Latest / The Breakfast Club / 50 Cent On Ending Partnership With Starz, Relationship With His Son, New Deals, New Music + More

Transcript

50 Cent On Ending Partnership With Starz, Relationship With His Son, New Deals, New Music + More · The Breakfast Club

0:00
Speaker 1: What up, Dallas j mving OL basketball season? It's here,
0:03
Speaker 1: and you know, I'm a New York fan, all right,
0:05
Speaker 1: and I'm so excited for everything that's happened in New York.
0:08
Speaker 1: So why not when this basketball season start, why not
0:10
Speaker 1: have a little fun with it? All right? Today's video
0:12
Speaker 1: sponsor is Draft Kings Sports Club, and they're dishing out
0:15
Speaker 1: in an awesome offer for all their new customers. All
0:18
Speaker 1: new customers need to do is sign up using promo
0:20
Speaker 1: code TBC. That's the Breakfast Club TBC that five dollars
0:24
Speaker 1: on any pre game money line wager and receiving additional
0:27
Speaker 1: two hundred dollars in free bets if you're bet cashes.
0:30
Speaker 1: That's right, new customers who bet at least five dollars
0:33
Speaker 1: on any team to win straight up, we're getting additional
0:36
Speaker 1: two hundred dollars in free bets if they're bet hits.
0:39
Speaker 1: Plus with same game parlays, you can combine multiple bets
0:42
Speaker 1: from the same game to give yourself a shot at
0:44
Speaker 1: even bigger winnings all season long. For those in the
0:47
Speaker 1: state where sports betting is not yet available, don't forget
0:50
Speaker 1: about Draft Kings Daily Fantasy, where they have been innovating
0:53
Speaker 1: even more ways to win some cash this basketball season.
0:57
Speaker 1: They don't forget that football season is full swing as well.
1:00
Speaker 1: Draft Kings has tons of ways for you to get
1:02
Speaker 1: in on the action. Downloads the Draft Kings sports Book
1:05
Speaker 1: app right now. New customers use promo code TBC and
1:09
Speaker 1: receive two hundred dollars in free bets if their free
1:11
Speaker 1: game money line bet hits after placing a five dollar wager.
1:15
Speaker 1: That's promo code TBC only at Draft Kings Sports Book.
1:25
Speaker 1: Wake that ass up in the morning, Breakfast Club the morning.
1:30
Speaker 1: Everybody is day Envy angelu Ye, Charlomagne the guy. We
1:34
Speaker 1: are to Breakfast Club. We got a special guest in
1:36
Speaker 1: the building. Back out. I'm back in the breakfast Club.
1:42
Speaker 1: Well part of the world you in right now? Fifth
1:44
Speaker 1: because I know it's not America. Yeah, I'm in Progue,
1:47
Speaker 1: I'm in product Okay, okay, Tech Republic. I don't even
1:50
Speaker 1: want you to see me in America no more, Shalom.
1:52
Speaker 1: I want you to see me when I'm outside of
1:54
Speaker 1: the country because they treat me so much better. You
1:59
Speaker 1: gotta see me out there. I did the Old two
2:01
Speaker 1: Arena last night, sold out, and then getting tonight. I
2:04
Speaker 1: do it again. Wow, And in the midst of a
2:08
Speaker 1: whole bunch of we're going on here absolutely, you know
2:11
Speaker 1: this this is like my day job, you know, and
2:13
Speaker 1: that other stuff was you know, really I'm a full
2:17
Speaker 1: time producer, you know. So I got the state coming
2:20
Speaker 1: h Actually tomorrow the Florides Twins podcast is Surviving El Chapel. Yeah,
2:26
Speaker 1: this is the first time they spoken about this, right,
2:29
Speaker 1: first time they spoke. And then they're like, I came
2:33
Speaker 1: across them the ill things. I came across them in
2:35
Speaker 1: two thousand and four. At the height, they get Richard
2:38
Speaker 1: trying Um, one of one of the dudes in box Entourrise,
2:42
Speaker 1: decided to leave the hotel and go to competing green
2:44
Speaker 1: projects because he wants the party. He had to spin them.
2:50
Speaker 1: Did you want to spind a piece? They were all
2:52
Speaker 1: them for the piece alway, So I got roll for that,
2:55
Speaker 1: the Twins. They got it to the Twins because they
2:57
Speaker 1: that's who would have the money to buy that. And
3:00
Speaker 1: then uh, Jave Floors. He got the piece back to
3:03
Speaker 1: me because just to create the relationship, he brought the
3:06
Speaker 1: piece back. He stole it from Buck's Boy. Yeah, and
3:12
Speaker 1: then then he got back to me through Gobby Gobby,
3:16
Speaker 1: but he's working at US at the time on the
3:18
Speaker 1: Steve Rifkin and he had relationship with him, and then
3:20
Speaker 1: that's how he got the piece back. I wonder what
3:22
Speaker 1: a project like that, what makes you say, you know what,
3:24
Speaker 1: I'm gonna take it to a podcast as a poser,
3:26
Speaker 1: developing it as a show or film. Now it's developing
3:29
Speaker 1: as h it's the new narcles. Okay, what I do
3:33
Speaker 1: so I mean is I'm making a podcast so you
3:35
Speaker 1: can hear it, because you don't do anything destroying the
3:37
Speaker 1: story by informing an audience. Like how many great feature
3:42
Speaker 1: films were books that you read before you got a
3:44
Speaker 1: chance to see the film. So make the podcast. I
3:47
Speaker 1: got the Doctor series coming, and then the actually scripted
3:52
Speaker 1: series is on the way foward. Why not? And it's
3:54
Speaker 1: like making It's like you're making so much money off
3:56
Speaker 1: one piece of content. Yeah, and then when you can
3:59
Speaker 1: get it into early stages when they have never said
4:01
Speaker 1: anything like you technically it's Chapo is the biggest drug
4:05
Speaker 1: like that. That's Look, they've moved one hundred and thirty
4:10
Speaker 1: tons of cocaine and harrold damn for that organization. So
4:15
Speaker 1: if you look when you say that. I was like
4:17
Speaker 1: when you you were selling drugs, I was doing something different.
4:26
Speaker 1: You look at it like that. You go, wait now,
4:29
Speaker 1: because Charlot me that ground level stuff that we was
4:32
Speaker 1: involved in in these environments, in the neighborhoods. When you
4:35
Speaker 1: in that level. The first time that they asked for
4:38
Speaker 1: some work for them, they had to sell for three
4:40
Speaker 1: and they gave them five. So you couldn't court. You
4:43
Speaker 1: would have got life your first transaction. You would have
4:46
Speaker 1: got life. Damn, you gotta caught five, he though. So
4:50
Speaker 1: they're pretty much but their life is online the entire time.
4:55
Speaker 1: With all the shows you got coming out, What what
4:57
Speaker 1: made you want to go back on the road? You
5:00
Speaker 1: know what? I look I could, I said I would
5:02
Speaker 1: the first leg of this run, and then it's so
5:06
Speaker 1: much Acquiris came in following that that I said, I'll
5:09
Speaker 1: go back. I'll look do it that again. But then
5:11
Speaker 1: I started calling the world tour and I can't call
5:13
Speaker 1: the world torn as I hit all the markets. So
5:16
Speaker 1: the third, the third leg of this run will be
5:20
Speaker 1: in February, so I'll be back out and felt wary,
5:24
Speaker 1: and then I can hit Africa and Australia and the
5:28
Speaker 1: Asian country like Thailand and Taipei, Taiwan, Bangkok, China, things
5:32
Speaker 1: like that, and then because I hadn't, I haven't been
5:34
Speaker 1: back there since the first Anger Management, right, you know
5:38
Speaker 1: what I mean? So is there a documentary coming with
5:41
Speaker 1: this tour, this world tour. I've been looking in filming
5:44
Speaker 1: the whole time. Yeah, it only makes sense. Yeah, everybody
5:49
Speaker 1: wants to know where you're going. Fifth you left Stars,
5:52
Speaker 1: left Stars high and dry. Yeah, you know what in
5:54
Speaker 1: between town because I got three different offers that I'm
5:57
Speaker 1: looking at now but showing me. I'm tell you the
6:00
Speaker 1: difference is even my relationships at Ryder's Gate, I've been consistent.
6:04
Speaker 1: I sold the last thing that I pitched to the
6:06
Speaker 1: my soul so um Stars picked it up. The uh
6:13
Speaker 1: in that time period, like I got four new shows up.
6:17
Speaker 1: You know what I'm saying that we got the Property
6:19
Speaker 1: players with Nbing up. You know his wife start the show,
6:23
Speaker 1: he just in it. His wife is there. So when
6:28
Speaker 1: you see when you see the counterparts, you understand how
6:32
Speaker 1: everything else works away from the entertainment, because that's the
6:35
Speaker 1: interesting parts of that show to me and their kids.
6:37
Speaker 1: Because he did like the Royal Family, you got like
6:39
Speaker 1: five we got a whole team, a Chileader. Yeah, that's
6:43
Speaker 1: why you know, you know, that's why Caesar got the
6:45
Speaker 1: BBL three years ago because he knew eventually he got BBL.
6:55
Speaker 1: He did, though, man been in development for you guys
7:04
Speaker 1: for a while. So what was the first iteration and
7:07
Speaker 1: how did that evolved for you guys to get that
7:09
Speaker 1: picked up properly? That was what we went through. A
7:12
Speaker 1: bidding war for that show. Like they it was multiple networks.
7:16
Speaker 1: They were excited about it. And then of course when
7:20
Speaker 1: you see kind of draw that the NBA has with
7:24
Speaker 1: with with even the cars showed the seminars about real
7:29
Speaker 1: estate and stuff like that, then it looks way more
7:32
Speaker 1: significant than a show that you just came with this
7:35
Speaker 1: concept and you got this person. It's a personality that's
7:38
Speaker 1: going to be on it. When they see it's already
7:40
Speaker 1: drawing that many people to it, and and it's already
7:43
Speaker 1: so so well established, Like they don't we don't have
7:45
Speaker 1: to pick any properties. These are all properties that they
7:48
Speaker 1: actually owned in their business with So it's like the
7:52
Speaker 1: coolest way was was figuring out the format for it
7:55
Speaker 1: to keep it entertaining away from it being just a
7:59
Speaker 1: real estate show. It's going to have to show about
8:01
Speaker 1: their families while doing real estate. Dope, do you have
8:05
Speaker 1: an idea where you're going? Now? You know what? It's
8:09
Speaker 1: getting good, it's getting really interesting because look, Charlotte, when
8:13
Speaker 1: when you start to see look even I'm on a
8:17
Speaker 1: one of the on the board for the Motion Picture
8:21
Speaker 1: Television Fun and I'm doing that everybody, all of the
8:25
Speaker 1: heads of the studios are. There's the night before the
8:27
Speaker 1: Emmies party and You're like, I get a chance to
8:30
Speaker 1: jump out on that and that fun. That's my party
8:32
Speaker 1: now that that's my h You know how you Jay's
8:36
Speaker 1: brunch before the war. Yeah, okay, so mind is before
8:40
Speaker 1: the Emmies before, So I'll do that there and then um,
8:44
Speaker 1: that's the So it's a lot of fun. Just I
8:47
Speaker 1: have relationships now with the heads of the studios and
8:51
Speaker 1: so many different networks that I've been that I familiarize
8:54
Speaker 1: myself with while coming with these different projects, and then
8:59
Speaker 1: the success rades on hi that they just it's the
9:02
Speaker 1: right way. I think one of the unwritten laws a
9:05
Speaker 1: power is to appear not to need anything. And because
9:08
Speaker 1: they know I don't need to sell the show to
9:11
Speaker 1: see it the right way, and then they buy the
9:13
Speaker 1: show because it's a presentation, is like, this is an
9:16
Speaker 1: opportunity for us to have a hit together, not I
9:18
Speaker 1: don't need you to do this show. When people are
9:22
Speaker 1: pitching themselves or pitching the idea that you know, kind
9:25
Speaker 1: of this points of desperation where they're trying to sell
9:28
Speaker 1: you something, you know, like trying to hustle you a
9:30
Speaker 1: little bit. You know, that's that's his answer. He's not
9:35
Speaker 1: telling you where he's going. I will be back to
9:38
Speaker 1: tell you exactly what's happening. But I just got multiple
9:41
Speaker 1: balls in the look at the same time, I need
9:43
Speaker 1: those networks that I think this is a strong possibility
9:47
Speaker 1: that I will to buy and move the projects that
9:49
Speaker 1: I have with them forward. Okay, and you have hip
9:52
Speaker 1: hop homicide. That one sounds fascinating. Yeah, so I don't
9:56
Speaker 1: want that that one specifically. You know, that's that's on
10:00
Speaker 1: hit home with us because it's just a culture. Even
10:02
Speaker 1: if you're not when you report it, you kind of
10:07
Speaker 1: have information on people that you're not interested in, Like
10:10
Speaker 1: you don't particularly like that artist enough to follow that artist,
10:14
Speaker 1: but you still know, we still culturally are aware of
10:17
Speaker 1: things happening with them, you know what I mean? And
10:20
Speaker 1: when you get into the homicide side of it's so many.
10:23
Speaker 1: How many, it's like seven hundred homicide the hip hop
10:26
Speaker 1: because the new artists they come, they're still in the street.
10:30
Speaker 1: It's the whole what would have been street cultures. Now
10:35
Speaker 1: it's like the drill scene, drill music, all of that's happening.
10:39
Speaker 1: So so many artists that get knocked off before they
10:41
Speaker 1: actually get to the point that they're really recognizable artists.
10:47
Speaker 1: We started with the artists that we TV pick, But
10:52
Speaker 1: I looked at it like it was a true Prime show.
10:55
Speaker 1: So it was like Charlemagne if it was when I'm
10:57
Speaker 1: watching First forty eight or when I'm watching Forensic Files.
11:00
Speaker 1: I don't care who it is. I'm just looking at
11:02
Speaker 1: the details of the scenario and imagining, like what happened,
11:06
Speaker 1: Like I'm trying to figure out what happened before they
11:09
Speaker 1: tell them. Yeah, I think that they think that's gonna fun.
11:11
Speaker 1: People love about hip hop homicide when they see it,
11:13
Speaker 1: especially people that's not of the culture. I think they're
11:16
Speaker 1: going to be shocked that so many of these rappers
11:18
Speaker 1: talk about the ship that they that that they're actually
11:22
Speaker 1: going through. Look, I would say I try not to
11:26
Speaker 1: say nothing the DA might play in court. That's right
11:28
Speaker 1: on two thousand and three in the records, right. And
11:30
Speaker 1: then when they go now it's crazier because they're almost
11:37
Speaker 1: say specific, they're talking about a crime was committed. And
11:41
Speaker 1: look as much as you you would say, no, this
11:43
Speaker 1: is art, and you know you're not for them using
11:46
Speaker 1: lyrics against the people when when in you know, situations,
11:49
Speaker 1: it's tough when it's blatantly said, this directly relates to this,
11:55
Speaker 1: you know what I'm saying. And then they got to
11:57
Speaker 1: have a better syst than that. Man, they can't can't
11:59
Speaker 1: do that, you know what I mean. Garicia to being
12:03
Speaker 1: down too, Yeah, yeah, she's working on the BMS series.
12:07
Speaker 1: And then you know City Girls up like a moth.
12:10
Speaker 1: That just Diddy No no, no, that was a that
12:15
Speaker 1: was ahead of the thing with Dathane whatever like that.
12:19
Speaker 1: But y'all know, I ain't kissed in the mouth for
12:21
Speaker 1: ten years. Man, somebody got to kiss up beaut you know,
12:30
Speaker 1: I didn't know, like for real, for real, you know,
12:33
Speaker 1: like I ain't one of those situations where you know
12:35
Speaker 1: that they had us, like they'll still go back to
12:39
Speaker 1: the baby mother, hang out with the baby mother and
12:41
Speaker 1: stuff like that. Nah, that that's and and that was
12:44
Speaker 1: not like a relationship than anyway. It was more like
12:47
Speaker 1: an arrangement, you know. And look, scis my boy. I
12:52
Speaker 1: almost named him Chance because of me and Floyd's relationship.
12:57
Speaker 1: He kept acting me to come back to Vegas and
13:00
Speaker 1: then he'll go, bring bring daply. I'm like, why, he said,
13:02
Speaker 1: so we can leave forward with miss Jackson, we can
13:04
Speaker 1: go you know, champaut four or five girls his girlfriends
13:08
Speaker 1: right there, I'm saying, so he just needs a reason
13:12
Speaker 1: for them to be out of the way so we
13:13
Speaker 1: can go through everything else. And that kept her around
13:17
Speaker 1: consistent enough for that to happen, for us to have
13:20
Speaker 1: a little guy. But he's a blessing. I love him
13:22
Speaker 1: to death. And this is the only thing. Where do
13:25
Speaker 1: you leave the money? Yeah, yeah, yeah, yeah, yeah, I
13:28
Speaker 1: saw you saw you got the sire Spirits. Yeah, And
13:32
Speaker 1: I put it even that that company is for him
13:34
Speaker 1: to run later, you know, to develop it and get
13:38
Speaker 1: it going, and then I'll go off to something else
13:41
Speaker 1: and do some other things out. Yeah, you got to
13:44
Speaker 1: collaborate the Texans and the Kings and the Rockets and
13:46
Speaker 1: the Astros where they carry the liquid, they carry the
13:49
Speaker 1: brands and in the paces today. It came out in
13:53
Speaker 1: the in the paces that we're there for shoot, Coneyak
13:56
Speaker 1: and Champagne. Wow. So I'm going to call that there
14:03
Speaker 1: the Rockets, the Texans, the Astros, the all of Houston.
14:06
Speaker 1: You know what I mean because I'm just got out there.
14:08
Speaker 1: I was at a focus there right quick to get
14:10
Speaker 1: that together, and then um, I went to Sacramento, Kings
14:16
Speaker 1: the spots in that. It's cool to be coming around
14:19
Speaker 1: full circle. But you know, like when the league is
14:21
Speaker 1: it's very tough for you to meet what they feel
14:25
Speaker 1: like a sufficient standard wise the person. Now, I was
14:29
Speaker 1: constantly putting out material and it was the old fifty
14:33
Speaker 1: six content. It would be afraid to do business with
14:37
Speaker 1: me on that level. And then you know when they
14:39
Speaker 1: don't see that coming up as much and they just
14:42
Speaker 1: see it doesn't really in state that crazy. Yeah, yeah, yeah,
14:49
Speaker 1: you got everything. Yeah, you think he's gonna have a
14:52
Speaker 1: hard time dealing with business from that one, dealing with manufacturers,
14:55
Speaker 1: companies and all. I think, yeah, yeah, because look when
14:59
Speaker 1: you personalize when they people, when the things hit people personally,
15:02
Speaker 1: they are affected by it personally, So they're using their
15:05
Speaker 1: personal judgment with what they want to work who they
15:07
Speaker 1: want to work with, who not, And when you like
15:11
Speaker 1: you say things that it affects people in the different ways. Man.
15:16
Speaker 1: It's like like when I tell even when the boy,
15:19
Speaker 1: what's they came around the six nine. I was saying,
15:21
Speaker 1: if you got a problem, have a problem with the
15:22
Speaker 1: person you have a problem with, don't have a problem
15:25
Speaker 1: with all with Chicago, Right, you see what I'm saying,
15:29
Speaker 1: and then that what he's saying, it's really broad, So
15:34
Speaker 1: you really don't know who you started beef with just now,
15:38
Speaker 1: like who really is affected by it? And feel and
15:40
Speaker 1: dislike you for saying that and saying just tided you
15:44
Speaker 1: being around here anyway. Yeah. Yeah, as with the forty
15:47
Speaker 1: a lot of powers, they don't don't offend the wrong person. Yeah,
15:51
Speaker 1: and they don't take much Yeah, people and positions that
15:54
Speaker 1: they can't block what you got coming now. One person
15:58
Speaker 1: that offended you was his whole enhancement situation. Yeah, so Angelo,
16:05
Speaker 1: I've been working with this jo for the whole time.
16:08
Speaker 1: I'm gonna say it was this a new one? And
16:11
Speaker 1: you're gonna tell me mister new one? Then like like
16:13
Speaker 1: what she said, No, No, I'm gonna get up because
16:18
Speaker 1: it's like the terror Marie thing. Man, it's for like
16:21
Speaker 1: you do that. It's not about money, it's about you
16:25
Speaker 1: making that mistake, blatant mistake. See what I'm saying. And
16:29
Speaker 1: there's other people then I'm sure that I'm not sure
16:32
Speaker 1: what they've done, but I know floor Rider didn't know
16:34
Speaker 1: you got a facial bro. You see what I'm saying,
16:41
Speaker 1: Oh yeah, yeah, okay, okay, gotta face you waiting and
16:45
Speaker 1: they think that somehow that that was compensation by them
16:48
Speaker 1: being able to utilize you. However, they feel, oh gotcha
16:52
Speaker 1: get what you're saying. You will comes so you put
16:57
Speaker 1: pen pen of enhancement. I'm gonna see you. Definitely, you
17:02
Speaker 1: need to kind of figure out when you scratch that
17:05
Speaker 1: money together before everybody's control. We saw a bificult. Fox
17:08
Speaker 1: came to your defense what she want online she wanted.
17:14
Speaker 1: But you know, it could be a win either way
17:17
Speaker 1: because now people know about this, this enhancement surgery, they
17:20
Speaker 1: could do that they might not have known before. And
17:23
Speaker 1: so she could think they're thinking that I'm directed them
17:26
Speaker 1: to do it like I've done it. That's wrong. Don't
17:30
Speaker 1: do that. They made Charlotte mayn't want to go because
17:33
Speaker 1: when we first saw and reported on I just asked
17:36
Speaker 1: about the consultation I didn't want. I'm not saying, you
17:40
Speaker 1: know how many guys were like, yo, I didn't even
17:42
Speaker 1: know you could do that, even though we know it's
17:44
Speaker 1: a law suit and you didn't get it done. The
17:46
Speaker 1: fact that it exists now people know. I've never even
17:49
Speaker 1: heard anyone successfully doing that. I've heard of guys have
17:56
Speaker 1: had a lot of money when did that and died?
17:59
Speaker 1: Oh why Yeah, tried to enhance himself in that way.
18:03
Speaker 1: And I'm like, yeah, so you was. You had everything
18:05
Speaker 1: else going and he was trying to fix that and
18:08
Speaker 1: fucked it all up. Damn you. You got the BMF
18:11
Speaker 1: dot coming um this Sunday, October twenty three, It's that's
18:15
Speaker 1: gonna be on Stars. Like, why why are doc now?
18:18
Speaker 1: Like we didn't see in the first season? Yeah the
18:20
Speaker 1: doc you know, tell me that that was shot where
18:24
Speaker 1: they could have put it in the hole the six
18:27
Speaker 1: month gap that they had. Yeah, so, um, but there
18:31
Speaker 1: were timing for for it to be seen. So the
18:34
Speaker 1: doctor Sharis will come on and that the night that
18:39
Speaker 1: the finality is on, that will be the night that
18:42
Speaker 1: BMF season two commutes. Oh so when the doc comes
18:46
Speaker 1: out this Saturday at midnight see the Two Stars. Wow,
18:51
Speaker 1: that's when it starts, and then when the Finality shows up.
18:53
Speaker 1: That evening that the Finality is is the evening that
18:57
Speaker 1: the BMF scripted series commit Wow, you got so much
19:01
Speaker 1: going on. Raising Kennan is one of my favorite shows
19:03
Speaker 1: to watch right now. So I just want to say
19:07
Speaker 1: the actor who plays like a young fifty he sounds
19:09
Speaker 1: like you for real. He does. He slurs words, it
19:13
Speaker 1: does everything in the way. I'm like, good, he pays's
19:15
Speaker 1: where he worked on that, Like, because you don't really
19:18
Speaker 1: talk like that. Oh he does, Okay, Because I was wondering,
19:21
Speaker 1: I was like, he really sound like this, No, he
19:23
Speaker 1: really did. He really plays attention to him college Like
19:26
Speaker 1: y'all gotta say, because who look at the interviews in
19:28
Speaker 1: here where I say things a little different and then
19:31
Speaker 1: he goes would you say this like this or like that?
19:34
Speaker 1: And like when I'm on set and I'm like, yeah,
19:36
Speaker 1: you did it right the first time or where you
19:37
Speaker 1: did it. You know what's great about all these shows,
19:40
Speaker 1: it really does elevate a lot of the people on
19:42
Speaker 1: them to a higher status. A lot of them have
19:44
Speaker 1: been in things, but maybe not had like a starring role,
19:47
Speaker 1: but I see like how much has elevated people Malcolm
19:50
Speaker 1: May's you know, he did an amazing job. And I
19:53
Speaker 1: know he's done, He's been in multiple things, but for this,
19:56
Speaker 1: this is a huge role and out and he was
19:58
Speaker 1: he was als amazing and softball you know. And I
20:03
Speaker 1: worked with him in that film before we got him
20:06
Speaker 1: to come back and him and like Russell Hornsby was
20:09
Speaker 1: in good Ridge to that trying with me, I'm getting
20:11
Speaker 1: a chance to get the guys that I always like
20:14
Speaker 1: like to work with and put them in projects that
20:17
Speaker 1: are really exciting projects to get them to the next level.
20:20
Speaker 1: And then when when things that we've made the biggest
20:25
Speaker 1: live events connected to television programming, so it gives us
20:30
Speaker 1: an advantage like we do I do the premier at
20:32
Speaker 1: Radio City Music Hall or at Massion School Garden or
20:35
Speaker 1: like in Atlanta, were in the shed outdoors because of
20:38
Speaker 1: the COVID stuff, you know what I mean. And but
20:41
Speaker 1: it's a big enough event that I can bring all
20:44
Speaker 1: of the I could kind of use my juice card
20:47
Speaker 1: like and have everybody come out and do a little
20:49
Speaker 1: something because the event is already sold out, everything's already
20:54
Speaker 1: set up. They just come rock you know, you know Flip.
20:57
Speaker 1: Everybody wants to know, is there a possibility of of you?
21:01
Speaker 1: You know, actually your son, Your son wants to sit
21:03
Speaker 1: down with you. No, he doesn't see solo. Man, you
21:06
Speaker 1: would call me. You don't call TMZ to say you
21:10
Speaker 1: want to sit down. M M. Think about it, man.
21:15
Speaker 1: You know he wants some attention and it's okay. You
21:19
Speaker 1: can't have as much of that as you want. You know.
21:22
Speaker 1: It's just like you, he's been trained to believe what
21:26
Speaker 1: you see him say in an in that interview, that
21:30
Speaker 1: what he was saying. He's been trained to believe that
21:32
Speaker 1: for a long time. Bro. Like you don't just wake
21:36
Speaker 1: up and say, oh well, I don't believe what I've
21:37
Speaker 1: been believing forever, you know what I mean? Like when
21:40
Speaker 1: I said that that he's entitled. Really it's his mom's title. Man,
21:46
Speaker 1: it's been filtered. See when I told you I was
21:50
Speaker 1: giving out half a million hours a year, they go
21:54
Speaker 1: through the paperwork, they see half million hours a year. Well,
21:56
Speaker 1: at that point she still was expecting more. This is
22:00
Speaker 1: why I took the JOWD sport. You don't usually sign
22:03
Speaker 1: up to jown sport like I took myself to John
22:05
Speaker 1: Support because she wasn't understanding and that were Almo, already
22:09
Speaker 1: giving you more than you're supposed to get it. Then
22:11
Speaker 1: when it turns into the sixty seven hundred, that's not
22:13
Speaker 1: enough and it's never gonna be enough. But remember me
22:17
Speaker 1: constantly coming to you, talk to you about she don't
22:19
Speaker 1: want to what you need to get a job. She
22:22
Speaker 1: didn't hear me. Yeah, you used to always say, he's
22:26
Speaker 1: almost eighteen. The child sport is gonna be up. I
22:29
Speaker 1: gonna be up soon. And you don't see it because
22:31
Speaker 1: that's not real to them. They just live in the moment,
22:35
Speaker 1: like and it's it's fine, I'll take care of it
22:36
Speaker 1: on the next thing when it comes, the next the
22:39
Speaker 1: next check coming in every month. Like I don't feel
22:42
Speaker 1: the pressure that or resentment that men feel with Chow
22:46
Speaker 1: support because I take care of it, winning the problem
22:51
Speaker 1: type mean. I took the money and moved it to
22:55
Speaker 1: account that year, so on the books that was an
22:57
Speaker 1: expense for that year. And then the next year I
23:00
Speaker 1: didn't feel that financially anymore, and it was like David
23:03
Speaker 1: was receiving it every month, but I had already put
23:06
Speaker 1: that money, so it's already took the loss on that year.
23:10
Speaker 1: So later if you're not, if you're not having years
23:12
Speaker 1: that bringing the same kind of money, it may affect
23:17
Speaker 1: you more later, I mean, if your career slows down
23:21
Speaker 1: if you're not you know, like, I just didn't want
23:23
Speaker 1: that to be an issue at any point, so I
23:24
Speaker 1: just took care of the sire. Is the situation when't
23:28
Speaker 1: I have good communications with like and for him, his
23:35
Speaker 1: aunt really his ansome make it easier for me because
23:38
Speaker 1: I don't really like his moms like that. So but
23:41
Speaker 1: we I've been able to share and raise him, you
23:47
Speaker 1: know what I'm saying, or real fighting and stuff like that.
23:49
Speaker 1: And you God, outside of you, you could think puffy,
23:54
Speaker 1: that puffy situation. You could there nothing else there. And
23:58
Speaker 1: you know, most most young men grow up and they
24:01
Speaker 1: realized that, you know, they was only getting one side
24:03
Speaker 1: of the story, usually from the mother. So that's that's
24:06
Speaker 1: when they want to, you know, go go talk to
24:08
Speaker 1: the pops and the like, damn have that relationship. Kind
24:11
Speaker 1: of it kind of happened. And raising Kinane, you know,
24:17
Speaker 1: raising Canan was was like it's really like him as
24:21
Speaker 1: the kid has been sheltered and he looks and he's
24:23
Speaker 1: excited by ghosts. He's wearing the suit stuff and you
24:27
Speaker 1: don't really understand who ghost is. You see what I'm saying,
24:32
Speaker 1: can in the jail to to make that and he
24:35
Speaker 1: wouldn't get his business back. He's just allowing him the
24:38
Speaker 1: opportunity to do deal with that, so he would deserve
24:40
Speaker 1: everything that he did for him. You see what I'm
24:44
Speaker 1: saying in that character. But when you look at to
24:49
Speaker 1: this point, when you if you mailed someone a million
24:53
Speaker 1: dollars right and have zero respect for you, how much
24:57
Speaker 1: you think you got to give them before they have
24:58
Speaker 1: a little bit? Dang, Yeah, it's not gonna the relationship.
25:05
Speaker 1: I don't think that works. So you so you would
25:09
Speaker 1: never be open to it now, I don't think the
25:12
Speaker 1: relationship works. I'm not looking for a long time telling
25:15
Speaker 1: me I've I've been running behind him. I went places
25:18
Speaker 1: that he went, and he left the place. You see
25:22
Speaker 1: what I'm saying. And then there's a I went to
25:26
Speaker 1: in the text messages that it was out. If y'll
25:29
Speaker 1: get a chance to look at him, that's me talking
25:31
Speaker 1: to his mother because his mother's texting me through his phone.
25:35
Speaker 1: You see what I'm saying. So I said that I said,
25:38
Speaker 1: knowing that this is hard responding to me, and it
25:42
Speaker 1: looks a little rough for him from what I'm saying
25:45
Speaker 1: to him. But it's the circumstances of Look, what's the
25:48
Speaker 1: penalty of if you're not following the order? All you
25:51
Speaker 1: do is go back to court. Yeah, she never got
25:55
Speaker 1: a job. What is the penalty. There's no penalty for her.
25:59
Speaker 1: They tell me to pay my lawyer, to pay her lawyer.
26:03
Speaker 1: That's real, to pay for everything every time you go
26:06
Speaker 1: do it, And there's no penalty for her because she
26:09
Speaker 1: doesn't have anything outside of what they're saying is support
26:11
Speaker 1: for the child. So what do they do. They're not
26:16
Speaker 1: going to tell her to pay for any She just
26:18
Speaker 1: to continue the same energy. You see there has been
26:20
Speaker 1: there the whole time. Look, you told about the kid.
26:22
Speaker 1: That's not even a kid. It's twenty five years old.
26:26
Speaker 1: You know. My issue was a sixteen angela. They wanted
26:29
Speaker 1: to charge me as an adult. Then you see what
26:32
Speaker 1: I'm saying. So you look and you go, wouldn't you
26:36
Speaker 1: gonna figure it out? Right in front? Like they act
26:39
Speaker 1: like they got money, You ain't done the money. Ain't
26:42
Speaker 1: the money there? The house that they stayed in, the
26:44
Speaker 1: Atlanta while he was out there, four clothes on them
26:47
Speaker 1: before they left, as the child support wasn't complete. Mismanager
26:51
Speaker 1: the money that you was being said, you see what
26:54
Speaker 1: I'm saying, And they'll look and keep making reference to
26:57
Speaker 1: that point that they have money. That was the point
26:59
Speaker 1: that you was around me. But they don't. They don't
27:03
Speaker 1: have no. Now that he was in Queens working in Vanity,
27:06
Speaker 1: he's a hooker boy, you see what I'm saying. So
27:10
Speaker 1: while he's there or the hooker, watermelon hooker, and you
27:14
Speaker 1: see him, wouldn't go get it. Man. But by the way,
27:19
Speaker 1: fifth you are the person who said have a baby
27:20
Speaker 1: by me, baby be a millionaire. So that's your fault. Yeah,
27:23
Speaker 1: this is after I got the numbers back. I tell me,
27:28
Speaker 1: what was gonna happen if you do? I said, what
27:33
Speaker 1: that's crazy? I know you, I know you gotta go.
27:35
Speaker 1: But now you're on the road, a new project, new music.
27:39
Speaker 1: What are we doing music wise? And you know what,
27:41
Speaker 1: I got some things that end up putting on it
27:44
Speaker 1: in the soundtrack on the projects. And then of course
27:48
Speaker 1: even when they get a chance to see if Popply plays,
27:50
Speaker 1: I might have something special for that to have, you know,
27:52
Speaker 1: opening sequences and stuff like that on the show. You
27:55
Speaker 1: got to you gotta make it the highest production value
27:58
Speaker 1: possible to make this feel good, you know what I mean? Absolutely, Yeah,
28:03
Speaker 1: we appreciate you checking in and we're waiting to hear
28:05
Speaker 1: that announcement to see where you're going. Many. Yeah, it's
28:08
Speaker 1: all love. Man, It's gonna be good. You know that.
28:12
Speaker 1: You should. I think you who's who we are your podcast?
28:15
Speaker 1: Don't think I don't cut my ears everywhere. I'm all
28:17
Speaker 1: on the street, trouping, going everything. I'm think attention to
28:23
Speaker 1: everything like this. We gotta figure something now. Definitely, I
28:26
Speaker 1: would love to you. I tell people all the time,
28:30
Speaker 1: fifty one of the biggest people out here moving in television.
28:33
Speaker 1: And for whatever reason, it don't feel like Hollywood has
28:35
Speaker 1: given you that recognition. But it's not too many people
28:39
Speaker 1: doing it like you're doing it black all white. But
28:42
Speaker 1: then our culture they'll see who's making things get done,
28:45
Speaker 1: you know what I'm saying, and then how how it? No,
28:48
Speaker 1: I don't need trophies, man, guys, got enough of them
28:50
Speaker 1: with the music. Um, it's just to get more done.
28:55
Speaker 1: Like then, when you say diversity, it is the key
28:58
Speaker 1: to real entertainment. At this point because it's been isolated
29:02
Speaker 1: to one thing for a long time. Bro, And this
29:05
Speaker 1: is when you have the hits that will unexpected hits
29:07
Speaker 1: like the Power series, and when they see the successive
29:09
Speaker 1: Power Universe and everything else, they go, yeah, it's then
29:14
Speaker 1: like I got twenty six shows right now. Damn damn. Yeah,
29:19
Speaker 1: that next deal gonna be like eleven figures. They're gonna
29:23
Speaker 1: have to pay. I ain't going I ain't even gonna
29:25
Speaker 1: do it. I'd be like this, No, I'm I like
29:27
Speaker 1: it here nice by myself. And then I'll build the
29:31
Speaker 1: studios and everything else. I'll start making them myself instead
29:34
Speaker 1: of giving them to them first. All right, all right,
29:38
Speaker 1: well appreciate your filth. Yeah, when you're back in New York,
29:41
Speaker 1: you gotta come up definitely. I come up there right nearly,
29:45
Speaker 1: all right, fifty cent. It's the Breakfast Club the morning