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Hamlet - William Shakespeare · Timeless Tales - Explore Classic Fiction

• 0:00
  Speaker 1: The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.
• 0:05
  Speaker 1: Dramatis Persone, Ghost of Hamlet, the Late King of Denmark
• 0:11
  Speaker 1: read by Dolohoff. King Claudius his Brother read by Michael
• 0:16
  Speaker 1: Surroa Queen Gertrude of Denmark Widow of King Hamlet now
• 0:21
  Speaker 1: wife of Claudius, read by Elisabeth Klett. Prince Hamlet, son
• 0:26
  Speaker 1: of King Hamlet and Queen Gertrude read by John Gonzalez.
• 0:30
  Speaker 1: Polonius a Lord read by Andy Minter. Laertes, son of Polonius,
• 0:36
  Speaker 1: read by Denny Sayers. Ophelia, Daughter of Polonius, read by
• 0:41
  Speaker 1: Kristin Hughes. Rainaldo, Servant of Polonius, read by Thomas Wells. Horatio,
• 0:48
  Speaker 1: Friend of Hamlet read by David Nicol Rosencrantz Friend of
• 0:52
  Speaker 1: Hamlet read by Cara Shallenberg Guildensterne Friend of Hamlet read
• 0:58
  Speaker 1: by Karen Savage. Francisco a Soldier read by Andrew le Brunn.
• 1:04
  Speaker 1: Bernardo a Soldier read by David O'Connell. Marcellus a Soldier
• 1:10
  Speaker 1: read by Jordan Mueller. Voldemond a Courtier read by Thomas Wells.
• 1:16
  Speaker 1: Osrick a Courtier read by Alex A Gentleman read by
• 1:21
  Speaker 1: David Jacquey. Another Gentleman read by M. B. Clown. One
• 1:27
  Speaker 1: Gravedigger read by Brennan Holtzklaw Clown two Gravedigger read by
• 1:33
  Speaker 1: Christy Noak. A Priest read by Kevin o'coyne. Fortenbross, Prince
• 1:39
  Speaker 1: of Norway read by M. B. A Captain in his
• 1:43
  Speaker 1: Army read by Andrew le Brunn. English Ambassador read by
• 1:48
  Speaker 1: Andrew le Brunn. First Player read by Rosalind Wills. Player
• 1:54
  Speaker 1: King read by Denny Sayers. Player Queen read by Kirsten Ferrari.
• 1:59
  Speaker 1: Play Mary Lucianus read by Alex. Group of Dames read
• 2:04
  Speaker 1: by David O'Connell. A Lord read by Laurent T. A
• 2:09
  Speaker 1: Servant read by Christine Oak And the stage directions read
• 2:14
  Speaker 1: by Rosalind Wills. End of Dramatis persone.
• 2:19
  Speaker 2: Act one, seem one elsinore a platform before the castle.
• 2:24
  Speaker 2: Francisco at his post. Enter to him, Bernardo, who's there?
• 2:29
  Speaker 3: Nay?
• 2:30
  Speaker 4: Ands me stand and unfold yourself.
• 2:33
  Speaker 3: Long live the King, Bernardo.
• 2:36
  Speaker 4: He you come most carefully upon your hour.
• 2:39
  Speaker 5: Tis now struck twelve. Get thee to bed.
• 2:41
  Speaker 4: Francisco for this relief, much thanks, tis bitter cold, and
• 2:46
  Speaker 4: I am sick at heart.
• 2:47
  Speaker 5: Have you had quiet guard?
• 2:50
  Speaker 4: Not a mouse stirring?
• 2:52
  Speaker 6: Well?
• 2:52
  Speaker 5: Good night? If you do meet Horatio and Marcellus the
• 2:55
  Speaker 5: rifles of my watch, bid them make haste.
• 2:58
  Speaker 4: I think I hear them stand Ho, who's there?
• 3:02
  Speaker 2: Enter Horatio and Marcellus, friends.
• 3:05
  Speaker 6: To this ground, and liegemen to the dane.
• 3:08
  Speaker 4: Give you good knight.
• 3:10
  Speaker 6: Oh, farewell, honest soldier who hath relieved you?
• 3:14
  Speaker 4: Bernardo has my place, Give you good night.
• 3:17
  Speaker 6: Exit Francisco Halla, Bernardo, say what is Horatio there?
• 3:24
  Speaker 7: A piece of him?
• 3:25
  Speaker 5: Welcome Horatio, Welcome, good Marcellus.
• 3:28
  Speaker 6: What has this thing appeared again to night? I have
• 3:32
  Speaker 6: seen nothing, Horatio says, tis but our fantasy, and will
• 3:36
  Speaker 6: not let belief take hold of him touching this dreaded
• 3:39
  Speaker 6: sight twice seen of us. Therefore, I have entreated him
• 3:42
  Speaker 6: along with us, to watch the minutes of this night,
• 3:45
  Speaker 6: that if again this apparition come, he may approve our
• 3:48
  Speaker 6: eyes and speak to it.
• 3:49
  Speaker 7: Tush, tush, twill not appear.
• 3:53
  Speaker 5: Sit down, awhile, and let us once again assail your
• 3:55
  Speaker 5: ears that are so fortified against our story. But we
• 3:58
  Speaker 5: two knights have seen well.
• 4:00
  Speaker 7: Sit we down and let us. Hear Bernardos speak of.
• 4:04
  Speaker 5: This last night of all when Yon same star that's
• 4:08
  Speaker 5: worstward from the pole had made his course to illume
• 4:11
  Speaker 5: that part of heaven where now it burns Marcellus and myself.
• 4:15
  Speaker 5: The bell then beating one, Enter ghost.
• 4:18
  Speaker 6: Peace, break thee off Look where it comes again.
• 4:22
  Speaker 5: In the same figure, like the king that's dead.
• 4:25
  Speaker 6: Thou art a scholar? Speak to it? Horatio?
• 4:28
  Speaker 5: Looks it not like the king?
• 4:30
  Speaker 7: Mark it, Horatio, most like it harrows me with fear
• 4:34
  Speaker 7: and wonder.
• 4:35
  Speaker 8: It would be spoke to question it?
• 4:38
  Speaker 7: Horatio, What art thou that usurp'st this time of night,
• 4:43
  Speaker 7: together with that fair and warlike form in which the
• 4:45
  Speaker 7: Majesty of Buried Denmark did sometimes march by Heaven. I
• 4:50
  Speaker 7: charge thee.
• 4:51
  Speaker 8: Speak it is offended, See it stalks away, stay speak speak,
• 4:59
  Speaker 8: I charge thee speak Exit.
• 5:01
  Speaker 6: Ghost tis gone and will not answer.
• 5:05
  Speaker 5: How now, Horatio, you tremble and look pale? Is not
• 5:09
  Speaker 5: this something northern fantasy? What think you on it?
• 5:13
  Speaker 7: Before? My God? I might not this believe without the
• 5:17
  Speaker 7: sensible and true vouch of mine own eyes?
• 5:20
  Speaker 6: Is it not like the king?
• 5:22
  Speaker 7: As thou art to thyself? Such was the very armor
• 5:26
  Speaker 7: he had on when he the ambitious Norway combated, so
• 5:30
  Speaker 7: frowned he once, when in an angry parle he smote
• 5:33
  Speaker 7: the sleddid polax on the ice? Tis strange thus twice
• 5:39
  Speaker 7: before and jump at this dead hour with martial stock.
• 5:42
  Speaker 7: Hath he gone by our watch in what particular thought
• 5:46
  Speaker 7: to work? I know not, But in the gross and
• 5:50
  Speaker 7: scope of my opinion this bodes Psalm's strange eruption to
• 5:56
  Speaker 7: our state.
• 5:57
  Speaker 6: Good Now, sit down and tell me he knows why
• 6:01
  Speaker 6: this same strict and most observant watch so nightly toils
• 6:04
  Speaker 6: the subject of the land. And why such daily cast
• 6:07
  Speaker 6: of brazen cannon and foreign marked for implements of war.
• 6:12
  Speaker 6: Why such impressive shipwrights, whose sore task does not divide
• 6:15
  Speaker 6: the Sunday from the week. What might be toward that
• 6:19
  Speaker 6: this sweaty haste doth make the night joint laborer with
• 6:23
  Speaker 6: the day. Who is it that can inform me?
• 6:27
  Speaker 7: That can I at least the whisper goes so? Our
• 6:32
  Speaker 7: last king, whose image even but now appeared to us, was,
• 6:38
  Speaker 7: as you know, by Fortimbras of Norway, thereto pricked on
• 6:42
  Speaker 7: by a most eminent pride, dared to the combat in
• 6:46
  Speaker 7: which our valiant Hamlet, for so this side of the
• 6:49
  Speaker 7: known world esteemed him, did slay this fort Embras, who,
• 6:54
  Speaker 7: by a sealed compact well ratified by law and heraldry,
• 6:58
  Speaker 7: did forfeit with his life all those his lands which
• 7:01
  Speaker 7: he stood seized of to the conqueror, against the which
• 7:06
  Speaker 7: a moiety competent was gauged by our king, which had
• 7:09
  Speaker 7: returned to the inheritance of Fortimbrass, had he been vanquisher,
• 7:13
  Speaker 7: as by the same covenant and carriage of the article
• 7:16
  Speaker 7: designed his fell the hamlet, now, sir, young Fortembrass, of
• 7:23
  Speaker 7: unimproved metal, hot and full have in the skirts of Norway.
• 7:28
  Speaker 7: Here and there sharked up a list of lawless resolutes
• 7:31
  Speaker 7: for food and diet to some enterprise that has a
• 7:34
  Speaker 7: stomach in it, which is no other, as it does
• 7:37
  Speaker 7: well appear under our estate, but to recover of us
• 7:41
  Speaker 7: by strong hand and terms compulsatory those foresaid Lambs so
• 7:46
  Speaker 7: by his father lost. And this I take it is
• 7:50
  Speaker 7: the main motive of our preparations, the source of this
• 7:53
  Speaker 7: our watch, and the chief head of this post haste
• 7:57
  Speaker 7: and roumage in the land.
• 7:59
  Speaker 5: I think it be no other but e'en. So while
• 8:02
  Speaker 5: may it sort that this portentous figure comes armed through
• 8:05
  Speaker 5: our watch, so like the king that was, and is
• 8:08
  Speaker 5: the question of these wars.
• 8:10
  Speaker 7: A mote it is to trouble the mind's eye. In
• 8:15
  Speaker 7: the most high and palmy state of Rome, a little air,
• 8:19
  Speaker 7: the mightiest Julius fell, the graves stood tenantless, and the
• 8:25
  Speaker 7: sheeted dead did squeak and gibber in the Roman streets,
• 8:30
  Speaker 7: as stars with trains of fire and jews of blood,
• 8:34
  Speaker 7: disasters in the sun, and the moist star upon whose
• 8:38
  Speaker 7: influence Neptune's empire stands, was sick almost to doomsday, with
• 8:42
  Speaker 7: eclipse and even the like precurse of fierce events as
• 8:47
  Speaker 7: harbingers proceeding still the fates and prolog to the omen
• 8:50
  Speaker 7: coming on, have Heaven and Earth together demonstrated unto our
• 8:54
  Speaker 7: climaches and countrymen. But soft behold lo where it comes again,
• 9:00
  Speaker 7: re enter ghost, I'll cross it, though it blast me,
• 9:05
  Speaker 7: stay illusion. If thou hast any sound or use of voice,
• 9:10
  Speaker 7: speak to me, if there be any good thing to
• 9:13
  Speaker 7: be done that may to thee do ease and grace
• 9:15
  Speaker 7: to me.
• 9:16
  Speaker 2: Speak to me, carck crows.
• 9:20
  Speaker 7: If thou art privy to thy country's fate, which happily,
• 9:23
  Speaker 7: for knowing may avoid. Oh, speak, or if thou hast
• 9:28
  Speaker 7: uphoarded in thy life extorted treasure in the womb of earth,
• 9:31
  Speaker 7: for which they say you spirits oft walk in death,
• 9:36
  Speaker 7: speak of it, stay and speak stop it, Marcellus.
• 9:41
  Speaker 6: Shall I strike at it with my partisan do.
• 9:44
  Speaker 7: If it will not stand tis here tis, here tis gone,
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  Speaker 7: exit ghost.
• 9:51
  Speaker 6: We do it wrong, being so majestical to offer it
• 9:54
  Speaker 6: the show of violence, for it is as the air invulnerable,
• 9:59
  Speaker 6: and our vein will malicious mockery.
• 10:02
  Speaker 5: It was about to speak when the cock crew, and.
• 10:04
  Speaker 7: Then it started, like a guilty thing upon a fearful summons.
• 10:09
  Speaker 7: I have heard the cock, that is the trumpet to
• 10:12
  Speaker 7: the morn doth with his lofty and shrill sounding throat,
• 10:17
  Speaker 7: awake the God of day, and at his warning, whether
• 10:21
  Speaker 7: in sea or fire, in earth or air, the extravagant
• 10:25
  Speaker 7: and erring spirit hies to his confine and of the truth.
• 10:30
  Speaker 7: Herein this present object made probation.
• 10:33
  Speaker 6: It faded on the crowing of the cock. Some say
• 10:36
  Speaker 6: that everginst that season comes wherein our Saviour's birth is celebrated,
• 10:41
  Speaker 6: the bird of dawning singeth all night long, And then
• 10:44
  Speaker 6: they say, no spirit dare stir abroad, the nights are wholesome.
• 10:50
  Speaker 6: Then no planets strike, no fairy takes, nor which hath
• 10:54
  Speaker 6: power to charm. So hallowed and so gracious is that time.
• 10:58
  Speaker 7: So I have heard, and do in part believe it.
• 11:02
  Speaker 7: But look the morn in russet mantle clad walks o'er
• 11:07
  Speaker 7: the dew of yon high eastward hill break we our
• 11:11
  Speaker 7: watch up, and by my advice, let us impart what
• 11:15
  Speaker 7: we have seen to night unto young Hamlet, For upon
• 11:19
  Speaker 7: my life this spirit dumb to us will speak to him.
• 11:23
  Speaker 7: Do you consent? We shall acquaint him with it as
• 11:26
  Speaker 7: needful in our loves, fitting our duty.
• 11:29
  Speaker 6: But do it, I pray, And I this morning know
• 11:32
  Speaker 6: where we shall find him most conveniently.
• 11:35
  Speaker 2: Extant scene too, a room of state in the castle
• 11:41
  Speaker 2: enter King Claudius, Queen Gertrude, Hamlet, Polonius, Laertes, Voldemann, Cornelius,
• 11:47
  Speaker 2: lords and attendants.
• 11:50
  Speaker 9: Though yet of Hamlet, our dear brother's death, the memory
• 11:53
  Speaker 9: be green, and let it us be fitted to bear
• 11:55
  Speaker 9: our hearts in grief, and our whole kingdom to be
• 11:58
  Speaker 9: contracted in one brow of woe. Yet so far hath
• 12:02
  Speaker 9: discretion fought with nature, that we, with wisest sorrow think
• 12:05
  Speaker 9: on him together with remembrance of ourselves. Therefore, our sometimes sister,
• 12:11
  Speaker 9: now our Queen, the imperial jointerss to this warlike state,
• 12:15
  Speaker 9: have we as twere with a defeated joy, with an
• 12:18
  Speaker 9: auspicious and a dropping eye, with mirth and funeral, and
• 12:22
  Speaker 9: with dirge in marriage an equal scale weighing delight and
• 12:26
  Speaker 9: dule taken to wife. Nor have we herein barred your
• 12:31
  Speaker 9: better wisdoms, which have freely gone with this affair along
• 12:35
  Speaker 9: for all our thanks now follows that you know, young Fortinbrass,
• 12:41
  Speaker 9: holding a weak's supposal of our worth, or thinking by
• 12:44
  Speaker 9: our late dear brother's death our state to be disjointed
• 12:47
  Speaker 9: out of frame, colleagued with the dream of his advantage.
• 12:50
  Speaker 9: He hath not failed to pester us with message importing
• 12:53
  Speaker 9: the surrender of those lands lost by his father, with
• 12:57
  Speaker 9: all bonds of law to our most valiant brother. So
• 13:01
  Speaker 9: much for him, now for ourselves, and for this time
• 13:04
  Speaker 9: of meeting. This much the business is we have here
• 13:07
  Speaker 9: writ to Norway, uncle of young Fortinbras, who impotent in bedrid,
• 13:11
  Speaker 9: scarcely hears of this his nephew's purpose to suppress his
• 13:15
  Speaker 9: further gait herein in that the levies, the lists, and
• 13:18
  Speaker 9: full proportions are all made out of his subject. And
• 13:21
  Speaker 9: we here despatch you good Cornelius, and you Voldemont, for
• 13:26
  Speaker 9: bearers of this greeting to old Norway, giving to you
• 13:29
  Speaker 9: no further personal power to business with the King more
• 13:32
  Speaker 9: than the scope of these dilated articles. Allow farewell, and
• 13:36
  Speaker 9: let your haste command your duty.
• 13:39
  Speaker 6: In that and all things we show our duty, We
• 13:44
  Speaker 6: doubt it nothing heartily.
• 13:45
  Speaker 2: Farewell exeunt Voltemont and Cornelius.
• 13:50
  Speaker 9: And now Laertes, what's the news with you? You told
• 13:54
  Speaker 9: us of some suit? What is t Laertes? You cannot
• 13:57
  Speaker 9: speak of reason to the Dane and loose your voice?
• 14:01
  Speaker 9: What wouldst thou bear, Laertes? That shall not be my offer,
• 14:05
  Speaker 9: not thy asking? The head is not more native to
• 14:08
  Speaker 9: the heart, a hand more instrumental to the mouth than
• 14:11
  Speaker 9: is the throne of Denmark to thy father? What wouldst
• 14:14
  Speaker 9: thou have.
• 14:15
  Speaker 10: Laertes, your leave and favor to return to France from whence?
• 14:21
  Speaker 10: Though willingly I came to Denmark to show my duty
• 14:25
  Speaker 10: in your coronation, Yet now I must confess that duty done.
• 14:31
  Speaker 10: My thoughts and wishes, bend again toward France, and bow
• 14:37
  Speaker 10: them to your gracious leave and pardon.
• 14:41
  Speaker 9: Have you your father's leave?
• 14:42
  Speaker 11: What says Polonius, He hath my lord wrung from me
• 14:47
  Speaker 11: my slow leave by laboursome perdition, and at last upon
• 14:52
  Speaker 11: his will I sealed my heart consent. I do beseech
• 14:56
  Speaker 11: you to give him leave to go.
• 14:59
  Speaker 9: Take thy fair eyes, our laities. Time be thine, and
• 15:02
  Speaker 9: thy best grace is spend it at thy will. But
• 15:05
  Speaker 9: now my cousin Hamlet and my son.
• 15:08
  Speaker 3: Aside a little more than kin and less than kind?
• 15:13
  Speaker 9: How is it that the clouds still hang on you?
• 15:16
  Speaker 3: Not so, my lord, I am too much in the sun.
• 15:21
  Speaker 12: Good Hamlet, cast thy knighted color off, and let thine
• 15:25
  Speaker 12: eye look like a friend on Denmark. Do not, forever,
• 15:29
  Speaker 12: with thy valid lives seek for thy noble father in
• 15:32
  Speaker 12: the dust. Thou knowest is common all that lives must die,
• 15:38
  Speaker 12: passing through nature to eternity.
• 15:41
  Speaker 3: Ay, madam, it is common?
• 15:44
  Speaker 7: If it be?
• 15:45
  Speaker 12: Why seems it so particular with.
• 15:47
  Speaker 3: Thee seems, madam? Nay it is I know not seems
• 15:56
  Speaker 3: tis not alone my inky cloak, good mother, nor customary
• 16:00
  Speaker 3: suits of solemn black, no windy suspiration of forced breath, No,
• 16:07
  Speaker 3: nor the fruitful river in the eye, nor the dejectedhavior
• 16:11
  Speaker 3: of the visage, together with all forms, moods, shapes of
• 16:17
  Speaker 3: grief that can denote me. Truly, these indeed seem, for
• 16:22
  Speaker 3: they are actions that a man might play. But I
• 16:27
  Speaker 3: have that within which passeth show these. But the trappings
• 16:33
  Speaker 3: and the suits of woe.
• 16:37
  Speaker 9: Tis sweet and commendable in your nature. Hamlet to give
• 16:39
  Speaker 9: these morning duties to your father. But you must know
• 16:43
  Speaker 9: your father lost a father, that father lost lost his
• 16:47
  Speaker 9: and the survivor bound in filial obligation for some term
• 16:50
  Speaker 9: to do obsequious sorrow, but to persever in obstinate condolement
• 16:54
  Speaker 9: is a course of impious stubbornness, tis unmanly grief. It
• 16:58
  Speaker 9: shows a will most in correct to heaven, a heart unfortified,
• 17:02
  Speaker 9: a mind impatient, an understanding simple and unschooled. For what
• 17:07
  Speaker 9: we know must be, and is as common as any,
• 17:10
  Speaker 9: the most vulgar thing to sense. Why should we, in
• 17:13
  Speaker 9: our peevish opposition, take it to heart. Fie tis a
• 17:18
  Speaker 9: fault to heaven, a fault against the dead, a fault
• 17:21
  Speaker 9: to nature, to reason most absurd, whose common theme is
• 17:25
  Speaker 9: death of fathers, than who still hath cried from the
• 17:28
  Speaker 9: first course till he that died to day. This must
• 17:31
  Speaker 9: be so. We pray you throw to earth this unprevailing woe,
• 17:35
  Speaker 9: and think of us as of a father. For let
• 17:38
  Speaker 9: the world take note. You are the most immediate to
• 17:41
  Speaker 9: our throne, and with no less nobility of love than
• 17:45
  Speaker 9: that which dearest father bears his son. Do I impart
• 17:48
  Speaker 9: toward you for your intent in going back to school
• 17:51
  Speaker 9: in Wittenberg. It is most retrograde to our desire, and
• 17:55
  Speaker 9: we beseech you, bend you to remain here in the
• 17:58
  Speaker 9: cheer and comfort of our eyes, our chiefest courtier, cousin,
• 18:02
  Speaker 9: and our son.
• 18:04
  Speaker 12: Let not thy mother lose her prayers. Hamlet, I pray
• 18:08
  Speaker 12: thee stay with us, go not to Wittenberg.
• 18:12
  Speaker 3: I shall, in all my best obey you, Madam White.
• 18:17
  Speaker 9: Is a loving and a fair reply, be as ourself
• 18:21
  Speaker 9: in Denmark. Madam, come this gentle and unforced accord of
• 18:26
  Speaker 9: Hamlet sits smiling to my heart in grace. Whereof no
• 18:29
  Speaker 9: jocunt health that Denmark drinks to day. But the great
• 18:32
  Speaker 9: cannon to the cloud shall tell, and the kings rouse
• 18:35
  Speaker 9: the heavens all brew it again re speaking earthly thunder, come.
• 18:39
  Speaker 3: Away excellent all but hamlet, Oh, that this too, too
• 18:46
  Speaker 3: solid flesh would melt, thaw and resolve itself into a dew.
• 18:53
  Speaker 3: Or that the Everlasting had not fixed his canon gainst
• 18:56
  Speaker 3: self slaughter, Oh God, God, how weary, stale, flat and
• 19:05
  Speaker 3: unprofitable seemed to me all the uses of this world
• 19:11
  Speaker 3: fi hunt well, Fi tis an unweeded garden that grows
• 19:19
  Speaker 3: to seed things rank and gross in nature. Possess it
• 19:26
  Speaker 3: merely that it should come to this, but two months dead. Nay,
• 19:35
  Speaker 3: not so much, not too so excellent. A king that
• 19:41
  Speaker 3: was to this hyperion, to a satter, so loving to
• 19:47
  Speaker 3: my mother, that he might not be teem the winds
• 19:51
  Speaker 3: of heaven visit her face too roughly, Ah, Heaven and Earth,
• 19:57
  Speaker 3: must I remember why she would hang on him, as
• 20:03
  Speaker 3: if increase of appetite had grown by what it fed on.
• 20:09
  Speaker 3: And yet within a month, let me not think on't
• 20:16
  Speaker 3: frailty thy name is woman? A little month? Oo? Or
• 20:24
  Speaker 3: ere those shoes were old with which she followed my
• 20:29
  Speaker 3: poor father's body like niobe all tears. Why she had
• 20:35
  Speaker 3: even she? Oh God, a beast that once discourse of
• 20:43
  Speaker 3: reason would have mourned longer. Married with my uncle, my
• 20:51
  Speaker 3: father's brother, but no more like my father than I
• 20:57
  Speaker 3: to Hercules within a month ere yet the salt of
• 21:03
  Speaker 3: most unrighteous tears had left the flushing in her galled eyes.
• 21:09
  Speaker 3: She married, Oh, most wicked speed to post with such
• 21:17
  Speaker 3: dexterity to incestuous sheets. It is not nor it cannot
• 21:23
  Speaker 3: come to good, but break my heart, for I must
• 21:28
  Speaker 3: hold my tongue.
• 21:30
  Speaker 2: Enter Horatio Marcellus, and Bernardo hailed your lordship.
• 21:36
  Speaker 3: I am glad to see you well, Horatio, or I
• 21:40
  Speaker 3: do forget myself to.
• 21:42
  Speaker 7: Say, my lord, and your poor servant.
• 21:44
  Speaker 3: Ever, sir, my good friend, I'll change that name with you.
• 21:51
  Speaker 3: And what make you from Wittenberg? Horatio Marcellus, my good lord,
• 21:56
  Speaker 3: I am very glad to see you good even, sir,
• 22:00
  Speaker 3: But what in faith make you from Wittenberg?
• 22:04
  Speaker 7: A truant disposition?
• 22:05
  Speaker 3: Good, my lord, I would not hear your enemy say so,
• 22:09
  Speaker 3: nor shall you do mine ear that violence to make
• 22:13
  Speaker 3: a trust her of your own report against yourself. I
• 22:17
  Speaker 3: know you are no truant, but what is your affair
• 22:20
  Speaker 3: in Elsinore? W'll er teach you to drink deep ere
• 22:24
  Speaker 3: you depart.
• 22:26
  Speaker 7: My Lord. I came to see your father's funeral.
• 22:31
  Speaker 3: I pray thee do not mock me. Fellow student, I
• 22:36
  Speaker 3: think it was to see my mother's wedding.
• 22:39
  Speaker 7: Indeed, my Lord, it followed hard upon.
• 22:42
  Speaker 3: Thrift, hum thrift, Horatio, the funeral baked meats did coldly
• 22:49
  Speaker 3: furnish forth the marriage tables. Would I had met my
• 22:54
  Speaker 3: dearest foe in heaven, or ere I had seen that day? Horatio?
• 22:59
  Speaker 3: Why father, he thinks I see my father?
• 23:03
  Speaker 7: Where my lord?
• 23:05
  Speaker 3: In my mind's eye, Horatio.
• 23:09
  Speaker 7: I saw him once. He was a goodly king, He.
• 23:15
  Speaker 3: Was a man. Take him for all and all that
• 23:20
  Speaker 3: shall not look upon his like Again.
• 23:23
  Speaker 7: My Lord, I think I saw him yesternight? Saw who
• 23:31
  Speaker 7: my lord the king, your father, the king, my father.
• 23:36
  Speaker 7: Season your admiration for a while with an attent ear
• 23:40
  Speaker 7: till I may deliver upon the witness of these gentlemen
• 23:44
  Speaker 7: this marvel.
• 23:44
  Speaker 3: To you for God's love.
• 23:47
  Speaker 7: Let me hear two knights together, had these gentlemen, Marcellus
• 23:52
  Speaker 7: and Bernardo, on their watch in the dead vast, in
• 23:55
  Speaker 7: the middle of the night, been thus encountered like your father,
• 24:02
  Speaker 7: armed at point exactly capape appears before them, and with
• 24:06
  Speaker 7: solemn march, goes slow and stately by them. Thrice he
• 24:11
  Speaker 7: walked by their oppressed and fear surprised eyes within his
• 24:15
  Speaker 7: truncheon's length, whilst they distilled almost to jelly with the
• 24:19
  Speaker 7: act of fear. Stand dumb, and speak not to him,
• 24:24
  Speaker 7: this to me in dreadful secrecy. In part they did,
• 24:28
  Speaker 7: and I with them the third night kept the watch
• 24:31
  Speaker 7: where as they had delivered, both in time form of
• 24:34
  Speaker 7: the thing, each word made true and good. The apparition comes.
• 24:39
  Speaker 7: I knew your father, these hands are not more like?
• 24:43
  Speaker 6: But where was this, my lord, upon the platform where
• 24:47
  Speaker 6: we watched?
• 24:48
  Speaker 3: Did you not speak to it?
• 24:51
  Speaker 7: My lord? I did, but answer made it none. Yet
• 24:54
  Speaker 7: once methought, it lifted up its head and did address
• 24:58
  Speaker 7: itself to motion, like as it would speak. But even
• 25:01
  Speaker 7: then the morning cock grew loud, and at the sound
• 25:04
  Speaker 7: it shrunk in haste away and vanished from our sight.
• 25:10
  Speaker 7: Tis very strange, as I do live, my honored lord,
• 25:13
  Speaker 7: tis true, and we did think it written down in
• 25:15
  Speaker 7: our duty to let you know of it.
• 25:18
  Speaker 3: Indeed, indeed, sirs, but this troubles me. Hold you the
• 25:24
  Speaker 3: watch tonight, we do, my lord? Armed?
• 25:29
  Speaker 9: Say you armed?
• 25:31
  Speaker 13: My lord, from top to toe, my lord, from head
• 25:35
  Speaker 13: to foot. Then saw you not his face, Oh yes,
• 25:39
  Speaker 13: my lord. He wore his beaver up what looked frowningly,
• 25:46
  Speaker 13: a countenance more in sorrow than in anger, paleer red,
• 25:51
  Speaker 13: nay very pale, and fixed his eyes upon you most constantly.
• 25:56
  Speaker 3: How would I have been there?
• 25:58
  Speaker 7: It would have much amazed you, very like, very like,
• 26:02
  Speaker 7: stayed it long, while one with moderate haste might tell
• 26:07
  Speaker 7: a hundred longer longer. Not when I saw it, his
• 26:12
  Speaker 7: beard was grizzled. No, it was as I have seen
• 26:16
  Speaker 7: it in his life, a sable silvered.
• 26:20
  Speaker 3: I will watch to night, perchance twill walk again.
• 26:24
  Speaker 7: I warrant it will.
• 26:26
  Speaker 3: If it assume my noble father's person, I'll speak to it,
• 26:31
  Speaker 3: though Hell itself should keepe and bid me hold my peace.
• 26:36
  Speaker 3: I pray you all, if you have hitherto concealed this sight,
• 26:40
  Speaker 3: let it be tenable in your silence still, and whatsoever
• 26:44
  Speaker 3: else shall hap to night, give it an understanding, but
• 26:47
  Speaker 3: no tongue. I will requite your loves, so fare you
• 26:52
  Speaker 3: well upon the platform TwixT eleven and twelve. I'll visit
• 26:56
  Speaker 3: you are.
• 26:58
  Speaker 6: A duty to your honor.
• 27:00
  Speaker 3: Your loves has mine to you.
• 27:02
  Speaker 2: Farewell, excellent all but hamlet.
• 27:06
  Speaker 3: My father's spirit in arms. All is not well. I
• 27:13
  Speaker 3: doubt some foul play what the night would come till.
• 27:19
  Speaker 3: Then sit still, my soul. Foul deeds will rise, though
• 27:27
  Speaker 3: all the earth overwhelm them to men's eyes.
• 27:34
  Speaker 2: Exit Scene three, a room in Polonius's house. Enter Laertes
• 27:41
  Speaker 2: and Ophelia.
• 27:43
  Speaker 10: My necessaries are embarked. Farewell and sister, as the winds
• 27:50
  Speaker 10: give benefit, and convoy his assistant. Do not sleep, but
• 27:56
  Speaker 10: let me hear from you. Do doubt that for him,
• 28:00
  Speaker 10: and the trifling of his favor, hold it a fashion
• 28:05
  Speaker 10: and a toy in blood, a violet in the youth
• 28:09
  Speaker 10: of primie. Nature forward, not permanent, sweet, not lasting, the
• 28:18
  Speaker 10: perfume and suppliance of a minute no more, no more,
• 28:24
  Speaker 10: But so think it no more, For nature crescent does
• 28:31
  Speaker 10: not grow alone in thews and bulk. But as this
• 28:36
  Speaker 10: temple waxes, the inward service of the mind and soul
• 28:41
  Speaker 10: grows wide withal. Perhaps he loves you now and now
• 28:48
  Speaker 10: no soil nor cautel doth besmirch the virtue of his will.
• 28:55
  Speaker 10: But you must fear his greatness weighed. His will is
• 29:01
  Speaker 10: not his own, for he himself is subject to his birth.
• 29:07
  Speaker 10: He may not, as unvalued persons do carve for himself,
• 29:14
  Speaker 10: for on his choice depends the safety and health of
• 29:18
  Speaker 10: this whole state, and therefore must his choice be circumscribed
• 29:25
  Speaker 10: unto the voice and yielding of that body whereof he
• 29:31
  Speaker 10: is the head. Then if he says he loves you,
• 29:36
  Speaker 10: it fits your wisdom so far to believe it, as he,
• 29:41
  Speaker 10: in his particular act and place may give his saying deed,
• 29:46
  Speaker 10: which is no further than the main voice of Denmark
• 29:50
  Speaker 10: goes withal. Then weigh what loss your honor may sustain if,
• 29:57
  Speaker 10: with too credent ear you list his songs, or lose
• 30:02
  Speaker 10: your heart or your chaste treasure open to his unmastered importunity.
• 30:12
  Speaker 10: Fear it, Ophelia. Fear it, my dear sister, and keep
• 30:18
  Speaker 10: you in the rear of your affection, out of the
• 30:22
  Speaker 10: shot and danger of desire. The cheriest maid is prodigal
• 30:29
  Speaker 10: enough if she unmasked her beauty to the moon. Virtue
• 30:35
  Speaker 10: itself escapes not calumnious strokes. The canker galls the infants
• 30:41
  Speaker 10: of the spring too oft before their buttons be disclosed,
• 30:47
  Speaker 10: and in the morn and liquid jew of youth contagious
• 30:53
  Speaker 10: blessments are most imminent. Be wary, then best safety lies
• 30:59
  Speaker 10: in fear youth to itself rebels, though none else near, I.
• 31:06
  Speaker 14: Shall the effect of this good lesson. Keep as watchmen
• 31:09
  Speaker 14: to my heart. But good, my brother, do not, as
• 31:13
  Speaker 14: some ungracious pastors do, show me the steep and thorny
• 31:17
  Speaker 14: way to heaven, whilst like a puffed and reckless libertine
• 31:21
  Speaker 14: himself the primrose path of Dalllyan's dreads and recks, not
• 31:24
  Speaker 14: his own reed.
• 31:28
  Speaker 10: Oh fear me not I stay too long, But here
• 31:33
  Speaker 10: my father comes.
• 31:35
  Speaker 2: Enter Polonius.
• 31:37
  Speaker 10: A double blessing is a double grace, occasion smiles upon
• 31:42
  Speaker 10: a second leave.
• 31:45
  Speaker 11: Yet here laerties a board, a board for shame. The
• 31:49
  Speaker 11: wind sits in the shoulder of your sail, and you're
• 31:52
  Speaker 11: stayed for augh. Bear my blessing with thee and these
• 31:59
  Speaker 11: few priests in thy memory. Look thou character, give thy thoughts,
• 32:06
  Speaker 11: no tongue, nor any unproportioned thought is act. Be thou familiar,
• 32:12
  Speaker 11: But my no means vulgar. Those friends thou hast and
• 32:16
  Speaker 11: their adoption tried grapple them unto thy soul with hoops
• 32:21
  Speaker 11: of steel. But do not dull thy palm, with entertainment
• 32:25
  Speaker 11: of each new hatched unfledged comrade, beware of entrance to
• 32:30
  Speaker 11: a quarrel, but being in bear that the opposed may
• 32:34
  Speaker 11: beware of thee give every man thine ear, but few
• 32:39
  Speaker 11: thy voice, take each man's censure, but reserve thy judgment.
• 32:45
  Speaker 11: Costly thy habit as thy purse can buy, but not
• 32:49
  Speaker 11: expressed in fancy, rich, not gaudy, for the apparel off,
• 32:53
  Speaker 11: proclaims the man, and they in France, of the best
• 32:56
  Speaker 11: rank and station, are most select and generous, in that
• 33:02
  Speaker 11: neither a borrower nor a lender be the loan oft
• 33:06
  Speaker 11: loses both itself and friend, and borrowing dulls the edge
• 33:10
  Speaker 11: of husbandry. This above all, to thine own self be true,
• 33:16
  Speaker 11: and it must follow as the night the day thou
• 33:19
  Speaker 11: canst not then be falls to any man. Farewell, my
• 33:24
  Speaker 11: blessing season.
• 33:25
  Speaker 10: This in thee most humbly do I take my leaves,
• 33:30
  Speaker 10: my Lord.
• 33:32
  Speaker 11: The time invites you go your servants tend.
• 33:37
  Speaker 10: Farewell, Ophelia, and remember well what I have said to
• 33:42
  Speaker 10: you tis.
• 33:43
  Speaker 14: In my memory locked, and you yourself shall keep the
• 33:46
  Speaker 14: key of it.
• 33:47
  Speaker 2: Farewell, exit lairtis.
• 33:51
  Speaker 11: What is Ophelia? He has said to you.
• 33:55
  Speaker 14: So please you something touching the Lord hamlet.
• 33:59
  Speaker 11: Marry well bethought tis told me. He hath very oft
• 34:04
  Speaker 11: of late given private time to you, and you yourself
• 34:08
  Speaker 11: have of your audience been most free and bounteous, if
• 34:12
  Speaker 11: it be so, as so tis put to me, and
• 34:15
  Speaker 11: that in way of caution, I must tell you you
• 34:18
  Speaker 11: do not understand yourself so clearly as it behooves my
• 34:22
  Speaker 11: daughter and your honor. What is between you? Give me
• 34:26
  Speaker 11: up the truth.
• 34:29
  Speaker 14: He hath my lord of Late made many tenders of
• 34:32
  Speaker 14: his affection to me.
• 34:34
  Speaker 11: Affection booh, you speak like a green girl unsifted in
• 34:38
  Speaker 11: such perilous circumstance. Do you believe his tenders as you
• 34:44
  Speaker 11: call them?
• 34:46
  Speaker 14: I do not know, my lord, what I should think.
• 34:48
  Speaker 11: Mary. I will teach you think yourself a baby, that
• 34:52
  Speaker 11: you who tend these tenders for true pay which are
• 34:55
  Speaker 11: not sterling, tender yourself more dearly, or not to crack
• 35:00
  Speaker 11: the wind of the poor phrase running it does you'll
• 35:03
  Speaker 11: tender me a fool, my Lord.
• 35:06
  Speaker 14: He has entertuned me with love and honorable fashion.
• 35:10
  Speaker 11: Aye fashion, you may call it go to go too.
• 35:14
  Speaker 14: And hath given countenance to speech my lord, with almost
• 35:18
  Speaker 14: all the holy vows of heaven.
• 35:20
  Speaker 11: Aye springs to catch woodcocks. I do know when the
• 35:25
  Speaker 11: blood burns, how prodigal the soul lends the tongue vows
• 35:29
  Speaker 11: these blazes daughter, giving more light than heat. Extinct in
• 35:34
  Speaker 11: both even in their promise. As it is a making,
• 35:37
  Speaker 11: you must not take for fire. From this time, be
• 35:41
  Speaker 11: somewhat scanter of your maidenland presence. Set your entreatments at
• 35:46
  Speaker 11: a higher rate than the command to parley. For Lord Hamlet,
• 35:50
  Speaker 11: believe so much in him, that he is young, and
• 35:54
  Speaker 11: with a larger tether may he walk than may be
• 35:57
  Speaker 11: given you. In few of Elia do not believe his vows,
• 36:02
  Speaker 11: for they are brokers, not of that die which their
• 36:05
  Speaker 11: investments show, but mere implorators of unholy suits, breathing like
• 36:11
  Speaker 11: sanctified and pious boards. The better to beguile. This is
• 36:16
  Speaker 11: for all I would not, in plain terms, from this
• 36:20
  Speaker 11: time forth, have you so slander any moment leisure as
• 36:24
  Speaker 11: to give words or talk with the Lord Hamlet.
• 36:27
  Speaker 2: Look to it.
• 36:28
  Speaker 11: I charge you, come your ways.
• 36:32
  Speaker 14: I shall obey, my lord, excellant.
• 36:36
  Speaker 2: Scene four the platform enter Hamlet, Horatio and Marcellus.
• 36:42
  Speaker 3: The air by shrewdly. It is very cold.
• 36:46
  Speaker 7: It is a nipping and an eager air.
• 36:48
  Speaker 3: What hour? Now?
• 36:50
  Speaker 7: I think it lacks of twelve? No, it has struck,
• 36:54
  Speaker 7: indeed I heard it not. Then it draws near the
• 36:57
  Speaker 7: season where in this spirit held his wont to walk.
• 37:00
  Speaker 2: A flourish of trumpets and ordnance shot off within.
• 37:04
  Speaker 7: What does this mean? My lord?
• 37:06
  Speaker 3: The king doth wake to night and takes his rows,
• 37:11
  Speaker 3: keeps wassail, and the swaggering up spring reels, and as
• 37:16
  Speaker 3: he drains his drafts of Rhenish down, the kettledrum and
• 37:21
  Speaker 3: trumpet thus bray out the triumph of his pledge. Is
• 37:25
  Speaker 3: it a custom, ay, marry ist. But to my mind,
• 37:32
  Speaker 3: though I am native here and to the manner born,
• 37:36
  Speaker 3: it is a custom more honored in the breach than
• 37:39
  Speaker 3: the observance. This heavy headed revel east and west makes
• 37:45
  Speaker 3: us traduced and taxed of other nations. They cleap us drunkards,
• 37:51
  Speaker 3: and with swinish frays soil our addition, And indeed it
• 37:56
  Speaker 3: takes from our achievements, though performed at height, the pith
• 38:01
  Speaker 3: and morrow of our attribute. So often chances, in particular
• 38:07
  Speaker 3: men that for some vicious mole of nature in them,
• 38:12
  Speaker 3: as in their birth, wherein they are not guilty, since
• 38:16
  Speaker 3: nature cannot choose his origin by the oergrowth of some complexion,
• 38:22
  Speaker 3: oft breaking down the pales and forts of reason, or
• 38:25
  Speaker 3: by some habit that too much o'erlevens the form of
• 38:30
  Speaker 3: plots of manners that these men carrying, I say, the
• 38:35
  Speaker 3: stamp of one defect being nature's livery or fortune star
• 38:41
  Speaker 3: their virtues. Else be they as pure as grace, as
• 38:45
  Speaker 3: infinite as man may undergo, shall in the general censure
• 38:53
  Speaker 3: take corruption from that particular fault the dram of eel
• 39:00
  Speaker 3: doth all the noble substance of a doubt to his
• 39:05
  Speaker 3: own scandal.
• 39:07
  Speaker 7: Look, my lord, it comes, and to her ghost.
• 39:11
  Speaker 3: The angels and ministers of grace defend us. Be thou
• 39:15
  Speaker 3: a spirit of health or goblin? Damn'd bring with thee
• 39:20
  Speaker 3: airs from heaven or blasphem hell? Be thy intense, wicked
• 39:25
  Speaker 3: or charitable? Thou comest in such a questionable shape that
• 39:30
  Speaker 3: I'll speak to thee. I'll call thee hamlet king father
• 39:40
  Speaker 3: royal Dane. O answer me. Let me not burst in ignorance,
• 39:45
  Speaker 3: but tell why thy canonized bones hurst in death have
• 39:50
  Speaker 3: burst their cerements. Why the sepulcher wherein we saw thee
• 39:55
  Speaker 3: quietly inured, hath op'd his ponderous and marble jaws to
• 40:00
  Speaker 3: cast thee up again? What may this mean that thou
• 40:05
  Speaker 3: dead coarse again? In complete steel? Revisitest thus the glimpses
• 40:13
  Speaker 3: of the moon making night hideous, And we fools of
• 40:17
  Speaker 3: nature so horridly to shake our disposition with thoughts beyond
• 40:22
  Speaker 3: the reaches of our souls, say, why is this? Wherefore
• 40:29
  Speaker 3: what should we do?
• 40:31
  Speaker 2: Ghost beckons hamlet, It beckons you to go away with it,
• 40:35
  Speaker 2: as if it's some impartment to desire to you alone.
• 40:39
  Speaker 6: Look with what courteous action it waves you to a
• 40:42
  Speaker 6: more removed ground. But do not go with it?
• 40:45
  Speaker 7: No, by no means it will not speak?
• 40:49
  Speaker 3: Then I will follow it?
• 40:51
  Speaker 7: Do not, my lord?
• 40:52
  Speaker 3: Why what should be the fear? I do not set
• 40:56
  Speaker 3: my life in a pin's fee and from my soul?
• 41:01
  Speaker 3: What can it do to that? Being a thing immortal
• 41:03
  Speaker 3: as itself?
• 41:04
  Speaker 9: It weighs me?
• 41:05
  Speaker 3: Forth again, I'll follow it?
• 41:07
  Speaker 7: What if it tempt you toward the flood, my lord,
• 41:09
  Speaker 7: or to the dreadful summit of the cliff that beetles
• 41:11
  Speaker 7: o'er his base into the sea, and there assume some
• 41:13
  Speaker 7: other horrible form which might deprive your sovereignty of reason
• 41:17
  Speaker 7: and draw you into madness. Think of it. The very
• 41:20
  Speaker 7: place puts toys of desperation without more motive into every
• 41:24
  Speaker 7: brain that looks so many fathoms to the sea, and
• 41:27
  Speaker 7: hears it roar beneath.
• 41:28
  Speaker 3: It waves me still, go on, I'll follow thee.
• 41:33
  Speaker 6: You shall not go, my lord, hold off your hands,
• 41:36
  Speaker 6: be ruled.
• 41:37
  Speaker 7: You shall not go.
• 41:39
  Speaker 3: My fate cries out and makes each petty artery in
• 41:43
  Speaker 3: this body as hardy as a nemian lion's nerve. Still
• 41:47
  Speaker 3: am I called? Unhand me? Gentlemen by Heaven, I'll make
• 41:51
  Speaker 3: a ghost of him that lets me, I say, away,
• 41:56
  Speaker 3: go on, I'll follow thee.
• 41:59
  Speaker 2: Excell Ghost and Hamlet.
• 42:02
  Speaker 7: He waxes desperate with imagination.
• 42:05
  Speaker 6: Let's follow tis not fit? Thus to obey him?
• 42:08
  Speaker 7: Have after to what issue? Will this come?
• 42:12
  Speaker 6: Something is rotten in the state of Denmark.
• 42:15
  Speaker 7: Heaven will direct it.
• 42:17
  Speaker 6: Nay, Let's follow him.
• 42:19
  Speaker 2: Excent Scene five, another part of the platform. Enter Ghost
• 42:25
  Speaker 2: and Hamlet.
• 42:27
  Speaker 3: Where wilt thou lead me?
• 42:28
  Speaker 10: Speak?
• 42:30
  Speaker 3: I'll go no further, mark me, I will.
• 42:35
  Speaker 15: My hour is almost come. When I to sulfurous and
• 42:38
  Speaker 15: tormenting flames, must render up.
• 42:40
  Speaker 3: Myself alas poor ghost.
• 42:43
  Speaker 15: Hitting me not but led my serious hearing to what
• 42:46
  Speaker 15: I shall unfold.
• 42:48
  Speaker 3: Speak, I am bound to hear.
• 42:51
  Speaker 15: So art thou to revenge when thou shalt hear what
• 42:56
  Speaker 15: I am my father's spirit doomed for a certain term
• 43:00
  Speaker 15: to walk the night, and for the day confined to
• 43:02
  Speaker 15: waste in fires. So the foul crimes done in my
• 43:05
  Speaker 15: days of nature are burnt and purged away. But that
• 43:09
  Speaker 15: I am forbid to tell the secrets of my prison house.
• 43:12
  Speaker 15: I could a tail unfold whose latest word would harrow
• 43:14
  Speaker 15: up thy soul, freeze thy young blood, make thy two eyes,
• 43:18
  Speaker 15: like stars start from their spheres, thy nodded and combined,
• 43:22
  Speaker 15: and walks depart, and each particular hair to stand upon end,
• 43:25
  Speaker 15: like quels upon the fretful porcupine. But this eternal blazon
• 43:29
  Speaker 15: must not be to ears of flesh and blood. List, oh, list,
• 43:34
  Speaker 15: if thou didst ever thy dear father.
• 43:36
  Speaker 3: Love, oh God, revenge.
• 43:40
  Speaker 15: His foul and most.
• 43:42
  Speaker 9: Unnatural murder, murder.
• 43:46
  Speaker 15: Murder, most foul, as in the best it is. But
• 43:48
  Speaker 15: this most foul, strange and unnatural.
• 43:52
  Speaker 3: Haste me to note that I with wings as swift
• 43:56
  Speaker 3: as meditation, or the thoughts of love may sweep to
• 44:00
  Speaker 3: my revenge.
• 44:01
  Speaker 15: I find the apt and duller. Shouldst thou be than
• 44:04
  Speaker 15: the fat weed that roots itself in ease on laithe wharf?
• 44:07
  Speaker 15: Would thou not stir in this? Now, Hamlet, here tis
• 44:11
  Speaker 15: given out that sleeping in mine orchard, a serpent stung me.
• 44:14
  Speaker 15: So the whole ear of Denmark is by a forged
• 44:17
  Speaker 15: process of my death rankly abused. But know thou, noble youth,
• 44:21
  Speaker 15: the serpent that did sting thy father's life, now wears
• 44:24
  Speaker 15: his crown, Oh.
• 44:26
  Speaker 3: My prophetic soul, My uncle.
• 44:30
  Speaker 15: Aye, that incestuous, that adulterate beast, with witchcraft of his wit,
• 44:35
  Speaker 15: with traitorous gifts, Oh, wicked wit, and gifts that have
• 44:39
  Speaker 15: the power so to seduce one to his shameful lust
• 44:42
  Speaker 15: the will of my most seeming virtuous queen, Oh Hamlet,
• 44:46
  Speaker 15: what a falling off was there from me? Whose love
• 44:50
  Speaker 15: was of that dignity that it went hand in hand
• 44:53
  Speaker 15: even with the vow I made to her in marriage.
• 44:55
  Speaker 15: And to decline upon a wretch whose natural gifts were
• 44:59
  Speaker 15: poor to those of mine. But virtue as it never
• 45:02
  Speaker 15: will be moved, though lewdness corded, and a shape of heaven.
• 45:06
  Speaker 15: So lust though to a radiant angel linked will save
• 45:09
  Speaker 15: itself in a celestial bed and prey on garbage. But
• 45:13
  Speaker 15: soft methinks, I sent the morning air brief. Let me
• 45:16
  Speaker 15: be sleeping within mine orchard, my custom always in the afternoon,
• 45:20
  Speaker 15: upon my secure hour, thy uncle stole with juice or
• 45:23
  Speaker 15: cursed heaven, And in a vial, and in the porches
• 45:26
  Speaker 15: of mine ears did pour the leprous distillment, whose effect
• 45:30
  Speaker 15: hold such an enmity with blood of man, that swiftest
• 45:33
  Speaker 15: quicksilver it courses through the natural gates and alleys of
• 45:36
  Speaker 15: the body, and with a sudden vigor if of posset
• 45:39
  Speaker 15: and curd like eager droppings into milk, the thin and
• 45:42
  Speaker 15: wholesome blood. So did it mine, And a most instant
• 45:45
  Speaker 15: tendor barked about most lazarlike, with violin, loathsome crust all
• 45:50
  Speaker 15: my smooth body. Thus was I sleeping by a brother's
• 45:53
  Speaker 15: hand of life of crown of queen, at once dispatched,
• 45:58
  Speaker 15: cut off even in the plossoms, my sin, unhousled, disappointed, unannaled,
• 46:04
  Speaker 15: No reckoning made, but sent to my account with all
• 46:06
  Speaker 15: my imperfections on my head.
• 46:09
  Speaker 3: Oh horrible, oh horrible, most horrible.
• 46:13
  Speaker 15: If thou hast nature in thee bear it not. Let
• 46:17
  Speaker 15: not the royal bed of Denmark be a couch for
• 46:19
  Speaker 15: luxury and damned incest. But howsoever thou pursuest this act,
• 46:24
  Speaker 15: tain't not thy mind, nor let thy soul contrive against
• 46:28
  Speaker 15: thy mother aught leave her to Heaven, into those thorns
• 46:31
  Speaker 15: that in her bosom lodge, to prick and sting her
• 46:35
  Speaker 15: fairly well. At once the glow worm shows the matin
• 46:37
  Speaker 15: to be near, and gins to tail his ineffectual fire. Adieu, Adieu,
• 46:42
  Speaker 15: Hamlet remember.
• 46:44
  Speaker 2: Me exit ghost, oh all you host of Heaven, Oh Earth?
• 46:51
  Speaker 16: What else then shall I couple hell ah fie, oh
• 46:58
  Speaker 16: my heart and you my sinews grow not instant old,
• 47:04
  Speaker 16: but bear me stiffly up. Remember thee ay, thou poor ghost.
• 47:12
  Speaker 16: While memory holds a seat in this distracted globe, remember
• 47:18
  Speaker 16: thee yea from the table of my memory. I'll wipe
• 47:23
  Speaker 16: away all trivial fond records, all saws of books, all forms,
• 47:29
  Speaker 16: all pressures past that youth and observation copy there and
• 47:34
  Speaker 16: thy commandment all alone shall live within the book and
• 47:38
  Speaker 16: volume of my brain, unmixed with base of matter. Yes,
• 47:44
  Speaker 16: by Heaven, oh most pernicious woman, Oh villain, villain, smiling,
• 47:52
  Speaker 16: damned villain, My table's meet it is. I set it
• 47:58
  Speaker 16: down that one may smile and smile and be a
• 48:01
  Speaker 16: villain at least I am sure it may be so
• 48:03
  Speaker 16: in Denmark.
• 48:05
  Speaker 2: Writing hmm, So uncle.
• 48:10
  Speaker 3: There you are now to my word. It is a
• 48:16
  Speaker 3: due ade, remember me.
• 48:19
  Speaker 9: I have sworn.
• 48:21
  Speaker 6: Within, my lord, my lord, lord, hamlet.
• 48:26
  Speaker 7: Heaven secure him.
• 48:28
  Speaker 2: So be it within.
• 48:30
  Speaker 3: Hello, ho ho ho, my lord, Hello ho ho boy,
• 48:34
  Speaker 3: come bird, come.
• 48:37
  Speaker 2: Enter Horatio and Marcellus.
• 48:39
  Speaker 6: How is it, my noble lord?
• 48:41
  Speaker 7: What news, my lord?
• 48:42
  Speaker 3: No wonderful?
• 48:45
  Speaker 7: Could my lord tell it?
• 48:47
  Speaker 3: No? You'll reveal it?
• 48:49
  Speaker 7: No, I, my lord, by heaven?
• 48:51
  Speaker 6: Nor I my lord?
• 48:53
  Speaker 3: How say you?
• 48:53
  Speaker 17: Then?
• 48:55
  Speaker 3: What heart of man once thinkth? But you'll be secret?
• 48:58
  Speaker 7: Aye? By heaven, my lord.
• 49:00
  Speaker 3: There's ne'er a villain dwelling in all Denmark, but he's
• 49:03
  Speaker 3: an errant knave.
• 49:05
  Speaker 7: There needs no ghost, my lord come from the grave
• 49:07
  Speaker 7: to tell us this.
• 49:08
  Speaker 3: Why right you are the right, and so, without more
• 49:11
  Speaker 3: circumstance at all, I hold it fit that we shake
• 49:14
  Speaker 3: hands and part you as your business and desire shall
• 49:17
  Speaker 3: point you for every man, as business and desire such
• 49:20
  Speaker 3: as it is and for mine own poor part. Look
• 49:23
  Speaker 3: you are, I'll go pray.
• 49:26
  Speaker 7: These about wild and whirling words, my lord.
• 49:30
  Speaker 3: I am sorry they offend you heartily, Yes, faith, heartily.
• 49:37
  Speaker 7: There's no offense, my lord.
• 49:39
  Speaker 3: Yes, by Saint Patrick. But there is horatio and much
• 49:43
  Speaker 3: offense too touching this vision here, it is an honest
• 49:48
  Speaker 3: ghost that let me tell you for your desire to
• 49:51
  Speaker 3: know what is between us, or master it as you may,
• 49:55
  Speaker 3: and now good friends, as you are, friends, scholars and soldiers,
• 50:01
  Speaker 3: give me one poor request, what.
• 50:03
  Speaker 7: Is my lord?
• 50:04
  Speaker 3: We will never make known what you have seen tonight,
• 50:08
  Speaker 3: my lord. We will not nay, but swear it in faith,
• 50:12
  Speaker 3: my lord, not I.
• 50:14
  Speaker 6: Nor I my lord, in faith upon my sword. We
• 50:18
  Speaker 6: have sworn, my Lord already.
• 50:20
  Speaker 3: Indeed upon my sword. Indeed beneath.
• 50:25
  Speaker 16: Ha boy, sayest thou so art thou there true penny.
• 50:31
  Speaker 3: Come on you hear this fellow in the celaridge, consent to.
• 50:34
  Speaker 7: Swear, propose the oath, my lord, never.
• 50:37
  Speaker 3: To speak of this that you have seen. Swear by
• 50:41
  Speaker 3: my sword beneath hi hiccotupik eh ha. Then we'll shift
• 50:48
  Speaker 3: our ground. Come here there, gentlemen, and lay your hands
• 50:51
  Speaker 3: again upon my sword, never to speak of this that
• 50:54
  Speaker 3: you have heard, swear by my sword beneath well said
• 51:02
  Speaker 3: old mole Cat's work of the earth, so fast worthy
• 51:06
  Speaker 3: pioneer once more removed.
• 51:08
  Speaker 7: Good friends, oh daan knight, But this is wondrous, strange.
• 51:15
  Speaker 3: And therefore as a stranger, give it welcome. There are
• 51:20
  Speaker 3: more things in heaven and earth, Horatio, than are dreamt
• 51:24
  Speaker 3: of in your philosophy. But come here as before never
• 51:31
  Speaker 3: so help you mercy, how strange or odd, soe'er I
• 51:34
  Speaker 3: bear myself as I perchance hereafter shall think meat to
• 51:38
  Speaker 3: put an antic disposition on that you at such times
• 51:41
  Speaker 3: seeing me, never shall with arms encumbered thus or this headshake,
• 51:46
  Speaker 3: or by pronouncing of some doubtful phrase as well. Well,
• 51:51
  Speaker 3: we know all we could, and if we would, or
• 51:55
  Speaker 3: if we list to speak, or there be and if
• 51:58
  Speaker 3: they might, or such emby you giving out note that
• 52:02
  Speaker 3: you know aught of me this not to do so,
• 52:06
  Speaker 3: grace and mercy at your most need, help you swear
• 52:12
  Speaker 3: beneath rest rest perturbed spirit, they swear so, gentlemen, with
• 52:21
  Speaker 3: all my love, I do commend me to you. And
• 52:24
  Speaker 3: what's so poor a man as Hamlet is may do
• 52:28
  Speaker 3: to express his love and friending to you God willing
• 52:32
  Speaker 3: shall not lack. Let us go in together, and still
• 52:37
  Speaker 3: your fingers on your lips. I pray the time is
• 52:42
  Speaker 3: out of joint, Oh, cursed spite that ever I was
• 52:49
  Speaker 3: born to set it right. Hey, come, let's go together.
• 52:56
  Speaker 2: Excellent. End of Act one, Act two seem one. A
• 53:01
  Speaker 2: room in Polonius's house. Enter Polonius and rinaldo.
• 53:06
  Speaker 11: Give him this money and these notes, Rainaldo, I will,
• 53:10
  Speaker 11: my lord, you shall do Marvel's wisely good Rainaldo, before
• 53:14
  Speaker 11: you visit him, to make inquire of his behavior.
• 53:18
  Speaker 18: My Lord I did intend it.
• 53:21
  Speaker 11: Mary Well said very well, said look you, sir, inquire
• 53:26
  Speaker 11: me first what Danskers are in Paris, and how and who,
• 53:30
  Speaker 11: what means? And where they keep, what company, at what expense,
• 53:34
  Speaker 11: And finding by this encompassment and drift of question that
• 53:38
  Speaker 11: they do know my son. Come you more nearer than
• 53:41
  Speaker 11: your particular demands will touch it. Take you as to
• 53:46
  Speaker 11: some distant knowledge of him, as thus I know his
• 53:49
  Speaker 11: father and his friends, and in part him do you
• 53:53
  Speaker 11: mark this, Rainaldo? Ay, very well, my lord, and in
• 53:57
  Speaker 11: part him. But you may say not well, but if
• 54:02
  Speaker 11: be he, I mean he's very wild addicted, so and
• 54:05
  Speaker 11: so and there put on him what forgeries you please,
• 54:09
  Speaker 11: were it none so rank as may dishonor him, take
• 54:13
  Speaker 11: heed of that, But sir, such wanton, wild and usual
• 54:17
  Speaker 11: slips as our companions noted, and most known to youth
• 54:21
  Speaker 11: and liberty.
• 54:22
  Speaker 18: As gaming, my lord, I'll.
• 54:25
  Speaker 11: Drinking, fencing, swearing, quarreling, drabbing.
• 54:28
  Speaker 18: You may go so far, my lord, that would dishonor
• 54:31
  Speaker 18: him faith.
• 54:32
  Speaker 11: No, as you may season it in the charge, you
• 54:35
  Speaker 11: must not put another scandal on him that he is
• 54:38
  Speaker 11: open to incontinency. That's not my meaning. But breathe his
• 54:42
  Speaker 11: faults so quaintly that they may seem the taints of liberty,
• 54:46
  Speaker 11: the flash and outbreak of a firy mind, a savage
• 54:49
  Speaker 11: nurse in unreclaimed blood, of general assaults. But my good lord,
• 54:55
  Speaker 11: wherefore should you do this?
• 54:56
  Speaker 18: Ay, my lord, I would know.
• 54:59
  Speaker 11: That Mary's sir, here's my drift, and I believe it
• 55:04
  Speaker 11: is a fetch of warrant, you laying these slight sullies
• 55:07
  Speaker 11: on my son, as to a thing a little soiled
• 55:10
  Speaker 11: in the working mark you your party in converse him,
• 55:14
  Speaker 11: you would sound, having ever seen in the prenominate crimes
• 55:18
  Speaker 11: the use you breathe off guilty be assured. He closes
• 55:22
  Speaker 11: with you in this consequence, good sir, or so or
• 55:26
  Speaker 11: friend or gentleman, according to the phrase or the addition
• 55:30
  Speaker 11: of man and country.
• 55:32
  Speaker 18: Very good, my lord.
• 55:33
  Speaker 11: And then sir, this does what was I about to say?
• 55:40
  Speaker 11: By the mass, I was about to say something? Where
• 55:44
  Speaker 11: did I leave?
• 55:45
  Speaker 18: That closes in the consequence at friend orso?
• 55:49
  Speaker 11: And gentleman closes in the consequence, Ay, Mary, he closes.
• 55:55
  Speaker 11: Thus I know the gentleman. I saw him yesterday or
• 55:58
  Speaker 11: t'other day, or then or then with such and such,
• 56:00
  Speaker 11: and as you say, there was a gaming there, or
• 56:04
  Speaker 11: Tukin's rouse there falling out at tennis, or perchance I
• 56:08
  Speaker 11: saw him into such a house of sale, VI diligate
• 56:11
  Speaker 11: a brothel or so forth. See you now, your bait
• 56:15
  Speaker 11: of falsehood takes this carp of truth. And thus do we,
• 56:19
  Speaker 11: of wisdom and of reach, with windlasses and with essays
• 56:23
  Speaker 11: of bias, by indirections, find directions out. So by my
• 56:30
  Speaker 11: former lecture and advice, shall you, my son, you have me?
• 56:34
  Speaker 11: Have you not?
• 56:36
  Speaker 3: My lord?
• 56:37
  Speaker 9: I have God?
• 56:38
  Speaker 11: Be we fare you well? Good, my lord, observe his
• 56:43
  Speaker 11: inclination in yourself, I shall, my lord, and let him
• 56:48
  Speaker 11: ply his music.
• 56:49
  Speaker 9: Well, my lord, farewell.
• 56:53
  Speaker 2: Exit rinaldo enter Ophelia.
• 56:56
  Speaker 11: How now, Ophelia, what's the matter, my lord, my lord?
• 57:01
  Speaker 12: I have been so affrighted with what be the name
• 57:04
  Speaker 12: of God? My Lord?
• 57:06
  Speaker 14: As I was sewing in my closet, Lord Hamlet, with
• 57:09
  Speaker 14: his doublet all umbraced, no hat upon his head, his
• 57:13
  Speaker 14: stockings fowled, unguarded and downdrived to his ankle pale as
• 57:18
  Speaker 14: his shirt, his knees knocking together, and with a look
• 57:21
  Speaker 14: so piteous and purport as if he had been loosed
• 57:23
  Speaker 14: out of hell to speak of horrors. He comes before me,
• 57:27
  Speaker 14: mad that I love my lord, I do not know,
• 57:30
  Speaker 14: but truly I do fear it, what said he? He
• 57:34
  Speaker 14: took me by the wrist and held me hard. Then
• 57:37
  Speaker 14: goes he to the length of all his arm, and
• 57:40
  Speaker 14: with his other hand thus or his brow, he falls
• 57:44
  Speaker 14: to such perusal of my face as he would draw it.
• 57:48
  Speaker 14: Long stayed he so at last a little shaking of
• 57:51
  Speaker 14: mine arm, and thrice his head, thus waving up and down,
• 57:56
  Speaker 14: he raised a sigh so piteous and profound as it
• 57:59
  Speaker 14: did seemed to shatter all his bulk, and end his being.
• 58:04
  Speaker 14: That done, he lets me go and with his head
• 58:08
  Speaker 14: or his shoulder turned. He seemed to find his way
• 58:11
  Speaker 14: without his eyes. For out of doors he went without
• 58:14
  Speaker 14: their hopes, and to the last bended the light on me.
• 58:20
  Speaker 11: Come go with me, I will go seek the king.
• 58:24
  Speaker 11: This is the very ecstasy of love, whose violent property
• 58:28
  Speaker 11: or does itself and leads the will to desperate undertakings,
• 58:32
  Speaker 11: as often as any passion under heaven that doth afflict
• 58:35
  Speaker 11: our natures. I am sorry, what have you given him?
• 58:40
  Speaker 11: Any hard words of late?
• 58:42
  Speaker 14: No, my good lord, But as you did command, I
• 58:45
  Speaker 14: did repel his fetters and denied his access to me.
• 58:48
  Speaker 11: That hath made him mad. I am sorry that, with
• 58:52
  Speaker 11: better heed and judgment I had not quoted him. I
• 58:56
  Speaker 11: feared he did but trifle and meant to rack thee.
• 58:59
  Speaker 11: But be true by jealousy by heaven. It is as
• 59:03
  Speaker 11: proper to our age to cave beyond ourselves in our opinions.
• 59:07
  Speaker 11: Thus is common for the younger sort to lack discretion.
• 59:11
  Speaker 11: Come go we to the king. This must be known, which,
• 59:16
  Speaker 11: being kept close, might move more grief to hide than
• 59:19
  Speaker 11: hate t ought to love.
• 59:21
  Speaker 2: Come excellent Scene two. A room in the castle, enter
• 59:27
  Speaker 2: King Claudius, Queen Gertrude, Rosenkrantz, Guildenstern and attendants.
• 59:32
  Speaker 9: Welcome, dear Rosenkrantz and Kildenstein. Moreover, that we much did
• 59:37
  Speaker 9: long to see you. The need we have to use
• 59:39
  Speaker 9: you did provoke our hasty sending something. Have you heard
• 59:43
  Speaker 9: of Hamlet's transformation, So call it sith nor the exterior
• 59:47
  Speaker 9: nor the inward man resembles that it was what it
• 59:51
  Speaker 9: should be, more than his father's death, That thus hath
• 59:54
  Speaker 9: put him so much from the understanding of himself I
• 59:56
  Speaker 9: cannot dream of. I entreat you both that, being of
• 1:00:00
  Speaker 9: so young days brought up with him, and sith so
• 1:00:03
  Speaker 9: neighbored to his youth and behavior, that you vouchsafe your
• 1:00:06
  Speaker 9: rest here in our court some little time so by
• 1:00:09
  Speaker 9: your companies to draw him on too pleasures and to
• 1:00:12
  Speaker 9: gather so much as from occasion you may glean, whether
• 1:00:16
  Speaker 9: ought to us unknown afflicts him. Thus that opened lies
• 1:00:20
  Speaker 9: within our remedy.
• 1:00:22
  Speaker 12: Good gentlemen, he hath much talked of you, and sure
• 1:00:26
  Speaker 12: I am two men there are not living to whom
• 1:00:29
  Speaker 12: he more a tears. If it will please you to
• 1:00:32
  Speaker 12: show us so much gentry and good will as to
• 1:00:34
  Speaker 12: expend your time with us a while for the supply
• 1:00:37
  Speaker 12: and profit of our hope. Your visitation shall receive such
• 1:00:41
  Speaker 12: thanks as befits a king's remembrance.
• 1:00:44
  Speaker 19: Both your majesties might, by the sovereign power you have
• 1:00:47
  Speaker 19: of us, put your dread pleasures more into command than
• 1:00:50
  Speaker 19: to entreaty.
• 1:00:52
  Speaker 17: We both obey and here give up ourselves in the
• 1:00:55
  Speaker 17: full bent to lay our service freely at your feet
• 1:00:57
  Speaker 17: to be commanded.
• 1:00:58
  Speaker 9: Thanks rosen Krantz and Gentle Gildenstern.
• 1:01:03
  Speaker 12: Thanks Guildenstern and Gentle Rosenkrantz, and I beseech you instantly
• 1:01:09
  Speaker 12: to visit my too much changed son. Go some of
• 1:01:13
  Speaker 12: you and bring these gentlemen where Hamlet is.
• 1:01:16
  Speaker 17: Heavens make our presence and our practices pleasant and helpful
• 1:01:19
  Speaker 17: to him.
• 1:01:20
  Speaker 2: I amen, Excellent Rosenkrantz, Guildenstern and some attendants enter Polonius.
• 1:01:28
  Speaker 11: The ambassadors from Norway, my good Lord, are joyfully returned.
• 1:01:33
  Speaker 9: Now still hast been the father of good news?
• 1:01:36
  Speaker 11: Have I, my Lord, assure you, my good liege, I
• 1:01:40
  Speaker 11: hold my duty as I hold my soul, both to
• 1:01:42
  Speaker 11: my God and to my gracious King. And I do
• 1:01:46
  Speaker 11: think or else. This brain of mine hunts not the
• 1:01:49
  Speaker 11: trail of policies, So sure as it hath used to
• 1:01:51
  Speaker 11: do that, I have found the very cause of Hamlet's lunacy.
• 1:01:56
  Speaker 9: Oh, speak of that that do I long to hear.
• 1:02:00
  Speaker 11: First admittance to the ambassadors. My news shall be the
• 1:02:04
  Speaker 11: fruit to that great feast thy self.
• 1:02:07
  Speaker 2: Do grace to them and bring them in exit Polonius.
• 1:02:11
  Speaker 9: He tells me, my dear Gertrude, he hath found the
• 1:02:14
  Speaker 9: head and source of all your son's distemper.
• 1:02:16
  Speaker 12: I doubt it is no other but the main his
• 1:02:19
  Speaker 12: father's death and our er hasty marriage.
• 1:02:23
  Speaker 9: Well we shall sift.
• 1:02:25
  Speaker 2: Him re enter Polonius with Voltemand and Cornelius.
• 1:02:29
  Speaker 9: Welcome, my good friends, say voltemand what from our brother Norway.
• 1:02:35
  Speaker 18: Most fair return of greetings and desires upon our First,
• 1:02:39
  Speaker 18: he sent out to suppress his nephew's levies, which to
• 1:02:42
  Speaker 18: him appeared to be a preparation against the Pollock, But
• 1:02:46
  Speaker 18: better looked into, he truly found it was against your highness.
• 1:02:49
  Speaker 18: Whereat grieved that so his sickness, age and impotence was
• 1:02:54
  Speaker 18: falsely born in hand, sends out arrests on Fortinbras, which
• 1:02:58
  Speaker 18: he in brief base receives rebuke from Norway, and in
• 1:03:02
  Speaker 18: fine makes vow before his uncle nevermore to give the
• 1:03:05
  Speaker 18: essay of arms against your majesty, whereon Old Norway, overcome
• 1:03:09
  Speaker 18: with joy, gives him three thousand crowns an annual fee,
• 1:03:13
  Speaker 18: and his commission to employ these soldiers. So leve it
• 1:03:15
  Speaker 18: as before against the pollock, with an entreaty herein further.
• 1:03:19
  Speaker 2: Shown giving a paper that it might please you.
• 1:03:23
  Speaker 18: To give quiet pass through your dominions for this enterprise
• 1:03:26
  Speaker 18: on such regards of safety and allowance as therein are
• 1:03:29
  Speaker 18: set down.
• 1:03:31
  Speaker 9: It likes us well, and at our more considered time,
• 1:03:34
  Speaker 9: well read answer and think upon this business. Meantime, we
• 1:03:38
  Speaker 9: thank you for your well took labor. Go to your
• 1:03:41
  Speaker 9: rest at night, will feast together most welcome home.
• 1:03:45
  Speaker 2: Excellent Voltemann and Cornelius.
• 1:03:48
  Speaker 11: This business is well ended, my liege and madam. To
• 1:03:52
  Speaker 11: expostulate what majesty should be, what duty is? Why day
• 1:03:57
  Speaker 11: is day, night is night on time? T is time
• 1:04:01
  Speaker 11: worth nothing but to waste night, day and time. Therefore,
• 1:04:06
  Speaker 11: since brevity is the soul of wit and tediousness, the
• 1:04:09
  Speaker 11: limbs and outward flourishes, I will be brief. Your noble
• 1:04:15
  Speaker 11: son is mad mad call ay it for to define
• 1:04:20
  Speaker 11: true madness, what ist but to be nothing else but mad?
• 1:04:24
  Speaker 12: But let that go more matter, with less art.
• 1:04:29
  Speaker 11: Madam, I swear I use no art at all. That
• 1:04:32
  Speaker 11: he is mad tis true, tis true, tis pity and
• 1:04:37
  Speaker 11: pity tis tis true, a foolish figure. But farewell it,
• 1:04:42
  Speaker 11: for I will use no art. Mad Let us grant
• 1:04:46
  Speaker 11: him then, and now remains that we find out the
• 1:04:50
  Speaker 11: cause of this effect, or rather say the cause of
• 1:04:54
  Speaker 11: this defect. For this effect defective comes by cause. Thus
• 1:05:00
  Speaker 11: it remains, and the remainder. Thus perpend I have a daughter,
• 1:05:07
  Speaker 11: have while she is mine, who, in her duty and
• 1:05:11
  Speaker 11: obedience mark hath given me this. Now gather and surmise.
• 1:05:18
  Speaker 11: Reads to the celestial and my soul's idol, the most beautified, Ophelia.
• 1:05:27
  Speaker 11: That's an ill phrase, a vile phrase. Beautified is a
• 1:05:31
  Speaker 11: vile phrase. But you shall hear thus reads in her
• 1:05:37
  Speaker 11: excellent white bosom, these, et cetera.
• 1:05:41
  Speaker 12: Came this from Hamlet to her.
• 1:05:44
  Speaker 11: Good Madam, stay a while I will be faithful.
• 1:05:48
  Speaker 2: Reads.
• 1:05:49
  Speaker 11: Doubt thou the stars are fire, doubt that the sun
• 1:05:53
  Speaker 11: doth move, Doubt truth to be alive, But never doubt.
• 1:05:57
  Speaker 11: I love, oh dear, If he whre I am ill
• 1:06:01
  Speaker 11: at these numbers. I have not art to reckon my groans,
• 1:06:05
  Speaker 11: but that I love thee best, oh most best, believe it.
• 1:06:10
  Speaker 11: Adieu thy never more, most dear lady. While this machine
• 1:06:15
  Speaker 11: is to him Hamlet. This in obedience hath my daughter
• 1:06:21
  Speaker 11: shown me? And more above hath his solicitings as they
• 1:06:25
  Speaker 11: fell out, by time, by means and place, all given
• 1:06:30
  Speaker 11: to mine?
• 1:06:30
  Speaker 15: Ear?
• 1:06:31
  Speaker 9: But how hath she received his love?
• 1:06:34
  Speaker 11: What do you think of me as.
• 1:06:36
  Speaker 9: Of a man faithful and honorable?
• 1:06:39
  Speaker 11: I would fain prove so. But what might you think
• 1:06:43
  Speaker 11: when I had seen this hot love on the wing
• 1:06:46
  Speaker 11: as I perceived it? I must tell you that before
• 1:06:48
  Speaker 11: my daughter told me, what might you, oh, my dear majesty,
• 1:06:53
  Speaker 11: your queen here, think, if I had played the desk
• 1:06:56
  Speaker 11: or table book, oh, given my heart a winking mute
• 1:07:00
  Speaker 11: and dumb, or looked upon this love with idle sight?
• 1:07:04
  Speaker 11: What might you think?
• 1:07:05
  Speaker 20: No?
• 1:07:06
  Speaker 11: I went round to work, and my young mistress, thus
• 1:07:09
  Speaker 11: I did bespeak, Lord Hamlet is a prince out of
• 1:07:13
  Speaker 11: thy star. This must not be. And then I prescripts
• 1:07:17
  Speaker 11: gave her that she should lock herself from his resort.
• 1:07:21
  Speaker 11: Admit no messengers, receive no tokens, which done, she took
• 1:07:25
  Speaker 11: the fruits of my advice, and he repulsed a short
• 1:07:29
  Speaker 11: tale to make fell into a sadness, then into a fast,
• 1:07:33
  Speaker 11: then to a watch, thence into a weakness, thence to
• 1:07:37
  Speaker 11: a lightness, and by this declension into the madness, wherein
• 1:07:40
  Speaker 11: now he raves, and all we mourn.
• 1:07:43
  Speaker 9: For do you think tis this?
• 1:07:46
  Speaker 12: It may be very likely.
• 1:07:49
  Speaker 11: Hath there been such a time I would fain know
• 1:07:52
  Speaker 11: that that I have positively said, tis so? When it
• 1:07:56
  Speaker 11: proved otherwise, not.
• 1:07:58
  Speaker 2: That I know, pointing to his head and shoulder.
• 1:08:01
  Speaker 11: Take this from this if this be otherwise, if circumstances
• 1:08:06
  Speaker 11: lead me, I will find where truth is hid, though
• 1:08:10
  Speaker 11: it were hid indeed within the center.
• 1:08:13
  Speaker 9: How may we try it further?
• 1:08:16
  Speaker 11: You know sometimes he walks for hours together here.
• 1:08:19
  Speaker 2: In the lobby, so he does.
• 1:08:21
  Speaker 11: Indeed, at such a time I'll loose my daughter to him,
• 1:08:25
  Speaker 11: be you and I behind an arras, then mark the encounter.
• 1:08:30
  Speaker 11: If he love her not, and he not from his
• 1:08:33
  Speaker 11: reason fallen thereon, let me be no assistant for a state,
• 1:08:37
  Speaker 11: but keep a farm and cotters.
• 1:08:40
  Speaker 9: We will try it.
• 1:08:42
  Speaker 12: But look where sadly the poor wretch comes reading away.
• 1:08:46
  Speaker 11: I do beseech you both away. I'll board him presently.
• 1:08:50
  Speaker 2: Oh, give me leave, excellent King Claudius, Queen Gertrude, and attendance.
• 1:08:55
  Speaker 2: Enter Hamlet reading.
• 1:08:57
  Speaker 11: How does my good lord Hamlet?
• 1:09:00
  Speaker 3: Well, god a mercy?
• 1:09:01
  Speaker 9: Do you know me?
• 1:09:02
  Speaker 11: My lord?
• 1:09:03
  Speaker 3: Excellent? Well, you're a fishmonger?
• 1:09:07
  Speaker 11: Not I, my lord?
• 1:09:09
  Speaker 3: Then I would you were so honest? A man honest,
• 1:09:13
  Speaker 3: my lord, I sir, To be honest as this world goes,
• 1:09:19
  Speaker 3: is to be one man picked out of ten thousand.
• 1:09:22
  Speaker 11: That's very true, my lord.
• 1:09:24
  Speaker 3: For if the sun breed maggots and a dead dog
• 1:09:27
  Speaker 3: being a god kissing carrion? Have you a daughter? I have,
• 1:09:33
  Speaker 3: my Lord, let her not walk in the sun. Conception
• 1:09:38
  Speaker 3: is a blessing, but not as your daughter may conceive. Friend,
• 1:09:41
  Speaker 3: look tot aside.
• 1:09:44
  Speaker 11: I'll say you buy that, still harping on my daughter.
• 1:09:48
  Speaker 11: Yet he knew me? Not at first? He said I
• 1:09:50
  Speaker 11: was a fishmonger. He is far gone, far gone, and
• 1:09:55
  Speaker 11: truly in my youth I suffered much extremity for love
• 1:09:59
  Speaker 11: very near this. Yes, I'll speak to him again. What
• 1:10:04
  Speaker 11: do you read, my lord?
• 1:10:07
  Speaker 10: Words?
• 1:10:08
  Speaker 3: Words? Oh words?
• 1:10:12
  Speaker 11: What is the matter, my lord?
• 1:10:14
  Speaker 3: Between who I mean?
• 1:10:17
  Speaker 11: The matter that you read?
• 1:10:18
  Speaker 3: My Lord Slanders, Sir, for the satirical robe says here
• 1:10:24
  Speaker 3: that old men have gray beards, that their faces are wrinkled,
• 1:10:28
  Speaker 3: their eyes purging thick amber and plum tree gum, and
• 1:10:32
  Speaker 3: that they have a plentiful lack of wit, together with
• 1:10:35
  Speaker 3: most weak hams. All words, Sir, though I most powerfully
• 1:10:38
  Speaker 3: and potently believe, yet I hold it not honesty to
• 1:10:42
  Speaker 3: have it thus set down for yourself, Sir, should be
• 1:10:44
  Speaker 3: as old as I am. If like a crab you
• 1:10:47
  Speaker 3: could go backward.
• 1:10:49
  Speaker 11: Though this be madness, yet there's a method in it.
• 1:10:53
  Speaker 11: Will you walk out of the air, my lord, into
• 1:10:56
  Speaker 11: my grave? Indeed, that is out the air? Aside, how pregnant.
• 1:11:02
  Speaker 11: Sometimes his replies are the happiness that often madness hits,
• 1:11:07
  Speaker 11: on which reason and sanity could not so prosperously be
• 1:11:10
  Speaker 11: delivered of. I will leave him and suddenly contrive the
• 1:11:14
  Speaker 11: means of meeting between him and my daughter. My honorable Lord,
• 1:11:19
  Speaker 11: I will most humbly take my leave of you.
• 1:11:22
  Speaker 3: You cannot so take for me anything that I will
• 1:11:26
  Speaker 3: more willingly part withal accept my life, accept my life
• 1:11:34
  Speaker 3: hum except my life.
• 1:11:37
  Speaker 11: Fare you well, my lord.
• 1:11:40
  Speaker 3: Tedious old fools.
• 1:11:43
  Speaker 2: Enter Rosencrantz and Guildenstern.
• 1:11:45
  Speaker 11: You go to see the Lord Hamlet.
• 1:11:48
  Speaker 2: There he is to Polonius, God save you, sir, Exit Polonius,
• 1:11:54
  Speaker 2: My honored lord, my most dear lord, my.
• 1:11:58
  Speaker 3: Excellent good friend. How dost thou Gildenstone, ah Rosencrantz, good lads?
• 1:12:06
  Speaker 19: How do you both, as the indifferent children of the
• 1:12:09
  Speaker 19: earth happy in that?
• 1:12:11
  Speaker 17: We are not over happy? On Fortune's cap We are
• 1:12:14
  Speaker 17: not the very button.
• 1:12:15
  Speaker 3: Nor the soles of her shoe.
• 1:12:17
  Speaker 19: Neither, my lord.
• 1:12:19
  Speaker 3: Then you live about her waste or in the middle
• 1:12:23
  Speaker 3: of her.
• 1:12:23
  Speaker 17: Favors, faith her privates.
• 1:12:25
  Speaker 3: We in the secret parts of fortune. Ha ha ha, Oh,
• 1:12:29
  Speaker 3: most true, she is a strumpet. What's the news?
• 1:12:36
  Speaker 19: None, my lord, but that the world's grown honest?
• 1:12:39
  Speaker 3: Then is doomsday near? But your news is not true?
• 1:12:43
  Speaker 3: Let me question you more, in particular, what have you,
• 1:12:46
  Speaker 3: my good friends, deserved at the hands of fortune that
• 1:12:51
  Speaker 3: she sends you to prison? Hither prison, my lord? Denmark's
• 1:12:55
  Speaker 3: a prison?
• 1:12:57
  Speaker 19: Then is the world one a goodly one.
• 1:13:00
  Speaker 3: In which there are many confines, wards and dungeons, Denmark
• 1:13:06
  Speaker 3: being one of the worst.
• 1:13:07
  Speaker 19: We think not so, my lord?
• 1:13:10
  Speaker 3: Why then tis none to you? For there is nothing
• 1:13:13
  Speaker 3: either good or bad, but thinking makes it so. To
• 1:13:16
  Speaker 3: me it is a prison?
• 1:13:18
  Speaker 19: Why then your ambition makes it one? Tis too narrow
• 1:13:21
  Speaker 19: for your mind?
• 1:13:23
  Speaker 3: God, I could be bounded in a nutshell and count
• 1:13:27
  Speaker 3: myself a king of infinite space, were it not that
• 1:13:30
  Speaker 3: I have bad dreams?
• 1:13:32
  Speaker 17: Which dreams? Indeed, our ambition, For the very substance of
• 1:13:35
  Speaker 17: the ambitions is merely the shadow of a dream.
• 1:13:38
  Speaker 3: A dream itself is but a shadow.
• 1:13:41
  Speaker 19: Truly, And I hold ambition of so airy and light
• 1:13:44
  Speaker 19: a quality that it is but a shadow's shadow.
• 1:13:48
  Speaker 3: Then are our beggar's bodies, and our monarchs and outstretched heroes,
• 1:13:53
  Speaker 3: the beggars shadows? Shall we to the court, For by
• 1:13:58
  Speaker 3: my fee I cannot reason. We'll wait upon you no
• 1:14:02
  Speaker 3: such matter. I will not sort you with the rest
• 1:14:05
  Speaker 3: of my servants, for to speak to you like an
• 1:14:08
  Speaker 3: honest man, I am most dreadfully attended. But in the
• 1:14:13
  Speaker 3: beaten way of friendship. What make you at elsinore.
• 1:14:17
  Speaker 19: To visit you, my lord? No other occasion.
• 1:14:20
  Speaker 3: Beggar that I am. I am even poor in thanks,
• 1:14:24
  Speaker 3: but I thank you, and sure, dear friends, my things
• 1:14:28
  Speaker 3: are too dear. A halfpenny were you not sent? For
• 1:14:33
  Speaker 3: is it your own inclining is it a free visitation?
• 1:14:38
  Speaker 3: Come deal justly with me? Come, come, nay speak What
• 1:14:44
  Speaker 3: should we say, my lord? Why anything but to the
• 1:14:48
  Speaker 3: purpose you were sent for? And there is a kind
• 1:14:53
  Speaker 3: of confession in your looks which your modesties have not
• 1:14:56
  Speaker 3: craft enough to color. I know the good King and
• 1:15:01
  Speaker 3: Queen have sent for you. To what end, my lord,
• 1:15:06
  Speaker 3: that you must teach me? But let me conjure you
• 1:15:11
  Speaker 3: by the rights of our fellowship, by the consonancy of
• 1:15:14
  Speaker 3: our youth, by the obligation of our ever preserved love,
• 1:15:20
  Speaker 3: And by what more, dear a better proposer could charge
• 1:15:23
  Speaker 3: you withal Be even and direct with me, whether you
• 1:15:28
  Speaker 3: were sent for or no?
• 1:15:32
  Speaker 2: Aside to Guildenstern, what say you aside?
• 1:15:36
  Speaker 1: Nay?
• 1:15:36
  Speaker 3: Then I have an eye of you. If you love me, Hold.
• 1:15:39
  Speaker 17: Not off, my lord? We were sent for.
• 1:15:43
  Speaker 3: I will tell you, why, so shall my anticipation prevent
• 1:15:48
  Speaker 3: your discovery and your secrecy to the King and Queen
• 1:15:53
  Speaker 3: molt no feather I have of late, But wherefore I
• 1:15:58
  Speaker 3: know not? I've lost all my mirth, foregone all custom
• 1:16:03
  Speaker 3: of exercises. And indeed it goes so heavily with my
• 1:16:07
  Speaker 3: disposition that this goodly framed the earth seems to me
• 1:16:11
  Speaker 3: a sterile promontory, This most excellent canopy the air. Look you,
• 1:16:20
  Speaker 3: this brave, overhanging firmament, this majestical roof, fretted with gold
• 1:16:26
  Speaker 3: and fire. Why it appears no other thing to me
• 1:16:30
  Speaker 3: than a foul and pestilent congregation of vapors. What a
• 1:16:36
  Speaker 3: piece of work is man? How noble in reason? How
• 1:16:41
  Speaker 3: infinite and faculty, and form and moving? How express an
• 1:16:46
  Speaker 3: admirable in action? How like an angel in apprehension, How
• 1:16:56
  Speaker 3: like a god? The beauty of the world, the paragon
• 1:17:02
  Speaker 3: of animals? And yet to me, what is this quintessence
• 1:17:10
  Speaker 3: of dust? Man delights not me, no nor woman neither,
• 1:17:17
  Speaker 3: though by your smiling you seem to say so.
• 1:17:22
  Speaker 19: My lord, there was no such stuff in my thoughts.
• 1:17:26
  Speaker 3: Why did you laugh then when I said, man delights
• 1:17:31
  Speaker 3: not me?
• 1:17:32
  Speaker 19: To think, my lord? If you delight not in man?
• 1:17:35
  Speaker 19: What lent and entertainment the players shall receive from you?
• 1:17:38
  Speaker 19: We coated them on the way, and hither they are
• 1:17:41
  Speaker 19: coming to offer you service.
• 1:17:43
  Speaker 3: He the place the king shall be welcome. His majesty
• 1:17:47
  Speaker 3: shall have tribute of me. The adventurous knight shall use
• 1:17:51
  Speaker 3: his foil and target the lover shall not psygratis. The
• 1:17:55
  Speaker 3: humorous man shall end his part in peace. The clown
• 1:17:57
  Speaker 3: shall make those laugh whose lungs are too The sayer
• 1:18:01
  Speaker 3: and the lady shall say her mind freely, or the
• 1:18:04
  Speaker 3: blank verse shall hertford? Or what players are they?
• 1:18:08
  Speaker 19: Even those you were wont to take delight in the
• 1:18:10
  Speaker 19: tragedians of the city.
• 1:18:12
  Speaker 3: How chances that they travel their residence both in reputation
• 1:18:16
  Speaker 3: and provid was better both ways?
• 1:18:19
  Speaker 19: I think their inhibition comes by the means of the
• 1:18:21
  Speaker 19: late innovation?
• 1:18:23
  Speaker 3: Do they hold the same estimation they did when I
• 1:18:26
  Speaker 3: was in the city? Are they so followed?
• 1:18:28
  Speaker 21: No?
• 1:18:28
  Speaker 19: Indeed they are not.
• 1:18:30
  Speaker 3: How comes it do they grow rusty?
• 1:18:33
  Speaker 19: Nay? Their endeavor keeps in the wonted pace? But there
• 1:18:36
  Speaker 19: is sir an airy of children, little iases that cry
• 1:18:40
  Speaker 19: out on the top of question, and are most tyrannically
• 1:18:43
  Speaker 19: clapped for it. These are now the fashion and so
• 1:18:46
  Speaker 19: beretal the common stages. So they call him that many
• 1:18:50
  Speaker 19: wearing rapiers are afraid of goose quills, and dare scarce
• 1:18:54
  Speaker 19: come thither?
• 1:18:54
  Speaker 3: What are they children? Who maintains them? How are they escotted?
• 1:19:00
  Speaker 3: Will they pursue the quality no longer than they can sing.
• 1:19:05
  Speaker 3: Will they not say afterwards if they should grow themselves
• 1:19:09
  Speaker 3: to common players, as it is most like if their
• 1:19:12
  Speaker 3: means are no better, their writers do them wrong to
• 1:19:15
  Speaker 3: make them exclaim against their own succession.
• 1:19:18
  Speaker 19: Faith. There has been much to do on both sides,
• 1:19:21
  Speaker 19: and the nation holds it in no sin to tire
• 1:19:23
  Speaker 19: them to controversy. There was for a while no money
• 1:19:27
  Speaker 19: bid for argument unless the poet and the player went
• 1:19:30
  Speaker 19: to cuffs in the question is it possible?
• 1:19:34
  Speaker 17: Oh, there has been much throwing about of brains.
• 1:19:37
  Speaker 3: Do the boys carry it away?
• 1:19:38
  Speaker 2: Aye?
• 1:19:39
  Speaker 19: That they do. My Lord Hercules and his load too.
• 1:19:42
  Speaker 3: It is not very strange for mine uncle is King
• 1:19:46
  Speaker 3: of Denmark, and those that would make mose it him
• 1:19:50
  Speaker 3: while my father lived, give twenty forty fifty an hundred
• 1:19:55
  Speaker 3: ducats apiece for his picture in little splud. There is
• 1:19:59
  Speaker 3: something more in this then natural if philosophy could find
• 1:20:03
  Speaker 3: it out.
• 1:20:04
  Speaker 2: Flourish of trumpets within there are the players.
• 1:20:08
  Speaker 3: Gentlemen, you are welcome to Elsinov your hands come. Then.
• 1:20:12
  Speaker 3: The impertinence of welcome is fashion and ceremony. Let me
• 1:20:17
  Speaker 3: comply with you in this garb. Blest my extent to
• 1:20:20
  Speaker 3: the players, which I tell you must show fairly outward,
• 1:20:23
  Speaker 3: should appear more like entertainment than yours. You are welcome,
• 1:20:28
  Speaker 3: But my uncle father and aunt mother are deceived in
• 1:20:34
  Speaker 3: what my dear lord, I am but mad north northwest,
• 1:20:38
  Speaker 3: when the wind is southerly. I know a hawk from
• 1:20:41
  Speaker 3: a hand saw Enter Polonius.
• 1:20:45
  Speaker 11: Well be with you, gentlemen.
• 1:20:47
  Speaker 3: Hark you, Gildenstern, and you too, at each ear a
• 1:20:51
  Speaker 3: hearer a great baby. You see there is not out
• 1:20:55
  Speaker 3: of his swaddling clothes.
• 1:20:57
  Speaker 19: Happily he is the second time. Come to them, For
• 1:21:00
  Speaker 19: they say an old man is twice a child.
• 1:21:03
  Speaker 3: I will prophecy he comes to tell me of the
• 1:21:06
  Speaker 3: player's market. You say, right, sir, oh, Monday morning twas so.
• 1:21:11
  Speaker 11: Indeed, my lord, I have news to tell you.
• 1:21:15
  Speaker 3: My Lord, I have news to tell you. When Rosius
• 1:21:18
  Speaker 3: was an actor in Rome.
• 1:21:20
  Speaker 11: The actors are come hither, my lord, buzz buzz upon
• 1:21:24
  Speaker 11: mine honor.
• 1:21:25
  Speaker 3: Then came each actor on his ass.
• 1:21:29
  Speaker 11: The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral, comical,
• 1:21:36
  Speaker 11: historical pastoral, tragical, historical, tragical, comical, historical, pastoral, seen individual
• 1:21:43
  Speaker 11: or poem unlimited. Senneker cannot be too heavy, nor platter's
• 1:21:48
  Speaker 11: too light. For the law of writ and the liberty.
• 1:21:51
  Speaker 11: These are the only men.
• 1:21:53
  Speaker 3: Oh Chap the judge of Israel, What a treasure hadst thou?
• 1:21:58
  Speaker 11: What treasure had he?
• 1:21:59
  Speaker 6: My Lord?
• 1:22:00
  Speaker 3: Why? One fair daughter? And no more? The witch she loved?
• 1:22:04
  Speaker 3: Passing well?
• 1:22:06
  Speaker 2: Aside?
• 1:22:07
  Speaker 11: Still on my daughter?
• 1:22:09
  Speaker 3: Am I not to the right old Jephtha?
• 1:22:12
  Speaker 11: If you call me Jephtha? My Lord, I have a
• 1:22:15
  Speaker 11: daughter that I love passing well?
• 1:22:18
  Speaker 3: Nay, that follows?
• 1:22:19
  Speaker 11: Not what follows? Then, my lord?
• 1:22:23
  Speaker 3: Why as by lot God?
• 1:22:30
  Speaker 21: What?
• 1:22:33
  Speaker 3: And then you know? Ah? It came to pass as
• 1:22:38
  Speaker 3: most like it was the first row of the pious
• 1:22:43
  Speaker 3: Chancellen will show you more. For look where my abridgment comes.
• 1:22:47
  Speaker 2: Enter four or five players.
• 1:22:50
  Speaker 3: You are welcome, masters, Welcome all. I am glad to
• 1:22:54
  Speaker 3: see thee well, welcome, good friends. Oh, my old friend,
• 1:23:03
  Speaker 3: thy face is valance. Since I saw THEE last, comes
• 1:23:08
  Speaker 3: thou to beard me in Denmark. Ha, what my young
• 1:23:12
  Speaker 3: lady and mistress? By your lady, your ladyship is nearer
• 1:23:17
  Speaker 3: to Heaven than when I saw you last. By the
• 1:23:19
  Speaker 3: altitude of a chopin pray God, your voice like a
• 1:23:24
  Speaker 3: piece of uncurrant gold be not cracked within the ring. Masters,
• 1:23:29
  Speaker 3: you are welcome all. We'll e into it like French
• 1:23:32
  Speaker 3: falconers fly at anything we see. We'll have a speech straight.
• 1:23:37
  Speaker 3: Come give us a taste of your quality. Come a
• 1:23:39
  Speaker 3: passionate speech.
• 1:23:41
  Speaker 2: What speech, my lord?
• 1:23:43
  Speaker 3: I heard thee speak a speech once. Oh, but it
• 1:23:45
  Speaker 3: was never acted, or if it was not above once
• 1:23:50
  Speaker 3: for the play, I remember, Please not a million twas
• 1:23:54
  Speaker 3: caviare to the general. But it was as I received it,
• 1:23:58
  Speaker 3: And others whose judgment in such matters cried in the
• 1:24:01
  Speaker 3: top of mind an excellent play, well digested and seen,
• 1:24:05
  Speaker 3: set down with as much modesty as cunning. I remember
• 1:24:10
  Speaker 3: one said there were no salads in the lines to
• 1:24:13
  Speaker 3: make them at savory, nor no matter in the phrase
• 1:24:15
  Speaker 3: that might indict the author of affectation, but called it
• 1:24:20
  Speaker 3: an honest method, as wholesome, as sweet, and by very
• 1:24:25
  Speaker 3: much more handsome than fine one speech in it. I
• 1:24:28
  Speaker 3: chiefly loved twas Enaeus tale to Dido, and thereabout it,
• 1:24:34
  Speaker 3: especially where he speaks of Priam's slaughter. If it live
• 1:24:39
  Speaker 3: in your memory, begin at this line. Let me see,
• 1:24:42
  Speaker 3: let me see the rugged purists like the Hyrcanian beast.
• 1:24:49
  Speaker 6: No, it is not so.
• 1:24:51
  Speaker 3: Ah. It begins with Pearis, the rugged peurist, he who
• 1:24:56
  Speaker 3: sables arms black as his purpose did the the night
• 1:25:00
  Speaker 3: resembled where he lay couched in the ominous horse hath.
• 1:25:04
  Speaker 3: Now this dread and black complexion smeared with heraldry more
• 1:25:08
  Speaker 3: dismal head to foot. Now is he total gulls, horridly
• 1:25:14
  Speaker 3: tricked with blood of father's mother's daughter's sons, baked and
• 1:25:19
  Speaker 3: impasted with the parching streets that lend a tyrannous and
• 1:25:24
  Speaker 3: damnid light to the lord's murder, Roasted in wrath and fire,
• 1:25:29
  Speaker 3: and thus oversighs with coagulant gore with eyes like carbuncles.
• 1:25:36
  Speaker 3: The hellish peeress old grandsire Priam speaks, Ah, so precede.
• 1:25:44
  Speaker 11: You for God, my Lord, well spoken and with good
• 1:25:47
  Speaker 11: accent and good discretion.
• 1:25:50
  Speaker 2: Anon, he finds him striking too short at Greeks. His
• 1:25:53
  Speaker 2: antique sword, rebellious to his arm, lies where it falls
• 1:25:57
  Speaker 2: repugnant command unequal matched peeris at price, drives and rage
• 1:26:01
  Speaker 2: strikes wide, but with the whiff and wind of his
• 1:26:03
  Speaker 2: fellow sword, the unnerved father falls, then senseless Ilium, seeming
• 1:26:07
  Speaker 2: to feel this blow with flaming top stoops to his base,
• 1:26:10
  Speaker 2: and with a hideous crash, takes prisoner Peirris's ear for
• 1:26:13
  Speaker 2: lo His sword, which was declining on the milky head
• 1:26:16
  Speaker 2: of Reverend Priam, seemed to the air to stick. So
• 1:26:18
  Speaker 2: as a painted tyrant Peerus stood and like a neutral
• 1:26:21
  Speaker 2: to his will and matter did nothing. But, as we
• 1:26:24
  Speaker 2: often see against some storm, a silence in the heavens,
• 1:26:27
  Speaker 2: the racks stands still, the bold winds speechless in the
• 1:26:30
  Speaker 2: ore below, as hush as death anon, the dreadful thunder
• 1:26:33
  Speaker 2: doth rend the region. So after Peirus's paws aroused, vengeance
• 1:26:37
  Speaker 2: sets him newer work. And never did the cyclop's hammers
• 1:26:40
  Speaker 2: fall on Mars's armor forge for proof. A turn with
• 1:26:43
  Speaker 2: less remorse than Piirrs's bleeding sword now falls on Prium.
• 1:26:47
  Speaker 2: Out out thou strumpet fortune, all you gods in general Synod,
• 1:26:51
  Speaker 2: take away her power, break all the spokes and fellies
• 1:26:53
  Speaker 2: from her wheel, and bowl the round knave down the
• 1:26:56
  Speaker 2: hill of heaven as low as to the fiends, this
• 1:26:59
  Speaker 2: is too.
• 1:26:59
  Speaker 3: Long, it shouter the barbers with your beard, Prithee say
• 1:27:03
  Speaker 3: on needs for a jig or a taiale of bawdery,
• 1:27:06
  Speaker 3: or he sleeps, say on, come to Hecuba.
• 1:27:09
  Speaker 2: But who oh, who had seen the mobiled queen?
• 1:27:12
  Speaker 11: The mobled queen, that's good. Mobiled queen is good.
• 1:27:17
  Speaker 2: Run barefoot up and down, threatening the flames with bison room,
• 1:27:21
  Speaker 2: a clout upon that head where late the diadem stood,
• 1:27:23
  Speaker 2: and for a robe about her lank and all or
• 1:27:25
  Speaker 2: timid loins a blanket in the alarm of fear caught up?
• 1:27:29
  Speaker 2: Who this had seen? With tongue venoms steeped against fortune state,
• 1:27:32
  Speaker 2: would treason have pronounced? But if the gods themselves did
• 1:27:36
  Speaker 2: see her, then, when she saw Peerus make malicious sport
• 1:27:38
  Speaker 2: in mincing with his sword her husband's limbs, the instant
• 1:27:41
  Speaker 2: burst of clamor that she made, unless things mortal moved
• 1:27:44
  Speaker 2: them not at all, would have made milch the burning
• 1:27:46
  Speaker 2: eyes of heaven and passion in the gods.
• 1:27:49
  Speaker 11: Look where he has not turned his color and has
• 1:27:52
  Speaker 11: tears in his eyes.
• 1:27:54
  Speaker 3: Prithee, no more, tis well, I'll have thee speak out
• 1:27:59
  Speaker 3: the rests soon. Good, my lord, will you see the
• 1:28:03
  Speaker 3: players well? Bestowed? Do you hear? Let them be well used?
• 1:28:06
  Speaker 3: For they are the abstract and brief chronicles of the
• 1:28:09
  Speaker 3: time after your death. You were better have a bad
• 1:28:12
  Speaker 3: epitaph than their ill report.
• 1:28:14
  Speaker 11: While you live, my lord, I will use them according
• 1:28:18
  Speaker 11: to bad dessert.
• 1:28:19
  Speaker 3: God's Bodkin's man. Much better, use every man after his dessert,
• 1:28:25
  Speaker 3: and who should scape whipping. Use them after your own
• 1:28:28
  Speaker 3: honor and dignity. The less they deserve, the more merit
• 1:28:32
  Speaker 3: is in your bounty. Take them in. Come, sirs, follow him, friends,
• 1:28:39
  Speaker 3: we'll hear a play tomorrow.
• 1:28:41
  Speaker 2: Exit Polonius with all players but the first.
• 1:28:45
  Speaker 3: Dost thou hear me? Old friend? Can you play the
• 1:28:49
  Speaker 3: Murder of Gonzago?
• 1:28:51
  Speaker 14: Ay?
• 1:28:51
  Speaker 3: My lord, we'll have tomorrow night. You could, for a
• 1:28:55
  Speaker 3: need study a speech of some dozen or sixteen lines,
• 1:28:59
  Speaker 3: which I would set now insert int. Could you not?
• 1:29:02
  Speaker 2: Ay? My lord?
• 1:29:04
  Speaker 3: Very well? Follow that lord, and look you mock him?
• 1:29:07
  Speaker 2: Not exit first player.
• 1:29:10
  Speaker 3: My good friends, I'll leave you till night. You are
• 1:29:15
  Speaker 3: welcome to elsinor good my lord, Ay, sir, God be
• 1:29:19
  Speaker 3: with ye.
• 1:29:21
  Speaker 2: Excellent Rosencrantz and Guildenstern.
• 1:29:23
  Speaker 3: Now I am alone? Oh what a rogue and peasants slave?
• 1:29:27
  Speaker 3: Am I? Is it not monstrous that this player here
• 1:29:33
  Speaker 3: but in a fiction, in a dream of passion, could
• 1:29:37
  Speaker 3: force his soul so to his own conceit that from
• 1:29:41
  Speaker 3: her working all his visage wand tears in his eyes,
• 1:29:46
  Speaker 3: distraction in his aspect, a broken voice, and his whole
• 1:29:52
  Speaker 3: function suiting with forms to his conceit, and all for
• 1:29:57
  Speaker 3: nothing for Hecuba A What's Hecuba? To him? Were he
• 1:30:05
  Speaker 3: to Hecuba that he should weep for her? What would
• 1:30:10
  Speaker 3: he do? Had he the motive in cue for passion
• 1:30:14
  Speaker 3: that I have, he would drown the stage with tears
• 1:30:20
  Speaker 3: and cleave the general ear with horrid speech, make mad
• 1:30:24
  Speaker 3: the guilty, and appall the free, confound the ignorant, and
• 1:30:27
  Speaker 3: amaze indeed the very faculties of eyes and ears. Yet
• 1:30:31
  Speaker 3: I a dull and muddy metalled rascal pique like Shauna, dreams,
• 1:30:39
  Speaker 3: unpregnant of my cause, and can say nothing, Oh not
• 1:30:48
  Speaker 3: for a king upon whose property and most dear life
• 1:30:52
  Speaker 3: a damned defeat was made am I word? Who calls
• 1:31:02
  Speaker 3: me villain, breaks my pain across, plucks off my beard
• 1:31:08
  Speaker 3: and blows it in my face, tweaks me by the nose,
• 1:31:13
  Speaker 3: gives me the lie the throat as deep as to
• 1:31:16
  Speaker 3: the lungs. Who does me this? Hah swounds? I should
• 1:31:24
  Speaker 3: take it, for it cannot be but I am pigeon
• 1:31:29
  Speaker 3: livered and lack goll to make oppression bitter. Oh hear this,
• 1:31:33
  Speaker 3: I should have fatted all the region's kites with this
• 1:31:36
  Speaker 3: slave's awful, bloody body. Villain, remorseless, treacherous, lecherous, kindless villain
• 1:31:53
  Speaker 3: of vengeance. Oh, oh, what an ass am. I this
• 1:32:03
  Speaker 3: is most brave that I, the son of a dear
• 1:32:09
  Speaker 3: father murdered, prompted to my revenge by Heaven and hell,
• 1:32:14
  Speaker 3: must like a whore, unpack my heart with words and
• 1:32:20
  Speaker 3: fall a cursing like a very drab a scullion, fire
• 1:32:27
  Speaker 3: upont foe about my brain. I have heard the guilty
• 1:32:37
  Speaker 3: creatures sitting at a play have, by the very cunning
• 1:32:40
  Speaker 3: of the scene, been struck so to the soul that
• 1:32:43
  Speaker 3: presently they have proclaimed their malefactions for murder, though it
• 1:32:48
  Speaker 3: have no tongue, will speak with most miraculous organ. I'll
• 1:32:55
  Speaker 3: have these players place something the murder of my father
• 1:33:03
  Speaker 3: before mine uncle. I'll observe his looks. I'll tend him
• 1:33:08
  Speaker 3: to the quick if he but blench, I know, my course.
• 1:33:13
  Speaker 3: The spirit that I have seen may be the devil,
• 1:33:16
  Speaker 3: and the devil have power to assume a pleasing shape. Yeah,
• 1:33:19
  Speaker 3: and perhaps out of my weakness and my melancholy, as
• 1:33:23
  Speaker 3: he is very potent with such spirits, abuses me to
• 1:33:26
  Speaker 3: damn me. I'll have grounds more relative than this, the
• 1:33:32
  Speaker 3: plays the thing wherein I'll catch the conscience of the king.
• 1:33:40
  Speaker 2: Exit end of Act two, Act three seem one a
• 1:33:46
  Speaker 2: room in the castle, Enter King Claudius, Queen Gertrude, Polonius, Ophelia, Rosencrantz,
• 1:33:52
  Speaker 2: and Guldenstern.
• 1:33:54
  Speaker 9: And can you, by no drift of circumstance get from him?
• 1:33:57
  Speaker 9: Why he puts on this confusion, grating so harshly all
• 1:34:00
  Speaker 9: his days of quiet, with turbulent and dangerous lunacy.
• 1:34:04
  Speaker 19: He does confess he feels himself distracted, But from what cause?
• 1:34:09
  Speaker 19: He will, by no means speak.
• 1:34:11
  Speaker 17: Nor do we find him forward to be sounded, but
• 1:34:13
  Speaker 17: with a crafty madness keeps aloof when we would bring
• 1:34:16
  Speaker 17: him on to some confession of his true state?
• 1:34:19
  Speaker 12: Did he receive you well, most like a gentleman.
• 1:34:22
  Speaker 17: But with much forcing of his disposition.
• 1:34:25
  Speaker 19: Niggard of question, but of our demands most free? In
• 1:34:29
  Speaker 19: his reply?
• 1:34:30
  Speaker 12: Did you essay him tow any pastime?
• 1:34:32
  Speaker 9: Madam?
• 1:34:33
  Speaker 19: It so fell out that certain players we are wrought
• 1:34:36
  Speaker 19: on the way of these we told him, and there
• 1:34:40
  Speaker 19: did seem in him a kind of joy to hear
• 1:34:42
  Speaker 19: of it. They are about the court, and as I
• 1:34:45
  Speaker 19: think they have already ordered this night to play before.
• 1:34:48
  Speaker 11: Him tis most true. And he beseeched me to entreat
• 1:34:52
  Speaker 11: your majesties to hear and see the matter.
• 1:34:55
  Speaker 9: With all my heart. And it doth much content me
• 1:34:58
  Speaker 9: to hear him so inclined, good gentleman, give him a
• 1:35:02
  Speaker 9: further edge and drive his purpose on to these delights.
• 1:35:05
  Speaker 19: We shall, my.
• 1:35:06
  Speaker 2: Lord Excellent Rosencrantz and Guildenstern.
• 1:35:10
  Speaker 9: Sweet Gertrude, leave us too, for we have closely sent
• 1:35:14
  Speaker 9: for Hamlet hither that he, as twere by accident, may
• 1:35:17
  Speaker 9: hear of front. Ophelia, her father and myself lawfuleespiells will
• 1:35:21
  Speaker 9: so bestow ourselves that, seeing unseen, we may of therein
• 1:35:26
  Speaker 9: counter frankly judge and gather by him as he has behaved,
• 1:35:30
  Speaker 9: if it be the affliction of his love, or know
• 1:35:32
  Speaker 9: that thus he suffers.
• 1:35:33
  Speaker 12: For I shall obey you, and for your part, Ophelia,
• 1:35:38
  Speaker 12: I do wish that your good beauties be the happy
• 1:35:41
  Speaker 12: cause of Hamlet's wildness. So shall I hope your virtues
• 1:35:45
  Speaker 12: will bring him to his wonted way again to both
• 1:35:48
  Speaker 12: your honors, Madam, I wish it may exit.
• 1:35:52
  Speaker 11: Queen Gertrude, Ophelia, walk you here, gracious, so please you.
• 1:35:58
  Speaker 11: We will bestow ourselves to Ophelia. Read on this book
• 1:36:02
  Speaker 11: that show such an exercise may color your loneliness. We
• 1:36:06
  Speaker 11: are oft to blame in this tis too much proved
• 1:36:09
  Speaker 11: that with devotion's visage and pious action we do sugar
• 1:36:13
  Speaker 11: o'er the devil himself aside?
• 1:36:16
  Speaker 9: Who tis too true? How smart a lash that speech
• 1:36:20
  Speaker 9: doth give my conscience? The harlot's cheek, beautied with plastering art,
• 1:36:24
  Speaker 9: is not more ugly to the thing that helps it
• 1:36:27
  Speaker 9: than is my deed to my most painted word. O
• 1:36:30
  Speaker 9: heavy burthen, I.
• 1:36:32
  Speaker 11: Hear him coming. Let withdraw my lord.
• 1:36:35
  Speaker 2: Excellent King Claudius and Polonius enter Hamlet.
• 1:36:39
  Speaker 9: To be.
• 1:36:41
  Speaker 3: Or not to be? That is the question? With tis
• 1:36:48
  Speaker 3: nobler in the mind to suffer the slings and arrows
• 1:36:53
  Speaker 3: of outrageous fortune, or to take arms against the sea
• 1:36:58
  Speaker 3: of troubles, and by opposing end them to die? To
• 1:37:04
  Speaker 3: sleep no more, and by a sleep, to say we
• 1:37:12
  Speaker 3: end the heartache and thousand natural shocks that flesh is
• 1:37:19
  Speaker 3: heir to. Oh, the consummation devoutly to be wished to die,
• 1:37:27
  Speaker 3: to sleep, to sleep perchance to dream. Ah, there's the
• 1:37:37
  Speaker 3: rob For in that sleep of death, what dreams may come?
• 1:37:44
  Speaker 3: When we have shuffled off this mortal coil? Must give
• 1:37:49
  Speaker 3: us pause. There's the respect that makes calamity of so
• 1:37:54
  Speaker 3: long life. For who would bear the whips and scores
• 1:37:58
  Speaker 3: of time, the oppressors, wrongs of the proud man's Countumly
• 1:38:04
  Speaker 3: the pangs have despised love, The laws delay, the insolence
• 1:38:07
  Speaker 3: of office, and the spurns the patient merit of the
• 1:38:14
  Speaker 3: unworthy takes when he himself might tis quite as make
• 1:38:19
  Speaker 3: with a bare barkin. Who would fardles bear to grunt
• 1:38:26
  Speaker 3: and sweat under a weary life? But that the tread
• 1:38:30
  Speaker 3: of something after death, the undiscovered country from who's born
• 1:38:38
  Speaker 3: no traveler returns, puzzles the will and makes us rather
• 1:38:45
  Speaker 3: bear those ills we have than fly to others we
• 1:38:49
  Speaker 3: know not of. Ah. Thus conscience does make cowards of
• 1:38:57
  Speaker 3: us all. And thus the native hue of resolution is
• 1:39:04
  Speaker 3: sickly dover with the pale cast of thought and enterprises
• 1:39:11
  Speaker 3: of great pith and moment, with this regard their currents.
• 1:39:16
  Speaker 3: Turn of rye and lose the name of action. Ah fluff,
• 1:39:24
  Speaker 3: you know the fair of failure, nymph in thy orisons.
• 1:39:32
  Speaker 3: Be all my sins remembered?
• 1:39:36
  Speaker 14: Good, my lord? How does your honor for this many day?
• 1:39:40
  Speaker 3: I humbly thank you? Well?
• 1:39:43
  Speaker 14: Well, well, my lord, I have remembrances of yours that
• 1:39:49
  Speaker 14: I have longed long to redeliver. I pray you now
• 1:39:53
  Speaker 14: receive them.
• 1:39:55
  Speaker 3: No, not I I never gave you aught, my honored.
• 1:40:01
  Speaker 14: Lord, you know right well you did, and with them
• 1:40:05
  Speaker 14: words of so sweet breath composed as made the things
• 1:40:08
  Speaker 14: more rich, their perfume lost. Take these again, for to
• 1:40:13
  Speaker 14: the noble mind rich gifts wax poor when givers prove unkind.
• 1:40:19
  Speaker 14: There my lord, ha ha.
• 1:40:22
  Speaker 3: Are you honest?
• 1:40:25
  Speaker 14: My lord?
• 1:40:26
  Speaker 3: Are you fair?
• 1:40:29
  Speaker 14: What means, your lordship, that if you.
• 1:40:32
  Speaker 3: Be honest and fair, your honesty should admit no discourse
• 1:40:35
  Speaker 3: to your beauty?
• 1:40:37
  Speaker 14: Could beauty, my lord, have better calmerce than with honesty?
• 1:40:41
  Speaker 3: Ay, truly, for the power of beauty will sooner transform
• 1:40:47
  Speaker 3: honesty from what it is to a bawd. Then the
• 1:40:52
  Speaker 3: force of honesty can translate beauty into his likeness. This
• 1:40:56
  Speaker 3: was some time a paradox. But now the time give
• 1:41:00
  Speaker 3: is it proof? I did love you once?
• 1:41:04
  Speaker 14: Indeed, my Lord, you made me believe, so.
• 1:41:08
  Speaker 3: You should not have believed me. For virtue cannot so
• 1:41:13
  Speaker 3: inoculate our old stock. But we shall relish of it.
• 1:41:18
  Speaker 14: I loved you, not I was the more deceived.
• 1:41:23
  Speaker 3: Get thee to a nunnery. Why wouldst thou be a
• 1:41:26
  Speaker 3: breeder of sinners? I am myself indifferent, honest, And yet
• 1:41:31
  Speaker 3: I could accuse me of such things that it were
• 1:41:34
  Speaker 3: better my mother had not borne me. I am very proud, revengeful, ambitious,
• 1:41:44
  Speaker 3: with more offenses at my back than I have thoughts
• 1:41:47
  Speaker 3: to put them in imagination, to give them shape or
• 1:41:50
  Speaker 3: time to act them in What should fellows such as
• 1:41:53
  Speaker 3: I do, crawling between earth and heaven? We are errant knaves,
• 1:41:57
  Speaker 3: all believe. None of us us go thy ways to
• 1:42:02
  Speaker 3: a nunnery? Where's your father at home?
• 1:42:06
  Speaker 6: My lord?
• 1:42:08
  Speaker 3: Let the doors be shut upon him, that he may
• 1:42:10
  Speaker 3: play the fool nowhere but in his own house farewell,
• 1:42:16
  Speaker 3: Oh help.
• 1:42:17
  Speaker 14: Him, you, sweet heavens.
• 1:42:20
  Speaker 3: If thou dost marry, I'll give thee this plague for
• 1:42:23
  Speaker 3: thy dowry. Be thou as chaste as eyes, as pure
• 1:42:26
  Speaker 3: as snow. Thou shalt not escape Calumny, get thee to
• 1:42:30
  Speaker 3: a nunnery. Go farewell, Nor if thou wilt needs Mary,
• 1:42:35
  Speaker 3: marry a fool. For wise men know well enough what
• 1:42:38
  Speaker 3: monsters you make of them to a nunnery. Go and
• 1:42:46
  Speaker 3: quickly too, farewell.
• 1:42:51
  Speaker 14: Oh, heavenly powers restore him.
• 1:42:54
  Speaker 3: I have heard of your paintings too well enough. God
• 1:42:59
  Speaker 3: has given you one face, and you make yourselves another.
• 1:43:04
  Speaker 3: You jig, you amble, and you lisp and nickname God's creatures,
• 1:43:09
  Speaker 3: and make your wantonness, your ignorance, go too. I'll no
• 1:43:13
  Speaker 3: more want it have made me mad. I'll say we
• 1:43:18
  Speaker 3: will have no more marriages. Those that are married already,
• 1:43:22
  Speaker 3: all but one shall live. The rest shall keep as
• 1:43:25
  Speaker 3: they are to a nunnery.
• 1:43:29
  Speaker 2: Go exit, Hamlet.
• 1:43:33
  Speaker 14: Oh, what a noble mind is here? Our throne, the
• 1:43:37
  Speaker 14: courtier's soldier's scarlet's eye, tongue sword, the expectancy and rose
• 1:43:43
  Speaker 14: of the fair state, the glass of fashion and the
• 1:43:46
  Speaker 14: mold of form, the observed of all observers quite quite down,
• 1:43:53
  Speaker 14: and I of ladies most dejected and wretched, that suck'd
• 1:43:57
  Speaker 14: the honey of his music vows. Now see that noble
• 1:44:02
  Speaker 14: and most sovereign reason, like sweet bells jangled out of
• 1:44:07
  Speaker 14: tune and harsh that unmatched form and feature of blown
• 1:44:11
  Speaker 14: youth blasted with ecstasy. Oh woe is me to have
• 1:44:18
  Speaker 14: seen what I have seen? See what I see?
• 1:44:23
  Speaker 2: Re Enter King Claudius and Polonius Love.
• 1:44:28
  Speaker 9: His affections do not that way tend. Nor what he spake,
• 1:44:31
  Speaker 9: though it lack'd form a little, was not like madness.
• 1:44:35
  Speaker 9: There's something in his soul or which his melancholy sits
• 1:44:38
  Speaker 9: on brood. And I do doubt the hatch and the
• 1:44:41
  Speaker 9: disclose will be some danger, which for to prevent I
• 1:44:44
  Speaker 9: have in quick determination. Thus set it down. He shall,
• 1:44:47
  Speaker 9: with speed to England for the demand of our neglected tribute.
• 1:44:51
  Speaker 9: Haply the seas and country is different with variable objects,
• 1:44:54
  Speaker 9: shall expel this something settled matter in his heart, whereon
• 1:44:57
  Speaker 9: his brain still beating, puts him thus from fashion of himself.
• 1:45:01
  Speaker 9: What think you on it?
• 1:45:03
  Speaker 11: It shall do well? But yet do I believe the
• 1:45:06
  Speaker 11: origin and commencement of his grief sprung from neglected love?
• 1:45:11
  Speaker 11: How now, Ophelia, you need not tell us what Lord
• 1:45:14
  Speaker 11: Hamlet said. We heard it all, my lord, do as
• 1:45:17
  Speaker 11: you please, But if you hold it fit after the
• 1:45:20
  Speaker 11: play let. His queen mother all alone, entreat him to
• 1:45:24
  Speaker 11: show his grief. Let her be round with him, and
• 1:45:27
  Speaker 11: I'll be placed, so please you, in the air of
• 1:45:30
  Speaker 11: all their conference. If she find him not to England,
• 1:45:34
  Speaker 11: send him or confine him where your wisdom best shall think.
• 1:45:38
  Speaker 9: It shall be so madness and great ones must not unwatched.
• 1:45:42
  Speaker 2: Go excellant. Scene two. A hall in the castle, enter Hamlet,
• 1:45:50
  Speaker 2: and players.
• 1:45:51
  Speaker 3: Speak the speech I pray you, as I pronounced it
• 1:45:54
  Speaker 3: to you, trippingly on the tongue. But if you mouth
• 1:45:57
  Speaker 3: it as many of your players do, leave the town
• 1:46:00
  Speaker 3: crier spoke my lines. Nor do not saw the air
• 1:46:04
  Speaker 3: too much with your hand. Thus, but use all gently,
• 1:46:09
  Speaker 3: For in the very torrent tempest, and as I may say,
• 1:46:13
  Speaker 3: the whirlwind of your passion, you must acquire and beget
• 1:46:16
  Speaker 3: a temperance that may give it smoothness. Oh, it offends
• 1:46:22
  Speaker 3: me to the soul to hear a robustious, periwig pated
• 1:46:27
  Speaker 3: fellow tear a passion to tatters, to very rags, to
• 1:46:30
  Speaker 3: split the ears of the groundlings, who for the most
• 1:46:33
  Speaker 3: part are capable of nothing but inexplicable dumb shows and noise.
• 1:46:38
  Speaker 3: I would have such a fellow whipped for overdoing termagant
• 1:46:43
  Speaker 3: it out Herod's Herod pray you avoid it.
• 1:46:47
  Speaker 2: I warrant your honor be not.
• 1:46:49
  Speaker 3: Too tame, neither, but let your own discretion be your
• 1:46:53
  Speaker 3: tutor suit the action to the word, the word to
• 1:46:56
  Speaker 3: the action. With this special oerstep not the modest of nature.
• 1:47:02
  Speaker 3: For anything so overdone is from the purpose of playing,
• 1:47:06
  Speaker 3: whose end, both at the first and now was, and
• 1:47:09
  Speaker 3: is to hold as towere the mirror up to nature,
• 1:47:14
  Speaker 3: to show virtue her own feature, scorn her own image,
• 1:47:18
  Speaker 3: and the very age and body of the time his
• 1:47:20
  Speaker 3: form and pressure. Now this overdone or come tardy off,
• 1:47:25
  Speaker 3: Though it make the unskillful laugh, cannot but make the
• 1:47:29
  Speaker 3: judicious grieve the censure of which one must in your
• 1:47:34
  Speaker 3: allowance or way a whole theater of others. Oh, there
• 1:47:39
  Speaker 3: be players that I have seen play, and heard others praise,
• 1:47:44
  Speaker 3: and that highly not to speak it profanely, that neither
• 1:47:48
  Speaker 3: having the accent of Christians, nor the gait of Christian
• 1:47:51
  Speaker 3: pagan nor man, have so strutted and bellowed that I
• 1:47:56
  Speaker 3: have thought some of Nature's journeymen had made man and
• 1:47:59
  Speaker 3: not made them well. They imitated humanity so abominably.
• 1:48:04
  Speaker 2: I hope we have reformed that indifferently with us.
• 1:48:06
  Speaker 3: Sir, Oh, reform it all together, and let those that
• 1:48:11
  Speaker 3: play your clowns speak no more than is set down
• 1:48:14
  Speaker 3: for them, For there be of them that will themselves laugh,
• 1:48:17
  Speaker 3: to set on some quantity of barren spectators to laugh too,
• 1:48:21
  Speaker 3: Though in the meantime some necessary question of the play
• 1:48:25
  Speaker 3: be then to be considered. That's villainous, and chose the
• 1:48:29
  Speaker 3: most pitiful ambition in the fool that uses it.
• 1:48:33
  Speaker 2: Go make you ready, excellent players, Enter Polonius, Rosenkrantz and Guldenstern.
• 1:48:40
  Speaker 3: How now, my lord, I will the king hear this
• 1:48:43
  Speaker 3: piece of.
• 1:48:43
  Speaker 11: Work, and the Queen too?
• 1:48:45
  Speaker 3: And that presently did the players make haste? Exit Polonius,
• 1:48:51
  Speaker 3: Will you two help to hasten them? We will, my lord.
• 1:48:55
  Speaker 2: Excellent Rosenkrantz and Guildenstern Enter Horatio.
• 1:49:00
  Speaker 7: But ho, Horatio here, sweet lord, at your service.
• 1:49:03
  Speaker 3: Horatio, thou art een as just a man, as e're
• 1:49:08
  Speaker 3: my conversation coped withal. Oh, my dear lord, nay, do
• 1:49:13
  Speaker 3: not think I flatter? For what advancement may hope from
• 1:49:17
  Speaker 3: thee that no revenue hast but thy good spirits to
• 1:49:20
  Speaker 3: feed and clothe thee. Why should the poor be flattered? No,
• 1:49:25
  Speaker 3: let the candied tongue, lick absurd pomp, and crook the
• 1:49:29
  Speaker 3: pregnant hedges of the knee, where thrift may follow fawning.
• 1:49:33
  Speaker 3: Dost thou here, since my dear soul was mistress of
• 1:49:37
  Speaker 3: her choice, and could of men distinguish her election, hath
• 1:49:40
  Speaker 3: sealed thee for herself. For thou hast been as one
• 1:49:44
  Speaker 3: in suffering all that suffers nothing. A man that fortunes,
• 1:49:51
  Speaker 3: buffets and rewards hast tained with equal thanks. And blest
• 1:49:55
  Speaker 3: are those whose blood and judgment are so well commingled
• 1:49:59
  Speaker 3: that they are not a pipe for fortune's finger to sound?
• 1:50:03
  Speaker 3: What stop?
• 1:50:04
  Speaker 14: She?
• 1:50:04
  Speaker 3: Please give me that man that is not Passion's slave,
• 1:50:08
  Speaker 3: and I will wear him in my heart's core, ay
• 1:50:12
  Speaker 3: in my heart of heart, as I do thee. There
• 1:50:16
  Speaker 3: is something too much of this. There is a play
• 1:50:20
  Speaker 3: to night before the king. One seen of it comes
• 1:50:23
  Speaker 3: near the circumstance which I have told THEE of my
• 1:50:26
  Speaker 3: father's death. I prithee when thou seest that act a foot,
• 1:50:30
  Speaker 3: even with the very comment of thy soul. Observe mine uncle,
• 1:50:35
  Speaker 3: if his occult of guilt, do not itself unknnel in
• 1:50:39
  Speaker 3: one's speech. It is a damned ghost that we have seen,
• 1:50:42
  Speaker 3: and my imaginations are as foul as vulcan stiffy. Give
• 1:50:46
  Speaker 3: him heedful note for I mine eyes, rivet to his faith,
• 1:50:50
  Speaker 3: and afterward we will both our judgments join in censure
• 1:50:54
  Speaker 3: of his seeming.
• 1:50:55
  Speaker 7: Well, my lord, if he steal aught the whilst this
• 1:50:58
  Speaker 7: play is playing, and escape at I will pay the theft.
• 1:51:03
  Speaker 3: They are coming to the play. I must be idle
• 1:51:05
  Speaker 3: get you a place.
• 1:51:07
  Speaker 2: Danish march, a flourish enter, King Claudius, Queen Gertrude, Polonius, Ophelia, Rosenkrantz, Guildenstern,
• 1:51:16
  Speaker 2: and others.
• 1:51:17
  Speaker 9: How fears our cousin Hamlet.
• 1:51:19
  Speaker 3: Excellent a faith of the chameleon's dish. I eat the air,
• 1:51:24
  Speaker 3: promise crammed. You cannot feed capons, So.
• 1:51:29
  Speaker 9: I have nothing with this answer, Hamlet, these words are
• 1:51:32
  Speaker 9: not mine, No, no mine.
• 1:51:34
  Speaker 3: Now to Polonius, my lord, you once played in the university.
• 1:51:40
  Speaker 11: You say that did I, my lord, and was accounted
• 1:51:43
  Speaker 11: a good actor?
• 1:51:45
  Speaker 3: What did you enact?
• 1:51:47
  Speaker 11: I did act Julius Caesar. I was killed in the capitol.
• 1:51:50
  Speaker 11: Brutus killed me.
• 1:51:52
  Speaker 3: It was a brute part of him to kill, so
• 1:51:55
  Speaker 3: capital a calf. There be the players, ready.
• 1:51:59
  Speaker 19: I am lord, they stay upon your patience. Come hither,
• 1:52:04
  Speaker 19: my dear Hamlet sit by me?
• 1:52:06
  Speaker 3: No good, mother, here's metal more attractive.
• 1:52:11
  Speaker 2: To King Claudius.
• 1:52:13
  Speaker 11: Oh ho, do you mark that?
• 1:52:16
  Speaker 3: Lady? Shall I lie in your lap?
• 1:52:20
  Speaker 2: Lying down at Ophelia's feet? O, my.
• 1:52:22
  Speaker 3: Lord, I mean my head upon your lap? I my lord,
• 1:52:28
  Speaker 3: do you think I meant country matters?
• 1:52:31
  Speaker 14: I think nothing, my lord.
• 1:52:33
  Speaker 3: That's a fair thought to lie between maid's legs.
• 1:52:36
  Speaker 14: What is, my lord?
• 1:52:38
  Speaker 3: Nothing?
• 1:52:40
  Speaker 14: You are merry?
• 1:52:41
  Speaker 21: My lord?
• 1:52:42
  Speaker 3: Who II? I? My lord God, you're only chick maker?
• 1:52:47
  Speaker 3: What should a men do but be merry? For look you,
• 1:52:49
  Speaker 3: how cheerfully? My mother looks, and my father died within
• 1:52:52
  Speaker 3: these two hours?
• 1:52:54
  Speaker 14: Nay tis twice two months, my lord?
• 1:52:57
  Speaker 3: So long, oh nay, and let the devil wear black,
• 1:53:01
  Speaker 3: for I'll have a suit of sables. Our heavens died
• 1:53:04
  Speaker 3: two months ago and not forgotten yet. Then there's hope.
• 1:53:07
  Speaker 3: A great man's memory might outlive his life half a year.
• 1:53:11
  Speaker 3: But by your lady, he must build churches then, or
• 1:53:15
  Speaker 3: else shall he suffer? Not thinking on when the hobby
• 1:53:19
  Speaker 3: horse whose epitat is for oh, for oh. The hobby
• 1:53:23
  Speaker 3: horse is forgot.
• 1:53:25
  Speaker 2: Hate boys play the dumb show enters enter a king
• 1:53:30
  Speaker 2: and a queen very lovingly. The queen embracing him and
• 1:53:33
  Speaker 2: he her. She kneels and makes show of protestation unto him.
• 1:53:37
  Speaker 2: He takes her up and declines his head upon her neck,
• 1:53:40
  Speaker 2: lays him down upon a bank of flowers. She, seeing
• 1:53:43
  Speaker 2: him asleep, leaves him. Anon comes in. A fellow, takes
• 1:53:47
  Speaker 2: off his crown, kisses it, and pours poison in the
• 1:53:50
  Speaker 2: king's ears, and exit. The queen returns, finds the king
• 1:53:54
  Speaker 2: dead and makes passionate action. The poisoner, with some two
• 1:53:57
  Speaker 2: or three mutes, comes in again to lament with her.
• 1:54:01
  Speaker 2: The dead body is carried away. The poisoner woos the
• 1:54:04
  Speaker 2: queen with gifts. She seems loath and unwilling a while,
• 1:54:07
  Speaker 2: but in the end accepts his love. Excellent.
• 1:54:12
  Speaker 3: What means this, my Lord Mary, This is mitching malayko
• 1:54:17
  Speaker 3: It means mischief.
• 1:54:20
  Speaker 14: Like the show imports the argument of the play.
• 1:54:24
  Speaker 3: Enter prolog, we shall know by this fellow. The players
• 1:54:27
  Speaker 3: cannot keep counseled. They'll tell all.
• 1:54:29
  Speaker 14: Will he tell us what the show meant?
• 1:54:32
  Speaker 3: Hi or any show that you'll show him be not
• 1:54:34
  Speaker 3: you ashamed to show he'll not shame to tell you
• 1:54:37
  Speaker 3: what it means you are not.
• 1:54:40
  Speaker 14: You are not. I'll mark the.
• 1:54:42
  Speaker 22: Play for us, said for our tragedy. Here stupid to
• 1:54:48
  Speaker 22: your clemency, we beg your hearing patiently.
• 1:54:55
  Speaker 2: Exit prologue.
• 1:54:57
  Speaker 3: Is this a prolog or the poesy of a ring?
• 1:55:00
  Speaker 14: Tis brief?
• 1:55:01
  Speaker 3: My lord, has woman's love?
• 1:55:04
  Speaker 23: Enter?
• 1:55:04
  Speaker 2: Two players, King and queen.
• 1:55:07
  Speaker 10: Full thirty times hath Phoebus's cartt gone round, Neptune's salt
• 1:55:14
  Speaker 10: wash and tell us his orbid ground? And thirty dozen
• 1:55:19
  Speaker 10: moons with borrow'd sheen about the world have times twelve
• 1:55:24
  Speaker 10: thirty's been since love, our hearts and hymen did our hands,
• 1:55:31
  Speaker 10: you knite commutual in most sacred bands.
• 1:55:37
  Speaker 24: So many journeys. May the sun and moon make us
• 1:55:39
  Speaker 24: again counter o'er our love be done? But woe is me.
• 1:55:43
  Speaker 24: You are so sick of late, so far from cheer
• 1:55:46
  Speaker 24: and from your former state, that I distrust you. Yet
• 1:55:49
  Speaker 24: though I distrust discomfort you, my lord, it nothing must.
• 1:55:53
  Speaker 24: For women's fear and love holds quantity in neither aught
• 1:55:57
  Speaker 24: nor in extremity. Now what my love is proof hath
• 1:56:01
  Speaker 24: made you know. And as my love is sized, my
• 1:56:04
  Speaker 24: fear is so. Where love is great, the littlest doubts
• 1:56:07
  Speaker 24: are fear. Where little fears grow great great love grows.
• 1:56:11
  Speaker 10: There faith I must leave thee love, and shortly too
• 1:56:17
  Speaker 10: my operant powers, their functions, leave to do, And thou
• 1:56:22
  Speaker 10: shalt live in this fair world behind, honored, beloved, and
• 1:56:28
  Speaker 10: haply one as kind for husband, shalt thou.
• 1:56:33
  Speaker 24: Oh confound the rest such love must needs be treason
• 1:56:36
  Speaker 24: in my breast. In second husband, let me be accursed.
• 1:56:40
  Speaker 24: None wed the second, but who killed the first? Aside wormwood, wormwood,
• 1:56:47
  Speaker 24: the instances that second marriage move are base respects of thrift,
• 1:56:52
  Speaker 24: but none of love. A second time I kill my
• 1:56:55
  Speaker 24: husband dead when second husband kisses me.
• 1:56:58
  Speaker 10: In bed, I do believe you think what now you speak,
• 1:57:03
  Speaker 10: but what we do determine oft we break. Purpose is
• 1:57:09
  Speaker 10: but the slave to memory of violent birth, but poor validity,
• 1:57:16
  Speaker 10: which now like fruit unripe, sticks on the tree, but
• 1:57:22
  Speaker 10: fall unshaken when they mellow. Be most necessary tis that
• 1:57:29
  Speaker 10: we forget to pay ourselves. What to ourselves is debt,
• 1:57:34
  Speaker 10: What to ourselves in passion we propose the passion ending
• 1:57:39
  Speaker 10: doth the purpose lose the violence of either grief or
• 1:57:45
  Speaker 10: joy their own, and actures with themselves destroy. Where joy
• 1:57:53
  Speaker 10: most revels, grief doth most lament grief joys joy grieves
• 1:58:01
  Speaker 10: on slender accident. This world is not for I nortis
• 1:58:08
  Speaker 10: not strange that even our loves should, with our fortunes change.
• 1:58:13
  Speaker 10: For 'tis a question left us yet to prove whether
• 1:58:17
  Speaker 10: love lead fortune or else fortune Love the great man down,
• 1:58:24
  Speaker 10: you mark his favorite flies. The poor advanced makes friends
• 1:58:31
  Speaker 10: of enemies, and hitherto doth love on fortune tend. For
• 1:58:37
  Speaker 10: who not needs shall never lack a friend, and who
• 1:58:42
  Speaker 10: in want a hollow friend, doth try directly seasons him
• 1:58:49
  Speaker 10: his enemy. But orderly to end where I begun, our
• 1:58:55
  Speaker 10: wills and fates do so contrary run that our devices
• 1:59:01
  Speaker 10: still are overthrown, Our thoughts are ours. There ends none
• 1:59:08
  Speaker 10: of our own. So think thou wilt no second husband wed,
• 1:59:14
  Speaker 10: but die thy thoughts when thy first lord is dead.
• 1:59:20
  Speaker 24: Nor earth to me give food, nor heaven, light, sport,
• 1:59:24
  Speaker 24: and repose locke from me day and night to desperation.
• 1:59:27
  Speaker 24: Turn my trust and hope and anchors cheer in prison.
• 1:59:31
  Speaker 24: Be my scope. Each opposite that blanks the face of joy,
• 1:59:35
  Speaker 24: meet what I would have well, and it destroy both
• 1:59:38
  Speaker 24: here and hence pursue me lasting strife. If once a widow,
• 1:59:42
  Speaker 24: ever I be wife.
• 1:59:45
  Speaker 3: If she should break it now.
• 1:59:47
  Speaker 10: Tims deeply sworn, sweet Ah, leave me here, awhile my
• 1:59:54
  Speaker 10: spirits grow dull and fain, I would beguiled thee tedious
• 2:00:00
  Speaker 10: day with sleep.
• 2:00:04
  Speaker 24: Sleeps, sleep, rock thy brain, and never come mischance between
• 2:00:11
  Speaker 24: us Twain Exit player.
• 2:00:13
  Speaker 3: Queen madam, how like you this play?
• 2:00:17
  Speaker 12: The lady protests too much, thinks.
• 2:00:20
  Speaker 3: No, but she'll keep her word.
• 2:00:23
  Speaker 9: Have you heard the argument? Is there no offense in it? No? No,
• 2:00:28
  Speaker 9: they do but jest poison in jest, no offense of
• 2:00:31
  Speaker 9: the world.
• 2:00:33
  Speaker 3: What you call the play the mouse trap?
• 2:00:37
  Speaker 23: Marry?
• 2:00:37
  Speaker 3: How tropically this play is the image of a murder
• 2:00:41
  Speaker 3: done in Vienna. Gonzago is the Duke's name, his wife Baptista.
• 2:00:44
  Speaker 3: You shall see an on tis a knylish piece of work.
• 2:00:47
  Speaker 3: But what are that, your majesty, and we that have
• 2:00:49
  Speaker 3: free souls? It touches us not that the gall in
• 2:00:54
  Speaker 3: jade wins our withers are unwrong.
• 2:00:57
  Speaker 2: Enter Lucianus.
• 2:00:59
  Speaker 3: This one is Lucianus, nephew.
• 2:01:01
  Speaker 14: To the king you are as good as a chorus.
• 2:01:03
  Speaker 3: My lord, I could interpret between you and your love
• 2:01:08
  Speaker 3: if I could see the puppets dulling.
• 2:01:11
  Speaker 14: You are keen, my lord, you are keen.
• 2:01:13
  Speaker 3: It would cost you a groaning to take off.
• 2:01:16
  Speaker 14: My edge still better and worse, So you must.
• 2:01:20
  Speaker 3: Take your husband's begin murderer parks, leave thy damnable faces
• 2:01:26
  Speaker 3: and begin come thy croaking ravent of bellow for revenge.
• 2:01:30
  Speaker 21: Thoughts, black hands, act drugs, fit and time, agreeing confederate
• 2:01:38
  Speaker 21: season else no creature seeing thou mixture rank of midnight
• 2:01:45
  Speaker 21: weeds collected with hegetspan thrice blasted, thrice infected, thy natural
• 2:01:52
  Speaker 21: magic and dire property on wholesome life.
• 2:01:56
  Speaker 2: Usurp immediately pours the poison into the sleeper's ears.
• 2:02:02
  Speaker 3: He poisons him in the garden for his estate. His
• 2:02:05
  Speaker 3: name's Gonzago. The story is extant and written choice Italian.
• 2:02:08
  Speaker 3: You shall see anon. How the murderer gets the love
• 2:02:11
  Speaker 3: of Gonzago's wife. The king rises got frighted with false fire.
• 2:02:18
  Speaker 3: How fares my lord give all the play, give me
• 2:02:23
  Speaker 3: some light away?
• 2:02:25
  Speaker 2: Why excellent all but Hamlet and Horatio?
• 2:02:31
  Speaker 3: Why let the stricken dear go weep the heart on
• 2:02:35
  Speaker 3: galled play, for some must watch while some must sleep.
• 2:02:39
  Speaker 3: So runs the world away? Would not this, sir, and
• 2:02:44
  Speaker 3: a forest are feathers. If the rest of my fortunes
• 2:02:47
  Speaker 3: turn turk with me with two provincial roses on my
• 2:02:50
  Speaker 3: raised shoes, get me a fellowship in a cry of players.
• 2:02:54
  Speaker 7: Sir, half a share.
• 2:02:56
  Speaker 3: A whole, one eye, for thou dost know, o, damon dear,
• 2:03:00
  Speaker 3: this realm dismantled, was of Jove himself, and now reigns
• 2:03:04
  Speaker 3: here a very very pajock.
• 2:03:08
  Speaker 7: You might have rhymed.
• 2:03:10
  Speaker 3: Oh, good, Horatio. I'll take the ghost's word for a
• 2:03:13
  Speaker 3: thousand pound disperceive very well, my lord, upon the talk
• 2:03:18
  Speaker 3: of the poisoning.
• 2:03:19
  Speaker 7: I did very well, note him.
• 2:03:21
  Speaker 3: No, Come some music, come the recorders, For if the
• 2:03:26
  Speaker 3: king like not the comedy, why then belike he likes
• 2:03:29
  Speaker 3: it not? Purdy, Come some music.
• 2:03:32
  Speaker 2: Re enter Rosenkrantz and Goldenstern.
• 2:03:35
  Speaker 17: Good, my lord, vouchsafe me a word with you, sir,
• 2:03:38
  Speaker 17: A whole history the king, sir, Hi, sir, what of
• 2:03:42
  Speaker 17: him is in his retirement marvelous?
• 2:03:45
  Speaker 2: Distempered with drink?
• 2:03:47
  Speaker 3: Sir?
• 2:03:48
  Speaker 17: No, my lord, rather with cola.
• 2:03:51
  Speaker 3: Your wisdom should show itself more rich to signify this
• 2:03:54
  Speaker 3: to his doctor, for for me to put him to
• 2:03:57
  Speaker 3: his purgation would perhaps plunge him into far more color.
• 2:04:01
  Speaker 17: Good, my lord, put your discourse into some frame, and
• 2:04:04
  Speaker 17: start not so wildly from my affair.
• 2:04:07
  Speaker 3: I am teamed, Sir, pronounce.
• 2:04:10
  Speaker 17: The Queen your mother in most great affliction of spirit
• 2:04:13
  Speaker 17: hath sent me to you.
• 2:04:14
  Speaker 3: You are welcome, nay.
• 2:04:16
  Speaker 17: Good, my lord, this courtesy is not of the right breed.
• 2:04:19
  Speaker 17: If it shall please you to make me a wholesome answer,
• 2:04:22
  Speaker 17: I will do your mother's commandment. If not, your pardon
• 2:04:25
  Speaker 17: and my return shall be the end of my business.
• 2:04:28
  Speaker 3: Sir, I cannot what, my lord, make you a wholesome answer.
• 2:04:33
  Speaker 3: My wits diseased. But Sir, such answer as I can
• 2:04:38
  Speaker 3: make you shall command, or rather as you say, my mother,
• 2:04:42
  Speaker 3: therefore no more but to the matter my mother you say.
• 2:04:45
  Speaker 19: Then, thus she says, your behavior hath struck her into
• 2:04:49
  Speaker 19: amazement and admiration.
• 2:04:51
  Speaker 3: Oh wonderful son, that can so astonish a mother? But
• 2:04:54
  Speaker 3: is there no sequel at the heels of this mother's admiration?
• 2:04:58
  Speaker 19: In part she desires to speak with you in her closet.
• 2:05:01
  Speaker 19: Ere you go to bed, we shall obey. Were she
• 2:05:04
  Speaker 19: ten times our mother, Have you any further trade with us?
• 2:05:09
  Speaker 19: My lord? You once did love me.
• 2:05:12
  Speaker 3: So I do still by these pickers and stealers.
• 2:05:16
  Speaker 19: Good, my lord, what is the cause of your distemper?
• 2:05:19
  Speaker 19: You do surely bar the door upon your own liberty
• 2:05:23
  Speaker 19: if you deny your griefs to your friend.
• 2:05:26
  Speaker 3: Sir, I lack advancement.
• 2:05:29
  Speaker 19: How can that be when you have the voice of
• 2:05:31
  Speaker 19: the king himself for your succession in Denmark?
• 2:05:35
  Speaker 3: Hi, but sir, while the grass grows, the proverb is
• 2:05:39
  Speaker 3: something musty.
• 2:05:41
  Speaker 2: Re enter players with recorders?
• 2:05:44
  Speaker 3: Oh, the recorders here? Let me see one to withdraw
• 2:05:47
  Speaker 3: with you. Why do you go about to recover the
• 2:05:50
  Speaker 3: wind of me? As you would drive me into a toil?
• 2:05:53
  Speaker 17: Oh, my lord, if my duty be too bold, my
• 2:05:56
  Speaker 17: love is too unmannerly.
• 2:05:57
  Speaker 3: I do not well understand. And that will you play
• 2:06:01
  Speaker 3: upon this pipe?
• 2:06:03
  Speaker 2: My lord?
• 2:06:03
  Speaker 12: I cannot I pray you believe me.
• 2:06:06
  Speaker 3: I cannot I do beseech you.
• 2:06:08
  Speaker 17: I know no touch of it, my lord.
• 2:06:10
  Speaker 3: Tis as easy as lying. Govern these vintages with your
• 2:06:14
  Speaker 3: fingers and thumb, Give it breath with your mouth, and
• 2:06:17
  Speaker 3: it will discourse most eloquent music. Look you, these are
• 2:06:21
  Speaker 3: the stops.
• 2:06:22
  Speaker 17: But these cannot I command to any utterance of harmony?
• 2:06:25
  Speaker 17: I have not the skill.
• 2:06:26
  Speaker 3: Oh I look you now, how unworthy a thing you
• 2:06:29
  Speaker 3: make of me. You would play upon me, You would
• 2:06:32
  Speaker 3: seem to know my stops. You would pluck out the
• 2:06:34
  Speaker 3: heart of my mystery. You would sound me from my
• 2:06:37
  Speaker 3: lowest note to the top of my compass. And there
• 2:06:40
  Speaker 3: is much music, excellent voice in this little organ. Yet
• 2:06:43
  Speaker 3: cannot you make it speak splood? Do you think I
• 2:06:45
  Speaker 3: am easier to be played under a pipe? Call me
• 2:06:49
  Speaker 3: what instrument you will. Though you can fret me, you
• 2:06:52
  Speaker 3: cannot play upon me.
• 2:06:55
  Speaker 2: Enter Polonius, God.
• 2:06:57
  Speaker 11: Bless you, sir, my lord the Queen would speak with you.
• 2:07:01
  Speaker 11: And presently do.
• 2:07:02
  Speaker 3: You see yonder cloud that's almost in the shape of
• 2:07:05
  Speaker 3: a camel.
• 2:07:06
  Speaker 11: By the mass, and tis like a camel.
• 2:07:08
  Speaker 3: Indeed, methinks it is like a weasel.
• 2:07:13
  Speaker 11: It is backed like a weasel, or like a whale,
• 2:07:17
  Speaker 11: er very like a whale.
• 2:07:21
  Speaker 3: Then I will come to my mother by and bye.
• 2:07:23
  Speaker 3: They fool me to the top of my bent. I
• 2:07:26
  Speaker 3: will come by and by.
• 2:07:28
  Speaker 11: I will say so by and bye.
• 2:07:30
  Speaker 3: Is easily said.
• 2:07:32
  Speaker 2: Exit Polonius, Leave me friends, excellence. All but hamlet.
• 2:07:39
  Speaker 3: Tis now the very witch in time of night, when
• 2:07:43
  Speaker 3: churchyards yawn and hell itself breathe out contagion to this world?
• 2:07:49
  Speaker 3: Now could I drink hot blood and do such bitter
• 2:07:55
  Speaker 3: business as the day would quake to look on.
• 2:08:01
  Speaker 10: To my mother?
• 2:08:03
  Speaker 3: Now, heart lose not thy nature. Let not ever the
• 2:08:07
  Speaker 3: soul of Nero enter this firm bosom that may be
• 2:08:10
  Speaker 3: cruel not unnatural. I will speak daggers to her, but
• 2:08:15
  Speaker 3: use none my tongue and soul. And this be hypocrites,
• 2:08:24
  Speaker 3: how in my wordsoever she be shan'n't to give them seals?
• 2:08:29
  Speaker 3: Never my soul consent.
• 2:08:35
  Speaker 2: Exit Scene three. A room in the castle. Enter King
• 2:08:39
  Speaker 2: Claudius Rosenkrantz and Guldenstern.
• 2:08:42
  Speaker 9: I like him not, nor stands it safe with us
• 2:08:45
  Speaker 9: to let his madness range. Therefore prepare you. I your
• 2:08:49
  Speaker 9: commission will forthwith dispatch, and he to England shall along
• 2:08:53
  Speaker 9: with you. The terms of our estate may not endure
• 2:08:56
  Speaker 9: hazards so dangerous as doth hourly grow out of his lunacy.
• 2:09:00
  Speaker 17: We will ourselves provide most holy and religious fear. It
• 2:09:03
  Speaker 17: is to keep those many, many bodies safe that live
• 2:09:06
  Speaker 17: and feed upon Your Majesty.
• 2:09:07
  Speaker 19: The single and peculiar life is bound with all the
• 2:09:11
  Speaker 19: strength and armor of the mind to keep itself from annoyance.
• 2:09:15
  Speaker 19: But much more that spirit upon whose will depend and
• 2:09:18
  Speaker 19: rest the lives of many. The seas of majesty dies
• 2:09:22
  Speaker 19: not alone, but like a gulf, doth draw what's near
• 2:09:26
  Speaker 19: with it. It is a massy wheel fixed on the
• 2:09:29
  Speaker 19: summit of the highest mount, to whose huge spokes ten
• 2:09:33
  Speaker 19: thousand lesser things are mortised and adjoined, which, when it falls,
• 2:09:39
  Speaker 19: each small annexment petty consequence attends the boisterous ruin. Never
• 2:09:44
  Speaker 19: alone did the king sigh, but with a general groan
• 2:09:49
  Speaker 19: arm you.
• 2:09:49
  Speaker 9: I pray you to the speedy voyage, for we will
• 2:09:52
  Speaker 9: fetters put upon this fear, which now goes too free footed.
• 2:09:56
  Speaker 19: We will haste.
• 2:09:57
  Speaker 2: Us Excellant Rosenkrantz and Guildenstern Enter Polonius.
• 2:10:02
  Speaker 11: My Lord, he's going to his mother's closet behind the arrass.
• 2:10:06
  Speaker 11: I'll convey myself to hear the process. I'll warrant she'll
• 2:10:09
  Speaker 11: tax him home. And as you said, and wisely was
• 2:10:12
  Speaker 11: it said, tis meet that some more audience than a mother,
• 2:10:16
  Speaker 11: since nature makes them partial, should'er hear the speech of
• 2:10:19
  Speaker 11: vantage fare you well, my liege, I'll call upon you
• 2:10:23
  Speaker 11: ere you go to bed, and tell you what I know.
• 2:10:27
  Speaker 2: Thanks, dear my lord, exit Polonius.
• 2:10:31
  Speaker 9: Oh my offense's rank, it smells to heaven. It hath
• 2:10:35
  Speaker 9: the primal eldest curse upon it, a brother's murder?
• 2:10:39
  Speaker 3: Pray?
• 2:10:40
  Speaker 9: Can I not? Though inclination be as sharp as will?
• 2:10:44
  Speaker 9: My stronger guilt defeats my strong intent, And like a
• 2:10:48
  Speaker 9: man to double business bound, I stand in pause where
• 2:10:51
  Speaker 9: I shall first begin, and both neglect? What if this
• 2:10:55
  Speaker 9: cursed hand were thicker than itself with brother's blood? Is
• 2:10:59
  Speaker 9: there not rain enough in the sweet heavens to wash
• 2:11:02
  Speaker 9: it white as snow? Where too serves mercy? But to
• 2:11:05
  Speaker 9: confront the visage of offense? And what's in prayer? But
• 2:11:09
  Speaker 9: this twofold force to be forestalled? Ere we come to
• 2:11:12
  Speaker 9: fall or pardoned, being down, then I'll look up. My
• 2:11:17
  Speaker 9: fault is past, But oh, what form of prayer can
• 2:11:23
  Speaker 9: serve my turn? Forgive me my foul murder? That cannot be,
• 2:11:28
  Speaker 9: since I am still possessed of those effects for which
• 2:11:30
  Speaker 9: I did the murder. My crown, mine own ambition, and
• 2:11:34
  Speaker 9: my queen. May one be pardoned and retain the offense
• 2:11:39
  Speaker 9: and the corrupted currents of this world. Offense's gilded hand
• 2:11:42
  Speaker 9: may shove by justice and oft to seeing the wicked
• 2:11:45
  Speaker 9: prize itself buys out the law, But tis not so above.
• 2:11:49
  Speaker 9: There is no shuffling there. The action lies in his
• 2:11:52
  Speaker 9: true nature. And we ourselves compelled even to the teeth
• 2:11:56
  Speaker 9: and forehead of our faults, to give in evidence. What then,
• 2:12:00
  Speaker 9: what rests?
• 2:12:03
  Speaker 3: Try?
• 2:12:03
  Speaker 9: What repentance can? What can it not?
• 2:12:07
  Speaker 6: Yet?
• 2:12:08
  Speaker 9: What can it when one cannot repent? O wretched state,
• 2:12:13
  Speaker 9: Oh bosom, black as death, O limed soul that's struggling
• 2:12:17
  Speaker 9: to be free? Art more engaged? Help angels make us say,
• 2:12:26
  Speaker 9: Bow's dubborn knees and heart with strings of steel, be
• 2:12:30
  Speaker 9: soft as sinews of the new born. Babe, all may.
• 2:12:33
  Speaker 2: Be well, retires and kneels enter hamlet.
• 2:12:39
  Speaker 3: Now might I do it? Pat? Now he is praying,
• 2:12:42
  Speaker 3: and now I'll do it. And so he goes to heaven.
• 2:12:46
  Speaker 3: And so I revenged. That would be scann'd villain kills
• 2:12:56
  Speaker 3: my father, And for that I had soul son do this.
• 2:13:01
  Speaker 3: Same villains ent to heaven. Oh, this is higher and salary,
• 2:13:07
  Speaker 3: not revenge. He took my father grossly full of bread,
• 2:13:15
  Speaker 3: with all his crimes broad, blown as flush as may,
• 2:13:21
  Speaker 3: and how his art it stands? Who know save heaven,
• 2:13:27
  Speaker 3: But in our circumstance and course of thought tis heavy
• 2:13:29
  Speaker 3: with him. And am I then revenged to take him
• 2:13:35
  Speaker 3: in the purging of his soul when he is fit
• 2:13:38
  Speaker 3: and seasoned for his passage. No absord know thou on
• 2:13:47
  Speaker 3: war horrid hent, when he is drunk asleep, or in
• 2:13:53
  Speaker 3: his rage, or in the incestuous pleasure of his bed
• 2:13:57
  Speaker 3: at gaming swearing, or about somac that has no relish
• 2:14:01
  Speaker 3: of salvation. And then trip him that his heels may
• 2:14:05
  Speaker 3: kick at heaven, and that his soul may be as
• 2:14:07
  Speaker 3: damned and black as hell. Whereto it goes. My mother
• 2:14:12
  Speaker 3: stays this physic but prolongs thy sickly days.
• 2:14:22
  Speaker 2: Exit Hamlet rising.
• 2:14:26
  Speaker 9: My words fly up, My thoughts remain below words without thoughts,
• 2:14:33
  Speaker 9: never to Heaven go.
• 2:14:36
  Speaker 2: Exit Scene four The Queen's closet. Enter Queen Gertrude and Polonius.
• 2:14:44
  Speaker 11: He will come straight. Look you lay home to him,
• 2:14:47
  Speaker 11: Tell him his pranks have been too broad to bear with,
• 2:14:50
  Speaker 11: and that your grace has screened and stood between much
• 2:14:53
  Speaker 11: heat and him. I'll silence me even here. Pray you'll
• 2:14:57
  Speaker 11: be round with him within.
• 2:15:00
  Speaker 3: Mother, Mother, Mother.
• 2:15:05
  Speaker 12: I'll warrant you fear me, not withdrawal. I hear him coming.
• 2:15:10
  Speaker 2: Polonius hides behind the arras enter Hamlet.
• 2:15:15
  Speaker 3: Now, mother, what's the matter?
• 2:15:18
  Speaker 12: Hamlet? Thou hast thy father much offended?
• 2:15:22
  Speaker 6: Mother?
• 2:15:23
  Speaker 3: You have my father much offended?
• 2:15:25
  Speaker 10: Come?
• 2:15:26
  Speaker 12: Come, you answer with an idle tongue.
• 2:15:29
  Speaker 3: Go go you question with a wicked tongue.
• 2:15:31
  Speaker 12: Why how now, Hamlet?
• 2:15:33
  Speaker 3: What's the matter? Now?
• 2:15:34
  Speaker 12: Have you forgot me?
• 2:15:36
  Speaker 3: No? By the rude? Not so you are the queen,
• 2:15:39
  Speaker 3: your husband's brother's wife, And would it were not so?
• 2:15:43
  Speaker 3: You are my mother?
• 2:15:45
  Speaker 12: Nay? Then I'll set those to you that can speak.
• 2:15:47
  Speaker 3: Come, come and sit you down. You shall not munch.
• 2:15:51
  Speaker 3: You go not till I set you up a glass
• 2:15:54
  Speaker 3: where you may see the inmost part of you.
• 2:15:57
  Speaker 12: What wilt thou do? Thou wilt not murder me?
• 2:16:00
  Speaker 2: Help help ho behind?
• 2:16:04
  Speaker 12: What ho?
• 2:16:05
  Speaker 6: Help?
• 2:16:06
  Speaker 2: Help?
• 2:16:06
  Speaker 11: Help?
• 2:16:07
  Speaker 3: Drawing ow Now a rat dead for a ducat dead.
• 2:16:12
  Speaker 2: Makes a pass through the arrass behind. I am slain,
• 2:16:18
  Speaker 2: falls and dies.
• 2:16:20
  Speaker 12: Oh me, what hast thou done?
• 2:16:23
  Speaker 18: Nay?
• 2:16:24
  Speaker 3: I know not? Is it the king?
• 2:16:26
  Speaker 2: Oh?
• 2:16:26
  Speaker 12: What a rash and bloody deed?
• 2:16:29
  Speaker 6: Is this a bloody deed?
• 2:16:32
  Speaker 3: Almost as bad good mother as kill a king, and
• 2:16:35
  Speaker 3: marry with his brother as kill a king by lady.
• 2:16:39
  Speaker 3: Twas my word.
• 2:16:41
  Speaker 2: Lifts up the arrass and discovers Polonius.
• 2:16:44
  Speaker 3: Thou wretched, rash, intruding fool Farewell, I took thee for
• 2:16:51
  Speaker 3: thy better take thy fortune. Thou findst to be too
• 2:16:55
  Speaker 3: busy is some danger? Leave wringing of your hands. Peace,
• 2:17:00
  Speaker 3: Sit you down and let me wring your heart, For
• 2:17:03
  Speaker 3: so I shall, if it be made of penetrable stuff.
• 2:17:06
  Speaker 3: If damned custom have not breasted, so that is proof
• 2:17:10
  Speaker 3: and bulwark against sense.
• 2:17:12
  Speaker 12: What have I done that Thou dst wag thy tongue
• 2:17:15
  Speaker 12: in noise so rude against me?
• 2:17:18
  Speaker 3: Such an act that blurs the grace and blush of
• 2:17:23
  Speaker 3: modesty calls virtue hypocrite takes the rose from the fair
• 2:17:26
  Speaker 3: forehead of an innocent love and sets a blister there,
• 2:17:30
  Speaker 3: makes marriage vows as false as dither's ose. Oh, such
• 2:17:33
  Speaker 3: a deed as from the body of contraction, plucks the
• 2:17:37
  Speaker 3: very soul and sweet religion makes a rhapsody of words.
• 2:17:42
  Speaker 3: Heaven's face doth glow.
• 2:17:45
  Speaker 25: Yeah.
• 2:17:45
  Speaker 3: This solidity and compound mass with trystal visage as against
• 2:17:51
  Speaker 3: the doom, is thought sick at the act?
• 2:17:54
  Speaker 12: Ah me, what act that roars so loud and thunders
• 2:17:58
  Speaker 12: in the index?
• 2:17:59
  Speaker 3: Look upon this picture, and on this the counterfeit presentment
• 2:18:04
  Speaker 3: of two brothers. See what a grace was seated on
• 2:18:08
  Speaker 3: this brow. Hyperion's curls the front of Jove himself and
• 2:18:12
  Speaker 3: I like Mars to threaten and command a station like
• 2:18:16
  Speaker 3: the herald mercury new lighted on a heaven kissing hill.
• 2:18:19
  Speaker 3: A combination and a form, indeed, where every god did
• 2:18:23
  Speaker 3: seem to set his seal to give the world assurance
• 2:18:27
  Speaker 3: of a man. This was your husband. Look you now?
• 2:18:35
  Speaker 3: What follows here? Is your husband like a mildewed ear
• 2:18:39
  Speaker 3: blasting his wholesome brother. Have you eyes? Could you, on
• 2:18:43
  Speaker 3: this fair mountain leave to feed and batten on this moor? Ha?
• 2:18:48
  Speaker 3: Have you eyes? You cannot call it love, for at
• 2:18:51
  Speaker 3: your age the heyday in the blood is tame. It's
• 2:18:54
  Speaker 3: humble and waits upon the judgment. And what judgment would
• 2:18:57
  Speaker 3: step from this to this sense? Sure you have else?
• 2:19:02
  Speaker 3: Could you not have motion? But sure that sense is apoplexed,
• 2:19:07
  Speaker 3: For madness would not air nor sense to ecstasy? Was
• 2:19:10
  Speaker 3: ne'er so thralled, But it reserv'd some quantity of choice
• 2:19:16
  Speaker 3: to serve in such a difference. What devil was that
• 2:19:20
  Speaker 3: thus hath cozened you at hoodman blind eyes without feeling, feeling,
• 2:19:27
  Speaker 3: without sight, ears without hands, or eyes smelling sands all
• 2:19:31
  Speaker 3: or but a sickly part of one true sense could
• 2:19:35
  Speaker 3: not so mope? How shame? Where is thy blush Pilia's hell?
• 2:19:42
  Speaker 3: If thou canst mutine in a matron's bones to flaming youth,
• 2:19:47
  Speaker 3: let virtue be as wax and melt in her own fire.
• 2:19:51
  Speaker 3: Proclaim no shame when the compulsive ardor gives the charge,
• 2:19:56
  Speaker 3: since frost itself as actively doth burn and reason Pandur's will.
• 2:20:02
  Speaker 12: Oh, Hamlet, speak no more. Thou turn'st mine eyes into
• 2:20:07
  Speaker 12: my very soul, and there I see such black and
• 2:20:10
  Speaker 12: grained spots as will not leave their taint, nay.
• 2:20:14
  Speaker 3: But to live in the rank sweat of an enceemed
• 2:20:18
  Speaker 3: bed stowed in corruption, honeying and making love over the nasty.
• 2:20:23
  Speaker 12: Sty Oh, speak to me no more, these words like
• 2:20:27
  Speaker 12: daggers enter in mine ears. No more, Sweet Hamlet.
• 2:20:31
  Speaker 3: A murderer and a villain, a slave that is not
• 2:20:35
  Speaker 3: twentieth part the tide of your president, Lord, a vice
• 2:20:39
  Speaker 3: of king's, a cut purse of the empire, and the
• 2:20:42
  Speaker 3: rule that from a shelf the precious diadem stole and put.
• 2:20:46
  Speaker 26: It in his pocket no more a king of shreds
• 2:20:51
  Speaker 26: and patches. Enter ghost, save me and hover o'er me
• 2:20:56
  Speaker 26: with your wings, your heavenly gods, what would your graces figure?
• 2:21:00
  Speaker 12: He's mad?
• 2:21:01
  Speaker 3: Do not come your tardy son to chide that lapsed
• 2:21:04
  Speaker 3: in time and passion. Let's go by the important acting
• 2:21:08
  Speaker 3: of your dread commando.
• 2:21:09
  Speaker 15: Say, do not forget this visitation is but to wet
• 2:21:13
  Speaker 15: thy almost blunted purpose. But look amazement on thy mother sits, Oh,
• 2:21:18
  Speaker 15: step between her and her fighting soul, conceit in weakest
• 2:21:21
  Speaker 15: body's strongest works. Speak to her, hamlet.
• 2:21:25
  Speaker 3: Howist with you, lady?
• 2:21:27
  Speaker 12: Alas? How wist with you that you do bend your
• 2:21:29
  Speaker 12: eye on vacancy and with the incorporal air do you
• 2:21:32
  Speaker 12: hold discourse for that your eyes, your spirits wildly peep,
• 2:21:37
  Speaker 12: And as the sleeping soldiers in the alarm, your bedded hairs,
• 2:21:40
  Speaker 12: like life and excrements, start up and stand on end,
• 2:21:45
  Speaker 12: Oh gentle son, upon the heat and flame of thy distemper,
• 2:21:49
  Speaker 12: sprinkle cool patience.
• 2:21:52
  Speaker 3: Where on do you look on him, on him, Look
• 2:21:57
  Speaker 3: you how pale he glares his forem and cause conjoined
• 2:22:02
  Speaker 3: preaching two stones would make them capable. Do not look
• 2:22:05
  Speaker 3: upon me less with piteous action, you convert my stern effects.
• 2:22:13
  Speaker 3: Then what I have to do will want true color, tears,
• 2:22:17
  Speaker 3: perchance for blood.
• 2:22:18
  Speaker 12: To whom do you speak this?
• 2:22:21
  Speaker 3: Do see nothing there?
• 2:22:23
  Speaker 12: Nothing at all? Yet all that is I see?
• 2:22:26
  Speaker 3: Did you nothing here?
• 2:22:28
  Speaker 17: No?
• 2:22:28
  Speaker 12: Nothing but ourselves?
• 2:22:31
  Speaker 6: Oh?
• 2:22:31
  Speaker 3: Oh, I look you there? How it steals away my
• 2:22:34
  Speaker 3: father in his habit as he lived. Look where he goes,
• 2:22:37
  Speaker 3: even now out at the portal exit ghost.
• 2:22:41
  Speaker 12: This is the very coinage of your brain, this bodiless creation.
• 2:22:45
  Speaker 12: Ecstasy is very cunning.
• 2:22:47
  Speaker 3: In ecstasy, my pulse, as yours doth temperately keep time
• 2:22:54
  Speaker 3: and makes his healthful music. It is not madness that
• 2:22:57
  Speaker 3: I have uttered, bring me to the test, and I
• 2:23:01
  Speaker 3: the matter will reword which madness would gamble from mother,
• 2:23:06
  Speaker 3: for love of grace, Lay not that mattering unction to
• 2:23:10
  Speaker 3: your soul. That not your trespass, but my madness speaks.
• 2:23:15
  Speaker 3: It will but skin and film the ulcerous place, while
• 2:23:19
  Speaker 3: rank corruption mining all within infects unseen. Confess yourself to heaven,
• 2:23:27
  Speaker 3: repent what's past, avoid what is to come, and do
• 2:23:30
  Speaker 3: not spread the compost on the weeds to make the rancor.
• 2:23:35
  Speaker 3: Forgive me this my virtue. For in the fatness of
• 2:23:38
  Speaker 3: these percy times, virtue itself a vice. Must pardon bank
• 2:23:45
  Speaker 3: yea curb and woo for leave to do him good.
• 2:23:52
  Speaker 12: Oh, hamlet thou hast cleft my heart in twain.
• 2:23:57
  Speaker 3: Oh throw away the worser part of him, and live
• 2:24:01
  Speaker 3: the purer with the other half. Good Night, But go
• 2:24:06
  Speaker 3: not to my uncle's bed. Assume a virtue if you
• 2:24:10
  Speaker 3: have it. Not that monster custom who all sense doth
• 2:24:15
  Speaker 3: eat of habit's devil is angel. Yet in this that
• 2:24:19
  Speaker 3: to the use of actions fair and good heat likewise
• 2:24:24
  Speaker 3: gives a frock or livery that is aptly put on
• 2:24:28
  Speaker 3: refrain tonight, and that shall lend a kind of easiness
• 2:24:33
  Speaker 3: to the next abstinence, the next more easy, for use
• 2:24:37
  Speaker 3: almost can change the stamp of nature, and either curb
• 2:24:42
  Speaker 3: the devil or throw him out with wondrous potency once more.
• 2:24:50
  Speaker 3: Good night, And when you are desirous to be blessed,
• 2:24:54
  Speaker 3: I blessing beg of you. For this same Lord, to Polonius,
• 2:25:01
  Speaker 3: I do repent, But heaven hath pleased it so to
• 2:25:06
  Speaker 3: punish me with this, and this with me, that I
• 2:25:10
  Speaker 3: must be their scourge and minister. I will bestow him
• 2:25:14
  Speaker 3: and will answer well the death I gave him. So again,
• 2:25:19
  Speaker 3: good night, I must be cruel only to be kind.
• 2:25:25
  Speaker 3: Thus bad begins and worse remains behind. One would more, good, lady,
• 2:25:31
  Speaker 3: what shall I do? Not? This by no means that
• 2:25:36
  Speaker 3: I bid you do? Let the bloat king tempt you
• 2:25:42
  Speaker 3: again to bed pince wanton on you. She call you
• 2:25:46
  Speaker 3: as mouse, and let him for a pair of reach
• 2:25:50
  Speaker 3: he kisses or padling in your neck with his damned fingers.
• 2:25:54
  Speaker 3: Make you to revel all this matter out, that I
• 2:25:58
  Speaker 3: essentially am not in madness, but mad in craft.
• 2:26:04
  Speaker 6: Tware.
• 2:26:04
  Speaker 3: Good you let him know for who that's but a
• 2:26:08
  Speaker 3: queen fair sober wise would from a paddock, from a
• 2:26:14
  Speaker 3: bat a jib, such a dear concerning side, who would
• 2:26:19
  Speaker 3: do so? No, in despite of sense and secrecy, unpeg
• 2:26:27
  Speaker 3: the basket on the house's top, Let the birds fly,
• 2:26:33
  Speaker 3: and like the famous ape to try conclusions in the basket,
• 2:26:39
  Speaker 3: creep and break your own neck down.
• 2:26:42
  Speaker 12: Be thou assured, if words be made of breath and
• 2:26:46
  Speaker 12: breath of life, I have no life to breathe what
• 2:26:50
  Speaker 12: thou hast said to.
• 2:26:51
  Speaker 3: Me, I must to England. You know that a lack I.
• 2:26:56
  Speaker 12: Had forgot tis so concluded on.
• 2:27:00
  Speaker 3: There's letters sealed, And my two schoolfellows, whom I trust
• 2:27:06
  Speaker 3: as I will adders fanged. They bear the mandate. They
• 2:27:11
  Speaker 3: must sweep my way and marshal me to knavery. Let
• 2:27:16
  Speaker 3: it work for tis the sport to have the engineer
• 2:27:20
  Speaker 3: hoist with his own petard, and shall go hard. But
• 2:27:26
  Speaker 3: I will delve one yard below their minds and blow
• 2:27:30
  Speaker 3: them at the moon. O tis most sweet wind. In
• 2:27:35
  Speaker 3: one line, two crafts directly meet. This man shall set
• 2:27:41
  Speaker 3: me packing. I lug the guts into the neighbor room, Mother,
• 2:27:46
  Speaker 3: good night. Indeed this counselor is now most still, most secret,
• 2:27:53
  Speaker 3: and most grave, who was in life a foolish, prating knave. Come, sir,
• 2:28:03
  Speaker 3: to draw toward an end with you, good night, mother.
• 2:28:09
  Speaker 2: Excelled severally Hamlet dragging in Polonius, end of Act three,
• 2:28:16
  Speaker 2: Act four seem one a room in the castle, enter
• 2:28:20
  Speaker 2: King Claudius, Queen Gertrude, Rosenkrantz and Guldenstern.
• 2:28:25
  Speaker 9: There's matter in these size, these profound heaves you must
• 2:28:29
  Speaker 9: translate to fit we understand them. Where is your son?
• 2:28:33
  Speaker 12: Bestow this place on us a little while?
• 2:28:36
  Speaker 2: Excellned Rosenkrantz and Guildenstern.
• 2:28:39
  Speaker 12: Ah, My good lord, what if I seemed tonight?
• 2:28:43
  Speaker 9: What Gertrude? How does hamlet.
• 2:28:46
  Speaker 12: Mad as the sea and wind when both contend? Which
• 2:28:51
  Speaker 12: is the mightier? In his gnawlus fit behind the arress,
• 2:28:55
  Speaker 12: hearing something stir whips out his rapier, cries a rat,
• 2:28:59
  Speaker 12: a rat, And in this brainish apprehension kills the unseen
• 2:29:05
  Speaker 12: good old man.
• 2:29:06
  Speaker 9: Oh, heavy deed, it had been so with us, had
• 2:29:10
  Speaker 9: we been there. His liberty is full of threats to all,
• 2:29:14
  Speaker 9: to you, yourself, to us, to every one. Aleas, how
• 2:29:18
  Speaker 9: shall this bloody deed be answered? It will be laid
• 2:29:21
  Speaker 9: to us whose providence should have kept short, restrained and
• 2:29:24
  Speaker 9: out of haunt this mad young man. But so much
• 2:29:27
  Speaker 9: was our love we would not understand what was most fit.
• 2:29:31
  Speaker 9: But like the owner of a foul disease, to keep
• 2:29:33
  Speaker 9: it from divulging, let it feed even on the pith
• 2:29:35
  Speaker 9: of life. Where's he gone to draw.
• 2:29:39
  Speaker 12: Apart the body he had killed? Or whom his very
• 2:29:42
  Speaker 12: madness like some oree among a mineral of metal's base
• 2:29:46
  Speaker 12: shows itself pure. He weeps for what is done.
• 2:29:50
  Speaker 9: Oh, Gertrude, come away the sun. No sooner shall the
• 2:29:54
  Speaker 9: mountains touch, but we will ship him hence and this
• 2:29:57
  Speaker 9: vile deed we must with all our majesty and skill,
• 2:30:00
  Speaker 9: countenance and excuse.
• 2:30:02
  Speaker 2: Oh, Guildenstern, re enter Rosenkrantz and Guildenstern.
• 2:30:07
  Speaker 9: Friends, both go join you with some further aid. Hamlet
• 2:30:11
  Speaker 9: and madness hath Polonius slain, and from his mother's closet
• 2:30:15
  Speaker 9: hath he dragged him? Go seek him out, Speak fair,
• 2:30:19
  Speaker 9: and bring the body into the chapel. I pray you
• 2:30:22
  Speaker 9: haste in.
• 2:30:22
  Speaker 2: This excellent Rosenkrantz and Guildenstern.
• 2:30:26
  Speaker 9: Come Gertrude, who call up our wisest friends, and let
• 2:30:30
  Speaker 9: them know both what we mean to do and what's
• 2:30:32
  Speaker 9: untimely done. Oh, come away, My soul is full of
• 2:30:36
  Speaker 9: discord and dismay.
• 2:30:38
  Speaker 2: Excellt scene too. Another room in the castle, Enter Hamlet.
• 2:30:45
  Speaker 3: Safely stowed within?
• 2:30:49
  Speaker 19: Have it, Lord Hamlet?
• 2:30:52
  Speaker 3: What noise? Who calls on Hamlet? Oh?
• 2:30:55
  Speaker 2: Here they come, Enter Rosenkrantz and Guildenstern.
• 2:31:00
  Speaker 3: What have you done, my lord with the dead body,
• 2:31:04
  Speaker 3: compounded it with dust? Where to tis kin?
• 2:31:07
  Speaker 19: Tell us where it tis that we may take it,
• 2:31:10
  Speaker 19: thence and bear it to the chapel.
• 2:31:12
  Speaker 3: Do not believe it? Believe what that I can keep
• 2:31:17
  Speaker 3: your counsel and not mine own. Besides, to be demanded
• 2:31:22
  Speaker 3: of a sponge, what replication should be made by the
• 2:31:27
  Speaker 3: son of a king?
• 2:31:29
  Speaker 19: Take you me for a sponge, my lord.
• 2:31:32
  Speaker 3: Ay, sir, that soaks up the King's countenance, his rewards,
• 2:31:37
  Speaker 3: his authorities. But such officers do the king best service.
• 2:31:41
  Speaker 3: In the end he keeps them like an ape in
• 2:31:45
  Speaker 3: the corner of his jaw, first mouthed, to be last
• 2:31:48
  Speaker 3: swallowed when he needs what you have gleaned. It is
• 2:31:53
  Speaker 3: but squeezing you and sponge you shall be dry again.
• 2:31:58
  Speaker 3: I understand you not, my lord, I am glad of it.
• 2:32:02
  Speaker 3: A knavish speech sleeps in a foolish here.
• 2:32:06
  Speaker 19: My lord, you must tell us where the body is,
• 2:32:09
  Speaker 19: and go with us to the king.
• 2:32:11
  Speaker 3: The body is with the king, but the king is
• 2:32:15
  Speaker 3: not with the body. The king is a thing, a thing,
• 2:32:18
  Speaker 3: my lord of nothing. Bring me to him, Hide fox
• 2:32:23
  Speaker 3: and all.
• 2:32:23
  Speaker 2: After exeunt Scene three, another room in the castle. Enter
• 2:32:31
  Speaker 2: King Claudius attended.
• 2:32:33
  Speaker 9: I have sent to seek him and to find the body.
• 2:32:36
  Speaker 9: How dangerous it is that this man goes loose? Yet
• 2:32:39
  Speaker 9: must we not put the strong law on him? He's
• 2:32:42
  Speaker 9: loved of the distracted multitude, who like not in their
• 2:32:45
  Speaker 9: judgment but their eyes. And where tis so? The offender's
• 2:32:49
  Speaker 9: scourge is weighed, but never the offense to bear all smooth,
• 2:32:54
  Speaker 9: And even this sudden sending him away must seem deliberate.
• 2:32:57
  Speaker 9: Pause disease is desperate by desperate appliants are relieved or
• 2:33:02
  Speaker 9: not at all.
• 2:33:03
  Speaker 2: Enter Rosenkrantz.
• 2:33:05
  Speaker 9: How now, what have befallen?
• 2:33:08
  Speaker 19: Where the dead body is bestowed? My lord? We cannot
• 2:33:11
  Speaker 19: get from him? But where is he without, my lord guarded?
• 2:33:16
  Speaker 19: To know your pleasure?
• 2:33:17
  Speaker 9: Bring him before us, Ho.
• 2:33:19
  Speaker 19: Guildenstern, Bring in, my lord, Enter Hamlet and Guildenstern.
• 2:33:24
  Speaker 9: Now Hamlet. Where's Polonius at supper? At supper? Where not where.
• 2:33:31
  Speaker 3: He eats, but where he is eaten? A certain convocation
• 2:33:34
  Speaker 3: of politic worms are eaten at him. Your worm is
• 2:33:38
  Speaker 3: your only emperor. For diet. We fat all creatures else
• 2:33:42
  Speaker 3: to fat us, and we fat ourselves from maggots. Your
• 2:33:47
  Speaker 3: fat king and your lean beggar is but variable service
• 2:33:50
  Speaker 3: two dishes, but to one table. That's the end.
• 2:33:55
  Speaker 9: Alas alas.
• 2:33:57
  Speaker 3: A man may fish with the worm that hath at
• 2:34:02
  Speaker 3: of a king, and cat of the fish that hath
• 2:34:06
  Speaker 3: fed of that worm. What dost thou mean by this
• 2:34:10
  Speaker 3: nothing but to show you how a king may go
• 2:34:14
  Speaker 3: a progress through the guts of a beggar. Where is
• 2:34:17
  Speaker 3: Polonius in Heaven? Send hither to see. If your messenger
• 2:34:23
  Speaker 3: find him not there, seek him in the other place yourself.
• 2:34:27
  Speaker 3: But indeed, if you find him not within this month,
• 2:34:29
  Speaker 3: you shall knows him. As you go up the stairs
• 2:34:33
  Speaker 3: into the lobby.
• 2:34:35
  Speaker 2: Go seek him there to some attendants.
• 2:34:39
  Speaker 3: He will stay till you come exit attendance.
• 2:34:43
  Speaker 9: Hamlet this deed for thine especial safety, which we do tender,
• 2:34:47
  Speaker 9: as we dearly grieve for that which thou hast done.
• 2:34:50
  Speaker 9: Must send thee hents with fiery quickness. Therefore prepare thyself.
• 2:34:56
  Speaker 9: The bark is ready, and the wind it help the associates,
• 2:35:00
  Speaker 9: and everything is bent for England. For England, I hamlet good,
• 2:35:06
  Speaker 9: so ist if thou nowst our purposes.
• 2:35:09
  Speaker 3: I see a cherub that seize them, But come for England. Farewell,
• 2:35:15
  Speaker 3: dear mother.
• 2:35:16
  Speaker 9: Thy loving father, Hamlet.
• 2:35:19
  Speaker 3: My mother father and mother is man and wife. Man
• 2:35:23
  Speaker 3: and wife is one flesh, and so my mother come
• 2:35:27
  Speaker 3: for England.
• 2:35:28
  Speaker 9: Exit Hamlet, follow him at foot, tempt him with speed aboard.
• 2:35:34
  Speaker 9: Delay it not, I'll have him hence to night away,
• 2:35:37
  Speaker 9: for everything is sealed and done. That else leans on
• 2:35:40
  Speaker 9: the affair. Pray you make.
• 2:35:42
  Speaker 2: Haste, excell Rosencrantz and Guildenstern and England.
• 2:35:47
  Speaker 9: If my love thou holdst at art as my great
• 2:35:50
  Speaker 9: power thereof may give thee sense. Since yet thy cicatriss
• 2:35:54
  Speaker 9: looks raw and read after the Danish sword, and thy
• 2:35:57
  Speaker 9: free owe pays homage to us, I mayst not coldly
• 2:36:01
  Speaker 9: set our sovereign process, which imports at full by letters
• 2:36:05
  Speaker 9: congruing to that effect the present death of Hamlet. Do it, England,
• 2:36:10
  Speaker 9: For like the hectic in my blood, he rages, and
• 2:36:12
  Speaker 9: thou must cure me till I know tis done. However,
• 2:36:15
  Speaker 9: my HAPs my joys were ne'er begun.
• 2:36:19
  Speaker 2: Exit Scene four. A plain in Denmark enter Fortinbrass, A
• 2:36:26
  Speaker 2: captain and soldiers marching.
• 2:36:28
  Speaker 15: Go.
• 2:36:28
  Speaker 27: Captain from me greet the Danish king tell him that
• 2:36:33
  Speaker 27: by his license, Fortinbrass craves the conveyance of a promised
• 2:36:37
  Speaker 27: march over his kingdom, you know the rendezvous. If that
• 2:36:42
  Speaker 27: his Majesty would aught with us, we shall express our
• 2:36:46
  Speaker 27: duty in his eye and let him know so.
• 2:36:49
  Speaker 4: I will do it, my Lord, go.
• 2:36:51
  Speaker 2: Softly on excellent Fortinbrass and soldiers enter Hamlet, Rosencrantz, Guildenstern
• 2:36:57
  Speaker 2: and others.
• 2:36:59
  Speaker 3: Good, Sir, whose powers are these?
• 2:37:02
  Speaker 4: They are of Norway?
• 2:37:03
  Speaker 23: Sir?
• 2:37:04
  Speaker 3: How purposed, sir?
• 2:37:05
  Speaker 4: I pray you against some part of Poland?
• 2:37:08
  Speaker 3: Who commands them?
• 2:37:09
  Speaker 23: Sir?
• 2:37:10
  Speaker 4: The nephews to old Norway Fortinbras.
• 2:37:13
  Speaker 3: Goes it against the main of Poland, Sir, Or for
• 2:37:17
  Speaker 3: some frontier.
• 2:37:18
  Speaker 4: Truly to speak, and with no addition, we go to
• 2:37:21
  Speaker 4: gain a little patch of ground that hath in it
• 2:37:24
  Speaker 4: no profit but the name to pay five ducats five
• 2:37:28
  Speaker 4: I would not farm it, nor will it yield to
• 2:37:31
  Speaker 4: Norway or the Pole a rangor rate should it be
• 2:37:34
  Speaker 4: sold in fee?
• 2:37:35
  Speaker 3: Why that the Polac never will defend it.
• 2:37:38
  Speaker 4: Yes, it is already garrisoned.
• 2:37:40
  Speaker 3: Two thousand souls and twenty thousand ducats will not debate
• 2:37:44
  Speaker 3: the question of this straw. This is the impostume of
• 2:37:49
  Speaker 3: much wealth and peace that inward breaks and shows no
• 2:37:54
  Speaker 3: cause without why the man dies. I humbly thank you.
• 2:38:00
  Speaker 2: Sir, God be with you, sir, exit Captain wilt please you.
• 2:38:05
  Speaker 3: Go, my lord, I'll be with you straight go a little.
• 2:38:09
  Speaker 2: Before excellent all except Hamlet, how.
• 2:38:14
  Speaker 3: All occasions do inform against me and spur my dull revenge.
• 2:38:20
  Speaker 3: What is a man, if his chief good and market
• 2:38:24
  Speaker 3: of his time be but to sleep and feed a beast?
• 2:38:29
  Speaker 3: No more sure he that made us with such large discourse,
• 2:38:36
  Speaker 3: looking before and after, gave us not that capability and
• 2:38:42
  Speaker 3: godlike reason to de fust in us unused now, whether
• 2:38:49
  Speaker 3: it be bestial oblivion, or some craven scruple of thinking
• 2:38:54
  Speaker 3: too precisely on the event, a thought which quartered hath
• 2:38:58
  Speaker 3: but one part wisdom, and ever threepot coward. I do
• 2:39:02
  Speaker 3: not know why, yet I live to say this thing's
• 2:39:05
  Speaker 3: to do, sith. I have cause and will and strength
• 2:39:11
  Speaker 3: and means.
• 2:39:12
  Speaker 10: To do it.
• 2:39:13
  Speaker 3: Examples gross as earth exhort me. Witness this army of
• 2:39:19
  Speaker 3: such mass in charge, led by a delicate and tender prince,
• 2:39:23
  Speaker 3: whose spirit, with divine ambition puffed, makes mouths at the
• 2:39:30
  Speaker 3: invisible event, exposing what is mortal and unsure to all
• 2:39:35
  Speaker 3: that fortune, death, and danger dare even for an eggshell.
• 2:39:44
  Speaker 3: Rightly to be great is not to stir without great argument,
• 2:39:50
  Speaker 3: but greatly to find quarrel in a straw when honors
• 2:39:55
  Speaker 3: at the stake. I'll stand, I that have a father killed,
• 2:40:01
  Speaker 3: a mother stained excitements of my reason and my blood,
• 2:40:06
  Speaker 3: and let all sleep, while to my shame I see
• 2:40:12
  Speaker 3: the imminent death of twenty thousand men that for a
• 2:40:16
  Speaker 3: fantasy and trick of fame go to their graves like beds,
• 2:40:22
  Speaker 3: fight for a plot where on the numbers cannot try
• 2:40:25
  Speaker 3: the cause, which is not toomb enough incontinent to hide
• 2:40:30
  Speaker 3: the slain. Oh, from this time forth, my thoughts be bloody,
• 2:40:44
  Speaker 3: all be nothing worth.
• 2:40:47
  Speaker 2: Exit Scene five Elsinore, a room in the castle. Enter
• 2:40:54
  Speaker 2: Queen Gertrude, Horatio and a gentleman.
• 2:40:57
  Speaker 12: I will not speak with her.
• 2:40:59
  Speaker 25: She is importunate, indeed distract her mood. Will needs be pitied.
• 2:41:04
  Speaker 12: What would she have?
• 2:41:06
  Speaker 25: She speaks much of her father, says, she hears there's
• 2:41:09
  Speaker 25: tricks of the world and hymns, and beats. Her heart
• 2:41:12
  Speaker 25: spurns enviously at straws, speaks things in doubt that carry
• 2:41:16
  Speaker 25: but half sense. Her speech is nothing yet the unshaped.
• 2:41:19
  Speaker 25: Use of it doth move the hearers to collection. They
• 2:41:22
  Speaker 25: aim at it and botch the words up fit to
• 2:41:24
  Speaker 25: their own thoughts, which, as her winks and nods and
• 2:41:27
  Speaker 25: gestures yield them, indeed, would make one think there might
• 2:41:30
  Speaker 25: be thought, though nothing sure yet much unhappily.
• 2:41:33
  Speaker 7: For good she has spoken with, For she may strew
• 2:41:36
  Speaker 7: dangerous conjectures in ill breeding minds.
• 2:41:40
  Speaker 12: Let her come in exit Horatio to my sick soul.
• 2:41:45
  Speaker 12: As sin's true nature is. Each toy seems prologued to
• 2:41:49
  Speaker 12: some great amiss, so full of artless jealousy as guilt,
• 2:41:55
  Speaker 12: it spills itself in, fearing to be spilt.
• 2:41:59
  Speaker 2: Re enter Horatio with Ophelia.
• 2:42:02
  Speaker 14: Where is the beauteous majesty of Denmark?
• 2:42:04
  Speaker 12: How now, Ophelia sings?
• 2:42:08
  Speaker 20: How should I you true love know from anotherl one?
• 2:42:17
  Speaker 20: By his cockle, hat m staff and his sandal shoon.
• 2:42:27
  Speaker 12: Alas sweet lady, what imports this song?
• 2:42:32
  Speaker 14: Say you nay?
• 2:42:34
  Speaker 2: Pray you Mark sings?
• 2:42:37
  Speaker 14: He's dead and gone, lady, He's dead and gone. At
• 2:42:48
  Speaker 14: his head grass green turf atis heel's a stone.
• 2:42:57
  Speaker 12: Nay, But Ophelia, pray you Mark sings?
• 2:43:02
  Speaker 14: Why tis shroud does the mountains snow.
• 2:43:08
  Speaker 2: Enter King Claudius.
• 2:43:10
  Speaker 12: Alas, look here, my lord, sings.
• 2:43:14
  Speaker 14: Lorded with sweet flowers which bewept to the grave, did
• 2:43:24
  Speaker 14: go with true love shows.
• 2:43:31
  Speaker 9: How do you, pretty lady? Well?
• 2:43:33
  Speaker 14: God ild you? They say the owl was a baker's daughter. Lord,
• 2:43:39
  Speaker 14: we know what we are, but not what we may be.
• 2:43:43
  Speaker 14: God be at your.
• 2:43:44
  Speaker 9: Table, conceit upon her father.
• 2:43:48
  Speaker 3: Pray you.
• 2:43:49
  Speaker 14: Let's have no words of this. But when they ask
• 2:43:52
  Speaker 14: you what it means, say you, this sings to morrow
• 2:43:57
  Speaker 14: is Saint Valentine's day, all in the morning, betime, and
• 2:44:03
  Speaker 14: I a maid at your window to be your val
• 2:44:07
  Speaker 14: in time. Then up he rose and darned his clothes
• 2:44:12
  Speaker 14: and dupped the chamber door. Let him the maid that out.
• 2:44:16
  Speaker 14: A maid never departed more.
• 2:44:19
  Speaker 28: Pretty, Ophelia, indeed low without an oath, I'll make an
• 2:44:23
  Speaker 28: endant sings by Jeaston, by s and charity, a lack
• 2:44:29
  Speaker 28: and fire for shame.
• 2:44:30
  Speaker 14: Young men will do it if they come to it.
• 2:44:33
  Speaker 14: By cock, they are to blame. Quoth she before you
• 2:44:37
  Speaker 14: tumbled me, you promised me to wed, so would I
• 2:44:41
  Speaker 14: had done? By yonder sun, and thou hadst not come
• 2:44:46
  Speaker 14: to my bed?
• 2:44:48
  Speaker 9: How long hath she been? Thus?
• 2:44:50
  Speaker 14: I hope all will be well. We must be patient,
• 2:44:54
  Speaker 14: but I cannot choose, but weep to think they should
• 2:44:58
  Speaker 14: lay him in the cold ground. My brother shall know
• 2:45:02
  Speaker 14: of it, and so I thank you for your good counsel. Come,
• 2:45:06
  Speaker 14: my coach. Good night, ladies, good night, sweet ladies, good night,
• 2:45:13
  Speaker 14: good night.
• 2:45:15
  Speaker 9: Exit Ophelia, follow her close, give her good watch.
• 2:45:19
  Speaker 2: I pray you exit, Horatio.
• 2:45:23
  Speaker 9: Oh, this is the poison of deep grief. It springs
• 2:45:26
  Speaker 9: all from her father's death. Oh, Gertrude, Gertrude, When sorrows come,
• 2:45:30
  Speaker 9: they come not single spies, but in battalions. First her
• 2:45:34
  Speaker 9: father slain, Next your son gone, and he most violent
• 2:45:38
  Speaker 9: author of his own. Just remove the people, muddied, thick
• 2:45:42
  Speaker 9: and unwholesome in their thoughts and whispers for good Polonius's death.
• 2:45:45
  Speaker 9: And we have done but greenly in huggermugger to inter him.
• 2:45:49
  Speaker 9: Poor Ophelia, divided from herself and her fair judgment, without
• 2:45:54
  Speaker 9: the which we are pictures or mere beasts glassed and
• 2:45:58
  Speaker 9: as much containing as all these, Her brother is in secret,
• 2:46:01
  Speaker 9: come from France, feeds on his wonder, keeps himself in clouds,
• 2:46:05
  Speaker 9: and wants not buzzers to infect his ear with pestilent
• 2:46:09
  Speaker 9: speeches of his father's death, where in necessity of matter beggard,
• 2:46:13
  Speaker 9: will nothing stick our person to a reign in Ear
• 2:46:15
  Speaker 9: and ear, oh, my dear Gertrude, this like to a
• 2:46:19
  Speaker 9: murdering peace in many places, gives me superfluous death.
• 2:46:24
  Speaker 2: A noise within, alack, what noise is this?
• 2:46:28
  Speaker 9: Where are my switzers? Let them guard the door?
• 2:46:31
  Speaker 2: Enter another, gentleman, What is the matter, Save yourself, my lord?
• 2:46:37
  Speaker 29: The ocean overpeering of his list eats not the flats
• 2:46:41
  Speaker 29: with more impetuous haste than young Laertes in a riot's head,
• 2:46:46
  Speaker 29: or bears your officers. The rabble call him lord. And
• 2:46:51
  Speaker 29: as the world were now, but to begin antiquity forgot
• 2:46:55
  Speaker 29: custom not known. The ratifires and props of every.
• 2:46:59
  Speaker 27: Word, they cry, Choose we Laertes shall be king, caps,
• 2:47:05
  Speaker 27: hands and tongues.
• 2:47:07
  Speaker 29: Applaud it to the clouds, larities shall be king Laarites king.
• 2:47:13
  Speaker 12: How cheerfully on the false trail, they cry, Oh, this
• 2:47:17
  Speaker 12: is counter, you false Danish dogs.
• 2:47:20
  Speaker 9: The doors are broke.
• 2:47:22
  Speaker 2: Noise within, Enter Laertes, armed dames following.
• 2:47:27
  Speaker 10: Where is the king? Sirs? Stand you all without no
• 2:47:35
  Speaker 10: I pray you give me leave.
• 2:47:38
  Speaker 2: We will will they retire without the door?
• 2:47:42
  Speaker 10: I thank you keep the door, Oh thou vile king,
• 2:47:49
  Speaker 10: give me my.
• 2:47:49
  Speaker 12: Father calmly, good ladies.
• 2:47:52
  Speaker 10: That drop of blood, that's calm, proclaims me. Bastard cries
• 2:48:00
  Speaker 10: cuckled to my father brands the harlot even here between
• 2:48:04
  Speaker 10: the chaste, unsmirched brow of my true mother.
• 2:48:09
  Speaker 9: What is the cause, Laerities, that thy rebellion looks so
• 2:48:12
  Speaker 9: giant like? Let him go, Gertrude, do not fear our person.
• 2:48:16
  Speaker 9: There's such divinity, doth hedge a king that treason can
• 2:48:19
  Speaker 9: but peep to what it would acts little of his will?
• 2:48:22
  Speaker 9: Tell me, Laertes, why thou art thus incensed? Let him go, Gertrude, speak.
• 2:48:28
  Speaker 3: Man, where is my father dead?
• 2:48:32
  Speaker 12: But not by him?
• 2:48:33
  Speaker 9: Let him demand his fill?
• 2:48:35
  Speaker 10: How came he dead? I'll not be juggled with to
• 2:48:40
  Speaker 10: hell allegiance vows to the blackest double conscience and grace
• 2:48:48
  Speaker 10: to the profoundest pit. I dare damnation to this point.
• 2:48:54
  Speaker 10: I stand that both the worlds I give to negligence.
• 2:48:58
  Speaker 10: Let come what come ums only I'll be revenged most
• 2:49:04
  Speaker 10: thoroughly for my father, who shall stay you My will
• 2:49:09
  Speaker 10: not all the world, and for my means, I'll husband
• 2:49:15
  Speaker 10: them so well they shall go far with little good laerties.
• 2:49:20
  Speaker 9: If you desire to know the certainty of your dear
• 2:49:22
  Speaker 9: father's death is writ in your revenge that swoopsteak, you
• 2:49:26
  Speaker 9: will draw both friend and foe, winner.
• 2:49:28
  Speaker 10: And loser, none but his enemies.
• 2:49:32
  Speaker 9: Will you know them? Then to his.
• 2:49:34
  Speaker 10: Good friends thus wide, I'll open my arms, and, like
• 2:49:40
  Speaker 10: the kind life rendering pelican, repace them with my blood.
• 2:49:46
  Speaker 9: Why now you speak, like a good child and a
• 2:49:48
  Speaker 9: true gentleman, that I am guiltless of your father's death,
• 2:49:52
  Speaker 9: and a most sensible and grief for it. It shall
• 2:49:55
  Speaker 9: as level to your judgment, pierce, as day does to
• 2:49:57
  Speaker 9: your eye within. Let come in?
• 2:50:01
  Speaker 10: How now, what noise is that?
• 2:50:04
  Speaker 2: Re enter, Ophelia, Oh.
• 2:50:07
  Speaker 10: Heat, dry up my brains, tears seven times salt, burn
• 2:50:14
  Speaker 10: out the sense and virtue of mine eye by heaven,
• 2:50:19
  Speaker 10: thy madness shall be paid by weight till our scale
• 2:50:24
  Speaker 10: turned the beam, Oh rose of may, dear maid kind sister,
• 2:50:32
  Speaker 10: sweet Ophelia, Oh heavens, is't possible? A young maid's wits
• 2:50:39
  Speaker 10: should be as moral as an old man's life. Nature
• 2:50:45
  Speaker 10: is fine in love, and where'tis fine? It sends some
• 2:50:51
  Speaker 10: precious instance of itself after the thing it loves.
• 2:50:56
  Speaker 2: Sings.
• 2:50:57
  Speaker 14: They him birth based on the beer. Hey non nonny, nonny,
• 2:51:04
  Speaker 14: Hey nonny, And in his grave reigned man yite fare
• 2:51:12
  Speaker 14: you well.
• 2:51:14
  Speaker 3: My dove.
• 2:51:17
  Speaker 10: Hadst thou thy wits, and didst persuade revenge. It could
• 2:51:23
  Speaker 10: not move. Thus sings You must.
• 2:51:27
  Speaker 14: Sing a down a down, and you call him a downer. Oh,
• 2:51:32
  Speaker 14: how the weel becomes it. It is the false steward
• 2:51:36
  Speaker 14: that stole his master's daughter.
• 2:51:38
  Speaker 10: This nothing's more than matter.
• 2:51:42
  Speaker 14: There's rosemary that's for remembrance, pray, love, remember, And there's
• 2:51:49
  Speaker 14: pansies that's for thoughts.
• 2:51:53
  Speaker 10: A document in madness, thoughts and remembrance.
• 2:51:59
  Speaker 14: Fitted there's fennel for you and columbines. There's rue for you,
• 2:52:06
  Speaker 14: and here's some for me. We may call it herb
• 2:52:10
  Speaker 14: grace Sundays. Oh, you must wear your rue with a difference.
• 2:52:16
  Speaker 14: There's a daisy. I would give you some violets, but
• 2:52:21
  Speaker 14: they withered all. When my father died, they say he
• 2:52:25
  Speaker 14: made a good end. Sings for Bonny, sweet Robin is
• 2:52:30
  Speaker 14: all my joy.
• 2:52:32
  Speaker 10: Thought and affliction, passion, hell itself. She turns to favor
• 2:52:41
  Speaker 10: and to prettiness sings.
• 2:52:44
  Speaker 14: And will he not calmer again? And will he not
• 2:52:51
  Speaker 14: calm again?
• 2:52:54
  Speaker 19: No?
• 2:52:54
  Speaker 14: No, he is dead. Go to thy death bed. He
• 2:53:00
  Speaker 14: never will come again. His beard was as white as snow,
• 2:53:09
  Speaker 14: oh flags, and was his pole. He is gone. He
• 2:53:15
  Speaker 14: is gone, and we cast away moon could in mercy
• 2:53:21
  Speaker 14: on his soul and of all Christian souls. I pray, God,
• 2:53:29
  Speaker 14: God be with.
• 2:53:29
  Speaker 2: Ye exit ophilia.
• 2:53:32
  Speaker 3: Do you see this, oh God Laertes.
• 2:53:37
  Speaker 9: I must commune with your grief, or you deny me right,
• 2:53:40
  Speaker 9: Go but apart, make choice of whom your wisest friends
• 2:53:43
  Speaker 9: you will, and they shall hear and judge TwixT you
• 2:53:46
  Speaker 9: and me. If by direct or by collateral hand, they
• 2:53:49
  Speaker 9: find us touched, we will our kingdom, give our crown,
• 2:53:53
  Speaker 9: our life, and all that we can ours to you
• 2:53:56
  Speaker 9: in satisfaction. But if not, be you content to lend
• 2:53:59
  Speaker 9: your to us, and we shall jointly labor with your
• 2:54:03
  Speaker 9: soul to give it due content.
• 2:54:06
  Speaker 10: Let this be so his means of death, his obscure funeral,
• 2:54:14
  Speaker 10: No trophy sword, nor hatchment o'er his bones, no noble
• 2:54:22
  Speaker 10: right nor formal ostentation. Cry to be heard as twere
• 2:54:29
  Speaker 10: from heaven to earth, that I must cult in question.
• 2:54:34
  Speaker 9: So you shall, and where the offense is, let the
• 2:54:37
  Speaker 9: great axe fall. I pray you go with me.
• 2:54:41
  Speaker 2: Exit Scene six. Another room in the castle. Enter Horatio
• 2:54:48
  Speaker 2: and a servant.
• 2:54:49
  Speaker 7: What are they that would speak with me?
• 2:54:51
  Speaker 30: Sailors, sir? They say they have letters for you.
• 2:54:55
  Speaker 7: Let them come in.
• 2:54:56
  Speaker 2: Exit servant.
• 2:54:57
  Speaker 7: I do not know from what part of the world
• 2:54:59
  Speaker 7: I should be great eat it? If not from Lord
• 2:55:01
  Speaker 7: Hamlet enter sailors.
• 2:55:04
  Speaker 31: God bless you, sir.
• 2:55:06
  Speaker 7: Let him bless thee too.
• 2:55:07
  Speaker 31: He shall, sir, and please him. There's a letter for you, sir.
• 2:55:11
  Speaker 31: It comes from the ambassador that was bound for England.
• 2:55:14
  Speaker 31: If your name be Horatio, as I am to let know,
• 2:55:16
  Speaker 31: it is reads.
• 2:55:22
  Speaker 7: Horatio. When thou shalt have overlooked this, give these fellows
• 2:55:27
  Speaker 7: some means to the king. They have letters for him.
• 2:55:31
  Speaker 7: Ere we were two days old at sea, a pirate
• 2:55:35
  Speaker 7: of very warlike appointment gave us chase. Finding ourselves too
• 2:55:39
  Speaker 7: slow of sail, we put on a compelled valor, and
• 2:55:42
  Speaker 7: in the grapple I boarded them on the instant they
• 2:55:46
  Speaker 7: got clear of our ship, so I alone became their prisoner.
• 2:55:51
  Speaker 7: They have dealt with me like thieves of mercy. But
• 2:55:54
  Speaker 7: they knew what they did. I am to do a
• 2:55:57
  Speaker 7: good turn for them. The King have the letters I
• 2:56:01
  Speaker 7: have sent, and repair thou to me with as much
• 2:56:04
  Speaker 7: speed as thou wouldst fly death. I have words to
• 2:56:07
  Speaker 7: speak in thine ear will make THEE dumb. Yet they
• 2:56:10
  Speaker 7: are much too light for the bore of the matter.
• 2:56:13
  Speaker 7: These good fellows will bring thee where I am. Rosencranson,
• 2:56:17
  Speaker 7: Guildenstone hold their course for England. Of them, I have
• 2:56:21
  Speaker 7: much to tell thee. Farewell he that thou knowest thine
• 2:56:27
  Speaker 7: Hamlet come. I will make you way for these your letters,
• 2:56:33
  Speaker 7: and do it the speedia that you may direct me
• 2:56:35
  Speaker 7: to him from whom you brought them.
• 2:56:36
  Speaker 2: Excellent scene seven, another room in the castle. Enter King
• 2:56:43
  Speaker 2: Claudius and Laertes.
• 2:56:46
  Speaker 9: Now must your conscience, my acquaintance, seal, and you must
• 2:56:49
  Speaker 9: put me in your heart for friend, sith you have
• 2:56:52
  Speaker 9: heard and with a knowing ear, that he which hath
• 2:56:55
  Speaker 9: your noble father slain, pursued my life.
• 2:56:58
  Speaker 10: It well appears. But tell me why you proceeded not
• 2:57:03
  Speaker 10: against these feats so crimeful and so capital in nature,
• 2:57:08
  Speaker 10: as by your safety wisdom all things else you mainly
• 2:57:13
  Speaker 10: were stirred up.
• 2:57:15
  Speaker 9: Oh for two special reasons, which may to you perhaps
• 2:57:18
  Speaker 9: seem much unsinewed, but yet to me they are strong.
• 2:57:22
  Speaker 9: The Queen his mother lives almost by his looks, and
• 2:57:25
  Speaker 9: for myself, my virtue or my plague be at either
• 2:57:28
  Speaker 9: which she is so conjunctive to my life and soul, that,
• 2:57:32
  Speaker 9: as the star moves not but in his sphere, I
• 2:57:35
  Speaker 9: could not but by her. The other motive why to
• 2:57:38
  Speaker 9: a public count I might not go, is the great
• 2:57:41
  Speaker 9: love the general gender bear. Him who, dipping all his
• 2:57:45
  Speaker 9: faults in their affection, would like the spring that turneth
• 2:57:48
  Speaker 9: wood to stone, convert his gives to graces, so that
• 2:57:52
  Speaker 9: my arrows, too slightly timbered, for so loud a wind
• 2:57:55
  Speaker 9: would have reverted to my bow again, and not where
• 2:57:58
  Speaker 9: I had aim'd them.
• 2:58:00
  Speaker 10: And so have I A noble father lost, a sister
• 2:58:06
  Speaker 10: driven into desperate terms, whose worth, if praises, may go
• 2:58:11
  Speaker 10: back again, stood challenger on mount of all the age
• 2:58:16
  Speaker 10: for her perfections. But my revenge will come.
• 2:58:22
  Speaker 9: Break not your sleeps. For that you must not think
• 2:58:25
  Speaker 9: that we are made of stuff so flat and dull
• 2:58:27
  Speaker 9: that we can let our beard be shook with danger,
• 2:58:29
  Speaker 9: and think it pastime. You shortly shall hear more I
• 2:58:34
  Speaker 9: loved your father, and we love ourselves, and that I
• 2:58:37
  Speaker 9: hope will teach you to imagine.
• 2:58:39
  Speaker 2: Enter a messenger, how now, what news let us, my
• 2:58:43
  Speaker 2: lord from Hamlet?
• 2:58:45
  Speaker 7: This dear majesty gives to the queen.
• 2:58:47
  Speaker 9: From Hamlet who brought them savors?
• 2:58:50
  Speaker 7: My lord, they say, I thought not. They were given
• 2:58:53
  Speaker 7: me by Cardio.
• 2:58:54
  Speaker 32: He received them of him that got them.
• 2:58:56
  Speaker 9: Lati is you shall hear them leave.
• 2:58:58
  Speaker 2: Us egg it, messenger reads High and mighty.
• 2:59:03
  Speaker 9: You shall know I am set naked on your kingdom tomorrow?
• 2:59:07
  Speaker 9: Shall I beg leave to see your kingly eyes? When
• 2:59:10
  Speaker 9: I shall first asking your pardon? Thereunto recount the occasion
• 2:59:14
  Speaker 9: of my sudden and more strange return Hamlet? What should
• 2:59:19
  Speaker 9: this mean? Where all the rest come back? Or is
• 2:59:22
  Speaker 9: it some abuse? And no such thing?
• 2:59:25
  Speaker 10: Know you the hand?
• 2:59:26
  Speaker 9: But tis Hamlet's character naked, And in a PostScript here
• 2:59:31
  Speaker 9: he says, alone, can you advise me?
• 2:59:34
  Speaker 10: I'm lost in it, my lord, But let him come.
• 2:59:38
  Speaker 10: It warms the very sickness in my heart that I
• 2:59:42
  Speaker 10: shall live and tell him to his teeth. Thus, diddest thou.
• 2:59:49
  Speaker 9: If it be so, Laertes, as, how should it be so?
• 2:59:53
  Speaker 9: How otherwise will you be ruled by.
• 2:59:55
  Speaker 10: Me, I, my lord, so you will not or rule
• 3:00:00
  Speaker 10: me to a peace.
• 3:00:02
  Speaker 9: To thine own peace. If he be now returned as
• 3:00:05
  Speaker 9: checking at his voyage, and that he means no more
• 3:00:08
  Speaker 9: to undertake it, I will work him to an exploit.
• 3:00:11
  Speaker 9: Now ripen my device under which he shall not choose
• 3:00:14
  Speaker 9: but fall, and for his death no wind of blame
• 3:00:17
  Speaker 9: shall breathe, but even his mother shall uncharge the practice
• 3:00:20
  Speaker 9: and call it accident.
• 3:00:22
  Speaker 10: My Lord, I will be ruled the rather, if you
• 3:00:27
  Speaker 10: could devise it so that I might be the organ.
• 3:00:31
  Speaker 9: It falls right. You have been talked of since your
• 3:00:34
  Speaker 9: travel much, and that in Hamlet's hearing for a quality,
• 3:00:38
  Speaker 9: wherein they say you shine. Your sum of parts did
• 3:00:41
  Speaker 9: not together pluck such envy from him as did that one.
• 3:00:45
  Speaker 9: And that in my regard of the unworthiest.
• 3:00:47
  Speaker 10: Siege, what park is that, my lord.
• 3:00:50
  Speaker 9: A very ribband in the cap of youth, yet needful too,
• 3:00:54
  Speaker 9: For youth no less becomes the light and careless livery
• 3:00:57
  Speaker 9: that it wears than settled age, his sable and his weeds,
• 3:01:00
  Speaker 9: importing health and graveness. Two months since here was a
• 3:01:04
  Speaker 9: gentleman of Normandy, I've seen myself and served against the French,
• 3:01:08
  Speaker 9: and they can well on horseback, but this gallant had
• 3:01:11
  Speaker 9: witchcraft in it. He grew unto his seat, and to
• 3:01:15
  Speaker 9: such wondrous doing, brought his horse as he had been encorpsed,
• 3:01:18
  Speaker 9: and DEMI natured with the brave beast. So far he
• 3:01:21
  Speaker 9: topped my thought that I, in forgery of shapes and tricks,
• 3:01:25
  Speaker 9: come short of what he did. A Norman West, a
• 3:01:29
  Speaker 9: Norman upon my life la Monde, the very same, I
• 3:01:34
  Speaker 9: know him well. He is the brooch, indeed, and gem
• 3:01:38
  Speaker 9: of all the nation. He made confession of you, and
• 3:01:42
  Speaker 9: gave you such a masterly report for art and exercise
• 3:01:45
  Speaker 9: in your defense and for eurrapia. Most especially that he
• 3:01:49
  Speaker 9: cried out, twould be a sight. Indeed, if one could
• 3:01:52
  Speaker 9: match you. The scrimmers of their nation, he swore, had
• 3:01:55
  Speaker 9: neither motion, guard nor eye if you opposed them, Sir,
• 3:01:58
  Speaker 9: this report of his did ham It's so envenom with
• 3:02:01
  Speaker 9: his envy, that he could nothing do but wish and
• 3:02:03
  Speaker 9: beg your sudden coming, or to play with him. Now
• 3:02:07
  Speaker 9: out of this? What out of this, my lord lairdies,
• 3:02:11
  Speaker 9: was your father dear to you? Or are you like
• 3:02:13
  Speaker 9: the painting of a sorrow a face without a heart.
• 3:02:17
  Speaker 9: Why ask you this not that I think you did
• 3:02:20
  Speaker 9: not love your father, but that I know love is
• 3:02:23
  Speaker 9: begun by time, and that I see in passages of
• 3:02:26
  Speaker 9: proof time qualifies the spark and fire of it. There
• 3:02:29
  Speaker 9: lives within the very flame of love a kind of
• 3:02:31
  Speaker 9: wick or snuff that will abate it. And nothing is
• 3:02:34
  Speaker 9: at alike goodness still, for goodness growing to a pleurisy
• 3:02:38
  Speaker 9: dies in his own too much that we would do,
• 3:02:41
  Speaker 9: we should do when we would. For this wood changes
• 3:02:46
  Speaker 9: and hath abatements and delays, as many as there are tongues,
• 3:02:49
  Speaker 9: our hands are accidents. And then this should is like
• 3:02:53
  Speaker 9: a spendthrift sigh that hurts by easing, but to the
• 3:02:58
  Speaker 9: quick of the ulcer, Hamlet it comes back. What would
• 3:03:02
  Speaker 9: you undertake to show yourself your father's son? Indeed, more
• 3:03:06
  Speaker 9: than in words.
• 3:03:07
  Speaker 10: To cut his throat in the church.
• 3:03:11
  Speaker 9: No place indeed should murder, sanctuarize. Revenge should have no bounds.
• 3:03:16
  Speaker 9: But good later it is, will you do this? Keep
• 3:03:19
  Speaker 9: close within your chamber, Hamlet return shall know you are
• 3:03:23
  Speaker 9: come home. We'll put on those that shall praise your excellence,
• 3:03:26
  Speaker 9: and set a double varnish on the fame. The Frenchman
• 3:03:29
  Speaker 9: gave you. Bring you in fine together and wageerr on
• 3:03:32
  Speaker 9: your heads. He being remiss, most generous and free from
• 3:03:35
  Speaker 9: all contriving, will not peruse the foils, So that with ease,
• 3:03:39
  Speaker 9: or with a little shuffling, you may choose a sword unbated,
• 3:03:42
  Speaker 9: and in a passive practice, requite him for your father.
• 3:03:46
  Speaker 10: I will do it, and for that purpose I'll anoint
• 3:03:51
  Speaker 10: my sword. I bought an unction of a mountebank so
• 3:03:56
  Speaker 10: mortal that but dip a knife in it where it
• 3:04:00
  Speaker 10: draws blood. No cataplasm so rare collected from all simples
• 3:04:06
  Speaker 10: that have virtue under the moon, can save the thing
• 3:04:10
  Speaker 10: from death that is but scratched withal. I'll touch my
• 3:04:15
  Speaker 10: point with this contagion, that if I gall him slightly,
• 3:04:22
  Speaker 10: it may be death.
• 3:04:24
  Speaker 9: Let's further think of this way, what convenience, both of
• 3:04:27
  Speaker 9: time and means, may fit us to our shape. If
• 3:04:30
  Speaker 9: this should fail, and that our drift look through our
• 3:04:32
  Speaker 9: bad performance, twere better not hassayed. Therefore, this project should
• 3:04:38
  Speaker 9: have a back or second that might hold if this
• 3:04:40
  Speaker 9: should blast in proof soft let me see wholl make
• 3:04:45
  Speaker 9: a solemn wager on your cunnings I have when in
• 3:04:50
  Speaker 9: your motion you are hot and dry as make your
• 3:04:52
  Speaker 9: bouts more violent. To that end, and that he calls
• 3:04:55
  Speaker 9: for drink, I'll have prepared him a chalice for the
• 3:04:58
  Speaker 9: nonce wherein, But if he, by chance to escape your
• 3:05:02
  Speaker 9: venom stuck, our purpose may hold air. Enter, Queen Gertrude,
• 3:05:07
  Speaker 9: How now, sweet Queen.
• 3:05:10
  Speaker 12: One woe doth tread upon another's heel so fast they
• 3:05:14
  Speaker 12: follow your sisters, drowned.
• 3:05:17
  Speaker 10: Laities drowned.
• 3:05:20
  Speaker 12: Oh, where there is a willow grows a slant brook
• 3:05:25
  Speaker 12: that shows his hoar leaves in the glassy stream. There
• 3:05:29
  Speaker 12: with fantastic garlands, did she come of crow flowers, nettles, daisies,
• 3:05:35
  Speaker 12: and long purples that liberal shepherds give a grosser name,
• 3:05:40
  Speaker 12: But our cold maids do dead men's fingers call them.
• 3:05:45
  Speaker 12: There on the pendent boughs, her coronet weeds, clambering to
• 3:05:49
  Speaker 12: hang an envious sliver broke when down her weedy trophies,
• 3:05:54
  Speaker 12: and herself fell in the weeping brook. Her clothes spread
• 3:05:59
  Speaker 12: wide and mermaid like a while they bore her up,
• 3:06:03
  Speaker 12: which time she chanted snatches of old tombs. Has one
• 3:06:08
  Speaker 12: incapable of her own distress? Or like a creature native
• 3:06:12
  Speaker 12: and endued unto that element. But long it could not
• 3:06:17
  Speaker 12: be till that her garments, heavy with their drink, pulled
• 3:06:22
  Speaker 12: the poor wretch from her melodious lay to muddy death.
• 3:06:27
  Speaker 10: Alas then she is.
• 3:06:30
  Speaker 12: Drowned, drowned, drowned.
• 3:06:36
  Speaker 10: Too much of water. Hast thou, poor Ophelia, And therefore
• 3:06:42
  Speaker 10: I forbid my tears. But yet it is our trick
• 3:06:48
  Speaker 10: nature her custom holds. Let shame say what it will.
• 3:06:55
  Speaker 10: When these are gone, the woman will be out. O
• 3:07:04
  Speaker 10: what you my lord? I have a speech of fire
• 3:07:08
  Speaker 10: that fade wood blaze, but that this Holley doubts it.
• 3:07:14
  Speaker 2: Exit Laerties.
• 3:07:16
  Speaker 9: Let's follow Gertrude. How much I had to do to
• 3:07:20
  Speaker 9: calm his rage? Now fear I this will give its
• 3:07:23
  Speaker 9: start again. Therefore let's follow.
• 3:07:27
  Speaker 2: Exit end of Act four, Act five, Scene one, a churchyard, enter,
• 3:07:35
  Speaker 2: two clowns with spades, et cetera.
• 3:07:38
  Speaker 33: Is she to be buried in Christian burial that wilfully
• 3:07:41
  Speaker 33: seeks her own salvation?
• 3:07:43
  Speaker 30: I tell thee she is, so make her grave straight.
• 3:07:46
  Speaker 30: The crowner hath sat on her and finds it Christian burial?
• 3:07:50
  Speaker 33: How can that be? Unless she drowned herself in her
• 3:07:52
  Speaker 33: own defense?
• 3:07:53
  Speaker 30: Why tis found.
• 3:07:56
  Speaker 33: So it must be, say a fundendo. It cannot else.
• 3:08:01
  Speaker 33: For here lies the point. If I drown myself wittingly,
• 3:08:04
  Speaker 33: it argues an act, and an act hath three branches.
• 3:08:07
  Speaker 33: It is to act, to do, to perform our gall
• 3:08:11
  Speaker 33: She drowned herself wittingly.
• 3:08:13
  Speaker 30: Nay, but hear you, goodman, delver.
• 3:08:15
  Speaker 9: Give me leave.
• 3:08:16
  Speaker 33: Here lies water good, Here stands the man good. If
• 3:08:20
  Speaker 33: the man go to this water and drown himself, it
• 3:08:23
  Speaker 33: is will he nill he he goes?
• 3:08:26
  Speaker 2: Mark you that.
• 3:08:27
  Speaker 33: But if the water come to him and drown him,
• 3:08:30
  Speaker 33: he drowns not himself. Our gall, he that is not
• 3:08:33
  Speaker 33: guilty of his own death, shortens not his own life.
• 3:08:36
  Speaker 12: But is this law?
• 3:08:38
  Speaker 33: I merryest crowner's quest law?
• 3:08:41
  Speaker 12: Will you have the truth?
• 3:08:42
  Speaker 19: Aunt?
• 3:08:43
  Speaker 30: If this had not been a gentlewoman, she should have
• 3:08:46
  Speaker 30: been buried out of Christian burial.
• 3:08:48
  Speaker 33: Why there thou sayest? And that more pity that great
• 3:08:52
  Speaker 33: folks should have countenance in this world to drown or
• 3:08:54
  Speaker 33: hang themselves more than their even Christian Come my spade.
• 3:08:59
  Speaker 33: There is no ay. Gentlemen, but gardners, ditchers and grave
• 3:09:02
  Speaker 33: makers they hold up Adam's profession.
• 3:09:05
  Speaker 12: Was he a gentleman?
• 3:09:07
  Speaker 33: He was the first that ever bore arms?
• 3:09:09
  Speaker 30: Why he had none?
• 3:09:11
  Speaker 10: What art a heathen?
• 3:09:13
  Speaker 33: How dost thou understand the scripture? The scripture says Adam digged?
• 3:09:18
  Speaker 33: Could he dig without arms? If you answerest me not
• 3:09:21
  Speaker 33: to the purpose, confess thyself.
• 3:09:23
  Speaker 23: Go to.
• 3:09:26
  Speaker 33: What is he that builds stronger than either the mason,
• 3:09:28
  Speaker 33: the shipwright, or the carpenter?
• 3:09:31
  Speaker 30: A gallows maker? For that frame outlives a thousand tenants?
• 3:09:36
  Speaker 33: I like thy wit well in good faith? The gallows
• 3:09:40
  Speaker 33: does well? But how does it well? It does well
• 3:09:43
  Speaker 33: to those that do in. Now thou dost ill to
• 3:09:46
  Speaker 33: say the gallows is built stronger than the church, our
• 3:09:49
  Speaker 33: gall The gallows may do well? To thee toot Come again.
• 3:09:53
  Speaker 30: Who builds stronger than a mason, a shipwright, or a carpenter?
• 3:09:58
  Speaker 2: Ay tell me that you know.
• 3:10:01
  Speaker 12: Marry Now I can tell to it.
• 3:10:06
  Speaker 3: Mass.
• 3:10:06
  Speaker 30: I cannot tell.
• 3:10:07
  Speaker 2: Enter Hamlet and Horatio at a distance.
• 3:10:11
  Speaker 33: Cudgel thy brains no more about it, for your dull
• 3:10:13
  Speaker 33: ass will not mend his pace with beating. And when
• 3:10:16
  Speaker 33: you are asked this question, next, say a grave maker
• 3:10:20
  Speaker 33: the houses that he makes last till doomsday. Go get
• 3:10:24
  Speaker 33: thee to Johan, Fetch me a stoop of liquor exit.
• 3:10:28
  Speaker 2: Second clown, first clown digs and sings.
• 3:10:32
  Speaker 34: In youth when I did love, did love, methought it
• 3:10:35
  Speaker 34: was very sweet to contract, oh the time for a
• 3:10:39
  Speaker 34: me behoove om he thought there was nothing meat.
• 3:10:44
  Speaker 3: Has this fellow no feeling of his business that he
• 3:10:48
  Speaker 3: sings grave making custom?
• 3:10:50
  Speaker 7: Hath made it in him a property of easiness.
• 3:10:53
  Speaker 3: To see in so the hand of little employment, hath
• 3:10:58
  Speaker 3: the daintier sense sings, but age.
• 3:11:02
  Speaker 34: With his stealing steps. Hath called me in his clutch,
• 3:11:05
  Speaker 34: and hath shipped me into the land, as if I
• 3:11:08
  Speaker 34: had never been such throws.
• 3:11:11
  Speaker 2: Up a skull.
• 3:11:13
  Speaker 3: That skull had a tongue in it, and could sing
• 3:11:16
  Speaker 3: once how the knave jowls it to the ground, as
• 3:11:20
  Speaker 3: if it were a king's jawbone that did the first murder.
• 3:11:24
  Speaker 3: It might be the pate of a politician, which this
• 3:11:27
  Speaker 3: ass now o'er reaches, one that would circumvent God, might
• 3:11:33
  Speaker 3: it not? It might my lord, or of a courtier,
• 3:11:37
  Speaker 3: which could say, good morrow, sweet Lord, how dost thou,
• 3:11:41
  Speaker 3: good Lord? This might mean, by lord, such a one
• 3:11:45
  Speaker 3: that praised my lord, such a one's horse when he
• 3:11:49
  Speaker 3: meant to begin. It might it not I, my lord,
• 3:11:53
  Speaker 3: my and so, and now my lady worms chapless knocked
• 3:12:00
  Speaker 3: about the mazard with a sexton's spade. Here's fine revolution,
• 3:12:06
  Speaker 3: and we add the trick to seat. Did these bones
• 3:12:11
  Speaker 3: cost no more the breeding? But to play at loggards
• 3:12:15
  Speaker 3: with him? Mine ache? To think aunt.
• 3:12:18
  Speaker 34: Sings a pickaxe and a spade, a spade for a
• 3:12:22
  Speaker 34: shrouding sheet. Oh, a pit of clay to be made
• 3:12:27
  Speaker 34: for such a guest?
• 3:12:28
  Speaker 2: Is meat throws up another skull?
• 3:12:31
  Speaker 3: There's another? Why may not that be the skull of
• 3:12:36
  Speaker 3: a lawyer? Where be his quidities? Now, his quillets, his cases,
• 3:12:42
  Speaker 3: his tenures, and his tricks? Why does he suffer this
• 3:12:48
  Speaker 3: rude knave now to knock him about the sconce with
• 3:12:50
  Speaker 3: a dirty shovel, and will not tell him of his
• 3:12:54
  Speaker 3: action of battery? This fellow might be in time a
• 3:13:00
  Speaker 3: great buyer of land, with his statues, his recognisances, his fines,
• 3:13:07
  Speaker 3: his double vouchers, his recoveries.
• 3:13:12
  Speaker 7: Is this the.
• 3:13:13
  Speaker 3: Fine of his fines and the recovery of his recoveries?
• 3:13:18
  Speaker 3: To have his fine pate full of fine dirt? Will
• 3:13:23
  Speaker 3: his vouchers vouch him no more of his purchases and
• 3:13:29
  Speaker 3: double ones too than the length and breadth of a
• 3:13:33
  Speaker 3: pair of indentures. The very conveyances of his land will
• 3:13:38
  Speaker 3: hardly lie in this box, and must the interior himself
• 3:13:44
  Speaker 3: have no more.
• 3:13:44
  Speaker 7: Huh, not a jot more, my lord.
• 3:13:47
  Speaker 3: Is not parchment made of sheepskins.
• 3:13:50
  Speaker 7: I'm my lord, and of colfskins too.
• 3:13:53
  Speaker 3: They are sheep and calves which seek out assurance in
• 3:13:56
  Speaker 3: that I will speak to this fellow who's grave is this.
• 3:14:00
  Speaker 34: Sarah mine, sir sings? Or a pit of clay to
• 3:14:05
  Speaker 34: be made for such a guest is meet?
• 3:14:08
  Speaker 3: I think it be thine. Indeed, for thou liest hint.
• 3:14:12
  Speaker 33: You lie out on it, sir, and therefore it is
• 3:14:14
  Speaker 33: not yours. For my part, I do not lie in it,
• 3:14:17
  Speaker 33: and yet it is mine.
• 3:14:19
  Speaker 3: Thou dost lie int to be int and say it
• 3:14:23
  Speaker 3: is thine tis for the dead, not for the quick.
• 3:14:26
  Speaker 3: Therefore thou liest'tis.
• 3:14:29
  Speaker 33: A quick lie, sir. Twill away again from me to you.
• 3:14:32
  Speaker 3: What man dost thou dig it?
• 3:14:35
  Speaker 2: For?
• 3:14:36
  Speaker 34: For no man?
• 3:14:36
  Speaker 15: Sir?
• 3:14:37
  Speaker 3: What woman?
• 3:14:38
  Speaker 9: Then?
• 3:14:39
  Speaker 33: For none neither?
• 3:14:40
  Speaker 3: Who is to be buried int.
• 3:14:44
  Speaker 33: One that was a woman, sir? But rest her soul
• 3:14:47
  Speaker 33: she's dead.
• 3:14:48
  Speaker 3: How absolute the navis we must speak by the card,
• 3:14:52
  Speaker 3: or equivocation will undo us by the Lord Horatio. These
• 3:14:58
  Speaker 3: three years I have taken no of it. The age
• 3:15:02
  Speaker 3: is grown so picked that the toe of the peasant
• 3:15:04
  Speaker 3: comes so near the heel of the courtier he gaffs
• 3:15:07
  Speaker 3: his kibe. How long hast thou been a grave maker of.
• 3:15:13
  Speaker 33: All the days of the year. I came to it
• 3:15:15
  Speaker 33: that day that our last king Hamlet overcame Fortenbross.
• 3:15:20
  Speaker 3: How long is that? Since?
• 3:15:21
  Speaker 33: Cannot you tell that? Every fool can tell that it
• 3:15:25
  Speaker 33: was the very day that young Hamlet was born? He
• 3:15:27
  Speaker 33: that is mad and sent into England?
• 3:15:30
  Speaker 6: Why?
• 3:15:31
  Speaker 3: Mary? Why was he sent into England?
• 3:15:34
  Speaker 9: Why?
• 3:15:34
  Speaker 33: Because he was mad? He shall recover his wits there?
• 3:15:38
  Speaker 33: Or if you do not, it's no great matter there?
• 3:15:42
  Speaker 33: Why twill not be seen in him?
• 3:15:44
  Speaker 3: There?
• 3:15:44
  Speaker 9: There?
• 3:15:44
  Speaker 33: The men are as mad as he?
• 3:15:47
  Speaker 3: How came he mad?
• 3:15:49
  Speaker 33: Very strangely, they say, oh, strangely faith Ian with losing
• 3:15:54
  Speaker 33: his wits upon what ground?
• 3:15:57
  Speaker 15: Why?
• 3:15:58
  Speaker 33: Here in Denmark? I have been sext in here, man
• 3:16:01
  Speaker 33: and boy thirty years?
• 3:16:03
  Speaker 3: How long will a man lie the earth? Ere he rot?
• 3:16:07
  Speaker 33: If faith, if he be not rotten before he die?
• 3:16:10
  Speaker 33: As we have many parking courses nowadays that will scarce
• 3:16:13
  Speaker 33: hold the laying in. He will last you some eight
• 3:16:17
  Speaker 33: or nine year. A tanner will last you nine year?
• 3:16:20
  Speaker 3: Why he more than another?
• 3:16:22
  Speaker 33: Why sir, his height is so tanned with his trade
• 3:16:25
  Speaker 33: that he will keep out water a great while. And
• 3:16:28
  Speaker 33: your water is a sore decayur of the horse and
• 3:16:30
  Speaker 33: dead body. Here's a skull. Now, this skull is layin
• 3:16:34
  Speaker 33: in the earth three and twenty years.
• 3:16:36
  Speaker 3: Whose was it? Horse?
• 3:16:38
  Speaker 33: And mad fellows?
• 3:16:39
  Speaker 17: It was?
• 3:16:40
  Speaker 33: Whose do you think it was?
• 3:16:42
  Speaker 3: Nay?
• 3:16:42
  Speaker 33: And honat a pestilence on him for a mad rogue.
• 3:16:46
  Speaker 33: I poured a flagon of rheinish on my head once.
• 3:16:49
  Speaker 33: This same skull, Sir, was Yorick's skull. The king's jesture
• 3:16:53
  Speaker 33: this in that.
• 3:16:55
  Speaker 2: Let me see, takes the skull.
• 3:16:57
  Speaker 3: Ah last Poyorick, I knew him, Horatio, a fellow of
• 3:17:03
  Speaker 3: infinite jest, of most excellent fancy. He hath borne me
• 3:17:10
  Speaker 3: on his back a thousand times. And now how abhorred
• 3:17:17
  Speaker 3: in my imagination? It tis my gorge rims at it
• 3:17:22
  Speaker 3: he hung those lips I have kissed. I know not
• 3:17:26
  Speaker 3: how oft would be your jibes, now, your gambols, your
• 3:17:34
  Speaker 3: songs flashes of merriment that were wont to set the
• 3:17:39
  Speaker 3: table on a roar, not one now to mock your
• 3:17:45
  Speaker 3: own grinning, quite chopfallen. Now get you to my lady's
• 3:17:55
  Speaker 3: chamber and tell her let her pay an inch thick
• 3:18:02
  Speaker 3: to this favor.
• 3:18:03
  Speaker 9: She must come.
• 3:18:06
  Speaker 3: Make a laugh at that prithee, Horatio, tell me one thing?
• 3:18:14
  Speaker 7: What's that? My lord?
• 3:18:16
  Speaker 3: Dost thou think Alexander looked o this fashion in the earth?
• 3:18:20
  Speaker 7: Mean so, and smelt so?
• 3:18:23
  Speaker 3: Oh?
• 3:18:23
  Speaker 2: Puts down the skull.
• 3:18:25
  Speaker 7: Mean so, my lord?
• 3:18:27
  Speaker 3: To what base uses we may return her ratio? Why
• 3:18:32
  Speaker 3: may not imagination trace the noble dust of Alexander till
• 3:18:38
  Speaker 3: he find it stopping a bunghole?
• 3:18:41
  Speaker 7: Twit to consider too curiously to consider.
• 3:18:44
  Speaker 3: So no faith, not a jot, but to follow him
• 3:18:47
  Speaker 3: thither with modesty enough and likelihood to lead it as
• 3:18:52
  Speaker 3: Thus Alexander died, Alexander was buried, Alexander returneth into dust.
• 3:18:59
  Speaker 3: The dust is of earth, of earth we make loan.
• 3:19:05
  Speaker 3: And why of that loan whereto he was converted? Might
• 3:19:11
  Speaker 3: they not stop a beer barer? Imperious Caesar dead turned
• 3:19:18
  Speaker 3: to clay, might stop a hole to keep the wind away? Oh?
• 3:19:26
  Speaker 3: That that earth, which kept the world in awe, should
• 3:19:31
  Speaker 3: patch a wall to expel the winter flaw soft soft asiety.
• 3:19:41
  Speaker 3: Here comes the.
• 3:19:41
  Speaker 2: King and to priest et cetera, in procession the corpse
• 3:19:46
  Speaker 2: of Ophelia. Laertes and mourners following King Claudius, Queen Gertrude,
• 3:19:51
  Speaker 2: their trains, et cetera.
• 3:19:53
  Speaker 3: The Queen, the courtiers. Who is they they follow and
• 3:19:57
  Speaker 3: whose such main rites? The stuff betokened the course they
• 3:20:01
  Speaker 3: followed did with desperate hand for do its own life.
• 3:20:06
  Speaker 3: Twas of some estate couch we awhile in.
• 3:20:10
  Speaker 2: Mark retiring with horatio.
• 3:20:14
  Speaker 3: What ceremony else that is lairt is a very noble
• 3:20:19
  Speaker 3: use mark.
• 3:20:21
  Speaker 32: Her obsequies have been as far enlarged as we have warranties.
• 3:20:25
  Speaker 32: Her death was doubtful, and but that great command o'ersways
• 3:20:29
  Speaker 32: the order she should in ground and sanctified, have lodged
• 3:20:32
  Speaker 32: till the last trumpet for charitable prayers, shards, flints and
• 3:20:37
  Speaker 32: pebbles should be thrown on her. Yet here she has
• 3:20:40
  Speaker 32: allowed her virgin rites, her maid instruments, and the bringing
• 3:20:44
  Speaker 32: home of bell and burial.
• 3:20:47
  Speaker 10: Must there no more be done.
• 3:20:49
  Speaker 32: No more be done we should profane the service of
• 3:20:52
  Speaker 32: the dead, to sing a requiem and set rest to her,
• 3:20:55
  Speaker 32: as to peace.
• 3:20:56
  Speaker 10: Parted souls lay her in the earth, and from her
• 3:21:01
  Speaker 10: fair and unpolluted flesh may violets spring. I tell thee
• 3:21:09
  Speaker 10: churlish priest, a ministering angel, shall my sister be? When
• 3:21:14
  Speaker 10: thou liest howling, what.
• 3:21:17
  Speaker 35: A ferophilia sweets to the sweet farewell scattering flowers. I
• 3:21:25
  Speaker 35: hoped thou shouldst have been my Hamlet's wife. I thought
• 3:21:29
  Speaker 35: thy bride bed to have decked, sweet maid, And naught
• 3:21:33
  Speaker 35: have strewed thy grave.
• 3:21:36
  Speaker 10: Oh treble, woe fall ten times treble on that cursed head,
• 3:21:43
  Speaker 10: whose wicked deed thy most ingenious sense deprived thee of
• 3:21:49
  Speaker 10: hold off the earth, while till I have caught her
• 3:21:53
  Speaker 10: once more in mine.
• 3:21:54
  Speaker 2: Arms, leaps into the grave.
• 3:21:58
  Speaker 10: Now pile yours upon the quick end dead, till of
• 3:22:04
  Speaker 10: this flat a mountain you have made to o'er top
• 3:22:08
  Speaker 10: old Pellian wre this skysh head of blue Olympus advancing.
• 3:22:15
  Speaker 3: What is he whose grief bears such an emphasis, whose
• 3:22:19
  Speaker 3: phrase of sorrow conjures the wandering stars and makes them
• 3:22:22
  Speaker 3: stand like wonder wounded hearers. This is i Hamlet.
• 3:22:26
  Speaker 2: The dane leaps into the grave.
• 3:22:30
  Speaker 10: The devil take thy soul.
• 3:22:33
  Speaker 2: Grappling with him.
• 3:22:35
  Speaker 3: Thou prayest not well, I prethe take thy fingers from
• 3:22:38
  Speaker 3: my throat, For though I am not splendive and rash,
• 3:22:43
  Speaker 3: yet I have something in me dangerous, which let thy
• 3:22:47
  Speaker 3: wiseness fear hold off thy hand pluck them asunder Hamlet?
• 3:22:52
  Speaker 12: Hamlet?
• 3:22:56
  Speaker 7: Could my lord be clad?
• 3:22:58
  Speaker 2: The attendants part them and they come out?
• 3:23:01
  Speaker 3: Why I will fight with him upon this theme until
• 3:23:04
  Speaker 3: my eyelids will no longer wag?
• 3:23:06
  Speaker 36: Oh, my son, what theme I loved Ophelia?
• 3:23:12
  Speaker 3: Forty thousand brothers could not, with all their quantity of
• 3:23:16
  Speaker 3: love make up my son? What wilt thou do for her? Oh?
• 3:23:20
  Speaker 9: He is madly etes.
• 3:23:22
  Speaker 12: For love of God, forbear him spoons?
• 3:23:27
  Speaker 3: Show me what thou do?
• 3:23:29
  Speaker 10: What weep?
• 3:23:30
  Speaker 3: What fight? What fast woods? Tere thyself? What drink up easel?
• 3:23:35
  Speaker 3: Eat a crocodile? I'll do it. Dost thou come here
• 3:23:39
  Speaker 3: to wine, to outface me with leaping in her grave?
• 3:23:45
  Speaker 3: Be buryed quick with her? And so I And if
• 3:23:49
  Speaker 3: thou prate of mountains, let them throw millions of acres
• 3:23:53
  Speaker 3: on us till our ground, singing his pate against the
• 3:23:56
  Speaker 3: burning zone make osa like a wart nay, and the
• 3:24:01
  Speaker 3: mouth thou'll rent as well as thou.
• 3:24:04
  Speaker 12: This is mere madness. And thus a while the fit
• 3:24:08
  Speaker 12: will work on him Anon as patient as the female dove.
• 3:24:12
  Speaker 12: When that are golden couplets are disclosed, his silence will
• 3:24:15
  Speaker 12: sit drooping.
• 3:24:17
  Speaker 3: Here you, sir, what is the reason that you use me? Thus?
• 3:24:23
  Speaker 3: I love you ever, But it is no matter. Let
• 3:24:27
  Speaker 3: Hercules himself do what he may. The cat will mew,
• 3:24:32
  Speaker 3: and dog will have his day.
• 3:24:35
  Speaker 2: Exit Hamlet.
• 3:24:37
  Speaker 9: I pray you good, Horatio, wait upon him.
• 3:24:40
  Speaker 2: Exit Horatio to Laarties.
• 3:24:43
  Speaker 9: Strengthen your patience in our last night's speech, will put
• 3:24:47
  Speaker 9: the matter to the present. Push good Gertrude, set some
• 3:24:50
  Speaker 9: watch over your son. This grave shall have a living monument,
• 3:24:54
  Speaker 9: an hour of quiet. Shortly shall we see till then,
• 3:24:58
  Speaker 9: in patience our proceeding.
• 3:25:01
  Speaker 2: Excellent Scene two A hall in the castle. Enter Hamlet
• 3:25:06
  Speaker 2: and Horatio.
• 3:25:08
  Speaker 3: So much for this, sir, Now shall you see the other?
• 3:25:11
  Speaker 3: You do remember all the circumstance, Remember it, my lord sir.
• 3:25:17
  Speaker 3: In my heart there was a kind of fighting that
• 3:25:20
  Speaker 3: would not let me sleep. Methought, I lay worse than
• 3:25:23
  Speaker 3: the mutines in the Bilbos rashly, and praise be rashness
• 3:25:29
  Speaker 3: for it. Let us know our indiscretion sometimes serves us
• 3:25:35
  Speaker 3: well when our deep plots do paul, and that should
• 3:25:41
  Speaker 3: teach us there's a divinity that shapes our ends. Rough
• 3:25:45
  Speaker 3: you them how we will?
• 3:25:47
  Speaker 7: That is most certain?
• 3:25:49
  Speaker 3: Up from my cabin my sea gown, scarfed about me
• 3:25:54
  Speaker 3: in the dark, groped eye to find out them had
• 3:25:59
  Speaker 3: my desire, fingered their packet, and in fine withdrew to
• 3:26:06
  Speaker 3: mine own room, again, making so bold my fears forgetting
• 3:26:11
  Speaker 3: manners to unseal their grand commission, where I found Horatio
• 3:26:17
  Speaker 3: of royal knavery, an exact command, larded with many several
• 3:26:23
  Speaker 3: sorts of reasons, importing Denmark's health and England's too, with oh,
• 3:26:29
  Speaker 3: such bugs and goblins in my life that on the supervise,
• 3:26:34
  Speaker 3: no leisure baited, No, not to stay the grinding of
• 3:26:38
  Speaker 3: the axe. My head should be struck off?
• 3:26:43
  Speaker 7: Is it possible?
• 3:26:44
  Speaker 3: Here's the commission? Read it at more leisure. But wilt
• 3:26:50
  Speaker 3: thou hear me how I did proceed?
• 3:26:52
  Speaker 7: I beseech you, being.
• 3:26:54
  Speaker 3: Thus benetted round with villanies, ere I could make a
• 3:26:59
  Speaker 3: prolugged my brains. They had begun the play. I sat
• 3:27:04
  Speaker 3: me down, devised a new commission, wrote it fair. I
• 3:27:09
  Speaker 3: once did hold it as our status do a baseness
• 3:27:13
  Speaker 3: to write a fair and labored much how to forget
• 3:27:16
  Speaker 3: that learning. But sir, now it did me Yeoman's service
• 3:27:22
  Speaker 3: was there now the effect of what I wrote, I
• 3:27:25
  Speaker 3: my good Lord in earnest conjuration from the king, as
• 3:27:30
  Speaker 3: England was as faithful tributary as love between them, like
• 3:27:35
  Speaker 3: the palm might flourish, as peace should stiffer wheaten garland ware,
• 3:27:40
  Speaker 3: and stand a comma between their amities, and many such like.
• 3:27:45
  Speaker 3: Ass is of great charge that on the view and
• 3:27:49
  Speaker 3: knowing of these contents, without abatement. Further More or less,
• 3:27:53
  Speaker 3: he should the bearers put to sudden death, no shriving
• 3:27:57
  Speaker 3: time allowed.
• 3:27:59
  Speaker 7: How is this sealed?
• 3:28:00
  Speaker 3: Why even in that was heaven ordinant? I had my
• 3:28:04
  Speaker 3: father's signet in my purse, which was the model of
• 3:28:08
  Speaker 3: that Danish seal, folded the writ up and form of
• 3:28:12
  Speaker 3: the other scribed it gave it the impression, placed it
• 3:28:15
  Speaker 3: safely the changeling never known. Now. The next day was
• 3:28:21
  Speaker 3: our sea fight? And what to this was sequenced? Thou
• 3:28:25
  Speaker 3: know'st already.
• 3:28:27
  Speaker 7: So Guildenstern and rosencramps go to it by man.
• 3:28:32
  Speaker 3: They did make love to this employment. They are not
• 3:28:36
  Speaker 3: near my conscience. Their defeat does by their own insinuation
• 3:28:41
  Speaker 3: grow tis dangerous when the baser nature comes between the
• 3:28:46
  Speaker 3: pass and fell and sensed points of mighty opposites.
• 3:28:51
  Speaker 7: Why what a king is this?
• 3:28:53
  Speaker 3: Does it?
• 3:28:54
  Speaker 14: Not?
• 3:28:55
  Speaker 3: Thinks? They stand me now upon he that hath killed
• 3:29:00
  Speaker 3: my king and hoard my mother popped in between the
• 3:29:03
  Speaker 3: election and my hopes thrown out his angle for my
• 3:29:08
  Speaker 3: proper life. And with such cosinach is not the perfect
• 3:29:15
  Speaker 3: conscience to quit him with this arm, and is not
• 3:29:19
  Speaker 3: to be damned to let this canker of our nature
• 3:29:22
  Speaker 3: come in further evil.
• 3:29:24
  Speaker 7: It must be shortly known to him from England. What
• 3:29:26
  Speaker 7: is the issue of the business there?
• 3:29:28
  Speaker 3: It will be short. The interim is mine and a
• 3:29:32
  Speaker 3: man's life. No more than to say one but I'm
• 3:29:37
  Speaker 3: very sorry, good Horatio, the two Laertes I forgot myself
• 3:29:42
  Speaker 3: for by the image of my cause. I see the
• 3:29:45
  Speaker 3: portraiture of his. I'll court his favors. But sure the
• 3:29:50
  Speaker 3: bravery of his grief did put me into a towering passion.
• 3:29:55
  Speaker 7: Peace, who comes here?
• 3:29:57
  Speaker 23: Enter Ozrak, Your lord is right welcome back to Denmark.
• 3:30:03
  Speaker 3: I humbly thank you. Sir, does know this waterfly?
• 3:30:09
  Speaker 7: No, my good lord, thy.
• 3:30:11
  Speaker 3: State is the more gracious, for tis a vice to
• 3:30:13
  Speaker 3: know him. He hath much land and fertile that a
• 3:30:18
  Speaker 3: beastly lord of beasts and his crib shall stand in
• 3:30:20
  Speaker 3: the king's mess tis a chow, but as I say,
• 3:30:25
  Speaker 3: spacious in the possession of dirt.
• 3:30:28
  Speaker 23: Week Lord, if your lordship were at leisure, I should
• 3:30:31
  Speaker 23: impart a thing to you from his majesty.
• 3:30:34
  Speaker 3: I will receive it, Sir, with all diligence of spirit.
• 3:30:39
  Speaker 3: Put your bonnet to his right us tis for the head, I.
• 3:30:43
  Speaker 23: Thank your lordship. It is very hot, No.
• 3:30:46
  Speaker 3: Believe me, tis very cold. The wind is northerly.
• 3:30:49
  Speaker 23: It is indifferent cold, my lord, indeed.
• 3:30:52
  Speaker 3: But yet methinks it is very sultry and hot for my.
• 3:30:55
  Speaker 23: Complexion exceedingly, my lord. It is very sultry as it were.
• 3:31:01
  Speaker 23: I cannot tell how, But my Lord, his majesty bad
• 3:31:05
  Speaker 23: may signify to you that he has laid a great
• 3:31:08
  Speaker 23: wager on your head. Sir, this is the matter.
• 3:31:12
  Speaker 3: I besie you.
• 3:31:14
  Speaker 2: Remember Hamlet moves him to put on his hat.
• 3:31:17
  Speaker 23: Nay, good, my lord, for mine ease in good faith. Sir,
• 3:31:23
  Speaker 23: here is newly come to court. Laitis believe me an
• 3:31:27
  Speaker 23: absolute gentleman, full of most excellent differences, of very soft
• 3:31:32
  Speaker 23: society and great showing. Indeed to speak feelingly of him.
• 3:31:37
  Speaker 23: He is the card or calendar of gentry. For you
• 3:31:40
  Speaker 23: shall find in him the continent of what part of
• 3:31:43
  Speaker 23: gentleman would see.
• 3:31:44
  Speaker 3: Sir, his definement suffers no perdition in you, though I
• 3:31:49
  Speaker 3: know to divide him in victorially with dizzy the arithmetic
• 3:31:53
  Speaker 3: of memory, and yet by your neither in respect of
• 3:31:56
  Speaker 3: his quick sale. But in the verity of ex installment,
• 3:32:00
  Speaker 3: I take him to be a soul of great article,
• 3:32:03
  Speaker 3: and his infusion of such dearth and rareness as to
• 3:32:06
  Speaker 3: make true diction of him. His semblance is his mirror,
• 3:32:10
  Speaker 3: and who else would trace him his umbrage nothing more?
• 3:32:13
  Speaker 23: Your lordship speaks most infallibly of him.
• 3:32:16
  Speaker 3: The concern is, Sir, why do we wrap the gentleman
• 3:32:20
  Speaker 3: in our more rawer breath.
• 3:32:24
  Speaker 7: It's not possible to understand in another tongue. He will
• 3:32:27
  Speaker 7: do it, sir.
• 3:32:28
  Speaker 3: Really, what imports the nomination of this gentleman?
• 3:32:32
  Speaker 7: Oh, his purse is empty already all's golden words are spent.
• 3:32:38
  Speaker 3: Of him, Sir.
• 3:32:40
  Speaker 23: I know you are not ignorant.
• 3:32:42
  Speaker 3: Would you did, sir, yet in faith? If you did,
• 3:32:46
  Speaker 3: it would not much approve me.
• 3:32:48
  Speaker 23: Well, Sir, you are not ignorant of what excellently it
• 3:32:53
  Speaker 23: is is.
• 3:32:53
  Speaker 3: I do not confess that lest I should compare with
• 3:32:56
  Speaker 3: him in excellence. But to know a man well were
• 3:32:59
  Speaker 3: to know him so.
• 3:33:00
  Speaker 23: Yes, I mean, sir, for his weapon, but in the
• 3:33:05
  Speaker 23: imputation laid on him by them in his meat, he's unfallowed.
• 3:33:10
  Speaker 3: What's his weapon?
• 3:33:11
  Speaker 23: Rapier and dagger.
• 3:33:13
  Speaker 3: That's two of his weapons.
• 3:33:15
  Speaker 23: But well, the king, Sir, hath waged with him six
• 3:33:19
  Speaker 23: barbary horses against the witch. He has imposed, as I
• 3:33:23
  Speaker 23: take it, six French rapiers and poniards, with their signs
• 3:33:28
  Speaker 23: as girdles hangers themselves. Three of the carriages, in faith
• 3:33:32
  Speaker 23: are very dear to fancy, very responsive to the hilt's
• 3:33:37
  Speaker 23: most delicate carriages, and a very liberal conceit.
• 3:33:41
  Speaker 3: What call you the carriages?
• 3:33:43
  Speaker 7: I knew you must be edified by the margin ere
• 3:33:45
  Speaker 7: you had done.
• 3:33:46
  Speaker 23: The carriages, sir, are the hangars.
• 3:33:50
  Speaker 3: The phrase would be more germane to the matter. If
• 3:33:53
  Speaker 3: he could carry cannon by our sides. Why would it
• 3:33:56
  Speaker 3: might be hangers till then? But on six arbery horses
• 3:34:01
  Speaker 3: against six French swords their assigns, and three liberal conceited carriages.
• 3:34:06
  Speaker 3: That's the French beat against the Danish. Why is this impound?
• 3:34:11
  Speaker 3: As you call it?
• 3:34:13
  Speaker 23: The King, sir, have laid that in a dozen passes
• 3:34:16
  Speaker 23: between yourself and him, he shall not exceed you three hits.
• 3:34:20
  Speaker 23: He had laid on twelve for nine, and it would
• 3:34:23
  Speaker 23: come to immediate trial if your lordship would vouchsafe the answer?
• 3:34:28
  Speaker 3: How if I answer no, I mean, my lord.
• 3:34:32
  Speaker 23: The opposition of your person in trial, Sir.
• 3:34:38
  Speaker 3: I will walk here in the hall, if it please
• 3:34:41
  Speaker 3: his majesty, tis the breathing time of day with me.
• 3:34:44
  Speaker 3: Let the foils be brought, the gentleman willing, and the
• 3:34:47
  Speaker 3: King hold his purpose. I will win for him and
• 3:34:50
  Speaker 3: I can. If not, I will gain nothing but my
• 3:34:53
  Speaker 3: shame and the oddits?
• 3:34:55
  Speaker 23: Shall I redeliver you in so to this effect? Sir?
• 3:35:00
  Speaker 3: After what flourish your nature?
• 3:35:01
  Speaker 23: Will I commend my duty to your lordship?
• 3:35:05
  Speaker 2: Yours yours exit Ozric.
• 3:35:08
  Speaker 3: He does well to commend it himself. There are no
• 3:35:11
  Speaker 3: tongues else for's turn.
• 3:35:13
  Speaker 7: This lap wing runs away with the shell on his head.
• 3:35:17
  Speaker 3: He did comply with his doug before he sucked it. Thus,
• 3:35:22
  Speaker 3: as he and many more of the same bevy that
• 3:35:24
  Speaker 3: I know, the dressy age doats on only got the
• 3:35:28
  Speaker 3: tune of the time and outward habit of encounter a
• 3:35:31
  Speaker 3: kind of yesty collection which carries them through and through
• 3:35:37
  Speaker 3: the most fond and winnowed opinions, and do but blow
• 3:35:42
  Speaker 3: them to their trial. Their bubbles are out.
• 3:35:46
  Speaker 37: Enter a lord, my lord, his majesty commended him to
• 3:35:49
  Speaker 37: you by young Ozric, who brings back to him that
• 3:35:52
  Speaker 37: you attend him in the hall. He sends to know
• 3:35:54
  Speaker 37: if your pleasure hold to play with laertes, or that
• 3:35:57
  Speaker 37: you will take longer time.
• 3:35:59
  Speaker 3: I am to my purpose. They follow the King's pleasure.
• 3:36:03
  Speaker 3: If his fitness speaks, mine is ready now or whensoever
• 3:36:08
  Speaker 3: provided I be so able.
• 3:36:10
  Speaker 37: As now the King and Queen and all are coming
• 3:36:14
  Speaker 37: down in happy time. The Queen desires you to use
• 3:36:18
  Speaker 37: some gentle entertainment to la or ties before you.
• 3:36:21
  Speaker 19: Fall to play.
• 3:36:23
  Speaker 3: She well instructs me, exit, Lord.
• 3:36:27
  Speaker 7: You will lose this wage of my lord.
• 3:36:29
  Speaker 3: I do not think so. Since he went into France,
• 3:36:33
  Speaker 3: I have been in continual practice. I shall win at
• 3:36:36
  Speaker 3: the odds. But thou wouldst not think how ill all's
• 3:36:41
  Speaker 3: here about my heart?
• 3:36:43
  Speaker 7: But it is no matter, nay, good, my lord, it.
• 3:36:46
  Speaker 3: Is but foolery. But it is such a kind of
• 3:36:50
  Speaker 3: gain giving as would perhaps trouble a woman.
• 3:36:53
  Speaker 7: If your minds dislike anything, obey it. I will forestall
• 3:36:57
  Speaker 7: their repair hither and say you are not fit.
• 3:37:00
  Speaker 3: Not a whit we defy, augree. There's a special providence
• 3:37:05
  Speaker 3: in the fall of a sparrow. If it be now,
• 3:37:08
  Speaker 3: tis not to come. If it be not come, it
• 3:37:12
  Speaker 3: will be now. If it be not now yet, it
• 3:37:17
  Speaker 3: will come. The readiness is all, since no man has
• 3:37:24
  Speaker 3: aught of what he leaves what is't to leave.
• 3:37:29
  Speaker 2: Betimes, enter King Claudius, Queen Gertrude, Laerties, lords osric and
• 3:37:37
  Speaker 2: attendants with foils, et cetera.
• 3:37:40
  Speaker 9: Come, Hamlet, come and take this hand from me.
• 3:37:43
  Speaker 2: King Claudius puts Larti's hand into Hamlet's.
• 3:37:46
  Speaker 3: Give me your pardon, sir, I've done you wrong, but
• 3:37:51
  Speaker 3: pardoned as you are a gentleman. The presence knows, and
• 3:37:56
  Speaker 3: you must needs have heard how I am punished with
• 3:37:59
  Speaker 3: sort of distraction what I have done that might your
• 3:38:04
  Speaker 3: nature honor and exception. Roughly awake, I hear proclaim was madness?
• 3:38:09
  Speaker 3: Was Hamlet wrong? Laertes? Never Hamlet. If Hamlet, from himself
• 3:38:14
  Speaker 3: be tain away, and when he's not himself does wrong Laertes,
• 3:38:19
  Speaker 3: then Hamlet does it not? Hamlet denies it? Who does it?
• 3:38:23
  Speaker 3: Then his madness? If it be so, Hamlet is of
• 3:38:29
  Speaker 3: the faction that has wrong. His madness is poor Hamlet's enemy. Sir,
• 3:38:36
  Speaker 3: in this audience, let my disclaiming from a purposed evil
• 3:38:43
  Speaker 3: free me so far in your most generous thoughts that
• 3:38:48
  Speaker 3: I have shot mine arrow o'er the house and hurt
• 3:38:51
  Speaker 3: my brother.
• 3:38:53
  Speaker 10: I am satisfied in nature whose motive in this case
• 3:38:58
  Speaker 10: should stir me most to my revenge. But in my
• 3:39:03
  Speaker 10: terms of honor I stand aloof and will no reconcilement
• 3:39:08
  Speaker 10: till by some elder masters of known honor. I have
• 3:39:12
  Speaker 10: a voice and precedent of peace to keep my name
• 3:39:16
  Speaker 10: on gourd. But till that time I do receive your
• 3:39:22
  Speaker 10: offered love like love, and will not wrong it.
• 3:39:29
  Speaker 3: I embrace it freely, and will this brother's wager frankly play.
• 3:39:34
  Speaker 3: Give us the foils, Come on, come one for me.
• 3:39:39
  Speaker 3: I'll be a foil ladies in mine ignorance, your skill
• 3:39:43
  Speaker 3: shall like a star in the darkest night, stick fiery off.
• 3:39:47
  Speaker 3: Indeed you mock me, sir, No, by this.
• 3:39:52
  Speaker 9: Hand, give them the foils. Young Ozric cousin Hamlet.
• 3:39:56
  Speaker 3: You know the wager very well. My lord race hath
• 3:40:00
  Speaker 3: laid the odds of the weaker side.
• 3:40:03
  Speaker 9: I do not fear it. I have seen you both.
• 3:40:06
  Speaker 9: But since he is bettered, we have therefore odds. This
• 3:40:10
  Speaker 9: is too heavy. Let me see another slkes me well,
• 3:40:16
  Speaker 9: these foils have all a length. Ay, my good lord,
• 3:40:21
  Speaker 9: set me the stoops of wine upon that table. If
• 3:40:24
  Speaker 9: Hamlet give the first a second hit or quit in
• 3:40:26
  Speaker 9: answer of the third exchange, let all the battlements their
• 3:40:29
  Speaker 9: ordnance fire. The king shall drink to Hamlet's better breath,
• 3:40:34
  Speaker 9: and in the cup an union shall he throw richer
• 3:40:37
  Speaker 9: than that which four successive kings in Denmark's crown have worn.
• 3:40:41
  Speaker 9: Give me the cups, and let the kettle to the trumpet.
• 3:40:44
  Speaker 9: Speak the trumpet to the cannoneer without the cannons, to
• 3:40:47
  Speaker 9: the heavens, the heavens to earth. Now the king dunks
• 3:40:51
  Speaker 9: to Hamlet. Come begin, and you, the judges bear a
• 3:40:57
  Speaker 9: wary eye.
• 3:40:59
  Speaker 3: Come on, sir, come, my lord.
• 3:41:02
  Speaker 2: They play one no.
• 3:41:05
  Speaker 23: Judgment, a hit, a very palpable hit.
• 3:41:10
  Speaker 3: Well again, stay, give me drink, Hamlet.
• 3:41:15
  Speaker 9: This pearl is thine. Here's to thy health.
• 3:41:19
  Speaker 2: Trumpet sound and cannon shut off within.
• 3:41:22
  Speaker 9: Give him the cup.
• 3:41:24
  Speaker 3: I'll play this butt for sitter by a while. Come
• 3:41:27
  Speaker 3: they play another hit. What say you A touch?
• 3:41:31
  Speaker 10: A touch?
• 3:41:32
  Speaker 9: I do confess our son shall win.
• 3:41:36
  Speaker 12: He's fat and scant of breath. Here, Hamlet, take my napkin,
• 3:41:40
  Speaker 12: rub thy brows. The queen carouses to thy fortune.
• 3:41:44
  Speaker 28: Hamlet, Good, Madam Gertrude, do not drink, I will, my lord.
• 3:41:51
  Speaker 12: I pray you pardon me a side.
• 3:41:55
  Speaker 9: It is the poisoned cup. It is too late.
• 3:41:58
  Speaker 3: I dare not drink yet, madam, by and bye.
• 3:42:01
  Speaker 12: Come let me wipe thy face.
• 3:42:04
  Speaker 10: My Lord, I'll hit him now.
• 3:42:08
  Speaker 2: I do not think aside.
• 3:42:11
  Speaker 10: And yet tis almost against my conscience.
• 3:42:16
  Speaker 3: Come for the third claarties you do, but dally, I
• 3:42:21
  Speaker 3: pray you pass with your best violence. I am afeared
• 3:42:24
  Speaker 3: you make a wanton of me?
• 3:42:26
  Speaker 10: Say you so? Come on?
• 3:42:30
  Speaker 23: They play nothing neither way have at you now.
• 3:42:37
  Speaker 2: Larities wounds Hamlet. Then in scuffling they change rapiers and
• 3:42:41
  Speaker 2: Hamlet wounds laerties part them.
• 3:42:43
  Speaker 9: They are incensed.
• 3:42:45
  Speaker 3: Nay, come again, Queen Gertrude falls, look to the queen
• 3:42:50
  Speaker 3: their hoe.
• 3:42:51
  Speaker 7: They bleed on both sides. How ist, my lord?
• 3:42:55
  Speaker 23: How is laitis?
• 3:42:57
  Speaker 10: Why has a woodcock too? Mine own sprenge asick? I
• 3:43:03
  Speaker 10: am justly killed with mine own treachery?
• 3:43:08
  Speaker 3: How does the queen she swounds to see them bleed?
• 3:43:12
  Speaker 12: No? No, the drink, the drink, Oh, my dear Hamlet
• 3:43:20
  Speaker 12: the drink, the drink.
• 3:43:23
  Speaker 36: I am poisoned, dies, Oh villainy, Oh, let the door
• 3:43:32
  Speaker 36: be locked.
• 3:43:34
  Speaker 3: Treachery, seek it out.
• 3:43:37
  Speaker 10: It is here hem. Look thou art slain. No medicine
• 3:43:44
  Speaker 10: in the world can do thee good in thee. There
• 3:43:48
  Speaker 10: is not half an hour of life. The treacherous instrument
• 3:43:54
  Speaker 10: is in thy hand, unbated and envenomed. Foul practice has
• 3:44:03
  Speaker 10: turned itself on me.
• 3:44:06
  Speaker 6: Lo here I.
• 3:44:07
  Speaker 10: Lie, never to rise again. Thy mother's poisoned. I can't
• 3:44:18
  Speaker 10: no more. The king, the kingens to blame.
• 3:44:23
  Speaker 3: The point envenomed two then venom to thy work stabs.
• 3:44:32
  Speaker 2: King Claudius treasons reason.
• 3:44:37
  Speaker 9: Oh yet defend me, friends, I am but hurt.
• 3:44:40
  Speaker 3: Here thou insestious, murderous, damned in Dane. Drink off this
• 3:44:45
  Speaker 3: potion is thy union. Here follow my mother.
• 3:44:50
  Speaker 2: King Claudius dies.
• 3:44:52
  Speaker 10: He is justly served. It is a poison tempered by himself,
• 3:44:59
  Speaker 10: a exchange forgiveness with me, noble hamlet mine hah, and
• 3:45:06
  Speaker 10: my father's death. Come not upon thee, nor thine on me.
• 3:45:15
  Speaker 3: Dies. You haven't make THEE free of it. Oh, oh,
• 3:45:22
  Speaker 3: I follow thee. I am dead, hur Rachel, Oh wretched queen.
• 3:45:30
  Speaker 3: And you you that look pale and tremble at this chance,
• 3:45:38
  Speaker 3: that are but mutes or audience to this act? Had
• 3:45:41
  Speaker 3: I but time? Oh as this fell Sergeant death is
• 3:45:47
  Speaker 3: tricked in his arrest. Oh, I could tell you God,
• 3:45:53
  Speaker 3: let it be al ratio. I'm dead. Thou lifst report
• 3:46:03
  Speaker 3: me and my cause are right to the unsatisfied.
• 3:46:06
  Speaker 7: Never believe it. I am more of an antique Roman
• 3:46:09
  Speaker 7: than a Dane. He has yet some liquor left.
• 3:46:12
  Speaker 3: As thou art man, give me the cup. Let go
• 3:46:16
  Speaker 3: by heaven. I'll have good horatio, what a wounded name.
• 3:46:23
  Speaker 3: Things standing thus unknown shall live behind me. If thou
• 3:46:28
  Speaker 3: didst ever hold me in thy heart, absent THEE from
• 3:46:32
  Speaker 3: felicity a while, and in this harsh wart'll draw thy
• 3:46:36
  Speaker 3: breath in pain to tell my story.
• 3:46:41
  Speaker 2: March afar off and shot within, but warlike noises.
• 3:46:44
  Speaker 23: This young thought in brass, with conquest come from Poland
• 3:46:49
  Speaker 23: to the ambassadors of England, gives this warlike volley.
• 3:46:52
  Speaker 3: Ah die Horatio, This potent poison quite occrows my spirit.
• 3:47:02
  Speaker 3: I cannot live to hear the news from England, but
• 3:47:04
  Speaker 3: I do prophecy. The election lights on Fortinbross. He has
• 3:47:11
  Speaker 3: my dying voice, so tell him. With the occurrence, more
• 3:47:18
  Speaker 3: and less which have solicited rest is silence.
• 3:47:25
  Speaker 7: Dies now cracks a noble heart. Good night, sweet prince,
• 3:47:33
  Speaker 7: and flights of angels sing thee to thy rest. Why
• 3:47:38
  Speaker 7: does the drum come hither?
• 3:47:40
  Speaker 2: March within, enter Fortonbross, the English ambassadors and others?
• 3:47:46
  Speaker 27: Where is this sight?
• 3:47:47
  Speaker 7: What is it you would see? If aught of woe
• 3:47:50
  Speaker 7: or wonder? Cease your search?
• 3:47:53
  Speaker 27: This quarry cries on havoc, Oh, proud death. What feast
• 3:48:01
  Speaker 27: is the word in thine eternal cell that thou so
• 3:48:04
  Speaker 27: many princes at a shot, so bloodily hast struck.
• 3:48:09
  Speaker 4: The sight is dismal, and our affairs from England come
• 3:48:12
  Speaker 4: too late. The ears are senseless that should give us
• 3:48:16
  Speaker 4: hearing to tell him. His commandment is fulfilled. That Rosenkrantz
• 3:48:21
  Speaker 4: and Guildenstern are dead. Where should we have our thanks?
• 3:48:25
  Speaker 7: Not from his mouth had it the ability of life
• 3:48:28
  Speaker 7: to thank you? He never gave commandment for their death.
• 3:48:32
  Speaker 7: But since so jump upon this bloody question, you from
• 3:48:36
  Speaker 7: the Polack Wars, and you from England are here arrived.
• 3:48:40
  Speaker 7: Give order that these bodies, high on a stage, be
• 3:48:43
  Speaker 7: placed to the view. And let me speak to the
• 3:48:47
  Speaker 7: yet unknowing world how these things came about. So shall
• 3:48:52
  Speaker 7: you hear of carnal, bloody and unnatural acts, of accidental judgments,
• 3:49:00
  Speaker 7: casual slaughters, of deaths put on by cunning and forced cause,
• 3:49:05
  Speaker 7: and in this upshot purposes mistook fallen on the inventor's heads.
• 3:49:12
  Speaker 7: All this can I truly deliver.
• 3:49:15
  Speaker 27: Let us haste to hear it, and call the noblest
• 3:49:19
  Speaker 27: to the audience. For me, with sorrow, I embrace my fortune.
• 3:49:25
  Speaker 27: I have some rights of memory in this kingdom, which
• 3:49:28
  Speaker 27: now to claim my vantage doth invite me of that?
• 3:49:33
  Speaker 7: I shall have also cause to speak. And from his
• 3:49:37
  Speaker 7: mouth whose voice will draw on more. But let this
• 3:49:40
  Speaker 7: same be presently perform'd, even while men's minds are wild,
• 3:49:46
  Speaker 7: lest more mischance on plots and errors happen.
• 3:49:50
  Speaker 6: Let.
• 3:49:50
  Speaker 27: Four captains bear Hamlet like a soldier to the stage,
• 3:49:54
  Speaker 27: for he was likely, had he been put on, to
• 3:49:57
  Speaker 27: have prov'd most royally, and for his passage. The soldier's
• 3:50:03
  Speaker 27: music and the rights of war speak loudly for him.
• 3:50:08
  Speaker 27: Take up the bodies. Such a sight as this becomes
• 3:50:11
  Speaker 27: the field, but here shows much amiss. Go bid the
• 3:50:18
  Speaker 27: soldiers shoot.
• 3:50:20
  Speaker 2: A dead march excellent, bearing off the dead bodies, after
• 3:50:24
  Speaker 2: which a peal of ordinance is shot off. End of
• 3:50:28
  Speaker 2: Act five. End of Hamlet by William Shakespeare.