Latest / Four Finger Discount (Simpsons Podcast) / Mona Leaves-a (S19E19)

Transcript

Mona Leaves-a (S19E19) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Why would a rubber make pie? Who cares if you
• 0:04
  Speaker 1: kill him? We'll be on TV.
• 0:05
  Speaker 2: You're right, boy, mom my aquarium. Hello, Homer, you're alive
• 0:16
  Speaker 2: and you've baked your pie.
• 0:18
  Speaker 1: O me, what's going on? I'm fighting a rubber. You
• 0:21
  Speaker 1: go get ice cream? Four finger discount, dude.
• 0:39
  Speaker 3: Welcome to four figure discat where. This week the podcast
• 0:42
  Speaker 3: is dedicated to the memory of Elsie Castelinetta and Dora
• 0:45
  Speaker 3: k Warren. How do you know who those two lovely
• 0:46
  Speaker 3: ladies are. I'm going to assume there's some mothers, the
• 0:49
  Speaker 3: mothers of Dan and Harry here.
• 0:51
  Speaker 1: There you go.
• 0:52
  Speaker 3: Yes, so obviously this is now. This was the first.
• 0:55
  Speaker 3: It's Mona Leaves and by the.
• 0:56
  Speaker 1: Way, yes, don't get ahead of yourself.
• 0:58
  Speaker 3: So this was the very first episode apparently to be
• 1:00
  Speaker 3: based around Mother's to be around Mother's Day in the
• 1:04
  Speaker 3: United States. I think the United States, in England, who
• 1:06
  Speaker 3: much the rest of the world maybe as celebrate Mother's
• 1:09
  Speaker 3: down in this particular day different to us, the one's mother.
• 1:11
  Speaker 3: So it's for Nikola here all of her friends back
• 1:14
  Speaker 3: in the uksa happy Mother's Then she's like, oh should
• 1:16
  Speaker 3: I because it's not Mother's Day here, it's always. It's
• 1:18
  Speaker 3: always like she celebrates it still the English way because
• 1:21
  Speaker 3: her mum's feeling like it's Mother's Day at that particular time.
• 1:24
  Speaker 1: I understand where Nichola was coming from. But you're in
• 1:26
  Speaker 1: Australia now, so you do it in Australia.
• 1:29
  Speaker 3: With the time.
• 1:31
  Speaker 1: Like you're not oz.
• 1:32
  Speaker 3: But Mona leaves us. This episode was about. This was
• 1:34
  Speaker 3: the finale, the sendoff for the end closest Mona, the
• 1:40
  Speaker 3: end of her arc, the end of the Mona arc.
• 1:42
  Speaker 1: Shall we say?
• 1:43
  Speaker 3: I don't know whether I was happy with her passing away.
• 1:45
  Speaker 3: I don't. I just feel like it's her story. Her
• 1:48
  Speaker 3: and Homer story is so tragic from beginning to end.
• 1:50
  Speaker 1: It really is. I must say. It makes me not
• 1:53
  Speaker 1: dislike the episodes, but it makes them hard to warm too.
• 1:56
  Speaker 1: Yeah yeah, everyone, But.
• 1:58
  Speaker 3: It's funny because everyone always sees the or the end
• 2:00
  Speaker 3: of the first one as one of the most heartwarming
• 2:02
  Speaker 3: moments ever.
• 2:03
  Speaker 1: Well, it's become very mean the fact. I guess we're
• 2:05
  Speaker 1: talking about Homer sitting on the bonnot of his car,
• 2:09
  Speaker 1: all they.
• 2:10
  Speaker 3: That's the most mean shot. I think it's more than
• 2:13
  Speaker 3: Homer in the hedge. I think people every time a
• 2:15
  Speaker 3: celebrity dies, that's what you use.
• 2:17
  Speaker 1: Yeah, well, I mean it strikes me as kind of
• 2:19
  Speaker 1: It's not as sad as say, the final moments of
• 2:22
  Speaker 1: a Jurassic Bark from Futurama.
• 2:24
  Speaker 3: But that that was more of a fuck you sad though,
• 2:26
  Speaker 3: wasn't it. Oh gosh, grussy bark. That was just like,
• 2:30
  Speaker 3: oh really you went there.
• 2:31
  Speaker 1: It's like we're really gonna yeah, stick it did and
• 2:34
  Speaker 1: break it off. Where Yeah, the end of that of
• 2:37
  Speaker 1: that episode, in that particular Armis feel sort of more
• 2:39
  Speaker 1: melancholy than Simpson we're talking about. Yes, that's right.
• 2:42
  Speaker 3: Yeah, And I just thought here I felt really I
• 2:46
  Speaker 3: thought the way they handled her actual death was done
• 2:48
  Speaker 3: really well. It was very simplistic but impactful.
• 2:51
  Speaker 1: Yeah. We've reviewed the part of Buffy on our TV
• 2:55
  Speaker 1: launch pod and the episode The Body of Buffy the
• 2:59
  Speaker 1: Vampire Sleigh where Buffy's mother dies. Spoiler. You usually say
• 3:02
  Speaker 1: spoiler before you actually reveal a spoiler. Yeah, maybe you
• 3:05
  Speaker 1: should do that, But anyway, watch Buffy Good Show is
• 3:10
  Speaker 1: a very very effective moment and this reminded me of
• 3:12
  Speaker 1: that to some way. I mean, they really sort of
• 3:16
  Speaker 1: capture the sense of disbelief that you have when you know,
• 3:20
  Speaker 1: someone who is so pivotal to your life and who
• 3:23
  Speaker 1: it was there one moment is now not it's like
• 3:27
  Speaker 1: oh wow, it's it's kind of a surreal moment.
• 3:29
  Speaker 3: Well, I think they realized this isn't a character that
• 3:31
  Speaker 3: can have a funny, wacky death, because some characters could.
• 3:34
  Speaker 3: I thought that Comic Book Guy could have a wacky
• 3:36
  Speaker 3: death and we'd buy it, right, I don't know, actually,
• 3:39
  Speaker 3: I mean they well, he has a death in the
• 3:41
  Speaker 3: trans of horror where he's like, we're still best death ever?
• 3:44
  Speaker 1: Would yeah, horror? Yeah, or bets are off those kinds
• 3:48
  Speaker 1: of things. I think with characters that have been established
• 3:51
  Speaker 1: for quite some time, even ones who are the butts
• 3:53
  Speaker 1: of jokes or supposedly unlikable, like Comic book Guy, even
• 3:58
  Speaker 1: if you lost them, they'd be like, ah, a bit
• 4:01
  Speaker 1: of the bit of the furniture's gone, a bit of
• 4:03
  Speaker 1: the bit of the fabrics gone. So you'd probably be
• 4:06
  Speaker 1: I don't think you'd be sort of upnights making moves
• 4:08
  Speaker 1: with a rip Comic book Guy or anything like that.
• 4:11
  Speaker 1: But I think, oh, okay, things aren't the same as
• 4:14
  Speaker 1: they used to be, and you turn you tune into
• 4:16
  Speaker 1: something like that. Simpsons because you know, how how often
• 4:18
  Speaker 1: are we used the term status quo? Yes, yeah, sorry,
• 4:22
  Speaker 1: sort of roll the tape back a bit. I mean, yeah,
• 4:25
  Speaker 1: it's it was hard to sort of get too. They
• 4:28
  Speaker 1: handled the death scene very very well. They handled home's
• 4:30
  Speaker 1: reaction to it very well, and the aftermath of it certainly,
• 4:34
  Speaker 1: particularly if you know, if you someone you love goes
• 4:38
  Speaker 1: and there's unfinished business. Oh shit. The last thing I
• 4:42
  Speaker 1: said to them was something I really wish I could
• 4:43
  Speaker 1: take back. All A lot of people could probably relate
• 4:45
  Speaker 1: to oh yeah, or oh they died, you know, thinking
• 4:49
  Speaker 1: that I didn't love them, or that, you know whatever.
• 4:52
  Speaker 3: I had that with my uncle Noel, because he's he
• 4:54
  Speaker 3: passed away in two thousand. Hit with the work incident,
• 4:56
  Speaker 3: right o, wait, God to do this? What happened? You
• 4:58
  Speaker 3: got killed at work? And he was the one relative
• 5:01
  Speaker 3: who watched wrestling with me. And then he got like
• 5:03
  Speaker 3: he was early thirties at the time, I was ten,
• 5:06
  Speaker 3: twelve whatever, and he's always come over to our place
• 5:08
  Speaker 3: on a Tuesday night and watched WWF raw at the
• 5:11
  Speaker 3: time on Fox Sports. And then he sort of he
• 5:14
  Speaker 3: got engaged and moved in with his partner. Blah blah, blah,
• 5:17
  Speaker 3: and then he just didn't really come over as often,
• 5:19
  Speaker 3: and I sort of like it didn't it pissed me off,
• 5:23
  Speaker 3: but I didn't.
• 5:24
  Speaker 1: I was just a child.
• 5:25
  Speaker 3: I was like, what what do you mean? You're gonna
• 5:26
  Speaker 3: hang out with you with your Beyonce? What do you mean?
• 5:29
  Speaker 3: So I never forget. He caught up on the Monday
• 5:32
  Speaker 3: and he and he said he wasn't going to he
• 5:35
  Speaker 3: was on the phone. I said, you come over and
• 5:36
  Speaker 3: watch the wrestling sight and he goes no, And I said,
• 5:38
  Speaker 3: all right, whatever, and I hung, I didn't hang out.
• 5:40
  Speaker 3: I gave it back to my and walked off. Next
• 5:41
  Speaker 3: day he gets killed. I've always sort of had that
• 5:43
  Speaker 3: in my mind, going, oh, last thing I said to
• 5:46
  Speaker 3: him was like I left he was he had disappointed me.
• 5:49
  Speaker 3: I was like that still to this day annoys me.
• 5:51
  Speaker 1: No, I can wholly under stair. Yeah. I mean a
• 5:55
  Speaker 1: lot of people ask me about the death of my dad,
• 5:57
  Speaker 1: which was more than ten years ago now, and of
• 6:00
  Speaker 1: course it's sad I miss him, that kind of business.
• 6:03
  Speaker 1: But at the same time, like, are you really saying
• 6:06
  Speaker 1: he really broke ups? Like no, because we had nothing
• 6:08
  Speaker 1: left unsaid between you got to say goodbye. We had
• 6:10
  Speaker 1: to say goodbye and yeah, yeah, we knew how we
• 6:14
  Speaker 1: felt about one. Yeah, and there was no sort of yeah,
• 6:17
  Speaker 1: like I said, nothing left unsaid. Yeah, but yeah, for
• 6:19
  Speaker 1: for home to be in this situation, yeah, I think
• 6:22
  Speaker 1: they conveyed that really well. But going back to the
• 6:26
  Speaker 1: character the moment, the fact that she's sort of been
• 6:27
  Speaker 1: in and out and she's she has her reasons, but
• 6:31
  Speaker 1: she just strikes me as completely unreliable when it comes
• 6:33
  Speaker 1: to her son.
• 6:33
  Speaker 3: I don't think she's a very good mother. No, no,
• 6:36
  Speaker 3: And there's probably listeners that they head were not going
• 6:39
  Speaker 3: to be annoyed by that because they really like the
• 6:41
  Speaker 3: Mona episodes. But she's not Grandpa is the rock Grandpa. Yeah,
• 6:45
  Speaker 3: he's the one who actually raised him. Yeah. Yeah, She's like, oh,
• 6:48
  Speaker 3: I was on the run for the government. It's like, yeah,
• 6:50
  Speaker 3: that's your fault. You created that situation. You were on
• 6:53
  Speaker 3: the run, not just because the government doesn't like you.
• 6:55
  Speaker 3: You fucked around and you didn't you were a random
• 6:57
  Speaker 3: found out. Yeah, you were irresponsible. You did thinks you
• 6:59
  Speaker 3: shouldn't have been doing. The mother of a child, and
• 7:01
  Speaker 3: you then have to pay the price and you're on
• 7:03
  Speaker 3: the run. He came back in to Homer's life and
• 7:04
  Speaker 3: then you're on the run again. Came backing to Homer's life.
• 7:06
  Speaker 3: You have to fake your death that the government was
• 7:09
  Speaker 3: I get. There's the sense of, oh, she faked her
• 7:11
  Speaker 3: death at the government so she can come back and
• 7:12
  Speaker 3: say goodbye.
• 7:13
  Speaker 1: She may feel regretful about the fact that she wasn't
• 7:16
  Speaker 1: in Homer's life, but it doesn't replace the fact that
• 7:18
  Speaker 1: she really wasn't in Homer's life. And when she does
• 7:20
  Speaker 1: come back in, she's there for a little while. Hopes
• 7:22
  Speaker 1: are built up, then they dashed again.
• 7:24
  Speaker 3: What are your thoughts on the fact that she used
• 7:26
  Speaker 3: him with the ashes to get one last screw you
• 7:28
  Speaker 3: to the government, Because in my thoughts, I thought, you're
• 7:30
  Speaker 3: putting Homer and you can get in trouble here.
• 7:33
  Speaker 1: Yeah.
• 7:33
  Speaker 3: Again, it felt like a selfish thing. I thought it
• 7:36
  Speaker 3: was a funny twist. I didn't see it coming, right,
• 7:37
  Speaker 3: but I thought it was. It was also a selfish
• 7:39
  Speaker 3: thing to do.
• 7:40
  Speaker 1: It felt that way to me as well.
• 7:41
  Speaker 3: In all honest I thought it was gonna be sentimental.
• 7:43
  Speaker 1: No, we're dreadfully conservative, show for good discounts, don't stick
• 7:49
  Speaker 1: it to the man. But I Holly get where you're coming.
• 7:52
  Speaker 3: From when that real make it have a risk his
• 7:54
  Speaker 3: life to get to the top of this mountains.
• 7:58
  Speaker 1: A rocket up the butt. It struck me as a
• 8:03
  Speaker 1: bit of a little bit of a selfish act. Yeah
• 8:06
  Speaker 1: for mine. I mean, you're lucky you've got Glenn Close
• 8:09
  Speaker 1: doing this one of.
• 8:10
  Speaker 3: Our I wasn't sure that it was Green Close. I
• 8:12
  Speaker 3: thought her voice was a little bit different. Yeah, I thought,
• 8:14
  Speaker 3: is this someone? But it was Glenn Close, it wasn't it,
• 8:17
  Speaker 3: which is good.
• 8:18
  Speaker 1: Oh? Absolutely. I like that they've got that continuity. And
• 8:20
  Speaker 1: you know, Glen Close is up for just about anything.
• 8:22
  Speaker 1: She's a very very good actor.
• 8:24
  Speaker 2: Hey, my favorite.
• 8:26
  Speaker 3: All right, what were your favorite moments in the episode?
• 8:28
  Speaker 1: What did I enjoy? Look, I'll be honest, there weren't
• 8:32
  Speaker 1: a whole lot that really sort of leapt out at me.
• 8:35
  Speaker 1: Then I did get a laugh out. It was, oh,
• 8:39
  Speaker 1: does Homo throw the Defender out the window at some stage.
• 8:42
  Speaker 3: Plan my aquarium. I just like the Defender in general.
• 8:46
  Speaker 3: The Defender was great.
• 8:47
  Speaker 1: Don't mess with the Defender, And I love that it
• 8:48
  Speaker 1: had a callback and thea that's what I thought. The
• 8:50
  Speaker 1: payoff Yeah, yeah, shouted to the Defender. But my aquarium,
• 8:56
  Speaker 1: I mean, you hear a crash, and they could be
• 8:58
  Speaker 1: anything like what's the words, oh it in aquarium? Yes,
• 9:00
  Speaker 1: that's terrible.
• 9:01
  Speaker 3: I really like, I'm really glad, he corrected me.
• 9:03
  Speaker 1: Honey.
• 9:03
  Speaker 3: People always really glad when they get created.
• 9:06
  Speaker 1: They felt like sort of classic Homer as well. Yeah,
• 9:09
  Speaker 1: I mean I like that he didn't go for the
• 9:13
  Speaker 1: gum drope haws a loi bubble, you know, he just
• 9:15
  Speaker 1: sort of played it very subdued dance he did, know,
• 9:17
  Speaker 1: which which I appreciated that. It was a good line
• 9:19
  Speaker 1: as well. I dug that a lot. And also one
• 9:22
  Speaker 1: thing I liked anytime he used a Paul A classic
• 9:25
  Speaker 1: Paul Simon song is all Right by Me and Mother
• 9:27
  Speaker 1: and Child. Rune is just a great song. Yeah, and
• 9:29
  Speaker 1: yeah we get white Rabbit as well. We do get
• 9:31
  Speaker 1: white Rabbit, which feels that's a little cliche when it
• 9:34
  Speaker 1: comes to all the time, it's the Simpsons.
• 9:37
  Speaker 3: It's the Simpsons thing. That's what they do. Every time
• 9:39
  Speaker 3: he's struggle about it's white rabbit.
• 9:40
  Speaker 1: It's either that or incense and peppermints. Yeah, quite regulars
• 9:43
  Speaker 1: a better song. Also, I think weed deficient to I
• 9:48
  Speaker 1: didn't think considered hemp bag unfair and it's going to
• 9:50
  Speaker 1: meet people, stewed. I didn't think that's going to happen.
• 9:53
  Speaker 1: I've traded Natalina whedon Is. But yeah, very very happy
• 10:05
  Speaker 1: to hear mother and children great song.
• 10:07
  Speaker 3: Also really enjoyed Lisa trying to get an outfit for
• 10:09
  Speaker 3: a dolphin CEO secretary of CEO.
• 10:13
  Speaker 1: I'm always I'm always a fan of that kind of
• 10:15
  Speaker 1: face off, Jeff Lenny a nurse secretary to a CEO.
• 10:22
  Speaker 2: Next question, you there eating the beast.
• 10:26
  Speaker 3: Tri hit me with your first Actually you sort of
• 10:28
  Speaker 3: relate to what we just talked about. What is the
• 10:30
  Speaker 3: name of said dolphin, Betsy, Let's see what one?
• 10:33
  Speaker 1: Okay, So I guess you've started. We're just jumping right
• 10:35
  Speaker 1: into it, right into it, Okay. Then speaking of Lisa,
• 10:39
  Speaker 1: she is going to elect to the food called businesses
• 10:41
  Speaker 1: about the use of what styrophone and starphone is correct?
• 10:44
  Speaker 3: What cookies did Lenny's mother cook for Karl make for Karl?
• 10:49
  Speaker 1: Well, there were two, yeah, because there were were there
• 10:51
  Speaker 1: lemon and then armond.
• 10:52
  Speaker 3: No first one. The second one was almond. The first
• 10:54
  Speaker 3: one is thinking of the palmi version of Indian food
• 10:57
  Speaker 3: in Australia.
• 10:59
  Speaker 1: But butter chicken, you guys got butter chicken. It literally
• 11:07
  Speaker 1: is the parmy of Indian it is. Indeed, I had
• 11:09
  Speaker 1: a party on Satday. No, yeah, living the kids and
• 11:11
  Speaker 1: I went to the Belmont Hotel. Belmont Hotel. It was
• 11:14
  Speaker 1: all right. It was okay because the party is the baseline. Right.
• 11:18
  Speaker 1: If you go to a pub and it's like we've
• 11:19
  Speaker 1: said this, yeah, okay, you don't really choosing Parmi Parmi.
• 11:23
  Speaker 3: Well, it's funny whenever you recommended a place good party
• 11:26
  Speaker 3: absolutely or palma put penny on. Where you're from, you
• 11:31
  Speaker 3: can be right and wrong.
• 11:32
  Speaker 1: So no, you can be right and say party. That's
• 11:34
  Speaker 1: what you can do. My next question for you is
• 11:36
  Speaker 1: that your turn? I think it's my speaking of the
• 11:41
  Speaker 1: Stuffer Hug place. Stuffer Hug is a what what Yeah,
• 11:47
  Speaker 1: it's like a it's a subsidiary or an offshoot.
• 11:50
  Speaker 3: Art what was it? I don't know's it's based on
• 11:54
  Speaker 3: build about or whatever it was?
• 11:55
  Speaker 1: Is. Yeah, welcome to stuff Hug A fun work love lab. Okay.
• 11:59
  Speaker 3: And my final quest, all right, I haven't got one here,
• 12:01
  Speaker 3: but i'll it's that place, Stuff and Hug. What are
• 12:04
  Speaker 3: the names of the employees, he says.
• 12:06
  Speaker 1: He told there's Eric, there's Andy, and there's black Eric.
• 12:11
  Speaker 1: Or is it the other way around? There's there's Alan,
• 12:13
  Speaker 1: Alan is Alan Eric and black Eric and black Eric.
• 12:16
  Speaker 3: Yes, because he he asked Eric, and Eric asked Alan.
• 12:21
  Speaker 3: Then Alan is asking Ic. I'm Eric, I mean black Eric. Yes,
• 12:24
  Speaker 3: there we go. Okay, I did like the input. I'm
• 12:26
  Speaker 3: like I've been.
• 12:30
  Speaker 1: Uh, do I have one for one more question? You
• 12:32
  Speaker 1: want to I've got two here? Okay, why not? Let's
• 12:35
  Speaker 1: just do one? Okay, Okay, your favorite? We see a
• 12:37
  Speaker 1: picture of cute little Homer a picture of not cute
• 12:41
  Speaker 1: little Homer. Yeah, what is not cute little Homer eating? Say? Okay,
• 12:48
  Speaker 1: it was a pink donut? Pink because he was only
• 12:51
  Speaker 1: a cookie in the first one.
• 12:52
  Speaker 3: Well, I think cupcake donut. Of course it's a Homer.
• 12:54
  Speaker 1: Yeah, you idiot. I wasn't going to say that thinking it.
• 13:07
  Speaker 1: You know who are idiots? Stone, gutter Stone, Absolutely, they're
• 13:10
  Speaker 1: not idiots. You know why? Because they're keeping the lights on.
• 13:13
  Speaker 1: They are.
• 13:13
  Speaker 3: Indeed, Yeah, particularly Katie g with their one hundred dollars support.
• 13:16
  Speaker 1: Oh, she just keeping the lights bright.
• 13:17
  Speaker 3: Indeed, and our man Andrews are keeping our glasses full
• 13:20
  Speaker 3: of water, keeping the facilities running here at the forking
• 13:24
  Speaker 3: a discount studio.
• 13:25
  Speaker 1: Gim me our glasses full of tap water.
• 13:28
  Speaker 3: Also our man Zach Putt. Of course, I'm going to
• 13:30
  Speaker 3: be launching his Mugging in the Middle podcast very.
• 13:32
  Speaker 1: Soon when he's not, you know, edit that out, Zach.
• 13:35
  Speaker 3: Yes, and Andrew Swany Swan the Lord of Discord, Lord
• 13:38
  Speaker 3: of Discord, and he's fixing up our website again for us.
• 13:40
  Speaker 3: We don't have a new website coming soon. I think, wait, what, yeah,
• 13:43
  Speaker 3: more fancy with basically with their website. I want it
• 13:46
  Speaker 3: to go to the homepage and there's the landing page
• 13:48
  Speaker 3: of all the podcast you can go. I want to
• 13:50
  Speaker 3: listen to that.
• 13:51
  Speaker 1: Oh so you have like here, here's my idea. Yeah,
• 13:53
  Speaker 1: are you paying attentions?
• 13:54
  Speaker 3: Wanting He's not building it, but he helps with the waste.
• 13:59
  Speaker 1: I forget build a bed, build a site. By the way,
• 14:02
  Speaker 1: this podcast sponsored by squares space, it's not really squarespace.
• 14:06
  Speaker 1: Be a friend of the pod. Yeah, there's a picture
• 14:09
  Speaker 1: of you and I in the middle like the sun
• 14:12
  Speaker 1: and then sort of raiding it from how it's like
• 14:14
  Speaker 1: speaking the hill fourfing a discount going down to South Park.
• 14:18
  Speaker 1: Something to do with movies, perhaps who knows many many podcasts,
• 14:22
  Speaker 1: but at the center of it is your pals. You
• 14:24
  Speaker 1: say it's going to guide them to the Yeah, this
• 14:29
  Speaker 1: is the longest, most drawn out four plays, like we're
• 14:33
  Speaker 1: going to get the fucking I really appreciate this poor play,
• 14:38
  Speaker 1: but get the fucking.
• 14:39
  Speaker 3: Yeah, you're gonna really like the show wants this launch.
• 14:41
  Speaker 1: Don't worry.
• 14:42
  Speaker 3: I've got four episodes in the can We're do indeed. Yeah,
• 14:44
  Speaker 3: it's good to have some in the bank.
• 14:46
  Speaker 1: That's true. I think that's the reason we're coming up
• 14:48
  Speaker 1: to Christmas time. I thought it'd be very good to
• 14:49
  Speaker 1: have some of the bank. It's good to have things
• 14:51
  Speaker 1: in the bank. Yes, yeah, I need stuff with the
• 14:53
  Speaker 1: map because you know why, we've got to wrap this
• 14:56
  Speaker 1: episode of quickly because I have to go to the dentist.
• 14:59
  Speaker 1: This in the film Godzilla Times Kong the New Empire.
• 15:05
  Speaker 1: I actually it was pretty good. But old Kong he's
• 15:08
  Speaker 1: sort of open around or grumping. It's because he's got
• 15:10
  Speaker 1: a fucked up tooth and especially his nerves. Oh yeah,
• 15:14
  Speaker 1: and I don't know how I've got this job, but
• 15:18
  Speaker 1: this guy has to go in and basically sort of
• 15:20
  Speaker 1: like wrap a big harness around it and then a
• 15:22
  Speaker 1: helicopter sort of rips it out. That's going to be
• 15:24
  Speaker 1: me today, I'm pretty sure, because I've got a tooth
• 15:26
  Speaker 1: that's all fucked up. It's like, I'm honestly going to
• 15:28
  Speaker 1: say to the dend It's like, look, unless this is
• 15:30
  Speaker 1: really gonna mess up the structural architecture of my jaw,
• 15:34
  Speaker 1: just wrap it out of my head. I don't care.
• 15:36
  Speaker 1: You're going to borrow to get your teeth fixed. I
• 15:38
  Speaker 1: got one fix. I'm just one. Ah well, no, not
• 15:41
  Speaker 1: all of them. I think he came back of a
• 15:42
  Speaker 1: whole sentergary. Well, I've got some veneers. Yeah, and I
• 15:44
  Speaker 1: also got a crown done. But then, you know, there's
• 15:47
  Speaker 1: a lot of great things in the Davis DNA, sporting prowess,
• 15:50
  Speaker 1: full head of hair, and wait a minute, that was
• 15:53
  Speaker 1: I think I got all the regressive Jane, but teeth,
• 15:56
  Speaker 1: bad teeth is it runs in the Davis DNA unfortunately.
• 15:59
  Speaker 1: So yeah, I'm just gonna get this one send because
• 16:01
  Speaker 1: I've got a bit.
• 16:01
  Speaker 3: Of all week and bad teeth or bad oral hygiene.
• 16:05
  Speaker 1: I'm gonna say bad teeth because that takes the responsibility
• 16:08
  Speaker 1: of me. But then I was also I was leaving
• 16:11
  Speaker 1: the Lord of Luis's house yesterday and felt that feels familiar,
• 16:17
  Speaker 1: that feels like a flat Oh, I've got a flat tire.
• 16:20
  Speaker 1: I need to get a new flat tie. Yeah, and
• 16:22
  Speaker 1: they come along the RCV guys, Yeah, look at this,
• 16:25
  Speaker 1: you've got a You've got a screw flush into your tire.
• 16:28
  Speaker 1: So I got to go and get a new tires
• 16:30
  Speaker 1: after this. Well, so what I'm saying is still dropping
• 16:31
  Speaker 1: over the fat tire go around. So what I'm saying is, yeah,
• 16:40
  Speaker 1: it would be good to have somebody for Christmas, all right now.
• 16:43
  Speaker 1: But anyway, Yeah, that's that's my trivia questions, all right,
• 16:46
  Speaker 1: So I want to stone cutters. Well we haven't done
• 16:48
  Speaker 1: the rest of the stonecutters. Sorry, guys, no more important
• 16:53
  Speaker 1: than me and my problems.
• 16:54
  Speaker 3: Jonathan Rossi, Rach Beasley, Stephen Roberts, Sewn DV, Pete Anderson,
• 16:58
  Speaker 3: Timothy Bells, and Andrew David, Ryan Dunlap, Kevin Dental, Planned Flood,
• 17:02
  Speaker 3: Shannon Hofer, Bellow, Windo Bank, Jack McFadden, Heath Apple, be
• 17:05
  Speaker 3: Adrick McLeod, Lewis Cavanaugh, Mark Trelevin, Rhys Roberts, Ginger, and
• 17:10
  Speaker 3: Pickle Preston Murray Talia Enriquez, Jeep Mosado, Declan Phoenix, Brian McCoy,
• 17:15
  Speaker 3: Josh Hellier, Logan, b James Sheppard, Joe Readin, sac Dave
• 17:18
  Speaker 3: Pretzels mcneally, Gavin Lang, Damie Miller, and Charlie Joe.
• 17:21
  Speaker 1: What a bunch of legend.
• 17:22
  Speaker 3: Yeah, thank you so much for being top tier supporters
• 17:24
  Speaker 3: here at four thing. Just can I hope you're enjoined
• 17:25
  Speaker 3: it early in add free access to all of our
• 17:27
  Speaker 3: shows and our bonus exclusive shows. Today we're gonna be
• 17:30
  Speaker 3: doing this week. It is Speaking of the Hill.
• 17:32
  Speaker 1: Correct. Last week it was Seinfeld. Previous week it was
• 17:35
  Speaker 1: Fu Drama all the time. It's gonna be TV launch
• 17:40
  Speaker 1: for a couple of months. Yeah, oh that's right. Yeah,
• 17:41
  Speaker 1: it's so many shows it's easy for even us, well me,
• 17:45
  Speaker 1: to lose track.
• 17:46
  Speaker 3: Yes, so every week you get a bonus episode of
• 17:48
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• 17:51
  Speaker 1: Just by being a support, every week you get a
• 17:53
  Speaker 1: bonus show. It's pretty neat, It is pretty neat. It's
• 17:56
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• 17:58
  Speaker 3: All right, let's get into our review, shall we of
• 18:00
  Speaker 3: Mona leaves up. So the visual edit was May eleventh,
• 18:03
  Speaker 3: two thousand and eight. Because all's bet similar for us,
• 18:06
  Speaker 3: isn't it. Maybe America celebrates the same as US. Maybe
• 18:07
  Speaker 3: a got it wrong.
• 18:08
  Speaker 1: Well, America does sort of do everything ask backwards.
• 18:11
  Speaker 3: Yeah, you know, the rest of the world does everything
• 18:14
  Speaker 3: asks backwards with America would say it comes the metric system.
• 18:19
  Speaker 3: So Mother's Day America, Mother's Day America's ours is the
• 18:22
  Speaker 3: first Sunday in May.
• 18:23
  Speaker 1: Right, sounds about right, And Father's Days like the first
• 18:26
  Speaker 1: Sunday in September.
• 18:28
  Speaker 3: So first Sunday. Maybe it's the same for Mother's Day
• 18:32
  Speaker 3: Australia twenty twenty five. Okay, so American and Australia actually
• 18:36
  Speaker 3: the same. But England must be different. Mother's Day England.
• 18:40
  Speaker 3: Mother's Day England is the thirty for March is in March,
• 18:42
  Speaker 3: so it's England's any when it's different, ok I thought
• 18:44
  Speaker 3: it was America and England. Okay, so America's I'm we
• 18:47
  Speaker 3: don't do they don't do ask backwards, they do that
• 18:48
  Speaker 3: one right.
• 18:49
  Speaker 1: My apologies to everyone in American, particularly all the mothers
• 18:52
  Speaker 1: of America. I love you all. Man.
• 18:54
  Speaker 3: Well, I just think it's nice that you know every
• 18:56
  Speaker 3: Father's Day, Mother's Day is going to be a well
• 18:58
  Speaker 3: will it be Father's Day? Because I think it airs
• 19:01
  Speaker 3: lates of Tennessee. You're not going to get it because
• 19:02
  Speaker 3: it's the first Sunday and September. Isn't it Father's Day
• 19:04
  Speaker 3: for us?
• 19:05
  Speaker 1: You'll want to set alone to the line I understand.
• 19:07
  Speaker 3: There would be no math, So basically get March for
• 19:12
  Speaker 3: England and I'm assuming Europe maybe and same as US
• 19:15
  Speaker 3: May for America and Australia. If you're a fan of
• 19:19
  Speaker 3: everything we do here at fourth Finger Discount, but you're
• 19:21
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• 19:24
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• 19:41
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• 19:45
  Speaker 3: slash four Finger Discount. The production code kab F one
• 19:48
  Speaker 3: two written by Joel H. Cohen, threaded by Mike B.
• 19:51
  Speaker 3: Anderson and Ralph Sosa, and the chopo gag is this
• 19:54
  Speaker 3: punishment is not medieval, written in medieval medieval and.
• 19:58
  Speaker 1: The cash gag. So this was filler.
• 20:00
  Speaker 3: I thought, Yeah, you've an episode Mona's Farewell and you're
• 20:04
  Speaker 3: filling it with well the first two minutes before the
• 20:06
  Speaker 3: episode of even start the Long Hours evolution, Yeah, where
• 20:09
  Speaker 3: have you been or whatever?
• 20:10
  Speaker 1: This episode kind of felt like it had a fair
• 20:11
  Speaker 1: bit of filler in it, though I didn't.
• 20:13
  Speaker 3: I didn't really.
• 20:14
  Speaker 1: I thought the last the third act was just it
• 20:17
  Speaker 1: was your silliness? Was it was? It was your stuffer hug. Yeah,
• 20:20
  Speaker 1: it really was. So maybe stuffa Hugg was a deliberate
• 20:23
  Speaker 1: think at this because actually the first act felt like
• 20:25
  Speaker 1: a bit of filler as well. All the stuff at
• 20:26
  Speaker 1: the mall, I mean all the stuff at stuff Hug.
• 20:29
  Speaker 1: It was like there's a lot of stuff and not
• 20:31
  Speaker 1: a lot of hug.
• 20:31
  Speaker 3: And then it was just had nothing to do the
• 20:33
  Speaker 3: story because they just came home. Yeah, you could have
• 20:35
  Speaker 3: justly started with the family getting home saying what a
• 20:37
  Speaker 3: fun day and the more.
• 20:39
  Speaker 1: Wow I went to stuff a hug. Yeah, I told
• 20:41
  Speaker 1: him to stop using starifoe.
• 20:42
  Speaker 3: Yeah, this this definitely felt. Yeah, you think you think
• 20:45
  Speaker 3: an episode that is all right, we're going to send
• 20:47
  Speaker 3: off Glenn Close as Mona. Let's base the entire episode
• 20:50
  Speaker 3: around that. Why do we have yeah five minutes.
• 20:53
  Speaker 1: I need to revisit the mother episodes because I don't
• 20:56
  Speaker 1: know how much of her background where actually sort of
• 21:00
  Speaker 1: privy too, I mean they do. They show a lot
• 21:02
  Speaker 1: of her, you know, anti establisher and hyginks. Of course
• 21:06
  Speaker 1: they do.
• 21:06
  Speaker 3: That's why mister Birds is trying to get her.
• 21:07
  Speaker 1: Okay, yeah, I'm just yeah, I'd like to know more
• 21:09
  Speaker 1: about her backstory. But then, of course they probably already
• 21:11
  Speaker 1: did that episodes and I don't remember. It would have
• 21:15
  Speaker 1: been nice to have more though in this episode. Yes,
• 21:17
  Speaker 1: as opposed to stuff a hug and nonsense. I justly
• 21:20
  Speaker 1: thought they were going to I thought they would bring
• 21:22
  Speaker 1: back Hanks Scorpio or something when they had the when
• 21:25
  Speaker 1: it was it was like, wow, this is a secret
• 21:27
  Speaker 1: missile launching face or something. It's like, I was just
• 21:30
  Speaker 1: burn what's this going on here? What I launched the
• 21:32
  Speaker 1: missile for? I have no idea? Oh no, they're launching
• 21:34
  Speaker 1: nuclear waste into.
• 21:35
  Speaker 3: The nuclear wat Yeah, get ready into the rainforest.
• 21:38
  Speaker 1: Yeah that's right. Yeah.
• 21:39
  Speaker 3: The thing is, though I was really surprised. Actually we
• 21:41
  Speaker 3: didn't I was gonna touch this at the start. We're
• 21:43
  Speaker 3: surprised by how early they killed her off because the
• 21:46
  Speaker 3: whole episode was meant to be. They brought back Glenn
• 21:48
  Speaker 3: Close for it, right, Yeah, she was in it for
• 21:50
  Speaker 3: like what two minutes.
• 21:51
  Speaker 1: Didn't have a whole lot to do. No, No, although
• 21:55
  Speaker 1: actually it made sense to me that they would bumper
• 21:58
  Speaker 1: off early. And then you've the rest of the episode
• 22:00
  Speaker 1: is Homer dealing with that.
• 22:02
  Speaker 3: I guess her ashes being part of the story, is
• 22:04
  Speaker 3: incorporating her the story.
• 22:06
  Speaker 1: Yeah, but I mean that whole aspect of She shows up,
• 22:12
  Speaker 1: she feels bad, Home's not accepting the apology, she's dead.
• 22:16
  Speaker 1: Homer feels remorseful. He's got one last task to sort
• 22:19
  Speaker 1: of like resolve everything by climbing to this, to this
• 22:22
  Speaker 1: peak and setting for actions like okay, that's that's a
• 22:25
  Speaker 1: good cord to build it around. But yeah, everything else
• 22:29
  Speaker 1: they surrounded with was like, ah, this is kind of empty.
• 22:34
  Speaker 3: I wrote my notes. It's feeling very awestime power ish.
• 22:37
  Speaker 3: And then we've got the Yeah. I was like, is
• 22:40
  Speaker 3: that what you were going?
• 22:41
  Speaker 1: I guess so.
• 22:41
  Speaker 3: Yeah, But Austin powers was it big what's one less?
• 22:44
  Speaker 3: Is it two thousand and eight, wasn't it?
• 22:45
  Speaker 1: Yeah? When was gold Member out five? I want to say,
• 22:49
  Speaker 1: I think so, yeah, because because the first is ninety seven,
• 22:53
  Speaker 1: Spy of Shagman is ninety nine, and then I'm guessing
• 22:58
  Speaker 1: gold Members early two thousands.
• 23:00
  Speaker 3: Look, Goldmember was in two thousand and two, really early,
• 23:03
  Speaker 3: so six years prior. Yeah, we had on Jim Show,
• 23:06
  Speaker 3: we had Mindy Yeah, and maybe must Powers fall on
• 23:12
  Speaker 3: the works. I feel that the world needs one. Make
• 23:16
  Speaker 3: myie has just been am I He's doing Shrek obviously,
• 23:18
  Speaker 3: but it hasn't been a when's the last time Mike
• 23:20
  Speaker 3: Myers appeared in something?
• 23:21
  Speaker 1: He did a show for Netflix called The Pentaverate, which
• 23:23
  Speaker 1: is kind of like a comedic conspiracy thriller kind of show.
• 23:28
  Speaker 1: Not really okay, to the best of my recollection, I
• 23:30
  Speaker 1: saw a little bit when I thought, this is a
• 23:32
  Speaker 1: lot of Mike Myers in various disguises, doing various accents,
• 23:35
  Speaker 1: amusing himself, maybe not us so much.
• 23:38
  Speaker 3: People saying he just never recovered from the Love Guru.
• 23:40
  Speaker 1: Yeah, I've heard that as well. I mean, I could
• 23:44
  Speaker 1: go for a new Austin Powers if they passed the Torch.
• 23:47
  Speaker 1: You need to find some young.
• 23:49
  Speaker 3: She revealed to us that the story that might pitch
• 23:51
  Speaker 3: to her for it would be it would be from
• 23:53
  Speaker 3: Doctor Evil's perspective. He would be the star. Okay, essentially
• 23:56
  Speaker 3: was the start, but it's more we're seeing it from
• 23:58
  Speaker 3: his side. Okay, Austin Powers is sort of like the
• 24:01
  Speaker 3: one we occasionally see well, I mean.
• 24:03
  Speaker 1: Otherwise, like the Doctor Evil Scott Evil dynamic and but
• 24:06
  Speaker 1: I think it'd be great if you had, like if
• 24:09
  Speaker 1: you found the right actor to play Austin Powers's son,
• 24:12
  Speaker 1: I think that'd be kind of interesting. I mean, the
• 24:15
  Speaker 1: first person springs to mind is Tom Holland for some reason.
• 24:19
  Speaker 3: They'd have to see what it all depends on the dialogue.
• 24:21
  Speaker 1: It really does.
• 24:22
  Speaker 3: Yeah, and a super Bowl commercial several years ago. That's
• 24:25
  Speaker 3: what we touched on in the Inn. Mindy and you
• 24:28
  Speaker 3: wash and you go. This can still work like him
• 24:30
  Speaker 3: and Seth Green doing their father's son. I'm like, if
• 24:33
  Speaker 3: it was the right script, Yeah, these guys can still
• 24:36
  Speaker 3: pull it off.
• 24:37
  Speaker 1: Well, you know, these legacy sequels are very in right. Yeah.
• 24:40
  Speaker 3: Yeah, I think if they said Austin Powers for is
• 24:42
  Speaker 3: coming to like Netflix where people be all about it.
• 24:44
  Speaker 1: Oh yeah, but having said that. I mean, Beverly Hills
• 24:46
  Speaker 1: Cop four came to Netflix and everyone was like, yeah,
• 24:49
  Speaker 1: I can't wait for this, and now it's like, oh wait,
• 24:51
  Speaker 1: there was a fourth one.
• 24:52
  Speaker 3: What's why I'm really concerned about Happy Gillmore too.
• 24:55
  Speaker 1: That's true.
• 24:56
  Speaker 3: It's like, ah, I love that movie so much, it's
• 24:59
  Speaker 3: not going to be the same and the expectations. I'm
• 25:02
  Speaker 3: leaving my expectations really low. I got burned by Bill
• 25:06
  Speaker 3: in ten three big time.
• 25:08
  Speaker 1: I get where you're coming from completely. I mean, yeah,
• 25:11
  Speaker 1: it strikes me that, you know, outpal the Sandman has
• 25:13
  Speaker 1: sort of built up enough of a brand of just
• 25:15
  Speaker 1: being we'll show up for anything that Sandler does that
• 25:19
  Speaker 1: you don't need to attach his best ip to it. Yeah,
• 25:23
  Speaker 1: you know, it's just like.
• 25:28
  Speaker 3: Coming to a Netflix Halloween film was actually pretty good.
• 25:31
  Speaker 1: He'll be Halloween. I didn't mind it. Yeah.
• 25:33
  Speaker 3: Yeah, I think he's just one of those guys, Adam
• 25:35
  Speaker 3: SANDLERWI just go I've got time for you, mate, because
• 25:40
  Speaker 3: you know, he's just a great guy.
• 25:42
  Speaker 1: Yes, but to possibly tank the good memories that people
• 25:47
  Speaker 1: have of say Happy Gilmore or if he did another
• 25:49
  Speaker 1: Billy Madison or something like No, I.
• 25:52
  Speaker 3: Do feel like that's Adam sounds still going to be
• 25:55
  Speaker 3: running the show though, which makes me think it hopefully
• 25:59
  Speaker 3: he won't let them ruin his baby, hopefully because how
• 26:02
  Speaker 3: many times do you see them do a rebui or
• 26:04
  Speaker 3: whatever and it's not the same direct jone. It's like
• 26:05
  Speaker 3: someone's different vision.
• 26:06
  Speaker 1: Correct correct.
• 26:07
  Speaker 3: Anyway, let's get back to the episode. Let's episode kicks off.
• 26:13
  Speaker 3: We have even understand So that's Springfield more and I
• 26:16
  Speaker 3: loved the reveal here. So you think it's just Mo
• 26:19
  Speaker 3: wanted to get in the car. I'm not leaving, not leaving,
• 26:21
  Speaker 3: not leaving. No, he's doing it deliberately because he's just
• 26:23
  Speaker 3: the son of a bitch.
• 26:25
  Speaker 1: It's very much the people who actually do this deliberately.
• 26:28
  Speaker 1: But it really does grow on my gears. If you've
• 26:29
  Speaker 1: got someone who's sitting in a car in a car
• 26:31
  Speaker 1: park and it's like you're on your phone or but
• 26:33
  Speaker 1: they've turned their car on.
• 26:34
  Speaker 3: Yeah, it's like, well, I can get it if it's
• 26:36
  Speaker 3: a hot day, because I've got the air con running,
• 26:38
  Speaker 3: and I do it. Sometimes Nicolly goes, just wait in
• 26:40
  Speaker 3: the car, I'm gonna get run in and I'll be
• 26:42
  Speaker 3: straight out and I do that and people.
• 26:43
  Speaker 1: Look, look at me, and I'm like, it's hot house cool.
• 26:47
  Speaker 1: I don't be sitting here listening to not that.
• 26:50
  Speaker 3: I get it, And I also get said from both sides.
• 26:52
  Speaker 3: I can get why it's frustrating, but can also get
• 26:54
  Speaker 3: why some people would have the car on just being
• 26:57
  Speaker 3: a prick, yeah, which I thought was a nice gag.
• 26:59
  Speaker 3: And then we get the family walking out of Itchies
• 27:01
  Speaker 3: and Scratchies, which is not show.
• 27:03
  Speaker 1: Not a filing out with the beloved cartoon characters, but
• 27:05
  Speaker 1: instead just itchy and scratchy sweaters. Yeah you got any
• 27:09
  Speaker 1: of these? No, not really.
• 27:11
  Speaker 3: I used to have a couple when I was younger.
• 27:12
  Speaker 3: Mum used to knit sweaters, not always itchy.
• 27:14
  Speaker 1: Yes, I think it was a very late twentieth century thing.
• 27:19
  Speaker 1: I forgot when we sort of made the transition from
• 27:22
  Speaker 1: it feels like I'm wearing nothing at all. Do I
• 27:25
  Speaker 1: ever got to wear this jumper?
• 27:26
  Speaker 3: Look at some of my old jumpers, and I'm just like,
• 27:28
  Speaker 3: you can tell mum knitted it right, And I go,
• 27:31
  Speaker 3: it's pretty.
• 27:31
  Speaker 1: Bad ass, Mum. Absolutely, you need to be apart Simpson.
• 27:36
  Speaker 1: I'm like, that's legit branding something out of it. It's
• 27:38
  Speaker 1: like move over, Uncle Rica. Yeah.
• 27:43
  Speaker 3: I also you know when you get I don't know
• 27:46
  Speaker 3: whether it because you weren't watching the Simpsons when you
• 27:48
  Speaker 3: were young, But there's gags and the Simpsons right that
• 27:50
  Speaker 3: relate to you. You know, when you're a child, you
• 27:52
  Speaker 3: were right. You get to look through Star Wars and Jaws.
• 27:55
  Speaker 3: You got it better than me, don't you worry.
• 27:56
  Speaker 1: That's correct.
• 27:57
  Speaker 3: So there's gags and the Simpsons that I appreciated as
• 27:59
  Speaker 3: a kid, and there's gags that I appreciate as an adult.
• 28:02
  Speaker 3: I don't remember watching this episode at all, really probably did.
• 28:05
  Speaker 3: Don't remember watching it, so I don't know whether I
• 28:07
  Speaker 3: this went.
• 28:07
  Speaker 1: Over my head.
• 28:08
  Speaker 3: But the gag of kids complaining about being bored or
• 28:11
  Speaker 3: whatever and Marge saying I'll let you listen to music
• 28:13
  Speaker 3: radio in the car, holy shit? Does that relate now?
• 28:17
  Speaker 3: Because they can't. It's like the car the kids will
• 28:19
  Speaker 3: listen to Spady or Wiggles. I'm like, I just put
• 28:21
  Speaker 3: on my top back radio, please in my podcast. That's
• 28:24
  Speaker 3: it's all I listened to.
• 28:24
  Speaker 1: Now. I don't put music radio or anymore. Can I
• 28:26
  Speaker 1: listen to Kyle and Jackie O?
• 28:29
  Speaker 3: Don't do you listen to radio in the car? Actual music?
• 28:32
  Speaker 3: I don't at all unless I'm in.
• 28:34
  Speaker 2: The mood.
• 28:36
  Speaker 1: To be in the mood. Yeah, I mean I was
• 28:38
  Speaker 1: listening the other day to well, why was I not
• 28:42
  Speaker 1: listening to my usual podcasts or whatever? I don't know,
• 28:45
  Speaker 1: but smooth a than came.
• 28:46
  Speaker 3: I was gonna say, is it smooth Smoothes go to
• 28:48
  Speaker 3: for me? Now?
• 28:49
  Speaker 1: Smooth and gold Classic. It's so smooth because they have
• 28:52
  Speaker 1: a mix of like new and old brashing and it's
• 28:56
  Speaker 1: it's not a bracehief or anything like that. It's just
• 28:58
  Speaker 1: good smooth tears my hard, light hearted jeez, A bit
• 29:02
  Speaker 1: of smooth band to take us up to news. Andrew
• 29:06
  Speaker 1: D's camera came. I think I've made a mistakes several
• 29:11
  Speaker 1: times in the podcast. You don't mix up those two.
• 29:14
  Speaker 3: I mean the funniest commercial shows, didn't he Australia wackiest commercials?
• 29:18
  Speaker 3: I was always like always Andrew dadda.
• 29:20
  Speaker 1: I think so when he married like Australian not quite
• 29:22
  Speaker 1: supermodel but still incredibly hot. Alison Bray, Yeah, you're just
• 29:25
  Speaker 1: looking at them, was like, oh god, damn it. You
• 29:26
  Speaker 1: two are just living the dream because they're like my age,
• 29:28
  Speaker 1: like mid fifties or something. It's like, you two, this
• 29:33
  Speaker 1: is what I Shakhada. It's look when you see home
• 29:36
  Speaker 1: in the mirror, sort of like this is how he
• 29:38
  Speaker 1: sees and I was like, that's how I see myself.
• 29:39
  Speaker 1: It's like, no, that's not you. The lovely Louise of course,
• 29:42
  Speaker 1: looks like Alison Bray. I didn't look like Cameron.
• 29:44
  Speaker 3: Dada is a camera or Andrew who buried her?
• 29:47
  Speaker 1: Cameron? It is camera. Yeah. The brother's confused. Good last
• 29:52
  Speaker 1: time a lot of Dada's. Yeah, nearly Dano, it's correct,
• 29:57
  Speaker 1: I nearly there should get him on the show. He
• 29:58
  Speaker 1: has Dado and Dan quite Dan and not quite a dad.
• 30:02
  Speaker 1: But you'll get the good knee. It was meant to
• 30:05
  Speaker 1: be Jacques turned into Sergio. It was a zoo. Troy
• 30:11
  Speaker 1: put it in Edge. Yeah, but listen to music radio.
• 30:14
  Speaker 3: Yes, but Marge says you can. We'll pick one fun
• 30:17
  Speaker 3: thing to do before we leave. Lisa wants to complain
• 30:19
  Speaker 3: about the starrophone, but once based toys, I wants to
• 30:21
  Speaker 3: sit on the bench.
• 30:22
  Speaker 1: Relatable. You can tell this was written by people who
• 30:26
  Speaker 1: either have children or just advanced age. Yeah.
• 30:28
  Speaker 3: Yeah, and Maggie wants stuff and hug so she says,
• 30:31
  Speaker 3: let's do something. Maggie wants to do you ever remember
• 30:33
  Speaker 3: that we've done it? And I'm like, that is so true?
• 30:35
  Speaker 1: Oh, yeah, very much.
• 30:36
  Speaker 3: That's why when I look at people, I go, why
• 30:37
  Speaker 3: are you having this extravagant birthday party?
• 30:39
  Speaker 1: You knew you were about to say? For a one
• 30:41
  Speaker 1: year old? What are you doing? They won't have any
• 30:44
  Speaker 1: idea what's going on. I don't even need to make
• 30:46
  Speaker 1: him a cake.
• 30:47
  Speaker 3: They literally I get the cake and stuff is photos whatever.
• 30:50
  Speaker 3: But it's like, you don't need to go all out
• 30:52
  Speaker 3: like this.
• 30:53
  Speaker 1: It's not my sweet sixteenth. It's a party for you,
• 30:58
  Speaker 1: oh very much. So it's a party for the ground. Yeah,
• 31:01
  Speaker 1: that's it.
• 31:01
  Speaker 3: Yeah, or the TikTok, the tocking and the ticken.
• 31:05
  Speaker 1: Have you ever built a bear, built a bed?
• 31:07
  Speaker 2: No?
• 31:07
  Speaker 1: I never did any of that stuff.
• 31:08
  Speaker 3: Name I had the ones where you could draw on
• 31:10
  Speaker 3: them and rub it off and and redraw on those
• 31:11
  Speaker 3: more stacy, my sister had those notes. I'm never gonna
• 31:16
  Speaker 3: buy one for me. I don't want a teddy bear.
• 31:17
  Speaker 3: But it's cool, like you draw this special texture, wipe
• 31:21
  Speaker 3: it and come off with magic. Oh okay, yeah, but
• 31:23
  Speaker 3: I never built a bear.
• 31:24
  Speaker 1: No, I never built a bearer.
• 31:26
  Speaker 3: But the worker tries showing them the video on how
• 31:28
  Speaker 3: to build the bear or stuff the bear whatever stuff,
• 31:30
  Speaker 3: and Hug I did like that.
• 31:32
  Speaker 1: This is a you know, a minimum way do you
• 31:33
  Speaker 1: guys say, I'd tell you when I could show you
• 31:35
  Speaker 1: this video. Yeah, why do your job?
• 31:37
  Speaker 3: Unfortunately input missing.
• 31:40
  Speaker 1: Get Eric.
• 31:41
  Speaker 3: I'm Eric, So yeah, they had a little bad to that.
• 31:43
  Speaker 3: Then we get March saying can't buy a poodle because
• 31:46
  Speaker 3: it gives the dogs and ideas. Ralph overfills his teddy
• 31:49
  Speaker 3: and it becomes like a snow day and Lisa.
• 31:52
  Speaker 1: It's more Ralph being the new mel Yeah.
• 31:54
  Speaker 3: And then Lisa tries to get the dolphin outfit off
• 31:57
  Speaker 3: the working, which I thought was great. Just it's just
• 31:59
  Speaker 3: a great his sake of sexism.
• 32:03
  Speaker 1: So, little girl, what aut the do you want for
• 32:05
  Speaker 1: your dolphin?
• 32:06
  Speaker 2: Doctor? Okay, nurse?
• 32:08
  Speaker 1: It is profess, a kindergarten teacher, chef, lunch lady, see yew,
• 32:13
  Speaker 1: secretary to a CEO. You now it's a boy dolphin.
• 32:18
  Speaker 1: Oh here you go? Doctor Hm, lean full there, Betty.
• 32:27
  Speaker 3: Then we have but finding the hippos that can copy
• 32:30
  Speaker 3: his voice. These are always the best toys when you're
• 32:32
  Speaker 3: a kid. One of them I never forget the first
• 32:34
  Speaker 3: time Elliott. He's got this little radio thing and the
• 32:36
  Speaker 3: first like I was a dinosaur actually, and he said
• 32:38
  Speaker 3: something and I set it back to him. It was like, wait,
• 32:40
  Speaker 3: what what is this sorcery?
• 32:42
  Speaker 1: My? What's alone from? It's like Conan O'Brien, but where
• 32:48
  Speaker 1: he's flaying old time baseball? Oh have you never seen that?
• 32:54
  Speaker 1: Oh fucker? Since we're done here, Yeah, just time in
• 32:56
  Speaker 1: an old time baseball Conan, Okay, funny at fucking thing,
• 33:00
  Speaker 1: But I'll give you one I'll give you one bit
• 33:01
  Speaker 1: from that because it's like, you know, like Civil War
• 33:04
  Speaker 1: are reenactments and that thing. But it's like some old
• 33:06
  Speaker 1: time village and you know, they're playing old time baseball
• 33:10
  Speaker 1: like it's late eighteen hundreds or something. And he's got
• 33:12
  Speaker 1: like the big handle my mustard squat on and then
• 33:14
  Speaker 1: and everyone's really committed to the bit, and so Conan
• 33:17
  Speaker 1: does as well. But like a plane flights over, what
• 33:20
  Speaker 1: is that demonry? I loved it, but oh god, if
• 33:28
  Speaker 1: you've never seen old time baseball, I've made your day.
• 33:32
  Speaker 1: I pre emptly made your day. Fantastic.
• 33:34
  Speaker 3: Appeared in the premiere of the Simpsons this season.
• 33:37
  Speaker 1: I'm well aware.
• 33:38
  Speaker 3: Yeah, yeah, the finale, Yeah, which I kind of ruined,
• 33:42
  Speaker 3: well done.
• 33:43
  Speaker 1: You know, he's got a lot of fans and Simpsons
• 33:46
  Speaker 1: hq uh what with the hippos with the top back? Yes,
• 33:55
  Speaker 1: it's al This is one of those things. I felt like,
• 33:57
  Speaker 1: this is just going on a little bit too long.
• 33:59
  Speaker 3: It felt like a I went into one of these
• 34:00
  Speaker 3: stores one day and was like, we could do a
• 34:02
  Speaker 3: whole bit around this. Yeah, we just can't find an
• 34:04
  Speaker 3: episode for it. Just check on the start of this one. Yeah, yeah, yeah, nothing,
• 34:08
  Speaker 3: there's nothing to it.
• 34:09
  Speaker 1: I wonder who the person is. Like, it's good, it's
• 34:11
  Speaker 1: not a whole episode.
• 34:12
  Speaker 3: Where's the filter here?
• 34:13
  Speaker 1: It's a bit good.
• 34:14
  Speaker 3: Yeah, yeah, I guess at this time, still making the
• 34:17
  Speaker 3: movie and whatever. They're just tired. You do get sense
• 34:20
  Speaker 3: of sometimes you go, I can I can't understand why
• 34:22
  Speaker 3: they were tired, but I just wish you could just
• 34:24
  Speaker 3: put a little bit more into it. But they get home,
• 34:26
  Speaker 3: and this is where the episode should have started. We
• 34:28
  Speaker 3: got home from somewhere and the door opens it's called
• 34:31
  Speaker 3: the door is open, sorry, and Bart is sent to
• 34:33
  Speaker 3: fetch the defender. I'm like, why didn't you just get
• 34:36
  Speaker 3: it yourself? But fetch the defender? So Buck goes and
• 34:39
  Speaker 3: gets it, brings back to a cement block, center block. Yes,
• 34:43
  Speaker 3: on a chain, and then he noises in the kitchen
• 34:47
  Speaker 3: that's where the food sleeps. So Homer goes in there,
• 34:48
  Speaker 3: spells a pie and finds his mother in there.
• 34:51
  Speaker 1: Do you have your version of the Defender? Do you
• 34:53
  Speaker 1: have like a home implement? And I really should, but
• 34:57
  Speaker 1: you said that, yeah, because when a kid, when a
• 34:59
  Speaker 1: kid fly kit the game, that's I just have these babies.
• 35:02
  Speaker 1: Well that's true, you've got the guy.
• 35:06
  Speaker 3: But you know, I'm sure that if a kid kicked
• 35:08
  Speaker 3: my garage door again, I went out with my fist flying.
• 35:10
  Speaker 3: They just come from all direction.
• 35:11
  Speaker 1: They're defending themselves. There's so many of them.
• 35:15
  Speaker 3: Yeah, I do need some sort of weapon. My dad's
• 35:18
  Speaker 3: got guns, but you have to keep them the safe.
• 35:20
  Speaker 1: Obviously, I would hope.
• 35:21
  Speaker 3: So it's like in Australia, guys, we have we're allowed
• 35:25
  Speaker 3: to have guns if you pass a certain test and
• 35:28
  Speaker 3: you keep unlock and key a proper test, and you
• 35:31
  Speaker 3: keep them in a safe and you don't wear them
• 35:34
  Speaker 3: in a holster on your belt when you go to
• 35:36
  Speaker 3: the seven eleven or too. Yeah, let's just let's just
• 35:40
  Speaker 3: move on.
• 35:41
  Speaker 1: That's a bit of a heart, but tur.
• 35:44
  Speaker 3: That's why people come to.
• 35:48
  Speaker 1: A whole lot of people. I'll give you a hundred
• 35:50
  Speaker 1: bucks a month for your scathing political commentary. I already
• 35:53
  Speaker 1: a fucking banter.
• 35:57
  Speaker 3: But it's his mum. He finds his mum in the kitchen.
• 35:59
  Speaker 3: He throws the send a block out, the defender out
• 36:01
  Speaker 3: hits the aquarium, aquarium, and I did like this margin,
• 36:04
  Speaker 3: what are you doing fighting rubber? Go get ice cream
• 36:06
  Speaker 3: because she's made him, made him a pie. That's spy. Yes,
• 36:09
  Speaker 3: so we come out from commercial is a commercial here?
• 36:12
  Speaker 3: It is just basically he says, you keep coming and going.
• 36:14
  Speaker 3: You just like the show Scrubs. That's a date of
• 36:16
  Speaker 3: reference now, but Scrubs was huge. Scrubs was good and
• 36:19
  Speaker 3: it was big and it was funny.
• 36:21
  Speaker 1: Yeah. I feel like it was one of those things
• 36:23
  Speaker 1: where people just turn on something more like someone because
• 36:29
  Speaker 1: I get the film. People's turned on Zach Brath for
• 36:31
  Speaker 1: no reason, for no reason. Oh didn't he do something? Well?
• 36:34
  Speaker 1: He made this movie Garden State that was very I
• 36:37
  Speaker 1: remember seeing this isn't bad. I mean's kind of knock
• 36:39
  Speaker 1: off where anders them? But that's uh no.
• 36:42
  Speaker 3: Natalie Portman, who's in what maybe's never messing in and
• 36:46
  Speaker 3: she's like wet on the front rest. Move continue, I'm
• 36:51
  Speaker 3: just confusing with another movie.
• 36:52
  Speaker 1: Yeah, but yeah, I think you're giving us too much
• 36:55
  Speaker 1: Zach Braf and we don't really want it now. Everything
• 36:58
  Speaker 1: that Zach Baff related is kind of like we don't
• 36:59
  Speaker 1: like it.
• 37:00
  Speaker 3: So no, I've never seen the movie. I always just
• 37:04
  Speaker 3: thought that was that was they were messing.
• 37:06
  Speaker 1: Oh and it's actually exactly yeah yeah, yeah, but it's
• 37:10
  Speaker 1: Garden State.
• 37:10
  Speaker 3: Yeah. The post of guards that she's they're like wet with, like.
• 37:13
  Speaker 1: Oh yeah yeah, all the three of them.
• 37:14
  Speaker 3: Yeah, I thought that was Debra Messing. I've never watched
• 37:16
  Speaker 3: the movie. Okay, yeah, it's.
• 37:18
  Speaker 1: Not bad, but it's one of those things where it's like,
• 37:20
  Speaker 1: were we really into this in the two thousands oh ago?
• 37:22
  Speaker 1: We were so sily and then that sort of thing
• 37:25
  Speaker 1: gains momentum. It's like we'd say, I don't know. Chris Pratt,
• 37:27
  Speaker 1: for instance, he says one or two things that a
• 37:30
  Speaker 1: few people don't like, and all of a sudden, the
• 37:32
  Speaker 1: tsunami happens. Like do you know he's like this and
• 37:34
  Speaker 1: that this would be good? You know, the guns gets great.
• 37:37
  Speaker 1: Chris prep wasn't it.
• 37:38
  Speaker 3: I swear Zach Braff had some sort of controversy exactly.
• 37:41
  Speaker 1: He was dating Florence Pew for a while, the actress
• 37:44
  Speaker 1: Florence Pugh. And there's like, a yeah, pretty decent. The
• 37:47
  Speaker 1: age gap forty nine and twenty one. So that's what
• 37:50
  Speaker 1: twenty eight years that decidable, even notorious per that me
• 37:55
  Speaker 1: is going, wait a minute, what about Jerry Seinfeld did
• 37:59
  Speaker 1: he date? Like, yeah, that's that was a smaller gap
• 38:02
  Speaker 1: in this though. But she was like young, young, well
• 38:04
  Speaker 1: she was like a high schooler. Yeah, she was like underage.
• 38:07
  Speaker 1: Everyone's like, every time I've forgotten about that. Yeah, every
• 38:09
  Speaker 1: time I'm always reminded that Onion article. I was like,
• 38:12
  Speaker 1: eerie man always gets a little thrill out of telling
• 38:14
  Speaker 1: people John Lennon beat his wife, Hey that thing you enjoyed,
• 38:19
  Speaker 1: let me let me ruin it for you. It's like, yeah,
• 38:24
  Speaker 1: I conduct yourself in a decent manner. Celebrities and I
• 38:27
  Speaker 1: know other people in the world, But at the same time,
• 38:29
  Speaker 1: I don't know. Yeah, I'd be a dick on social
• 38:31
  Speaker 1: media and take the moral high ground all the time.
• 38:33
  Speaker 3: So he was two years older than me. He was
• 38:34
  Speaker 3: thirty eight. Funny watched SI fan down. I want these
• 38:36
  Speaker 3: guys are fucking old. No, they're my age. Oh yeah,
• 38:40
  Speaker 3: he was thirty eight at the time. She was seventeen. Yeah,
• 38:43
  Speaker 3: two years from now. And then me going with the
• 38:45
  Speaker 3: seventeen year old seems kind of creepy.
• 38:47
  Speaker 1: Oh yeah, let's lose daughter's age and.
• 38:49
  Speaker 3: Yeah, you're a kid. Yeah, it's like they're literally a child.
• 38:53
  Speaker 1: Yeah, Jerry, what.
• 38:55
  Speaker 3: Are you doing?
• 38:56
  Speaker 1: What is the deal with that school?
• 38:58
  Speaker 3: By the way, if you like sidefad talk, I was available,
• 39:01
  Speaker 3: although we make it.
• 39:02
  Speaker 1: A season desist letter. Jerry's other You're not allowed to
• 39:06
  Speaker 1: talk about it anymore. Got back to the episode showy, Yeah,
• 39:11
  Speaker 1: why not. I gotta go to the dens and get
• 39:12
  Speaker 1: my tooth through it.
• 39:13
  Speaker 3: Bit the scrubs mentioned. I thought, now, if this was
• 39:15
  Speaker 3: made now, this episode, that joke would be a futurrama.
• 39:18
  Speaker 3: Do you think taken away coming back? Take it away?
• 39:21
  Speaker 3: It's been canceled up three times? That's true, Yeah, back again.
• 39:25
  Speaker 3: They just having finally for this season. But Billy was
• 39:27
  Speaker 3: telling me that they're doing a second season.
• 39:29
  Speaker 1: This will be Billy West, dan Tho's close personal friends
• 39:32
  Speaker 1: Billy West.
• 39:35
  Speaker 3: Everyone knew Billy, but I know that sounded really douchebaded.
• 39:42
  Speaker 1: I didn't mean that. It didn't. I'm being unnecessarily dog myself,
• 39:48
  Speaker 1: but the government.
• 39:48
  Speaker 3: I'm not looking for her anymore because she faked her
• 39:50
  Speaker 3: death and she always just wants to be his mum.
• 39:53
  Speaker 3: She just wants to back in his life. And Homer
• 39:55
  Speaker 3: says he won't let himself get hurt again, and he
• 39:57
  Speaker 3: won't even digest the pie that she cooked for him.
• 40:00
  Speaker 1: Yeah, that looked painful. Also, I think Glenn Close is
• 40:03
  Speaker 1: a good enough actor that you kind of do buy Oh, yeah,
• 40:06
  Speaker 1: that you buy it. Yeah, that she makes her a
• 40:08
  Speaker 1: good mother though, no, no, but make she.
• 40:11
  Speaker 3: Wondered whether she knew she was dying and she was
• 40:13
  Speaker 3: coming back to sort of just try and get it
• 40:15
  Speaker 3: didn't feel like a we didn't know why she died. Yeah,
• 40:18
  Speaker 3: it just felt like natural causes.
• 40:20
  Speaker 1: Yeah, but I think Glenn closest is talented enough to
• 40:24
  Speaker 1: do a lot with a little and you know, the
• 40:26
  Speaker 1: material that she has here to go to convey a
• 40:29
  Speaker 1: bit of regret and a bit of I could have
• 40:32
  Speaker 1: done things better and jin acting. To quote my man
• 40:38
  Speaker 1: John Love, its to quote my man John.
• 40:40
  Speaker 3: Yes, did you know he beat up any dick I've
• 40:44
  Speaker 3: never heard this. He's got two most the two things
• 40:50
  Speaker 3: you've been most known for hitting any dick, and that
• 40:52
  Speaker 3: they're losing them. He's mad and I an't ripen their benefits.
• 40:58
  Speaker 3: I've seen that meme shared like three. I was in
• 41:00
  Speaker 3: the last twenty four hours.
• 41:02
  Speaker 1: I thought it was another dad.
• 41:05
  Speaker 3: Yeah, yeah, thats just does yes, but mont of them
• 41:09
  Speaker 3: shows the kids the baby photos of Homer and the
• 41:11
  Speaker 3: really cute that he looked less cute and he lost
• 41:14
  Speaker 3: his cuteness and she's just glad that he wasn't raised
• 41:16
  Speaker 3: on television. I liked this for really. You think he's
• 41:18
  Speaker 3: in front of the TV. No, he's in front of
• 41:19
  Speaker 3: the fridge.
• 41:20
  Speaker 1: Yes.
• 41:20
  Speaker 3: This here is a moment though where you realize she's
• 41:22
  Speaker 3: not a good but she wasn't a good mother. So
• 41:24
  Speaker 3: she leaves because she has to chain hers up to
• 41:26
  Speaker 3: a sub nuclear sub and she doesn't eve give him
• 41:28
  Speaker 3: a hug. She just hugs and kisses, and he wants
• 41:30
  Speaker 3: a hug and she just walks off and I'm like,
• 41:31
  Speaker 3: you know, and then he hugs the KFC bucket. See
• 41:34
  Speaker 3: she wasn't a good mum.
• 41:35
  Speaker 1: Yeah, because we'll go over there and give a kid
• 41:37
  Speaker 1: a fucking like she's putting her own political beliefs in
• 41:40
  Speaker 1: her own what she wants, her own wants ahead of
• 41:42
  Speaker 1: raising a child. Yeah, one might say she don't care.
• 41:47
  Speaker 3: He loves it, but I like the you know, you
• 41:50
  Speaker 3: left the whole and mean I filled it with food
• 41:52
  Speaker 3: and I'm never fall Good line, good line. Yeah, Homer
• 41:55
  Speaker 3: is now watching the SP's What.
• 41:57
  Speaker 1: The hell are the Spies? It's like a sports award, okay,
• 42:00
  Speaker 1: because the ESPN ESPN is a sports network, right, Yeah,
• 42:03
  Speaker 1: so I think the SPS is like, ask ifp is
• 42:05
  Speaker 1: a sports network.
• 42:07
  Speaker 3: I didn't.
• 42:08
  Speaker 1: I didn't ask if it was. I phrased it as
• 42:10
  Speaker 1: a rhetorical question.
• 42:11
  Speaker 3: I put, you're like, SP's this pots network? Right? I
• 42:14
  Speaker 3: thought you meant is it? I now I know what
• 42:18
  Speaker 3: you're saying. Sorry, okay, I took it wrong.
• 42:21
  Speaker 1: My bad. We may have some indoor kids listeners who
• 42:25
  Speaker 1: like ESPN like the is that a Mayo brings? Then in.
• 42:35
  Speaker 3: The War show, I would explain what Lance Armstrong was there.
• 42:37
  Speaker 1: Indeed, now what I've written here is good supporting acting
• 42:40
  Speaker 1: work by Glenn Close. Bad came by Lance Armstrong. I
• 42:43
  Speaker 1: didn't think he was all that great. Also, Lance Armstrong,
• 42:46
  Speaker 1: I don't know history has shown him to be kind
• 42:49
  Speaker 1: of an iffy person.
• 42:50
  Speaker 3: It happens, so wait till these Diddy List comes out.
• 42:52
  Speaker 1: Oh boy, I think even we're going to be on
• 42:55
  Speaker 1: the Diddy List.
• 42:56
  Speaker 3: Remember Hollywood, it's gone now.
• 43:02
  Speaker 1: Yeah, remember that last fifty years of arts and entertainment
• 43:05
  Speaker 1: you enjoyed it. It's stricken from the record.
• 43:08
  Speaker 3: Kevin Spacey sit back going.
• 43:11
  Speaker 1: He's losing his reputation and I am reaping the benefits. Andy,
• 43:18
  Speaker 1: Yeah about like hit list and ship list? People who
• 43:27
  Speaker 1: have we done it? Andy Dick reference this week. Okay, go.
• 43:31
  Speaker 3: If you're a fan of everything we do here at
• 43:32
  Speaker 3: four Finger Discount, but you're tired of hearing these pesky ads,
• 43:35
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• 43:38
  Speaker 3: Finger Discount family on Patreon, where you not only get
• 43:40
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• 43:54
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• 43:56
  Speaker 3: month at patreon dot com slash Fourthinger Discount. I loved
• 44:00
  Speaker 3: pozzy bear here rips the popping off and it's just
• 44:02
  Speaker 3: a hand Why up, Michael, wake up? Yep, and the
• 44:05
  Speaker 3: homework for give her though or accept her tucking. He's
• 44:07
  Speaker 3: basically saying, no, I will not do this.
• 44:09
  Speaker 1: That looked like a really good tuck in.
• 44:10
  Speaker 3: It did.
• 44:10
  Speaker 1: Yeah, I hate been tucked in. Oh I have my
• 44:13
  Speaker 1: feet being tucked in. Yeah, you're a foot outside of
• 44:15
  Speaker 1: the Car's got yet? Same here?
• 44:16
  Speaker 3: Yeah I can't. I literally cannot sleep with my feet
• 44:18
  Speaker 3: under the bake. Its just I get hot.
• 44:21
  Speaker 1: Yea to start with the lease, I've got to have
• 44:22
  Speaker 1: a foot outside, Yeah, at least one foot. Yeah, I
• 44:24
  Speaker 1: don't care if Gremlin gets it.
• 44:27
  Speaker 3: But then during the night he feels terrible, so he
• 44:29
  Speaker 3: makes her a card and it says been a real turkey.
• 44:31
  Speaker 3: Goes downstairs to give her the card and he finds
• 44:33
  Speaker 3: her dad on the chair.
• 44:35
  Speaker 1: Actually that was a really sweet the fact that this
• 44:38
  Speaker 1: kind of dopey guard.
• 44:39
  Speaker 3: Yeah, but heartfelt like he made the effort.
• 44:42
  Speaker 1: Yeah, I've been a real dourky. Yeah I did the
• 44:45
  Speaker 1: hand turk in all that and something. It was like, yeah,
• 44:47
  Speaker 1: that was it was affecting.
• 44:55
  Speaker 2: I feel terrible. My own mother reached out to me,
• 44:58
  Speaker 2: and I rejected her. I'm going to make her a code.
• 45:04
  Speaker 1: Mom.
• 45:07
  Speaker 2: Are you asleep?
• 45:09
  Speaker 1: Asleep with your eyes opened? Mom?
• 45:14
  Speaker 2: Mom.
• 45:16
  Speaker 3: So at the funeral home, and Grandpa says he was
• 45:18
  Speaker 3: considering dancing on the grave, but now he's not going to.
• 45:21
  Speaker 1: He's just too sad. He's wearing his tap shoes. Is Yeah,
• 45:24
  Speaker 1: forgive me if I am not up to speed with
• 45:27
  Speaker 1: previous Mona episodes. But the three dudes on the other
• 45:30
  Speaker 1: side of Homer and grand paying attention to them, there
• 45:33
  Speaker 1: were like three guys. I'm wonderingly, are these like former
• 45:37
  Speaker 1: Are these like ex lovers or something? Oh I couldn't.
• 45:39
  Speaker 3: I'd have to go back and check. I'm not too sure. Yeah,
• 45:41
  Speaker 3: I wasn't really paying attention honestly. But home is now
• 45:43
  Speaker 3: at home now with the urn. He feels bad of
• 45:47
  Speaker 3: me to it before he passed away, and but then
• 45:49
  Speaker 3: tries to cheer him up because you didn't suck that bad.
• 45:51
  Speaker 1: Really that bad? Not that bad? You take away?
• 45:55
  Speaker 3: You can get it now, is it Mo's? And Karl says,
• 45:57
  Speaker 3: you know it's important to make peace with your loved ones.
• 46:00
  Speaker 3: Then he calls his mum, but she wants to talk
• 46:01
  Speaker 3: to Carl he was her son too, and she says goodbye,
• 46:05
  Speaker 3: I love you or whatever, yes and out the quickie
• 46:08
  Speaker 3: mart and Hermer asked what happens to you when you die?
• 46:11
  Speaker 3: And he says, manjul is gonna sell his saw die
• 46:12
  Speaker 3: hair blonde and marry his cousin. But you get here
• 46:16
  Speaker 3: a little bit of a band between Flanders and a
• 46:18
  Speaker 3: pooh here oh for crown out loud.
• 46:20
  Speaker 1: People aren't mice.
• 46:21
  Speaker 2: Oh what a surprise, jor Jesus Junior is gonna set
• 46:25
  Speaker 2: us all straight. Look, Homer, people don't come back as
• 46:28
  Speaker 2: anything except for our Lord who came back as bread.
• 46:30
  Speaker 1: That's it.
• 46:31
  Speaker 2: It's it.
• 46:34
  Speaker 1: That's the thing with your religion. It's a bummer. Even
• 46:37
  Speaker 1: the sing along No, the sing alongs are rooky.
• 46:40
  Speaker 3: Marge then found finds the box of Monus things and
• 46:43
  Speaker 3: it's got a video Will in there by Gary's video
• 46:46
  Speaker 3: Wills the same guy he didn't make his birthday party
• 46:48
  Speaker 3: and he had to fight with his girlfriend there and
• 46:50
  Speaker 3: she leaves Bart the knife. Lisa, her rebellious spirit. Actually
• 46:54
  Speaker 3: want to touch on this happens throughout the episode. I
• 46:57
  Speaker 3: feel like Lisa wasn't very Lisa like in this episode.
• 47:02
  Speaker 3: For the last act anyway, because she tries to justify
• 47:06
  Speaker 3: not climbing up the hill. Oh, that's right for grandma.
• 47:09
  Speaker 3: She stole the necklet, the pearls, crystal rings and stuff,
• 47:13
  Speaker 3: and I thought Lisa wouldn't do this.
• 47:15
  Speaker 1: Yeah, this feels a little out of character. Felt a
• 47:17
  Speaker 1: little out of character.
• 47:18
  Speaker 3: Yeah. And Marge has the purse which is woven in
• 47:21
  Speaker 3: hemp and it smells like concerts. Then she leaves home.
• 47:25
  Speaker 3: A difficult task is to climb to Monument Park. Climb
• 47:28
  Speaker 3: the highest point and exactly three pm release her ashes.
• 47:31
  Speaker 1: I thought that's really fun for anyone, throw symbolic gests.
• 47:36
  Speaker 1: Go this one sucks. Yeah.
• 47:38
  Speaker 3: And then she puts some animal whoopers at the end,
• 47:40
  Speaker 3: just because she knows what he likes. Chimp on a toilet,
• 47:45
  Speaker 3: Chip sounds so much better than monkey a chimp.
• 47:48
  Speaker 1: Oh yeah, Chip, I just to watch him crazy crazy.
• 47:52
  Speaker 3: I still haven't watched it yet, but I'll put it
• 47:54
  Speaker 3: on the watch list for sure. Wonderfully traumatic they arrive
• 47:57
  Speaker 3: at Monument Park. I will avenge you correct him. Oh,
• 48:01
  Speaker 3: we just love being correct to sweet.
• 48:02
  Speaker 1: We're always really glad when they're corrected, like.
• 48:06
  Speaker 3: When Homer can be secastle and actually, yes, actually makes sense, yeah,
• 48:10
  Speaker 3: but then stays behind. He's not going to be doing
• 48:12
  Speaker 3: it at Lista tries bailing out and eventually she just
• 48:14
  Speaker 3: lays down. Then Marge Omas says, the last one left. Marshes,
• 48:17
  Speaker 3: I've got energy, and I've even got energy. Despare makes
• 48:20
  Speaker 3: her piggyback. You're getting sweaty and I'm starting to slip off,
• 48:23
  Speaker 3: so she bails as well. It's only fifteen minutes to go.
• 48:25
  Speaker 3: So he starts climbing. I really like the reveal of
• 48:27
  Speaker 3: him climbing down. That's but he gets to the top
• 48:32
  Speaker 3: and you never knew me well, and if you did,
• 48:35
  Speaker 3: because if he did, you wouldn't ask me to climb anything.
• 48:37
  Speaker 3: And he sets the ashes free and exactly three o'clock
• 48:39
  Speaker 3: does exactly what he want Mum wants him to do,
• 48:41
  Speaker 3: and he goes straight into the missile guiden system and
• 48:44
  Speaker 3: the launch is avoided.
• 48:45
  Speaker 1: Yeah, and I went.
• 48:47
  Speaker 3: It seems like it's very extravagant, right because it's listally
• 48:49
  Speaker 3: what ten minutes later they've just got to go on again.
• 48:52
  Speaker 1: Yeah, he didn't break anything. It's like, I don't know,
• 48:54
  Speaker 1: is this the Simpsons. Rid's being showing a little bit
• 48:58
  Speaker 1: of conservatism or a little bit of even cynicism and
• 49:00
  Speaker 1: saying all these grand gesses that you protests are making
• 49:03
  Speaker 1: don't really add up a whole lot in the overall
• 49:05
  Speaker 1: scheme of things.
• 49:06
  Speaker 3: Yeah, that's too.
• 49:07
  Speaker 1: That is definitely maybe, maybe it's a possibility. I completely agree.
• 49:10
  Speaker 3: Yeah, it's a way of acknowledging that the rainforest shouldn't
• 49:12
  Speaker 3: be well, they should have viewer. Rainforests are getting sucked
• 49:16
  Speaker 3: over by people like this. But also protests aren't really
• 49:20
  Speaker 3: having that much impact, Yeah, which is kind of sad.
• 49:24
  Speaker 1: A little bit.
• 49:25
  Speaker 3: Yeah, but you can plain it all you want, ye
• 49:27
  Speaker 3: ain't listening.
• 49:29
  Speaker 1: The bog of people don't care?
• 49:31
  Speaker 3: Yeah, exactly right. So we get the worker here try
• 49:33
  Speaker 3: to solve the issue, and he says, you think you're Monk?
• 49:35
  Speaker 3: Monk said another show I never watch? Would I enjoy Monk?
• 49:38
  Speaker 3: I never really watched Monk either.
• 49:39
  Speaker 1: Okay, I like the guy who plays Monk, and I
• 49:41
  Speaker 1: think it's got a good cast. But I think it's
• 49:43
  Speaker 1: one those shows like Castle. Well you like white collar.
• 49:46
  Speaker 3: Right, yeah, that kind of thing that kind of it's
• 49:48
  Speaker 3: Castle and white collar as yeah.
• 49:49
  Speaker 1: Or burn notice yeah, yeah, which yeah, it's sort of
• 49:52
  Speaker 1: become a bit of punchlines. But you know, I think
• 49:55
  Speaker 1: when you reach a certain age, like well, I'm a
• 49:57
  Speaker 1: little further down the track, but and you being like
• 49:59
  Speaker 1: thirty five or what thirty five, thirty six, I'm thirty six now, yeah,
• 50:03
  Speaker 1: you're in the sweet spot where it's just like I
• 50:05
  Speaker 1: don't want to be too traumatized. I don't want to
• 50:07
  Speaker 1: watch the Red Wedding every week. I think I just
• 50:10
  Speaker 1: want to see James Spader sold some crime.
• 50:13
  Speaker 3: I want to be the same thing, same structure, same template,
• 50:16
  Speaker 3: and I want to know what I want to know
• 50:17
  Speaker 3: what's coming. That's why the last season SVU is getting
• 50:22
  Speaker 3: like depressing endings. I'm like, this is why I watched
• 50:24
  Speaker 3: this show. I want to get the bad guys, the
• 50:26
  Speaker 3: bad guys that I'm supposed to win. That's life, though
• 50:31
  Speaker 3: I'm like, oh yeah, this is, but this show is
• 50:33
  Speaker 3: not life. I watch the show to get away from it.
• 50:36
  Speaker 1: I've got a lot. Yeah, I don't like going a
• 50:39
  Speaker 1: television so I can escape that life for a while.
• 50:42
  Speaker 3: But Homer slips on the urn. Here it lands on
• 50:44
  Speaker 3: the missile and the workers shake it. You're supposed to
• 50:48
  Speaker 3: like it, and he falls hurts himself or they have
• 50:49
  Speaker 3: to hurt him because he didn't hurt himself. Yes, we
• 50:51
  Speaker 3: come back and they give the ashes back in like
• 50:54
  Speaker 3: vacuum vacuum yet and I don't want to back because she's
• 50:58
  Speaker 3: to me, she's nothing but trouble and revealed here that
• 51:00
  Speaker 3: it is actually mister Burns and he's using the rocket too,
• 51:02
  Speaker 3: as we said, disposed nuclear waste into the rainforest. But
• 51:06
  Speaker 3: Homer says he has to leave early next those days.
• 51:08
  Speaker 3: By the way, why I've got you here? Now the
• 51:10
  Speaker 3: system's operational again, so it's just like, what was the
• 51:13
  Speaker 3: point of all this?
• 51:14
  Speaker 1: Anyway?
• 51:14
  Speaker 3: They can just get it back up again. But home's
• 51:16
  Speaker 3: like the little prison bar throws him the knife, So
• 51:18
  Speaker 3: it's all sort of like coming forward circle the will.
• 51:21
  Speaker 1: Yeah, except look it's dumb asking it picky, but it's
• 51:24
  Speaker 1: lends in his head. How's how's he get it out
• 51:26
  Speaker 1: of his head? And then other knife in the head. Yeah?
• 51:28
  Speaker 1: It was stupid, wasn't it. I didn't like it.
• 51:30
  Speaker 3: I never liked that. They do a lot with mister Burns,
• 51:33
  Speaker 3: just the unrealistic body morphing and what can we move
• 51:37
  Speaker 3: on from that? But he sees the chain and cinder block.
• 51:40
  Speaker 3: What could I make out of those two things? He's like,
• 51:42
  Speaker 3: was it hanging off his nipples or something?
• 51:43
  Speaker 2: Oh?
• 51:43
  Speaker 1: Yeah, whatever.
• 51:45
  Speaker 3: But then Marge has the hamp bag. She burns it, which,
• 51:47
  Speaker 3: as you've already that wouldn't work.
• 51:51
  Speaker 1: It's going to get you.
• 51:52
  Speaker 3: But Lisa turns it, but burns it by getting the
• 51:55
  Speaker 3: diamond that she took from her nightstand.
• 51:57
  Speaker 1: I thought, whatever.
• 52:00
  Speaker 3: But then the workers that get high and we just
• 52:02
  Speaker 3: have your fingers a legs for your hand of a
• 52:04
  Speaker 3: I just high talk and he takes out seven of
• 52:07
  Speaker 3: them because birds and the higher ten people. Two of
• 52:09
  Speaker 3: them all away, and one is.
• 52:11
  Speaker 1: One of Jewish and has to sleep early before. Is
• 52:13
  Speaker 1: that a thing. Yeah, that's where you're not allowed to
• 52:18
  Speaker 1: do anything from our Jewish friends. Forgive me if I'm
• 52:21
  Speaker 1: messing this up. I don't think you're allowed to do
• 52:24
  Speaker 1: like anything from sundown on Friday to sundown on Saturday.
• 52:30
  Speaker 1: It's like you're not allowed to go on if you're devout,
• 52:33
  Speaker 1: if you're an Orthodox Jew.
• 52:34
  Speaker 3: According to law, shabbit is observed from a few minutes
• 52:37
  Speaker 3: before the sun sets on Friday evening until the appearance
• 52:40
  Speaker 3: of three stars in the sky on Saturday night or
• 52:42
  Speaker 3: an hour after sundown. So you can't work.
• 52:47
  Speaker 1: You can't work you can't like you can't travel in
• 52:49
  Speaker 1: a car. Really apparently all this stuff this is I
• 52:52
  Speaker 1: think this is a very heavily orthodox or if you're
• 52:54
  Speaker 1: about you okay, good way good because getting out of
• 52:58
  Speaker 1: work and Friday night work, can't it absolute? Someone's converting
• 53:03
  Speaker 1: nice nice one.
• 53:05
  Speaker 3: But so then we get the the brick so uses
• 53:09
  Speaker 3: the defender on the workers, as we said, that'll do
• 53:11
  Speaker 3: a brick babe reference. And then he accidentally activates this
• 53:14
  Speaker 3: self destruct but he escapes using the parachute. So is
• 53:17
  Speaker 3: everyone else in there dead? Now?
• 53:18
  Speaker 1: I have no idea what happened.
• 53:19
  Speaker 3: It's just it's not the wis didn't it? But we
• 53:22
  Speaker 3: get a nice ending note to Homer adds water to
• 53:23
  Speaker 3: the Ashually, I wanted to the ashes to bring it.
• 53:26
  Speaker 1: Back to life.
• 53:26
  Speaker 3: That's not how it works, Homer. At least it says
• 53:28
  Speaker 3: she will uh. The Homo says she'll live on forever
• 53:31
  Speaker 3: in our hearts because of what you did here today.
• 53:33
  Speaker 3: And then we get a montage just various clips from
• 53:35
  Speaker 3: the show of her appearances, and we get a new
• 53:37
  Speaker 3: clip here of Homer wanting extra sugar on his cereal
• 53:40
  Speaker 3: and she says no, because you're sweet enough.
• 53:42
  Speaker 1: That's a nice memory. And then he also just tastes
• 53:44
  Speaker 1: it anyway spoonful of sugar because he's Homer.
• 53:46
  Speaker 3: Yes, as the end of monat leaves are. So it
• 53:49
  Speaker 3: was a nice It was a twist on an appearance
• 53:52
  Speaker 3: because she appears for like what two minutes.
• 53:54
  Speaker 1: She's not in it long, but she makes a good impression.
• 53:57
  Speaker 1: Is in it?
• 53:57
  Speaker 3: Glenn Close isn't in it, but the character by Ashes
• 54:00
  Speaker 3: is in it.
• 54:01
  Speaker 1: Her spirit is throughout it. What do we learn, Bomber,
• 54:04
  Speaker 1: That's what.
• 54:04
  Speaker 3: You learn from the episode, mister Davis.
• 54:06
  Speaker 1: This may be a controversial position, mister Dando, but building
• 54:11
  Speaker 1: her own beer is for suckers. It's for chumps. Go
• 54:14
  Speaker 1: with pre built.
• 54:15
  Speaker 3: Yes, you're good at your ikea bears, do not stuff
• 54:20
  Speaker 3: a hardback, do not build a bear flat, and always
• 54:24
  Speaker 3: buy your shit preassembled or get someone to wear a
• 54:26
  Speaker 3: task of that shit.
• 54:27
  Speaker 1: Otherwise you will lose the respect of your girlfriend. Oh
• 54:30
  Speaker 1: wait a minute, Oh no, I didn't mean to say
• 54:33
  Speaker 1: when you can't do.
• 54:34
  Speaker 3: It, it was too late for Nickols. She'd already married before
• 54:36
  Speaker 3: she realized I couldn't put a shelf on the wall.
• 54:37
  Speaker 3: So I learn they should be that kind of thing
• 54:41
  Speaker 3: in dating. You used to have like a.
• 54:43
  Speaker 1: Your manly skills. Yeah, you have to run through a
• 54:45
  Speaker 1: series of tests.
• 54:46
  Speaker 3: It's like, describe the difference between a flathead and a
• 54:49
  Speaker 3: Phillip's head screwdriver.
• 54:50
  Speaker 1: Oh shit, flat isn't that tasty? Fish?
• 54:54
  Speaker 3: I learned that I wasted way too much time in
• 54:57
  Speaker 3: front of the television. I should have been sitting in
• 54:59
  Speaker 3: front of the fridge.
• 54:59
  Speaker 1: Could have be looking at the colonel, the glorious face
• 55:02
  Speaker 1: of the colonel all that time, him just staring back
• 55:04
  Speaker 1: down at you.
• 55:04
  Speaker 3: Can you remember the first time you had a major
• 55:08
  Speaker 3: franchise takeaway like a McDonald's or a KFC.
• 55:11
  Speaker 1: I have memories.
• 55:12
  Speaker 3: My earliest memories of McDonald's is the super size. I
• 55:17
  Speaker 3: have a super sized thing going, and now obviously you
• 55:20
  Speaker 3: can't do it anymore, damn you, Morgan. But super sizes
• 55:22
  Speaker 3: used to be a thing in the strade for a
• 55:23
  Speaker 3: little while. I just sort of it, come and go,
• 55:25
  Speaker 3: come and go, overgoing supersize, super sized, and was like,
• 55:28
  Speaker 3: you don't need it, super size, you don't need it.
• 55:31
  Speaker 3: You're fatty.
• 55:33
  Speaker 1: I thought you're a bad instead of supersized, Mama thought
• 55:36
  Speaker 1: you were going up to the concer superzars motherfucker excuse me,
• 55:43
  Speaker 1: but yeah, I'm trying to remember. I don't think it
• 55:47
  Speaker 1: was McDonald's. I think it was probably KFC or Kentucky
• 55:49
  Speaker 1: Bright Chickens. We used to call it, and we are
• 55:51
  Speaker 1: now calling it again.
• 55:52
  Speaker 3: It's still yeah, which makes me happy.
• 55:54
  Speaker 1: It does indeed look like it's fried food.
• 55:59
  Speaker 2: Yeah.
• 56:00
  Speaker 3: I feel like KFC is the one major franchise that
• 56:02
  Speaker 3: aren't afraid to go We're not good for you.
• 56:04
  Speaker 1: You don't care, you love it. Not to shill another
• 56:10
  Speaker 1: podcast or anything or YouTube channel, but friendly Jordie's Yeah.
• 56:14
  Speaker 1: Astrain comedian has been doing a lot of so and
• 56:17
  Speaker 1: so workers Confess your sins, and KFC's workers sins are
• 56:21
  Speaker 1: so much He's done two videos on them. It's like
• 56:24
  Speaker 1: he hears some real horror stories from what the what
• 56:26
  Speaker 1: the kids get up to, working into with the working
• 56:28
  Speaker 1: for the colonel, not washing their hands, that kind of thing.
• 56:31
  Speaker 1: Oh yeah, but also you know, oh, there's a lot
• 56:33
  Speaker 1: of oh and s issues, But there's also yeah, it's
• 56:35
  Speaker 1: just bad management. Also just terrible, terrible hygiene. It's like,
• 56:40
  Speaker 1: I don't care, I don't care. I love it.
• 56:43
  Speaker 3: Sometimes I look at them when I'm in the drive
• 56:45
  Speaker 3: and I'm waiting for the food, and you see them
• 56:46
  Speaker 3: whipping your food together, and you go, you didn't wash
• 56:49
  Speaker 3: those hands. Why aren't you wearing gloves? Oh there's chip
• 56:52
  Speaker 3: saw smush on the floor.
• 56:55
  Speaker 1: You look, ok, you twelve and you take the first
• 56:58
  Speaker 1: butte of that zinger. It's like, oh, listen, then from
• 57:02
  Speaker 1: this day forward, your name will be all right.
• 57:05
  Speaker 3: It is the Guy Davis New Name Championship for season nineteen.
• 57:09
  Speaker 3: I think we've pretty much conceded who the winner is.
• 57:11
  Speaker 1: It's going to be his name is Jeered. I love
• 57:15
  Speaker 1: if he has.
• 57:15
  Speaker 3: Never listened to the South Lie podcast and has no
• 57:17
  Speaker 3: idea what's going on?
• 57:18
  Speaker 1: If that would just make my why have they made
• 57:20
  Speaker 1: this dumbas song about why the name Jeered? What are
• 57:24
  Speaker 1: you taking the pit? I won the championship.
• 57:28
  Speaker 3: I've won it, damn it. But they Currently the board
• 57:31
  Speaker 3: stands at this in first position Jared Hornby on twenty
• 57:34
  Speaker 3: five points, in second position, Phil Hawkins on fifteen, and
• 57:36
  Speaker 3: third Adam Wolhouse on fourteen points.
• 57:40
  Speaker 1: This week, okay, first point one point goes to Adams
• 57:44
  Speaker 1: two ashes.
• 57:46
  Speaker 3: David Bowie reference.
• 57:47
  Speaker 1: I would imagine times too. That would be One might
• 57:50
  Speaker 1: also say a biblical reference just a pre date. David Bowie. Mon,
• 58:00
  Speaker 1: it's like Bible did it, Babel did it. By the way,
• 58:05
  Speaker 1: that's a shout out to something we'll be doing just
• 58:07
  Speaker 1: at while speaking of south Park.
• 58:09
  Speaker 3: Yeah, if you've never checked out the south Park podcast,
• 58:11
  Speaker 3: we're about to record our review of The Simpsons already
• 58:13
  Speaker 3: did it, so maybe you will want to check that
• 58:15
  Speaker 3: one out.
• 58:15
  Speaker 1: Least you'll find that everything is connected. Yes, so that
• 58:19
  Speaker 1: makes that is David Nelly, Dave Nelly.
• 58:24
  Speaker 3: What has Dave done to get that cut? Isn't it
• 58:26
  Speaker 3: like ram mc nelly. Oh yes, ram My Nallie David Nelly.
• 58:30
  Speaker 3: So he has got now two points one, I'm Dave.
• 58:32
  Speaker 1: On your Dave two points. Well, Dave got two points,
• 58:35
  Speaker 1: but these two points go to whoever gave us she's
• 58:39
  Speaker 1: leaving Homer Beatles reference made in my heart that or woman.
• 58:44
  Speaker 1: Let's see who it is. His name is Felip. His
• 58:49
  Speaker 1: name is Argus, but we're not going.
• 58:53
  Speaker 3: Philip Hawkins now on seventeen points he is, You've got
• 58:57
  Speaker 3: one episode left and he's eight points behind. I think
• 58:59
  Speaker 3: he's up shit without some sort of a paddle.
• 59:06
  Speaker 1: As the saying goes, the math ain't methon at the stage.
• 59:09
  Speaker 3: Well, he's claimed second position. You can only tie now
• 59:12
  Speaker 3: Adam gets Oh, Adam will at three points? You actually continue?
• 59:15
  Speaker 3: What's the next week one?
• 59:15
  Speaker 1: That's right because I'm still give three points, and I'm
• 59:17
  Speaker 1: giving three points to let her dope.
• 59:20
  Speaker 3: That is not Adam Willhouse, that's Rach Beasley on Rach.
• 59:24
  Speaker 1: Rach has made a bit of a run.
• 59:26
  Speaker 3: She's on five points now. I think it's like three consecutive.
• 59:28
  Speaker 1: Times retail end of the season on your rage.
• 59:33
  Speaker 3: Three point to two Rach Beasley. So we've now got
• 59:36
  Speaker 3: Jared Hornby still on twenty five. Phil Hawkins now second
• 59:39
  Speaker 3: on seventeen points, so he's three points ahead a third
• 59:42
  Speaker 3: one episode left, which means he can only tie now
• 59:44
  Speaker 3: for third if Adam comes hard with her three point
• 59:46
  Speaker 3: of next week.
• 59:47
  Speaker 1: Come hard with the three point of next week, and
• 59:48
  Speaker 1: we'll see what happens. Keep coming hard, you'll be fine.
• 59:50
  Speaker 1: But it looks like it's Jerry.
• 59:53
  Speaker 3: Have you looked at what the finale is of season
• 59:55
  Speaker 3: nineteen the Simpsons? I leave that kind of thing to you. Okay, well,
• 59:58
  Speaker 3: I'll look at it right now.
• 59:59
  Speaker 1: It is cool.
• 1:00:00
  Speaker 3: Well, it's called all about Lisa. Normally that would bother me,
• 1:00:03
  Speaker 3: but I'm going to know.
• 1:00:04
  Speaker 1: We've had at least one episode lately that was Lisa
• 1:00:08
  Speaker 1: centric that I don't think either of us minded. Either
• 1:00:11
  Speaker 1: of us thought it was.
• 1:00:12
  Speaker 3: Okay, yeah, I've heard. I actually have memories of this one.
• 1:00:15
  Speaker 3: I think, I think I enjoy I just looked at
• 1:00:16
  Speaker 3: the description. I'm pretty sure this is a good episode. Normally,
• 1:00:20
  Speaker 3: the finales, they usually end with a good one.
• 1:00:22
  Speaker 1: Yeah, okay, well I'm not going to look. I'm just
• 1:00:24
  Speaker 1: going to go in completely blind. Yes, okay, so impartial.
• 1:00:27
  Speaker 3: The next season nineteen episode of four Finger Discount, we
• 1:00:30
  Speaker 3: shall be reviewing the finale of the season. It is
• 1:00:33
  Speaker 3: all about Lisa. But before that, you're going to be
• 1:00:35
  Speaker 3: getting a classic review next week, and we're not going
• 1:00:38
  Speaker 3: to let you know what it is until it's released.
• 1:00:40
  Speaker 1: Crass spirit thingers, which means we haven't the satgy, don't
• 1:00:47
  Speaker 1: show what's behind the curtainer.
• 1:00:49
  Speaker 3: The cameras are off for a reason. Said you wouldn't
• 1:00:52
  Speaker 3: keep looking at it.
• 1:00:53
  Speaker 1: You were the one who did spirit fits. You were
• 1:00:55
  Speaker 1: like really hamming it up on the camera.
• 1:00:57
  Speaker 3: You're my one man on the one man's show for you,
• 1:01:00
  Speaker 3: you're my audience.
• 1:01:01
  Speaker 1: Okay, then I'm not directing anything to you. I'm directing
• 1:01:03
  Speaker 1: of the black screen.
• 1:01:04
  Speaker 3: You're in an amazing talking crusty, evil, crusty doll over
• 1:01:06
  Speaker 3: there that we're going to be talking about in the
• 1:01:08
  Speaker 3: next episode as well, talking Krusty. Our friends at Headstart
• 1:01:10
  Speaker 3: Toys they send us a bunch of Simpsons stuff to
• 1:01:12
  Speaker 3: talk about and show off. When you say us, hey,
• 1:01:15
  Speaker 3: you do a show of your kids mine? Are they
• 1:01:16
  Speaker 3: unbucks this, I'm like, yeah, sure, whatever, as long.
• 1:01:18
  Speaker 1: As it's free.
• 1:01:20
  Speaker 3: We did the mo Phone and it's actually funny, a
• 1:01:22
  Speaker 3: little bit of a tease for nerd Daddy's a channel
• 1:01:24
  Speaker 3: that I do on YouTube of the kids, So subscribe
• 1:01:27
  Speaker 3: to nerd Daddy TV and we recorded our video of
• 1:01:30
  Speaker 3: the mo phone. So basically you can have two modes.
• 1:01:33
  Speaker 3: One is you just dial a number and mo talks
• 1:01:36
  Speaker 3: to you. Or the phone rings just haphazardly and you've
• 1:01:38
  Speaker 3: got to answer it and Moe talks to you. Has
• 1:01:40
  Speaker 3: the prank phone calls.
• 1:01:41
  Speaker 1: I never realized how not suitable for children. Ah, it's
• 1:01:46
  Speaker 1: the Simpsons is we're doing it, and it's like the
• 1:01:48
  Speaker 1: Simpsons and the kids now be walking to a house going.
• 1:01:51
  Speaker 3: My crutch, my crouch. Anyone seen my crutch? Please, And
• 1:01:54
  Speaker 3: Nicholas like, what are you saying?
• 1:01:55
  Speaker 1: I said, it's that stuff? Is that phone? Yeah, Amanda,
• 1:02:00
  Speaker 1: I can kiss. And I was like, oh shit, it's
• 1:02:03
  Speaker 1: not at school. That's gonna just step in and with
• 1:02:07
  Speaker 1: a stupid face or whatever came my old but and
• 1:02:09
  Speaker 1: I'm like, oh, this is not what I had in mind. Well,
• 1:02:14
  Speaker 1: see it's cats and the cradle stuff. Man. Yeah, don't
• 1:02:16
  Speaker 1: mean my mum banned me because you were straighten around
• 1:02:19
  Speaker 1: the house with a knife. Yeah, Bart Simpson style.
• 1:02:21
  Speaker 3: It's yeah, I kind of get why mum banned. Put
• 1:02:24
  Speaker 3: the sisters on now and go ah it, she is scratchy,
• 1:02:27
  Speaker 3: not suitable for three year olds.
• 1:02:30
  Speaker 1: Anyway, when you're coming home dad, I don't know, we'll
• 1:02:34
  Speaker 1: get to get the thing.
• 1:02:36
  Speaker 3: Thanks for listening to our review of Mona Leaves. Next
• 1:02:40
  Speaker 3: episode will be a classic. Then we're going to be
• 1:02:41
  Speaker 3: doing the finale all about Lisa. But for now, mister Davis,
• 1:02:44
  Speaker 3: any final words for those amazing listeners out there, Well,
• 1:02:46
  Speaker 3: we
• 1:02:46
  Speaker 1: Hope you've enjoyed this episode of four Finger Discount because
• 1:02:49
  Speaker 1: I'm like, mo, we don't like creating disappointment.