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Sherlock Holmes Radio The Cross of Damascus Basil Rathbone, Nigel Bruce, To · Meine Liebe zu Hörspielen

• 0:01
  Speaker 1: And now I'm sure our old friend doctor Watson's expecting us.
• 0:04
  Let's tap on his study door.
• 0:08
  Speaker 2: Good evening, Doctor, Good evening, mister Bartell.
• 0:11
  Speaker 3: Come over here, by the far, I was just having
• 0:13
  a cup of coffee. Would you care to join me?
• 0:15
  Speaker 2: Thanks, that'd be nice.
• 0:17
  Speaker 3: It will prevent you falling asleep during my story tonight.
• 0:20
  Speaker 2: There's no chance of that, doctor.
• 0:22
  Speaker 1: From the hints you gave us last week, it sounded
• 0:24
  like quite a story. It began in a circus in Paris,
• 0:27
  you told us.
• 0:28
  Speaker 3: Hees my boy, the circus, a colorful world of sawdust
• 0:32
  and spangles. The world, mister Bartel, that I may tell
• 0:35
  you confidentially, always held an irresistible fascination for me when I.
• 0:40
  Speaker 2: Was a youngster, me too, doctor.
• 0:41
  Speaker 3: In fact, when I was eight years old, I fell
• 0:44
  desperately in love with a lady bareback Rider, a stunning
• 0:48
  creature who wore pink silk tights with gold sequins on him. Unfortunately,
• 0:53
  my mother caught me writing her proposal marriage. And I'm
• 0:56
  afraid that it's another story, and one that you probably
• 1:00
  wouldn't find very interesting.
• 1:01
  Speaker 1: I'm sure I would, doctor, but I think it'd be
• 1:04
  safer to stick to your show like Honstership.
• 1:06
  Speaker 4: Probably right, my boy.
• 1:07
  Speaker 3: Well, it was a winter in the eighteen nineties and
• 1:11
  Holmes and I were in Paris, last second day there.
• 1:14
  Holmes suggested we attend that night's performance of the Sir
• 1:17
  Royal Leaders to remark. I was delighted, mister Bartell, And
• 1:21
  shortly after nine o'clock that night I found myself seated
• 1:24
  by besides Holmes in a box near the ringside.
• 1:28
  Speaker 4: It was an incredibly vivid scene, even.
• 1:30
  Speaker 3: For that city of color and light. The gay costumes
• 1:33
  of the women and the gaudy trappings of the ring
• 1:35
  masters and towns looked like a giant teidoscope under the
• 1:39
  blazing glare of the art lamps. As we sat there,
• 1:42
  a brass band nearby blared forth some popular music of
• 1:46
  the day, And yet he didn't appear to be enjoying himself,
• 1:50
  And so I leaned across and touched it up.
• 1:58
  Speaker 4: What is it, Watson? Been a quiet homes? Aren't you
• 2:01
  having a good time? Good time? Hoist?
• 2:03
  Speaker 5: First world Chapan is just wondering where mister Edwards is.
• 2:06
  Mister Edwards, who's the extremely distinguished plant?
• 2:09
  Speaker 4: Mister meet us in this box at nine o'clock.
• 2:10
  Speaker 3: Class So this little excursion was on business after all
• 2:14
  years I might have known it.
• 2:15
  Speaker 4: No money or fellow.
• 2:16
  Speaker 5: In your case, I think you'll be able to combine
• 2:17
  quite a little pleasure with the business.
• 2:19
  Speaker 3: Can't you be a little more explicit?
• 2:21
  Speaker 4: Homes it comes the ring master, say.
• 2:30
  Speaker 3: Loss far not all the bedet to see her, Mademoiselle
• 2:36
  de Seilles.
• 2:36
  Speaker 5: You all day akstrian and comparah.
• 2:47
  Speaker 3: Good only Yes, I've heard of her. She's a fair
• 2:49
  back ridder, don't you have?
• 2:51
  Speaker 5: And fans her hellow. She also has quite a reputation
• 2:53
  as a fen fittal. Three duels have been fought over her.
• 2:57
  A young English articer on and the Grenadier guards committed suicide
• 2:59
  last year because of that, and a famous French banker
• 3:02
  is a present languishing in prison because had extravagances drove
• 3:05
  into appropriate funds that did not belong to him. Yes, Watson,
• 3:09
  she's an extremely colorful personality.
• 3:10
  Speaker 4: You Her home is the funny thing.
• 3:12
  Speaker 3: When I was eight years old, I fell violent in
• 3:14
  love with a lady bareback rider. She woked pixel tights
• 3:17
  with golden sequence on him.
• 3:19
  Speaker 4: But unfortunate.
• 3:38
  Speaker 3: Homes, she's as looking the way she's jumping from the
• 3:41
  back of one horse to the other shere purtry of motion.
• 3:45
  Lady appeals to Watson by George is indigen In fact, Holmes,
• 3:48
  I don't mind telling you if I weren't a married man.
• 3:51
  Speaker 4: And yeah, you're like to court the lady.
• 3:54
  Speaker 5: Yes, excellent, that's the very reason for our attendance.
• 3:58
  Speaker 4: Of Heaven's name.
• 3:58
  Speaker 3: You're talking about homes, how they are?
• 4:01
  Speaker 2: Good evening, mister Edwards, How is my dear fellow?
• 4:03
  Speaker 3: How are you?
• 4:05
  Speaker 6: I haven't seen you since since that little affair at
• 4:08
  Windsor Castle when mother.
• 4:10
  Speaker 5: Excuse me, sir, I am mister Microft, and this is
• 4:12
  my friend, Sir William nightjel William Knight.
• 4:15
  Speaker 6: Of course, of course, and I am mister Edwards. We
• 4:18
  must respect each other's incognitos.
• 4:20
  Speaker 2: How do you do so, William?
• 4:22
  Speaker 3: Well, I am extremely honored to meet you.
• 4:25
  Speaker 4: You're mister Edwards.
• 4:26
  Speaker 6: How do you like Chazelle? Isn't she a stunning creature?
• 4:30
  Speaker 2: Indeed, the follow us.
• 4:31
  Speaker 5: To have suppered together after the performance to Night, I
• 4:33
  understand the stream.
• 4:34
  Speaker 6: Well, Unfortunately I can't be there, Micraft. There's some chopid
• 4:37
  affair at the embassy which I have to attend. We
• 4:39
  must postpone the dinner until tomorrow.
• 4:41
  Speaker 5: Very well, sir, come over to my hotel.
• 4:43
  Speaker 6: A little early and we can discuss the whole business personally.
• 4:45
  I think a lot of fuss is being made about nothing. Now,
• 4:56
  if you all excuse me, gentlemen, I'm just go back
• 4:58
  and see Chazzelle for a moment and tell her that
• 5:00
  I can't keep our appointment for tonight. I'll see you tomorrow.
• 5:02
  Speaker 2: Micraft, good night, sir? Will you good night?
• 5:04
  Speaker 4: Good night? Not at all?
• 5:08
  Speaker 2: If Sally lejeans and asks you, now.
• 5:13
  Speaker 3: Holmes, what's all this mystery? That was mister Edwards? It
• 5:15
  was the Princess Watson be indiscretionable fellow.
• 5:18
  Speaker 5: Mister Edwards, as you know, is extremely democratic, too much
• 5:21
  so possibly if when one considers his position and responsibilities,
• 5:24
  he's become quite seriously involved with Mademoiselle.
• 5:27
  Speaker 2: Giuselle and their back rider who has just left the ring.
• 5:30
  Speaker 4: Ah, so that's it.
• 5:31
  Speaker 2: The far enough is quite naturally. I suppose he is
• 5:32
  deeply concerned over the matter, and.
• 5:34
  Speaker 5: I've been entrusted with the delicate mission of protecting mister Edwards.
• 5:37
  Speaker 3: Who does youse gerroon. They know that his true identitatious birth.
• 5:41
  Speaker 2: That's the first thing that we have to find out.
• 5:43
  Speaker 5: It's possible that she is simply captivated by having a
• 5:46
  rich Englishman at her feet. If, one other hand, she
• 5:49
  knows who mister Edwards is, then we may be in
• 5:52
  for a grated of trouble.
• 5:53
  Speaker 4: How are you going to find that out.
• 5:55
  Speaker 5: By tempting her with a richer Englishman and one with
• 5:58
  a title idea? Bellow, where is why you are sir
• 6:02
  William Nitel? You mean that your job OVERO is to
• 6:05
  do your utmost to steal as She's hells you're on
• 6:07
  day from mister Edwards, but don't.
• 6:10
  Speaker 4: Even know the girl.
• 6:11
  Speaker 2: It will remedy that defected a few minutes.
• 6:13
  Speaker 5: As soon as the performance is over, Maria champ i
• 6:15
  As will take you to her dressing room and arrange
• 6:17
  an introduction.
• 6:33
  Speaker 3: I must say, Homes the backstage life of the circus
• 6:36
  is even more colorful than in the ring.
• 6:38
  Speaker 4: What makes you say that?
• 6:38
  Speaker 3: Over the well, I just saw a pinhead having tea
• 6:41
  with a bearded lady while a thought swallower was standing
• 6:44
  behind him practicing his act.
• 6:46
  Speaker 2: Hello, see that man standing talking to the girl in tights?
• 6:49
  Speaker 4: Yeah? Factly, isn't you?
• 6:51
  Speaker 5: The gentleman is Inspector Berne the French police, an old
• 6:54
  friend and a distant relative of mine.
• 6:56
  Speaker 7: Darnay, how are you monsheer me come on sat.
• 7:01
  Speaker 4: On this occasion.
• 7:02
  Speaker 5: My name is Micraft taking don't mind, and this is
• 7:04
  my friend, so William Nigel.
• 7:07
  Speaker 7: Chant William, permit me to introduce Mademoiselle Yvette Mara. Are
• 7:13
  what brings you behind the scenes that the circus may
• 7:15
  ask Microft My.
• 7:17
  Speaker 5: Friend sid William is most anxious to meet the acquaintance
• 7:19
  of Maemoiselle Gerande.
• 7:20
  Speaker 8: But of course every man wishes to meet Jesus Gironde.
• 7:24
  Speaker 3: Why not ask Bierne?
• 7:26
  Speaker 7: He will present you to her in way, No, I bey,
• 7:30
  do not begin that all over again.
• 7:32
  Speaker 9: You're in love with her, You've bolways been in love
• 7:34
  with her.
• 7:35
  Speaker 7: I wish.
• 7:37
  Speaker 3: Seems sometimes I think I could kill myself, my soul inspector.
• 7:42
  Speaker 7: She's a firing little Ingir William. Many times I've told
• 7:47
  her that. She says, Jurande would never waste her time
• 7:50
  with a simple police inspector. She prefers a wealthy foreigner.
• 7:54
  But I bet come Prompta. She does not understand that.
• 7:57
  Speaker 5: She does not believe Mamazon was dressed in texperme and
• 8:00
  what does she do in the circus?
• 8:01
  Speaker 3: She walks The.
• 8:01
  Speaker 7: Title is a queen of the high wire. A charming
• 8:05
  and a talented girl. But the most most most jealous one.
• 8:08
  Speaker 2: My distinguished friend, Sir William Nigel is most anxious to meet.
• 8:11
  Speaker 4: She sells here on day?
• 8:12
  Speaker 5: Will you introduce him? I should prefer not to prepare
• 8:15
  on the matter of the stage.
• 8:16
  Speaker 7: Oh myself, then I will take you to a dressing room.
• 8:18
  Speaker 2: Please come with me, all right? Right at home, I'll
• 8:21
  be waiting for your chat.
• 8:22
  Speaker 4: Good luck.
• 8:24
  Speaker 7: Hey, you're a lucky man, Sir William. Gizelle has quite
• 8:27
  a ponson for the Englishman.
• 8:29
  Speaker 2: And when they're rich and have.
• 8:31
  Speaker 7: A title, I am sure she finds them business. Sister,
• 8:38
  I he'll the marriage that I'm only a poor policeman. Hey,
• 8:41
  here we are, Gizel, monsieur, permit me to present to you,
• 8:48
  Sir William Nigel. He is a great admirer of you.
• 8:51
  Speaker 9: Yes, madam, so William Niger gom and city offside me, William,
• 8:57
  I shall leave you a blau sit closer there, that
• 9:04
  is much more closely not.
• 9:06
  Speaker 3: It's nice you to see me, mademoiselle.
• 9:09
  Speaker 9: Oh, he's so former, my Englishman. You may call me, Giselle,
• 9:13
  and I should call you. Let me see I should
• 9:16
  call you?
• 9:17
  Speaker 4: So?
• 9:18
  Speaker 3: Will you not?
• 9:19
  Speaker 4: Really?
• 9:19
  Speaker 2: I should call you?
• 9:20
  Speaker 7: Really?
• 9:21
  Speaker 4: You do not mine mine.
• 9:23
  Speaker 3: I'm very delightful, quite delightful, my dear. I was hoping
• 9:26
  perhaps that you can have a little little summer with
• 9:29
  me tonight. So what about some some oysters, a cold pheasant,
• 9:34
  and about the two pome and greener seventy two? And
• 9:37
  you get to taste rather world? And do think?
• 9:39
  Speaker 9: Oh, Wally, I can see you?
• 9:40
  Speaker 3: How perfect more?
• 9:42
  Speaker 2: I get my clock?
• 9:43
  Speaker 4: Well, you know you said it's a funny thing.
• 9:46
  Speaker 2: What is the funny thing?
• 9:47
  Speaker 4: Really?
• 9:48
  Speaker 3: When I was eight years old I fell violently in
• 9:50
  love with a lady fairback rider of the circus. History
• 9:53
  seems to be repeating it.
• 9:56
  Speaker 4: Here, Pierry, Do you no longer knock when you come
• 10:00
  my door? Who is this a man?
• 10:01
  Speaker 3: My name is Nigel, Sir William Nigel, my good man?
• 10:04
  Speaker 4: And who may you be? I am Alfio Alfieri.
• 10:07
  Speaker 7: I am Alfio Alfieri.
• 10:09
  Speaker 4: And what is he? A trainer of wild animals?
• 10:12
  Speaker 3: Amb Here?
• 10:14
  Speaker 4: You must not speak to you that way. You belong
• 10:16
  to me. Someday, stupid englishman away found.
• 10:21
  Speaker 5: Belong to you yourself belonged to no one.
• 10:23
  Speaker 4: Do I have to take him a quick put it down,
• 10:26
  you scoundrel. That's the time. It will be your face.
• 10:30
  You will donald blackout leading your hand against the woman.
• 10:36
  Speaker 8: Monsieur has knocked him down. He certainly deserved it, and you,
• 10:41
  in turn deserves something. Really come close, really and I
• 10:47
  give it to you a little kief.
• 11:01
  Speaker 3: Will you are so strong, so sore. It was nothing
• 11:06
  but Joselle, nothing you told her.
• 11:07
  Speaker 4: Poor Champagne got.
• 11:18
  Speaker 6: Chaselle.
• 11:19
  Speaker 3: We miss edwards.
• 11:20
  Speaker 7: Have a box for the operator.
• 11:21
  Speaker 2: Moorrow mat I was hoping that past.
• 11:23
  Speaker 4: I'm sorry, but my time is occupied.
• 11:26
  Speaker 9: I am showing the delights in momok to mochell.
• 11:28
  Speaker 5: Willy Mademoiselle knew to create a fair last thank wrong
• 11:37
  who said.
• 11:39
  Speaker 8: He says which to add to a turn?
• 11:41
  Speaker 9: The five string color purse was his three string color purse.
• 11:45
  Speaker 3: What does my Willie think so that you can't hang
• 11:47
  too many pearls on a pully neck like yours.
• 11:50
  Speaker 4: I'll take a five string collar, my good fellow. You
• 11:56
  think sprindidly about some sprindid and.
• 11:58
  Speaker 3: That's what homes I foted to blasted for handing a
• 12:00
  jeweler follow check signed by Sir William Nigel.
• 12:03
  Speaker 4: You quite show it.
• 12:04
  Speaker 5: All, don't, buddy, Old Colo, Remember what time is? Money
• 12:07
  is the least importantly concern in this matter. I'm with
• 12:09
  the masquerade, old fellow. I'm with the masquerade.
• 12:16
  Speaker 4: More Champagne got on.
• 12:23
  Speaker 3: We need you ask that you hit somebody more Champagne.
• 12:35
  Speaker 5: So you do thingleaving ername as mademoiselle suron day, come
• 12:53
  into the evening performance.
• 12:54
  Speaker 7: Yet here's me germs. I escorted her to a dressing
• 12:57
  woman half an hour ago and mission edward. She's in
• 13:00
  there with her now. At last, it seems she has
• 13:04
  used for a poor policeman. Last night she found a
• 13:07
  threatening letter on her makeup table. Since then she has
• 13:10
  been most grateful for my company.
• 13:12
  Speaker 2: A threatening letter. Any idea who might have sent it?
• 13:15
  Speaker 7: Pooh, yes, of course, I'm afraid I have misurs. I
• 13:18
  told her to pay no attention. By the perfume of
• 13:21
  the notepaper, I recognize the center a jealous tightrope walker
• 13:25
  called Yvette Mara. Oh, poor Evet, she would make a
• 13:29
  very inferior criminal. I'm afraid still. Giselle asked me to
• 13:33
  stay outside the addressing room till the performance that you
• 13:36
  wish to see her.
• 13:37
  Speaker 5: Yes, Oh good evening, miss breadber evening, mycraft evening specta
• 13:40
  common seas.
• 13:42
  Speaker 6: Look here, my craft. I think this little game has
• 13:44
  gone far enough. Roselle just refilled another invitation of mine.
• 13:47
  Now I know who Sir William Nigeli is. Now I
• 13:49
  swear I'll tell her.
• 13:50
  Speaker 2: Don't you think so?
• 13:51
  Speaker 4: That the lady is hardly worth bothering about?
• 13:53
  Speaker 5: Surely this whole incident with Sir William proves that she's
• 13:56
  a scheming little adventuress. A fictitious title and apparently bottomless
• 14:00
  purse have shown her up and her two colors.
• 14:02
  Speaker 7: I could have told you the same thing without such
• 14:04
  an experiment, my friends, Well, last person.
• 14:06
  Speaker 6: Write Micraft, I've been a fool an idiot. Well that's
• 14:09
  a pretty ankle. Turned his head a conceited.
• 14:11
  Speaker 7: Don't head letters just say, monsieur, that you have been
• 14:15
  a man.
• 14:16
  Speaker 4: Who do you think so?
• 14:17
  Speaker 5: To believe it?
• 14:18
  Speaker 3: Just going back to see yourself for a moment. I
• 14:20
  promise these flowers for her.
• 14:22
  Speaker 2: I'll be back in a job for just a minute.
• 14:23
  Speaker 4: Watson. I I hate to dampen your other old chap,
• 14:28
  but the.
• 14:28
  Speaker 2: Masquerade is ended.
• 14:29
  Speaker 6: And then what do you mean it is no longer
• 14:31
  necessary for you to impersonate Sir William Nigel or to
• 14:35
  pay court to yourself.
• 14:36
  Speaker 3: Oh really, really well, absolutely great relief, so great belief.
• 14:41
  I hate the whole visits.
• 14:42
  Speaker 2: Oh yes, yes, I'm sure you have.
• 14:44
  Speaker 4: We appreciate the sacrifices that you've made, can't be sure?
• 14:47
  Speaker 3: Yes, yes, indeed, well I must go back and see
• 14:50
  her once more. Though we had a ronivou for tonight,
• 14:52
  and I must canceled a jump any thing to do?
• 14:54
  Speaker 4: You know, I would be eminem.
• 14:58
  Speaker 7: Never have I seen a man more done cast obviously
• 15:01
  with him by the arms business was a pleasure, I Fary,
• 15:05
  why are you going?
• 15:06
  Speaker 4: Not the Englishman? I just saw him go into she
• 15:09
  SAIDs the.
• 15:09
  Speaker 5: Room whom you referring at the man that called himself
• 15:11
  Sir William and Nigel two days ago?
• 15:14
  Speaker 4: He strikes me. I have to settle with him. No
• 15:16
  man may strike a fiery do.
• 15:18
  Speaker 7: Not cause any more trouble. Fary, on what I've been told,
• 15:22
  you thoroughly deserved.
• 15:23
  Speaker 4: What happened to you?
• 15:24
  Speaker 1: Here? He come?
• 15:24
  Speaker 7: Now?
• 15:25
  Speaker 4: You English? You, I'll fear he changed you to homes.
• 15:29
  Speaker 6: How is it there as spice as a ghost, it's
• 15:32
  it's you hell, what's song?
• 15:34
  Speaker 4: She's dead.
• 15:35
  Speaker 3: She's lying down in a dressing room, strangle.
• 15:37
  Speaker 7: Strangled, and only half an hour ago I spoke with
• 15:41
  her myself. Since then, I've been standing in this corridor
• 15:45
  guarding your door at your own request. Only two men
• 15:49
  have vented Detail's dressing room since then, you, miss you Edwards,
• 15:54
  and you, Sir William Nigel.
• 15:55
  Speaker 4: What are you suggesting by?
• 15:57
  Speaker 7: I am suggesting nothing. I am stating that these two
• 16:00
  gentlemen aren't arrest for suspicion of murder.
• 16:12
  Speaker 1: Doctor Watson's unusual story will continue in just a few
• 16:15
  seconds time. I'd like to take to remind you that
• 16:18
  one wine that seems to be the outstanding favorite among
• 16:21
  the ladies is Petrie California muscatell. That's probably because, like
• 16:26
  a beautiful woman, Petrie Muscatel is subtle and intriguing. Petrie
• 16:31
  muscatel is the color of burnished gold, and it's flavor, well,
• 16:36
  it's the flavor of big, plump muscat grapes picked by hand,
• 16:40
  carefully and tenderly, and they're just full of wonderful, delicious juice.
• 16:45
  Speaker 4: If you want to show that you really know the.
• 16:47
  Speaker 1: Wine that women prefer serve, Petrie muscatell serve it out
• 16:51
  to dinner or later in the evening. It's wonderful, and
• 16:54
  why shouldn't it be. It's a petri wine. Well, doctor Watson.
• 16:59
  Speaker 4: So you and the.
• 17:00
  Speaker 1: Mysterious mister Edwards got yourselves arrested on suspicion of murder.
• 17:04
  Speaker 3: Yes, it's about her, Holmes did everything is part of
• 17:06
  a straight Inspector Verney to release this, but it was useless.
• 17:09
  And so while mister Edwards and myself were languishing in
• 17:12
  detention cells, the local surtey Holmes and the French inspector
• 17:17
  were examining the dressing room of the dead woman.
• 17:21
  Speaker 5: I'm sure, Inspector Aimee, that being as keen a detective
• 17:24
  as you are, you must suspect the two identity mister
• 17:26
  Edwards and of.
• 17:27
  Speaker 7: Course martial arms. But that is the danger of incognitos.
• 17:32
  If he chooses to assume the identity of blame Michie Edwards,
• 17:35
  then he must on the lisks of blame.
• 17:37
  Speaker 5: And you are convinced that either he or my friends
• 17:38
  strangled Mademoiselle's seronde of you, and I'll have to prove
• 17:41
  to you that they didn't let me examine the body again.
• 17:44
  You know, if she had been strangled by either of
• 17:48
  my friends, why would her body be lying here under
• 17:50
  the window.
• 17:51
  Speaker 2: It's just fun away from the door.
• 17:52
  Speaker 5: By which they left this room as possible.
• 17:54
  Speaker 3: That was nothing.
• 17:55
  Speaker 7: No, but it's odd, he said, was a strong girl. Well,
• 17:59
  they might easily have been a struggle. Perhaps she tried
• 18:02
  to get away through the window.
• 18:03
  Speaker 5: And yet there are no marks of violence on her throat.
• 18:06
  Just this piece of very fine cord that did its
• 18:08
  deadly work. So Cleenney cut for the night.
• 18:12
  Speaker 2: Please do not.
• 18:12
  Speaker 7: Remove the cordners your rooms. The body has not yet
• 18:15
  me photography.
• 18:16
  Speaker 4: You're very hard for me, aren't you. You notice, of
• 18:18
  course that the window is open.
• 18:20
  Speaker 7: Yes, but we have examined the snow outside. There were
• 18:23
  no footprints within three years of the window. The murderer
• 18:27
  must have entered by the door that I was watching.
• 18:29
  Speaker 5: Yes, it would be hard him, a professional acrobat to
• 18:33
  jump in a acrobat there me, your young friend Mademoiselle
• 18:37
  ybit my eyes a tight brope walker vet.
• 18:40
  Speaker 4: But yes, she's certainly out about it.
• 18:42
  Speaker 5: She even sent a threatening letter. I heard her express
• 18:44
  hatred and jealousy for this dead woman.
• 18:46
  Speaker 2: It's conceivable that.
• 18:47
  Speaker 5: She could enter a room by a window without leaving footprints,
• 18:51
  and the snow were washed at the time.
• 18:53
  Speaker 4: Of the murder, I do not know.
• 18:55
  Speaker 7: I was waiting for her in the corridor, and.
• 18:56
  Speaker 5: I suggested we investigate her alibi at once, and after that,
• 18:59
  Inspector I must pay a visit to the Sulte. I
• 19:01
  don't want my friends to think that I've deserted them.
• 19:16
  Excuse me, sir, Yes, Holmes, and I paid.
• 19:18
  Speaker 2: It looks rather black, as I was telling you, if
• 19:21
  that Mara.
• 19:21
  Speaker 5: The tightrope walker was able to establish completely satisfactory alibi,
• 19:25
  then may still suspect you or dr Watch?
• 19:28
  Speaker 7: Well, that's ridiculous.
• 19:30
  Speaker 2: May I ask you a very straightforward question, sir?
• 19:32
  Speaker 5: Of course, I can well understand that if you had
• 19:34
  gone into the dressing room and found the woman already murdered,
• 19:36
  you might easily be tempted to conceal the fact to
• 19:39
  avoid a scandal involving your person. Will you swear to me, sir,
• 19:42
  on your true identity, that she is always alive when
• 19:45
  you left her she was, Holmes, I swear it, Thank you, sir.
• 19:48
  Speaker 4: That's all I wanted to know.
• 20:00
  Speaker 3: Oh, I'm glad to see you. You know, I've been
• 20:02
  thinking all this depends on Vernet's evidence. But supposing he
• 20:06
  was a murderer, he told us that Gisell had turned
• 20:09
  him down.
• 20:10
  Speaker 5: You know, I thought of that, But mister Edwards swears
• 20:12
  that Gazelle was alive when he left the room.
• 20:15
  Speaker 2: And yet that means that mister Edward, Oh no, no, no, no,
• 20:19
  it's unthinkable.
• 20:21
  Speaker 3: You're not suggest Holmes. If I thought that that were possible,
• 20:24
  I confessed to the murder myself. My life wouldn't matter
• 20:26
  if it did save it's cattle like that great Scott
• 20:29
  it it had shatter the empire.
• 20:30
  Speaker 5: Dear old Watson, yours will not sacrifice yourself. You're as
• 20:35
  valuable a British institution as the line himself. No, my
• 20:37
  dear fellow, which will never sacrifice you, not while my
• 20:40
  mind is still capable of my mind.
• 20:43
  Speaker 4: That's it. Thank you Watson. You've given me the answer, Holmes,
• 20:47
  what are you verbalation offello?
• 20:48
  Speaker 5: In half an hour you'll be out of this cell
• 20:50
  and the real murderer will be in it.
• 21:01
  Speaker 4: Questions questions?
• 21:03
  Speaker 5: Why Mustyle Fiery answer so many questions because you will
• 21:06
  not tell the truth.
• 21:07
  Speaker 4: You murdered Gesels your on day? How many times I
• 21:10
  have to tell you I did not kill her.
• 21:11
  Speaker 5: Why should I want to armor because you were jealous,
• 21:14
  because she humiliated and tormented you.
• 21:16
  Speaker 4: But I was not in a lasting room.
• 21:18
  Speaker 2: I have already proved that fact.
• 21:19
  Speaker 4: How am I amagiction that I can kill somebody without
• 21:21
  entering a room?
• 21:21
  Speaker 5: And Gerry, I know how you killed Gieselson day without
• 21:25
  its necessitating your entering this room.
• 21:26
  Speaker 4: And you're a smart man. Please do tell me.
• 21:29
  Speaker 5: I don't need to tell you. With the aid of Verne,
• 21:31
  I'll show you open the window, Alfieri, what game is this?
• 21:34
  And well then I'll open the window myself. Put your
• 21:37
  head out.
• 21:38
  Speaker 4: Come on. So who do you see?
• 21:41
  Speaker 5: The inspect of ernestanding three yards away where you stood,
• 21:43
  and he's got your long training web.
• 21:46
  Speaker 4: Don't know stand there?
• 21:47
  Speaker 5: The inspector hasn't your skill with a whip, but he
• 21:50
  wants to try a little experiment.
• 21:53
  Speaker 4: Holding empire.
• 22:11
  Speaker 3: Well, mister, I am in well, sir, this is a
• 22:14
  present change from a prison zone, and it certainly is.
• 22:18
  Speaker 6: Holmes, I can't tell you how greatful I am. I
• 22:20
  still don't quite understand how you did it.
• 22:22
  Speaker 5: Watson in rather a round about waivers responsible for giving
• 22:26
  me the clue?
• 22:27
  Speaker 4: Well on more than one occasional chap.
• 22:29
  Speaker 5: I've had cause to deploy a rather florid style of
• 22:32
  writing tonight.
• 22:34
  Speaker 2: I was very thankful for it.
• 22:36
  Speaker 5: When I began to speak of the capabilities of my mind,
• 22:39
  suddenly I remember the phrase of yours which you referred to.
• 22:42
  It's whipped like rapidity and accuracy. That of course made
• 22:46
  me think about Pierry the animal trainer. Exactly how did
• 22:49
  he kill the poor Welza. He stood outside the window,
• 22:53
  far enough away to leave no incriminating footprints, called touchisel
• 22:57
  probably persuaded Adelina, then snapped the whip around her neck,
• 23:00
  pulling it tight and strangling out.
• 23:02
  Speaker 3: And then I suppose he cut the cord and let
• 23:03
  the body fall back into the room.
• 23:05
  Speaker 4: This nicely old fellow.
• 23:06
  Speaker 5: We found a whip stock among his tackle and whipstock
• 23:09
  from which the lash had been cut. The stubber flash
• 23:13
  left matched the cord around the dead girl's throat.
• 23:15
  Speaker 2: Amazing business.
• 23:17
  Speaker 6: And I don't mind telling you, fellas, I'm very thankful
• 23:20
  to be through with it, so much.
• 23:21
  Speaker 3: So, in fact, I wouldn't be all surprised of this
• 23:23
  whole instant cures me of my love of circuses.
• 23:26
  Speaker 6: Oh, I didn't know you had a predilection in that direction.
• 23:28
  Speaker 2: Oh yes, sir, yes, you don't mind my sayo.
• 23:31
  Speaker 5: When he was eight years old, he fell in love
• 23:33
  with a lady bare back rider.
• 23:35
  Speaker 4: Didn't you want to speak?
• 23:36
  Speaker 3: Indeed, what happened Wilsa? I don't remember her name, but
• 23:40
  she wore pixel tights with golden sequins on them, and
• 23:44
  I wrote her a rather hot headed lequer. I watched
• 23:48
  it