Latest / Locatora Radio [A Radiophonic Novela] / Capítulo 123: An Interview With Flores
Transcript
- 0:02Speaker 1: Radio Radio Radio Commies, a myth and Bullshit a radio
- 0:16Speaker 1: phonic novella Local Radio hosted by Malama Loca Mortis. Welcome
- 0:23Speaker 1: to season six of Local Radio's next Door Look at
- 0:29Speaker 1: a Radio is a radio phonic novella, which is just
- 0:32Speaker 1: a very extra way of saying a podcast. I'm Fiosa
- 0:37Speaker 1: and I'm Mala. Thanks for tuning into Last Time on
- 0:43Speaker 1: Local Radio, we had Jen from the Block. If you
- 0:47Speaker 1: have not tuned into that interview, do so. Now. We
- 0:51Speaker 1: love Jen. We're so excited for her, and I think
- 0:53Speaker 1: that's one of my favorite interviews just because it's so
- 0:56Speaker 1: sentimental because we've raised her practically, we've seen her girl
- 0:59Speaker 1: up from an undergrad to the full fledged model created
- 1:04Speaker 1: director that she is today. So go tune in, leave
- 1:07Speaker 1: re review, and give Jen a follow. Okay, I love this,
- 1:11Speaker 1: but our last episode, oh damn it was that not
- 1:14Speaker 1: the last episode. We're like so so passionate about that,
- 1:20Speaker 1: but we did not want to interrupt you. Oh damn it.
- 1:25Speaker 1: You should still tune into Jen's episode. So Last Time Radio,
- 1:30Speaker 1: we our episode was a love letter to cheat on us.
- 1:34Speaker 1: That's sad, girls, that's true. Actually, that's true. We talk
- 1:38Speaker 1: about the Sad Girl as an anti capitalist sentiment, So
- 1:42Speaker 1: tune into that episode if you haven't already. Also a
- 1:46Speaker 1: very good, very very good episode. Um and when you're
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- 2:46Speaker 1: Uh mri wana to updates. Season two is coming. It
- 2:49Speaker 1: will be launching sometime around for twenty So so excited.
- 2:58Speaker 1: It's gonna be cute. It's gonna be hute. I have
- 3:00Speaker 1: some fun things planned. Season two is just going to
- 3:04Speaker 1: be bigger and better and grander. So just you just
- 3:09Speaker 1: wait and see. Make sure that you are subscribed and
- 3:12Speaker 1: that you're following, and you have your I don't know
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- 3:27Speaker 1: one at P four P for a discount off your
- 3:30Speaker 1: next purchase. Also in book club updates, we are reading
- 3:35Speaker 1: You Sound Like a White Girl, The Case for Rejecting
- 3:38Speaker 1: Assimilation by Julisa As. I have not read it yet.
- 3:42Speaker 1: I'm going to get started this week. But I'm really
- 3:45Speaker 1: curious because MoMA and I have been told via I
- 3:51Speaker 1: g lives by like strangers that were like to cheek
- 3:56Speaker 1: on as it sounds like white girls, And I'm like,
- 4:00Speaker 1: I don't know what that means. What does a Latin
- 4:03Speaker 1: us sound like? What stereotype are you trying to put
- 4:07Speaker 1: on us? I'm really I'm really interested and invested in
- 4:11Speaker 1: seeing how this book like takes the title and unpacks
- 4:15Speaker 1: like what assimilation means? Um, So yeah, we're gonna be
- 4:19Speaker 1: talking about that at the end. Of the month via
- 4:22Speaker 1: Locas Bolibro's on patreon dot com slash look at underscore productions.
- 4:27Speaker 1: At the eight dollar tier, you can join the discussion
- 4:31Speaker 1: discuss any book with us, and also you have access
- 4:34Speaker 1: to past book club meetings as well, so you can
- 4:37Speaker 1: join if you're interested in supporting your favorite indie podcasters
- 4:42Speaker 1: and also you know, expanding your knowledge and reading. Somewhere,
- 4:46Speaker 1: we're gonna talk more about Patreon and all the things
- 4:50Speaker 1: we have to offer on Patreon in a little bit.
- 4:54Speaker 1: We have a snippet of an interview that I did
- 4:57Speaker 1: last year with Flores, who is a recording artist. You
- 5:01Speaker 1: can hear the full thing on Patreon. But before we
- 5:03Speaker 1: do that and get into that portion of today's episode,
- 5:07Speaker 1: we do want to jump into Weird Things White Women
- 5:10Speaker 1: Did this week. We love this segment. We don't do
- 5:13Speaker 1: it every episode. Sometimes we need to wait until a
- 5:17Speaker 1: particularly notable weird the thing happens and then we can
- 5:23Speaker 1: bring you our analysis and our thoughts about it. So
- 5:27Speaker 1: there's a bunch of things this week that we came
- 5:31Speaker 1: across on Twitter and that are streaming on like Hulu
- 5:35Speaker 1: and HBO Max. So there's a bunch to get into.
- 5:38Speaker 1: So let's get started. Let's get started. This is our
- 5:42Speaker 1: first Weird Things White Women Did of the season of
- 5:45Speaker 1: the year. So we're excited to bring back a listener. Faith.
- 5:49Speaker 1: And so we have noticed in increasing popularity visibility in
- 5:55Speaker 1: white girl scammer shows. And I know, Mama, you have
- 5:59Speaker 1: been keeping up with some of these shows. So can
- 6:01Speaker 1: you introduce some of these shows to us, the first
- 6:05Speaker 1: one being Inventing Anna. Okay, yes, so good, Such a
- 6:09Speaker 1: good show, like just as a TV show. This is
- 6:13Speaker 1: streaming on Netflix, and it is a dramatized like you know,
- 6:19Speaker 1: um drama basically about a dramatized drama. It's a drama.
- 6:26Speaker 1: Were's it's late, y'all when we're recording it. We're tired,
- 6:29Speaker 1: but we're giving the content. We're giving you the contents.
- 6:31Speaker 1: And it's a dramatized drama. It's a dramatized drama. It's
- 6:35Speaker 1: a dramatization of the story of Anna Delvy, who is
- 6:40Speaker 1: a real life scammer, a socialite wanna be who was
- 6:46Speaker 1: able to like trick a bunch of New York elite
- 6:51Speaker 1: and like the cultural circles into basically paying her way
- 6:55Speaker 1: through a lot of stuff, vacations, trips, parties, dinners, and
- 7:01Speaker 1: she also got a bunch of investors and banks to
- 7:05Speaker 1: give her tons of money to start like a social club.
- 7:10Speaker 1: And um claimed to have a very rich father, to
- 7:14Speaker 1: have vast assets in Europe, and that she was German,
- 7:20Speaker 1: but really she was Russian, and she gave herself a
- 7:23Speaker 1: fake name, a whole twisted affair. The show is so good,
- 7:26Speaker 1: very addicting, really well done, and basically it's following the
- 7:31Speaker 1: journalist who uncovered the Anna Adelvie story and really followed
- 7:36Speaker 1: it and wrote about it for the first time. So
- 7:40Speaker 1: you know, we love our gossip. We love a crazy
- 7:42Speaker 1: white girl, and this one in particular is really interesting
- 7:47Speaker 1: because if you look at the real life Annadelvie and
- 7:51Speaker 1: like the chatter around her, people are like, she kind
- 7:55Speaker 1: of looks like a little goofy, Like how did anybody
- 7:58Speaker 1: mistake her for like a German socialite, And it's just
- 8:03Speaker 1: interesting to see, like, Okay, this person was very cunning
- 8:07Speaker 1: but looks very like a girl next door ballet flats
- 8:13Speaker 1: in kind of a thing, you know what I mean.
- 8:16Speaker 1: Interesting the mastermind but a mastermind. Yeah, I mean, it's
- 8:21Speaker 1: also like the white girl scammers get like all the
- 8:25Speaker 1: media attention and the shows made about them. Now, I'm
- 8:29Speaker 1: sure this show is really good because it is a
- 8:30Speaker 1: Shonda land production, so I trust, I trust that it's
- 8:34Speaker 1: good and it dives into like really important things, but
- 8:37Speaker 1: it's still very interesting. You know. This is it's like
- 8:40Speaker 1: a very weird phenomenon where these white girls do shady
- 8:46Speaker 1: things and then get like, you know, really big book deals,
- 8:49Speaker 1: movie deals, what have you so interesting? And then that
- 8:53Speaker 1: brings us to the next one. Yes, and this is
- 8:56Speaker 1: my thing is like, um, I don't think invent inventing
- 8:59Speaker 1: Anna is talking about anything important, Like I think, like,
- 9:02Speaker 1: I don't think there's any broader societal messages. I think
- 9:04Speaker 1: it's like a straight up drama like Shonda land classic
- 9:09Speaker 1: about like a very salacious drama, the drama about this
- 9:14Speaker 1: case that's been in the media. So it's a very
- 9:16Speaker 1: fun watch. The other one that I've been watching is
- 9:18Speaker 1: The Dropout um on Hulu starring Amanda Sea Freed. We
- 9:24Speaker 1: love her and she is playing the role of Elizabeth Holmes,
- 9:28Speaker 1: who was known in Silicon Valley as the like nineteen
- 9:32Speaker 1: year old whiz kid who founded their NOS and her
- 9:35Speaker 1: whole claim was that she had invented a technology that
- 9:39Speaker 1: could detect like a whole battery of disease with only
- 9:45Speaker 1: a single drop of blood. Like she was claiming to
- 9:48Speaker 1: eliminate the need for like excessive in her words, like
- 9:51Speaker 1: blood draws that gets sent to labs and then UM
- 9:56Speaker 1: test blood for things. She was claiming that she had
- 9:58Speaker 1: invented this technology j that eliminated that single prick of blood,
- 10:02Speaker 1: and she got these like billions and billions of dollars
- 10:06Speaker 1: in investments. She got big contracts with Walgreens to like
- 10:11Speaker 1: put these machines in like Walgreens health centers and have
- 10:16Speaker 1: actual patients go in and like get their blood work
- 10:20Speaker 1: done there with the the you know, drop of blood
- 10:23Speaker 1: technology that she claims to have invented. However, turns out
- 10:28Speaker 1: that that technology UM their betas and their prototypes never
- 10:32Speaker 1: actually worked. They uh, they're scientists, Like we're actually taking
- 10:38Speaker 1: the blood drops and using like um Quest diagnostic machines,
- 10:45Speaker 1: which is like the competitor like company. So they were
- 10:49Speaker 1: pretending to have invented new technology when really they were
- 10:52Speaker 1: just like using existing technology and even like doing full
- 10:58Speaker 1: on blood draws and then sending the blood to other labs.
- 11:02Speaker 1: So it was like then her professors from Stanford because
- 11:06Speaker 1: she like came up with this concept as like a
- 11:09Speaker 1: student at Stanford and dropped out at nineteen and founded
- 11:11Speaker 1: the company. Her professors at Stanford came forward and we're like, yeah,
- 11:15Speaker 1: she brought this idea to us, and we told her
- 11:16Speaker 1: that it was crazy and that it would never work.
- 11:19Speaker 1: And her whole deal was, like Steve Jobs is her idol,
- 11:23Speaker 1: girl Boss, girl Boss, girl Boss, Green Juice is only black.
- 11:28Speaker 1: Turtlenecks taught herself how not to blink and wanted to
- 11:32Speaker 1: like turn herself into like a Steve Jobs, like Mogul
- 11:36Speaker 1: girl Boss, Way Too Close to the Sun and Elizabeth Holmes.
- 11:40Speaker 1: Her whole deal was, um, if somebody tells you know
- 11:43Speaker 1: it's not possible, they just don't have a growth mindset
- 11:46Speaker 1: and they're just not the right people for you to
- 11:48Speaker 1: be talking to, Like you need to be surrounding yourself
- 11:51Speaker 1: with people who believe that anything is possible. So that
- 11:54Speaker 1: was her whole like insistence on I don't care what
- 11:58Speaker 1: anybody says, I believe in this idea, So I'm going
- 12:00Speaker 1: to take it all the way to the bank and
- 12:02Speaker 1: all the way to Walgreens. And her scientists were like, yeah, Um,
- 12:06Speaker 1: the accuracy rate for things like syphilis is like less
- 12:09Speaker 1: than fifty. So they were giving out these test results
- 12:12Speaker 1: to people for things like syphilis with like zero degree
- 12:15Speaker 1: of accuracy, like just crazy stuff. And again all that
- 12:19Speaker 1: to say, white girls can get away with a lot
- 12:22Speaker 1: and can get people to give them a lot of
- 12:24Speaker 1: money without very much reason or evidence. I'm like this
- 12:28Speaker 1: sounds like a lot of girl bosses on Instagram, you know,
- 12:32Speaker 1: like elevate your frequency, which is true, but you know
- 12:36Speaker 1: that type of girl bossy language where it's like don't
- 12:40Speaker 1: take no for an answer, but it's like if your
- 12:42Speaker 1: prototype doesn't work, then like you should take no for
- 12:45Speaker 1: an answer. Yeah, when you're talking about like the health
- 12:48Speaker 1: of human beings and test accuracy, absolutely test accuracy, communicable
- 12:55Speaker 1: disease um, you know, like hipp uh you know, like
- 13:00Speaker 1: the what is it that that doctors the Hippocratic oath,
- 13:04Speaker 1: Like you have to you there's ethics in these things.
- 13:07Speaker 1: So she was just like leaping over all the ethics
- 13:09Speaker 1: and saying her big motto was do or do not
- 13:14Speaker 1: there is no try. And that's like a Yoda quote
- 13:16Speaker 1: and so she would like say that in all of
- 13:19Speaker 1: her interviews and like had like big like wall size
- 13:23Speaker 1: paintings of that quote all over the There nos offices
- 13:27Speaker 1: like shoot literally never dared saying yeah do or do not?
- 13:31Speaker 1: There is no try like Yoda her guiding print. So
- 13:36Speaker 1: so those are some weird things that white women have
- 13:38Speaker 1: done this week. And there's more said. Do you want
- 13:40Speaker 1: to tell this is the weirdest of them all? This
- 13:42Speaker 1: is some This is some fucked up ship, But tell
- 13:46Speaker 1: them what happened this week? This is some weird, horrific
- 13:51Speaker 1: white women anti choice ships that we stumbled across online
- 13:57Speaker 1: on Twitter. Molla sent me this link and so this
- 14:00Speaker 1: anti choice quote activist in extremist um. She was arrested
- 14:06Speaker 1: because she um pretended to be a person that wanted
- 14:11Speaker 1: to receive abortion care, and when she was given access
- 14:14Speaker 1: to the clinic, she actually like took it over with
- 14:17Speaker 1: like a couple of people and were like obstructing people
- 14:21Speaker 1: from getting their care, which is actually a federal offense.
- 14:24Speaker 1: So she was arrested and what they found in her
- 14:27Speaker 1: home were the remains of five fetuses just in her home,
- 14:33Speaker 1: like medical waste possibly like I don't know how that's
- 14:39Speaker 1: been described yet, but five fetuses we're found at her home. Freaky,
- 14:46Speaker 1: Where did she get them from? What is she doing
- 14:48Speaker 1: with them? Whose fetuses are those? Like this is creepy.
- 14:54Speaker 1: So many questions and it's kind of like, are you
- 14:59Speaker 1: what are you trying going to prove? You know, it's
- 15:04Speaker 1: just not great. It freaks me out, and I'm yeah,
- 15:09Speaker 1: where did she get that? Where did they come from?
- 15:12Speaker 1: How would you have access to all of these fetuses?
- 15:16Speaker 1: Is she performing abortions in her house? But also, like
- 15:21Speaker 1: you know, there's like a certain week weeks right where
- 15:25Speaker 1: like you can no longer receive an abortion, you're not,
- 15:28Speaker 1: there are no abortions being performed on like fully formed fetuses,
- 15:31Speaker 1: So like, where did there? Where did they come from?
- 15:36Speaker 1: There's so many questions. We're gonna keep an eye on
- 15:38Speaker 1: this story, I mean, and by that, I mean we're
- 15:40Speaker 1: gonna just keep scrolling Twitter and if there's an update,
- 15:42Speaker 1: well we will tell you. We're gonna tell you breaking news. Um.
- 15:51Speaker 1: But yeah, Elizabeth Handy um dang. So oh wait, no,
- 15:56Speaker 1: there's still one more weird white woman who did a
- 15:59Speaker 1: weird thing this week tell them theos no this past week.
- 16:03Speaker 1: I feel just like Amy Schumer being on the oscars
- 16:06Speaker 1: is kind of a weird thing. I don't really get
- 16:08Speaker 1: her humor, I don't get her bits. So I'm just
- 16:11Speaker 1: going to give her as a weird things my women
- 16:13Speaker 1: did and all to all, you know, white people and
- 16:16Speaker 1: non black people that decided to have an opinion about
- 16:20Speaker 1: anything not related to them, shut the funk up, is all,
- 16:23Speaker 1: is all I want to say. Yeah, it's the slap
- 16:26Speaker 1: heard around the world, and we have heard every possible
- 16:29Speaker 1: take at this stage of the game. UM, I will
- 16:33Speaker 1: say that I think one of the weirdest parts of
- 16:35Speaker 1: Amy's Oscar hosting was the dress with the bow on it.
- 16:41Speaker 1: Not a fan favorite, not my favorite, not my favorite.
- 16:45Speaker 1: Um And for those of you out there who are thinking,
- 16:47Speaker 1: oh my god, why are they going so hard on
- 16:49Speaker 1: the women, like what about the white men? I will
- 16:52Speaker 1: say fuck you Tom Sigura, You're a piece of ship,
- 16:55Speaker 1: because he went on Twitter and was saying the nastiest, meanest,
- 16:59Speaker 1: rudest thing is about Jada Pinkett and like for wet,
- 17:04Speaker 1: my only concern, my only take on this whole situation
- 17:07Speaker 1: is Jada. Okay, literally, that's that's that question. That's the
- 17:12Speaker 1: only thing that you should be asking and do so quietly, please, Jada. Yes,
- 17:19Speaker 1: nobody needs your Yeah, thank you. Tom sigh, thank you
- 17:23Speaker 1: very mud m Yeah, and you know, this is a
- 17:27Speaker 1: segment that started weird things white women did. That started
- 17:32Speaker 1: by the actual in person things that weird white women
- 17:36Speaker 1: would say to us. So sometimes, you know, that's actually
- 17:41Speaker 1: how the segment was born. It was like white women
- 17:43Speaker 1: that would say weird racist thing to us. And you know,
- 17:48Speaker 1: I will say now, especially like you know, working from home, Um,
- 17:53Speaker 1: my interaction with white people is very minimal, So sometimes
- 17:55Speaker 1: we got a draw from popular culture, and during the pandemic,
- 17:59Speaker 1: still in pandemic, we had we had to like look
- 18:01Speaker 1: at what was happening around us and the weird things
- 18:04Speaker 1: that we're going on. And so if you're like, like
- 18:06Speaker 1: Mala said, if you're thinking, like wait, why do they
- 18:08Speaker 1: do this segment, it's because of that. That's that's where
- 18:11Speaker 1: it came from. I'll never forget we should, okay, just
- 18:15Speaker 1: because like now I'm reliving the origins. So one of
- 18:19Speaker 1: the first ones and one of my favorites, me and
- 18:21Speaker 1: my friends Hatiana were at Perch downtown and it was
- 18:27Speaker 1: like a weekend, it was like during the day. So
- 18:29Speaker 1: there was a bunch of people there and this one
- 18:33Speaker 1: white lady was like sitting on a stool and not
- 18:36Speaker 1: a proper chair, because you know, perch like has like cute,
- 18:40Speaker 1: like couchy type seating, but it gets full and you
- 18:43Speaker 1: wait around and when it looks like someone's leaving, you
- 18:46Speaker 1: pounce and you get your seats. So we're doing what
- 18:48Speaker 1: everybody else is doing, and we're standing and we're having
- 18:51Speaker 1: our cocktails and we're having a lovely time. And this
- 18:54Speaker 1: white woman like gets up off of her stool and
- 18:57Speaker 1: she like points at it, and she like says to us, like,
- 19:00Speaker 1: oh my god, please sit here. Whenever I see women
- 19:03Speaker 1: of color standing, I'm like, please just rest. Please just
- 19:08Speaker 1: said please just rest direct quote. I will never forget
- 19:12Speaker 1: steered into my brain. I mean, Tatiana were like, uh,
- 19:16Speaker 1: we're okay, We're really fine, Like we're not exhausted. We're
- 19:21Speaker 1: at the perch, enjoying a seventeen dollar cocktail, Like we're okay. Honestly,
- 19:30Speaker 1: why we're on vacation, so just why Well, one of
- 19:36Speaker 1: my one of the things happened to me that I
- 19:38Speaker 1: don't know if you brought it on the segment, but
- 19:40Speaker 1: one of the things that weird white people did to
- 19:43Speaker 1: me was when I was buying a ton of laundry
- 19:45Speaker 1: detergent for the company I worked for where we had
- 19:49Speaker 1: thirty homes and one of my tasks was to go
- 19:52Speaker 1: and buy thirty thirty like you know, jugs of laundry detergent. Um.
- 19:59Speaker 1: And when they were scanning me, the casher was scanning me,
- 20:02Speaker 1: this like old white couple behind me was like, oh,
- 20:04Speaker 1: she must have a lot of kids. Jesus Christ, Like,
- 20:08Speaker 1: oh my god. And I was so stunned that I
- 20:10Speaker 1: said nothing because I was so shocked, like it like
- 20:15Speaker 1: me speechless because I'm like, oh my god, what kind
- 20:17Speaker 1: of micro Russian what kind of racist as ship that
- 20:20Speaker 1: these old white people just said to me? And I like,
- 20:23Speaker 1: we'll never forget because I didn't say anything. Um, And
- 20:26Speaker 1: so yeah, that's definitely like a weird white thing that
- 20:30Speaker 1: someone said to me that I will like not forget ever. Right.
- 20:33Speaker 1: And it's like so crazy because you look so young
- 20:37Speaker 1: first of all, and so tiny, like you don't look
- 20:40Speaker 1: like you've had a child, much less a bunch of children,
- 20:45Speaker 1: Like what are they even thinking? Yeah, I mean, and
- 20:48Speaker 1: this was like, you don't look like a mom. I don't.
- 20:51Speaker 1: I don't look like a mom. You don't. You just don't.
- 20:54Speaker 1: Don't I don't have any mom things on me ever,
- 20:56Speaker 1: you know, like like you know, you know, like mom,
- 21:00Speaker 1: mom's car stuff, Mom carry Harry things, mom things, mom things. Yeah,
- 21:06Speaker 1: respect to all moms, but like I am not a mother.
- 21:08Speaker 1: And so it was said in a very racist way,
- 21:14Speaker 1: stereotypical way. And so that is the genesis of weird
- 21:19Speaker 1: things white women did. That's the genesis. So that's why
- 21:23Speaker 1: we do it. Um. Yeah, but you're right, we don't
- 21:26Speaker 1: interact with white women like we used to. Well, also
- 21:29Speaker 1: because you were working at a predominantly white girl I
- 21:32Speaker 1: was working in Pasadena, Adam, which is why we had
- 21:36Speaker 1: to start this segment. Because Mama was like, I can't
- 21:38Speaker 1: take their ship, like I need to bet somewhere. I
- 21:41Speaker 1: needed an outlet. I needed an outlet. Good times. Honestly,
- 21:46Speaker 1: such good times, um our segment that is born of
- 21:50Speaker 1: the trauma. Yes, that's the good time. That being said,
- 21:55Speaker 1: if you have a weird thing a white woman did
- 21:58Speaker 1: to you or a white person did too, you can
- 22:00Speaker 1: all we send it in. We have a voice memo
- 22:03Speaker 1: type of situation called speak pipe on our website, or
- 22:06Speaker 1: you can send us an email and we might share
- 22:08Speaker 1: it on a future episode. Yes, had to look at
- 22:11Speaker 1: our radio dot com and uh make it happen. And
- 22:16Speaker 1: now we are very excited to introduce a little snippet
- 22:22Speaker 1: from an interview that I did with singer songwriter Flores.
- 22:26Speaker 1: You can listen to the full convo on Patreon and
- 22:31Speaker 1: just if you haven't visited our Patreon, you really should.
- 22:34Speaker 1: It's our look at our productions Patreon. There are four
- 22:37Speaker 1: tiers two years worth of content we've been posting consistently
- 22:42Speaker 1: since it's a mix of artwork, audio photos, obviously the
- 22:48Speaker 1: book club Um. When there are events we like let
- 22:53Speaker 1: you guys buy tickets first on Patreon, and things like
- 22:57Speaker 1: this interview with Flores. So a little bit about Flores Um.
- 23:03Speaker 1: She has been described by Pigeons and Planes as the
- 23:06Speaker 1: future of R and B and making it look easy
- 23:08Speaker 1: Wonderland Rights. Flora's rights from the heart, with her lyrics
- 23:11Speaker 1: stemming from personal experience. She is an indigenous Mexican American
- 23:15Speaker 1: song stress from the Chihuahuan Desert of El Paso, Texas.
- 23:20Speaker 1: She was born and raised in the Tigua Indian Reservation
- 23:23Speaker 1: and she is an R and B bilingual singer songwriter.
- 23:27Speaker 1: She has a Colors performance that you can see on
- 23:30Speaker 1: YouTube for her song Oceans Beautiful Song, Beautiful Colors performance,
- 23:35Speaker 1: and that video has over one point four million views.
- 23:40Speaker 1: She has nine million streams on Spotify alone. Really beautiful Artists.
- 23:44Speaker 1: So I hope you guys enjoy and again head to
- 23:47Speaker 1: the Patreon for more and mummies of it and little ship.
- 24:37Speaker 1: You're joining us from like Norway or somewhere right? Yeah,
- 24:42Speaker 1: I live really far. I live in Norway. I lived
- 24:45Speaker 1: here for several years. Can you tell us how you
- 24:48Speaker 1: went from you know, growing up living your life in
- 24:52Speaker 1: Texas and now finding yourself streamed millions of times all
- 24:56Speaker 1: over Spotify and living in Norway and living your scene
- 25:00Speaker 1: your songwriter dreams. Take us through the journey. Yeah, I
- 25:03Speaker 1: think I had pretty small town like mentality in ol Paso,
- 25:06Speaker 1: and then I met because we have a we have
- 25:09Speaker 1: a base there, effortless military base and it brings in
- 25:12Speaker 1: a lot of international people from different backgrounds. And I
- 25:16Speaker 1: met in nor region and I fell in love and
- 25:18Speaker 1: I came here basically often a love story. Are you
- 25:23Speaker 1: loving it? Are you do you right? In Norway? Do
- 25:27Speaker 1: you find you're able to be creative? How has that?
- 25:30Speaker 1: How is your location contributed to or shaped your artistic journey.
- 25:35Speaker 1: I think actually, I think that it's been more possible now,
- 25:39Speaker 1: well obviously because of the Internet, but also because Norway
- 25:42Speaker 1: has a really good quality of life by comparison to America,
- 25:46Speaker 1: Like you don't have to worry about healthcare, and you know,
- 25:50Speaker 1: university for most people is pretty cheap. It's like a
- 25:53Speaker 1: hundred dollars a semester. So it's like and and because
- 25:58Speaker 1: you get paid so well used to work anywhere, you
- 26:01Speaker 1: kind of have a decent standard to you. You get
- 26:04Speaker 1: paid five weeks of vacation every year. If you have
- 26:07Speaker 1: a baby, you got a year off for free. They
- 26:09Speaker 1: pay you your full salary. So it's like so many
- 26:12Speaker 1: things that make it easy for you to be creative
- 26:14Speaker 1: because you don't have to worry about all the other stuff.
- 26:18Speaker 1: And I felt when I lived in America it's always
- 26:20Speaker 1: a hustle. It's always the side hustle. Everything you have
- 26:23Speaker 1: to do to like just you know, pay the bills.
- 26:26Speaker 1: So there's a really big contrast because I didn't have
- 26:29Speaker 1: health insurance in America when I lived there, right, so
- 26:33Speaker 1: who among us who does right? But here it's like
- 26:38Speaker 1: and I see myself sometimes I don't even use it,
- 26:41Speaker 1: and I need to go to the doctor. I'm so
- 26:43Speaker 1: used to not going. Then I'm like I'll wait, I'll wait,
- 26:46Speaker 1: I'll wait, And then I'm like, oh, ship, I gotta
- 26:49Speaker 1: use this free health care. Yeah wow, the way America
- 26:54Speaker 1: has damaged us deeply. I don't need medical treatment. I'll
- 27:00Speaker 1: fall off for me to get there, right. Basically, so
- 27:04Speaker 1: so Florida's I'm so interested in learning just the genesis,
- 27:07Speaker 1: the beginning of When did you start singing? When did
- 27:11Speaker 1: you realize that you had a voice? Uh? Yeah, I'm
- 27:14Speaker 1: so curious how that that started for you. Um, it
- 27:18Speaker 1: started really young that I like to sing with musical family,
- 27:22Speaker 1: So I have a lot of My mom loves music,
- 27:25Speaker 1: and we grew up listening to it and we grew up.
- 27:27Speaker 1: I grew up actually in a Jehovah's Witness church, so
- 27:30Speaker 1: we actually sang quite a bit in the church. Terrible singing.
- 27:34Speaker 1: People sing this church singing. I feel like, unless it's
- 27:39Speaker 1: like a Baptist church, unless it's like a Black church.
- 27:42Speaker 1: I grew up in a Roman Catholic church with many
- 27:44Speaker 1: like Mexicans, Latinos, and the singing is not great. It's
- 27:48Speaker 1: not church yad like it's a little solemn, right, like
- 27:52Speaker 1: very like Gregorian chants, like yes, yes, yes, very much. So,
- 27:57Speaker 1: so that's what I kind of grew up in. But
- 27:59Speaker 1: I think as a young girl, I had actually a
- 28:02Speaker 1: counselor when I was in middle school and he heard
- 28:06Speaker 1: me saying and then he started to record me, and
- 28:08Speaker 1: then we had like many tours through the middle schools
- 28:12Speaker 1: and then high school. I thought I was going to
- 28:14Speaker 1: be on Broadway at one point in my life because
- 28:17Speaker 1: I love theater at the time. Unfortunately, there isn't a
- 28:21Speaker 1: lot of places for people don't know that Broadway is
- 28:25Speaker 1: grueling and also it's very black and white. There is
- 28:28Speaker 1: nothing in between, like the racial aspect of it is
- 28:32Speaker 1: like growing up realizing oh my god, I'm never going
- 28:35Speaker 1: to be able to be any any lead actress in
- 28:39Speaker 1: any show was pretty sobering. But um, but then that
- 28:44Speaker 1: made me sort of venture on into making my own music.
- 28:47Speaker 1: And I think, like many years ago, maybe ten years ago,
- 28:51Speaker 1: when I was younger, it was really difficult to be
- 28:54Speaker 1: in the music industry because there was no Internet like
- 28:57Speaker 1: it was like at its infancy, and so it was
- 29:00Speaker 1: like either who you knew or having money helps like
- 29:04Speaker 1: a lot to get at yours and there was like
- 29:09Speaker 1: no space for us. I feel like this is like
- 29:12Speaker 1: a time to be alive, really really really, it's like
- 29:17Speaker 1: a renaissance. Yeah, it's amazing. I'm I feel lucky to
- 29:21Speaker 1: be a part of it. Really, and you do like
- 29:25Speaker 1: you're part of the renaissance, the pioneer. Thank you, thank you.
- 29:29Speaker 1: I totally agree with you. I mean, just thinking about
- 29:34Speaker 1: what would it take to become a star, say in
- 29:37Speaker 1: the day of like a Marilyn Monroe, right, and you
- 29:40Speaker 1: think about there were only a handful of studios working,
- 29:44Speaker 1: a handful of networks, a handful of people calling the shots,
- 29:48Speaker 1: and you really had to kind of be picked out
- 29:50Speaker 1: of obscurity, like someone had to pluck you out and decide,
- 29:54Speaker 1: we're putting this girl on, We're making her a star.
- 29:57Speaker 1: We're putting her in the classes, we're putting her in show,
- 30:00Speaker 1: we're putting her name in lights, and we're putting her
- 30:02Speaker 1: out there. These days, you know, we put ourselves out there,
- 30:06Speaker 1: you know. We we give ourselves stage names, and we
- 30:10Speaker 1: figure out our aesthetic, and we find our audience and
- 30:12Speaker 1: we build our platforms and we just make ourselves stars now,
- 30:17Speaker 1: which I think it's empowering. It's also exhausting. Honey, I'm tired.
- 30:23Speaker 1: I'm so tired. I mean, your page is so gorgeous.
- 30:27Speaker 1: I just have to say it, thank you. But enough
- 30:30Speaker 1: about my Instagram page. We need to talk about your
- 30:33Speaker 1: beautiful work on this Color's performance. I am just blown
- 30:38Speaker 1: away by your voice and by how much your music
- 30:42Speaker 1: is just really taking off and I love to see it.
- 30:45Speaker 1: You know, my family is from Chihuahua, Mexico, and so
- 30:49Speaker 1: you don't always yeah, you don't always get that like global,
- 30:53Speaker 1: Oh my god, Like there's a Chihuahua connection and it's
- 30:55Speaker 1: R and B and she's killing the game and she's
- 30:57Speaker 1: in Norway, Like this is amazing. How have your fans
- 31:01Speaker 1: been connecting with you? And I'm so curious, like what
- 31:04Speaker 1: do people say to you about your music and what
- 31:06Speaker 1: it does for them? Oh, that's a great question. Um,
- 31:11Speaker 1: I feel like I have I have a very small
- 31:13Speaker 1: fan base, but the people that I have known, I've
- 31:16Speaker 1: known them for years. Like the people that are always
- 31:19Speaker 1: talking to me, some of them are good friends of
- 31:22Speaker 1: mine now and we're just like on active. I'm very
- 31:25Speaker 1: active with people who reach out to me. So when
- 31:27Speaker 1: they're like, oh, it helped me through this period of
- 31:29Speaker 1: my life or I lost a family member here and
- 31:32Speaker 1: and this helped me pull me through this. Then I
- 31:35Speaker 1: feel like, you know, even if it's one person, it's
- 31:38Speaker 1: just it means the world to me. So I actually
- 31:41Speaker 1: have a very personal relationship with the fans that I
- 31:44Speaker 1: do have because they've just been there since day one.
- 31:48Speaker 1: Because the Color's video is in two thousand seventeen, those
- 31:51Speaker 1: are a really long time with pre pandemic. Yeah, Like
- 31:56Speaker 1: I had all these things that we were going to do,
- 31:58Speaker 1: right was the year, all these things and then and
- 32:01Speaker 1: then it was a pandemic, you know. But yeah, I
- 32:04Speaker 1: think it makes you feel like you're valid. I get
- 32:07Speaker 1: a lot of people feeling saying that, like they feel
- 32:10Speaker 1: the emotion of my voice, and I think that that's
- 32:12Speaker 1: really important to have because a lot of the times,
- 32:16Speaker 1: and I don't mean to throw shade at a lot
- 32:18Speaker 1: of artists, but there's a lot of auto tune in
- 32:21Speaker 1: this industry, and for me, that's like I will never
- 32:26Speaker 1: use it in my life because I'm a bit old school.
- 32:29Speaker 1: Because you know, you should hear what these do. They
- 32:32Speaker 1: have something to say, like it can you feel the
- 32:34Speaker 1: visceral emotion in the songs they write? And a lot
- 32:37Speaker 1: of people don't write their song we either anymore, so
- 32:41Speaker 1: it's it's changed a lot, but then not, I think, um,
- 32:45Speaker 1: for the most part, my fans are really great. I'm
- 32:48Speaker 1: excited to get new fans and I'm curious how that
- 32:51Speaker 1: will be. But because I like to talk to everybody,
- 32:54Speaker 1: and I'm like, I may not have a lot of
- 32:56Speaker 1: time to talk to everyone, but it's so hard hard, right,
- 33:00Speaker 1: because it's like the folks that reach out to you,
- 33:03Speaker 1: like you want to engage with all of them, and
- 33:06Speaker 1: we I think we try, We try our best, responding
- 33:08Speaker 1: to comments and messages, but but sometimes it's it's just
- 33:13Speaker 1: a lot. There's only so many fingers on our hands,
- 33:16Speaker 1: you know, we can only talk to so many people.
- 33:19Speaker 1: But it's so exciting. I love that you have die hards.
- 33:22Speaker 1: I think that that's like the sign of like a
- 33:26Speaker 1: long lasting career. All right, y'all, So to listen to
- 33:29Speaker 1: the rest of that interview, you can head over to
- 33:31Speaker 1: Patreon dot com slash Look Underscore Productions. Thank you so
- 33:36Speaker 1: much for tuning into another radio. We hope you enjoyed
- 33:41Speaker 1: our Weird Things White Women Did segment. Uh and just
- 33:45Speaker 1: let us know what you think of this episode. Until
- 33:47Speaker 1: next time. Radio Radio Ya Radio Pummies of Myth and Bullshit,
- 34:06Speaker 1: a radiophonic novella local radio hosted by Malamuno and THEO
- 34:11Speaker 1: saf