Latest / Frightmares / Ep. 133 - Exists (2014)

Transcript

Ep. 133 - Exists (2014) · Frightmares

• 0:43
  Speaker 1: But I mean that's you know, they never really they
• 0:45
  Speaker 1: said they stood in the same spot for what a
• 0:47
  Speaker 1: couple of years and got used once a week. So
• 0:49
  Speaker 1: to get a lot more use out of those mics,
• 0:51
  Speaker 1: and you know, I had to upgrade because I was like,
• 0:53
  Speaker 1: everyone is fucking using these these microphones. Yeah they do
• 0:57
  Speaker 1: sound good, crispy, Yeah, they do sound really nice.
• 1:02
  Speaker 2: Yeah.
• 1:02
  Speaker 1: So hello, welcome to episode one thirty three. I'm your host,
• 1:06
  Speaker 1: Austin Proctor, and that is Corey Johnson.
• 1:10
  Speaker 2: Hey. I was like, what's the pause? Oh okay, I
• 1:17
  Speaker 2: approve of that. Great, I'll do it. Great introduction.
• 1:22
  Speaker 1: Today we're talking about a gem of a found footage
• 1:25
  Speaker 1: movie called Exists, but we'll get into that in just
• 1:29
  Speaker 1: a second. We're gonna do our pre banter shit here.
• 1:32
  Speaker 1: I was actually just telling you, actually you go first
• 1:34
  Speaker 1: with the subpar show that you just mentioned to me.
• 1:37
  Speaker 3: So there is a show that got advertised on Hulu
• 1:40
  Speaker 3: like quarter three of last year, I think yes, called
• 1:45
  Speaker 3: Sasquatch and it was billed as a true crime documentary
• 1:50
  Speaker 3: about Sasquatch. Right, So I'm like, is this the thing
• 1:56
  Speaker 3: that finally gives us the true answer, true meaning of
• 1:59
  Speaker 3: It's It's only it's only three episodes and it's boring
• 2:04
  Speaker 3: as fuck.
• 2:05
  Speaker 1: And those three episodes, okay, so they're like normal forty
• 2:08
  Speaker 1: four minute ish episodes.
• 2:10
  Speaker 2: But yeah, I saw that a while ago.
• 2:12
  Speaker 1: Oh this actually aired Okay, they aired four twenty twenty
• 2:15
  Speaker 1: twenty one.
• 2:16
  Speaker 2: Yeah, swag, So that's funny.
• 2:18
  Speaker 1: Yeah, I'd seen this a whole bunch on Hulu, but
• 2:20
  Speaker 1: never for some reason, watched it. But I'm glad I
• 2:23
  Speaker 1: didn't waste my time because I will take your advice
• 2:26
  Speaker 1: on stuff like this. If it's not something you're into,
• 2:29
  Speaker 1: it probably won't be in too. Now.
• 2:31
  Speaker 3: If you like very mild true crime.
• 2:35
  Speaker 1: Sure, Now why do you say mild just because like
• 2:37
  Speaker 1: there was some true elements or.
• 2:39
  Speaker 3: Oh no, so so the whole So it's about there
• 2:44
  Speaker 3: was some hunting accident in nineteen ninety three. Okay, one
• 2:49
  Speaker 3: of the guys, or the guy that is the main
• 2:52
  Speaker 3: focus of the show, he was like around and knew
• 2:56
  Speaker 3: about it at the time. So he comes back twenty
• 2:59
  Speaker 3: five years later to try and figure it out because
• 3:02
  Speaker 3: everybody in the hunting party was like there was for
• 3:04
  Speaker 3: sasquatch and he's like, I don't think it was actually sasquatch.
• 3:09
  Speaker 2: Oh so he's almost there trying to prove it was
• 3:11
  Speaker 2: not Sasquatch. Correct. Oh see that's the opposite way.
• 3:14
  Speaker 4: But they they bill it as this is gonna be
• 3:17
  Speaker 4: the truth about Sasquatch, and you're like all right, and
• 3:21
  Speaker 4: then like every episode you get like two or three.
• 3:26
  Speaker 3: One second mentions about Sasquatch and then it's just a
• 3:29
  Speaker 3: bunch of northern California rednecks.
• 3:31
  Speaker 1: So yeah, it's just yeah, it's a more focus on
• 3:34
  Speaker 1: the murder and how the how the apparently triple homicide
• 3:37
  Speaker 1: happened according to Hulu.
• 3:39
  Speaker 2: Yeah, and not so much about Sam Squanch himself.
• 3:41
  Speaker 3: No, and that's it, And like, don't call it Sasquatch.
• 3:46
  Speaker 3: Call it maybe.
• 3:47
  Speaker 1: Sasquatch, possibly Sasquatch. It might have been Sasquatch. Yeah, it's
• 3:53
  Speaker 1: like the you know, paranormal activity next of Kenya. Don't
• 3:55
  Speaker 1: call it paranormal activity exactly. Well, that's a shame. I'll
• 3:59
  Speaker 1: probably to watch it at one point just so I
• 4:01
  Speaker 1: can give you my opinion, just because I know if
• 4:04
  Speaker 1: if you don't like it, I probably won't like because
• 4:06
  Speaker 1: it's mockumentary stuff or not documentary, but documentary stuff. Right,
• 4:09
  Speaker 1: So yeah, at least that has that element. But if
• 4:11
  Speaker 1: I if I go in knowing it's more about the homicide,
• 4:14
  Speaker 1: I may enjoy it more so.
• 4:16
  Speaker 3: So here here's what I recommend to you. Okay, turn
• 4:20
  Speaker 3: it on and put it on mute. It's beautiful to
• 4:22
  Speaker 3: look at, okay, because it's it's northern California with good
• 4:26
  Speaker 3: Hulu cameras. That's true, Like it's it's gorgeous to look at.
• 4:30
  Speaker 3: But it there's no substance.
• 4:32
  Speaker 1: That's a that's a shame to me, to you, okay,
• 4:34
  Speaker 1: all right, So and especially that's a quick you know,
• 4:37
  Speaker 1: that's like forty one minutes, forty one minutes, fifty one minutes.
• 4:40
  Speaker 2: That's that's under three hours.
• 4:41
  Speaker 3: Yeah, watch it in an afternoon, watch it while you're
• 4:44
  Speaker 3: cooking like a big dinner or so.
• 4:46
  Speaker 1: It's it's two hours of content. I think I can
• 4:48
  Speaker 1: make that happen. So, yeah, that's something you can check
• 4:51
  Speaker 1: out if you'd like. It's called literally called Sasquatch on Hulu.
• 4:55
  Speaker 1: If you want to check out any other uh I
• 4:58
  Speaker 1: must it Werewolf, Bigfoot movies. There's a couple that I
• 5:01
  Speaker 1: know of. I'm sure you could probably name some more.
• 5:04
  Speaker 1: I know Willow Creek is one, which is a pretty
• 5:07
  Speaker 1: solid one.
• 5:08
  Speaker 3: There's another big one that I'm blanking on.
• 5:12
  Speaker 1: The Lost Coast tapes. I think I believe No, not that,
• 5:16
  Speaker 1: not that one. I believe that is one. But funny enough,
• 5:19
  Speaker 1: I just actually found this out today that Willow Creek
• 5:22
  Speaker 1: was directed by bobcat gold Weight or however the yeah
• 5:27
  Speaker 1: that's that.
• 5:28
  Speaker 2: I had no clue. Yeah, Bobcat gold gold Wait.
• 5:31
  Speaker 1: However, you say his name, that goofy guy, you will
• 5:34
  Speaker 1: know him, if not by the name, by his voice.
• 5:36
  Speaker 2: He's got a very like weird voice. And like it's funny.
• 5:40
  Speaker 3: You got to go to IMDb now because he's been
• 5:43
  Speaker 3: in some.
• 5:44
  Speaker 1: He was in Scrooged. He's a he's a pretty big
• 5:47
  Speaker 1: part of Scrooge, the Bill Murray Christmas joint.
• 5:50
  Speaker 3: Yeah he was also, Oh yeah he was pain from Hercules.
• 5:57
  Speaker 1: Oh yeah, yeah, yeah, he's he's he works a lot,
• 6:00
  Speaker 1: he does a lot of shit. But we've got so
• 6:03
  Speaker 1: let's see, we've got the movie we're talking about today.
• 6:06
  Speaker 1: You've got Willow Creek, You've got Big Coast, the Lost
• 6:09
  Speaker 1: Coast tapes, Boggy Creek, and these are all Boggy Creek,
• 6:14
  Speaker 1: is what I was. Okay, Yeah, those are all found
• 6:16
  Speaker 1: footage movies as well.
• 6:18
  Speaker 3: Angrily enough, not fucking Boggy Creek Florida.
• 6:21
  Speaker 1: I know, I thought the same thing. I'm like, oh
• 6:24
  Speaker 1: cool with Boggy Creek in Florida.
• 6:25
  Speaker 3: No, it's like, well, we don't have Bigfoot, we have
• 6:27
  Speaker 3: the Skunk Cape.
• 6:28
  Speaker 1: Oh yeah, well I was hoping it was base in Florida.
• 6:33
  Speaker 2: But it is sad, It's sadly not.
• 6:35
  Speaker 1: I don't I'm trying to think if there's any other
• 6:37
  Speaker 1: just like regular Bigfoot movies that are not found footage.
• 6:42
  Speaker 3: Bigfoot Country is definitely one of them.
• 6:45
  Speaker 2: We've got one called primal Rage Abominable.
• 6:49
  Speaker 3: I mean, fucking Harry and the Hendersons.
• 6:52
  Speaker 1: Okay, yeah, if we're going kind of comedy, yeah for sure.
• 6:55
  Speaker 1: So I'd say this isn't this you know, this little
• 6:59
  Speaker 1: sub genre you know, just like about Bigfoot, there's not
• 7:02
  Speaker 1: a lot of shit, but the stuff that's out there,
• 7:04
  Speaker 1: in my opinion, is pretty solid.
• 7:06
  Speaker 2: Uh.
• 7:07
  Speaker 3: And how could you forget a goofy movie?
• 7:09
  Speaker 2: Oh my god, low key uh a low key bigfoot movie?
• 7:15
  Speaker 2: Uh yeah, but this is a fun little, like I said,
• 7:17
  Speaker 2: a little uh niche sub genre, sub genre of the horror,
• 7:21
  Speaker 2: you know, the horror.
• 7:23
  Speaker 1: I don't even know what I'm saying anymore. It's a
• 7:24
  Speaker 1: fun little section of the horror, you know genre. So
• 7:27
  Speaker 1: I'm very excited to talk about this. And this is
• 7:30
  Speaker 1: gonna be like the first not like the first move movie,
• 7:32
  Speaker 1: the first movie that is like, uh, i'd say under
• 7:36
  Speaker 1: under rated. I guess like not a lot of people
• 7:38
  Speaker 1: have heard about this. I thought you'd seen it, but
• 7:41
  Speaker 1: you hadn't.
• 7:41
  Speaker 3: Even you know, I pass it all the fucking time
• 7:45
  Speaker 3: in in my watch Listka, I'm just like, but you know,
• 7:50
  Speaker 3: I bit the bullet on it and I was pleasantly
• 7:53
  Speaker 3: surprised with it. Yeah, I have I have my issues
• 7:55
  Speaker 3: with it, but I'm sure you do too.
• 7:57
  Speaker 2: I have, I don't probably, I don't know.
• 7:59
  Speaker 1: I don't really have too many, but there's definitely a
• 8:01
  Speaker 1: couple of those like heah yeah. But for when it
• 8:04
  Speaker 1: comes to found footage, this is uh, this is one
• 8:06
  Speaker 1: of my favorites, just because I swear no one's no
• 8:10
  Speaker 1: one's fucking talking about this. I think Chris, one of
• 8:13
  Speaker 1: the one of the co hosts you that used to
• 8:14
  Speaker 1: be on a while back before COVID hit, he recommended
• 8:17
  Speaker 1: it to me and I bought the DVD for like
• 8:19
  Speaker 1: twelve bucks did not regret that at all.
• 8:22
  Speaker 3: It is free with ads on Amazon through I AMvB TV.
• 8:28
  Speaker 2: Yeah, so if you don't mind, uh, you know, and it's.
• 8:30
  Speaker 3: Or it or it's like a six ninety nine buyer something. Yeah,
• 8:34
  Speaker 3: it's it's it's not expensive. I would I would say definitely,
• 8:38
  Speaker 3: this is this is a creature feature to just buy
• 8:42
  Speaker 3: and have. Yeah, because it's a fun time.
• 8:45
  Speaker 2: Oh and this is low key Creature Features Part five.
• 8:48
  Speaker 1: We're not we're not we're not really calling you know,
• 8:51
  Speaker 1: we don't have titles like that for the you know,
• 8:53
  Speaker 1: episodes anymore. But this is this is Creature Feature episode
• 8:56
  Speaker 1: or you know, part five, whatever you want to call it,
• 9:00
  Speaker 1: because I can't believe the last one we did was
• 9:02
  Speaker 1: episode eighty eight. Yeah, and that was part and we're
• 9:05
  Speaker 1: on what thirty three like fifty something episodes ago, so
• 9:10
  Speaker 1: we're slacking. So we had you were like, let's do
• 9:12
  Speaker 1: a creature feature. I'm like, fuck yeah. Oh And I
• 9:15
  Speaker 1: should also mention with the co hosts, me and you
• 9:18
  Speaker 1: were gonna do ship What were we gonna do? Oh
• 9:21
  Speaker 1: we were gonna stick to themes, yes, because you like
• 9:23
  Speaker 1: to do things. So that's fine.
• 9:24
  Speaker 2: So me and you were.
• 9:25
  Speaker 3: It just makes it easier to pick up.
• 9:27
  Speaker 2: No, you're you're right, Yeah, you're right. We'll lose for
• 9:29
  Speaker 2: me anyway.
• 9:30
  Speaker 1: We'll do theme based episodes with me and Corey, uh,
• 9:33
  Speaker 1: Me and Gabby are gonna do bigger budget, more well
• 9:36
  Speaker 1: known like shit that did well at the box office,
• 9:39
  Speaker 1: and we're gonna alternate. We're gonna do one that we
• 9:41
  Speaker 1: really liked or one that we really don't like, so
• 9:43
  Speaker 1: we're gonna alternate there, and then me and Spencer are
• 9:46
  Speaker 1: gonna just do either what pretty much what the fuck
• 9:49
  Speaker 1: ever like movies that we watch and love and hold
• 9:52
  Speaker 1: close to our heart or movies that we watched and
• 9:54
  Speaker 1: did not like and are revisiting them. So it's gonna
• 9:57
  Speaker 1: be a it's like we're just going with the this
• 9:59
  Speaker 1: is how we're fine. I told you we'd find the formula,
• 10:02
  Speaker 1: like you know, after a couple episodes.
• 10:04
  Speaker 2: So that's the goal.
• 10:05
  Speaker 1: Different things, and then next year, throwing out the fucking wind, yeah,
• 10:08
  Speaker 1: because we're gonna do something totally different. We're gonna we're
• 10:11
  Speaker 1: gonna do negative one movies. I don't even even know
• 10:13
  Speaker 1: how that makes sense.
• 10:13
  Speaker 2: You tell us about movies, you tell us, and we'll listen.
• 10:16
  Speaker 3: You call in, call in, We'll listen and we'll give
• 10:19
  Speaker 3: our joke commentary to whatever you're saying.
• 10:21
  Speaker 2: I'm about that.
• 10:23
  Speaker 1: I still we still need to do our uh what
• 10:25
  Speaker 1: where we watch a movie and just do a riff
• 10:27
  Speaker 1: track singing on it at some point.
• 10:29
  Speaker 2: That would be fun.
• 10:29
  Speaker 3: We need to fly Hyland for that.
• 10:31
  Speaker 1: Oh my god. Yeah, if he's ever in town, we'll
• 10:33
  Speaker 1: just do it. Like We've got a third seat and
• 10:34
  Speaker 1: a third mic, so he is welcome.
• 10:36
  Speaker 3: And we'll just put Wesley in the back.
• 10:40
  Speaker 1: Oh my god, I said, like, so, remember when I
• 10:42
  Speaker 1: came to the smoke shop and he had to take pictures? Okay,
• 10:44
  Speaker 1: so I took those pictures that he wanted to take
• 10:46
  Speaker 1: so and then I sent them to him like that
• 10:48
  Speaker 1: was like three months ago, two days ago. Is like
• 10:50
  Speaker 1: thanks l O l bro, he.
• 10:53
  Speaker 3: Bro. He is my business partner. And there are times
• 10:58
  Speaker 3: where I cannot get him to answer the phone. I
• 11:01
  Speaker 3: will text him at twelve in the afternoon and he'll
• 11:04
  Speaker 3: text me back at seven. Oh sorry, just saw this,
• 11:07
  Speaker 3: Like dude, what the fuck.
• 11:08
  Speaker 2: Are you doing?
• 11:08
  Speaker 1: I'm always on my phone. You text me, odds are
• 11:11
  Speaker 1: you're going to get a response with? Then five to
• 11:13
  Speaker 1: ten minutes.
• 11:13
  Speaker 3: He is the only person his age that the Witch
• 11:17
  Speaker 3: doesn't care about his phone, and he has some like
• 11:20
  Speaker 3: super fucking future space phone. So like his phone, it
• 11:24
  Speaker 3: has a secondary screen that flips up and goes horizontally.
• 11:27
  Speaker 3: Oh my god, Like he's got a fucking Star Trek
• 11:30
  Speaker 3: comm units.
• 11:31
  Speaker 2: Like this and just doesn't touch it. It's like the
• 11:33
  Speaker 2: equivalent of the Sidekick.
• 11:34
  Speaker 1: Back in the day, I used to have the phone
• 11:36
  Speaker 1: that flipped up and he had a full fucking keyboard.
• 11:38
  Speaker 2: Yes, so God, so this one.
• 11:40
  Speaker 3: I'll show it to you off air because it's it's dumb.
• 11:43
  Speaker 3: That's I showed it to him because I was like, dude,
• 11:45
  Speaker 3: look at this stupid fucking phone news and he was like,
• 11:48
  Speaker 3: I want it.
• 11:48
  Speaker 2: I'm gonna buy it. Good grief.
• 11:50
  Speaker 3: And now he's pissed because he broke the screen and
• 11:52
  Speaker 3: he can't get a replacement because they discontinued it like
• 11:54
  Speaker 3: six months after they made it.
• 11:56
  Speaker 2: That sucks.
• 11:57
  Speaker 1: That's why you don't get futuristic phones. They break too easily.
• 12:01
  Speaker 1: Where'd that article go? Okay, so on the topic of
• 12:04
  Speaker 1: sasquatch still, I literally just came across this from Ie Horror.
• 12:08
  Speaker 1: It's a uh, it's a little article and it's talking
• 12:10
  Speaker 1: about a new bigfoot found footage movie that's coming out.
• 12:13
  Speaker 1: So I figured that was extremely fitting because that's what
• 12:15
  Speaker 1: we're talking about today.
• 12:17
  Speaker 2: So it's called.
• 12:18
  Speaker 1: Hunting Bigfoot, and it goes on to say how found
• 12:22
  Speaker 1: footage is an excellent way to make a big foot film,
• 12:24
  Speaker 1: probably because.
• 12:25
  Speaker 3: Like arguably the only proper way to do a big.
• 12:29
  Speaker 1: Foot Yeah, honestly, because you know, the person who wrote
• 12:33
  Speaker 1: this on Ie Horror, they're like, I guess because you know,
• 12:35
  Speaker 1: the first footage you ever saw a bigfoot was a
• 12:37
  Speaker 1: grainy footage and they were in you know, the wilderness.
• 12:40
  Speaker 1: So I agree with that, and then it goes on
• 12:42
  Speaker 1: to mention bobcat Goldthwaite's Willow Creek. But the synopsis for
• 12:46
  Speaker 1: this movie is a film that skillfully melds the worlds
• 12:49
  Speaker 1: of narrative, feature and documentary to capture this portrait of
• 12:52
  Speaker 1: a broken man obsessively pursuing personal and professional redemption in
• 12:56
  Speaker 1: a world where many of those close to him think
• 12:58
  Speaker 1: he's crazy. And fuck yeah, and there's a trailer and everything.
• 13:02
  Speaker 1: It's supposed to be arriving on February fifteenth, so that's
• 13:05
  Speaker 1: like five days.
• 13:07
  Speaker 2: Yeah, yeah, where's it next week?
• 13:10
  Speaker 1: It doesn't say, you know what, I'm sure it doesn't
• 13:13
  Speaker 1: say where it's streaming, which is kind of annoying because
• 13:16
  Speaker 1: it's it's made by Gravit grab it's it's probably gonna
• 13:19
  Speaker 1: be up for like rental. I would assume, yeah, pretty
• 13:22
  Speaker 1: much anywhere. But I'll let you know this second it
• 13:24
  Speaker 1: comes on, or you know, if it whenever it gets released.
• 13:26
  Speaker 3: As long as Paramount Plus doesn't grab it. Why because
• 13:29
  Speaker 3: I'm not getting Paramount Oh again, I got it for
• 13:32
  Speaker 3: Paranormal Activity next to ken Out.
• 13:34
  Speaker 2: I canceled it.
• 13:34
  Speaker 3: I don't care.
• 13:35
  Speaker 1: Yeah, it's not that great, but hopefully it's just available
• 13:38
  Speaker 1: to rent or whatever. But yeah, we definitely have to
• 13:40
  Speaker 1: watch that because I'm excited in any more Bigfoot found footage.
• 13:44
  Speaker 2: I will. I will gladly take you real.
• 13:47
  Speaker 3: What were we talking to Kyle about the new flick
• 13:50
  Speaker 3: that's going to be on Paramount Plus that I bitched about.
• 13:53
  Speaker 2: Oh not the new you mean Lord of the Rings
• 13:56
  Speaker 2: on Amazon? No?
• 13:57
  Speaker 3: No, no, no, oh the the Godzilla like yeah, yes, yes,
• 14:00
  Speaker 3: the show.
• 14:01
  Speaker 2: The Godzilla's show that's supposed.
• 14:03
  Speaker 3: To be Yeah, Paramount Plus, Yeah, fuck you, Paramount.
• 14:07
  Speaker 2: I'll give it a shot. But I don't. I'm not.
• 14:10
  Speaker 3: You're a publisher, you don't deserve your own channel.
• 14:13
  Speaker 2: Yeah I am.
• 14:14
  Speaker 1: I'm not gonna expect any greatness out of that, but
• 14:16
  Speaker 1: I will indulge in just to see what the fuck
• 14:19
  Speaker 1: they're doing with it. But yeah, a lot of weird
• 14:21
  Speaker 1: shit coming out this year. I'm excited for Obi Wan
• 14:25
  Speaker 1: coming out in May twenty fifth.
• 14:26
  Speaker 3: I am also excited.
• 14:27
  Speaker 1: For that Christian Haydensen's reprising his role, and I will
• 14:30
  Speaker 1: or Hayden Christensen or whoever, whoever the fuck your name is.
• 14:33
  Speaker 1: I was mixed out Helen hunt yea, hell, Helen hunts Man.
• 14:37
  Speaker 1: That name has been mentioned in so long. I had
• 14:39
  Speaker 1: to do it, man, IY do it.
• 14:40
  Speaker 2: Take you for that?
• 14:41
  Speaker 3: I was.
• 14:41
  Speaker 1: I was watching Twister the other day, like I was, like, man,
• 14:43
  Speaker 1: we haven't yelled Helen hunts on the podcast in a while.
• 14:46
  Speaker 3: So they also haven't confused Bill Paxton and.
• 14:50
  Speaker 1: Bill Pullman Bill Pullman in a while a while, two
• 14:54
  Speaker 1: reoccurring themes. If you're like a like a listener from
• 14:57
  Speaker 1: a long ago when we used to play trivia and
• 15:00
  Speaker 1: seventeen movies. Me and Gabby were talking about that the
• 15:03
  Speaker 1: other day. They're like, she's like, I can't imagine anyone
• 15:05
  Speaker 1: like that. I'm like, yeah, why would anyone want to
• 15:08
  Speaker 1: listen to his review seven movies?
• 15:09
  Speaker 2: Eight movies? That's ridiculous.
• 15:11
  Speaker 3: And the only formats that we ever got compliments on
• 15:15
  Speaker 3: for doing all those movies was foreign frights.
• 15:20
  Speaker 1: And that's why we have to continue doing the creature features. So,
• 15:23
  Speaker 1: without further ado, I do have to make a quick joke.
• 15:29
  Speaker 1: Oh yeah, yeah, yeah, So.
• 15:30
  Speaker 3: Wesley and I have been watching Ozark as you know, Uh,
• 15:33
  Speaker 3: season one phenomenal, great, Season two, best season that they did. Okay,
• 15:41
  Speaker 3: I hate season three? Wow, because fucking Ben is the
• 15:47
  Speaker 3: worst character in the world. Well, yeah, motherfucker is James Wick.
• 15:52
  Speaker 2: James Wick?
• 15:53
  Speaker 3: Yeah, what do you mean? He is great value?
• 15:55
  Speaker 2: John Wick?
• 15:56
  Speaker 1: Oh? Oh, he is motherfucking James Wick. Well have you
• 15:59
  Speaker 1: finished three?
• 16:00
  Speaker 2: Yes? Oh last night?
• 16:02
  Speaker 1: No spoilers then, but uh yeah, I don't know. I
• 16:05
  Speaker 1: thought season three is pretty good. I'm excited to see
• 16:08
  Speaker 1: part one and part two of season four. But what
• 16:10
  Speaker 1: is your what is your joke about it?
• 16:13
  Speaker 3: Oh, James Wick?
• 16:14
  Speaker 1: Oh okay, yeah.
• 16:20
  Speaker 2: For some reason, I was expecting a punchline.
• 16:22
  Speaker 3: No, no, no, he he he is great value, John Wick.
• 16:29
  Speaker 3: That's been our running joke through the entire series is
• 16:34
  Speaker 3: Netflix has this huge problem with getting knockoff actors. Yeah,
• 16:39
  Speaker 3: people that look like other people.
• 16:41
  Speaker 1: Well, i mean, what do you expect when you have
• 16:43
  Speaker 1: Jason Bateman and Laura or Laura Kenny, Laura Lenny.
• 16:46
  Speaker 2: There we go. I'm sure they are probably uh, pretty expensive.
• 16:49
  Speaker 3: Well, we were making fun of the kid who plays
• 16:51
  Speaker 3: Jonah because he looks like a mixture of Finn Wolfhard
• 16:55
  Speaker 3: and Jesse Eisenberg.
• 16:56
  Speaker 1: That's exactly what he looks like. Oh my god, I
• 16:59
  Speaker 1: was the whole time I watching that show. I'm like,
• 17:00
  Speaker 1: he looks like someone I know. But you know, he's
• 17:03
  Speaker 1: thirteen or fourteen, so obviously don't know anybody you know
• 17:06
  Speaker 1: that's acting at that age. Yeah, it's like that's who
• 17:09
  Speaker 1: it is. Yeah, I can never see that now.
• 17:11
  Speaker 3: Also, everybody in the entire show looks like they're smelling
• 17:15
  Speaker 3: capiss all the time.
• 17:16
  Speaker 1: I mean I probably would look like that too if
• 17:18
  Speaker 1: I had the life of Jason Bateman living in the
• 17:20
  Speaker 1: fucking Ozarks.
• 17:21
  Speaker 2: Where is that like, Mississippi, Missouri?
• 17:23
  Speaker 3: Surah.
• 17:23
  Speaker 2: I'm good.
• 17:25
  Speaker 1: I'm gonna pass on that no offense to anyone that
• 17:27
  Speaker 1: lives there. That's just not for me. I am what
• 17:30
  Speaker 1: you call a city boy. I need shit clothes by
• 17:33
  Speaker 1: That's just how I live my life within.
• 17:35
  Speaker 3: Fifteen minutes of any hospital, please.
• 17:37
  Speaker 1: Really honestly, that's it. That's the biggest UH draw from
• 17:41
  Speaker 1: living in the UH in the city right there. Soh
• 17:45
  Speaker 1: James Wick, I'm gonna refer to him that forever forever.
• 17:48
  Speaker 2: Now, that's amazing.
• 17:50
  Speaker 3: He's also like, I get that the character is mentally ill,
• 17:54
  Speaker 3: but like, mental illness on that level does not make
• 17:58
  Speaker 3: you just a complete an utter idiot.
• 18:01
  Speaker 2: No, And he is.
• 18:03
  Speaker 3: Dummer than a sack of hammers.
• 18:05
  Speaker 2: Yeah, he's not very smart.
• 18:07
  Speaker 1: He's smart and he yeah, he his his mental like
• 18:09
  Speaker 1: he's not like, well I guess, yeah, I guess it's
• 18:11
  Speaker 1: mental illness. Yeah, he's just kind of crazy because you
• 18:13
  Speaker 1: know he's bipolar. There you go, yeah, so yeah, mental illness.
• 18:15
  Speaker 1: So yeah, taking that and also being not that bright
• 18:17
  Speaker 1: because he's not that bright in the show at all,
• 18:20
  Speaker 1: and you're like, oh god, I feel just so bad
• 18:21
  Speaker 1: for that for that guy.
• 18:22
  Speaker 2: But I also don't because he's kind of a ship.
• 18:24
  Speaker 3: Bag because he deserves everything bad that happens to him.
• 18:27
  Speaker 1: Yeah, So that's a good show if you haven't seen that.
• 18:30
  Speaker 1: I don't know when part two is being released. I
• 18:32
  Speaker 1: think I think quarter three, yeah, May or quarter okay,
• 18:35
  Speaker 1: so yeah, because they.
• 18:36
  Speaker 3: Later they released the first half in quarter one. Normally
• 18:39
  Speaker 3: they do the next half in quarter three before Christmas.
• 18:42
  Speaker 1: Yeah, and it's seven and seven, which is odd because
• 18:45
  Speaker 1: they've they're either ten or twelve episodes.
• 18:47
  Speaker 3: They're all ten.
• 18:48
  Speaker 1: Yeah, so you're getting an extra few hours of content,
• 18:51
  Speaker 1: which is pretty awesome. So yeah, let's talk about let's
• 18:55
  Speaker 1: talk about this movie. Hell yeah, let's talk about some shit. So,
• 18:58
  Speaker 1: as you know, this movie is called Exist, yes, and
• 19:00
  Speaker 1: it is from twenty fourteen, released on October fourteenth via
• 19:04
  Speaker 1: the Internet in the US, so probably streaming platforms, et cetera.
• 19:08
  Speaker 1: And then we also got a DVD premiere on February
• 19:11
  Speaker 1: third of twenty fifteen. Currently, no Blu Ray exists ha
• 19:14
  Speaker 1: ha ha pun. Yeah, it's literally DVD locked. So until
• 19:18
  Speaker 1: someone gives this like a better treatment on Blu Ray,
• 19:21
  Speaker 1: that's what you.
• 19:21
  Speaker 2: Have to watch it on.
• 19:22
  Speaker 1: But again, you can watch it streaming if you don't
• 19:24
  Speaker 1: want to, you know, downgrade to DVD because I'm sure
• 19:27
  Speaker 1: the quality is probably a little bit better streaming. I
• 19:31
  Speaker 1: don't know can't confirm. We've got rated R for mild
• 19:35
  Speaker 1: sex and nudity, moderate violence and gore, severe profanity, mild alcohol,
• 19:40
  Speaker 1: drugs and smoking, and moderate frightening and intense scenes.
• 19:44
  Speaker 2: I agree with all of that. Definitely, a lot of swearing.
• 19:47
  Speaker 3: I wouldn't even say mild sex and nudity. I would
• 19:50
  Speaker 3: say light, like sex and new It's what.
• 19:53
  Speaker 1: Mild is light? No, so like mild medium and so
• 19:58
  Speaker 1: like mild moderate.
• 19:59
  Speaker 3: Like you've got regular salsa and then you have mild salsa. Jesus,
• 20:05
  Speaker 3: there's a difference.
• 20:06
  Speaker 1: Oh my god, So we'll call this just regular salsa. Yeah,
• 20:09
  Speaker 1: regular salsa, sex and nudity. This has a runtime of
• 20:13
  Speaker 1: an hour and twenty one minutes, and really, without the credits,
• 20:16
  Speaker 1: it's like hour fifteen. This is like seventy five fucking
• 20:19
  Speaker 1: action pack minutes. It's amazing.
• 20:21
  Speaker 2: It's like perfect, literally the perfect run time for a
• 20:23
  Speaker 2: found footage movie. And and the thing that.
• 20:26
  Speaker 3: I really liked about this is they did they gave
• 20:29
  Speaker 3: you essentially no lead up.
• 20:32
  Speaker 2: Yeah, they get to location.
• 20:36
  Speaker 3: And then like immediately from like getting on location, shit
• 20:41
  Speaker 3: starts happening. Yeah, Like it's not.
• 20:43
  Speaker 2: Like a slow burn, Like, oh, we're in.
• 20:45
  Speaker 3: The house for six weeks now there's a ghost and
• 20:47
  Speaker 3: blah blah blah.
• 20:48
  Speaker 1: Yeah, No, it's like immediate yeah, and from rip you
• 20:52
  Speaker 1: show up in the dark, it's already it's.
• 20:54
  Speaker 2: Already going on.
• 20:55
  Speaker 1: Yeah, and they just they will reveal things to you
• 20:58
  Speaker 1: as the story goes on, cuz you know, typically with
• 21:01
  Speaker 1: sound footage, typically you know you have the like paranoral
• 21:03
  Speaker 1: activities are great when you have the exposition, which takes
• 21:06
  Speaker 1: you know, twenty thirty minutes to get into.
• 21:08
  Speaker 2: Then you have the climax, and then it kind of
• 21:09
  Speaker 2: goes back down.
• 21:10
  Speaker 1: This movie literally for me, it's just like going up
• 21:12
  Speaker 1: a hill and then just getting dropped off that hill
• 21:14
  Speaker 1: and that's the end of the movie.
• 21:15
  Speaker 3: That's the movie literally and figurative literally figuratively.
• 21:19
  Speaker 1: So it's just yeah, I just feel this is it
• 21:21
  Speaker 1: has such good pacing because you're right, you are dropped
• 21:23
  Speaker 1: into this world and then you are living, you are
• 21:26
  Speaker 1: experiencing the movie with them. There's nothing really that we
• 21:29
  Speaker 1: know that the that they don't know, you know what
• 21:31
  Speaker 1: I mean, because sometimes audience.
• 21:33
  Speaker 3: So they they do bury the lead just a little bit.
• 21:37
  Speaker 3: And I'll get into that when I start going over it.
• 21:40
  Speaker 3: I wish they would have taken this one line of
• 21:42
  Speaker 3: dialogue and moved it like ten minutes into the future.
• 21:46
  Speaker 2: Oh and that's that's all.
• 21:47
  Speaker 3: That's all I wanted. Okay, it's just like not right there.
• 21:50
  Speaker 2: Maybe a little bit later. Yeah, maybe hold that.
• 21:52
  Speaker 1: Uh so cool, this is real. This is a really
• 21:55
  Speaker 1: cool fact. I think this is directed by a man
• 21:57
  Speaker 1: named Eduardo Sanchez. If you don't know the name, you
• 22:00
  Speaker 1: will know the movie that he directed, which is his
• 22:02
  Speaker 1: first movie ever, The Blair Witch Project. So this is
• 22:06
  Speaker 1: the same man that did that. He also did a
• 22:09
  Speaker 1: segment from VHS two called a Ride in the Park,
• 22:12
  Speaker 1: and that was a segment about the person riding his
• 22:15
  Speaker 1: bike through the woods and encountering a zombie and then
• 22:17
  Speaker 1: becoming a zombie.
• 22:18
  Speaker 3: That's my second favorite short. It's so good.
• 22:21
  Speaker 1: It's all filmed through the like the POV of his GoPro.
• 22:24
  Speaker 1: It's such a fucking cool short. It's very original. So
• 22:28
  Speaker 1: you already know what to expect with this movie, because
• 22:30
  Speaker 1: the man knows how to direct found footage horror movies.
• 22:34
  Speaker 2: So I didn't.
• 22:34
  Speaker 1: I didn't even realize that until I reread that, because
• 22:37
  Speaker 1: I know I'm pretty sure Chris mentioned that. Rereading it,
• 22:39
  Speaker 1: I was like, oh my god, that's right, that's why
• 22:42
  Speaker 1: this movie is so good.
• 22:43
  Speaker 3: So fun fact about Eduardo Sanchez. So there's a there's
• 22:46
  Speaker 3: a podcast that I listened to and the guys are
• 22:48
  Speaker 3: centered out of here, not us, but they actually uh
• 22:53
  Speaker 3: had Eduardo Sanchez on as a guest at one point.
• 22:57
  Speaker 2: And to this day, EDWARDO.
• 23:00
  Speaker 3: Sanchez is still getting people sending him their found footage
• 23:05
  Speaker 3: movies to just like critique, and he's like, nothing has
• 23:08
  Speaker 3: made me hate filmmaking more. He hates it. It's fucking hilarious.
• 23:15
  Speaker 2: Uh.
• 23:15
  Speaker 1: I mean, well, when you have solid intries like Blair
• 23:19
  Speaker 1: Witch exists, and then even just that segment and he's
• 23:22
  Speaker 1: done other things, those are just the three things I'm
• 23:24
  Speaker 1: picking out. Yeah, I mean, i'd probably hate that too
• 23:27
  Speaker 1: if I was as good as he was, because I
• 23:29
  Speaker 1: even rewatched Blair Witch Project recently and I had a
• 23:32
  Speaker 1: much deeper appreciation for it than I did like the
• 23:35
  Speaker 1: time I watched it before. It's it's really solid.
• 23:37
  Speaker 3: It still really really holds up, especially with us knowing
• 23:41
  Speaker 3: about how the filming took place and what they did
• 23:45
  Speaker 3: to those poor actors.
• 23:47
  Speaker 1: And I want to bring that up when we start
• 23:48
  Speaker 1: discussing this because I feel I feel that that was
• 23:50
  Speaker 1: kind of done because you know, like with Blair Witch Project,
• 23:53
  Speaker 1: like you told me I don't, which I didn't think
• 23:54
  Speaker 1: I knew, but yeah, they pretty much were like, here's
• 23:56
  Speaker 1: a basic script and just go out in the woods
• 23:59
  Speaker 1: and shit's gonna happen, like you know. So it's just
• 24:02
  Speaker 1: like that's the best way to make a movie, especially
• 24:04
  Speaker 1: found footage. So but yeah, I really enjoyed the Blair
• 24:07
  Speaker 1: and this is obviously the original, not the remake by
• 24:09
  Speaker 1: Adam Wingard or whatever, but fantastic found footage movie that
• 24:14
  Speaker 1: is a like pretty much show nothing as opposed to Exists,
• 24:18
  Speaker 1: which is show fucking everything, and the contrast.
• 24:21
  Speaker 3: And show everything from pretty much the get go.
• 24:26
  Speaker 1: Yeah, that's what I'm saying, Like they're literally we'll talk
• 24:29
  Speaker 1: about this, but they the first few seconds of the movie,
• 24:32
  Speaker 1: they're looking into like a camera and you're seeing the
• 24:34
  Speaker 1: fucking sasquatch run past the car like they're showing shit
• 24:37
  Speaker 1: right off the bat. So I love the contrast of
• 24:40
  Speaker 1: show nothing, show everything. So Eduardo Sanchez is fucking killing
• 24:43
  Speaker 1: it with these movies. I'm I'm a huge fan. So
• 24:47
  Speaker 1: I'll go through the cast and really no one's really
• 24:49
  Speaker 1: done that much. We got Samuel Davis as Matt. Literally
• 24:53
  Speaker 1: hasn't done much besides TVs and TV shows and shorts.
• 24:56
  Speaker 1: Then we have Dora Madison as Dora. Probably the only
• 24:59
  Speaker 1: one I recognized because she was in Hulu Into the
• 25:03
  Speaker 1: Dark It's called All That We Destroy is Marissa Cornell.
• 25:06
  Speaker 1: She was also in a few episodes of Dexter season
• 25:10
  Speaker 1: eight as someone I can't remember.
• 25:13
  Speaker 3: No one remembers season eight anybody.
• 25:15
  Speaker 1: Nicky White, Nicki Walt or something like that, So that
• 25:18
  Speaker 1: was cool. I recognize her. Then we have Roger Edwards
• 25:20
  Speaker 1: as Todd. This is literally the first movie he's known
• 25:23
  Speaker 1: for on IMDb. Hasn't really done too much. Chris Osborne
• 25:27
  Speaker 1: is Brian again really nothing too much, and then Denise
• 25:30
  Speaker 1: Williamson as Elizabeth, who was in Dark Places as Crystal.
• 25:34
  Speaker 1: So yeah, pretty much people that haven't done much really
• 25:37
  Speaker 1: have anything like notable, like no offense to them. It's
• 25:40
  Speaker 1: not like it's their fault, but like, they did fantastic
• 25:42
  Speaker 1: in this movie. I feel with being chased by a
• 25:45
  Speaker 1: big fucking sasquatch. So yeah, they did a good job.
• 25:49
  Speaker 1: Estimated budget of nothing because I don't you know, it's
• 25:52
  Speaker 1: it's a low budget found footage movie, and they typically
• 25:54
  Speaker 1: don't have the statistics on that.
• 25:57
  Speaker 3: But unless you pay for IMDb plus yeah and yeah,
• 26:01
  Speaker 3: fuck you guys. You've been free for my entire life.
• 26:04
  Speaker 3: You're not getting my money.
• 26:05
  Speaker 1: Not get my money. I'm gonna I'm gonna take the
• 26:06
  Speaker 1: free I'm gonna take the free road. But it did
• 26:08
  Speaker 1: grow some money because there was actually theatrical releases and
• 26:12
  Speaker 1: others countries and stuff like that, so it did did
• 26:14
  Speaker 1: bring in four apparently four hundred thousand dollars from the
• 26:17
  Speaker 1: box office, so good for you. I doubt this movie
• 26:20
  Speaker 1: costs half that to be honest.
• 26:22
  Speaker 3: No, like probably most of the budget went to the
• 26:26
  Speaker 3: Sasquatch costume.
• 26:27
  Speaker 2: Yeah, honestly.
• 26:28
  Speaker 1: And this is interesting because I'm trying to figure out
• 26:31
  Speaker 1: what scenes would be filmed here. But apparently this movie,
• 26:33
  Speaker 1: not all of it, I assume, was filmed in Spiderwood
• 26:36
  Speaker 1: Studios in Austin, Texas, which makes really no sense because
• 26:39
  Speaker 1: it literally looks like it's done all in the woods,
• 26:41
  Speaker 1: So I don't know how true this is. But there
• 26:44
  Speaker 1: is also some trivia that talks about Spiderwood Studios and exists,
• 26:48
  Speaker 1: so I guess they shot some rollo.
• 26:51
  Speaker 3: Well, I mean, look at look at like Spawn Ranch
• 26:53
  Speaker 3: out in California. Hundreds of movies shot out on Spawn Ranch. Yeah,
• 26:59
  Speaker 3: and it's still considered a studio quote unquote, even though
• 27:03
  Speaker 3: it's a giant plot of land.
• 27:04
  Speaker 1: Yeah, because essentially the whole you know, where everything is
• 27:09
  Speaker 1: shot is at a cabin in the woods for the
• 27:11
  Speaker 1: most part. So I guess, so, you know, I guess
• 27:13
  Speaker 1: they have some I don't know. I don't know how
• 27:14
  Speaker 1: it works. All I know is it's Spiderwood Studios. I
• 27:16
  Speaker 1: guess I probably should have looked that up, but I
• 27:18
  Speaker 1: did not. We went over where it's all streaming. But
• 27:20
  Speaker 1: I'll do it again free on IMDbTV with ads. You
• 27:23
  Speaker 1: can do that through Amazon. You can rent it for
• 27:26
  Speaker 1: three ninety nine on Amazon and Voodoo, or buy it
• 27:28
  Speaker 1: digitally for seven ninety nine on Amazon and six ninety
• 27:31
  Speaker 1: nine on Voodoo. Or you can just buy the DVD,
• 27:34
  Speaker 1: which is what I did for fourteen dollar. Hairs movies
• 27:37
  Speaker 1: that came out around the same time. Funny enough that
• 27:40
  Speaker 1: we actually mentioned James Wick because John Wick came out
• 27:43
  Speaker 1: around this time.
• 27:45
  Speaker 3: Then we have god damn, John Wick came out in
• 27:47
  Speaker 3: twenty fourteen.
• 27:48
  Speaker 2: Yeah, I know, then we have so Old, so Old.
• 27:52
  Speaker 1: I can't believe that John Wick and The Equalizer came
• 27:54
  Speaker 1: out the same year. That's weird to me. Yeah, that's
• 27:58
  Speaker 1: weird to me. It's also weird.
• 28:00
  Speaker 3: That Night Crawler and Interstellar came out at the same time.
• 28:03
  Speaker 2: Yeah, so listen to all these movies.
• 28:04
  Speaker 1: So we have Tusk and then we have The Equalizer, Dracula, Untold, Annabelle,
• 28:09
  Speaker 1: Gone Girl, Shark Nato two, The House is October Built, Whiplash,
• 28:13
  Speaker 1: which I actually just watched, Fantastic movie, John Wick, Wija,
• 28:17
  Speaker 1: bog Hero six, Big Hero six, Night Crawler, Interstellar, and
• 28:21
  Speaker 1: Dumb and Dumber two. There's like so many goddamn solid moves.
• 28:25
  Speaker 1: I had to cut this list down. I had to
• 28:27
  Speaker 1: cut like four or five off because there's so many
• 28:29
  Speaker 1: fucking movies.
• 28:30
  Speaker 2: So, yeah, that ti weird.
• 28:32
  Speaker 1: I didn't realize that all that shit came out around
• 28:34
  Speaker 1: the same exact time, because, like I said, a lot
• 28:35
  Speaker 1: of solid movies there. Most of those are theatrical, but
• 28:38
  Speaker 1: I think we got a couple like Shark Nado, houses
• 28:41
  Speaker 1: October Bilt. Those were streaming or like I know, Shark
• 28:43
  Speaker 1: Nato was like sci fi or something like that, so
• 28:45
  Speaker 1: TV movie.
• 28:47
  Speaker 2: But Yeah, a lot of.
• 28:48
  Speaker 1: Crazy shit coming out apparently in the year of twenty fourteen,
• 28:51
  Speaker 1: around September, October and November. Let's see what we got here.
• 28:56
  Speaker 1: I gotta I gotta go to my huge notes. Okay,
• 28:58
  Speaker 1: so specific moment did you write?
• 29:01
  Speaker 2: Did you have one? So?
• 29:04
  Speaker 3: Probably my favorite horror moment was, uh the window scene
• 29:11
  Speaker 3: where they're like, I think we scared them off. I
• 29:13
  Speaker 3: think we scared Oh, and it gets real close to
• 29:15
  Speaker 3: the window. It's just it's it's it's a well done,
• 29:20
  Speaker 3: very predictable jump scare. Yeah, and it's not even all
• 29:24
  Speaker 3: that scary because they telegraph it's so hard.
• 29:27
  Speaker 2: You know what's coming.
• 29:28
  Speaker 3: But it's the first time you see Bigfoot's face like
• 29:33
  Speaker 3: face right up there, and I'm like, bet, thank you.
• 29:37
  Speaker 2: Uh, my favorite horror moment.
• 29:39
  Speaker 1: I don't want to get into it because I don't
• 29:40
  Speaker 1: think we're gonna go this far into the movie, but
• 29:43
  Speaker 1: essentially there's a scene with the Sasquatch and the RV
• 29:46
  Speaker 1: and that's all I'm gonna say.
• 29:47
  Speaker 2: Yeah, yeah, it was. It was insane.
• 29:49
  Speaker 3: We we made a very veiled reference to it at
• 29:52
  Speaker 3: the beginning of the show.
• 29:53
  Speaker 2: Yeah, roll it back.
• 29:56
  Speaker 3: We need more lesten time anyway, so yeah, figure it out.
• 30:01
  Speaker 1: Yeah, that was definitely definitely awesome. Favorite kill so.
• 30:08
  Speaker 3: It's not necessarily a kill. It's when Matt is biking
• 30:14
  Speaker 3: through the woods and he hits the branch and just
• 30:18
  Speaker 3: catapults off the bike.
• 30:19
  Speaker 2: That I was like, that's it.
• 30:22
  Speaker 3: That's the that's the favorite kill because it's he doesn't die.
• 30:27
  Speaker 3: But it's just so it's the first moment of like
• 30:30
  Speaker 3: true brutality that you see.
• 30:33
  Speaker 1: And it's, uh, it's they don't shy away from some stuff,
• 30:35
  Speaker 1: but there's not a lot, but the stuff they include,
• 30:38
  Speaker 1: they don't shy away from. Let's see favorite did you
• 30:41
  Speaker 1: have a favorite line? Sometimes it's hard, Yes, oh you did.
• 30:44
  Speaker 1: So it's it's either it's it's one of two. They're
• 30:48
  Speaker 1: they're very equal, and they both come from Todd. Okay,
• 30:53
  Speaker 1: black people don't do this ship and fuck that ship nword.
• 31:00
  Speaker 2: Oh yeah, yep uh.
• 31:03
  Speaker 3: Because I was like, okay, here's what happened. Yeah, whoever
• 31:07
  Speaker 3: was writing this said I don't know what to do here,
• 31:11
  Speaker 3: and they told the guy playing Todd do whatever, just
• 31:15
  Speaker 3: roll with it, just whatever feels natural. Oh goodness. But
• 31:19
  Speaker 3: that does follow in to its not least favorite character,
• 31:24
  Speaker 3: but my One of my biggest gripes in horror movies
• 31:28
  Speaker 3: is when somebody gets a hold of a gun and
• 31:32
  Speaker 3: can't hold the fucking gun properly. He was holding a
• 31:37
  Speaker 3: twenty gage shotgun like it was a fucking paintball gun
• 31:41
  Speaker 3: and went funny enough.
• 31:42
  Speaker 2: He was like, I played paintball, you know I can.
• 31:44
  Speaker 2: I can make it work. And you're like, You're like, no, no, no, no, no,
• 31:46
  Speaker 2: I play paintball. How different can it be.
• 31:48
  Speaker 1: It's like very life and death my friend Jesus, Yeah,
• 31:53
  Speaker 1: because he's he's literally he gets it out of the
• 31:54
  Speaker 1: cellar and kind of whips it around the room and
• 31:56
  Speaker 1: everyone's like, can you not point the gun at my face?
• 32:00
  Speaker 2: And he's like, it's not even loaded. Jk's loaded.
• 32:02
  Speaker 3: So actually, I would like to change my favorite line okay,
• 32:07
  Speaker 3: to I gotta copy their calls raw.
• 32:13
  Speaker 1: Fucking Brian smoking smoking doobies in the woods, talking to
• 32:18
  Speaker 1: the camera and then cutting it in with ra That
• 32:20
  Speaker 1: was good. Okay, So your favorite line is just raw, no,
• 32:24
  Speaker 1: the I gotta copy.
• 32:26
  Speaker 2: I gotta copy their call.
• 32:29
  Speaker 1: My favorite line is when they're really in the thick
• 32:32
  Speaker 1: of it with the bullshit and I don't know who
• 32:34
  Speaker 1: it is, but He's like, guys, we should have just
• 32:36
  Speaker 1: gone to the fucking beach. And I'm like, oh, yeah,
• 32:38
  Speaker 1: that was that was Matt. Matt like, yep, I agree,
• 32:41
  Speaker 1: you should have gone to the fucking beach.
• 32:44
  Speaker 2: Favorite character for you, Brian, same.
• 32:47
  Speaker 1: Yeah, he's just so stupid and silly and uh wild,
• 32:50
  Speaker 1: and you know he's a cameraman, so you know, typically
• 32:54
  Speaker 1: in movies they usually survived to the end, so he
• 32:56
  Speaker 1: was definitely he definitely had the most presence on screen.
• 33:00
  Speaker 1: So that's mine as well. I'm gonna go, what's your
• 33:03
  Speaker 1: least favorite character? Oh, Todd right now?
• 33:05
  Speaker 3: Oh no, no, Beth, Oh really because she has zero
• 33:11
  Speaker 3: development as a character, that's true. She sounds like she
• 33:16
  Speaker 3: is wholly uninterested in being on set at any given time.
• 33:20
  Speaker 2: No, yeah, you're right.
• 33:21
  Speaker 3: I can see that, especially when they go into the cabin.
• 33:24
  Speaker 3: When Todd's like, fuck this shit, I'm not staying here,
• 33:26
  Speaker 3: She's like, I'm not staying here either.
• 33:30
  Speaker 1: It's just like you seem completely uninterested in everything around you.
• 33:33
  Speaker 3: It's like, number one, you are going to be considered
• 33:37
  Speaker 3: one of the best characters because you're the most attractive
• 33:40
  Speaker 3: female of the entire group. Yeah, and you gotta be better.
• 33:46
  Speaker 3: You just gotta do better.
• 33:47
  Speaker 1: You gotta do better. No, I agree, my my favorite.
• 33:51
  Speaker 1: It's funny that you mentioned that because now and picking
• 33:53
  Speaker 1: up on all of that, she also didn't really have
• 33:55
  Speaker 1: a lot of screen time either. No, she was probably
• 33:57
  Speaker 1: the least utilized character.
• 34:00
  Speaker 2: Well.
• 34:00
  Speaker 3: So, and here is one thing that bothered me about
• 34:02
  Speaker 3: this movie is you don't know what the character's names
• 34:06
  Speaker 3: are until like thirty minutes in.
• 34:08
  Speaker 1: Oh yeah, I just looked them all up and wrote
• 34:10
  Speaker 1: them down, because yeah, I was, I was about fifteen
• 34:12
  Speaker 1: twenty in and I'm like, I don't know who's who.
• 34:14
  Speaker 1: So that's why I just I looked it up and
• 34:16
  Speaker 1: you know, match their faces up, because yeah, they don't
• 34:18
  Speaker 1: really they don't really use the names a lot until
• 34:19
  Speaker 1: like you said, about thirty thirty minutes in. So my
• 34:23
  Speaker 1: Ley's favorite character was Matt. And I will let you
• 34:25
  Speaker 1: know why when we get to the part where you
• 34:28
  Speaker 1: find out what's going down at the cabin. Yeah, because
• 34:31
  Speaker 1: he at that point you're just like, oh, you're you're
• 34:33
  Speaker 1: kind of a shit bag. So Matt's my least favorite,
• 34:36
  Speaker 1: and then we'll we'll get there. But I think that
• 34:39
  Speaker 1: was Oh yeah, let me give you the brief synopsis,
• 34:41
  Speaker 1: and then I'm going to give you the little text
• 34:44
  Speaker 1: at the beginning of the movie and then we'll just
• 34:46
  Speaker 1: get in this review. So this is this is a
• 34:48
  Speaker 1: very quick synopsis. Here. It's a group of friends adventure
• 34:51
  Speaker 1: into the remote Texas woods for a party weekend, find
• 34:54
  Speaker 1: themselves stalked by Bigfoot. Simple enough, gets right to the point.
• 34:59
  Speaker 1: And then when the movie starts, we have a couple quotes.
• 35:02
  Speaker 1: It says since nineteen sixty seven, there have been over
• 35:04
  Speaker 1: three thousand big Foot encounters in the US alone. Experts
• 35:08
  Speaker 1: agree the creatures are only violent if provoked. That last
• 35:11
  Speaker 1: sentence is something you need to remember for the rest
• 35:14
  Speaker 1: of the movie because it's only said one other time
• 35:16
  Speaker 1: by Brian, Like, you know, if you don't provoke them,
• 35:19
  Speaker 1: they aren't violent.
• 35:20
  Speaker 3: So I thought you said they were peaceful.
• 35:22
  Speaker 2: Yeah, that's what the fucking books say.
• 35:24
  Speaker 1: So just remember that line going into this because it
• 35:28
  Speaker 1: is very relevant towards the end of the movie. So, yeah,
• 35:33
  Speaker 1: I guess let's just do this shit, because they just
• 35:35
  Speaker 1: you start in a van going down a dark roll.
• 35:37
  Speaker 1: Well you get a montage, I guess, Yeah, a little bit.
• 35:40
  Speaker 3: Of a travel montage going on. And then as as
• 35:45
  Speaker 3: the sun is going down. You have some of the
• 35:49
  Speaker 3: girls holding a camera up to Brian's face and they're
• 35:54
  Speaker 3: trying to burn his beard with a torch lighter, which
• 35:58
  Speaker 3: I don't know if the director knows how fire works,
• 36:05
  Speaker 3: but if you hold that that close to somebody's face,
• 36:10
  Speaker 3: you're going to burn them. Yeah, he extends past the flame.
• 36:16
  Speaker 3: Oh yeah, So I was very bothered by that, especially
• 36:19
  Speaker 3: with somebody who's had a beard and has had a
• 36:22
  Speaker 3: large beard for a long time. Burning Number one, burning
• 36:27
  Speaker 3: your beard is the worst.
• 36:31
  Speaker 2: Smell. Smells Oh, it's the worst.
• 36:36
  Speaker 3: So you get the group traveling and they're like, are
• 36:40
  Speaker 3: you sure where? Where the fuck are we going? Like
• 36:42
  Speaker 3: what the fuck's going on? And Matt's like no, like
• 36:45
  Speaker 3: I know where I'm going on nowhere, I'm but it's not,
• 36:48
  Speaker 3: it's not it's it was never this overgrown. I don't
• 36:51
  Speaker 3: know what's going on. So they're driving down this road.
• 36:56
  Speaker 3: They get to like kind of a clear patch, so
• 36:59
  Speaker 3: they speed up little bit and they hit something and
• 37:04
  Speaker 3: they're like, yo, did you see what the fuck we hit?
• 37:05
  Speaker 3: And everybody's like no, like what's going on. Brian gets
• 37:09
  Speaker 3: out of the car to go like look and see
• 37:13
  Speaker 3: if they could figure out what they hit. He's like,
• 37:15
  Speaker 3: I don't see anything and nothing. Then you then you
• 37:18
  Speaker 3: hear like these low rumbles of some kind of animal,
• 37:22
  Speaker 3: and the girls start honking the horn. So they all
• 37:27
  Speaker 3: get back in the car. They start driving further up
• 37:29
  Speaker 3: the trail. They round a corner and you see this
• 37:34
  Speaker 3: giant tree falling in the road and they're like, well,
• 37:38
  Speaker 3: can't keep driving.
• 37:40
  Speaker 2: Yeah, they got they they're going down their driveway. I
• 37:42
  Speaker 2: say yeah.
• 37:43
  Speaker 1: And then so they get through that downtree, so they
• 37:46
  Speaker 1: got it.
• 37:47
  Speaker 3: They get out and they start walking up to the cabin.
• 37:52
  Speaker 3: That's when Todd goes, black people do this shit. They
• 37:57
  Speaker 3: they make their way up to the cabin and it
• 38:00
  Speaker 3: is a very derelic enronment.
• 38:06
  Speaker 2: House. They walk up.
• 38:10
  Speaker 3: And Matt goes, well, I guess we don't have to
• 38:12
  Speaker 3: steal the key, and because the door is just wide fucking.
• 38:16
  Speaker 2: Open a jar, and it's disgust.
• 38:20
  Speaker 3: They walk in. There's leaves everywhere. Dora is like it
• 38:25
  Speaker 3: looks like somebody left in a hurry.
• 38:27
  Speaker 2: Yeah.
• 38:27
  Speaker 3: All the girls are going ew ew. The guy's like,
• 38:31
  Speaker 3: as not that bad. Todd's like, dude, I'm not fucking
• 38:34
  Speaker 3: sleeping in here. You can't, no, no, Brian proceeds to
• 38:39
  Speaker 3: jump on a bed and create what could only be
• 38:43
  Speaker 3: described as an indoor dust storm. Like it it literally
• 38:49
  Speaker 3: pixelated the screens for a minute because of how buffering
• 38:53
  Speaker 3: works and stuff.
• 38:54
  Speaker 2: It was. Yeah, And what I want to know is.
• 38:59
  Speaker 3: How much much dirt and shit did they have to
• 39:02
  Speaker 3: just slop on that mattress to make that a viable
• 39:06
  Speaker 3: practical effect because you can tell on the characters faces
• 39:10
  Speaker 3: like it's real dust that they are now in here.
• 39:13
  Speaker 1: I was like, oh, like, oh fuck, no, no no.
• 39:15
  Speaker 1: It hops right up and does some sexual gesture.
• 39:18
  Speaker 3: So the crew all decide we're not sleeping in here tonight,
• 39:26
  Speaker 3: will come back in the morning, clean everything up.
• 39:28
  Speaker 2: It'll be all right.
• 39:29
  Speaker 3: But tonight, no way, especially not with the door being on,
• 39:32
  Speaker 3: not even kind of. So they walk back down the trail,
• 39:36
  Speaker 3: everybody sleeps in the car during the night. While everybody's
• 39:40
  Speaker 3: sleeping in the car, Brian turns on his night vision
• 39:43
  Speaker 3: on his camera and he is looking around and he's
• 39:46
  Speaker 3: like he's hearing noises and shit. Matt who is in
• 39:50
  Speaker 3: the front seat wakes up and like, dude, what are
• 39:52
  Speaker 3: you doing?
• 39:53
  Speaker 2: And this is the line.
• 39:55
  Speaker 3: Where I wish they would have pushed this ten minutes
• 39:58
  Speaker 3: further into the movie when Brian goes, I think it's
• 40:03
  Speaker 3: I think it's what uncle Bob was talking about, and
• 40:05
  Speaker 3: Matt goes, dude, shut the fuck up. They don't need
• 40:08
  Speaker 3: to hear that. Quit talking about this shit. And you're like,
• 40:12
  Speaker 3: all right, we're we're ten minutes into the movie and
• 40:15
  Speaker 3: you have already confirmed that there is something in the
• 40:19
  Speaker 3: woods to be scared of, that a guy left his
• 40:21
  Speaker 3: hunting cabin.
• 40:22
  Speaker 2: Dude, they fucking did.
• 40:23
  Speaker 1: They fucking defined that in the first five minutes when
• 40:25
  Speaker 1: they're going over the footage, because when they're videotaping them
• 40:29
  Speaker 1: lighting the beard on fire and they go out, they
• 40:31
  Speaker 1: go back in and look at the footage and you
• 40:32
  Speaker 1: can clearly see a sasquatch running like right by the car.
• 40:36
  Speaker 2: Yeah, well, they go, what is it? What is it?
• 40:39
  Speaker 3: But it's it's established without anything being said.
• 40:43
  Speaker 2: Yeah, But then they go, oh, uncle.
• 40:46
  Speaker 3: Bob doesn't come out here no more. He's fucking scared.
• 40:49
  Speaker 3: And it's like, all right.
• 40:50
  Speaker 2: Did they say that in the car because I remember that.
• 40:52
  Speaker 3: Yeah, it's it's in the car in the night vision
• 40:55
  Speaker 3: scene when they come back from the cabin.
• 40:57
  Speaker 1: I just remember him saying the uh this is or
• 41:00
  Speaker 1: this is what uncle Bob was talking about, because yeah,
• 41:01
  Speaker 1: they we didn't hear till like later, I thought where
• 41:04
  Speaker 1: he was, like, uncle Bob doesn't come out here because
• 41:06
  Speaker 1: he thought, you know, such and such. When Brian's out
• 41:10
  Speaker 1: doing the next day after he captures like a of
• 41:13
  Speaker 1: a small clip of the Bigfoot, he's in the same
• 41:15
  Speaker 1: spot videotape, and I thought that's when it was mentioned
• 41:17
  Speaker 1: for the first time.
• 41:18
  Speaker 3: No, no, no, So that's that's after Todd and Beth go
• 41:24
  Speaker 3: out into the woods to get freaky. Yeah, yeah, yeah, yeah,
• 41:27
  Speaker 3: that's that's a couple scenes later.
• 41:28
  Speaker 2: That's it's weird.
• 41:29
  Speaker 3: I must have missed the thing that's after the bike
• 41:32
  Speaker 3: ramp montage.
• 41:34
  Speaker 2: Which is fucking sick by the way.
• 41:36
  Speaker 3: Oh yeah, that's that's a fun ass time. So they
• 41:40
  Speaker 3: get back to the cabin. They're kind of just doing
• 41:42
  Speaker 3: their own thing, kind of whatever. Then they go to
• 41:47
  Speaker 3: the river right next to the house. They brought their
• 41:50
  Speaker 3: bikes and wrapped them in pool noodles so they could
• 41:52
  Speaker 3: build a jump and go off the little hill into
• 41:55
  Speaker 3: the water. Yeah, man, which looks funn as shit, but
• 41:59
  Speaker 3: also kids don't do that until you judge how deep
• 42:02
  Speaker 3: the water is or else you're gonna break your length.
• 42:04
  Speaker 2: Oh yeah.
• 42:04
  Speaker 3: Immediately after that point they all head back to the house.
• 42:11
  Speaker 2: Uh.
• 42:13
  Speaker 3: Brian is just goofing around with all his cameras. He
• 42:16
  Speaker 3: sees uh, Todd and Beth go out into the woods,
• 42:20
  Speaker 3: and he's like, I shouldn't be filming this, but as
• 42:24
  Speaker 3: as the cameraman in found footage has to do by law,
• 42:31
  Speaker 3: he follows them, says he shouldn't, records them, says he shouldn't,
• 42:37
  Speaker 3: and then happens upon the thing as he shouldn't.
• 42:43
  Speaker 2: And then the thing I loved about.
• 42:46
  Speaker 3: That scene where he sees the Sasquatch on the ridge
• 42:49
  Speaker 3: is it's a direct callback to the original Bigfoot footage
• 42:56
  Speaker 3: how Bigfoot is walking across the ridge. They matched it
• 43:01
  Speaker 3: up almost perfectly with how Bigfoot walked in the original video.
• 43:05
  Speaker 2: Where'd you Who's where'd you find that from? What do
• 43:07
  Speaker 2: you mean?
• 43:08
  Speaker 3: Oh h, I mean watch the original? Yeah, so that
• 43:12
  Speaker 3: hunched over like kind of gorilla walk.
• 43:15
  Speaker 2: I did not know I always saw feet. That's weird.
• 43:17
  Speaker 3: Oh no, you can see the full body move for
• 43:20
  Speaker 3: like a half I mean that's.
• 43:21
  Speaker 1: Like, yeah, it is very quick. If you don't fixate
• 43:23
  Speaker 1: your eyes on it. You're gonna you're gonna miss it.
• 43:25
  Speaker 2: It's very quick. Yeah, interesting, which is it?
• 43:26
  Speaker 3: Which is the other thing that I love is they
• 43:28
  Speaker 3: give they will always give you a full shot of
• 43:33
  Speaker 3: the creature, but they never give it to you for
• 43:36
  Speaker 3: more than like a second and.
• 43:39
  Speaker 1: A half, not until like towards the end though.
• 43:41
  Speaker 3: Yeah, not until not until towards the end, but like
• 43:44
  Speaker 3: the whole the whole lead up before the reveal in
• 43:46
  Speaker 3: the cabinet night there, it's just snippets. Yeah, so quick,
• 43:51
  Speaker 3: and you're like, all right, that gives me hope for
• 43:54
  Speaker 3: what they're because either it's gonna be a dope ass
• 43:56
  Speaker 3: reveal or they're gonna keep it just real under wraps
• 44:00
  Speaker 3: for the entire movie, either of which I was going
• 44:03
  Speaker 3: to be fine with.
• 44:03
  Speaker 1: Bigfoot just gets progressively more and more screen time as
• 44:06
  Speaker 1: the movie goes on. And I want to touch on
• 44:08
  Speaker 1: something real quick, which is the noises that this fucking
• 44:11
  Speaker 1: thing makes. Because when you first hear it after the
• 44:13
  Speaker 1: accident in the beginning, it's making kind of like a
• 44:15
  Speaker 1: crying noise, like something's been injured or whatever. And then
• 44:18
  Speaker 1: when you hear it in the woods again when they're
• 44:20
  Speaker 1: doing that night vision shot, it's like weeping, like it's
• 44:23
  Speaker 1: like like it lost something like it is weep and
• 44:26
  Speaker 1: it's it's fucking horrifying. And then when it's you know,
• 44:28
  Speaker 1: chasing people around, I don't know what you would compare
• 44:30
  Speaker 1: that to, but it's like, I'm fucking like it's banshee.
• 44:33
  Speaker 3: It's like, you know what it reminds me of what
• 44:36
  Speaker 3: it reminds me of? The t Rex from Jurassic Park,
• 44:39
  Speaker 3: the t Rex?
• 44:40
  Speaker 2: Yeah, what that noise?
• 44:43
  Speaker 1: It's just it's like chaotic almost, It's like it's I
• 44:47
  Speaker 1: can't even explain the sound.
• 44:48
  Speaker 2: It's like a.
• 44:49
  Speaker 3: Mixture of like a bear and a dinosaur.
• 44:52
  Speaker 1: Yeah, it's and it's very it goes like high pitched too,
• 44:54
  Speaker 1: and there's really low growls. Honestly, they did such a
• 44:57
  Speaker 1: good job with just the sound design of what I
• 45:00
  Speaker 1: don't like.
• 45:00
  Speaker 2: I said, I'd love to like ask him what you
• 45:02
  Speaker 2: what sound? Did you mash up? Or did you just
• 45:04
  Speaker 2: give a guy a mic and he just went crazy?
• 45:06
  Speaker 2: Who the fuck knows?
• 45:08
  Speaker 3: Lots of audio processing.
• 45:10
  Speaker 2: Anyways, let's get back.
• 45:11
  Speaker 3: Uh.
• 45:11
  Speaker 1: So they're back at the cabin after the bmxing, which again,
• 45:15
  Speaker 1: there's a pretty cool it's a pretty cool shot.
• 45:16
  Speaker 2: Yeah, they've got GoPros. It's a fun time, let's see.
• 45:21
  Speaker 3: So then Brian is Brian is now convinced there is
• 45:26
  Speaker 3: a bigfoot out there.
• 45:27
  Speaker 2: Oh yeah, he is like, there's a bigfoot.
• 45:29
  Speaker 3: So what he does is he goes around to set
• 45:31
  Speaker 3: up some cameras through the woods because he's like, I'm
• 45:33
  Speaker 3: a fucking catch this thing.
• 45:35
  Speaker 2: Way too cocky. Let me just say, way too cocky.
• 45:38
  Speaker 2: Don't provoke it. You're literally provoking it by yeh.
• 45:42
  Speaker 3: He then falls asleep outside while getting high, waiting for
• 45:46
  Speaker 3: the bigfoot to show up, and then you you start
• 45:49
  Speaker 3: to hear this. He wakes up in the middle of
• 45:51
  Speaker 3: the night because he falls out of a hammock.
• 45:53
  Speaker 2: Was great, and.
• 45:55
  Speaker 3: See I thought it was gonna be bigfoot flipping him
• 45:57
  Speaker 3: out of the Yeah, but no, he just rolls out
• 46:01
  Speaker 3: and he's like, oh fuck, I'm like that's hilarious. Yeah,
• 46:04
  Speaker 3: so he starts wandering around. Oh no, I forgot he
• 46:10
  Speaker 3: While he's out looking for bigfoot, he sees it off
• 46:13
  Speaker 3: in the distance and he takes the fuck off because
• 46:16
  Speaker 3: it growls at him. And then he goes sets up
• 46:19
  Speaker 3: the cameras.
• 46:20
  Speaker 1: Yeah, because he sees him. When he sees bigfoot, when
• 46:22
  Speaker 1: they're boning.
• 46:23
  Speaker 2: Well.
• 46:23
  Speaker 3: He sees him one time after that while he's out
• 46:25
  Speaker 3: in the woods by himself.
• 46:26
  Speaker 1: Oh yeah, when he's like, we could be friends, man,
• 46:28
  Speaker 1: we could be friends, and it's just like low growling
• 46:30
  Speaker 1: and he's like, fuck this, I'm out.
• 46:31
  Speaker 2: Yeah, yeah, that's right.
• 46:32
  Speaker 3: So night comes, he falls out of the hammock. He
• 46:35
  Speaker 3: starts walking around the woods because he hears noises again
• 46:39
  Speaker 3: and it sounds.
• 46:40
  Speaker 2: Like the Groulse.
• 46:41
  Speaker 3: But you're like, that's not the same. There's something different.
• 46:45
  Speaker 3: The the twig snapping arm is heavy, the rustling's not
• 46:49
  Speaker 3: is chaotic.
• 46:50
  Speaker 2: And then he's like, please, mister So's coach, please, we
• 46:53
  Speaker 2: can be friends. We can be friends.
• 46:55
  Speaker 3: And then all you hear is damn and it's just
• 46:58
  Speaker 3: Matt and Todd like his ass off with paintballs and
• 47:02
  Speaker 3: it's fucking.
• 47:03
  Speaker 1: That really built the tension because I did. I figured
• 47:06
  Speaker 1: it wasn't gonna be I think.
• 47:09
  Speaker 3: I thought it was gonna be a the ritual type
• 47:12
  Speaker 3: moment where you were gonna see the hand come out
• 47:14
  Speaker 3: and come back. Oh yeah, right, Like, especially with that
• 47:17
  Speaker 3: big ass tree, I thought there was gonna be a
• 47:19
  Speaker 3: hand that was just gonna come around. Didn't happen.
• 47:21
  Speaker 2: It didn't happen.
• 47:22
  Speaker 1: It was just painalls and they're playing a joke on
• 47:25
  Speaker 1: him and they make fun of him to.
• 47:27
  Speaker 2: Like, oh please, mister missus sasquatch, we can be friends.
• 47:30
  Speaker 2: Great fucking little comedy right there.
• 47:32
  Speaker 3: And then directly after Sasquatch starts chasing them, they all
• 47:38
  Speaker 3: run into the house.
• 47:39
  Speaker 1: Oh yeah, because it's like it's like it's like a
• 47:41
  Speaker 1: fucking siren that goes up. It's like, and that's the
• 47:44
  Speaker 1: fucking You're like, oh, it's like, oh god, that's so terrifying.
• 47:47
  Speaker 3: So they they all take off into the house and
• 47:49
  Speaker 3: they're like, Ship, there's a fucking sasquatch out there. The
• 47:52
  Speaker 3: girls are like what's going on? And they're like there's
• 47:54
  Speaker 3: a fucking creature out in the woods. They are like, okay, well,
• 48:01
  Speaker 3: it's not gonna be that bad, and then the sasquatch
• 48:05
  Speaker 3: starts like fucking walking up to walking up to the
• 48:10
  Speaker 3: house and fucking walking on the porch, kind of scratching
• 48:14
  Speaker 3: around on ship.
• 48:16
  Speaker 2: Oh yeah.
• 48:18
  Speaker 3: At this point, they're like, we have to get the
• 48:21
  Speaker 3: fuck out of here. We need to go, We need
• 48:25
  Speaker 3: to leave.
• 48:25
  Speaker 2: Not a joke anymore.
• 48:28
  Speaker 3: As they're talking, we need to leave. You start hearing
• 48:33
  Speaker 3: just a cacaphony of metal breaking, glass shattering, twisting noises,
• 48:41
  Speaker 3: and they're like, we're gonna wait till morning. So they
• 48:45
  Speaker 3: all go to sleep. Wake up, they try and get
• 48:47
  Speaker 3: to their car. They find their car has been completely
• 48:50
  Speaker 3: destroyed with a fucking entire tree.
• 48:55
  Speaker 2: Through the car, which was the noise they heard last night, and.
• 48:59
  Speaker 3: They're like, ah, well shit, this isn't good. They decide
• 49:05
  Speaker 3: that one of them is going to take a bike
• 49:08
  Speaker 3: to wherever there can be signal found on their cell
• 49:12
  Speaker 3: phones because they're deep in the woods in East Texas.
• 49:15
  Speaker 3: And I don't know, if you know anything about Texas,
• 49:18
  Speaker 3: there is a lot of no signal anywhere because there's
• 49:22
  Speaker 3: fucking nothing in Texas.
• 49:23
  Speaker 2: Yeah, a lot of Texas.
• 49:24
  Speaker 1: It's just the fucking vacant ground. So yeah, makes sense
• 49:28
  Speaker 1: that I haven't been there, but I know it's just
• 49:29
  Speaker 1: flat and there's like a not like if you're not
• 49:31
  Speaker 1: in the city, yeah, you probably.
• 49:32
  Speaker 3: Gonna have So when I was driving to California, it
• 49:36
  Speaker 3: took me three and a half days to get across Texas.
• 49:40
  Speaker 1: It's a big state. Yeah, it's a big state. You
• 49:43
  Speaker 1: can people don't realize how big that state is Yeah,
• 49:45
  Speaker 1: it's bigger than some countries. Oh yeah, for sure, Yeah,
• 49:50
  Speaker 1: it's it's ridiculous. So Matt goes, I'm the fastest on
• 49:55
  Speaker 1: the bike. I'll be the one to get there.
• 49:58
  Speaker 3: So he takes off down the trail, gets to a
• 50:02
  Speaker 3: certain point, finds some signal, calls nine one one, and
• 50:06
  Speaker 3: of course, as every move every horror movie in existence,
• 50:10
  Speaker 3: either the call drops or the signal is so bad
• 50:14
  Speaker 3: that the person on the other end of the line
• 50:16
  Speaker 3: can't hear you, which is also funny because for nine
• 50:20
  Speaker 3: one one, they have the clearest connection of anyone ever,
• 50:25
  Speaker 3: all the time, right specifically for that reason. And what
• 50:30
  Speaker 3: they should have done is as soon as they go,
• 50:33
  Speaker 3: as soon as they figured out they couldn't hear the
• 50:35
  Speaker 3: person on the other end of the line, they need
• 50:37
  Speaker 3: to track that cell phone.
• 50:38
  Speaker 2: Yeah, that's neither what you're supposed to do.
• 50:41
  Speaker 1: Yeah, And this also goes into something I had down here,
• 50:44
  Speaker 1: which is technically a goof when they when he calls
• 50:46
  Speaker 1: nine one one, nine one one would have in fact
• 50:48
  Speaker 1: attempted to call him back even before he tried calling
• 50:51
  Speaker 1: them again.
• 50:51
  Speaker 2: So long as he has.
• 50:52
  Speaker 1: Active service with a provider, they would have been right
• 50:54
  Speaker 1: back on the phone with them. So, yeah, a little
• 50:56
  Speaker 1: little funny goof there, for sure.
• 50:59
  Speaker 3: So he starts riding again.
• 51:02
  Speaker 1: Look he remember he sees Bigfoot. Yeah, so he looks background.
• 51:06
  Speaker 1: He's like, oh shit, Yeah, he.
• 51:08
  Speaker 3: Looks over his shoulder and you see just the silhouette
• 51:12
  Speaker 3: of Bigfoot just standing off in the distance. And then
• 51:17
  Speaker 3: he's like oh shit. He gets on his bike and
• 51:19
  Speaker 3: then Bigfoot just starts running not at him, mind you,
• 51:26
  Speaker 3: like actively chasing him to fucking scare it from the
• 51:30
  Speaker 3: side like they're like parallel running down.
• 51:33
  Speaker 2: It's so good.
• 51:34
  Speaker 3: And then and then we get to the part where
• 51:37
  Speaker 3: our favorite kill, where fucking Matt hits a branch and
• 51:43
  Speaker 3: twelve feet through the air, just like it's fantastic. And
• 51:48
  Speaker 3: then you get the amazing practical effect of him rolling
• 51:51
  Speaker 3: up his pant leg and the bones sticking out. Oh god,
• 51:55
  Speaker 3: yeah that I will never not be upset, even if
• 51:59
  Speaker 3: it's fake with a bone sticking through skin. No, And
• 52:05
  Speaker 3: then you just see the camera get picked up and
• 52:09
  Speaker 3: then dropped, and that's the last we hear of Matt
• 52:12
  Speaker 3: for a while. Scene transitions back to the cabin. The
• 52:19
  Speaker 3: group is all like, oh no, don't worry, he'll be
• 52:23
  Speaker 3: he's probably on the road now, somebody picked him up.
• 52:26
  Speaker 3: He's going for help. They'll be back, no problem. And
• 52:32
  Speaker 3: then you get this like slight moment of reprieve for
• 52:37
  Speaker 3: like a half second, and then a bike comes flying
• 52:42
  Speaker 3: out of the woods and smashes into the wall of
• 52:46
  Speaker 3: the cabin and they're like, what the fuck was that?
• 52:49
  Speaker 3: That's Matt's bike, And then cue the creature noise. They
• 52:54
  Speaker 3: decide the best thing to do is barricade themselves inside
• 52:59
  Speaker 3: of the house.
• 53:00
  Speaker 2: You can do, but here, here was my thing.
• 53:03
  Speaker 3: If this creature is throwing a bike from an unseen distance,
• 53:08
  Speaker 3: barricading anything is not going.
• 53:10
  Speaker 2: Towards Yeah, I mean, you're not wrong.
• 53:15
  Speaker 3: Then, so the nightfalls, Beth actually says he's waiting till nighttime.
• 53:24
  Speaker 3: He's waiting for us. So they're barricading the house. As
• 53:28
  Speaker 3: they're moving stuff around, they get the quintessential infound footage.
• 53:34
  Speaker 3: Hey guys, come look at this. Yeah, because in every
• 53:37
  Speaker 3: found footage movie ever there is some version of the line, guys,
• 53:43
  Speaker 3: you gotta you gotta come check this out. They find
• 53:48
  Speaker 3: a seller with a single load twenty gage shotgun in it.
• 53:55
  Speaker 3: Todd is an idiot, doesn't know how to hold a gun.
• 54:01
  Speaker 3: Then the Bigfoot attack happens. I don't want to give
• 54:06
  Speaker 3: any of the details about the Bigfoot attack because it's
• 54:11
  Speaker 3: probably one of the best parts of the movie, that
• 54:14
  Speaker 3: entire sequence. But so Bigfoot attacks the house. The group
• 54:20
  Speaker 3: who is now Brian, Todd, Beth, and fucking Dora. They
• 54:29
  Speaker 3: all seemingly are all right. Beth gets injured but not
• 54:35
  Speaker 3: dead yet. She Beth does die later on in that sequence.
• 54:44
  Speaker 3: Then it is left to Todd, Brian, and Dora. They decide,
• 54:48
  Speaker 3: all right, we just got to get the fuck out
• 54:51
  Speaker 3: of here. They wait until morning, they try and get
• 54:55
  Speaker 3: the fuck out of there. In the process of them leaving,
• 55:00
  Speaker 3: they find Matt's bag and Matt's helmet yep. In the
• 55:05
  Speaker 3: process of that as well, they find a den of sorts,
• 55:13
  Speaker 3: a nest, whatever the fuck you want to call it.
• 55:16
  Speaker 3: They hear screaming from inside. Brian goes in to check
• 55:20
  Speaker 3: it out, finds Matt still alive, and he's like, oh damn,
• 55:24
  Speaker 3: I was gonna stop before that, So I'll finish with
• 55:29
  Speaker 3: this part and then we'll stop. This was the part
• 55:33
  Speaker 3: that I that really made me like this Bigfoot was.
• 55:38
  Speaker 1: Uh.
• 55:39
  Speaker 2: Brian goes, Matt, we gotta get out of here.
• 55:41
  Speaker 3: Let's fucking go. Let's fucking go. And Matt's like I can't,
• 55:44
  Speaker 3: And Brian's like why the fuck not? And Matt's like,
• 55:47
  Speaker 3: he smashed my legs so I couldn't get away. Yeah,
• 55:49
  Speaker 3: And I'm like, fuck yeah, this is a thinking killer.
• 55:54
  Speaker 3: This is this is a creature with a brain. It's
• 55:56
  Speaker 3: not just ad.
• 55:59
  Speaker 1: Yeah, surely it's set a trap with breaking his legs
• 56:01
  Speaker 1: so he would scream. They'd hear him scream, come to
• 56:03
  Speaker 1: get him. He's like, I got you all in my
• 56:05
  Speaker 1: fucking den, bitch. Yeah, yeah, very very smart, uh smart
• 56:09
  Speaker 1: creature there. It's not just some big hairy ape in
• 56:11
  Speaker 1: the woods. So perhaps to you for uh luring them
• 56:13
  Speaker 1: into your den.
• 56:14
  Speaker 3: And on on that comment, it's not just some big
• 56:20
  Speaker 3: dumb creature in the woods. The ending, I'm not gonna
• 56:23
  Speaker 3: spoil anything, but the ending is the most humanity you
• 56:29
  Speaker 3: could ever give just some big hulking creature.
• 56:33
  Speaker 2: I know.
• 56:34
  Speaker 3: And when they do that out and the first first
• 56:37
  Speaker 3: time of me seeing the movie, I was like, oh.
• 56:40
  Speaker 1: Shit, yeah, okay, there is something that you will get
• 56:46
  Speaker 1: when you watch the movie that you realize, oh, something
• 56:50
  Speaker 1: was done to provoke him.
• 56:52
  Speaker 2: Yeah, yeah, unbeknownst to them.
• 56:54
  Speaker 1: But yeah, so that's why I said that when I
• 56:56
  Speaker 1: said that line is beginning, that it's not ang or
• 56:59
  Speaker 1: it's not violent, it's provoked. Yeah, that's in the entire
• 57:02
  Speaker 1: tone of the movie because you find out why he
• 57:05
  Speaker 1: is attacking them, and it is honestly fucking I did.
• 57:08
  Speaker 3: Not justify, go ahead, justify kill these four people.
• 57:11
  Speaker 1: But also, like a twist, I didn't really I didn't
• 57:13
  Speaker 1: really seem think there was gonna be motive. I thought
• 57:16
  Speaker 1: the reason why he was coming after them because Brian.
• 57:18
  Speaker 3: He's fucking Bigfoot.
• 57:19
  Speaker 1: Well yeah, because he's Bigfoot, and Brian did kind of
• 57:21
  Speaker 1: provoke him by making fun of him. I thought that
• 57:24
  Speaker 1: might have been it. No, there's a whole separate reason.
• 57:27
  Speaker 1: And then when you think about the whole movie, you're like,
• 57:29
  Speaker 1: oh shit, this all ties in. It's very interesting.
• 57:33
  Speaker 2: Yeah, well none.
• 57:34
  Speaker 3: Now that that very last scene it they they give
• 57:40
  Speaker 3: Bigfoot a little too much human features, like that scene
• 57:47
  Speaker 3: behind the bush. Yeah, I didn't like, like I was hoping,
• 57:54
  Speaker 3: because every time you see Bigfoot in the night vision,
• 57:58
  Speaker 3: it's a very like beastly animalistic face. But then when
• 58:05
  Speaker 3: you see Bigfoot at the very end of the movie.
• 58:08
  Speaker 3: It's very Charleston heston Planet of the Apes vibes. Like
• 58:14
  Speaker 3: I was like, all right, he's showing too much emotion now, see.
• 58:20
  Speaker 1: I mean maybe that was done intentionally because he's made
• 58:22
  Speaker 1: out to be this beast the whole time.
• 58:25
  Speaker 3: Yeah, but that's that's just my nitpick.
• 58:28
  Speaker 1: Oh yeah, no, no, yeah, trust I've nitpicked so many
• 58:31
  Speaker 1: trust me, that's what I do.
• 58:33
  Speaker 3: Man.
• 58:33
  Speaker 1: So yeah, I can understand that because they I do
• 58:35
  Speaker 1: feel I agree with you on some level that I
• 58:37
  Speaker 1: feel they showed it a bit too much at the end,
• 58:40
  Speaker 1: because they did a great job not showing in a lot,
• 58:43
  Speaker 1: but yeah, I felt like they I really felt like
• 58:45
  Speaker 1: there was I guess it was done to just kind
• 58:47
  Speaker 1: of pull you into the like almost feel sorry for
• 58:50
  Speaker 1: the creature, you know what I mean, and also feels
• 58:53
  Speaker 1: sorry for Brian because he's like, man, I didn't know,
• 58:55
  Speaker 1: like I'm sorry, you know, he's like apologizing to this beating.
• 58:58
  Speaker 3: And that was the other thing is like they give
• 59:02
  Speaker 3: you this whole lead up, and I wanted Brian to
• 59:06
  Speaker 3: say I'm sorry and for Bigfoot to just rip it hell.
• 59:09
  Speaker 2: Yeah, just let go the complete opposite, Yeah.
• 59:11
  Speaker 3: Because that that would have been so satisfying because I
• 59:14
  Speaker 3: would have been like, yes, Bigfoot, yeah, fucking slay deserve it.
• 59:21
  Speaker 1: Man, Yeah, that would have been pretty good. But I mean,
• 59:24
  Speaker 1: and it's it's interesting too, because this is a completely
• 59:27
  Speaker 1: different tone than the ending of you know, uh, the
• 59:31
  Speaker 1: The Blair Witch Project. And if you haven't seen it
• 59:33
  Speaker 1: by now, it's too late. It's almost what is it
• 59:36
  Speaker 1: twenty something years old? There's almost thirty years old. Yeah,
• 59:39
  Speaker 1: it's like twenty three or twenty four years so twenty
• 59:43
  Speaker 1: three years yeah, So you know that at the ending
• 59:45
  Speaker 1: of that movie, you know they're just standing in the corner,
• 59:48
  Speaker 1: because the whole legend is if you have to stay
• 59:50
  Speaker 1: in the corner, if you turn around and see the witch,
• 59:51
  Speaker 1: she kills you. Yeah, And this one they just give
• 59:54
  Speaker 1: you kind of the same thing, but from like the
• 59:57
  Speaker 1: reverse because Brian eventually holds the camera around too face,
• 1:00:00
  Speaker 1: so instead of seeing the back of someone's head, you're
• 1:00:02
  Speaker 1: seeing the front like their actual Fagas thought that was
• 1:00:05
  Speaker 1: kind of cool, you know, like, and.
• 1:00:07
  Speaker 3: Honestly, the way I like to think now about this movie,
• 1:00:11
  Speaker 3: after seeing it and after knowing that Eduardo Sanchez is
• 1:00:15
  Speaker 3: the director of it, I like to believe that this
• 1:00:18
  Speaker 3: is the actual spiritual successor right to blair Witch, because
• 1:00:23
  Speaker 3: it's almost a mirror opposite of the movie exactly.
• 1:00:27
  Speaker 1: That's exactly right. I feel the same way, and it's interesting.
• 1:00:30
  Speaker 1: I really want to rewatch uh. I want to watch
• 1:00:33
  Speaker 1: rewatch blair Witch Project again, just because I just watched
• 1:00:36
  Speaker 1: Exists and I want to see how because they are
• 1:00:38
  Speaker 1: completely different. Yeah, they're all they're this. It's like the
• 1:00:40
  Speaker 1: same thing Fountain footage movie in the Woods looking for
• 1:00:43
  Speaker 1: or I mean, I guess in the first one they
• 1:00:45
  Speaker 1: are looking for the blair Witch. This one, it's kind
• 1:00:47
  Speaker 1: of just like established that it might be out there.
• 1:00:50
  Speaker 1: We don't know, and that's why the whole house is abandoned.
• 1:00:53
  Speaker 1: That's what's scared off Uncle Bob. And real quick. Speaking
• 1:00:57
  Speaker 1: of Uncle Bob, so the reason that everyone gets hissy about,
• 1:01:01
  Speaker 1: you know, once they want Matt leaves. So we've got Brian.
• 1:01:06
  Speaker 3: Oh no, no, Matt's the one to reveal.
• 1:01:08
  Speaker 2: Oh that's right, that's right before before he goes.
• 1:01:10
  Speaker 1: Yeah, so you have the whole gang there, and this
• 1:01:13
  Speaker 1: is right on the tails of the car being destroyed.
• 1:01:16
  Speaker 1: They come back and they're talking and Dora's like, we'll
• 1:01:18
  Speaker 1: just wait for Uncle Bob to get here because I
• 1:01:20
  Speaker 1: guess it was established by Brian and Matt that their
• 1:01:22
  Speaker 1: uncle's gonna come out and like, I guess hangout or whatever.
• 1:01:25
  Speaker 1: But then Matt's like, yeah, he's not coming because we
• 1:01:30
  Speaker 1: stole the key and no one knows we're out here.
• 1:01:34
  Speaker 1: So that's when I was like, so, I know Brian
• 1:01:36
  Speaker 1: stole a key, but Matt kind of just let it happen.
• 1:01:39
  Speaker 1: And I was like, letting it happen is worse than
• 1:01:41
  Speaker 1: doing it, I feel, because you could get, you know,
• 1:01:43
  Speaker 1: change his conscience, be like you should put that back.
• 1:01:45
  Speaker 1: But Matt was just like, yeah, whatever, and then let's
• 1:01:47
  Speaker 1: invite all our friends. Yeah, shit bag, I'm sorry, you're
• 1:01:50
  Speaker 1: a ship bag. So when you find that out too,
• 1:01:52
  Speaker 1: that's kind of another twist in the movie. You're like,
• 1:01:54
  Speaker 1: oh shit, no one knows they're out there. They have
• 1:01:56
  Speaker 1: no car, no cell phone, they're in the middle of
• 1:01:59
  Speaker 1: the fucking woods. Yeah, it's not I don't think it's
• 1:02:01
  Speaker 1: gonna work out from him, no, and it does not
• 1:02:03
  Speaker 1: work out for most of them. And uh, then the
• 1:02:06
  Speaker 1: whole Matt thing being alive was another twist because you
• 1:02:09
  Speaker 1: you think he's dead. Yeah, first, like first, like twenty
• 1:02:12
  Speaker 1: minutes of the movie, you think he's a fucking goner,
• 1:02:14
  Speaker 1: and then it turns out he's not. He's still alive
• 1:02:16
  Speaker 1: and they're trying to drag him to safety, and then
• 1:02:19
  Speaker 1: you have the whole you know, our RV scene, which
• 1:02:21
  Speaker 1: is just wild. But yeah, overall, this is like a sleeper.
• 1:02:24
  Speaker 1: I feel like this is, oh yeah for a sleeper
• 1:02:26
  Speaker 1: in the found footage for sure, you know sub genre
• 1:02:30
  Speaker 1: because I've seen it mentioned a couple times in that group,
• 1:02:33
  Speaker 1: but not a lot.
• 1:02:34
  Speaker 3: Yeah, and nobody ever comments on it.
• 1:02:36
  Speaker 2: Yeah either.
• 1:02:36
  Speaker 3: It's just like you'll have fucking somebody will post about
• 1:02:40
  Speaker 3: bad Ben and it's like nine hundred comments. Somebody posts
• 1:02:44
  Speaker 3: about exists and it's like seven and then one person
• 1:02:47
  Speaker 3: deletes their comments.
• 1:02:48
  Speaker 1: Crickets. Yeah, so I'm definitely gonna make a post in
• 1:02:50
  Speaker 1: there again. It's like, hey, guys, remember that this is
• 1:02:52
  Speaker 1: a movie done by the guy who did Blair Witch.
• 1:02:55
  Speaker 1: We need to give this movie some love because it
• 1:02:57
  Speaker 1: is Honestly, it's literally one of my favorite should also reach.
• 1:03:01
  Speaker 3: Out to Eduardo and I want to get him on
• 1:03:02
  Speaker 3: the show.
• 1:03:03
  Speaker 2: I wonder how easily accessible it is to reach this man.
• 1:03:05
  Speaker 3: Let's see, Probably pretty easy. Because one of one of
• 1:03:11
  Speaker 3: his lead cameramen from blair Witch works in town.
• 1:03:15
  Speaker 1: Oh yeah, yeah, oh shit, I think I just found him.
• 1:03:19
  Speaker 2: There you go, let's see.
• 1:03:21
  Speaker 1: Yeah, family man, filmmaker and Star Wars collector, friends with
• 1:03:25
  Speaker 1: Javier Atridge, so probably.
• 1:03:27
  Speaker 3: Oh fuck yeah, We'll just have Hobvier be like, hey guy, yeah,
• 1:03:30
  Speaker 3: fucking talk.
• 1:03:31
  Speaker 1: To let me uh, let me let me friend him
• 1:03:34
  Speaker 1: real quick, because yeah, if we could get that fucking
• 1:03:36
  Speaker 1: guy on here, dude, career made.
• 1:03:39
  Speaker 3: For four hours of just talk to me about blair Witch.
• 1:03:42
  Speaker 3: I don't care about the rest of your career. I
• 1:03:45
  Speaker 3: want you to tell me everything about blair Wi.
• 1:03:49
  Speaker 2: That's all I can behind behind the scenes ship.
• 1:03:53
  Speaker 3: Yeah, tell me what you had for craft services, like everything.
• 1:03:57
  Speaker 3: What kind of toilet paper did you use on Setesus Christ?
• 1:04:02
  Speaker 1: Yeah, we would, I seriously, that would have to be
• 1:04:04
  Speaker 1: like a two part episode where we did like an
• 1:04:06
  Speaker 1: hour and a half and an hour and a half,
• 1:04:08
  Speaker 1: because I swear it's like when we talked to Anton Ley,
• 1:04:10
  Speaker 1: we did like a three fucking I was like, I look.
• 1:04:13
  Speaker 2: Down and I'm like, we have to stop this.
• 1:04:15
  Speaker 1: No one's gonna listen to a three hour podcast. That's
• 1:04:18
  Speaker 1: actually one of the ones that has the most listens,
• 1:04:20
  Speaker 1: that one when we'd had Jesus Christ.
• 1:04:23
  Speaker 2: Nigel bach On. Yeah, there's a lot of good people
• 1:04:26
  Speaker 2: we've interviewed.
• 1:04:27
  Speaker 3: There's a fucking ninth one now I know, I don't understand,
• 1:04:31
  Speaker 3: and nobody can find where it's streaming either. I think
• 1:04:34
  Speaker 3: he doesn't he have his own Roku Channelruth.
• 1:04:37
  Speaker 2: Oh no, that's a shame.
• 1:04:40
  Speaker 1: Speaking of directors, we've talked to Christopher Men that's still
• 1:04:44
  Speaker 1: cranking out fucking movies every year. I actually just actually
• 1:04:47
  Speaker 1: just completed my collection of all of his Blu rays
• 1:04:49
  Speaker 1: and now I'm gonna marathon them all because fucking a right.
• 1:04:53
  Speaker 3: And what's hilarious is you can tell that he's starting
• 1:04:55
  Speaker 3: to run out of ideas because he's posted on Facebook, like, Yo,
• 1:04:59
  Speaker 3: if I were to have a Monster versus Monster of
• 1:05:04
  Speaker 3: the memo verse, who do you want to see fight?
• 1:05:06
  Speaker 2: Oh dude?
• 1:05:07
  Speaker 1: He posts shit every day all that I know, just
• 1:05:09
  Speaker 1: because like he wants to get engagement. But I mean, shit,
• 1:05:11
  Speaker 1: if you made a movie every year for like the
• 1:05:13
  Speaker 1: past twelve or thirteen years, yeah, I'm surprised he made
• 1:05:17
  Speaker 1: that many to begin with.
• 1:05:18
  Speaker 3: And he's doing it all by keeping it in the
• 1:05:21
  Speaker 3: fit like it's his son, his actually it's his two sons,
• 1:05:24
  Speaker 3: his daughter, his wife.
• 1:05:25
  Speaker 2: Yeah, and like and that's the thing.
• 1:05:27
  Speaker 3: Too, like a couple of his bar homie here.
• 1:05:29
  Speaker 1: Yeah, because you can't really you know, cut with COVID
• 1:05:32
  Speaker 1: and shit like that. He had to rekind of that's
• 1:05:34
  Speaker 1: why he's doing like the Phantomly Kids and this, this
• 1:05:37
  Speaker 1: and that because COVID and shit like that. But I
• 1:05:39
  Speaker 1: mean he's still cranking them out, Nigel Box will cranking
• 1:05:42
  Speaker 1: them out. I need to like get in touch with
• 1:05:45
  Speaker 1: Antoine see if he's like doing anything, because I would
• 1:05:48
  Speaker 1: love to see another one of his movies.
• 1:05:50
  Speaker 3: Well, we do know that he is working on an
• 1:05:52
  Speaker 3: extended universe of the followed universe.
• 1:05:55
  Speaker 2: We do know that, true. Okay I did.
• 1:05:57
  Speaker 3: I did not know that he's He's probably just take
• 1:06:00
  Speaker 3: in his time and writing it well because in his words,
• 1:06:05
  Speaker 3: he wants to level up with every movie that he makes,
• 1:06:09
  Speaker 3: so some.
• 1:06:10
  Speaker 2: Big shoes to fill.
• 1:06:11
  Speaker 1: Yeah, yeah, real for me at least, I know the
• 1:06:13
  Speaker 1: movie only has like a two two or two three,
• 1:06:15
  Speaker 1: but that's a solid four for me.
• 1:06:17
  Speaker 2: It's a fantastic How you got a.
• 1:06:19
  Speaker 3: Two to two and be number one movie horror movie
• 1:06:23
  Speaker 3: in America when it came out.
• 1:06:24
  Speaker 2: I have no idea it's it was so good. I
• 1:06:27
  Speaker 2: love that movie.
• 1:06:28
  Speaker 1: But it's also found footage, and you know, like, you know,
• 1:06:31
  Speaker 1: like found footage is really just a hated sub genre.
• 1:06:34
  Speaker 3: Oh fucking horror posters, get the fuck out of you here,
• 1:06:37
  Speaker 3: love found footage, good found footage, you know.
• 1:06:39
  Speaker 2: Trust me, there is a I love bad found footage.
• 1:06:41
  Speaker 1: I mean that's true. Yeah, even bad found footage is
• 1:06:43
  Speaker 1: at least enjoyable. But if you can do found footage
• 1:06:45
  Speaker 1: right and like have it work like this movie, fucking yes,
• 1:06:49
  Speaker 1: that is my favorite.
• 1:06:50
  Speaker 2: Shit.
• 1:06:51
  Speaker 1: So there is no minner post credit scene. Uh trivia O,
• 1:06:55
  Speaker 1: there's not much but at six foot seven. This is
• 1:06:58
  Speaker 1: the second time Brian Steele has played the role of
• 1:07:00
  Speaker 1: a bigfoot slash Sasquatch. He originally played the much friendlier
• 1:07:04
  Speaker 1: Harry from Harry and the Henderson TV show.
• 1:07:08
  Speaker 3: Very similar looking bigfoots.
• 1:07:10
  Speaker 1: Too, not as big of a forehead, but yeah yeah.
• 1:07:14
  Speaker 1: The upside down tree shown on the official poster mark
• 1:07:17
  Speaker 1: of Bigfoot is still planted at Spiderwood Studios filming location
• 1:07:21
  Speaker 1: for exists, So so it's a real place.
• 1:07:24
  Speaker 3: It's funny. I took that as like, that's his mailbox.
• 1:07:29
  Speaker 2: That's he probably would be my mailbox for sure.
• 1:07:33
  Speaker 3: The Bigfoot put it there so he could identify where
• 1:07:36
  Speaker 3: his fucking den is.
• 1:07:39
  Speaker 2: Hold on, let me get Okay, yeah, that makes sense.
• 1:07:41
  Speaker 1: Here's here's the pictures of Okay, Yeah, that makes that
• 1:07:44
  Speaker 1: makes total sense. It's like just two giant barns in
• 1:07:47
  Speaker 1: the middle of nowhere with the yeah, with a whole
• 1:07:48
  Speaker 1: bunch of woods around it. Okay, So yeah, that makes sense.
• 1:07:51
  Speaker 1: They probably utilized the sounds this like a sound stage
• 1:07:54
  Speaker 1: for that RV scene. Imagine I had to but so yeah,
• 1:07:58
  Speaker 1: and then this was film in Bastrip County, Texas.
• 1:08:02
  Speaker 2: I already gave you.
• 1:08:03
  Speaker 1: One goof about the nine to one one thing, and
• 1:08:06
  Speaker 1: then this is actually about the RV scene right here,
• 1:08:09
  Speaker 1: because about sixty seven minutes in, when the trailer goes
• 1:08:12
  Speaker 1: over the embankment, the camera recording the event shakes and
• 1:08:15
  Speaker 1: shows some distortion in the picture but does not actually move.
• 1:08:18
  Speaker 2: It is stationary. And I was like, ah, you're right.
• 1:08:21
  Speaker 3: Also, also, I would like to say on that scene,
• 1:08:27
  Speaker 3: one of the things that happens to the characters, like
• 1:08:31
  Speaker 3: there is no other harm to this character except like
• 1:08:35
  Speaker 3: a piece of drywall laying on them. Yeah, and I'm like,
• 1:08:38
  Speaker 3: why did this do so much damage to you? Like
• 1:08:40
  Speaker 3: there was nothing else that showed what happened. Why are
• 1:08:46
  Speaker 3: you doing what you're doing? I mean I just flipped
• 1:08:48
  Speaker 3: in an RV that probably hurt a lot. Yeah, So
• 1:08:52
  Speaker 3: that's really it.
• 1:08:53
  Speaker 2: And then for Trivia and goofs.
• 1:08:55
  Speaker 1: This says a five to two out of ten on
• 1:08:57
  Speaker 1: IMDb and two point six out of five on Letterbox.
• 1:09:00
  Speaker 1: Everyone's gonna fucking come at me for this. I gave
• 1:09:02
  Speaker 1: it a four and a half fight me, So, I mean.
• 1:09:06
  Speaker 3: It's it's a fun ass movie.
• 1:09:08
  Speaker 2: Yeah, it's so good. The the only.
• 1:09:11
  Speaker 3: Other thing that I wish they would have done is
• 1:09:14
  Speaker 3: I wish they would have given the women a little
• 1:09:17
  Speaker 3: bit more like substance and instead of them just being
• 1:09:25
  Speaker 3: characters that exists to add more cast. Yeah, because that's
• 1:09:29
  Speaker 3: what it felt like to me because Beth has like
• 1:09:34
  Speaker 3: notre lines. Dora is on camera bunch but says almost nothing.
• 1:09:40
  Speaker 1: I really feel that Beth was there for eye candy
• 1:09:43
  Speaker 1: because she's very you know, she's very attractive. Dora was
• 1:09:45
  Speaker 1: there to be the like she was more level headed
• 1:09:47
  Speaker 1: of the bunch. Yeah, because some people were like, let's
• 1:09:50
  Speaker 1: do crazy shit while she wasn't. But yeah, they didn't
• 1:09:52
  Speaker 1: really seem to go into their characters as much as
• 1:09:54
  Speaker 1: they did Brian and Matt.
• 1:09:56
  Speaker 2: Yeah you know what I mean.
• 1:09:57
  Speaker 1: Like even Todd didn't really have that much like of
• 1:10:00
  Speaker 1: an arc, you know what I mean. Yeah, So yeah,
• 1:10:02
  Speaker 1: I agree with you on that they definitely needed some
• 1:10:04
  Speaker 1: more substance sustenance. So yeah, I guess that's what you
• 1:10:09
  Speaker 1: would call a frightmar certified slap for sure.
• 1:10:13
  Speaker 2: For sure.
• 1:10:14
  Speaker 1: If you like Found Footage, if you like Bigfoot boy,
• 1:10:16
  Speaker 1: do I have the movie for you. And like I said,
• 1:10:19
  Speaker 1: you can even check out the other ones like Willow Creek.
• 1:10:21
  Speaker 1: Willow Creek is a good one, but they really don't
• 1:10:23
  Speaker 1: show much of anything. So if you want a movie
• 1:10:26
  Speaker 1: that just shows it all, this is the movie. Honestly,
• 1:10:29
  Speaker 1: they show it so much it's it's it's just overwhelming.
• 1:10:32
  Speaker 1: And again it's like an hour and fifteen minutes, so
• 1:10:34
  Speaker 1: that is and it's it's go, go go. There's one
• 1:10:37
  Speaker 1: dull second of this movie.
• 1:10:39
  Speaker 3: So I watched this movie after so Wesley and I
• 1:10:43
  Speaker 3: try and watch like one or two episodes of ozarka Knight. Yeah,
• 1:10:46
  Speaker 3: but since last night was the season finale. We only
• 1:10:48
  Speaker 3: watched one so we could start season four fresh.
• 1:10:50
  Speaker 2: Yeah.
• 1:10:51
  Speaker 3: I watched this movie at like one o'clock in the morning.
• 1:10:55
  Speaker 2: Oh my god.
• 1:10:56
  Speaker 3: And when it was over, I was like, what time
• 1:10:59
  Speaker 3: is it. Oh shit, it's like three am. I didn't
• 1:11:03
  Speaker 3: even realize.
• 1:11:04
  Speaker 1: Yeah, you don't realize. It goes by so quick. It's enjoyable,
• 1:11:07
  Speaker 1: it's got uh. It actually has some really good jump scares,
• 1:11:10
  Speaker 1: but not in the sense of like ooga booga. It's
• 1:11:13
  Speaker 1: like when they were out investigating after the accident and
• 1:11:16
  Speaker 1: the car horn goes it's like, oh shit, you know. Yeah,
• 1:11:18
  Speaker 1: it's just like little jump startles I guess you could
• 1:11:20
  Speaker 1: call him. It has a lot of good ones, uh,
• 1:11:22
  Speaker 1: and they're nothing really cheap. I don't think that, you know,
• 1:11:25
  Speaker 1: no cheap jump scares. Even the one of the camera
• 1:11:27
  Speaker 1: right up next to the big fight. Yeah, I don't
• 1:11:29
  Speaker 1: think that was cheap.
• 1:11:30
  Speaker 2: It was. It was so well. It was so well.
• 1:11:31
  Speaker 3: Crafted, and because they telegraphed it so well, they set
• 1:11:36
  Speaker 3: you up like as he starts walking to the window,
• 1:11:39
  Speaker 3: you're like, Okay, I know this is going to be
• 1:11:42
  Speaker 3: a jump scare.
• 1:11:43
  Speaker 2: Oh for sure. You're like, it's gonna happen.
• 1:11:45
  Speaker 3: And then it happens literally at the exact timing that
• 1:11:48
  Speaker 3: it's supposed to. It's not too quick, it's not fucking
• 1:11:52
  Speaker 3: uh levels of terrified where it's one window and then
• 1:11:56
  Speaker 3: it's the next, and then it's not the fake out.
• 1:12:00
  Speaker 2: Yeah, oh my god.
• 1:12:01
  Speaker 1: That was such a good jump scare though, because you think,
• 1:12:03
  Speaker 1: you think it's coming on this way and then it
• 1:12:04
  Speaker 1: hits you on the other way and you're like, son
• 1:12:06
  Speaker 1: of a bitch. So yeah, well crafted jump scares always
• 1:12:09
  Speaker 1: are always appreciated. I think that's pretty much it. Man,
• 1:12:13
  Speaker 1: It's just go watch this movie. Oh yeah, first, go
• 1:12:15
  Speaker 1: watch this movie. It turned the lights off, crank up
• 1:12:17
  Speaker 1: the sound. It's a good time. Make some popcorn. So yeah,
• 1:12:21
  Speaker 1: if you want to follow us on Facebook, you can
• 1:12:22
  Speaker 1: do that at Fright Maarsh, Slasher app and Instagram and
• 1:12:26
  Speaker 1: fright Maar's podcast. We have Twitter, Fright Maar's Underscore pod
• 1:12:30
  Speaker 1: that don't use Yeah, I mean I use it, but
• 1:12:32
  Speaker 1: you know, it's like four hundred followers.
• 1:12:34
  Speaker 2: I don't know.
• 1:12:34
  Speaker 1: Twitter is weird. I just still don't understand it fully.
• 1:12:38
  Speaker 1: So Instagram and Facebook and Slasher. I post on Slasher
• 1:12:41
  Speaker 1: a lot, actually, I think, and TikTok I don't have it.
• 1:12:44
  Speaker 1: We don't have TikTok do I mean I do? Yeah,
• 1:12:47
  Speaker 1: under No, I don't. Yes, you do, I really don't.
• 1:12:50
  Speaker 1: I promise you. If it's still there, then I don't
• 1:12:52
  Speaker 1: know who's running that. But no, it was. It was
• 1:12:54
  Speaker 1: where you posted the fucking legos. No I switched that
• 1:12:58
  Speaker 1: back to my main because I was like, I not,
• 1:13:00
  Speaker 1: I don't oh fair enough. Yeah, it was like, I
• 1:13:01
  Speaker 1: don't have the motivation to do this. I have so
• 1:13:04
  Speaker 1: many ideas, but I'm like, oh god, I follow on TikTok,
• 1:13:07
  Speaker 1: follow me on TikTok. I think it's doctor Proctor. I'm
• 1:13:10
  Speaker 1: sure it is.
• 1:13:10
  Speaker 3: Uh, but wasn't it rage snaps for a while?
• 1:13:13
  Speaker 1: It was for a while, and then again I just
• 1:13:15
  Speaker 1: no motivation. I don't know. I want to be I
• 1:13:19
  Speaker 1: want to do ship like that. But I listen. I
• 1:13:22
  Speaker 1: did a TikTok and it hit a million point one
• 1:13:24
  Speaker 1: million views, and I was like, I'm done. I don't
• 1:13:26
  Speaker 1: I I did it like I wanted to make one
• 1:13:28
  Speaker 1: viral video. I did it, and I'm never gonna make
• 1:13:30
  Speaker 1: another one that blows up that big. So yeah, I
• 1:13:34
  Speaker 1: don't know. Maybe one day I'll get back on TikTok
• 1:13:36
  Speaker 1: with Frightmares, because eventually we're gonna set up fucking cameras
• 1:13:39
  Speaker 1: in here, and then I'm gonna take little snippets of
• 1:13:41
  Speaker 1: the show and upload them to Facebook or.
• 1:13:43
  Speaker 3: My idea, every time we start up the show, we
• 1:13:46
  Speaker 3: just fucking go live on Twitch.
• 1:13:49
  Speaker 1: Oh yeah, we could do that. I keep forgetting that
• 1:13:51
  Speaker 1: that's an option. I'm gonna set that up. I'm gonna
• 1:13:54
  Speaker 1: do that. I'm gonna for real do this because yeah,
• 1:13:56
  Speaker 1: I have the cameras, I have the fucking shit to
• 1:13:58
  Speaker 1: do it with, so I need to. I need to
• 1:13:59
  Speaker 1: get that ships out up. Let's see. I don't even again,
• 1:14:02
  Speaker 1: I don't even know what we're doing next week. Now
• 1:14:04
  Speaker 1: that we have a format though, of what we're doing
• 1:14:06
  Speaker 1: with each co host, I'm gonna get episodes laid out
• 1:14:10
  Speaker 1: and then I'll just send you every single fucking topic
• 1:14:12
  Speaker 1: I have.
• 1:14:13
  Speaker 2: There's like a hundred I know there is, Okay, so
• 1:14:16
  Speaker 2: I'll send you all of those.
• 1:14:17
  Speaker 1: But yeah until wait, no, also on letterbox, I am
• 1:14:20
  Speaker 1: a doctor Procter and you are Cory Boo. Yeah, so
• 1:14:23
  Speaker 1: until next week, guys, stay tuned and stay spooky.
• 1:14:26
  Speaker 3: Motherfuckers.
• 1:14:28
  Speaker 2: Love it, mother fuckers.
• 1:14:33
  Speaker 3: Or if you want to be juggalos mother facos mother?
• 1:14:36
  Speaker 3: What mother facos?
• 1:14:38
  Speaker 2: Facos? Is that what they say? F A c k O.
• 1:14:41
  Speaker 3: They might as well just say mother fago because isn't
• 1:14:43
  Speaker 3: isn't that like so so speak it. We're we haven't
• 1:14:47
  Speaker 3: wrapped this up yet.
• 1:14:48
  Speaker 2: Speaking, we're keeping this in.
• 1:14:52
  Speaker 3: Speaking of ICP, have you ever seen Big Money Hustlers?
• 1:14:57
  Speaker 2: No, go watch it. I know they have a song
• 1:15:01
  Speaker 2: where they go, fucking magnets. How do they work?
• 1:15:04
  Speaker 3: Yeah, that we don't. We don't talk about that. But no,
• 1:15:08
  Speaker 3: go watch Big Money Hustlers.
• 1:15:10
  Speaker 2: Okay.
• 1:15:11
  Speaker 3: They wrote and produced their own gangster crime movie.
• 1:15:16
  Speaker 2: And oh it's a movie.
• 1:15:17
  Speaker 3: It is a movie. It is a feature length movie,
• 1:15:22
  Speaker 3: full clown makeup and everything through the entire movie. It's
• 1:15:25
  Speaker 3: fucking gold. It is the room levels of bad. Okay,
• 1:15:32
  Speaker 3: but they have committed so hard to what they are doing.
• 1:15:36
  Speaker 2: Oh man, one more time for the people at home.
• 1:15:38
  Speaker 2: What is it?
• 1:15:39
  Speaker 3: Big money Hustlers?
• 1:15:41
  Speaker 2: Big money hustlers. Okay, hustlers with the l A s.
• 1:15:46
  Speaker 3: Not hustlers, hustlers.
• 1:15:48
  Speaker 1: Not with the ZH my god, Big money Hustlers. Okay,
• 1:15:53
  Speaker 1: I'm gonna go watch it right now. I'll report back
• 1:15:55
  Speaker 1: next week. How long is it.
• 1:15:58
  Speaker 3: It's like an hour, Okay, it's it's quick.
• 1:16:00
  Speaker 2: Okay, so for real this time until next week, guys,
• 1:16:04
  Speaker 2: stay tuned and stay spooky. Motherfuckers. M