Latest / Movie Meltdown / 247: Razor Blade Sold Separately
Transcript
- 0:07Speaker 1: Hey, this is Danielle Harris from some of the Halloween movies.
- 0:11Speaker 2: And you are listening to Movie Meltdown.
- 0:29Speaker 3: Good evening.
- 0:30Speaker 4: The following feature has been rated R by the Motion
- 0:33Speaker 4: Picture Association of America. It is intended for mature audiences
- 0:38Speaker 4: and parental discretion is advised.
- 0:40Speaker 5: Our nuclear reactor pumping out one million kilowatts of power.
- 1:15Speaker 3: What are you darling?
- 1:17Speaker 2: Where's your costume? This is my costume.
- 1:19Speaker 6: I'm a homeless little maniac.
- 1:21Speaker 7: They look just like everyone else.
- 1:36Speaker 8: Boys and girls of every age Wouldn't you like to
- 1:40Speaker 8: see something strange? Come, you'll listen, you will see This
- 1:45Speaker 8: our town of Halloween This is Halloween, this is Halloween
- 1:50Speaker 8: The world can scream, the dead.
- 1:53Speaker 9: Are right This is Halloween, everybody may see Don't cheat on.
- 1:56Speaker 3: The game, it's gonna die right This our town of
- 1:59Speaker 3: Halloween This town of.
- 2:03Speaker 2: Halloween What's up and welcome to Movie Meltdown.
- 2:07Speaker 10: I am Brian, and I'm welcoming you back into the
- 2:09Speaker 10: middle of the big Halloween party we've got going on here.
- 2:11Speaker 10: We're all pretty much big horror fans, and in particular,
- 2:14Speaker 10: just fans of Halloween, so this year I thought, you know,
- 2:17Speaker 10: we've always had so much fun with the Halloween episodes,
- 2:20Speaker 10: I was like, let's just devote the entire month of
- 2:22Speaker 10: October and see how many cool Halloween-themed episodes we can
- 2:26Speaker 10: put together. So that's pretty much what we're doing. We've
- 2:29Speaker 10: got a good portion of the Meltdown gang together, and
- 2:32Speaker 10: we're hanging out, and we're talking Halloween costumes, and what
- 2:37Speaker 10: created Halloween exactly, like where it comes from. And that's,
- 2:40Speaker 10: you know, if you haven't heard last week's episode, go back,
- 2:43Speaker 10: listen to the one before this one, because we already
- 2:45Speaker 10: are like knee deep into that. We've gotten a good
- 2:48Speaker 10: amount of that kind of stuff rolling and we're going
- 2:50Speaker 10: to continue on. And as far as the crew on hand,
- 2:53Speaker 10: as we get back into this, if you remember, we
- 2:55Speaker 10: have Ben from Tower of Technobabble. Bo is there. Greg
- 2:59Speaker 10: is there. Marlena is there. Sterling from the Alley Theater
- 3:03Speaker 10: is there. And, of course, at this point, the now
- 3:05Speaker 10: infamous Daves. That would be, as we've now come to
- 3:10Speaker 10: refer to them regularly, Sporty Dave and Posh Dave. You'll
- 3:15Speaker 10: remember it.
- 3:15Speaker 6: Hopefully.
- 3:16Speaker 10: If not, go back and listen to the last episode
- 3:18Speaker 10: because it's pretty damn funny. So we will get back
- 3:20Speaker 10: into the action here with another spooky episode of Movie Meltdown.
- 3:28Speaker 7: But, yeah, back, though, to this whole, like, horror compartmentalization thing.
- 3:32Speaker 7: It seems to me that that's definitely preceded a pace,
- 3:35Speaker 7: and that's why we can have, like, the distinct horror
- 3:38Speaker 7: convention or the science fiction convention. And we talk a
- 3:43Speaker 7: lot about how brilliant it is when it's like, oh,
- 3:45Speaker 7: they mixed horror and science fiction.
- 3:47Speaker 3: It's like, well, you know, we... That's where it started.
- 3:52Speaker 11: Then it got separated, so when you bring.
- 3:54Speaker 3: It back, it's like, oh, that's cool.
- 3:55Speaker 7: It used to be that any time you were telling
- 3:56Speaker 7: a story about a guy putting himself in a tin can,
- 3:59Speaker 7: flying into the void, yeah, that was a horror story
- 4:01Speaker 7: as far as the people in the 50s were concerned.
- 4:03Speaker 11: It was to those Russian dogs.
- 4:06Speaker 1: It's very much an American thing, too, because just a
- 4:11Speaker 1: couple times I've gone to China, just talking about movies
- 4:14Speaker 1: with movie geeks over there, You start talking horror films
- 4:19Speaker 1: and nobody over there watches horror films.
- 4:21Speaker 12: Nobody makes horror films. Any kind of Asian horror film,
- 4:24Speaker 12: it's Japanese. And if you find anything that's coming out
- 4:27Speaker 12: of China, it's Hong Kong. Like Mandolin China, there's nothing.
- 4:30Speaker 12: And when you try to explain to them about those
- 4:32Speaker 12: horror films and the joy of it, their logic is,
- 4:35Speaker 12: why would you want to be scared? I mean, they
- 4:37Speaker 12: look at it almost like, what's wrong with your culture
- 4:39Speaker 12: to where you enjoy being scared? Have you not experienced anything?
- 4:44Speaker 3: The great leap forward. Yeah, exactly.
- 4:46Speaker 4: Exactly.
- 4:48Speaker 9: That's crazy being so close to Korea, too, because Korean
- 4:51Speaker 9: horror is so good.
- 4:53Speaker 12: Well, that's South Korea, though. It's not North.
- 4:56Speaker 7: North Korea is a rather effective buffer.
- 4:59Speaker 12: North Korea is frightening in itself.
- 5:02Speaker 7: North Korea, the Disneyland of crazy people.
- 5:05Speaker 12: Even if you go to the big cinemas, you'll have
- 5:10Speaker 12: a lot of import American films, like the Transformers and
- 5:13Speaker 12: stuff like that. You don't see insidious paranormal activity or
- 5:16Speaker 12: any of that horror stuff. It's just the culture, no
- 5:18Speaker 12: one buys it up. And even if you talk to
- 5:21Speaker 12: the younger generation that's very Americanized, very Westernized, it's like
- 5:25Speaker 12: you try to talk to them about horror films, they
- 5:27Speaker 12: just look at you like you're fucking stupid. They really do.
- 5:30Speaker 12: They do not get it. It's very much a Western thing.
- 5:34Speaker 2: Well, it is something that caught on.
- 5:36Speaker 10: And this, I kind of wanted to go back to
- 5:38Speaker 10: our costume thing because I was looking back at how
- 5:40Speaker 10: all of mine.
- 5:41Speaker 2: Tied to movies kind of in a way.
- 5:44Speaker 10: And then you start to realize it's because we took
- 5:46Speaker 10: all of the classic monsters, the old world monsters, and
- 5:49Speaker 10: made a movie monster. So when I'm thinking back, it's
- 5:52Speaker 10: like I actually kind of hit almost all of them.
- 5:54Speaker 10: One year I was a vampire and I had the cape.
- 5:57Speaker 10: I was basically a Bella version of the vampire. One
- 6:00Speaker 10: year I was a creature from the Black Lagoon.
- 6:02Speaker 2: I was a wolf man.
- 6:04Speaker 10: So it's like I hit all of the basic monster
- 6:06Speaker 10: movie kind of, you know, I don't know. To me
- 6:09Speaker 10: it's like we took all of those and because of
- 6:11Speaker 10: that they're all tied together. to the movies, and that's
- 6:13Speaker 10: the way I process them now. It's like, oh, like
- 6:16Speaker 10: the Universal Classics. That's the way America looks at monsters.
- 6:19Speaker 6: I have a question.
- 6:21Speaker 11: I'm sure everyone here can tell me this. The classic monsters,
- 6:26Speaker 11: the Universal monsters, you know, Wolfman, Frankenstein, Mummy, and all that,
- 6:29Speaker 11: that was from, what, the late 30s through the 40s?
- 6:32Speaker 3: Early 30s.
- 6:33Speaker 6: Most of the 30s.
- 6:34Speaker 11: Okay, we kind of categorize those as classic monsters. Were
- 6:39Speaker 11: there any monsters from that time period that were kind
- 6:42Speaker 11: of flops that we don't hear about anymore, that didn't
- 6:44Speaker 11: quite make it into classic status?
- 6:47Speaker 7: Well, you could argue that there's actually kind of an
- 6:51Speaker 7: unspoken phenomena there. For instance, I would think that King
- 6:56Speaker 7: Kong actually does belong in that same genre of monster films.
- 7:00Speaker 7: But for whatever reason, we don't put King Kong in
- 7:03Speaker 7: there with The Mummy.
- 7:04Speaker 3: I think it's just because he's huge.
- 7:07Speaker 7: But it's also because we view him as the beginning
- 7:10Speaker 7: of a different genre. It's the apocalyptic giant monster attacking
- 7:13Speaker 7: the city genre.
- 7:14Speaker 6: And that was sort of a standalone film for decades.
- 7:18Speaker 6: Because the only people who could make Kong were those people.
- 7:21Speaker 3: I guess what I'm getting at is that's it.
- 7:23Speaker 12: And I don't even say– I don't even know if
- 7:25Speaker 12: I would consider like Lump Kong and all the other
- 7:28Speaker 12: giant things of the 50s because all of those were
- 7:30Speaker 12: born out of like a fear of nuclear technology.
- 7:33Speaker 7: True enough, but my point more so is just that
- 7:36Speaker 7: it seems to me that they're– we look back at
- 7:38Speaker 7: the 30s and we kind of segregate out those monsters
- 7:42Speaker 7: and call them the classic– There's a reason why.
- 7:44Speaker 3: It's because they were all produced by Universal.
- 7:45Speaker 11: But it seems like every monster movie that was made
- 7:48Speaker 11: back then is considered a classic. Were there any flops?
- 7:51Speaker 11: Was there a monster like the Savage Dog Man?
- 7:57Speaker 6: Mostly in the 40s, Universal got around to doing more B-pictures.
- 8:00Speaker 6: Like Captive Wild Woman and the Ape Woman and things
- 8:03Speaker 6: like that.
- 8:03Speaker 11: Okay, that's exactly what I'm talking about.
- 8:04Speaker 6: They were very much like B-picture. Okay. they would have
- 8:08Speaker 6: other other monsters would pop up but they were not
- 8:11Speaker 6: really distinctive I.
- 8:12Speaker 10: Mean there's a lot of them that they still categorize
- 8:14Speaker 10: what is there 40 or more that fall into that
- 8:17Speaker 10: universal class oh yeah.
- 8:19Speaker 12: They'll throw in like the hideous sun demon the thing
- 8:22Speaker 12: from another world and like all these other ones that
- 8:23Speaker 12: are sort of from there but it's just they're sort
- 8:26Speaker 12: of standalone but they didn't really have.
- 8:28Speaker 11: But you know the classic monsters they're kind of homegrown
- 8:31Speaker 11: I mean there aren't really aliens I mean this was
- 8:33Speaker 11: probably pre-alien craze.
- 8:35Speaker 6: Well they were all they're all born out of almost
- 8:37Speaker 6: all of them out of literature Frankenstein, you've got Dracula,
- 8:40Speaker 6: you've got.
- 8:40Speaker 2: I think the only one that was sort of original
- 8:42Speaker 2: is the creature. I mean, the creature, we sort of...
- 8:44Speaker 2: That's in the 50s. Yeah, but that was the tail end.
- 8:47Speaker 11: It was really one of the.
- 8:48Speaker 6: Only iconic universal monsters from the 50s.
- 8:50Speaker 2: They kind of created themselves.
- 8:51Speaker 7: Well, it's interesting because each one of them also kind
- 8:53Speaker 7: of corresponds to a different domain. We have the wolf
- 8:56Speaker 7: man who is man plus animal... We have the vampire
- 9:00Speaker 7: who's like man plus, you know, maybe sociopathic sexual urge.
- 9:04Speaker 7: We have the creature from the Black Lagoon, man plus
- 9:07Speaker 7: reptile or man plus, you know, primordial creature. We have
- 9:11Speaker 7: the mummy, which is man plus death. you know, Frankenstein
- 9:14Speaker 7: is man plus machine.
- 9:16Speaker 6: Yeah, exactly.
- 9:17Speaker 3: Man plus man. Yeah, so each one.
- 9:20Speaker 6: The closer you keep something to human, the more frightening
- 9:22Speaker 6: and effective it is, which is why zombie movies are
- 9:24Speaker 6: as popular as they are.
- 9:25Speaker 11: Aren't vampires technically zombies? And somehow zombies got.
- 9:30Speaker 3: Jesus, that's an enormous conversation.
- 9:32Speaker 6: Depends on how you want to split that.
- 9:34Speaker 2: To me, it's more the mummy. I mean, how is
- 9:36Speaker 2: he not?
- 9:37Speaker 6: Yeah, if you watch the original Dracula and then watch
- 9:40Speaker 6: the original mummy, it's the same movie.
- 9:42Speaker 7: Yeah, just because he's... Same story. Yeah, just because the
- 9:45Speaker 7: mummy's Middle Eastern. Why can't he be a zombie like
- 9:47Speaker 7: the rest? No, but it seems to me, though, that
- 9:49Speaker 7: those old films relied on a combination of factors. I mean,
- 9:54Speaker 7: but all of them, it seems, had the uncanniness of, like,
- 9:57Speaker 7: this is a man, but.
- 9:58Speaker 3: It's not a man.
- 9:59Speaker 7: Mm-hmm.
- 10:00Speaker 3: This sort of heightened sense.
- 10:01Speaker 7: Like we'd call it camp now, perhaps, but there's this
- 10:04Speaker 7: heightened dramatism to the whole thing. Like, you know, you
- 10:07Speaker 7: watch the Wolfman's transformation or listen to the way Bela
- 10:10Speaker 7: Lugosi talks, you know, like Roger Ebert always says, like
- 10:15Speaker 7: he was mocking like the way normal people talk like, oh,
- 10:18Speaker 7: good evening. That's what you people say to each other.
- 10:21Speaker 7: How amusing. There's this sort of uncanniness to them, but
- 10:25Speaker 7: also this heightened dramaticness to everything they do. And that
- 10:30Speaker 7: seems to me to be, I would say, one of
- 10:32Speaker 7: the reasons why all these guys tend to get lumped together.
- 10:34Speaker 7: There's a similar style to the way they are all
- 10:37Speaker 7: presented and the way they present themselves.
- 10:38Speaker 6: Yeah, and they were all basically made by European filmmakers.
- 10:42Speaker 11: Were there competing.
- 10:46Speaker 11: Movie companies that were competing with Universal trying to get
- 10:49Speaker 11: in on the whole monster thing.
- 10:51Speaker 6: Not for a while. In the 40s, you finally had
- 10:54Speaker 6: Fox coming in with some films. They were doing some
- 10:57Speaker 6: stuff in the 30s.
- 10:58Speaker 3: Cat People was Fox.
- 10:59Speaker 6: You've got to get into Turner and films like that.
- 11:03Speaker 6: One of my favorite 30s horror films is actually, I
- 11:05Speaker 6: think it's in MGM, and it's Dr. X.
- 11:09Speaker 12: Was MGM.
- 11:10Speaker 7: Did they also do The Woman in the Window and
- 11:11Speaker 7: those early noir picks?
- 11:13Speaker 6: I think so.
- 11:14Speaker 3: Yeah, yeah.
- 11:15Speaker 6: And Dr. X was actually in Technicolor, two-strip Technicolor, in
- 11:19Speaker 6: like 1932. It was a weird greenish-orange palette. But it's
- 11:24Speaker 6: a really cool, scary movie.
- 11:26Speaker 3: Yeah, that's part of the whole.
- 11:27Speaker 7: That's part of the same continuum, though, is, you know,
- 11:30Speaker 7: when we were talking about The Black Cat a while back,
- 11:33Speaker 7: you know, there's a... which is an excellent, by the way,
- 11:35Speaker 7: sort of midpoint between horror and noir.
- 11:38Speaker 2: There.
- 11:39Speaker 7: when we have all those German expressionist filmmakers in the
- 11:42Speaker 7: thirties and forties coming into the United States, like basically
- 11:46Speaker 7: you see a series of forks occur. One fork is
- 11:50Speaker 7: the classic universal horror films, which are again, very dramatic
- 11:54Speaker 7: and very stylized. And then you have another hyper dramatic,
- 11:57Speaker 7: hyper stylized genre, but more quote unquote realistic, which is
- 12:01Speaker 7: the noir picture. But you line up, but there's something
- 12:04Speaker 7: about Dracula and something about the woman in the window
- 12:06Speaker 7: or something like that. There's a commonality. There's a, There's
- 12:09Speaker 7: a kind of fantasy to both. There's a kind of
- 12:11Speaker 7: darkness in human desires evident in both. And there's a
- 12:14Speaker 7: kind of highly abstracted filmmaking going on in all of them.
- 12:18Speaker 6: I remember that horror films came under severe censure in
- 12:23Speaker 6: the late 30s.
- 12:24Speaker 8: Really?
- 12:25Speaker 6: Because of the British Film Office. Universal was exporting their
- 12:28Speaker 6: horror films to Britain and their sensibilities were more delicate.
- 12:32Speaker 11: They were probably just mad at the fake British accent.
- 12:33Speaker 6: That's where the whole tradition of rating horror film X
- 12:36Speaker 6: in Britain started because everything was considered X. It was
- 12:38Speaker 6: a different certificate, but I mean, no kids. And so
- 12:41Speaker 6: there was this big backlash against Universal in the late 30s,
- 12:45Speaker 6: around 37. They stopped making monster movies. They stopped. And
- 12:49Speaker 6: it wasn't until they did a double feature of Dracula
- 12:51Speaker 6: and Frankenstein on one of the theaters in L.A. They
- 12:54Speaker 6: ran it 24 hours a day. Wow. People just lined
- 12:57Speaker 6: up and streamed in all day and all night. And
- 12:59Speaker 6: the execs looked at it and said, well, I guess
- 13:01Speaker 6: we're back in business. And the next year they were like,
- 13:04Speaker 6: son of Frankenstein. And they started that whole second cycle
- 13:07Speaker 6: because it was good for business. But for a while
- 13:10Speaker 6: they were off. It was a new ownership as well.
- 13:12Speaker 6: And they just sort of backed off. And it wasn't
- 13:14Speaker 6: really until Val Lewton in the 40s was doing, you know,
- 13:17Speaker 6: Leopard Man and Cat People and I Walked With a
- 13:20Speaker 6: Zombie and all those films that anybody kind of raised
- 13:22Speaker 6: the level.
- 13:23Speaker 10: That's very studio anyways. I don't want to have anything
- 13:25Speaker 10: to do with the previous administration. I want to start
- 13:28Speaker 10: fresh and take responsibility for everything I do.
- 13:29Speaker 3: And they were doing like, you know, nothing.
- 13:31Speaker 6: But Deanna Durbin musicals and nobody's responding. So Monsters came back.
- 13:35Speaker 12: When did the Hays Code come in?
- 13:39Speaker 4: 30.
- 13:39Speaker 6: Late 30s. It was 30, no, it was like, I
- 13:42Speaker 6: think around 33.
- 13:43Speaker 2: Actually, yeah, because it came in right at the end
- 13:45Speaker 2: of Black Cat.
- 13:46Speaker 6: Because that's why the black cat in 34 had to
- 13:50Speaker 6: be real careful about the Hayes office.
- 13:52Speaker 11: I'm trying to think of all your Halloween staple characters.
- 13:56Speaker 11: You know, like your Frankenstein monster, your Wolfman, your Dracula.
- 13:59Speaker 3: Skeletor.
- 14:00Speaker 6: Yeah.
- 14:01Speaker 11: They've all got kind of signature movies that you can
- 14:04Speaker 11: trace it back to where they got big. There's a
- 14:07Speaker 11: couple of other Halloween staples. They've never really had like
- 14:11Speaker 11: a signature.
- 14:11Speaker 3: Like The Witch.
- 14:13Speaker 6: A witch.
- 14:13Speaker 11: That's exactly what I was going at.
- 14:14Speaker 6: Those are carryovers from the old world imagery because you
- 14:18Speaker 6: had all those decorations back in the 30s and 40s
- 14:20Speaker 6: with witches and cats.
- 14:21Speaker 11: But I'm wondering, is the whole, I guess, blueprint for
- 14:28Speaker 11: when you think of a cliched everyday witch, is that
- 14:30Speaker 11: from Wizard of Oz or was there a different movie
- 14:33Speaker 11: where a witch was sort of firmly implanted? It's a
- 14:36Speaker 11: pointy hat, rides a broom.
- 14:39Speaker 2: It's all from Pumpkinhead.
- 14:41Speaker 6: Illustrations of witches pretty much fed The Wizard of Oz. Sorry, what?
- 14:45Speaker 6: All the old illustrations from old books and stuff. I've
- 14:50Speaker 6: got a Halloween decoration. I collect a lot of old
- 14:51Speaker 6: Halloween decorations, and I've got stuff back into the teens
- 14:54Speaker 6: and 20s. And there's a lot of that witch, the
- 14:57Speaker 6: pointy hat and the scraggly nose. It's all there. But
- 15:00Speaker 6: I think The Wizard of Oz is the first film
- 15:02Speaker 6: that actually put that. on film, that iconic version.
- 15:05Speaker 5: I mean, isn't our, like, comical interpretation, which is Shakespearean
- 15:10Speaker 5: for the most part, though, you know?
- 15:12Speaker 7: Mm-hmm.
- 15:13Speaker 5: That's what I thought. I think that imagery has kind
- 15:15Speaker 5: of always been around.
- 15:16Speaker 6: Yeah, the old hags and cackling and all that.
- 15:18Speaker 9: I think it kind of goes back to what I
- 15:19Speaker 9: was saying earlier about Halloween, too, though. I want to
- 15:22Speaker 9: say that I read that, again, when a lot of, like,
- 15:25Speaker 9: pagan rituals were sort of being incorporated, I want to say, like,
- 15:30Speaker 9: in Rome, they... were kind of picking up on some
- 15:35Speaker 9: of the instruments used in some kind of pagan fertility
- 15:39Speaker 9: kind of rituals and stuff. And it had to do
- 15:41Speaker 9: with like, you know, they wore a certain hat or
- 15:42Speaker 9: they used a broom for some part of the ritual.
- 15:44Speaker 9: And it kind of became like they kind of lumped
- 15:46Speaker 9: it all together into one character.
- 15:48Speaker 3: So the witch was like a priest, basically.
- 15:50Speaker 9: I believe it was pagan rituals that, you know, had
- 15:53Speaker 9: these kind of, you know, like a doctor has a stethoscope,
- 15:56Speaker 9: things like that. Like, you know, there was priests or
- 15:59Speaker 9: like people in these ceremonies that used a broom or
- 16:01Speaker 9: wore a certain hat. And I think these things got
- 16:03Speaker 9: lumped together into one kind of like, you know, singular identity.
- 16:07Speaker 11: So was there ever a movie called like The Witch
- 16:10Speaker 11: back in the 40s or something like that?
- 16:12Speaker 7: There was I Married a Witch with Veronica Lake, which
- 16:18Speaker 7: I may or.
- 16:18Speaker 6: May not have seen. Bell, Book, and Candle.
- 16:20Speaker 12: And then you had later on Burn, Witch, Burn.
- 16:22Speaker 6: Which is a great movie.
- 16:23Speaker 13: Yeah.
- 16:23Speaker 3: Bell, Book, and Candle.
- 16:24Speaker 12: Which that almost, I mean. Burn, Witch, Burn is sort
- 16:27Speaker 12: of a companion piece to Curse of the Demon. Curse
- 16:30Speaker 12: of the Demon has its own fair share of witchcraft
- 16:32Speaker 12: mixed in.
- 16:33Speaker 3: Curse of the Demon also being the ancestor of Drag
- 16:35Speaker 3: Me to Hell.
- 16:36Speaker 6: Exactly.
- 16:37Speaker 3: It's got a pretty deep roots.
- 16:38Speaker 6: Curse of the Demon is my favorite classic era horror film,
- 16:41Speaker 6: but it's like late 50s, 50s.
- 16:43Speaker 12: Burn, Witch, Burn is also damn clever too, both of them.
- 16:46Speaker 6: Yeah, that was, well, Curse of the Demon was originally
- 16:50Speaker 6: Night of the Demon. I think Burn, Witch, Burn was
- 16:52Speaker 6: originally Night of the Eagles. They changed the title when
- 16:54Speaker 6: they brought it over here.
- 16:57Speaker 3: Where did we get, I mean, when you're talking about
- 17:00Speaker 3: that kind of era history, it seems like a lot
- 17:02Speaker 3: of our ideas for costumes now are because of that.
- 17:07Speaker 3: Where did we get the idea of the sheet and
- 17:09Speaker 3: the ghost? I mean, has that ever worked?
- 17:16Speaker 7: Outside of that one Scooby-Doo episode, you mean?
- 17:19Speaker 6: I've seen illustrations using that concept. all the way back
- 17:23Speaker 6: to like M.R. James, which would be, you know, early
- 17:26Speaker 6: 20th century, where you'd see a ghost portrayed that way.
- 17:29Speaker 6: I think it kind of transmuted from the shroud. Yeah.
- 17:32Speaker 6: And it just turned into a sheet with the eyes.
- 17:35Speaker 7: Yeah, the tattered shroud. I know that they make mention
- 17:38Speaker 7: of that in descriptions of Varney the Vampire, you know,
- 17:42Speaker 7: from the teens and whatnot, which is one of our,
- 17:44Speaker 7: by the way, one of our enormous early pulp vampire novels,
- 17:47Speaker 7: which really helped to sort of set the tone for those,
- 17:50Speaker 7: for a lot of actually this kind of horror stuff
- 17:52Speaker 7: and Also is famous for jumping the shark, according to
- 17:56Speaker 7: most of its fans. One of our early examples of
- 17:58Speaker 7: a Dexter-type series. It starts off awesome, and just by
- 18:02Speaker 7: the middle of it, you're like, what the hell is
- 18:04Speaker 7: going on today?
- 18:06Speaker 11: I just think it's funny how back then they wanted
- 18:07Speaker 11: to burn witches, and now they want to have sex
- 18:09Speaker 11: with them.
- 18:10Speaker 3: Well, there's an interesting transition. They send them to a
- 18:12Speaker 3: nice school in northern England. Well, that's the thing.
- 18:17Speaker 7: There's a transition that occurs in the 70s with the
- 18:19Speaker 7: so-called folk horror movement and things like that.
- 18:23Speaker 11: Folk horror?
- 18:23Speaker 3: Folk horror.
- 18:25Speaker 7: For me, the touchstone films are, of course, Wicker Man,
- 18:29Speaker 7: Blood on Satan's Claw, one of my all-time favorites, and... God,
- 18:34Speaker 7: there's another one in there, but it's escaping me.
- 18:37Speaker 6: Simon, King of the Witches. Remember that one?
- 18:40Speaker 3: Oh, yeah, yeah, yeah. Those are films that were all
- 18:43Speaker 3: the same. Devil Rides Out. Devil Rides Out.
- 18:46Speaker 10: If you go back and then look at all the
- 18:47Speaker 10: old books on witchcraft, then they started realizing, oh, all
- 18:50Speaker 10: these women are naked in it. That's that 70s era
- 18:53Speaker 10: when they started going, oh, we can use that.
- 18:55Speaker 6: We can show them now.
- 18:55Speaker 7: Especially at the drive-in. And that's what the folk horror
- 18:59Speaker 7: thing kind of was. It was happening towards the twilight.
- 19:01Speaker 3: Of the hippie era.
- 19:02Speaker 7: And what you see is, well, okay, we're going to
- 19:05Speaker 7: set a film in the bucolic English countryside. Except that,
- 19:07Speaker 7: of course, the English countryside isn't really bucolic because it's
- 19:10Speaker 7: always gray.
- 19:12Speaker 3: And it's always muted brown tones.
- 19:14Speaker 7: And people are going to go out into the woods
- 19:16Speaker 7: and they're going to be being one with nature. Which also,
- 19:19Speaker 7: by the way, happens to mean killing children and making.
- 19:23Speaker 3: Sacrifices to dark powers.
- 19:25Speaker 4: Yeah.
- 19:25Speaker 7: In other words, they reintroduced both the raw sexuality of
- 19:30Speaker 7: the thing, like Wicker Man, for instance, is a series
- 19:33Speaker 7: of teases ultimately leading up to a sacrifice. A lot
- 19:37Speaker 7: of that's kind of.
- 19:38Speaker 12: Born out of what Hammer Studios started in the 50s, too.
- 19:41Speaker 12: It was the culmination of it.
- 19:43Speaker 6: Right.
- 19:43Speaker 7: So there's that whole transition and sort of revealing that.
- 19:47Speaker 6: Other.
- 19:47Speaker 7: Like, there's the comedic witch who's, like, cackling and has
- 19:49Speaker 7: her broom and is a very big caricature. And then there's...
- 19:52Speaker 7: the sort of, I would say, post-hippie witch of like,
- 19:56Speaker 7: we're getting back to nature, but it turns out that's
- 19:59Speaker 7: not as pleasant as we thought it was.
- 20:01Speaker 3: Going to be.
- 20:01Speaker 12: They want to seduce you, which seems all right at first,
- 20:04Speaker 12: but it's like, no, there's a dark motive behind it.
- 20:06Speaker 7: Yeah, and there's a lot of messed up psychological stuff
- 20:10Speaker 7: going on. So now we have both archetypes with us,
- 20:14Speaker 7: and we see that in a lot of movies sort
- 20:16Speaker 7: of being played back and forth. We have the goofy,
- 20:18Speaker 7: silly witch character, You know, from Wizard of Oz. But
- 20:21Speaker 7: we also have the witch that maybe represents our fear
- 20:25Speaker 7: of sexuality or maybe represents in some way our fear
- 20:27Speaker 7: of nature.
- 20:28Speaker 5: Well, it's interesting that, you know, I mean, even in
- 20:32Speaker 5: the Odyssey, that's how the witch was in the Odyssey.
- 20:38Speaker 3: Which witch? Calypso or?
- 20:41Speaker 11: Not Calypso.
- 20:42Speaker 6: Cersei.
- 20:42Speaker 8: Cersei.
- 20:43Speaker 2: Cersei.
- 20:44Speaker 5: Yeah, she was, like, the beautiful, like, seductress witch, you know,
- 20:47Speaker 5: who came with her magic wand and turned everybody into pigs.
- 20:50Speaker 7: Yeah, and who Odysseus was told, like, well, then she's
- 20:53Speaker 7: going to ask you to go to bed with her
- 20:54Speaker 7: and you can't say no because, you know, she's a
- 20:57Speaker 7: goddess and you're a dude.
- 20:58Speaker 6: Yeah.
- 21:01Speaker 10: Well, since you mentioned the old school decorations, I forgot
- 21:06Speaker 10: I actually brought my original era pumpkin here.
- 21:09Speaker 6: Oh, yeah.
- 21:10Speaker 8: Oh, nice.
- 21:10Speaker 2: Did anybody else have that?
- 21:12Speaker 3: I remember those.
- 21:12Speaker 2: Did you have that one?
- 21:14Speaker 11: It's like the Amadeus thing.
- 21:15Speaker 10: He's a bipolar pumpkin.
- 21:19Speaker 6: Is that Empire Plastics?
- 21:21Speaker 2: I think so. And it had a hole that the
- 21:24Speaker 2: candy would leak out of.
- 21:25Speaker 3: Oh, yeah. She's bad planning.
- 21:27Speaker 6: Well, these were all like in the 60s and 70s.
- 21:29Speaker 6: And you had these plastic blow-molded buttons.
- 21:31Speaker 3: Well, you've got to drain the water out if it's raining.
- 21:32Speaker 6: And you had those light-up decorations with the pumpkin on
- 21:34Speaker 6: the haystack that would be in the windows. I've got
- 21:36Speaker 6: a bunch of that.
- 21:37Speaker 2: Wow, that takes me back.
- 21:39Speaker 3: Way back.
- 21:40Speaker 6: Yeah, there's nothing like the smell of that full of candy.
- 21:43Speaker 2: You stick your face into that plastic.
- 21:44Speaker 3: Oh, I did many times. I love that smell.
- 21:47Speaker 7: Oh, yeah, and that slightly rough edge that the plastic
- 21:50Speaker 7: always had. Because they could never make soft plastic edges.
- 21:52Speaker 3: It was always scratchy and.
- 21:54Speaker 11: Let me ask you something. Whenever you were a little girl... You're.
- 22:00Speaker 3: Talking to me, right?
- 22:02Speaker 11: I'm talking to everyone. Whenever Halloween came around, did you
- 22:07Speaker 11: ever want to dress up as something scary or was
- 22:10Speaker 11: it always Polly Pocket?
- 22:12Speaker 5: I was thinking about that.
- 22:14Speaker 11: And I'm wondering, is it because there aren't really that
- 22:16Speaker 11: many female scary things?
- 22:20Speaker 6: Yeah.
- 22:21Speaker 2: I mean, it's true.
- 22:22Speaker 11: There are a lot less to work from.
- 22:27Speaker 5: I don't recall ever dressing as anything scary ever.
- 22:31Speaker 2: Which is weird because you were a creepy child.
- 22:33Speaker 8: Well, no, that's the thing.
- 22:34Speaker 5: I was always scary.
- 22:35Speaker 2: So, like, I mean, I'm going to dress like that.
- 22:37Speaker 3: This was your day.
- 22:38Speaker 11: Your disguise was someone nice.
- 22:41Speaker 5: I remember the first costumes I remember was the homemade
- 22:44Speaker 5: bunny costume. My mom made the ears out of, like,
- 22:47Speaker 5: cardboard and she colored it with crayons. And then I
- 22:50Speaker 5: was a ballerina for several years, like with a homemade
- 22:53Speaker 5: tall ballerina skirt. And then after that, the Polly Pocket.
- 22:58Speaker 5: One year, my mom insisted that I go to school
- 23:01Speaker 5: dressed as a hillbilly.
- 23:04Speaker 2: This doesn't surprise me, knowing your mom.
- 23:06Speaker 5: No.
- 23:08Speaker 3: That's like the hobo.
- 23:09Speaker 11: It's always a cute, charming hillbilly.
- 23:11Speaker 3: We got these pants that don't fit you and this
- 23:14Speaker 3: old shirt. Let's just not watch.
- 23:16Speaker 5: This is a really traumatic experience for me, though, because...
- 23:20Speaker 5: She'd gotten a paper that said it was like dress
- 23:22Speaker 5: up day. And then I was like, I think they
- 23:24Speaker 5: canceled it. And I was trying to tell my mom
- 23:25Speaker 5: this and she didn't believe me. And she was like,
- 23:28Speaker 5: she braided my hair and she took a pencil and
- 23:31Speaker 5: drew freckles on my face and tooth blackout that she
- 23:34Speaker 5: had for some reason. Put me in a pair of
- 23:37Speaker 5: overalls and applied shirt. and sent me to school, and
- 23:40Speaker 5: no one was fucking dressed up. And this was like preschool.
- 23:45Speaker 5: This was preschool, and it was really traumatic for me.
- 23:47Speaker 5: And I think that's why I never wanted a homemade
- 23:50Speaker 5: costume again, that moment.
- 23:55Speaker 7: By the way, speaking to the student thing, just a
- 23:57Speaker 7: brief aside, it seems to me that when I think
- 23:59Speaker 7: back to my kindergarten days, we were always dressing up
- 24:02Speaker 7: for something. There was always an excuse. Because in Thanksgiving...
- 24:06Speaker 7: We all wore costumes. We were either Indians or pilgrims.
- 24:08Speaker 7: There was, like, one pilgrim in our class. Like, one
- 24:11Speaker 7: poor child. Her mother made her wear, like, the pilgrim
- 24:14Speaker 7: buckle hat and everything, and the rest of us were
- 24:16Speaker 7: awesome Indians.
- 24:17Speaker 5: I feel like it's probably easier to dress as an Indian, though, to, like,
- 24:19Speaker 5: make an Indian costume.
- 24:20Speaker 3: Well, and more awesome. Like, I mean, come on. You're
- 24:22Speaker 3: wearing feathers and, like, running around in.
- 24:24Speaker 2: And you've got a dead bird on your head, obviously.
- 24:27Speaker 14: Well, thank you.
- 24:27Speaker 2: That's what all Indians do.
- 24:29Speaker 11: Even now in high school, do the female students, do
- 24:33Speaker 11: they dress scary or is it all across the board slutty?
- 24:37Speaker 6: I'd say in high school there's no scary.
- 24:39Speaker 12: It's mostly slutty.
- 24:40Speaker 6: I've got a daughter who just turned, you know, she's eight.
- 24:42Speaker 6: And she's, of course, a huge Halloween fan. She has
- 24:45Speaker 6: to live in my house.
- 24:46Speaker 11: Don't like it.
- 24:47Speaker 6: But early on she was cute and scary. She'd be
- 24:51Speaker 6: like a little black cat. And then she was a
- 24:53Speaker 6: witch one year. And then she kind of got the
- 24:55Speaker 6: cutes for a couple years where she was like a
- 24:56Speaker 6: little fairy princess. But then she's really into scary stuff.
- 25:00Speaker 6: She hangs around where I do. So last year she
- 25:03Speaker 6: was the girl from The Grudge.
- 25:05Speaker 3: Nice.
- 25:06Speaker 6: Seven-year-old grudge girl.
- 25:07Speaker 11: That's very cool.
- 25:08Speaker 6: People would open their door and they'd hear, ah. She
- 25:12Speaker 6: wants to do a more elaborate version of that this
- 25:14Speaker 6: year with more blood.
- 25:16Speaker 3: And Dad standing off to the side of the boom box.
- 25:18Speaker 6: But this is being marketed and fed to kids more
- 25:22Speaker 6: successfully now because you've got monster high dolls oh yeah
- 25:25Speaker 6: which i.
- 25:25Speaker 5: Don't know they're everywhere money loves those but i think it's.
- 25:29Speaker 6: The classic universal you know i really imagine i admire
- 25:32Speaker 6: those toys they're viciously marketed but they're.
- 25:35Speaker 2: Clever they are and they're pretty well made and they're really.
- 25:39Speaker 6: They put a lot of detail and work into them
- 25:40Speaker 6: and they're like linear descendants of classic monsters so you
- 25:43Speaker 6: got the daughter of the creature and you've got the
- 25:45Speaker 6: daughter of frankenstein.
- 25:46Speaker 9: And This is like Muppet Babies.
- 25:49Speaker 6: My daughter has like 70 of them.
- 25:52Speaker 12: I'll actually ask you, like, policies on trick-or-treating. Because I
- 25:55Speaker 12: was having this argument with some of my students the
- 25:57Speaker 12: other day because they were talking about, you know, they
- 25:59Speaker 12: like Halloween because they get to go out trick-or-treating. And
- 26:01Speaker 12: I'm talking about going trick-or-treating this year. I was like,
- 26:04Speaker 12: y'all are in high school. Like, so it's free candy.
- 26:06Speaker 12: It's like, in my family, it was really, really strict.
- 26:08Speaker 12: My mom, or the rules that we had is if
- 26:11Speaker 12: you were big enough to carry your own bucket, that's
- 26:14Speaker 12: when you were old enough.
- 26:16Speaker 6: It's a trick-or-treat.
- 26:17Speaker 12: And once you hit a teenager, you stop. Because my
- 26:20Speaker 12: mom always said, once you get to be a teenager,
- 26:23Speaker 12: you don't appreciate it the way you used to when.
- 26:25Speaker 6: You were younger.
- 26:26Speaker 3: But I can carry it back.
- 26:28Speaker 12: And also, you ruin it for the little kids because
- 26:32Speaker 12: you're going around as a teenager and it just sours people.
- 26:35Speaker 3: And you're being a jerk, usually. But that's the whole
- 26:38Speaker 3: thing that like.
- 26:39Speaker 12: That's the whole thing that vexes me. Like last year,
- 26:41Speaker 12: I just went out around with Dave because it vexed me.
- 26:47Speaker 12: You're giving away candy. Of course, I also don't like
- 26:48Speaker 12: the fact that I live in my district, so I'll
- 26:52Speaker 12: see 16-year-old students coming around. It's like, can I have
- 26:55Speaker 12: some candy, Mr.
- 26:56Speaker 6: Candy?
- 26:56Speaker 12: I'm sitting here thinking, fuck you. But the other thing
- 27:00Speaker 12: that drives me crazy, too, is the parents pushing around
- 27:05Speaker 12: a baby in a stroller in an outfit, and the
- 27:06Speaker 12: parents carrying the candy. I'm sitting there thinking, you son
- 27:08Speaker 12: of a bitch. It's just, you want it for yourself.
- 27:11Speaker 12: And I don't know, I mean, just because that's the
- 27:14Speaker 12: way we were raised. Because part of the fun of trick-or-treating, like,
- 27:19Speaker 12: is the element of fear. You're going around to strangers' houses,
- 27:23Speaker 12: like you were talking about earlier, and you're taking a
- 27:24Speaker 12: chance just getting this candy from them. And you're going around,
- 27:28Speaker 12: especially growing up in the south end of Louisville. I mean,
- 27:31Speaker 12: it was just sort of a, you know, it's not
- 27:33Speaker 12: a bad neighborhood.
- 27:34Speaker 6: It's an adventure.
- 27:35Speaker 15: It is.
- 27:36Speaker 12: And so once you get old enough, that fear sort
- 27:40Speaker 12: of disappears and you don't appreciate the mystique of it.
- 27:42Speaker 12: But at the same time, if you're too little and
- 27:44Speaker 12: it's just, It's not your ceremony. It's like there's that
- 27:48Speaker 12: range there.
- 27:48Speaker 6: Yeah, having a child and then being able to revisit
- 27:51Speaker 6: all this has been just the most amazing thing. Because
- 27:53Speaker 6: I've always loved Halloween. But to go back to the
- 27:55Speaker 6: root and to be on those sidewalks at night with
- 27:59Speaker 6: all the mysterious doors.
- 28:00Speaker 12: Going around with y'all last year.
- 28:02Speaker 11: It was a cold.
- 28:04Speaker 6: Night last year, but it was like still it's that
- 28:07Speaker 6: anticipation of ringing the bell, saying trick-or-treat. And, you know,
- 28:10Speaker 6: people reacting to you and going up to houses that
- 28:13Speaker 6: are really decorated great and being slightly scared. That's all
- 28:16Speaker 6: wonderful stuff that you only experience in that environment.
- 28:21Speaker 12: There's a shift, too, that's, you know, A, I fucking
- 28:24Speaker 12: hate trunk or treat. Like, that is the most pansy,
- 28:28Speaker 12: lazy-ass way to get candy is just to walk around
- 28:31Speaker 12: a parking lot and get shit out of the backs
- 28:33Speaker 12: of cars. It's like, no... March around the neighborhoods, but, like,
- 28:37Speaker 12: all this trunk-or-treat, yes, that's.
- 28:39Speaker 6: Well, that's the point.
- 28:40Speaker 7: Part of the point of Halloween, it seems to me, is.
- 28:44Speaker 3: And this is kind.
- 28:45Speaker 7: Of neat, because if you think about Halloween, again, at
- 28:48Speaker 7: its root, or, sorry, at its origins, you know, this
- 28:52Speaker 7: idea that the exterior world has somehow become thinner, you know,
- 28:55Speaker 7: like we're... It is easier for us to pass into
- 28:59Speaker 7: other dimensions by accident, and to run into the ghosts
- 29:02Speaker 7: of our dead relatives, good and bad.
- 29:04Speaker 10: Well.
- 29:05Speaker 7: In Halloween, the way we practice it, there's a kind
- 29:07Speaker 7: of an interiority there, too, where we, for the first time,
- 29:10Speaker 7: might get to see the inside of houses that we've
- 29:13Speaker 7: only seen on the outside. We actually have a social
- 29:15Speaker 7: contract reason to, like, walk up to some stranger's house
- 29:18Speaker 7: that we've never even spoken to and demand things from them.
- 29:22Speaker 7: You know, and I don't just mean that in sort of, like,
- 29:24Speaker 7: the bizarreness of it, but there's... There's an intimacy there
- 29:28Speaker 7: that is unusual. And it happens in this highly stylized
- 29:33Speaker 7: fashion where you have to be in costume. And usually
- 29:36Speaker 7: they're in costume too. So these two people who have
- 29:38Speaker 7: no reason to speak to each other actually... meet at
- 29:41Speaker 7: one person's house and exchange things. There's something very mysterious
- 29:47Speaker 7: about that whole process. Like from the point of view
- 29:49Speaker 7: of someone who lives in a neighborhood and talks to
- 29:53Speaker 7: maybe the person that lives right next door to them.
- 29:56Speaker 3: Yeah, I was extremely excited once we got a house,
- 30:00Speaker 3: and it was in a neighborhood that you could walk
- 30:02Speaker 3: and that people would be out and trick-or-treating. And the
- 30:08Speaker 3: first year, I bought the best candy you could buy.
- 30:10Speaker 3: I bought it early. I bought the good stuff and
- 30:13Speaker 3: was ready. And my daughter was little, and I said, no,
- 30:16Speaker 3: you take her out, and she can do her trick-or-treating.
- 30:19Speaker 3: I'm going to stay home because I'm going to be
- 30:20Speaker 3: the cool house that you get the good candy from,
- 30:23Speaker 3: and I want to be that guy. Sticking her clean.
- 30:27Speaker 4: Right.
- 30:27Speaker 3: And nobody came by.
- 30:28Speaker 9: And that's what I was going to say earlier. I
- 30:31Speaker 9: don't know if it's because I live so close to
- 30:33Speaker 9: a mall. Because I've worked in a mall but also
- 30:35Speaker 9: live fairly close to it. So I've had both situations
- 30:39Speaker 9: where I work at the mall on Halloween day and
- 30:41Speaker 9: see the hundreds– Of people that come to the mall
- 30:44Speaker 9: to do their trick-or-treating. I mean, it's like this constant
- 30:47Speaker 9: line that's just flowing.
- 30:48Speaker 12: That goes back to what I'm saying. Within the past
- 30:51Speaker 12: few years, it's become like this whole promotion to do
- 30:54Speaker 12: trick-or-treating the safe way.
- 30:55Speaker 11: Do it before it gets dark.
- 30:57Speaker 3: Go to a parking lot. It's not about being safe.
- 30:59Speaker 12: Go to the zoo to where everything is cute. You're
- 31:01Speaker 12: going to the mall to trick-or-treat.
- 31:02Speaker 11: It's like a recent shit. It's so weird that.
- 31:06Speaker 12: Suddenly we're, like you were saying, we go to these
- 31:09Speaker 12: horror conventions.
- 31:10Speaker 15: Yeah.
- 31:11Speaker 12: Once a month. I don't understand the juxtaposition of where
- 31:13Speaker 12: we love and embrace horror so much, but yet the
- 31:16Speaker 12: thing that should be like a celebration of it is
- 31:19Speaker 12: slowly becoming safer and more passive.
- 31:22Speaker 11: It's probably because horror fans, like, you know, there's you
- 31:27Speaker 11: and then there's the not-we, you know, the people who
- 31:30Speaker 11: aren't horror fans. Halloween is probably the night where people
- 31:33Speaker 11: who aren't horror fans, you know, it's their one night
- 31:37Speaker 11: to dress up and bring their kids out but they
- 31:39Speaker 11: want to keep them safe i mean it's the whole
- 31:41Speaker 11: culture is doing that i mean you got playgrounds that
- 31:45Speaker 11: are not built on blacktop that was the playground that
- 31:49Speaker 11: i played on but now it's it's all with soft
- 31:52Speaker 11: rubber and stuff it's across the board by the way and.
- 31:57Speaker 6: You're lucky if you see a kid in one yeah
- 31:59Speaker 6: you know but you get this whole movement.
- 32:00Speaker 3: Because they're not fun well you know there's actually a
- 32:03Speaker 3: research study that was done in japan that they make
- 32:06Speaker 3: extremely difficult playgrounds and dangerous playgrounds. One is real popular.
- 32:12Speaker 3: It's logs that are almost too far for kids to
- 32:16Speaker 3: jump across that are in the air. And no one
- 32:20Speaker 3: gets hurt on them because the kids respect the playground
- 32:23Speaker 3: equipment and it's a challenge to them. But here we
- 32:26Speaker 3: make things that kids are like, fuck this, I'm going
- 32:28Speaker 3: to find a way to make it dangerous. And I'm
- 32:30Speaker 3: going to climb on the wrong way. And then I'm
- 32:32Speaker 3: going to break my arm. And that's it.
- 32:34Speaker 7: I'm going to find a way to make this dangerous.
- 32:37Speaker 7: I'm thinking about basically every Halloween movie I've ever seen
- 32:42Speaker 7: involves the gang of 11-year-old boys and probably one or
- 32:46Speaker 7: two girls as well who are like, Looking at that
- 32:49Speaker 7: one house on the corner that no one ever has
- 32:51Speaker 7: the stones to go up to and knock on the
- 32:53Speaker 7: door of. And inevitably they run into a gang of
- 32:58Speaker 7: bigger kids. Everyone's unsupervised and they're scared of the bigger
- 33:01Speaker 7: kids because they might actually beat them up and take
- 33:03Speaker 7: their candy. There's a whole ritual aspect to it that's...
- 33:09Speaker 7: there's very much like kids on their own with like,
- 33:12Speaker 7: with some initiative. You know, there's the opportunity to go
- 33:15Speaker 7: to this house, the opportunity to go to that house.
- 33:17Speaker 3: Which is not reality. Well, they're all supervillains.
- 33:19Speaker 11: Oh, of course not.
- 33:20Speaker 3: Well, it used to be reality.
- 33:22Speaker 2: It used to be, well, kids, have fun trick-or-treating.
- 33:25Speaker 3: Or at most, have.
- 33:26Speaker 7: Fun trick-or-treating with your older brother who is 17 and
- 33:30Speaker 7: is immediately going to find his girlfriend as he walks
- 33:32Speaker 7: out the door, like, you know, and abandon you.
- 33:34Speaker 6: Yeah, you've got the appeal of the adventure, you've got
- 33:36Speaker 6: the fact that you're disguised.
- 33:37Speaker 3: Right, yeah.
- 33:39Speaker 2: And you're probably going to be crying as you get older.
- 33:41Speaker 6: That's really potent stuff when you're a kid.
- 33:43Speaker 3: Yeah, absolutely.
- 33:44Speaker 6: And like I said, we're gradually trying to take it
- 33:46Speaker 6: all away.
- 33:48Speaker 10: Again, it's because everything's become sort of corporatized, and now
- 33:52Speaker 10: everything's being filtered through the soccer moms.
- 33:54Speaker 2: And what does soccer mom want to do?
- 33:56Speaker 10: Well, she wants to take the kid to the safe place,
- 33:58Speaker 10: like the mall, where you can go around. And I
- 34:00Speaker 10: think it is that aspect where everything has to be
- 34:03Speaker 10: filtered through, like, the lowest common denominator. What's the most
- 34:06Speaker 10: generic way we can do this?
- 34:08Speaker 3: Halloween mall with real Halloween action.
- 34:11Speaker 6: Luckily, you know, there are still places, you know, there
- 34:13Speaker 6: are still neighborhoods that celebrate properly. Germantown is good. And
- 34:16Speaker 6: if you ever go over on Hillcrest Avenue.
- 34:18Speaker 2: They're amazing.
- 34:19Speaker 6: You know what goes on over there.
- 34:20Speaker 3: They're professionals.
- 34:21Speaker 6: It's pretty cool.
- 34:21Speaker 5: Last year I took my two, she was two at
- 34:23Speaker 5: the time, my niece trick-or-treating. And this house across the
- 34:28Speaker 5: street from her uncle's, every year they do like this
- 34:32Speaker 5: really elaborate haunted house in the yard. And their theme
- 34:34Speaker 5: was scary, evil clowns.
- 34:36Speaker 2: There's one I don't get.
- 34:40Speaker 6: Yeah.
- 34:41Speaker 5: And she's, I mean, she's pretty fearless. But she was
- 34:44Speaker 5: standing beside me and she wanted to go through the
- 34:46Speaker 5: haunted house. And there were people trying to scare her.
- 34:48Speaker 5: And this man in like this terrifying clown mask. came
- 34:51Speaker 5: up behind her and was like, oh, and it startled her.
- 34:55Speaker 5: So she, so she jumped and then she turns around
- 34:57Speaker 5: and it was like, I was so proud of her.
- 34:58Speaker 5: She goes, oh, hi, happy Halloween.
- 35:02Speaker 6: Trick or treat.
- 35:03Speaker 5: And she was like totally unfazed. I was so proud.
- 35:06Speaker 2: But I mean, like, I don't.
- 35:08Speaker 5: Even have any children, but for a second I was like,
- 35:10Speaker 5: how dare he be that scary?
- 35:12Speaker 2: She's only two. And they're just.
- 35:14Speaker 5: Like, I'm one of those people.
- 35:15Speaker 4: Like, ah.
- 35:16Speaker 2: It's that same old children.
- 35:17Speaker 4: Oh, wow.
- 35:22Speaker 16: Man, you know that house up at the end of
- 35:23Speaker 16: the road that nobody goes near?
- 35:25Speaker 3: Well, let me tell you why they don't. Well, in
- 35:29Speaker 3: the haunted house at the top of the hill, the
- 35:31Speaker 3: spooks give around to test their skill.
- 35:33Speaker 16: That stroke of 12 every night seems such a frightful sight.
- 35:40Speaker 3: Stay, stay awake when the ghosts and the goblins play.
- 35:44Speaker 15: When the hands of the clocks blow off midnight, they're
- 35:47Speaker 15: getting out of sight.
- 35:53Speaker 14: It's intermission time. So how about taking a break, get
- 35:57Speaker 14: out and stretch a little, and relax before the show
- 36:00Speaker 14: begins again. And why not make it refreshment time, too?
- 36:04Speaker 14: We have lots of tasty, delicious treats waiting for you
- 36:07Speaker 14: at the refreshment center. There's hot popcorn, so golden good
- 36:11Speaker 14: and fresh out of the popper. And all kinds of
- 36:14Speaker 14: refreshing ice-cold soft drinks. Sizzling hot dogs just bursting with
- 36:19Speaker 14: juicy goodness. Ice cream so smooth and delicious you'll hanker
- 36:23Speaker 14: for more. Plus, all the most popular candy bars and
- 36:27Speaker 14: many other favorite treats. So why not visit the refreshment
- 36:30Speaker 14: center now? Our courteous attendants are ready and waiting to
- 36:34Speaker 14: serve you with a wide and wonderful variety of.
- 36:36Speaker 6: Good things to eat and drink.
- 36:39Speaker 14: So step right up and make yourself at home.
- 36:50Speaker 4: Out of the depths of darkness rises... Garganta, the true
- 36:56Speaker 4: king of monsters. He's on his way alive.
- 36:59Speaker 14: In person.
- 37:00Speaker 6: to.
- 37:01Speaker 4: Scare the yell out of you. Garganta, on the stage...
- 37:06Speaker 4: in Dr. Silpini's giant triple... dream show for the first
- 37:12Speaker 4: time on any stage the stage that brought you the
- 37:16Speaker 4: frankstein monster in person now brings you direct from hollywood
- 37:21Speaker 4: garganta the giant gorilla of the universe alive and in
- 37:27Speaker 4: person in a three-hour performance filled with more chills, thrills,
- 37:32Speaker 4: laughs than you've ever experienced in this century. It is engrossing, exciting, fascinating,
- 37:38Speaker 4: filled with tense climaxes, gripping scenes, beautiful starlets. Yes, it's Garganta.
- 37:46Speaker 4: This child in human menace. This 782 pounds of dynamite
- 37:52Speaker 4: that makes Kong the gorilla look like a monkey.
- 37:56Speaker 6: And that's not all.
- 37:57Speaker 4: During the dark seance when all the lights are dim, ghosts, spirits,
- 38:02Speaker 4: and vampires descend into the audience. You may find yourself
- 38:06Speaker 4: holding a ghost, your girl, or someone else's girl. So
- 38:10Speaker 4: watch out when the lights go out. But as Mae
- 38:13Speaker 4: West would say, it'll separate the men from the boys.
- 38:17Speaker 4: In New York, Chicago, Los Angeles, critics have proclaimed this
- 38:21Speaker 4: stage a tragedy. Costumes designed by aliens. Yes, it's a
- 38:26Speaker 4: stage show for every performance in the Dark Sea Ants,
- 38:29Speaker 4: but the adult may be afraid.
- 38:30Speaker 6: To walk home alone.
- 38:32Speaker 4: Now is your first and only chance to see in person,
- 38:37Speaker 4: on stage, and alive Garganta, the giant gorilla of the universe.
- 38:44Speaker 4: Watch for it. Remember the time, the place, and the
- 38:48Speaker 4: date to see Garganta alive and in person.
- 38:58Speaker 11: Dave, I do not get superheroes.
- 39:00Speaker 3: Oh my god, I don't get you.
- 39:02Speaker 6: What don't you get? Towerbot here.
- 39:05Speaker 17: Well, the meatbags were going to say that if you're
- 39:08Speaker 17: a geek and like podcasts, then you could try Tower
- 39:11Speaker 17: of Technobabble at www.toweroftechnobabble.com. Then this started. Well, it's up
- 39:20Speaker 17: to you. I'm gonna get my taser and put a
- 39:22Speaker 17: stop to this.
- 39:23Speaker 6: Tower bot out. Okay, monkeys.
- 39:28Speaker 3: It's nap time.
- 39:35Speaker 2: Hey guys, look what I've got.
- 39:37Speaker 10: Check out these awesome earbuds I'm using right now.
- 39:41Speaker 6: Look at that.
- 39:41Speaker 2: That's wood right there.
- 39:43Speaker 6: That's actual wood.
- 39:45Speaker 3: Why would you use wood to make technology?
- 39:47Speaker 2: Because they're... It's like... They're steampunk.
- 39:51Speaker 7: Is steampunk really wood?
- 39:53Speaker 3: I thought it was more of a brass thing.
- 39:54Speaker 10: Well, you got to work the wood in to hold
- 39:56Speaker 10: the brass together. These are the fancy high-end steampunk versions
- 40:00Speaker 10: with a mic built in, mind you. But yeah, where
- 40:04Speaker 10: would I get these you wonder?
- 40:06Speaker 2: Tweaked Audio.
- 40:10Speaker 3: Way to pitch.
- 40:11Speaker 2: You want to hear more, you say?
- 40:15Speaker 3: TweakedAudio.com.
- 40:16Speaker 10: Hey, they are available in three styles and seven colors.
- 40:20Speaker 10: And they sound pretty damn good. I kind of forgot
- 40:22Speaker 10: because I hadn't had my old pair in a while
- 40:25Speaker 10: and I was using the knockoff crappy ones I bought
- 40:27Speaker 10: at the store. And I got these and.
- 40:30Speaker 2: Put them in.
- 40:30Speaker 10: I was like, oh, shit, that's right.
- 40:31Speaker 2: These are actually really good. So they are professional quality earbuds,
- 40:35Speaker 2: mind you.
- 40:36Speaker 10: And, you know, noise reducing, compatible with your iPods and
- 40:41Speaker 10: most phones, unless you have a dumb phone.
- 40:43Speaker 2: You should really get a smartphone, not a dumb phone.
- 40:45Speaker 2: But You just.
- 40:47Speaker 14: Keep a bunch on hand for gifts when you don't
- 40:50Speaker 14: know what the perfect thing is.
- 40:52Speaker 10: Around the holidays, I was putting that word out. I
- 40:54Speaker 10: was like, you know, go ahead and stock up.
- 40:56Speaker 3: They're good for Hanukkah.
- 40:57Speaker 11: They're good for Christmas.
- 40:58Speaker 7: Yeah, for a while there, we were thinking at the alley,
- 41:01Speaker 7: we'd have a giant stack of iPads and be like, hey, guys,
- 41:04Speaker 7: thanks for coming down. I'm sorry you didn't want to
- 41:06Speaker 7: see the show, but here, take a free iPad.
- 41:09Speaker 2: That's a pretty good promo, actually. Yeah, yeah. If it said, like,
- 41:12Speaker 2: the alley on the back, you'd be like, hey, look
- 41:14Speaker 2: at this.
- 41:15Speaker 3: The Tommy Fresh style of promotions.
- 41:18Speaker 6: For all you Parks and Rec fans out there.
- 41:20Speaker 2: He's on to something, though.
- 41:22Speaker 7: If you give someone a free iPad, they're far more
- 41:24Speaker 7: likely to look upon you favorably.
- 41:27Speaker 2: I'm not wearing his old clothes, though.
- 41:29Speaker 6: That's all I have to say.
- 41:29Speaker 3: That's a little weird.
- 41:31Speaker 11: So, anyway, the.
- 41:32Speaker 10: The basic rundown here, if you need yourself some earbuds, tweakedaudio.com.
- 41:37Speaker 10: And if you go there, there's a deal.
- 41:40Speaker 2: There's a Meltdown deal.
- 41:41Speaker 10: If you go, there's a discount code, and you put
- 41:43Speaker 10: in Meltdown, you get 33% off and free shipping.
- 41:47Speaker 2: That's all I'm saying. You guys are excited, right?
- 41:50Speaker 8: Yeah.
- 41:50Speaker 4: Oh, yeah.
- 41:51Speaker 2: As well you should be.
- 41:52Speaker 6: A little more passion, guys.
- 41:55Speaker 2: Look, he's directing.
- 41:57Speaker 6: Crap.
- 41:57Speaker 3: Told me not to do that.
- 42:00Speaker 2: It's like it's a theater or something. Tweet.io.com. Use the
- 42:06Speaker 2: Meltdown code.
- 42:07Speaker 6: That's all I'm saying.
- 42:09Speaker 8: Oh, no, not the beast!
- 42:11Speaker 3: Not the beast!
- 42:13Speaker 7: Ah!
- 42:14Speaker 8: I love my eyes!
- 42:15Speaker 13: My eyes! Ah! Ah! Hi, everybody.
- 42:20Speaker 6: I'm Tony Todd. You're listening to Movie Meltdown.
- 42:22Speaker 11: Pay attention and enjoy the conversations.
- 42:26Speaker 6: The unique conversations.
- 42:38Speaker 17: It's part of your problem, you know, you haven't seen
- 42:41Speaker 17: enough movies.
- 42:42Speaker 4: All of life's riddles are answered in the movies. And now,
- 42:46Speaker 4: on with the show.
- 42:54Speaker 6: Well, the ghosts and.
- 42:55Speaker 16: The witches and the devil too are in there mixing.
- 42:58Speaker 10: Up a room.
- 42:59Speaker 3: And if a man should.
- 43:00Speaker 16: Venture near, his soul inside will disappear. Your soul and
- 43:06Speaker 16: mine is in there. Through the fate of which we
- 43:09Speaker 16: had no clue.
- 43:10Speaker 3: All we do is hope and pray.
- 43:12Speaker 16: We'll be here another day.
- 43:17Speaker 3: Stay, stay away.
- 43:18Speaker 15: From the ghosts and the goblins. Play when the hands
- 43:21Speaker 15: of the clock spell out midnight. Better get in our
- 43:25Speaker 15: house out of sight.
- 43:27Speaker 11: I don't know.
- 43:27Speaker 12: I mean, to me, I associate more like true Halloween...
- 43:31Speaker 12: Just being in a neighborhood where you see somebody every
- 43:34Speaker 12: now and then, but there's a lot of that eerie
- 43:35Speaker 12: desolation as you're going around trick-or-treating.
- 43:38Speaker 6: That's what's most appealing.
- 43:40Speaker 12: Because growing up in Brooks for a few years, because
- 43:45Speaker 12: the houses were so spaced far apart, I mean, you
- 43:48Speaker 12: could walk sometimes for, you know, 10 minutes before you
- 43:52Speaker 12: get to another house. What someone in the neighborhood started
- 43:54Speaker 12: doing was there was a farmer that– just actually they
- 43:59Speaker 12: ended up, I think they actually just made hay or
- 44:02Speaker 12: grew hay. And so he would go around with a
- 44:04Speaker 12: hay truck and just all the parents would come and
- 44:07Speaker 12: bring the kids and all the kids would just go
- 44:09Speaker 12: off with this one person and he would just drive
- 44:12Speaker 12: you to a house and you'd get out and stop
- 44:13Speaker 12: because the parents didn't go along because they were staying
- 44:15Speaker 12: at the houses. And basically that was the whole thing
- 44:19Speaker 12: is you would make the whole circumference around the basic
- 44:23Speaker 12: area and then when it finally got back to like, base,
- 44:27Speaker 12: the meet-up point, was where they had a big Halloween
- 44:30Speaker 12: party for the whole neighborhood. It was really, really cool.
- 44:32Speaker 12: I remember them doing that for three.
- 44:34Speaker 6: Or four years. It's a rural aspect that's kind of vanishing.
- 44:38Speaker 6: My first Halloween memory is my grandparents had a farm
- 44:41Speaker 6: about 100 miles south of here. We still have it.
- 44:43Speaker 6: It's way out. I think I was probably one or two.
- 44:48Speaker 6: I just remember these being held in someone's arms as
- 44:50Speaker 6: someone came to the door and knocked, and they're wearing
- 44:53Speaker 6: some creepy rubber mask. And it completely freaked me out.
- 44:56Speaker 2: And that's why you are the way you are.
- 44:58Speaker 3: That's exactly.
- 44:59Speaker 6: And I had a grandmother who had a rubber mask
- 45:01Speaker 6: that she kept in the dish towel drawer. And if
- 45:04Speaker 6: I was in any way misbehaving, she'd go get the
- 45:06Speaker 6: false face. She'd put the false face on.
- 45:09Speaker 7: Oh, God, she called it the false face.
- 45:11Speaker 6: And it was like this pirate, you know, with a mustache.
- 45:14Speaker 12: And it really fucked me up.
- 45:17Speaker 6: But I love it. She was a Sunday school teacher.
- 45:21Speaker 7: I hear flesh and blood, but I will put on
- 45:22Speaker 7: the false face and come after you.
- 45:24Speaker 6: I ever hear people, I guess that's a.
- 45:27Speaker 5: Popular tactic for keeping your children to behave. Because I
- 45:30Speaker 5: hear people say that at work or at the mall.
- 45:34Speaker 5: I'll hear people say, do you want me to go
- 45:36Speaker 5: get the mask? I'll put the mask on.
- 45:38Speaker 2: To their small child.
- 45:40Speaker 11: We're getting back to sexy Halloween.
- 45:42Speaker 2: That really disturbed me. Well, that's what that reminded me.
- 45:44Speaker 5: I've heard several people say that.
- 45:46Speaker 10: Of like you, Beau, telling the story about like, You
- 45:49Speaker 10: couldn't do that now because there's no way in hell
- 45:51Speaker 10: anybody would just drop off their kids with somebody. Even
- 45:54Speaker 10: if it's somebody in the neighborhood. People don't trust anybody
- 45:57Speaker 10: anymore with good reason. There's a lot of horrible people
- 46:00Speaker 10: out there. But I wouldn't do that at this point.
- 46:02Speaker 2: I wouldn't just take my kids. I don't think there
- 46:05Speaker 2: are anymore.
- 46:06Speaker 12: I don't think there are. It's just it's become more publicized.
- 46:08Speaker 2: Yeah, that's what it is.
- 46:09Speaker 10: Those people have always been out there and have been
- 46:11Speaker 10: doing those horrible things since the dawn of time.
- 46:14Speaker 2: But now we worry about it constantly.
- 46:16Speaker 5: There are more people, but only because there's more people
- 46:19Speaker 5: per capita.
- 46:20Speaker 3: Inhumanity.
- 46:22Speaker 5: Yeah, like they said in general.
- 46:24Speaker 12: They've always been out there.
- 46:25Speaker 2: But that's the thing. It's funny that we didn't worry
- 46:27Speaker 2: about that stuff then.
- 46:28Speaker 10: And because, I guess, it wasn't in the news constantly.
- 46:31Speaker 10: With the late night news just hammering it home with
- 46:34Speaker 10: the teaser, what's going to kill your kid?
- 46:36Speaker 2: Tune in at 11.
- 46:37Speaker 3: Sixth Ed World.
- 46:38Speaker 10: Yeah.
- 46:38Speaker 2: I'm always something.
- 46:39Speaker 11: Do they do trick-or-treat every, like, in Europe, or is
- 46:43Speaker 11: it kind of just here?
- 46:45Speaker 3: I think it's pretty.
- 46:46Speaker 12: Much an American thing.
- 46:47Speaker 6: It's mostly an American thing.
- 46:49Speaker 7: I mean, I'm sure that they do do it in
- 46:50Speaker 7: some places, but I can't imagine that it's.
- 46:52Speaker 6: More than that. It really became the thing over here.
- 46:55Speaker 3: You know, but.
- 46:57Speaker 7: You guys said the word desolation earlier, and that's been
- 47:01Speaker 7: ringing a bell in my mind for a little bit.
- 47:02Speaker 3: And I think to myself that.
- 47:05Speaker 7: Everything that we're describing that we don't like about what
- 47:07Speaker 7: Halloween has become, like I said, Halloween mall with real
- 47:10Speaker 7: Halloween action. There's a sense of there's organization to it.
- 47:15Speaker 7: There is a cooperativeness to it. And aside from the
- 47:20Speaker 7: example with the hay truck driving around, there's this sense
- 47:23Speaker 7: of which was a positive example of the same. There's
- 47:26Speaker 7: this sense of planning and organization, and it's like an event. Basically,
- 47:31Speaker 7: you're taking your kids to their first con or something
- 47:34Speaker 7: like that. But when I think to myself about being
- 47:37Speaker 7: a kid in Halloween, when I think about most of
- 47:39Speaker 7: the Halloweens that I heard about or saw, it's like, okay,
- 47:44Speaker 7: it's evening.
- 47:45Speaker 3: School's out. Parents are all in the houses. No one's out.
- 47:50Speaker 7: Except for every now and again, you see this little
- 47:52Speaker 7: gang of kids dressed up as demons. And they giggle
- 47:56Speaker 7: and run off.
- 47:56Speaker 3: Into the distance.
- 47:58Speaker 7: Or they're banging on someone's door and demanding in high-pitched
- 48:02Speaker 7: squealy voices that you give them candy. There's something kind
- 48:06Speaker 7: of weirdly fun and bleak at the same time. It's
- 48:10Speaker 7: like this weird post-apocalyptic world where all the kids are just...
- 48:13Speaker 7: You know, running around, you know, looting houses and wearing
- 48:17Speaker 7: costumes and TPing trees and.
- 48:20Speaker 3: It is.
- 48:21Speaker 2: Kind of anarchy night.
- 48:22Speaker 3: It's anarchic.
- 48:23Speaker 6: And like I said, trick-or-treat used to be not just
- 48:26Speaker 6: something you said mindlessly. It was a threat.
- 48:29Speaker 4: Yeah.
- 48:29Speaker 6: Come to the door and say trick-or-treat. If they didn't
- 48:31Speaker 6: give you a treat, well, that's when you'd soap their
- 48:33Speaker 6: window or TP the door. You'd knock over the outhouse,
- 48:36Speaker 6: the good stuff.
- 48:37Speaker 3: I do remember one true moment of trick-or-treat that I had.
- 48:40Speaker 4: We.
- 48:41Speaker 3: we were out and I was in the sixth grade.
- 48:44Speaker 3: So almost that end of Halloween. And we were going
- 48:48Speaker 3: around and, um, we went to this door and we
- 48:51Speaker 3: were bound and determined. They were kind of come to
- 48:53Speaker 3: the door. The lights were out. We kept ringing. We
- 48:56Speaker 3: kept knocking. And this older gentleman came to the door
- 48:59Speaker 3: and he told us to, to leave and go home.
- 49:02Speaker 3: He didn't believe in Halloween.
- 49:03Speaker 6: Um, Atheist.
- 49:07Speaker 3: He was going to call the cops if we didn't
- 49:09Speaker 3: let him alone. Well, we TP'd the shit.
- 49:11Speaker 9: Out of that guy.
- 49:13Speaker 3: That's right. He also said that we were too old
- 49:16Speaker 3: to go trick-or-treating.
- 49:17Speaker 7: Oh, oh.
- 49:18Speaker 6: Fuck that guy.
- 49:18Speaker 3: That was the one time. that I was like, okay.
- 49:21Speaker 11: And when the cops came, did you explain it to them?
- 49:26Speaker 3: I was one of those kids where I was raised Catholic.
- 49:29Speaker 3: So I felt guilty immediately after I did it. So
- 49:31Speaker 3: I had to go home and tell my parents, this is.
- 49:34Speaker 6: What I do.
- 49:35Speaker 3: Because I wasn't going to be able to eat my
- 49:37Speaker 3: candy or go to sleep until I told them to confess.
- 49:40Speaker 7: See, I would have been like calling my parents, Mom,
- 49:42Speaker 7: you have no idea what this guy just said to me.
- 49:44Speaker 7: I need a carton of eggs right now. I have
- 49:47Speaker 7: some serious work to do.
- 49:49Speaker 3: I would help my kids now if they ask for
- 49:51Speaker 3: something like that.
- 49:54Speaker 5: I never really thought too much about the saying trick-or-treat.
- 49:57Speaker 2: So the trick.
- 49:58Speaker 5: Is from the child aspect or the trick-or-treater? Because I
- 50:02Speaker 5: always thought you were like... asking for a trick or
- 50:06Speaker 5: a treat, you know, like for them to do something
- 50:07Speaker 5: really cool.
- 50:09Speaker 7: If you don't give me a treat, I will, yeah.
- 50:12Speaker 7: I will mess you up. Your property will go down
- 50:15Speaker 7: in value.
- 50:15Speaker 3: It's an ultimatum. I just never really thought about it.
- 50:17Speaker 11: Yeah, like they could have done like a little card
- 50:19Speaker 11: trick for you instead of giving you candy. I mean,
- 50:21Speaker 11: it's just so.
- 50:21Speaker 3: You'll get a visit by the Phantom Crapper.
- 50:23Speaker 5: It's just such a meaningless expression that I never really
- 50:26Speaker 5: even considered it.
- 50:26Speaker 7: Although I like the idea of like, well, you can
- 50:28Speaker 7: give me candy or you can have this ultra.
- 50:30Speaker 3: Long scarf that I already have in my pocket.
- 50:33Speaker 6: Yeah, like.
- 50:34Speaker 3: Sort of absurd, like, I just saw my friend in half.
- 50:38Speaker 2: I have a rabbit, and he also was in there.
- 50:40Speaker 18: Almost like the idea of just, this year, just baking
- 50:45Speaker 18: a bunch of just cookies, and then just putting them
- 50:47Speaker 18: in a Ziploc bag with a little note that says,
- 50:50Speaker 18: there's nothing wrong with this cookie.
- 50:53Speaker 6: Trust me.
- 50:54Speaker 3: Yeah, and just give those out. These cookies will make
- 50:57Speaker 3: you feel sick.
- 50:58Speaker 11: How much would those bother parents?
- 50:59Speaker 6: You know what you should do?
- 51:01Speaker 11: Make up your cookies. You should make your cookies, put
- 51:04Speaker 11: them in a plastic bag, but then take a razor
- 51:05Speaker 11: blade and put it in a plastic bag. Give it
- 51:07Speaker 11: to them and say, if you want to do it,
- 51:09Speaker 11: it's not me.
- 51:10Speaker 3: It's all up to you.
- 51:11Speaker 10: No, no, no.
- 51:11Speaker 3: There's a series of notes. One says razor blade sold separately.
- 51:14Speaker 7: The other one says it's okay if these cookies make
- 51:18Speaker 7: you sleepy.
- 51:20Speaker 3: This bag doesn't have the razor blade in it.
- 51:23Speaker 11: Yeah, put that on there.
- 51:23Speaker 12: It's like, but your mom will let you eat this
- 51:25Speaker 12: cookie because she's paranoid. Or maybe that's.
- 51:30Speaker 11: How the razor blade thing happened because you guys were
- 51:33Speaker 11: talking about how if you're a teenager.
- 51:34Speaker 6: You're too old to go trick-or-treating.
- 51:36Speaker 11: Maybe some guy was like, I'm sick of having kids
- 51:38Speaker 11: that are old enough to shave. I'm going to give
- 51:41Speaker 11: them a razor so they'll go home because they're too old.
- 51:43Speaker 10: I was thinking that. That may be the cutoff. It's
- 51:45Speaker 10: old enough to get a razor blade.
- 51:48Speaker 11: But I'm thinking a guy was trying to like, here,
- 51:50Speaker 11: you don't need candy. You need a razor. Go home
- 51:53Speaker 11: and leave me alone.
- 51:54Speaker 2: You scruffy bastard. Get the hell off my lawn.
- 51:56Speaker 7: See, now I just think there are more cookie signs
- 51:59Speaker 7: we could do like, you know, Your mom doesn't want
- 52:02Speaker 7: you to eat this cookie, so keep it hidden from
- 52:04Speaker 7: her and don't tell her about it.
- 52:09Speaker 3: Like, this cookie will give you superpowers. Be sure to
- 52:11Speaker 3: tell all the other kids that you can see into
- 52:13Speaker 3: their minds.
- 52:15Speaker 12: That'll just get some chalk and just on... The driveway.
- 52:20Speaker 12: Draw some, like, really bizarre pagan symbols in chalk. And
- 52:24Speaker 12: just be very insistent that the parents have their child
- 52:27Speaker 12: stand alone on that spot to get the candy.
- 52:29Speaker 3: Oh, yeah.
- 52:30Speaker 7: And then be like, you must announce that you desire
- 52:35Speaker 7: the candy.
- 52:36Speaker 11: You could technically do that at the parking lot where
- 52:41Speaker 11: they're doing the trunk-a-treat.
- 52:44Speaker 7: So you have to stand in the trunk-a-treat summoning circle.
- 52:48Speaker 11: You could bring the fear back.
- 52:50Speaker 3: HP Lovecraft's trunk-a-treat.
- 52:53Speaker 2: Actually, I just want to show up there with a van.
- 52:55Speaker 2: Be like, you gotta walk through the van to get
- 52:57Speaker 2: your candy. No kids!
- 53:00Speaker 3: In the van.
- 53:01Speaker 5: I mean, essentially, isn't truck retreat teaching children the opposite
- 53:05Speaker 5: of what parents want to teach their children?
- 53:07Speaker 2: Then you have to sit in the trunk to get
- 53:09Speaker 2: the candy.
- 53:09Speaker 12: No, no, no.
- 53:10Speaker 3: It's totally true. It's that desolation.
- 53:12Speaker 7: It's like, well, we're going to let these kids wander
- 53:14Speaker 7: by themselves in costumes so no one can recognize them
- 53:18Speaker 7: and go up to strangers' houses and request things.
- 53:21Speaker 12: Actually, would that or would it be just Fun too
- 53:23Speaker 12: to do trunk or treat by yourself. Just go out
- 53:26Speaker 12: to some weird road where maybe somebody goes by once
- 53:28Speaker 12: every 20 minutes and just stop and just set it up.
- 53:31Speaker 2: And have like a sign, trunk or treat, just look forward.
- 53:35Speaker 2: Just as people come back, candy, candy, candy. Damn.
- 53:39Speaker 5: I'm so happy that one of my closest friends had
- 53:42Speaker 5: a baby because like now I don't have to feel
- 53:44Speaker 5: so weird.
- 53:44Speaker 12: Now I can give her away on Halloween.
- 53:46Speaker 6: Exactly.
- 53:46Speaker 5: Like I don't have to feel so weird like doing
- 53:49Speaker 5: all these things that are meant for children or people
- 53:51Speaker 5: with children.
- 53:52Speaker 3: Never stops me.
- 53:54Speaker 11: I'm the guy with the band.
- 53:56Speaker 6: I like to dress up and go out with Allie
- 53:59Speaker 6: in a scary outfit and scare the other kids. We
- 54:01Speaker 6: didn't get a chance to do much of that last
- 54:03Speaker 6: year because it was so cold. I was that dad
- 54:09Speaker 6: who was always laying in the front yard in the
- 54:10Speaker 6: leaf pile. They think I was a dummy. They think
- 54:14Speaker 6: I'd be dressed in a clown or something. I hope there.
- 54:16Speaker 11: Wasn't a kid dressed as a farmer with a pitchfork.
- 54:20Speaker 6: I would always be lying there and I'd never do
- 54:21Speaker 6: the The jump scare, I would always be subtle. They'd
- 54:23Speaker 6: walk by me, and they'd get their candy, and then
- 54:25Speaker 6: I would just slowly move their hands, and that would
- 54:28Speaker 6: be enough. They'd be in the streets, you know, dodging cars.
- 54:32Speaker 6: There's nothing much more fun than that, really.
- 54:34Speaker 7: It's great.
- 54:34Speaker 3: This year, it's not quite a trunk or treat, but
- 54:37Speaker 3: we are taking my kids to a nursing home, where
- 54:43Speaker 3: just in the evening before we go, it's... Because all
- 54:46Speaker 3: of the residents will come out and sit at their door.
- 54:49Speaker 6: That's going to be a great joy for the residents.
- 54:50Speaker 6: They're going to love that.
- 54:52Speaker 3: That was my first job is I washed dishes at
- 54:55Speaker 3: a nursing home. And the first job I had before
- 54:59Speaker 3: anything happened is I took to the people that couldn't
- 55:01Speaker 3: leave their rooms, I took their food around to them
- 55:04Speaker 3: for the day, for the evening. And my boss was
- 55:07Speaker 3: always like, if they want to talk, stop and talk
- 55:09Speaker 3: to them. And it was almost like I had 40
- 55:11Speaker 3: grandparents because they all wanted to know how school was
- 55:14Speaker 3: doing and just anything about my life just to talk
- 55:17Speaker 3: to somebody. And that's why I was like, yeah, I
- 55:20Speaker 3: want to do this with the kids. Because any time
- 55:21Speaker 3: you have kids interacting with people, it brings them back
- 55:24Speaker 3: to life.
- 55:25Speaker 2: Yeah.
- 55:25Speaker 4: It does.
- 55:26Speaker 3: I think it will be just as much a treat
- 55:28Speaker 3: for the adults as it will be for the kids.
- 55:30Speaker 3: So we're going to do that and then go do
- 55:32Speaker 3: our trick-or-treat.
- 55:32Speaker 2: Isn't every day there like Halloween when they hand out
- 55:35Speaker 2: the medicine?
- 55:36Speaker 11: There you go.
- 55:37Speaker 6: All right.
- 55:39Speaker 3: But I think more things like that, you know, if
- 55:41Speaker 3: you're going to do a trunk or treat, that's pretty lame.
- 55:43Speaker 3: You know, like, you know, with the churches and stuff
- 55:46Speaker 3: like that, those seem kind of like we're going to
- 55:49Speaker 3: put a dome around our kids and keep them from
- 55:51Speaker 3: getting anything ever. But I like this idea.
- 55:55Speaker 11: That's a good costume, a dome around a kid. It's
- 55:59Speaker 11: Bubble Boy.
- 56:00Speaker 5: Oh, actually, I remember another costume.
- 56:03Speaker 10: Scary?
- 56:03Speaker 5: One year, my cousin made me dress up as a
- 56:06Speaker 5: person in a shower.
- 56:09Speaker 3: She built this.
- 56:11Speaker 5: Like, elaborate thing for me and made me wear it
- 56:14Speaker 5: to this haunted house we were going to, which was, like,
- 56:16Speaker 5: just bulky and completely inappropriate. Because people don't get dressed
- 56:20Speaker 5: up to go to haunted houses. Like, it wasn't Halloween.
- 56:22Speaker 5: It was, like, two weeks before. And she made me
- 56:25Speaker 5: wear it and I had to wear a shower cap
- 56:26Speaker 5: and it was horrible. Like, my whole life has been
- 56:28Speaker 5: me being forced to wear really stupid costumes that were
- 56:32Speaker 5: embarrassing and.
- 56:33Speaker 10: Well, that's a good way to round it out. Let's
- 56:36Speaker 10: throw out a good costume that everybody had. At least one,
- 56:39Speaker 10: or throw out a few good ones that you had.
- 56:42Speaker 3: Or bad ones. I'll have to give a shout-out to
- 56:44Speaker 3: my mom, because I was in love with Star Wars.
- 56:47Speaker 3: And the only character that mattered to me was Obi-Wan Kenobi.
- 56:52Speaker 3: Good man. She got a brown... blanket, and she could sew.
- 57:00Speaker 3: She sewed it into a hood in the back.
- 57:01Speaker 11: By the way, this is proper Alec Guinness Obi-Wan, not
- 57:04Speaker 11: the only good one.
- 57:06Speaker 3: Yeah, and I had on boots, and I had on
- 57:10Speaker 3: khakis and a white t-shirt, one of my dad's white t-shirts.
- 57:14Speaker 3: And she even had some makeup that she had to
- 57:19Speaker 3: make it look like a beard, a white beard. And
- 57:23Speaker 3: the best part, because this was back in the time
- 57:25Speaker 3: when you couldn't get a lightsaber. There was no such
- 57:27Speaker 3: thing as getting a toy lightsaber anywhere.
- 57:29Speaker 2: Now there's like one at the gas station.
- 57:31Speaker 6: Right.
- 57:31Speaker 3: Because they're everywhere now. And she took, with some golf bags,
- 57:37Speaker 3: they have like a clear plastic sleeve that each one
- 57:40Speaker 3: goes in. And she took, they had just come out,
- 57:45Speaker 3: the cracked glow sticks. It was like one of the
- 57:47Speaker 3: first years those ever came out. And she had found
- 57:49Speaker 3: a way to tape them. into the tube and cracked
- 57:54Speaker 3: them all right before we left. It looked like a lightsaber.
- 57:56Speaker 3: It was the coolest costume. It was a sheet and
- 58:00Speaker 3: a tube from my dad's golf set. It was the
- 58:03Speaker 3: best costume I've ever had. It's probably the best costume
- 58:06Speaker 3: I've ever had. Everybody knew who I was. Nobody else
- 58:09Speaker 3: was Obi-Wan Kenobi.
- 58:11Speaker 7: You didn't wear a tag saying Obi-Wan Kenobi.
- 58:15Speaker 2: Well, then how did they know who you were?
- 58:18Speaker 3: It was still the best costume I've ever had.
- 58:20Speaker 11: And again, Greg, because your mom made a lightsaber, she
- 58:24Speaker 11: is technically now a Jedi. That's like the last step.
- 58:29Speaker 3: She had completed her training.
- 58:31Speaker 2: Well, I realize that was mine. It went back and forth.
- 58:36Speaker 10: I guess I had classic horror monsters, which, again, this
- 58:39Speaker 10: speaks very well of how I turned out. It alternated
- 58:41Speaker 10: between classic horror monsters and characters from Star Wars. So
- 58:45Speaker 10: it all makes sense because, yeah, I listed all the
- 58:47Speaker 10: monsters earlier. Then I also, in the middle of that,
- 58:50Speaker 10: was Darth Vader, was Yoda at one point after Empire
- 58:53Speaker 10: came out. And then in the very first run, it
- 58:57Speaker 10: may have been before I was Darth Vader. It seems
- 58:59Speaker 10: odd now because it's the dorkiest character in the whole series.
- 59:02Speaker 11: I was 3PO.
- 59:04Speaker 10: I guess just because he was a robot. I mean,
- 59:05Speaker 10: he was still pretty cool because he was a big
- 59:07Speaker 10: shiny dude.
- 59:08Speaker 11: How'd you do the shiny?
- 59:09Speaker 6: What did you do?
- 59:10Speaker 2: It said C-3PO on my chest.
- 59:13Speaker 10: It was one of the Ben Coopers, I believe. The
- 59:15Speaker 10: mask was actually really good. And it actually did have
- 59:18Speaker 10: a weird... Do you remember, though? Like, you could almost
- 59:20Speaker 10: see through it, but at the same time.
- 59:22Speaker 11: See through PO?
- 59:24Speaker 2: But, like, from one side. Like, it was a weird plastic.
- 59:26Speaker 6: I've never seen anything like that.
- 59:28Speaker 2: Yeah, it was like a.
- 59:29Speaker 6: Almost like half mirror.
- 59:30Speaker 2: Almost like, yeah, like a two-way mirror, one way. Yeah,
- 59:32Speaker 2: it was weird.
- 59:33Speaker 6: I think I mentioned it, one of our casts a
- 59:35Speaker 6: long time ago, about how the Star Wars marketing caught
- 59:38Speaker 6: everybody by surprise. So they actually didn't have the Halloween
- 59:41Speaker 6: costumes out in the fall of 77. And the first
- 59:44Speaker 6: time you saw one was Darth Vader for Christmas. Which
- 59:46Speaker 6: I got.
- 59:47Speaker 3: Big stacks.
- 59:48Speaker 6: Darth Vader this Christmas.
- 59:49Speaker 7: That sounds like a great book, Darth Vader for Christmas.
- 59:52Speaker 6: There's big stacks of those.
- 59:53Speaker 2: There's a picture of me in front of the tree.
- 59:56Speaker 10: Wearing like i'm there in the christmas morning pjs with
- 59:59Speaker 10: a vader mask on oh yeah my the first run
- 1:00:02Speaker 10: of when they did the lightsabers i got a really
- 1:00:04Speaker 10: it's a flashlight with a plastic tube basically but yeah
- 1:00:07Speaker 10: that was on christmas But I got the Halloween costume.
- 1:00:10Speaker 9: Was it the one that had the air effect? Remember
- 1:00:12Speaker 9: the one that had kind of like a whistling thing
- 1:00:13Speaker 9: and the handle says you suck it?
- 1:00:15Speaker 2: No, it was before that. It was total knockoff.
- 1:00:18Speaker 11: The first one was called the Force Beam.
- 1:00:21Speaker 2: Yeah, I think that was it.
- 1:00:22Speaker 6: It had a black handle.
- 1:00:23Speaker 2: It had a little guard they put on it and
- 1:00:25Speaker 2: it had a little tube that lit up.
- 1:00:26Speaker 6: It was called the Force Beam. They had it in
- 1:00:28Speaker 6: all hardware stores and everywhere.
- 1:00:30Speaker 2: I think that was it.
- 1:00:30Speaker 6: Kenner didn't get into the business for a while.
- 1:00:33Speaker 11: A really easy Star Wars costume I never saw anyone
- 1:00:36Speaker 11: do was a jaw lock.
- 1:00:37Speaker 2: That'd be just, I've seen it recently.
- 1:00:40Speaker 11: Yeah.
- 1:00:41Speaker 4: Never.
- 1:00:41Speaker 3: So with the glowing eyes, it's pretty cool.
- 1:00:43Speaker 6: Yeah.
- 1:00:44Speaker 16: Yeah.
- 1:00:45Speaker 2: Speaking of which I did, do you remember the, the
- 1:00:47Speaker 2: light up?
- 1:00:48Speaker 10: Remember those glasses that had little like light up eyes
- 1:00:51Speaker 10: on them? When I was the, that just reminded me,
- 1:00:54Speaker 10: when I was the werewolf, I put those on before
- 1:00:57Speaker 10: I put the big rubber mask on and I had
- 1:00:59Speaker 10: glowing red werewolf eyes. I thought that was the coolest
- 1:01:02Speaker 10: idea ever. I think I just weirded out everyone in
- 1:01:05Speaker 10: my neighborhood.
- 1:01:06Speaker 6: I'm going to do that this year, actually. I got
- 1:01:09Speaker 6: one of those werewolf masks where you open the jaw
- 1:01:12Speaker 6: and the lips snarl back. But so far away from
- 1:01:14Speaker 6: your face, it's just like black holes. So I'm just
- 1:01:16Speaker 6: going to put some lights in there because Allie and
- 1:01:18Speaker 6: I are making our first horror movie for October. So
- 1:01:21Speaker 6: it's going to be one of the.
- 1:01:21Speaker 3: Nice.
- 1:01:22Speaker 6: That episode is called Don't Wear the Werewolf Shirt. Because
- 1:01:26Speaker 6: we discussed that thing with, once again, it ties into costumes.
- 1:01:29Speaker 6: If you go looking at werewolf costumes, commercially made werewolf costumes,
- 1:01:33Speaker 6: 99% of the time they're wearing a red and black
- 1:01:36Speaker 6: checkered shirt.
- 1:01:37Speaker 12: Yeah, it's really weird.
- 1:01:38Speaker 6: And it's like, why?
- 1:01:40Speaker 4: Okay.
- 1:01:40Speaker 6: And jeans.
- 1:01:41Speaker 11: Yeah.
- 1:01:42Speaker 3: Like it is.
- 1:01:42Speaker 6: Let's just go back to, like, you know, are they
- 1:01:44Speaker 6: all lumberjacks? What's the deal? How did this start?
- 1:01:46Speaker 3: They're all really big nerf guns.
- 1:01:47Speaker 6: They're all grunge werewolves.
- 1:01:49Speaker 2: The original werewolf was the brawny man. I don't know.
- 1:01:52Speaker 3: If you knew that.
- 1:01:54Speaker 6: So I order one of those shirts off eBay, and
- 1:01:56Speaker 6: I order my daughter not to put it on. Of
- 1:01:57Speaker 6: course she does, and she turns into a werewolf.
- 1:02:00Speaker 11: It's pretty awesome.
- 1:02:01Speaker 6: That's awesome.
- 1:02:02Speaker 3: It's like Teen Wolf.
- 1:02:03Speaker 7: Preteen.
- 1:02:03Speaker 6: Preteen Wolf. Tween Wolf.
- 1:02:06Speaker 3: Tween Wolf.
- 1:02:07Speaker 2: You better trademark that right now.
- 1:02:10Speaker 11: Oh, Tween Wolf.
- 1:02:12Speaker 6: I think my best costume, I think I was seven.
- 1:02:16Speaker 6: Dark Shadows was still on TV. And it was like 1970, 71.
- 1:02:22Speaker 6: And I wanted to be Barnabas Collins. So my mom
- 1:02:24Speaker 6: took a conventional cape and cut it off at like
- 1:02:27Speaker 6: half length so it would be his length. And she
- 1:02:30Speaker 6: actually dyed my hair black and actually did the bangs
- 1:02:33Speaker 6: with like, you know, some dippity-doo or whatever it was called,
- 1:02:35Speaker 6: you know. And I had makeup and fangs and stuff,
- 1:02:37Speaker 6: and that was probably the most elaborate. And we made
- 1:02:39Speaker 6: a fake cane with the wolf head on it.
- 1:02:43Speaker 3: Did anyone know who you were?
- 1:02:44Speaker 6: Yeah, I mean, you know, Barnabas Collins was a big
- 1:02:47Speaker 6: cultural icon, so most of the kids knew who he was.
- 1:02:52Speaker 12: Growing up as a kid, I mean, my last Halloween
- 1:02:55Speaker 12: that I dressed up was actually, I mean, when I trick-or-treated.
- 1:02:58Speaker 12: I was Big Boy Caprice from Dick Tracy, and that
- 1:03:01Speaker 12: was actually where I won a little costume contest for that.
- 1:03:05Speaker 12: This is no surprise to me. Yeah, and the way of, like,
- 1:03:08Speaker 12: as an adult at school, because it's sort of like,
- 1:03:12Speaker 12: probably like I was saying earlier, the one from not
- 1:03:14Speaker 12: last year but the year before, which they haven't said
- 1:03:17Speaker 12: that that's why they don't do Halloween there anymore, but
- 1:03:19Speaker 12: I don't know. They didn't name the role after you.
- 1:03:22Speaker 12: I kept having to top myself, and so this year
- 1:03:25Speaker 12: it was going to be on a Monday. And so
- 1:03:27Speaker 12: I set up everything prior to the weekend. I went
- 1:03:29Speaker 12: to like, um, the grocery store and, um, I like
- 1:03:35Speaker 12: just got some meat and I just put it in
- 1:03:36Speaker 12: the sink in my back prep room. So that way
- 1:03:38Speaker 12: it would just sit out. And so when you would
- 1:03:40Speaker 12: come in on Monday, I mean, just like the smell
- 1:03:42Speaker 12: of something rotting was in the room. And, um, I
- 1:03:46Speaker 12: took a ladder and unhooked, like you had the strip
- 1:03:49Speaker 12: fluorescent bulbs and there's like 12 of them in there.
- 1:03:52Speaker 12: And I just slowly like tweaked each one to where
- 1:03:55Speaker 12: it was like a David Lynch sort of thing where
- 1:03:57Speaker 12: it was like this weird flicker.
- 1:03:58Speaker 11: What do you teach at this school? More lies.
- 1:04:03Speaker 12: Underneath, like, since you have all the gum underneath, like,
- 1:04:06Speaker 12: the big tables that they sit at, I took the
- 1:04:09Speaker 12: fake cobwebs and, like, connected it to the gum so
- 1:04:12Speaker 12: that way if you, like, were, like, kind of had
- 1:04:13Speaker 12: your hands idly underneath the table, like, it would brush
- 1:04:16Speaker 12: up against you. So I did all that stuff to
- 1:04:18Speaker 12: make it kind of unnerving as it was.
- 1:04:22Speaker 6: And then.
- 1:04:24Speaker 12: I even set it up. I said, well, because, you know,
- 1:04:27Speaker 12: I like to take off Halloween, I'm not going to
- 1:04:28Speaker 12: even be there. And when students first came into the
- 1:04:32Speaker 12: classroom at the beginning of the day, I was wearing
- 1:04:35Speaker 12: just like a suit, but with like lawn gloves, like
- 1:04:39Speaker 12: you'd clean, you know, used for like cleaning up there,
- 1:04:41Speaker 12: pulling weeds or something. And just like a burlap mask
- 1:04:45Speaker 12: that I just like stitched together.
- 1:04:46Speaker 10: Yeah.
- 1:04:47Speaker 12: And I was just ignoring them, and I was just, like,
- 1:04:49Speaker 12: stabbing at pumpkins.
- 1:04:53Speaker 3: Just stabbing. Basically, I wasn't carving.
- 1:04:55Speaker 12: I would just stab them enough until it made an
- 1:04:57Speaker 12: eye and stab it enough until it made another eye
- 1:04:59Speaker 12: and stab it until it made, like, a mouth. And
- 1:05:01Speaker 12: they would sit down, and I would ignore them for, like,
- 1:05:03Speaker 12: five minutes because, you know, the first five minutes is
- 1:05:05Speaker 12: them all just, like, trying to figure out what you are.
- 1:05:08Speaker 2: You can blame this on Halloween, but this is just Tuesday.
- 1:05:11Speaker 12: And so I'm just like, I waited until they would
- 1:05:14Speaker 12: finally settle down. And when I noticed they'd finally like,
- 1:05:17Speaker 12: you know, quit guessing who I was and all this stuff,
- 1:05:19Speaker 12: they were just kind of like waiting for like, okay,
- 1:05:20Speaker 12: what's next? That's when suddenly I would like look up.
- 1:05:23Speaker 12: Like I just noticed over here and I went over
- 1:05:25Speaker 12: and I like had a TV on a cart with
- 1:05:27Speaker 12: a VCR and a VHS. And so I just popped
- 1:05:31Speaker 12: in the VHS and it was me as normal saying, sorry,
- 1:05:34Speaker 12: I'm not there on Halloween. And basically I conducted the
- 1:05:38Speaker 12: whole class from the persona of me. So in case
- 1:05:43Speaker 12: the sub was there and then the whole time I'm
- 1:05:46Speaker 12: like sitting there, I still keep carving the pumpkins in
- 1:05:49Speaker 12: the room itself. And they stopped paying attention to me
- 1:05:52Speaker 12: and start paying attention to me up there. And I
- 1:05:53Speaker 12: actually guided them along reading a piece from the October country.
- 1:06:01Speaker 12: I think I picked the wind, I think is what
- 1:06:02Speaker 12: I picked for it. And so like, they're actually reading
- 1:06:05Speaker 12: along with this Ray Bradbury piece. And like, at some
- 1:06:07Speaker 12: point in time, I actually would go up to like
- 1:06:10Speaker 12: this podium in the front of the room and sit
- 1:06:11Speaker 12: on top of the podium and just stare at the pumpkin.
- 1:06:14Speaker 12: I just made like, don't move, just sit there for
- 1:06:16Speaker 12: like 15 minutes, just staring intently at it. At which point,
- 1:06:19Speaker 12: right about that time that's over, on the video, since
- 1:06:24Speaker 12: my brother has about the same build I do, on
- 1:06:28Speaker 12: the video, he enters the room, wearing the outfit that
- 1:06:31Speaker 12: I'm currently wearing in the room. And the me on
- 1:06:33Speaker 12: the movie is like, what's this? I'm kind of amused
- 1:06:37Speaker 12: by it, and it just comes over and it just
- 1:06:39Speaker 12: kills me. And then it props up my corpse, and
- 1:06:43Speaker 12: it sits there and it starts carving a pumpkin to
- 1:06:46Speaker 12: look like my corpse. And then it just notices the VHS,
- 1:06:52Speaker 12: and then it kind of cuts off. And so then
- 1:06:54Speaker 12: it's just static on the TV, and I'm just sitting
- 1:06:57Speaker 12: there staring at them with the pumpkin.
- 1:07:00Speaker 2: Yeah, this is why they don't do Halloween.
- 1:07:03Speaker 12: Well, that wasn't the kicker, though, because the kicker was, like,
- 1:07:06Speaker 12: some kids would just be like, they were really freaking out, like,
- 1:07:09Speaker 12: tears streaming.
- 1:07:10Speaker 3: Down their face.
- 1:07:11Speaker 12: Like, can you please take off the mask? And then
- 1:07:14Speaker 12: when I would take off the mask, I had, like,
- 1:07:16Speaker 12: this hideous prosthetic, like, in my skin.
- 1:07:19Speaker 10: And so that, like, pushed them off the mask.
- 1:07:23Speaker 2: Would you please put on the mask?
- 1:07:24Speaker 11: Did you do that for every period that you had?
- 1:07:28Speaker 2: No.
- 1:07:29Speaker 12: I basically treated it like a spook show every period
- 1:07:33Speaker 12: of time. But see, only about half of them wouldn't
- 1:07:36Speaker 12: even get to the point where I would take off
- 1:07:38Speaker 12: the mask. The next day the kids are like, how
- 1:07:41Speaker 12: come you took off the mask for their class and
- 1:07:43Speaker 12: not for ours? What do you mean?
- 1:07:47Speaker 3: I wasn't here yesterday. We had the VHS where you
- 1:07:50Speaker 3: were killed.
- 1:07:50Speaker 12: What on earth are you talking about? And that's the
- 1:07:53Speaker 12: thing that pisses them off is never admit it. Because
- 1:07:57Speaker 12: they want you to wink. They want the wink to
- 1:07:59Speaker 12: the audience, and if you never give it to them,
- 1:08:01Speaker 12: it drives them crazy.
- 1:08:02Speaker 2: Horrifying them and tormenting them. I like that.
- 1:08:07Speaker 12: But it's like they get a good scare.
- 1:08:09Speaker 11: Maybe that's why they're dressing in sweats. They want the wink.
- 1:08:15Speaker 2: That's just you, Ben.
- 1:08:17Speaker 7: That is pretty spectacular, though. Points for the flickering lights
- 1:08:20Speaker 7: and the cobwebs.
- 1:08:22Speaker 12: It's called tenure.
- 1:08:23Speaker 3: I was going to.
- 1:08:25Speaker 7: Say, having a classroom as your stage and a group
- 1:08:28Speaker 7: of people that has to come see you every day
- 1:08:31Speaker 7: gives you a significant advantage.
- 1:08:32Speaker 3: They're legally bound to be there.
- 1:08:36Speaker 12: Once the kids, some of them just screamed and ran out.
- 1:08:40Speaker 6: I don't know where they went.
- 1:08:42Speaker 3: I'm sorry, do you have a hall pass?
- 1:08:44Speaker 11: That's awesome.
- 1:08:50Speaker 2: Do we have any other elaborate costumes? Or at least
- 1:08:54Speaker 2: memorable ones?
- 1:08:55Speaker 6: I grew up on base.
- 1:08:56Speaker 9: My Halloween's were kind of boring. Cause like, you know,
- 1:08:59Speaker 9: everyone shot from the same spot. It was like, you know,
- 1:09:01Speaker 9: so like a local, you know, PX, I mean, in
- 1:09:04Speaker 9: a sense, like God, until I was like nine, you know,
- 1:09:06Speaker 9: I was always on base. So like essentially had all
- 1:09:09Speaker 9: these kids running around doing a Halloween thing, but it
- 1:09:12Speaker 9: was like all the same 12 costumes. It was a
- 1:09:14Speaker 9: bunch of Superman's a bunch of like star Wars guys. Like,
- 1:09:17Speaker 9: Girls had, like, maybe two Barbies to choose from. But
- 1:09:21Speaker 9: it was just, you know.
- 1:09:22Speaker 11: Anybody dress as a soldier?
- 1:09:26Speaker 9: You know, I don't think so, ironically. Well, I remember
- 1:09:29Speaker 9: as a kid asking my dad, you know, if I could, like,
- 1:09:32Speaker 9: you know, wear, you know, camouflage clothing and stuff, just
- 1:09:36Speaker 9: being a kid.
- 1:09:36Speaker 12: What, did you want to dress as a Soviet? You know,
- 1:09:38Speaker 12: could y'all?
- 1:09:41Speaker 9: I had a very strict dad that was like, you know,
- 1:09:42Speaker 9: it's not legal. For a city to wear, you know,
- 1:09:46Speaker 9: military uniform on the street.
- 1:09:48Speaker 6: I'm like.
- 1:09:48Speaker 5: It was probably, I mean, the fact that it was
- 1:09:51Speaker 5: on base, they probably adhered to that rule pretty strictly
- 1:09:54Speaker 5: because they were going to get caught for sure.
- 1:09:55Speaker 12: Yeah.
- 1:09:56Speaker 9: No, it was very, it was kind of surreal in
- 1:09:58Speaker 9: a way. You know, like I said, you know, your
- 1:10:00Speaker 9: kid out trick or treating and it's just like the same. 12,
- 1:10:03Speaker 9: visually to say 12, 16 outfits going on everywhere.
- 1:10:07Speaker 3: And it's like, wow, I'm.
- 1:10:08Speaker 11: One of 13 Superman. Was the candy standard army ration
- 1:10:13Speaker 11: came in like MRE wrappers?
- 1:10:15Speaker 5: Yeah, I was going to say, did they give you MREs?
- 1:10:18Speaker 5: Did you have to crack it open and.
- 1:10:20Speaker 3: It heats up? Yay, more iodine pills. You know, I
- 1:10:25Speaker 3: lived on a, and when you say that, it's kind
- 1:10:27Speaker 3: of surreal. I lived on a military base for a
- 1:10:29Speaker 3: while and It was about the closest thing to the
- 1:10:33Speaker 3: neighborhood in Edward Scissorhands that I've ever seen in real life.
- 1:10:37Speaker 3: It's everything.
- 1:10:39Speaker 9: Everyone trusted everybody. I mean, like, you know, you were
- 1:10:41Speaker 9: on base. Because everybody had a gun. So, yeah, that's true.
- 1:10:46Speaker 3: They know where your dad works, you know, usually. But, yeah,
- 1:10:49Speaker 3: it was, yeah, everything was the same. Everything was the
- 1:10:55Speaker 3: same color. Every house was identical and curved to the street.
- 1:10:59Speaker 6: It just was.
- 1:11:00Speaker 3: It was perfect.
- 1:11:01Speaker 7: Did all the banks say bank and the stores say store?
- 1:11:05Speaker 3: The thing is, the closest thing to the idea of
- 1:11:09Speaker 3: communism that you've ever seen is our military.
- 1:11:11Speaker 7: That's what communism is, is that whole top-down directed, you
- 1:11:16Speaker 7: live here, you bank here, you do this here.
- 1:11:19Speaker 11: It kind of sounds like a Smurfs village to me.
- 1:11:21Speaker 3: Well, the Smurfs are communists.
- 1:11:23Speaker 8: Yeah.
- 1:11:24Speaker 3: Oh, yeah. I mean, the blue is just a deception.
- 1:11:26Speaker 3: They're reds in the boat, baby. But this was in Alaska,
- 1:11:31Speaker 3: and all of these kids had never got off the base.
- 1:11:35Speaker 3: They were like, have you gone out hiking? Have you
- 1:11:37Speaker 3: gone out fishing?
- 1:11:38Speaker 16: No.
- 1:11:39Speaker 3: Rock climbing?
- 1:11:40Speaker 10: No.
- 1:11:40Speaker 3: Never do anything. They might go to the movie on
- 1:11:42Speaker 3: the weekends, and it was staying on the base.
- 1:11:44Speaker 9: Choice of two movies.
- 1:11:45Speaker 3: Yeah.
- 1:11:46Speaker 9: That theater had two movies.
- 1:11:48Speaker 3: It was just horrible.
- 1:11:49Speaker 11: I mean, it was horrible.
- 1:11:50Speaker 3: And so these kids would sign up for these rec
- 1:11:52Speaker 3: courses that we would take them out and do real
- 1:11:54Speaker 3: things outdoors. It was like– they're like, oh, there's a world.
- 1:11:58Speaker 7: So– Two movies and one of them is a military
- 1:12:02Speaker 7: propaganda film.
- 1:12:02Speaker 4: Right.
- 1:12:03Speaker 3: And how awesome the Marines are. But it really, it.
- 1:12:06Speaker 9: Stayed for months. You know, I mean, it's like back then,
- 1:12:09Speaker 9: it's like, you know, when the theater got new movies, that.
- 1:12:11Speaker 12: Was like a holiday.
- 1:12:12Speaker 9: Like the theater would be packed like that weekend because
- 1:12:14Speaker 9: it's like, oh my gosh, they got a new movie.
- 1:12:16Speaker 9: We're going to go see, you know, even if it
- 1:12:18Speaker 9: was terrible, you know, it was like the new movie
- 1:12:20Speaker 9: at the theater.
- 1:12:21Speaker 7: Something i'd love to see a kind of a study
- 1:12:23Speaker 7: of i'm sure someone's written a book about it but
- 1:12:25Speaker 7: like american military culture.
- 1:12:27Speaker 9: It's a documentary called brats brats okay it is fantastic
- 1:12:31Speaker 9: like it was weird for me um because i didn't
- 1:12:34Speaker 9: realize these things had like molded my way of interacting
- 1:12:38Speaker 9: with people so much um and it was actually you
- 1:12:41Speaker 9: know my mom actually kicked it down to me when
- 1:12:43Speaker 9: she sold a documentary and she's like you really have
- 1:12:45Speaker 9: to see this for a long time i left it
- 1:12:46Speaker 9: on the shelf i'm like whatever um And when I
- 1:12:49Speaker 9: finally watched it, it was just bizarre to have these
- 1:12:53Speaker 9: people that were, like, analyzing children that had grown up
- 1:12:55Speaker 9: in these situations, like, you know, kind of, like, bullet
- 1:12:57Speaker 9: point these things about their personality.
- 1:12:59Speaker 6: And it was me.
- 1:13:00Speaker 9: Like, it was just me. And I was like, if
- 1:13:02Speaker 9: I'd seen this, like, 20 years ago, I would probably
- 1:13:06Speaker 9: be socially much more functional. Like, well, it's just, you know,
- 1:13:10Speaker 9: and some stuff is silly.
- 1:13:11Speaker 3: Well, it's not to place blame in one place or another.
- 1:13:15Speaker 7: Sorry.
- 1:13:16Speaker 9: When people ask you, like, where are you from? You know,
- 1:13:19Speaker 9: that was like this weird thing because, you know, if
- 1:13:21Speaker 9: you grew up on base, you're like, well, do you
- 1:13:23Speaker 9: want to know where I was born? Do you want
- 1:13:24Speaker 9: to know where I've lived the longest? Do you want
- 1:13:26Speaker 9: to know where I went to school?
- 1:13:27Speaker 6: It is always a story.
- 1:13:28Speaker 9: You know, it's like you can't just answer questions like that. And,
- 1:13:30Speaker 9: I mean, that's kind of a light thing in a documentary.
- 1:13:33Speaker 9: But even just about the way that you interact with
- 1:13:34Speaker 9: people and stuff, children that grew up on base, you
- 1:13:39Speaker 9: are either way outgoing or you're way recluse. Like there
- 1:13:43Speaker 9: just really is like no middle.
- 1:13:45Speaker 5: Yeah. Greg, do you live in the same neighborhood as
- 1:13:49Speaker 5: Missy and Jay, essentially?
- 1:13:52Speaker 3: A couple neighborhoods over, but yeah.
- 1:13:56Speaker 2: Not as many serial killers.
- 1:13:57Speaker 3: Not as many serial killers.
- 1:13:58Speaker 5: That's what I was curious as to, like, your.
- 1:14:12Speaker 3: In like a block. It's close.
- 1:14:14Speaker 6: It's really close.
- 1:14:15Speaker 5: I'm just curious if like having an, a legitimate serial
- 1:14:18Speaker 5: killer in the neighborhood has changed.
- 1:14:20Speaker 3: Like, well, you know, and the people in that area,
- 1:14:22Speaker 3: the thing is, is right down the street from there, right.
- 1:14:25Speaker 3: There was a house where there was like grisly murder.
- 1:14:28Speaker 3: I mean, it was, it was a son and his
- 1:14:30Speaker 3: friend and, and killing his mother. And, um, and I
- 1:14:35Speaker 3: know not far from there, there was another where it
- 1:14:38Speaker 3: was a series of, um, Not murders, but horrible crimes
- 1:14:45Speaker 3: and beatings. All within, you know, a quarter mile. And
- 1:14:50Speaker 3: it was all the same neighborhood. Almost the same street.
- 1:14:53Speaker 3: And it's just.
- 1:14:54Speaker 5: Because it's not an unsafe neighborhood, really.
- 1:14:56Speaker 3: No. And back, you know, when I was there, it
- 1:14:59Speaker 3: was like, you know, the perfect suburban neighborhood. And it
- 1:15:02Speaker 3: had the darkest history of our town is right there. Well,
- 1:15:05Speaker 3: I don't know. I find it.
- 1:15:07Speaker 7: This might be superstitious to some people, but I find
- 1:15:09Speaker 7: it pretty easy to believe that some places just naturally
- 1:15:11Speaker 7: have pretty bad juju for people. You know, it's like
- 1:15:14Speaker 7: just some places it seems like a lot of negative
- 1:15:19Speaker 7: activity just gravitates towards it, despite seeming normal or ordinary.
- 1:15:23Speaker 3: All right.
- 1:15:27Speaker 2: I think we better wrap up this Halloween talk. We're
- 1:15:29Speaker 2: out of control. We've covered a lot of ground in
- 1:15:34Speaker 2: our Halloween talk, and yeah, I think... I don't know.
- 1:15:38Speaker 2: It's pretty awesome. I like when we throw out these
- 1:15:40Speaker 2: general topics and you just kind.
- 1:15:41Speaker 12: Of run with it.
- 1:15:42Speaker 2: Interesting note.
- 1:15:44Speaker 7: When I stepped out just now to use the bathroom,
- 1:15:46Speaker 7: there's people using my desk in my office to publish scripts.
- 1:15:51Speaker 6: I'm sure.
- 1:15:52Speaker 4: Yeah, I know, right?
- 1:15:53Speaker 7: And stage manager was there with his, I guess, his
- 1:15:55Speaker 7: niece or something. And my desk has all these skulls
- 1:15:59Speaker 7: on it. Right?
- 1:16:00Speaker 3: She's just sitting there.
- 1:16:00Speaker 9: That's normal.
- 1:16:01Speaker 2: Yeah.
- 1:16:02Speaker 7: And she's just sitting there like being bored and whatnot.
- 1:16:07Speaker 11: And I said, here.
- 1:16:08Speaker 3: Picked up the most realistic one.
- 1:16:10Speaker 6: I said, here you go.
- 1:16:11Speaker 3: I have a skull. It's real.
- 1:16:13Speaker 7: And immediately she's like, cool. And then she flipped over
- 1:16:18Speaker 7: and she's like, hey, it has a price tag on it.
- 1:16:22Speaker 7: And I just thought it was interesting, given the tenor
- 1:16:24Speaker 7: of our conversation, everything has gone. I was like, what
- 1:16:26Speaker 7: we said about Americans and our relationship to horror and everything.
- 1:16:31Speaker 3: Here's a real human skull. That's awesome. Wait, it's not real.
- 1:16:34Speaker 3: That's a disappointment.
- 1:16:36Speaker 11: Everyone knows human skulls are free, the real ones.
- 1:16:41Speaker 3: My wife's father has it handed down. His grandfather was
- 1:16:47Speaker 3: a surgeon in the war and he had his kit
- 1:16:51Speaker 3: with military stuff and his medical bags and he actually
- 1:16:55Speaker 3: has a Not the jawbone, but everything else from the
- 1:17:00Speaker 3: skull from a German soldier. And actually, I think it
- 1:17:03Speaker 3: was an officer is the story. And they call him
- 1:17:06Speaker 3: Herman the German. He sits on the mantle in the
- 1:17:10Speaker 3: living room. And it's just kind of that accepted thing
- 1:17:13Speaker 3: that he's the skull.
- 1:17:14Speaker 8: Of the house.
- 1:17:14Speaker 6: I've got a real skull at home. And like I said,
- 1:17:16Speaker 6: my daughter's fascinated by it. Is that legal?
- 1:17:18Speaker 14: No.
- 1:17:20Speaker 6: She's terrified of animatronic Halloween decorations. I'm like, this is
- 1:17:24Speaker 6: a real human skull. This is a dead guy. That's cool.
- 1:17:27Speaker 10: Kids are just kind of morbid, really. They embrace that
- 1:17:30Speaker 10: stuff on a weird level. She's kind of the way
- 1:17:33Speaker 10: they are.
- 1:17:34Speaker 7: But in fairness, and I think this kind of speaks
- 1:17:37Speaker 7: to some of the things we notice in horror movies,
- 1:17:40Speaker 7: there's something uncanny about some animatronics. There's something really unrealistic
- 1:17:45Speaker 7: about certain... horror movie situations, but, you know, when you
- 1:17:49Speaker 7: see these things in real life, you're like, oh, that's
- 1:17:52Speaker 7: actually more mundane than I expected it to be. Like,
- 1:17:55Speaker 7: I remember the first time I saw a set of
- 1:17:56Speaker 7: human bones, I was not creeped out or weirded out
- 1:17:59Speaker 7: at all. But there are some skeletons, some animatronic skeletons
- 1:18:04Speaker 7: I've seen, and I'm just like, whoa, that really shouldn't
- 1:18:06Speaker 7: be moving.
- 1:18:08Speaker 11: Well, bones are usually all cleaned up and freshly scrubbed.
- 1:18:11Speaker 11: I think if you were to see them, you know, Well, I'm.
- 1:18:14Speaker 7: Pretty sure if I dug up my backyard and saw
- 1:18:16Speaker 7: a half-rotted.
- 1:18:16Speaker 3: Corpse, I'd be pretty freaked out.
- 1:18:18Speaker 2: Nah, you'll be fine.
- 1:18:20Speaker 11: Check the price tag on that.
- 1:18:22Speaker 7: Maybe I'm ballsier than I think.
- 1:18:25Speaker 9: The Bodies Humane exhibit that they did a couple months ago,
- 1:18:28Speaker 9: that was kind of hit and miss. Some things I
- 1:18:30Speaker 9: look at and be like, I'm fine with this. This
- 1:18:32Speaker 9: is almost, in a way, aesthetically kind of pleasing. And
- 1:18:34Speaker 9: in others, I'm just like, oh, I can't really look
- 1:18:37Speaker 9: at this one. This one's just creepy.
- 1:18:39Speaker 2: Yeah, it was hit and miss for me.
- 1:18:40Speaker 3: It creeped me out.
- 1:18:41Speaker 6: It's creepy.
- 1:18:43Speaker 9: The ones where it was, like, the thin slices that
- 1:18:46Speaker 9: had the light underneath. Like, it created this, like... church
- 1:18:50Speaker 9: glass kind of look. It was aesthetically amazing. But I'm
- 1:18:53Speaker 9: just like, but that's guts and kidneys and stuff.
- 1:18:56Speaker 11: But it's like. We are all a temple.
- 1:19:01Speaker 7: Go to 21C sometime and see the exhibit of a
- 1:19:04Speaker 7: guy who made an entire body basically out of paper
- 1:19:07Speaker 7: mache and yarn. And it's just a video of him, like,
- 1:19:11Speaker 7: cutting into it. And it's all made of different materials. So, like,
- 1:19:14Speaker 7: you hear him snapping the fake rib cage and tearing
- 1:19:17Speaker 7: apart the stomach. And then he pulls out all this
- 1:19:19Speaker 7: yarn from it. And it's, like, 100% anatomically accurate. And
- 1:19:24Speaker 7: it's all just, like, creepy paper mache and cardboard.
- 1:19:28Speaker 6: Wow.
- 1:19:29Speaker 3: Plastic. All right.
- 1:19:32Speaker 2: That's horrifying. You know what's even more horrifying?
- 1:19:35Speaker 6: What?
- 1:19:38Speaker 2: Okay, kids, get out your decoder pins. Our next feature
- 1:19:40Speaker 2: is going to be Satan's Little Helper.
- 1:19:41Speaker 6: So, yeah, in the next few weeks, prepare yourself.
- 1:19:44Speaker 9: Go watch it now.
- 1:19:44Speaker 7: Suckers.
- 1:19:45Speaker 14: Anyway.
- 1:19:58Speaker 2: Satan's Little Helper will be our upcoming.
- 1:20:01Speaker 12: Hey, it might be really good.
- 1:20:02Speaker 6: What do you mean?
- 1:20:03Speaker 2: You'll find out. Between now and then, you'll watch it,
- 1:20:06Speaker 2: and then we'll talk about it.
- 1:20:07Speaker 11: I look forward to this.
- 1:20:10Speaker 2: Otherwise, that about does it.
- 1:20:12Speaker 10: Thank you for joining us on our Halloween journey, and
- 1:20:15Speaker 10: we will return next week.
- 1:20:16Speaker 2: Same geek time, same geek feed. Thanks for listening.
- 1:20:25Speaker 10: I'll remember Halloween, dead cats hanging from poles, little dead
- 1:20:31Speaker 10: are out in droves.
- 1:20:32Speaker 13: I'll remember Halloween. Ground leaves vertigo, where skeletal life is known.
- 1:20:42Speaker 6: I'll remember Halloween, this day anything goes, burning bodies hanging
- 1:20:48Speaker 6: from poles.
- 1:20:49Speaker 13: I'll remember Halloween.
- 1:21:06Speaker 13: .
- 1:21:13Speaker 12: .
- 1:21:17Speaker 14: .
- 1:21:21Speaker 9: .
- 1:21:21Speaker 6: .
- 1:21:31Speaker 13: Out of the way Out of the way Out of
- 1:21:58Speaker 13: the way.
- 1:22:28Speaker 11: Have you heard his voice? Everything he says sounds professional
- 1:22:32Speaker 11: to me.
- 1:22:32Speaker 3: I mean, it's just like.
- 1:22:34Speaker 6: It's the tie. I have a.
- 1:22:35Speaker 12: Little bit of a crush on his voice.
- 1:22:39Speaker 3: The tie does strange things to a man's voice. He's like, baby,
- 1:22:41Speaker 3: let's listen to Bo's voice while we do it.
- 1:22:43Speaker 11: In fact, Greg, would you mind leaning forward just a
- 1:22:48Speaker 11: little bit more so you can block him?
- 1:22:49Speaker 18: I'm looking for anything that's in this notebook that I
- 1:22:53Speaker 18: could read that would be a sequence.
- 1:22:54Speaker 12: Oh, here we go. Important notes. Bills are taken care
- 1:22:58Speaker 12: of and advanced. Most are auto-draft.
- 1:23:00Speaker 6: It's got gravitas.
- 1:23:02Speaker 3: I will mow on.
- 1:23:03Speaker 12: Thursday, so this does not need to be taken care
- 1:23:05Speaker 12: of in my absence.
- 1:23:07Speaker 11: He doesn't really whistle when he talks.
- 1:23:09Speaker 12: Trash doesn't need to go out.
- 1:23:10Speaker 7: It went out this past Monday, and that should take
- 1:23:13Speaker 7: care of it in my absence.
- 1:23:15Speaker 3: Okay, at this point, I think either William.
- 1:23:17Speaker 12: If you.
- 1:23:17Speaker 9: Visit with the cats, it should be.
- 1:23:20Speaker 3: It would be appreciated.
- 1:23:21Speaker 12: If interested, I just picked up the entire Adam West
- 1:23:24Speaker 12: Batman series.
- 1:23:25Speaker 3: Did you hear the way he did the series?
- 1:23:28Speaker 11: It kind of had some vibrato in there.
- 1:23:30Speaker 3: Is the Adam West Batman series?
- 1:23:32Speaker 12: No, that's what they have to.
- 1:23:34Speaker 11: Now ask for pledge money.
- 1:23:36Speaker 3: At this point, Garrison Keillor is going to show up
- 1:23:38Speaker 3: and be like, hey, I want to sponsor you. I
- 1:23:40Speaker 3: like your style.
- 1:23:45Speaker 11: I hope you haven't taken my stories too seriously.
- 1:23:47Speaker 13: Talk hard!
- 1:23:53Speaker 4: Woo-hoo-hoo!