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Transcript

Road House (2024) · Citizen Frame

• 0:00
  So if we're if we're
• 0:03
  gonna kill this guy if he's
• 0:07
  already dead once nox is on
• 0:10
  the job it's over baby it's just a matter of when yeah you're right i'm sure
• 0:15
  it's always how the story ends right no not always sometimes the hero stays
• 0:24
  and makes his own little homestead i don't think i'm the the hero in this particular story, Charlie.
• 0:30
  So maybe you're not the hero. I got news for you.
• 0:35
  You ain't the villain either.
• 0:38
  Alright, guys. We're back here. And it's kind of fun because we did a couple
• 0:43
  of these retrospectives.
• 0:45
  We did it with Nightmare on Elm Street and we did it with...
• 0:49
  Well, the G.S.N.s? Friday the 13th. Yeah.
• 0:51
  Where we always ended with the reboot. Like the reboot requel.
• 0:56
  Or the remake. The remake, yeah.
• 0:59
  And we're doing it with this one. Roadhouse, we both enjoyed.
• 1:03
  It's cheesy crap, but that's nothing wrong with that. We'll go with it.
• 1:07
  Some good music and, you know, just have fun with it. Second one was shit,
• 1:13
  but it had some good action.
• 1:15
  You know, you almost wish they kind
• 1:17
  of mixed both of them. That's what you appreciate? That's both worlds.
• 1:20
  No, Jake Busey was overutilized. He was in it too much. Well,
• 1:23
  he's the most memorable thing from it. Yeah, that's the problem, though.
• 1:27
  And this is the problem you and I are going to argue with.
• 1:30
  Even though 99% of the world will agree with me, you're going to have this fixation
• 1:36
  on some terrible acting here. Yeah.
• 1:40
  I think I know who you're referring to. Yeah. So we're here to talk the controversial.
• 1:45
  Believe it or not, all these remakes and reboots come. It's amazing.
• 1:49
  All these reboots and remakes that come out. I'll take it. We'll go see it.
• 1:53
  But you touch Roadhouse. Yeah.
• 1:56
  Oh, my God. It's sacrilege. Yeah. Because obviously the original was perfect,
• 2:02
  you know, and everywhere.
• 2:03
  Yeah. Yeah. But I'm cool with that. It's like tango and cash.
• 2:07
  I want people touching it.
• 2:10
  So I'll go. I get it. But you got Doug Liman here, man. This guy is an A-list director.
• 2:17
  American Made, him and Tom Cruise, Edge of Tomorrow, him and Tom Cruise,
• 2:21
  The Bourne Identity, Mr. and Mr. Smith. Yep. Guy knows action.
• 2:26
  Guy knows what he's doing. Yep.
• 2:28
  You got Jake Gyllenhaal, who I like. I liked him in The Prisoners and other
• 2:33
  stuff he's done. Donnie Darko, of course.
• 2:35
  Donnie Darko with also Patrick Swayze. You know, he's built for it He's done some working out.
• 2:42
  And, you know, a decent little cast here Some fun actors here In this film And
• 2:48
  a lot of controversy Because,
• 2:50
  you know, you don't touch Roadhouse But I'll tell you what, the reviews are
• 2:54
  pretty Fair to this one And I'm gonna have to say here, guys,
• 2:58
  I like Roadhouse And I think most of the 80s movies Have yet remade The originals
• 3:03
  are always better, besides Fright Night Believe it or not, we'll get to that
• 3:06
  one I still like that sacrilege,
• 3:09
  And But I have to say guys Before we start here This is a lot better film than
• 3:16
  the original Roadhouse and,
• 3:19
  I'm gonna tell you Why but that's not to Take away that I enjoy the original,
• 3:26
  Okay This is where everyone just gets Well I mean certainly on a technical Level
• 3:31
  and you know Acting wise and stuff well apart from a certain Martin Chapp,
• 3:36
  who will get to- No, I want to say acting. I want to say acting.
• 3:38
  Jake Gyllenhaal is very good here.
• 3:40
  Yeah, I think Swayze is good, but we'll go over, and that's more about direction.
• 3:44
  Jake Gyllenhaal is told what to do and how to do it. He can do comedy as well, very well.
• 3:52
  Yeah, he can play deadpan pretty good. Yeah.
• 3:55
  So this is a film that, back when we had The Phantom Menace,
• 4:00
  they're going completely opposite direction here.
• 4:03
  They did these, what they call CGI stunt doubles. So what they did was they
• 4:07
  would use the stunt actors, the one actually fighting.
• 4:11
  Famous one would be Ewan McGregor, Liam Neeson, and Ray Park fighting Darth
• 4:15
  Maul against the other guys. Yes.
• 4:17
  Obi-Wan and, I can't remember his name. Qui-Gon Jinn.
• 4:21
  There you go. And that wasn't them fighting on that battleship,
• 4:26
  Death Star, whoever it was. It's all green screen.
• 4:28
  It was stuntmen. But what they do is the CGI, the heads of the actors on the
• 4:33
  stuntman's bodies. Yes. That's what they did here.
• 4:37
  And it's called CG fight doubles. And stuntmen use it now for these quick closeups
• 4:43
  and they go so fast that it blurs the image so you really don't see.
• 4:47
  That it's a fake punch. Yeah. Yeah. I'm not going to get me wrong,
• 4:51
  Jake Gyllenhaal, Conor McGregor and the gang, they all did their,
• 4:54
  you know, obviously trained and fought in certain scenes, but this is how they did this.
• 4:59
  So these closeup shots, because a lot of the fighting here has done closeups
• 5:04
  and the one, my, one of my complaints about the original one,
• 5:08
  there wasn't enough fighting where even the second one upped the fighting a bit.
• 5:12
  This one, balls of law has some really cool fights. Yeah. The action's good.
• 5:17
  Yeah. So we're going to jump into this one and we're going to talk Roadhouse.
• 5:22
  All right. We've got. Nobody wins a fight. All right. So this time around in
• 5:27
  Roadhouse, we've got Jake Gyllenhaal, who plays Dalton, an ex-UFC fighter.
• 5:34
  Elwood Dalton. Who left the ring for his violent, violent temper toward a fellow
• 5:39
  fighter. He killed Dalton.
• 5:41
  We got, sadly, Conor McGregor plays Knox, who pretty much just plays himself.
• 5:47
  He looks like a fucking obnoxious, smiley leprechaun. He looks like a psychotic, fuzzy burr.
• 5:54
  Yeah, yeah, that's perfect. Yes, I like that. I'm with that. It's terrible.
• 6:00
  It doesn't ruin the film because you have such good supporting villains that
• 6:03
  are so bad at what they do.
• 6:06
  We kind of talked about that with the original Roadhouse. They,
• 6:08
  the one thing that works about this film is that they keep, you always,
• 6:14
  I always believe if you're doing a remake, make it your own, do your thing.
• 6:18
  You have the right to do that, but be respectful of the original. Yes.
• 6:24
  And keep the source material there. And they do that incredibly well.
• 6:29
  They do actually, to be fair.
• 6:30
  And that's, and that's because of Doug Liman and his direction team.
• 6:33
  And I mean, he's the DP and the writing and all. Yeah. So we got Jessica Williams.
• 6:38
  She plays Frankie, who's the bar owner here of the Roadhouse,
• 6:44
  simply called the Roadhouse.
• 6:45
  It's not Frank this time. It's Frankie. Little nod to the original.
• 6:49
  We got Danella McQuire. Yes, she's a Portuguese actress. She played Ratcatcher
• 6:54
  2 in the recent The Suicide Squad.
• 6:57
  Oh, okay. I didn't really see her background much. Yeah.
• 7:00
  I like to see Billy Magnuson. He always plays a good brat. Yes,
• 7:04
  he's the spoilt brat kid of the main gangster who we never see because he's in jail. Yes.
• 7:10
  Yes. Well, we might see for a sequel. It'd be interesting because that'd be
• 7:13
  an interesting sequel, Revenge. Yeah. Have Robert Davi or something play him.
• 7:17
  Yeah. Yeah, exactly. He'd be good. So we got Billy Magnuson who plays Ben.
• 7:21
  And then we got the guy who plays the sheriff, Joaquin de la Media.
• 7:25
  He always plays baddies.
• 7:27
  He always plays bad guys. What? That's his name on it? Big Dick?
• 7:30
  I just call him the sheriff. But that is his name? Uh-huh. Then we got Laura,
• 7:34
  Billy, Reeve, Del, Vince, Moe, Charlie.
• 7:37
  So there you go. Yeah. I like the henchman who's a nice guy.
• 7:41
  He's actually, it's like he's wound up on the wrong job, but he's like,
• 7:45
  oh, hey, how's it going? You know?
• 7:47
  And I'm glad he was spurred by Jake later on.
• 7:52
  So the intro here, I think is clever and what they do,
• 7:58
  I like the fact that she's going to talk to this UFC fighter to help her get
• 8:04
  the bar in order, just like the original, but because.
• 8:08
  She can't see the fight because this guy shows up Dalton and this guy post Malone
• 8:14
  cameo won't fight him because once he's discovered who he is,
• 8:18
  he's a famous UFC fighter.
• 8:20
  Her the fight's done and he won't fight him and
• 8:23
  it's a nice intro to right
• 8:27
  away who dalton is but i like the fact she wasn't
• 8:29
  looking for him she was looking for somebody else yes and
• 8:32
  also as well yes he's suicidal yeah
• 8:36
  he he has nothing to live for i mean but
• 8:39
  but but we talked about the opening scene the first one where
• 8:42
  he gets knifed in the bar fight and he's
• 8:46
  all badass and takes a knife i'll tell you what in
• 8:49
  this one and this is not because the first one didn't
• 8:52
  do it well it's just because the effects and what they can do now with technology
• 8:57
  because when one of the guys walks up to him and goes you just cost me five
• 9:01
  hundred dollars whatever it was because he showed up to fight him he sticks
• 9:06
  it and they show it and it's obviously clearly cgi of some sort but done
• 9:11
  so well and cgi is always looks beautiful when
• 9:14
  it's done in small doses and it's just it's just a nice setup that this guy
• 9:19
  is a badass and he's also not the sort of the flawless character that the original
• 9:25
  dalton by patrick swayze was he's just such a super guy and brilliant at everything
• 9:29
  this guy is he's a bit of a tortured soul he's an anti-hero.
• 9:34
  Yes, and that's what this movie does right. Now, again, that's not Swayze's
• 9:39
  fault. Yes, of course. That's Rowdy Harrington's direction.
• 9:41
  But in this one, I guarantee you says, you're not going to be Superman here.
• 9:47
  You're going to get, I mean, Jesus, even in the original,
• 9:52
  you see him get cut, but you never see him, the bullets and the bleeding that
• 9:59
  Jake Gyllenhaal takes in this film is all over the place.
• 10:03
  He's not superman even i mean this is
• 10:05
  even sort of reflected with the the young
• 10:09
  girl in the bookshop you know who she's talking about you know like the pope
• 10:12
  western you know i'm just saying well is that right are you are you the hero
• 10:15
  the hero and he goes you know at the end of he says i'm not the hero say yeah
• 10:19
  but you're also not the villain you know so that's all reflected and like i
• 10:22
  was saying the you know basically the first one is a western for all intents
• 10:26
  and purposes but But so is this, you know, so again,
• 10:28
  it's in keeping with the tone of the original.
• 10:32
  Exactly. They're just, quite frankly, perfecting it. Yeah, well.
• 10:36
  They're doing, no, they are. They're giving us the answers that we wanted from the original. Yeah.
• 10:43
  It's certainly more refined and better, but it's not perfect,
• 10:47
  but yes. Oh, it's not perfect. That's because of Conor McGregor.
• 10:51
  Conor McGregor. I do like, yeah, that's just you being you. You're just going to like stupid shit.
• 11:00
  What are you talking about? Your finger doesn't... It's sad you feel that way.
• 11:04
  I'm serious. It's sad you feel that way.
• 11:06
  You actually thought he... No, no,
• 11:08
  no, no. He was just over the top and pantomime. But that's the problem.
• 11:12
  That's the problem. A scene stealer. We're talking... No, he's not a scene stealer.
• 11:17
  He is, whether we like it or not. No, he's not. He is terrible at it.
• 11:20
  Alan Rickman, die hard, is a scene stealer.
• 11:23
  Whether we like it or not... No, this guy's not.
• 11:25
  Don't you dare. Whether we like it or not.
• 11:28
  Conor McGregor, a scene stealer. You cannot take your eyes off him whenever
• 11:32
  he is on camera. He's a whole, we have no choice.
• 11:35
  Exactly. So that to me is stealing a scene. That's not scene stealing.
• 11:39
  It is. Whether we like it or not.
• 11:41
  You don't know the definition of scene stealing at all. I do.
• 11:43
  And whether we like it or not, he is stealing those scenes. Even off Gyllenhaal.
• 11:49
  Whether we like it or not. Whatever, let's move on. We're done talking about him.
• 11:55
  It's not funny. It's sad. It is funny.
• 11:58
  It's really sad that you think he's better in this than Jake Gyllenhaal. He didn't say that.
• 12:03
  I didn't say that. Yes, he did. Because if he's stealing, supposedly,
• 12:07
  the scenes, he's better than Jake Gyllenhaal. That doesn't mean that there's a difference.
• 12:10
  No, no, no. You just said it. It's poppin' man.
• 12:14
  Oh jesus christ you know you you don't know
• 12:16
  what you don't you don't know that you're go to gary oldman and
• 12:19
  say god i love how you stole those movies that you're always in that you're
• 12:22
  like in a leon the professional just like conor mcgregor did in roadhouse but
• 12:26
  whether we like i'm not saying there's no i'm not saying conor mcgregor's good
• 12:30
  i'm saying he's awful in this and he's completely over the top but whenever
• 12:33
  he is on he's awful yes i know why i'm agreeing with you but whenever he is
• 12:37
  on the screen no no he's awful but yet he steals the show because
• 12:41
  it's just so over-the-top absurd.
• 12:44
  Over a film that we've already discussed within the first five minutes of this
• 12:48
  conversation that this is a good, darker take. He's suicidal, we got this.
• 12:54
  But I love the fact there's a clown in here and he just steals the whole thing.
• 12:57
  I didn't say I loved it, but I'm saying it is completely memorable.
• 13:01
  You did! If you're saying he's
• 13:03
  seen stealing, that makes that you like the character. Not necessarily.
• 13:07
  Not necessarily. It means you can't ignore the character. Victor.
• 13:10
  All right. Let's just go back. Let's just go back to the comedy you're watching.
• 13:14
  Unreal. Unreal. But anyways, like you mentioned in the beginning of the podcast,
• 13:19
  yeah, he's suicidal. And that seat on the train tracks.
• 13:24
  Now he gets hit by the train. He decides, well, not today, but he can't get
• 13:28
  the car out in time. Yeah. And he takes a hit.
• 13:31
  Pretty nice little, I don't know if the car wouldn't have exploded,
• 13:36
  but he takes a walloping And he kind of puts you in the car a bit when he does
• 13:41
  that. He takes a lot of wallopings in this. I know. You know.
• 13:45
  But I do like the fact we have a, once you make this character,
• 13:51
  Dalton, suicidal, it makes him the guy who has nothing to lose.
• 13:57
  He doesn't give a shit then. Don't. Yeah. He's a time bomb.
• 14:01
  So when he decides to take this role, he obviously takes his bus at this point.
• 14:07
  He can't take the car anymore.
• 14:09
  They wrote off him buying a car every time, which I like. Yeah,
• 14:13
  he got rid of his car pretty early on.
• 14:16
  Yeah, to a train.
• 14:19
  We're introduced to Glass Books. That's Charlie and Stephen,
• 14:22
  the father and daughter team. I like them.
• 14:24
  I like these two characters a lot. They were likable and sort of,
• 14:27
  they provide good sort of bookends for the, you know, the beginning and the
• 14:31
  start when he goes to Florida Keys, which in reality was shot in the Dominican Republic.
• 14:36
  Yeah, yep. It was, is that, it was the Black Keys they called it or something?
• 14:41
  Black Keys or something, I think that's called, yeah, yeah.
• 14:44
  Yeah, the little restaurant next to it's called the Double Deuce.
• 14:46
  Yes, there's quite a few references in here. Well, I mean, it hooks up with
• 14:50
  a doctor lady as well, you know?
• 14:53
  Yeah, yeah. But this one can act. Yes, it can act, yes.
• 14:59
  Now, the great thing about having Stephen and Charlie, they're not in it enough,
• 15:03
  but like you said, they're mainly in the beginning and the end.
• 15:05
  Uh, they'll have a cameo here and there, but what they're kind of the narrator,
• 15:11
  not the narrator, they're kind of the beacon of hope for him.
• 15:15
  They're there. He, he, they're there, his wise men. They represent sort of a normal life.
• 15:20
  Yeah. Yes.
• 15:24
  There's a nice line there at
• 15:25
  the end of the film where he's leaving and he goes, I'm not the good guy.
• 15:31
  I'm not the cowboy going away, blah, blah, the sunset. I'm not the good guy.
• 15:35
  And she makes the comment, but you're not the bad guy either.
• 15:38
  Yeah, you're not the villain. And that's exactly where he is at.
• 15:41
  He's the anti-hero. He's in the middle of the ground. Yeah.
• 15:44
  Very well done. And I hope people catch some of the lines that are actually
• 15:48
  in this film and not be blurred by all the, you know, the action stuff.
• 15:52
  You know, we talked about 80s cheese a lot. That's our favorite.
• 15:54
  And this is done, this blends some dark tones, but it blends some humor into it.
• 16:01
  That might be when you're talking about with McGregor. and then you'll blend
• 16:03
  some cheese, it keeps the 80s cheese, especially with the boat chasing,
• 16:09
  and the villain, the main villain, you know, the son of the gangster yeah,
• 16:13
  Billy Magnes he's still out of the 80s, you know,
• 16:17
  Now you talk about a scene stealer. I think he does. Oh, he's very good.
• 16:20
  Yeah. And he can act. He's such a spoiled brat.
• 16:23
  Oh, he's obnoxious. And I love the scene when you're introduced to him and he's
• 16:27
  talking to his cronies and the guy's shaving him and it's a fucking ocean and
• 16:32
  it's the waves are. Yeah.
• 16:34
  And he keeps cutting them and the poor barber is shitting his pants.
• 16:38
  So he cuts him again and he goes up and he punches the captain. Yeah.
• 16:42
  Because yeah, you think that he's going to punch the barber,
• 16:44
  but he's not. that he punches the guy who's steering the boat.
• 16:47
  And that's our intro to him, which is perfect. Yeah, he's a complete asshole.
• 16:51
  He's a little yuppie prick. Yeah, and you can picture him in a lethal weapon
• 16:55
  film or something. No problem at all.
• 16:57
  Billy Madison, he's done a lot of stuff. He's been around for a bit.
• 17:01
  But yeah, and it's a well-grounded cast. I like everyone here. Even the doofuses.
• 17:08
  And it casts well. But again, I think so did the Roadhouse in general.
• 17:13
  I think Roadhouse did cast well itself.
• 17:16
  So they kept true to that.
• 17:18
  So I do like when the music. Now, they didn't bring Jeff Healy or that kind
• 17:24
  of atmosphere. No, it's not a sovereign bar.
• 17:28
  Yeah. And also they're not going to, oh, it's my old friend.
• 17:32
  Yeah. You know, Dalton, they weren't friends.
• 17:35
  As a matter of fact, every scene there's a different band playing.
• 17:38
  And some of them are jazz bonds and all sorts.
• 17:40
  Yeah. And their music's fucking good in this movie. isn't it?
• 17:43
  It's pretty decent, yeah, it's pretty likable, yeah.
• 17:46
  And I really like the Post Malone song. It seems quite authentic.
• 17:50
  Yes, and, yes, and set up for today's standards,
• 17:56
  Yes, you can picture these types of bands and bars these days,
• 17:59
  you know, it's not a honky-tonk bar, you know, not that there's anything wrong
• 18:03
  with that, you know what I mean, but it's not a sort of, you know,
• 18:06
  it's updated well. They, they.
• 18:09
  And I like the fact, I think they also got away from the relationship because
• 18:15
  of the fact, sadly, Patrick Swayze and Jeff Healy are past now. They're gone.
• 18:20
  So I don't think they wanted to step on that. Yeah.
• 18:24
  You know, let that be Roadhouse. That's the 89 Roadhouse thing.
• 18:29
  And I respected that a lot. Also, we talk about Carrie. Remember Carrie?
• 18:34
  I fucking couldn't stand in the first one. She shows up with breakfast and blah, blah.
• 18:38
  This carrie is actually kind of cool it's that i actually
• 18:41
  prefer the original but no actually no that's just an exaggeration no
• 18:43
  no i think they're both pretty annoying to be fair you know no this
• 18:47
  one's okay yeah she is still a little more irritating as you come she calls
• 18:51
  to his house which is now a boat in this one yeah breakfast obviously a replaying
• 18:56
  of the scene from the original yeah but they don't but she's not gaga she's
• 19:00
  not she's not annoying that yeah you know what it could be she's not doing it
• 19:04
  over the top it's normal like a normal person okay i'll say
• 19:06
  that yes and thankfully we are spared the sight of gillan howell's butt all night.
• 19:12
  Yeah i mean yeah he plays he puts
• 19:15
  his pants on he's got underwear on when she shows up he says yeah he doesn't
• 19:21
  go to the to the the opening of the door as the sun rays hit his ass yeah yeah
• 19:28
  and he pauses for a minute yeah exactly and that's totally like a bit of a sort of,
• 19:33
  and then joke about the original and that scene with Swayze running about literally butt naked.
• 19:40
  First encounter. Yes. Where we meet pretty much the two, Moe and Del.
• 19:44
  These guys are pretty good. Yes. And.
• 19:49
  They don't tell you the rules, but they do the rules by showing you.
• 19:55
  Yes, exactly. So he needs to get these guys, get them outside.
• 19:59
  So he goes up and he starts going toward their bikes. Yes. He goes,
• 20:02
  are those your bikes out there? So they get them out of the bar.
• 20:06
  They think he's going to fuck with their bikes.
• 20:09
  And I'll tell you what, man, how fast he fucking moves. Now,
• 20:12
  I don't, with the slapping, it's such a fun scene.
• 20:16
  Beats the crap out of him. And he's like, how is the hospital?
• 20:19
  And Mo's like, well, traffic. 25 minutes.
• 20:22
  Yeah, 25 minutes away. Yeah. Yeah.
• 20:25
  Yeah, I like Mo. Oh, my. Yeah. Yeah, and then he, after he beats the shit out
• 20:30
  of him, within a half a second, he's driving with the hospital.
• 20:34
  Yeah, he's all very tongue-in-cheek and a bit sore.
• 20:36
  And again, Gyllenhaal's comedic timing is on the ball. He really can.
• 20:41
  Well, he plays it dead. Yeah, and his timing is perfect.
• 20:45
  Yeah, it is. Well, the great thing about Gyllenhaal is that he does,
• 20:49
  even growing up, he was one of his first film was City Slickers.
• 20:52
  And then he did Pleasantville. And so he's, he's been, he's been in all types
• 20:57
  of genres. And he can act, he can do the business, you know?
• 21:00
  Exactly. No, you're spot on. Exactly.
• 21:05
  When he's driving in the hospital you can hear
• 21:08
  kokomo playing in the background and then they're
• 21:11
  all hurt and then he goes guys bump and they're
• 21:15
  like oh no the comedy here has played very well and
• 21:18
  whereas with the original it's all intentionally comedic
• 21:22
  a lot of the time whereas here it's intentional and it works well
• 21:25
  they blend they blend it better here we talked about that
• 21:28
  with roadhouse where you kill wade in a
• 21:31
  pretty brutal manner and then all of a sudden you're
• 21:34
  having jokes with tubby or chubby whatever his
• 21:36
  name was robotic smile and the second one and stuff yeah yeah
• 21:39
  it's just like where are we where are we here this blends well
• 21:43
  here well balanced that's the perfect way
• 21:46
  that's the perfect word i'd use balance yes i think i
• 21:49
  think i think the problem a lot of people who
• 21:52
  are given this really harsh reviews have with it
• 21:55
  i think they were basically looking i'm basically uh something
• 21:59
  that was they were basically looking the exact same game they
• 22:02
  were basically looking at 2024 exact copy and
• 22:05
  paste of the original but why this does have its
• 22:08
  you know similarities to the original does its own thing too and skillfully
• 22:12
  i would say i'll be honest skillfully you know again that goes back to the director
• 22:17
  behind it and and the talent in front of the lens as well like when they handle
• 22:23
  that when he meets ellie the doctor yes Yes.
• 22:26
  And he needs to get stitched up. He just go, I don't pay. I'm romping.
• 22:30
  What was that line he says?
• 22:31
  Pay don't hurt. Well, he does say a line in reference to the original hero.
• 22:35
  It's nobody wins a fight. Yeah.
• 22:38
  But he also says, I don't want any paperwork.
• 22:43
  Yes. He doesn't say, I don't want help because he's in pain.
• 22:46
  He just says, I'm not going through the paperwork.
• 22:49
  Yes. So just give me a bandage. I'll do it later.
• 22:54
  I love how the boat It's called the boat Her uncle owned all these and he just
• 22:59
  called them Yes that's right The roadhouse Exactly.
• 23:05
  But another thing which they Rectify as well here from the second one They have
• 23:10
  a fucking crocodile in it And it eats a bad guy,
• 23:14
  Yeah I was about to say that They finally give us a And I promise you They did
• 23:19
  their homework these guys who wrote this And they put that crocodile in there
• 23:23
  Just because we never got to see the death of a crocodile Yeah definitely Or
• 23:27
  they listen to our podcast Well,
• 23:31
  In the future Time travelers, Doctor Who And a TARDIS.
• 23:39
  But yes Yeah that was 100% They were on the same page as us With the second
• 23:44
  one not giving us a crocodile Eating someone Yeah,
• 23:50
  i do think oh that's right they're
• 23:53
  they want this this one kind of gives us well
• 23:55
  i think this it's the same story in the original they want
• 23:59
  they just want the land because he wants to build an empire yes
• 24:02
  i that's exactly what it is it's basically his dad and there's basically money
• 24:07
  involved to do with i'm assuming drug dealing and stuff you know but it's basically
• 24:13
  they want to knock the roadhouse down they don't actually want the roadhouse
• 24:16
  itself they want the land and they I want to control the whole of that area,
• 24:20
  that region of wherever it is in front of the Florida Keys. Yeah.
• 24:25
  Yeah, because it's easy to get drugs in and out or something.
• 24:27
  Yes, yeah. It's about the depth of the waters. Yes, that's right. Yeah.
• 24:33
  There's a nice shot where Dale is going to try to kill him. Yeah.
• 24:37
  Because he wants to get revenge.
• 24:39
  And he's walking on the bridge and the car's coming, there's a car coming behind him.
• 24:44
  It's kind of just like a passing buyer. Then all of a sudden he hits it and
• 24:48
  the car comes right at him. And you're still there.
• 24:51
  He actually takes that hit and you're in with him.
• 24:55
  Yes. And he obviously goes over the bridge and he makes it. But the way that
• 24:59
  whole thing was, again, the nice blend of CGI and practical really, really worked for me.
• 25:04
  I think it also works for these scenes as well.
• 25:07
  And especially because it's, again, it's the CGI is used sparingly,
• 25:11
  but also because these scenes are happening at night.
• 25:14
  They can sort of hide it a bit more you know any
• 25:17
  weak flaws within the cgi yeah and it's
• 25:20
  and it's happened so fast you get away with being a little blurry exactly and
• 25:23
  that's the same with the fight later on especially you know like the final fight
• 25:26
  with conor mcgregor and stuff which you know which does
• 25:29
  who's who's better acting than alan rickman i did not
• 25:32
  say that all right but i'm saying whether we fucking like it or not and despite
• 25:36
  how bad he is you still he it's not even you don't even have have a choice whether
• 25:42
  you like him or not he's just like in your face he's literally in the audience's
• 25:45
  face along with the characters in the film a psychotic fuzzy bear so when,
• 25:52
  after the attempt dell goes to try to finish him off at the boat and this is
• 25:57
  where he gets eaten by the croc another and neither you know you just saw the
• 26:01
  car scene when i kind of jumped a little bit this scene scared the shit out
• 26:04
  of me because i totally forgot about the crocodile at this point I didn't know I was waiting on it.
• 26:08
  And I do like that Jake Gyllenhaal tried to help him but he can't but yeah there's
• 26:13
  nothing he can do he's basically crocodile food yeah yeah and he deserved it asshole,
• 26:19
  so then after he gets it,
• 26:23
  Jack and Sam show up. It's fucking hilarious. He's, man, you already said you
• 26:28
  got to come with us. And he's got his gun in his belt.
• 26:31
  And he's like, that gun's going to be useless. Why? Well, because I'm going
• 26:34
  to break your index finger and you can't pull the trigger.
• 26:37
  And he doesn't. By the time he even finishes the sentence, he breaks his index
• 26:41
  finger. Because they're morons. They're basically idiots, you know?
• 26:45
  So most of these villains here are, you know? No offense, but that's,
• 26:49
  I think, the way it would be.
• 26:50
  Exactly. yeah it's you know it's it's a
• 26:53
  bit of an obscure sort of comparison here but almost
• 26:56
  a bit like dead man's shoes which we've just recently reviewed
• 26:59
  yeah they're morons you know
• 27:02
  they're dickheads like people you know these types of criminals usually are
• 27:06
  in the real world you know incompetent idiots it's well the son and then they
• 27:11
  get the son who's speaking of the most incompetent they he calls his dad again
• 27:16
  we never know who the dad is but i i guarantee you this This movie doing incredibly well.
• 27:21
  There'll be a camp. Somebody's coming back.
• 27:25
  And, but, and cause Knox survives too at the end. Yes, that's right.
• 27:29
  So Knox might be back. Jesus.
• 27:32
  But this is where Knox is. He's kind of his hit man is go to henchman, the cleaner.
• 27:36
  I guess you can say to go in and kick some ass. It sucks because.
• 27:43
  It's completely over the top. You know what I think the problem with Conor McGregor is?
• 27:47
  A lot of people don't like him because he's a dick. He is. He's a dick.
• 27:52
  I'll be honest with you. I don't follow the UFC or anything like that.
• 27:56
  No, just the whole thing where he hit that poor man in the bar.
• 27:59
  I don't know much about it, to be honest with you.
• 28:01
  And he's just nobody.
• 28:04
  People don't. I know of him, but this is the first time I've properly seen him
• 28:09
  do something. I don't follow this sort of UFC stuff. Neither do I.
• 28:13
  So I don't really, I'm not in on that.
• 28:16
  So this is the first time, I knew who he was. He's obviously well known.
• 28:20
  I don't follow it either.
• 28:22
  I do, I think Bustista was UFC fighting too. Yeah, or MMA, mixed martial arts
• 28:27
  type thing. I don't know.
• 28:28
  Yeah, when you see Bustista on the screen in Blade Runner 2049 or when you see
• 28:33
  him at a knock of the cabin and what a brilliant performance those both were.
• 28:37
  And I would have loved to have seen him in this.
• 28:41
  That, to me, would have been a threat. I guess because you've got the comic
• 28:47
  book element of the villains where they're kind of,
• 28:51
  Keystone Coppery, but you don't like them, you needed a darker element there
• 28:55
  to fix that. Well, it's completely over the top.
• 28:58
  And you get this complete opposite character.
• 29:00
  I think Conor McGregor's a talented man. Clearly, he's fucking a machine.
• 29:05
  And, you know, I kind of like to see, you know, somebody who you wouldn't think
• 29:11
  get a role like this, get a role.
• 29:13
  But I'll tell you what, it's been done 300 times better. His introduction is...
• 29:17
  With Dolph Lundgren. Yeah.
• 29:18
  It's been 300 times better with, you know, Dave Bustista.
• 29:22
  It's been done... His introduction is insane where he's basically... Naked.
• 29:28
  Yeah, he's naked. He's basically shagging some guy and her husband...
• 29:30
  Sorry, shagging some woman and her husband comes back and then he's like...
• 29:34
  He's walking about this like fucking small town naked and then he goes and like
• 29:39
  rips clothes off from a stall and then sets fire to the stall for no reason
• 29:43
  at all he's just like you know he needs sectioned.
• 29:50
  I, the sheriff, I think is kind of wasted. You got a good actor here.
• 29:54
  Well, he always plays villains. He didn't desperate out on stuff with Antonio Banderas and stuff.
• 29:58
  Yeah. He was, I think the lead bad guy in bad boys. He pops up.
• 30:03
  Yeah, exactly. Yeah. And I like to see him, I guess.
• 30:07
  He's obviously. He's the father. The father. Of Dr. Lady. Yeah. Yeah. Father of Ellie.
• 30:13
  I do like the Ellie relationship with her and him. There's no sex. There's no blah, blah.
• 30:18
  It's not because of my prudence thing. Yeah. because the problem with Roadhouse, it happened in one day.
• 30:23
  And this one, it's about a week or so process.
• 30:27
  So they go on a small date and he takes them out. It's a bit more grounded.
• 30:30
  It's a lot more grounded. Yes, exactly.
• 30:32
  There's no sex scene. They're too shaggy on the roof.
• 30:36
  Well, there's no, yeah, exactly. They take away. Actually, the first film almost
• 30:41
  feels like they listen to our pockets, not to be cocky. Yeah, I know, I know.
• 30:44
  But all the stuff you and I didn't like about Roadhouse, it seems like they've
• 30:47
  taken it out and corrected it tone down the gratuitous naked butts and sex and
• 30:55
  also give us a crocodile death,
• 30:57
  however on an ironic twist to this to your love for your favourite actor Conor
• 31:03
  McGregor he could have sold the line I fuck like you guys like you in prison
• 31:09
  100% he could easily have basically.
• 31:13
  They should have given it to him yeah yeah that
• 31:17
  would have could the jimmy character the first one was the
• 31:20
  jimmy i wanted to see in this one darker quiet yeah you
• 31:23
  know reserved so when he said that comment the first
• 31:26
  one it didn't make sense exactly it was just completely like
• 31:29
  so much of the dialogue in the original it's completely it's just it's bizarre
• 31:34
  but yeah but the you still get our bizarreness and boy do we get it with mcgregor
• 31:39
  you know yeah yeah and i think that that that's because of the over the topness
• 31:45
  and the silliness of the first and second to a lesser extent,
• 31:48
  but especially the first. That's why McGregor's there.
• 31:51
  Yeah, but again...
• 31:55
  He doesn't steal the movie. No, I'm not saying that. I don't mean in a good way.
• 31:59
  I mean in a... No, you can't have that in a good way. What? No,
• 32:02
  I'm not saying that. Not in a good way.
• 32:03
  You can't, because when you say someone steals a movie, that's a good thing. He steals a movie.
• 32:08
  Gyllenhaal steals a movie. You did. You say, okay, it's the same thing as steal
• 32:11
  the scenes. That he's in.
• 32:12
  It's the same thing. And he's only in a few scenes. Same thing.
• 32:14
  But whenever he does, you cannot take your eyes off him. It's just like,
• 32:17
  what the hell am I watching here?
• 32:18
  Well, you can't take your eyes off him, because he's in the center of the camera.
• 32:21
  Exactly, you're forced to.
• 32:23
  Yes, exactly. He's forced on our fucking phone. Exactly. Fucking hell.
• 32:27
  You've got this psychotic, fuzzy bar screaming at you. You have no choice. It's nuts.
• 32:34
  I like when Knox shows up. But there's a nice little thing I saw.
• 32:39
  I don't know if it was deliberate.
• 32:41
  Knox and, you know, there's a big bar fight, right? We won't get into details. You guys got to see it.
• 32:45
  They use the tumbling cam. Yes. That's the cam that James Wan uses in The Conjuring and Made Famous.
• 32:52
  It's just very, very nicely shot and choreographed. I mean, I'm the expert in
• 32:56
  how you shoot a fight scene, you know.
• 32:58
  Well, I am. Yeah, it's very slick.
• 33:02
  Yeah, very cool. Very modern. Very modern.
• 33:06
  And there's, he's, Jake Gyllenhaal is holding his own and Conor are fighting.
• 33:12
  It took two other men to hold him down for Knox to get a punch,
• 33:16
  a real punch in. and he's just punching and punching.
• 33:19
  And I like the fact that his buddies, the young bouncers who he never mentioned, they help him.
• 33:29
  They pull, they grab Conor to get him off him.
• 33:32
  You know, it was an unfair fight and it was nice to see the young bouncers.
• 33:38
  He's kind of training to help him up. Backing him up. Yeah. Exactly.
• 33:43
  And this is his weakness. this he's leaving and
• 33:47
  he decides i'm done i'm not going through this as you would as you would in
• 33:52
  reality i would have stayed and fought and killed him it would be like you know
• 33:57
  what life's too short for this shit to deal with these absolute assholes you
• 34:01
  know who don't even like me and give me nothing but shit i'm out of here,
• 34:06
  Fuck it, I would have brought a gun. The end. This is the thing I was going
• 34:10
  to say about all three of the Roadhouse films.
• 34:13
  So much of this crap could be solved with just a gun.
• 34:16
  Like Indiana Jones in Raiders of the Lost Ark when Swordman jumps at him and
• 34:20
  he just pulls his gun out and shoots him.
• 34:22
  In all three of these films, so much of this crap would be solved if they were carrying guns.
• 34:27
  Yeah, which, well, it kind of does happen when Del shows up on the boat.
• 34:33
  Aye, but he's a useless idiot ate who deserved to
• 34:36
  get eaten back up and then and then when ben shoots
• 34:39
  him he goes jesus a spear gun really but yeah
• 34:43
  so the fight scene works and he decides he's done
• 34:46
  i'm not doing this anymore until he sees the glass book has been burned down
• 34:52
  yes and that because that was his savior that was his that was his church they
• 34:58
  are they are i guess you can say they are the basically the the only sort of
• 35:02
  remnant of real humanity within all of these,
• 35:06
  this cast of sort of all of these characters in this town,
• 35:09
  which is controlled once again by a bunch of pricks.
• 35:13
  And the great thing about Gyllenhaal, you don't see him clinching.
• 35:17
  You don't see him like, ooh, yeah, I'm going to get you now.
• 35:20
  He's still kind of stone-faced.
• 35:24
  But he has this move where he kind of walks around and like,
• 35:27
  it days a little bit like, okay, that's it.
• 35:31
  So, So not, and boy, does he lose it. I love their homage to the ripping of the throat.
• 35:38
  So what he does, he just walks up to one of them and he goes,
• 35:42
  he, and he goes, oh, I'm going to kick your ass. He punches him in the throat.
• 35:45
  Yep. And all he says to him was, I just broke your high, high,
• 35:49
  high bone, your high bone in your throat.
• 35:53
  And I just collapsed your trachea. Yeah. You're not going to be breathing anymore.
• 35:58
  Yeah. Oh yeah. Yeah. Yeah, and he's, again, certainly a lot more believable
• 36:02
  than Swayze, you know, and again, as I said in the last podcast,
• 36:05
  I always liked Swayze, you know.
• 36:08
  Well, it wasn't, again, that's not Swayze's fault. Swayze just was taught,
• 36:12
  I just think this is the Dalton that I actually personally think Swayze would have liked.
• 36:17
  Well, he's more of a believable Dalton, let's just say, you know.
• 36:20
  Well, he's a super cooler.
• 36:23
  And the cool thing is, he's not a cooler, Jake Schiller. Yeah, he's not even a bouncer.
• 36:27
  He's a henchman. yeah well he's a he's
• 36:30
  a guy who's there ufc fighter yeah well
• 36:34
  he's a hired gun exactly he's just a bouncer yeah yeah
• 36:38
  i do like i do like actually har he's well known for his and the character is
• 36:43
  well known here for his ufc fighting and you know the infamous fight where he
• 36:47
  killed his friend or as opposed to the original where dalton's just like really
• 36:52
  well known the other side of it, thousands of miles away,
• 36:54
  we're being a bouncer? A bouncer? What?
• 36:58
  Since when was celebrity bouncers a thing?
• 37:02
  When the sheriff tells him, can you go to the boat? They have my daughter.
• 37:07
  Double crossed. Even I knew he was being double crossed. Yeah.
• 37:12
  I like, it's weird because there's an actor who's got a small part.
• 37:15
  He steals the boat from one of the cops.
• 37:17
  And that's Travis Radwinkel. And we all know him.
• 37:21
  He's your favorite character because we loved seeing him get it because he was
• 37:25
  so over the top in Friday the 13th, the remake.
• 37:29
  He was that yuppie prick. Yes. who was so, so just, just a vile character,
• 37:35
  but it's kind of a small part for it. There must've been a director's cut somewhere.
• 37:38
  We had more of a role. Possibly, yeah, possibly.
• 37:41
  This, this whole boat scene is so silly and over the top, especially when the
• 37:47
  sheriff's on the boat and he goes, you're looking very comfortable and Dalton's
• 37:50
  like, you look very comfortable for the fact they have your daughter.
• 37:53
  And he's like, they don't have my daughter. And then Ben's like,
• 37:56
  well, actually we do have your daughter. There he goes. Oh, double cross.
• 37:59
  And he's like, oh, double cross, he had a double cross.
• 38:01
  Yeah. I mean, this whole boat scene, you know, and all the action that follows
• 38:06
  it and stuff, it's pure sort of 80s, sort of 90s action.
• 38:10
  Well, that's what I'm saying. They're adding the 80s unbelievable action scenes to us.
• 38:16
  They're giving us Tango and Cash now here, you know, and that's cool.
• 38:20
  You know what? See, throughout this entire film, I was never once bored.
• 38:24
  Oh, no, not at all. Not at all. Well, in Bridgewater House, I wasn't either.
• 38:29
  Well, I mean, I wouldn't say bored, But I was getting a bit sort of,
• 38:32
  are you for real? I was rolling my eyes. Yeah. There's a difference. Yeah.
• 38:36
  At Roadhouse, you roll your eyes. This one, you're just glued to the TV.
• 38:39
  No, no, this was, I was not bored and I was, I have to say, I was,
• 38:44
  I found it very entertaining.
• 38:46
  This whole boat scene when the, when Dalton blows up the boat and the boat's
• 38:52
  sinking, just beautifully shot.
• 38:54
  There's a nice shot when he's fighting one of the henchmen in the water. Yes.
• 38:59
  And you have Ben I believe it was I can't remember who it was Has a boat and
• 39:05
  he's going to try to run over Dalton with the boat That's Knox I think Was that Knox?
• 39:11
  I think it's Knox but Ben's not going to put down somewhere as well Yeah but
• 39:15
  what Dalton does Is the boat's coming at him The guy he's fighting He puts his body as a shield
• 39:21
  And he smacks his head Again so well done and fast And blurred a little bit
• 39:26
  Yeah, so to get away with it. You can get away with it and say, ooh.
• 39:30
  Well, I'm not going to say stuff like this is going to happen in real life,
• 39:33
  but if it did, it would be quite blurred and happen pretty fast as well. You know? Yeah.
• 39:38
  Well, it puts you in the mix and you're in water.
• 39:41
  Like when Ben, the big chase scene, and Ben collides so over the top,
• 39:47
  collides with the boat that Ben's on, and he flies off the boat,
• 39:52
  lands on top and bounces under the little couch in the back of the boat. Yeah.
• 39:57
  And, but again, the way it's shot, you're like, oh, okay. I can see that happening
• 40:01
  now. Even though it's come on, he'd be dead.
• 40:04
  I was when Ben crashes his boat and flies on top of the roof. Oh yeah.
• 40:13
  On the roadhouse. It's complete. I was actually a bit sort of concerned because
• 40:17
  I thought that they weren't going to have the finale at the roadhouse.
• 40:19
  But you know, they do, they get their events like through flying boats and stuff, you know?
• 40:23
  Yeah. Yeah. Yeah, because he says, doesn't he say something,
• 40:26
  no one's going to have it, I'm going to, he deliberately wanted to crash into it or something.
• 40:30
  But he's an idiot not realizing that he's going to take himself out. Yeah.
• 40:37
  And now there's one line when McGregor shows up for the final showdown.
• 40:43
  McGregor finally does something I enjoy. What was that?
• 40:48
  Breaks the fucking neck of the annoying Ben. Yes.
• 40:52
  Although to be frank I would have preferred
• 40:55
  Ben to have a more over the top death you know maybe thrown into the crocodile
• 41:00
  as well but yes it was he was always going to get it in some shape or form but
• 41:06
  yes McGregor breaks his neck well he goes would you finally shut the fuck up or something,
• 41:13
  what does it take to shut you up and he's right would you ever shut the fuck up,
• 41:20
  But before Knox shows up There's a shot where.
• 41:25
  Gyllenhaal is on top, he's obviously standing, looking down at Ben and Ben's crawling to the bar.
• 41:32
  And there's a shot where Dalton rolls his eyes and he's like,
• 41:36
  oh, come on. He's like, stop.
• 41:39
  No, he's like, no, he's serious. He's like, I don't want to do this to you. Please stop. It's over.
• 41:45
  And he still doesn't because he's such a whiny, he just doesn't get it.
• 41:49
  And so obviously Knox takes him out of the picture.
• 41:52
  So, but that point, that's why I think Knox had to kill him because I don't
• 41:57
  think Dalton would have because he's so weak and Dalton would kill him in a second.
• 42:02
  He doesn't want to do it. So that's why Knox had to do it. Yes. Yeah.
• 42:06
  Well, I mean, they could have had it where, you know what I mean,
• 42:07
  where Dalton was left with no choice, but he had to kill him or something or,
• 42:11
  you know, or something stupid where he ended up fucking, you know,
• 42:15
  falling into the crocodile or something, you know.
• 42:17
  Well, of course, we already had that with the other bad guy earlier. So, yeah.
• 42:22
  I mean, yeah. Yeah, but I mean, I was quite happy for McGregor to take him out,
• 42:25
  but I would have liked it to have been more over the top, you know,
• 42:28
  like something like ripped his head off or something.
• 42:31
  Oh, now you're just going to. Oh, well, come on. I mean, like we're watching
• 42:35
  Conor McGregor here, like he's completely.
• 42:37
  Yeah, but now you're ripping his head. That's just getting stupid.
• 42:40
  That'd be stupid. You're ruining a pretty, it's pretty even. It's pretty even.
• 42:45
  No, it's not. It's not that bad. It's not, you're now going to a glorified violence
• 42:52
  for no reason. It wouldn't make any sense.
• 42:54
  But I'm just saying, it was just a bit too easy and quick for McGregor to break.
• 42:59
  That's the way it should have been. He didn't see it coming.
• 43:01
  And he hated the guy from day one. I think everybody did. What do you think about it?
• 43:07
  So the fight scene's really cool. Yes, it's very well done. And they're both
• 43:11
  fighting really well here and pretty much has Dalton.
• 43:15
  But I love how he just takes pieces of wood. And uses them. And just fucking starts stabbing them.
• 43:22
  And leaves them there.
• 43:25
  And then the sheriff says, get out of here. I'll cover you. I'll cover you. Yeah. Yeah.
• 43:32
  And he says goodbye. Leaves the money for them. Leaves the money.
• 43:37
  For Charlie and Stephen. Yeah. Yeah.
• 43:42
  And I'm sure he kept some for himself. Oh, well, to pay for his boss's fur anyway.
• 43:45
  You know? Sadly, we have to end with Conor McGregor's naked ass.
• 43:50
  Because he's still alive.
• 43:54
  If he comes back, they would have to probably address it. They have to bring
• 43:58
  him back. They need to kill him in the beginning.
• 44:03
  Do not bring him back for a full thumb. Maybe he could get his own spinoff film,
• 44:06
  you know, just all about him and his story. People won't see it.
• 44:10
  He's actually the one thing people don't like about this film.
• 44:13
  If he wasn't in this, this would have been way higher reviews than it's getting.
• 44:18
  He is the only problem I really have with this film. You say he is Alan Rickman, that's fine.
• 44:25
  But I am saying right now, if this, if he wasn't in it and you had a competent
• 44:30
  man, Man, a competent actor, even a fucking woman, a competent woman. What, Jake Boushey?
• 44:38
  You know, you just, you could have, Maggie Q, somebody cool like that even,
• 44:42
  somebody, but you didn't, you went for a USC fighter. Complete another madness. Doesn't work.
• 44:49
  Doesn't work. Doesn't work. But it's such a fun, well-directed,
• 44:54
  fast movies, the exact same length as the original Roadhouse.
• 44:58
  It's actually slightly, it's very slightly longer. It's, but it flies by.
• 45:03
  Yeah, but it feels shorter. Yeah.
• 45:05
  Yeah, exactly. no i think it
• 45:07
  is it is better than well both the original two and and like i say i mean,
• 45:13
  i enjoyed it i had an entertaining couple of hours we've never once bored as
• 45:18
  bonkers as conor mcgregor is in it it is what it is and you know his performance
• 45:23
  and yes it's completely like off the scale bonkers but you know what i mean
• 45:28
  bit of madness and these types of films never always he's entertained me.
• 45:33
  Yeah. He said he's a better actor than anyone else in it. So there you go.
• 45:36
  He's a scene stealer. So Gary Oldman, all the hard work you've done playing
• 45:41
  the good supporting role, bad guys, scene stealer you've always been.
• 45:45
  Conor McGregor's better. Trevor says Conor McGregor's better. He's a legend.
• 45:50
  And the acting world. There you go. Oh, wow.
• 45:55
  Yep. All right, guys. Our retrospective is doing pretty well here.
• 45:59
  So we're going to, it's time to dive in to a big one.
• 46:04
  Yes, that's right. It's time to talk Ali again.
• 46:09
  And we are going to dive into the Terminator franchise. We'll be back. We'll be back.
• 46:17
  Hasta la vista. We're doing all of them. We're doing every one of them.
• 46:21
  Because I'll tell you what, they're not as bad as people say. Black Sponge.
• 46:27
  Dark Fate is. I haven't seen Dark Fate yet. I think people need to see Dark Fate again.
• 46:32
  Really, the true sequel to the second one. But we'll dive into it.
• 46:35
  And that's our next one up.
• 46:37
  We might pepper in something, take a break in between and pep something in,
• 46:40
  in between if something, someone recommends something or we see something that
• 46:44
  we forgot, we like to revisit. visit, take a break from Artie for a bit.
• 46:49
  I know that's blasphemy for me saying that, but looking forward to it.
• 46:53
  I haven't watched the Terminator actually in Terminator 2 in years.
• 46:55
  I absolutely love the original. I'm a massive fan of the original.
• 46:59
  So we'll jump into that one next. We're going to wrap this one up, guys.
• 47:03
  Listen, come grab us at citizenframe underscore podcast on Instagram.
• 47:07
  And of course, Facebook.
• 47:09
  If you have any questions, want to reach out to us, if you guys want to reach
• 47:13
  out, please do it on the Instagram site or on Facebook, we'll see all the messages.
• 47:19
  If you want to shoot the shit, you want to do something different, let us know.
• 47:25
  That is your best point of contact. We don't see everything else.
• 47:28
  We, and the reason, I'm going to be honest with you guys, we're still building
• 47:32
  a little, little empire here.
• 47:34
  So in order for us to grow, we need, we need activity.
• 47:41
  We need hits. We need likes. We need this. We need all this interaction and
• 47:46
  it has to be be done on those two sites at the moment.
• 47:49
  All right, guys, listen, thanks for listening to us. Take care of yourselves.
• 47:52
  I'm off now to watch some Conor McGregor videos on YouTube.
• 47:56
  You need, I've never been so pissed off at you. I'm done. Oh,
• 48:00
  guys, we're looking for a new podcaster. Just, just, just decided right now.
• 48:06
  Music.