Latest / Anele and the Club on 947 / Which would you rather live next to: a drummer or a DJ?

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Which would you rather live next to: a drummer or a DJ? · Anele and the Club on 947

• 0:00
  Speaker 1: Wake up with a bang. Hey, wake up! Anele and
• 0:05
  Speaker 1: the Club on 947.
• 0:07
  Speaker 2: It's 7.14 on the clock and there's a conversation that
• 0:10
  Speaker 2: is blowing up on the internet because it is asking
• 0:13
  Speaker 2: you if you prefer one thing over another.
• 0:18
  Speaker 3: Yeah.
• 0:18
  Speaker 2: Go to where you live right now. You don't necessarily
• 0:22
  Speaker 2: have to go there physically, just.
• 0:23
  Speaker 1: In your mind. Go to where you live right now.
• 0:25
  Speaker 1: Your neighbor.
• 0:26
  Speaker 3: Think about it.
• 0:27
  Speaker 2: Take your neighbor out and then replace your neighbor with
• 0:31
  Speaker 2: a drummer.
• 0:33
  Speaker 1: So now I'm pretty sure your neighbor is probably like
• 0:34
  Speaker 1: a preschool teacher, a swim school instructor. Maybe she owns
• 0:38
  Speaker 1: a bakery. Scratch that.
• 0:40
  Speaker 2: Your neighbor is now a drummer. And this is what
• 0:44
  Speaker 2: you live next to. Do you prefer to live next
• 0:49
  Speaker 2: to a.
• 0:50
  Speaker 1: Drummer or a DJ?
• 0:54
  Speaker 3: Okay.
• 1:00
  Speaker 1: I'm going to go first. A drummer. Because you don't,
• 1:06
  Speaker 1: drummers don't hang.
• 1:07
  Speaker 2: Out with a bunch of other drummers where they just
• 1:08
  Speaker 2: come and they drum like the whole day.
• 1:11
  Speaker 1: DJs, on the other hand, they.
• 1:14
  Speaker 2: Hang out, like I love Maporisa to bits, I don't
• 1:17
  Speaker 2: want to live next to him because him and Kabza,
• 1:20
  Speaker 2: they're there creating music at all times. And then what about,
• 1:24
  Speaker 2: they're like, no, I find that I create music best
• 1:27
  Speaker 2: at two in the morning.
• 1:27
  Speaker 1: So at two in the morning, this is your neighbor.
• 1:29
  Speaker 1: This is your neighbor.
• 1:32
  Speaker 3: Yeah, I've got to jump in here quickly and just
• 1:34
  Speaker 3: say two things, right? So don't come and say, well,
• 1:37
  Speaker 3: the drummer's during the day when I'm not at home.
• 1:39
  Speaker 1: Yes, because they're playing at Firkin's. They're performing at Stone's.
• 1:42
  Speaker 3: No, like they're practicing, same story. You are correct that
• 1:46
  Speaker 3: maybe drummers don't hang out with other drummers as much.
• 1:48
  Speaker 2: Yes, because each person's got their own drum kit at
• 1:50
  Speaker 2: their houses.
• 1:51
  Speaker 3: They hang out with other musicians, though. So you'll see
• 1:55
  Speaker 3: there'll be a jam session where someone's brought a guitar
• 1:59
  Speaker 3: or a bass to play with them. Look, I'm a drummer.
• 2:04
  Speaker 1: Oh, there we go.
• 2:06
  Speaker 3: I'm the neighbor.
• 2:07
  Speaker 1: There we have it.
• 2:07
  Speaker 3: I'm literally the neighbor. And I grew up with a
• 2:10
  Speaker 3: drummer next door to me. So when I was a kid...
• 2:13
  Speaker 3: The neighbors were drummers.
• 2:14
  Speaker 1: That's why you became a drummer.
• 2:15
  Speaker 3: Then I became a drummer. Then those neighbors moved out.
• 2:19
  Speaker 3: Other neighbors moved in and their kids became musicians as well.
• 2:22
  Speaker 1: Oh, little drummer boy.
• 2:24
  Speaker 3: I'm just saying it's a pandemic, right? So it's for
• 2:27
  Speaker 3: your kids now, if you're considering this question, it's a pandemic.
• 2:29
  Speaker 3: They could become either or.
• 2:32
  Speaker 1: I will take a DJ.
• 2:33
  Speaker 4: Why?
• 2:35
  Speaker 5: Have you ever listened to band rehearsal, even the best bands?
• 2:39
  Speaker 5: Like if there's new music, to get to the point
• 2:41
  Speaker 5: where everyone knows what they're supposed to be playing, how
• 2:44
  Speaker 5: and when is torture. Because the thing with a DJ is,
• 2:48
  Speaker 5: I mean, you guys are not real DJs now because
• 2:49
  Speaker 5: your music is on memory sticks anyway. You can at
• 2:52
  Speaker 5: least recognize the music.
• 2:55
  Speaker 3: Do you know what I mean? You know which song
• 2:56
  Speaker 3: is playing? Yes, you go, oh, that's Shimza.
• 3:00
  Speaker 1: But Kalogunabo, they're also creating music. They're also, it's trial
• 3:04
  Speaker 1: and error.
• 3:04
  Speaker 5: Ma'am, have you ever heard a 17-year-old kid who thinks
• 3:08
  Speaker 5: he's going to rebel against his family, become a drummer,
• 3:10
  Speaker 5: not an accountant?
• 3:11
  Speaker 1: But aren't the drummer kids using silent drums now?
• 3:14
  Speaker 3: Yeah, electronic drums.
• 3:15
  Speaker 1: Electronic drums.
• 3:17
  Speaker 3: You still hear that.
• 3:19
  Speaker 5: People who can afford that have a rehearsal space.
• 3:22
  Speaker 3: I want to ask Tim McKeeley though, have you ever
• 3:24
  Speaker 3: heard a DJ practicing to mix one song into the other?
• 3:29
  Speaker 1: It's a horse racing event.
• 3:30
  Speaker 3: So you'll hear the same song, the same song, the
• 3:32
  Speaker 3: same song, the same song. I was born in the 90s.
• 3:35
  Speaker 5: The boys from every, like every second house on my
• 3:37
  Speaker 5: street had a kid who thought he was going to
• 3:38
  Speaker 5: be the next Black Coffee.
• 3:39
  Speaker 1: Needless to say, no.
• 3:40
  Speaker 3: It didn't happen. There's also a different type of DJs though.
• 3:43
  Speaker 6: So you're talking about house DJs, but what if it's
• 3:45
  Speaker 6: like a scratch DJ?
• 3:48
  Speaker 3: In the background, you're like.
• 3:49
  Speaker 1: DJ Waxy.
• 3:51
  Speaker 3: I don't think I could handle that, eh?
• 3:52
  Speaker 1: So you're going drama. I'm a.
• 3:54
  Speaker 6: I'm not going drama either, to be honest with you. Listen,
• 3:57
  Speaker 6: I used to live next to what I would describe
• 3:59
  Speaker 6: as a drug den.
• 4:01
  Speaker 1: Sorry, what? Yeah, basically.
• 4:05
  Speaker 6: And so I had DJs all night and my window
• 4:08
  Speaker 6: was right next to the house.
• 4:10
  Speaker 2: And so were the DJs the customers to.
• 4:13
  Speaker 1: The drug den? I don't know who was the DJ.
• 4:15
  Speaker 3: I never went. So I don't know who was DJing.
• 4:17
  Speaker 1: I just know that there was a DJ in house.
• 4:19
  Speaker 3: So it's an alleged DJ.
• 4:21
  Speaker 5: Yeah yeah a drag den a drag den with ambience yeah.
• 4:27
  Speaker 6: And I can tell you that it was a lot
• 4:28
  Speaker 6: better having that because it was different types of music
• 4:31
  Speaker 6: as well so it wasn't just the same song over
• 4:33
  Speaker 6: and over no it was different type.
• 4:36
  Speaker 1: Of songs so you go for drag den then Yeah, yeah, yeah.
• 4:39
  Speaker 1: Sometimes it's R & B. Oh, how charming. A little
• 4:45
  Speaker 1: bit of Carl Thomas whilst people.
• 4:48
  Speaker 2: Get their fix.
• 4:51
  Speaker 1: Okay, baby face.
• 4:52
  Speaker 7: 011-8838-947.
• 4:52
  Speaker 2: We are split down the middle on this one.
• 4:56
  Speaker 1: Would you rather your.
• 4:57
  Speaker 2: Neighbor be a DJ or would you rather your neighbor
• 5:01
  Speaker 2: be a drummer?
• 5:03
  Speaker 3: You say?
• 5:04
  Speaker 1: I say drama.
• 5:05
  Speaker 3: I say DJ.
• 5:06
  Speaker 1: Because I feel like drummers, they have real jobs. Because
• 5:09
  Speaker 1: no one who's a drummer does that only.
• 5:12
  Speaker 2: So they have to stop and go work at the
• 5:14
  Speaker 2: post office and go work at Telcom sometime.
• 5:17
  Speaker 3: No, no, no, no.
• 5:18
  Speaker 1: DJs, that's all they do, guys. That's all they do.
• 5:21
  Speaker 3: No, drummers have girlfriends that pay rent. So they are
• 5:25
  Speaker 3: at home practicing all day long.
• 5:31
  Speaker 1: 011-8838-947.
• 5:32
  Speaker 2: I really think the entire city should weigh in on
• 5:34
  Speaker 2: this one.
• 5:35
  Speaker 1: Would you rather your neighbor be a drummer? Listen to that.
• 5:42
  Speaker 1: Or would you rather your neighbor be a DJ?
• 5:49
  Speaker 3: Like you're trapped in Corona Sunset every day.
• 5:52
  Speaker 2: Or what you can do on 084-00-00947.
• 5:57
  Speaker 1: Say, hey guys, I hear DJ. I hear drama. I
• 6:01
  Speaker 1: currently live next to a... I raise you that.
• 6:05
  Speaker 2: It's worse than the two combined.
• 6:07
  Speaker 1: Talk to us. We're spying on your neighbors. Or would
• 6:13
  Speaker 1: you rather live next to a drama?
• 6:16
  Speaker 3: This is the impossible choice.
• 6:17
  Speaker 2: I'm telling you now, with DJs, because we've reached a
• 6:21
  Speaker 2: realm in South Africa where there isn't a party night.
• 6:24
  Speaker 1: On a Monday, it's a party. On a Tuesday, it's
• 6:25
  Speaker 1: a party. On a Wednesday, it's a party. Drummers only
• 6:28
  Speaker 1: gig on a Thursday or Friday.
• 6:30
  Speaker 3: Yeah, but when you're practicing drums, you stop, start, stop, start, stop, start, stop.
• 6:33
  Speaker 3: It's out of time. It's in time. I'd rather pick
• 6:37
  Speaker 3: a DJ.
• 6:40
  Speaker 2: 011-8838-947. Is that a drummer or a DJ? Or elevate
• 6:44
  Speaker 2: the devil? Say, I hear you guys, but I currently
• 6:47
  Speaker 2: live next to a this or a that. Maybe like
• 6:50
  Speaker 2: a truck driver who parks his 18-ton truck at the house.
• 6:53
  Speaker 1: And that's all you have. Or somebody who services generators.
• 6:57
  Speaker 1: Something of the sort. Elevate the noise levels that you
• 7:00
  Speaker 1: are currently dealing with. To be like, you know what?
• 7:02
  Speaker 1: I'll take the DJ. Hey guys, I'll.
• 7:04
  Speaker 3: Go for a drummer too.
• 7:06
  Speaker 2: Tuku tuku.
• 7:08
  Speaker 5: DJ, they can repeat.
• 7:10
  Speaker 8: One song over and over and over and over.
• 7:13
  Speaker 2: I prefer a DJ because I will jam to that music.
• 7:18
  Speaker 9: Yo, guys, I haven't been out in such a long time.
• 7:21
  Speaker 9: I have a three-month-old baby, so meaning I won't be
• 7:23
  Speaker 9: going out again this year. So I'm taking a DJ anytime,
• 7:28
  Speaker 9: all day, every day.
• 7:29
  Speaker 1: Give me a DJ any time of the day. I
• 7:32
  Speaker 1: can take a drama, living next to a drama, or
• 7:35
  Speaker 1: a DJ any day. Have you ever lived next to
• 7:39
  Speaker 1: a sangoma? Oh, my gosh, no way. Oh, I see that. Okay,
• 7:46
  Speaker 1: but then tell us. Don't just say that. Give us details.
• 7:50
  Speaker 3: What happens?
• 7:51
  Speaker 1: What is loud?
• 7:52
  Speaker 5: We had one on our street back home.
• 7:55
  Speaker 1: The thing is, there's drumming, hey?
• 7:57
  Speaker 3: But like.
• 8:00
  Speaker 5: Yes, and people sing. It's great acapella music. But after
• 8:04
  Speaker 5: a while, you're like, okay, even concerts have to come
• 8:06
  Speaker 5: to an end.
• 8:06
  Speaker 1: Sorry, I missed it. What happens?
• 8:08
  Speaker 5: They sing and then there's... And then someone has to
• 8:13
  Speaker 5: run and spin.
• 8:14
  Speaker 1: It's a lot going on.
• 8:15
  Speaker 5: And you go, this is a lot of energy. I mean,
• 8:17
  Speaker 5: it's a good workout, but we need rest. And then,
• 8:20
  Speaker 5: add to that, we also had a sports field near
• 8:22
  Speaker 5: my house where there.
• 8:23
  Speaker 1: Was a church.
• 8:24
  Speaker 5: You know those tents that they put up? A church
• 8:27
  Speaker 5: with a bad keyboard and crusades. Oh, you will suffer.
• 8:32
  Speaker 1: Now, spiritual warfare, I tell you.
• 8:34
  Speaker 3: I was going to say, now you're on the street.
• 8:36
  Speaker 5: Yes, now everyone's trying to, like the keyboard players trying
• 8:39
  Speaker 5: to out-keyboard the drama from the Sangoma place and we're
• 8:42
  Speaker 5: all like silent.
• 8:43
  Speaker 1: It's the ancestors versus the religions, baby, and it's toe-to-toe. Wow. Niki,
• 8:47
  Speaker 1: when you're in Midrand, what do you pick, a drummer
• 8:50
  Speaker 1: or a DJ?
• 8:52
  Speaker 4: I'll pick a drama any day.
• 8:55
  Speaker 1: Because?
• 8:56
  Speaker 4: I currently have.
• 8:57
  Speaker 8: A neighbor that's a DJ. And believe me, at 3 p.m.,
• 9:00
  Speaker 8: it'll be quiet. 4, 5, 6, 7 p.m., he starts
• 9:01
  Speaker 8: his music.
• 9:08
  Speaker 10: It would blast my windows.
• 9:10
  Speaker 1: Up to 10.
• 9:11
  Speaker 11: I don't know what they're practicing for.
• 9:15
  Speaker 4: And it's quite ironic and funny because the previous lady
• 9:17
  Speaker 4: was comparing my song almost across my road. A couple
• 9:21
  Speaker 4: of thousand stars we.
• 9:28
  Speaker 11: Have.
• 9:28
  Speaker 1: South Africans generally we struggle here. Like, why?
• 9:32
  Speaker 3: It's the challenge of the rhythm.
• 9:34
  Speaker 5: Oh, but the music is great. Sometimes, don't you catch
• 9:36
  Speaker 5: yourself moving? You're like, okay, that's a catchy tune.
• 9:39
  Speaker 1: To what? The song?
• 9:40
  Speaker 5: No, you're like, listen, I'm not joining you, but if
• 9:42
  Speaker 5: you can spin me, track five, that's the winner.
• 9:45
  Speaker 2: But now, Nikki, have you ever considered going over to
• 9:47
  Speaker 2: the DJ's house and be like, bruh, I haven't seen
• 9:49
  Speaker 2: a flyer of your gigs anyway.
• 9:51
  Speaker 1: What are you practicing for?
• 9:52
  Speaker 12: My neighbor used to call the cops.
• 9:58
  Speaker 1: You see, guys? Because the DJ.
• 10:00
  Speaker 4: DJ the old man eventually left because every time you
• 10:04
  Speaker 4: call the cops the cops will come.
• 10:05
  Speaker 2: And they'll dance and you know cops and cool drinks exactly.
• 10:09
  Speaker 1: Now the cops you called you find them ha ha
• 10:11
  Speaker 1: ha ha ha ha They've got more moves than anyone. They, hey, hey, hey, hey.
• 10:21
  Speaker 1: You are under arrest. Are you doing the Nguazi? Yes.
• 10:25
  Speaker 1: I'm seeing it. That is the quintessential cop dance. Yeah, yeah.
• 10:30
  Speaker 1: Come on, guys. Guys, I just feel like drummers know
• 10:33
  Speaker 1: when to wrap it up.
• 10:34
  Speaker 3: Yeah, but you also run, I suppose, this is the
• 10:36
  Speaker 3: other thing. Drumming is quite physical. So you can't do
• 10:39
  Speaker 3: this for necessarily eight hours.
• 10:40
  Speaker 1: You tire yourself out.
• 10:42
  Speaker 3: Yes, exactly.
• 10:43
  Speaker 1: DJ, guys. And then they're drinking Hennessy. Then they just
• 10:48
  Speaker 1: get the strength of 10 men and then they are there.
• 10:53
  Speaker 2: They can go for 16 hours until they find that
• 10:55
  Speaker 2: one Mapeana song that they want to release.
• 10:57
  Speaker 7: Exactly.
• 10:58
  Speaker 4: Oh, wow.
• 10:59
  Speaker 1: Janaye, you in four ways. Good morning.
• 11:01
  Speaker 12: Good morning, Aneli and the club.
• 11:03
  Speaker 1: Morning, Janaye.
• 11:04
  Speaker 2: Morning, Janaye.
• 11:05
  Speaker 1: How are you, doll?
• 11:06
  Speaker 12: I feel like I have the life experience to answer
• 11:09
  Speaker 12: this question better than anyone else.
• 11:11
  Speaker 1: Okay, kill the music. We've got an expert in the house. So.
• 11:16
  Speaker 12: I grew up in a house where my dad dreamt
• 11:20
  Speaker 12: that we would be the Jackson 5. I am one
• 11:23
  Speaker 12: of six siblings, and each of us were made to
• 11:26
  Speaker 12: play instruments. We would be woken up at 6 a.m.
• 11:30
  Speaker 12: before school to create music together. My dad was a drummer.
• 11:35
  Speaker 12: My brother was a professional drummer. And my brother is
• 11:40
  Speaker 12: now a DJ and a music producer. And my son
• 11:44
  Speaker 12: plays drums. So I am the neighbor.
• 11:50
  Speaker 3: You are the neighbor.
• 11:51
  Speaker 12: I have grown up my whole life being the neighbor.
• 11:55
  Speaker 1: You are the National School of Arts, my angel.
• 11:57
  Speaker 12: I have also dated a professional DJ who's actually a
• 12:02
  Speaker 12: morning radio. And I can tell you that I will
• 12:04
  Speaker 12: take a DJ over a drummer any day.
• 12:09
  Speaker 1: Is it safe to ask for a name?
• 12:10
  Speaker 12: You can put headphones on.
• 12:12
  Speaker 3: Oh, the DJ can put headphones on?
• 12:14
  Speaker 7: Yes.
• 12:15
  Speaker 3: And then there's no speaker.
• 12:16
  Speaker 12: A drummer is not just drumming on the drums. A
• 12:19
  Speaker 12: drummer is TikToking all day. They are tapping on tables,
• 12:23
  Speaker 12: tapping on chairs, tapping wherever they go. It is frustrating
• 12:27
  Speaker 12: and annoying, guys.
• 12:28
  Speaker 5: Why do DJs also tapping wherever they go?
• 12:30
  Speaker 12: I'll give you a clue. There's actually a tap in
• 12:35
  Speaker 12: his name.
• 12:36
  Speaker 1: Oh, thank you.
• 12:41
  Speaker 2: Babe, we were not even listening to you anymore.
• 12:44
  Speaker 1: All of us are busy trying to figure.
• 12:46
  Speaker 3: Out who's this person you used to date.
• 12:48
  Speaker 1: Oh, DJ Ankle Tab.
• 12:50
  Speaker 12: Yes, and he was the best DJ. Every morning, I'm
• 12:53
  Speaker 12: so glad you said DJ.
• 12:54
  Speaker 1: He used to wake up to you.
• 12:58
  Speaker 5: Oh, he turned those tables.
• 13:04
  Speaker 12: A DJ over a drummer neighbor any day.
• 13:07
  Speaker 2: Okay, Janaye, before we let you go, thank you for
• 13:09
  Speaker 2: this call, by the way. Do you have any music
• 13:13
  Speaker 2: that you and your family recorded when your dad was
• 13:15
  Speaker 2: trying to make you the Jackson 5?
• 13:16
  Speaker 1: Because that I want to hear.
• 13:18
  Speaker 8: Anelie, let me tell you the most embarrassing thing. My
• 13:22
  Speaker 8: dad used to make us back up and instruments while
• 13:27
  Speaker 8: he sang Lionel Richie, we had a professional recording studio
• 13:32
  Speaker 8: and he would go around our community handing out this
• 13:36
  Speaker 8: free desk.
• 13:37
  Speaker 1: Of our students.
• 13:39
  Speaker 3: Where do we get it?
• 13:39
  Speaker 2: Babe, you've got it on digital somewhere. Please send it
• 13:41
  Speaker 2: to us. We'll play it off the news.
• 13:43
  Speaker 12: Please.
• 13:44
  Speaker 1: Sinead, come on.
• 13:45
  Speaker 12: It's better that you take my brother. He's a professional
• 13:51
  Speaker 12: DJ in Cayman Islands. He's much better.
• 13:53
  Speaker 1: No, no.
• 13:54
  Speaker 2: I don't want your tax evading brother in the Cayman Islands.
• 13:59
  Speaker 1: I want what you guys recorded as kids with your dad.
• 14:01
  Speaker 1: You guys have got that somewhere.
• 14:02
  Speaker 12: I'll try and get hold of something, yes.
• 14:04
  Speaker 4: Please, please, please.
• 14:06
  Speaker 1: Sinead, please. The entire city wants to hear it.
• 14:09
  Speaker 12: The embarrassment.
• 14:10
  Speaker 1: That's fine.
• 14:11
  Speaker 2: Dude, half the stuff we do on the show is
• 14:13
  Speaker 2: embarrassing every morning.
• 14:14
  Speaker 12: Come on, Janaye.
• 14:15
  Speaker 1: I'm willing to participate.
• 14:17
  Speaker 6: Yes!
• 14:18
  Speaker 1: Are you going to send it to us?
• 14:20
  Speaker 8: Please?
• 14:20
  Speaker 2: You know you've got it somewhere. You guys whoop it
• 14:22
  Speaker 2: out when you get liquored.
• 14:23
  Speaker 5: Come on.
• 14:25
  Speaker 1: Okay. Ryan, carry on. Smooth it over. We need to
• 14:29
  Speaker 1: see it. I have a picture of Janae's dad.
• 14:31
  Speaker 3: How many kids?
• 14:31
  Speaker 5: Six kids at a market every Saturday singing their hearts out.
• 14:40
  Speaker 7: We visited my mother-in-law in Cape Town and next door
• 14:45
  Speaker 7: they had rastas. And the rastas would wake up early
• 14:49
  Speaker 7: in the morning and play music, whatever they want.
• 14:55
  Speaker 13: So I currently live in a complex where it's a house,
• 14:59
  Speaker 13: next door house, next door house. So we're very close together.
• 15:02
  Speaker 13: So there's this neighbor who hoots literally in the morning,
• 15:06
  Speaker 13: 6 a.m.
• 15:07
  Speaker 3: Why?
• 15:07
  Speaker 13: Hoots for the kids to come out.
• 15:09
  Speaker 7: Try working from home and then living next to a crèche.
• 15:13
  Speaker 1: Yeah, I know. We love kids. They're the best thing
• 15:16
  Speaker 1: on earth. But those tiny.
• 15:17
  Speaker 7: Voices the whole day singing twinkle, twinkle, little star.
• 15:21
  Speaker 3: And no.
• 15:22
  Speaker 1: Ah!
• 15:25
  Speaker 2: And right about now, do you know what they're doing?
• 15:26
  Speaker 2: They're rehearsing for the end of year concert. And they
• 15:31
  Speaker 2: all think they're going to sing that... They're repeating....
• 15:46
  Speaker 3: I want to be your brother.
• 15:48
  Speaker 1: No, I wasn't a brother. I wasn't a brother. Hey, Mufasa.
• 15:57
  Speaker 1: DJ or drummer?
• 15:59
  Speaker 10: Good morning.
• 16:00
  Speaker 6: Good morning.
• 16:01
  Speaker 1: Morning, KB.
• 16:03
  Speaker 3: Yes, yes.
• 16:04
  Speaker 10: Neither DJ or the band. I have a 13-year-old daughter.
• 16:11
  Speaker 7: Yes.
• 16:12
  Speaker 10: This year she started doing music at her school.
• 16:15
  Speaker 1: Yes, nothing wrong.
• 16:17
  Speaker 10: They are playing what they call a recorder. That thing
• 16:21
  Speaker 10: is a nightmare.
• 16:23
  Speaker 1: Which one is a recorder now? Like a flute.
• 16:30
  Speaker 3: Yeah.
• 16:30
  Speaker 10: Yes, it falls within the family of the flute.
• 16:34
  Speaker 1: But wait, that means your child is the next Lizzo.
• 16:37
  Speaker 1: What's the problem?
• 16:39
  Speaker 10: The problem is she's forever off tune.
• 16:41
  Speaker 1: Pfft.
• 16:43
  Speaker 3: She's learning. The problem is that there's a huge leap
• 16:45
  Speaker 3: between where she is now and Lizzo. So, yes, if
• 16:49
  Speaker 3: she was Lizzo, that would be fine. But getting to
• 16:51
  Speaker 3: where you are, Lizzo, that's patience.
• 16:54
  Speaker 10: My challenge, you know, Frankie, the challenge is she does
• 16:57
  Speaker 10: all the extra minerals and she only gets to practice
• 17:00
  Speaker 10: at night. At night, she wants to practice.
• 17:06
  Speaker 3: Yeah, so you're trying to watch Scheme Salmon. She's on
• 17:09
  Speaker 3: the recording.
• 17:13
  Speaker 8: She wants to play.
• 17:16
  Speaker 10: During last term, they had to make some practicals. She
• 17:22
  Speaker 10: and her ensemble. She volunteered to bring the ensemble at home.
• 17:28
  Speaker 1: Now there's five of them.
• 17:30
  Speaker 10: There's eight of them wanting to play.
• 17:33
  Speaker 1: Oh my word. It's Motown. You've got Motown running in
• 17:36
  Speaker 1: your house.
• 17:37
  Speaker 3: Stick it out, Cabello. It's really good for kids to
• 17:40
  Speaker 3: learn music. Stick it out.
• 17:43
  Speaker 10: No, Frankie, I'll tolerate for this year. Next year, she's
• 17:47
  Speaker 10: doing piano at least.
• 17:49
  Speaker 1: Even worse, Gabelo. Even worse. You know what? There's always
• 17:52
  Speaker 1: boarding school. That's all I'll say. Deepu, are you in Santon?
• 17:56
  Speaker 1: Wrap it up for us. What do you think?
• 17:58
  Speaker 11: Hi, Alele.
• 18:00
  Speaker 10: Hi, Deepu.
• 18:03
  Speaker 4: Oh, let me start by saying this is her first
• 18:04
  Speaker 4: time on radio.
• 18:05
  Speaker 1: First time on the radio. Take them out the woodwork. So,
• 18:10
  Speaker 1: DJ or drummer?
• 18:14
  Speaker 3: DJ. DJ?
• 18:16
  Speaker 4: At this moment, I'm staying next to a crash.
• 18:20
  Speaker 11: So my landlord, the landlord next door decided like, hmm,
• 18:24
  Speaker 11: I need to get new tenants and let me get
• 18:26
  Speaker 11: somebody who runs a crash. So yeah, it's so difficult
• 18:31
  Speaker 11: to work.
• 18:32
  Speaker 2: So your neighbor has a newborn baby and a crash?
• 18:37
  Speaker 10: No, no, no.
• 18:38
  Speaker 4: So my neighbor is renting out the place. So the
• 18:43
  Speaker 4: tenants own a crash.
• 18:46
  Speaker 3: How many babies?
• 18:48
  Speaker 11: Oh, I don't know.
• 18:49
  Speaker 4: But we have a unique baby that screams from six
• 18:53
  Speaker 4: in the morning up until they pick.
• 18:55
  Speaker 11: The baby up.
• 18:56
  Speaker 1: And you work from home, eh?
• 18:58
  Speaker 4: And I work from home.
• 19:00
  Speaker 12: Oh, girl.
• 19:00
  Speaker 1: Go back to the office. No.
• 19:04
  Speaker 11: I don't like going to the office and nobody goes.
• 19:06
  Speaker 3: To the office. Quick question. Are you working for a
• 19:11
  Speaker 3: bank call center remote?
• 19:14
  Speaker 4: No, no, no, I don't work for them.
• 19:15
  Speaker 3: Okay, because I was on a call with the bank
• 19:18
  Speaker 3: the other day.
• 19:18
  Speaker 1: And there was a baby crying in the background?
• 19:20
  Speaker 3: Yes, and I know that the call center, some of them,
• 19:23
  Speaker 3: the call center guys work remote, and there was a
• 19:25
  Speaker 3: baby in the background, and I went, wow.
• 19:27
  Speaker 1: No, that is not us. No, but I'm sorry, Dipo.
• 19:31
  Speaker 1: I don't feel sorry for you.
• 19:33
  Speaker 2: You chose that you want to work from home, and
• 19:35
  Speaker 2: now home comes with all of those challenges.
• 19:38
  Speaker 4: I've been working from home since COVID.
• 19:42
  Speaker 2: Yes, and people have been making babies also since COVID.
• 19:46
  Speaker 4: Yeah, but this is a crutch.
• 19:48
  Speaker 11: We're talking about more than one baby.
• 19:50
  Speaker 4: Up, which is when you should be coming home.
• 19:52
  Speaker 5: Have you heard of.
• 19:53
  Speaker 1: Mug and bean?
• 20:07
  Speaker 4: I do sometimes but you know sometimes.
• 20:09
  Speaker 2: You don't feel like going anywhere and wait have you
• 20:12
  Speaker 2: ever considered noise cancellation headphones maybe I should do that
• 20:17
  Speaker 2: yes you see you come to us for solutions we've
• 20:20
  Speaker 2: given you three solutions already go back to the office Move.
• 20:23
  Speaker 1: Mug and bean. Mug and bean.
• 20:26
  Speaker 5: Or noise cancellation.
• 20:27
  Speaker 4: Mug and bean sometimes.
• 20:28
  Speaker 3: There we go.
• 20:29
  Speaker 2: They get the headset.
• 20:30
  Speaker 1: Have that Big Daddy burger.
• 20:31
  Speaker 3: Mug and bean.