Latest / Frightmares / Ep. 389 - Werewolves Within (2021)

Transcript

Ep. 389 - Werewolves Within (2021) · Frightmares

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions Podcast Network.
• 0:07
  Speaker 2: Whoa whoa, whoa whoa?
• 0:09
  Speaker 3: Oh Okay, okay, okay, okay, I'm ready. I'm ready. Welcome
• 0:13
  Speaker 3: to Split Your Head, a bi weekly podcast hosted by
• 0:16
  Speaker 3: me Bob that covers the gamut of all things horror, exploitation, cult, underground, experimental, transgressive, bizarre,
• 0:24
  Speaker 3: and indie. I have been fortunate enough to connect with
• 0:26
  Speaker 3: some of the most groundbreaking and upcoming filmmakers, writers.
• 0:29
  Speaker 2: And artists.
• 0:30
  Speaker 3: Don't expect a typical interview. I love shooting the shoot
• 0:33
  Speaker 3: with my guests and stumbling on surprising topics that literally
• 0:36
  Speaker 3: split our heads. From spider comedies to nihilistic sleeves, a
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  Speaker 3: comfortable art house to genre classics that gets my brain
• 0:42
  Speaker 3: buzzing and cracking wide open like a watermelon full of blood.
• 0:46
  Speaker 3: Then I would like to share it.
• 0:47
  Speaker 2: With your emails.
• 0:51
  Speaker 3: Now part of the Someone's Favorite Productions Podcast Network, Hi Mom.
• 0:55
  Speaker 2: The following podcast will contain spoilers, tangents, hot takes, and
• 0:59
  Speaker 2: a sessive foul language. Viewer discretion is advised.
• 1:03
  Speaker 4: Enjoy the show. Welcome back to Fridmar's podcast. I'm your
• 1:49
  Speaker 4: host Austin Proctor and joining me today for episode three
• 1:52
  Speaker 4: eighty nine is my good friend Corey Johnson.
• 1:55
  Speaker 2: Hey, everybody, it's my tiny purse gun. Where it goes,
• 1:59
  Speaker 2: I goes.
• 2:00
  Speaker 4: You know what's hilarious about that is that my mother
• 2:03
  Speaker 4: in law, who shall remain nameless, also has a gun
• 2:06
  Speaker 4: she refers to as her purse guns, which.
• 2:11
  Speaker 2: Do you know how long this morning I spent running
• 2:15
  Speaker 2: through just every quotable line of this movie to figure
• 2:19
  Speaker 2: out what I was gonna include on that, because there
• 2:22
  Speaker 2: were like five or six options that I had to
• 2:25
  Speaker 2: go with.
• 2:26
  Speaker 4: There's a lot of good one liners today and another
• 2:29
  Speaker 4: installment of July Igan throws Howell. We're discussing our modern
• 2:32
  Speaker 4: pig were wolves within from twenty twenty one, a movie
• 2:36
  Speaker 4: set in a town called beaver Field, where everyone's hiding something,
• 2:39
  Speaker 4: nobody trusts anyone, and somehow the werewolf is not the
• 2:44
  Speaker 4: most unreasonable person in town. Throw into the gold open man.
• 2:54
  Speaker 4: I've recorded so many things back to back here that
• 2:57
  Speaker 4: I don't know. Oh, I guess, oh, oh, got plenty
• 3:01
  Speaker 4: of stuff to talk about. Plenty of things, plenty of things. Okay,
• 3:07
  Speaker 4: so Corey, what have you I mean? We're gonna we
• 3:09
  Speaker 4: already talked about Evil dead Burne. That'll be a bonus
• 3:12
  Speaker 4: episode on the YouTube towards the end of the month.
• 3:16
  Speaker 4: But before we get to that, because we're gonna, I know,
• 3:18
  Speaker 4: we're gonna talk about it here. Is there anything else
• 3:20
  Speaker 4: you've watched recently worth mentioning, movies, television, whatever.
• 3:26
  Speaker 2: I'm currently watching Silo, And while it's not horror, it's
• 3:32
  Speaker 2: sci fi dystopian enough that the setting is like, ooh,
• 3:37
  Speaker 2: that's pretty fucking horrific that there's ten thousand people in here.
• 3:41
  Speaker 4: Like, yeah, Rebecca Ferguson, right.
• 3:45
  Speaker 2: Rebecca Ferguson, Will Will Patten, Yeah.
• 3:49
  Speaker 4: Will Patten, Will Patten or Will Poulter?
• 3:51
  Speaker 2: No, Will Patten from Independence Day? Oh okay, Yeah, it's
• 3:58
  Speaker 2: a it's a really good cast. Rebecca Ferguson is so
• 4:04
  Speaker 2: I know her best from the Denis Villanuve Dunes, so
• 4:10
  Speaker 2: she is such a different character than Lady Jessica Is
• 4:17
  Speaker 2: and the whole society. I'm like, I'm I'm hearkened just
• 4:21
  Speaker 2: a little bit to fall Out, but I know it
• 4:23
  Speaker 2: was a series of books, so it has nothing to
• 4:25
  Speaker 2: do with the ideas of Fallout. Underground bunker style, shit
• 4:30
  Speaker 2: ton of people living there. It does kind of feel
• 4:34
  Speaker 2: like that, but there's way more like hardcore like hardcore
• 4:40
  Speaker 2: lore ideas about this one. It's a little less fantastical,
• 4:45
  Speaker 2: but like so to give you, to give you a
• 4:47
  Speaker 2: super brief setup that you find out in the first episode,
• 4:49
  Speaker 2: so it's not even spoilers. All the people that are
• 4:54
  Speaker 2: in the silo have been born into there. They have
• 4:59
  Speaker 2: no no information. So one hundred and forty years ago
• 5:05
  Speaker 2: there was an uprising in the silo and a bunch
• 5:08
  Speaker 2: of rebels tried to open the doors and let the
• 5:11
  Speaker 2: poison in. I'm doing air quotes because I forgot we're
• 5:14
  Speaker 2: on audio. And in the process of that, all the
• 5:20
  Speaker 2: books got destroyed and all the computer hard drives got destroyed.
• 5:24
  Speaker 2: So they have no information except for like what they
• 5:29
  Speaker 2: call relics, and it's just like like one of the
• 5:32
  Speaker 2: relics is a pez dispenser. Oh okay, so, and then
• 5:37
  Speaker 2: in the Mayor's office there's like the mayor's ledgers that
• 5:40
  Speaker 2: go back ninety seven years, so not even the full
• 5:44
  Speaker 2: hundred and forty. And then there's there's a there's a
• 5:47
  Speaker 2: whole there's a whole mystery upon a mystery upon a
• 5:52
  Speaker 2: mystery common is in it wrapper, Yes, well, actually he
• 5:58
  Speaker 2: I think I think he might now have been an
• 6:01
  Speaker 2: actor longer than he.
• 6:02
  Speaker 4: Was a rapper. Okay, common was also was it Calm?
• 6:07
  Speaker 4: I think he was also in a movie that I
• 6:09
  Speaker 4: recently watched, because oh what movie was that? John Wick
• 6:15
  Speaker 4: Chacter two Suicide Squad. Oh maybe it wasn't common There
• 6:19
  Speaker 4: was a rapper in a movie I watched recently. Oh God,
• 6:22
  Speaker 4: that's gonna drive me crazy. I'll figure it out.
• 6:25
  Speaker 2: Continue and then uh, Rashida Jones is in the first
• 6:31
  Speaker 2: two episodes. Oh nice, Okay, Yeah, so it's it's a
• 6:35
  Speaker 2: really it's really well done. As I am continued to
• 6:39
  Speaker 2: be blown away by Apple TV shows, and then I
• 6:43
  Speaker 2: think Jessica and I have agreed that we're gonna finish
• 6:46
  Speaker 2: the first season because there's three seasons so far.
• 6:49
  Speaker 4: With another one on the way, right.
• 6:52
  Speaker 2: Yeah, with another one on their way I think releasing
• 6:54
  Speaker 2: early next year. I need to recheck that. And after
• 6:58
  Speaker 2: we finished the first season, and we're both gonna go
• 7:02
  Speaker 2: and watch Widow's Bay because we've been hearing a really
• 7:07
  Speaker 2: bunch of good shit about that. But yeah, and then
• 7:10
  Speaker 2: Evil Dead we talked about it, but I'll just say
• 7:13
  Speaker 2: as like a sneak preview to that YouTube episode fucking awesome,
• 7:19
  Speaker 2: fucking awesome real quick. And unfortunately Kyle hated it. But
• 7:26
  Speaker 2: it'd be like that that maybe he and I can
• 7:28
  Speaker 2: record a bonus bonus episode to send to you.
• 7:35
  Speaker 4: Yeah, you know, every movie is not gonna be for everyone,
• 7:37
  Speaker 4: but I am surprised to hear he like not only
• 7:42
  Speaker 4: disliked it, but almost walked out the last Yeah.
• 7:47
  Speaker 2: He was like, yeah, I was in the last like
• 7:49
  Speaker 2: thirty minutes, and I was like, you know, I could
• 7:52
  Speaker 2: just get up and leave.
• 7:54
  Speaker 4: Only And I've come around on this movie quite a lot, actually,
• 7:58
  Speaker 4: because of the commentary I think it's trying to convey
• 8:04
  Speaker 4: is Halloween kills. I remember me and Spencer and my
• 8:06
  Speaker 4: wife were in that one and we all looked at
• 8:09
  Speaker 4: each other like, fuck this movie, Like are we walking
• 8:12
  Speaker 4: out of this movie? Like I've come around on that one.
• 8:16
  Speaker 4: And that's a whole different discussion for a different time.
• 8:18
  Speaker 4: So let me get through what I watched, and then
• 8:20
  Speaker 4: we'll talk briefly about Evil Dead Burn, because we did
• 8:23
  Speaker 4: do an entire episode on it. So I did. I
• 8:27
  Speaker 4: watched No Way Up for my Cult movie challenge of
• 8:31
  Speaker 4: Shark'sploitation Week. What a shit movie?
• 8:36
  Speaker 2: I mean, can you exploit sharks? Is it shark exploitation?
• 8:43
  Speaker 1: Like?
• 8:43
  Speaker 4: Yeah, I mean the really the exploitation has so many subgenres,
• 8:50
  Speaker 4: and basically you can have any type of exploitation movie
• 8:54
  Speaker 4: at this point, you just throw the shark exploitation, alligator exploitation. Yeah,
• 8:59
  Speaker 4: it's it's basically a whole bunch of made up genres,
• 9:02
  Speaker 4: it really is. But fair enough. So it was Shark week.
• 9:05
  Speaker 4: I was gonna do Jaws two, but I really wanted
• 9:08
  Speaker 4: to revisit the original, and I was on a time
• 9:10
  Speaker 4: crunch and I wasn't gonna just jump into a fucking
• 9:12
  Speaker 4: sequel I had never seen. So then I was like,
• 9:15
  Speaker 4: all right, let me let me go watch deep Water.
• 9:17
  Speaker 4: I got that sent to me from Alliance Entertainment, so
• 9:21
  Speaker 4: and I miss it in theaters, but the wife wanted
• 9:23
  Speaker 4: to watch it with me, and I was like, fuck,
• 9:25
  Speaker 4: let me go find another movie. And I remember there
• 9:28
  Speaker 4: being a movie with a very similar premise to Deep Water,
• 9:32
  Speaker 4: and I found it. It's No Way Up. But instead
• 9:34
  Speaker 4: of crashing in the water and you know, trying to
• 9:37
  Speaker 4: survive the surface, this movie, the plane goes underwater and
• 9:42
  Speaker 4: hits the I don't know, they're not that far below
• 9:45
  Speaker 4: the water, let's say two three hundred feet, and they
• 9:48
  Speaker 4: hit the bottom of this rock whatever before there's a
• 9:51
  Speaker 4: giant cliff. And for some reason, because I can only
• 9:55
  Speaker 4: assume it's that thing that happens when you take a
• 9:59
  Speaker 4: cup of water a cup upside down and push it
• 10:02
  Speaker 4: underwater and there's like the air still in there.
• 10:04
  Speaker 2: Yeah, it's the Pirates of the Caribbean boat scene, I guess.
• 10:08
  Speaker 4: But there's also a giant hole in the side of
• 10:12
  Speaker 4: this plane. So whatever, just get rid of logic and everything.
• 10:19
  Speaker 4: But besides that, it was so bad because I mean,
• 10:23
  Speaker 4: we were really limited to the galley where besides that,
• 10:27
  Speaker 4: But besides that, it was so bad. You're limited to
• 10:31
  Speaker 4: the galley or whatever you want to call it, where
• 10:34
  Speaker 4: all of the flight attendants or stewardess is or however
• 10:36
  Speaker 4: they want to be referred to as. I can't remember
• 10:39
  Speaker 4: which is the politically correct one. I think it's flight
• 10:42
  Speaker 4: attendants where they go like make all the snacks and
• 10:44
  Speaker 4: get all the stuff. Like you're in about like a
• 10:47
  Speaker 4: nine by six area. For most of the movie, hardly
• 10:50
  Speaker 4: any sharks. When the sharks appear, they're terrible. There's this
• 10:54
  Speaker 4: one main character whose dad is a senator and she
• 10:57
  Speaker 4: has a bodyguard who knows way too much information about
• 11:01
  Speaker 4: the intricacies of planes. It didn't even make any fucking sense. Truly,
• 11:05
  Speaker 4: truly a terrible I mean, what do I expect with
• 11:08
  Speaker 4: the premise, like like the you know what, it says
• 11:11
  Speaker 4: one star. Definitely not great. Next week's Cult Movie Challenge,
• 11:15
  Speaker 4: which is technically probably this week. I think I'm behind,
• 11:19
  Speaker 4: but I believe it's Dolph Lundgren Week. Let me double
• 11:22
  Speaker 4: check that here. Yes, it is Dolph Lungren Week, and
• 11:30
  Speaker 4: I'm doing Dark Angel from nineteen ninety, so that'll be
• 11:33
  Speaker 4: on the next episode. I'll probably have to catch up
• 11:35
  Speaker 4: on a couple been watching the Harry Potter movies, introducing
• 11:39
  Speaker 4: the kiddo to those, and then in preparation for Evil
• 11:43
  Speaker 4: Dead Burn because Bruce Campbell said, he was like, you
• 11:46
  Speaker 4: might want to do your homework or you know, you
• 11:48
  Speaker 4: might want to bone up on some things, and I
• 11:50
  Speaker 4: was like, fuck it, I'm just gonna watch all of them.
• 11:53
  Speaker 4: They're ninety seven minutes or less the first two or
• 11:58
  Speaker 4: eighty two to eighty four minutes, so I was like,
• 12:00
  Speaker 4: let me just knock all of these outs.
• 12:01
  Speaker 2: And you can technically sort of kind of skip the
• 12:05
  Speaker 2: first fifteen to twenty minutes of two.
• 12:08
  Speaker 4: Yeah, because it's just it's just a recap.
• 12:10
  Speaker 2: It's just the first five minutes and the last ten
• 12:15
  Speaker 2: minutes of People Dead one. Yeah.
• 12:19
  Speaker 4: So I really want to make a cut where you
• 12:23
  Speaker 4: play out the entirety of Evil Dead and then when
• 12:27
  Speaker 4: the camera comes flying through the house and hits ash,
• 12:31
  Speaker 4: it cuts to Evil Dead two where he's flying through
• 12:34
  Speaker 4: the forest. I would love to make like a super
• 12:36
  Speaker 4: col I.
• 12:37
  Speaker 2: Mean, you own them both, so you can do that.
• 12:41
  Speaker 4: I could do that and then just have it go
• 12:43
  Speaker 4: into Army of Darkness as well.
• 12:45
  Speaker 2: Fuck it be the change that you want to see
• 12:48
  Speaker 2: in the world.
• 12:50
  Speaker 4: So I rewatched all of those. I mentioned this on
• 12:53
  Speaker 4: our YouTube episode. I don't think this is necessarily a
• 12:56
  Speaker 4: controversial take or a hot take, but in my opinion,
• 13:00
  Speaker 4: Evil Dead has gotten better with every installment. So, for example,
• 13:04
  Speaker 4: Evil Dead the original three and a half, Evil Dead
• 13:07
  Speaker 4: two has a four, Evil Dead twenty thirteen four and
• 13:10
  Speaker 4: a half, and then Evil Dead Rise has a five.
• 13:12
  Speaker 4: As of right now, Evil Dead Burn has a four
• 13:15
  Speaker 4: and a half, and I think I'm gonna place it
• 13:17
  Speaker 4: in between the twenty thirteen version and Rise. But ah,
• 13:21
  Speaker 4: it has been almost a week and I have not
• 13:24
  Speaker 4: stopped thinking about this movie. Typically when that happens, I
• 13:31
  Speaker 4: don't know. I usually raise my rating. The reason that
• 13:33
  Speaker 4: Rise has such a high rating for its multitude of reasons,
• 13:36
  Speaker 4: but for some reason, that's the one I can just
• 13:38
  Speaker 4: throw on and have the best time with. And this one,
• 13:43
  Speaker 4: you know, Burn is a little more mean spirited, and
• 13:45
  Speaker 4: that's fine, like it is.
• 13:47
  Speaker 2: It is very mean spirited. We didn't mention that on
• 13:50
  Speaker 2: our YouTube episode, so this will be a companion piece, yeah,
• 13:55
  Speaker 2: but no, it is. It is very very mean spirited,
• 13:59
  Speaker 2: and it means spirited towards its characters, and it's mean
• 14:02
  Speaker 2: spirited toward its viewers, right.
• 14:05
  Speaker 4: Right, everybody. No one's safe. But yeah, So I think
• 14:09
  Speaker 4: the reason Rise I love it so much is because
• 14:11
  Speaker 4: I can just throw it on. You have a good mix.
• 14:14
  Speaker 4: It's just a good mix of everything. But I think
• 14:17
  Speaker 4: Burn Burne might raise to a five, honestly, because again
• 14:20
  Speaker 4: I haven't stopped thinking about Oh no, no, I can't
• 14:23
  Speaker 4: because of what I said on the YouTube episode. That's right,
• 14:26
  Speaker 4: there's one reason that's keeping it from a five. Yeah,
• 14:29
  Speaker 4: that I don't want to spoil here because we spoil
• 14:31
  Speaker 4: on the spoiler episode. But that's exactly why, so it'll
• 14:34
  Speaker 4: stay at a four and a half. It's an incredible move. Like, man,
• 14:37
  Speaker 4: we talked about this on the episode, the YouTube episode.
• 14:40
  Speaker 4: It is probably the I don't even want to say probably.
• 14:43
  Speaker 4: I think it's the most consistent franchise because there hasn't
• 14:46
  Speaker 4: been a bad one. Yes, my ratings are kind of
• 14:48
  Speaker 4: all over the place, but there is no Evil Dead
• 14:52
  Speaker 4: movie that has less than a three point five out
• 14:54
  Speaker 4: of five. For me, that is consistent cy.
• 14:58
  Speaker 2: And the even Army of Darkness has its place. Yeah,
• 15:03
  Speaker 2: are we gonna pick it nine times out of ten? No,
• 15:06
  Speaker 2: But that tenth time that movie fucking hits.
• 15:10
  Speaker 4: Yeah. Right now, as it stands for me, that one
• 15:13
  Speaker 4: has a three out of five, but a three out
• 15:14
  Speaker 4: of five and a heart. Anything with a three or
• 15:17
  Speaker 4: more I consider to be a good movie. Three stars, Yeah, Yeah,
• 15:21
  Speaker 4: three stars is a good movie. Three and a half
• 15:24
  Speaker 4: is great, four is like awesome, four and a half masterpiece,
• 15:27
  Speaker 4: and then five is like perfect. So they all have
• 15:30
  Speaker 4: a good We're.
• 15:31
  Speaker 2: We're pretty I mean we're not critics, but we're pretty
• 15:35
  Speaker 2: critical when it comes to our ratings nowadays. Yeah, because
• 15:40
  Speaker 2: we've got so many under our Belt, and I feel
• 15:44
  Speaker 2: like we we realized we were kind of flippant with
• 15:48
  Speaker 2: our ratings in the beginning. I have to go.
• 15:51
  Speaker 4: See and I really need to go back and course
• 15:53
  Speaker 4: correct a lot of my twenty nineteen and twenty twenty
• 15:56
  Speaker 4: ratings because that was when I didn't have any sort
• 15:58
  Speaker 4: of system for Letterbox. Now I have a system where
• 16:02
  Speaker 4: it's like I like, before it was just vibes. I
• 16:05
  Speaker 4: was like, this is a five star movie, when I
• 16:08
  Speaker 4: was like, no, it's really not.
• 16:10
  Speaker 2: At least you could get a year's worth of shows,
• 16:16
  Speaker 2: kind of just taking our unlisted episodes and doing one
• 16:19
  Speaker 2: movie apiece.
• 16:21
  Speaker 4: I think that's what we're gonna do for year ten.
• 16:24
  Speaker 4: I think what we're gonna do is like you know,
• 16:27
  Speaker 4: Frighten Meer's Season one redo, where we actually go back
• 16:31
  Speaker 4: and pick movies that we haven't reviewed already and just
• 16:35
  Speaker 4: do that for year ten or maybe year nine, because
• 16:38
  Speaker 4: I have a really big idea that might be better
• 16:42
  Speaker 4: for like the tenth year, because going back and doing
• 16:45
  Speaker 4: a whole bunch of movies we did our first year,
• 16:48
  Speaker 4: there might be a lot of shitty movies because we
• 16:50
  Speaker 4: covered some wildly bad movies.
• 16:53
  Speaker 2: What was that Bikini Girls?
• 16:57
  Speaker 4: And Dinosaurs or something.
• 17:01
  Speaker 2: Bikini Girls versus Dinosaurs. Yeah, yeah, whole episode on that.
• 17:06
  Speaker 2: I would love for us to try and revisit ish
• 17:11
  Speaker 2: Tab if we could find it again. Okay, I would
• 17:16
  Speaker 2: love to try and revisit something like Hooker with a hacks.
• 17:23
  Speaker 4: Ye, no, no, we could. We could definitely do stuff
• 17:25
  Speaker 4: like that. Trust me.
• 17:26
  Speaker 2: I guess fucking tigers are not afraid.
• 17:29
  Speaker 4: Oh yeah, because I remember not enjoying that one, but
• 17:31
  Speaker 4: it has great ratings. So yeah, well.
• 17:33
  Speaker 2: We were also fucked up for that movie.
• 17:37
  Speaker 4: Oh and speaking of being fucked up, I well the
• 17:41
  Speaker 4: opposite of that today as of this recording July fourteenth,
• 17:45
  Speaker 4: I actually just picked up my two year chip from AA.
• 17:50
  Speaker 4: I'll go ahead and show you right there to any
• 17:54
  Speaker 4: post will add some Yeah.
• 17:56
  Speaker 2: No, that's that's fucking nice.
• 17:58
  Speaker 4: There we go. So yeah, real thing, Yeah, real fake
• 18:01
  Speaker 4: leather with a real fake gold coin.
• 18:04
  Speaker 2: So yeah, I just picked up my Is there chocolate
• 18:05
  Speaker 2: in it?
• 18:06
  Speaker 4: Oh God? I wish I wish I could unwrap this
• 18:08
  Speaker 4: and get chocolate, but no. Yeah, so two years sober today,
• 18:11
  Speaker 4: and yeah, that's the problem. That is why the first
• 18:14
  Speaker 4: in case in case we haven't said this four hundred
• 18:17
  Speaker 4: times that's why, like the first three seasons aren't available
• 18:20
  Speaker 4: because I was so fucking I was drunk on every episode,
• 18:23
  Speaker 4: rambling on about who knows fucking what that I was.
• 18:26
  Speaker 2: I was drunk on like a majority of the episodes.
• 18:29
  Speaker 2: And I don't even drink. Yeah, we've both stopped drinking.
• 18:34
  Speaker 4: Yeah, so it's like that's why those aren't available because
• 18:37
  Speaker 4: of who knows what I said? Uh but yeah, so
• 18:39
  Speaker 4: two years sober today, which is great. Other than that,
• 18:42
  Speaker 4: I don't think I Oh no, I did watch one
• 18:44
  Speaker 4: new movie for this year that I want to mention.
• 18:45
  Speaker 4: It's called Red Riding. Uh you can pretty much figure
• 18:49
  Speaker 4: out what that's about. Red Riding hood. Yeah, very strange
• 18:53
  Speaker 4: adaptation though, two and a half out of five. If
• 18:55
  Speaker 4: you want to watch it streaming on Prime, it has
• 18:58
  Speaker 4: a three point zero out of five somehow. And it's
• 19:01
  Speaker 4: not that it was bad, you know, it just wasn't good.
• 19:03
  Speaker 4: It's one of those movies. It's like I didn't like this,
• 19:06
  Speaker 4: but I did not like this two and a half,
• 19:08
  Speaker 4: you know, Like.
• 19:08
  Speaker 2: Yeah, it's one of those it's not for me.
• 19:10
  Speaker 4: Yeah, good production value, good acting, interesting story, just like whatever.
• 19:16
  Speaker 4: So with all that being said, let's move on. To
• 19:21
  Speaker 4: the body count, but up up, but up up, all right.
• 19:27
  Speaker 4: So this is where Wolves Within from twenty twenty one
• 19:30
  Speaker 4: release on June twenty fifth of that year in the
• 19:32
  Speaker 4: US as a limited run, and then it went to
• 19:35
  Speaker 4: the internet July second, so they got a little bit
• 19:38
  Speaker 4: of money in there from theaters, probably because it was
• 19:40
  Speaker 4: a video game adaptation. Rate it r for some bloody violence,
• 19:43
  Speaker 4: sexual references and language throughout. We have no sex and nudity,
• 19:47
  Speaker 4: moderate violence and gore, moderate profanity, mild alcohol, drugs and smoking,
• 19:52
  Speaker 4: and moderate frightening intense scenes. Pretty tame horror movie, but
• 19:55
  Speaker 4: still very very good runtime of an hour and thirty
• 19:58
  Speaker 4: seven minutes. Listed as a comedy horror mystery thriller directed
• 20:02
  Speaker 4: by Josh Rubin, and we're gonna get into how awesome
• 20:05
  Speaker 4: this man is. He also directed Scare Me, Hard Eyes
• 20:08
  Speaker 4: and apparently an upcoming Hard Eye sequel in twenty twenty eight,
• 20:13
  Speaker 4: which I'm here for. I don't know, don't I don't
• 20:15
  Speaker 4: know what they're gonna do, but I'm here for it.
• 20:17
  Speaker 4: Written by someone named Mishna Wolf, I shit you not.
• 20:22
  Speaker 4: I feel like that. Yeah, I feel like that's a
• 20:25
  Speaker 4: made up name that someone's hiding behind. Because there's no
• 20:28
  Speaker 4: fucking way, because she only has one other writing credit
• 20:31
  Speaker 4: for something called Wolf Like Me, So I don't know
• 20:34
  Speaker 4: what's going on here, but she did. So she did
• 20:38
  Speaker 4: seven episodes of that show, composed by Anna Drubik, who
• 20:42
  Speaker 4: also composed scary Stories to Tell in the Dark, Fear
• 20:45
  Speaker 4: Street Part three sixties sixty six and Barbarian. And then
• 20:49
  Speaker 4: we have cinematography by Matt Wise. He only has nine
• 20:53
  Speaker 4: other credits for movies, but he has done the cinematography
• 20:56
  Speaker 4: for and Imagine Dragons, two Taylors, and a Billie Eilish
• 21:01
  Speaker 4: music video, So that's very strange. Probably got paid some
• 21:05
  Speaker 4: fucking money too.
• 21:07
  Speaker 2: I mean, David Lynch directed more music videos than he
• 21:11
  Speaker 2: did movie fictions.
• 21:13
  Speaker 4: He directed more shorts than he did move. Yeah, David
• 21:17
  Speaker 4: Lynch has like one hundreds plus credits and he has
• 21:20
  Speaker 4: literally only directed like I think it was twelve or
• 21:23
  Speaker 4: thirteen actual full length movies. It's insane. Edited by Brett W. Bachman,
• 21:29
  Speaker 4: who also I put a lot of his credits in
• 21:31
  Speaker 4: here because this is insane. He also edited Mandy Color
• 21:35
  Speaker 4: Out of Space, The Vigil Pig, The Toxic Avenger, Shelby Oaks, Companion,
• 21:41
  Speaker 4: and Heart eyes.
• 21:42
  Speaker 2: That is a fun and that makes a lot of
• 21:46
  Speaker 2: sense because the editing of this movie is fucking wild.
• 21:49
  Speaker 4: Yeah, what a career dude. Starring Sam Richardson as Finn Wheeler.
• 21:56
  Speaker 4: This man is probably known by literally everyone, but for complete,
• 22:00
  Speaker 4: deatly different reasons. Because he was on twenty episodes of
• 22:03
  Speaker 4: Detroit Ter's as Sam Dubay, forty episodes of Veep as
• 22:07
  Speaker 4: Richard Splitt. I can't believe he was only on five
• 22:10
  Speaker 4: episodes of I Think You Should Leave with Tim Robinson,
• 22:12
  Speaker 4: but he was more of a producer and writer on
• 22:14
  Speaker 4: that show, and then he was even in three episodes
• 22:16
  Speaker 4: of Ted Lasso as Edwin Akufo.
• 22:19
  Speaker 2: He's do which is where I know him from, right
• 22:22
  Speaker 2: He's I'm not a huge Tim Robinson fan.
• 22:24
  Speaker 4: Which is fair. Like I said, he is for a
• 22:27
  Speaker 4: very specific group of people. He's also done a ton
• 22:29
  Speaker 4: of voice acting, but most of his movie works are
• 22:33
  Speaker 4: kind of smaller roles. Then we have Milana von Truebe
• 22:36
  Speaker 4: as Cecily Moore, our beloved at and T girl, who
• 22:40
  Speaker 4: was also in Project Hail Mary as Olesia Eliquinha and
• 22:45
  Speaker 4: I have a very sad story to tell about her later,
• 22:48
  Speaker 4: which I did not realize, but we're gonna talk about
• 22:52
  Speaker 4: it because men are gross and men men need to stop.
• 22:55
  Speaker 4: And that's gonna be my PSA. George Bezol as Marcus
• 22:58
  Speaker 4: hasn't done much work in movie movies, but has a
• 23:00
  Speaker 4: lot more credits for episodic television. You know, one episode here,
• 23:04
  Speaker 4: one episode there. Sarah Burns is Gwen And now this
• 23:07
  Speaker 4: is kind of a deep cut, but she was also
• 23:09
  Speaker 4: in I Love You Man as Haley. She was the
• 23:12
  Speaker 4: girl that they were trying to get. Oh not seth Rogan,
• 23:17
  Speaker 4: Jason Pard, Jason Siegel to date like they were trying
• 23:21
  Speaker 4: to hook up Haley and Jason Siegel's character and I
• 23:24
  Speaker 4: Love You Man, and she's just fucking hilarious. Michael Cherness
• 23:28
  Speaker 4: is Pete Anderton, who was also in nineteen episodes of
• 23:32
  Speaker 4: Severance as Rick and Hale. Katherine Curtin as Janine Sherman.
• 23:37
  Speaker 4: She was in twelve episodes of Stranger Things as Claudia Henderson.
• 23:41
  Speaker 4: I don't know who that is.
• 23:43
  Speaker 2: Oh, it's Dustin's mom.
• 23:45
  Speaker 4: One of the moms. Okay, that's what it is. Wayne
• 23:48
  Speaker 4: Duval as Sam Parker, who was also in The Hunt
• 23:51
  Speaker 4: as Down. His credit is literally down, question Mark question Mark,
• 23:56
  Speaker 4: question Mark, I don't this very weird credit for that movie.
• 24:00
  Speaker 4: And then the ever lovable Harvey Guiyin I think you
• 24:05
  Speaker 4: used to thing to tell you say His name as
• 24:07
  Speaker 4: Joachim Wolfson Butesh. He is also known primarily for his
• 24:12
  Speaker 4: episode His Work and What We Do in the Shadows
• 24:15
  Speaker 4: as Gizmo. Yes, I know his name is Guillermo, but
• 24:18
  Speaker 4: it's a running joke that Nandor always calls him Gizmo.
• 24:21
  Speaker 4: He was in sixty one episodes of that, not in
• 24:23
  Speaker 4: his top four, which I find wild, but whatever whatever
• 24:29
  Speaker 4: estimated budget of NA but it did gross nearly a
• 24:32
  Speaker 4: million dollars nine hundred and ninety one point nine k
• 24:35
  Speaker 4: filmed in Woodstock and Foenicia, New York. You can watch
• 24:39
  Speaker 4: this on AMC plus, Hulu, Shutter and YouTube TV. The
• 24:43
  Speaker 4: movies that came out around the same time broke my
• 24:46
  Speaker 4: fucking brain because apparently Black Widow came out five years ago.
• 24:51
  Speaker 4: The Tomorrow War, Yeah, but then but then like but then,
• 24:55
  Speaker 4: like The Tomorrow War, Jungle that's.
• 24:57
  Speaker 2: A that's a great tom Cruise movie if you you
• 25:00
  Speaker 2: haven't seen it.
• 25:00
  Speaker 4: The Tomorrow War, Yeah, Jungle Cruise, Luca Old, all of
• 25:06
  Speaker 4: those make sense the conjuring the Devil made me do it.
• 25:09
  Speaker 4: Five years ago, the French Dispatch, the Three Fear Street Movies,
• 25:14
  Speaker 4: Pig Escape Room, Tournament of Champions, Blood Skin, Red, Sky
• 25:19
  Speaker 4: in the Heights, and then The Forever Purge. I was
• 25:22
  Speaker 4: like Jesus Christ, it's been five years since we got
• 25:24
  Speaker 4: a Purge movie, and ron's gone wrong. Those just I
• 25:28
  Speaker 4: can't make sense of it in my head that all
• 25:29
  Speaker 4: of those were around the same time. It hurts my head.
• 25:32
  Speaker 4: I am dB summary. A new awkward park ranger arrives
• 25:35
  Speaker 4: in a small town, and murder and havoc soon follows.
• 25:38
  Speaker 4: The paranoid townsfolks soon suspect each other, but a devious
• 25:41
  Speaker 4: shape shifting werewolf becomes their prime suspects. But who is it?
• 25:46
  Speaker 4: Let's move on to the oddsopsy. All right, Corey, you
• 25:50
  Speaker 4: said you very much enjoyed this. I'm very excited to
• 25:52
  Speaker 4: hear your overall thoughts, so hit me with them my
• 25:56
  Speaker 4: overall thoughts.
• 25:58
  Speaker 2: First things first, the irreverence in this movie is borderline painful.
• 26:05
  Speaker 2: It creeps right up to that line of being like,
• 26:10
  Speaker 2: it's funny, but it's almost not funny. It satirizes satirical movies.
• 26:19
  Speaker 2: Like it's a satire of a satire and it's it's
• 26:24
  Speaker 2: almost too meta for it to work, but they they
• 26:29
  Speaker 2: segmented out just well enough to where it it almost
• 26:36
  Speaker 2: never feels cumbersome.
• 26:38
  Speaker 4: Okay, very well said. So this was the first time
• 26:43
  Speaker 4: watched for you, second time watching for me, but I
• 26:45
  Speaker 4: don't remember. I literally didn't remember anything from it other
• 26:48
  Speaker 4: than the fact that I enjoyed it. That was it.
• 26:50
  Speaker 4: So my overall thoughts are I think this is a
• 26:54
  Speaker 4: very fun movie with just a wild cast of characters
• 26:59
  Speaker 4: who all they all encompass a small town so perfectly,
• 27:04
  Speaker 4: like how the community interacts with each other, the gossip,
• 27:08
  Speaker 4: the arguments, good.
• 27:09
  Speaker 2: Live there, I live here right now.
• 27:12
  Speaker 4: This is my time. They filmed it in my home,
• 27:15
  Speaker 4: like in this town. No, but like it's so good,
• 27:18
  Speaker 4: and it's such an underrated cast of people too. You
• 27:22
  Speaker 4: have all of these actors and actresses who aren't huge,
• 27:26
  Speaker 4: but they're not necessarily B list actors, but you put
• 27:29
  Speaker 4: them all together and this is the movie you get
• 27:32
  Speaker 4: and it's what's comedic gold.
• 27:34
  Speaker 2: The most crazy thing to me about this movie and
• 27:40
  Speaker 2: why it ended up scoring what it did for me,
• 27:44
  Speaker 2: is every every character on screen just commands the camera
• 27:51
  Speaker 2: with whatever they're doing. Oh yeah, and it's not like
• 27:55
  Speaker 2: normally you've got like a lead and a support and
• 27:59
  Speaker 2: a background and there's layers to it. Yeah, but for
• 28:04
  Speaker 2: some reason, Josh Rubens said, hey, everyone's the main character
• 28:10
  Speaker 2: when you're on camera, and they treated it like that
• 28:14
  Speaker 2: because that's how he acts when he's on camera. So
• 28:19
  Speaker 2: it and it works so well because without the main character,
• 28:26
  Speaker 2: like without fucking Marcus thinking he's the motherfucking main character
• 28:30
  Speaker 2: tapin knives do his hands and saying he's gonna pretend
• 28:33
  Speaker 2: to be the werewolf just to steal a bunch of shit. Like,
• 28:37
  Speaker 2: without that, his character is just annoying. Yeah, but he
• 28:43
  Speaker 2: treats it like it's his fucking movie.
• 28:46
  Speaker 4: And that's you're you're one hundred percent right. Like, really,
• 28:50
  Speaker 4: our main stars, I would say, are Sam Richardson. And
• 28:54
  Speaker 4: she's got a tough name Malina yea Molina, Yeah, Milinia, milaia,
• 29:00
  Speaker 4: Milana Milana. And because you know, because she is the
• 29:05
  Speaker 4: postwoman of the town. He is the new the new
• 29:08
  Speaker 4: mayor or whatever the fuck he is, the new he's
• 29:10
  Speaker 4: the he's the.
• 29:11
  Speaker 2: New ranger, the ranger forest stranger.
• 29:13
  Speaker 4: Yeah. So really there are two main characters. But you're right,
• 29:16
  Speaker 4: every time someone else steps on screen, they are the
• 29:20
  Speaker 4: main character in that moment. They steal the scene. And
• 29:23
  Speaker 4: even if it's in a group of people where everyone's there,
• 29:26
  Speaker 4: every time someone speaks, they're just commanding your They're they're
• 29:29
  Speaker 4: commanding your attention in a way. And it's not like
• 29:32
  Speaker 4: they're fighting for attention. When they're all on screen. Everyone
• 29:34
  Speaker 4: just has such a presence about them that when someone
• 29:37
  Speaker 4: else speaks up, you're just like, I'm focused on you now, okay,
• 29:40
  Speaker 4: now I'm it's it's so great.
• 29:44
  Speaker 2: It's because the characters are so big. They're such big characters,
• 29:49
  Speaker 2: like this is the opposite of when I go, these
• 29:51
  Speaker 2: are fucking paper thing characters. Yeah, these are. These are big,
• 29:55
  Speaker 2: giant characters, but for no real reason, they're then to
• 30:00
  Speaker 2: be fucking weird.
• 30:04
  Speaker 4: And typically when you have such big characters with big personalities,
• 30:09
  Speaker 4: they can all they can, Like I said, they can
• 30:11
  Speaker 4: get in each other's way. But here it just it's
• 30:15
  Speaker 4: perfection for me. Everyone works so well together and I
• 30:19
  Speaker 4: don't feel like anyone's trying to outdo the other person.
• 30:22
  Speaker 4: They're all just hectic and chaotic in completely different ways.
• 30:27
  Speaker 4: And I don't. And Josh Rubin didn't write this, you know,
• 30:31
  Speaker 4: unless he's hiding under the alias of Mischiga Wolf. He
• 30:33
  Speaker 4: only directed this. But regardless, you know, the director has
• 30:36
  Speaker 4: a hand and a lot of things with the movie.
• 30:39
  Speaker 4: So I'd like to think that he had his hand
• 30:41
  Speaker 4: and I want everyone to be at like a ten,
• 30:44
  Speaker 4: like I want everyone's intensity, And.
• 30:48
  Speaker 2: He may not have written it, but writing is only
• 30:51
  Speaker 2: fifty percent of what gets put on camera. The other
• 30:55
  Speaker 2: fifty percent is that director going hey, more, yeah, more, Hey,
• 31:00
  Speaker 2: do this this way because I think it'll be funnier,
• 31:04
  Speaker 2: or you know, let's explore that argument over there a
• 31:11
  Speaker 2: little bit more. He comes from like an improv type background,
• 31:16
  Speaker 2: so I wouldn't be surprised if it was one of
• 31:19
  Speaker 2: those all right, you've got a story and you've got
• 31:23
  Speaker 2: a script bones and then they go all right, so
• 31:28
  Speaker 2: you need to say this, and you need to say this,
• 31:30
  Speaker 2: but how you get there is your choice.
• 31:33
  Speaker 4: Well that's interesting because I know Sam Richardson has a
• 31:38
  Speaker 4: background in improv. Milana, ironically enough, also has a background
• 31:44
  Speaker 4: in improv. Of course, Josh Rubin has a background in improv.
• 31:48
  Speaker 4: And since we're on Josh Rubin, let's kind of talk
• 31:50
  Speaker 4: about him in case because a lot of people you
• 31:53
  Speaker 4: might know him from directing Hard Eyes. And I remember
• 31:57
  Speaker 4: when I told you when we had talked about Hard
• 31:59
  Speaker 4: Eyes and told you who directed it, it blew your
• 32:01
  Speaker 4: mind because of who it was. And then it blew
• 32:04
  Speaker 4: my mind because I didn't know the name, but I
• 32:07
  Speaker 4: knew the face from the Game Show, so.
• 32:10
  Speaker 2: We both and I knew him from the Game Show
• 32:13
  Speaker 2: because I know him from fucking College Humor.
• 32:17
  Speaker 4: College.
• 32:18
  Speaker 2: Yeah, yeah, like old school YouTube.
• 32:21
  Speaker 4: So. Joshua Benjamin Rubin full legal name, is an American actor, comedian, director,
• 32:27
  Speaker 4: and producer. He formerly worked for College Humor, as you
• 32:30
  Speaker 4: just mentioned, and continues to appear and drop out original
• 32:34
  Speaker 4: TV shows. Funny enough, though, he was unable to get
• 32:37
  Speaker 4: an agent in his first years in New York City,
• 32:39
  Speaker 4: so he worked as a film extra at Best Buy
• 32:42
  Speaker 4: with his childhood friend Sam Reich, who would go on
• 32:45
  Speaker 4: to host those two shows that they do together. He
• 32:49
  Speaker 4: formed the comedy group Dutch Wes, which makes sketch comedy
• 32:52
  Speaker 4: videos for the Internet, and thanks to his work with
• 32:54
  Speaker 4: the group, College Humor hired him as a staffer, and
• 32:57
  Speaker 4: then he wrote and directed hundreds of their original short videos.
• 33:01
  Speaker 4: He appeared on the dropout game show Game Changer and
• 33:04
  Speaker 4: the spinoff Makes Some Noise, both hosted by his childhood
• 33:07
  Speaker 4: friend Reich, and is credited as a.
• 33:10
  Speaker 2: Baby It's actually Reich.
• 33:12
  Speaker 4: Sorry, I see, I see Reich. You know okay, Reich? Yeah,
• 33:16
  Speaker 4: Reich Sorry, and is credited as an executive producer on
• 33:20
  Speaker 4: the latter series. He then moved to la in twenty sixteen.
• 33:24
  Speaker 4: He actually drew from his college Humor four to oh
• 33:27
  Speaker 4: one K to write, produce, and direct Scare Me, which
• 33:30
  Speaker 4: was his first movie he ever did or directed, a
• 33:33
  Speaker 4: comedy horror filmed in Copper Lake outside of Woodstock, starring
• 33:37
  Speaker 4: Josh Rubin and as an aspiring writer staying in a
• 33:40
  Speaker 4: cabin in the woods. It premiered at twenty twenty Sundance
• 33:43
  Speaker 4: Film Festival, and then his next film would be were
• 33:45
  Speaker 4: Wolves Within, based on the video game, which was also
• 33:48
  Speaker 4: shot in the same area, that premiered at Tribecafest in
• 33:51
  Speaker 4: twenty twenty one, and then he'd go on to do
• 33:53
  Speaker 4: Heart Eyes. So going back to Werewolves Within, it's like
• 33:57
  Speaker 4: I said, it is based on a video game. It
• 33:59
  Speaker 4: is a multi player social deduction VR game for the
• 34:02
  Speaker 4: Oculus Rifts Windows and PlayStation VR. It was developed by
• 34:06
  Speaker 4: Red Storm Entertainment, published by Ubisoft, and released on the
• 34:10
  Speaker 4: December sixth, twenty sixteen. The game is set in a
• 34:13
  Speaker 4: medieval town or medieval fantasy town that is being attacked
• 34:16
  Speaker 4: by a werewolf, and players are tasked to guess which
• 34:19
  Speaker 4: of the town folk is the werewolf in disguise in
• 34:22
  Speaker 4: a mafia style format. So the funniest thing is that
• 34:25
  Speaker 4: is that the game exists to begin with, because it's
• 34:27
  Speaker 4: just such a wild game. But there really isn't a
• 34:30
  Speaker 4: story in the game. There's not like these iconic characters.
• 34:35
  Speaker 4: There's not really even so much a setting as it
• 34:38
  Speaker 4: is just this medieval era. So it's basically a mechanic,
• 34:42
  Speaker 4: which means the filmmakers really had such an enormous freedom
• 34:46
  Speaker 4: and they think of instead of trying to awkwardly adapt
• 34:50
  Speaker 4: this movie or a gameplay into a movie, which has
• 34:53
  Speaker 4: doomed plenty of adaptations as we've seen, they were like,
• 34:58
  Speaker 4: what if we just adapted the vibe of the gang
• 35:02
  Speaker 4: And it was.
• 35:03
  Speaker 2: And it was probably really easy because all you gotta
• 35:06
  Speaker 2: do is you don't even have to get the VR headsets.
• 35:11
  Speaker 2: You can go to a place that has the VR
• 35:14
  Speaker 2: headsets with the cast and you go, hey, y'all, we're
• 35:18
  Speaker 2: gonna spend eight hours playing this game and then we're
• 35:23
  Speaker 2: gonna go film it and it because it really did
• 35:27
  Speaker 2: feel at certain points like people who are not these
• 35:33
  Speaker 2: people are doing the arguing for them. Like as many
• 35:38
  Speaker 2: times as Janine said, I didn't kill my husband, and
• 35:42
  Speaker 2: then they go through the whole thing of how that
• 35:45
  Speaker 2: rumor started and whatnot, it did feel very like, oh,
• 35:50
  Speaker 2: I have to explain this, and I have to explain
• 35:54
  Speaker 2: this in a way that sounds like a lie but
• 35:57
  Speaker 2: is true to to try and win the game.
• 36:02
  Speaker 4: Yeah.
• 36:03
  Speaker 2: But then they say, okay, but now be afraid of that,
• 36:07
  Speaker 2: and that's where and that's how you get to the
• 36:09
  Speaker 2: everybody taken over by fear. But it does feel very
• 36:13
  Speaker 2: much like video game logic as to what's going on.
• 36:17
  Speaker 4: Yeah, because you have a huge feeling of distrust, second
• 36:21
  Speaker 4: guessing everyone, wondering who's lying, watching friendships collapse over accusations.
• 36:26
  Speaker 4: I think the movie captures all of that without ever
• 36:29
  Speaker 4: feeling obligated to recreate specific game mechanics. I mean, really,
• 36:35
  Speaker 4: they just took the vibe of the game. I've never
• 36:37
  Speaker 4: played it. I've never I don't know either.
• 36:40
  Speaker 2: I don't have VR, I don't know.
• 36:42
  Speaker 4: Like the inner machinations of how it works. But essentially
• 36:44
  Speaker 4: my speculation is it's such a rudimentary game that they
• 36:49
  Speaker 4: just were taking the vibes and could really do. They
• 36:53
  Speaker 4: had a lot of creative liberties that they could do
• 36:55
  Speaker 4: with this video game adaptation since it was so basic.
• 36:59
  Speaker 4: It feels very you can to the Exit eight adaptation
• 37:03
  Speaker 4: that we got this year. Exit eight is a very
• 37:06
  Speaker 4: simple game. It's literally noticing anomalies, you know, if you
• 37:10
  Speaker 4: notice them, turned back, if you don't notice them, continue,
• 37:12
  Speaker 4: And they made a fucking killer movie based off of
• 37:15
  Speaker 4: that premise, So it's almost like the simpler the game,
• 37:19
  Speaker 4: the more you have to do with a movie. And
• 37:23
  Speaker 4: this movie that's why were Wolves Within succeeds so well,
• 37:26
  Speaker 4: because they just fucking win for it. And it makes
• 37:29
  Speaker 4: sense like I don't have to play the game to
• 37:31
  Speaker 4: enjoy this movie at all. Yeah, or at least at
• 37:35
  Speaker 4: least I don't think I have to play. I haven't
• 37:37
  Speaker 4: played the game, and I fucking love this movie.
• 37:38
  Speaker 2: So oh no, yeah, I mean that was that was
• 37:41
  Speaker 2: so sucsafetime.
• 37:43
  Speaker 4: I had no response, uh so yeah, And I think
• 37:48
  Speaker 4: the one of the greatest parts of this movie is,
• 37:52
  Speaker 4: like I said, it's it's less interested in making a
• 37:54
  Speaker 4: fan service about a video game and more uh and
• 37:58
  Speaker 4: more about making a genuinely entertaining mystery. And that mystery
• 38:01
  Speaker 4: is the driving force of this movie because you're constantly
• 38:04
  Speaker 4: trying to figure out who the fuck the werewolf is.
• 38:07
  Speaker 2: Oh yeah, and I even I even sent you a message.
• 38:10
  Speaker 2: I was like, I'm calling this character at forty four
• 38:13
  Speaker 2: forty nine, and then when the reveal happened at the
• 38:16
  Speaker 2: very end of the movie, I called that way too
• 38:19
  Speaker 2: fucking early. But when the actual reveal happened, I sent you, Oh, oh,
• 38:24
  Speaker 2: I was fucking wrong.
• 38:26
  Speaker 4: Yeah, when you time stamped it at forty four minute,
• 38:28
  Speaker 4: I was like, oh, brother, you've got about an hour left.
• 38:30
  Speaker 4: That's way too early.
• 38:32
  Speaker 2: Yeah. Well, I just based off doctor Ellis's actions, the
• 38:36
  Speaker 2: way she was fucking moving and going off of the
• 38:41
  Speaker 2: classic the character who has seen the least is generally
• 38:46
  Speaker 2: the greatest suspect. That's why the butler always did it.
• 38:51
  Speaker 4: Yeah.
• 38:52
  Speaker 2: Yeah, she like she had to be the one, She
• 38:55
  Speaker 2: had to be the one, and she but she doesn't
• 38:58
  Speaker 2: know that she's aware wolf, and that's why she's trying
• 39:02
  Speaker 2: to figure it out, and then maybe they lead into oh,
• 39:04
  Speaker 2: let's try and.
• 39:06
  Speaker 4: Yeah, because she's the one testing all the hair and
• 39:08
  Speaker 4: stuff like that.
• 39:09
  Speaker 2: Yeah, yeah, she's an environmentalist.
• 39:12
  Speaker 4: And it's like oh, and eventually it's like inconclusive and
• 39:15
  Speaker 4: she's like, ah, but then.
• 39:16
  Speaker 2: Did you know she's an environmentalist?
• 39:19
  Speaker 4: I think so, yeah, yeah, but did.
• 39:21
  Speaker 2: You know that she's the environmentalist that's staying here? They
• 39:26
  Speaker 2: said that word oh so many goddamn times. I'm trying
• 39:30
  Speaker 2: to do the bit.
• 39:32
  Speaker 4: Yes, sorry, I thought you were asking me a sincere question.
• 39:36
  Speaker 4: I was like, yeah, no, no, yeah. They They had
• 39:39
  Speaker 4: so many running bits in this movie that never never
• 39:43
  Speaker 4: got old. I never got tired of really any bit.
• 39:47
  Speaker 4: I enjoyed them thoroughly. Uh and yeah, so you are,
• 39:51
  Speaker 4: you're questioning who's who's what? Who's this person? Because that's
• 39:55
  Speaker 4: the thing. It's like everyone's a suspect. You you're suspicious
• 39:58
  Speaker 4: of fucking basically everyone at one point or another, even
• 40:02
  Speaker 4: if it's just for a second, you're like it could
• 40:05
  Speaker 4: be them, but then you're like, well, maybe it's them,
• 40:08
  Speaker 4: and then it's the person.
• 40:09
  Speaker 2: And they do and they do such a sincere job
• 40:13
  Speaker 2: of making you genuinely suspect everyone except I would say
• 40:21
  Speaker 2: everyone except Joakim.
• 40:22
  Speaker 4: Yeah, I would say that too, because, uh, I guess
• 40:26
  Speaker 4: probably because his last name is Wolfson, and that would
• 40:29
  Speaker 4: have been way too on the nose.
• 40:31
  Speaker 2: Yeah, way too on the nose.
• 40:32
  Speaker 4: And even his husband, his husband has the same name
• 40:35
  Speaker 4: of Wolfson, so it's like, yeah, let's not make the
• 40:38
  Speaker 4: actual wear wolf the last the person last name Wolfson.
• 40:41
  Speaker 2: I do want to circle way back for just a
• 40:45
  Speaker 2: brief moment, because we forgot to mention one of the
• 40:49
  Speaker 2: things that you and I both absolutely love in the
• 40:53
  Speaker 2: opening of a movie. Oh, text on screen, next on screen,
• 40:56
  Speaker 2: and I was like, huh, this is really interesting text
• 41:01
  Speaker 2: on screen, and then it gave the person who it
• 41:05
  Speaker 2: was quoting as mister Rogers, and I realized I was
• 41:11
  Speaker 2: in for a movie that did not care about my time? Wait,
• 41:16
  Speaker 2: what do you mean?
• 41:19
  Speaker 4: What do you mean by that?
• 41:21
  Speaker 2: It doesn't care about my time in the sense that
• 41:25
  Speaker 2: they said, we're gonna do what we're gonna do, and
• 41:29
  Speaker 2: you're most likely gonna enjoy it, but if you don't,
• 41:33
  Speaker 2: we're gonna keep doing the bit. The bit will never end.
• 41:39
  Speaker 2: The bit will go through this entire movie until the
• 41:42
  Speaker 2: credits rolled and they mentioned mister Rogers three seconds outside
• 41:49
  Speaker 2: of the fucking opening.
• 41:50
  Speaker 4: They mentioned him three times.
• 41:52
  Speaker 2: That's what I'm saying. They do not care about your
• 41:54
  Speaker 2: time because the movies run in regardless and they're not
• 42:00
  Speaker 2: gonna deviate from the path. Like they set you on
• 42:04
  Speaker 2: this path and that's where the path is going you.
• 42:07
  Speaker 2: You may be able to look off to the side
• 42:10
  Speaker 2: and see through the side quest window, but there is
• 42:15
  Speaker 2: no side quest door. There is no subtext hallway.
• 42:22
  Speaker 4: Well, since we went back to the beginning, this is
• 42:24
  Speaker 4: a perfect time for me to talk about the opening
• 42:26
  Speaker 4: because I did write. I did write the opening text
• 42:29
  Speaker 4: down and then I just forgot to mention it. So
• 42:30
  Speaker 4: you have that opening text and I said the same thing.
• 42:33
  Speaker 4: I'm like, yeah, this is a okay, and then it
• 42:36
  Speaker 4: says mister Rogers, and I was like, jeezus Christ, okay,
• 42:41
  Speaker 4: this this is what we're doing. So one of the
• 42:43
  Speaker 4: things that wear wolf movies, in my opinion, need to
• 42:46
  Speaker 4: do right off the bat is establish some sort of
• 42:49
  Speaker 4: an attack. The three movies we reviewed this month have
• 42:53
  Speaker 4: all done that. Silver Bullet starts off with a beheading,
• 42:56
  Speaker 4: Fucking wolf Man starts off with the wolf man killing someone,
• 43:01
  Speaker 4: and in this one. It is a little different because
• 43:04
  Speaker 4: it's an implied attack. You don't see the wear wolf.
• 43:07
  Speaker 4: You just see things. You get like noises, it's like
• 43:11
  Speaker 4: something moving fast. Branch is snapping, and then this guy
• 43:14
  Speaker 4: just gets pulled off screen. So it's not necessarily a
• 43:17
  Speaker 4: full blown attack, but it is implied. Okay, well, there's
• 43:20
  Speaker 4: the werewolf, and it's classic monster movie storytelling. Your imagination
• 43:25
  Speaker 4: fills in the blanks, and whatever you're picturing is usually
• 43:28
  Speaker 4: more frightening than whatever the visual effects would show us.
• 43:31
  Speaker 4: And in a low budget movie like this, I appreciate
• 43:34
  Speaker 4: that they went for the simple idea of doing it
• 43:38
  Speaker 4: this way, because by the time we actually get the
• 43:40
  Speaker 4: reveal of the were wolf, like I wear.
• 43:44
  Speaker 2: Wolf costume fucking sucks.
• 43:46
  Speaker 4: Oh damn, you did not like it? Okay, all right, but.
• 43:50
  Speaker 2: No, but see that's why I did like it. Oh okay,
• 43:55
  Speaker 2: it was so shitty that I was like, of course,
• 43:58
  Speaker 2: it's gonna be that shit, because why with what everything
• 44:04
  Speaker 2: else that you've showed me in this movie, why else
• 44:08
  Speaker 2: would it be something amazing? Of Course, it's gonna be
• 44:12
  Speaker 2: a wig in a mask and some paint on the
• 44:15
  Speaker 2: skin and some fake teeth like of course, like it's not.
• 44:20
  Speaker 2: It's not gonna be some magnificent film breaking transition. They
• 44:26
  Speaker 2: didn't have the budget to go full CG. Right, of
• 44:30
  Speaker 2: course it's a person in a suit, and of course
• 44:33
  Speaker 2: it's a it's a cheap suit. That's what made it
• 44:37
  Speaker 2: so fun, That's what made this character fly in all
• 44:41
  Speaker 2: the fuck around and just dodging axes with relative ease,
• 44:48
  Speaker 2: because you could very much tell that they were throwing
• 44:51
  Speaker 2: the foam versions with the way those things are your
• 44:56
  Speaker 2: whip spinning pastor.
• 44:59
  Speaker 4: That's what I about the ending revealers, because it takes
• 45:02
  Speaker 4: place where the movie kind of started with Sam and
• 45:05
  Speaker 4: Milana and they're throwing axes and it's that bar which
• 45:09
  Speaker 4: I always find it's strange that people want that it's
• 45:12
  Speaker 4: legal for you to be able to just get drunk
• 45:14
  Speaker 4: and throw acxes. That sounds like a liability, but that's second.
• 45:17
  Speaker 2: I mean, you can't get drunk and throw guns.
• 45:20
  Speaker 3: But.
• 45:21
  Speaker 4: They still do it. But yeah, it kind of ends
• 45:24
  Speaker 4: where it started, and the you know, were Wolf is
• 45:27
  Speaker 4: just like there's one point where it lurches at the
• 45:30
  Speaker 4: wall then bounces off the wall and I was like,
• 45:33
  Speaker 4: that's funny. Uh So the movie establishes it pretty quickly
• 45:38
  Speaker 4: that something dangerous is out there. The mystery is not hypothetical.
• 45:42
  Speaker 4: People are dying, and that creates tension before we meet
• 45:45
  Speaker 4: our you know, our main our main characters, and I
• 45:47
  Speaker 4: think you know our main star gives a great performance
• 45:51
  Speaker 4: in this horror movie, Fin Wheeler, played by Sam Richardson.
• 45:54
  Speaker 4: He is one of those actors that somehow makes his
• 45:57
  Speaker 4: kindness hilarious, whether it's the detroiter's VP, I think you
• 46:01
  Speaker 4: should leave. His comedy usually comes from like complete sincerity
• 46:05
  Speaker 4: and Finn Like Fenn is not trying to be funny.
• 46:07
  Speaker 4: He's just an aggressively decent human being. And he's this
• 46:12
  Speaker 4: new park ranger arriving in beaver Field hoping to make
• 46:15
  Speaker 4: a good first impression and instead walks into the most
• 46:20
  Speaker 4: dysfunctional town imaginable. But you're also suspicious of him that
• 46:24
  Speaker 4: he might be the way that Like, that's why you're
• 46:26
  Speaker 4: kind of suspicious of him, new guy in town. Why
• 46:29
  Speaker 4: wouldn't he be the werewolf? Like, it's because I am
• 46:33
  Speaker 4: deep and in real life, I.
• 46:35
  Speaker 2: Am deeply suspicious of people that I know grew up
• 46:38
  Speaker 2: as not only PBS children, but PBS teens, like they
• 46:43
  Speaker 2: they lived in such a strict household that they were
• 46:45
  Speaker 2: watching PBS until like fifteen, Like you're fucking weird, bro.
• 46:52
  Speaker 4: Uh and you know so so you know, like most
• 46:55
  Speaker 4: horror protagonists become leaders because they're tougher than everyone else,
• 46:58
  Speaker 4: and they're that, you know, he becomes the leader because
• 47:00
  Speaker 4: he's literally the only adult willing to listen to people
• 47:04
  Speaker 4: and try to control the situation because everyone else is
• 47:07
  Speaker 4: just fucking screaming at each other.
• 47:09
  Speaker 2: He's also the only one that can form a coherent,
• 47:15
  Speaker 2: single train of thought, sentence that's correct, that is correct.
• 47:21
  Speaker 4: Everyone else is on some other fucking plane of existence.
• 47:25
  Speaker 4: Like he tries diplomacy, he's trying to avoid conflict. He
• 47:29
  Speaker 4: assumes everyone can work together, which in this town, in
• 47:32
  Speaker 4: this town, is just fucking adorable. But he gives the
• 47:35
  Speaker 4: movie its emotional center because while everyone else is spiraling
• 47:38
  Speaker 4: into paranoia, he keeps trying to believe people are fundamentally good,
• 47:42
  Speaker 4: and his optimism becomes increasingly funnier the worst things get
• 47:48
  Speaker 4: and he is so he's he's on fire in this movie.
• 47:51
  Speaker 4: I think he, like you said, I know, every we
• 47:54
  Speaker 4: said kind of everyone is a main character, obviously, you know,
• 47:57
  Speaker 4: Sam Richardson is our main character, and he is such
• 48:00
  Speaker 4: a good center for this movie. And I would like
• 48:03
  Speaker 4: to see him in more starring roles because typically he's
• 48:07
  Speaker 4: in an episode here, an episode there, or he's writing
• 48:10
  Speaker 4: or doing skit like sketches or you know, comedies. But like,
• 48:14
  Speaker 4: he is so good in this.
• 48:16
  Speaker 2: I love again. I go back to I think the
• 48:23
  Speaker 2: actors just might have been given more liberty than other
• 48:30
  Speaker 2: directors would give them, right, And that's why he's so good,
• 48:36
  Speaker 2: because it seems like all the things that he's been in,
• 48:40
  Speaker 2: he's been in in supporting ways, right, so that he
• 48:44
  Speaker 2: could do the things that he wanted to do, because otherwise,
• 48:49
  Speaker 2: like you can't make the co writer a main character
• 48:55
  Speaker 2: because then it gets Samy bullshit if it's a shit
• 49:00
  Speaker 2: oh right, And he hasn't done a ton of like movies,
• 49:05
  Speaker 2: so with a movie, yeah, you can put him on
• 49:08
  Speaker 2: the stage because he's he's only there for an hour
• 49:10
  Speaker 2: and forty five minutes, right, and like his bits get
• 49:14
  Speaker 2: to be his bits, and it's not like I have
• 49:17
  Speaker 2: to watch nine days worth of this bit.
• 49:22
  Speaker 4: And not in and not even just saem Is is
• 49:26
  Speaker 4: a highlight here. I mean, obviously I think he's uh,
• 49:29
  Speaker 4: probably he's my favorite part, but like the casting is
• 49:33
  Speaker 4: just it's almost unfair. You have, like I said, you
• 49:35
  Speaker 4: have Milana, who everyone's gonna recognize from the AT and
• 49:39
  Speaker 4: T spokesperson that the Internet collectively became obsessed with. But
• 49:44
  Speaker 4: something I didn't realize, right, So I had seen her
• 49:47
  Speaker 4: in the commercials and then I don't know where I
• 49:50
  Speaker 4: saw it, but like she posted it like it was
• 49:53
  Speaker 4: it was somewhere on the Internet and she posted a
• 49:54
  Speaker 4: picture like in this dress with like you know, it
• 49:57
  Speaker 4: was a very not revealing dress, but you could like
• 49:59
  Speaker 4: I didn't realize how stacked this girl was. And I
• 50:01
  Speaker 4: was like, yeah, it's.
• 50:02
  Speaker 2: It's the it's the it's the infamous white dress photo. Yeah,
• 50:07
  Speaker 2: like if you search her name, that photo comes up,
• 50:12
  Speaker 2: just because it comes up. It was on I think
• 50:16
  Speaker 2: it was on her social media's at one point, right,
• 50:19
  Speaker 2: and then it just got grabbed and assimilated by the internet. Yeah,
• 50:24
  Speaker 2: and it Yeah, the uh, the the men of the
• 50:29
  Speaker 2: Internet have have taken to doing everything everything short of
• 50:37
  Speaker 2: doxing this woman.
• 50:38
  Speaker 4: Yeah, because she happens to be attractive, very attractive. Well yeah,
• 50:44
  Speaker 4: because like you know, you see her in the commercial,
• 50:45
  Speaker 4: she's got obviously wearing a wig because it's long hair,
• 50:49
  Speaker 4: and she's dressed like an AT and T worker. So
• 50:51
  Speaker 4: when I had seen her, uh, you know, in regular clothing,
• 50:55
  Speaker 4: I wasn't like, oh, drooling over her, but I was like, damn.
• 50:58
  Speaker 4: I was like, good for you. You look like you
• 51:01
  Speaker 4: are beautiful. But yeah, you make it.
• 51:03
  Speaker 2: You make AT and T look not like AT and D.
• 51:06
  Speaker 4: Yeah, it's like if she had just a sleeper you
• 51:09
  Speaker 4: know what, Sally Hawkins is the same thing. You look
• 51:11
  Speaker 4: at Sally Hawkins and you're like, you're very pretty, and
• 51:14
  Speaker 4: then you see her in shape of water and you're
• 51:16
  Speaker 4: like Jesus Christ, like wow, I did not realize how
• 51:19
  Speaker 4: like you look incredible. So it's like, guys, you can
• 51:24
  Speaker 4: comment a woman like on that a woman is pretty
• 51:27
  Speaker 4: like it's it's not a big deal, like wow, you
• 51:29
  Speaker 4: know like this, this is a different side of you.
• 51:31
  Speaker 4: I love the short hair, you you look great. But
• 51:34
  Speaker 4: to go as far as putting milk emojis underneath pictures
• 51:38
  Speaker 4: of her and basically forcing her off of off of
• 51:42
  Speaker 4: social media because everyone was being disgusting towards her.
• 51:46
  Speaker 2: I think that I think that was one of the
• 51:48
  Speaker 2: predominant factors of her getting switched out from the AT
• 51:51
  Speaker 2: and t rop What yeah, because AT and T was like,
• 51:54
  Speaker 2: we we want attention, but we don't want that attention, right.
• 51:58
  Speaker 4: So she actually stopped doing that for a few years
• 52:01
  Speaker 4: and then came back in twenty twenty and was met
• 52:04
  Speaker 4: with the same responses from people, to where she actually
• 52:07
  Speaker 4: did an Instagram live like pleading with people guys like
• 52:11
  Speaker 4: you have to stop this, Like I'm literally leave me alone,
• 52:15
  Speaker 4: Like have you not seen a girl with well purported?
• 52:18
  Speaker 4: Like what is the big deal? Guys, their boobs, get
• 52:21
  Speaker 4: over them. And then even AT and T stepped in,
• 52:24
  Speaker 4: it was like, everyone, you have to stop this. We're
• 52:26
  Speaker 4: turning off the comments, We're turning off this. She is
• 52:29
  Speaker 4: a well liked character in our in our commercials, and
• 52:32
  Speaker 4: we're keeping her stop being disgusting.
• 52:34
  Speaker 2: She's fucking hilarious in this shitue.
• 52:38
  Speaker 4: And that's where I was going with is like, beyond
• 52:40
  Speaker 4: the fact that she is incredibly attractive, she is incredibly talented.
• 52:45
  Speaker 4: She is so fucking good in this movie and plays
• 52:49
  Speaker 4: off with Sam Richardson so well.
• 52:52
  Speaker 2: I lays off everyone, but everyone like if there if
• 52:57
  Speaker 2: there is a quote support hoarding character, it's her because
• 53:03
  Speaker 2: her main character energy is she makes what everyone else
• 53:08
  Speaker 2: is doing that much funnier, Like, yeah, her even her
• 53:14
  Speaker 2: slow grab and the face she was making when she
• 53:17
  Speaker 2: was taking the knife from Sam, I was like, oh man,
• 53:23
  Speaker 2: the tension is so thick, but at the same time,
• 53:29
  Speaker 2: it's thick like room temp butter like it cuts easy.
• 53:36
  Speaker 2: You don't have to have a sharp knife to cut it,
• 53:39
  Speaker 2: but it's there. The tension in this movie is humidity.
• 53:44
  Speaker 2: It just sits on top of you and it's kind
• 53:48
  Speaker 2: of uncomfortable, but all you really gotta do is like
• 53:51
  Speaker 2: put on the fan of comedy and then it's not
• 53:53
  Speaker 2: so bad.
• 53:54
  Speaker 4: Yeah, and she is. She's like the typical horror of venture.
• 53:59
  Speaker 4: She's weird, she's quirky. She's a little socially awkward in
• 54:03
  Speaker 4: the exact same wavelength as Thin, because, like I said,
• 54:06
  Speaker 4: I don't think he was socially awkward until he arrived
• 54:08
  Speaker 4: in this town where everyone has no idea how to act,
• 54:11
  Speaker 4: and watching them flirt is like surprisingly genuine, because neither
• 54:16
  Speaker 4: character is particularly smooth. I do like Milana though, because
• 54:22
  Speaker 4: she's kind of just this aloof mysterious person and she's
• 54:25
  Speaker 4: kind of just like whatever about things. I love her
• 54:28
  Speaker 4: in this movie. She's fantastic and she's actually like a
• 54:30
  Speaker 4: well established actress. She was acting before the AT and
• 54:34
  Speaker 4: T stuff. She still continues to act. She actually directs
• 54:37
  Speaker 4: a lot of the AT and T commercials now, so
• 54:40
  Speaker 4: she's very well versed in the industry. She's not just
• 54:43
  Speaker 4: an attractive girl that should only be fucking what sort
• 54:47
  Speaker 4: I'm looking for and antagonized online because she has big
• 54:50
  Speaker 4: boobs like guys, and see.
• 54:52
  Speaker 2: What's funny about her and the controversy and everything is
• 54:57
  Speaker 2: in this movie. I think she is funniest. Which she
• 55:02
  Speaker 2: has that ridiculously oversized postal coat on yep, because she's
• 55:07
  Speaker 2: just like wobbling around but still like super flighty at
• 55:15
  Speaker 2: the same time. Yeah, and she's saying everything from under
• 55:20
  Speaker 2: this big fucking hat and the image of it because
• 55:25
  Speaker 2: you know, like this is an oversized like this is
• 55:29
  Speaker 2: not actually her uniform, which she comes into play later, Yeah,
• 55:33
  Speaker 2: which comes into play later, but it feels like she
• 55:37
  Speaker 2: like this got thrust upon her, which we find out
• 55:41
  Speaker 2: later is not the case, but it's it just adds
• 55:46
  Speaker 2: to the absurdity of what's going on because you have
• 55:48
  Speaker 2: this she she is a very small woman too, so
• 55:54
  Speaker 2: you have this very small, kind of slight woman in
• 55:57
  Speaker 2: this big, puffy and then everybody else is at least
• 56:01
  Speaker 2: dressed sort of normal except for Trish. Yeah, because she's
• 56:07
  Speaker 2: once Chachi gets got, she's just in that bathroom for
• 56:11
  Speaker 2: the rest of the movie. And that's why she's my
• 56:15
  Speaker 2: favorite character.
• 56:16
  Speaker 4: And that's what I love about her too, is she
• 56:18
  Speaker 4: isn't that like it's like, instead of big guy in
• 56:22
  Speaker 4: a little coat, it's like little girl in a like
• 56:24
  Speaker 4: in a big coat.
• 56:25
  Speaker 2: It's it's it's the exact other side of the coin
• 56:31
  Speaker 2: to why Chris Farley was funny.
• 56:33
  Speaker 4: Right exactly, And she's great in this movie. And then
• 56:36
  Speaker 4: when they and then you when she's trying to flirt
• 56:38
  Speaker 4: with Sam and she takes all that off and she's
• 56:40
  Speaker 4: dancing around with the beers and Sam is just like, oh, whoa,
• 56:44
  Speaker 4: this is what you look like without this giant, baggy mailman.
• 56:48
  Speaker 2: Yes, And and I personally think that that was kind
• 56:52
  Speaker 2: of a call to her, like, hey, that is my
• 56:57
  Speaker 2: closure scene of that whole controversy, that ye'll put it
• 57:00
  Speaker 2: behind me.
• 57:01
  Speaker 4: Yeah, because this was filmed in twenty twenty, right as
• 57:04
  Speaker 4: she was either coming back to do the commercials or
• 57:07
  Speaker 4: after she already had comeback. But yeah, they don't dress
• 57:10
  Speaker 4: her provocatively in this at all. She and it's you know,
• 57:13
  Speaker 4: this is a cold set movie. She's pretty much in
• 57:16
  Speaker 4: big clothes the whole time, and that's that's perfectly okay.
• 57:20
  Speaker 4: They don't need to sexualize her. It's that there's no
• 57:22
  Speaker 4: reason to. She's already had enough trouble with that and
• 57:25
  Speaker 4: people need to leave her the fuck alone. If you're
• 57:27
  Speaker 4: one of the men that commented a milk emoji underneath
• 57:29
  Speaker 4: the picture of her where she had cleavage, fucking your
• 57:32
  Speaker 4: gross stop it. Get a fucking life. Okay, my god.
• 57:36
  Speaker 2: And if you're one of our listeners, now you're not.
• 57:39
  Speaker 4: You're not.
• 57:40
  Speaker 2: And I've banned from listening to the show.
• 57:44
  Speaker 4: Ending on a couple of the things I wanted to
• 57:46
  Speaker 4: mention here as I do love the the uh kind
• 57:50
  Speaker 4: of bottle It eventually turns into a bottle film where
• 57:53
  Speaker 4: they're all locked inside the beaver field in great fucking
• 57:58
  Speaker 4: name snowst was happening outside. All the trans are transformers,
• 58:03
  Speaker 4: generators are down, there's no power, so now everybody's trapped
• 58:06
  Speaker 4: in here, and it's like, okay, is the were wolf in,
• 58:10
  Speaker 4: you know, inside with us? Is it outside? And at
• 58:12
  Speaker 4: one point they do actually say were wolves within and
• 58:16
  Speaker 4: then he pauses for a second, and then he continues
• 58:18
  Speaker 4: the sentence. I thought that was very funny. Yeah, it
• 58:20
  Speaker 4: was really good, but I mean, really, it's just it's essentially,
• 58:24
  Speaker 4: at its core, Clue, but instead of Tim Curry, it's
• 58:27
  Speaker 4: a werewolf. You know. It's like, it's like.
• 58:30
  Speaker 2: And and Clue is just essentially and then there were
• 58:34
  Speaker 2: none by Agatha Christie exactly because it really does boil
• 58:41
  Speaker 2: down to like, this is the most old school style
• 58:47
  Speaker 2: who done it? Like even even Joaquim says at one
• 58:53
  Speaker 2: point it's like one of those shitty dinner theaters, except
• 58:56
  Speaker 2: I'm not having fun and I can't.
• 58:58
  Speaker 5: Leave like.
• 59:01
  Speaker 2: It was. It was so on the nose with that line.
• 59:05
  Speaker 2: I was like, yeah, the fuck it is, because I've
• 59:07
  Speaker 2: been to sleuths in Orlando and that shit sucks so bad,
• 59:11
  Speaker 2: but it's so much fun.
• 59:13
  Speaker 4: Yeah, Because essentially, just like like what you have with Clue,
• 59:17
  Speaker 4: you have a collection of wildly eccentric personalities. Everyone has secrets,
• 59:21
  Speaker 4: everyone has motives, no one trusts each other, and then
• 59:24
  Speaker 4: every death makes the remaining suspects look increasingly guilty. It's
• 59:28
  Speaker 4: fucking Clue with where with the werewolves? Instead of Colonel
• 59:32
  Speaker 4: Mustard Missus Peacock, we get environmentalists, wealthy homeowners, survivalists, male carriers,
• 59:38
  Speaker 4: and eccentric locals. And then instead of you know, wondering
• 59:41
  Speaker 4: who used the candlestick, it's wondering who has the the
• 59:44
  Speaker 4: claws and and all the fur. It's uh, it's clue.
• 59:47
  Speaker 4: It's what it is. It's it's were wolves within clue. Addition,
• 59:51
  Speaker 4: that would be a fun edition of to do were
• 59:55
  Speaker 4: Wolves Editions.
• 59:56
  Speaker 2: Well, then it's then it's just were wolves within the game.
• 1:00:00
  Speaker 2: And we've gone full circle. So, speaking of eccentric locals,
• 1:00:05
  Speaker 2: who is your favorite eccentric local?
• 1:00:08
  Speaker 4: Oh, man, it's gotta be the guy. Uh fuck, I
• 1:00:13
  Speaker 4: don't remember his name, but it's a guy who's way
• 1:00:14
  Speaker 4: out in the middle of nowhere. They oh Emerson Flint. Yeah,
• 1:00:18
  Speaker 4: the guy that comes back to say to like save
• 1:00:20
  Speaker 4: the day. He's my favorite because he's in I assumed
• 1:00:23
  Speaker 4: it was him. Is the werewolf because I guess, like
• 1:00:26
  Speaker 4: you said, it's usually the person that you see very
• 1:00:29
  Speaker 4: very few, like very like limited screen time. We saw
• 1:00:32
  Speaker 4: him one sea, We saw him one time.
• 1:00:35
  Speaker 2: The reason I knew it wasn't him is because when
• 1:00:37
  Speaker 2: he gets introduced to us. He's decked out in all
• 1:00:40
  Speaker 2: those furs with the big giant beard, and I'm like,
• 1:00:42
  Speaker 2: of course he's not the were wolf that is too
• 1:00:45
  Speaker 2: on the nose.
• 1:00:47
  Speaker 4: No is is that was that him?
• 1:00:49
  Speaker 2: I thought they got I think, yeah, I thought.
• 1:00:51
  Speaker 4: He got introduced when they opened the door and he was, uh,
• 1:00:54
  Speaker 4: he was like doing something with the blade. Is that not?
• 1:00:56
  Speaker 2: No? No, So he gets introduced when Finn first meets
• 1:01:02
  Speaker 2: Cecily because she's like, well, you help me deliver this
• 1:01:05
  Speaker 2: package to him, and then he Finn gets a phone
• 1:01:09
  Speaker 2: call from Charlotte and oh he goes breaking up, so
• 1:01:12
  Speaker 2: he doesn't hear the warning that Emerson is heavily armed,
• 1:01:17
  Speaker 2: and he comes around with the shotgun, decked out in
• 1:01:19
  Speaker 2: all the first because he was out.
• 1:01:20
  Speaker 4: And then they're uh, fur trapping, and then there's a
• 1:01:23
  Speaker 4: sign that he passes that says trespassers will be shot.
• 1:01:26
  Speaker 2: Yeah yeah, yeah yeah.
• 1:01:28
  Speaker 4: So I gotta go with him though, just because like
• 1:01:29
  Speaker 4: he does come back to save the day, and I'm
• 1:01:32
  Speaker 4: pretty sure he dies or he gets like he smacks
• 1:01:34
  Speaker 4: the werewolf in the head with a shovel, but then
• 1:01:36
  Speaker 4: the werewolf gets up and I think attacks him, but
• 1:01:39
  Speaker 4: he's the one that comes back and quotes mister Rogers
• 1:01:43
  Speaker 4: at the end, and I was like, I fucking love
• 1:01:44
  Speaker 4: this guy. Yeah, this guy's my favorite. But I also
• 1:01:47
  Speaker 4: really did, like I really enjoyed Sarah Burns as Gwen
• 1:01:53
  Speaker 4: just because she had the most ridiculous energy. And then
• 1:01:57
  Speaker 4: of course she gets does she get hit?
• 1:02:01
  Speaker 5: No?
• 1:02:01
  Speaker 4: No, no, she gets shot shot, which, by the way, I
• 1:02:04
  Speaker 4: wanted to mention that too. What is your favorite character
• 1:02:07
  Speaker 4: before we before I mentioned that my homegirl Trish.
• 1:02:12
  Speaker 2: She is just hysterical in the sense that she is
• 1:02:16
  Speaker 2: suffering from manic hysteria the entire fucking movie. Like she's
• 1:02:24
  Speaker 2: crazy with the soap bottle of angels and the dog,
• 1:02:28
  Speaker 2: and then the dog gets got and she is just
• 1:02:31
  Speaker 2: a wailing mess the entire rest of the movie until
• 1:02:35
  Speaker 2: she kills Joachim's husband with a with a maple syrup tap,
• 1:02:42
  Speaker 2: which at I thought that was one of the best
• 1:02:46
  Speaker 2: kills in the movie. But she is just a fucking
• 1:02:51
  Speaker 2: crazy person.
• 1:02:52
  Speaker 4: She's probably in psychosis, you know what I mean, Like
• 1:02:55
  Speaker 4: that she's after her dog dies, she's probably just slipped
• 1:02:58
  Speaker 4: into psychosis.
• 1:02:59
  Speaker 2: I mean, she was crazy before that. When she's walking
• 1:03:03
  Speaker 2: up to Finn, She's like I'm gonna get my craft store.
• 1:03:06
  Speaker 2: I'm gonna get my craft store. Like, no, she she's
• 1:03:09
  Speaker 2: just a fucking crazy like Mountain lady. God, she's she.
• 1:03:16
  Speaker 2: She is like Marcus is unhinged, but he's unhinged because
• 1:03:21
  Speaker 2: he's a crazy meth out drug addict. Yes, Gwen's unhinged
• 1:03:25
  Speaker 2: because she is attached to Marcus, and being around Marcus
• 1:03:29
  Speaker 2: in any room for more than five minutes drives anyone insane.
• 1:03:33
  Speaker 2: He's the Eldridge horror of the movie. Whatever. The other
• 1:03:38
  Speaker 2: dude's name is, uh, Chuck, Trisha's husband. He's a fucking
• 1:03:45
  Speaker 2: nut job weird. Yeah, yeah, he's weird. But man, Trisha
• 1:03:50
  Speaker 2: is the absolute most crazy person on screen at any
• 1:03:54
  Speaker 2: given time, because she'll just be sitting there and then
• 1:03:58
  Speaker 2: Gwen was like, yeah, but you're sad about your dog,
• 1:04:00
  Speaker 2: great and shod like just just immediately flipping into hysterics
• 1:04:05
  Speaker 2: at the drop of a hat.
• 1:04:07
  Speaker 3: She was.
• 1:04:08
  Speaker 2: And it is so dramatic.
• 1:04:11
  Speaker 4: Yeah she is, And I.
• 1:04:13
  Speaker 2: Loved every second of it.
• 1:04:15
  Speaker 4: She is absolutely the most dramatic character on screen. Uh,
• 1:04:19
  Speaker 4: we mentioned it real quick, I did. I just wanted
• 1:04:21
  Speaker 4: to mention how quickly the movie just devolves into chaos.
• 1:04:25
  Speaker 4: Towards the end of the movie, right because after whatever
• 1:04:29
  Speaker 4: his face is gets his hand ripped apart that then
• 1:04:32
  Speaker 4: the then the person who you thought doctor doctor ellis
• 1:04:35
  Speaker 4: she she commits suicide, which I didn't think she did.
• 1:04:37
  Speaker 4: I think she got.
• 1:04:38
  Speaker 2: Attacked, Pete definitely killed her or.
• 1:04:40
  Speaker 4: Pete definitely killed her, but yeah, you know, it's claim
• 1:04:43
  Speaker 4: that she commits suicide. The boyfriend, Uh, I didn't have
• 1:04:47
  Speaker 4: everybody's name written down. Marcus Mark, Oh yeah, is it Marcus? Yeah,
• 1:04:51
  Speaker 4: he gets flattened by a truck, Sarah gets shot in
• 1:04:54
  Speaker 4: the face. Everything fucking spirals into like this spectacular and
• 1:05:00
  Speaker 4: even the guy who was building the pipeline, I think
• 1:05:03
  Speaker 4: it was Wayne duval or Wayne duvall is Pete Pete Yeah, Pete,
• 1:05:08
  Speaker 4: Anders said, fucking he gets blown up with the huge
• 1:05:12
  Speaker 4: explosion somebody.
• 1:05:14
  Speaker 2: With the huge phallic gas monument.
• 1:05:16
  Speaker 4: And I love that they cut to the just the
• 1:05:18
  Speaker 4: extreme wide shot of the forest. It's just this explosion.
• 1:05:23
  Speaker 4: I was fucking with no sound. I was it was.
• 1:05:27
  Speaker 2: I was like, uh this it falls under the same
• 1:05:30
  Speaker 2: category of blowing up miniatures, like yeah, exactly, it's it.
• 1:05:34
  Speaker 2: It was just the perfect.
• 1:05:36
  Speaker 4: Little yeah poop. Uh so that you know you have that.
• 1:05:41
  Speaker 4: I think the you know, the think. The only thing
• 1:05:43
  Speaker 4: I wanted to mention is, you know, you're like the
• 1:05:44
  Speaker 4: red Herrings are all great because you you you anticipate,
• 1:05:47
  Speaker 4: you expected someone and then it's not, and then it's
• 1:05:50
  Speaker 4: then then it's this person. And honestly, the only complaint
• 1:05:53
  Speaker 4: I have is I don't have I don't have a
• 1:05:55
  Speaker 4: complaint about this movie. Usually there's like pacing or visual
• 1:06:00
  Speaker 4: effects or underdeveloped plot, but honestly I have nothing. That
• 1:06:03
  Speaker 4: doesn't mean it's a five star movie automatically, but like,
• 1:06:07
  Speaker 4: I genuinely have zero complaints about this movie, which rarely happens.
• 1:06:13
  Speaker 2: Yeah, And my and my only complaint, and it's not
• 1:06:16
  Speaker 2: even really a complaint, is what I said at the
• 1:06:19
  Speaker 2: very top of the show, is that the irreverence is
• 1:06:24
  Speaker 2: almost painful, right, Like there is one or two bits
• 1:06:29
  Speaker 2: where I'm like, all right, if you don't stop it here,
• 1:06:33
  Speaker 2: it's not funny.
• 1:06:34
  Speaker 4: Yeah.
• 1:06:35
  Speaker 2: And if I and if I have to say say
• 1:06:37
  Speaker 2: that to a movie, it does. I'm not even gonna
• 1:06:40
  Speaker 2: say it falters. But it does constrict the vibe ever
• 1:06:47
  Speaker 2: so slightly. And it's it's not like it's it's not
• 1:06:51
  Speaker 2: a huge detriment to the movie. It's just I ate
• 1:06:55
  Speaker 2: way too much of that salty ass popcorn in the theater,
• 1:06:58
  Speaker 2: and now my fingers are kind of swollen. Like it's
• 1:07:01
  Speaker 2: not gonna hinder my day. It's just a little uncomfortable.
• 1:07:05
  Speaker 4: Okay, fair enough. Yeah, my clothing thoughts here are I
• 1:07:10
  Speaker 4: think you know where. Wolves Within is one of those
• 1:07:12
  Speaker 4: horror rare horror comedies where I don't think either genre
• 1:07:17
  Speaker 4: compromises the other.
• 1:07:18
  Speaker 2: The comedy, I honestly think it's a comedy horror.
• 1:07:21
  Speaker 4: No, it's definitely a comedy horror. The comedy's funny, the
• 1:07:24
  Speaker 4: mystery is genuinely keeps you guessing. The horror delivers enough
• 1:07:29
  Speaker 4: blood intension to remind you there's real danger. It's a
• 1:07:33
  Speaker 4: film that understands where wolves don't always need to represent
• 1:07:37
  Speaker 4: trauma or curses or masculine rage. Sometimes they're just they're
• 1:07:42
  Speaker 4: just there. We didn't even tell you the reveal of
• 1:07:44
  Speaker 4: who it is. It's it's you know, it's Milana, Milana.
• 1:07:46
  Speaker 2: It's Cecily, the male girl.
• 1:07:50
  Speaker 4: And they have a great explanation for that because the
• 1:07:52
  Speaker 4: guy we see in the beginning in the film who
• 1:07:54
  Speaker 4: died was the original male carrier and she just took
• 1:07:56
  Speaker 4: over his spot and that's why her.
• 1:07:59
  Speaker 2: Yeah, because for some reason, and I get, I get
• 1:08:02
  Speaker 2: they didn't reveal it because of the reveal at the end,
• 1:08:06
  Speaker 2: but for some reason, everybody else is like very specifically, like, oh,
• 1:08:12
  Speaker 2: this is this person and this is what this person does.
• 1:08:15
  Speaker 2: And then fucking Dave. We just oh, Dave's dead, he
• 1:08:19
  Speaker 2: got eaten alive and now he's frozen and a corpse.
• 1:08:22
  Speaker 3: Oh.
• 1:08:22
  Speaker 2: But they never explained, aside from being Janine's husband, what
• 1:08:27
  Speaker 2: Dave does. And I'm just now realizing that that feels
• 1:08:32
  Speaker 2: so wildly out of place for this movie, that it
• 1:08:37
  Speaker 2: was so out of place that I didn't even know
• 1:08:39
  Speaker 2: it was out of place because it wasn't even on
• 1:08:42
  Speaker 2: the radar right of why that was so strange.
• 1:08:45
  Speaker 4: It was so strange, but you don't really pick up
• 1:08:49
  Speaker 4: on it until you know after now apparently. But yeah,
• 1:08:54
  Speaker 4: I feel like this movie is it's it's kind of
• 1:08:56
  Speaker 4: like a cozy movie even though it's so cold. It's witty.
• 1:08:58
  Speaker 4: I feel like this is endless rewatchable, and I think
• 1:09:03
  Speaker 4: perhaps the greatest achievement of this movie is proving that
• 1:09:06
  Speaker 4: the best adaptation of a social deduction video game barely
• 1:09:09
  Speaker 4: resembles the game at all. It just takes takes the vibes,
• 1:09:13
  Speaker 4: takes the vibes of the game, and throws it into
• 1:09:15
  Speaker 4: a movie. And everything they threw at the wall stuck
• 1:09:19
  Speaker 4: except for remembe the irreverence that you mentioned that wall is
• 1:09:22
  Speaker 4: covered in pasta. Yeah, the wall is covered in pasta.
• 1:09:25
  Speaker 4: And you're like, fuck, I think we're ready, Like we can,
• 1:09:27
  Speaker 4: we can sit down and sauce this pasta. So those
• 1:09:30
  Speaker 4: are my closing thoughts, anything closing for you before we
• 1:09:34
  Speaker 4: wrap up here?
• 1:09:35
  Speaker 2: Nah, I go watch it. It's it's a it's a
• 1:09:38
  Speaker 2: it's a good ass time. I was. I was super
• 1:09:43
  Speaker 2: stoned and it was even better.
• 1:09:45
  Speaker 4: Yeah, I can imagine that would only make the experience better.
• 1:09:50
  Speaker 4: So with that being said, let's go to the final cut.
• 1:09:54
  Speaker 4: Finally a werewolf movie with a good tagline. Here who
• 1:09:59
  Speaker 4: done it with? T love it?
• 1:10:01
  Speaker 2: Love it? Here we go.
• 1:10:03
  Speaker 4: The trivia on this was very strange because you can
• 1:10:07
  Speaker 4: thumbs up and thumbs down the trivia, and the first
• 1:10:11
  Speaker 4: three had almost as many thumbs downs as thumbs up,
• 1:10:14
  Speaker 4: and then the last two had more thumbs downs than
• 1:10:17
  Speaker 4: thumbs up, And I'm like, this is weird. So They're
• 1:10:20
  Speaker 4: not even all that interesting, but I just want to
• 1:10:22
  Speaker 4: know why everyone hates this. Principal photography began in February
• 1:10:26
  Speaker 4: twenty twenty, a month before the pandemic hit. I don't know,
• 1:10:28
  Speaker 4: Are we just thumbs downing that because the pandemic?
• 1:10:31
  Speaker 2: I think so.
• 1:10:32
  Speaker 4: In January twenty twenty, was announced Sam Richardson had joined
• 1:10:35
  Speaker 4: the cast of the film and with service producer with
• 1:10:37
  Speaker 4: Josh Rubin to direct I don't know why we're thumbs
• 1:10:39
  Speaker 4: downing that, originally released by Ubisoft. In December sixteen, it
• 1:10:43
  Speaker 4: was announced that They're Werewolves within game was being developed
• 1:10:46
  Speaker 4: as a feature and October twenty eighteen, Mishnowolf was set
• 1:10:50
  Speaker 4: to write the screenplay for the film and Ubasoft Pictures
• 1:10:52
  Speaker 4: would produce Again.
• 1:10:54
  Speaker 2: I don't know, but no, that's because Ubisoft is kind
• 1:10:59
  Speaker 2: of in the gaming sphere universally, like, ah, you guys
• 1:11:03
  Speaker 2: can go fuck off.
• 1:11:04
  Speaker 4: Oh okay.
• 1:11:06
  Speaker 2: They're the ones that have been milking the same like
• 1:11:08
  Speaker 2: three Assassin's Creed games for the past ten years. Almost
• 1:11:13
  Speaker 2: all of their games have the same mechanic of climb
• 1:11:16
  Speaker 2: up this giant fucking thing to reveal the map and
• 1:11:21
  Speaker 2: yeah uh and micro transactions lots of micro transactions.
• 1:11:26
  Speaker 4: Okay, and then this one here. I don't know exactly
• 1:11:30
  Speaker 4: what this be, what this word is, but Harvey Glian
• 1:11:33
  Speaker 4: has an affiliation with other creatures of your w or yo.
• 1:11:38
  Speaker 2: Re yeah uh, like like the Tales of your okay,
• 1:11:44
  Speaker 2: like the olden times okay.
• 1:11:46
  Speaker 4: He also stars in the poppy popular television documentary What
• 1:11:50
  Speaker 4: We Do in the Shadows. On that show, he plays
• 1:11:52
  Speaker 4: Guermo Human, familiar to a trio of vampire's, most notably
• 1:11:56
  Speaker 4: one Vampire in particular, Nandor just had like forty five
• 1:11:59
  Speaker 4: dislikes and eight likes. I don't I don't understand. And
• 1:12:02
  Speaker 4: then it was released in a limited release on June
• 1:12:05
  Speaker 4: twenty fifth, twenty twenty one, followed by a video on
• 1:12:08
  Speaker 4: demand July second, twenty twenty one by IFC Films. More
• 1:12:11
  Speaker 4: dislikes than likes. I don't know what's happening here? Two
• 1:12:16
  Speaker 4: three goofs. After the opening attack, a title This is
• 1:12:20
  Speaker 4: literally one of the petty I know I say this
• 1:12:22
  Speaker 4: a lot, but really we're getting pettier as we go on.
• 1:12:26
  Speaker 4: After the opening attack, a title card displays. Twenty nine
• 1:12:29
  Speaker 4: point five days later, an attack occurs that night exactly
• 1:12:33
  Speaker 4: thirty days after the previous attack were wolves attack on
• 1:12:36
  Speaker 4: the full moon, which is a twenty eight day cycle.
• 1:12:39
  Speaker 4: That title card should have read twenty seven point five
• 1:12:43
  Speaker 4: days later. The single flaw and an otherwise perfectly plausible film.
• 1:12:47
  Speaker 4: Shut the fuck up.
• 1:12:49
  Speaker 2: Oh no, no, So I will say at one point
• 1:12:53
  Speaker 2: in the movie, I did just because I forgot it
• 1:12:58
  Speaker 2: had said twenty nine point five days later. Yeah, because
• 1:13:01
  Speaker 2: I was really stoned. At one point I was like,
• 1:13:04
  Speaker 2: but wait, the only attack on a full moon? How
• 1:13:08
  Speaker 2: is there a full moon two nights in a row?
• 1:13:10
  Speaker 2: That's not how the moon works?
• 1:13:11
  Speaker 1: Fair?
• 1:13:12
  Speaker 4: I mean I was.
• 1:13:13
  Speaker 2: I was very confused for like half a second, and
• 1:13:16
  Speaker 2: then I was like, ah, fuck it.
• 1:13:18
  Speaker 4: Here's another one that's really great. The inspection sticker on
• 1:13:21
  Speaker 4: Finn's car is in the wrong place. The sticker is
• 1:13:23
  Speaker 4: on the lower left part of the windshield on the
• 1:13:25
  Speaker 4: driver side. The movie is supposed to take place in Vermont,
• 1:13:29
  Speaker 4: so the sticker should be just below the rear view mirror.
• 1:13:31
  Speaker 4: Oh my god. And then this one's interesting. Parker re
• 1:13:35
  Speaker 4: enters the hotel wearing night vision goggles with a normal
• 1:13:38
  Speaker 4: torch mounted on his crossbow that would ruin his night vision.
• 1:13:42
  Speaker 4: That's actually very accurate.
• 1:13:43
  Speaker 2: He was also using like just ever so past Vietnam
• 1:13:50
  Speaker 2: era night vision, like it was like two generations past
• 1:13:56
  Speaker 2: Vietnam era. Yeah, like it was like desert store fucking
• 1:14:01
  Speaker 2: night vision.
• 1:14:04
  Speaker 4: All right, So rated six point ten U on. I
• 1:14:08
  Speaker 4: am six point oho out of ten on IMDb, which
• 1:14:11
  Speaker 4: is a three point oh out of five on on
• 1:14:14
  Speaker 4: our scale for the Nightmare Index, also a three point
• 1:14:17
  Speaker 4: oh out of five on Letterbox, eighty six percent on
• 1:14:20
  Speaker 4: the Tomato Meter, and an eighty percent audience score. What
• 1:14:23
  Speaker 4: did you give this, Cory? I gave it a four fok. Yes,
• 1:14:26
  Speaker 4: I also gave it a four, which not only means
• 1:14:29
  Speaker 4: this is a frightmare certified slap We haven't we haven't
• 1:14:34
  Speaker 4: had one of those, and since Godzilla it's been as
• 1:14:40
  Speaker 4: but that also gives us a nightmare Index of a
• 1:14:42
  Speaker 4: three point five. I forgot to include that on my
• 1:14:47
  Speaker 4: list today, but a three point five should be somewhere
• 1:14:50
  Speaker 4: around the let's see, the last episode we did was
• 1:14:54
  Speaker 4: a three point two nine for The Wolfman, So we're
• 1:14:58
  Speaker 4: probably sitting at about number fifteen on the list, which
• 1:15:02
  Speaker 4: is pretty good. I can I can do.
• 1:15:04
  Speaker 2: Yeah, it's halfway.
• 1:15:05
  Speaker 4: It's like halfway. I love It. Similar movies. According to IMDb,
• 1:15:08
  Speaker 4: we have Scare Me, The Wolf of snow Hollow, Hard
• 1:15:11
  Speaker 4: Eye Is Vicious, Fun, and Wear Wolves twenty twenty four.
• 1:15:14
  Speaker 4: Similar movies. According to Letterbox, we have Bodies, Bodies, Bodies,
• 1:15:18
  Speaker 4: The Wolf of snow Hollow, The Blackening Lake Placid, and
• 1:15:22
  Speaker 4: The Babysitter. A wild amalgamation to movies. Uh, let's do
• 1:15:27
  Speaker 4: some funny reviews and get the fuck out of here.
• 1:15:30
  Speaker 4: I couldn't find a lot because again, everyone just wants
• 1:15:33
  Speaker 4: to have thirteen paragraphs to say which.
• 1:15:36
  Speaker 2: They're in another language.
• 1:15:37
  Speaker 4: Oh, they're in another language. But uh, how many do
• 1:15:40
  Speaker 4: you have?
• 1:15:40
  Speaker 2: I got four?
• 1:15:41
  Speaker 4: I think I have four as well, and again they're
• 1:15:43
  Speaker 4: they're they're fine. Uh so why don't you go first?
• 1:15:48
  Speaker 2: A half star review from Blake Richards, Lily from AT
• 1:15:53
  Speaker 2: and T, and the guy who's not Tim Robinson from
• 1:15:55
  Speaker 2: Detroitter's team up to make one of the most unseious
• 1:15:58
  Speaker 2: and ridiculous rare movies ever made. Oh and it's bad.
• 1:16:03
  Speaker 4: I didn't get that from the one star rating? Or
• 1:16:07
  Speaker 4: was that half star?
• 1:16:08
  Speaker 2: That was a half star?
• 1:16:09
  Speaker 4: Okay, since you're since you did a half star, I'll
• 1:16:11
  Speaker 4: do a one star from Tim Brayton. Humor sure is subjective,
• 1:16:16
  Speaker 4: isn't it.
• 1:16:21
  Speaker 2: Another half star from Chloe Josh Ruben. If you ever
• 1:16:25
  Speaker 2: try to direct another movie, I will find the werewolf
• 1:16:28
  Speaker 2: within me and hunt you down or so help me god.
• 1:16:35
  Speaker 4: Uh. Three stars, no heart from Lemon seven to ten,
• 1:16:38
  Speaker 4: A few snickers but no payday.
• 1:16:44
  Speaker 2: That's that's pretty fucking good, all right. That joke's funnier
• 1:16:47
  Speaker 2: than the movie. A five star and a heart from
• 1:16:53
  Speaker 2: Amanda Balls, balls, balls, that's right.
• 1:16:57
  Speaker 4: I forgot the movie started with I am Richardson and
• 1:17:01
  Speaker 4: that that fucking tape he was listening to, just shouting balls.
• 1:17:06
  Speaker 4: Oh God. Three and a half stars from no Men
• 1:17:10
  Speaker 4: clature nomenclature. Uh, you might say all of these suspicious
• 1:17:15
  Speaker 4: characters are unaware wolves. I do. I love a good pun.
• 1:17:21
  Speaker 2: A five star and a heart from Bren Grigory, manic Pixie, psychopathic,
• 1:17:29
  Speaker 2: serial Killerchenthrope, dream girl.
• 1:17:31
  Speaker 4: Okay, yeah, that's a very apt description of her. Five
• 1:17:35
  Speaker 4: stars from Sam Hayn and fucking I know it's pronounced
• 1:17:38
  Speaker 4: sa Wayne, shut up, I don't care. Uh so whatever,
• 1:17:43
  Speaker 4: I even pronounced it wrong. Yeah, five stars from that
• 1:17:46
  Speaker 4: truly the hardest drop of a mister Rogers quote mister
• 1:17:52
  Speaker 4: Rogers will be so proud, oh man. If you enjoy
• 1:17:55
  Speaker 4: the show, please rate and review on your favorite podcast
• 1:17:58
  Speaker 4: app of Joyce. Follow us on Facebook, Instagram, TikTok, Slasher Threads,
• 1:18:02
  Speaker 4: and YouTube at Frightmar's podcast, our email estate Spooky at
• 1:18:05
  Speaker 4: outlook dot com. Do you want to follow me personally
• 1:18:08
  Speaker 4: on letterbox You can do that at doctor Proctor All one.
• 1:18:11
  Speaker 2: Word, Corey, you are Frightmar's Corey boo Yeah.
• 1:18:16
  Speaker 4: If you like to expand your movie podcast listening, be
• 1:18:18
  Speaker 4: sure to check out The Shameless Picture Show, The Dead
• 1:18:21
  Speaker 4: Eyed Millennial Film Club, and one Week Rental as well,
• 1:18:25
  Speaker 4: and at the vast Library of Someone's favorite productions, there
• 1:18:28
  Speaker 4: is a podcast for you next week, Michael and I
• 1:18:32
  Speaker 4: and I believe his wife Amanda will be doing Ginger
• 1:18:35
  Speaker 4: Snaps from two thousand as our international pick. I feel
• 1:18:40
  Speaker 4: stupid saying this, but for some reason, I didn't think
• 1:18:43
  Speaker 4: Canada was international since we're we're I know we're different countries,
• 1:18:46
  Speaker 4: but we're still North America. We're connected. But really, it
• 1:18:50
  Speaker 4: was almost impossible to find a like movie from across
• 1:18:54
  Speaker 4: the Pond that was a werewolf movie that was attainable.
• 1:18:58
  Speaker 2: Most not until Chris Smiff this year.
• 1:19:01
  Speaker 4: That's true. That's true. The only one I could find
• 1:19:04
  Speaker 4: that I that I that I own is Wolf Guy
• 1:19:06
  Speaker 4: from nineteen seventy five, but it's not available anywhere and
• 1:19:09
  Speaker 4: even the Blu ray is also out of print, so
• 1:19:11
  Speaker 4: we couldn't do that one. So we're not really necessarily
• 1:19:14
  Speaker 4: cheating with using a Canadian film. It is considered international.
• 1:19:18
  Speaker 2: Nah, they have, they have a whole French territory.
• 1:19:22
  Speaker 4: It's fine. So if you'd like to watch that, if
• 1:19:25
  Speaker 4: you haven't seen it already, it's on Pluto and Plex,
• 1:19:28
  Speaker 4: so check it out and until next week, guys, stay
• 1:19:30
  Speaker 4: tuned and.
• 1:19:32
  Speaker 5: It's a beautiful data. Stay spooky.
• 1:20:10
  Speaker 1: Thank you for listening to hear more shows from the
• 1:20:13
  Speaker 1: Someone's Favorite Productions podcast network. Please select the link in
• 1:20:17
  Speaker 1: the description.