30Speaker 12: know what to call this whole thing. My focus is
- 39:32Speaker 12: on the real victims, the real victims in real life
- 39:35Speaker 12: that we never talk about, that were not helping.
- 39:38Speaker 3: You know what, Lincha, you know I'm glad you said that.
- 39:41Speaker 1: For nine years of the ten plus years I prosecuted,
- 39:45Speaker 1: at night, I volunteered, as you know, at the Batter
- 39:48Speaker 1: Women's Center, and it was excruciating to hear what domestic
- 39:52Speaker 1: violence and.
- 39:53Speaker 3: Victims go through.
- 39:54Speaker 1: By the time I got them in court, they were
- 39:56Speaker 1: either dead or they were maimed like a broken hip
- 40:01Speaker 1: or a broken leg or a broken collar bone as
- 40:06Speaker 1: part of an aggravated battery from domestic assault.
- 40:10Speaker 3: You're absolutely right.
- 40:15Speaker 1: I want to make it clear that Baldoni's reps have
- 40:18Speaker 1: denied all of these claims, and they're thinking to Darryl Cohen,
- 40:24Speaker 1: and what they're saying is that this lawsuit and everything
- 40:28Speaker 1: Lively is doing now is her attempt to rehabilitate her
- 40:32Speaker 1: reputation after it came out she was a quote mean girl.
- 40:36Speaker 10: I completely believe that that is the case. But also, Nancy,
- 40:40Speaker 10: it's about the box It's about box office.
- 40:43Speaker 5: It's about ticket sales.
- 40:45Speaker 10: Not just locally, not nationally, but internationally. And the more publicity,
- 40:50Speaker 10: the more pressed, the more lawsuits that are involved, the
- 40:54Speaker 10: more tickets that are sold, and it makes it much
- 40:58Speaker 10: easier for her next role and the role after that,
- 41:01Speaker 10: because there's always a place for mean girls and good
- 41:05Speaker 10: girls and bad girls and bad guys. That's just the
- 41:08Speaker 10: way Hollywood works. It always has and likely always will.
- 41:13Speaker 3: What is the truth? There are dueling lawsuits.
- 41:17Speaker 1: We won't know until this finally goes to court, and
- 41:22Speaker 1: we wait as justice unfolds.
- 41:26Speaker 3: Nancy Gray signing off Goodbye Friend,