Turning Homer Tropical: A Playful Take on The Odyssey (and why the sea isn’t the enemy)
Andy Walsh and Jill Elizabeth dig into Derek Walcott's stage version of The Odyssey, emphasizing its Caribbean retelling and how that shift remakes the poem’s tone and themes. He says the play’s playful language and stage directions make it feel like something that really needs to be seen, not just read. She loved the use of Billy Blind as a bard and the oral‑tradition rhythm that turns the sea from antagonist into companion. They riff on gods who lose clear moral authority, Penelope as more human and teasing, and a delightfully side‑questy Odysseus rather than a pure hero. He reminds…
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